Podcasts about Nero Wolfe

Meet Tricia Copeland. She is an award-winning author of books for youth and young adults. Mostly she writes fantasy books, but as we learn during this episode, she also does write some romance books.   Tricia says that as a child she hated writing. Even so, she went to school and eventually she went to college where she received a degree in Microbiology. She also attained a Master's degree. She then went to work for a chemical company. After four years she found herself beginning a journey of technical writing and writing patterns and supporting materials.   After a few years Tricia became a stay-at-home-mom for a time. She tells us how she loved to tell stories and entertain her children.   We learn how she wrote her first fiction book series in 2015-16 about her time facing anorexia. In real life, she faced this and overcame it. She then began writing fantasy youth books and realized not only that she could write, but that she did not hate writing at all. She has written several series and has plans for more.     About the Guest:   Tricia Copeland is the critically acclaimed and award-winning author of Kingdom of Embers, To be Fae Queen, Lovelock Ones, and Azreya, Aztec Priestess, and dozens of other titles. She is the host of the Finding the Magic Book Podcast who weaves magical stories about love, courage, and finding your passion.   Tricia began her author journey with a women's fiction series, the Being Me series, which is an adaptation of her experience with anorexia. Afterwards she quickly pivoted to her favorite genre, fantasy. Her young adult fantasy series highlight themes including resilience, perseverance, faith, loyalty, trust, friendship, family, and love. They include the Kingdom Journals and Realm Chronicles series that find witches, vampires, and fae fighting an evil spirit determined to end them all. She tempers the high stakes drama in these books with her fun rom coms in the Perfect romance series.   Tricia Copeland believes in finding magic. She thinks magic infuses every aspect of our lives, whether it is the magic of falling in love, discovering a new passion, seeing a beautiful sunset, or reading a book that transports us to another world. An avid runner and Georgia native, Tricia now lives with her family and four-legged friends in Colorado. Find all her titles including contemporary romance, now penned under Maria Jane, young adult fantasy, and dystopian fiction at www.triciacopeland.com.   Ways to connect with Tricia:   https://triciacopeland.com https://www.facebook.com/TriciaCopelandAuthor/ https://www.instagram.com/authortriciacopeland/ https://twitter.com/tcbrzostowicz https://www.tiktok.com/@triciacopelandauthor https://www.youtube.com/@triciacopelandauthor https://www.amazon.com/stores/Tricia-Copeland/author/B00YHN5Q4G https://www.goodreads.com/author/show/14055439.Tricia_Copeland https://www.bookbub.com/authors/tricia-copeland     About the Host:   Michael Hingson is a New York Times best-selling author, international lecturer, and Chief Vision Officer for accessiBe. Michael, blind since birth, survived the 9/11 attacks with the help of his guide dog Roselle. This story is the subject of his best-selling book, Thunder Dog.   Michael gives over 100 presentations around the world each year speaking to influential groups such as Exxon Mobile, AT&T, Federal Express, Scripps College, Rutgers University, Children's Hospital, and the American Red Cross just to name a few. He is Ambassador for the National Braille Literacy Campaign for the National Federation of the Blind and also serves as Ambassador for the American Humane Association's 2012 Hero Dog Awards.   https://michaelhingson.com https://www.facebook.com/michael.hingson.author.speaker/ https://twitter.com/mhingson https://www.youtube.com/user/mhingson https://www.linkedin.com/in/michaelhingson/   accessiBe Links https://accessibe.com/ https://www.youtube.com/c/accessiBe https://www.linkedin.com/company/accessibe/mycompany/ https://www.facebook.com/accessibe/       Thanks for listening!   Thanks so much for listening to our podcast! If you enjoyed this episode and think that others could benefit from listening, please share it using the social media buttons on this page. Do you have some feedback or questions about this episode? Leave a comment in the section below!   Subscribe to the podcast   If you would like to get automatic updates of new podcast episodes, you can subscribe to the podcast on Apple Podcasts or Stitcher. You can subscribe in your favorite podcast app. You can also support our podcast through our tip jar https://tips.pinecast.com/jar/unstoppable-mindset .   Leave us an Apple Podcasts review   Ratings and reviews from our listeners are extremely valuable to us and greatly appreciated. They help our podcast rank higher on Apple Podcasts, which exposes our show to more awesome listeners like you. If you have a minute, please leave an honest review on Apple Podcasts.       Transcription Notes: Michael Hingson ** 00:00 Access Cast and accessiBe Initiative presents Unstoppable Mindset. The podcast where inclusion, diversity and the unexpected meet. Hi, I'm Michael Hingson, Chief Vision Officer for accessiBe and the author of the number one New York Times bestselling book, Thunder dog, the story of a blind man, his guide dog and the triumph of trust. Thanks for joining me on my podcast as we explore our own blinding fears of inclusion unacceptance and our resistance to change. We will discover the idea that no matter the situation, or the people we encounter, our own fears, and prejudices often are our strongest barriers to moving forward. The unstoppable mindset podcast is sponsored by accessiBe, that's a c c e s s i capital B e. Visit www.accessibe.com to learn how you can make your website accessible for persons with disabilities. And to help make the internet fully inclusive by the year 2025. Glad you dropped by we're happy to meet you and to have you here with us.     Michael Hingson ** 01:17 Well, hello everyone. We're really glad to have you here, wherever you may happen to be listening in from. We're really glad that you're listening to unstoppable mindset. I'm your host, Michael hingson, and our guest today is Tricia Copeland. Tricia is a prolific author. I use that word absolutely without any any concern, a prolific author of children's books, especially in the fantasy world. So she has been doing this a while and and also has an interesting story just of her life to tell. So we're going to go into all of that and delve in and see where we go. So Tricia, I want to welcome you to unstoppable mindset. We're really glad you're here.   Tricia Copeland ** 02:05 Thank you, Michael, I appreciate you having me, and I do want to make a little edit to that intro. Okay, go ahead. My books are young adult to New Adult books, so ages 13 plus mostly, all right,   Michael Hingson ** 02:19 so young adult to new adult. All right, that's fair. So how do you feel that your books fall into the range of things like the Harry Potter series and so on, sort of the same age groups,   Tricia Copeland ** 02:40 right? Genre adjacent, I have a series, The Kingdom Journal series, which includes three witches that have to break a curse on the witch lines. So the witches have to find each other as well as figure out how to break the curse using various forms of magic. So not really the same as Harry Potter, but definitely with with the witches, and the kind of contemporary world that Harry Potter is. But actually, I won't say that, because I haven't I think Harry Potter is mostly in the contemporary world, right? I didn't read all the books. I have to admit that he's   Michael Hingson ** 03:18 somewhat in the contemporary world, but, but I was thinking more of from a standpoint of the same type of age group.   Tricia Copeland ** 03:25 Yes, I think a younger reader. I think people started reading Harry Potter maybe around 10 or 11. And these books have older teenagers to start, age 1718, so 13 Plus is a good indicator. I think the other   Michael Hingson ** 03:42 thing I would observe about Harry Potter is that there are a lot of people who aren't necessarily teenagers or young adults, including me, who have read them and enjoyed them. I think that that Harry Potter certainly brought an interesting dimension to reading for teenagers especially, and hopefully young adults, because a lot of people did catch on to them, and they they had a great theme, and you do some of the same sorts of things by virtue of the fact of what you're writing and who you're writing it for,   Tricia Copeland ** 04:17 right? They definitely caught adult eyes and hearts and minds too   Michael Hingson ** 04:23 well, tell us somewhat about the early Trisha growing up and so on. Love to learn a little bit more about you, and then we can talk about whatever we feel is relevant to talk about the early Tricia,   Tricia Copeland ** 04:35 right? Well, I grew up in rural South Georgia, small town in south Georgia, and always loved reading and hiking and the outdoors, and very quickly, knew that maybe I didn't want to be in a small town forever. So I went to college in Atlanta, and I got a degree in microbiology, and from there, I got a master's. Degree, and I started my career in Central Research and Development at a chemical company, a large chemical company. So I was looking at making chemicals from microbes. And that was very exciting. That was my dream job that I'd always wanted. So that was very cool to be able to achieve that goal, and I actually didn't like writing until I started doing more technical writing with papers and patents.   Michael Hingson ** 05:29 Technical writing can be boring, but people could make it more exciting than oftentimes they do. I would say I've had to do some of it. I understand   Tricia Copeland ** 05:39 well, you have to like the topic, right? If you don't like the topic, you're not going to like the paper,   Michael Hingson ** 05:45 right? But also, I think that a lot of technical writers write and it's all very factual, but I think even in technical writing, it would be better if writers could do some things to draw in readers. And I've always felt that about textbooks. For example, my master's degree and bachelor's degree are in physics, and I've always maintained that the the physics people who write these books, who are oftentimes fairly substantial characters in in the genre, if you will, or in the field, could do a lot more to interest people in science and physics by rather than just doing these technical books, telling some stories along the way, and bringing people in and making people relate more to the topic. And they don't do that like I think at least that they should.   Tricia Copeland ** 06:36 I guess that can be said, maybe for every technical Yeah. Area,   Michael Hingson ** 06:43 yeah, it would be nice if technical writers spend a little bit of time, but of course, then the other side of it is that the industry doesn't want that. So what do you   Tricia Copeland ** 06:54 do? It may be a catch 22 on that one   Michael Hingson ** 06:56 might be, but that's okay. So how long did you stay working at the tech at the chemical companies and so on?   Tricia Copeland ** 07:06 I was in the lab for four years, and then I moved into the patent Legal Group. So I began my career as a Patent Agent, and now that's what I do for a living. My day job is that I help clients draft and file their patent applications.   