Podcasts about breaking walls

This episode was originally released on 11/1/2018. While new episodes of Breaking Walls are on hiatus I'll be going back and posting the older episodes. ____________ In Breaking Walls episode 85, we spotlight the radio career of Frank Sinatra. We'll find out how a brash, skinny kid from Hoboken, New Jersey became one of the most popular and influential music artists of the 20th century, selling more than 150 million records worldwide, winning an academy award for Best Supporting Actor, and using radio to launch it all. Highlights: • How Sinatra's Difficult Birth Affected The Rest of His Life • Growing Up In Hoboken • Not Interested in School, Interested in Singing • WAAT, WNEW, WOR and the Rustic Cabin • The Hoboken Four • Early Hustling • Harry James and Tommy Dorsey • Sinatra's Popularity Explodes • Going Solo • Success on CBS during World War II • Marriage, Infidelity… and more infidelity • The Havana Conference • Problems with Sponsorship • The Decline Begins • Ava • Losing His Voice • Bottoming Out • The Slow Rise • Maggio and an Oscar • Rocky Fortune • A Reborn Sinatra The WallBreakers: http://thewallbreakers.com Subscribe to Breaking Walls everywhere you get your podcasts. To support the show: http://patreon.com/TheWallBreakers 
 The reading material used in tonight's episode was: • The Encyclopedia of Old Time Radio by John Dunning • Why Sinatra Matters by Pete Hamill • Frank: The Voice by James Kaplan • The Museum of Broadcast Communications Encyclopedia of Radio - by Christopher H. Sterling Lots and Lots of interviews in today's episode: • Frank Sinatra was with: Walter Cronkite in 1965; Johnny Carson in 1976; Arlene Francis in the early 1980s; and Larry King in 1988 • Nancy Sinatra was with: Walter Cronkite in 1965 and Larry King in 1995 • Chuck Schaden interviewed Ken Carpenter And Carroll Carroll. Both of these conversations were recorded on February 17th, 1975. To listen to many complete interviews Chuck conducted throughout his career, please go to SpeakingofRadio.com • Bob Eberly was with Arnold Dean. Hear that full interview and many others at Goldenage-WTIC.org • Jo Stafford was with Matthew Feinstein for Jo Stafford's “Ballad of the Blues” • Gary Moore and Andre Baruch spoke to Westinghouse in 1970. • Les Tremayne and Jack Brown were featured from their 1986 history of radio called “Please Stand By”

This episode was originally released on 10/1/2018. While new episodes of Breaking Walls are on hiatus I'll be going back and posting the older episodes beginning with this episode on the birth of radio. ___________ In Breaking Walls Episode 84, it's the Simple Art of Macabre, to your ears from the mouths of some of the best who ever produced radio's stuff of nightmares. Highlights: • Why Do We Like To Be Scared? 
• What pre-dated the radio horror program in the United States of America? 
• The Witch's Tale
• Cooper, Oboler, and Lights Out 
• Orson Welles, Himan Brown, and Bill Spier 
• Macabre Programming during World War II
 • How Transcription Advanced the radio mystery program 
• Escape, The Saint, and Vincent Price 
• ABC and The Clock 
• Quiet Please and Crime Classics
 • The Decline of the American audio drama in the 1950s
 • Attempts at horror revivals 
• Where we are today The WallBreakers: http://thewallbreakers.com Subscribe to Breaking Walls everywhere you get your podcasts. To support the show: http://patreon.com/TheWallBreakers The reading material used in today's episode was: • The Encyclopedia of Old-Time Radio - by John Dunning • The Witch's Tale: Stories of Gothic Horror from the Golden Age of Radio - by Alonzo Dean Cole • The CBS Radio Mystery Theater Handbook by Martin Grams Jr's and Gordon Payton • Forecast: Is there a Sponsor in a House by Martin Grams Jr. • The Museum of Broadcast Communications Encyclopedia of Radio - by Christopher H. Sterling • Dick Bertel and Ed Corcoran's Golden Age of Radio programs can be found at goldenage-wtic.org • John Dunning's Interviews can be found through the Old-Time Radio Researcher's Library at OTRRLibrary.org. • Chuck Schaden's interviews can be found at his site, SpeakingofRadio.com 
 Selected Music featured in today's Episode was: • Seance on a Wet Afternoon composed by John Barry and rerecorded by Nic Raine * I've Got You Under My Skin - by Frank Sinatra

This episode was originally released on 9/1/2018. While new episodes of Breaking Walls are on hiatus I'll be going back and posting the older episodes beginning with this episode on the birth of radio. ___________ In Breaking Walls Episode 83, we focus the radio industry of the 1930s and 40s—especially on the career of David Sarnoff, as RCA's network, NBC begins to lose its grip on the top spot in the broadcasting industry while they introduce Television. We'll also focus on the introduction of new talent to the industry, and the CBS talent raids of 1948-1949. Highlights: • David Sarnoff announces the birth of TV at The 1939 World's Fair 
• Edwin Howard Armstrong Invents FM 
• Television Experiments in the 1920s and 1930s 
• Sarnoff and Armstrong's Crumbling Friendship • How World War II Stopped Television's Commercial Expansion
 • William S. Paley's Plan to make CBS the #1 Network 
• The Rise of Arthur Godfrey 
• Sarnoff's Court Battles 
• The Death of Edwin Howard Armstrong
 • The CBS Talent Raids of 1948-49
 • Dean Martin and Jerry Lewis 
• The Simple Art of Macabre 
The WallBreakers: http://thewallbreakers.com Subscribe to Breaking Walls everywhere you get your podcasts. To support the show: http://patreon.com/TheWallBreakers The reading material used in today's episode was: • The General: David Sarnoff & The Rise of the Communications Industry - by Kenneth Bilby • The Encyclopedia of Old-Time Radio - by John Dunning • Empire: William S. Paley & The Making of CBS - by Lewis J. 
 • The Museum of Broadcast Communications Encyclopedia of Radio - by Christopher H. Sterling • The Network - by Scott Wooley • As well as an article on Martin & Lewis from the August 2018 issue of SPERDVAC's Radiogram, by Michael Hayde

 Selected Music featured in today's Episode was: • Mr. Lucky, by Si Zentner • Begin the Beguine, by Artie Shaw and His Orchestra • Seance on a Wet Afternoon, arranged by John Barry

This episode was originally released on 8/1/2018. While new episodes of Breaking Walls are on hiatus I'll be going back and posting the older episodes beginning with this episode on the birth of radio. ___________ In Breaking Walls episode 82 we focus on the state of the radio broadcasting industry in the late 1930s and early 1940s, as Broadcasting booms while the world goes to War.  Highlights: • Early days at NBC's Radio City in New York • How Press Associations caused NBC and CBS to launch a news service • The Birth of the Mutual Broadcasting System and their Struggles • NBC Red and NBC Blue • The FCC and US Justice Department Get Involved with Radio • The Murrow Boys and Encroaching War in Europe • The War Comes Home • NBC sells The Blue Network • Norman Corwin and His World War II Work • Bing Crosby, Philco Radios, and Network Transcription • The Talent Raids of 1949 The WallBreakers: http://thewallbreakers.com Subscribe to Breaking Walls everywhere you get your podcasts. To support the show: http://patreon.com/TheWallBreakers The reading material used in today's episode was: • The General: David Sarnoff & The Rise of the Communications Industry - by Kenneth Bilby • The Encyclopedia of Old-Time Radio - by John Dunning • Beating The Odds: The Untold Story Behind the Rise of ABC - by Leonard H. Goldenson with Marvin J. Wolf • Empire: William S. Paley & The Making of CBS - by Lewis J. Paper • The Museum of Broadcast Communications Encyclopedia of Radio - by Christopher H. Sterling As well as four articles from the archives of TIME Magazine: • HAPPY BIRTHDAY MBS - September 15, 1941 • Old Law v. New Thing - January 12, 1942 • Black & Blue - January 11, 1943 • Network Without Ulcers - April 21, 1947 Norman Corwin was with Chuck Schaden on August 8th, 1976. You can stream this interview and many others for free on Chuck's site, Speakingofradio.com Selected Music featured in today's Episode was: • Rudy Vallee - Brother Can You Spare A Dime • Jaqueline Schwab - The Minstrel Boy & The Battle Cry for Freedom • Bing Crosby - Blues in the Night & Don't Fence Me in with The Andrews Sisters

This episode was originally released on 7/1/2018. While new episodes of Breaking Walls are on hiatus I'll be going back and posting the older episodes beginning with this episode on the birth of radio. ___________ In Breaking Walls episode 81, we spotlight the life and career of one of the twentieth century's most famous comedians, Fred Allen. Amongst other comedians and entertainers, almost no one was beloved as much as him. His comedic feud with Jack Benny was legendary, as were his battles with network executives and sponsors. Highlights: • John Sullivan is Born in Boston • What growing up in Boston with his aunt was like • How his job at the Boston Public library began his career in show business • Learning to Juggle and Early Amateur Performances • Harry LaToy and how Johnny Sullivan became Fred St. James • Freddie James: The World's Worst Juggler • Becoming Fred Allen and going on Broadway • Allen's Radio Birth—Bath Towels, Laxatives, and Mayonnaise • Town Hall Tonight is Born • Jack Benny—The Feud of the Century • Mr. Ramshaw— an Eagle on the loose • Changing networks • Texaco and Problems with NBC • King for a Day • Bowing out gracefully • Fred Allen: Memoirist • What's my Line? • Final Days The reading material used in today's episode was: • The Encyclopedia of Old-Time Radio by John Dunning • Treadmill to Oblivion & Much Ado About Me … both by Fred Allen Selected Music featured in today's Episode was: • Swingin' on a Star by Bing Crosby • Over There recorded live by George M. Cohan • Auld Lang Syne by Guy Lombardo

In this episode of Mental as Anyone, JMo sits down with Candice Warner, who opens up about her journey with public scrutiny.Candice shares her experience of overcoming mental health struggles, the power of family support, and how physical fitness became her therapy.She also reflects on the challenges of raising daughters in a social media-driven world and the importance of building a positive body image.ResourcesCall Lifeline anytime on 13 11 14.Send a text to Lifeline at 0477 131 114.Proudly produced in the ⁠⁠⁠⁠⁠Pro Podcast Studios⁠⁠⁠⁠⁠SupportPre-Order the 'Mental as Anyone' book hereThis series is proudly supported by ⁠BYD⁠ and ⁠Chemist Warehouse⁠The BYD SHARK 6 is almost here! ⁠bydautomotive.com.au/shark⁠Chemist Warehouse, your go-to destination for all things health and wellbeingwww.chemistwarehouse.com.auProudly produced in the⁠ ⁠⁠⁠⁠⁠Pro Podcast Studios

