Podcasts about club movement

Join Sherrie Tolliver as she shares her mother's artifacts and stories from her involvement in The Black Women's Club Movement.  Jane Edna Hunter  (1882-1971) –  Activist With the help of other women and $1,500, Jane Edna Hunter  opened the Working Girls Home Association, a boarding home for 10 women on East 40th, north of Central Avenue. The purpose of this voluntary association was to build a safe residence for the homeless, unprotected, newly arriving African American women and working women like herself. The purpose of the Department was to build a national network of Phyllis Wheatley Associations to house self-supporting, self-respecting African American women and girls and  provide a meeting place for club women. Hunter acquired a 2-story building and the name changed to the Phillis Wheatley Association, in honor of the late 18th-century Boston slavery survivor considered the first African American poet. The number of residents soon strained the capacity of the 23-room house. By 1919 the association purchased a 3-story building and An adjoining building,   The PWA was one of the first institutions designed to meet the needs of African American  social services  in Cleveland. Hunter wrote an autobiography, “A Nickel and a Prayer,” in 1940.

In this episode we talk with Abigail Fehrsen and Liesl Stewart—two women in South Africa who gathered together a small community of people in order to purchase food in bulk, directly from local farmers. From that initial small, alternative food network, the Food Club movement was born—and now there are many such groups throughout the country—communities of people seeking a more socially just and ecologically connected relationship to their food, to the land, and to the farmers who care for land. While they never set out to create a movement in South Africa, they model the principle that great things can come from simply taking small steps to meet the needs in front of you.

Rev. Dr. Paula Owens Parker of the Center for Womanist Leadership at Union Presbyterian Seminary will preach on Matthew 25:31-40, “Lifting as We Climb: The Black Women’s Club Movement”

Black women have been no stranger to organizing since America's earliest inception. But it would be during the Reconstruction era that Black women were able to elevate their messaging and form their own group called the Women's Club.

In this episode we conclude reading chapter 7 and begin reading chapter 8 of Women, Race, and Class by Angela Y. Davis. In this episode we continue to learn more about Ida B. Wells' contribution to the black liberation movement and about the history of black women in the Club Movement.

All the details about our July 2020 Movement Calendar Club Challenge. Choose between miles, minutes or movements and join us every day during the month of July. WESTERVILLE CHIROPRACTIC & NUTRITION 528 SOUTH OTTERBEIN WESTERVILLE, OH 43081 (614) 898-9195

A new Everett Public Library (WA) audio podcast brings to life the early history of Everett Public Library, in which a small group of determined Everett women parlayed political muscle and donated books into an enduring civic institution. The podcast is part of the City’s observance of the 125th anniversary of the library’s birth. 21 min. Voice actors: Abigail Cooley, Van Ramsey, Mindy Van Wingen, Ron Averill, Lisa Labovitch, Andrea Wallis, Carol Ellison, Eileen Schnarr, Alan Jacobson, Joyce Peter, Laura McCarty, Cameron Johnson. Script: Cameron Johnson Audio editing: Cameron Johnson Excerpts: 1Clark, Norman H. Mill Town. Seattle: University of Washington Press, c1970. 2Everett News, July 5, 1894 3 Croly, Mrs. J.C. The History of the Woman’s Club Movement in America, New York: Henry G. Allen & Co., c1898 4 Dilgard, David. “Origins of the Everett Public Library” [unpublished] 5Book Club Member Frances King Sears, 1921 letter [unpublished] 6 “Woman’s Book Club,” composed by WBC Historian Nellie R. Hake. Published in A History of Woman’s Book Club, November 12, 1962. Foremothers’ Luncheon, Elks Home—Everett, WA [Unpublished] 7From: “The Magic City,” date unknown, author unknown. [Unpublished] 8Spriesterbach, Cora. History of Everett Woman’s Book Club: 1894-1940 [Unpublished] 9Everett Public Library Historical Sketch, 1894-1954 [Unpublished] 10Herald editorial November 1, 1894 11 Spriesterbach, Cora. History of Everett Woman’s Book Club: 1894-1940 [Unpublished] 12Origins of the Everett Public Library—date unknown [Unpublished] 13Everett—Thumbnail History. HistoryLink.org 14Origins of the Everett Public Library [Unpublished] 15Herald April 27, 1901 16 “The Origins of Everett Public Library.” [Unpublished]   17Everett News, July 5, 1925   18 Everett Herald January 20, 1903 19Spriesterbach, Cora. History of Everett Woman’s Book Club: 1894-1940 [Unpublished] 20Application for National Register status [Unpublished] 21 Everett Herald April 7, 1906 22Dilgard, David. EPL Evergreen Branch [Unpublished]   Music: Bach, Johan Sebastian. Cello Suite No. 1 in G. John Michel. Beethoven, Ludwig van. “Choral Fantasia, op. 80”, Washtenaw Community Orchestra Chorus, Michigan, 20 December 2009. Barnacled, Cloud Pump. edba-4217 Killian, Joy and Richard Beserra, Exotic Music from Enchanted Lands.” Pianodamper. Schubert, Franz, “Piano Sonata #13.” STE-043-cut-reverb. Internet archive.   Sound effects from freesound.org: 98479­_juskiddink_flock-of-seagulls 212079_conleec_retail-fabric-store-001 440116_processarus_s-short-applause [01 Front Left].mp3 79572_Razzvia_Old_Fasioned_Auto_Piano 70071zerolagtime_gavel-triplemad 80449_turtlelg_jaildoorclose 105265_carminooch_neighbors 233258_xavimuse_escapting-downstairs 256513_hunter4708_knock-on-the-door

