Podcasts about inner sanctum mysteries

This week on Strange Tales we hear The Judas Clock, from Inner Sanctum Mysteries. This story originally aired April 17, 1945. Listen to more from Inner Sanctum Mysteries https://traffic.libsyn.com/forcedn/e55e1c7a-e213-4a20-8701-21862bdf1f8a/StrangeTales805.mp3 Download StrangeTales805 | Subscribe | Spotify | Support Strange Tales Relic Radio is funded solely by listener donations. If you would like to help support it, visit Donate.RelicRadio.com for more information. Thank you.

Drama on a Wednesday First,  a look at this day in History.Then, Boston Blackie starring Dick Kollmar, originally broadcast June 18, 1946, 79 years ago, The Hooded Gang Protection Racket.  A masked society of extortioners has been formed, which Blackie tries to break up. Followed by Inner Sanctum Mysteries, originally broadcast June 18, 1946, 79 years ago, I Want to Report a Murder starring Santos Ortega.  A man with an insanely jealous wife starts to be blackmailed by a young woman after he accidentally kills her husband. There are lots of corpses all over the place!Then, Calling All Cars, originally broadcast June 18, 1935, 90 years ago, The Chinese Puzzle.  A Chinese merchant has been found hatchet murdered in his San Diego store. Followed by I Was a Communist for the FBI starring Dana Andrews, originally broadcast June 18, 1952, 73 years ago, Tight Wire.  The FBI assigns Cvetic the job of bugging a Communist Party meeting hall. Finally, Lum and Abner, originally broadcast June 18, 1942, 83 years ago, Cedric to Join the Marines?   Cedric decides to become an officer in the Marine Corps!Thanks to Richard G for supporting our podcast by using the Buy Me a Coffee function at http://classicradio.streamFind the Family Fallout Shelter Booklet Here: https://www.survivorlibrary.com/library/the_family_fallout_shelter_1959.pdfhttps://wardomatic.blogspot.com/2006/11/fallout-shelter-handbook-1962.htmlAnd more about the Survive-all Fallout Sheltershttps://conelrad.blogspot.com/2010/09/mad-men-meet-mad-survive-all-shelter.html

Strange Tales features Inner Sanctum Mysteries this week. We'll hear The Bog-Oak Necklace, their story from April 10, 1945. Listen to more from Inner Sanctum Mysteries https://traffic.libsyn.com/forcedn/e55e1c7a-e213-4a20-8701-21862bdf1f8a/StrangeTales799.mp3 Download StrangeTales799 | Subscribe | Spotify | Support Strange Tales Relic Radio is funded solely by listener donations. If you would like to help support it, visit Donate.RelicRadio.com for more information. Thank you.

The episode of "Inner Sanctum Mysteries" kicks off with the host, Raymond, presenting a chilling narrative that sets the tone for the evening's story, titled "Song of the Slasher." The show evokes a nostalgic and eerie atmosphere reminiscent of old-time radio thrillers while drawing in the listeners with its engaging dialogue and dark humor interspersed with commercial break mentions of Lipton tea.Raymond introduces the characters and incites curiosity about the bizarre circumstances surrounding a notorious serial killer known as the "slasher," who has horrified the neighborhood with his gruesome crimes. The tension escalates as the story unfolds, revolving around Detective Dan Miller, portrayed by Arnold Moss. He is tasked with unraveling the mystery behind a series of grisly murders marked by a peculiar tune whistled by the killer.As the episode proceeds, listeners are thrust into the life of Detective Miller, who grapples with both the threats posed by the slasher and his own personal concerns about his wife, Laura. Their dialogue reveals Miller's determination to protect his wife while also drawing attention to their living situation in the dangerous neighborhood. The atmosphere grows ominous when Laura hears the signature whistling of the slasher, prompting her to venture out, leading to a moment of suspense that keeps listeners on the edge of their seats.The plot thickens when Miller suspects their eccentric neighbor, Reginald Trevelyan, who is a reclusive musician often heard whistling that same tune. As the detective seeks more information and tries to build a case against Trevelyan, he navigates through various clues, interviews, and misdirections that deepen the intrigue, ultimately revealing a myriad of characters, each with their oddities and potential motives.Tension peaks when Miller discovers his wife has gone missing. The frantic search leads him to Trevelyan, culminating in a violent confrontation that exposes dark secrets and reveals betrayals. The episode explores themes of paranoia and deception, as personal relationships are tested against the harsh realities of violence.In an unexpected twist, it is revealed that Sykes, the janitor, is the real slasher, having framed Trevelyan for his own murderous impulses. Miller's ambition to solve the case and prove his worth as a detective leads to a shocking and ironic denouement where he becomes ensnared in his own web of lies and criminality. The narrative concludes with a darkly humorous moral about the perils of domestic discord, leaving the audience with a chilling yet thought-provoking reflection on the nature of evil.The show balances horror with wit, and the interplay between characters adds depth to the unfolding drama. Throughout, the connection to Lipton tea serves as both a humorous juxtaposition and a sense of normalcy amidst the sinister events, drawing a stark contrast between the mundane and the macabre. The expertly crafted dialogue, along with the suspenseful sound design, immerses listeners fully in the world where danger lurks behind every corner, making for a captivating auditory experience.

A Dramatic WednesdayFirst a look at this day in History.Then I Was a Communist for the FBI Starring Dana Andrews, originally broadcast April 23, 1953, 72 years ago, I Walk Alone.  The Party tries to trap Cvetic through his mother. Followed by Inner Sanctum Mysteries, originally broadcast April 23, 1946, 79 years ago, Make Ready My Grave starring Joan Banks and Richard Widmark. John Loomis brings his new bride to the family mansion, where she discovers the many nooses and learns the secret of the family curse!Then the Thirteenth Juror starring Vincent Price, originally broadcast April 23, 1949, 76 years ago, What Happened To John Wilkes Booth?  The story of how Booth was captured, if indeed he ever was captured. Followed by Pat Novak for Hire starring Jack Webb, originally broadcast April 23, 1949, 76 years ago, Rita Malloy.  Going on an errand for a friend, Pat gets a beating, a package, and a corpse or two, or three. Finally Lum and Abner, originally broadcast April 23, 1942, 83 years ago, Can't Get an Apartment. While Cedric is living in a tent in front of the store, Abner gets a brilliant idea to move the store into the elevator of the new, "Wonderful World Apartments." Their new motto would be, "A Store On Every Floor!"Thanks to Sean for supporting our podcast by using the Buy Me a Coffee function at http://classicradio.streamFind the Family Fallout Shelter Booklet Here: https://www.survivorlibrary.com/library/the_family_fallout_shelter_1959.pdfhttps://wardomatic.blogspot.com/2006/11/fallout-shelter-handbook-1962.htmlAnd more about the Survive-all Fallout Sheltershttps://conelrad.blogspot.com/2010/09/mad-men-meet-mad-survive-all-shelter.html

Couch And Coffee Table present an episode of Inner Sanctum Mysteries. This episode is called Dead Man's Deal and it aired on August 28, 1945.

The latest episode of Inner Sanctum Mysteries plunges listeners into a thrilling narrative steeped in suspense and dark humor. The host introduces a story centered around the character of Happy Dolan, a drifter who arrives in the bustling city of Reno with high hopes of changing his fortunes. Right from the start, the atmosphere is laden with an ominous tone, encouraging the audience to delve deep into themes of escape, fate, and the allure of both danger and romance.Happy Dolan's adventure begins at The Rialto Record Shop, where curiosity leads him to a peculiar fortune-telling weighing machine that proclaims, "Danger, Fortune, and Marriage Await You." This card sets in motion a series of unfortunate events for Happy, who soon finds himself mingling with unsavory characters. After attempting to beg for a small amount of change, he is coerced by a threatening stranger, Simon O'Toole, at gunpoint into a life-threatening scenario involving a river. Luckily, he is rescued by a mysterious woman named Jesse, who claims a connection with his fate, further complicating his circumstances.As the plot unfolds, Happy's efforts to evade O'Toole and shake off his disastrous luck become increasingly tangled. A wallet he finds in the street leads to an encounter with O'Toole, who reveals both his predatory and investment intents. Just as Happy starts dreamily investing his newfound fortune at the Grove Casino Club, he finds himself drawn to Jesse, who insinuates her way into his life with flirtation and intrigue. Their fast-paced connection teeters on the absurd, with Happy's bold declarations of love juxtaposed against the chaotic backdrop of gambling and quick decisions that could lead to his demise.However, fate takes a dark turn when the thrilling escapade spirals into tragedy. Jesse's sudden and mysterious death raises questions of betrayal and deeper conspiracies surrounding her and O'Toole. It becomes clear that underlying motives connect Happy to a potential inheritance from a deceased uncle, unbeknownst to him until O'Toole reveals the plot: they had both been betting on his demise to claim a fortune. The drama intensifies when Happy learns he has surpassed his initial misfortunes only to become embroiled in a deadly game of survival. In a climactic twist, Happy confronts Michael Dolan, who also has designs on his life. A desperate struggle ensues on a train, culminating in a violent yet darkly humorous confrontation that eventually leads to the unraveling of a plot soaked in greed, deception, and mistaken identities. The entire narrative encapsulates the tenure of crime noir, where fates are intertwined, encapsulated with questions about luck, destiny, and the darker sides of human nature.As the episode draws to a close, Happy finds himself implicated in the very crimes intended to befall him while securing a personal victory of sorts—his unexpected inheritance. The host closes with a reflection on the twists of fate and the irony of Happy's plight, having triumphed over his misfortunes, ending up both without a bride and with an inheritance but still marked by the chaotic events of the night. The chilling narrative leaves listeners pondering the lessons therein, as they are urged to savor life's complexities before the curtain falls on another visceral chapter of Inner Sanctum Mysteries.

Same Time, Same Station 03/30/2025 Everett Sloan Part 2. “Inner Sanctum Mysteries) 01/07/1941 Amazing Death Of Mrs Putnam. First show of series. “The Free Company” 04/06/1941 Ep007 His Honor, The Mayor. “Forecast” 07/21/1941 ep02 Fifty One East Fifty One. The second show of the second season. “Cavalcade Of America” 09/01/1941 Leif Ericson. If you would like to request shows, please call (714) 449-1958 E-mail: Larry Gassman: LarryGassman1@gmail.com John Gassman: John1Gassman@gmail.com

Same Time, Same Station 03/30/2025 Everett Sloan Part 2. “Inner Sanctum Mysteries) 01/07/1941 Amazing Death Of Mrs Putnam. First show of series. “The Free Company” 04/06/1941 Ep007 His Honor, The Mayor. “Forecast” 07/21/1941 ep02 Fifty One East Fifty One. The second show of the second season. “Cavalcade Of America” 09/01/1941 Leif Ericson. If you would like to request shows, please call (714) 449-1958 E-mail: Larry Gassman: LarryGassman1@gmail.com John Gassman: John1Gassman@gmail.com

A Dramatic WednesdayFirst a look at this day in History.Then Gunsmoke starring William Conrad, originally broadcast March 26, 1955, 70 years ago, The Horse Deal. Charlie Deesha's horses have been stolen, and the thief is selling them all over Dodge.Followed by Inner Sanctum Mysteries, originally broadcast March 26, 1946, 79 years ago, Death is a Double Crosser starring Lawson Zerbe.  An ex-con decides to steal the huge "King Midas" diamond, by becoming an apprentice diamond cutter. Then Did Justice Triumph, originally broadcast March 26, 1947, 78 years ago, Mastermind of Murder. One of the town's leading citizens is secretly heading a gang of thieves.Followed by Escape, originally broadcast March 26, 1949, 76 years ago, The Adaptive Ultimate.    A young girl, about to die, is given an experimental serum. She becomes an indestructible monster.  Finally Lum and Abner, originally broadcast March 26, 1942, 83 years ago,Harboring a Criminal.  Lum and Cedric have disappeared. Abner is arrested for harboring a fugitive!Thanks to Sean for supporting our podcast by using the Buy Me a Coffee function at http://classicradio.streamFind the Family Fallout Shelter Booklet Here: https://www.survivorlibrary.com/library/the_family_fallout_shelter_1959.pdfhttps://wardomatic.blogspot.com/2006/11/fallout-shelter-handbook-1962.htmlAnd more about the Survive-all Fallout Sheltershttps://conelrad.blogspot.com/2010/09/mad-men-meet-mad-survive-all-shelter.html

