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This week, we have The House is Haunted, an episode of theDevil and Mr. O, written by Arch Oboler. Find our store at AThrillingPublication.com or visit BrickPickleMedia.com/podcasts for more information.
Lend us your ears and listen to this Old Time Radio horror classic, Death Robbery. Originally broadcast on July 16, 1947, this unforgettable tale comes to the Shiver Show from the Lights Out radio series.Written and directed by Arch Oboler, and adapted for the airwaves with his signature flair for the macabre, Death Robbery explores the dangerous intersection of love, grief, and scientific ambition. When a scientist dares to tamper with the boundary between life and death, he unleashes terrifying consequences. At its core, the story is not just about reanimation and the human soul, but about the hubris of man—and the horror that waits when we push too far.The broadcast features the commanding presence of Boris Karloff, whose resonant voice transforms this already haunting script into a chilling drama. Supporting Karloff's performance is the eerie and evocative music score by Gordon Jenkins. Mary and Greg talk about Karloff's interesting career and why Death Robbery still resonates today. Thank you for listening! If you like the show, please share us with your friends and family AND give us a review! If you have a suggestion for a show or a question, please drop it in the comments! Watch us on YouTube:https://www.youtube.com/@shivershowpodcastFollow The Shiver Show https://www.facebook.com/theshivershowor check out our website at https://www.timewarpstudios.com Other podcast platforms: https://linktr.ee/theshivershow
The Bubble has trapped Chris and Charlotte, who keep saying things about Arch Oboler, radio horror, wartime hitchhikers, zoos in space, and the side effects of childbirth.
Today's creature feature is Revolt of the Worms, written by Arch Oboler and first broadcast on October 13, 1942, as part of the Lights Out series. It's the tale of a chemist (played by Lou Merrill, a regular on the series) whose attempt to grow giant roses goes horribly wrong, resulting in monstrously large worms. The version you'll hear comes from Oboler's later revival series The Devil and Mr. O, where he reused some of his best Lights Out scripts. In this episode of More Monsters, we dig into the story's themes of scientific overreach and environmental fallout, and touch on Oboler's famously tight grip on his copyrights. Visit our website: https://goodolddaysofradio.com/ Subscribe to our Facebook Group for news, discussions, and the latest podcast: https://www.facebook.com/groups/881779245938297 Our theme music is "Why Am I So Romantic?" from Animal Crackers: https://www.amazon.com/dp/B01KHJKAKS/ref=cm_sw_em_r_mt_dp_MK8MVCY4DVBAM8ZK39WD
This episode was originally released on 10/1/2019. While new episodes of Breaking Walls are on hiatus I'll be going back and posting the older episodes. ____________ In Breaking Walls Episode 96, we laugh, scream, and cry while we join radio's best as they celebrate Halloween on the air. —————————— Highlights: • The Birth of the Great Gildersleeve • Sam Spade has a Halloween adventure • Ernest Chappell says, “Don't Tell Me About Halloween” • Spike Jones and His City Slickers Celebrate • Sherlock Holmes and the Laughing Lemur • The Story Behind Bing Crosby's Departure from NBC and move to ABC • Ozzie, Harriet, David, and Ricky • Jack Benny goes Trick-Or-Treating • John Guedel, Art Linkletter, and People Are Funny • Looking Ahead to the Holiday Season —————————— The WallBreakers: http://thewallbreakers.com Subscribe to Breaking Walls everywhere you get your podcasts. To support the show: http://patreon.com/TheWallBreakers —————————— The reading material used in today's episode was: • On The Air — By John Dunning • Terror On The Air!, Horror Radio in America — By Richard J. Hand • Network Radio Ratings, 1932-53 — by Jim Ramsburg As well as articles by: • TUNE IN Magazine - September 1946 • Broadcasting Magazine - April 14th, July14th, and September 15th, 1947 —————————— On the interview front: • Chuck Schaden interviewed Jack Benny, Ken Carpenter, John Guedel, Shirley Mitchell, Arch Oboler, Hal Peary, Lurene Tuttle, and Mike Wallace. Hear their full chats at SpeakingofRadio.com. • Howard Duff, June Havoc, and Bill Spier were with Dick Bertel and Ed Corcoran for WTIC's The Golden Age of Radio. These interviews can be heard at GoldenAge-WTIC.org. • John Gassman of SPERDVAC was with Art Linkletter in 1991. For more information, please go to SPERDVAC.com. • Jack Kruschen and Shirley Mitchell were with Jim Bohannon on September 12th, 1987. • Chuck Cecil interviewed Ozzie Nelson. • Johnny Hayes, David Nelson, and Jack Wagner were interviewed by KRLA • Johnny Carson interviewed Orson Welles, Ozzie, Harriet, and Ricky Nelson for The Tonight Show, while David Hartman interviewed David, Harriet, and Ricky for Good Morning America. • Frank Bresee interviewed Bing Crosby, John Scott Trotter • And Dick Joy was with John Dunning for 71KNUS. —————————— Selected Music featured in today's episode was: • A Wicked Thought - By John Zacharely • Ghost Bus Tours - By George Fenton for High Spirits and • Travelin Man - By Ricky Nelson
It's our second in a series of summer “monster movies.” This episode of the horror anthology "Lights Out" is called "Superfeature," written by Arch Oboler. It describes a bizarre scenario where a movie monster steps off the screen into the audience, a concept Oboler uses to explore the frightening potential of the familiar becoming unfamiliar. This horror story bears a lot of resemblance to modern horror, where the plot is minimal, but you get the satisfaction of watching the usual despicable suspects get taken out one-by-one in typical grisly “Lights Out” style. Visit our website: https://goodolddaysofradio.com/ Subscribe to our Facebook Group for news, discussions, and the latest podcast: https://www.facebook.com/groups/881779245938297 Our theme music is "Why Am I So Romantic?" from Animal Crackers: https://www.amazon.com/dp/B01KHJKAKS/ref=cm_sw_em_r_mt_dp_MK8MVCY4DVBAM8ZK39WD
This week, we have Vengeance and Mac Rogan, an episodeof Lights Out written by Arch Oboler. This episode first aired on February 2, 1943, over CBS.Find our store at AThrillingPublication.com or visit BrickPickleMedia.com/podcasts for more information.