Michael Hingson ** 07:22 So you have your own business doing that. I do, yes, oh,   Tricia Copeland ** 07:28 well, I write by day and I write by night.   Michael Hingson ** 07:32 Yeah, well, that can be pretty exciting, though. You get all sorts of interesting things to write about. I   Tricia Copeland ** 07:40 do I meet a lot of cool people that are inventing cool things.   Michael Hingson ** 07:44 So here's the question, do you ever find that what you write about during the day influences you, and you want to use some of that, or the general concepts of some of that, at night, when you're doing your your fiction writing?   Tricia Copeland ** 07:58 I haven't done that yet, I did write one dystopian fiction about a viral pandemic, and that touched on a little bit of my background in microbiology and genetics, but not anything that my clients have done   Michael Hingson ** 08:19 well. So you got into the patent field when you when you started doing that initially, were you doing it for a company, or did you just leap out on your own and start to have your own business?   Speaker 1 ** 08:30 Yes, I was doing that for a company. Okay? And how long did you do that? I was at that company   Tricia Copeland ** 08:35 about a year and a half. And at the time, we lived in Pennsylvania and outside of Philly. So then we had a job change, and we moved to Denver, so I took a little time off to be with my kids before I started my business.   Michael Hingson ** 08:53 So how long ago did you start the business?   Speaker 1 ** 08:57 In 2012 so 13 years doing it a while? Wow,   Michael Hingson ** 09:01 okay, and obviously you're having some success because you're still doing it.   Tricia Copeland ** 09:05 I am. Yes, I love helping my clients, and feel like I can definitely give them a value add   Michael Hingson ** 09:14 if you're not giving something away. What's probably the most interesting patent that you helped somebody work on attaining   Tricia Copeland ** 09:24 I will say, I worked with an inventor a year ago, and amazing man, he had had his career in education and teaching, and he developed a set of blocks to help people or Help kids. I should say, learn the parts of speech so you could put the together, the blocks, whether it was a subject, verb, pronoun, noun, adjective, adverb, and I learned parts of speech that I never knew existed from helping them with this application, and I was very excited. To help him get his patent. That's kind of cool.   Michael Hingson ** 10:04 Yeah, I am fair. I'm not sure I know all the parts of speech, but I remember being involved in high school well and in elementary school and diagramming sentences and learning a lot about the different or a number of the different parts of speech. Not sure I necessarily remember all of them extremely well, so I probably split infinitives and well, what do you do?   Tricia Copeland ** 10:28 Yes, I hated sentence structures.   Michael Hingson ** 10:35 Well, so what got you started then, since you were writing patents for people and so on, and helping people in securing patents. What got you then started in dealing with fiction writing, right?   Tricia Copeland ** 10:49 Well, when my kids were very young, I was a stay at home mom, and most of my days were spent chasing them around, occupying them, entertaining them, shuttling them from one place to another. So I realized in the evenings I was bored. I did my mind didn't have enough to occupy it. And I was about, I think it was about 38 and, you know, looking at my 40 year old birthday and thinking, huh, well, and I maybe it was like my 20 year high school reunion. I don't know why it coincide coincided, but I started thinking about my early college years I developed anorexia, and thinking about that time in my life and how poignant it was that I was able to recover from that disease and really gain some life skills from that experience. So I started a story that was a fictionalized account of my experience with anorexia and recovering for anorexia. So my first series, called the being me series, is a four book series about a character named Amanda who develops anorexia and then is able to recover.   Michael Hingson ** 12:01 So what caused if you understand, or, man, I don't know a lot about anorexia, Anorexia, and probably have some misconceptions about what I'm about to ask, but what, what caused it? Why did you develop that condition?   Tricia Copeland ** 12:16 Well, there's a lot of I mean, it happens differently for a lot of people, I think anorexia is a lot about control and having control over your environment. And I got there was a number of factors that I was depressed and not happy about not feeling like I was achieving, maybe what I should be achieving, and instead of someone might have turned to alcohol or drugs to alleviate those stressful feelings. I channeled all that into Okay? Well, if I'm just thin and if I just look good enough, then everything will be fine. And obviously, once your brain starts to get in that cycle, it just compounds on itself. You can't stop yourself from thinking that way. Yeah,   Michael Hingson ** 13:05 and what helped you get out of doing that? Was it writing or what? What really caused you to realize that ain't the way to go?   Tricia Copeland ** 13:16 Yeah, I almost died. That was it very it was a low point. And really, you know, if I didn't do something different, if I didn't let people help me do something different, I would not have made it. So really, you know, a lot of that is like educating people how serious eating disorders are, as well as how helpless sometimes the person that is experiencing them is in being able to help themselves.   Michael Hingson ** 13:48 And you said that this happened somewhat in your your college years.   Tricia Copeland ** 13:53 Yes, I was 20.   Michael Hingson ** 13:56 Were there a lot of pressures were, were people criticizing you in any way that helped contribute to it, or was it sort of really   Tricia Copeland ** 14:04 internally? Part of it was internally. Part of it was, you know, what I thought people's expectations I was in. I was at a engineering school and I was a biology major, so maybe that wasn't the best place for me. Everybody was very high in performing. Yeah, yeah. There are many, many factors, I think, and just my my brain that was not processing things, maybe as realistically as they could have been processed.   Michael Hingson ** 14:33 But what you eventually did about it was to write a series about it, so clearly you were able to move beyond it, and then, if you will, talk about it,   Tricia Copeland ** 14:45 right, right? So I went into inpatient recovery, and then was able to get the help that I needed with therapist and psycho psychiatrist and support groups, and that was a big help. And then, yes, 20 years later, I. Wrote a series about it.   Michael Hingson ** 15:02 Well, that's pretty cool. And again, it's I'm always one who admires people who are able to and willing to talk about things. I went to an event last year was the Marshfield, Missouri Cherry Blossom Festival, and the Cherry Blossom Festival, which happens every April, is a celebration of American history, and they'll bring people in who have some relationship to an historic event, or who have relatives who were so for example, the great grandson of President Grant was at this event, but one of the people who was there was a former secret service agent who rode in the car behind John Kennedy when he was in Dallas and assassinated, and it took him 45 years to get to the point where he could come out of his experiences enough to start to talk about it, and I just have always admired people who do that. For me, being in the World Trade Center on September 11 and getting out, I never really viewed it as all that traumatic, but I guess it was, but my way to deal with it was, and I realized it much later, but we had so many newspaper reporters who wanted to know about the blind guy who got out of the World Trade Center. I talked about it, I mean, answered everyone's questions. And that was ironically, I love to pick on the media, but ironically, it was the media that really probably helped me move forward from September 11 the most.   Tricia Copeland ** 16:41 Yeah, I can imagine that was a lot of processing that you were able to do, as you talked about it.   Michael Hingson ** 16:48 People asked all sorts of questions, some really good questions, some not so good questions. And we got to observe all sorts of different types of press people. We had one Italian film crew who came to our house, there were 13 people, most of whom didn't really seem to do a whole lot, but they were there. And then there was a Japanese crew that came. And I think there were two people. It's just amazing what you see and what you learn. And for me and my wife, both now my late wife, but both, both of us love to observe and study and really think about what all these people are doing and how they do it, and we use it as ways to help us learn more about things, if you will, studying and being a student. I think of life as always an important thing,   Tricia Copeland ** 17:39 right, yeah, and I guess everybody reacts different to trauma and how you can process that everybody needs a little bit different. But yes, if you could look at things through a learning lens, that can definitely help too.   Michael Hingson ** 17:52 So you wrote the being me series. How many books are in that series? Four books, four books. Okay, and so, how long ago did you write those?   Tricia Copeland ** 18:03 I published them between 2015 and 2016   Michael Hingson ** 18:07 Okay, did you self publish or I do? Yes, you still do. Okay, great. Well, all right, and then what? What made you decide to then continue and start going into sort of teenage and so on, fiction and fantasy and so on, right?   Tricia Copeland ** 18:31 I realized that I just loved writing, and it was something that I didn't want to stop doing. So when I looked around for my next genre to write in, it was very obviously fantasy. For me. I read fantasy from a very young age. I loved Merlin and King authors legends and the Lord of the Rings and all of those books as a young person and a young adult, and that's just what I wanted to write. So my first book, interestingly enough, my editor sent it back to me and said, This is not fantastical enough. You need to make it more paranormal. So it took a minute to make that switch. What   Michael Hingson ** 19:15 book was that   Tricia Copeland ** 19:16 that is drops of sunshine and it is mirrored off an experience I had. I was a camp counselor at a camp for the blind when I was in I guess after my freshman year of college, and the campers in my story have these extra sensory skills where they can read people's minds. That was the paranormal aspect of my book, and that's not known in the beginning the story to our main character, and then she discovers that these kids have this special talent, and that was how my fantasy books started out. Mm, hmm.   