Podcast appearances and mentions of Angela Y Davis

Today on Speaking Out of Place I am delighted to be in conversation with Azucena Castro and Malcom Ferdinand.  We start with a discussion of what Ferdinand calls the “double fracture”—the environmental division of humans from their connection to the biosphere, and the colonial division instantiated by white supremacism and patriarchy. He insists that we not see these two phenomena as separate, rather as intimately connected. This double fracture makes any attempts to solve either environmental violence or colonial violence ineffective. In her foreword to Ferdinand's Decolonial Ecologies, Angela Y. Davis writes that as she read the book, she “recognized how perfectly his conceptualizations illuminate the frameworks we need for both philosophical and popular understandings of our planetary conditions today.” In our conversation we spend some time talking about how art, film, and poetry can manifest some of those frameworks, and we are delighted have Azucena take us into a deep discussion of this, and also to read two poems in Spanish and then in English translation and have Malcom gloss them for us. Azucena Castro is assistant professor at Rice University in Houston. Currently, she is a Swedish Research Council Postdoctoral Researcher at the Stockholm Resilience Center, Faculty of Science, Stockholm University. She held positions as a Postdoctoral Researcher in Latin American and Caribbean cultures at Stanford University and cultural geography at the Institute of Geography, University of Buenos Aires. Her scholarly work focuses on 20th and 21st-century Latin American cultural products through the lens of climate and energy justice, multispecies resistance, and anti-extractivist critique in the artivist scenes of South America, particularly, Southern Cone and Brazil. Azucena is the author of the book Poetic Postnatures. Ecological Thinking and Politics of Strangeness in Contemporary Latin American Poetry, Series SubAtlantic at De Gruyter (2025). She has edited the volume Futuros multiespecie. Prácticas vinculantes para un planeta en emergencia (Bartlebooth. Critical Spaces, 2023), and co-edited the Essay Cluster “GeoSemantics: Earthly Memories and Inhuman Becomings in the Global South” at ASAP/Journal. As part of her engagement with community-based research and collaborative filmmaking, she has co-developed the energy justice project “No aire, no te vendas” (Penn Environmental Humanities, University of Pennsylvania) focusing on winds in ancient cosmologies and human communities in the Afro-Wayúu territories of La Guajira, Colombia in the intersection of old and green extractivism.Malcom Ferdinand is an environmental engineer from University College London and doctor in political philosophy from Université Paris Diderot. He is now a researcher at the CNRS (IRISSO/University Paris Dauphine). At the crossroad of political philosophy, postcolonial theory and political ecology, his research focuses on the Black Atlantic and particularly the Caribbean. He explores the relations between current ecological crises and the colonial history of modernity. He published a book based on his PhD dissertation entitled Decolonial Ecology: Thinking of Ecology from the Caribbean World.( Polity 2021) that challenges classical environmental thoughts. He recently published  an in-depth study of the pesticide contamination of martinique and Guadeloupe entitled  S'aimer la Terre: défaire  l'habiter colonial ( Seuil 2024).

In this episode on Speaking Out of Place podcast Professor David Palumbo-Liu is delighted and privileged to be in conversation with Azucena Castro and Malcom Ferdinand. They start with a discussion of what Ferdinand calls the “double fracture”—the environmental division of humans from their connection to the biosphere, and the colonial division instantiated by white supremacism and patriarchy. He insists that we not see these two phenomena as separate, rather as intimately connected. This double fracture makes any attempts to solve either environmental violence or colonial violence ineffective. In her foreword to Ferdinand's Decolonial Ecologies, Angela Y. Davis writes that as she read the book, she “recognized how perfectly his conceptualizations illuminate the frameworks we need for both philosophical and popular understandings of our planetary conditions today.” The conversation covers how art, film, and poetry can manifest some of those frameworks, and Azucena takes us into a deep discussion of this and reads two poems in Spanish and then in English translation and has Malcom gloss them for us.Azucena Castro is assistant professor at Rice University in Houston. Currently, she is a Swedish Research Council Postdoctoral Researcher at the Stockholm Resilience Center, Faculty of Science, Stockholm University. She held positions as a Postdoctoral Researcher in Latin American and Caribbean cultures at Stanford University and cultural geography at the Institute of Geography, University of Buenos Aires. Her scholarly work focuses on 20th and 21st-century Latin American cultural products through the lens of climate and energy justice, multispecies resistance, and anti-extractivist critique in the artivist scenes of South America, particularly, Southern Cone and Brazil. Azucena is the author of the book Poetic Postnatures. Ecological Thinking and Politics of Strangeness in Contemporary Latin American Poetry, Series SubAtlantic at De Gruyter (2025). She has edited the volume Futuros multiespecie. Prácticas vinculantes para un planeta en emergencia (Bartlebooth. Critical Spaces, 2023), and co-edited the Essay Cluster “GeoSemantics: Earthly Memories and Inhuman Becomings in the Global South” at ASAP/Journal. As part of her engagement with community-based research and collaborative filmmaking, she has co-developed the energy justice project “No aire, no te vendas” (Penn Environmental Humanities, University of Pennsylvania) focusing on winds in ancient cosmologies and human communities in the Afro-Wayúu territories of La Guajira, Colombia in the intersection of old and green extractivism.Malcom Ferdinand is an environmental engineer from University College London and doctor in political philosophy from Université Paris Diderot. He is now a researcher at the CNRS (IRISSO/University Paris Dauphine). At the crossroad of political philosophy, postcolonial theory and political ecology, his research focuses on the Black Atlantic and particularly the Caribbean. He explores the relations between current ecological crises and the colonial history of modernity. He published a book based on his PhD dissertation entitled Decolonial Ecology: Thinking of Ecology from the Caribbean World.( Polity 2021) that challenges classical environmental thoughts. He recently published an in-depth study of the pesticide contamination of martinique and Guadeloupe entitled S'aimer la Terre: défaire l'habiter colonial ( Seuil 2024).www.palumbo-liu.comhttps://speakingoutofplace.comBluesky @palumboliu.bsky.socialInstagram @speaking_out_of_place

In this episode on Speaking Out of Place podcast Professor David Palumbo-Liu is delighted and privileged to be in conversation with Azucena Castro and Malcom Ferdinand. They start with a discussion of what Ferdinand calls the “double fracture”—the environmental division of humans from their connection to the biosphere, and the colonial division instantiated by white supremacism and patriarchy. He insists that we not see these two phenomena as separate, rather as intimately connected. This double fracture makes any attempts to solve either environmental violence or colonial violence ineffective. In her foreword to Ferdinand's Decolonial Ecologies, Angela Y. Davis writes that as she read the book, she “recognized how perfectly his conceptualizations illuminate the frameworks we need for both philosophical and popular understandings of our planetary conditions today.” The conversation covers how art, film, and poetry can manifest some of those frameworks, and Azucena takes us into a deep discussion of this and reads two poems in Spanish and then in English translation and has Malcom gloss them for us.Azucena Castro is assistant professor at Rice University in Houston. Currently, she is a Swedish Research Council Postdoctoral Researcher at the Stockholm Resilience Center, Faculty of Science, Stockholm University. She held positions as a Postdoctoral Researcher in Latin American and Caribbean cultures at Stanford University and cultural geography at the Institute of Geography, University of Buenos Aires. Her scholarly work focuses on 20th and 21st-century Latin American cultural products through the lens of climate and energy justice, multispecies resistance, and anti-extractivist critique in the artivist scenes of South America, particularly, Southern Cone and Brazil. Azucena is the author of the book Poetic Postnatures. Ecological Thinking and Politics of Strangeness in Contemporary Latin American Poetry, Series SubAtlantic at De Gruyter (2025). She has edited the volume Futuros multiespecie. Prácticas vinculantes para un planeta en emergencia (Bartlebooth. Critical Spaces, 2023), and co-edited the Essay Cluster “GeoSemantics: Earthly Memories and Inhuman Becomings in the Global South” at ASAP/Journal. As part of her engagement with community-based research and collaborative filmmaking, she has co-developed the energy justice project “No aire, no te vendas” (Penn Environmental Humanities, University of Pennsylvania) focusing on winds in ancient cosmologies and human communities in the Afro-Wayúu territories of La Guajira, Colombia in the intersection of old and green extractivism.Malcom Ferdinand is an environmental engineer from University College London and doctor in political philosophy from Université Paris Diderot. He is now a researcher at the CNRS (IRISSO/University Paris Dauphine). At the crossroad of political philosophy, postcolonial theory and political ecology, his research focuses on the Black Atlantic and particularly the Caribbean. He explores the relations between current ecological crises and the colonial history of modernity. He published a book based on his PhD dissertation entitled Decolonial Ecology: Thinking of Ecology from the Caribbean World.( Polity 2021) that challenges classical environmental thoughts. He recently published an in-depth study of the pesticide contamination of martinique and Guadeloupe entitled S'aimer la Terre: défaire l'habiter colonial ( Seuil 2024).www.palumbo-liu.comhttps://speakingoutofplace.comBluesky @palumboliu.bsky.socialInstagram @speaking_out_of_place