This episode was originally released on 6/1/2018. While new episodes of Breaking Walls are on hiatus I'll be going back and posting the older episodes beginning with this episode on the birth of radio. ___________ Question? What do starlets Marlene Dietrich, Kay Thompson, Margaret Sullivan, and Loretta Young have in common? How about writers and directors Norman Corwin, Helen Deutsch, and Bill Spier. How about Danny Kaye, Mel Allen, Gerald Mohr, Elliot Lewis, Byron Kane, Lurene Tuttle, Paula Winslowe, Joseph Kearns, and Arthur Q. Bryan? Answer: They guest-starred, grew, or launched their careers on CBS's Forecast! Forecast was a summer replacement series for the Lux Radio Theatre which ran for two seasons in 1940 and 1941. It ushered in an era of show pilots for public viewing and helped give rise to countless actors, writers, and directors, as well as two huge shows: Suspense & Duffy's Tavern. On Breaking Walls Episode 80, we present an in-depth look at Forecast featuring interviews, insights, and episode moments. Highlights: • Why would Forecast have come to the airwaves in the first place? • Hear CBS head William S. Paley's insights on programming • How Alfred Hitchcock helped launch the famed mystery show, Suspense • Bill Spier: Music critic, turned producer and director of mystery • How Elliott Lewis got his start on Forecast • Mel Allen & Duffy's Tavern: Where the Elite Meet To Eat • Norman Corwin's Two pieces for Forecast that helped catapult his career • How radio actor Byron Kane got his first role on Forecast • Jim Backus & the Class of 1941 * Hopalong Cassidy • The Country Lawyer: One of the most experimental radio broadcasts of its time • An all african-american jubilee to close Forecast The WallBreakers: http://thewallbreakers.com Subscribe to Breaking Walls everywhere you get your podcasts. Featured in today's episode were interviews with: • Bill Spier and Mel Allen for Dick Bertel & Ed Corcoran's WTIC Golden Age of Radio program, who's episodes can be found at GoldenAge-Wtic.org • Elliott Lewis and Byron Kane, for the Society to Preserve and Encourage Radio Drama, Variety, and Comedy, which can be found at SPERDVAC.com • and Jim Backus and Norman Corwin with Chuck Schaden, who's interviews can be streamed for free at SpeakingofRadio.com. Norman Corwin was also interviewed by Michael James Kacey for his DVD The Poet Laureate of Radio: An Interview with Norman Corwin, which you can pick up on Amazon. Selected Music featured in today's Episode was: • My Blue Heaven by Glenn Miller • Begin the Beguine & Stardust by Artie Shaw • Alcolba Azul, by Elliot Goldenthal The Battle Cry for Freedom by Jaqueline Schwab for the Civil War, by Ken Burns Falling played by Michael Silvermann • Catch a Falling Star, by Perry Como

This episode was originally released on 5/1/2018. While new episodes of Breaking Walls are on hiatus I'll be going back and posting the older episodes beginning with this episode on the birth of radio. ___________ In Breaking Walls Episode 79, we present a detailed look at Orson Welles' radio career through the end of 1941. Highlights: • Beginnings in Illinois and China — How they helped shape Orson • The Todd Seminary School — His first exposure to theater and Radio • Connections and Early Breaks — How his mentor Roger Hill, Thornton Wilder, Alexander Woollcott, and Katharine Cornell helped Orson get to Broadway • Orson meets John Houseman and Archibald MacLeish, and first appears on the March of Time • 1935-1937 — From the March of Time to the Columbia Workshop, and how Irvin Reis taught Orson how to create for radio • How the US Government shaped the opportunity for Orson to write, direct, and star in Les Misérables on the Mutual Broadcasting System in 1937
 • The Shadow Knows! — Agnes Moorehead and Orson Welles' one season on The Shadow • The birth of the Mercury Theater on the Air as First Person singular. • How it's success led to the most infamous night in radio in October of 1938 • Mainstream success with Campbell's Soups • Orson goes to Hollywood, and signs the greatest autonomous film contract in history at 24 • Citizen Kane — How William Randolph Hearst and RKO shaped the film • Lady Esther Presents — Orson comes back to radio in the autumn of 1941 • Pearl Harbor Day and collaborating with Norman Corwin • Joseph Cotton introduces Orson to Rita Hayworth The WallBreakers: http://thewallbreakers.com Subscribe to Breaking Walls everywhere you get your podcasts. To support the show: http://patreon.com/TheWallBreakers The reading material used in today's episode was: • Citizen Welles: A Biography of Orson Welles by Frank Brady • This is Orson Welles by Welles and Peter Bogdanovich • The Encyclopedia of Old-Time Radio by John Dunning • Discovering Orson Welles by Jonathan Rosenbaum Other materials included: • http://www.wellesnet.com - an incredibly comprehensive website on Orson's career • Orson Welles on the Air, 1938-1946 at https://orsonwelles.indiana.edu • The Radio Preservation Task Force also has a great Facebook group headed by Josh Shepperd Selected Interviews in this episode were: • Orson Welles with Dick Cavett, Johnny Carson, and Huw Wheldon, • Agnes Moorehead and Alan Reed were with radio Hall of Fame Member Chuck Schaden, who interviewed over 200 members of the radio community during his 39 year career. Chuck's interviews can be streamed for free at SpeakingofRadio.com. • William Robson was with Dick Bertel and Ed Corcoran for WTIC's The Golden Age of Radio in January of 1976 and Kenny Delmare was with John Dunning in 1983. Those interviews can be found at the Old Time Radio Researcher's Group at Otrrlibrary.org • William Herz was with Walden Hughes and John and Larry Gassman in 2013 for their program on the Yesterday USA Radio Network, which you can visit at http://www.yesterdayusa.com.

This episode was originally released on 3/1/2018. While new episodes of Breaking Walls are on hiatus I'll be going back and posting the older episodes beginning with this episode on the birth of radio. —————————— In Breaking Walls Episode 77 we pick up our story on the history of American radio broadcasting, as a few ramshackle radio stations become large national networks, giving rise to an entire generation of entertainment giants during the roaring 1920s. Highlights: • July 2, 1921— Jack Dempsey defends his heavyweight boxing title in front of 80,000 fans as RCA broadcasts the event Closed Circuit to over 300,000 fans. Its the first broadcast of its kind. • The Radio Craze begins as almost 600 stations sign on in 1922 • Herbert Hoover tries to better organize the radio dial and put small stations out of business • AT&T's attempt to monopolize radio broadcasting • The formation of the National Broadcasting Company • The Radio Act of 1927 • William S. Paley buys The Columbia Broadcasting System and turns it into a 2nd major network • Rudy Vallee becomes radio's first mega-star • Chicago becomes radio's 2nd capital • Hollywood's radio recording rise in the late 1930s • The Mutual Broadcasting System is formed—The Shadow debuts • War, once again, comes to Europe The reading material for today's episode was: • The Rise of Radio, From Marconi through The Golden Age by Alfred Balk • Inventing American Broadcasting 1899-1922 by Susan J. Douglas • The Encyclopedia of Old-Time Radio by John Dunning • A Pictorial History of Radio's First 75 Years by B. Eric Rhoads • Hello Everybody! The Dawn of American Radio by Anthony Rudel & • The Network by Scott Woolley Featured on today's show were interviews conducted by Dick Bertel and the late Ed Corcoran and numerous others for Westinghouse, CBS, and NBC. Harold Arlin's was interviewed by author J. Fred McDonald for his book Don't Touch That Dial.

This episode was originally released on 2/15/2018. While new episodes of Breaking Walls are on hiatus I'll be going back and posting the older episodes beginning with this episode on the birth of radio. —————————— In Breaking Walls Episode 76, we pick up our story on the history of American dramatic radio after the sinking of the Titanic in April of 1912. The time between 1912 and 1922 saw three competing interests battle for control of the wireless airwaves as wireless telegraphy transitioned into radio broadcasting. These three interests were big private business, individual HAM radio operators, and the US Government. Highlights: • How the Titanic's Sinking changed Guglielmo Marconi's business • The Radio Act of 1912 - What it portended • Charles Herrold and KCBS San Francisco • Lee Deforest sells out to AT&T • Edwin Howard Armstrong invents regeneration, and later the superheterodyne receiver • War comes to Europe • The Navy takes over wireless • How World War I caused radio technology to boom • AT&T, Westinghouse, General Electric, and the newly formed RCA make a deal • David Sarnoff's Rise to power • KDKA and the birth of regular broadcasting • Todays' introduction music of Metamorphosis No. 2 was arranged for harp and vibraphone by David DePeters and played by Elizabeth Hainen. You can pick up her album, Home: Works for Solo Harp on iTunes and Amazon, and listen on Spotify and Pandora. Her website is ElizabethHainen.com and she is on youtube @Elizabethhainenharp The WallBreakers: http://thewallbreakers.com Subscribe to Breaking Walls everywhere you get your podcasts. To support the show: http://patreon.com/TheWallBreakers The reading material for today's episode was: • Inventing American Broadcasting 1899-1922 by Susan J. Douglas • Empire of the Air by Tom Lewis • A Pictorial History of Radio's First 75 Years by B. Eric Rhoads • Hello Everybody! The Dawn of American Radio by Anthony Rudel • The Network by Scott Woolley

This episode was originally released on 2/1/2018. While new episodes of Breaking Walls are on hiatus I'll be going back and posting the older episodes beginning with this episode on the birth of radio. —————————— Highlights: * Why the Blizzard of 1888 played such an important role in the need for wireless telegraphy * Who Was Heinrich Hertz? What experiment made him the father of Hertzian Waves? * What Oliver Lodge, Nikola Tesla, Alexander Graham Bell, and Amos DollBear have in common * Guglielmo Marconi, father of radio? * The benefits to wireless telegraphy * David Sarnoff — His start between 1900 - 1906 * Why the press want to get involved * Lee Deforest — Inventor, Fraud, or both? * What incredibly important event happened in December of 1901 in New Foundland * Why the American Government wanted to regulate wireless telegraphy * Reginald Fessenden, Christmas Eve, Oh Holy Night, and Brant Rock * The Titanic Disaster — How it changed wireless telegraphy forever * The Radio Box Memo * What's next? —————————— The WallBreakers: http://thewallbreakers.com Subscribe to Breaking Walls everywhere you get your podcasts. To support the show: http://patreon.com/TheWallBreakers —————————— A tremendous thank you to today's cast: Samantha De Gracia Olga Lysenko Justin Peele Nancy Pop Fernando Sanabria William Schallert & John Stephenson —————————— The reading material used in today's episode was: • Inventing American Broadcasting 1899-1922 by Susan J. Douglas • Empire of the Air by Tom Lewis • A Pictorial History of Radio's First 75 Years by B. Eric Rhoads • Hello Everybody! The Dawn of American Radio by Anthony Rudel & • The Network by Scott Woolley —————————— The interview clips in today's open: • Chuck Schaden, who's interviews can be found at http://www.speakingofradio.com and • Dick Bertel and the late Ed Corcoran's Golden Age of Radio program that ran on Hartford, CT's WTIC in the 1970s, who's interviews can be found at http://otrrlibrary.org —————————— Todays' introduction music of Clair de lune was arranged for harp and vibraphone by David DePeters and played by Elizabeth Hainen. You can pick up her album, Home: Works for Solo Harp on iTunes and Amazon, and listen on Spotify and Pandora. Her website is ElizabethHainen.com and she is on youtube @Elizabethhainenharp —————————— I'd also like to thank Walden Hughes and John and Larry Gassman of SPERDVAC - http://sperdvac.com/ That thank you also extends to the late Les Tremayne and late Jack Brown for their wonderful 1986 documentary series, Please Stand By: A History of Radio.