Michael Hingson ** 20:00 Then where did it go from   Tricia Copeland ** 20:01 there? Then I jumped into the witches with the kingdom Journal series. I developed a character that was a vampire or is a vampire witch hybrid, and so she has a vampire mother and a witch father, but she doesn't know who her father is. She's never met him. And to make things a little bit harder, vampire witch Hyderabad are not allowed, but either the witch lines or the vampires, so both the vampires and the witches got together and said, these beings are too dangerous. We're not going to allow them in our society. And if she's discovered, then she'll be killed. That was the first character, Alina, and she's and to give her just a little more stress, I put her in a human High School, so now she pretends, you know, can't pretend to be a witch. Can't pretend to be a vampire. She needs to be human too. And, yeah, so that was a really fun book to write, and that's the series where the trinity of witches has to come together, so she has to find the other two witches of the Trinity, and they each get to tell their story in the books too. So that's why it's called the kingdom journals. It's a little bit of a journal format, so each character gets to tell their own story as well as telling the overall plot line of the series. How   Michael Hingson ** 21:19 do you come up with these characters and create these stories? I mean, it's very imaginative. I wouldn't have thought of it. How do you, and I'm sure other people say that, but how do you create the characters? How does all that   Tricia Copeland ** 21:32 work? Yeah, I set out, funny enough, I set out to write a vampire series that was my vampire is my favorite fantasy characters. And I thought, Okay, I'm gonna write a vampire series. It's not you don't want to do it too far out from what most people write or most people think of vampires. But I wanted my vampires to be a little bit different from the other vampires and other series. So I had this idea of making the vampire witch hybrid and her set in a human High School, and what would that look like? And then the challenge? I wasn't sure what I wanted to do with the challenge, but somehow I came up with this curse, and the curse was on the witch line, so it very quickly morphed into more of a witch book and the magical side of things, but the vampire characters are still there, and I explore them a little bit, although not as much as the witches.   Michael Hingson ** 22:27 Do you find that the characters essentially tell you what they want to be and who they are and why they do what they do. How much are the characters involved in your writing process? I've heard other authors say that that in some of the fiction things, the characters really create the story   Tricia Copeland ** 22:47 they do. I feel like my books are very character driven. So how I usually start with the idea for a character and think of their personality, their challenges, what I want, what themes I want to show with that character and then build the world sort of around that character. So it shows those themes and those character traits and what they're overcoming, either in their personal life or in their their physical life, right? But I do have characters that go off script. In the second book, kingdom of darkness. I have a character who we're not sure if he's a good guy or a bad guy. The main character thinks that he may be trying to delude her into thinking he's good when he's not really good. But I wrote him so well, like he was so nice that I couldn't make him a villain. So he became, I rewrote the story a little bit. I'd written it in my mind, I guess, but I rewrote it a little bit. So he did end up being a villain. And then somehow he got his whole own book, so he gets to star in his whole book after that.   Michael Hingson ** 23:54 And does he stay a villain? No, he   Tricia Copeland ** 23:57 didn't stay. He didn't was never, I mean, I kind of wrote it so the main character thought he was a villain, but in the end, I didn't make him a villain.   Michael Hingson ** 24:06 Well, I like books like that. I yeah, I think that most creatures are generally pretty nice.   Tricia Copeland ** 24:14 We would hope so,   Michael Hingson ** 24:16 although I don't know that that bears necessarily are overly generally nice to people, but, you know, who knows? Yeah, that doesn't mean they're evil either. Well, no, yeah.   Tricia Copeland ** 24:27 I mean, they're just living their life, right? That's they need their food sources. Is just like we need our food sources. So   Michael Hingson ** 24:35 I'd rather not be their food source, though, but that's okay, right?   Tricia Copeland ** 24:39 Yeah, and I don't know. I do struggle with, like, evil or antagonistic characters, because I'm, I don't like the idea that there's a character that is purely evil for no reason. So that is, that's always a grapple in an author's mind. I think,   Michael Hingson ** 24:56 well, and you know, I'll go back to Harry Potter. Modern Of course, we have Lord waldemart, who was definitely evil. But even so, the way she created the characters and the way she crafted the books, which probably in some ways, are similar, just in a process of what you do, it's not necessarily overly graphically evil. Even if there's evil, it isn't so graphic that you you you become totally adverse or against it. Evil or bad things are there, but it's all on how you present it. That's why I like books that are essentially puzzles, if you will, because they leave a lot of things to your imagination, and they give you the ability to as a reader, think about it, but as a writer, you also are essentially drawing the reader in to where you want the reader to go, but, but they're puzzles, rather than just some graphic thing, talking about all these horrible, mean, nasty things that a character may do.   Tricia Copeland ** 26:08 That's true, and it's all perspective, right? So the quote, unquote villain in my series is out to destroy all the vampires. But then you meet vampires that are good vampires, right? And you think, Huh, well, maybe this one vampire shouldn't be destroyed, because this vampire is not acting in a mean or hurtful way. So many sides to those questions,   Michael Hingson ** 26:33 yeah. Well, so the Kingdom series. How many books are in that one?   Tricia Copeland ** 26:38 There are four books in the main series, and there's a prequel to that series, okay?   Michael Hingson ** 26:45 And then what happened? What happened after that series?   Tricia Copeland ** 26:48 So in the finale, kingdom of war, my witches were going to have this huge battle against a vampire army that the evil witch created to, you know, battle the good witches. Yeah, she put which souls in the vampires. So that made them sort of like super vampires. But anyway, my witches needed an army, and I thought who would be a good character to be, to have an army that can come help the witches. So, yeah, the beings I thought of were fairies, and I created a queen Titania, is her name, who had an army who would come help the witches battle these vampire witch soul hybrid be. And when I created her, she just kind of took on her own character, and I quickly morphed that into what was her backstory, what were struggles? Where was she living? Where would the spay army come from? And that is what kind of launched my realm chronicle series, that the finale is coming out next month. Well,   Michael Hingson ** 28:10 that's that's pretty cool, and that that answers, again, the question we talked about earlier. The character actually took over, if you will, the writing, which is always cool, because that really shows how deeply you're invested in the characters and you let them have their voices, right?   Tricia Copeland ** 28:26 And I couldn't really give up the characters from my kingdom Journal series. They not, you know, not to give too much away, but they do complete their first quest and but this evil witch who's trying to destroy the vampires is still out there somewhere, so I couldn't completely let them go. So the witches from my kingdom Journal series come into the round Chronicles series, and the fairies and the witches are continuing to help each other.   Michael Hingson ** 28:56 Well, that's cool. Well, it's kind of neat to even though it's a new series, and I assume you can read one without reading the other, but still, it's neat that you, you follow on and help to craft and expand the world.   Tricia Copeland ** 29:11 It's been a lot of fun. And I, you know, selfishly, I didn't want to let go the characters. I felt like they had a little bit of story left in them, and I was able to do that through the round chronicle series. And yeah, it it was a lot of fun for me to   Michael Hingson ** 29:26 write. And now, of course, the question is, will there be a lot more story with them, which is part of the adventure that will come next? Right?   Tricia Copeland ** 29:33 Yes, I'm, I'm thinking of that. I put my characters through a lot. So after I finished the finale, I felt like I just had to let them rest. I'm not really sure if I will continue with those same characters or or either pull out some different characters from that book to have their own stories. Yeah,   Michael Hingson ** 29:54 well, it's, it's going to be an adventure. No question about. It   30:00 definitely so   Michael Hingson ** 30:04 with your books. Do you have themes in your books? That is, are you? Are you trying to convey messages? Do you have themes and things that you want people to think about as they go through reading your books?   Tricia Copeland ** 30:16 I do. I feel like I like that in the book, and so I kind of embed that in my books too, but it's really more about what is the character grappling with. Not only, like I said in their physical world, maybe Queen Titania is the first female queen in her realm, and some of the old guard, other monarchs are not sure that a female should be able to rule, So that's sort of an out, outside challenge. But she also has inner conflict and challenges where she's not really trusting that she really can do it and she's really supposed to do it, and should she, you know, hand the crown to someone else who may be older or wiser or and so it does she have faith in herself. You know, would sort of be that theme there. And so each of the books have, I mean, it's not like I say, hey, the theme of this book is you need to believe in yourself, yeah, but just showing that the character arcs and how they overcome their challenges.   Michael Hingson ** 31:22 How do you again create those? How do you work those in what? What's the process that allows you to to put those themes in and and add them to the book and bring that value out? Right?   Tricia Copeland ** 31:37 I guess it's just how, the way I the challenges I choose to put in front of my characters and showing them fail at times, and showing them I do write first person, so you're getting a very up close view of what the character is thinking and feeling at all times. So I think that helps with a little bit of that, knowing that the character is struggling with whatever their um, XYZ, inner, inner turmoil that they're struggling with. And then, you know, just having other characters bounce things off of them, because the character themselves might not realize, hey, I I get anxious when I'm not in control of situations. So, you know, somebody might say, Hey, you're doing this again, stop.   