Kelly Lynn Adams, www.KellyLynnAdams.com, is a certified transformational business & life coach, speaker, writer and founder of The After 5 Club Movement. Kelly Lynn has helped hundreds of high achieving women (especially Professional & Corporate women with a side hustle) manage their mindset, maximize their time and monetize in their businesses.Her mission is to help women redefine success through shifting their thoughts, increasing their confidence, stepping into their divine power and supersizing their self-love. Kelly Lynn has spent over 12 years in Corporate America working for some of the top retail and fashion brand in the world.She is on a mission to help one woman and one business at a time realize that they can be, do and have anything that they desire. On her path to leave a legacy for the next generation to come, she teaches woman on how to do the same.Kelly Lynn's passion for business, love of entrepreneurship and proven success secrets are often sought out by the media, she has been featured on Forbes.com, Huffington Post, affiliates of CBS, Fox, ABC and GMA's Tory Johnson's Spark & Hustle to name a few. You can find more about Kelly through her website www.KellyLynnAdams.com and on the social media platforms under Kelly Lynn Adams and you can listen to her podcast Perfectly Imperfect.Mind of a Mentor is an Ossa original show hosted by Marla Isackson, Founder and CEO of Ossa Collective women's podcast network. For more information about Ossa, visit: https://ossacollective.com/Follow Ossa on Socials- Instagram: https://www.instagram.com/ossaforpodcasters/LinkedIn: https://www.linkedin.com/company/ossa-collective/Facebook: https://www.facebook.com/ossacollectivenetwork

Kelly Lynn Adams, www.KellyLynnAdams.com, is a certified transformational business & life coach, speaker, writer and founder of The After 5 Club Movement. Kelly Lynn has helped hundreds of high achieving women (especially Professional & Corporate women with a side hustle) manage their mindset, maximize their time and monetize in their businesses. Her mission is to help women redefine success through shifting their thoughts, increasing their confidence, stepping into their divine power and supersizing their self-love. Kelly Lynn has spent over 12 years in Corporate America working for some of the top retail and fashion brand in the world. She is on a mission to help one woman and one business at a time realize that they can be, do and have anything that they desire. On her path to leave a legacy for the next generation to come, she teaches woman on how to do the same. Kelly Lynn’s passion for business, love of entrepreneurship and proven success secrets are often sought out by the media, she has been featured on Forbes.com, Huffington Post, affiliates of CBS, Fox, ABC and GMA’s Tory Johnson’s Spark & Hustle to name a few. You can find more about Kelly through her website www.KellyLynnAdams.com and on the social media platforms under Kelly Lynn Adams and you can listen to her podcast Perfectly Imperfect.