Fluent Fiction - Hebrew: Breaking Walls: Aviva's Empathy Unlocks Healing in Winter Find the full episode transcript, vocabulary words, and more:fluentfiction.com/he/episode/2025-02-28-23-34-02-he Story Transcript:He: ריח החורף המאוחר עדיין מתקתק באוויר.En: The scent of late winter still lingered in the air.He: אורות הפלאורסנטים במוסד הפסיכיאטרי זמזמו מעל ראשה של אביבה, אבל היא בקושי שמה לב אליהם.En: The fluorescent lights in the psychiatric institution hummed above Aviva's head, but she barely noticed them.He: התחנה שלה הייתה עמוסה בני בית מליהם, תיקים רפואיים וצגים מרצדים.En: Her station was cluttered with family members' belongings, medical files, and flickering monitors.He: מרים, החברה שלה לעבודה, המתינה לצידה.En: Miriam, her coworker, waited by her side.He: "את שוב במחשבות שלך," מרים אמרה ברכות.En: "You're in your thoughts again," Miriam said softly.He: "לגבי איתן?"En: "About Eitan?"He: אביבה נאנחה.En: Aviva sighed.He: "כן, אני לא מצליחה להפסיק לחשוב עליו."En: "Yes, I can't stop thinking about him."He: איתן היה חולה חדש במחלקה.En: Eitan was a new patient in the ward.He: הוא נלחם עם מה שחש כחומות גבוהות שסובבות אותו, ואביבה לא יכלה שלא להזדהות.En: He struggled with what felt like towering walls surrounding him, and Aviva couldn't help but empathize.He: היא זכרה את אחיה הקטן שהיה לו קשה בצורה דומה.En: She remembered her younger brother who had struggled similarly.He: "היום היה יותר טוב?" שאלה מרים, מתרגשת לשמוע שאולי יש חדש.En: "Was today any better?" Miriam asked, eager to hear if there was any news.He: "אני לא יודעת," ענתה אביבה בהיסוס.En: "I don't know," Aviva replied hesitantly.He: "הוא עשה כמה ציורים בגינה.En: "He drew a few pictures in the garden.He: אני יודעת שאסור לנו להרשות זאת, אבל הרגשתי שזה יכול לעזור."En: I know we're not supposed to allow it, but I felt it might help."He: מרים חייכה חיוך קטן.En: Miriam gave a small smile.He: "אנחנו חייבות גם להיות גמישות לפעמים."En: "We need to be flexible sometimes too."He: החלטתה של אביבה לתת לאיתן לצייר בגינה הייתה נקודת מפנה.En: Aviva's decision to let Eitan draw in the garden was a turning point.He: הוא התיישב בין העצים העירומים שהתחילו להראות סימני חיים עם ניצנים ירוקים קטנים.En: He sat among the bare trees that had just started showing signs of life with small green buds.He: שם, בין הענפים, הוא הרגיש חופשי ולא מוגבל בקירות המחלקה.En: There, among the branches, he felt free and not confined by the ward's walls.He: ביצירות שלו החלו להופיע צורות וצבעים חדשות, כאילו היה העולם כולו בתוך מוחו.En: New shapes and colors began to appear in his creations, as if the whole world was inside his mind.He: באחד הימים, כשישבו יחדיו בחדר, איתן לפתע פתח וסיפר לאביבה על הטראומה שעבר.En: One day, while they were sitting together in the room, Eitan suddenly opened up and told Aviva about the trauma he had experienced.He: דמעות ירדו על לחייו, ואביבה ידעה שהחומות מתחילות להיפרץ.En: Tears fell down his cheeks, and Aviva knew the walls were beginning to crumble.He: "אני פה בשבילך," אמרה אביבה ברכות.En: "I'm here for you," Aviva said gently.He: היא הבינה שהגישה שלה, המשלבת בין הכללים לעולם האמפתיה, היא שהובילה לפריצת הדרך הזו.En: She understood that her approach, blending rules with a world of empathy, led to this breakthrough.He: הסיפור של איתן התחיל להשתנות.En: Eitan's story began to change.He: הוא נראה נינוח יותר, וקשרים חדשים נבנו בינו לבין העולם.En: He seemed more at ease, and new connections were being formed between him and the world.He: ליל החורף האחרון נמוג לאטו, ויחד איתו, גם הפחדים של איתן.En: The last night of winter faded slowly, and along with it, Eitan's fears.He: אביבה למדה לאזן בין אמפתיה לאובייקטיביות ושוב הביטחון שלה כאחות רק התחזק.En: Aviva learned to balance empathy and objectivity, and once again her confidence as a nurse only grew stronger.He: העתיד נראה בהיר יותר.En: The future looked brighter. Vocabulary Words:scent: ריחlinger: להתבשםfluorescent: פלורסנטיpsychiatric: פסיכיאטריinstitution: מוסדcluttered: עמוסהbelongings: מליהםempathize: להזדהותhesitantly: בהיסוסflickering: מרצדיםturning point: נקודת מפנהtrauma: טראומהcrumble: להיפרץempathy: אמפתיהobjectivity: אובייקטיביותconfidence: ביטחוןmonitor: צגpermission: הרשאהbare: עירומיםbud: ניצןconfined: מוגבלcreations: יצירותapproach: גישהbreakthrough: פריצת דרךease: נינוחfaded: נמוגstruggle: להיאבקtogether: יחדיוtear: דמעהwalls: חומותBecome a supporter of this podcast: https://www.spreaker.com/podcast/fluent-fiction-hebrew--5818690/support.

Support Breaking Walls at https://www.patreon.com/thewallbreakers Network radio opened 1949 fresh off its fourteenth consecutive year of record earnings. Total network revenue exceeded Two-hundred-ten million dollars. Broadway Is My Beat first took to the air over CBS from New York on February 27th, 1949, It starred Anthony Ross and was directed by John Dietz. Dietz was a prolific radio man in the 1940s. He helped get Suspense off the ground and had success with New York-based shows like Casey, Crime Photographer. Early CBS press material for the show told how “as a kid, Danny Clover sold papers and shined shoes along the Great White Way. He later walked the beat as a policeman and knows everything along Broadway—from pan handler to operatic prima donna—but he's still sentimental. The street is forever a wonderland of glamor to him.” CBS was in the middle of the “Packaged Program Initiative.” When head of CBS William Paley returned from World War II in 1946, he saw his network behind NBC in ratings, revenue, and star power. Paley decided to greenlight and cost-sustain shows in order to develop hits not controlled by advertising agencies. The gamble paid off. By February of 1949 CBS had found success with sitcoms like My Friend Irma and Our Miss Brooks. The network was also using capital gains tax laws to sign production deals with stars like Jack Benny, George Burns, Gracie Allen, Red Skelton, and Bing Crosby. For a deep dive on this, please tune into Breaking Walls episodes 108 through 112. Meanwhile, after fifteen weeks Broadway is My Beat was floundering. CBS was going to pull the plug at the end of May when NBC found its first post-talent raid hit. A new police procedural, Dragnet, launched on June 3rd, 1949. The brainchild of Jack Webb, it was unlike anything heard on the air at that point. CBS brass decided to move Broadway is My Beat's production to Hollywood. Elliott Lewis was by then starring as Frankie Remley on The Phil Harris and Alice Faye Show and helping to edit scripts for Bill Spier on Suspense. With the urging of men like Spier and Bill Robson, Lewis was given the chance to direct the newly migrated series. He was born in Manhattan on November 28th, 1917. He told Radio Life, “You should hear the city constantly. Even the people in New York are noisy.” Three soundmen were often needed to re-create that New York flavor. Lewis immediately tabbed Morton Fine and David Friedkin to write the series. Here's Morton Fine. Lewis' first episode came on Thursday, July 7th, 1949 when the repackaged Broadway is My Beat debuted as a summer replacement for The FBI In Peace And War. Larry Thor would star as Danny Clover. The change in tenor was immediately evident. Rounding out the regular cast was Charles Calvert as Tartaglia and Jack Kruschen doubling as both Sergeant Muggavan and Doctor Sinski. The last episode of the seven week summer run was “The Val Dane Case,” airing on August 25th, 1949. By then the show had begun to hit its stride. Broadway is My Beat stretched for the poetic metaphor and if the tone was sometimes heavy and wordy, the scenes were gritty, and the crimes were less-than-glamorous. After the initial summer run, the CBS network executives were happy with Elliott Lewis' work and decided to bring the show back in the fall.

Today hear from Christine and Toni about balancing running and lifting, why Christine isn't afraid of the marathon distance anymore, how Toni is finding her new love in lifting weights, breaking down some mental walls and how Toni has helped her athlete unlock new speeds! We are pumped to be back at weekly podcast episodes and we are really excited about some of the guests and stories we are going to be brining to you this season! ------------------------------------------ You can find us at ⁠⁠⁠⁠⁠⁠https://www.relentlessrunners.com/⁠⁠⁠⁠⁠⁠ RR IG ⁠⁠⁠⁠⁠⁠@relentlessrunners⁠⁠⁠⁠⁠⁠ Toni's IG ⁠⁠⁠⁠⁠⁠@tonikengor⁠⁠⁠⁠⁠⁠ Christine's IG ⁠⁠⁠⁠⁠⁠@chrissy.nich.runs⁠

Support Breaking Walls at https://www.patreon.com/thewallbreakers Well we've reached the end of our look at Yours Truly Johnny Dollar and New York City in January of 1956. It would be impossible to tell a complete story on either subject within one episode. For more info on the history of Yours Truly Johnny Dollar, please tune into Breaking Walls episode 102. As far as New York City goes, don't worry we'll be staying right here in the next episode of Breaking Walls. Next time on Breaking Walls, it's February of 1950 and we're following detective Danny Clover on his beat, from Times Square to Columbus Circle. It's the gaudiest, the most violent, the lonesomest mile in the world.

Sapir is a community organizer, lecturer and a law phd candidate. She is the co-founder of Breaking Walls, a feminist grassroots organization, and the founder of "Mizrachion: The People's Archive for Social and political Movements in Israel." Her work spans legal advocacy, grassroots activism, and feminist community organization, focusing on poverty eradication, and support and solidarity between underprivileged populations. She has led campaigns for public housing, projects to protect the freedom to protest, against police brutality, and against the deportation of African refugees and the release of abused women prisoners. In this episode she tells her story of disillusionment, and how she reached the point of trying to stop Israeli settlers with her own body from blocking and vandalizing aid trucks to Gaza this past summer.  . Check out my Patreon: https://www.patreon.com/Yehavit  **** A few important disclaimers: This podcast was created and funded privately by me. I don't belong to any organization, nor does it represent anyone other than myself. Secondly, I don't intend this content to provide a justification or excuse for the actions people interviewed did in their past, but rather to learn from their personal experiences and gain insight as to what the process of transformation looks like. Certain parts of the episode could be triggering for you, and I advise taking into consideration that some of the events discussed are morally and ethically challenging (to say the least). . And lastly: I acknowledge the traditional custodians of the land on which I work as the indigenous people of this country, and pay my respects to their elders, past and emerging. **** Thank you Roy Geva for the soundtrack . You can contact me at @yehavit on Instagram (or write to yehavit@gmail if you're not on Instagram) . Stuff we mentioned: Breaking Walls: https://shovrot.org.il/en/  . https://www.972mag.com/shovrot-kirot-mizrahi-feminist-activism/  . https://www.youtube.com/watch?v=I5P4la6fwUY . Anat Kamm: https://en.wikipedia.org/wiki/Anat_Kamm  . Tarabout-HitKhabrout: https://he.wikipedia.org/wiki/%D7%AA%D7%A8%D7%90%D7%91%D7%95%D7%98  . Doco Rights:  . ACRI: https://www.english.acri.org.il/  . Dalal Daud: https://www.timesofisrael.com/woman-who-killed-abusive-husband-gets-early-release/  . “Israeli Human Rights Lawyer Attacked While Documenting Settler Raid on Gaza Aid Convoy” (Democracy Now interview): https://www.youtube.com/watch?v=CaJa3dUfpYY

Support Breaking Walls at https://www.patreon.com/thewallbreakers Much ink has been spilled on Breaking Walls this year talking about Suspense. For more information on the series in 1944, please tune into Breaking Walls episode 154. The Thanksgiving 1944 episode was called “The Fountain Plays” starring Charles Laughton. It's a story filled with murder, blackmail, and cover-up. The original tale was penned by Dorothy L. Sayers adapted by Robert L. Richards. Richards is famous for having written “The House in Cypress Canyon,” a noted Suspense classic. This is the first of twenty-nine weeks of Roma commercials featuring society figure and entertaining expert Elsa Maxwell. She offers her hard-earned wisdom about wine and other beverage selections. Maxwell was a gossip columnist and writer with occasional movie appearances, but known for her elaborate parties. She is credited with adding games to parties, such as scavenger hunts, to make them more interesting beyond the idle chatter of who was seen with whom or who was invited and who wasn't. Maxwell rose from a lower middle class life in San Francisco to being the host of parties that included big stars and royalty. Elsa Maxwell does not play herself, instead she's played by noted radio actress Lucille Meredith.