In this episode on Speaking Out of Place podcast Professor David Palumbo-Liu is delighted and privileged to be in conversation with Azucena Castro and Malcom Ferdinand. They start with a discussion of what Ferdinand calls the “double fracture”—the environmental division of humans from their connection to the biosphere, and the colonial division instantiated by white supremacism and patriarchy. He insists that we not see these two phenomena as separate, rather as intimately connected. This double fracture makes any attempts to solve either environmental violence or colonial violence ineffective. In her foreword to Ferdinand's Decolonial Ecologies, Angela Y. Davis writes that as she read the book, she “recognized how perfectly his conceptualizations illuminate the frameworks we need for both philosophical and popular understandings of our planetary conditions today.” The conversation covers how art, film, and poetry can manifest some of those frameworks, and Azucena takes us into a deep discussion of this and reads two poems in Spanish and then in English translation and has Malcom gloss them for us.Azucena Castro is assistant professor at Rice University in Houston. Currently, she is a Swedish Research Council Postdoctoral Researcher at the Stockholm Resilience Center, Faculty of Science, Stockholm University. She held positions as a Postdoctoral Researcher in Latin American and Caribbean cultures at Stanford University and cultural geography at the Institute of Geography, University of Buenos Aires. Her scholarly work focuses on 20th and 21st-century Latin American cultural products through the lens of climate and energy justice, multispecies resistance, and anti-extractivist critique in the artivist scenes of South America, particularly, Southern Cone and Brazil. Azucena is the author of the book Poetic Postnatures. Ecological Thinking and Politics of Strangeness in Contemporary Latin American Poetry, Series SubAtlantic at De Gruyter (2025). She has edited the volume Futuros multiespecie. Prácticas vinculantes para un planeta en emergencia (Bartlebooth. Critical Spaces, 2023), and co-edited the Essay Cluster “GeoSemantics: Earthly Memories and Inhuman Becomings in the Global South” at ASAP/Journal. As part of her engagement with community-based research and collaborative filmmaking, she has co-developed the energy justice project “No aire, no te vendas” (Penn Environmental Humanities, University of Pennsylvania) focusing on winds in ancient cosmologies and human communities in the Afro-Wayúu territories of La Guajira, Colombia in the intersection of old and green extractivism.Malcom Ferdinand is an environmental engineer from University College London and doctor in political philosophy from Université Paris Diderot. He is now a researcher at the CNRS (IRISSO/University Paris Dauphine). At the crossroad of political philosophy, postcolonial theory and political ecology, his research focuses on the Black Atlantic and particularly the Caribbean. He explores the relations between current ecological crises and the colonial history of modernity. He published a book based on his PhD dissertation entitled Decolonial Ecology: Thinking of Ecology from the Caribbean World.( Polity 2021) that challenges classical environmental thoughts. He recently published an in-depth study of the pesticide contamination of martinique and Guadeloupe entitled S'aimer la Terre: défaire l'habiter colonial ( Seuil 2024).www.palumbo-liu.comhttps://speakingoutofplace.comBluesky @palumboliu.bsky.socialInstagram @speaking_out_of_place

In this episode on Speaking Out of Place podcast Professor David Palumbo-Liu is delighted and privileged to be in conversation with Azucena Castro and Malcom Ferdinand. They start with a discussion of what Ferdinand calls the “double fracture”—the environmental division of humans from their connection to the biosphere, and the colonial division instantiated by white supremacism and patriarchy. He insists that we not see these two phenomena as separate, rather as intimately connected. This double fracture makes any attempts to solve either environmental violence or colonial violence ineffective. In her foreword to Ferdinand's Decolonial Ecologies, Angela Y. Davis writes that as she read the book, she “recognized how perfectly his conceptualizations illuminate the frameworks we need for both philosophical and popular understandings of our planetary conditions today.” The conversation covers how art, film, and poetry can manifest some of those frameworks, and Azucena takes us into a deep discussion of this and reads two poems in Spanish and then in English translation and has Malcom gloss them for us.Azucena Castro is assistant professor at Rice University in Houston. Currently, she is a Swedish Research Council Postdoctoral Researcher at the Stockholm Resilience Center, Faculty of Science, Stockholm University. She held positions as a Postdoctoral Researcher in Latin American and Caribbean cultures at Stanford University and cultural geography at the Institute of Geography, University of Buenos Aires. Her scholarly work focuses on 20th and 21st-century Latin American cultural products through the lens of climate and energy justice, multispecies resistance, and anti-extractivist critique in the artivist scenes of South America, particularly, Southern Cone and Brazil. Azucena is the author of the book Poetic Postnatures. Ecological Thinking and Politics of Strangeness in Contemporary Latin American Poetry, Series SubAtlantic at De Gruyter (2025). She has edited the volume Futuros multiespecie. Prácticas vinculantes para un planeta en emergencia (Bartlebooth. Critical Spaces, 2023), and co-edited the Essay Cluster “GeoSemantics: Earthly Memories and Inhuman Becomings in the Global South” at ASAP/Journal. As part of her engagement with community-based research and collaborative filmmaking, she has co-developed the energy justice project “No aire, no te vendas” (Penn Environmental Humanities, University of Pennsylvania) focusing on winds in ancient cosmologies and human communities in the Afro-Wayúu territories of La Guajira, Colombia in the intersection of old and green extractivism.Malcom Ferdinand is an environmental engineer from University College London and doctor in political philosophy from Université Paris Diderot. He is now a researcher at the CNRS (IRISSO/University Paris Dauphine). At the crossroad of political philosophy, postcolonial theory and political ecology, his research focuses on the Black Atlantic and particularly the Caribbean. He explores the relations between current ecological crises and the colonial history of modernity. He published a book based on his PhD dissertation entitled Decolonial Ecology: Thinking of Ecology from the Caribbean World.( Polity 2021) that challenges classical environmental thoughts. He recently published an in-depth study of the pesticide contamination of martinique and Guadeloupe entitled S'aimer la Terre: défaire l'habiter colonial ( Seuil 2024).www.palumbo-liu.comhttps://speakingoutofplace.comBluesky @palumboliu.bsky.socialInstagram @speaking_out_of_place

In this episode on Speaking Out of Place podcast Professor David Palumbo-Liu is delighted and privileged to be in conversation with Azucena Castro and Malcom Ferdinand. They start with a discussion of what Ferdinand calls the “double fracture”—the environmental division of humans from their connection to the biosphere, and the colonial division instantiated by white supremacism and patriarchy. He insists that we not see these two phenomena as separate, rather as intimately connected. This double fracture makes any attempts to solve either environmental violence or colonial violence ineffective. In her foreword to Ferdinand's Decolonial Ecologies, Angela Y. Davis writes that as she read the book, she “recognized how perfectly his conceptualizations illuminate the frameworks we need for both philosophical and popular understandings of our planetary conditions today.” The conversation covers how art, film, and poetry can manifest some of those frameworks, and Azucena takes us into a deep discussion of this and reads two poems in Spanish and then in English translation and has Malcom gloss them for us.Azucena Castro is assistant professor at Rice University in Houston. Currently, she is a Swedish Research Council Postdoctoral Researcher at the Stockholm Resilience Center, Faculty of Science, Stockholm University. She held positions as a Postdoctoral Researcher in Latin American and Caribbean cultures at Stanford University and cultural geography at the Institute of Geography, University of Buenos Aires. Her scholarly work focuses on 20th and 21st-century Latin American cultural products through the lens of climate and energy justice, multispecies resistance, and anti-extractivist critique in the artivist scenes of South America, particularly, Southern Cone and Brazil. Azucena is the author of the book Poetic Postnatures. Ecological Thinking and Politics of Strangeness in Contemporary Latin American Poetry, Series SubAtlantic at De Gruyter (2025). She has edited the volume Futuros multiespecie. Prácticas vinculantes para un planeta en emergencia (Bartlebooth. Critical Spaces, 2023), and co-edited the Essay Cluster “GeoSemantics: Earthly Memories and Inhuman Becomings in the Global South” at ASAP/Journal. As part of her engagement with community-based research and collaborative filmmaking, she has co-developed the energy justice project “No aire, no te vendas” (Penn Environmental Humanities, University of Pennsylvania) focusing on winds in ancient cosmologies and human communities in the Afro-Wayúu territories of La Guajira, Colombia in the intersection of old and green extractivism.Malcom Ferdinand is an environmental engineer from University College London and doctor in political philosophy from Université Paris Diderot. He is now a researcher at the CNRS (IRISSO/University Paris Dauphine). At the crossroad of political philosophy, postcolonial theory and political ecology, his research focuses on the Black Atlantic and particularly the Caribbean. He explores the relations between current ecological crises and the colonial history of modernity. He published a book based on his PhD dissertation entitled Decolonial Ecology: Thinking of Ecology from the Caribbean World.( Polity 2021) that challenges classical environmental thoughts. He recently published an in-depth study of the pesticide contamination of martinique and Guadeloupe entitled S'aimer la Terre: défaire l'habiter colonial ( Seuil 2024).www.palumbo-liu.comhttps://speakingoutofplace.comBluesky @palumboliu.bsky.socialInstagram @speaking_out_of_place