As a certified business and leadership coach, speaker, writer and founder of The After 5 Club Movement, Kelly Lynn has helped hundreds of high achieving women (especially Professional & Corporate women with a side hustle) manage their mindset, maximize their time and monetize in their businesses. Her mission is to help women redefine success through shifting their thoughts, stepping into their divine power and supersizing their self-love. She has been featured in media outlets like Forbes.com, Huffington Post, Good Morning America's Tory Johnson's Spark & Hustle, Fox, CBS & ABC just to name a few. You can find more about Kelly through her website www.KellyLynnAdams.com and on the social media platforms under Kelly Lynn Adams as well as join her free online Facebook Community called The After 5 Club Community. In today’s episode, Kelly Lynn shares the TOP limiting belief she’s faced in her business, the harder I work the worthier I am. Kelly Lynn shares how she learned how to create space and time for herself so she no longer has to miss out on life. Join us in this conversation because you are not alone and it is okay to feel like “this” and seek help!   In this Episode: Slowing down to speed up Learning to celebrate the successes without moving on to the next thing Taking leaps that are outside your comfort zone are good for you   Words of Wisdom: --“If you keep doing the same thing and you keep getting the same result, then something isn’t working” --“What is for you shall not pass you” --“You’re exactly the right person, no one can do or offer what you do”   Connect with Kelly Lynn! Website Facebook Instagram Twitter   Connect with Kate! InstagramFacebook Twitter The Confident Ladies Club

For our first March podcast, we’re honoring Women’s History Month by focusing on the the Women’s Club Movement, a phenomenon associated with the later 19th and early 20th centuries. Women’s clubs were a way for women to enact change in their communities and lobby for causes while many women across …

Продолжаю радовать Вас))) Да и день сегодня хороший!!!!! 

Ну что ж. Совсем немного разнообразия в мои труды.Пока я был за границей, приходилось играть более народные стили, доступные для восприятия всеми жителями нашей планеты.Небольшой лайв, который уже побывал и в радио-шоу, и в конкурсе.Не забывайте оставлять комментарии. Данный микс записан лайвом. В нём присутствует мэшап сыгранный живьём, который требует ваших отзывов!Следить за обновлениями проще в социальных сетях. Поэтому я приглашаю всех туда, где можно обмениваться мнениями и всегда быть в курсе горячих новостей!Official page author: antonveter.comSoundcloud: soundcloud.com/antonveterakath…Facebook: facebook.com/mr.antonveterTwitter: twitter.com/antonveterVkontakte: vk.com/antonveterakathewindТеперь вы можете слушать меня и на своих i-устройствах.iTunes: itunes.apple.com/ru/podcast/an…Всем приятного прослушивания!П.С. Микс также звучал в радио-шоу "Club Movement" 30 марта 2014 года.

Ну что ж. Совсем немного разнообразия в мои труды.Пока я был за границей, приходилось играть более народные стили, доступные для восприятия всеми жителями нашей планеты.Небольшой лайв, который уже побывал и в радио-шоу, и в конкурсе.Не забывайте оставлять комментарии. Данный микс записан лайвом. В нём присутствует мэшап сыгранный живьём, который требует ваших отзывов!Следить за обновлениями проще в социальных сетях. Поэтому я приглашаю всех туда, где можно обмениваться мнениями и всегда быть в курсе горячих новостей!Official page author: antonveter.comSoundcloud: soundcloud.com/antonveterakath…Facebook: facebook.com/mr.antonveterTwitter: twitter.com/antonveterVkontakte: vk.com/antonveterakathewindТеперь вы можете слушать меня и на своих i-устройствах.iTunes: itunes.apple.com/ru/podcast/an…Всем приятного прослушивания!П.С. Микс также звучал в радио-шоу "Club Movement" 30 марта 2014 года.