Support Breaking Walls at https://www.patreon.com/thewallbreakers Much ink has been spilled on Breaking Walls this year talking about Suspense. For more information on the series in 1944, please tune into Breaking Walls episode 154. On Thursday November 2nd, 1944, Van Johnson made his first appearance on “radio's outstanding theater of thrills” in “The Singing Walls.” In this Cornell Woolrich story, a man is drugged by gangsters to be framed for a crime. All he can remember is that music seemed to be coming out of the walls that surround him. Van Johnson started on Broadway in the mid-1930s and was selected as the understudy for Gene Kelly in Pal Joey. Lucille Ball got him an audition in Hollywood. From then on he was a “boy next door” handsome Hollywood star. At the time of this Suspense appearance, radio columns were commenting about the frequency of his appearances on radio's biggest programs. He was on all of the big comedy and variety shows as well as dramatic programs, often appearing on radio multiple times a week, sometimes daily, during this period of his career.

Support Breaking Walls at https://www.patreon.com/thewallbreakers Well, we're back where we started, but we're not the same. I mentioned at the beginning of this episode that when you run on the treadmill to oblivion, you don't always go where you want, but you get in shape doing it. When I began Breaking Walls ten years ago I envisioned it as a sit-down interview show. Over time it slowly morphed into on the scene reporting, and eventually a history of U.S. Network Radio Broadcasting. When I made this programming switch permanent in February of 2018 I didn't know how long I'd be able to keep it up. In many ways these documentaries have been a means of teaching myself the business of broadcasting in order to use the past to inform the present. They've also been about teaching myself how to be a good writer, sound designer, and narrator. My life has undergone many changes in the past six and a half years. I now have paid work in the world of audio thanks to Breaking Walls. This paid work is encroaching upon my time and honestly, it's paid. It needs to be a priority. This is a long-winded way of saying that I need to take a break from the treadmill. So, for the next three months Breaking Walls is undergoing a change. Don't worry! I'm still going to put out new content. You'll still see an episode 156 of Breaking Walls, which, incidentally, will feature shows from Halloween 1944. Rather than contain my narration and sound design as one giant documentary, they'll be standalone radio shows with the usual information written into the description of each track. I'm also going to continue to post the Breaking Walls archives to Youtube, and post additional content on Patreon.com/TheWallBreakers. On Patreon the next episode will drop early as one giant playlist of shows. I've been on the fence about how and when to pause. Eighty months is a long time to run on any treadmill without a break. Given that this was the tenth anniversary of the launch of Breaking Walls, I feel like it's a good time to give myself that break. You never know, when you close one door — even temporarily like this is — what good things can come in through a window or a side. My plan is to come back to documentary-style episodes of Breaking Walls on January 1st, 2025. (Half Pause) The reading material used in today's episode was: • On The Air — By John Dunning • Gleason's Second Honeymoon — By Pete Hammil • The Great One: The Life and Legend of Jackie Gleason — By William A. Henry • Network Radio Ratings — By Jim Ramsburg As well as articles and features from • Broadcasting Magazine • Ephemeral New York • The Library of Congress • Naval History and Heritage Command • The New York Times • The Sydney Morning Herald (Half Pause) On the interview front: • Don Ameche spoke with Chuck Schaden. Hear this full chat at Speakingofradio.com. • Mel Allen and Edgar Bergen spoke to Dick Bertel and Ed Corcoran for WTIC's The Golden Age of Radio. Hear these interviews at Goldenage-WTIC.org • Norman Corwin spoke with John Dunning for his 71KNUS program from Denver. • Bob Hope spoke with Dick Cavett • Gene Tierney spoke with Mike Douglas • Fred Allen spoke with Tex McCrary and Jinx Falkenburg (Half Pause) I'd like to thank Chuck Schaden, the late Dick Bertel, the late John Dunning, and SPERDVAC. Without these people and their tremendous work I'd never have been able to do a single episode of Breaking Walls. I'd also like to thank Dr. Joseph Webb for opening the door for me into this world.

Support Breaking Walls at https://www.patreon.com/thewallbreakers What you're about to hear is the Sunday, December 24th, 1944 at 3PM WMCA broadcast of New World A' Coming. It's a Christmas musical show. For more info on New World A' Coming, please tune into the previous act on this series within this episode of Breaking Walls.

Support Breaking Walls at https://www.patreon.com/thewallbreakers The man you just heard is Norman Corwin. The piece of his, which Orson Welles is narrating, that you've heard thus far throughout this episode of Breaking Walls, is “New York: A Tapestry For Radio.” The first broadcast of this piece originally aired on May 16th, 1944 as part of a City Trilogy within CBS' Columbia Presents Corwin. That version had Martin Gabel as narrator. One year later it was rebroadcast with Welles taking over for Mr. Gabel. By 1944 Norman Corwin had free rein over his productions. In six years he'd gone from a network rookie to the most-lauded creator on the air. He was now the poet-laureate of radio, a nickname which would stick with him the rest of his life. One of his favorite people to work with was Orson Welles. I've recently covered Norman Corwin in great detail within episode 153 of Breaking Walls. For more info, please tune into that. In the meantime, here's the rest of “New York: A Tapestry for Radio.”

Support Breaking Walls at https://www.patreon.com/thewallbreakers It's February 1944 and we're in the U.S. Fleet Post Office at 80 Varick Street. 80 Varick Street is in the Hudson Square area of Manhattan just north of Canal Street and southeast of the Holland Tunnel to New Jersey. The street itself is named for Richard Varick, an early New York lawmaker, landowner, and mayor from 1789 to 1801. The Fleet Post Office was established on July 1st, 1943. Previously, mail addressed to naval personnel serving overseas was handled by Navy mailmen at the Morgan Annex of the New York General Post Office. When CBS' World News Today signed on Sunday February 20th, 1944 at 2:30PM eastern time, the allied forces had just begun “Big Week,” a six-day strategic bombing campaign against the Third Reich. By the time it ended on February 25th, German cities Rostock and Augsburg had been bombed, as well as several Dutch cities near the German border. The Germans also lost more than three-hundred-fifty aircrafts, and most importantly, more than one-hundred pilots. Lieutenant. A. E. Newton is in charge of this post office, but with forces in the European Theater growing larger by the day, it was already obvious this post-office has reached max capacity. Space was being acquired on Pier 51 of the Hudson River to handle the expected increase of letters and parcels to fighting servicemen. Here's Bill Slocum Jr. at the Fleet Post Office discussing how V-Mail works. In September 1944 the Parcel Post Section was moved to Pier 51. The Fleet Post Office continued until the end of the War. By January 1946, with many troops home, most of its functions had been moved back to the General Post Office. World News Today's sponsor, The Admiral Corporation, was originally known as the Transformer Corporation of America. By 1929 it was the biggest supplier of radio parts in the world. Bankruptcy ensued, but in 1936 owner Ross D. Siragusa purchased the right to change the name to Admiral Corporation America Inc. They began sponsoring World News Today in 1942. For a longer look at the news from this week, tune into Breaking Walls episode 148. Meanwhile, as the weather warmed on April 6th, 1944 the U.S. celebrated “Army Day,” while Al Trace and His Silly Symphonists took to the air over Mutual Broadcasting from the Plantation Room in the Dixie Hotel. The Dixie Hotel opened on West 43rd street between 7th and 8th avenue in 1930. It featured one-thousand rooms and a bus terminal which occupied the entire ground floor. Buses arriving at the terminal would drive onto a turntable, which would then rotate to the proper slip. Two sets of doors, one on either side of the terminal, led from the loading area to the waiting room. The waiting room had a cafe, newsstand, ticket booths, and elevators leading to the hotel's lobby. The hotel was developed by the Uris Buildings Corporation, which announced plans for the site in September 1928. A year after it opened it was foreclosed on. The Bowery Savings Bank ran it until in 1942, when the Dixie became part of the Carter Hotels chain. That year the Dixie Lounge Bar opened on the first floor. Decorated in a Southern Colonial style, it could be accessed from the lobby, the dining room, and directly from the street. The nightclub, along with the adjacent Plantation Room restaurant, fit five-hundred people. The Bus depot became redundant when the Port Authority Bus Terminal opened nearby in 1950. It was closed in 1957. Carter attempted to rehabilitate the hotel several times, even renaming it The Carter Hotel in 1976. They sold it the next year. New Yorkers knew this hotel as one of the worst in the city. It was closed in 2014.

Support Breaking Walls at https://www.patreon.com/thewallbreakers Our first stop is January, 1944. We're at Central Park. By 1944 Central Park, nearly one-hundred years old, was in the midst of renewal. Parks Commissioner Robert Moses had spent the past decade developing playgrounds, ballfields, handball courts, and other working class elements. In 1943 the restoration of the Harlem Meer was completed. "Please Keep off the Grass" signs, which had once dotted the meadows, were a thing of the past. Why are we in Central Park? Because over on the west coast, on Saturday January 22nd, Bob Hope, Dennis Day, and Joan Leslie appeared in a skit for Command Performance entitled “She Slapped His Face Under The Elevated Because He Only Had A One-Track Mind.” It was set in Central Park. In January of 1944 Bob Hope was radio's top comedian. His own show rating that month was 34.6. More than twenty-six million people were tuning in to hear him each week. Hope spent most of his time entertaining troops. For more info on Bob Hope in 1944, please tune into Breaking Walls episode 148. Five days after D-Day on June 11th, 1944, the park opened Weapons of War: An Exhibit of the Army Service Forces on the Great Lawn. Over the next two weeks, six-hundred thousand people came to see displays contrasting America's War Equipment with that of the Axis. The exhibit was organized by units: The Quartermaster Corps, the Chemical Warfare Service, the Medical Department, the Signal Corps, Ordnance, the Corps of Engineers, and the Transportation Corps. Each hour a flamethrower demonstration was staged for a grandstand which seated twenty-five-hundred people. The expo was in conjunction with the fifth War Bond Drive. #podcast #oldradioshows #oldtimeradio #historypodcast #oldtimeradioshows #editorial #1944 #centralpark #bobhope #joanleslie #dennisday

https://www.patreon.com/thewallbreakers I've mentioned a few times before within Breaking Walls episodes that I try to be as unbiased as possible. I want Breaking Walls to be a true documentary, so I leave the op-eds for everyone else. But this is my tenth anniversary as a podcaster so I'll share. I spent the first ten years of my life living in a house where the people there were born between 1918 and 1989. It was in Bensonhurst, Brooklyn. There was a park across the street. Around 1900 that park wouldn't have been there. It would have been Indian Pond. Who knows how many thousands of years people congregated at that pond. My great-grandmother was in my life until I was 24. She grew up on Cherry Street in Manhattan's Lower East Side. By the time I came along everyone had heard her stories ten times over, but I loved sitting with her, playing cards and sharing bagels with Country Crock Shedspread, while she told me about her Italian immigrant parents, living through the depression and World War II. She had mixed feelings about Mussolini, but was a deep supporter of FDR. She loved Lawrence Welk and watched Jeopardy and Wheel of Fortune. Her father was a believer in women's rights and a huge New York Giants baseball fan. He died of a heart attack on June 26th, 1951, one hundred days before Bobby Thompson's shot heard round the world. The interesting thing is, I have no recollection of talking to her about the radio shows she loved to listen to in the 1930s and 40s. Her second daughter is my grandmother. Tough, outspoken, smart, she takes no guff from anyone and can curse with the best of them. Her husband, my grandfather, was the person I spent the most time with, playing baseball, going to Coney Island, and eventually, introducing me to radio shows on Christmas Day 1999. He was the 9th of 11 kids from an Irish Catholic family in Sunset Park, Brooklyn. What was his favorite radio show growing up? Thanks to him, I've spent the past twenty-five years listening to radio shows from the “Golden Age of Radio” be they comedy, drama, detective, western, soap opera, news broadcasts or otherwise. Occasionally, someone with my last name would crop up, like on the Saturday, May 12th, 1951 episode of Broadway is My Beat. I've spent the past seven years making monthly documentaries on radio history; More than eighty of them now. One a month, without fail. I've also found the time to write new audio fiction, like Burning Gotham, the historical fiction audio soap opera set in 1835 New York City. It was a 2022 Tribeca Film Festival audio selection. People often don't know how to introduce me at professional functions. Am I a radio historian? Audio fiction developer? Director? Narrator? Actor? Like a lot of people who figure something out on their own, I'm a little bit of everything. I'm now as much a New York historian as I am a radio historian. I guess all roads do lead home. I've won awards, been complimented and critiqued, passed up social and other life opportunities, and you know what, I found direction, not just through a hobby, but with some kind of desire that burns deep inside of myself. It's what I wanted ten years ago. Or maybe it's because I can't share these documentaries with my grandfather anymore. He's out there in the ether somewhere. I hope he tunes in once in a while. The flame doesn't always burn with the same degree of brightness. I'm a New Yorker. Ambitious unmonetized hobbies are like masochistic anchors. Would stopping this be an act of cowardice or would it lighten the load? Any time I want to pack up and move on I think, how can I? I want to help preserve and grow this medium, both creatively and financially. Blood of my blood, flesh of my flesh. If I'm in for a penny, I'm in for a pound. Would my 2014 self be proud seeing where I've come to? Ultimately, yes. That's the thing about running on the treadmill to oblivion, you don't always go where you want to, but you get in shape doing it.