Michael Hingson ** 32:29 That's why we have editors,   32:30 right,   Michael Hingson ** 32:33 and other people to help well, so you are you, but you clearly talk with your characters and you let them have a voice, which is, I think, something that adds a really great dimension to the writing that you do. And I think it's very important to do that.   Tricia Copeland ** 32:51 I hope so. I have very detailed character sheets for each of my characters. I create much bigger back stories than, probably, than really makes it into the books, just to be able to know, like, how my characters will react in situations, what their growth needs to be, where areas that I want to show that growth, and what's most important in their values, And how would they react to all the different challenges?   Michael Hingson ** 33:24 What caused you to bring fairies into it again? I think that's pretty imaginative. You were writing about witches of vampire. Fairies are are different. How did that come about?   Tricia Copeland ** 33:34 Honestly, I was at a book event, and a person was walking around with these postcards, and they were trying to get authors to write a short story for an anthology, and it had to be a fantasy genre, and it had to be a character with a mental health challenge. But the image on the postcard was of a fairy, and she was hunched in a meadow in these grasses, and she looked kind of anxious or scared, maybe even a little timid or worried. And I thought, Oh, that's a cool image. It was very striking with the green grass and her fairy wings and just her eyes were like had just a lot of feeling behind them. So it caught my eye. I never thought I'd write about fairies. I was looking for the Army for my witches, and I thought, well, you know, the fairies could be like the characters the witches go to. So it was just kind of happenstance that I happened to see this fairy character on a postcard and think, Huh, I could, you know, the fairies could be the answer.   Michael Hingson ** 34:44 And turns out, they were, they were Yes. So are all fairies girls? No, okay.   Tricia Copeland ** 34:51 I mean, fairies are much like humans in my world, except that my fairies have wings. They in. Middle Earth, which is just below earth. So they share our same bedrock. It kind of mirrors our Earth in my world. And they have rings where they can come back and forth between the fae and the human realm, and they live in our contemporary times. I like those themes of there might be witches, there might be vampires, there might be fairies that walk alongside us every day, and we don't know it.   Michael Hingson ** 35:24 And do they know Bill Bo Baggins, since we're talking about Middle Earth, just   Tricia Copeland ** 35:29 they do, well, they might have read the book. I don't know that they met him personally.   Michael Hingson ** 35:35 Yeah. Well, that's, you know, another, another story, but it's but it's cool. What other kinds of characters are you thinking of for maybe future books, outside of witches, vampires and fairies,   Tricia Copeland ** 35:49 right? So I won't give too much away, but no, in order to perform some of the spells that they need to perform in, I guess in two of my books in this series, to be a Fae legend, which is the third book of the series, and to be a Fae which is the finale, The last book of the series. My witches and fairies need to perform these spells. So they need a great amount of power or energy, and they have to assemble different kinds of beings. And in the finale, they have to assemble 12 different kinds of beings. If you try to make a list of different kinds of being, you actually in ones that the witches and the fairies could find in the human realm, like so I had an elf and the werewolves and nicks and selkies like so the Nicks are shape shifters that shift into fish, and then the selkies are shape shifters that shift into now I'm blanking not walruses seals, sorry. So yeah, I had to go find all these different characters. So all of those characters are in this final book, and I I'm thinking of maybe some of those characters that can form a new series.   Michael Hingson ** 37:11 So are all trolls, mean, nasty creatures, or, do you know yet,   Tricia Copeland ** 37:16 in my series, they are depicted as that? Yes,   Michael Hingson ** 37:21 how about gnomes? I don't have any gnomes. Well, there's another one for you to look at down the line. Might be. It might be interesting to see where that goes. Of course. Yep, so you but you have a variety of characters, and I think it's it's great when you have a rich culture of a lot of different characters. And of course, there are all sorts of potentials for conflict or for different creatures to work learn to work together too,   Tricia Copeland ** 37:56 right? The Fay historically have not worked with other beings or creatures. They very much kept to themselves and had primary purpose. They think their primary purpose is to protect the humans from all the evil spirits. So that has been their focus historically, and they've shunned other groups of beings based on whether they thought they were descended from the Creator, who's sort of like their god or the creator or the evil one, right? So the Fae believed that the vampires and werewolves, for instance, were created by the evil ones, so they shouldn't associate with those types of beings, and there's a lot of learning in there. I guess you could say it, are we going to partner with these beings, and how? What does that look like? And is that really okay? And can we choose a different path than what our predecessors have chosen?   Michael Hingson ** 38:59 And I guess it's sort of pretty clearly, is that they somewhat do that.   Tricia Copeland ** 39:06 Yes, they do. And Titania, our main character, is very much the Herald for that type of behavior and that type of community and that type of acceptance   Michael Hingson ** 39:23 well. So your next year, your book will be out in July, and then where do you go from there?   Tricia Copeland ** 39:31 Yes, so like I said, I'm tossing around ideas for fantasy characters. I also write in the romance genre, so generally, I'll write a fantasy, and then I'll write a romance. I'll switch back and forth between writing those. The past year and a half, I guess I've been focusing on finishing this fantasy series, so I have two romances now queued up that I'm excited about writing, and we'll get to those first. I   Michael Hingson ** 39:58 think, hmm. What romances Have you written already?   Tricia Copeland ** 40:03 So after the being me series, I started the perfect romance series, which the first book was a little bit different from a typical romance. It has five parts, and it's the same main character, but based on decisions at different times in her life, her life goes off in a different way. So you see her go to France and fall in love with the French man, or you see her take a job in New York City and fall in love with a investment banker. And so you see her in different stages of her life, having made different decisions, but still finding happily ever after. So that kind of kicked off that. And somebody, somebody called it speculative romance at one time, and it's more like make your own story or choose your own ending type of book. But from there, I initially thought I would write like a full book showing each of the happily ever afters with that same character, but I wrote one book showing one happily ever after scenario, but then decided that I would look at all of her friends lives so they all met in college, and they were in this one sorority together. And so I write different books showing the different friends love stories. So I've written perfect. Was the first one perfect, always with Chloe. And then Brie book is a close as close to perfect. And this is still set in Lexington, Kentucky. And then the last one is perfect office pack, which is a enemies to lovers, office romance.   Michael Hingson ** 41:51 Now, do you put a lot of sex in your books? I   Tricia Copeland ** 41:54 don't know. My books are what's called closed door or fade to black, so you'll see some kissing, but not much more than that,   Michael Hingson ** 42:03 and that's fine. And the reason I asked that question was to get to the whole issue of so many people when they're writing, just have to make everything so graphic. There's got to be all this sex and all this other stuff that they put in them. And my view has always been, is that really necessary? And I gather you, you're essentially saying the same thing. And again, it's like detective stories. I love to read a lot of detective stories, but I like the detective stories most that are puzzles. That is, I want to figure out who done it. I don't need all the graphics of how somebody got murdered, or what happened. It happens. You don't need to put all that graphic stuff in to get to dealing with the puzzle. And it's the same thing with sex. You really need all that. Like a lot of comedians, it's all the shock stuff. They got to have all these horrible words, swear words, and everything else but the best comedians, I think most people, if they really study it, will agree, are the ones that tell stories without all that dirty and sex stuff in it.   Tricia Copeland ** 43:12 And that's what I like to read and what I like to watch, too. But there are definitely people that enjoy different types of books. Yeah, there are, yeah,   Michael Hingson ** 43:21 yeah, I hear you, but I, I would prefer to be able to use my imagination in various things. So one of my favorite detective stories or Characters of All Times is Nero Wolfe, written by Rex Stout, because he he writes in a way where you don't see all the graphic and don't need to see any of the graphic to get the entire picture. He describes enough so you know what's going on, but he doesn't deal with it in a way that would How do I put it? Offend anyone?   Tricia Copeland ** 43:59 Right? And I would probably argue that mystery books are would be the hardest to write, I think, because you have to give enough clues throughout so that the reader doesn't think, Oh, I would have never thought that was the villain, but you don't want to put too much in. So it's so obvious who the villain is, right? So I think it's the ways those authors weave those stories are very intricate and thought out and multi layered and impressive to me   Michael Hingson ** 44:34 well. And the reality is that sometimes, and again, I'll use Rex Stout as an example, when you find out who did it, or who the bad person was, and Wolf explains it clearly, all the clues were there, but it would be really hard for you to put it together. Now, there have been a few times where there were things that he didn't tell you, that if you if he had said those. Because during the book, you might have figured it out, but mostly the clues are somewhat there, but it is so subtle that I doubt very many people would figure it out, which   Tricia Copeland ** 45:14 is, yeah, definitely.   Michael Hingson ** 45:17 It makes it so much fun. When that happens, it is. So you're, you're still deciding what you want to do for your next series of books, or what, what the next realm will be, if you will,   Tricia Copeland ** 45:31 in the fantasy genre, yes, I'm still deciding which way to go with my next characters.   