In Hip Hop's Amnesia: From Blues and the Black Women's Club Movement to Rap and the Hip Hop Movement (Lexington Books, 2012), the second installment of his hip hop trilogy, Reiland Rabaka again discusses, in great detail, many of the essential historical, musical, aesthetical, political, and cultural movements and moments of nineteenth, twentieth and twenty-first African America. Building on his overtly Africana, feminist, and queer critical theoretical analyses of black movements in Hip Hop's Inheritance (the first installment), Rabaka uses a more comparative historical eye in this book to show how (A) there are many aspects of early blues, jazz, bebop, and soul musical movements, especially as they related to other political and cultural movements of their times, that can inform us as to the place of modern rap and neo-soul movements and their relationships with other modern cultural and political movements, and (B) the modern hip hop movement (musical and otherwise) can benefit from an understanding of the ways actors in these other movements (musical and otherwise) dealt with situations similar to their own. In this way, Rabaka passionately argues, rap music can take its rightful political, aesthetic, and cultural place in the ongoing historical struggle of African Americans (men and women, straight and gay) to overthrow the bonds of oppression that have characterized their experiences in U.S. society. Reiland Rabaka is associate professor of African, African American, and Caribbean studies in the Department of Ethnic Studies and the Humanities Program and the University of Colorado at Boulder, where he is also an affiliate professor in the Women and Gender studies Program and a research fellow at the Center for Studies of Ethnicity and Race in America. He is the author of ten books, including Against Epistemic Apartheid, Du Bois's Dialectics, and the forthcoming third installment of his Hip Hop trilogy, The Hip Hop Movement. Click here to listen to my previous interview with Rabaka about Hip Hop's Inheritance. Learn more about your ad choices. Visit megaphone.fm/adchoices

In Hip Hop’s Amnesia: From Blues and the Black Women’s Club Movement to Rap and the Hip Hop Movement (Lexington Books, 2012), the second installment of his hip hop trilogy, Reiland Rabaka again discusses, in great detail, many of the essential historical, musical, aesthetical, political, and cultural movements and moments of nineteenth, twentieth and twenty-first African America. Building on his overtly Africana, feminist, and queer critical theoretical analyses of black movements in Hip Hop’s Inheritance (the first installment), Rabaka uses a more comparative historical eye in this book to show how (A) there are many aspects of early blues, jazz, bebop, and soul musical movements, especially as they related to other political and cultural movements of their times, that can inform us as to the place of modern rap and neo-soul movements and their relationships with other modern cultural and political movements, and (B) the modern hip hop movement (musical and otherwise) can benefit from an understanding of the ways actors in these other movements (musical and otherwise) dealt with situations similar to their own. In this way, Rabaka passionately argues, rap music can take its rightful political, aesthetic, and cultural place in the ongoing historical struggle of African Americans (men and women, straight and gay) to overthrow the bonds of oppression that have characterized their experiences in U.S. society. Reiland Rabaka is associate professor of African, African American, and Caribbean studies in the Department of Ethnic Studies and the Humanities Program and the University of Colorado at Boulder, where he is also an affiliate professor in the Women and Gender studies Program and a research fellow at the Center for Studies of Ethnicity and Race in America. He is the author of ten books, including Against Epistemic Apartheid, Du Bois’s Dialectics, and the forthcoming third installment of his Hip Hop trilogy, The Hip Hop Movement. Click here to listen to my previous interview with Rabaka about Hip Hop’s Inheritance. Learn more about your ad choices. Visit megaphone.fm/adchoices

In Hip Hop’s Amnesia: From Blues and the Black Women’s Club Movement to Rap and the Hip Hop Movement (Lexington Books, 2012), the second installment of his hip hop trilogy, Reiland Rabaka again discusses, in great detail, many of the essential historical, musical, aesthetical, political, and cultural movements and moments of nineteenth, twentieth and twenty-first African America. Building on his overtly Africana, feminist, and queer critical theoretical analyses of black movements in Hip Hop’s Inheritance (the first installment), Rabaka uses a more comparative historical eye in this book to show how (A) there are many aspects of early blues, jazz, bebop, and soul musical movements, especially as they related to other political and cultural movements of their times, that can inform us as to the place of modern rap and neo-soul movements and their relationships with other modern cultural and political movements, and (B) the modern hip hop movement (musical and otherwise) can benefit from an understanding of the ways actors in these other movements (musical and otherwise) dealt with situations similar to their own. In this way, Rabaka passionately argues, rap music can take its rightful political, aesthetic, and cultural place in the ongoing historical struggle of African Americans (men and women, straight and gay) to overthrow the bonds of oppression that have characterized their experiences in U.S. society. Reiland Rabaka is associate professor of African, African American, and Caribbean studies in the Department of Ethnic Studies and the Humanities Program and the University of Colorado at Boulder, where he is also an affiliate professor in the Women and Gender studies Program and a research fellow at the Center for Studies of Ethnicity and Race in America. He is the author of ten books, including Against Epistemic Apartheid, Du Bois’s Dialectics, and the forthcoming third installment of his Hip Hop trilogy, The Hip Hop Movement. Click here to listen to my previous interview with Rabaka about Hip Hop’s Inheritance. Learn more about your ad choices. Visit megaphone.fm/adchoices