Support Breaking Walls at https://www.patreon.com/thewallbreakers That brings our look at the early years of Suspense to a close. Suspense would remain a hollywood production until the waning days of radio drama in 1959 when Bill Robson was directing it and this happened. Ordinarily here's where you'd get a sneak peek at next month's episode of Breaking Walls. Next month's episode, however, is significant. Sometimes you've got to go back to the beginning in order to know where you've been. Next month on Breaking Walls we celebrate the tenth anniversary of the show with what? Well, I can't reveal everything, you'll just have to stay tuned.

Support Breaking Walls at https://www.patreon.com/thewallbreakers The man you just heard is famed actor Vincent Price. While Price was a film star, he had a unique contract which allowed him to act in as much radio as he wanted. By early June 1944 Price was thirty-three years old and had starred on Broadway and appeared in more than ten films. On Thursday June 1st and then again on Monday June 5th for the west coast, Price appeared with Ida Lupino in an episode of Suspense called “Fugue in C Minor.” Written by Lucille Fletcher, it's a horror story about a widower and woman who fall in love through their sharing of classical music. As their relationship progresses, the woman learns the man's children think their father murdered their mother and hid her body in a room behind the mechanism of their home's pipe organ. The instrument is so large it is part of the very structure of the house. While Vincent Price was very comfortable working in radio, many film stars weren't. By the time this west coast version of Suspense was airing Monday June 5th, 1944 at 9PM over KNX, allied soldiers were in their boats, slowly making their way across the English channel to begin their invasion of the Normandy coast of France. This would be Vincent Price's last broadcast before departing for military service. For more info on the D Day invasion, tune into Breaking Walls episode 152 which covers the entire broadcast day.

Support Breaking Walls at https://www.patreon.com/thewallbreakers In May of 1944 Orson Welles appeared on Suspense three times. The first of which was on May 4th in “The Dark Tower,” a play originally written by George S. Kaufman and Alexander Woollcott. Adapted for Suspense by Peter Barry, Woollcott had died in January of 1943. In many ways, the play is a satire of Welles' friend, John Barrymore, and it's ripe with innuendo and other inside humor. Featured in this episode as Jessica was Jeanette Nolan. Like so often in Bill Spier's productions of Suspense, Hans Conreid played a villain. Here's fellow actor Byron Kane talking about Orson Welles and Hans Conreid. On May 15th, 1944, Orson Welles was placed on the U.S. Treasury payroll to consult for the duration of the war. His pay: an honorary one dollar. On May 18th Welles starred in part one of “Donovan's Brain,” based on the 1942 Curt Siodmak novel. Welles played Dr. Patrick Cory, who successfully learns to keep a brain alive outside the human body. The sound-effects were outstanding for their time. “Donovan's Brain” is considered one of the first adult science-fiction broadcasts. After this evening's show, Orson Welles and Bill Spier were having dinner at the Players Restaurant in Los Angeles when Spier suffered his second major heart attack in ten months. He was immediately placed on bed rest. In the studio he was replaced by CBS executive Robert Lewis Shayon. Although he's once again recovered, heart problems continued to plague Bill Spier for the rest of his life. Just two days after the west coast broadcast of part two of “Donovan's Brain”, Welles spoofed it on his Orson Welles Almanac program. Performed live at the Air Transport Command in Long Beach, California, among those in the cast for the parody were Suspense regulars John McIntire and Hans Conried. For more info on this time in Welles' career, tune into Breaking Walls episode 104.

Support Breaking Walls at https://www.patreon.com/thewallbreakers The man you just heard is Joseph Cotten. In 1944 he was guest-starring on various shows while also hosting Ceiling Unlimited. On March 23rd, 1944 Cotten starred in “Sneak Preview” written by Robert L. Richards. It's a story about a film director who becomes a temporary detective as he tracks down a double agent. Richards is perhaps most famous amongst Suspense fans for his 1946 script, “The House in Cypress Canyon.” Richards, Joe Cotten and Bill Spier had known each other since The March of Time in the 1930s. The rating for this episode was 9.5. More than seven million people tuned in. Suspense had gained a full ratings point and more than a million listeners in eight weeks. To hear Joseph Cotten on Ceiling Unlimited in 1944, please tune into Breaking Walls episode 150.

Support Breaking Walls at https://www.patreon.com/thewallbreakers The man you just heard is Hans Conried. In late 1943 he was thirty-six years old and all over radio. When Suspense moved to Hollywood, Conried quickly became part of William Spier's trusted circle of character actors, often playing more than one part. Conried honed his craft in the 1930s. To Bill Spier's credit, he did his best to allow them the time to have parts on other shows. Spier's rehearsals were known for their loose atmosphere. He selected the best radio actors to be part of the Suspense troupe. This circle included Wally Mayer, Jeannette Nolan, Joseph Kearns, John McIntire, and Lurene Tuttle. Lurene Tuttle later worked with Spier on The Adventures of Sam Spade. Spier had a habit of purposely going into a broadcast with a script that was a minute or two long so the actors were forced into high tension. Spier wouldn't allow a studio audience. He placed the orchestra behind a screen, out of sight of the cast so that the actors could better concentrate on their performance. Suspense found sponsorship in the fall of 1943 with Roma Wines. The show moved to Thursdays at 8PM eastern time. The first sponsored episode was called “The Black Curtain” and starred Cary Grant. It's the first time listeners heard both the phrases “A tale well calculated to keep you in Suspense” and “radio's outstanding theater of thrills.” Uniquely, West Coast and Mountain time would get a separate broadcast on Monday December 6th. This broadcast split would continue until September of 1944. The next month on January 13th, 1944 Lucille Ball starred in an episode called “Dime a Dance.” The script was based on a story by Cornell Woolrich and adapted by Bob Tallman. Tallman wrote scripts in a single day with edits done in the hour between rehearsal and broadcast. Thirty-two and a seasoned film actress, in 1944 Ball began to carve out a second career on the radio. She appeared on Duffy's Tavern, Abbott & Costello, and The Screen Guild Theater. In “Dime a Dance” she plays a dancer in a hall. A serial killer is targeting young women. Her character, Ginger Allen, gets involved in tracking the killer down. This episode's rating was 8.5. Roughly six million people tuned in. For more info on Lucille Ball's radio career, tune into Breaking Walls episode 100.

Thank you to those who recently supported the show at https://www.patreon.com/thewallbreakers. If you support Breaking Walls for as little as $1 a month, you'll get each episode's show early and in one long documentary. Each month's episode takes me somewhere between 30-60 hours of work time to complete and supporting through the Patreon does a LOT to help me keep doing the show and paying for hosting and other costs. I've been doing the show since February of 2018 and I'm honestly not sure how much longer I can do the show without being able to support it. At the $5 and up tier I'm posting other goodies and clips of historic radio interest. Right now I'm posting digitized transcriptions of CBS Dimension, CBS's magazine of the air in vignette form. It was sent to affiliates via records in the early 1960s and in some ways was an answer to NBC's Monitor. Expect these kinds of posts a couple of times per week. Also, a couple of times per month I'm going to release an old episode of Breaking Walls, which has fallen off the RSS feed, beginning with episode 75 to the Patreon feed. These will be available at the $1 and up tier and episodes 75, 76 and 77 have been uploaded. Anyway, in the next couple of days I'm going to have August's episode of Breaking Walls, #154: Stars on Suspense in 1944, uploaded to Patreon. Thank you for being listeners of this show, I really appreciate it. By the way, I don't always get a ton of feedback, so I don't know who's listening to Breaking Walls and who isn't. I just see the numbers. So if you have anything that you'd like to say or ask me about the show, please send me an email at James@TheWallBreakers.com.

Welcome to "Listen Up Younger Self." I'm your host, Heather Solomon, bringing you the real talk about the roller coasters of marriage, wild relationships, and navigating parenthood without a user manual. In this episode, we delve into the importance of showing vulnerability to our kids. We'll explore how putting up walls and always appearing strong can create emotional distance and unrealistic expectations. I'll share personal stories and discuss the long-term impact of not showing vulnerability. We'll also touch on practical steps to express emotions, admit mistakes, and ask for help, helping our children learn that it's okay to feel and show emotions. Let's break down stereotypes and build stronger, more empathetic relationships with our kids. Join me as we uncover how vulnerability can be a strength and a vital part of parenting. It's time to give ourselves and our children the grace to be human.   Connect with me, I'd love any suggestions for future episodes. Email: listenupyoungerself@gmail.com Facebook: https://www.facebook.com/heather.solomon.14 Instagram: https://www.instagram.com/heatherslmn/  

Hey everybody James Scully here, host of Breaking Walls. If you've been listening to this show for years on this RSS feed, I want you to know that you can also subscribe to the show on Youtube — www.youtube.com/@thewallbreakersllc. I'm asking people who listen here on the RSS feed to subscribe on Youtube because Youtube offers the easiest path to monetizing this show. I'm going to be fully transparent right now: There have been times in the history of this podcast that via RSS feed, Breaking Walls has had as many as 27000 - 30000 monthly downloads, but even with that, it's very hard to monetize the show via traditional podcast channels. However, I've been able to clear the monetization hurdles on Youtube, so please subscribe there. If you happen to listen on a computer or on a phone, I would appreciate if you listened via Youtube. I'm also going into Youtube and slowly uploading all shows from Breaking Walls' archive in individual podcast playlists on Youtube. This way, everything that for years now has fallen off the RSS feed here doesn't matter. You can get all those archived shows FREE OF CHARGE on Youtube. Your listening for free will enable me to earn money, and I'd appreciate that very much. So once again — www.youtube.com/@thewallbreakersllc Keep getting out there, keep breaking those walls, and I'll catch you on the flip side.