In this episode on Speaking Out of Place podcast Professor David Palumbo-Liu is delighted and privileged to be in conversation with Azucena Castro and Malcom Ferdinand. They start with a discussion of what Ferdinand calls the “double fracture”—the environmental division of humans from their connection to the biosphere, and the colonial division instantiated by white supremacism and patriarchy. He insists that we not see these two phenomena as separate, rather as intimately connected. This double fracture makes any attempts to solve either environmental violence or colonial violence ineffective. In her foreword to Ferdinand's Decolonial Ecologies, Angela Y. Davis writes that as she read the book, she “recognized how perfectly his conceptualizations illuminate the frameworks we need for both philosophical and popular understandings of our planetary conditions today.” The conversation covers how art, film, and poetry can manifest some of those frameworks, and Azucena takes us into a deep discussion of this and reads two poems in Spanish and then in English translation and has Malcom gloss them for us.Azucena Castro is assistant professor at Rice University in Houston. Currently, she is a Swedish Research Council Postdoctoral Researcher at the Stockholm Resilience Center, Faculty of Science, Stockholm University. She held positions as a Postdoctoral Researcher in Latin American and Caribbean cultures at Stanford University and cultural geography at the Institute of Geography, University of Buenos Aires. Her scholarly work focuses on 20th and 21st-century Latin American cultural products through the lens of climate and energy justice, multispecies resistance, and anti-extractivist critique in the artivist scenes of South America, particularly, Southern Cone and Brazil. Azucena is the author of the book Poetic Postnatures. Ecological Thinking and Politics of Strangeness in Contemporary Latin American Poetry, Series SubAtlantic at De Gruyter (2025). She has edited the volume Futuros multiespecie. Prácticas vinculantes para un planeta en emergencia (Bartlebooth. Critical Spaces, 2023), and co-edited the Essay Cluster “GeoSemantics: Earthly Memories and Inhuman Becomings in the Global South” at ASAP/Journal. As part of her engagement with community-based research and collaborative filmmaking, she has co-developed the energy justice project “No aire, no te vendas” (Penn Environmental Humanities, University of Pennsylvania) focusing on winds in ancient cosmologies and human communities in the Afro-Wayúu territories of La Guajira, Colombia in the intersection of old and green extractivism.Malcom Ferdinand is an environmental engineer from University College London and doctor in political philosophy from Université Paris Diderot. He is now a researcher at the CNRS (IRISSO/University Paris Dauphine). At the crossroad of political philosophy, postcolonial theory and political ecology, his research focuses on the Black Atlantic and particularly the Caribbean. He explores the relations between current ecological crises and the colonial history of modernity. He published a book based on his PhD dissertation entitled Decolonial Ecology: Thinking of Ecology from the Caribbean World.( Polity 2021) that challenges classical environmental thoughts. He recently published an in-depth study of the pesticide contamination of martinique and Guadeloupe entitled S'aimer la Terre: défaire l'habiter colonial ( Seuil 2024).www.palumbo-liu.comhttps://speakingoutofplace.comBluesky @palumboliu.bsky.socialInstagram @speaking_out_of_place

In July, the book - Dismantling Mass Incarceration was released edited by Premal Dharia, James Forman, Jr and Maria Hawilo. The book, which is an anthology of literature on mass incarceration and criminal justice reform, offers a variety of approaches to confronting the carceral state. Everyday Injustice was joined by Maria Hawilo, one of the co-editors, and a former public defender who is a distinguished professor at the Loyola University Law School in Chicago. She pointed out that the book rather than prescribing solutions, the book offers a forum for discussions—and disagreements—about how to best confront the harms of mass incarceration. The book features distinguished authors that, in addition to the editors include Angela Y. Davis, Clint Smith and Larry Krasner in addition to local organizers, advocates, scholars, lawyers, and judges, as well as people who have been incarcerated. Listen as Maria Hawilo discusses their project and what she learned about mass incarceration.

The big man on campus is a group of good trouble making students who shall not be moved. The kids are alright. Sources: "Freedom is a Constant Struggle" by Angela Y. Davis. https://www.insidehighered.com/news/students/free-speech/2024/04/15/punishments-rise-student-protests-escalate https://www.insidehighered.com/news/students/diversity/2024/03/08/report-most-jewish-muslim-students-fearful-amid-conflict https://www.thefire.org/research-learn/limits-free-speech https://www.thecity.nyc/2024/04/18/columbia-students-arrests-palestine-israel-encampment-nypd/ --- Send in a voice message: https://podcasters.spotify.com/pod/show/ayana-fakhir6/message Support this podcast: https://podcasters.spotify.com/pod/show/ayana-fakhir6/support

The story of the fight against fascism across the African diaspora, revealing that Black antifascism has always been vital to global freedom struggles. At once a history for understanding fascism and a handbook for organizing against, The Black Antifascist Tradition: Fighting Back from Anti-Lynching to Abolition (Haymarket Books, 2024) is an essential book for understanding our present moment and the challenges ahead. From London to the Caribbean, from Ethiopia to Harlem, from Black Lives Matter to abolition, Black radicals and writers have long understood fascism as a threat to the survival of Black people around the world—and to everyone.  In The Black Antifascist Tradition, scholar-activists Jeanelle K. Hope and Bill Mullen show how generations of Black activists and intellectuals—from Ida B. Wells in the fight against lynching, to Angela Y. Davis in the fight against the prison-industrial complex—have stood within a tradition of Black Antifascism. As Davis once observed, pointing to the importance of anti-Black racism in the development of facism as an ideology, Black people have been “the first and most deeply injured victims of fascism.” Indeed, the experience of living under and resisting racial capitalism has often made Black radicals aware of the potential for fascism to take hold long before others understood this danger. The book explores the powerful ideas and activism of Paul Robeson, Mary McLeod Bethune, Claudia Jones, W. E. B. Du Bois, Frantz Fanon, Aime Cesaire, and Walter Rodney, as well as that of the Civil Rights Congress, the Black Liberation Army, and the We Charge Genocide movement, among others. In shining a light on fascism and anti-Blackness, Hope and Mullen argue, the writers and organizers featured in this book have also developed urgent tools and strategies for overcoming it. Jeanelle Hope is Director & Associate Professor of African American Studies Bill V. Mullen is Professor of English and American Studies at Purdue University. Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube channel. Twitter. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies

The story of the fight against fascism across the African diaspora, revealing that Black antifascism has always been vital to global freedom struggles. At once a history for understanding fascism and a handbook for organizing against, The Black Antifascist Tradition: Fighting Back from Anti-Lynching to Abolition (Haymarket Books, 2024) is an essential book for understanding our present moment and the challenges ahead. From London to the Caribbean, from Ethiopia to Harlem, from Black Lives Matter to abolition, Black radicals and writers have long understood fascism as a threat to the survival of Black people around the world—and to everyone.  In The Black Antifascist Tradition, scholar-activists Jeanelle K. Hope and Bill Mullen show how generations of Black activists and intellectuals—from Ida B. Wells in the fight against lynching, to Angela Y. Davis in the fight against the prison-industrial complex—have stood within a tradition of Black Antifascism. As Davis once observed, pointing to the importance of anti-Black racism in the development of facism as an ideology, Black people have been “the first and most deeply injured victims of fascism.” Indeed, the experience of living under and resisting racial capitalism has often made Black radicals aware of the potential for fascism to take hold long before others understood this danger. The book explores the powerful ideas and activism of Paul Robeson, Mary McLeod Bethune, Claudia Jones, W. E. B. Du Bois, Frantz Fanon, Aime Cesaire, and Walter Rodney, as well as that of the Civil Rights Congress, the Black Liberation Army, and the We Charge Genocide movement, among others. In shining a light on fascism and anti-Blackness, Hope and Mullen argue, the writers and organizers featured in this book have also developed urgent tools and strategies for overcoming it. Jeanelle Hope is Director & Associate Professor of African American Studies Bill V. Mullen is Professor of English and American Studies at Purdue University. Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube channel. Twitter. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

The story of the fight against fascism across the African diaspora, revealing that Black antifascism has always been vital to global freedom struggles. At once a history for understanding fascism and a handbook for organizing against, The Black Antifascist Tradition: Fighting Back from Anti-Lynching to Abolition (Haymarket Books, 2024) is an essential book for understanding our present moment and the challenges ahead. From London to the Caribbean, from Ethiopia to Harlem, from Black Lives Matter to abolition, Black radicals and writers have long understood fascism as a threat to the survival of Black people around the world—and to everyone.  In The Black Antifascist Tradition, scholar-activists Jeanelle K. Hope and Bill Mullen show how generations of Black activists and intellectuals—from Ida B. Wells in the fight against lynching, to Angela Y. Davis in the fight against the prison-industrial complex—have stood within a tradition of Black Antifascism. As Davis once observed, pointing to the importance of anti-Black racism in the development of facism as an ideology, Black people have been “the first and most deeply injured victims of fascism.” Indeed, the experience of living under and resisting racial capitalism has often made Black radicals aware of the potential for fascism to take hold long before others understood this danger. The book explores the powerful ideas and activism of Paul Robeson, Mary McLeod Bethune, Claudia Jones, W. E. B. Du Bois, Frantz Fanon, Aime Cesaire, and Walter Rodney, as well as that of the Civil Rights Congress, the Black Liberation Army, and the We Charge Genocide movement, among others. In shining a light on fascism and anti-Blackness, Hope and Mullen argue, the writers and organizers featured in this book have also developed urgent tools and strategies for overcoming it. Jeanelle Hope is Director & Associate Professor of African American Studies Bill V. Mullen is Professor of English and American Studies at Purdue University. Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube channel. Twitter. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/history

