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This episode was originally released on 5/1/2018. While new episodes of Breaking Walls are on hiatus I'll be going back and posting the older episodes beginning with this episode on the birth of radio. ___________ In Breaking Walls Episode 79, we present a detailed look at Orson Welles' radio career through the end of 1941. Highlights: • Beginnings in Illinois and China — How they helped shape Orson • The Todd Seminary School — His first exposure to theater and Radio • Connections and Early Breaks — How his mentor Roger Hill, Thornton Wilder, Alexander Woollcott, and Katharine Cornell helped Orson get to Broadway • Orson meets John Houseman and Archibald MacLeish, and first appears on the March of Time • 1935-1937 — From the March of Time to the Columbia Workshop, and how Irvin Reis taught Orson how to create for radio • How the US Government shaped the opportunity for Orson to write, direct, and star in Les Misérables on the Mutual Broadcasting System in 1937 • The Shadow Knows! — Agnes Moorehead and Orson Welles' one season on The Shadow • The birth of the Mercury Theater on the Air as First Person singular. • How it's success led to the most infamous night in radio in October of 1938 • Mainstream success with Campbell's Soups • Orson goes to Hollywood, and signs the greatest autonomous film contract in history at 24 • Citizen Kane — How William Randolph Hearst and RKO shaped the film • Lady Esther Presents — Orson comes back to radio in the autumn of 1941 • Pearl Harbor Day and collaborating with Norman Corwin • Joseph Cotton introduces Orson to Rita Hayworth The WallBreakers: http://thewallbreakers.com Subscribe to Breaking Walls everywhere you get your podcasts. To support the show: http://patreon.com/TheWallBreakers The reading material used in today's episode was: • Citizen Welles: A Biography of Orson Welles by Frank Brady • This is Orson Welles by Welles and Peter Bogdanovich • The Encyclopedia of Old-Time Radio by John Dunning • Discovering Orson Welles by Jonathan Rosenbaum Other materials included: • http://www.wellesnet.com - an incredibly comprehensive website on Orson's career • Orson Welles on the Air, 1938-1946 at https://orsonwelles.indiana.edu • The Radio Preservation Task Force also has a great Facebook group headed by Josh Shepperd Selected Interviews in this episode were: • Orson Welles with Dick Cavett, Johnny Carson, and Huw Wheldon, • Agnes Moorehead and Alan Reed were with radio Hall of Fame Member Chuck Schaden, who interviewed over 200 members of the radio community during his 39 year career. Chuck's interviews can be streamed for free at SpeakingofRadio.com. • William Robson was with Dick Bertel and Ed Corcoran for WTIC's The Golden Age of Radio in January of 1976 and Kenny Delmare was with John Dunning in 1983. Those interviews can be found at the Old Time Radio Researcher's Group at Otrrlibrary.org • William Herz was with Walden Hughes and John and Larry Gassman in 2013 for their program on the Yesterday USA Radio Network, which you can visit at http://www.yesterdayusa.com.
In the realm of old-time radio crime dramas, two iterations of "The Avenger" emerged in the United States. The first installment, broadcast weekly on WHN in New York City, aired from July 18, 1941, until November 3, 1942. The second version, syndicated nationally, ran from October 25, 1945, to April 18, 1946. In the 1941-1942 version, Richard Henry Benson, a crime-fighter with super-strength known as "The Avenger," was joined by his sidekick Fergus "Mac" MacMurdie. Benson was considered a blend of the Shadow and Doc Savage characters, combining elements of each in an attempt to replicate their commercial success. The 1945-1946 version of "The Avenger" was described as a "poor man's version of The Shadow" by radio historian John Dunning. Jim Brandon, the alter ego of the new Avenger, was a biochemist who used inventions like the Telepathic Indicator and Secret Diffusion Capsule to combat crime. Despite their differences, the two versions of "The Avenger" shared some similarities. The Avenger in both iterations had a loyal subordinate who knew his true identity, was hidden by a black light of invisibility, and could interpret the "thought flashes" of others. These similarities could be attributed to the fact that Walter B. Gibson, the creator of The Shadow, also played a role in shaping the character of The Avenger. In terms of personnel, the 1941-1942 version featured an unknown New York actor as Richard Henry Benson and Humphrey Davis as Fergus "Mac" MacMurdie, with Maurice Joachim as the director and Paul Ernst (writing as Kenneth Robeson) and Henry Ralston as writers. The 1945-1946 version had James Monks initially playing the lead role, later replaced by Dick Janaver, with Helen Adamson as assistant Fern Collier, George Ansbro as the announcer, Doc Whipple providing the music, and Charles Michelson as the producer. Writers for this version included Gil Braun, Ruth Braun, and Walter Gibson. The 1945-1946 version of "The Avenger," distributed by Charles Michelson Inc. of New York City, was syndicated via transcription, with 52 episodes available to stations across the nation. --- Support this podcast: https://podcasters.spotify.com/pod/show/dwight-allen0/support
In the realm of old-time radio crime dramas, two iterations of "The Avenger" emerged in the United States. The first installment, broadcast weekly on WHN in New York City, aired from July 18, 1941, until November 3, 1942. The second version, syndicated nationally, ran from October 25, 1945, to April 18, 1946. In the 1941-1942 version, Richard Henry Benson, a crime-fighter with super-strength known as "The Avenger," was joined by his sidekick Fergus "Mac" MacMurdie. Benson was considered a blend of the Shadow and Doc Savage characters, combining elements of each in an attempt to replicate their commercial success. The 1945-1946 version of "The Avenger" was described as a "poor man's version of The Shadow" by radio historian John Dunning. Jim Brandon, the alter ego of the new Avenger, was a biochemist who used inventions like the Telepathic Indicator and Secret Diffusion Capsule to combat crime. Despite their differences, the two versions of "The Avenger" shared some similarities. The Avenger in both iterations had a loyal subordinate who knew his true identity, was hidden by a black light of invisibility, and could interpret the "thought flashes" of others. These similarities could be attributed to the fact that Walter B. Gibson, the creator of The Shadow, also played a role in shaping the character of The Avenger. In terms of personnel, the 1941-1942 version featured an unknown New York actor as Richard Henry Benson and Humphrey Davis as Fergus "Mac" MacMurdie, with Maurice Joachim as the director and Paul Ernst (writing as Kenneth Robeson) and Henry Ralston as writers. The 1945-1946 version had James Monks initially playing the lead role, later replaced by Dick Janaver, with Helen Adamson as assistant Fern Collier, George Ansbro as the announcer, Doc Whipple providing the music, and Charles Michelson as the producer. Writers for this version included Gil Braun, Ruth Braun, and Walter Gibson. The 1945-1946 version of "The Avenger," distributed by Charles Michelson Inc. of New York City, was syndicated via transcription, with 52 episodes available to stations across the nation. --- Support this podcast: https://podcasters.spotify.com/pod/show/dwight-allen0/support
In the realm of old-time radio crime dramas, two iterations of "The Avenger" emerged in the United States. The first installment, broadcast weekly on WHN in New York City, aired from July 18, 1941, until November 3, 1942. The second version, syndicated nationally, ran from October 25, 1945, to April 18, 1946. In the 1941-1942 version, Richard Henry Benson, a crime-fighter with super-strength known as "The Avenger," was joined by his sidekick Fergus "Mac" MacMurdie. Benson was considered a blend of the Shadow and Doc Savage characters, combining elements of each in an attempt to replicate their commercial success. The 1945-1946 version of "The Avenger" was described as a "poor man's version of The Shadow" by radio historian John Dunning. Jim Brandon, the alter ego of the new Avenger, was a biochemist who used inventions like the Telepathic Indicator and Secret Diffusion Capsule to combat crime. Despite their differences, the two versions of "The Avenger" shared some similarities. The Avenger in both iterations had a loyal subordinate who knew his true identity, was hidden by a black light of invisibility, and could interpret the "thought flashes" of others. These similarities could be attributed to the fact that Walter B. Gibson, the creator of The Shadow, also played a role in shaping the character of The Avenger. In terms of personnel, the 1941-1942 version featured an unknown New York actor as Richard Henry Benson and Humphrey Davis as Fergus "Mac" MacMurdie, with Maurice Joachim as the director and Paul Ernst (writing as Kenneth Robeson) and Henry Ralston as writers. The 1945-1946 version had James Monks initially playing the lead role, later replaced by Dick Janaver, with Helen Adamson as assistant Fern Collier, George Ansbro as the announcer, Doc Whipple providing the music, and Charles Michelson as the producer. Writers for this version included Gil Braun, Ruth Braun, and Walter Gibson. The 1945-1946 version of "The Avenger," distributed by Charles Michelson Inc. of New York City, was syndicated via transcription, with 52 episodes available to stations across the nation. --- Support this podcast: https://podcasters.spotify.com/pod/show/dwight-allen0/support
In this episode of The Volley Pod, hosts Davis Ransom and Tod Mattox engage with legendary volleyball coaches: Russ Rose, John Dunning, and Terry Liskevych. They discuss the coaches' new book, Learn From the Legends, which outlines 53 keys to better volleyball coaching. The conversation covers the origins of the book, the importance of diverse coaching perspectives, effective practice planning, and the significance of player IQ and team culture. The coaches share insights on accountability, curiosity in coaching, and the necessity of lifelong learning for coaches. Get Learn From the Legends on The Art of Coaching Volleyball website here: https://store.theartofcoachingvolleyball.com/shop/learn-from-the-legends/ Check out our sponsors! Balltime is the first ever Volleyball AI Platform, created for parents, coaches, clubs, and players. Check it out at: www.Balltime.com With The Art of Coaching Volleyball you can access the largest library of videos, resources, and clinics, designed to help coaches and players perform their best. Access The Art of Coaching Volleyball here: https://www.theartofcoachingvolleyball.com/ Check us out on Instagram at: https://www.instagram.com/aoc.thevolleypod/
In the realm of old-time radio crime dramas, two iterations of "The Avenger" emerged in the United States. The first installment, broadcast weekly on WHN in New York City, aired from July 18, 1941, until November 3, 1942. The second version, syndicated nationally, ran from October 25, 1945, to April 18, 1946. In the 1941-1942 version, Richard Henry Benson, a crime-fighter with super-strength known as "The Avenger," was joined by his sidekick Fergus "Mac" MacMurdie. Benson was considered a blend of the Shadow and Doc Savage characters, combining elements of each in an attempt to replicate their commercial success. The 1945-1946 version of "The Avenger" was described as a "poor man's version of The Shadow" by radio historian John Dunning. Jim Brandon, the alter ego of the new Avenger, was a biochemist who used inventions like the Telepathic Indicator and Secret Diffusion Capsule to combat crime. Despite their differences, the two versions of "The Avenger" shared some similarities. The Avenger in both iterations had a loyal subordinate who knew his true identity, was hidden by a black light of invisibility, and could interpret the "thought flashes" of others. These similarities could be attributed to the fact that Walter B. Gibson, the creator of The Shadow, also played a role in shaping the character of The Avenger. In terms of personnel, the 1941-1942 version featured an unknown New York actor as Richard Henry Benson and Humphrey Davis as Fergus "Mac" MacMurdie, with Maurice Joachim as the director and Paul Ernst (writing as Kenneth Robeson) and Henry Ralston as writers. The 1945-1946 version had James Monks initially playing the lead role, later replaced by Dick Janaver, with Helen Adamson as assistant Fern Collier, George Ansbro as the announcer, Doc Whipple providing the music, and Charles Michelson as the producer. Writers for this version included Gil Braun, Ruth Braun, and Walter Gibson. The 1945-1946 version of "The Avenger," distributed by Charles Michelson Inc. of New York City, was syndicated via transcription, with 52 episodes available to stations across the nation. --- Support this podcast: https://podcasters.spotify.com/pod/show/dwight-allen0/support
Good evening and a huge welcome back to the show, I hope you've had a great day and you're ready to kick back and relax with another episode of Brett's old time radio show. Hello, I'm Brett your host for this evening and welcome to my home in beautiful Lyme Bay where it's lovely December night. I hope it's just as nice where you are. You'll find all of my links at www.linktr.ee/brettsoldtimeradioshow A huge thankyou for joining me once again for our regular late night visit to those dusty studio archives of Old Time radio shows right here at my home in the united kingdom. Don't forget I have an instagram page and youtube channel both called brett's old time radio show and I'd love it if you could follow me. Feel free to send me some feedback on this and the other shows if you get a moment, brett@tourdate.co.uk #sleep #insomnia #relax #chill #night #nighttime #bed #bedtime #oldtimeradio #drama #comedy #radio #talkradio #hancock #tonyhancock #hancockshalfhour #sherlock #sherlockholmes #radiodrama #popular #viral #viralpodcast #podcast #podcasting #podcasts #podtok #podcastclip #podcastclips #podcasttrailer #podcastteaser #newpodcastepisode #newpodcast #videopodcast #upcomingpodcast #audiogram #audiograms #truecrimepodcast #historypodcast #truecrime #podcaster #viral #popular #viralpodcast #number1 #instagram #youtube #facebook #johnnydollar #crime #fiction #unwind #devon #texas #texasranger #beer #seaton #seaside #smuggler #colyton #devon #seaton #beer #branscombe #lymebay #lymeregis #brett #brettorchard #orchard #greatdetectives #greatdetectivesofoldtimeradio #detectives #johnnydollar #thesaint #steptoe #texasrangers CBS Radio Mystery Theater (CBSRMT) was a radio drama series created by Himan Brown that aired from 1974 to 1982 on the CBS Radio Network. Drawing inspiration from classic old-time radio shows like The Mysterious Traveller and The Whistler, CBSRMT was hosted by E. G. Marshall, who introduced each episode with an inviting yet eerie, "Come in!… Welcome." The series' signature began and ended with the sound of a creaking door and eerie music, a hallmark that echoed Brown's earlier show Inner Sanctum Mysteries. Each episode, about 45 minutes long, mixed genres beyond mystery, including horror, science fiction, historical drama, and even comedy. Popular around Halloween and Christmas, the series would also air special adaptations like A Christmas Carol every year, except for 1974 and 1982. CBSRMT featured original stories as well as adaptations of literary works by famous writers such as Edgar Allan Poe, Charles Dickens, and Arthur Conan Doyle. E. G. Marshall hosted the series until 1982, when actress Tammy Grimes took over for the final season. The show was known for its chilling theme music, which included elements from the Twilight Zone score by Nathan Van Cleave. With over 1,399 original episodes, the show ran five nights a week, with a mix of new content and repeats. Despite its popularity, some critics, like radio historian John Dunning, pointed out weaknesses in its scriptwriting. CBSRMT attracted an impressive roster of talent, from radio veterans like Joan Banks and Jackson Beck to well-known actors such as John Lithgow, Sarah Jessica Parker, and Agnes Moorehead. The series became an entry point for younger listeners into the world of radio drama, as well as a nostalgic callback for those familiar with the Golden Age of Radio. The show was recorded in New York at the CBS Studio Building, and its production process was quick and efficient, with actors often completing their roles in just a few hours. In the early 2000s, CBSRMT saw a revival through NPR, bringing the series to a new generation of listeners. Despite its end in 1982, CBSRMT remains a cherished piece of radio history, known for its suspenseful storytelling and atmospheric production.