Air Date October 31 1949Send us a textSupport the show

A Dramatic WednesdayFirst a look at this day in History.Then Calling All Cars, originally broadcast February 26, 1935, 90 years ago, California's Two Man Crime Wave.  Two men have robbed a bank while wearing masks. There's more crime to come.Followed by Inner Sanctum Mysteries, originally broadcast February 26, 1946, 79 years ago, I Walk In The Night starring Larry Haines. What does a man think of when there's murder in the air?Then Mr. President starring Edward Arnold, originally broadcast February 26, 1950, 75 years ago, The Loophole. A president tries to avoid a war with England, but must snub France to do it.Followed by The Adventures of Frank Merriwell starring Lawson Zerbe, originally broadcast February 26, 1949, 76 years ago, The Unexpected Game.  One of Yale's professors, running for public office, is almost defeated by a false news article accusing him of dishonesty.Finally Lum and Abner, originally broadcast February 26, 1942, 83 years ago, Mousey, Airplane Watcher. Lum has been lying through his teeth to convince Diogenes' helper that he's an honest man. He has "an official air raid warden's uniform," but it says "P-O-R-T-E-R" on it! Mousie is appointed an airplane watcher.Thanks to Sean for supporting our podcast by using the Buy Me a Coffee function at http://classicradio.streamFind the Family Fallout Shelter Booklet Here: https://www.survivorlibrary.com/library/the_family_fallout_shelter_1959.pdfhttps://wardomatic.blogspot.com/2006/11/fallout-shelter-handbook-1962.htmlAnd more about the Survive-all Fallout Sheltershttps://conelrad.blogspot.com/2010/09/mad-men-meet-mad-survive-all-shelter.html

A Criminal WednesdayFirst a look at this day in History.Then Mr. District Attorney starring Jay Jostyn, originally broadcast February 12, 1941, 84 years ago, The Man From Alcatraz.  Vannie Devine is on the lam. His nerve and his health are shot. He only has his pal Monk and his pet marmoset for company. Bullets Kane is out to kill him, so he calls on Mr. D.A. for protection.Followed by Inner Sanctum Mysteries, originally broadcast February 12, 1946, 79 years ago, The Man Who Couldn't Die starring Richard Widmark. A man kills a chemist for his formula for immortality, but it doesn't quite work out that way. Then Did Justice Triumph, originally broadcast February 12, 1947, 78 years ago,  The Anniversary of Death.  Lucille Waters has been poisoned and the police suspect her husband. Followed by Yours Truly Johnny Dollar starring Bob Readick, originally broadcast February 12, 1961, 64 years ago, The Wayward Fireman Matter. A Series of arsons bring in Dollar and his associate, reformed arsonist Smoky Sullivan.  But the arsonist tries to eliminate Dollar - and almost eliminates Smoky in the process!Finally Claudia,  originally broadcast February 12, 1949, 76 years ago, Filing the Paperwork. Thanks to Sean for supporting our podcast by using the Buy Me a Coffee function at http://classicradio.streamFind the Family Fallout Shelter Booklet Here: https://www.survivorlibrary.com/library/the_family_fallout_shelter_1959.pdfhttps://wardomatic.blogspot.com/2006/11/fallout-shelter-handbook-1962.htmlAnd more about the Survive-all Fallout Sheltershttps://conelrad.blogspot.com/2010/09/mad-men-meet-mad-survive-all-shelter.html

This week's Strange Tale is The Unforgiving Corpse, from Inner Sanctum Mysteries. This episode originally aired May 28, 1951. Listen to more from Inner Sanctum Mysteries https://traffic.libsyn.com/forcedn/e55e1c7a-e213-4a20-8701-21862bdf1f8a/StrangeTales785.mp3 Download StrangeTales785 | Subscribe | Spotify | Support Strange Tales Relic Radio is funded solely by listener donations. If you would like to help support it, visit Donate.RelicRadio.com for more information. Thank you.

A Western WednesdayFirst a look at the events of the dayThen Fort Laramie starring Raymond Burr, originally broadcast January 22, 1956, 69 years ago,  Playing Indians.   Captain Quince baits a trap for a band of horse thieves and murderers who are trying to make the cavalry think they are Arapahos. Followed by Gunsmoke starring William Conrad, originally broadcast January 22, 1955, 70 years ago, Sins Of Our Fathers. Big Dan Daggett is a big mountain man. His Kiowa wife is the daughter of Chief Yellow Horse and much hated in Dodge by some.Then Calling All Cars, originally broadcast January 22, 1935, 90 years ago, The San Quentin Prison Break.  Four convicts have just escaped from San Quentin prison, they are reported heading north with four members of the prison board as hostages. The actual prison break happened just last Wednesday.Followed by Inner Sanctum Mysteries, originally broadcast January 22, 1946, 79 years ago, The Confession starring Santos Ortega.   A dying bank robber gives an impoverished pharmacist a taste of death and murder.Finally, Lum and Abner, originally broadcast January 22, 1942, 83 years ago.   Lum is in jail, and Uncle Henry is a tough jailerThanks to Honeywell for supporting our podcast by using the Buy Me a Coffee function at http://classicradio.streamIf you like what we do here, visit our friend Jay at http://radio.macinmind.com for great old time radio shows 24 hours a day

Drama on a WednesdayFirst a look at this day in History.Then Let George Do It starring Bob Bailey and Virginia Gregg, originally broadcast January 15, 1951, 74 years ago, Tune on a Triangle.   George Valentine is tricked into rescuing a woman on a building ledge...as a publicity stunt. She's a trapeze artist...and there's an insane strongman who has George's gun. Followed by Inner Sanctum Mysteries, originally broadcast January 15, 1946, 79 years ago, The Edge of Death starring Larry Haines. The story of the night Satan played a game of murder. A man is given the bejeweled rapier once owned by Rasputin, the mad monk of Russia. Then Gunsmoke starring William Conrad, originally broadcast January 15, 1955, 70 years ago, Chester's Murder. Charlie Pickard has been shot and killed while Chester was taking him to jail. All the evidence points to Chester as the murderer!Followed by Gangbusters, originally broadcast January 15, 1949, 76 years ago, The Case of the Masquerading Gunmen Pt 1.  A gang of robbers hits a bank in Oregon during "Pioneer Days," while wearing a full western disguise. Finally Lum and Abner, originally broadcast January 15, 1942, 83 years ago, Mousy as Delivery Boy.  Cedric is quitting his job as delivery boy. Lum gets Mousey to ask Abner for the job for himself...but Mousey gets the job.  Thanks to Sean for supporting our podcast by using the Buy Me a Coffee function at http://classicradio.streamFind the Family Fallout Shelter Booklet Here: https://www.survivorlibrary.com/library/the_family_fallout_shelter_1959.pdfhttps://wardomatic.blogspot.com/2006/11/fallout-shelter-handbook-1962.htmlAnd more about the Survive-all Fallout Sheltershttps://conelrad.blogspot.com/2010/09/mad-men-meet-mad-survive-all-shelter.html

Air Date September 20 1952Send us a text Support the show

Air Date February 10 1947Send us a text Support the show

The OTRNow Radio Program 2024-019The Shadow Of Fu Manchu. July 19, 1939. Program #31. Radio Attractions syndication. Sponsored by: Music fill for local commercial insert. A double double-crosser. Hanley Stafford, Gale Gordon. The Shadow Of Fu Manchu. July 21, 1939. Program #32. Radio Attractions syndication. Sponsored by: Music fill for local commercial insert. The Fu leaves a clue. Hanley Stafford, Gale Gordon. Town Hall Tonight. May 25, 1938. Red net. Sponsored by: Ipana, Sal Hepatica. Fred Allen.  My Little Margie. March 13, 1955. CBS net. "Miss Guided Missile". Sponsored by: Campana (commercials partially deleted). A vacation in Las Vegas. Frank Nelson gets Margie elected, "Miss Guided Missile." Farrell misreads one of his line, making a silly plot funnier. Verna Felton, Gil Stratton, Frank Nelson, Hans Conried, Gordon T. Hughes (producer, director, transcriber), Jean Tatum, Roy Rowan (announcer), Frank Fox (creator), Hal Roach Jr. (producer), Roland Reed (producer), Lee Carson (writer), Jack Harvey (writer), George Neise, Gale Storm (performer, commercial spokesman), Charles Farrell (performer, commercial spokesman). The Green Lama. June 26, 1949. CBS net. "The Million Dollar Chopsticks". Sustaining. The Green Lama arrives in Hong Kong to solve a murder and theft. Paul Frees, Ben Wright, Georgia Ellis, Jack Kruschen, Paul McVey, Lillian Buyeff, Lawrence Dobkin, Charles Russell, Norman Macdonnell (producer, director), Richard Foster (writer), William Froug (writer), Richard Aurandt (music), Larry Thor (announcer).   Inner Sanctum Mysteries. January 11, 1944. CBS net. "Voice On The Wire". Sponsored by: Colgate Tooth Powder, Palmolive Soap. Trapped on an island, a voice on the telephone warns a woman that she has only four hours to live. Raymond Edward Johnson (host), Lesley Woods, Himan Brown (director), Robert Sloane (writer), Karl Swenson, Berry Kroeger.

We hear from Inner Sanctum Mysteries on this episode of Strange Tales. From February 20, 1945, here's its story, No Coffin For The Dead. Listen to more from Inner Sanctum https://traffic.libsyn.com/forcedn/e55e1c7a-e213-4a20-8701-21862bdf1f8a/StrangeTales780.mp3 Download StrangeTales780 | Subscribe | Spotify | Support Strange Tales Relic Radio is funded solely by listener donations. If you would like to help support it, visit Donate.RelicRadio.com for more information. [...]