In Hip Hop's Amnesia: From Blues and the Black Women's Club Movement to Rap and the Hip Hop Movement (Lexington Books, 2012), the second installment of his hip hop trilogy, Reiland Rabaka again discusses, in great detail, many of the essential historical, musical, aesthetical, political, and cultural movements and moments of nineteenth, twentieth and twenty-first African America. Building on his overtly Africana, feminist, and queer critical theoretical analyses of black movements in Hip Hop's Inheritance (the first installment), Rabaka uses a more comparative historical eye in this book to show how (A) there are many aspects of early blues, jazz, bebop, and soul musical movements, especially as they related to other political and cultural movements of their times, that can inform us as to the place of modern rap and neo-soul movements and their relationships with other modern cultural and political movements, and (B) the modern hip hop movement (musical and otherwise) can benefit from an understanding of the ways actors in these other movements (musical and otherwise) dealt with situations similar to their own. In this way, Rabaka passionately argues, rap music can take its rightful political, aesthetic, and cultural place in the ongoing historical struggle of African Americans (men and women, straight and gay) to overthrow the bonds of oppression that have characterized their experiences in U.S. society. Reiland Rabaka is associate professor of African, African American, and Caribbean studies in the Department of Ethnic Studies and the Humanities Program and the University of Colorado at Boulder, where he is also an affiliate professor in the Women and Gender studies Program and a research fellow at the Center for Studies of Ethnicity and Race in America. He is the author of ten books, including Against Epistemic Apartheid, Du Bois's Dialectics, and the forthcoming third installment of his Hip Hop trilogy, The Hip Hop Movement. Click here to listen to my previous interview with Rabaka about Hip Hop's Inheritance. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies

In Hip Hop’s Amnesia: From Blues and the Black Women’s Club Movement to Rap and the Hip Hop Movement (Lexington Books, 2012), the second installment of his hip hop trilogy, Reiland Rabaka again discusses, in great detail, many of the essential historical, musical, aesthetical, political, and cultural movements and moments of nineteenth, twentieth and twenty-first African America. Building on his overtly Africana, feminist, and queer critical theoretical analyses of black movements in Hip Hop’s Inheritance (the first installment), Rabaka uses a more comparative historical eye in this book to show how (A) there are many aspects of early blues, jazz, bebop, and soul musical movements, especially as they related to other political and cultural movements of their times, that can inform us as to the place of modern rap and neo-soul movements and their relationships with other modern cultural and political movements, and (B) the modern hip hop movement (musical and otherwise) can benefit from an understanding of the ways actors in these other movements (musical and otherwise) dealt with situations similar to their own. In this way, Rabaka passionately argues, rap music can take its rightful political, aesthetic, and cultural place in the ongoing historical struggle of African Americans (men and women, straight and gay) to overthrow the bonds of oppression that have characterized their experiences in U.S. society. Reiland Rabaka is associate professor of African, African American, and Caribbean studies in the Department of Ethnic Studies and the Humanities Program and the University of Colorado at Boulder, where he is also an affiliate professor in the Women and Gender studies Program and a research fellow at the Center for Studies of Ethnicity and Race in America. He is the author of ten books, including Against Epistemic Apartheid, Du Bois’s Dialectics, and the forthcoming third installment of his Hip Hop trilogy, The Hip Hop Movement. Click here to listen to my previous interview with Rabaka about Hip Hop’s Inheritance. Learn more about your ad choices. Visit megaphone.fm/adchoices