In the realm of old-time radio crime dramas, two iterations of "The Avenger" emerged in the United States. The first installment, broadcast weekly on WHN in New York City, aired from July 18, 1941, until November 3, 1942. The second version, syndicated nationally, ran from October 25, 1945, to April 18, 1946. In the 1941-1942 version, Richard Henry Benson, a crime-fighter with super-strength known as "The Avenger," was joined by his sidekick Fergus "Mac" MacMurdie. Benson was considered a blend of the Shadow and Doc Savage characters, combining elements of each in an attempt to replicate their commercial success. The 1945-1946 version of "The Avenger" was described as a "poor man's version of The Shadow" by radio historian John Dunning. Jim Brandon, the alter ego of the new Avenger, was a biochemist who used inventions like the Telepathic Indicator and Secret Diffusion Capsule to combat crime. Despite their differences, the two versions of "The Avenger" shared some similarities. The Avenger in both iterations had a loyal subordinate who knew his true identity, was hidden by a black light of invisibility, and could interpret the "thought flashes" of others. These similarities could be attributed to the fact that Walter B. Gibson, the creator of The Shadow, also played a role in shaping the character of The Avenger. In terms of personnel, the 1941-1942 version featured an unknown New York actor as Richard Henry Benson and Humphrey Davis as Fergus "Mac" MacMurdie, with Maurice Joachim as the director and Paul Ernst (writing as Kenneth Robeson) and Henry Ralston as writers. The 1945-1946 version had James Monks initially playing the lead role, later replaced by Dick Janaver, with Helen Adamson as assistant Fern Collier, George Ansbro as the announcer, Doc Whipple providing the music, and Charles Michelson as the producer. Writers for this version included Gil Braun, Ruth Braun, and Walter Gibson. The 1945-1946 version of "The Avenger," distributed by Charles Michelson Inc. of New York City, was syndicated via transcription, with 52 episodes available to stations across the nation. --- Support this podcast: https://podcasters.spotify.com/pod/show/dwight-allen0/support
Good evening and a huge welcome back to the show, I hope you've had a great day and you're ready to kick back and relax with another episode of Brett's old time radio show. Hello, I'm Brett your host for this evening and welcome to my home in beautiful Lyme Bay where it's lovely December night. I hope it's just as nice where you are. You'll find all of my links at www.linktr.ee/brettsoldtimeradioshow A huge thankyou for joining me once again for our regular late night visit to those dusty studio archives of Old Time radio shows right here at my home in the united kingdom. Don't forget I have an instagram page and youtube channel both called brett's old time radio show and I'd love it if you could follow me. Feel free to send me some feedback on this and the other shows if you get a moment, brett@tourdate.co.uk #sleep #insomnia #relax #chill #night #nighttime #bed #bedtime #oldtimeradio #drama #comedy #radio #talkradio #hancock #tonyhancock #hancockshalfhour #sherlock #sherlockholmes #radiodrama #popular #viral #viralpodcast #podcast #podcasting #podcasts #podtok #podcastclip #podcastclips #podcasttrailer #podcastteaser #newpodcastepisode #newpodcast #videopodcast #upcomingpodcast #audiogram #audiograms #truecrimepodcast #historypodcast #truecrime #podcaster #viral #popular #viralpodcast #number1 #instagram #youtube #facebook #johnnydollar #crime #fiction #unwind #devon #texas #texasranger #beer #seaton #seaside #smuggler #colyton #devon #seaton #beer #branscombe #lymebay #lymeregis #brett #brettorchard #orchard #greatdetectives #greatdetectivesofoldtimeradio #detectives #johnnydollar #thesaint #steptoe #texasrangers CBS Radio Mystery Theater (CBSRMT) was a radio drama series created by Himan Brown that aired from 1974 to 1982 on the CBS Radio Network. Drawing inspiration from classic old-time radio shows like The Mysterious Traveller and The Whistler, CBSRMT was hosted by E. G. Marshall, who introduced each episode with an inviting yet eerie, "Come in!… Welcome." The series' signature began and ended with the sound of a creaking door and eerie music, a hallmark that echoed Brown's earlier show Inner Sanctum Mysteries. Each episode, about 45 minutes long, mixed genres beyond mystery, including horror, science fiction, historical drama, and even comedy. Popular around Halloween and Christmas, the series would also air special adaptations like A Christmas Carol every year, except for 1974 and 1982. CBSRMT featured original stories as well as adaptations of literary works by famous writers such as Edgar Allan Poe, Charles Dickens, and Arthur Conan Doyle. E. G. Marshall hosted the series until 1982, when actress Tammy Grimes took over for the final season. The show was known for its chilling theme music, which included elements from the Twilight Zone score by Nathan Van Cleave. With over 1,399 original episodes, the show ran five nights a week, with a mix of new content and repeats. Despite its popularity, some critics, like radio historian John Dunning, pointed out weaknesses in its scriptwriting. CBSRMT attracted an impressive roster of talent, from radio veterans like Joan Banks and Jackson Beck to well-known actors such as John Lithgow, Sarah Jessica Parker, and Agnes Moorehead. The series became an entry point for younger listeners into the world of radio drama, as well as a nostalgic callback for those familiar with the Golden Age of Radio. The show was recorded in New York at the CBS Studio Building, and its production process was quick and efficient, with actors often completing their roles in just a few hours. In the early 2000s, CBSRMT saw a revival through NPR, bringing the series to a new generation of listeners. Despite its end in 1982, CBSRMT remains a cherished piece of radio history, known for its suspenseful storytelling and atmospheric production.
Good evening and a huge welcome back to the show, I hope you've had a great day and you're ready to kick back and relax with another episode of Brett's old time radio show. Hello, I'm Brett your host for this evening and welcome to my home in beautiful Lyme Bay where it's lovely December night. I hope it's just as nice where you are. You'll find all of my links at www.linktr.ee/brettsoldtimeradioshow A huge thankyou for joining me once again for our regular late night visit to those dusty studio archives of Old Time radio shows right here at my home in the united kingdom. Don't forget I have an instagram page and youtube channel both called brett's old time radio show and I'd love it if you could follow me. Feel free to send me some feedback on this and the other shows if you get a moment, brett@tourdate.co.uk #sleep #insomnia #relax #chill #night #nighttime #bed #bedtime #oldtimeradio #drama #comedy #radio #talkradio #hancock #tonyhancock #hancockshalfhour #sherlock #sherlockholmes #radiodrama #popular #viral #viralpodcast #podcast #podcasting #podcasts #podtok #podcastclip #podcastclips #podcasttrailer #podcastteaser #newpodcastepisode #newpodcast #videopodcast #upcomingpodcast #audiogram #audiograms #truecrimepodcast #historypodcast #truecrime #podcaster #viral #popular #viralpodcast #number1 #instagram #youtube #facebook #johnnydollar #crime #fiction #unwind #devon #texas #texasranger #beer #seaton #seaside #smuggler #colyton #devon #seaton #beer #branscombe #lymebay #lymeregis #brett #brettorchard #orchard #greatdetectives #greatdetectivesofoldtimeradio #detectives #johnnydollar #thesaint #steptoe #texasrangers CBS Radio Mystery Theater (CBSRMT) was a radio drama series created by Himan Brown that aired from 1974 to 1982 on the CBS Radio Network. Drawing inspiration from classic old-time radio shows like The Mysterious Traveler and The Whistler, CBSRMT was hosted by E. G. Marshall, who introduced each episode with an inviting yet eerie, "Come in!… Welcome." The series' signature began and ended with the sound of a creaking door and eerie music, a hallmark that echoed Brown's earlier show Inner Sanctum Mysteries. Each episode, about 45 minutes long, mixed genres beyond mystery, including horror, science fiction, historical drama, and even comedy. Popular around Halloween and Christmas, the series would also air special adaptations like A Christmas Carol every year, except for 1974 and 1982. CBSRMT featured original stories as well as adaptations of literary works by famous writers such as Edgar Allan Poe, Charles Dickens, and Arthur Conan Doyle. E. G. Marshall hosted the series until 1982, when actress Tammy Grimes took over for the final season. The show was known for its chilling theme music, which included elements from the Twilight Zone score by Nathan Van Cleave. With over 1,399 original episodes, the show ran five nights a week, with a mix of new content and repeats. Despite its popularity, some critics, like radio historian John Dunning, pointed out weaknesses in its scriptwriting. CBSRMT attracted an impressive roster of talent, from radio veterans like Joan Banks and Jackson Beck to well-known actors such as John Lithgow, Sarah Jessica Parker, and Agnes Moorehead. The series became an entry point for younger listeners into the world of radio drama, as well as a nostalgic callback for those familiar with the Golden Age of Radio. The show was recorded in New York at the CBS Studio Building, and its production process was quick and efficient, with actors often completing their roles in just a few hours. In the early 2000s, CBSRMT saw a revival through NPR, bringing the series to a new generation of listeners. Despite its end in 1982, CBSRMT remains a cherished piece of radio history, known for its suspenseful storytelling and atmospheric production.