The story of the fight against fascism across the African diaspora, revealing that Black antifascism has always been vital to global freedom struggles. At once a history for understanding fascism and a handbook for organizing against, The Black Antifascist Tradition: Fighting Back from Anti-Lynching to Abolition (Haymarket Books, 2024) is an essential book for understanding our present moment and the challenges ahead. From London to the Caribbean, from Ethiopia to Harlem, from Black Lives Matter to abolition, Black radicals and writers have long understood fascism as a threat to the survival of Black people around the world—and to everyone.  In The Black Antifascist Tradition, scholar-activists Jeanelle K. Hope and Bill Mullen show how generations of Black activists and intellectuals—from Ida B. Wells in the fight against lynching, to Angela Y. Davis in the fight against the prison-industrial complex—have stood within a tradition of Black Antifascism. As Davis once observed, pointing to the importance of anti-Black racism in the development of facism as an ideology, Black people have been “the first and most deeply injured victims of fascism.” Indeed, the experience of living under and resisting racial capitalism has often made Black radicals aware of the potential for fascism to take hold long before others understood this danger. The book explores the powerful ideas and activism of Paul Robeson, Mary McLeod Bethune, Claudia Jones, W. E. B. Du Bois, Frantz Fanon, Aime Cesaire, and Walter Rodney, as well as that of the Civil Rights Congress, the Black Liberation Army, and the We Charge Genocide movement, among others. In shining a light on fascism and anti-Blackness, Hope and Mullen argue, the writers and organizers featured in this book have also developed urgent tools and strategies for overcoming it. Jeanelle Hope is Director & Associate Professor of African American Studies Bill V. Mullen is Professor of English and American Studies at Purdue University. Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube channel. Twitter. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory

The story of the fight against fascism across the African diaspora, revealing that Black antifascism has always been vital to global freedom struggles. At once a history for understanding fascism and a handbook for organizing against, The Black Antifascist Tradition: Fighting Back from Anti-Lynching to Abolition (Haymarket Books, 2024) is an essential book for understanding our present moment and the challenges ahead. From London to the Caribbean, from Ethiopia to Harlem, from Black Lives Matter to abolition, Black radicals and writers have long understood fascism as a threat to the survival of Black people around the world—and to everyone.  In The Black Antifascist Tradition, scholar-activists Jeanelle K. Hope and Bill Mullen show how generations of Black activists and intellectuals—from Ida B. Wells in the fight against lynching, to Angela Y. Davis in the fight against the prison-industrial complex—have stood within a tradition of Black Antifascism. As Davis once observed, pointing to the importance of anti-Black racism in the development of facism as an ideology, Black people have been “the first and most deeply injured victims of fascism.” Indeed, the experience of living under and resisting racial capitalism has often made Black radicals aware of the potential for fascism to take hold long before others understood this danger. The book explores the powerful ideas and activism of Paul Robeson, Mary McLeod Bethune, Claudia Jones, W. E. B. Du Bois, Frantz Fanon, Aime Cesaire, and Walter Rodney, as well as that of the Civil Rights Congress, the Black Liberation Army, and the We Charge Genocide movement, among others. In shining a light on fascism and anti-Blackness, Hope and Mullen argue, the writers and organizers featured in this book have also developed urgent tools and strategies for overcoming it. Jeanelle Hope is Director & Associate Professor of African American Studies Bill V. Mullen is Professor of English and American Studies at Purdue University. Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube channel. Twitter. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/intellectual-history

The story of the fight against fascism across the African diaspora, revealing that Black antifascism has always been vital to global freedom struggles. At once a history for understanding fascism and a handbook for organizing against, The Black Antifascist Tradition: Fighting Back from Anti-Lynching to Abolition (Haymarket Books, 2024) is an essential book for understanding our present moment and the challenges ahead. From London to the Caribbean, from Ethiopia to Harlem, from Black Lives Matter to abolition, Black radicals and writers have long understood fascism as a threat to the survival of Black people around the world—and to everyone.  In The Black Antifascist Tradition, scholar-activists Jeanelle K. Hope and Bill Mullen show how generations of Black activists and intellectuals—from Ida B. Wells in the fight against lynching, to Angela Y. Davis in the fight against the prison-industrial complex—have stood within a tradition of Black Antifascism. As Davis once observed, pointing to the importance of anti-Black racism in the development of facism as an ideology, Black people have been “the first and most deeply injured victims of fascism.” Indeed, the experience of living under and resisting racial capitalism has often made Black radicals aware of the potential for fascism to take hold long before others understood this danger. The book explores the powerful ideas and activism of Paul Robeson, Mary McLeod Bethune, Claudia Jones, W. E. B. Du Bois, Frantz Fanon, Aime Cesaire, and Walter Rodney, as well as that of the Civil Rights Congress, the Black Liberation Army, and the We Charge Genocide movement, among others. In shining a light on fascism and anti-Blackness, Hope and Mullen argue, the writers and organizers featured in this book have also developed urgent tools and strategies for overcoming it. Jeanelle Hope is Director & Associate Professor of African American Studies Bill V. Mullen is Professor of English and American Studies at Purdue University. Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube channel. Twitter. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/american-studies

The story of the fight against fascism across the African diaspora, revealing that Black antifascism has always been vital to global freedom struggles. At once a history for understanding fascism and a handbook for organizing against, The Black Antifascist Tradition: Fighting Back from Anti-Lynching to Abolition (Haymarket Books, 2024) is an essential book for understanding our present moment and the challenges ahead. From London to the Caribbean, from Ethiopia to Harlem, from Black Lives Matter to abolition, Black radicals and writers have long understood fascism as a threat to the survival of Black people around the world—and to everyone.  In The Black Antifascist Tradition, scholar-activists Jeanelle K. Hope and Bill Mullen show how generations of Black activists and intellectuals—from Ida B. Wells in the fight against lynching, to Angela Y. Davis in the fight against the prison-industrial complex—have stood within a tradition of Black Antifascism. As Davis once observed, pointing to the importance of anti-Black racism in the development of facism as an ideology, Black people have been “the first and most deeply injured victims of fascism.” Indeed, the experience of living under and resisting racial capitalism has often made Black radicals aware of the potential for fascism to take hold long before others understood this danger. The book explores the powerful ideas and activism of Paul Robeson, Mary McLeod Bethune, Claudia Jones, W. E. B. Du Bois, Frantz Fanon, Aime Cesaire, and Walter Rodney, as well as that of the Civil Rights Congress, the Black Liberation Army, and the We Charge Genocide movement, among others. In shining a light on fascism and anti-Blackness, Hope and Mullen argue, the writers and organizers featured in this book have also developed urgent tools and strategies for overcoming it. Jeanelle Hope is Director & Associate Professor of African American Studies Bill V. Mullen is Professor of English and American Studies at Purdue University. Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube channel. Twitter. Learn more about your ad choices. Visit megaphone.fm/adchoices

if it hasn't been clear by now, Angela Y. Davis is one of my favorite writers and humans to follow when it comes to revolutionary thinking and theory. This book: are prisons obsolete, was 128 pages of information that we should all have in our back pocket - since it affects each and every one of us in some way or another. it's all connected, and Angela Y. Davis has a knack for reminding me of that while also telling me what to do with that, to improve it for all of us. RESOURCES: buy the book: https://www.akpress.org/areprisonsobsolete.htmlor get from library? https://www.overdrive.com/media/586899/are-prisons-obsoletepdf copy? https://theanarchistlibrary.org/mirror/a/ay/angela-y-davis-are-prisons-obsolete.pdf Get bonus content on PatreonSupport this show http://supporter.acast.com/make-your-damn-bed. Hosted on Acast. See acast.com/privacy for more information.

Summary   We're talking about our favourite and not-so-favourite pop culture of 2023, including a lengthy discussion about overdogs, and Ryan Reynolds.     Show notes: Pop This's favourite things from 2023: Past Lives (film) The Bear (Season 2) (TV) Bottoms (film)  Fleishman Is In Trouble (TV) Curb Your Enthusiasm (Season 11) (TV) Somebody Somewhere (TV) Deadloch (TV)  I Have Nothing (TV) Swarm (TV) Blue Eye Samurai (TV) Real Housewives of New York (TV) M3gan (film) Dicks: The Musical (film) Only Murders in the Building (Season 3) (TV) The Last of Us Succession (Season 4)  The Marvels (film)   Pop This's least favourite things from 2023: Daisy Jones and the Six And Just Like That (Season 2) Best. Christmas. Ever! (film)  Recommendations: Angela Davis: An Autobriography (book) Freedom Is A Constant Struggle: Ferguson, Palestine and the Foundations of a Movement by Angela Y. Davis (book)   Music credits "Electrodoodle" by Kevin MacLeod From: incompetech.com Licensed under Creative Commons: By Attribution 3.0 License   Theme song "Pyro Flow" by Kevin Macleod From: incompetech.com Licensed under Creative Commons: By Attribution 3.0 License   "Glockenspeil Beat" by Podington Bear From:  Free Music Archive Licensed under Creative Commons: By Attribution 3.0 License     Pop This! Links: Pop This! on TumblrPop This! on iTunes (please consider reviewing and rating us!) Pop This! on Stitcher (please consider reviewing and rating us!) Pop This! on Google PlayPop This! on TuneIn radioPop This! on TwitterPop This! on Instagram Logo design by Samantha Smith Intro voiced by Morgan Brayton Pop This! is a podcast featuring three women talking about pop culture. Lisa Christiansen is a broadcaster, journalist and longtime metal head. Andrea Warner is a music critic, author and former horoscopes columnist. Andrea Gin is a producer and an avid figure skating fan. Press play and come hang out with your new best friends. Pop This! podcast is produced by Andrea Gin.  