A group of people escape to a secluded island for a relaxing weekend… only to discover they've stumbled upon the lair of a mad doctor. As they begin to unravel the island's secrets, their getaway turns into a chilling struggle for survival! Hear “Weekend” from Macabre! | #RetroRadio EP0455Join the DARKNESS SYNDICATE: https://weirddarkness.com/syndicateCHAPTERS & TIME STAMPS (All Times Approximate)…00:00:00.000 = Show Open00:01:50.000 = CBS Radio Mystery Theater, “Pension Plan” (June 17, 1976)00:46:50.939 = The Key, “Gentleman Companion” (1956)01:11:18.601 = The LineUp, “The Senile Slugging Case” (September 12, 1951)01:41:07.458 = Macabre, “Weekend” (November 20, 1961) ***WD02:08:37.180 = A Man Called X, “My Sweet Misses Me” (October 07, 1944)02:38:31.945 = Philip Marlowe, “Unfair Lady” (June 04, 1949) ***WD03:07:33.248 = Black Mass, “The Man In The Crowd” (July 29, 1964)03:18:50.031 = Beyond Midnight, “Tangled Way” (1968-1970) (LQ)03:45:00.153 = MindWebs, “Rebel / Through Time and Space” (March 4, 1979)04:12:43.826 = Ellery Queen Minute Mysteries, “Sunken Moment” (1939-1948) ***WD04:13:39.901 = Arch Oboler's Plays, “The House I Live In” (April 26, 1945)04:43:18.225 = Mystery In The Air, “The Marvelous Barastro” (August 07, 1947)05:12:45.601 = Molle Mystery Theater, “Radio Patrol” (November 29, 1946) (LQ)05:43:40.426 = Dark Fantasy, “The Thing From The Sea” (November 28, 1941)06:10:15.255 = Mr. District Attorney, “Thieves Fall Out” (December 03, 1941) ***WD (LQ)06:34:03.512 = Barry Craig, “Never Murder a Mummy” (March 30, 1955)06:59:05.875 = Murder at Midnight, “Death Across the Board” (September 18, 1946 – Never Aired)07:25:46.242 = The Black Museum, “The Black Gladstone Bag” (January 22, 1952)07:55:35.147 = Mysterious Traveler, “The Accusing Corpse” (January 13, 1949)08:25:07.671 = Mystery House, “Death Passed My Window” (March 31, 1946) ***WD08:51:36.996 = Night Beat, “Slasher” (November 10, 1950)09:21:33.877 = Nightfall, “Child's Play” (February 054, 1982) ***WD09:49:06.331 = Show Close(ADU) = Air Date Unknown(LQ) = Low Quality***WD = Remastered, edited, or cleaned up by Weird Darkness to make the episode more listenable. Audio may not be pristine, but it will be better than the original file which may have been unusable or more difficult to hear without editing.Weird Darkness theme by Alibi Music LibraryABOUT WEIRD DARKNESS: Weird Darkness is a true crime and paranormal podcast narrated by professional award-winning voice actor, Darren Marlar. Seven days per week, Weird Darkness focuses on all thing strange and macabre such as haunted locations, unsolved mysteries, true ghost stories, supernatural manifestations, urban legends, unsolved or cold case murders, conspiracy theories, and more. On Thursdays, this scary stories podcast features horror fiction along with the occasional creepypasta. Weird Darkness has been named one of the “Best 20 Storytellers in Podcasting” by Podcast Business Journal. Listeners have described the show as a cross between “Coast to Coast” with Art Bell, “The Twilight Zone” with Rod Serling, “Unsolved Mysteries” with Robert Stack, and “In Search Of” with Leonard Nimoy.= = = = ="I have come into the world as a light, so that no one who believes in me should stay in darkness." — John 12:46= = = = =WeirdDarkness® is a registered trademark. Copyright ©2025, Weird Darkness.= = = = =CUSTOM WEBPAGE: https://weirddarkness.com/WDRR0455
A mysterious flying saucer imparts a secret to a lonely woman — and the message is so profound the government interrogates her to get it… but she risks everything to protect the secret. | #RetroRadio EP0454Join the DARKNESS SYNDICATE: https://weirddarkness.com/syndicateCHAPTERS & TIME STAMPS (All Times Approximate)…00:00:00.000 = Show Open00:01:50.000 = CBS Radio Mystery Theater, “The Unthinkable” (June 14, 1976)00:47:01.620 = Eleventh Hour, “Only Too Safe” (1963-1964)01:11:11.253 = Escape, “The Time Machine” (May 09, 1948)01:40:49.586 = Everyman's Theater, “The Women Stayed at Home” (December 20, 1940)02:05:47.803 = Exploring Tomorrow, “Diamond Mountain of Venus” (June 04, 1958) ***WD02:26:00.287 = Dark Fantasy, “Delicate Case of Murder” (February 20, 1942) ***WD02:50:25.036 = Diary of Fate, “Nelson Walker” (June 15, 1948) ***WD03:18:23.120 = BBC's Fear on 4, “The Horn” (February 19, 1989)03:46:57.486 = Five After The Hour, “Man Around the House” (June 13, 1945)04:11:23.057 = 5 Minute Mysteries, “Collectors Item” (late 1940s)04:16:30.831 = Tales From The Tomb, “The Lick”04:19:57.902 = Future Tense, “Saucer of Loneliness” (May 30, 1974) ***WD04:49:18.005 = Gang Busters, “Mound City Safecrackers” (March 13, 1948) ***WD05:12:08.191 = Arch Oboler's Plays, “History of a Mug” (August 09, 1945) (LQ)05:41:41.947 = Green Hornet, “A Racket In Restaurants” (September 07, 1939)06:09:02.510 = The Hall of Fantasy, “Markheim” (April 24, 1947)06:35:16.611 = BBC's Haunted – Tales of the Supernatural, “The Emissary” (May 08, 1982)07:02:24.426 = The Haunting Hour, “Murder Is My Business” (October 06, 1945)07:27:26.441 = Have Gun Will Travel, “Comanche” (July 05, 1959)07:50:52.690 = Hermit's Cave, “Reflected Image” (1940) ***WD08:16:16.785 = Mystery Is My Hobby, “Fishing Trip ends In Murder” (late 1940s)08:40:05.462 = Sherlock Holmes, “Guileless Gypsy” (February 11, 1946) ***WD09:08:28.012 = Incredible But True, “The Skull of Bettiscomb” (October 29, 1950) ***WD09:12:13.489 = Inner Sanctum, “Undead” (December 18, 1945)09:41:55.003 = Show Close(ADU) = Air Date Unknown(LQ) = Low Quality***WD = Remastered, edited, or cleaned up by Weird Darkness to make the episode more listenable. Audio may not be pristine, but it will be better than the original file which may have been unusable or more difficult to hear without editing.Weird Darkness theme by Alibi Music LibraryABOUT WEIRD DARKNESS: Weird Darkness is a true crime and paranormal podcast narrated by professional award-winning voice actor, Darren Marlar. Seven days per week, Weird Darkness focuses on all thing strange and macabre such as haunted locations, unsolved mysteries, true ghost stories, supernatural manifestations, urban legends, unsolved or cold case murders, conspiracy theories, and more. On Thursdays, this scary stories podcast features horror fiction along with the occasional creepypasta. Weird Darkness has been named one of the “Best 20 Storytellers in Podcasting” by Podcast Business Journal. Listeners have described the show as a cross between “Coast to Coast” with Art Bell, “The Twilight Zone” with Rod Serling, “Unsolved Mysteries” with Robert Stack, and “In Search Of” with Leonard Nimoy.= = = = ="I have come into the world as a light, so that no one who believes in me should stay in darkness." — John 12:46= = = = =WeirdDarkness® is a registered trademark. Copyright ©2025, Weird Darkness.= = = = =CUSTOM WEBPAGE: https://weirddarkness.com/WDRR0454
CLASSIC RADIO ROAD SHOW: Lights Out, Knock at the Door This episode of Lights Out, called "Knock at the Door", by Arch Oboler, was originally titled "The Mother-In-Law". An overbearing mother is murdered by her son's girlfriend, but the mother's ghost keeps haunting whenever her son is at home. She knocks at the basement door, the location of her demise! John Bell as the Announcer Laurie Noch as Ella Gwen Ricks-Spencer as Mother Duane Noch as Jay and Father's Voice
Maxwell House Coffee Time. September 26, 1946. NBC net. Sponsored by: Maxwell House Coffee, Birdseye Foods. George and Gracie go on a quiz show to win new appliances. They're going to appear on, "It Pays To Be A Schnook," but wind up on Kay Kyser's show instead. Kay Kyser sounds like he is being impersonated. The Maxwell House production commercial is based on, "Ramona.". George Burns, Gracie Allen, Meredith Willson and His Orchestra, Frank Nelson, Bill Goodwin, Kay Kyser (?), Mel Blanc, Paul Henning (writer), Keith Fowler (writer).Frontier Gentleman. February 02, 1958. CBS net. "South Sunday". Sustaining. The first show of the series. Kendall takes on the entire Shelton gang in a small town in the Montana Territory. Parts of the public service announcements have been deleted. The story titles given for this series are subject to correction, in fact, the series may not have story titles at all. John Dehner, Jack Kruschen, Harry Bartell, Barney Phillips, Virginia Gregg, Stacy Harris, Johnny Jacobs (announcer), Antony Ellis (creator, writer, producer, director), Jerry Goldsmith (composer, conductor).The Lux Radio Theatre. October 11, 1937. CBS net. "Stella Dallas". Sponsored by: Lux. The third anniversary show of the series. A tearful story of mother love and sacrifice, "soon to be made into a radio serial.". Barbara Stanwyck, John Boles, Anne Shirley, Barbara O'Neil, Bruce Satterlee, Cecil B. DeMille, Dickie Jones, Elia Braca (doubles), Frank Nelson (doubles, commercial spokesman, program opening announcer), Grace Kern (doubles), Hudson Faussett (doubles), Jack Egger, James Eagles (doubles), Joan Taylor (doubles, commercial spokesman), Lou Merrill, Louis Silvers (music director), Margaret Brayton (triples), Margaret McKay (doubles), Mary Lansing (doubles), Melville Ruick (announcer), Ross Forrester (doubles), Sada Cowan (doubles), Teresa