Good evening and a huge welcome back to the show, I hope you've had a great day and you're ready to kick back and relax with another episode of Brett's old time radio show. Hello, I'm Brett your host for this evening and welcome to my home in beautiful Lyme Bay where it's lovely December night. I hope it's just as nice where you are. You'll find all of my links at www.linktr.ee/brettsoldtimeradioshow A huge thankyou for joining me once again for our regular late night visit to those dusty studio archives of Old Time radio shows right here at my home in the united kingdom. Don't forget I have an instagram page and youtube channel both called brett's old time radio show and I'd love it if you could follow me. Feel free to send me some feedback on this and the other shows if you get a moment, brett@tourdate.co.uk #sleep #insomnia #relax #chill #night #nighttime #bed #bedtime #oldtimeradio #drama #comedy #radio #talkradio #hancock #tonyhancock #hancockshalfhour #sherlock #sherlockholmes #radiodrama #popular #viral #viralpodcast #podcast #podcasting #podcasts #podtok #podcastclip #podcastclips #podcasttrailer #podcastteaser #newpodcastepisode #newpodcast #videopodcast #upcomingpodcast #audiogram #audiograms #truecrimepodcast #historypodcast #truecrime #podcaster #viral #popular #viralpodcast #number1 #instagram #youtube #facebook #johnnydollar #crime #fiction #unwind #devon #texas #texasranger #beer #seaton #seaside #smuggler #colyton #devon #seaton #beer #branscombe #lymebay #lymeregis #brett #brettorchard #orchard #greatdetectives #greatdetectivesofoldtimeradio #detectives #johnnydollar #thesaint #steptoe #texasrangers CBS Radio Mystery Theater (CBSRMT) was a radio drama series created by Himan Brown that aired from 1974 to 1982 on the CBS Radio Network. Drawing inspiration from classic old-time radio shows like The Mysterious Traveler and The Whistler, CBSRMT was hosted by E. G. Marshall, who introduced each episode with an inviting yet eerie, "Come in!… Welcome." The series' signature began and ended with the sound of a creaking door and eerie music, a hallmark that echoed Brown's earlier show Inner Sanctum Mysteries. Each episode, about 45 minutes long, mixed genres beyond mystery, including horror, science fiction, historical drama, and even comedy. Popular around Halloween and Christmas, the series would also air special adaptations like A Christmas Carol every year, except for 1974 and 1982. CBSRMT featured original stories as well as adaptations of literary works by famous writers such as Edgar Allan Poe, Charles Dickens, and Arthur Conan Doyle. E. G. Marshall hosted the series until 1982, when actress Tammy Grimes took over for the final season. The show was known for its chilling theme music, which included elements from the Twilight Zone score by Nathan Van Cleave. With over 1,399 original episodes, the show ran five nights a week, with a mix of new content and repeats. Despite its popularity, some critics, like radio historian John Dunning, pointed out weaknesses in its scriptwriting. CBSRMT attracted an impressive roster of talent, from radio veterans like Joan Banks and Jackson Beck to well-known actors such as John Lithgow, Sarah Jessica Parker, and Agnes Moorehead. The series became an entry point for younger listeners into the world of radio drama, as well as a nostalgic callback for those familiar with the Golden Age of Radio. The show was recorded in New York at the CBS Studio Building, and its production process was quick and efficient, with actors often completing their roles in just a few hours. In the early 2000s, CBSRMT saw a revival through NPR, bringing the series to a new generation of listeners. Despite its end in 1982, CBSRMT remains a cherished piece of radio history, known for its suspenseful storytelling and atmospheric production.
Support Breaking Walls at https://www.patreon.com/thewallbreakers Well, we're back where we started, but we're not the same. I mentioned at the beginning of this episode that when you run on the treadmill to oblivion, you don't always go where you want, but you get in shape doing it. When I began Breaking Walls ten years ago I envisioned it as a sit-down interview show. Over time it slowly morphed into on the scene reporting, and eventually a history of U.S. Network Radio Broadcasting. When I made this programming switch permanent in February of 2018 I didn't know how long I'd be able to keep it up. In many ways these documentaries have been a means of teaching myself the business of broadcasting in order to use the past to inform the present. They've also been about teaching myself how to be a good writer, sound designer, and narrator. My life has undergone many changes in the past six and a half years. I now have paid work in the world of audio thanks to Breaking Walls. This paid work is encroaching upon my time and honestly, it's paid. It needs to be a priority. This is a long-winded way of saying that I need to take a break from the treadmill. So, for the next three months Breaking Walls is undergoing a change. Don't worry! I'm still going to put out new content. You'll still see an episode 156 of Breaking Walls, which, incidentally, will feature shows from Halloween 1944. Rather than contain my narration and sound design as one giant documentary, they'll be standalone radio shows with the usual information written into the description of each track. I'm also going to continue to post the Breaking Walls archives to Youtube, and post additional content on Patreon.com/TheWallBreakers. On Patreon the next episode will drop early as one giant playlist of shows. I've been on the fence about how and when to pause. Eighty months is a long time to run on any treadmill without a break. Given that this was the tenth anniversary of the launch of Breaking Walls, I feel like it's a good time to give myself that break. You never know, when you close one door — even temporarily like this is — what good things can come in through a window or a side. My plan is to come back to documentary-style episodes of Breaking Walls on January 1st, 2025. (Half Pause) The reading material used in today's episode was: • On The Air — By John Dunning • Gleason's Second Honeymoon — By Pete Hammil • The Great One: The Life and Legend of Jackie Gleason — By William A. Henry • Network Radio Ratings — By Jim Ramsburg As well as articles and features from • Broadcasting Magazine • Ephemeral New York • The Library of Congress • Naval History and Heritage Command • The New York Times • The Sydney Morning Herald (Half Pause) On the interview front: • Don Ameche spoke with Chuck Schaden. Hear this full chat at Speakingofradio.com. • Mel Allen and Edgar Bergen spoke to Dick Bertel and Ed Corcoran for WTIC's The Golden Age of Radio. Hear these interviews at Goldenage-WTIC.org • Norman Corwin spoke with John Dunning for his 71KNUS program from Denver. • Bob Hope spoke with Dick Cavett • Gene Tierney spoke with Mike Douglas • Fred Allen spoke with Tex McCrary and Jinx Falkenburg (Half Pause) I'd like to thank Chuck Schaden, the late Dick Bertel, the late John Dunning, and SPERDVAC. Without these people and their tremendous work I'd never have been able to do a single episode of Breaking Walls. I'd also like to thank Dr. Joseph Webb for opening the door for me into this world.
Subscriber-only episodeFebruary 7 1982 BuzzsproutMY PODCASTSRESOURCESHELPSETTINGSUpdate ArtworkTypical Confusion Pod Cast Hosted by Jim HollidayEpisodes Players Website Directories Monetization Podcast Info StatsEpisodesFan MailDynamic ContentMagic MasteringCohost AISuccess! Your audio file has been uploaded.Premium ContentSubscriber-only episodeEpisode TitleEpisode Description (3,877 Characters Remaining)BoldItalicLinkBulletsNumbersDecrease LevelIncrease LevelAttach FilesUndoRedoBoldItalicStrikethroughLinkHeading Quote CodeBulletsNumbersDecrease LevelIncrease LevelAttach FilesUndoRedoAdd episode footerEpisode ArtworkUse DefaultorSelect File Design with CanvaUpload a file or try Canva, an online tool with lots of podcast templates to help you create stunning artwork.Season #Current season: 9 Episode #Previous episode: 222 Episode TypeFull Trailer Bonus Explicit ContentThis episode contains explicit material.See more options: Artist, Tags, and Custom Episode WebpageWhen do you want to publish?Leave UnpublishedManually publish when you're ready.Publish ImmediatelyGoes live after processing is complete.Schedule for FuturePick a date and time for release.Send us a Text Message.
In Breaking Walls episode 151 it's the spring of 1944 and Jack Benny's sponsor, General Foods, thinks he's in a slump. Benny got mad and it changed the broadcasting landscape forever. Tonight, we'll find out how and why. —————————— Highlights: • Benny's Early Radio Career in the 1930s and Ratings Peak • Early Problems with General Foods • Dennis Day Leaves for World War II • Jack Fires General Foods, Signs with American Tobacco • Dick Haymes Replaces Dennis Day as Singer • The Importance of Benny's Supporting Cast • Jack's Split Personality • Danny Kaye Guest Stars To Play Jack in A Movie • The Last General Foods Sponsored Show • Looking Ahead to D-Day's 80th Anniversary —————————— The WallBreakers: http://thewallbreakers.com Subscribe to Breaking Walls everywhere you get your podcasts. To support the show: http://patreon.com/TheWallBreakers —————————— The reading material used in today's episode was: • Sunday Nights at Seven — by Jack and Joan Benny • On The Air — By John Dunning • Network Radio Ratings — By Jim Ramsburg As well as articles from • Broadcasting Magazine • Radio Daily • Variety And a massive special thank you to William Cairns for providing me with invaluable research on Benny's 1940s run. William has a Jack Benny book on its way. —————————— On the interview front: • Jack Benny, Dennis Day, Phil Harris, Frank Nelson, and Don Wilson spoke with Chuck Schaden. Hear these full chats at Speakingofradio.com. • Mel Blanc and Mary Jane Higby spoke to Dick Bertel and Ed Corcoran for WTIC's The Golden Age of Radio. Hear these interviews at Goldenage-WTIC.org • Jack Benny, Dennis Day, Phil Harris, and Don Wilson were with Jack Carney • Dennis Day was also with John Dunning for his 1980s 71KNUS Radio program from Denver. • Orson Welles spoke to Johnny Carson —————————— Selected music featured in today's episode was: • The Hut on Fowl's Legs — By Modest Mussorgsky —————————— A special thank you to Ted Davenport, Jerry Haendiges, and Gordon Skene. For Ted go to RadioMemories.com, for Jerry, visit OTRSite.com, and for Gordon, please go to PastDaily.com. —————————— Thank you to: Tony Adams Steven Allmon Orson Orsen Chandler Phil Erickson Gerrit Lane Jessica Hanna Perri Harper Thomas M. Joyce Ryan Kramer Earl Millard Gary Mollica Barry Nadler Christian Neuhaus Ray Shaw Filipe A Silva John Williams Jim W. WildEyeWheel —————————— WallBreakers Links: Patreon - patreon.com/thewallbreakers Social Media - @TheWallBreakers
In the fall of 1944 after Jack's switch to Lucky Strike, General Foods did move a show opposite Jack. It wound up being The Kate Smith Show. The company uprooted Smith's Friday program, countering Benny with a One-Hundred-Seventy-Thousand-Dollar ad campaign. While they did temporarily put a dent into Benny's rating, Kate Smith lost forty-percent of her audience, dropping to ninety-third place in the overall ratings. The following season General Foods moved her back to Friday, but Kate Smith never again had another Top-fifty show. Well, that brings our look at Jack Benny's show in the spring of 1944 to a close. I mentioned that Benny's last episode for General Foods aired on June 4th, 1944. Our next episode of Breaking Walls will move only two days into the future, for perhaps the most important day in broadcasting history. Next time on Breaking Walls, we spotlight radio broadcasting on June 6th, 1944 to align ourselves with the Country's heartbeat on the day the invasion of western Europe finally began. The reading material used in today's episode was: • Sunday Nights at Seven — by Jack and Joan Benny • On The Air — By John Dunning • Network Radio Ratings — By Jim Ramsburg As well as articles from • Broadcasting Magazine • Radio Daily • Variety And a massive special thank you to William Cairns for providing me with invaluable research on Benny's 1940s run. William has a Jack Benny book on its way. On the interview front: • Jack Benny, Dennis Day, Phil Harris, Frank Nelson, and Don Wilson spoke with Chuck Schaden. Hear these full chats at Speakingofradio.com. • Mel Blanc and Mary Jane Higby spoke to Dick Bertel and Ed Corcoran for WTIC's The Golden Age of Radio. Hear these interviews at Goldenage-WTIC.org • Jack Benny, Dennis Day, Phil Harris, and Don Wilson were with Jack Carney • Dennis Day was also with John Dunning for his 1980s 71KNUS Radio program from Denver. • Orson Welles spoke to Johnny Carson Selected music featured in today's episode was: • The Hut on Fowl's Legs — By Modest Mussorgsky
On Tuesday February 8th, 1944 at 10 PM eastern time over WEAF, and at 7PM pacific time over KFI, Bob Hope's Pepsodent Program signed on live, coast-to-coast from Oceanside, California. The guest was Ginger Rogers, the program features a salute to her new film, Lady In The Dark. It was radio's top show, pulling a rating that month of 36.2. Nearly twenty-eight million people heard this show, which is even more impressive when you consider how many were overseas fighting World War II. Hope's top sidekick was Jerry Colonna, perhaps the wildest comic presence on 1940s radio. Colonna had once been a serious trombonist, playing with Goodman, Shaw, and the Dorseys: now he infused Hope's program with verbal and vocal mayhem. He sported a four-inch walrus mustache and had a comedy style that blew away any attempt at logic. As soon as Colonna began walking to the microphone, the studio audience warned listeners with laughter.” Hope later wrote, there were two sides to Colonna's persona: “One is the zany, silly moron, and the other is the deep thinking, serious moron.” His songstress was the immensely talented Frances Langford, equally adept at both comedy and drama. But, Hope was the star. As the late John Dunning once said, No one had ever told jokes quite like Bob Hope. His monologues were rapid-fire blasts of comedy, extremely topical and wildly appreciated by his live audience. Radio Life wrote, “Hope tells a gag in three lines. He'll work for an hour on a one-word change. By the time he goes on the air, he knows his gags by heart.” He employed a team of twelve writers in three, two-man teams. Each were assigned to write the show's three sections. First came the monologue; then a midshow routine with Colonna or another member of the regular cast; and finally, a sketch for the guest star. It was a true test of endurance. Hope demanded long rehearsals, including a sixty-minute runthrough with a live audience. He'd stand at the microphone, highlighting his script where the big laughs came. When you consider that Hope's weekly audience was more than each of the first two Super Bowls, it's easier to understand his point of view. The biggest problem with Hope, said producer Al Capstaff in 1945, was his inevitable tendency to pack the script. It was always thirty-seven minutes long and had to be whittled down joke by joke until only the surefire material remained. The result on the air was a breathless gush, with six laughs a minute guaranteed. But, that was Hope. Even in his 1972 Dick Cavett interview which has been featured throughout this episode of Breaking Walls, an off-the-cuff Hope can't help but pack one-liner after one-liner in the midst of a genuine, serious, conversation. The Pepsodent Program was enhanced by Hope's film career. By February of 1944 Hope had starred in seventeen films since the release of The Big Broadcast of 1938, including the first three Road To films with Bing Crosby.