Michael Hingson ** 45:38 Yes, right, but you're going to probably do some romances before you go into those. I   Tricia Copeland ** 45:43 am, yes, I was just writing a newsletter to my subscribers. In the last book, I had subscribers pick names for my characters. And so in this book, I thought, You know what? I don't like this character has has only been introduced and very briefly in one of the books, and so she doesn't have a lot of backstory. And I thought, You know what, I can just ask my readers, where do you think she should live? What are her hobbies? What does she like to do? What's her favorite book genre? I thought that would be a lot of fun for my readers to direct some of that.   Michael Hingson ** 46:18 And what kind of answers did you get? Did you get a lot of feedback?   Tricia Copeland ** 46:22 Like I said, I Well, with the names one when? So I'm just sent out the poll today, new one, but for the name ones, yeah, I would. I got like 100 answers. And then I thought, you know, next time, I won't do the names, because sometimes names are so personal and can vote like a lot of emotion that people get very heated about people's names.   Michael Hingson ** 46:47 Now, do mostly women answer? Do you get both sexes answering your questions? It is   Tricia Copeland ** 46:52 mostly women, but definitely, maybe 10% male, I would think. And actually, I feel like I have more interaction, and that's mostly on the fantasy side, but I feel like I actually have sometimes more interaction. Maybe, I don't know, maybe this get more passionate about fantasy?   Michael Hingson ** 47:13 Yeah, probably so. But you know, there's, there's something to be said for reading a good romance book. I like cozy mysteries as well, and a lot of those are really combinations of mysteries and romance, and the mystery part is oftentimes more straightforward, but it's just the whole book and the putting the entire book together that makes it so much fun.   Tricia Copeland ** 47:41 Yeah, those can be a quick, you know, kind of feel good read. I yeah for that genre, yeah, and   Michael Hingson ** 47:49 there's nothing wrong with that. It's good to have feel good books occasionally,   Tricia Copeland ** 47:54 too. I am all for feel good everything, yeah.   Michael Hingson ** 47:58 Well, when I travel, I like to read on airplanes, and I like not to work and do reading that's really related to work, because going and coming from events is really the time that I get to have the most down time once I get somewhere I am on until I am on the airplane coming home. And so it is the way to relax. So I enjoy reading things that will allow me to relax when I'm going and coming from trips or from events, which is so important, I think, to be able to do and I think people should do more of that. It's always worth slowing down some and really letting your mind just wander.   Tricia Copeland ** 48:38 Yeah, plane trips are my favorite, because that's I do the same thing. I read on the plane, and I listen to audio books mostly if I'm home, when I'm exercising or when I'm doing chores. But to be able to sit down and read doesn't happen that often.   Michael Hingson ** 48:56 What do you like to read most from audio books? What? What genre?   Tricia Copeland ** 48:59 Um, exactly what I write, fantasy and romance.   Michael Hingson ** 49:03 What's your favorite fantasy books   Tricia Copeland ** 49:06 I just finished, and I'm so behind because I don't read fantasy when I'm writing fantasy. So I just finished Holly Black's, the folk of the air series, the cruel prince, I think the cool prince, the wicked king and the queen of nothing. I think they're the three books in that series. So that was really good series. And I'm writing Emily's wild encyclopedia fairies right now. So I just started that get   Michael Hingson ** 49:33 a little bit more information on those fairies for a future book. Right? That's that's kind of important to do. So do you produce with I've asked a number of people this, and I'll ask you, do you arrange for audio books to be produced from your series?   Tricia Copeland ** 49:53 I do both my fantasy series, The Kingdom journals, as well as the realm Chronicles. I have audio books. Four. I'm a little bit behind in the realm Chronicles. My Narrator had some health problems, so I'm switching narrators. But my new narrator, Tina walls, wolsen craft, yes, I think that's how you pronounce her last name, she will be working on the fourth book in the realm Chronicles series in September. So I'm hoping that will come out in October, and that will be my, my eighth audio book.   Michael Hingson ** 50:23 And where can people get the audio books?   Tricia Copeland ** 50:26 So the kingdom Journal series is on all platforms, and then the realm chronicle series, the newest series, is on Audible. Okay,   Michael Hingson ** 50:37 so and again under your name for the author?   Tricia Copeland ** 50:42 Yep. Tricia Copeland, author, the Kingdom Journal series. The first two books are female character, so and now I'm blank. I can't believe I'm blanking on her name. It'll come to me in a minute. Yeah. So I had a female narrator for the first two books, and then the second two books are male Lee main characters. So Dan Delgado did the narration on those and then Jillian Yetter, who was the most amazing narrator for Titania. She even had pink hair, just just like Titania does, a hold of the the cover of the book has Titania is pink hair. So that was really fun to work with her, and we won an award for the second book in that series, to be a fake guardian   Michael Hingson ** 51:26 in audio book. Oh, cool. What was the award? It   Tricia Copeland ** 51:29 was independent book publisher Association, young adult fantasy, Silver Award.   Michael Hingson ** 51:35 Oh, cool. That's exciting. It's always good to have awards. Have you run other awards along the way?   Tricia Copeland ** 51:40 I have several Colorado independent book Publishers Association for the first book, kingdom of embers, in the kingdom Journal series, as well as several the global Book Awards for to remember it to be, to be a fake queen, which is the first book in the kingdom journals and as Ray at my Aztec mythology.   Michael Hingson ** 52:06 So how many books have you written all together?   Speaker 1 ** 52:08 Next month's book will be 23 Wow.   Michael Hingson ** 52:13 That is really exciting. Well, I know we're putting in the show notes, the picture of the book cover for the next book. And as I mentioned earlier, if you want to send us other books that you think people ought to read, we'll put those pictures in the the notes as well. I'm glad to have all the pictures you want to share.   Tricia Copeland ** 52:31 I will definitely share them. Thank you. Well,   Michael Hingson ** 52:34 so is there anything else you'd like all of our listeners and viewers to know or to think about going forward,   Tricia Copeland ** 52:42 right? Well, if you go to my website, which is triciacopeland.com,   Michael Hingson ** 52:47 and Tricia is T, R, i, c, I A, Copeland, C, O, P, E, L,   52:53 a n, d, l, a n, d.com.com,   Tricia Copeland ** 52:56 yes, if you go there, and if you just want to get a trial of my books. If you subscribe to my newsletter, then you can read a free short story fantasy as well as a free short story romance.   Michael Hingson ** 53:07 Oh, okay. If people want to reach out to you, what's the best way to do that,   Tricia Copeland ** 53:13 they can reach out on direct message, on social media, or my email is Tricia T, R, i, c, I a@triciacopeland.com   53:21 too. Okay,   Michael Hingson ** 53:24 then people can, can reach out and and they'll, I'm sure, have all sorts of ideas for you.   Tricia Copeland ** 53:31 I love ideas, and I love talking to readers about my books.   Michael Hingson ** 53:36 Yeah, I I've written three, and I love getting comments and feedback from people, because I get new ideas and new thoughts. And mine are really all about helping to inspire people and so on. So it's it's always good when people have their their observations, whatever they are.   54:01 I agree.   Michael Hingson ** 54:03 Well, anyway, I want to thank you for being here. This has been a lot of fun, and I really value your time being here, and I hope people will reach out and and also, more important, get your books and read your books and review them. One of the most important things that all of us who are authors will tell anyone is, please review the books. Please go to places like Amazon and Reddit and so on and review the books, because those reviews are are viewed and paid attention to by so many people. So giving an author, a great review is always a wonderful thing to do.   Tricia Copeland ** 54:44 We do appreciate those and thank you so much, Michael for having me.   Michael Hingson ** 54:48 Well, it was my pleasure, and I want to thank all of you for listening and watching today. We really appreciate it. If you've got any thoughts, I'd love to hear from you, please email me at Michael H i. M, I, C, H, A, E, L, H, I, at access, A, B, A, C, C, E, S, S, i, b, e.com, but also go to our podcast page, www, dot Michael hinkson.com/podcast, you can see all of our podcasts there, but they're also available wherever you're listening to podcasts and and you can find the most anywhere podcasts are available. If you know anyone who ought to be a guest that you think would make a wonderful guest, and you'd like to have them tell their stories and Tricia you as well, I would really appreciate you introducing us, because we're always looking for more people to have on the podcast, and so please don't hesitate to reach out and don't hesitate to provide introductions, but again, give us a five star review here on unstoppable mindset. We value your reviews greatly, and we really appreciate you doing it. So I want to thank you, Tricia again, for being here. This has been fun, and I think it's really important that people do get a great sense of what you're doing, and I think we've done that, and we're really anxious to see where you go from here.   Tricia Copeland ** 56:08 Thank you so much, Michael, I so appreciate it.   Michael Hingson ** 56:15 You have been listening to the Unstoppable Mindset podcast. Thanks for dropping by. I hope that you'll join us again next week, and in future weeks for upcoming episodes. To subscribe to our podcast and to learn about upcoming episodes, please visit www dot Michael hingson.com slash podcast. Michael Hingson is spelled m i c h a e l h i n g s o n. While you're on the site., please use the form there to recommend people who we ought to interview in upcoming editions of the show. And also, we ask you and urge you to invite your friends to join us in the future. If you know of any one or any organization needing a speaker for an event, please email me at speaker at Michael hingson.com. I appreciate it very much. To learn more about the concept of blinded by fear, please visit www dot Michael hingson.com forward slash blinded by fear and while you're there, feel free to pick up a copy of my free eBook entitled blinded by fear. The unstoppable mindset podcast is provided by access cast an initiative of accessiBe and is sponsored by accessiBe. Please visit www.accessibe.com . AccessiBe is spelled a c c e s s i b e. There you can learn all about how you can make your website inclusive for all persons with disabilities and how you can help make the internet fully inclusive by 2025. Thanks again for Listening. Please come back and visit us again next week.