Harris (doubles), Wallis Roberts (doubles), Sarah Y. Mason (screenwriter), Victor Heerman (screenwriter), Harry Wagstaff (adaptor), Gertrude Purcell (adaptor), Joe Bigelow (additional dialogue), Frances Marion (screenwriter), Olive Higgins Prouty (author), T. Keith Glennon (intermission guest: operations manager for Paramount), Frank Woodruff (director), George Wells (adaptor), Charlie Forsyth (sound effects). Crime Classics. December 3, 1952. CBS net. "The Crime Of Bathsheba Spooner". Sustaining. An audition recording. The script was used for the first show of the series on June 15, 1953. The story of the first woman tried and executed in the United states. Lou Merrill (host), Morton Fine (writer), David Friedkin (writer), Bernard Herrmann (composer, conductor), Elliott Lewis (producer, director), Mary Jane Croft, William Johnstone, Tudor Owen, Georgia Ellis, Herb Butterfield, Ben Wright, Sam Edwards.Lights Out. March 09, 1943. Program #21. CBS net origination, syndicated rebroadcast. "The Ball". Sponsored by: Commercials added locally. A ghastly story of the headless, walking dead. Syndicated program name: "The Devil and Mr. O." The story is also known as, "Paris Macabre." See cat. #77942 for a network, sponsored version of this broadcast. Arch Oboler (writer, host), Bea Benaderet, Jane Morgan.TOTAL TIME: 2:59:13.184SOURCES: Wikipedia and The RadioGoldindex.com
"Until Dead (The Luck of Mark Street)" is an episode of the old-time radio horror program "Lights Out", which originally aired on February 2, 1943. About the Show:"Lights Out" was an anthology series that featured stories of horror and the supernatural.It was created by Wyllis Cooper and later taken over by Arch Oboler.The show was known for its chilling tales, suspenseful atmosphere, and use of sound effects to enhance the horror.It aired on different networks from 1934 to 1947. "Until Dead (The Luck of Mark Street)" Episode Details:Airdate: February 2, 1943.Title Variations: Sometimes referred to as just "Until Dead".Plot Summary: The episode centers around a prison escape, treachery among thieves, and a moral compass hidden in a graveyard.This story delves into a dark narrative filled with themes of murder, revenge, and the quest for freedom. The characters navigate a tense escape plan while grappling with their past actions and the consequences that follow. The emotional depth and suspenseful storytelling create a gripping experience for the audience.TakeawaysThe narrative explores the theme of darkness and escape.Characters are driven by their past actions and regrets.The quest for revenge is a central theme.The emotional weight of murder is heavily felt.Suspense is built through the characters' interactions.The dialogue reveals deep character motivations.The setting plays a crucial role in the story's tension.The concept of freedom is intricately tied to the characters' fates.The story raises questions about morality and justice.The conclusion hints at unresolved themes of revenge and mercy.dark journey, escape plan, revenge, murder, storytelling, suspense, drama, character development, emotional depth, narrative structure
Drama on a SaturdayFirst a look at the events of the dayThen Suspense, originally broadcast May 24, 1954, 71 years ago, Weekend Special:Death starring Agnes Moorehead. Agnes has another tangle with a telephone operator when she finds herself trapped in a supermarket with two safecrackers. Followed by the news from 71 years ago, then Night Watch, originally broadcast May 24, 1954, 71 years ago. The first call is about two abandoned kids while their "parents" drink in a bar. A man is standing in traffic, trying to commit suicide. Then Arch Oboler's Plays, originally broadcast May 24, 1945, 80 years ago, An Exercise in Horror starring Peter Lorre. Complaining that there have been no horror stories on the series thus far, Peter convinces Arch Oboler to "cause goose bumps on a bowling ball.". Followed by Have Gun Will Travel starring John Dehner, originally broadcast May 24, 1959, 66 years ago, In an Evil Time. Paladin is hired to bring in the legendary Pappy French, a bank robber with $50,000 hidden away. Finally, The Couple Next Door, originally broadcast May 24, 1960, 65 years ago, Unpaid Chicago Hotel Bill. Thanks to Adele for supporting our podcast by using the Buy Me a Coffee function at http://classicradio.streamIf you like what we do here, visit our friend Jay at http://radio.macinmind.com for great old time radio shows 24 hours a day
This week, we have The Immortal Gentleman, an episode of Lights Out written by Arch Oboler. This episode first aired on August 31, 1943, over CBS.Find our store at AThrillingPublication.com or visit BrickPickleMedia.com/podcasts for more information.
Westerns and crazy on a TuesdayFirst a look at the events of the dayThen Gunsmoke starring William Conrad, originally broadcast May 20, 1956, 69 years ago, Buffalo Man. Marshal Dillon and Chester are taken prisoner by Ben Siple, an insane buffalo hunter. The Pawnee Indians prove an unexpected ally. Followed by the news from 69 years ago, then Fort Laramie starring Raymond Burr, originally broadcast May 20, 1956, 69 years ago, Gold. A group of men head up the Bozeman Trail into Indian territory, searching for gold and breaking the treaty. Then The Six Shooter starring Jimmy Stewart, originally broadcast May 20, 1954, 71 years ago, The Shooting of Wyatt King. Who shot the bank robber named Wyatt King? He was also known as, "The Wyoming Kid." Was it the Six-Shooter? Of course!Followed by Arch Oboler's Plays, originally broadcast May 20, 1939, 86 years ago, Crazy Town. Two (presumably) Italian aviators crash after a bombing mission. They find themselves imprisoned in a "crazy town." In a community where all men are mad, no one is mad.Finally, The Couple Next Door starring Peg Lynch and Alan Bunch, originally broadcast May 20, 1960, 65 years ago, Unexpected Trip to Chicago. Thanks to Adele for supporting our podcast by using the Buy Me a Coffee function at http://classicradio.streamIf you like what we do here, visit our friend Jay at http://radio.macinmind.com for great old time radio shows 24 hours a day
This story explores the themes of speed, power, and the consequences of ambition through a narrative involving a heist and a mysterious chemical that enhances physical and mental abilities. The characters navigate the complexities of their desires and the unforeseen effects of their actions, leading to a profound realization about the nature of power and its impact on life.TakeawaysThe story revolves around the theme of being different and standing out.A significant heist is central to the narrative, involving a clever criminal.The introduction of a mysterious chemical that enhances speed and abilities.The protagonist's encounter with Dr. Bellini reveals deeper motivations.The allure of power and control is a recurring theme.The consequences of using the chemical lead to unexpected aging effects.The narrative explores the moral implications of ambition and desire.Characters grapple with the reality of their choices and their impacts.The story raises questions about the nature of greatness and crime.Ultimately, the pursuit of power comes with significant costs.Chapters00:00 Introduction to the Supernatural01:19 The Intriguing Auction Bid02:49 The Clever Criminal09:39 The Secret of Speed12:40 The Power of Collaboration16:39 The Infinite Potential of Speed20:22 The Consequences of SpeedLights Out: A Pioneering Horror Radio ShowThe radio show "Lights Out" captivated audiences with its chilling horror and suspense stories from 1934 to 1947, albeit with some interruptions. The initial run from 1934 to 1936 was followed by a hiatus, but the show's revival in 1942 reignited its popularity, solidifying its status as a prominent program in the genre.Groundbreaking Sound Design and Disturbing NarrativesThe show's creator, Wyllis Cooper, was already renowned for his contributions to other successful horror and suspense radio shows like "Quiet, Please!" and "The Witch's Tale." In 1943, the reins were passed to Arch Oboler, a prolific figure in radio production, who further elevated the show's reputation."Lights Out" distinguished itself through its innovative use of sound effects and its exploration of unsettling themes. The show's mastery of sound design created an atmosphere of palpable suspense and terror, leaving a lasting impression on listeners. The narratives frequently delved into the darker facets of humanity, featuring tales of murder, madness, and the supernatural.Enduring LegacyEven today, "Lights Out" holds a special place in the hearts of old-time radio enthusiasts and horror aficionados. Its groundbreaking use of sound and its ability to deliver thought-provoking and often disturbing storylines continue to resonate with audiences. Memorable episodes like "Chicken Heart," featuring a woman trapped with a mysterious killer, and "Cat Wife," exploring a man's unsettling marriage to a feline entity, exemplify the show's enduring appeal. These episodes, among many others, showcase the chilling and suspenseful narratives that made "Lights Out" a landmark in radio history.