After a few morbid bits of humor about freezing to death, the feature gets started. A recently arrested man sits in a gloomy jail cell. In flashback and narrative, we…

After a few morbid bits of humor about freezing to death, the feature gets started. A recently arrested man sits in a gloomy jail cell. In flashback and narrative, we…

This week on Strange Tales, Raymond presents another tale from the Inner Sanctum.  This one, Detour To Terror, first aired May 21, 1946. Listen to more from Inner Sanctum Mysteries https://traffic.libsyn.com/forcedn/e55e1c7a-e213-4a20-8701-21862bdf1f8a/StrangeTales775.mp3 Download StrangeTales775 | Subscribe | Spotify | Support Strange Tales

Good evening and a huge welcome back to the show, I hope you've had a great day and you're ready to kick back and relax with another episode of Brett's old time radio show. Hello, I'm Brett your host for this evening and welcome to my home in beautiful Lyme Bay where it's lovely December night. I hope it's just as nice where you are. You'll find all of my links at www.linktr.ee/brettsoldtimeradioshow A huge thankyou for joining me once again for our regular late night visit to those dusty studio archives of Old Time radio shows right here at my home in the united kingdom. Don't forget I have an instagram page and youtube channel both called brett's old time radio show and I'd love it if you could follow me. Feel free to send me some feedback on this and the other shows if you get a moment, brett@tourdate.co.uk #sleep #insomnia #relax #chill #night #nighttime #bed #bedtime #oldtimeradio #drama #comedy #radio #talkradio #hancock #tonyhancock #hancockshalfhour #sherlock #sherlockholmes #radiodrama #popular #viral #viralpodcast #podcast #podcasting #podcasts #podtok #podcastclip #podcastclips #podcasttrailer #podcastteaser #newpodcastepisode #newpodcast #videopodcast #upcomingpodcast #audiogram #audiograms #truecrimepodcast #historypodcast #truecrime #podcaster #viral #popular #viralpodcast #number1 #instagram #youtube #facebook #johnnydollar #crime #fiction #unwind #devon #texas #texasranger #beer #seaton #seaside  #smuggler #colyton #devon #seaton #beer #branscombe #lymebay #lymeregis #brett #brettorchard #orchard #greatdetectives #greatdetectivesofoldtimeradio #detectives #johnnydollar #thesaint #steptoe #texasrangers   CBS Radio Mystery Theater (CBSRMT) was a radio drama series created by Himan Brown that aired from 1974 to 1982 on the CBS Radio Network. Drawing inspiration from classic old-time radio shows like The Mysterious Traveller and The Whistler, CBSRMT was hosted by E. G. Marshall, who introduced each episode with an inviting yet eerie, "Come in!… Welcome." The series' signature began and ended with the sound of a creaking door and eerie music, a hallmark that echoed Brown's earlier show Inner Sanctum Mysteries. Each episode, about 45 minutes long, mixed genres beyond mystery, including horror, science fiction, historical drama, and even comedy. Popular around Halloween and Christmas, the series would also air special adaptations like A Christmas Carol every year, except for 1974 and 1982. CBSRMT featured original stories as well as adaptations of literary works by famous writers such as Edgar Allan Poe, Charles Dickens, and Arthur Conan Doyle. E. G. Marshall hosted the series until 1982, when actress Tammy Grimes took over for the final season. The show was known for its chilling theme music, which included elements from the Twilight Zone score by Nathan Van Cleave. With over 1,399 original episodes, the show ran five nights a week, with a mix of new content and repeats. Despite its popularity, some critics, like radio historian John Dunning, pointed out weaknesses in its scriptwriting. CBSRMT attracted an impressive roster of talent, from radio veterans like Joan Banks and Jackson Beck to well-known actors such as John Lithgow, Sarah Jessica Parker, and Agnes Moorehead. The series became an entry point for younger listeners into the world of radio drama, as well as a nostalgic callback for those familiar with the Golden Age of Radio. The show was recorded in New York at the CBS Studio Building, and its production process was quick and efficient, with actors often completing their roles in just a few hours. In the early 2000s, CBSRMT saw a revival through NPR, bringing the series to a new generation of listeners. Despite its end in 1982, CBSRMT remains a cherished piece of radio history, known for its suspenseful storytelling and atmospheric production.

We hear a story from Inner Sanctum Mysteries on this week's episode of Strange Tales. From September 7, 1952, here's The Meek Die Slowly. Listen to more from Inner Sanctum Mysteries https://relicradio.info/audio/StrangeTales769.mp3 Download StrangeTales769 | Subscribe | Spotify | Support Strange Tales

Welcome to this episode of Old Time Radio Horror, a special short-run series for our 2024 Halloween celebration here at NEOZAZ.com. Today we will be listening to an episode of Inner Sanctum Mysteries, a regular feature in this series, and with good reason with this catalog of work. -The up for listening today is called "The Vengeful Corpse." The Vengeful Corpse first aired on September 12, 1949. It's the story of a woman that was burned as a witch in Salem. Centuries later, she has returned in search of revenge. So now - relax, turn down the lights, and sit back and enjoy this Inner Sanctum Mysteries episode, The Vengeful Corpse.

Subscriber-only episodeAir Date July 13 1952Send us a text Buzzsprout - Let's get your podcast launched!Start for FREEDisclaimer: This post contains affiliate links. If you make a purchase, I may receive a commission at no extra cost to you.

On this week's Strange Tales, Inner Sanctum Mysteries shares its episode from June 29, 1952, Terror By Night. Listen to more from Inner Sanctum https://www.podtrac.com/pts/redirect.mp3/archive.org/download/rr12024/StrangeTales762.mp3 Download StrangeTales762 | Subscribe | Support Strange Tales Relic Radio is funded solely by listener donations. If you would like to help support it, visit Donate.RelicRadio.com for more information. Thank you.

This week on Strange Tales, we hear The Silent Hands, from Inner Sanctum Mysteries. This story originally aired May 13, 1944. Listen to more from Inner Sanctum https://www.podtrac.com/pts/redirect.mp3/archive.org/download/rr12024/StrangeTales758.mp3 Download StrangeTales758 | Subscribe | Support Strange Tales

The man you just heard was Raymond Edward Johnson. He is best-remembered for being the longtime host on Inner Sanctum Mysteries on CBS. After returning from the War, Johnson left the show to pursue more diversified acting interests. However by then, NBC had launched their own mystery program which Johnson often found himself appearing in. It was called The Molle Mystery Theater. Launched on September 7th, 1943 and sponsored by Molle Brushless Shaving Cream, Mystery Theater was hosted by Bernard Lenrow as Geoffrey Barnes, crime fiction connoisseur. Veteran radio actor Bernard Lenrow routinely read one-hundred mystery novels each year and personally selected the stories to be dramatized on the show. Molle featured '‘the best in mystery and detective fiction,” with tales running from classics by Poe, to moderns by Raymond Chandler. The trademarks were high tension and shocking endings. In July of 1944 it was pulling a rating of 9.1 Tuesdays at 9PM. Many of New York's most-famous radio actors appeared, like Richard Widmark, Elspeth Eric, Anne Seymour, and Joseph Julian.

Strange Tales features a story from Inner Sanctum Mysteries this week. From August 28, 1945, we'll hear Dead Man's Deal. Listen to more from Inner Sanctum https://www.podtrac.com/pts/redirect.mp3/archive.org/download/rr12024/StrangeTales753.mp3 Download StrangeTales753 | Subscribe | Support Strange Tales Relic Radio is funded solely by listener donations. If you would like to help support it, visit Donate.RelicRadio.com for more information. Thank you.

Get full-length pulp audiobooks, pulp eBooks, and old-time radio shows ABSOLUTELY FREE FOR IMMEDIATE DOWNLOAD by emailing WeirdDarkness@RadioArchives.com! Get the commercial-free version by joining the Darkness Syndicate at https://weirddarkness.com/syndicate!After September 30, 1962, commercial radio drama was as dead as the doornail described in the opening pages of Dickens' A Christmas Carol (1843), and everyone understood that television killed it. People who worked in both mediums realized that working in radio was a much better overall experience than television could ever be. Sure, TV had pictures to go along with the stories, but putting those pictures on the air involved a highly technical and expensive technology, and by the time those images reached the audience they were grainy, blurry, and sometimes nearly impossible to see. One actor could play different parts on several different radio programs, even in a single episode, but once they were seen in a TV show their face was recognizable enough that they had a hard time working on another show, and even a twenty-second appearance meant hours in makeup and wardrobe. Appearing in a radio drama required just a couple rehearsals and then remaining as quiet as possible in the studio, following along in the script until time to perform your lines, which you also read from the script. There was one important thing that television could offer over radio work; money. The accounting in TV and radio was fundamentally different. A radio program was usually paid for by a single sponsor while commercial time on TV shows was sold piecemeal, but there was still a phenomenal amount of money involved in TV production and the networks and sponsors were happy to pay it. Unable to compete with the huge amount of money being spread around by TV, after the final broadcasts of Suspense and Yours Truly Johnny Dollar on September 30, 1960, the Golden Age of Radio came to an end. Or did it? In the decade after the end of the Golden Age of Radio, TV matured artistically and technically. There had been a rejection by the networks of "rural" programming which helped launch a nostalgia craze. This craze began with the release of George Lucas's American Graffiti (1973), and suddenly everything old seemed new again. One of the genres which were best suited to radio was the horror shows which made listeners sit up in bed and pull the sheets over their heads. This sort of program had been pioneered Wyliss Cooper and Arch Oboler on Lights Out as well as The Whistler, Suspense, and Inner Sanctum Mysteries. This was the type of show creators decided upon for his radio nostalgia project, which became The CBS Radio Mystery Theater. They were convinced that there was enough interest from those who had heard similar shows growing up during the Golden Age, but the show built a following of younger fans for whom radio drama was a new and exciting experience. In many ways, CBSRMT was more like a TV program on the radio than a typical Old Time Radio show. The shows were taped rather than broadcast live, which allowed for greater post-production editing and creative control. The scripts generally ran 45 minutes, and the action was broken at points to allow for separately produced commercials and news bulletins to be inserted. The opening featured the "creaking door" effect which had been part of The Inner Sanctum. Host E.G. Marshall was never as campily creepy earlier horror hosts, but his closing, "Until next time, pleasant… dreams?" was sure to inspire nightmares. Production of CBSRMT was efficient almost to the point of cheapness. Creators drew upon radio row veterans working in New York as well as up-and-coming television personalities. The show used original stories from a wide variety of genres as well as literary classics. Writers were paid a flat $350 for each recorded script, and actors received union scale rates of $73.92 per episode. The actors would come into the studio for an initial script reading at 9:00 am, and the episode was generally completed by noon. Paychecks were handed out and the tape would be edited in the afternoon.00:00:00.000 = INTRODUCTION00:01:54.482 = The Deadly Blind Man's Bluff (September 25, 1974)00:47:32.000 = The Spectral Bride (September 26, 1974)01:33:04.000 = Murder To Perfection (September 30, 1974)02:18:37.287 = The Bride That Wasn't (October 01, 1974)03:04:34.000 = The Golden Blood of the Sun (October 03, 1974)03:50:24.000 = Sister of Death (October 07, 1974)04:36:05.000 = Trapped (October 09, 1974)SOURCES AND ESSENTIAL WEB LINKS…This episode is sponsored by http://RadioArchives.comWeird Darkness Retro Radio theme by Storyblocks.= = = = = = = = = = = = = = = = = = = = = = = = = = = = = ="I have come into the world as a light, so that no one who believes in me should stay in darkness." — John 12:46Find out how to escape eternal darkness at https://weirddarkness.com/eternaldarknessWeirdDarkness® - is a registered trademark. Copyright, Weird Darkness, 2024.CUSTOM WEBPAGE: https://weirddarkness.com/cbsrmt-marathon-018

This time on Strange Tales, Inner Sanctum Mysteries brings us The Unburied Dead, its story from May 16, 1949. Listen to more from Inner Sanctum https://www.podtrac.com/pts/redirect.mp3/archive.org/download/rr12024/StrangeTales748.mp3 Download StrangeTales748 | Subscribe | Support Strange Tales