Join Critical Resistance and abolitionists for a critical discussion on the ongoing war on Palestine. Prison industrial complex (PIC) abolitionists have always understood the work to dismantle the PIC to be connected to global movements against war, militarism, and colonialism. In the past few weeks, we've seen mass mobilization in solidarity with the Palestinian people as they face one of the deadliest assaults by the Israeli military in its history. On Wednesday, Nov 1, join us for a critical discussion on the ongoing war on Palestine. Dr. Angela Y Davis, Lara Kiswani (Executive Director of the Arab Resource and Organizing Center), Stefanie Fox (Executive Director of Jewish Voice for Peace), and Nadine Naber (INCITE! National) will join us in a discussion moderated by Mohamed Shehk (Campaigns Director of Critical Resistance) to help us understand the situation on the ground in Palestine, how our organizations and people everywhere can mount effective resistance to the genocidal war against Palestinians, and how we can use abolitionist strategies such as Dismantle-Change-Build, Divest/Invest & “Defund,” and “shrink and starve” to do so. Organized by Critical Resistance. This event is also a fundraiser for Middle East Children's Alliance (MECA), who are providing much needed aid to the people of Gaza. All funds will go to MECA after accessibility costs for this event. --------------------------------------------------------------- Speakers: Angela Y. Davis is Professor Emerita of History of Consciousness and Feminist Studies at UC Santa Cruz. An activist, writer, and lecturer, her work focuses on prisons, police, abolition, and the related intersections of race, gender, and class. She is the author of many books, from Angela Davis: An Autobiography (now available in a new edition from Haymarket Books) to Freedom Is a Constant Struggle. Lara Kiswani is the Executive Director of Arab Resource & Organizing Center (AROC), serving poor and working class Arabs and Muslims across the San Francisco Bay Area, and organizing to overturn racism, forced migration, and militarism. Stefanie Fox is the Executive Director of Jewish Voice for Peace. Nadine Naber is a scholar-activist and co-founder of organizations and programs such as: Mamas Activating Movements for Abolition and Solidarity; the Arab Women's Solidarity Association; Arab Movement of Women arising for Justice; the Arab American Cultural Center (UIC); and Arab and Muslim American Studies at UM, Ann Arbor. She is founder of Liberate Your Research Workshops. She has been a board member of groups like INCITE! Feminists of Color against Violence; the Women of Color Resource Center; the Arab American Action Network; Al-Shabaka; and the National Council of Arab Americans. She is Professor in the Gender and Women's Studies Program and the Global Asian Studies Program at the University of Illinois at Chicago. She is the author of many books focusing on Arabs, Arab Americans, and feminism within these communities. Moderator: Mohamed Shehk is the Campaigns Director of Critical Resistance --------------------------------------------------------------- This event is sponsored by Critical Resistance and Haymarket Books and is part of Until Liberation: A Series for Palestine by Haymarket Books, cosponsored by Palestinian American Organizations Network, Mondoweiss, Spectre, Dissenters, Tempest, Palestine Deep Dive, The New Arab, and more. Watch the live event recording: https://youtube.com/live/g9GjTMP9qZs Buy books from Haymarket: www.haymarketbooks.org Follow us on Soundcloud: soundcloud.com/haymarketbooks

The volatile situation in Gaza has been grossly distorted in the mainstream western press. By omission, selective editorializing, and misstatement of so-called “facts,” a particular caricature has emerged that has invisibilized the Palestinian people, the history and the nature of the Occupation, and the actual conditions of life in what many have called the world's largest open air prison. To get a better sense of all of these, we speak with two seasoned experts on Palestine.After our conversation with Diana Buttu and Richard Falk, we conclude this episode with statements of solidarity with the Palestinian people from activists, scholars, and cultural workers from around the world: the Birzeit University Union of Professors and Employees Occupied Palestine; activist and scholar Cynthia Franklin, a long-time champion for Palestinian and other Indigenous peoples' rights; renown Michi Saagiig Nishnaabeg scholar, writer, and artist Leanne Betasamosake Simpson, who has been widely recognized as one of the most compelling Indigenous voices of her generation; celebrated feminist scholar, philosopher, and public intellectual Sara Ahmed; Michael Hardt, eminent political philosopher and writer; award-winning poet, scholar and long-time civil rights and anti-Zionist Hilton Obenzinger; legendary abolitionist feminist activist, writer, and scholar Angela Y. Davis.  Following Angela Davis we have a statement from the Raha Iranian Feminist Collective read by scholar Manijeh Moradian, and then a statement from the Palestine Writes Literary Festival, read by executive director and celebrated novelist, Susan Albuhawa.We then solicited statements from others, and received several immediately, with more coming in daily. We will update this podcast and add contributions as they arrive and as we can process them. We invite you to listen to them as you can, and to join in our commitment to Palestinian life, freedom, and land.Diana Buttu is a  Haifa-based analyst, former legal advisor to Palestine Liberation Organization and Palestinian negotiators, and Policy Advisor to Al-Shabaka: The Palestinian Policy Network.  She was also recently a fellow at the Belfer Center for Science and International Affairs at Harvard's Kennedy School of Government.After earning a law degree from Queen's University in Canada and a Masters of Law from Stanford University, Buttu moved to Palestine in 2000. Shortly after her arrival, the second Intifada began and she took a position with the Negotiations Support Unit of the PLO.Richard Falk is Albert G. Milbank Professor Emeritus of International Law at Princeton University (1961-2001) and Chair of Global Law, Faculty of Law, Queen Mary University London. Since 2002 has been a Research Fellow at the Orfalea Center of Global and International Studies at the University of California, Santa Barbara. Between 2008 and 2014 he served as UN Special Rapporteur on Israeli Violations of Human Rights in Occupied Palestine.Falk has advocated and written widely about ‘nations' that are captive within existing states, including Palestine, Kashmir, Western Sahara, Catalonia, Dombas.He is Senior Vice President of the Nuclear Age Peace Foundation, having served for seven years as Chair of its Board. He is Chair of the Board of Trustees of Euro-Med Human Rights Monitor. He is co-director of the Centre of Climate Crime, QMUL. Falk has been nominated for the Nobel Peace Prize several times since 2008.His recent books include (Re)Imagining Humane Global Governance (2014), Power Shift: The New Global Order (2016), Palestine Horizon: Toward a Just Peace (2017), Revisiting the Vietnam War (ed. Stefan Andersson, 2017), On Nuclear Weapons: Denuclearization, Demilitarization and Disarmament (ed. Stefan Andersson & Curt Dahlgren, 2019. 

Today, I'm joined by Brittany Delany, a dancer, choreographer, and co-director of the dance and social justice collective GROUND SERIES. We discuss the latest project from GROUND SERIES called “Free the Body,” an interactive art installation at The Coachella Valley Art Center that explores what it means to free the body within personal, cultural, social, and political settings. In our conversation, Brittany describes the inception of this project and how different elements of writing, sound, movement, and visual art were introduced. She shares what people can expect from the installation, including the various workshops the collective is hosting with local nonprofit organizations.  When Brittany found herself in a cycle of rage and frustration brought on by the pandemic, the murder of George Floyd, and the overturn of Roe v. Wade, she joined with collaborators to channel that energy into “Free the Body,” using the text Abolition. Feminism. Now as inspiration. Brittany unpacks the refuge that this project offers her and what she hopes people will take away from the experience. She also highlights ways that the collective is working to engage with local community organizations and foster restorative justice services within the Coachella Valley community. Listen, rate, and review to Art Heals All Wounds on Apple Podcasts, Spotify, Google Podcasts, Stitcher, Castbox, or on your favorite podcast platform.Topics Covered:●      Dance through the lens of politics, spirituality, and research ●      Brittany's perspective on what it means to free the body ●      Rage as a powerful motivator for artists ●      The fortification of community through in-person events ●      The core curriculum and methodology of “Free the Body” workshops Resources Mentioned: ●      Abolition. Feminism. Now. by Angela Y. Davis, Gina Dent, Erica Meiners, Beth RichieGuest Info:●      GROUND SERIES Website ●      GROUND SERIES Instagram ●      Free the Body Website  ●      Coachella Valley Art Center Website ●      Brittany's Website ●      Brittany's Instagram    Follow Me:●      My LinkedIn●      Art Heals All Wounds Website●      Art Heals All Wounds Instagram●      Art Heals All Wounds Newsletter

The classic feminist text Women, Race, & Class by Angela Y. Davis was published 40 years ago, yet it remains as relevant as ever. In this episode, Sally & Tayler sit down to talk about its impact on them, and how it might help us get to the liberation we desire and deserve.   Books & Resources Mentioned   Women, Race, & Class by Angela Y. Davis Hood Feminism: Notes from the Women That a Movement Forgot by Mikki Kendall How to Be an Antiracist by Ibram X. Kendi The Source of Self-Regard: Selected Essays, Speeches, and Meditations by Toni Morrison Kimberly N. Foster / For Harriet Assata: An Autobiography by Assata Shakur The Black Panther Party: A Graphic Novel History by David F. Walker with art from Marcus Kwame Anderson Amazons, Abolitionists, and Activists: A Graphic History of Women's Fight for Their Rights by Mikki Kendall with art from A. D'Amico White Women: Everything You Already Know about Your Own Racism and How to Do Better by Regina Jackson and Saira Rao White Feminism: From the Suffragettes to Influencers and Who They Leave Behind by Koa Beck   Tayler's FBC Podcast Segment: Deconstructing Karen Sally's FBC Podcast Segment: Non-Fiction Graphic Novels   Follow our hosts:    Follow Sally: Instagram // The StoryGraph Follow Tayler: Instagram // TikTok   SIGN UP FOR THE #FBCREADATHON HERE Beyond the Box: Our weekly round-up of blog and podcast content delivered directly to your inbox every Friday   Check out our online community here!    This episode was edited by Niba and produced by Renee Powers on the ancestral land of the Dakota people.   Original music by @iam.onyxrose   Learn more about Feminist Book Club on our website, sign up for our emails, shop our Bookshop.org recommendations, and follow us on Instagram, Twitter, TikTok, Facebook, Pinterest.