Here we are, back at Bill Pogue's. It's after 11PM. What do we know? Well, there are less people drinking here than last night, most would rather stay in and listen for updates. On the air over CBS right now is Joan Brooks. Me? I'm just trying to have that nightcap I started yesterday. There are still news bulletins coming out of Europe. It's almost dawn there. The men will be continuing their missions with D-Day: Plus 1 So far, we know that at least four-thousand Allied soldiers have been killed in the initial attack, but the German forces on the Normandy peninsula have either been killed, captured or forced to withdraw to Caen. I'm sure as we speak troops and equipment are being ferried across the Channel. I know the hope is that by the end of June we'll have nearly a million men in western Europe as we advance north from Italy simultaneously. With the Russians pushing Germany west it's only a matter of time, but the Germans won't go down without a fight. But, I know American resolve. We'll be up for the task, no matter how long it takes. It's why next month on Breaking Walls we'll move just a few weeks into the future and focus on Independence Day, 1944. —————————— The reading material used in today's episode was: • Radio Speakers--A Biographical Dictionary — By Jim Cox • On The Air — By John Dunning • Network Radio Ratings — By Jim Ramsburg As well as articles from • Broadcasting Magazine • CBSNews.com • GlobalNews.ca • LIFE Magazine • Military-History.org • The New York Times • The New York Daily News • Presidency.UCSB.edu • RadioArchives.com • Radio Daily —————————— On the interview front: • André Baruch, Mel Blanc, Ken Carpenter, Norman Corwin, Alice Frost, Barbara Luddy, Bret Morrison, Ken Roberts, Kate Smith, and Olan Soule spoke with Chuck Schaden. Hear these full chats at Speakingofradio.com. • Himan Brown, Staats Cotsworth, Jim Jordan, Mandel Kramer, and Jan Miner, spoke to Dick Bertel and Ed Corcoran for WTIC's The Golden Age of Radio. Hear these interviews at Goldenage-WTIC.org • Joan Banks spoke to SPERDVAC. For more info, go to SPERDVAC.com • Fran Carlon, John Daly, and Ben Grauer spoke for Westinghouse's 50th anniversary. • Ned Calmer, Doug Edwards, Lowell Thomas, Charles Osgood, and Bob Trout spoke to CBS for their 50th anniversary. • HV Kaltenborn spoke to NBC for their 50th anniversary • Charles Collingwood and Bob Trout spoke to the makers of Please Stand By • Bob Trout also spoke to the Television Academy • George Burns spoke with Barbara Walters • Red Skelton spoke with Dini Petty —————————— Selected music featured in today's episode was: • Romanian Folk Dances #3 — By Béla Bartók, played by Avi Avital • Wilderness Trail — By Walter Scharf for National Geographic —————————— A massive special thank you to Walden Hughes for supplying so many master quality recordings used in this D-Day episode. Listen to Walden's shows on the Yesterday USA radio network.

At 10PM, across all networks, the President of the United States Franklin D. Roosevelt, took to the air with a special prayer for the invading troops. Thirty-Five million Americans tuned in. It was the most-listened to broadcast of any kind which aired in 1944. At 10:15 Bob Hope took to the air with a special D-Day Broadcast. For more information on this year of Bob's life, tune into Breaking Walls episode 148. This is FDR's D-Day Prayer below: My fellow Americans: Last night, when I spoke with you about the fall of Rome, I knew at that moment that troops of the United States and our allies were crossing the Channel in another and greater operation. It has come to pass with success thus far. And so, in this poignant hour, I ask you to join with me in prayer: Almighty God: Our sons, pride of our Nation, this day have set upon a mighty endeavor, a struggle to preserve our Republic, our religion, and our civilization, and to set free a suffering humanity. Lead them straight and true; give strength to their arms, stoutness to their hearts, steadfastness in their faith. They will need Thy blessings. Their road will be long and hard. For the enemy is strong. He may hurl back our forces. Success may not come with rushing speed, but we shall return again and again; and we know that by Thy grace, and by the righteousness of our cause, our sons will triumph. They will be sore tried, by night and by day, without rest-until the victory is won. The darkness will be rent by noise and flame. Men's souls will be shaken with the violences of war. For these men are lately drawn from the ways of peace. They fight not for the lust of conquest. They fight to end conquest. They fight to liberate. They fight to let justice arise, and tolerance and good will among all Thy people. They yearn but for the end of battle, for their return to the haven of home. Some will never return. Embrace these, Father, and receive them, Thy heroic servants, into Thy kingdom. And for us at home - fathers, mothers, children, wives, sisters, and brothers of brave men overseas - whose thoughts and prayers are ever with them - help us, Almighty God, to rededicate ourselves in renewed faith in Thee in this hour of great sacrifice. Many people have urged that I call the Nation into a single day of special prayer. But because the road is long and the desire is great, I ask that our people devote themselves in a continuance of prayer. As we rise to each new day, and again when each day is spent, let words of prayer be on our lips, invoking Thy help to our efforts. Give us strength, too - strength in our daily tasks, to redouble the contributions we make in the physical and the material support of our armed forces. And let our hearts be stout, to wait out the long travail, to bear sorrows that may come, to impart our courage unto our sons wheresoever they may be. And, O Lord, give us Faith. Give us Faith in Thee; Faith in our sons; Faith in each other; Faith in our united crusade. Let not the keenness of our spirit ever be dulled. Let not the impacts of temporary events, of temporal matters of but fleeting moment let not these deter us in our unconquerable purpose. With Thy blessing, we shall prevail over the unholy forces of our enemy. Help us to conquer the apostles of greed and racial arrogancies. Lead us to the saving of our country, and with our sister Nations into a world unity that will spell a sure peace a peace invulnerable to the schemings of unworthy men. And a peace that will let all of men live in freedom, reaping the just rewards of their honest toil. Thy will be done, Almighty God. Amen.

In Breaking Walls episode 151 it's the spring of 1944 and Jack Benny's sponsor, General Foods, thinks he's in a slump. Benny got mad and it changed the broadcasting landscape forever. Tonight, we'll find out how and why. —————————— Highlights: • Benny's Early Radio Career in the 1930s and Ratings Peak • Early Problems with General Foods • Dennis Day Leaves for World War II • Jack Fires General Foods, Signs with American Tobacco • Dick Haymes Replaces Dennis Day as Singer • The Importance of Benny's Supporting Cast • Jack's Split Personality • Danny Kaye Guest Stars To Play Jack in A Movie • The Last General Foods Sponsored Show • Looking Ahead to D-Day's 80th Anniversary —————————— The WallBreakers: http://thewallbreakers.com Subscribe to Breaking Walls everywhere you get your podcasts. To support the show: http://patreon.com/TheWallBreakers —————————— The reading material used in today's episode was: • Sunday Nights at Seven — by Jack and Joan Benny • On The Air — By John Dunning • Network Radio Ratings — By Jim Ramsburg As well as articles from • Broadcasting Magazine • Radio Daily • Variety And a massive special thank you to William Cairns for providing me with invaluable research on Benny's 1940s run. William has a Jack Benny book on its way. —————————— On the interview front: • Jack Benny, Dennis Day, Phil Harris, Frank Nelson, and Don Wilson spoke with Chuck Schaden. Hear these full chats at Speakingofradio.com. • Mel Blanc and Mary Jane Higby spoke to Dick Bertel and Ed Corcoran for WTIC's The Golden Age of Radio. Hear these interviews at Goldenage-WTIC.org • Jack Benny, Dennis Day, Phil Harris, and Don Wilson were with Jack Carney • Dennis Day was also with John Dunning for his 1980s 71KNUS Radio program from Denver. • Orson Welles spoke to Johnny Carson —————————— Selected music featured in today's episode was: • The Hut on Fowl's Legs — By Modest Mussorgsky —————————— A special thank you to Ted Davenport, Jerry Haendiges, and Gordon Skene. For Ted go to RadioMemories.com, for Jerry, visit OTRSite.com, and for Gordon, please go to PastDaily.com. —————————— Thank you to: Tony Adams Steven Allmon Orson Orsen Chandler Phil Erickson Gerrit Lane Jessica Hanna Perri Harper Thomas M. Joyce Ryan Kramer Earl Millard Gary Mollica Barry Nadler Christian Neuhaus Ray Shaw Filipe A Silva John Williams Jim W. WildEyeWheel —————————— WallBreakers Links: Patreon - patreon.com/thewallbreakers Social Media - @TheWallBreakers

In the fall of 1944 after Jack's switch to Lucky Strike, General Foods did move a show opposite Jack. It wound up being The Kate Smith Show. The company uprooted Smith's Friday program, countering Benny with a One-Hundred-Seventy-Thousand-Dollar ad campaign. While they did temporarily put a dent into Benny's rating, Kate Smith lost forty-percent of her audience, dropping to ninety-third place in the overall ratings. The following season General Foods moved her back to Friday, but Kate Smith never again had another Top-fifty show. Well, that brings our look at Jack Benny's show in the spring of 1944 to a close. I mentioned that Benny's last episode for General Foods aired on June 4th, 1944. Our next episode of Breaking Walls will move only two days into the future, for perhaps the most important day in broadcasting history. Next time on Breaking Walls, we spotlight radio broadcasting on June 6th, 1944 to align ourselves with the Country's heartbeat on the day the invasion of western Europe finally began. The reading material used in today's episode was: • Sunday Nights at Seven — by Jack and Joan Benny • On The Air — By John Dunning • Network Radio Ratings — By Jim Ramsburg As well as articles from • Broadcasting Magazine • Radio Daily • Variety And a massive special thank you to William Cairns for providing me with invaluable research on Benny's 1940s run. William has a Jack Benny book on its way. On the interview front: • Jack Benny, Dennis Day, Phil Harris, Frank Nelson, and Don Wilson spoke with Chuck Schaden. Hear these full chats at Speakingofradio.com. • Mel Blanc and Mary Jane Higby spoke to Dick Bertel and Ed Corcoran for WTIC's The Golden Age of Radio. Hear these interviews at Goldenage-WTIC.org • Jack Benny, Dennis Day, Phil Harris, and Don Wilson were with Jack Carney • Dennis Day was also with John Dunning for his 1980s 71KNUS Radio program from Denver. • Orson Welles spoke to Johnny Carson Selected music featured in today's episode was: • The Hut on Fowl's Legs — By Modest Mussorgsky

Hey everybody James Scully here, host of Breaking Walls. If you've been listening to this show for years on this RSS feed, I want you to know that you can also subscribe to the show on Youtube — www.youtube.com/@thewallbreakersllc. I'm asking people who listen here on the RSS feed to subscribe on Youtube because Youtube offers the easiest path to monetizing this show. I'm going to be fully transparent right now: There have been times in the history of this podcast that via RSS feed, Breaking Walls has had as many as 27000 - 30000 monthly downloads, but even with that, it's very hard to monetize the show via traditional podcast channels. However, I've been able to clear the monetization hurdles on Youtube, so please subscribe there. If you happen to listen on a computer or on a phone, I would appreciate if you listened via Youtube. I'm also going into Youtube and slowly uploading all shows from Breaking Walls' archive in individual podcast playlists on Youtube. This way, everything that for years now has fallen off the RSS feed here doesn't matter. You can get all those archived shows FREE OF CHARGE on Youtube. Your listening for free will enable me to earn money, and I'd appreciate that very much. So once again — www.youtube.com/@thewallbreakersllc Keep getting out there, keep breaking those walls, and I'll catch you on the flip side.