Get the commercial-free version by joining the Darkness Syndicate at https://weirddarkness.com/syndicate! Get full-length pulp audiobooks, pulp eBooks, and old-time radio shows ABSOLUTELY FREE FOR IMMEDIATE DOWNLOAD by emailing WeirdDarkness@RadioArchives.com!A creaking door and a chorus of haunting organ music. No radio show opening is more memorable for many fans than the one heard on Inner Sanctum Mysteries. This disturbing simple salvo led people into thirty minutes of suspense and horror sprinkled with puns from a creepy host, all of which can now be heard again in sparkling audio quality from Radio Archives. Inner Sanctum Mysteries was the brainchild of producer Himan Brown, inspired by the unsettling creaking door in the basement of a studio where he once worked. Brown took that inspiration and built around it a formula that lived on beyond the show itself. Listeners tuned in every week to hear that door open and be welcomed by the sinister, yet often humorous host to join him in a chair near the fire inside the Inner Sanctum for a story sure to chill them to the bone. Stories on Inner Sanctum Mysteries originally included both classic and original tales, the new stories taking center stage as the show continued. With writers like pulp scribes Emile Tepperman and Robert Newman, as well as Robert Sloan, Milton Lewis, and others, it is little surprise that Inner Sanctum is still beloved by fans today. Utilizing numerous clichés and literary devices, Inner Sanctum Mysteries carried listeners into the heart of horror, a liberal dose of camp often thrown in. Using voices ranging from star Boris Karloff to a veteran crew of New York radio actors, Inner Sanctum set the standard for horror programs both on radio and even inspired decades of horror hosts on television. Inner Sanctum Mysteries features some of the best of fright, terror, and fantastic storytelling old time radio has to offer!SOURCES AND ESSENTIAL WEB LINKS…This episode is sponsored by http://RadioArchives.comWeird Darkness Retro Radio theme by Storyblocks.= = = = = = = = = = = = = = = = = = = = = = = = = = = = = ="I have come into the world as a light, so that no one who believes in me should stay in darkness." — John 12:46Find out how to escape eternal darkness at https://weirddarkness.com/eternaldarknessWeirdDarkness® - is a registered trademark. Copyright, Weird Darkness, 2024.= = = = = = = = = = = = = = = = = = = = = = = = = = = = = =CUSTOM WEBPAGE: https://weirddarkness.com/innersanctum-marathon-012

Get full-length pulp audiobooks, pulp eBooks, and old-time radio shows ABSOLUTELY FREE FOR IMMEDIATE DOWNLOAD by emailing WeirdDarkness@RadioArchives.com!After September 30, 1962, commercial radio drama was as dead as the doornail described in the opening pages of Dickens' A Christmas Carol (1843), and everyone understood that television killed it. People who worked in both mediums realized that working in radio was a much better overall experience than television could ever be. Sure, TV had pictures to go along with the stories, but putting those pictures on the air involved a highly technical and expensive technology, and by the time those images reached the audience they were grainy, blurry, and sometimes nearly impossible to see. One actor could play different parts on several different radio programs, even in a single episode, but once they were seen in a TV show their face was recognizable enough that they had a hard time working on another show, and even a twenty-second appearance meant hours in makeup and wardrobe. Appearing in a radio drama required just a couple rehearsals and then remaining as quiet as possible in the studio, following along in the script until time to perform your lines, which you also read from the script. There was one important thing that television could offer over radio work; money. The accounting in TV and radio was fundamentally different. A radio program was usually paid for by a single sponsor while commercial time on TV shows was sold piecemeal, but there was still a phenomenal amount of money involved in TV production and the networks and sponsors were happy to pay it. Unable to compete with the huge amount of money being spread around by TV, after the final broadcasts of Suspense and Yours Truly Johnny Dollar on September 30, 1960, the Golden Age of Radio came to an end. Or did it? In the decade after the end of the Golden Age of Radio, TV matured artistically and technically. There had been a rejection by the networks of "rural" programming which helped launch a nostalgia craze. This craze began with the release of George Lucas's American Graffiti (1973), and suddenly everything old seemed new again. One of the genres which were best suited to radio was the horror shows which made listeners sit up in bed and pull the sheets over their heads. This sort of program had been pioneered Wyliss Cooper and Arch Oboler on Lights Out as well as The Whistler, Suspense, and Inner Sanctum Mysteries. This was the type of show creators decided upon for his radio nostalgia project, which became The CBS Radio Mystery Theater. They were convinced that there was enough interest from those who had heard similar shows growing up during the Golden Age, but the show built a following of younger fans for whom radio drama was a new and exciting experience. In many ways, CBSRMT was more like a TV program on the radio than a typical Old Time Radio show. The shows were taped rather than broadcast live, which allowed for greater post-production editing and creative control. The scripts generally ran 45 minutes, and the action was broken at points to allow for separately produced commercials and news bulletins to be inserted. The opening featured the "creaking door" effect which had been part of The Inner Sanctum. Host E.G. Marshall was never as campily creepy earlier horror hosts, but his closing, "Until next time, pleasant… dreams?" was sure to inspire nightmares. Production of CBSRMT was efficient almost to the point of cheapness. Creators drew upon radio row veterans working in New York as well as up-and-coming television personalities. The show used original stories from a wide variety of genres as well as literary classics. Writers were paid a flat $350 for each recorded script, and actors received union scale rates of $73.92 per episode. The actors would come into the studio for an initial script reading at 9:00 am, and the episode was generally completed by noon. Paychecks were handed out and the tape would be edited in the afternoon.00:00:00.000 = INTRODUCTION00:01:54.482 = Double Exposure (September 09, 1974)00:47:02.196 = The Hand That Refused To Die (September 11, 1974)01:32:06.177 = The Trouble With Murder (September 12, 1974)02:17:02.229 = What Happened To Mrs. Forbush (September 16, 1974)03:01:48.871 = Thicker Than Water (September 17, 1974)03:46:40.018 = The Garden (September 19, 1974)04:31:25.928 = Island Of The Lost (September 23, 1974)SOURCES AND ESSENTIAL WEB LINKS…This episode is sponsored by http://RadioArchives.comWeird Darkness Retro Radio theme by Storyblocks.= = = = = = = = = = = = = = = = = = = = = = = = = = = = = ="I have come into the world as a light, so that no one who believes in me should stay in darkness." — John 12:46Find out how to escape eternal darkness at https://weirddarkness.com/eternaldarknessWeirdDarkness® - is a registered trademark. Copyright, Weird Darkness, 2024.CUSTOM WEBPAGE: https://weirddarkness.com/cbsrmt-marathon-017

Get full-length pulp audiobooks, pulp eBooks, and old-time radio shows ABSOLUTELY FREE FOR IMMEDIATE DOWNLOAD by emailing WeirdDarkness@RadioArchives.com!A creaking door and a chorus of haunting organ music. No radio show opening is more memorable for many fans than the one heard on Inner Sanctum Mysteries. This disturbing simple salvo led people into thirty minutes of suspense and horror sprinkled with puns from a creepy host, all of which can now be heard again in sparkling audio quality from Radio Archives.Inner Sanctum Mysteries was the brainchild of producer Himan Brown, inspired by the unsettling creaking door in the basement of a studio where he once worked. Brown took that inspiration and built around it a formula that lived on beyond the show itself. Listeners tuned in every week to hear that door open and be welcomed by the sinister, yet often humorous host to join him in a chair near the fire inside the Inner Sanctum for a story sure to chill them to the bone.Stories on Inner Sanctum Mysteries originally included both classic and original tales, the new stories taking center stage as the show continued. With writers like pulp scribes Emile Tepperman and Robert Newman, as well as Robert Sloan, Milton Lewis, and others, it is little surprise that Inner Sanctum is still beloved by fans today. Utilizing numerous clichés and literary devices, Inner Sanctum Mysteries carried listeners into the heart of horror, a liberal dose of camp often thrown in. Using voices ranging from star Boris Karloff to a veteran crew of New York radio actors, Inner Sanctum set the standard for horror programs both on radio and even inspired decades of horror hosts on television.Inner Sanctum Mysteries features some of the best of fright, terror, and fantastic storytelling old time radio has to offer!YOUTUBE TIME STAMPS...00:00:00.000 = INTRODUCTION00:01:54.794 = Next Time I Live (August 30, 1948)00:27:29.411 = Death Rides a Riptide (September 06, 1948)00:52:21.294 = Hangman's Island (September 20, 1948)01:16:43.133 = Murder By Prophecy (September 27, 1948)01:41:32.277 = Death Of A Doll (October 18, 1948)02:06:33.436 = Front Page Murder (November 08, 1948)02:32:15.147 = Death Watch In Boston (November 15, 1948)02:58:41.103 = Cause Of Death (December 06, 1948)03:22:55.957 = Murder Faces East (December 13, 1948)03:46:22.015 = Between Two Worlds (December 20, 1948)04:10:22.335 = Fearful Voyage (January 03, 1949)04:35:42.567 = Murder Comes To Life (January 10, 1949)SOURCES AND ESSENTIAL WEB LINKS…This episode is sponsored by http://RadioArchives.comWeird Darkness Retro Radio theme by Storyblocks.= = = = = = = = = = = = = = = = = = = = = = = = = = = = = ="I have come into the world as a light, so that no one who believes in me should stay in darkness." — John 12:46Find out how to escape eternal darkness at https://weirddarkness.com/eternaldarknessWeirdDarkness® - is a registered trademark. Copyright, Weird Darkness, 2024.= = = = = = = = = = = = = = = = = = = = = = = = = = = = = =CUSTOM WEBPAGE: https://weirddarkness.com/innersanctum-marathon-011

Get full-length pulp audiobooks, pulp eBooks, and old-time radio shows ABSOLUTELY FREE FOR IMMEDIATE DOWNLOAD by emailing WeirdDarkness@RadioArchives.com!After September 30, 1962, commercial radio drama was as dead as the doornail described in the opening pages of Dickens' A Christmas Carol (1843), and everyone understood that television killed it. People who worked in both mediums realized that working in radio was a much better overall experience than television could ever be. Sure, TV had pictures to go along with the stories, but putting those pictures on the air involved a highly technical and expensive technology, and by the time those images reached the audience they were grainy, blurry, and sometimes nearly impossible to see. One actor could play different parts on several different radio programs, even in a single episode, but once they were seen in a TV show their face was recognizable enough that they had a hard time working on another show, and even a twenty-second appearance meant hours in makeup and wardrobe. Appearing in a radio drama required just a couple rehearsals and then remaining as quiet as possible in the studio, following along in the script until time to perform your lines, which you also read from the script. There was one important thing that television could offer over radio work; money. The accounting in TV and radio was fundamentally different. A radio program was usually paid for by a single sponsor while commercial time on TV shows was sold piecemeal, but there was still a phenomenal amount of money involved in TV production and the networks and sponsors were happy to pay it. Unable to compete with the huge amount of money being spread around by TV, after the final broadcasts of Suspense and Yours Truly Johnny Dollar on September 30, 1960, the Golden Age of Radio came to an end. Or did it? In the decade after the end of the Golden Age of Radio, TV matured artistically and technically. There had been a rejection by the networks of "rural" programming which helped launch a nostalgia craze. This craze began with the release of George Lucas's American Graffiti (1973), and suddenly everything old seemed new again. One of the genres which were best suited to radio was the horror shows which made listeners sit up in bed and pull the sheets over their heads. This sort of program had been pioneered Wyliss Cooper and Arch Oboler on Lights Out as well as The Whistler, Suspense, and Inner Sanctum Mysteries. This was the type of show creators decided upon for his radio nostalgia project, which became The CBS Radio Mystery Theater. They were convinced that there was enough interest from those who had heard similar shows growing up during the Golden Age, but the show built a following of younger fans for whom radio drama was a new and exciting experience. In many ways, CBSRMT was more like a TV program on the radio than a typical Old Time Radio show. The shows were taped rather than broadcast live, which allowed for greater post-production editing and creative control. The scripts generally ran 45 minutes, and the action was broken at points to allow for separately produced commercials and news bulletins to be inserted. The opening featured the "creaking door" effect which had been part of The Inner Sanctum. Host E.G. Marshall was never as campily creepy earlier horror hosts, but his closing, "Until next time, pleasant… dreams?" was sure to inspire nightmares. Production of CBSRMT was efficient almost to the point of cheapness. Creators drew upon radio row veterans working in New York as well as up-and-coming television personalities. The show used original stories from a wide variety of genres as well as literary classics. Writers were paid a flat $350 for each recorded script, and actors received union scale rates of $73.92 per episode. The actors would come into the studio for an initial script reading at 9:00 am, and the episode was generally completed by noon. Paychecks were handed out and the tape would be edited in the afternoon.00:00:00.000 = INTRODUCTION00:01:54.482 = The Case of MJH (August 22, 1974)00:46:43.193 = The Deadliest Favor (August 26, 1974)01:31:38.360 = The Fatal Marksman (August 28, 1974)02:16:41.790 = Medium Rare (August 29, 1974)03:01:39.324 = The Return of Anatole Chevenic (September 02, 1974)03:46:35.909 = The Imp In The Bottle (September 03, 1974)04:31:42.592 = Deadline For Death (September 05, 1974)SOURCES AND ESSENTIAL WEB LINKS…This episode is sponsored by http://RadioArchives.comWeird Darkness Retro Radio theme by Storyblocks.= = = = = = = = = = = = = = = = = = = = = = = = = = = = = ="I have come into the world as a light, so that no one who believes in me should stay in darkness." — John 12:46Find out how to escape eternal darkness at https://weirddarkness.com/eternaldarknessWeirdDarkness® - is a registered trademark. Copyright, Weird Darkness, 2024.CUSTOM WEBPAGE: https://weirddarkness.com/cbsrmt-marathon-016