A Funny MondayFirst a look at this day in History.Then Mr. and Mrs Blanding starring Cary Grant and Betsy Drake, originally broadcast May 5, 1951, 74 years ago, Rebuilding the Barn. Mr. Blandings decides to rebuild the barn...not an easy job!Followed by My Friend Irma starring Marie Wilson, originally broadcast May 5, 1953, 72 years ago, Irma Wants an Older Man. It's Irma's birthday, but after Al cancels her birthday lunch, she decides she needs an older man. Then The Royal Gelatin Hour starring Rudy Vallee, originally broadcast May 5, 1938, 87 years ago with guest Boris Karloff. Rudy interviews Washington Lumpkin, a sandhog working on the new 6th Avenue subway in New York City. Mr. Lumpkin loses his place in the script. Tommy Riggs and "Betty Lou" appear on the show for the 40th time of 49 appearances. Boris Karloff and Harold Vermilyea appear in an Arch Oboler drama titled, "Danse Macabre."Finally. Lum and Abner, originally broadcast May 5, 1942, 83 years ago, Lum gets ckeck from Squire! Lum gets the last laugh!Thanks to Sean for supporting our podcast by using the Buy Me a Coffee function at http://classicradio.streamFind the Family Fallout Shelter Booklet Here: https://www.survivorlibrary.com/library/the_family_fallout_shelter_1959.pdfhttps://wardomatic.blogspot.com/2006/11/fallout-shelter-handbook-1962.htmlAnd more about the Survive-all Fallout Sheltershttps://conelrad.blogspot.com/2010/09/mad-men-meet-mad-survive-all-shelter.html
Lights Out: A Pioneering Horror Radio ShowThe radio show "Lights Out" captivated audiences with its chilling horror and suspense stories from 1934 to 1947, albeit with some interruptions. The initial run from 1934 to 1936 was followed by a hiatus, but the show's revival in 1942 reignited its popularity, solidifying its status as a prominent program in the genre.Groundbreaking Sound Design and Disturbing NarrativesThe show's creator, Wyllis Cooper, was already renowned for his contributions to other successful horror and suspense radio shows like "Quiet, Please!" and "The Witch's Tale." In 1943, the reins were passed to Arch Oboler, a prolific figure in radio production, who further elevated the show's reputation."Lights Out" distinguished itself through its innovative use of sound effects and its exploration of unsettling themes. The show's mastery of sound design created an atmosphere of palpable suspense and terror, leaving a lasting impression on listeners. The narratives frequently delved into the darker facets of humanity, featuring tales of murder, madness, and the supernatural.Enduring LegacyEven today, "Lights Out" holds a special place in the hearts of old-time radio enthusiasts and horror aficionados. Its groundbreaking use of sound and its ability to deliver thought-provoking and often disturbing storylines continue to resonate with audiences. Memorable episodes like "Chicken Heart," featuring a woman trapped with a mysterious killer, and "Cat Wife," exploring a man's unsettling marriage to a feline entity, exemplify the show's enduring appeal. These episodes, among many others, showcase the chilling and suspenseful narratives that made "Lights Out" a landmark in radio history.
Lights Out: A Pioneering Horror Radio ShowThe radio show "Lights Out" captivated audiences with its chilling horror and suspense stories from 1934 to 1947, albeit with some interruptions. The initial run from 1934 to 1936 was followed by a hiatus, but the show's revival in 1942 reignited its popularity, solidifying its status as a prominent program in the genre.Groundbreaking Sound Design and Disturbing NarrativesThe show's creator, Wyllis Cooper, was already renowned for his contributions to other successful horror and suspense radio shows like "Quiet, Please!" and "The Witch's Tale." In 1943, the reins were passed to Arch Oboler, a prolific figure in radio production, who further elevated the show's reputation."Lights Out" distinguished itself through its innovative use of sound effects and its exploration of unsettling themes. The show's mastery of sound design created an atmosphere of palpable suspense and terror, leaving a lasting impression on listeners. The narratives frequently delved into the darker facets of humanity, featuring tales of murder, madness, and the supernatural.Enduring LegacyEven today, "Lights Out" holds a special place in the hearts of old-time radio enthusiasts and horror aficionados. Its groundbreaking use of sound and its ability to deliver thought-provoking and often disturbing storylines continue to resonate with audiences. Memorable episodes like "Chicken Heart," featuring a woman trapped with a mysterious killer, and "Cat Wife," exploring a man's unsettling marriage to a feline entity, exemplify the show's enduring appeal. These episodes, among many others, showcase the chilling and suspenseful narratives that made "Lights Out" a landmark in radio history.
Lights Out: A Pioneering Horror Radio ShowThe radio show "Lights Out" captivated audiences with its chilling horror and suspense stories from 1934 to 1947, albeit with some interruptions. The initial run from 1934 to 1936 was followed by a hiatus, but the show's revival in 1942 reignited its popularity, solidifying its status as a prominent program in the genre.Groundbreaking Sound Design and Disturbing NarrativesThe show's creator, Wyllis Cooper, was already renowned for his contributions to other successful horror and suspense radio shows like "Quiet, Please!" and "The Witch's Tale." In 1943, the reins were passed to Arch Oboler, a prolific figure in radio production, who further elevated the show's reputation."Lights Out" distinguished itself through its innovative use of sound effects and its exploration of unsettling themes. The show's mastery of sound design created an atmosphere of palpable suspense and terror, leaving a lasting impression on listeners. The narratives frequently delved into the darker facets of humanity, featuring tales of murder, madness, and the supernatural.Enduring LegacyEven today, "Lights Out" holds a special place in the hearts of old-time radio enthusiasts and horror aficionados. Its groundbreaking use of sound and its ability to deliver thought-provoking and often disturbing storylines continue to resonate with audiences. Memorable episodes like "Chicken Heart," featuring a woman trapped with a mysterious killer, and "Cat Wife," exploring a man's unsettling marriage to a feline entity, exemplify the show's enduring appeal. These episodes, among many others, showcase the chilling and suspenseful narratives that made "Lights Out" a landmark in radio history.
Lights Out: A Pioneering Horror Radio ShowThe radio show "Lights Out" captivated audiences with its chilling horror and suspense stories from 1934 to 1947, albeit with some interruptions. The initial run from 1934 to 1936 was followed by a hiatus, but the show's revival in 1942 reignited its popularity, solidifying its status as a prominent program in the genre.Groundbreaking Sound Design and Disturbing NarrativesThe show's creator, Wyllis Cooper, was already renowned for his contributions to other successful horror and suspense radio shows like "Quiet, Please!" and "The Witch's Tale." In 1943, the reins were passed to Arch Oboler, a prolific figure in radio production, who further elevated the show's reputation."Lights Out" distinguished itself through its innovative use of sound effects and its exploration of unsettling themes. The show's mastery of sound design created an atmosphere of palpable suspense and terror, leaving a lasting impression on listeners. The narratives frequently delved into the darker facets of humanity, featuring tales of murder, madness, and the supernatural.Enduring LegacyEven today, "Lights Out" holds a special place in the hearts of old-time radio enthusiasts and horror aficionados. Its groundbreaking use of sound and its ability to deliver thought-provoking and often disturbing storylines continue to resonate with audiences. Memorable episodes like "Chicken Heart," featuring a woman trapped with a mysterious killer, and "Cat Wife," exploring a man's unsettling marriage to a feline entity, exemplify the show's enduring appeal. These episodes, among many others, showcase the chilling and suspenseful narratives that made "Lights Out" a landmark in radio history.
Lights Out: A Pioneering Horror Radio ShowThe radio show "Lights Out" captivated audiences with its chilling horror and suspense stories from 1934 to 1947, albeit with some interruptions. The initial run from 1934 to 1936 was followed by a hiatus, but the show's revival in 1942 reignited its popularity, solidifying its status as a prominent program in the genre.Groundbreaking Sound Design and Disturbing NarrativesThe show's creator, Wyllis Cooper, was already renowned for his contributions to other successful horror and suspense radio shows like "Quiet, Please!" and "The Witch's Tale." In 1943, the reins were passed to Arch Oboler, a prolific figure in radio production, who further elevated the show's reputation."Lights Out" distinguished itself through its innovative use of sound effects and its exploration of unsettling themes. The show's mastery of sound design created an atmosphere of palpable suspense and terror, leaving a lasting impression on listeners. The narratives frequently delved into the darker facets of humanity, featuring tales of murder, madness, and the supernatural.Enduring LegacyEven today, "Lights Out" holds a special place in the hearts of old-time radio enthusiasts and horror aficionados. Its groundbreaking use of sound and its ability to deliver thought-provoking and often disturbing storylines continue to resonate with audiences. Memorable episodes like "Chicken Heart," featuring a woman trapped with a mysterious killer, and "Cat Wife," exploring a man's unsettling marriage to a feline entity, exemplify the show's enduring appeal. These episodes, among many others, showcase the chilling and suspenseful narratives that made "Lights Out" a landmark in radio history.
Lights Out: A Pioneering Horror Radio ShowThe radio show "Lights Out" captivated audiences with its chilling horror and suspense stories from 1934 to 1947, albeit with some interruptions. The initial run from 1934 to 1936 was followed by a hiatus, but the show's revival in 1942 reignited its popularity, solidifying its status as a prominent program in the genre.Groundbreaking Sound Design and Disturbing NarrativesThe show's creator, Wyllis Cooper, was already renowned for his contributions to other successful horror and suspense radio shows like "Quiet, Please!" and "The Witch's Tale." In 1943, the reins were passed to Arch Oboler, a prolific figure in radio production, who further elevated the show's reputation."Lights Out" distinguished itself through its innovative use of sound effects and its exploration of unsettling themes. The show's mastery of sound design created an atmosphere of palpable suspense and terror, leaving a lasting impression on listeners. The narratives frequently delved into the darker facets of humanity, featuring tales of murder, madness, and the supernatural.Enduring LegacyEven today, "Lights Out" holds a special place in the hearts of old-time radio enthusiasts and horror aficionados. Its groundbreaking use of sound and its ability to deliver thought-provoking and often disturbing storylines continue to resonate with audiences. Memorable episodes like "Chicken Heart," featuring a woman trapped with a mysterious killer, and "Cat Wife," exploring a man's unsettling marriage to a feline entity, exemplify the show's enduring appeal. These episodes, among many others, showcase the chilling and suspenseful narratives that made "Lights Out" a landmark in radio history.