In Breaking Walls episode 150 we parachute into Easter Sunday, 1944 for a day of radio, recollections, and reconciliation. It's now less than two months before D-Day and U.S. citizens are awaiting word of a full-scale European invasion with held breath. —————————— Highlights: • Cracks In The Nazi Foundation • Invitation To Learning at 11:30AM • Ceiling Unlimited with Joseph Cotton at 2PM • The Life of Riley at 3PM • Bulldog Drummond at 3:30PM • The Shadow at 5:30PM • The Catholic Hour & Radio Hall of Fame at 6PM • The Great Gildersleeve at 6:30PM • Jack Benny and The Mysterious Traveler at 7PM • Edgar Bergen and Charlie McCarthy at 8PM • Fred Allen at 9:30PM • Bob Crosby and The Thin Man at 10PM • Duke Ellington and The News at 11:15PM • Looking Ahead to Jack Benny Changing Sponsors —————————— The WallBreakers: http://thewallbreakers.com Subscribe to Breaking Walls everywhere you get your podcasts. To support the show: http://patreon.com/TheWallBreakers —————————— The reading material used in today's episode was: • Treadmill to Oblivion & Much Ado About Me — By Fred Allen • Citizen Welles — By Frank Brady • On The Air — By John Dunning • Invitation To Learning — By Martin Grams Jr. • Network Radio Ratings — By Jim Ramsburg —————————— On the interview front: • Don Ameche, George Balzer, Jack Benny, Conrad Binyon, Himan Brown, Joseph Cotton, Shirley Mitchell, Brett Morrison, Les Tremayne, and Paula Winslowe spoke with Chuck Schaden. Hear these full chats at Speakingofradio.com. • Jackson Beck, Edgar Bergen, and Hans Conreid spoke to Dick Bertel and Ed Corcoran for WTIC's The Golden Age of Radio. Hear these interviews at Goldenage-WTIC.org • Ralph Bell and Himan Brown spoke to SPERDVAC. For more info, go to SPERDVAC.com • Jack Kruschen and Shirley Mitchell spoke to Jim Bohannon in 1987 • Jack Benny spoke with Jack Carney • Fred Allen spoke with Tex McCrary and Jinx Falkenburg • Parker Fennelly spoke with David S. Siegel • Duke Ellington spoke with Dick Cavett —————————— Selected music featured in today's episode was: • Besame Mucho — By Jimmy Dorsey and His Orchestra • Danse Macabre — By Camille Saint-Saëns —————————— A special thank you to Ted Davenport, Jerry Haendiges, and Gordon Skene. For Ted go to RadioMemories.com, for Jerry, visit OTRSite.com, and for Gordon, please go to PastDaily.com. —————————— Thank you to: Tony Adams Steven Allmon Orson Orsen Chandler Phil Erickson Gerrit Lane Jessica Hanna Perri Harper Thomas M. Joyce Ryan Kramer Earl Millard Gary Mollica Barry Nadler Christian Neuhaus Ray Shaw Filipe A Silva John Williams Jim W. WildEyeWheel

When we were last with Throckmorton P. Gildersleeve in episode 149 of Breaking Walls he was gearing up for his local mayoral campaign, while simultaneously struggling to break away from his ex-fiancé Leila Ransom, voiced by the just-heart Shirley Mitchell. On Easter Sunday, Gildy's mayoral campaign for Summerfield officially began, and he went to church. This episode took to the air at 6:30PM eastern time over WEAF in New York. Its rating was 17.9. Nearly fourteen million people tuned in while having Easter Sunday dinner.

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In Breaking Walls episode 149 we'll spend March of 1944 with Hal Peary and The Great Gildersleeve. —————————— Highlights: • The Men And Women On The Front Lines of War War II in March 1944 • Hal Peary and the Birth of Gildersleeve on Fibber McGee and Molly • The First Ever Sitcom Spin Off and The Great Gildersleeve Premieres • Registering To Vote • Mid March 1944 News with NBC War Telescope • Gildy Wants to Run For Mayor • The Campaign Photo • A Night In A Foxhole • Looking Ahead to Easter Sunday 1944 —————————— The WallBreakers: http://thewallbreakers.com Subscribe to Breaking Walls everywhere you get your podcasts. To support the show: http://patreon.com/TheWallBreakers —————————— The reading material used in today's episode was: • On The Air — By John Dunning • Network Radio Ratings — By Jim Ramsburg As well as articles from: • Broadcasting Magazine • The Library of Congress • The New York Times • Radio Daily —————————— On the interview front: • Ken Carpenter, Alice Faye, Shirley Mitchell, Frank Nelson, Hal Peary, Lilian Randolph and Lurene Tuttle spoke with Chuck Schaden. Hear these chats at Speakingofradio.com. • Shirley Mitchell also spoke with Jim Bohannon in 1987. • Howard Duff spoke to Dick Bertel and Ed Corcoran for WTIC's The Golden Age of Radio. Hear these interviews at Goldenage-WTIC.org • Don Quinn spoke with Owen Cunningham —————————— Selected music featured in today's episode was: • Besame Mucho — By Jimmy Dorsey and His Orchestra • Danse Macabre — By Camille Saint-Saëns —————————— A special thank you to Ted Davenport, Jerry Haendiges, and Gordon Skene. For Ted go to RadioMemories.com, for Jerry, visit OTRSite.com, and for Gordon, please go to PastDaily.com. —————————— Thank you to: Tony Adams Steven Allmon Orson Orsen Chandler Phil Erickson Gerrit Lane Jessica Hanna Perri Harper Thomas M. Joyce Ryan Kramer Earl Millard Gary Mollica Barry Nadler Christian Neuhaus Ray Shaw Filipe A Silva John Williams Jim W. —————————— WallBreakers Links: Patreon - patreon.com/thewallbreakers Social Media - @TheWallBreakers

Hey everybody James Scully here, host of Breaking Walls. If you've been listening to this show for years on this RSS feed, I want you to know that you can also subscribe to the show on Youtube — https://www.youtube.com/@thewallbreakersllc. I'm asking people who listen here on the RSS feed to subscribe on Youtube because Youtube offers the easiest path to monetizing this show. I'm going to be fully transparent right now: There have been times in the history of this podcast that via RSS feed, Breaking Walls has had as many as 27000 - 30000 monthly downloads, but even with that, it's very hard to monetize the show via traditional podcast channels. However, I've been able to clear the monetization hurdles on Youtube, so please subscribe there. If you happen to listen on a computer or on a phone, I would appreciate if you listened via Youtube. I'm also going into Youtube and slowly uploading all shows from Breaking Walls' archive in individual podcast playlists on Youtube. This way, everything that for years now has fallen off the RSS feed here doesn't matter. You can get all those archived shows FREE OF CHARGE on Youtube. Your listening for free will enable me to earn money, and I'd appreciate that very much. So once again — https://www.youtube.com/@thewallbreakersllc Keep getting out there, keep breaking those walls, and I'll catch you on the flip side.

In Breaking Walls episode 148 we spend February of 1944 with America's top comedian, Bob Hope, as he whisks himself around the country, entertaining troops and broadcasting to the masses. —————————— Highlights: • Leslie Townes Hope's Rise to Stardom • Broadway and Early Radio Shows • The Big Broadcast of 1938 • The Pepsodent Program • Early February 1944 World War II News • NBC Dominates Tuesday Nights in 1944 • Bob with Guest Ginger Rogers • The 4th War Bond Drive • Command Performance with Bob Hope, Frank Sinatra, and Judy Garland • Mid February World News Roundup • Bob with Guest Bing Crosby • Bob with Guest Carole Landis • News as we Leave February • Bob Gets Sick, Is Honored by The Academy • Looking Ahead to March with The Great GIldersleeve —————————— The WallBreakers: http://thewallbreakers.com Subscribe to Breaking Walls everywhere you get your podcasts. To support the show: http://patreon.com/TheWallBreakers —————————— The reading material used in today's episode was: • On The Air — By John Dunning • Bob Hope: The Road Well-Traveled — By Lawrence J. Quirk • The Spirit of Bob Hope: One Hundred Years, One Million Laughs — By Richard Grudens • Network Radio Ratings — By Jim Ramsburg • Bob Hope: The Road from Eltham — By Charles Thompson As well as articles from: • Aces of World War II • Broadcasting Magazine • The Military Times • Radio Daily • The Seattle Times —————————— On the interview front: • Bob Hope was with both Dick Cavett in 1972 and Johnny Carson in 1974. • Ken Carpenter, Jim Jordan, Hariet Nelson, Wendell Niles, Hal Peary, and Lurene Tuttle spoke with Chuck Schaden. Hear these chats at Speakingofradio.com • Jim Jordan also spoke to Dick Bertel and Ed Corcoran for WTIC's The Golden Age of Radio. Hear these interviews at Goldenage-WTIC.org • Red Skelton spoke with Merv Griffin in 1975 • Bing Crosby spoke with Same Time, Same Station —————————— Selected music featured in today's episode was: • Thanks For the Memory — By Bob Hope and Shirley Ross • Ghost Bus Tours — By George Fenton —————————— A special thank you to Ted Davenport, Jerry Haendiges, and Gordon Skene. For Ted go to RadioMemories.com, for Jerry, visit OTRSite.com, and for Gordon, please go to PastDaily.com. An extra special thanks to Doug Hopkinson who provided the Bob Hope episode with Bing Crosby that aired February 15th, 1944. —————————— Thank you to: Tony Adams Steven Allmon Orson Orsen Chandler Phil Erickson Gerrit Lane Jessica Hanna Perri Harper Thomas M. Joyce Ryan Kramer Earl Millard Gary Mollica Barry Nadler Christian Neuhaus Ray Shaw Filipe A Silva John Williams Jim W. —————————— WallBreakers Links: Patreon - patreon.com/thewallbreakers Social Media - @TheWallBreakers

Well, that brings our look at Bob Hope's career in February of 1944 to a close. We'll be staying in 1944 the remainder of the year and next month we'll spend March 1944 with a program considered to be the first spin-off in sitcom history. Next time on Breaking Walls we spotlight Hal Peary and The Great Gildersleeve, which between February and March of 1944 pulled a rating of nineteen points, making it the most-listened to show airing at 6:30PM in radio history. The reading material used in today's episode was: • On The Air — By John Dunning • Bob Hope: The Road Well-Traveled — By Lawrence J. Quirk • The Spirit of Bob Hope: One Hundred Years, One Million Laughs — By Richard Grudens • Network Radio Ratings — By Jim Ramsburg • Bob Hope: The Road from Eltham — By Charles Thompson As well as articles from: • Aces of World War II • Broadcasting Magazine • The Military Times • Radio Daily • The Seattle Times —————————— On the interview front: • Bob Hope was with both Dick Cavett in 1972 and Johnny Carson in 1974. • Ken Carpenter, Jim Jordan, Hariet Nelson, Wendell Niles, Hal Peary, and Lurene Tuttle spoke with Chuck Schaden. Hear these chats at Speakingofradio.com • Jim Jordan also spoke to Dick Bertel and Ed Corcoran for WTIC's The Golden Age of Radio. Hear these interviews at Goldenage-WTIC.org • Red Skelton spoke with Merv Griffin in 1975 • Bing Crosby spoke with Same Time, Same Station —————————— Selected music featured in today's episode was: • Thanks For the Memory — By Bob Hope and Shirley Ross • Ghost Bus Tours — By George Fenton —————————— A special thank you to Ted Davenport, Jerry Haendiges, and Gordon Skene. For Ted go to RadioMemories.com, for Jerry, visit OTRSite.com, and for Gordon, please go to PastDaily.com. An extra special thanks to Doug Hopkinson who provided the Bob Hope episode with Bing Crosby that aired February 15th, 1944. —————————— Thank you to: Tony Adams Steven Allmon Orson Orsen Chandler Phil Erickson Gerrit Lane Jessica Hanna Perri Harper Thomas M. Joyce Ryan Kramer Earl Millard Gary Mollica Barry Nadler Christian Neuhaus Ray Shaw Filipe A Silva John Williams Jim W. —————————— WallBreakers Links: Patreon - patreon.com/thewallbreakers Social Media - @TheWallBreakers

On Tuesday February 8th, 1944 at 10 PM eastern time over WEAF, and at 7PM pacific time over KFI, Bob Hope's Pepsodent Program signed on live, coast-to-coast from Oceanside, California. The guest was Ginger Rogers, the program features a salute to her new film, Lady In The Dark. It was radio's top show, pulling a rating that month of 36.2. Nearly twenty-eight million people heard this show, which is even more impressive when you consider how many were overseas fighting World War II. Hope's top sidekick was Jerry Colonna, perhaps the wildest comic presence on 1940s radio. Colonna had once been a serious trombonist, playing with Goodman, Shaw, and the Dorseys: now he infused Hope's program with verbal and vocal mayhem. He sported a four-inch walrus mustache and had a comedy style that blew away any attempt at logic. As soon as Colonna began walking to the microphone, the studio audience warned listeners with laughter.” Hope later wrote, there were two sides to Colonna's persona: “One is the zany, silly moron, and the other is the deep thinking, serious moron.” His songstress was the immensely talented Frances Langford, equally adept at both comedy and drama. But, Hope was the star. As the late John Dunning once said, No one had ever told jokes quite like Bob Hope. His monologues were rapid-fire blasts of comedy, extremely topical and wildly appreciated by his live audience. Radio Life wrote, “Hope tells a gag in three lines. He'll work for an hour on a one-word change. By the time he goes on the air, he knows his gags by heart.” He employed a team of twelve writers in three, two-man teams. Each were assigned to write the show's three sections. First came the monologue; then a midshow routine with Colonna or another member of the regular cast; and finally, a sketch for the guest star. It was a true test of endurance. Hope demanded long rehearsals, including a sixty-minute runthrough with a live audience. He'd stand at the microphone, highlighting his script where the big laughs came. When you consider that Hope's weekly audience was more than each of the first two Super Bowls, it's easier to understand his point of view. The biggest problem with Hope, said producer Al Capstaff in 1945, was his inevitable tendency to pack the script. It was always thirty-seven minutes long and had to be whittled down joke by joke until only the surefire material remained. The result on the air was a breathless gush, with six laughs a minute guaranteed. But, that was Hope. Even in his 1972 Dick Cavett interview which has been featured throughout this episode of Breaking Walls, an off-the-cuff Hope can't help but pack one-liner after one-liner in the midst of a genuine, serious, conversation. The Pepsodent Program was enhanced by Hope's film career. By February of 1944 Hope had starred in seventeen films since the release of The Big Broadcast of 1938, including the first three Road To films with Bing Crosby.