This week on Case Closed, we begin with The New Adventures Of Nero Wolfe. We'll hear The Case Of  The Bashful Body, from December 29, 1950. (29:42) We close with The Girl On The Doorstep, from Barrie Craig, Confidential Investigator. That episode aired February 15, 1953. https://traffic.libsyn.com/forcedn/e55e1c7a-e213-4a20-8701-21862bdf1f8a/CaseClosed958.mp3 Download CaseClosed958 | Subscribe | Spotify  | Support Case Closed

Doctor Sloane is told about his last patient of the day by his fiancee, and office nurse, Miss Banks. His ex-wife, a model, and nervous woman is unhappy despite having all she wanted with her rich new husband. She wants to come back, but the doc is to be married soon. When Nola dies in his office, who is to blame? A jealous nurse? The doctor, after threats were made to his happy life?

Doctor Sloane is told about his last patient of the day by his fiancee, and office nurse, Miss Banks. His ex-wife, a model, and nervous woman is unhappy despite having all she wanted with her rich new husband. She wants to come back, but the doc is to be married soon. When Nola dies in his office, who is to blame? A jealous nurse? The doctor, after threats were made to his happy life?

Though he agreed to it, Nero Wolfe backs out of attending a cocktail party, but sends Archie Goodwin in his place. Mrs Collins needs a detective to be watchful. Will there be trouble for her at the party? Business men with a legal dispute? a jealous woman?

Though he agreed to it, Nero Wolfe backs out of attending a cocktail party, but sends Archie Goodwin in his place. Mrs Collins needs a detective to be watchful. Will there be trouble for her at the party? Business men with a legal dispute? a jealous woman?

Laura Lippman discusses how poetry feeds her spirit and looks back on her longstanding run with indelible character, Tess Monaghan, who has appeared in a dozen novels. While sharing her writing experiences, she invites listeners to take a seat on her (theoretical) analyst's couch to uncover snags interfering with meaningful storytelling. Laura was a reporter for twenty years, including 12 years at The (Baltimore) Sun. She began writing novels while working fulltime and published seven books about “accidental PI” Tess Monaghan before leaving daily journalism in 2025. Her work has been awarded the Edgar ®, the Anthony, the Agatha, the Shamus, the Nero Wolfe, Gumshoe and Barry awards. She also has been nominated for other prizes in the crime fiction field, including the Hammett and the Macavity. She was the first-ever recipient of the Mayor's Prize for Literary Excellence and the first genre writer recognized as Author of the Year by the Maryland Library Association. She grew up in Baltimore and attended city schools through ninth grade. After graduating from Wilde Lake High School in Columbia, Md., and attended Northwestern University's Medill School of Journalism. Her other newspaper jobs included the Waco Tribune-Herald and the San Antonio Light. She returned to Baltimore in 1989 and has lived there since. She is the daughter of Theo Lippman Jr., a Sun editorial writer who retired in 1995 but continues to freelance for several newspapers, and Madeline Mabry Lippman, a former Baltimore City school librarian. Her sister, Susan, is a local bookseller. Her newest novel is MURDER TAKES A VACATION. Learn more at Lauralippman.comSpecial thanks to Net Galley for an advance review copy. Intro reel, Writing Table Podcast 2024 Outro RecordingFollow the Writing Table:On Twitter/X: @writingtablepcEverywhere else: @writingtablepodcastEmail questions or tell us who you'd like us to invite to the Writing Table: writingtablepodcast@gmail.com.

Join hosts J.D. Barker, Christine Daigle, Jena Brown, and Kevin Tumlinson as they discuss the week's entertainment news, including stories about poisonous books, The Late Show, Oprah, and James Frey. Then, stick around for a chat with Laura Lippman!Laura Lippman was a reporter for twenty years, including twelve years at The (Baltimore) Sun. She began writing novels while working fulltime and published seven books about “accidental PI” Tess Monaghan before leaving daily journalism in 2025. Her work has been awarded the Edgar ®, the Anthony, the Agatha, the Shamus, the Nero Wolfe, Gumshoe and Barry awards. She also has been nominated for other prizes in the crime fiction field, including the Hammett and the Macavity. She was the first-ever recipient of the Mayor's Prize for Literary Excellence and the first genre writer recognized as Author of the Year by the Maryland Library Association.Ms. Lippman grew up in Baltimore and attended city schools through ninth grade. After graduating from Wilde Lake High School in Columbia, Md., Ms. Lippman attended Northwestern University's Medill School of Journalism. Her other newspaper jobs included the Waco Tribune-Herald and the San Antonio Light.Ms. Lippman returned to Baltimore in 1989 and has lived there since. She is the daughter of Theo Lippman Jr., a Sun editorial writer who retired in 1995 but continues to freelance for several newspapers, and Madeline Mabry Lippman, a former Baltimore City school librarian. Her sister, Susan, is a local bookseller.

Sfogo iniziale sulla scomparsa di intere stagioni dalle piattaforme: Monk, Nero Wolfe e Law & Order dispersi più del tesoro dei templari, con Faster pronto a scendere su eMule pur di rivederli. Si passa poi alle serie nuove: Department Q e Slow Horses (ma solo una regge davvero), l'Eternauta sorprende e piace. Capitolo Cannes: blackout finale, festival moscio, ma vince Panahi con un film bellissimo e clandestino. Poi news sparse: Tarantino in stand-by, Zalone ritorna, Fincher lavora su Cliff Booth. In uscita Wes Anderson (fiacco), Lilo & Stitch live action (carino), e Bono Stories of Surrender su Apple TV.

Lee began his career as a as a freelance journalist, writing for such publications as American Film, Starlog, Newsweek, The Los Angeles Times Syndicate, The Washington Post and The San Francisco Chronicle. He was also the co-author with Janet Evanovich of the five international bestselling Fox & O'Hare novels (The Heist, The Chase, The Job, The Scam and The Pursuit) and two New York Times bestselling prequel novellas (The Shell Game and Pros & Cons). His most recent books include Dream Town (the 5th novel in the Eve Ronin series), Malibu Burning (the first novel in the Sharpe & Walker series) and the genre-bending thriller Calico, a 2024 Spur Award finalist for Best Contemporary Western from the Western Writers of America. Goldberg broke into television with a freelance script sale to Spenser: For Hire. Since then, his TV writing & producing credits have covered a wide variety of genres, including sci-fi (seaQuest), cop shows (Hunter, The Glades), martial arts (Martial Law), whodunits (Diagnosis Murder, Nero Wolfe), the occult (She-Wolf of London), kid's shows (R.L. Stine's The Nightmare Room), T&A (Baywatch, She Spies), comedy (Monk) clip shows (The Best TV Shows That Never Were) and total crap (The Highwayman, The New Adventures of Flipper). He co-created the hit Hallmark movie series Mystery 101. He's written and produced TV shows in Canada (Murphy's Law, Cobra, Missing), England (Stick With Me Kid, She Wolf of London) and Germany (Fast Track: No Limits). His mystery writing for television has earned him two Edgar Award nominations from the Mystery Writers of America. His two careers, novelist and TV writer, merged when he wrote the eight books in the Diagnosis Murder series of original novels, based on the hit CBS TV mystery that he also wrote and produced. He followed that up by writing fifteen bestselling novels based on Monk, another TV show that he worked on. His Monk novels have been translated and published in Germany, Poland, Thailand, Japan, Turkey, and many other countries. Follow the podcast Show Host - Toni Ann Marcolini

One of the busiest (and best) actors of the radio era, Harry Bartell could be heard everywhere - as an announcer chatting with Nigel Bruce on Sherlock Holmes, as cowboys on Gunsmoke, and as suspects on Dragnet. We'll hear him as a man who cooks up what he thinks is a perfect swindle in "Final Payment" (originally aired on CBS on January 13, 1955) and as a pharmacist racing to correct a fatal mistake in "To None a Deadly Drug" (originally aired on CBS on October 25, 1955). Plus, Bartell plays Doc Holiday in Gunsmoke (originally aired on CBS on July 19, 1952) and as Archie Goodwin opposite Sydney Greenstreet's Nero Wolfe in "The Case of the Disappearing Diamonds" (originally aired on NBC on March 9, 1951).