Lights Out: A Pioneering Horror Radio ShowThe radio show "Lights Out" captivated audiences with its chilling horror and suspense stories from 1934 to 1947, albeit with some interruptions. The initial run from 1934 to 1936 was followed by a hiatus, but the show's revival in 1942 reignited its popularity, solidifying its status as a prominent program in the genre.Groundbreaking Sound Design and Disturbing NarrativesThe show's creator, Wyllis Cooper, was already renowned for his contributions to other successful horror and suspense radio shows like "Quiet, Please!" and "The Witch's Tale." In 1943, the reins were passed to Arch Oboler, a prolific figure in radio production, who further elevated the show's reputation."Lights Out" distinguished itself through its innovative use of sound effects and its exploration of unsettling themes. The show's mastery of sound design created an atmosphere of palpable suspense and terror, leaving a lasting impression on listeners. The narratives frequently delved into the darker facets of humanity, featuring tales of murder, madness, and the supernatural.Enduring LegacyEven today, "Lights Out" holds a special place in the hearts of old-time radio enthusiasts and horror aficionados. Its groundbreaking use of sound and its ability to deliver thought-provoking and often disturbing storylines continue to resonate with audiences. Memorable episodes like "Chicken Heart," featuring a woman trapped with a mysterious killer, and "Cat Wife," exploring a man's unsettling marriage to a feline entity, exemplify the show's enduring appeal. These episodes, among many others, showcase the chilling and suspenseful narratives that made "Lights Out" a landmark in radio history.
Arch Oboler takes us deep into the oceanic depths for this episode of Lights Out entitled “Bathysphere,” recommended to us by our Patreon supporter, Mark. Thanks, Mark! The story features an authoritarian leader attempting to dive down to a record-breaking depth beneath the ocean’s surface. Accompanied only by a doctor experienced in such dives, his […]
Lights Out: A Pioneering Horror Radio ShowThe radio show "Lights Out" captivated audiences with its chilling horror and suspense stories from 1934 to 1947, albeit with some interruptions. The initial run from 1934 to 1936 was followed by a hiatus, but the show's revival in 1942 reignited its popularity, solidifying its status as a prominent program in the genre.Groundbreaking Sound Design and Disturbing NarrativesThe show's creator, Wyllis Cooper, was already renowned for his contributions to other successful horror and suspense radio shows like "Quiet, Please!" and "The Witch's Tale." In 1943, the reins were passed to Arch Oboler, a prolific figure in radio production, who further elevated the show's reputation."Lights Out" distinguished itself through its innovative use of sound effects and its exploration of unsettling themes. The show's mastery of sound design created an atmosphere of palpable suspense and terror, leaving a lasting impression on listeners. The narratives frequently delved into the darker facets of humanity, featuring tales of murder, madness, and the supernatural.Enduring LegacyEven today, "Lights Out" holds a special place in the hearts of old-time radio enthusiasts and horror aficionados. Its groundbreaking use of sound and its ability to deliver thought-provoking and often disturbing storylines continue to resonate with audiences. Memorable episodes like "Chicken Heart," featuring a woman trapped with a mysterious killer, and "Cat Wife," exploring a man's unsettling marriage to a feline entity, exemplify the show's enduring appeal. These episodes, among many others, showcase the chilling and suspenseful narratives that made "Lights Out" a landmark in radio history.
This week, we have Sub-Basement, an episode of Lights Outwritten by Arch Oboler. This episode first aired on August 24, 1943, over CBS. Find our store at AThrillingPublication.com or visit BrickPickleMedia.com/podcasts for more information.
Lights Out: A Pioneering Horror Radio ShowThe radio show "Lights Out" captivated audiences with its chilling horror and suspense stories from 1934 to 1947, albeit with some interruptions. The initial run from 1934 to 1936 was followed by a hiatus, but the show's revival in 1942 reignited its popularity, solidifying its status as a prominent program in the genre.Groundbreaking Sound Design and Disturbing NarrativesThe show's creator, Wyllis Cooper, was already renowned for his contributions to other successful horror and suspense radio shows like "Quiet, Please!" and "The Witch's Tale." In 1943, the reins were passed to Arch Oboler, a prolific figure in radio production, who further elevated the show's reputation."Lights Out" distinguished itself through its innovative use of sound effects and its exploration of unsettling themes. The show's mastery of sound design created an atmosphere of palpable suspense and terror, leaving a lasting impression on listeners. The narratives frequently delved into the darker facets of humanity, featuring tales of murder, madness, and the supernatural.Enduring LegacyEven today, "Lights Out" holds a special place in the hearts of old-time radio enthusiasts and horror aficionados. Its groundbreaking use of sound and its ability to deliver thought-provoking and often disturbing storylines continue to resonate with audiences. Memorable episodes like "Chicken Heart," featuring a woman trapped with a mysterious killer, and "Cat Wife," exploring a man's unsettling marriage to a feline entity, exemplify the show's enduring appeal. These episodes, among many others, showcase the chilling and suspenseful narratives that made "Lights Out" a landmark in radio history.
Big Variety Old Time Radio Podcast. (OTR) Presented by Chemdude
Johnny Got His Gun
Lights Out: A Pioneering Horror Radio ShowThe radio show "Lights Out" captivated audiences with its chilling horror and suspense stories from 1934 to 1947, albeit with some interruptions. The initial run from 1934 to 1936 was followed by a hiatus, but the show's revival in 1942 reignited its popularity, solidifying its status as a prominent program in the genre.Groundbreaking Sound Design and Disturbing NarrativesThe show's creator, Wyllis Cooper, was already renowned for his contributions to other successful horror and suspense radio shows like "Quiet, Please!" and "The Witch's Tale." In 1943, the reins were passed to Arch Oboler, a prolific figure in radio production, who further elevated the show's reputation."Lights Out" distinguished itself through its innovative use of sound effects and its exploration of unsettling themes. The show's mastery of sound design created an atmosphere of palpable suspense and terror, leaving a lasting impression on listeners. The narratives frequently delved into the darker facets of humanity, featuring tales of murder, madness, and the supernatural.Enduring LegacyEven today, "Lights Out" holds a special place in the hearts of old-time radio enthusiasts and horror aficionados. Its groundbreaking use of sound and its ability to deliver thought-provoking and often disturbing storylines continue to resonate with audiences. Memorable episodes like "Chicken Heart," featuring a woman trapped with a mysterious killer, and "Cat Wife," exploring a man's unsettling marriage to a feline entity, exemplify the show's enduring appeal. These episodes, among many others, showcase the chilling and suspenseful narratives that made "Lights Out" a landmark in radio history.
Lights Out: A Pioneering Horror Radio ShowThe radio show "Lights Out" captivated audiences with its chilling horror and suspense stories from 1934 to 1947, albeit with some interruptions. The initial run from 1934 to 1936 was followed by a hiatus, but the show's revival in 1942 reignited its popularity, solidifying its status as a prominent program in the genre.Groundbreaking Sound Design and Disturbing NarrativesThe show's creator, Wyllis Cooper, was already renowned for his contributions to other successful horror and suspense radio shows like "Quiet, Please!" and "The Witch's Tale." In 1943, the reins were passed to Arch Oboler, a prolific figure in radio production, who further elevated the show's reputation."Lights Out" distinguished itself through its innovative use of sound effects and its exploration of unsettling themes. The show's mastery of sound design created an atmosphere of palpable suspense and terror, leaving a lasting impression on listeners. The narratives frequently delved into the darker facets of humanity, featuring tales of murder, madness, and the supernatural.Enduring LegacyEven today, "Lights Out" holds a special place in the hearts of old-time radio enthusiasts and horror aficionados. Its groundbreaking use of sound and its ability to deliver thought-provoking and often disturbing storylines continue to resonate with audiences. Memorable episodes like "Chicken Heart," featuring a woman trapped with a mysterious killer, and "Cat Wife," exploring a man's unsettling marriage to a feline entity, exemplify the show's enduring appeal. These episodes, among many others, showcase the chilling and suspenseful narratives that made "Lights Out" a landmark in radio history.