What's it like being a Black Male SLP? Chances are you probably don't know since less than 3% of SLPs are Black AND Male (ASHA, 2021). In this episode, host Melanie Y. Evans, MS CCC-SLP speaks with Kevin Simmons, (aka the Singing SLP) about: His reason behind joining the field His experience navigating his clinical fellowship year Being a minority WITHIN a minority group as Black MALE SLP Changes we can make ASAP to bring more diversity and inclusion to our field Kevin Simmons M.S., CF-SLP is a pediatric speech therapist in Atlanta, Ga. His passions include educating people about diversity, implementing programs tailor development for the underserved population, and hearing individuals' stories about themselves through song and dance. With a unique twist on educational experiences, Kevin aka The Singing SLP provides songs with his own lyrics that promote development, memory strategies for tests, and so much more. In years to come, he expects the speech therapy game to “change” with initiatives he sets forth. With that said, one of his favorite quotes is from that of the great Angela Y. Davis, “I am no longer accepting the things I cannot change. I am changing the things I cannot accept.” Here's how you can connect with Kevin: Youtube: https://youtube.com/@kjsimmons1995 Instagram: https://www.instagram.com/singingslp/ TikTok: https://www.tiktok.com/@singingslp?_t=8ZvkEPq0BUR&_r=1 Connect with Pediatric Speech Sister: Instagram: instagram.com/pediatricspeechsister TPT Store: https://www.teacherspayteachers.com/Store/Pediatric-Speech-Sister-Tpt-Store Sign up for weekly updates, tips, offers, and more! https://mailchi.mp/pediatricspeechsister/newsletter-sign-up Sources: American-Speech-Language Hearing Association. (2021). ASHA 2021 Member and Affiliate Profile. Sponsors: Anchor: Start your podcast today! anchor.fm CREDIT Institute: Anti-Black Racism CEU courses MedBridge: Subscribe TODAY and get 40% off your CEU membership! --- Support this podcast: https://podcasters.spotify.com/pod/show/pediatricspeechsister/support

In this episode we dig into some early writings by the incomparable black radical feminist and communist Angela Davis. We reflect on some of the contradictions involved in the transformation of women's labor in the development of patriarchal capitalism and the latent potentials for the emancipated life in common that these developments nevertheless carry within themselves. We talk about the radical potential of industrializing housework, discuss strategies for the formation of effective solidarity, and—as usual—find a way to drag American suburbia. Get out there and contest capitalist power at the point of production! Those potentialities won't actualize themselves, after all.This is just a short clip from the full episode, which is available to our subscribers on Patreon:patreon.com/leftofphilosophyReferences:Angela Y. Davis, "Women and Capitalism: Dialectics of Oppression and Liberation," in The Black Feminist Reader, eds. Joy James and T. Denean Sharpley-Whiting (Malden: Blackwell, 2000)Angela Y. Davis, “The Approaching Obsolescence of Housework: A Working-Class Perspective”, in Women, Race, and Class (New York: Random House, 1983)Music: Vintage Memories by Schematist | schematist.bandcamp.com

How does the automobile—the All American symbol of freedom--become part of a “cascading” process of unfreedom for recently incarcerated people?  Livingston and Ross, members of the NYU Prison Education Research Lab, talk about how cars, a necessity for securing work for so many and a symbol of independence and mobility, are enmeshed within interlinked systems that create and perpetuate debt, precarity, and sometimes death.  Through predatory lending, unscrupulous auto dealers, revenue-seeking and gratuitously harassing traffic stops and citations, and data systems built into the hardware and software of vehicles that feed into a number of dangerous data bases, the “open road” can become dangerous and deadly, especially for Black and Brown peoples, who often succumb to what Livingston calls the “power of capture.”Against that bleak picture, Ross and Livingston tell stories of support networks and offer us important ways to bring about what they call “Mobility Justice.”“As cornerstones of life under racial capitalism, the automobile and prison exemplify the ease with which the quotidian can become deadly. Livingston and Ross, with the support of formerly incarcerated peer researchers, have produced an extraordinary example of how critical carceral studies can enlighten, complicate and inspire.” Angela Y. Davis.Andrew Ross is a social activist and professor at NYU, where he teaches in the Department of Social and Cultural Analysis and the Prison Education Program. A contributor to the Guardian, the New York Times, The Nation, and Al Jazeera, he is the author or editor of twenty-five books, including, most recently, Sunbelt Blues: The Failure of American Housing. Julie Livingston is Silver Professor of Social and Cultural Analysis and History at New York University. Her previous books include Self-devouring Growth: a Planetary Parable as Told from Southern Africa; Improvising Medicine: An African Oncology Ward in an Emerging Cancer Epidemic; and Debility and the Moral Imagination in Botswana. The recipient of numerous awards and prizes, in 2013 Livingston was named a MacArthur Foundation Fellow. 

Join Robin D.G. Kelley for the Freedom Dreams discussion series. The second discussion features Keeanga-Yamahtta Taylor. Freedom Dreams is a classic in the study of the Black radical tradition that has just been released in a new 20th anniversary edition. In this live event series, Robin D. G. Kelley will explore the connections between radical imagination and movements for social transformation with pathbreaking artists and scholars. Speakers: Keeanga-Yamahtta Taylor is an award-winning scholar and public intellectual. Taylor is author of Race for Profit: How Banks and the Real Estate Industry Undermined Black Homeownership, published in 2019 by University of North Carolina Press. Race for Profit was a semi-finalist for the 2019 National Book Award and a finalist for the Pulitzer Prize in History in 2020. She was named a Guggenheim Foundation Fellow and MacArthur Foundation Fellow in 2021. Her earlier book From #BlackLivesMatter to Black Liberation won the Lannan Cultural Freedom Award for an Especially Notable Book in 2016. She is also editor of How We Get Free: Black Feminism and the Combahee River Collective, which won the Lambda Literary Award for LGBQT nonfiction in 2018. Taylor's scholarship examines racism and public policy, inequality, Black politics, radical politics and social movements in the United States, both in historical and contemporary contexts. Taylor is working on two projects, one that look at the dynamics of race, class and politics in the first generation after the Black social movements of the 1960s and a book that examines the Black radical tradition mediated through the life and politics of Angela Y. Davis. Taylor is a contributing writer at The New Yorker. Her writing has appeared in the Los Angeles Times, Boston Review, Paris Review, Guardian, The Nation and Jacobin, among others. She is a former Contributing Opinion Writer for The New York Times. Taylor has been named one of the hundred most influential African Americans in the United States by The Root. Essence Magazine named her among the top one hundred “change makers” in the county. She has been appointed as a Distinguished Lecturer for the Organization of American Historians by the Organization of American Historians. For eight years, Taylor was a professor in the Department of African American Studies at Princeton University. She is the Leon Forrest Professor of African American Studies at Northwestern University. Robin D.G. Kelley is Professor and Gary B. Nash Endowed Chair in U.S. History at UCLA. He is the author of Hammer and Hoe, Race Rebels, Freedom Dreams: The Black Radical Imagination, and Thelonious Monk: The Life and Times of an American Original, among other titles. His writing has been featured in the Journal of American History, American Historical Review, Black Music Research Journal, African Studies Review, New York Times, The Crisis, The Nation, and Voice Literary Supplement. Join the upcoming events in the Freedom Dreams Series: https://www.eventbrite.com/cc/freedom-dreams-with-robin-dg-kelley-1288129 Watch the live event recording: youtu.be/BBoQI9HU1rk Buy books from Haymarket: www.haymarketbooks.org Follow us on Soundcloud: @haymarketbooks

BAPC x Are Prison's Obsolete? It may be December but Reggie and Akili are finally discussing the Read With BAPC Pick for the month of November: Are Prisons Obsolete? by Angela Y. Davis. This may have been the best & most honest book discussion they have had yet. Join The Fellowship—BAPC's Patreon Community Follow BAPC on Instagram Shop BAPC's Bookshop

In this episode of Rockford Reading Daily , we begin reading a new book entitled Freedom is a Constant Struggle. We began this book some months back but didn't finish it so we are returning to complete this informative piece of literature by Angela Y. Davis. We also return to recording episodes of the podcast series outside of the City Hall in Rockford, Illinois.