Episode 69: A Conversation with a Champion Special Guest: Candace Motes, Indiana Wesleyan University Women's Volleyball Head Coach Won the NAIA National Championship. Every person has a different philosophy and there's no two leadership philosophies that are exactly the same. Background Information: When did you start coaching? I got into volleyball and it took me to an opportunity to go play at the University of Nebraska Omaha. That's where I became knowledgeable as a coach in a sense being a player around great coaches I Wasn't thriving in that culture at all and it was becoming more of a heartache for me So I left and went to a Christian University. What made you want to be a coach?Assistant Coach for the team I played on and enjoyed it Was recommended to take over as my college coach left. Coaching peers - “One of the hardest things that I did”“When God calls you to something and you, even if fear, go towards it, it changes your life.” Coached at Alma Mater for 10 years before coaching in Indiana. How long have you been in your current position at Indiana Wesleyan? Coaching at Indiana Wesleyan for 22 years There's been hardships, there's been growth, but overall it's been a great experience for me. Team Background: How did you feel going into this season? Did you know that this was going to be the season? No, I didn't. There were lessons learned from each individual. But for me personally, I did not have the trust that I needed. Didn't see this team for the potential that they had. I was very critical, skill set wise, The grind of continuing to have the vision of what it took to get to the highest level and going through that journey. Chasing little goals What do you think contributed to this being the championship winning season?Focused on Building Culture Adjusted practices to reflect this priority Brought in a mindset coach Took an international tripThe value of being uncomfortable Doing something together Serving Recruited great players Facing Obstacles: Not always just players and their drama Coaches can bring in obstacles too Injuries Keep the mindset in a positive direction Helping our culture stay together Understanding roles Who is someone who has really influenced your leadership? Debbie Brown from Notre Dame. John Dunning from Stanford. Ruth Nelson - Olympian coach https://www.theartofcoachingvolleyball.com/profile-ruth-nelson/ Has really shown me to stay in it till you don't have a passion anymore, but don't leave because you're believing lies that tell you that you should be done and do something different. BOOK: “Starts with Why”, by Simon Sinek. Coach Candace's Final Thoughts: Don't be afraid to change your thoughts. Don't be afraid. First of all, for young coaches, don't try to be anybody else that you think you should be. I have to be who I am. And I have to be who God created me to be. And I have to be the person that he wants me to be influencing in the moment that I'm in. But then, as you continue to go, continue to stay grounded in, “I can change, and I can make changes.” Amazon Book Link: Start With Why, Simon Sinek - https://a.co/d/1SQnw4G Special Thanks To: –––––––––––––––––––––––––––––– Work it out by LiQWYD https://soundcloud.com/liqwyd Creative Commons — Attribution 3.0 Unported — CC BY 3.0 Free Download / Stream: https://bit.ly/l_work-it-out Music promoted by Audio Library https://youtu.be/erSmdVocHO0 –––––––––––––––––––––––––––––
Wait! Use code "VOLLEYPOD" for 20% off of almost anything on The Art of Coaching Volleyball's platform INCLUDING memberships, nearly all of the books, printouts, and more! https://www.theartofcoachingvolleyball.com/ Also, be sure to follow The VolleyPod on Instagram at https://www.instagram.com/aoc.thevolleypod/ and Twitter at https://twitter.com/TheVolleyPod for exclusive content and immediately useful tips and drills! Episode 82: JJ Van Neil talks about practice planning, Taking over a new program, and The Knowledge Project This week we are joined by the Head Coach of Arizona State University, J.J. Van Neil. J.J. has turned around ASU's program in a very short time and has developed a culture there that is unique and player-centered. He speaks with the The Volley Pod squad about practice planning, taking over a new program, and The Knowledge Project. Our skill segment focuses on ideas surrounding practice planning. JJ Van Neil from Arizona State University discusses the value of practice planning, and how it can really help teams to improve. By staying closely connected to their goals and values, teams can make rapid progress. Our scenario segment deals with the challenges that coaches encounter when they take over a program. JJ Van Neil from Arizona State University describes the impact of putting people first, and how having a clear vision can help coaches "stay on track" and optimize their time. For our resource segment we share information about The Knowledge, a podcast, blog, and information site by Shane Parrish. The podcast aims to "uncover(s) the best of what other people have already figured out so you can use their insights in your life." This resource is a great example of using knowledge from all areas of life to better ourself. Skill of the Week: Practice planning Scenario of the Week: Taking over a new program The Art of Coaching Volleyball videos that we used this week focused on youth volleyball coaching: https://www.theartofcoachingvolleyball.com/practice-and-season-planning/ Dave Rubio discusses practice planning and gets into a lot of great ideas about the structure of great practices https://www.theartofcoachingvolleyball.com/effective-practices/ Jim Stone and John Dunning have an hour long discussion about practice planning, complete with questions from the audience https://www.theartofcoachingvolleyball.com/karch-kiralys-2-minute-take-5-keys-to-getting-the-most-out-of-practice/ Karch Kiraly is on a quick video explaining how to really get the most out of your practice time The Resource of the Week is The Knowledge Project, which can be found here: https://fs.blog/knowledge-project-podcast/
Wait! Use code "VOLLEYPOD" for 20% off of almost anything on The Art of Coaching Volleyball's platform INCLUDING memberships, nearly all of the books, printouts, and more! https://www.theartofcoachingvolleyball.com/ Also, be sure to follow The VolleyPod on Instagram at https://www.instagram.com/aoc.thevolleypod/ and Twitter at https://twitter.com/TheVolleyPod for exclusive content and immediately useful tips and drills! This week's skill is how to train your players' vision, with a special focus on serve receive. Our scenario segment focuses on when a team has beaten you before, but you need to beat them now. For our resource segment we share a website that is full of insights in the form of quotes from legendary athletes, coaches, and sports commentators. Skill of the Week: Player vision, especially in serve receive, and what your players can do to get better at arriving early to where they will meet the ball Scenario of the Week: When a team has beaten you before and you need to beat them now. Ideas, tips, and ways of thinking about this common scenario. The Art of Coaching Volleyball videos that we used this week focused on vision, especially in serve receive: https://www.theartofcoachingvolleyball.com/defense-drill-for-training-vision/ Mike Sealy high or low drill for noticing what matters https://www.theartofcoachingvolleyball.com/what-makes-morgan-hentz-dominant/ Jim Stone analyzes what organ Hentz is looking at and why she is so good https://www.theartofcoachingvolleyball.com/reading-a-part-of-every-skill/ John Dunning reading and serve receive The Resource of the Week is The 100 Best Sports Quotes of All Time, and it can be found here: https://bleacherreport.com/articles/910238-the-100-best-sports-quotes-of-all-time
In Breaking Walls episode 143 we begin a mini series on radio and the world in the fall of 1957. —————————— Highlights: • LIFE and The World • The Man from Tomorrow • The American Forum of the Air • Atomic Testing • Pat Buttram and Just Entertainment on Labor Day • Ray Bradbury and the End of X-Minus One • Ms America • The Hattie Cotton School Bombing • Biography in Sound • Howard Miller and Steve Allen • The End of Family Theater • The Grand Ole Opry • Meet The Press and The Right of Self Determination • CBS Still Doing Drama on Sundays • Bing Crosby's Road Show • School Integration • The Dodgers and Giants Leave New York • Looking Ahead to October and Sputnik —————————— The WallBreakers: http://thewallbreakers.com Subscribe to Breaking Walls everywhere you get your podcasts. To support the show: http://patreon.com/TheWallBreakers —————————— The reading material for today's episode was: • On the Air — By John Dunning • Network Radio Ratings — By Jim Ramsburg As well as articles from • Broadcasting Magazine • The Los Angeles Times • The New York Times • Radio Daily • U.S. Radio Magazine —————————— On the interview front: • Lilian Buyeff, Mary Jane Croft, Sam Edwards, Herb Ellis, Bill Froug, Jack Johnstone, Jeanette Nolan, and Herb Vigran spoke to SPERDVAC. For more info, go to SPERDVAC.com. • John Scott Trotter spoke with Same Time, Same Station. • Jackson Beck, John Gibson, Larry Haines, Mary Jane Higby, Jim Jordan, Joe Julian, Mandel Kramer, Jan Miner, Arnold Moss, Bill Robson, and Guy Sorel spoke to Dick Bertel and Ed Corcoran for WTIC's The Golden Age of Radio. Hear these interviews at GoldenAge-WTIC.org. • Parley Baer, Ken Carpenter, Bob Hastings, Jim Jordan, and Herb Vigran spoke with Chuck Schaden. Hear their full chats at Speakingofradio.com. • Roberta Bailey-Goodwin spoke with John Dunning for his KNUS program from Denver * Norman Macdonnell was with John Hickman for his Gunsmoke documentary • Jack Kruschen and George Walsh spoke with Jim Bohannon in 1987 • Ray Bradbury spoke with Jerry Haendiges • Ernest Kinoy spoke with Walden Hughes • Ben Grauer spoke with Westinghouse for their 50th anniversary • William S. Paley gave a speech on November 20th, 1958 in New York —————————— Selected music featured in today's episode was: • Scarborough Fair, Shenandoah, and Autumn Stars — By Michael Silverman • The Last Rose of Summer — By Tom Waits • Corrina, Corrina, Old Friends, and Where Are You Now — By George Winston • Death Runs Riot — By Matthias Gohl • This Room is My Castle of Quiet — By Billy May and His Orchestra —————————— A special thank you to Ted Davenport, Jerry Haendiges, and Gordon Skene. For Ted go to RadioMemories.com, for Jerry, visit OTRSite.com, and for Gordon, please go to PastDaily.com. —————————— Thank you to: Tony Adams Steven Allmon Orson Orsen Chandler Phil Erickson Jessica Hanna Perri Harper Thomas M. Joyce Ryan Kramer Earl Millard Gary Mollica Barry Nadler Christian Neuhaus Ray Shaw Filipe A Silva John Williams Jim W. —————————— WallBreakers Links: Patreon - patreon.com/thewallbreakers Social Media - @TheWallBreakers
Next time on Breaking Walls, we continue our 1957 mini series by picking up in October with Sputnik, Algeria, Queen Elizabeth's royal tour, and dying radio drama. —————————— The WallBreakers: http://thewallbreakers.com Subscribe to Breaking Walls everywhere you get your podcasts. To support the show: http://patreon.com/TheWallBreakers —————————— The reading material for today's episode was: • On the Air — By John Dunning • Network Radio Ratings — By Jim Ramsburg As well as articles from • Broadcasting Magazine • The Los Angeles Times • The New York Times • Radio Daily • U.S. Radio Magazine —————————— On the interview front: • Lilian Buyeff, Mary Jane Croft, Sam Edwards, Herb Ellis, Bill Froug, Jack Johnstone, Jeanette Nolan, and Herb Vigran spoke to SPERDVAC. For more info, go to SPERDVAC.com. • John Scott Trotter spoke with Same Time, Same Station. • Jackson Beck, John Gibson, Larry Haines, Mary Jane Higby, Jim Jordan, Joe Julian, Mandel Kramer, Jan Miner, Arnold Moss, Bill Robson, and Guy Sorel spoke to Dick Bertel and Ed Corcoran for WTIC's The Golden Age of Radio. Hear these interviews at GoldenAge-WTIC.org. • Parley Baer, Ken Carpenter, Bob Hastings, Jim Jordan, and Herb Vigran spoke with Chuck Schaden. Hear their full chats at Speakingofradio.com. • Roberta Bailey-Goodwin spoke with John Dunning for his KNUS program from Denver * Norman Macdonnell was with John Hickman for his Gunsmoke documentary • Jack Kruschen and George Walsh spoke with Jim Bohannon in 1987 • Ray Bradbury spoke with Jerry Haendiges • Ernest Kinoy spoke with Walden Hughes • Ben Grauer spoke with Westinghouse for their 50th anniversary • William S. Paley gave a speech on November 20th, 1958 in New York —————————— Selected music featured in today's episode was: • Scarborough Fair, Shenandoah, and Autumn Stars — By Michael Silverman • The Last Rose of Summer — By Tom Waits • Corrina, Corrina, Old Friends, and Where Are You Now — By George Winston • Death Runs Riot — By Matthias Gohl • This Room is My Castle of Quiet — By Billy May and His Orchestra