Killers seem to be throwing themselves at Nero Wolfe, when a man with a date with murder won’t take no for an answer. The large, red bearded man claims to…

Killers seem to be throwing themselves at Nero Wolfe, when a man with a date with murder won't take no for an answer. The large, red bearded man claims to…

Nero Wolfe 82-01-30 Counterfeit Murder

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Case Closed begins with The New Adventures Of Nero Wolfe this week. We'll hear The Case Of The Phantom Fingers, from January 26, 1951. (29:11) Our second story is The Murder Of A Bloody Belgian, the March 30, 1952, episode of WHItehall-1212. https://traffic.libsyn.com/forcedn/e55e1c7a-e213-4a20-8701-21862bdf1f8a/CaseClosed943.mp3 Download CaseClosed943 | Subscribe | Spotify  | Support Case Closed

Though cash is tight, and Archie tries to get Nero to look for a new case, the large genius is comfortable doing nothing. A dame crosses Archie's path, and a matter involving jilted actors in the theater is the answer to the money problem. Is there a dark secret in Emil Stoener's past, that threatens the new play, or the role Doris has in it?

Though cash is tight, and Archie tries to get Nero to look for a new case, the large genius is comfortable doing nothing. A dame crosses Archie's path, and a matter involving jilted actors in the theater is the answer to the money problem. Is there a dark secret in Emil Stoener's past, that threatens the new play, or the role Doris has in it?

This week, we have Disguise for Murder, an episode of Rex Stout's Nero Wolfe, which first aired January 16, 1982. Find our store at AThrillingPublication.com or visit BrickPickleMedia.com/podcasts for more information.

Nero Wolfe 82-01-23 Before I Die

Place your bets with these old time radio mysteries involving gamblers and the (sometimes) crooked games they play. Sherlock Holmes and Dr. Watson find murder among the roulette tables of a French casino in "The Case of the Double Zero," starring Basil Rathbone and Nigel Bruce (originally aired on Mutual on November 19, 1945). Philip Marlowe tries to find a friend's stolen IOU but stumbles across a corpse during the search in "The Promise to Pay" (originally aired on CBS on May 14, 1949), and Nero Wolfe is hired to find out who dealt a deadly hand during a poker game in "The Case of the Killer Cards" (originally aired on NBC on January 12, 1951). Finally, Sgt. Joe Friday hunts for the man who's impersonating a cop to extort money from gamblers in "The Big Shakedown" from Dragnet (originally aired on NBC on May 22, 1952).

“Nero Wolfe & The Case of Room 304” was written by Virgil Reimer based on characters created by Rex Stout. The Icebox Radio Theater's production was directed by Jeffrey Adams. The cast included James Yount as Archie, Aela Mackintosh as Helen Rene, Jeffrey Adams was Inspector Kramer, Grace Flesland was Miss Bennet, Caleb Silvers was Renfrow and Justin Kapla starred as Nero Wolfe. Other voices provided by the talented cast. Foley sound effects by Diane Adams and Jeffrey Adams. Sound effects engineering by Senara Erwin. This program was recorded before a live audience at the John Faith Little Theater at Backus Community Center, Int'l Falls, Minnesota, on February 15th, 2025. This program copyright 2025 by the Icebox Radio Theater, all rights reserved. For more information, visit iceboxradio.org.

The New Adventures of Nero Wolfe 50-10-20 (1) Stamped for Murder

A man is acquitted of murder on perjured testimony and hires Wolfe to locate the real killer.Original Air Date: April 6, 1951Starring: Sidney Greenstreet as Nero Wolfe; Harry Bartel as Archie Goodwin; William Johnstone; Mary Lansing; Jeanne Bates; Barney Phillips; Paul Marion; Ken PetersSupport the show monthly at https://patreon.greatdetectives.netPatreon Supporter of the Day: Alex, Patreon Supporter since August 2020Support the show on a one-time basis at http://support.greatdetectives.net.Mail a donation to: Adam Graham, PO Box 15913, Boise, Idaho 83715Take the listener survey at http://survey.greatdetectives.netGive us a call at 208-991-4783Follow us on Instagram at http://instagram.com/greatdetectivesFollow us on Twitter @radiodetectivesJoin us again tomorrow for another detective drama from the Golden Age of Radio.

A Criminal SundayFirst a look at this day in History.Then Dragnet starring Jack Webb, originally broadcast February 16, 1954, 71 years ago, The Big Sucker.   A con-man uses real diamonds to cheat unsuspecting victims, selling them cut glass after they've taken the bait. Followed by The New Adventures of Nero Wolfe starring Sydney Greenstreet, originally broadcast February 16, 1951, 74 years ago, The Case of the Party for Death. Archie attends a cocktail party at which Nero Wolfe expects the guest of honor to be murdered!Then The FBI in Peace and War, originally broadcast February 16, 1955, 70 years ago,  Strictly Business. A swindler tries to run a racket around real estate, with a side dish of romance.Followed by Barrie Craig, Confidential Investigator starring William Gargan, originally broadcast February 16, 1955, 70 years ago, the Moving Target.  A high-flying globe trotter finds that sheer elbow room is no insurance for survival when a felonious blonde makes a passionate effort to bring him down to earth...really deep down, that is. Finally Superman,  originally broadcast February 16, 1942, 83 years ago, The Ghost Car.  Clark Kent tries to spring a trap, but only gets himself, Lois Lane and Jenks (the real estate agent) trapped in the mine!Thanks to Sean for supporting our podcast by using the Buy Me a Coffee function at http://classicradio.streamFind the Family Fallout Shelter Booklet Here: https://www.survivorlibrary.com/library/the_family_fallout_shelter_1959.pdfhttps://wardomatic.blogspot.com/2006/11/fallout-shelter-handbook-1962.htmlAnd more about the Survive-all Fallout Sheltershttps://conelrad.blogspot.com/2010/09/mad-men-meet-mad-survive-all-shelter.html

Join in with a glimpse of a crime in progress. The inheritance was all going to Joe, so why did he gun down the old man? With the rains coming…

Join in with a glimpse of a crime in progress. The inheritance was all going to Joe, so why did he gun down the old man? With the rains coming…

A Dramatic SundayFirst a look at this day in History.Then The Screen Guild Theater originally broadcast January 19, 1941, 84 years ago, The Magnificent Obsession starring Myrna Loy and Don Ameche.  An adaptation of the 1935 film.  The life of spoiled rich Robert Merrick is saved through the use of a hospital's sole resuscitator, but because the medical device cannot be in two places at once, it results in the death of Dr. Hudson, a selfless, brilliant surgeon and generous philanthropist.Followed by The New Adventures of Nero Wolfe starring Sydney Greenstreet, originally broadcast January 19, 1951, 74 years ago, The Case of the Calculated Risk.   Dave Caffrey tells Nero Wolfe that he plans to commit murder tomorrow. Then The Cavalcade of America, originally broadcast January 19, 1942, 83 years ago,  An American Is Born.  Arch Oboler's story about a Czech couple in Mexico, awaiting an entry visa into the United States. Bette Davis stars. Followed by Rocky Fortune starring Frank Sinatra, originally broadcast January 19, 1954, 71 years ago, The Museum Murder. Rocky's running a tour through a New York museum. He finds a corpse and adventure in a mummy case.Finally Superman, originally broadcast January 19, 1942, 83 years ago, Lita The Leopard Woman.  Clark Kent and Perry White come upon the hidden room of Max Heller and Lita The Leopard Woman. She shoots Max Heller and Lita escapes in a folding airplane!Thanks to Sean for supporting our podcast by using the Buy Me a Coffee function at http://classicradio.streamFind the Family Fallout Shelter Booklet Here: https://www.survivorlibrary.com/library/the_family_fallout_shelter_1959.pdfhttps://wardomatic.blogspot.com/2006/11/fallout-shelter-handbook-1962.htmlAnd more about the Survive-all Fallout Sheltershttps://conelrad.blogspot.com/2010/09/mad-men-meet-mad-survive-all-shelter.html

This week, we have The Case of the Hasty Will, an episode of the New Adventures of Nero Wolfe, first broadcast on March 2, 1951. Find our store at AThrillingPublication.com or visit BrickPickleMedia.com/podcasts for more information.