Lights Out: A Pioneering Horror Radio ShowThe radio show "Lights Out" captivated audiences with its chilling horror and suspense stories from 1934 to 1947, albeit with some interruptions. The initial run from 1934 to 1936 was followed by a hiatus, but the show's revival in 1942 reignited its popularity, solidifying its status as a prominent program in the genre.Groundbreaking Sound Design and Disturbing NarrativesThe show's creator, Wyllis Cooper, was already renowned for his contributions to other successful horror and suspense radio shows like "Quiet, Please!" and "The Witch's Tale." In 1943, the reins were passed to Arch Oboler, a prolific figure in radio production, who further elevated the show's reputation."Lights Out" distinguished itself through its innovative use of sound effects and its exploration of unsettling themes. The show's mastery of sound design created an atmosphere of palpable suspense and terror, leaving a lasting impression on listeners. The narratives frequently delved into the darker facets of humanity, featuring tales of murder, madness, and the supernatural.Enduring LegacyEven today, "Lights Out" holds a special place in the hearts of old-time radio enthusiasts and horror aficionados. Its groundbreaking use of sound and its ability to deliver thought-provoking and often disturbing storylines continue to resonate with audiences. Memorable episodes like "Chicken Heart," featuring a woman trapped with a mysterious killer, and "Cat Wife," exploring a man's unsettling marriage to a feline entity, exemplify the show's enduring appeal. These episodes, among many others, showcase the chilling and suspenseful narratives that made "Lights Out" a landmark in radio history.
Lights Out: A Pioneering Horror Radio Show The radio show "Lights Out" captivated audiences with its chilling horror and suspense stories from 1934 to 1947, albeit with some interruptions. The initial run from 1934 to 1936 was followed by a hiatus, but the show's revival in 1942 reignited its popularity, solidifying its status as a prominent program in the genre. Groundbreaking Sound Design and Disturbing Narratives The show's creator, Wyllis Cooper, was already renowned for his contributions to other successful horror and suspense radio shows like "Quiet, Please!" and "The Witch's Tale." In 1943, the reins were passed to Arch Oboler, a prolific figure in radio production, who further elevated the show's reputation. "Lights Out" distinguished itself through its innovative use of sound effects and its exploration of unsettling themes. The show's mastery of sound design created an atmosphere of palpable suspense and terror, leaving a lasting impression on listeners. The narratives frequently delved into the darker facets of humanity, featuring tales of murder, madness, and the supernatural. Enduring Legacy Even today, "Lights Out" holds a special place in the hearts of old-time radio enthusiasts and horror aficionados. Its groundbreaking use of sound and its ability to deliver thought-provoking and often disturbing storylines continue to resonate with audiences. Memorable episodes like "Chicken Heart," featuring a woman trapped with a mysterious killer, and "Cat Wife," exploring a man's unsettling marriage to a feline entity, exemplify the show's enduring appeal. These episodes, among many others, showcase the chilling and suspenseful narratives that made "Lights Out" a landmark in radio history.
This week, we have The Little People, an episode of Lights Out written by Arch Oboler. This episode first aired on April 14, 1937, over NBC. This is a rebroadcast from the show's 1942-1943 run on CBS. Find our store at AThrillingPublication.com or visit BrickPickleMedia.com/podcasts for more information.
Lights Out: A Pioneering Horror Radio Show The radio show "Lights Out" captivated audiences with its chilling horror and suspense stories from 1934 to 1947, albeit with some interruptions. The initial run from 1934 to 1936 was followed by a hiatus, but the show's revival in 1942 reignited its popularity, solidifying its status as a prominent program in the genre. Groundbreaking Sound Design and Disturbing Narratives The show's creator, Wyllis Cooper, was already renowned for his contributions to other successful horror and suspense radio shows like "Quiet, Please!" and "The Witch's Tale." In 1943, the reins were passed to Arch Oboler, a prolific figure in radio production, who further elevated the show's reputation. "Lights Out" distinguished itself through its innovative use of sound effects and its exploration of unsettling themes. The show's mastery of sound design created an atmosphere of palpable suspense and terror, leaving a lasting impression on listeners. The narratives frequently delved into the darker facets of humanity, featuring tales of murder, madness, and the supernatural. Enduring Legacy Even today, "Lights Out" holds a special place in the hearts of old-time radio enthusiasts and horror aficionados. Its groundbreaking use of sound and its ability to deliver thought-provoking and often disturbing storylines continue to resonate with audiences. Memorable episodes like "Chicken Heart," featuring a woman trapped with a mysterious killer, and "Cat Wife," exploring a man's unsettling marriage to a feline entity, exemplify the show's enduring appeal. These episodes, among many others, showcase the chilling and suspenseful narratives that made "Lights Out" a landmark in radio history.
On this week's Relic Radio Science Fiction, we hear Rocket From Manhattan, the September 20, 1945, episode of Arch Oboler's Plays. Listen to more from Arch Oboler's Plays https://traffic.libsyn.com/forcedn/e55e1c7a-e213-4a20-8701-21862bdf1f8a/SciFi865.mp3 Download SciFi865 | Subscribe | Spotify | Support Relic Radio Science Fiction Your support makes this show possible. If you'd like to help, visit donate.relicradio.com for more information. Thank you.
Lights Out: A Pioneering Horror Radio Show The radio show "Lights Out" captivated audiences with its chilling horror and suspense stories from 1934 to 1947, albeit with some interruptions. The initial run from 1934 to 1936 was followed by a hiatus, but the show's revival in 1942 reignited its popularity, solidifying its status as a prominent program in the genre. Groundbreaking Sound Design and Disturbing Narratives The show's creator, Wyllis Cooper, was already renowned for his contributions to other successful horror and suspense radio shows like "Quiet, Please!" and "The Witch's Tale." In 1943, the reins were passed to Arch Oboler, a prolific figure in radio production, who further elevated the show's reputation. "Lights Out" distinguished itself through its innovative use of sound effects and its exploration of unsettling themes. The show's mastery of sound design created an atmosphere of palpable suspense and terror, leaving a lasting impression on listeners. The narratives frequently delved into the darker facets of humanity, featuring tales of murder, madness, and the supernatural. Enduring Legacy Even today, "Lights Out" holds a special place in the hearts of old-time radio enthusiasts and horror aficionados. Its groundbreaking use of sound and its ability to deliver thought-provoking and often disturbing storylines continue to resonate with audiences. Memorable episodes like "Chicken Heart," featuring a woman trapped with a mysterious killer, and "Cat Wife," exploring a man's unsettling marriage to a feline entity, exemplify the show's enduring appeal. These episodes, among many others, showcase the chilling and suspenseful narratives that made "Lights Out" a landmark in radio history.
The episode, titled "Mirage," immerses listeners in a chilling tale narrated by Arch Oboler, emblematic of the show's series of unusual and unsettling narratives. The ambience is set with personal reflections on the reality of good fortune and the facade that can accompany it, leading the audience into a world where deception lurks beneath the surface of daily life. As the story unfolds, we are introduced to the central characters, Carl and Linda, who are attending a social gathering at a coastal estate. The dialogue highlights the tension between Carl's work-centric lifestyle and Linda's desire for deeper social connections. Their conversation meanders through various topics, blending mundane discussions about parties, societal expectations, and the changing seasons while juxtaposing a profound sense of unease as they take a walk on the beach. The calm ocean serves as a deceptive backdrop, contrasting with the inner turmoil of the characters as they confront their personal limitations and fears.The narrative takes a turn when they encounter an old man sitting alone on the beach, writing names in the sand. The old man's actions provoke curiosity and fear in Carl and Linda. As the moonlight flickers in and out, the man writes names—including theirs—drawing them into a surreal and eerie experience. The tension escalates as Carl experiences dizziness and Linda feels a deep connection to the old man's mysterious activity. Their reality bends as the man's cryptic writings allude to their identities and maybe even their fates.As the old man's presence becomes more significant, Carl and Linda grapple with their own mortality and the weight of their choices. Linda's health fluctuates as they confront the possibility of their lives being tethered to the enigmatic names being inscribed in the sand. The surrealism intensifies when Carl and Linda come to believe that the old man's writing could predict their futures—sparking a dual exploration of existential dread and the search for meaning in their lives.In a moment of hysteria and clarity, they contemplate their lives and the ephemerality of time. The narrative explores deeper philosophical themes around living fully and embracing the present, juxtaposing that against the weight of societal expectations and personal ambitions. As they begin to feel the burden of impending outcomes, Linda discovers a sense of liberation in knowing her potential timeline, illuminating a path to self-discovery and personal desires that had long been overshadowed by duties and conventions.The conclusion of the story leaves listeners with a profound reflection on the nature of life, love, and the longing for freedom amidst constraints. Carl realizes that the mirage isn't just about the fleeting happiness of life but also about the false permanence of grief and dread many people believe in. The closing rates a poignant reminder to cherish the present and live life to its fullest, moving beyond the fears that often confine individuals to their own cages. Through "Mirage," the episode artfully intertwines rich character development, poignant dialogue, and philosophical musings, crafting a hauntingly beautiful narrative that resonates long after the show concludes. The storytelling technique emphasizes the unique qualities of radio drama, drawing listeners into a visceral experience that reflects not just on the characters' lives but also prompts introspection on their own realities.