Get full-length pulp audiobooks, pulp eBooks, and old-time radio shows ABSOLUTELY FREE FOR IMMEDIATE DOWNLOAD by emailing WeirdDarkness@RadioArchives.com!A creaking door and a chorus of haunting organ music. No radio show opening is more memorable for many fans than the one heard on Inner Sanctum Mysteries. This disturbing simple salvo led people into thirty minutes of suspense and horror sprinkled with puns from a creepy host, all of which can now be heard again in sparkling audio quality from Radio Archives.Inner Sanctum Mysteries was the brainchild of producer Himan Brown, inspired by the unsettling creaking door in the basement of a studio where he once worked. Brown took that inspiration and built around it a formula that lived on beyond the show itself. Listeners tuned in every week to hear that door open and be welcomed by the sinister, yet often humorous host to join him in a chair near the fire inside the Inner Sanctum for a story sure to chill them to the bone.Stories on Inner Sanctum Mysteries originally included both classic and original tales, the new stories taking center stage as the show continued. With writers like pulp scribes Emile Tepperman and Robert Newman, as well as Robert Sloan, Milton Lewis, and others, it is little surprise that Inner Sanctum is still beloved by fans today. Utilizing numerous clichés and literary devices, Inner Sanctum Mysteries carried listeners into the heart of horror, a liberal dose of camp often thrown in. Using voices ranging from star Boris Karloff to a veteran crew of New York radio actors, Inner Sanctum set the standard for horror programs both on radio and even inspired decades of horror hosts on television.Inner Sanctum Mysteries features some of the best of fright, terror, and fantastic storytelling old time radio has to offer!YOUTUBE TIME STAMPS...00:00:00.000 = INTRODUCTION00:01:54.794 = Over My Dead Body (June 23, 1947)00:26:33.106 = Till Death Do Us Part (October 27, 1947)00:55:25.238 = Death Out Of Mind (December 29, 1947)01:19:37.154 = Tempo In Blood (January 12, 1948)01:44:00.097 = Magic Tile (March 08, 1948)02:08:12.114 = Lady Killer (March 29, 1948)2:32:40.929 = The Corpse Laughs Last (June 28, 1948)02:58:18.135 = Death Demon (July 05, 1948)03:28:00.959 = Eyes Of My Murderer (July 19, 1948)03:53:29.093 = Murder Takes A Honeymoon (July 26, 1948)04:17:39.242 = Murder Ship (August 02, 1948)04:42:54.281 = House Of Doom: AFR Version (August 09, 1948)SOURCES AND ESSENTIAL WEB LINKS…This episode is sponsored by http://RadioArchives.comWeird Darkness Retro Radio theme by Storyblocks.= = = = = = = = = = = = = = = = = = = = = = = = = = = = = ="I have come into the world as a light, so that no one who believes in me should stay in darkness." — John 12:46Find out how to escape eternal darkness at https://weirddarkness.com/eternaldarknessWeirdDarkness® - is a registered trademark. Copyright, Weird Darkness, 2024.= = = = = = = = = = = = = = = = = = = = = = = = = = = = = =CUSTOM WEBPAGE: https://weirddarkness.com/innersanctum-marathon-010

Get full-length pulp audiobooks, pulp eBooks, and old-time radio shows ABSOLUTELY FREE FOR IMMEDIATE DOWNLOAD by emailing WeirdDarkness@RadioArchives.com!After September 30, 1962, commercial radio drama was as dead as the doornail described in the opening pages of Dickens' A Christmas Carol (1843), and everyone understood that television killed it. People who worked in both mediums realized that working in radio was a much better overall experience than television could ever be. Sure, TV had pictures to go along with the stories, but putting those pictures on the air involved a highly technical and expensive technology, and by the time those images reached the audience they were grainy, blurry, and sometimes nearly impossible to see. One actor could play different parts on several different radio programs, even in a single episode, but once they were seen in a TV show their face was recognizable enough that they had a hard time working on another show, and even a twenty-second appearance meant hours in makeup and wardrobe. Appearing in a radio drama required just a couple rehearsals and then remaining as quiet as possible in the studio, following along in the script until time to perform your lines, which you also read from the script. There was one important thing that television could offer over radio work; money. The accounting in TV and radio was fundamentally different. A radio program was usually paid for by a single sponsor while commercial time on TV shows was sold piecemeal, but there was still a phenomenal amount of money involved in TV production and the networks and sponsors were happy to pay it. Unable to compete with the huge amount of money being spread around by TV, after the final broadcasts of Suspense and Yours Truly Johnny Dollar on September 30, 1960, the Golden Age of Radio came to an end. Or did it? In the decade after the end of the Golden Age of Radio, TV matured artistically and technically. There had been a rejection by the networks of "rural" programming which helped launch a nostalgia craze. This craze began with the release of George Lucas's American Graffiti (1973), and suddenly everything old seemed new again. One of the genres which were best suited to radio was the horror shows which made listeners sit up in bed and pull the sheets over their heads. This sort of program had been pioneered Wyliss Cooper and Arch Oboler on Lights Out as well as The Whistler, Suspense, and Inner Sanctum Mysteries. This was the type of show creators decided upon for his radio nostalgia project, which became The CBS Radio Mystery Theater. They were convinced that there was enough interest from those who had heard similar shows growing up during the Golden Age, but the show built a following of younger fans for whom radio drama was a new and exciting experience. In many ways, CBSRMT was more like a TV program on the radio than a typical Old Time Radio show. The shows were taped rather than broadcast live, which allowed for greater post-production editing and creative control. The scripts generally ran 45 minutes, and the action was broken at points to allow for separately produced commercials and news bulletins to be inserted. The opening featured the "creaking door" effect which had been part of The Inner Sanctum. Host E.G. Marshall was never as campily creepy earlier horror hosts, but his closing, "Until next time, pleasant… dreams?" was sure to inspire nightmares. Production of CBSRMT was efficient almost to the point of cheapness. Creators drew upon radio row veterans working in New York as well as up-and-coming television personalities. The show used original stories from a wide variety of genres as well as literary classics. Writers were paid a flat $350 for each recorded script, and actors received union scale rates of $73.92 per episode. The actors would come into the studio for an initial script reading at 9:00 am, and the episode was generally completed by noon. Paychecks were handed out and the tape would be edited in the afternoon.00:00:00.000 = INTRODUCTION00:01:54.482 = The Beach Of Falesa (August 12, 1974)00:46:56.401 = The Frontier of Fear (August 13, 1974)01:31:57.708 = Journey Into Terror (August 14, 1974)02:16:29.201 = The Final Vow (August 15, 1974)03:01:35.304 = The Hands Of Mrs. Mallory (August 19, 1974)03:47:10.685 = A Preview Of Death (August 20, 1974)04:32:14.778 = Having A Horrible Time (August 21, 1974)SOURCES AND ESSENTIAL WEB LINKS…This episode is sponsored by http://RadioArchives.comWeird Darkness Retro Radio theme by Storyblocks.= = = = = = = = = = = = = = = = = = = = = = = = = = = = = ="I have come into the world as a light, so that no one who believes in me should stay in darkness." — John 12:46Find out how to escape eternal darkness at https://weirddarkness.com/eternaldarknessWeirdDarkness® - is a registered trademark. Copyright, Weird Darkness, 2024.CUSTOM WEBPAGE: https://weirddarkness.com/cbsrmt-marathon-015

Get full-length pulp audiobooks, pulp eBooks, and old-time radio shows ABSOLUTELY FREE FOR IMMEDIATE DOWNLOAD by emailing WeirdDarkness@RadioArchives.com!A creaking door and a chorus of haunting organ music. No radio show opening is more memorable for many fans than the one heard on Inner Sanctum Mysteries. This disturbing simple salvo led people into thirty minutes of suspense and horror sprinkled with puns from a creepy host, all of which can now be heard again in sparkling audio quality from Radio Archives.Inner Sanctum Mysteries was the brainchild of producer Himan Brown, inspired by the unsettling creaking door in the basement of a studio where he once worked. Brown took that inspiration and built around it a formula that lived on beyond the show itself. Listeners tuned in every week to hear that door open and be welcomed by the sinister, yet often humorous host to join him in a chair near the fire inside the Inner Sanctum for a story sure to chill them to the bone.Stories on Inner Sanctum Mysteries originally included both classic and original tales, the new stories taking center stage as the show continued. With writers like pulp scribes Emile Tepperman and Robert Newman, as well as Robert Sloan, Milton Lewis, and others, it is little surprise that Inner Sanctum is still beloved by fans today. Utilizing numerous clichés and literary devices, Inner Sanctum Mysteries carried listeners into the heart of horror, a liberal dose of camp often thrown in. Using voices ranging from star Boris Karloff to a veteran crew of New York radio actors, Inner Sanctum set the standard for horror programs both on radio and even inspired decades of horror hosts on television.Inner Sanctum Mysteries features some of the best of fright, terror, and fantastic storytelling old time radio has to offer!00:00:00.000 = INTRODUCTION00:01:54.794 = Make Ready My Grave (April 23, 1946)00:31:33.732 = You Could Die Laughing (May 07, 1946)01:01:14.626 = Detour to Terror (May 21, 1946)01:30:48.100 = Eight Steps to Murder (June 04, 1946)02:00:25.568 = I Want To Report a Murder (June 18, 1046)02:30:03.844 = Murder Comes at Midnight (August 09, 1946) – LOW QUALITY02:55:14.815 = Dead Laugh (September 23, 1946) – LOW QUALITY03:21:08.827 = No Rest For The Dead (November 25, 1946)03:48:30.221 = Death Bound (February 03, 1947)04:18:17.845 = Terror By Night (May 19, 1947)SOURCES AND ESSENTIAL WEB LINKS…This episode is sponsored by http://RadioArchives.comWeird Darkness Retro Radio theme by Storyblocks.= = = = = = = = = = = = = = = = = = = = = = = = = = = = = ="I have come into the world as a light, so that no one who believes in me should stay in darkness." — John 12:46Find out how to escape eternal darkness at https://weirddarkness.com/eternaldarknessWeirdDarkness® - is a registered trademark. Copyright, Weird Darkness, 2024.= = = = = = = = = = = = = = = = = = = = = = = = = = = = = =CUSTOM WEBPAGE: https://weirddarkness.com/innersanctum-marathon-009