This week's “Tuesday Night Detectives” on Vintage Classic Radio brings a festive twist with three thrilling holiday specials from the golden age of radio. In "Broadway is My Beat" from December 22, 1951, Detective Danny Clover, portrayed by Larry Thor, unravels the mystery of "Buddy Malpaugh and the Jeweled Scimitar." As snow blankets the streets of New York, Clover tracks the elusive Buddy Malpaugh who has stolen a precious scimitar sword, adorned with jewels. Charles Calvert voices Sgt. Tartaglia and Jack Kruschen plays Muggavan in this chilling winter tale. Next up is "Candy Matson" from December 10, 1949, featuring Natalie Masters as the sharp-witted private eye in "Jack Frost." This episode sees Matson investigating a suspicious accident in a chilly San Francisco, accompanied by her loyal sidekick Rembrandt Watson, voiced by Jack Thomas. The twist comes when they discover a plot that could ice over the Christmas cheer, making it a thrilling holiday investigation. Wrapping up the trio of tales, we revisit "The New Adventures of Nero Wolfe" from December 22, 1950, in "The Slaughtered Santas." With Sidney Greenstreet playing the iconic armchair detective Nero Wolfe, and his assistant Archie Goodwin played by Larry Dobkin, the duo solves the sinister slaying of men dressed as Santa Claus. This chilling mystery dives into the darker side of the festive season, presenting a high-stakes puzzle for Wolfe and his sharp instincts. These episodes blend intrigue with holiday spirit, offering listeners an evocative throwback to yesteryear's Christmases, filled with suspense and festive adventure. Whether it's following footprints in the snow in New York, untangling a frosty mystery in San Francisco, or solving a series of Santa Claus murders, each story promises to keep you guessing and entertained during the holiday season.

Walk Softly, Peter Troy opens this week's Case Closed with Too Many Maids-A-Moping, from February 25, 1964. (25:21) Our final story is The Beautiful Archer, the November 24, 1950, episode of The New Adventures Of Nero Wolfe. https://traffic.libsyn.com/forcedn/e55e1c7a-e213-4a20-8701-21862bdf1f8a/CaseClosed927.mp3 Download CaseClosed927 | Subscribe | Spotify  | Support Case Closed Your donation of any amount keeps Case Closed coming every week. [...]

Nero Wolfe 82-02-13 Christmas Party

A ring of gamblers has had enough of each other, and in disbanding, the lights go out, a gunshot blasts, and one of them ends up as a corpse. Not…

A ring of gamblers has had enough of each other, and in disbanding, the lights go out, a gunshot blasts, and one of them ends up as a corpse. Not…

A prize fighter could be involved with shady characters, and a payoff to take a dive. Which will win, his good sportsmanship, or the debt he owes and needs to…

A prize fighter could be involved with shady characters, and a payoff to take a dive. Which will win, his good sportsmanship, or the debt he owes and needs to…

Recorded before a live audience on April 18, 2024 at the Salty Jester, Int'l Falls, Minnesota.

Sometimes it takes two detectives to crack the case. Fortunately, each of these radio mysteries has a dynamic duo on the scene. First, Mr. Keen, Tracer of Lost Persons and his partner Mike Kelly solve "The Case of the Ruthless Murderers" (originally aired on CBS on October 27, 1949). Nero Wolfe and Archie Goodwin take their final bow on the air in "The Case of Room 304" (originally aired on NBC on April 27, 1951). Sgt. Joe Friday and Officer Frank Smith are on the trail of counterfeiters in "The Big Listen" from Dragnet (originally aired on NBC on January 5, 1954). Finally, married sleuths Pat and Jean Abbott investigate "The Green-Eyed Divorcee" (AFRS rebroadcast from NBC on May 8, 1955).

Choice Classic Radio presents Nero Wolfe, which aired from 1950 to 1951. Today we bring to you the episode titled "The Careless Cleaner.” Please consider supporting our show by becoming a patron at http://choiceclassicradio.com We hope you enjoy the show!

The Midnight RIDE: "The Midnight Ride" by Nero Wolfe is a gripping mystery novel centred around the famous detective Nero Wolfe and his assistant, Archie Goodwin. The story begins when a young woman seeks Wolfe's help after her brother is accused of a murder that occurred during a late-night ride. As Wolfe and Archie dig deeper, they uncover a web of secrets, lies, and hidden motives among the suspects. With his sharp intellect and unique investigative methods, Wolfe unravels the truth, revealing the real killer and clearing the brother's name. The Disappearing Diamond: In "The Disappearing Diamond" by Nero Wolfe, a famous and valuable diamond vanishes during a high-society party. Private detective Nero Wolfe, along with his assistant Archie Goodwin, is hired to solve the mystery. They delve into a web of deceit, jealousy, and hidden motives among the elite guests. As they investigate, Wolfe's keen intellect and Archie's street-smart tactics uncover surprising secrets and potential suspects, leading them closer to the truth behind the missing gem. *****

Choice Classic Radio presents Nero Wolfe, which aired from 1950 to 1951. Today we bring to you the episode titled "Room 304.” Please consider supporting our show by becoming a patron at http://choiceclassicradio.com We hope you enjoy the show!

Choice Classic Radio presents Nero Wolfe, which aired from 1950 to 1951. Today we bring to you the episode titled "The Lost Heir.” Please consider supporting our show by becoming a patron at http://choiceclassicradio.com We hope you enjoy the show!

A new case is phoned in, but the home bound Nero Wolfe isn’t inclined to leave his easy chair, until he learns it involves the florist, and a shipment of…

Choice Classic Radio presents Nero Wolfe, which aired from 1950 to 1951. Today we bring to you the episode titled "A Slight Case of Perjury.” Please consider supporting our show by becoming a patron at http://choiceclassicradio.com We hope you enjoy the show!

LEGENDS! Today we have poison, betrayal, and well....TRICKERY!! ⛑️⛑️ The Malevolent Medic ⛑️⛑️ Mrs. Hal Horton, the spouse of a prosperous industrialist, harbour's feelings for her physician, Dr. Ben Sloane. Unbeknownst to her, Dr. Sloane intends to wed his nurse. Tragedy strikes when Mrs. Horton passes away in the doctor's office, prompting Mr. Horton to suspect nefarious actions!

FOUR EPISODES BACK TO BACK - Two Initial Remastered Test Audio files, and another TWO Additional Old Time Radio's. ENJOY! The Beautiful Archer: Nero Wolfe and Archie Goodwin unravel a tangled web of art forgeries and jealousy to clear an accused archer of murder. The Friendly Rabbit: Wolfe and Archie solve a dark conspiracy disguised as a missing rabbit case, involving blackmail and inheritance disputes. The Phantom Fingers: Wolfe and Archie debunk the myth of ghostly murders to catch a cunning, real-world strangler. The Vanishing Shells: The duo cracks a high-stakes assassination plot with disappearing shell casings, revealing a deep political conspiracy. Patreon: www.patreon.com/SFGT CC BY-SA 4.0 creativecommons.org/licenses/by-sa/4.0/ All stories Public Domain, are either Creative Commons, and/or the author has provided direct approval to narrate their story.

This week on Case Closed, we begin with Dear Dead Lady, from The New Adventures Of Nero Wolfe. That story first aired November 3, 1950. (30:02) Our second story is The Incredible Trial Of Laura D. Fair, the August 17, 1953, broadcast of Crime Classics. https://www.podtrac.com/pts/redirect.mp3/archive.org/download/rr12024/CaseClosed898.mp3 Download CaseClosed898 | Subscribe | Support Case Closed Your donation of any [...]

The New Adventures Of Nero Wolfe starts off this week's Case Closed with Stamped For Murder, its broadcast from October 20, 1950. (30:00) Our final story is Blood Harvest, from Tales Of The Texas Rangers. That episode aired January 21, 1951. https://www.podtrac.com/pts/redirect.mp3/archive.org/download/rr12024/CaseClosed882.mp3 Download CaseClosed882 | Subscribe | Support Case Closed Your donation of any amount to Relic Radio [...]

Paine Radio ClassicsWe Cannot Say Much of the 'Really Good Stuff' on Here That's Why We Created Paine.tv YOU CAN CONTRIBUTE TO THE SHOW BY CLICKING THIS LINK -- *** DONATE HERE *** GET the Intel that's Too Hot For Anywhere Else at P A IN E. TV CONTRIBUTE TO THE SHOW BY CLICKING THIS LINK -- *** DONATE HERE *** ...This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/5788750/advertisement