In Breaking Walls episode 147 we go into the studio with Himan Brown for the CBS radio drama relaunch in 1974. —————————— Highlights: • First a January 1974 World News Roundup • Himan Brown's Big Idea to Relaunch Radio Drama on CBS in 1974 • Tuning Into January 8, 1974's Episode of The CBS Radio Mystery Theater • Mason Adams in I Warn You Three Times • January 13, 1974 World News Roundup — Nixon Still On Hot Seat • Producing The CBS Radio Mystery Theater With The New York Radio Crew • Dead For a Dollar • The CBS Radio Mystery Theater Beyond January 1974 • Looking Ahead to February by Looking Back to Bob Hope —————————— The WallBreakers: http://thewallbreakers.com Subscribe to Breaking Walls everywhere you get your podcasts. To support the show: http://patreon.com/TheWallBreakers —————————— The reading material used in today's episode was: • On The Air — By John Dunning • The CBS Radio Mystery Theater, An Episode Guide and Handbook to Nine Years of Broadcasting — By Gordon Payton and Martin Grams, Jr. As well as articles from: • The Cleveland Plain Dealer —————————— On the interview front: • Himan Brown, Larry Haines, Mary Jane Higby, Joseph Julian, and E.G. Marshall spoke with Dick Bertel and Ed Corcoran for WTIC's The Golden Age of Radio. Hear these interviews at Goldenage-WTIC.org • Joan Banks and George Petrie were with SPERDVAC. For more info, go to SPERDVAC.com • Mason Adams spoke with Chuck Schaden. Hear these chats at Speakingofradio.com —————————— Selected music featured in today's episode was: • January Stars — By George Winston • Amid Flowers, Beside the River, Under a Spring Moon — By Elizabeth Hainen • Perfida — By Jimmy Dorsey And His Orchestra —————————— A special thank you to Ted Davenport, Jerry Haendiges, and Gordon Skene. For Ted go to RadioMemories.com, for Jerry, visit OTRSite.com, and for Gordon, please go to PastDaily.com. —————————— Thank you to: Tony Adams Steven Allmon Orson Orsen Chandler Phil Erickson Jessica Hanna Perri Harper Thomas M. Joyce Ryan Kramer Gerrit Lane Earl Millard Gary Mollica Barry Nadler Christian Neuhaus Ray Shaw Filipe A Silva John Williams Jim W. —————————— WallBreakers Links: Patreon - patreon.com/thewallbreakers Social Media - @TheWallBreakers

Well, that brings our look at the launch of The CBS Radio Mystery Theater to a close. We've spent the past five months making our way forward in time from 1957, to 1963, to 1973, and finally 1974. But, next month on Breaking Walls we'll head back to the middle of radio's golden age and focus on one of the most successful comedians of all-time. Next time on Breaking Walls, it's February of 1944 and between entertaining troops, smashing box office numbers, and notoriously carousing, the man jokingly referred to by friend Bing Crosby as “ol trowel nose,” Bob Hope, is radio's top comedian. For the first time in six years of Breaking Walls episodes, we'll focus on the man who always reminded us to say, thanks for the memories. The reading material used in today's episode was: • On The Air — By John Dunning • The CBS Radio Mystery Theater, An Episode Guide and Handbook to Nine Years of Broadcasting — By Gordon Payton and Martin Grams, Jr. As well as articles from: • The Cleveland Plain Dealer —————————— On the interview front: • Himan Brown, Larry Haines, Mary Jane Higby, Joseph Julian, and E.G. Marshall spoke with Dick Bertel and Ed Corcoran for WTIC's The Golden Age of Radio. Hear these interviews at Goldenage-WTIC.org • Joan Banks and George Petrie were with SPERDVAC. For more info, go to SPERDVAC.com • Mason Adams spoke with Chuck Schaden. Hear these chats at Speakingofradio.com —————————— Selected music featured in today's episode was: • January Stars — By George Winston • Amid Flowers, Beside the River, Under a Spring Moon — By Elizabeth Hainen • Perfida — By Jimmy Dorsey And His Orchestra —————————— A special thank you to Ted Davenport, Jerry Haendiges, and Gordon Skene. For Ted go to RadioMemories.com, for Jerry, visit OTRSite.com, and for Gordon, please go to PastDaily.com. —————————— Thank you to: Tony Adams Steven Allmon Orson Orsen Chandler Phil Erickson Jessica Hanna Perri Harper Thomas M. Joyce Ryan Kramer Earl Millard Gary Mollica Barry Nadler Christian Neuhaus Ray Shaw Filipe A Silva John Williams Jim W. ——————————

Cleveland Plain Dealer, July 28th, 1974 — CBS 'Theater's' Brown Burns about Serling "I'm proud of every minute we're on the air...and I'll stand up for every single show I do." Speaking of The CBS Radio Mystery Theater was Himan Brown, executive producer of the nationwide show that premiered January 6th and has garnered good ratings. His comments were the beginning of a rebuttal to negative remarks made about the show and The Zero Hour on these pages June 16th by Rod Serling, who narrated the latter program, which was dropped by Mutual last Friday. Brown burned. “My stories have complete relevancy to all that's going on now--exorcism, reincarnation--all stories of the moment. We're doing contemporary stories with the best writers and actors in the business. I think radio drama, contrary to what Serling says, is here forever and a day--and never will be off the networks again." Serling has written TV shows, movies, and books, but his only previous radio drama was written while he was a summer replacement at WLW in Cincinnati. "It's all sour grapes. Serling's relationship to radio has been a total failure," Brown said. “His criticism of his own show is a complete slur of his own integrity, because in the past he lent his narrative name or talents to what he wrote. The implication is that he was much involved with the stories on The Zero Hour and that's a fake.” Brown believes in Mystery Theater with all his heart. “It took me fifteen years to sell it, but it's been a happy fulfillment." The show has gone so well that Brown has a verbal renewal to go into a second year. He wouldn't discuss it, but Brown admitted that he has packaged a two-hour weekly Sunday drama series for CBS Radio that would debut early next year. Getting back to Mystery Theater, Brown admitted that he can't bat one-thousand on the series. "But I'll bat eight-hundred." He produces, directs, edits scripts, casts the shows and signs the checks. “The show has gone far beyond anything I ever hoped for. People are listening seven nights a week. The minute we put on the first repeats, the stations' switchboards lit up.” The first year's contract calls for one-hundred ninety-five new shows and one-hundred seventy repeats. Usually produced in New York, the program will invade Hollywood for talent there for the recording of eight mysteries, beginning August 5th. Born in Manhattan and with degrees from City College of New York and Brooklyn Law School--although he has never practiced law--Brown moved into TV production when radio drama fell by the wayside some fifteen years ago. Now, with The CBS Radio Mystery Theater, he's back home. "It's the greatest homecoming a man could possibly want." — Raymond P. Hart Although Rod Serling was disappointed with Mutual broadcasting's treatment of The Zero Hour, as covered in the previous episode of Breaking Walls, in 1974 Himan Brown's Mystery Theater won a Peabody Award for helping to usher in a new era of radio entertainment. It would run for eight more years until finally going off the air on December 31st, 1982. More than fifteen hundred episodes were produced. Most survive in listening quality.

https://www.youtube.com/channel/UC2sZTlF006NpivktbnUVn-g Hey everyone, James Scully here. Happy holidays! For those that don't know, once I get to 500 Youtube subscribers I can begin to earn through Youtube's earning program. I'm less than 50 subscribers away and I'm trying to get there by the end of the year. If you like the show, please subscribe and tell a few friends! It's free to subscribe. The link is above. All episodes of Breaking Walls from January 2022 onward have been uploaded to the youtube page. I've also begun to add the archive of 2018-2021 episodes as well. And just so you know, the next episode of Breaking Walls, #147,which will debut next week, will feature the launch of the CBS Radio Mystery Theater in honor of the 50th anniversary of its launch in 1974. Please subscribe on Youtube if you don't. You'll get the same feed there, but I'll be able to being earning through the earning program and I'd appreciate that very much. So, my name is James Scully. Keep getting out there, keep breaking those walls, and I'll catch you on the flip side. Thank you very much.

In Breaking Walls episode 146 we spotlight the Jay Kholos, Elliott Lewis, and Rod Serling series The Zero Hour in honor of the fiftieth anniversary of its debut on the Mutual Broadcasting System in December of 1973. —————————— Highlights: • Radio Drama Coming Back in 1973 • Jay Kholos Conceives The Zero Hour — Rod Serling Will Host • The Zero Hour Is On the Air • WRVR and Selling Radio Shows In the 1970s • Nixon On The Hot Seat • AFTRA's Moving Goal Posts — Kholos Must Sell The Zero Hour's Rights • Selling The Zero Hour to Mutual • Elliott Lewis and Jay Kholos Leave The Zero Hour • Mutual Cancels The Zero Hour and Rod Serling is Disappointed • Life After Radio Drama • Looking Ahead to the CBS Radio Mystery Theater —————————— The WallBreakers: http://thewallbreakers.com Subscribe to Breaking Walls everywhere you get your podcasts. To support the show: http://patreon.com/TheWallBreakers —————————— The reading material used in today's episode was: • On The Air — By John Dunning • A Pictorial History of Radio's First 75 Years — By B. Eric Rhoads • The Radio Career of Rod Serling — By Martin Grams Jr's The archive from Digital Deli's Zero Hour page. As well as articles from: • The Arizona Republic • The Associated Press * The Cleveland Plain Dealer * Pacific Stars and Stripes • The San Mateo Times • The Van Wert Times Bulletin —————————— On the interview front: • Himan Brown and Howard Duff spoke with Dick Bertel and Ed Corcoran for WTIC's The Golden Age of Radio. Hear these interviews at Goldenage-WTIC.org • Howard Duff, Elliott Lewis, Les Tremayne, Janet Waldo, and Paula Winslowe spoke with Chuck Schaden. Hear these chats at Speakingofradio.com • Mary Jane Croft, Byron Kane, and Elliott Lewis spoke with SPERDVAC. For more info, go to SPERDVAC.com • Jay M. Kholos was interviewed by Yours Truly, James Scully in January 2018 —————————— Selected music featured in today's episode was: • Caravan — By Eighty Drums Around The World • What Are You Doing New Year's Eve — By Nancy Wilson —————————— A special thank you to Ted Davenport, Jerry Haendiges, and Gordon Skene. For Ted go to RadioMemories.com, for Jerry, visit OTRSite.com, and for Gordon, please go to PastDaily.com. —————————— Thank you to: Tony Adams Steven Allmon Orson Orsen Chandler Phil Erickson Jessica Hanna Perri Harper Thomas M. Joyce Ryan Kramer Earl Millard Gary Mollica Barry Nadler Christian Neuhaus Ray Shaw Filipe A Silva John Williams Jim W. —————————— WallBreakers Links: Patreon - patreon.com/thewallbreakers Social Media - @TheWallBreakers