Wait! Use code "VOLLEYPOD" for 20% off of almost anything on The Art of Coaching Volleyball's platform INCLUDING memberships, nearly all of the books, printouts, and more! https://www.theartofcoachingvolleyball.com/ Also, be sure to follow The VolleyPod on Instagram at https://www.instagram.com/aoc.thevolleypod/ and Twitter at https://twitter.com/TheVolleyPod for exclusive content and immediately useful tips and drills! This week's skill is how and why to create a safer environment in your gym. This segment provides a wide range of ideas about little things that coaches can do to promote their athletes' health and prevent some of the most common injuries. Our hope is to promote some discussion about what can be done to keep our athletes playing their best volleyball more. Our scenario segment is about when your team needs to do team bonding but you don't want to do a ropes course. By that, we mean that we want a more generic binding scenario that encourages continual growth and genuine interest in one another. There is nothing wrong with doing a ropes course, but Tod and Davis favor a more consistent process instead of a one off experience. Tod explains some ways to get this to happen generically. For our resource section we share an interesting research article that discusses how often and what types of injuries that high school volleyball players experience. This experiment looked at over 2000 high school girls' volleyball players and found that ankle and knee injuries were the most common types of injuries with finger and wrist being the next most common. There are some other great insights that coaches can get from reading this informative article. Skill of the Week: Practicing safely Scenario of the week: When your team needs to do team bonding but you don't want to do a ropes course The Art of Coaching Volleyball videos that we used this week focused on injury prevention: https://www.theartofcoachingvolleyball.com/attack-approach-landing-accordion-it/ John Dunning on the spike approach landing and how to do it safely https://www.theartofcoachingvolleyball.com/attacking-mechanics-landing-safely-on-two-feet/ Laurie Eisler on how to land safely on two feet https://www.theartofcoachingvolleyball.com/exercise-physiologist-don-moxley-on-acl-injury-prevention/ Don Moxley on the very important concept of ACL Injury Prevention https://www.theartofcoachingvolleyball.com/injury-prevention-whats-important-after-40-years-of-coaching/ The legendary John Dunning's super informative discussion "What's Important After 40 Years of Coaching" https://www.theartofcoachingvolleyball.com/wellness-blog-anxiety/ A blog called Managing Your Anxiety Before Your Anxiety Manages You by Dr. William Parham contains great concepts for dealing with anxiety Resource of the Week https://meridian.allenpress.com/jat/article/58/2/177/446976/Incidence-and-Risk-Factors-for-Injuries-in-Girls from the Journal of Athletic Training
Gunsmoke is an American radio and television Western drama series created by director Norman Macdonnell and writer John Meston. The stories take place in and around Dodge City, Kansas, during the settlement of the American West. The central character is lawman Marshal Matt Dillon, played by William Conrad on radio and James Arness on television. When aired in the United Kingdom, the television series was initially titled Gun Law, later reverting to Gunsmoke. The radio series ran from 1952 to 1961. John Dunning wrote that among radio drama enthusiasts, "Gunsmoke is routinely placed among the best shows of any kind and any time." The television series ran for 20 seasons from 1955 to 1975 and lasted for 635 episodes. At the end of its run in 1975, Los Angeles Times columnist Cecil Smith wrote: "Gunsmoke was the dramatization of the American epic legend of the west. Our own Iliad and Odyssey, created from standard elements of the dime novel and the pulp Western as romanticized by Buntline, Harte, and Twain. It was ever the stuff of legend." Radio series (1952–1961) In the late 1940s, CBS chairman William S. Paley, a fan of the Philip Marlowe radio series, asked his programming chief, Hubell Robinson, to develop a hard-boiled Western series, a show about a "Philip Marlowe of the Old West". Robinson instructed his West Coast CBS Vice President, Harry Ackerman, who had developed the Philip Marlowe series, to take on the task. Ackerman and his scriptwriters, Mort Fine and David Friedkin, created an audition script called "Mark Dillon Goes to Gouge Eye'' based on one of their Michael Shayne radio scripts, "The Case of the Crooked Wheel'' from the summer of 1948. Two versions were recorded. --- Support this podcast: https://podcasters.spotify.com/pod/show/dwight-allen0/support
Gunsmoke is an American radio and television Western drama series created by director Norman Macdonnell and writer John Meston. The stories take place in and around Dodge City, Kansas, during the settlement of the American West. The central character is lawman Marshal Matt Dillon, played by William Conrad on radio and James Arness on television. When aired in the United Kingdom, the television series was initially titled Gun Law, later reverting to Gunsmoke. The radio series ran from 1952 to 1961. John Dunning wrote that among radio drama enthusiasts, "Gunsmoke is routinely placed among the best shows of any kind and any time." The television series ran for 20 seasons from 1955 to 1975 and lasted for 635 episodes. At the end of its run in 1975, Los Angeles Times columnist Cecil Smith wrote: "Gunsmoke was the dramatization of the American epic legend of the west. Our own Iliad and Odyssey, created from standard elements of the dime novel and the pulp Western as romanticized by Buntline, Harte, and Twain. It was ever the stuff of legend." Radio series (1952–1961) In the late 1940s, CBS chairman William S. Paley, a fan of the Philip Marlowe radio series, asked his programming chief, Hubell Robinson, to develop a hard-boiled Western series, a show about a "Philip Marlowe of the Old West". Robinson instructed his West Coast CBS Vice President, Harry Ackerman, who had developed the Philip Marlowe series, to take on the task. Ackerman and his scriptwriters, Mort Fine and David Friedkin, created an audition script called "Mark Dillon Goes to Gouge Eye'' based on one of their Michael Shayne radio scripts, "The Case of the Crooked Wheel'' from the summer of 1948. Two versions were recorded. --- Support this podcast: https://podcasters.spotify.com/pod/show/dwight-allen0/support
Gunsmoke is an American radio and television Western drama series created by director Norman Macdonnell and writer John Meston. The stories take place in and around Dodge City, Kansas, during the settlement of the American West. The central character is lawman Marshal Matt Dillon, played by William Conrad on radio and James Arness on television. When aired in the United Kingdom, the television series was initially titled Gun Law, later reverting to Gunsmoke. The radio series ran from 1952 to 1961. John Dunning wrote that among radio drama enthusiasts, "Gunsmoke is routinely placed among the best shows of any kind and any time." The television series ran for 20 seasons from 1955 to 1975 and lasted for 635 episodes. At the end of its run in 1975, Los Angeles Times columnist Cecil Smith wrote: "Gunsmoke was the dramatization of the American epic legend of the west. Our own Iliad and Odyssey, created from standard elements of the dime novel and the pulp Western as romanticized by Buntline, Harte, and Twain. It was ever the stuff of legend." Radio series (1952–1961) In the late 1940s, CBS chairman William S. Paley, a fan of the Philip Marlowe radio series, asked his programming chief, Hubell Robinson, to develop a hard-boiled Western series, a show about a "Philip Marlowe of the Old West". Robinson instructed his West Coast CBS Vice President, Harry Ackerman, who had developed the Philip Marlowe series, to take on the task. Ackerman and his scriptwriters, Mort Fine and David Friedkin, created an audition script called "Mark Dillon Goes to Gouge Eye'' based on one of their Michael Shayne radio scripts, "The Case of the Crooked Wheel'' from the summer of 1948. Two versions were recorded. --- Support this podcast: https://podcasters.spotify.com/pod/show/dwight-allen0/support
Gunsmoke is an American radio and television Western drama series created by director Norman Macdonnell and writer John Meston. The stories take place in and around Dodge City, Kansas, during the settlement of the American West. The central character is lawman Marshal Matt Dillon, played by William Conrad on radio and James Arness on television. When aired in the United Kingdom, the television series was initially titled Gun Law, later reverting to Gunsmoke. The radio series ran from 1952 to 1961. John Dunning wrote that among radio drama enthusiasts, "Gunsmoke is routinely placed among the best shows of any kind and any time." The television series ran for 20 seasons from 1955 to 1975 and lasted for 635 episodes. At the end of its run in 1975, Los Angeles Times columnist Cecil Smith wrote: "Gunsmoke was the dramatization of the American epic legend of the west. Our own Iliad and Odyssey, created from standard elements of the dime novel and the pulp Western as romanticized by Buntline, Harte, and Twain. It was ever the stuff of legend." Radio series (1952–1961) In the late 1940s, CBS chairman William S. Paley, a fan of the Philip Marlowe radio series, asked his programming chief, Hubell Robinson, to develop a hard-boiled Western series, a show about a "Philip Marlowe of the Old West". Robinson instructed his West Coast CBS Vice President, Harry Ackerman, who had developed the Philip Marlowe series, to take on the task. Ackerman and his scriptwriters, Mort Fine and David Friedkin, created an audition script called "Mark Dillon Goes to Gouge Eye'' based on one of their Michael Shayne radio scripts, "The Case of the Crooked Wheel'' from the summer of 1948. Two versions were recorded. --- Support this podcast: https://podcasters.spotify.com/pod/show/dwight-allen0/support
Gunsmoke is an American radio and television Western drama series created by director Norman Macdonnell and writer John Meston. The stories take place in and around Dodge City, Kansas, during the settlement of the American West. The central character is lawman Marshal Matt Dillon, played by William Conrad on radio and James Arness on television. When aired in the United Kingdom, the television series was initially titled Gun Law, later reverting to Gunsmoke. The radio series ran from 1952 to 1961. John Dunning wrote that among radio drama enthusiasts, "Gunsmoke is routinely placed among the best shows of any kind and any time." The television series ran for 20 seasons from 1955 to 1975 and lasted for 635 episodes. At the end of its run in 1975, Los Angeles Times columnist Cecil Smith wrote: "Gunsmoke was the dramatization of the American epic legend of the west. Our own Iliad and Odyssey, created from standard elements of the dime novel and the pulp Western as romanticized by Buntline, Harte, and Twain. It was ever the stuff of legend." Radio series (1952–1961) In the late 1940s, CBS chairman William S. Paley, a fan of the Philip Marlowe radio series, asked his programming chief, Hubell Robinson, to develop a hard-boiled Western series, a show about a "Philip Marlowe of the Old West". Robinson instructed his West Coast CBS Vice President, Harry Ackerman, who had developed the Philip Marlowe series, to take on the task. Ackerman and his scriptwriters, Mort Fine and David Friedkin, created an audition script called "Mark Dillon Goes to Gouge Eye'' based on one of their Michael Shayne radio scripts, "The Case of the Crooked Wheel'' from the summer of 1948. Two versions were recorded. --- Support this podcast: https://podcasters.spotify.com/pod/show/dwight-allen0/support
Wait! Use code "VOLLEYPOD" for 20% off of almost anything on The Art of Coaching Volleyball's platform INCLUDING memberships, nearly all of the books, printouts, and more! https://www.theartofcoachingvolleyball.com/ Also, be sure to follow The VolleyPod on Instagram at https://www.instagram.com/aoc.thevolleypod/ and Twitter at https://twitter.com/TheVolleyPod for exclusive content and immediately useful tips and drills! This week's skill comes directly from the man, the myth, the legend, former Stanford University Head Coach John Dunning. He discusses why and how to teach one of the most effective attacks there is, the slide. Coach Dunning blesses us with many tips for how to teach the slide to young players. This is a must listen for anyone who wants to make their offense more dynamic and effective. In our scenario segment, we discuss a skill that we all do all the time as coaches: wonder how strong our practice was and how we can make it better. Coach Dunning is currently helping all of the sports programs at Pacific University to figure out this exact question. The answers you find can be enlightening as well as transformative. But how? Coach Dunning goes into this on The VolleyPod this week. We always share one great resource each week, and this week it is a great resource from Jeff Janssen, The Team Captain's Leadership Manual. This book is the premier resource for developing leaders and captains, with tons of great information and a clear process for how to become a more effective leader. This book is great to use with teams or anyone who aspires to become a leader. Skill of the week: The slide attack taught by John Dunning Scenario of the week: Using a simple form and discussion to determine how strong your practice was, and how to make it better The Art of Coaching Volleyball Videos discussed on The VolleyPod This Week focused on John Dunning's teaching on the slide attack and one of his favorites topics, reading: Why and how to teach the slide attack: https://www.theartofcoachingvolleyball.com/john-dunning-teaching-the-slide/ Teaching young athletes how to hit the slide: https://www.theartofcoachingvolleyball.com/teaching-the-slide-with-john-dunning/ Coach Dunning discusses the importance of reading: https://www.theartofcoachingvolleyball.com/reading-a-part-of-every-skill/ The Resource of the Week, The Team Captain's Leadership Manual by Jeff Janssen, can be found here: https://www.janssensportsleadership.com/resources/leadership-for-captains/ Coach Dunning's list of questions to ask when evaluating a practice can be found here (as well as his notes on the slide): https://docs.google.com/document/d/1-SDulQXVmZ_pUPLfNdwoZdF4h_-8cbmWazILjvxlLwU/edit?usp=sharing