A Dramatic SundayFirst a look at this day in History.Then The Screen Guild Theater originally broadcast January 19, 1941, 84 years ago, The Magnificent Obsession starring Myrna Loy and Don Ameche. An adaptation of the 1935 film. The life of spoiled rich Robert Merrick is saved through the use of a hospital's sole resuscitator, but because the medical device cannot be in two places at once, it results in the death of Dr. Hudson, a selfless, brilliant surgeon and generous philanthropist.Followed by The New Adventures of Nero Wolfe starring Sydney Greenstreet, originally broadcast January 19, 1951, 74 years ago, The Case of the Calculated Risk. Dave Caffrey tells Nero Wolfe that he plans to commit murder tomorrow. Then The Cavalcade of America, originally broadcast January 19, 1942, 83 years ago, An American Is Born. Arch Oboler's story about a Czech couple in Mexico, awaiting an entry visa into the United States. Bette Davis stars. Followed by Rocky Fortune starring Frank Sinatra, originally broadcast January 19, 1954, 71 years ago, The Museum Murder. Rocky's running a tour through a New York museum. He finds a corpse and adventure in a mummy case.Finally Superman, originally broadcast January 19, 1942, 83 years ago, Lita The Leopard Woman. Clark Kent and Perry White come upon the hidden room of Max Heller and Lita The Leopard Woman. She shoots Max Heller and Lita escapes in a folding airplane!Thanks to Sean for supporting our podcast by using the Buy Me a Coffee function at http://classicradio.streamFind the Family Fallout Shelter Booklet Here: https://www.survivorlibrary.com/library/the_family_fallout_shelter_1959.pdfhttps://wardomatic.blogspot.com/2006/11/fallout-shelter-handbook-1962.htmlAnd more about the Survive-all Fallout Sheltershttps://conelrad.blogspot.com/2010/09/mad-men-meet-mad-survive-all-shelter.html
Lights Out: A Pioneering Horror Radio Show The radio show "Lights Out" captivated audiences with its chilling horror and suspense stories from 1934 to 1947, albeit with some interruptions. The initial run from 1934 to 1936 was followed by a hiatus, but the show's revival in 1942 reignited its popularity, solidifying its status as a prominent program in the genre. Groundbreaking Sound Design and Disturbing Narratives The show's creator, Wyllis Cooper, was already renowned for his contributions to other successful horror and suspense radio shows like "Quiet, Please!" and "The Witch's Tale." In 1943, the reins were passed to Arch Oboler, a prolific figure in radio production, who further elevated the show's reputation. "Lights Out" distinguished itself through its innovative use of sound effects and its exploration of unsettling themes. The show's mastery of sound design created an atmosphere of palpable suspense and terror, leaving a lasting impression on listeners. The narratives frequently delved into the darker facets of humanity, featuring tales of murder, madness, and the supernatural. Enduring Legacy Even today, "Lights Out" holds a special place in the hearts of old-time radio enthusiasts and horror aficionados. Its groundbreaking use of sound and its ability to deliver thought-provoking and often disturbing storylines continue to resonate with audiences. Memorable episodes like "Chicken Heart," featuring a woman trapped with a mysterious killer, and "Cat Wife," exploring a man's unsettling marriage to a feline entity, exemplify the show's enduring appeal. These episodes, among many others, showcase the chilling and suspenseful narratives that made "Lights Out" a landmark in radio history. The Adventures of Superman radio serial, which aired from 1940 to 1951, featured the DC Comics character Superman. Created by Jerry Siegel and Joe Shuster, Superman first appeared in Action Comics #1 in 1938. The following year, the newspaper comic strip began and four audition radio programs were prepared to sell Superman as a radio series. Superman was first heard on the radio less than two years after the comic book appearance, with Bud Collyer in the title role. The juvenile adventure radio serial, sponsored by Kellogg's Pep, was a huge success during World War II and the post-war years, with many listeners following the quest for "truth and justice" in the daily radio broadcasts, the comic book stories and the newspaper comic strip. Airing in the late afternoon, the radio serial engaged its young after-school audience with its exciting and distinctive opening, which changed slightly as the series progressed. In the first few episodes, Superman's home planet of Krypton is located on the far side of the sun, as opposed to a distant star system as it is in most stories. During the journey to Earth, baby Kal-El grows into an adult and emerges fully grown from his ship after it lands on Earth. He is never adopted by Jonathan and Martha Kent and immediately begins his superhero career. This was eventually retconned in later episodes to match the narrative of the comic books. The syndicated series, titled simply Superman, first aired via pre-recorded transcription disks over 11 stations beginning on February 12, 1940, with an origin story, "The Baby from Krypton". The series aired in 15-minute episodes three times a week until May 9, 1941, with the conclusion of the "Nitrate Shipment" storyline. By that time, it had expanded to 63 stations.
Drama on a MondayFirst a look at this day in History.Then The Man Called X starring Herbert Marshall, originally broadcast January 13, 1951, 74 years ago. Ken Thurston flies to Cuba to track down a tiny package that threatens the welfare of the world.Followed by Calling All Cars, originally broadcast January 13, 1939, 86 years ago, The Case of the Silver Cord. The Chief of Police of Santa Monica introduces a story about a woman with a problem. Then Candy Matson starring Natalie Masters, originally broadcast January 13, 1950, 75 years ago, Eric Spalding Concert. A famous conductor hires Candy to prevent his concert from being sabotaged. Followed by Arch Oboler's Plays, originally broadcast January 13, 1940, 85 years ago, The Truth. A thoughtful story about a scientist who puzzles after the ultimate source of cosmic rays and eventually discovers, "The Truth." Finally Lum and Abner, originally broadcast January 13, 1942, 83 years ago, Farm and Needlework Weekly. Lum is now selling magazines to support himself since Abner refused to take him back in the store. Thanks to Sean for supporting our podcast by using the Buy Me a Coffee function at http://classicradio.streamFind the Family Fallout Shelter Booklet Here: https://www.survivorlibrary.com/library/the_family_fallout_shelter_1959.pdfhttps://wardomatic.blogspot.com/2006/11/fallout-shelter-handbook-1962.htmlAnd more about the Survive-all Fallout Sheltershttps://conelrad.blogspot.com/2010/09/mad-men-meet-mad-survive-all-shelter.html
Lights Out: A Pioneering Horror Radio Show The radio show "Lights Out" captivated audiences with its chilling horror and suspense stories from 1934 to 1947, albeit with some interruptions. The initial run from 1934 to 1936 was followed by a hiatus, but the show's revival in 1942 reignited its popularity, solidifying its status as a prominent program in the genre. Groundbreaking Sound Design and Disturbing Narratives The show's creator, Wyllis Cooper, was already renowned for his contributions to other successful horror and suspense radio shows like "Quiet, Please!" and "The Witch's Tale." In 1943, the reins were passed to Arch Oboler, a prolific figure in radio production, who further elevated the show's reputation. "Lights Out" distinguished itself through its innovative use of sound effects and its exploration of unsettling themes. The show's mastery of sound design created an atmosphere of palpable suspense and terror, leaving a lasting impression on listeners. The narratives frequently delved into the darker facets of humanity, featuring tales of murder, madness, and the supernatural. Enduring Legacy Even today, "Lights Out" holds a special place in the hearts of old-time radio enthusiasts and horror aficionados. Its groundbreaking use of sound and its ability to deliver thought-provoking and often disturbing storylines continue to resonate with audiences. Memorable episodes like "Chicken Heart," featuring a woman trapped with a mysterious killer, and "Cat Wife," exploring a man's unsettling marriage to a feline entity, exemplify the show's enduring appeal. These episodes, among many others, showcase the chilling and suspenseful narratives that made "Lights Out" a landmark in radio history. The Adventures of Superman radio serial, which aired from 1940 to 1951, featured the DC Comics character Superman. Created by Jerry Siegel and Joe Shuster, Superman first appeared in Action Comics #1 in 1938. The following year, the newspaper comic strip began and four audition radio programs were prepared to sell Superman as a radio series. Superman was first heard on the radio less than two years after the comic book appearance, with Bud Collyer in the title role. The juvenile adventure radio serial, sponsored by Kellogg's Pep, was a huge success during World War II and the post-war years, with many listeners following the quest for "truth and justice" in the daily radio broadcasts, the comic book stories and the newspaper comic strip. Airing in the late afternoon, the radio serial engaged its young after-school audience with its exciting and distinctive opening, which changed slightly as the series progressed. In the first few episodes, Superman's home planet of Krypton is located on the far side of the sun, as opposed to a distant star system as it is in most stories. During the journey to Earth, baby Kal-El grows into an adult and emerges fully grown from his ship after it lands on Earth. He is never adopted by Jonathan and Martha Kent and immediately begins his superhero career. This was eventually retconned in later episodes to match the narrative of the comic books. The syndicated series, titled simply Superman, first aired via pre-recorded transcription disks over 11 stations beginning on February 12, 1940, with an origin story, "The Baby from Krypton". The series aired in 15-minute episodes three times a week until May 9, 1941, with the conclusion of the "Nitrate Shipment" storyline. By that time, it had expanded to 63 stations.