Get full-length pulp audiobooks, pulp eBooks, and old-time radio shows ABSOLUTELY FREE FOR IMMEDIATE DOWNLOAD by emailing WeirdDarkness@RadioArchives.com!After September 30, 1962, commercial radio drama was as dead as the doornail described in the opening pages of Dickens' A Christmas Carol (1843), and everyone understood that television killed it. People who worked in both mediums realized that working in radio was a much better overall experience than television could ever be. Sure, TV had pictures to go along with the stories, but putting those pictures on the air involved a highly technical and expensive technology, and by the time those images reached the audience they were grainy, blurry, and sometimes nearly impossible to see. One actor could play different parts on several different radio programs, even in a single episode, but once they were seen in a TV show their face was recognizable enough that they had a hard time working on another show, and even a twenty-second appearance meant hours in makeup and wardrobe. Appearing in a radio drama required just a couple rehearsals and then remaining as quiet as possible in the studio, following along in the script until time to perform your lines, which you also read from the script. There was one important thing that television could offer over radio work; money. The accounting in TV and radio was fundamentally different. A radio program was usually paid for by a single sponsor while commercial time on TV shows was sold piecemeal, but there was still a phenomenal amount of money involved in TV production and the networks and sponsors were happy to pay it. Unable to compete with the huge amount of money being spread around by TV, after the final broadcasts of Suspense and Yours Truly Johnny Dollar on September 30, 1960, the Golden Age of Radio came to an end. Or did it? In the decade after the end of the Golden Age of Radio, TV matured artistically and technically. There had been a rejection by the networks of "rural" programming which helped launch a nostalgia craze. This craze began with the release of George Lucas's American Graffiti (1973), and suddenly everything old seemed new again. One of the genres which were best suited to radio was the horror shows which made listeners sit up in bed and pull the sheets over their heads. This sort of program had been pioneered Wyliss Cooper and Arch Oboler on Lights Out as well as The Whistler, Suspense, and Inner Sanctum Mysteries. This was the type of show creators decided upon for his radio nostalgia project, which became The CBS Radio Mystery Theater. They were convinced that there was enough interest from those who had heard similar shows growing up during the Golden Age, but the show built a following of younger fans for whom radio drama was a new and exciting experience. In many ways, CBSRMT was more like a TV program on the radio than a typical Old Time Radio show. The shows were taped rather than broadcast live, which allowed for greater post-production editing and creative control. The scripts generally ran 45 minutes, and the action was broken at points to allow for separately produced commercials and news bulletins to be inserted. The opening featured the "creaking door" effect which had been part of The Inner Sanctum. Host E.G. Marshall was never as campily creepy earlier horror hosts, but his closing, "Until next time, pleasant… dreams?" was sure to inspire nightmares. Production of CBSRMT was efficient almost to the point of cheapness. Creators drew upon radio row veterans working in New York as well as up-and-coming television personalities. The show used original stories from a wide variety of genres as well as literary classics. Writers were paid a flat $350 for each recorded script, and actors received union scale rates of $73.92 per episode. The actors would come into the studio for an initial script reading at 9:00 am, and the episode was generally completed by noon. Paychecks were handed out and the tape would be edited in the afternoon.00:00:00.000 = INTRODUCTION00:01:54.482 = Ghost at High Noon (July 29, 1974)00:46:54.396 = The Only Blood (July 31, 1974)01:31:45.305 = The Hit Man (August 01, 1974)02:16:26.079 = I Thought You Were Dead (August 05, 1974)03:01:30.661 = The Headstrong Corpse (August 06, 1974)03:46:49.707 = The Picture of Dorian Gray (August 07, 1974)04:33:15.631 = You Only Die Once (August 08, 1974)SOURCES AND ESSENTIAL WEB LINKS…This episode is sponsored by http://RadioArchives.comWeird Darkness Retro Radio theme by Storyblocks.= = = = = = = = = = = = = = = = = = = = = = = = = = = = = ="I have come into the world as a light, so that no one who believes in me should stay in darkness." — John 12:46Find out how to escape eternal darkness at https://weirddarkness.com/eternaldarknessWeirdDarkness® - is a registered trademark. Copyright, Weird Darkness, 2024.CUSTOM WEBPAGE: https://weirddarkness.com/cbsrmt-marathon-014

Get full-length pulp audiobooks, pulp eBooks, and old-time radio shows ABSOLUTELY FREE FOR IMMEDIATE DOWNLOAD by emailing WeirdDarkness@RadioArchives.com!A creaking door and a chorus of haunting organ music. No radio show opening is more memorable for many fans than the one heard on Inner Sanctum Mysteries. This disturbing simple salvo led people into thirty minutes of suspense and horror sprinkled with puns from a creepy host, all of which can now be heard again in sparkling audio quality from Radio Archives.Inner Sanctum Mysteries was the brainchild of producer Himan Brown, inspired by the unsettling creaking door in the basement of a studio where he once worked. Brown took that inspiration and built around it a formula that lived on beyond the show itself. Listeners tuned in every week to hear that door open and be welcomed by the sinister, yet often humorous host to join him in a chair near the fire inside the Inner Sanctum for a story sure to chill them to the bone.Stories on Inner Sanctum Mysteries originally included both classic and original tales, the new stories taking center stage as the show continued. With writers like pulp scribes Emile Tepperman and Robert Newman, as well as Robert Sloan, Milton Lewis, and others, it is little surprise that Inner Sanctum is still beloved by fans today. Utilizing numerous clichés and literary devices, Inner Sanctum Mysteries carried listeners into the heart of horror, a liberal dose of camp often thrown in. Using voices ranging from star Boris Karloff to a veteran crew of New York radio actors, Inner Sanctum set the standard for horror programs both on radio and even inspired decades of horror hosts on television.Inner Sanctum Mysteries features some of the best of fright, terror, and fantastic storytelling old time radio has to offer!00:00:00.000 = INTRODUCTION00:01:54.794 = Creeping Wall (January 08, 1946)00:31:27.729 = Edge of Death (January 15, 1946)01:01:06.024 = Confession (January 22, 1946)01:30:49.779 = Blood of Cain (January 29, 1946)02:00:28.785 = Skeleton Bay (February 05, 1946)02:30:05.613 = Man Who Couldn't Die (February 12, 1946)02:59:42.217 = I Walk In Night (February 26, 1946)03:29:16.539 = Strands of Death (March 12, 1946)03:59:11.121 = Death Is A Doublecrosser (March 26, 1946)04:28:47.362 = Lady With a Plan (April 09, 1946)SOURCES AND ESSENTIAL WEB LINKS…This episode is sponsored by http://RadioArchives.comWeird Darkness Retro Radio theme by Storyblocks.= = = = = = = = = = = = = = = = = = = = = = = = = = = = = ="I have come into the world as a light, so that no one who believes in me should stay in darkness." — John 12:46Find out how to escape eternal darkness at https://weirddarkness.com/eternaldarknessWeirdDarkness® - is a registered trademark. Copyright, Weird Darkness, 2024.= = = = = = = = = = = = = = = = = = = = = = = = = = = = = =CUSTOM WEBPAGE: https://weirddarkness.com/innersanctum-marathon-008

Get full-length pulp audiobooks, pulp eBooks, and old-time radio shows ABSOLUTELY FREE FOR IMMEDIATE DOWNLOAD by emailing WeirdDarkness@RadioArchives.com!After September 30, 1962, commercial radio drama was as dead as the doornail described in the opening pages of Dickens' A Christmas Carol (1843), and everyone understood that television killed it. People who worked in both mediums realized that working in radio was a much better overall experience than television could ever be. Sure, TV had pictures to go along with the stories, but putting those pictures on the air involved a highly technical and expensive technology, and by the time those images reached the audience they were grainy, blurry, and sometimes nearly impossible to see. One actor could play different parts on several different radio programs, even in a single episode, but once they were seen in a TV show their face was recognizable enough that they had a hard time working on another show, and even a twenty-second appearance meant hours in makeup and wardrobe. Appearing in a radio drama required just a couple rehearsals and then remaining as quiet as possible in the studio, following along in the script until time to perform your lines, which you also read from the script. There was one important thing that television could offer over radio work; money. The accounting in TV and radio was fundamentally different. A radio program was usually paid for by a single sponsor while commercial time on TV shows was sold piecemeal, but there was still a phenomenal amount of money involved in TV production and the networks and sponsors were happy to pay it. Unable to compete with the huge amount of money being spread around by TV, after the final broadcasts of Suspense and Yours Truly Johnny Dollar on September 30, 1960, the Golden Age of Radio came to an end. Or did it? In the decade after the end of the Golden Age of Radio, TV matured artistically and technically. There had been a rejection by the networks of "rural" programming which helped launch a nostalgia craze. This craze began with the release of George Lucas's American Graffiti (1973), and suddenly everything old seemed new again. One of the genres which were best suited to radio was the horror shows which made listeners sit up in bed and pull the sheets over their heads. This sort of program had been pioneered Wyliss Cooper and Arch Oboler on Lights Out as well as The Whistler, Suspense, and Inner Sanctum Mysteries. This was the type of show creators decided upon for his radio nostalgia project, which became The CBS Radio Mystery Theater. They were convinced that there was enough interest from those who had heard similar shows growing up during the Golden Age, but the show built a following of younger fans for whom radio drama was a new and exciting experience. In many ways, CBSRMT was more like a TV program on the radio than a typical Old Time Radio show. The shows were taped rather than broadcast live, which allowed for greater post-production editing and creative control. The scripts generally ran 45 minutes, and the action was broken at points to allow for separately produced commercials and news bulletins to be inserted. The opening featured the "creaking door" effect which had been part of The Inner Sanctum. Host E.G. Marshall was never as campily creepy earlier horror hosts, but his closing, "Until next time, pleasant… dreams?" was sure to inspire nightmares. Production of CBSRMT was efficient almost to the point of cheapness. Creators drew upon radio row veterans working in New York as well as up-and-coming television personalities. The show used original stories from a wide variety of genres as well as literary classics. Writers were paid a flat $350 for each recorded script, and actors received union scale rates of $73.92 per episode. The actors would come into the studio for an initial script reading at 9:00 am, and the episode was generally completed by noon. Paychecks were handed out and the tape would be edited in the afternoon.00:00:00.000 = INTRODUCTION00:01:54.482 = The Devil God (July 11, 1974)00:47:10.859 = The Canterville Ghost (July 15, 1974)01:32:04.487 = The Real Printer's Devil (July 17, 1974)02:17:16.069 = The Dream Woman (July 18, 1974)03:01:50.137 = The Deadly Process (July 22, 1974)03:47:02.841 = Adam's Astral Self (July 23, 1974)04:32:25.822 = My Sister, Death ( July 25, 1974)SOURCES AND ESSENTIAL WEB LINKS…This episode is sponsored by http://RadioArchives.comWeird Darkness Retro Radio theme by Storyblocks.= = = = = = = = = = = = = = = = = = = = = = = = = = = = = ="I have come into the world as a light, so that no one who believes in me should stay in darkness." — John 12:46Find out how to escape eternal darkness at https://weirddarkness.com/eternaldarknessWeirdDarkness® - is a registered trademark. Copyright, Weird Darkness, 2024.CUSTOM WEBPAGE: https://weirddarkness.com/cbsrmt-marathon-013