Lorgia García Peña, Angela Y. Davis and Chandra Talpade Mohanty discuss freedom making in the academy for women scholars of color. ***Please note: This discussion was recorded on May 25, 2022. We are releasing it now because the discussion remains highly relevant and valuable.*** Join us for the launch of a Community as Rebellion: A Syllabus for Surviving Academia as a Woman of Color, a new book by Latinx Studies scholar Lorgia García Peña in conversation with Angela Y. Davis and Chandra Talpade Mohanty. Weaving personal narrative with political analysis, Community as Rebellion offers a meditation on creating liberatory spaces for students and faculty of color within academia. Much like other women scholars of color, Lorgia García Peña has struggled against the colonizing, racializing, classist, and unequal structures that perpetuate systemic violence within universities. Angela Y. Davis regards Community as Rebellion as “a life-saving and life-affirming text, it offers us the trenchant analysis and fearless strategy radical scholar-activists have long needed.” You can order a copy of Community as Rebellion here: https://www.haymarketbooks.org/books/1870-community-as-rebellion ----------------------------------------------------------------------- Speakers: Lorgia García Peña is the author of Community as Rebellion: A Syllabus for Surviving Academia as a Woman of Color and is a first generation Latinx Studies scholar. Dr. García Peña is the Mellon Associate Professor of Race, Colonialism and Diaspora Studies at Tufts University and a Casey Foundation 2021 Freedom Scholar. She studies global Blackness, colonialism, migration and diaspora with a special focus on Black Latinidad. Dr. García Peña is the co-founder of Freedom University Georgia and of Archives of Justice (Milan-Boston). Angela Y. Davis is Professor Emerita of History of Consciousness and Feminist Studies at UC Santa Cruz. An activist, writer, and lecturer, her work focuses on prisons, police, abolition, and the related intersections of race, gender, and class. She is the author of many books, from Angela Davis: An Autobiography (now available in a new edition from Haymarket Books) to Freedom Is a Constant Struggle. Chandra Talpade Mohanty is a feminist scholar-activist and educator in the women's and gender studies department at Syracuse University. Chandra's activism, scholarship, and teaching focus on transnational feminist theory, anticapitalist feminist praxis, antiracist education, and the politics of knowledge. She is author of Freedom Feminist Warriors, Feminism without Borders and coeditor of Third World Women and the Politics of Feminism, Feminist Genealogies, Colonial Legacies, Democratic Futures; Feminism and War and Sage Handbook of Identities. Watch the live event recording: https://youtu.be/A38JKBBK2RU Buy books from Haymarket: www.haymarketbooks.org Follow us on Soundcloud: soundcloud.com/haymarketbooks

In 1935, W.E.B. Du Bois published his landmark book, Black Reconstruction: An Essay Toward a History of the Part Which Black Folk Played in the Attempt to Reconstruct Democracy in America, 1860–1880, in which he challenged the then-dominant white historiography of the post-Civil War period In the United States by re-framing abolition in terms of the democratic, anti-racist, and radical egalitarian aspirations and movements of black people to re-envision and re-make the social, political, and economic structures of the nation. Following Du Bois, Angela Y. Davis and Ruth Wilson Gilmore, among many others, have written about the urgent necessity of 'abolition democracy' as a framework and praxis through which to work for 'non-reformist reforms' on the way toward radically re-making the world. In the wake of the murder of George Floyd, people all over the globe have called for 'abolishing' and 'defunding' the police. Reflecting on the work of Du Bois, Davis, and Gilmore, and with our contemporary moment in view, we discuss the question: what does abolition democracy look like as a concrete praxis – not merely about the absence of carceral institutions but about the presence of an entirely new social order? Hosts: Ry Siggelkow, Amy Finnegan, Kanishka Chowdhury, and Todd Lawrence.  Intro Music: Lord Jordan X.

I worry about Kamala, but I'm tired of being afraid. Dr. Angela Y. Davis taught me why we stay. --- Send in a voice message: https://anchor.fm/blackfluidpoet/message Support this podcast: https://anchor.fm/blackfluidpoet/support

Abolition feminism is guiding us towards the liberated future we all deserve. Listen as Aaron and Damien discuss the book Abolition. Feminism. Now. by Angela Y. Davis, Gina Dent, Erica R. Meiners, and Beth E. Richie, and what we learn from their work to trace and analyze the historical genealogies of abolition, feminism, and abolition feminism, key internationalist learnings, and everyday practices to grow our collective and flourishing present and future. Follow us on social media and visit our website! Instagram, Twitter, Facebook, Website, Leave us a message, Merch store

In this episode we continue reading Freedom is a Constant Struggle by Angela Y. Davis and we reflect upon the prison industrial complex and the hypocrisy in the worlds reaction to Russians invasion of Ukraine and wars that go on in Arab countries.

We begin reading Freedom is a Constant Struggle by Angela Y. Davis and in the first pages we learn of some of the backstory of the author.

Mark Christian Thompson's book, Phenomenal Blackness: Black Power, Philosophy, and Theory (University of Chicago Press, 2022) examines the changing interdisciplinary investments of key mid-century African American writers and thinkers, showing how their investments in sociology and anthropology gave way to a growing interest in German philosophy and critical theory by the 1960s. Thompson analyzes this shift in intellectual focus across the post-war decades, pinpointing its clearest expression in Amiri Baraka's writings on jazz and blues, in which he insisted on philosophy as the critical means by which to grasp African American expressive culture. More sociologically oriented thinkers, such as W. E. B. Du Bois, had understood blackness as a singular set of socio-historical characteristics. In contrast, writers such as Baraka, James Baldwin, Angela Y. Davis, Eldridge Cleaver, and Malcolm X were variously drawn to notions of an African essence, an ontology of Black being. For them, the work of Adorno, Habermas, Marcuse, and German thinkers was a vital resource, allowing for continued cultural-materialist analysis while accommodating the hermeneutical aspects of African American religious thought. Mark Christian Thompson argues that these efforts to reimagine Black singularity led to a phenomenological understanding of blackness--a "Black aesthetic dimension" wherein aspirational models for Black liberation might emerge. Brittney Edmonds is an Assistant Professor of Afro-American Studies at UW-Madison. I specialize in 20th and 21st century African American Literature and Culture with a special interest in Black Humor Studies. Read more about my work at brittneymichelleedmonds.com. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Mark Christian Thompson's book, Phenomenal Blackness: Black Power, Philosophy, and Theory (University of Chicago Press, 2022) examines the changing interdisciplinary investments of key mid-century African American writers and thinkers, showing how their investments in sociology and anthropology gave way to a growing interest in German philosophy and critical theory by the 1960s. Thompson analyzes this shift in intellectual focus across the post-war decades, pinpointing its clearest expression in Amiri Baraka's writings on jazz and blues, in which he insisted on philosophy as the critical means by which to grasp African American expressive culture. More sociologically oriented thinkers, such as W. E. B. Du Bois, had understood blackness as a singular set of socio-historical characteristics. In contrast, writers such as Baraka, James Baldwin, Angela Y. Davis, Eldridge Cleaver, and Malcolm X were variously drawn to notions of an African essence, an ontology of Black being. For them, the work of Adorno, Habermas, Marcuse, and German thinkers was a vital resource, allowing for continued cultural-materialist analysis while accommodating the hermeneutical aspects of African American religious thought. Mark Christian Thompson argues that these efforts to reimagine Black singularity led to a phenomenological understanding of blackness--a "Black aesthetic dimension" wherein aspirational models for Black liberation might emerge. Brittney Edmonds is an Assistant Professor of Afro-American Studies at UW-Madison. I specialize in 20th and 21st century African American Literature and Culture with a special interest in Black Humor Studies. Read more about my work at brittneymichelleedmonds.com. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/history

Mark Christian Thompson's book, Phenomenal Blackness: Black Power, Philosophy, and Theory (University of Chicago Press, 2022) examines the changing interdisciplinary investments of key mid-century African American writers and thinkers, showing how their investments in sociology and anthropology gave way to a growing interest in German philosophy and critical theory by the 1960s. Thompson analyzes this shift in intellectual focus across the post-war decades, pinpointing its clearest expression in Amiri Baraka's writings on jazz and blues, in which he insisted on philosophy as the critical means by which to grasp African American expressive culture. More sociologically oriented thinkers, such as W. E. B. Du Bois, had understood blackness as a singular set of socio-historical characteristics. In contrast, writers such as Baraka, James Baldwin, Angela Y. Davis, Eldridge Cleaver, and Malcolm X were variously drawn to notions of an African essence, an ontology of Black being. For them, the work of Adorno, Habermas, Marcuse, and German thinkers was a vital resource, allowing for continued cultural-materialist analysis while accommodating the hermeneutical aspects of African American religious thought. Mark Christian Thompson argues that these efforts to reimagine Black singularity led to a phenomenological understanding of blackness--a "Black aesthetic dimension" wherein aspirational models for Black liberation might emerge. Brittney Edmonds is an Assistant Professor of Afro-American Studies at UW-Madison. I specialize in 20th and 21st century African American Literature and Culture with a special interest in Black Humor Studies. Read more about my work at brittneymichelleedmonds.com. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/german-studies