In Hip Hop’s Amnesia: From Blues and the Black Women’s Club Movement to Rap and the Hip Hop Movement (Lexington Books, 2012), the second installment of his hip hop trilogy, Reiland Rabaka again discusses, in great detail, many of the essential historical, musical, aesthetical, political, and cultural movements and moments of nineteenth, twentieth and twenty-first African America. Building on his overtly Africana, feminist, and queer critical theoretical analyses of black movements in Hip Hop’s Inheritance (the first installment), Rabaka uses a more comparative historical eye in this book to show how (A) there are many aspects of early blues, jazz, bebop, and soul musical movements, especially as they related to other political and cultural movements of their times, that can inform us as to the place of modern rap and neo-soul movements and their relationships with other modern cultural and political movements, and (B) the modern hip hop movement (musical and otherwise) can benefit from an understanding of the ways actors in these other movements (musical and otherwise) dealt with situations similar to their own. In this way, Rabaka passionately argues, rap music can take its rightful political, aesthetic, and cultural place in the ongoing historical struggle of African Americans (men and women, straight and gay) to overthrow the bonds of oppression that have characterized their experiences in U.S. society. Reiland Rabaka is associate professor of African, African American, and Caribbean studies in the Department of Ethnic Studies and the Humanities Program and the University of Colorado at Boulder, where he is also an affiliate professor in the Women and Gender studies Program and a research fellow at the Center for Studies of Ethnicity and Race in America. He is the author of ten books, including Against Epistemic Apartheid, Du Bois’s Dialectics, and the forthcoming third installment of his Hip Hop trilogy, The Hip Hop Movement. Click here to listen to my previous interview with Rabaka about Hip Hop’s Inheritance. Learn more about your ad choices. Visit megaphone.fm/adchoices

Cultural movements don't exist in vacuums. Consciously or not, all movements borrow from, and sometimes reject, those that came before. In Hip Hop's Inheritance: From the Harlem Renaissance to the Hip Hop Feminist Movement (Lexington Books, 2011), the first in a trilogy of books that cast a critical eye upon hip hop as a social and cultural movement, Reiland Rabaka traces the pre-history of hip hop as a series of separate yet connected movements that dealt with inequalities of race/ethnicity, gender, and sexual orientation. Using Africana, feminist, and queer critical theories as tools for understanding, Rabaka follows the history of black, women's, and LGBT resistance to heterosexual white male hegemony in U.S. culture. Rabaka's focus is always on the roles that art and artists (literary, visual, musical) have in people's active resistances to oppression. The Harlem Renaissance, Black Arts Movement, Black Women's Liberation, and Feminist Art Movements are just a few of the cultural happenings that Rabaka details as precursors to today's “conscious” rap, feminist rap, and Homo-Hop, among others. All along, Rabaka's message is not simply academic, he is also speaking directly to contemporary hip hoppers, urging them not to forget their past and to learn from the struggles of their forbears. Reiland Rabaka is an Associate Professor of African, African American, and Caribbean Studies in the Department of Ethnic Studies and the Humanities Program at the University of Colorado at Boulder, where he is also an Affiliate Professor in the Women and Gender Studies Program and a Research Fellow at the Center for Studies of Ethnicity and Race in America (CSERA). He has published ten books, including Hip Hop's Amnesia: From Blues and Black Women's Club Movement to Rap and the Hip Hop Movement (2012) and The Hip Hop Movement: From R&B and the Civil Rights Movement to Rap and the Hip Hop Generation (2013). Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies

Cultural movements don’t exist in vacuums. Consciously or not, all movements borrow from, and sometimes reject, those that came before. In Hip Hop’s Inheritance: From the Harlem Renaissance to the Hip Hop Feminist Movement (Lexington Books, 2011), the first in a trilogy of books that cast a critical eye upon hip hop as a social and cultural movement, Reiland Rabaka traces the pre-history of hip hop as a series of separate yet connected movements that dealt with inequalities of race/ethnicity, gender, and sexual orientation. Using Africana, feminist, and queer critical theories as tools for understanding, Rabaka follows the history of black, women’s, and LGBT resistance to heterosexual white male hegemony in U.S. culture. Rabaka’s focus is always on the roles that art and artists (literary, visual, musical) have in people’s active resistances to oppression. The Harlem Renaissance, Black Arts Movement, Black Women’s Liberation, and Feminist Art Movements are just a few of the cultural happenings that Rabaka details as precursors to today’s “conscious” rap, feminist rap, and Homo-Hop, among others. All along, Rabaka’s message is not simply academic, he is also speaking directly to contemporary hip hoppers, urging them not to forget their past and to learn from the struggles of their forbears. Reiland Rabaka is an Associate Professor of African, African American, and Caribbean Studies in the Department of Ethnic Studies and the Humanities Program at the University of Colorado at Boulder, where he is also an Affiliate Professor in the Women and Gender Studies Program and a Research Fellow at the Center for Studies of Ethnicity and Race in America (CSERA). He has published ten books, including Hip Hop’s Amnesia: From Blues and Black Women’s Club Movement to Rap and the Hip Hop Movement (2012) and The Hip Hop Movement: From R&B and the Civil Rights Movement to Rap and the Hip Hop Generation (2013). Learn more about your ad choices. Visit megaphone.fm/adchoices

Cultural movements don’t exist in vacuums. Consciously or not, all movements borrow from, and sometimes reject, those that came before. In Hip Hop’s Inheritance: From the Harlem Renaissance to the Hip Hop Feminist Movement (Lexington Books, 2011), the first in a trilogy of books that cast a critical eye upon hip hop as a social and cultural movement, Reiland Rabaka traces the pre-history of hip hop as a series of separate yet connected movements that dealt with inequalities of race/ethnicity, gender, and sexual orientation. Using Africana, feminist, and queer critical theories as tools for understanding, Rabaka follows the history of black, women’s, and LGBT resistance to heterosexual white male hegemony in U.S. culture. Rabaka’s focus is always on the roles that art and artists (literary, visual, musical) have in people’s active resistances to oppression. The Harlem Renaissance, Black Arts Movement, Black Women’s Liberation, and Feminist Art Movements are just a few of the cultural happenings that Rabaka details as precursors to today’s “conscious” rap, feminist rap, and Homo-Hop, among others. All along, Rabaka’s message is not simply academic, he is also speaking directly to contemporary hip hoppers, urging them not to forget their past and to learn from the struggles of their forbears. Reiland Rabaka is an Associate Professor of African, African American, and Caribbean Studies in the Department of Ethnic Studies and the Humanities Program at the University of Colorado at Boulder, where he is also an Affiliate Professor in the Women and Gender Studies Program and a Research Fellow at the Center for Studies of Ethnicity and Race in America (CSERA). He has published ten books, including Hip Hop’s Amnesia: From Blues and Black Women’s Club Movement to Rap and the Hip Hop Movement (2012) and The Hip Hop Movement: From R&B and the Civil Rights Movement to Rap and the Hip Hop Generation (2013). Learn more about your ad choices. Visit megaphone.fm/adchoices

Cultural movements don’t exist in vacuums. Consciously or not, all movements borrow from, and sometimes reject, those that came before. In Hip Hop’s Inheritance: From the Harlem Renaissance to the Hip Hop Feminist Movement (Lexington Books, 2011), the first in a trilogy of books that cast a critical eye upon hip hop as a social and cultural movement, Reiland Rabaka traces the pre-history of hip hop as a series of separate yet connected movements that dealt with inequalities of race/ethnicity, gender, and sexual orientation. Using Africana, feminist, and queer critical theories as tools for understanding, Rabaka follows the history of black, women’s, and LGBT resistance to heterosexual white male hegemony in U.S. culture. Rabaka’s focus is always on the roles that art and artists (literary, visual, musical) have in people’s active resistances to oppression. The Harlem Renaissance, Black Arts Movement, Black Women’s Liberation, and Feminist Art Movements are just a few of the cultural happenings that Rabaka details as precursors to today’s “conscious” rap, feminist rap, and Homo-Hop, among others. All along, Rabaka’s message is not simply academic, he is also speaking directly to contemporary hip hoppers, urging them not to forget their past and to learn from the struggles of their forbears. Reiland Rabaka is an Associate Professor of African, African American, and Caribbean Studies in the Department of Ethnic Studies and the Humanities Program at the University of Colorado at Boulder, where he is also an Affiliate Professor in the Women and Gender Studies Program and a Research Fellow at the Center for Studies of Ethnicity and Race in America (CSERA). He has published ten books, including Hip Hop’s Amnesia: From Blues and Black Women’s Club Movement to Rap and the Hip Hop Movement (2012) and The Hip Hop Movement: From R&B and the Civil Rights Movement to Rap and the Hip Hop Generation (2013). Learn more about your ad choices. Visit megaphone.fm/adchoices