Get full-length pulp audiobooks, pulp eBooks, and old-time radio shows ABSOLUTELY FREE FOR IMMEDIATE DOWNLOAD by emailing WeirdDarkness@RadioArchives.com!A creaking door and a chorus of haunting organ music. No radio show opening is more memorable for many fans than the one heard on Inner Sanctum Mysteries. This disturbing simple salvo led people into thirty minutes of suspense and horror sprinkled with puns from a creepy host, all of which can now be heard again in sparkling audio quality from Radio Archives.Inner Sanctum Mysteries was the brainchild of producer Himan Brown, inspired by the unsettling creaking door in the basement of a studio where he once worked. Brown took that inspiration and built around it a formula that lived on beyond the show itself. Listeners tuned in every week to hear that door open and be welcomed by the sinister, yet often humorous host to join him in a chair near the fire inside the Inner Sanctum for a story sure to chill them to the bone.Stories on Inner Sanctum Mysteries originally included both classic and original tales, the new stories taking center stage as the show continued. With writers like pulp scribes Emile Tepperman and Robert Newman, as well as Robert Sloan, Milton Lewis, and others, it is little surprise that Inner Sanctum is still beloved by fans today. Utilizing numerous clichés and literary devices, Inner Sanctum Mysteries carried listeners into the heart of horror, a liberal dose of camp often thrown in. Using voices ranging from star Boris Karloff to a veteran crew of New York radio actors, Inner Sanctum set the standard for horror programs both on radio and even inspired decades of horror hosts on television.Inner Sanctum Mysteries features some of the best of fright, terror, and fantastic storytelling old time radio has to offer!00:00:00.000 = INTRODUCTION00:01:54.794 = Lonely Sleep (September 25, 1945)00:31:30.615 = Shadow of Death (October 02, 1945)01:00:18.433 = Death By Scripture (October 09, 1945)01:30:20.033 = Till Death Do Us Part (October 16, 1945)01:57:13.353 = Corridor of Doom (October 23, 1945)02:26:27.655 = The Man Who Couldn't Die (October 30, 1945)02:55:49.378 = Wailing Wall (November 06, 1945)03:25:10.068 = Boomerang (November 20, 1945)03:55:00.800 = Dark Chamber (December 11, 1945)04:24:45.523 = Undead (December 18, 1945)SOURCES AND ESSENTIAL WEB LINKS…This episode is sponsored by http://RadioArchives.comWeird Darkness Retro Radio theme by Storyblocks.= = = = = = = = = = = = = = = = = = = = = = = = = = = = = ="I have come into the world as a light, so that no one who believes in me should stay in darkness." — John 12:46Find out how to escape eternal darkness at https://weirddarkness.com/eternaldarknessWeirdDarkness® - is a registered trademark. Copyright, Weird Darkness, 2024.= = = = = = = = = = = = = = = = = = = = = = = = = = = = = =CUSTOM WEBPAGE: https://weirddarkness.com/innersanctum-marathon-007

Get full-length pulp audiobooks, pulp eBooks, and old-time radio shows ABSOLUTELY FREE FOR IMMEDIATE DOWNLOAD by emailing WeirdDarkness@RadioArchives.com!After September 30, 1962, commercial radio drama was as dead as the doornail described in the opening pages of Dickens' A Christmas Carol (1843), and everyone understood that television killed it. People who worked in both mediums realized that working in radio was a much better overall experience than television could ever be. Sure, TV had pictures to go along with the stories, but putting those pictures on the air involved a highly technical and expensive technology, and by the time those images reached the audience they were grainy, blurry, and sometimes nearly impossible to see. One actor could play different parts on several different radio programs, even in a single episode, but once they were seen in a TV show their face was recognizable enough that they had a hard time working on another show, and even a twenty-second appearance meant hours in makeup and wardrobe. Appearing in a radio drama required just a couple rehearsals and then remaining as quiet as possible in the studio, following along in the script until time to perform your lines, which you also read from the script. There was one important thing that television could offer over radio work; money. The accounting in TV and radio was fundamentally different. A radio program was usually paid for by a single sponsor while commercial time on TV shows was sold piecemeal, but there was still a phenomenal amount of money involved in TV production and the networks and sponsors were happy to pay it. Unable to compete with the huge amount of money being spread around by TV, after the final broadcasts of Suspense and Yours Truly Johnny Dollar on September 30, 1960, the Golden Age of Radio came to an end. Or did it? In the decade after the end of the Golden Age of Radio, TV matured artistically and technically. There had been a rejection by the networks of "rural" programming which helped launch a nostalgia craze. This craze began with the release of George Lucas's American Graffiti (1973), and suddenly everything old seemed new again. One of the genres which were best suited to radio was the horror shows which made listeners sit up in bed and pull the sheets over their heads. This sort of program had been pioneered Wyliss Cooper and Arch Oboler on Lights Out as well as The Whistler, Suspense, and Inner Sanctum Mysteries. This was the type of show creators decided upon for his radio nostalgia project, which became The CBS Radio Mystery Theater. They were convinced that there was enough interest from those who had heard similar shows growing up during the Golden Age, but the show built a following of younger fans for whom radio drama was a new and exciting experience. In many ways, CBSRMT was more like a TV program on the radio than a typical Old Time Radio show. The shows were taped rather than broadcast live, which allowed for greater post-production editing and creative control. The scripts generally ran 45 minutes, and the action was broken at points to allow for separately produced commercials and news bulletins to be inserted. The opening featured the "creaking door" effect which had been part of The Inner Sanctum. Host E.G. Marshall was never as campily creepy earlier horror hosts, but his closing, "Until next time, pleasant… dreams?" was sure to inspire nightmares. Production of CBSRMT was efficient almost to the point of cheapness. Creators drew upon radio row veterans working in New York as well as up-and-coming television personalities. The show used original stories from a wide variety of genres as well as literary classics. Writers were paid a flat $350 for each recorded script, and actors received union scale rates of $73.92 per episode. The actors would come into the studio for an initial script reading at 9:00 am, and the episode was generally completed by noon. Paychecks were handed out and the tape would be edited in the afternoon.00:00:00.000 = INTRODUCTION00:01:54.482 = Where Fear Begins (June 25, 1974)00:46:09.444 = Yesterday's Murder (June 27, 1974)01:30:22.516 = Hurricane (July 01, 1974)02:14:41.491 = The Secret Life of Bobby Deland (July 03, 1974)02:59:07.847 = The Young Die Good (July 04, 1974)03:43:37.985 = Too Many Women Can Kill You (July 08, 1974)04:28:35.623 = And Death Makes Even Steven (July 09, 1974)SOURCES AND ESSENTIAL WEB LINKS…This episode is sponsored by http://RadioArchives.comWeird Darkness Retro Radio theme by Storyblocks.= = = = = = = = = = = = = = = = = = = = = = = = = = = = = ="I have come into the world as a light, so that no one who believes in me should stay in darkness." — John 12:46Find out how to escape eternal darkness at https://weirddarkness.com/eternaldarknessWeirdDarkness® - is a registered trademark. Copyright, Weird Darkness, 2024.CUSTOM WEBPAGE: https://weirddarkness.com/cbsrmt-marathon-012

Get full-length pulp audiobooks, pulp eBooks, and old-time radio shows ABSOLUTELY FREE FOR IMMEDIATE DOWNLOAD by emailing WeirdDarkness@RadioArchives.com!A creaking door and a chorus of haunting organ music. No radio show opening is more memorable for many fans than the one heard on Inner Sanctum Mysteries. This disturbing simple salvo led people into thirty minutes of suspense and horror sprinkled with puns from a creepy host, all of which can now be heard again in sparkling audio quality from Radio Archives.Inner Sanctum Mysteries was the brainchild of producer Himan Brown, inspired by the unsettling creaking door in the basement of a studio where he once worked. Brown took that inspiration and built around it a formula that lived on beyond the show itself. Listeners tuned in every week to hear that door open and be welcomed by the sinister, yet often humorous host to join him in a chair near the fire inside the Inner Sanctum for a story sure to chill them to the bone.Stories on Inner Sanctum Mysteries originally included both classic and original tales, the new stories taking center stage as the show continued. With writers like pulp scribes Emile Tepperman and Robert Newman, as well as Robert Sloan, Milton Lewis, and others, it is little surprise that Inner Sanctum is still beloved by fans today. Utilizing numerous clichés and literary devices, Inner Sanctum Mysteries carried listeners into the heart of horror, a liberal dose of camp often thrown in. Using voices ranging from star Boris Karloff to a veteran crew of New York radio actors, Inner Sanctum set the standard for horror programs both on radio and even inspired decades of horror hosts on television.Inner Sanctum Mysteries features some of the best of fright, terror, and fantastic storytelling old time radio has to offer!00:00:00.000 = INTRODUCTION00:01:54.794 = Dead To Rights (May 22, 1945)00:31:36.515 = Musical Score (May 29, 1945)01:01:05.169 = Death Across The Board (June 05, 1945)01:30:43.631 = Portrait of Death (June 12, 1945)02:00:24.511 = Dead Man's Holiday (June 19, 1945)02:29:55.109 = Dead Man's Debt (June 26, 1945)02:59:14.586 = Dead Man's Deal (August 28, 1945)03:28:53.832 = Murder Prophet (September 04, 1945)03:58:37.908 = The Last Story (September 11, 1945)04:22:21.083 = Terror By Night (September 18, 1945)SOURCES AND ESSENTIAL WEB LINKS…This episode is sponsored by http://RadioArchives.comWeird Darkness Retro Radio theme by Storyblocks.= = = = = = = = = = = = = = = = = = = = = = = = = = = = = ="I have come into the world as a light, so that no one who believes in me should stay in darkness." — John 12:46Find out how to escape eternal darkness at https://weirddarkness.com/eternaldarknessWeirdDarkness® - is a registered trademark. Copyright, Weird Darkness, 2024.= = = = = = = = = = = = = = = = = = = = = = = = = = = = = =CUSTOM WEBPAGE: https://weirddarkness.com/innersanctum-marathon-006

Get full-length pulp audiobooks, pulp eBooks, and old-time radio shows ABSOLUTELY FREE FOR IMMEDIATE DOWNLOAD by emailing WeirdDarkness@RadioArchives.com!After September 30, 1962, commercial radio drama was as dead as the doornail described in the opening pages of Dickens' A Christmas Carol (1843), and everyone understood that television killed it.People who worked in both mediums realized that working in radio was a much better overall experience than television could ever be. Sure, TV had pictures to go along with the stories, but putting those pictures on the air involved a highly technical and expensive technology, and by the time those images reached the audience they were grainy, blurry, and sometimes nearly impossible to see. One actor could play different parts on several different radio programs, even in a single episode, but once they were seen in a TV show their face was recognizable enough that they had a hard time working on another show, and even a twenty-second appearance meant hours in makeup and wardrobe. Appearing in a radio drama required just a couple rehearsals and then remaining as quiet as possible in the studio, following along in the script until time to perform your lines, which you also read from the script.There was one important thing that television could offer over radio work; money. The accounting in TV and radio was fundamentally different. A radio program was usually paid for by a single sponsor while commercial time on TV shows was sold piecemeal, but there was still a phenomenal amount of money involved in TV production and the networks and sponsors were happy to pay it. Unable to compete with the huge amount of money being spread around by TV, after the final broadcasts of Suspense and Yours Truly Johnny Dollar on September 30, 1960, the Golden Age of Radio came to an end.Or did it?In the decade after the end of the Golden Age of Radio, TV matured artistically and technically. There had been a rejection by the networks of "rural" programming which helped launch a nostalgia craze. This craze began with the release of George Lucas's American Graffiti (1973), and suddenly everything old seemed new again.One of the genres which were best suited to radio was the horror shows which made listeners sit up in bed and pull the sheets over their heads. This sort of program had been pioneered Wyliss Cooper and Arch Oboler on Lights Out as well as The Whistler, Suspense, and Inner Sanctum Mysteries. This was the type of show creators decided upon for his radio nostalgia project, which became The CBS Radio Mystery Theater. They were convinced that there was enough interest from those who had heard similar shows growing up during the Golden Age, but the show built a following of younger fans for whom radio drama was a new and exciting experience.In many ways, CBSRMT was more like a TV program on the radio than a typical Old Time Radio show. The shows were taped rather than broadcast live, which allowed for greater post-production editing and creative control. The scripts generally ran 45 minutes, and the action was broken at points to allow for separately produced commercials and news bulletins to be inserted. The opening featured the "creaking door" effect which had been part of The Inner Sanctum. Host E.G. Marshall was never as campily creepy earlier horror hosts, but his closing, "Until next time, pleasant… dreams?" was sure to inspire nightmares.Production of CBSRMT was efficient almost to the point of cheapness. Creators drew upon radio row veterans working in New York as well as up-and-coming television personalities. The show used original stories from a wide variety of genres as well as literary classics. Writers were paid a flat $350 for each recorded script, and actors received union scale rates of $73.92 per episode. The actors would come into the studio for an initial script reading at 9:00 am, and the episode was generally completed by noon. Paychecks were handed out and the tape would be edited in the afternoon.00:00:00.000 = INTRODUCTION00:01:54.482 = A Bargain In Blood (June 10, 1974)00:47:20.047 = The Rat (June 12, 1974)01:31:30.267 = The House of the Seven Gables (June 13, 1974)02:15:35.422 = The Times Dead (June 17, 1974)03:00:48.349 = Dr Jekyll and Mr Hyde (June 18, 1974)03:45:03.193 = The Secret Doctrine (June 20, 1974)04:29:14.530 = Escape! Escape! (June 24, 1974)SOURCES AND ESSENTIAL WEB LINKS…This episode is sponsored by http://RadioArchives.comWeird Darkness Retro Radio theme by Storyblocks.= = = = = = = = = = = = = = = = = = = = = = = = = = = = = ="I have come into the world as a light, so that no one who believes in me should stay in darkness." — John 12:46Find out how to escape eternal darkness at https://weirddarkness.com/eternaldarknessWeirdDarkness® - is a registered trademark. Copyright, Weird Darkness, 2024.= = = = = = = = = = = = = = = = = = = = = = = = = = = = = =CUSTOM WEBPAGE: https://weirddarkness.com/cbsrmt-marathon-011