Gunsmoke is an American radio and television Western drama series created by director Norman Macdonnell and writer John Meston. The stories take place in and around Dodge City, Kansas, during the settlement of the American West. The central character is lawman Marshal Matt Dillon, played by William Conrad on radio and James Arness on television. When aired in the United Kingdom, the television series was initially titled Gun Law, later reverting to Gunsmoke. The radio series ran from 1952 to 1961. John Dunning wrote that among radio drama enthusiasts, "Gunsmoke is routinely placed among the best shows of any kind and any time." The television series ran for 20 seasons from 1955 to 1975 and lasted for 635 episodes. At the end of its run in 1975, Los Angeles Times columnist Cecil Smith wrote: "Gunsmoke was the dramatization of the American epic legend of the west. Our own Iliad and Odyssey, created from standard elements of the dime novel and the pulp Western as romanticized by Buntline, Harte, and Twain. It was ever the stuff of legend." Radio series (1952–1961) In the late 1940s, CBS chairman William S. Paley, a fan of the Philip Marlowe radio series, asked his programming chief, Hubell Robinson, to develop a hard-boiled Western series, a show about a "Philip Marlowe of the Old West". Robinson instructed his West Coast CBS Vice President, Harry Ackerman, who had developed the Philip Marlowe series, to take on the task. Ackerman and his scriptwriters, Mort Fine and David Friedkin, created an audition script called "Mark Dillon Goes to Gouge Eye'' based on one of their Michael Shayne radio scripts, "The Case of the Crooked Wheel'' from the summer of 1948. Two versions were recorded. --- Support this podcast: https://podcasters.spotify.com/pod/show/dwight-allen0/support
Wait! Use code "VOLLEYPOD" for 20% off of almost anything on The Art of Coaching Volleyball's platform INCLUDING memberships, nearly all of the books, printouts, and more! https://www.theartofcoachingvolleyball.com/ Also, be sure to follow The VolleyPod on Instagram at https://www.instagram.com/aoc.thevolleypod/ and Twitter at https://twitter.com/TheVolleyPod for exclusive content and immediately useful tips and drills! This week's skill is critical for every coach: finding a practice planning process that works for you to ensure the most optimal practice for your team. Every coach plans practice differently, but what is most important is discovering a consistent process that brings about really great practices. Without proper planning practices invariably falter or lack the necessary organization to be as effective as they could be. In this episode we go into the process that Davis uses to plan his practices and what listeners can take from how he sets up highly impactful practices. In our scenario segment, we discuss a skill that is underutilized: using evaluations to help yourself and program get better. Often coaches shy away from evaluations because they can be uncomfortable and can expose aspects of our coaching that are not operating at a high level. This is equally why evaluations are important. They can point out our "blind spots" and help us to realize our greater potential. On this episode, Tod discusses how he uses evaluations and how others can learn from their players, other coaches, and parents to help make everyone better. We always share one great resource each week, and this week it is a great resource from Cassidy Lichtman, a highly successful player for Stanford University, an Athletes Unlimited athlete, and a motivational speaker. Her website, P/ath Sports, is a great source of all types of videos related to the "soft skills" of being an elite performer. Topics include building confidence, identity and empowerment, and becoming a great teammate and much more. The videos on the site are not all from volleyball players, in fact, they are mostly from well-known athletes and coaches from outside of volleyball. The videos are powerful and can really help athletes to reach their full potential. Skill of the week: How to utilize a process and routine for creating practice plans that are efficient and effective Scenario of the week: Using coaching evaluations to make everyone better and more effective The Art of Coaching Volleyball Videos discussed on The VolleyPod This Week focused on AOC founders' ideas about practice planning: John Dunning discusses how to divide up coach and player roles during practice for the most impact possible: https://www.theartofcoachingvolleyball.com/roles-during-practice/ Russ Rose teaches coaches how to be better at designing practices in the following video: https://www.theartofcoachingvolleyball.com/practice-planning-and-design-with-russ-rose/ Terry Liskevych goes into how to use 10 segments of practice for efficient practice planning: https://www.theartofcoachingvolleyball.com/planning-effective-practices-ten-segments-planning/ The Resource of the Week, P/ath Sports by Cassidy Lichtman, can be found here: https://www.pathsports.org/
Gunsmoke is an American radio and television Western drama series created by director Norman Macdonnell and writer John Meston. The stories take place in and around Dodge City, Kansas, during the settlement of the American West. The central character is lawman Marshal Matt Dillon, played by William Conrad on radio and James Arness on television. When aired in the United Kingdom, the television series was initially titled Gun Law, later reverting to Gunsmoke. The radio series ran from 1952 to 1961. John Dunning wrote that among radio drama enthusiasts, "Gunsmoke is routinely placed among the best shows of any kind and any time." The television series ran for 20 seasons from 1955 to 1975 and lasted for 635 episodes. At the end of its run in 1975, Los Angeles Times columnist Cecil Smith wrote: "Gunsmoke was the dramatization of the American epic legend of the west. Our own Iliad and Odyssey, created from standard elements of the dime novel and the pulp Western as romanticized by Buntline, Harte, and Twain. It was ever the stuff of legend." Radio series (1952–1961) In the late 1940s, CBS chairman William S. Paley, a fan of the Philip Marlowe radio series, asked his programming chief, Hubell Robinson, to develop a hard-boiled Western series, a show about a "Philip Marlowe of the Old West". Robinson instructed his West Coast CBS Vice President, Harry Ackerman, who had developed the Philip Marlowe series, to take on the task. Ackerman and his scriptwriters, Mort Fine and David Friedkin, created an audition script called "Mark Dillon Goes to Gouge Eye'' based on one of their Michael Shayne radio scripts, "The Case of the Crooked Wheel'' from the summer of 1948. Two versions were recorded. --- Support this podcast: https://podcasters.spotify.com/pod/show/dwight-allen0/support
Gunsmoke is an American radio and television Western drama series created by director Norman Macdonnell and writer John Meston. The stories take place in and around Dodge City, Kansas, during the settlement of the American West. The central character is lawman Marshal Matt Dillon, played by William Conrad on radio and James Arness on television. When aired in the United Kingdom, the television series was initially titled Gun Law, later reverting to Gunsmoke. The radio series ran from 1952 to 1961. John Dunning wrote that among radio drama enthusiasts, "Gunsmoke is routinely placed among the best shows of any kind and any time." The television series ran for 20 seasons from 1955 to 1975 and lasted for 635 episodes. At the end of its run in 1975, Los Angeles Times columnist Cecil Smith wrote: "Gunsmoke was the dramatization of the American epic legend of the west. Our own Iliad and Odyssey, created from standard elements of the dime novel and the pulp Western as romanticized by Buntline, Harte, and Twain. It was ever the stuff of legend." Radio series (1952–1961) In the late 1940s, CBS chairman William S. Paley, a fan of the Philip Marlowe radio series, asked his programming chief, Hubell Robinson, to develop a hard-boiled Western series, a show about a "Philip Marlowe of the Old West". Robinson instructed his West Coast CBS Vice President, Harry Ackerman, who had developed the Philip Marlowe series, to take on the task. Ackerman and his scriptwriters, Mort Fine and David Friedkin, created an audition script called "Mark Dillon Goes to Gouge Eye'' based on one of their Michael Shayne radio scripts, "The Case of the Crooked Wheel'' from the summer of 1948. Two versions were recorded.
Gunsmoke is an American radio and television Western drama series created by director Norman Macdonnell and writer John Meston. The stories take place in and around Dodge City, Kansas, during the settlement of the American West. The central character is lawman Marshal Matt Dillon, played by William Conrad on radio and James Arness on television. When aired in the United Kingdom, the television series was initially titled Gun Law, later reverting to Gunsmoke. The radio series ran from 1952 to 1961. John Dunning wrote that among radio drama enthusiasts, "Gunsmoke is routinely placed among the best shows of any kind and any time." The television series ran for 20 seasons from 1955 to 1975 and lasted for 635 episodes. At the end of its run in 1975, Los Angeles Times columnist Cecil Smith wrote: "Gunsmoke was the dramatization of the American epic legend of the west. Our own Iliad and Odyssey, created from standard elements of the dime novel and the pulp Western as romanticized by Buntline, Harte, and Twain. It was ever the stuff of legend." Radio series (1952–1961) In the late 1940s, CBS chairman William S. Paley, a fan of the Philip Marlowe radio series, asked his programming chief, Hubell Robinson, to develop a hard-boiled Western series, a show about a "Philip Marlowe of the Old West". Robinson instructed his West Coast CBS Vice President, Harry Ackerman, who had developed the Philip Marlowe series, to take on the task. Ackerman and his scriptwriters, Mort Fine and David Friedkin, created an audition script called "Mark Dillon Goes to Gouge Eye'' based on one of their Michael Shayne radio scripts, "The Case of the Crooked Wheel'' from the summer of 1948. Two versions were recorded.
Gunsmoke is an American radio and television Western drama series created by director Norman Macdonnell and writer John Meston. The stories take place in and around Dodge City, Kansas, during the settlement of the American West. The central character is lawman Marshal Matt Dillon, played by William Conrad on radio and James Arness on television. When aired in the United Kingdom, the television series was initially titled Gun Law, later reverting to Gunsmoke. The radio series ran from 1952 to 1961. John Dunning wrote that among radio drama enthusiasts, "Gunsmoke is routinely placed among the best shows of any kind and any time." The television series ran for 20 seasons from 1955 to 1975 and lasted for 635 episodes. At the end of its run in 1975, Los Angeles Times columnist Cecil Smith wrote: "Gunsmoke was the dramatization of the American epic legend of the west. Our own Iliad and Odyssey, created from standard elements of the dime novel and the pulp Western as romanticized by Buntline, Harte, and Twain. It was ever the stuff of legend." Radio series (1952–1961) In the late 1940s, CBS chairman William S. Paley, a fan of the Philip Marlowe radio series, asked his programming chief, Hubell Robinson, to develop a hard-boiled Western series, a show about a "Philip Marlowe of the Old West". Robinson instructed his West Coast CBS Vice President, Harry Ackerman, who had developed the Philip Marlowe series, to take on the task. Ackerman and his scriptwriters, Mort Fine and David Friedkin, created an audition script called "Mark Dillon Goes to Gouge Eye'' based on one of their Michael Shayne radio scripts, "The Case of the Crooked Wheel'' from the summer of 1948. Two versions were recorded.
Gunsmoke is an American radio and television Western drama series created by director Norman Macdonnell and writer John Meston. The stories take place in and around Dodge City, Kansas, during the settlement of the American West. The central character is lawman Marshal Matt Dillon, played by William Conrad on radio and James Arness on television. When aired in the United Kingdom, the television series was initially titled Gun Law, later reverting to Gunsmoke. The radio series ran from 1952 to 1961. John Dunning wrote that among radio drama enthusiasts, "Gunsmoke is routinely placed among the best shows of any kind and any time." The television series ran for 20 seasons from 1955 to 1975 and lasted for 635 episodes. At the end of its run in 1975, Los Angeles Times columnist Cecil Smith wrote: "Gunsmoke was the dramatization of the American epic legend of the west. Our own Iliad and Odyssey, created from standard elements of the dime novel and the pulp Western as romanticized by Buntline, Harte, and Twain. It was ever the stuff of legend." Radio series (1952–1961) In the late 1940s, CBS chairman William S. Paley, a fan of the Philip Marlowe radio series, asked his programming chief, Hubell Robinson, to develop a hard-boiled Western series, a show about a "Philip Marlowe of the Old West". Robinson instructed his West Coast CBS Vice President, Harry Ackerman, who had developed the Philip Marlowe series, to take on the task. Ackerman and his scriptwriters, Mort Fine and David Friedkin, created an audition script called "Mark Dillon Goes to Gouge Eye'' based on one of their Michael Shayne radio scripts, "The Case of the Crooked Wheel'' from the summer of 1948. Two versions were recorded.