Mark Christian Thompson's book, Phenomenal Blackness: Black Power, Philosophy, and Theory (University of Chicago Press, 2022) examines the changing interdisciplinary investments of key mid-century African American writers and thinkers, showing how their investments in sociology and anthropology gave way to a growing interest in German philosophy and critical theory by the 1960s. Thompson analyzes this shift in intellectual focus across the post-war decades, pinpointing its clearest expression in Amiri Baraka's writings on jazz and blues, in which he insisted on philosophy as the critical means by which to grasp African American expressive culture. More sociologically oriented thinkers, such as W. E. B. Du Bois, had understood blackness as a singular set of socio-historical characteristics. In contrast, writers such as Baraka, James Baldwin, Angela Y. Davis, Eldridge Cleaver, and Malcolm X were variously drawn to notions of an African essence, an ontology of Black being. For them, the work of Adorno, Habermas, Marcuse, and German thinkers was a vital resource, allowing for continued cultural-materialist analysis while accommodating the hermeneutical aspects of African American religious thought. Mark Christian Thompson argues that these efforts to reimagine Black singularity led to a phenomenological understanding of blackness--a "Black aesthetic dimension" wherein aspirational models for Black liberation might emerge. Brittney Edmonds is an Assistant Professor of Afro-American Studies at UW-Madison. I specialize in 20th and 21st century African American Literature and Culture with a special interest in Black Humor Studies. Read more about my work at brittneymichelleedmonds.com. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory

Mark Christian Thompson's book, Phenomenal Blackness: Black Power, Philosophy, and Theory (University of Chicago Press, 2022) examines the changing interdisciplinary investments of key mid-century African American writers and thinkers, showing how their investments in sociology and anthropology gave way to a growing interest in German philosophy and critical theory by the 1960s. Thompson analyzes this shift in intellectual focus across the post-war decades, pinpointing its clearest expression in Amiri Baraka's writings on jazz and blues, in which he insisted on philosophy as the critical means by which to grasp African American expressive culture. More sociologically oriented thinkers, such as W. E. B. Du Bois, had understood blackness as a singular set of socio-historical characteristics. In contrast, writers such as Baraka, James Baldwin, Angela Y. Davis, Eldridge Cleaver, and Malcolm X were variously drawn to notions of an African essence, an ontology of Black being. For them, the work of Adorno, Habermas, Marcuse, and German thinkers was a vital resource, allowing for continued cultural-materialist analysis while accommodating the hermeneutical aspects of African American religious thought. Mark Christian Thompson argues that these efforts to reimagine Black singularity led to a phenomenological understanding of blackness--a "Black aesthetic dimension" wherein aspirational models for Black liberation might emerge. Brittney Edmonds is an Assistant Professor of Afro-American Studies at UW-Madison. I specialize in 20th and 21st century African American Literature and Culture with a special interest in Black Humor Studies. Read more about my work at brittneymichelleedmonds.com. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/intellectual-history

Mark Christian Thompson's book, Phenomenal Blackness: Black Power, Philosophy, and Theory (University of Chicago Press, 2022) examines the changing interdisciplinary investments of key mid-century African American writers and thinkers, showing how their investments in sociology and anthropology gave way to a growing interest in German philosophy and critical theory by the 1960s. Thompson analyzes this shift in intellectual focus across the post-war decades, pinpointing its clearest expression in Amiri Baraka's writings on jazz and blues, in which he insisted on philosophy as the critical means by which to grasp African American expressive culture. More sociologically oriented thinkers, such as W. E. B. Du Bois, had understood blackness as a singular set of socio-historical characteristics. In contrast, writers such as Baraka, James Baldwin, Angela Y. Davis, Eldridge Cleaver, and Malcolm X were variously drawn to notions of an African essence, an ontology of Black being. For them, the work of Adorno, Habermas, Marcuse, and German thinkers was a vital resource, allowing for continued cultural-materialist analysis while accommodating the hermeneutical aspects of African American religious thought. Mark Christian Thompson argues that these efforts to reimagine Black singularity led to a phenomenological understanding of blackness--a "Black aesthetic dimension" wherein aspirational models for Black liberation might emerge. Brittney Edmonds is an Assistant Professor of Afro-American Studies at UW-Madison. I specialize in 20th and 21st century African American Literature and Culture with a special interest in Black Humor Studies. Read more about my work at brittneymichelleedmonds.com. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/american-studies

The authors of Abolition. Feminism. Now. use the phrase “slow work in urgent times” to remind us that we must continue our collective movement and organizing work to address our most pressing challenges and get us to the place where we want to be. Listen as Aaron and Damien discuss Haymarket Books' Abolition. Feminism. Now. panel event featuring authors Angela Y. Davis, Gina Dent, Erica R. Meiners, and Beth E. Richie, and moderated by Mariame Kaba. This wide-ranging and inspiring conversation teaches us about the power of abolition feminism, the continued work necessary to dismantle the prison industrial complex and push for collective liberation, and more. Follow us on social media and visit our website! Instagram, Twitter, Facebook, Website, Leave us a message, Merch store

ArchCity Defenders and Action St. Louis present the premiere collaborative podcast, "Under The Arch." Your hosts Blake Strode, Executive Director of ArchCity Defenders, and Kayla Reed, Director of Action St. Louis, explore the issues facing our community and the people working to transform them.Our 2nd episode of the season features an audio recording of the 2021 Racial Equity Summit keynote discussion featuring Dr. Angela Y. Davis moderated by our podcast hosts. The conversation follows the summit's general scope of questioning our understanding of  and implementation of racial equity capacity building. Join the conversation around this week's episode using #UnderTheArch and send us your feedback at underthearchpod@gmail.com. Know a local artist who'd like to feature their song in our Music Minute segment? Email us with subject "Music Minute".

In this episode of Rockford Reading Daily we do a recap of Women, Race, and Class by Angela Y. Davis and it's implications on the issues we face in our society today.

In this episode we finish reading Women, Race, and Class by Angela Y. Davis and continue it discussing the effects of capitalism on women in society.

In this episode of Rockford Reading Daily we continue to read Women, Race, and Class by Angela Y. Davis. Chapter 9 finds us learning about Black women who were communist.

In this episode we conclude reading chapter 7 and begin reading chapter 8 of Women, Race, and Class by Angela Y. Davis. In this episode we continue to learn more about Ida B. Wells' contribution to the black liberation movement and about the history of black women in the Club Movement.

On this episode of Rockford Reading Daily we continue reading through chapter 7 of Women, Race, and Class by Angela Y. Davis.

This week, Eva and Emma get into an introduction to Postcolonial Feminism. They discuss the origins of postcolonial theory, examine how Western feminists frame so-called "third world" women and highlight the ways in which feminist rhetoric gets weaponized to perpetuate colonialism. Follow us on social media: Instagram Twitter Facebook Support us on Patreon We are a proud member of the Harbinger Media Network Reading List: Frantz Fanon, The Wretched of the Earth Routledge's The post-colonial studies reader Chandra Mohanty, “Under Western Eyes” Gayatri Chakravorty Spivak, “Can the Subaltern Speak” Sara Ahmed, excerpt from Strange Encounters: Embodied Others in Post-Coloniality Lila Abu‐Lughod, "Do Muslim Women Really Need Saving?" Angela Y. Davis, Freedom Is a Constant Struggle Rich, Janine, “"Saving" Muslim Women: Feminism, U.S Policy and the War on Terror” image: Leyly Matine-Daftary, PORTRAIT OF FARIDEH GOUHARI

In “unnamed,” as part of the “seen/unseen” allegedly?! mini-series, Angelina discusses the relationship between aesthetics, visibility, creativity, and access. How do we make ourselves seen in a society that renders us invisible? What role do aesthetics play in our world? Where should we look to pave the way for revolutionary fashion and music? In true conspiracy theorist fashion (or rather, just a genius mind), join Angelina as she connects the dots between prison abolition, the QueerCrip dress reform movement, hip-hop, and much, much more. watch me dance as part of this mini-series on our insta :) p.s. seen/unseen spotify playlist — sources: Visualizing Abolition with Angela Y. Davis and Gina Dent (0:51) Silvia Federici on Witches, The Commons, Reclaiming the Body and Discovering Our Power (2:04) Rebirth Garments' Radical Visibility Zine (5:18): http://rebirthgarments.com/radical-visibility-zine & Fashion Performances (8:53): http://rebirthgarments.com/radical-visibility-collective /Queer Podcast Episode (10:11) Millennials Are Killing Capitalism Podcast Episode (12:30) Disability Visibility Podcast Episode (14:24) Groundings Podcast Episode (18:03) @sagebeatlove Tweet (20:28) — become a monthly donor here?! leave us a tip: venmo: @wesaidallegedly cash app: $allegedlypodcast paypal: paypal.me/wesaidallegedly — connect with us in our realm of the universe! @wesaidallegedly on Twitter, Insta, and TikTok email: wesaidallegedly@gmail.com — music prod. by Othellobeats x Kingfisher --- Send in a voice message: https://anchor.fm/wesaidallegedly/message

Kim Crowder has been featured by Forbes twice, where she was named an Anti-Racism Educator Your Company Needs Now. Tune in to hear: -What modern-day churches are severely lacking -Her experience as a Black woman -Ways Christ-followers & the Church can shift to truly include those who are marginalized & oppressed One of her favorite quotes is, “In a racist society, it is not enough to be non-racist, we must be anti-racist.” -Angela Y. Davis