Lights Out: A Pioneering Horror Radio Show The radio show "Lights Out" captivated audiences with its chilling horror and suspense stories from 1934 to 1947, albeit with some interruptions. The initial run from 1934 to 1936 was followed by a hiatus, but the show's revival in 1942 reignited its popularity, solidifying its status as a prominent program in the genre. Groundbreaking Sound Design and Disturbing Narratives The show's creator, Wyllis Cooper, was already renowned for his contributions to other successful horror and suspense radio shows like "Quiet, Please!" and "The Witch's Tale." In 1943, the reins were passed to Arch Oboler, a prolific figure in radio production, who further elevated the show's reputation. "Lights Out" distinguished itself through its innovative use of sound effects and its exploration of unsettling themes. The show's mastery of sound design created an atmosphere of palpable suspense and terror, leaving a lasting impression on listeners. The narratives frequently delved into the darker facets of humanity, featuring tales of murder, madness, and the supernatural. Enduring Legacy Even today, "Lights Out" holds a special place in the hearts of old-time radio enthusiasts and horror aficionados. Its groundbreaking use of sound and its ability to deliver thought-provoking and often disturbing storylines continue to resonate with audiences. Memorable episodes like "Chicken Heart," featuring a woman trapped with a mysterious killer, and "Cat Wife," exploring a man's unsettling marriage to a feline entity, exemplify the show's enduring appeal. These episodes, among many others, showcase the chilling and suspenseful narratives that made "Lights Out" a landmark in radio history.
Lights Out: A Pioneering Horror Radio Show The radio show "Lights Out" captivated audiences with its chilling horror and suspense stories from 1934 to 1947, albeit with some interruptions. The initial run from 1934 to 1936 was followed by a hiatus, but the show's revival in 1942 reignited its popularity, solidifying its status as a prominent program in the genre. Groundbreaking Sound Design and Disturbing Narratives The show's creator, Wyllis Cooper, was already renowned for his contributions to other successful horror and suspense radio shows like "Quiet, Please!" and "The Witch's Tale." In 1943, the reins were passed to Arch Oboler, a prolific figure in radio production, who further elevated the show's reputation. "Lights Out" distinguished itself through its innovative use of sound effects and its exploration of unsettling themes. The show's mastery of sound design created an atmosphere of palpable suspense and terror, leaving a lasting impression on listeners. The narratives frequently delved into the darker facets of humanity, featuring tales of murder, madness, and the supernatural. Enduring Legacy Even today, "Lights Out" holds a special place in the hearts of old-time radio enthusiasts and horror aficionados. Its groundbreaking use of sound and its ability to deliver thought-provoking and often disturbing storylines continue to resonate with audiences. Memorable episodes like "Chicken Heart," featuring a woman trapped with a mysterious killer, and "Cat Wife," exploring a man's unsettling marriage to a feline entity, exemplify the show's enduring appeal. These episodes, among many others, showcase the chilling and suspenseful narratives that made "Lights Out" a landmark in radio history. --- Support this podcast: https://podcasters.spotify.com/pod/show/dwight-allen0/support
This week on Strange Tales, Arch Oboler's Plays brings us its broadcast from August 16, 1964, titled, Come To The Bank With Me. Listen to more from Arch Oboler's Plays https://traffic.libsyn.com/forcedn/e55e1c7a-e213-4a20-8701-21862bdf1f8a/StrangeTales779.mp3 Download StrangeTales779 | Subscribe | Spotify | Support Strange Tales Relic Radio is funded solely by listener donations. If you would like to help support it, visit Donate.RelicRadio.com for more information. [...]
Lights Out: A Pioneering Horror Radio Show The radio show "Lights Out" captivated audiences with its chilling horror and suspense stories from 1934 to 1947, albeit with some interruptions. The initial run from 1934 to 1936 was followed by a hiatus, but the show's revival in 1942 reignited its popularity, solidifying its status as a prominent program in the genre. Groundbreaking Sound Design and Disturbing Narratives The show's creator, Wyllis Cooper, was already renowned for his contributions to other successful horror and suspense radio shows like "Quiet, Please!" and "The Witch's Tale." In 1943, the reins were passed to Arch Oboler, a prolific figure in radio production, who further elevated the show's reputation. "Lights Out" distinguished itself through its innovative use of sound effects and its exploration of unsettling themes. The show's mastery of sound design created an atmosphere of palpable suspense and terror, leaving a lasting impression on listeners. The narratives frequently delved into the darker facets of humanity, featuring tales of murder, madness, and the supernatural. Enduring Legacy Even today, "Lights Out" holds a special place in the hearts of old-time radio enthusiasts and horror aficionados. Its groundbreaking use of sound and its ability to deliver thought-provoking and often disturbing storylines continue to resonate with audiences. Memorable episodes like "Chicken Heart," featuring a woman trapped with a mysterious killer, and "Cat Wife," exploring a man's unsettling marriage to a feline entity, exemplify the show's enduring appeal. These episodes, among many others, showcase the chilling and suspenseful narratives that made "Lights Out" a landmark in radio history. --- Support this podcast: https://podcasters.spotify.com/pod/show/dwight-allen0/support
On this episode of Relic Radio Thrillers, Arch Oboler's Plays brings us Big Ben, its broadcast from August 30, 1964. Listen to more from Arch Oboler's Plays https://traffic.libsyn.com/forcedn/e55e1c7a-e213-4a20-8701-21862bdf1f8a/Thriller871.mp3 Download Thriller871 | Subscribe | Spotify | Support Relic Radio Thrillers
Lights Out: A Pioneering Horror Radio Show The radio show "Lights Out" captivated audiences with its chilling horror and suspense stories from 1934 to 1947, albeit with some interruptions. The initial run from 1934 to 1936 was followed by a hiatus, but the show's revival in 1942 reignited its popularity, solidifying its status as a prominent program in the genre. Groundbreaking Sound Design and Disturbing Narratives The show's creator, Wyllis Cooper, was already renowned for his contributions to other successful horror and suspense radio shows like "Quiet, Please!" and "The Witch's Tale." In 1943, the reins were passed to Arch Oboler, a prolific figure in radio production, who further elevated the show's reputation. "Lights Out" distinguished itself through its innovative use of sound effects and its exploration of unsettling themes. The show's mastery of sound design created an atmosphere of palpable suspense and terror, leaving a lasting impression on listeners. The narratives frequently delved into the darker facets of humanity, featuring tales of murder, madness, and the supernatural. Enduring Legacy Even today, "Lights Out" holds a special place in the hearts of old-time radio enthusiasts and horror aficionados. Its groundbreaking use of sound and its ability to deliver thought-provoking and often disturbing storylines continue to resonate with audiences. Memorable episodes like "Chicken Heart," featuring a woman trapped with a mysterious killer, and "Cat Wife," exploring a man's unsettling marriage to a feline entity, exemplify the show's enduring appeal. These episodes, among many others, showcase the chilling and suspenseful narratives that made "Lights Out" a landmark in radio history. --- Support this podcast: https://podcasters.spotify.com/pod/show/dwight-allen0/support
Horror: Inner Sanctum “Till Death Do Us Part” 9/14/52 ABC, Arch Oboler's Plays “The Voice Within Me” 7/29/39 NBC.
On this week's episode of The Horror, Arch Oboler presents The House Is Haunted, from The Devil And Mr. O. This story aired August 16, 1952. Listen to more from The Devil And Mr. O https://traffic.libsyn.com/forcedn/e55e1c7a-e213-4a20-8701-21862bdf1f8a/TheHorror1202.mp3 Download TheHorror1202 | Subscribe | Spotify | Support The Horror
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