Episode 50: Getting my team to play with heart, Mental training remedies for playing better in practice than in the games, and VolleyMovement by Daniel Maciel Wait! Use code "VOLLEYPOD" for 20% off of almost anything on The Art of Coaching Volleyball's platform INCLUDING memberships, nearly all of the books, printouts, and more! https://www.theartofcoachingvolleyball.com/ Also, be sure to follow The VolleyPod on Instagram at https://www.instagram.com/aoc.thevolleypod/ and Twitter at https://twitter.com/TheVolleyPod for exclusive content and immediately useful tips and drills! This week's skill is a coaching skill about how to get your team to "play with heart". But what is "heart"? Tod and Davis discuss what it is, how to train it, and how to get your team to want to play in that way. In our scenario segment, we discuss the common refrain from coaches, "My team plays way better in practice than in the matches", and we think about it in terms of mental training techniques for how to make that situation better, and switch that idea to "I perform better in matches". We always share one great resource each week, and this week it is a unique resource from someone who has gone through recovery and rehab and continued to play at a very high level, Daniel Maciel and his Instagram page about strength and conditioning with a focus on longevity and safety. Skill of the week: Getting my team to play with heart Scenario of the week: Mental training remedies for playing better in practice than in games The Art of Coaching Volleyball Videos discussed on The VolleyPod This Week: Russ Rose's video about emergency defense moves: https://www.theartofcoachingvolleyball.com/individual-defense-emergency-moves/ Luca Yanez from Benedictine University and his 4-step progression: https://www.theartofcoachingvolleyball.com/digging-while-moving-forward-4-step-progression/ John Dunning and standout Libero Morgan Hentz have a discussion about training excellent defenders: https://www.theartofcoachingvolleyball.com/training-defenders/ The Resource of the Week: VolleyMovement on Instagram by Daniel Maciel, can be found here: https://www.instagram.com/volleymovement/?hl=en
Gunsmoke is an American radio and television Western drama series created by director Norman Macdonnell and writer John Meston. The stories take place in and around Dodge City, Kansas, during the settlement of the American West. The central character is lawman Marshal Matt Dillon, played by William Conrad on radio and James Arness on television. When aired in the United Kingdom, the television series was initially titled Gun Law, later reverting to Gunsmoke. The radio series ran from 1952 to 1961. John Dunning wrote that among radio drama enthusiasts, "Gunsmoke is routinely placed among the best shows of any kind and any time." The television series ran for 20 seasons from 1955 to 1975 and lasted for 635 episodes. At the end of its run in 1975, Los Angeles Times columnist Cecil Smith wrote: "Gunsmoke was the dramatization of the American epic legend of the west. Our own Iliad and Odyssey, created from standard elements of the dime novel and the pulp Western as romanticized by Buntline, Harte, and Twain. It was ever the stuff of legend." Radio series (1952–1961) In the late 1940s, CBS chairman William S. Paley, a fan of the Philip Marlowe radio series, asked his programming chief, Hubell Robinson, to develop a hard-boiled Western series, a show about a "Philip Marlowe of the Old West". Robinson instructed his West Coast CBS Vice President, Harry Ackerman, who had developed the Philip Marlowe series, to take on the task. Ackerman and his scriptwriters, Mort Fine and David Friedkin, created an audition script called "Mark Dillon Goes to Gouge Eye'' based on one of their Michael Shayne radio scripts, "The Case of the Crooked Wheel'' from the summer of 1948. Two versions were recorded.
Gunsmoke is an American radio and television Western drama series created by director Norman Macdonnell and writer John Meston. The stories take place in and around Dodge City, Kansas, during the settlement of the American West. The central character is lawman Marshal Matt Dillon, played by William Conrad on radio and James Arness on television. When aired in the United Kingdom, the television series was initially titled Gun Law, later reverting to Gunsmoke. The radio series ran from 1952 to 1961. John Dunning wrote that among radio drama enthusiasts, "Gunsmoke is routinely placed among the best shows of any kind and any time." The television series ran for 20 seasons from 1955 to 1975 and lasted for 635 episodes. At the end of its run in 1975, Los Angeles Times columnist Cecil Smith wrote: "Gunsmoke was the dramatization of the American epic legend of the west. Our own Iliad and Odyssey, created from standard elements of the dime novel and the pulp Western as romanticized by Buntline, Harte, and Twain. It was ever the stuff of legend." Radio series (1952–1961) In the late 1940s, CBS chairman William S. Paley, a fan of the Philip Marlowe radio series, asked his programming chief, Hubell Robinson, to develop a hard-boiled Western series, a show about a "Philip Marlowe of the Old West". Robinson instructed his West Coast CBS Vice President, Harry Ackerman, who had developed the Philip Marlowe series, to take on the task. Ackerman and his scriptwriters, Mort Fine and David Friedkin, created an audition script called "Mark Dillon Goes to Gouge Eye'' based on one of their Michael Shayne radio scripts, "The Case of the Crooked Wheel'' from the summer of 1948. Two versions were recorded.
In Breaking Walls episode 137 we celebrate the Irish by focusing on St. Patrick's Day on the air. —————————— Highlights: • Fred Allen — The End and the Beginning • Beat the Band • Burns and Allen at the NYC Parade • Bill Stern's Sports Newsreel • Dennis Day Returns from the Navy • Fred Allen is King For a Day • Elliott Lewis and Broadway Is My Beat • The Death of Fred Allen • Ending with Jean Shepherd • Looking Ahead to Opening Day —————————— The WallBreakers: http://thewallbreakers.com Subscribe to Breaking Walls everywhere you get your podcasts. To support the show: http://patreon.com/TheWallBreakers —————————— The reading material for today's episode was: • Treadmill to Oblivion and Much Ado About Me — By Fred Allen • On The Air — By John Dunning • Network Radio Ratings — By Jim Ramsburg • The Museum of Broadcast Communications Encyclopedia of Radio — By Christopher H. Sterling As well as articles from • The New York Daily News • The New York Times —————————— On the interview front: • Fred Allen was interviewed by Tex and Jinx on NBC Radio — November 24th, 1954 • Goodman Ace, Tallulah Bankhead, Jack Benny, Mort Greene, Jim Harkins, George Jessel, Doc Rockwell, Donald Vorhees, Pat Weaver, Roger White, and Herman Wouk spoke for Biography In Sound — May 29th, 1956 • Dennis Day and Phil Harris spoke to Chuck Schaden. Hear these full chats at SpeakingOfRadio.com • Dennis Day and Elliott Lewis spoke to John Dunning for his 71KNUS program from Denver. • Morton Fine was with Dan Haefele • Jack Kruschen with Jim Bohannan in 1987. • Orson Welles on The Tonight Show with Johnny Carson • George Burns spoke to Barbara Walters —————————— Selected music featured in today's episode was: • The Sails of Galway — By W.B. Snuffy Walden • Overture on Hebrew Themes, Opus 34 — By Andre Moisan • Someone To Watch Over Me — By Blossom Dearie • The Minstrel Boy — By Jacqueline Schwab • Swing into Spring — By Benny Goodman —————————— A special thank you to Ted Davenport, Jerry Haendiges, and Gordon Skene. For Ted go to RadioMemories.com, for Jerry, visit OTRSite.com, and for Gordon, please go to PastDaily.com. —————————— Thank you to: Tony Adams Steven Allmon Orson Orsen Chandler Phil Erickson Jessica Hanna Perri Harper Briana Isaac Thomas M. Joyce Ryan Kramer Earl Millard Gary Mollica Barry Nadler Christian Neuhaus Aimee Pavy Ray Shaw Filipe A Silva John Williams —————————— WallBreakers Links: Patreon - patreon.com/thewallbreakers Social Media - @TheWallBreakers
Gunsmoke is an American radio and television Western drama series created by director Norman Macdonnell and writer John Meston. The stories take place in and around Dodge City, Kansas, during the settlement of the American West. The central character is lawman Marshal Matt Dillon, played by William Conrad on radio and James Arness on television. When aired in the United Kingdom, the television series was initially titled Gun Law, later reverting to Gunsmoke. The radio series ran from 1952 to 1961. John Dunning wrote that among radio drama enthusiasts, "Gunsmoke is routinely placed among the best shows of any kind and any time." The television series ran for 20 seasons from 1955 to 1975 and lasted for 635 episodes. At the end of its run in 1975, Los Angeles Times columnist Cecil Smith wrote: "Gunsmoke was the dramatization of the American epic legend of the west. Our own Iliad and Odyssey, created from standard elements of the dime novel and the pulp Western as romanticized by Buntline, Harte, and Twain. It was ever the stuff of legend." Radio series (1952–1961) In the late 1940s, CBS chairman William S. Paley, a fan of the Philip Marlowe radio series, asked his programming chief, Hubell Robinson, to develop a hard-boiled Western series, a show about a "Philip Marlowe of the Old West". Robinson instructed his West Coast CBS Vice President, Harry Ackerman, who had developed the Philip Marlowe series, to take on the task. Ackerman and his scriptwriters, Mort Fine and David Friedkin, created an audition script called "Mark Dillon Goes to Gouge Eye'' based on one of their Michael Shayne radio scripts, "The Case of the Crooked Wheel'' from the summer of 1948. Two versions were recorded.
Gunsmoke is an American radio and television Western drama series created by director Norman Macdonnell and writer John Meston. The stories take place in and around Dodge City, Kansas, during the settlement of the American West. The central character is lawman Marshal Matt Dillon, played by William Conrad on radio and James Arness on television. When aired in the United Kingdom, the television series was initially titled Gun Law, later reverting to Gunsmoke. The radio series ran from 1952 to 1961. John Dunning wrote that among radio drama enthusiasts, "Gunsmoke is routinely placed among the best shows of any kind and any time." The television series ran for 20 seasons from 1955 to 1975 and lasted for 635 episodes. At the end of its run in 1975, Los Angeles Times columnist Cecil Smith wrote: "Gunsmoke was the dramatization of the American epic legend of the west. Our own Iliad and Odyssey, created from standard elements of the dime novel and the pulp Western as romanticized by Buntline, Harte, and Twain. It was ever the stuff of legend." Radio series (1952–1961) In the late 1940s, CBS chairman William S. Paley, a fan of the Philip Marlowe radio series, asked his programming chief, Hubell Robinson, to develop a hard-boiled Western series, a show about a "Philip Marlowe of the Old West". Robinson instructed his West Coast CBS Vice President, Harry Ackerman, who had developed the Philip Marlowe series, to take on the task. Ackerman and his scriptwriters, Mort Fine and David Friedkin, created an audition script called "Mark Dillon Goes to Gouge Eye'' based on one of their Michael Shayne radio scripts, "The Case of the Crooked Wheel'' from the summer of 1948. Two versions were recorded.
Gunsmoke is an American radio and television Western drama series created by director Norman Macdonnell and writer John Meston. The stories take place in and around Dodge City, Kansas, during the settlement of the American West. The central character is lawman Marshal Matt Dillon, played by William Conrad on radio and James Arness on television. When aired in the United Kingdom, the television series was initially titled Gun Law, later reverting to Gunsmoke. The radio series ran from 1952 to 1961. John Dunning wrote that among radio drama enthusiasts, "Gunsmoke is routinely placed among the best shows of any kind and any time." The television series ran for 20 seasons from 1955 to 1975 and lasted for 635 episodes. At the end of its run in 1975, Los Angeles Times columnist Cecil Smith wrote: "Gunsmoke was the dramatization of the American epic legend of the west. Our own Iliad and Odyssey, created from standard elements of the dime novel and the pulp Western as romanticized by Buntline, Harte, and Twain. It was ever the stuff of legend." Radio series (1952–1961) In the late 1940s, CBS chairman William S. Paley, a fan of the Philip Marlowe radio series, asked his programming chief, Hubell Robinson, to develop a hard-boiled Western series, a show about a "Philip Marlowe of the Old West". Robinson instructed his West Coast CBS Vice President, Harry Ackerman, who had developed the Philip Marlowe series, to take on the task. Ackerman and his scriptwriters, Mort Fine and David Friedkin, created an audition script called "Mark Dillon Goes to Gouge Eye'' based on one of their Michael Shayne radio scripts, "The Case of the Crooked Wheel'' from the summer of 1948. Two versions were recorded.
Gunsmoke is an American radio and television Western drama series created by director Norman Macdonnell and writer John Meston. The stories take place in and around Dodge City, Kansas, during the settlement of the American West. The central character is lawman Marshal Matt Dillon, played by William Conrad on radio and James Arness on television. When aired in the United Kingdom, the television series was initially titled Gun Law, later reverting to Gunsmoke. The radio series ran from 1952 to 1961. John Dunning wrote that among radio drama enthusiasts, "Gunsmoke is routinely placed among the best shows of any kind and any time." The television series ran for 20 seasons from 1955 to 1975 and lasted for 635 episodes. At the end of its run in 1975, Los Angeles Times columnist Cecil Smith wrote: "Gunsmoke was the dramatization of the American epic legend of the west. Our own Iliad and Odyssey, created from standard elements of the dime novel and the pulp Western as romanticized by Buntline, Harte, and Twain. It was ever the stuff of legend." Radio series (1952–1961) In the late 1940s, CBS chairman William S. Paley, a fan of the Philip Marlowe radio series, asked his programming chief, Hubell Robinson, to develop a hard-boiled Western series, a show about a "Philip Marlowe of the Old West". Robinson instructed his West Coast CBS Vice President, Harry Ackerman, who had developed the Philip Marlowe series, to take on the task. Ackerman and his scriptwriters, Mort Fine and David Friedkin, created an audition script called "Mark Dillon Goes to Gouge Eye'' based on one of their Michael Shayne radio scripts, "The Case of the Crooked Wheel'' from the summer of 1948. Two versions were recorded.