Get full-length pulp audiobooks, pulp eBooks, and old-time radio shows ABSOLUTELY FREE FOR IMMEDIATE DOWNLOAD by emailing WeirdDarkness@RadioArchives.com!A creaking door and a chorus of haunting organ music. No radio show opening is more memorable for many fans than the one heard on Inner Sanctum Mysteries. This disturbing simple salvo led people into thirty minutes of suspense and horror sprinkled with puns from a creepy host, all of which can now be heard again in sparkling audio quality from Radio Archives.Inner Sanctum Mysteries was the brainchild of producer Himan Brown, inspired by the unsettling creaking door in the basement of a studio where he once worked. Brown took that inspiration and built around it a formula that lived on beyond the show itself. Listeners tuned in every week to hear that door open and be welcomed by the sinister, yet often humorous host to join him in a chair near the fire inside the Inner Sanctum for a story sure to chill them to the bone.Stories on Inner Sanctum Mysteries originally included both classic and original tales, the new stories taking center stage as the show continued. With writers like pulp scribes Emile Tepperman and Robert Newman, as well as Robert Sloan, Milton Lewis, and others, it is little surprise that Inner Sanctum is still beloved by fans today. Utilizing numerous clichés and literary devices, Inner Sanctum Mysteries carried listeners into the heart of horror, a liberal dose of camp often thrown in. Using voices ranging from star Boris Karloff to a veteran crew of New York radio actors, Inner Sanctum set the standard for horror programs both on radio and even inspired decades of horror hosts on television.Inner Sanctum Mysteries features some of the best of fright, terror, and fantastic storytelling old time radio has to offer!00:00:00.000 = INTRODUCTION00:01:54.794 = Silent Hands (May 13, 1944)00:27:22.570 = Color Blind Formula (February 06, 1944)00:54:04.079 = Desert Death (January 09, 1945)01:23:28.344 = Death Is An Artist (January 23, 1945)01:53:04.463 = Death In Depths (February 06, 1945)02:22:41.875 = No Coffin For The Dead (February 20, 1945)02:51:22.581 = The Bogoak Necklace (April 10, 1945)03:21:04.222 = Judas Cock (April 17, 1945)03:51:01.269 = Song Of The Slasher (April 24, 1945)04:20:17.344 = Girl And The Gallows (May 01, 1945)04:48:36.847 = Black Art (May 15, 1945)SOURCES AND ESSENTIAL WEB LINKS…This episode is sponsored by http://RadioArchives.comWeird Darkness Retro Radio theme by Storyblocks.= = = = = = = = = = = = = = = = = = = = = = = = = = = = = ="I have come into the world as a light, so that no one who believes in me should stay in darkness." — John 12:46Find out how to escape eternal darkness at https://weirddarkness.com/eternaldarknessWeirdDarkness® - is a registered trademark. Copyright, Weird Darkness, 2024.= = = = = = = = = = = = = = = = = = = = = = = = = = = = = =CUSTOM WEBPAGE: https://weirddarkness.com/innersanctum-marathon-005

Get full-length pulp audiobooks, pulp eBooks, and old-time radio shows ABSOLUTELY FREE FOR IMMEDIATE DOWNLOAD by emailing WeirdDarkness@RadioArchives.com!After September 30, 1962, commercial radio drama was as dead as the doornail described in the opening pages of Dickens' A Christmas Carol (1843), and everyone understood that television killed it.People who worked in both mediums realized that working in radio was a much better overall experience than television could ever be. Sure, TV had pictures to go along with the stories, but putting those pictures on the air involved a highly technical and expensive technology, and by the time those images reached the audience they were grainy, blurry, and sometimes nearly impossible to see. One actor could play different parts on several different radio programs, even in a single episode, but once they were seen in a TV show their face was recognizable enough that they had a hard time working on another show, and even a twenty-second appearance meant hours in makeup and wardrobe. Appearing in a radio drama required just a couple rehearsals and then remaining as quiet as possible in the studio, following along in the script until time to perform your lines, which you also read from the script.There was one important thing that television could offer over radio work; money. The accounting in TV and radio was fundamentally different. A radio program was usually paid for by a single sponsor while commercial time on TV shows was sold piecemeal, but there was still a phenomenal amount of money involved in TV production and the networks and sponsors were happy to pay it. Unable to compete with the huge amount of money being spread around by TV, after the final broadcasts of Suspense and Yours Truly Johnny Dollar on September 30, 1960, the Golden Age of Radio came to an end.Or did it?In the decade after the end of the Golden Age of Radio, TV matured artistically and technically. There had been a rejection by the networks of "rural" programming which helped launch a nostalgia craze. This craze began with the release of George Lucas's American Graffiti (1973), and suddenly everything old seemed new again.One of the genres which were best suited to radio was the horror shows which made listeners sit up in bed and pull the sheets over their heads. This sort of program had been pioneered Wyliss Cooper and Arch Oboler on Lights Out as well as The Whistler, Suspense, and Inner Sanctum Mysteries. This was the type of show creators decided upon for his radio nostalgia project, which became The CBS Radio Mystery Theater. They were convinced that there was enough interest from those who had heard similar shows growing up during the Golden Age, but the show built a following of younger fans for whom radio drama was a new and exciting experience.In many ways, CBSRMT was more like a TV program on the radio than a typical Old Time Radio show. The shows were taped rather than broadcast live, which allowed for greater post-production editing and creative control. The scripts generally ran 45 minutes, and the action was broken at points to allow for separately produced commercials and news bulletins to be inserted. The opening featured the "creaking door" effect which had been part of The Inner Sanctum. Host E.G. Marshall was never as campily creepy earlier horror hosts, but his closing, "Until next time, pleasant… dreams?" was sure to inspire nightmares.Production of CBSRMT was efficient almost to the point of cheapness. Creators drew upon radio row veterans working in New York as well as up-and-coming television personalities. The show used original stories from a wide variety of genres as well as literary classics. Writers were paid a flat $350 for each recorded script, and actors received union scale rates of $73.92 per episode. The actors would come into the studio for an initial script reading at 9:00 am, and the episode was generally completed by noon. Paychecks were handed out and the tape would be edited in the afternoon.00:00:00.000 = INTRO00:01:54.482 = The Bleeding Statue (May 23, 1974)00:46:21.986 = Mirror For Murder (May 27, 1974)01:30:27.244 = The Phantom Lullaby (May 29, 1974)02:14:39.905 = Dressed To Kill (May 30, 1974)02:59:05.145 = To Kill With Confidence (June 03, 1974)03:43:09.434 = An Occurrence at Owl Creek Bridge (June 04, 1974)04:27:15.215 = Darling Deadly Dolores (June 06, 1974)SOURCES AND ESSENTIAL WEB LINKS…This episode is sponsored by http://RadioArchives.comWeird Darkness Retro Radio theme by Storyblocks.= = = = = = = = = = = = = = = = = = = = = = = = = = = = = ="I have come into the world as a light, so that no one who believes in me should stay in darkness." — John 12:46Find out how to escape eternal darkness at https://weirddarkness.com/eternaldarknessWeirdDarkness® - is a registered trademark. Copyright, Weird Darkness, 2024.= = = = = = = = = = = = = = = = = = = = = = = = = = = = = =CUSTOM WEBPAGE: https://weirddarkness.com/cbsrmt-marathon-010

Get full-length pulp audiobooks, pulp eBooks, and old-time radio shows ABSOLUTELY FREE FOR IMMEDIATE DOWNLOAD by emailing WeirdDarkness@RadioArchives.com!A creaking door and a chorus of haunting organ music. No radio show opening is more memorable for many fans than the one heard on Inner Sanctum Mysteries. This disturbing simple salvo led people into thirty minutes of suspense and horror sprinkled with puns from a creepy host, all of which can now be heard again in sparkling audio quality from Radio Archives.Inner Sanctum Mysteries was the brainchild of producer Himan Brown, inspired by the unsettling creaking door in the basement of a studio where he once worked. Brown took that inspiration and built around it a formula that lived on beyond the show itself. Listeners tuned in every week to hear that door open and be welcomed by the sinister, yet often humorous host to join him in a chair near the fire inside the Inner Sanctum for a story sure to chill them to the bone.Stories on Inner Sanctum Mysteries originally included both classic and original tales, the new stories taking center stage as the show continued. With writers like pulp scribes Emile Tepperman and Robert Newman, as well as Robert Sloan, Milton Lewis, and others, it is little surprise that Inner Sanctum is still beloved by fans today. Utilizing numerous clichés and literary devices, Inner Sanctum Mysteries carried listeners into the heart of horror, a liberal dose of camp often thrown in. Using voices ranging from star Boris Karloff to a veteran crew of New York radio actors, Inner Sanctum set the standard for horror programs both on radio and even inspired decades of horror hosts on television.Inner Sanctum Mysteries features some of the best of fright, terror, and fantastic storytelling old time radio has to offer!00:00:00.000 = INTRODUCTION00:01:54.794 = The Amazing Death of Mrs Putnam (January 07, 1941)00:27:00.637 = Dead Freight (May 18, 1941)00:51:06.162 = Death is a Joker (May 25, 1941)01:21:51.610 = Telltale Heart (August 03, 1941)01:48:28.747 = Hell Is Where You Find It (October 09, 1941)02:13:42.511 = Man From Yesterday (December 21, 1941)02:43:08.456 = Terrible Vengeance (June 14, 1942)03:08:21.322 = Black Seagull (March 07, 1943)03:38:10.167 = Death Across the Board (June 06, 1943)04:06:45.922 = The Skull That Walked (April 15, 1944)04:35:28.785 = Melody of Death (April 22, 1944)SOURCES AND ESSENTIAL WEB LINKS…This episode is sponsored by http://RadioArchives.comWeird Darkness Retro Radio theme by Storyblocks.= = = = = = = = = = = = = = = = = = = = = = = = = = = = = ="I have come into the world as a light, so that no one who believes in me should stay in darkness." — John 12:46Find out how to escape eternal darkness at https://weirddarkness.com/eternaldarknessWeirdDarkness® - is a registered trademark. Copyright, Weird Darkness, 2024.= = = = = = = = = = = = = = = = = = = = = = = = = = = = = =CUSTOM WEBPAGE: https://weirddarkness.com/innersanctum-marathon-004