Cultural movements don't exist in vacuums. Consciously or not, all movements borrow from, and sometimes reject, those that came before. In Hip Hop's Inheritance: From the Harlem Renaissance to the Hip Hop Feminist Movement (Lexington Books, 2011), the first in a trilogy of books that cast a critical eye upon hip hop as a social and cultural movement, Reiland Rabaka traces the pre-history of hip hop as a series of separate yet connected movements that dealt with inequalities of race/ethnicity, gender, and sexual orientation. Using Africana, feminist, and queer critical theories as tools for understanding, Rabaka follows the history of black, women's, and LGBT resistance to heterosexual white male hegemony in U.S. culture. Rabaka's focus is always on the roles that art and artists (literary, visual, musical) have in people's active resistances to oppression. The Harlem Renaissance, Black Arts Movement, Black Women's Liberation, and Feminist Art Movements are just a few of the cultural happenings that Rabaka details as precursors to today's “conscious” rap, feminist rap, and Homo-Hop, among others. All along, Rabaka's message is not simply academic, he is also speaking directly to contemporary hip hoppers, urging them not to forget their past and to learn from the struggles of their forbears. Reiland Rabaka is an Associate Professor of African, African American, and Caribbean Studies in the Department of Ethnic Studies and the Humanities Program at the University of Colorado at Boulder, where he is also an Affiliate Professor in the Women and Gender Studies Program and a Research Fellow at the Center for Studies of Ethnicity and Race in America (CSERA). He has published ten books, including Hip Hop's Amnesia: From Blues and Black Women's Club Movement to Rap and the Hip Hop Movement (2012) and The Hip Hop Movement: From R&B and the Civil Rights Movement to Rap and the Hip Hop Generation (2013). Learn more about your ad choices. Visit megaphone.fm/adchoices

Cultural movements don’t exist in vacuums. Consciously or not, all movements borrow from, and sometimes reject, those that came before. In Hip Hop’s Inheritance: From the Harlem Renaissance to the Hip Hop Feminist Movement (Lexington Books, 2011), the first in a trilogy of books that cast a critical eye upon hip hop as a social and cultural movement, Reiland Rabaka traces the pre-history of hip hop as a series of separate yet connected movements that dealt with inequalities of race/ethnicity, gender, and sexual orientation. Using Africana, feminist, and queer critical theories as tools for understanding, Rabaka follows the history of black, women’s, and LGBT resistance to heterosexual white male hegemony in U.S. culture. Rabaka’s focus is always on the roles that art and artists (literary, visual, musical) have in people’s active resistances to oppression. The Harlem Renaissance, Black Arts Movement, Black Women’s Liberation, and Feminist Art Movements are just a few of the cultural happenings that Rabaka details as precursors to today’s “conscious” rap, feminist rap, and Homo-Hop, among others. All along, Rabaka’s message is not simply academic, he is also speaking directly to contemporary hip hoppers, urging them not to forget their past and to learn from the struggles of their forbears. Reiland Rabaka is an Associate Professor of African, African American, and Caribbean Studies in the Department of Ethnic Studies and the Humanities Program at the University of Colorado at Boulder, where he is also an Affiliate Professor in the Women and Gender Studies Program and a Research Fellow at the Center for Studies of Ethnicity and Race in America (CSERA). He has published ten books, including Hip Hop’s Amnesia: From Blues and Black Women’s Club Movement to Rap and the Hip Hop Movement (2012) and The Hip Hop Movement: From R&B and the Civil Rights Movement to Rap and the Hip Hop Generation (2013). Learn more about your ad choices. Visit megaphone.fm/adchoices