Gunsmoke is an American radio and television Western drama series created by director Norman Macdonnell and writer John Meston. The stories take place in and around Dodge City, Kansas, during the settlement of the American West. The central character is lawman Marshal Matt Dillon, played by William Conrad on radio and James Arness on television. When aired in the United Kingdom, the television series was initially titled Gun Law, later reverting to Gunsmoke. The radio series ran from 1952 to 1961. John Dunning wrote that among radio drama enthusiasts, "Gunsmoke is routinely placed among the best shows of any kind and any time." The television series ran for 20 seasons from 1955 to 1975 and lasted for 635 episodes. At the end of its run in 1975, Los Angeles Times columnist Cecil Smith wrote: "Gunsmoke was the dramatization of the American epic legend of the west. Our own Iliad and Odyssey, created from standard elements of the dime novel and the pulp Western as romanticized by Buntline, Harte, and Twain. It was ever the stuff of legend." Radio series (1952–1961) In the late 1940s, CBS chairman William S. Paley, a fan of the Philip Marlowe radio series, asked his programming chief, Hubell Robinson, to develop a hard-boiled Western series, a show about a "Philip Marlowe of the Old West". Robinson instructed his West Coast CBS Vice President, Harry Ackerman, who had developed the Philip Marlowe series, to take on the task. Ackerman and his scriptwriters, Mort Fine and David Friedkin, created an audition script called "Mark Dillon Goes to Gouge Eye'' based on one of their Michael Shayne radio scripts, "The Case of the Crooked Wheel'' from the summer of 1948. Two versions were recorded.
Gunsmoke is an American radio and television Western drama series created by director Norman Macdonnell and writer John Meston. The stories take place in and around Dodge City, Kansas, during the settlement of the American West. The central character is lawman Marshal Matt Dillon, played by William Conrad on radio and James Arness on television. When aired in the United Kingdom, the television series was initially titled Gun Law, later reverting to Gunsmoke. The radio series ran from 1952 to 1961. John Dunning wrote that among radio drama enthusiasts, "Gunsmoke is routinely placed among the best shows of any kind and any time." The television series ran for 20 seasons from 1955 to 1975 and lasted for 635 episodes. At the end of its run in 1975, Los Angeles Times columnist Cecil Smith wrote: "Gunsmoke was the dramatization of the American epic legend of the west. Our own Iliad and Odyssey, created from standard elements of the dime novel and the pulp Western as romanticized by Buntline, Harte, and Twain. It was ever the stuff of legend." Radio series (1952–1961) In the late 1940s, CBS chairman William S. Paley, a fan of the Philip Marlowe radio series, asked his programming chief, Hubell Robinson, to develop a hard-boiled Western series, a show about a "Philip Marlowe of the Old West". Robinson instructed his West Coast CBS Vice President, Harry Ackerman, who had developed the Philip Marlowe series, to take on the task. Ackerman and his scriptwriters, Mort Fine and David Friedkin, created an audition script called "Mark Dillon Goes to Gouge Eye'' based on one of their Michael Shayne radio scripts, "The Case of the Crooked Wheel'' from the summer of 1948. Two versions were recorded.
Gunsmoke is an American radio and television Western drama series created by director Norman Macdonnell and writer John Meston. The stories take place in and around Dodge City, Kansas, during the settlement of the American West. The central character is lawman Marshal Matt Dillon, played by William Conrad on radio and James Arness on television. When aired in the United Kingdom, the television series was initially titled Gun Law, later reverting to Gunsmoke. The radio series ran from 1952 to 1961. John Dunning wrote that among radio drama enthusiasts, "Gunsmoke is routinely placed among the best shows of any kind and any time." The television series ran for 20 seasons from 1955 to 1975 and lasted for 635 episodes. At the end of its run in 1975, Los Angeles Times columnist Cecil Smith wrote: "Gunsmoke was the dramatization of the American epic legend of the west. Our own Iliad and Odyssey, created from standard elements of the dime novel and the pulp Western as romanticized by Buntline, Harte, and Twain. It was ever the stuff of legend." Radio series (1952–1961) In the late 1940s, CBS chairman William S. Paley, a fan of the Philip Marlowe radio series, asked his programming chief, Hubell Robinson, to develop a hard-boiled Western series, a show about a "Philip Marlowe of the Old West". Robinson instructed his West Coast CBS Vice President, Harry Ackerman, who had developed the Philip Marlowe series, to take on the task. Ackerman and his scriptwriters, Mort Fine and David Friedkin, created an audition script called "Mark Dillon Goes to Gouge Eye'' based on one of their Michael Shayne radio scripts, "The Case of the Crooked Wheel'' from the summer of 1948. Two versions were recorded.
Gunsmoke is an American radio and television Western drama series created by director Norman Macdonnell and writer John Meston. The stories take place in and around Dodge City, Kansas, during the settlement of the American West. The central character is lawman Marshal Matt Dillon, played by William Conrad on radio and James Arness on television. When aired in the United Kingdom, the television series was initially titled Gun Law, later reverting to Gunsmoke. The radio series ran from 1952 to 1961. John Dunning wrote that among radio drama enthusiasts, "Gunsmoke is routinely placed among the best shows of any kind and any time." The television series ran for 20 seasons from 1955 to 1975 and lasted for 635 episodes. At the end of its run in 1975, Los Angeles Times columnist Cecil Smith wrote: "Gunsmoke was the dramatization of the American epic legend of the west. Our own Iliad and Odyssey, created from standard elements of the dime novel and the pulp Western as romanticized by Buntline, Harte, and Twain. It was ever the stuff of legend." Radio series (1952–1961) In the late 1940s, CBS chairman William S. Paley, a fan of the Philip Marlowe radio series, asked his programming chief, Hubell Robinson, to develop a hard-boiled Western series, a show about a "Philip Marlowe of the Old West". Robinson instructed his West Coast CBS Vice President, Harry Ackerman, who had developed the Philip Marlowe series, to take on the task. Ackerman and his scriptwriters, Mort Fine and David Friedkin, created an audition script called "Mark Dillon Goes to Gouge Eye'' based on one of their Michael Shayne radio scripts, "The Case of the Crooked Wheel'' from the summer of 1948. Two versions were recorded.
Gunsmoke is an American radio and television Western drama series created by director Norman Macdonnell and writer John Meston. The stories take place in and around Dodge City, Kansas, during the settlement of the American West. The central character is lawman Marshal Matt Dillon, played by William Conrad on radio and James Arness on television. When aired in the United Kingdom, the television series was initially titled Gun Law, later reverting to Gunsmoke. The radio series ran from 1952 to 1961. John Dunning wrote that among radio drama enthusiasts, "Gunsmoke is routinely placed among the best shows of any kind and any time." The television series ran for 20 seasons from 1955 to 1975 and lasted for 635 episodes. At the end of its run in 1975, Los Angeles Times columnist Cecil Smith wrote: "Gunsmoke was the dramatization of the American epic legend of the west. Our own Iliad and Odyssey, created from standard elements of the dime novel and the pulp Western as romanticized by Buntline, Harte, and Twain. It was ever the stuff of legend." Radio series (1952–1961) In the late 1940s, CBS chairman William S. Paley, a fan of the Philip Marlowe radio series, asked his programming chief, Hubell Robinson, to develop a hard-boiled Western series, a show about a "Philip Marlowe of the Old West". Robinson instructed his West Coast CBS Vice President, Harry Ackerman, who had developed the Philip Marlowe series, to take on the task. Ackerman and his scriptwriters, Mort Fine and David Friedkin, created an audition script called "Mark Dillon Goes to Gouge Eye'' based on one of their Michael Shayne radio scripts, "The Case of the Crooked Wheel'' from the summer of 1948. Two versions were recorded.
In Breaking Walls episode 135 it's February of 1958 and CBS has just launched a new western, Luke Slaughter, of Tombstone. It's a forgotten sixteen episode gem. Five years earlier it might have been a hit. —————————— Highlights: • William N. Robson and The Hollywood Radio Western • Planning Luke Slaughter • Slaughter Launches • The Radio Dial on February 23rd, 1958 • Tracks Out of Tombstone • The End of Slaughter • Looking Ahead to Paladin —————————— The WallBreakers: http://thewallbreakers.com Subscribe to Breaking Walls everywhere you get your podcasts. To support the show: http://patreon.com/TheWallBreakers —————————— The reading material used in today's episode was: • On the Air — By John Dunning • Network Radio Ratings — By Jim Ramsburg • “Luke Slaughter of Tombstone: The Man Too Tough To Die.” by Stewart Wright's for the April 2018 SPERDVAC RadioGram —————————— On the interview front: • Lilian Buyeff, Mary Jane Croft, John Dehner, Lawrence Dobkin, Sam Edwards and Jeanette Nolan were with SPERDVAC. For more info, go to SPERDVAC.com. • William N. Robson was with Dick Bertel and Ed Corcoran for WTIC's The Golden Age of Radio. Hear these at Goldenage-WTIC.org. • Norman Macdonnell, and William N. Robson spoke to John Hickman for his Gunsmoke documentary. • Roberta Bailey-Goodwin and E. Jack Neuman spoke with John Dunning for his 1980s 71KNUS Radio program from Denver. • Vic Perrin spoke to Neil Ross for KMPC in 1982. • Jack Kruschen and Shirley Mitchell were guests of Jim Bohannan in 1987. —————————— Selected music featured in today's episode was: • Pavane — By Steve Erquiaga • I'll Be Seeing You — By The Harry James Orchestra • Who Lives Up There — By Snuffy Walden —————————— A special thank you to Ted Davenport, Jerry Haendiges, and Gordon Skene. For Ted go to RadioMemories.com, for Jerry, visit OTRSite.com, and for Gordon, please go to PastDaily.com. —————————— Thank you to: Tony Adams Steven Allmon Orson Orsen Chandler Phil Erickson Jessica Hanna Perri Harper Briana Isaac Thomas M. Joyce Ryan Kramer Earl Millard Gary Mollica Barry Nadler Christian Neuhaus Aimee Pavy Ray Shaw Filipe A Silva John Williams —————————— WallBreakers Links: Patreon - patreon.com/thewallbreakers Social Media - @TheWallBreakers
In Breaking Walls episode 134 we spend our holidays with one of the most-beloved figures of the twentieth century: Jack Benny. —————————— Highlights: • Picking Up with Benny Leaving NBC for CBS • A World in Turmoil • Benny Launches his Fall 1949 Season • The Texas Benefit • What About 1950? • Jack Goes Christmas Shopping • Christmas Week 1949 in World News • Christmas Day with Jack and the Gang • Bringing 1949 To a Close — Looking Ahead to January —————————— The WallBreakers: http://thewallbreakers.com Subscribe to Breaking Walls everywhere you get your podcasts. To support the show: http://patreon.com/TheWallBreakers —————————— The reading material used in today's episode was: • Sunday Nights at Seven — By Jack and Joan Benny • On the Air — By John Dunning • Network Radio Ratings — By Jim Ramsburg —————————— On the interview front: • Jack Benny, Dennis Day, Phil Harris, Frank Nelson, and Don Wilson, were with Chuck Schaden. Hear their full chats at SpeakingOfRadio.com. • Mel Allen, Mel Blanc, and Vincent Price were with Dick Bertel and Ed Corcoran for WTIC's The Golden Age of Radio. Hear these at Goldenage-WTIC.org. • Jack Benny, George Burns, Phil Harris, Frank Nelson, and Don Wilson were also interviewed by Jack Carney. • Dennis Day and Dick Joy spoke with John Dunning for his 1980s 71KNUS Radio program from Denver. • Don Quinn was interviewed by Owen Cunningham in 1951 —————————— Selected music featured in today's episode was: • Somewhere In My Memory — By John Williams • What Are You Doing New Year's Eve — By Nancy Wilson —————————— A special thank you to Ted Davenport, Jerry Haendiges, and Gordon Skene. For Ted go to RadioMemories.com, for Jerry, visit OTRSite.com, and for Gordon, please go to PastDaily.com. —————————— Thank you to: Tony Adams Steven Allmon Orson Orsen Chandler Phil Erickson Jessica Hanna Perri Harper Briana Isaac Thomas M. Joyce Ryan Kramer Earl Millard Gary Mollica Barry Nadler Christian Neuhaus Aimee Pavy Ray Shaw Filipe A Silva John Williams —————————— WallBreakers Links: Patreon - patreon.com/thewallbreakers Social Media - @TheWallBreakers
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