Podcasts about dangerous music

My guest this week is Marek Stycos, who's company Audio Alchemist acts as a brand manager for a wide range of pro audio manufacturers. He's also the president of high end pro audio creators Dangerous Music and Chameleon Labs. Prior to starting Audio Alchemist Marek worked as director of Pro Audio at Guitar Center corporate, where he was responsible for recording, live sound, dj, and lighting curriculum creation, chainwide merchandising and department design for all 213 locations, vendor product line and relationship expansion, and more. During our interview Marek talked about behind the scenes at Guitar Center, the concept behind Audio Alchemist, how brand management for pro audio has changed, gear that feels like making music instead of engineering, and so much more. I spoke with Marek via zoom from his studio outside of NYC.  On the intro we look at how artists are releasing in more formats, and tape isn't dead yet. var podscribeEmbedVars = { epId: 104849547, backgroundColor: 'white', font: undefined, fontColor: undefined, speakerFontColor: undefined, height: '600px', showEditButton: false, showSpeakers: true, showTimestamps: true };

In this episode the hosts discuss analog summing, and if they think its as popular as it was a decade and a half ago. With Oshay out they get help from Byron Morrow, a Nashville music producer and bass player, who like Czar, analog sums with a Dangerous D-box. There is now a mailing list. We will be using this mailing list to share updates, giveaways, product discounts and more. You can sign up for the mailing list at http://eepurl.com/hzwW4fAs usual this episode will be posted in theFacebook Group for discussion, Faders Up Podcast.Follow the hosts, guest, and podcast on Instagram- FadersUpPodcast- AudioCzar901- DesireeGuest- Byron Morrow

In dieser Episode ist Mastering Engineer Stefan Heger zu Gast, der auch Geschäftsführer von Mastering Works, einem europaweiten Vertrieb von Studio-Equipment, ist. Dort betreut er unter anderem Marken wie Dangerous Music oder Guzauski Swist. Stefan erklärt uns im Gespräch, wie man sich als Mastering Engineer weiterentwickelt und auf dem Markt etabliert. Neben der Erfahrung im Recording und Mixing, spielt für ihn auch die Lebenserfahrung an sich eine große Rolle. Welche Erfahrungen für ihn wichtig und prägend waren, erfahrt ihr im Podcast. Viel Spaß beim Hören! ➡️ (00:00:00) - Stefan Heger ➡️ (00:21:09) - Relevanz des Themas ➡️ (00:27:08) - Rolle von Mixing & Recording-Erfahrung ➡️ (00:35:08) - Wie kann ich mich weiterbilden? ➡️ (00:42:19) - Wie viel Geduld brauch ich? ➡️ (00:50:56) - Fehler beim Aufbau der Karriere vermeiden ➡️ (00:52:51) - Wichtige Lebenserfahrungen ➡️ (00:56:03) - Networking & Kooperation ➡️ (01:00:35) - Mastering durch Engineer/Producer ➡️ (01:05:15) - Stefans Mastering-Kette ➡️ (01:20:02) - Typfragen ➡️ (01:21:05) - Referenztrack-Empfehlungen

In this episode, I am joined by Robin George who since the 1980s has built up a name for himself as a guitar player, musician, producer, songwriter and solo artist. You may know Robin from his classic 1985 album Dangerous Music which contained the global hit Heartline which both Tommy Vance and Alan Freeman declared their record of the year.Robin talks about his latest album and looks back at his career so far which has seen him play and record with Glenn Hughes, Phil Lynott, Magnum, Climax Blues Band, Pete Way, Waysted, Roy Wood, Diamond Head, Marshall Law, Wrathchild, Witchfinder General, The David Byron Band and many more.A big thank you to my Robin George for being on the show and to all my subscribers. To find out more about Robin George and where you can buy his latest album and his other CDs please visit https://www.robingeorge.co.uk Phil AstonNow Spinning Magazinewww.nowspinning.co.ukNow Spinning Membershiphttps://nowspinning.co.uk/membership/

We go behind the brand with New York-based Marek Stycos - founder of Audio Alchemist and owner of Dangerous Music - to chat all things audio: how the labels missed a trick with DSD; the quality control issues that exist within the microphone market; the magic that can be created in big studio spaces; and why listening to and making music has to be a genuine experience.

The Smoke-A-Lot team sits down with Bay Area legend Too Short's first label, Dangerous Music. They discuss Too Short's early beginnings and how he could have sewed the Bay Area up if he would have made a few moves. They also give him props on his longevity. This is a classic episode so press play!

The Soviet authorities banned the last of Ligeti's excellent and entertaining Six Bagatelles for wind quintet - too dangerous and subversive. Were they right? Music here on film - highly recommended: https://youtu.be/txMWXvD8kL4 and here: https://spoti.fi/2WxMx5R Total listen time 17' Please listen, like, comment, share, subscribe Visit cacophony online.com

3:14:03 – Frank in New Jersey and New York City, plus the Other Side. Topics include: Transit meltdown, air conditioning units, mind control, Iowa Caucus meltdown, soapsuds, alternate timelines merging, Grateful Dead, economic concepts, Zoogz Rift – Idiots on the Miniature Golf Course (1979), Robin George – Dangerous Music (1985), maddening recycling, the owl scultpure larger [&hellip

Ant Diddley Dog talks about his life and career with now deceased group member Rappin Ron. The two formed a legendary duo known as Bad N Fluenz who were signed to Too $hort's Dangerous Music. From legendary battles with fellow Oakland group The Luniz to rap beef spilling over into the streets with former crew member MC Pooh Ant's career has been a rollercoaster. No longer doing secular music because of his strong Christian faith and going by the name A. Doulos Ant has had a huge change but maintain's his lyrical fire. Listen to his story on NO VULTURES

Bis jetzt in den tiefsten Archiven von Mozart&Friends vergraben präsentieren wir euch heute ein Interview/Gespräch mit Nick und Stefan Heger von Masteringworks in Köln. Darin könnt ihr mehr über Stefan's Background, seine Zeit in New York bei Sterling Sound, Dangerous Music, Guzauski Swist und vieles mehr erfahren. Vielen Dank an Stefan und Dangerous Music für die Gastfreundschaft!

"Few artists in modern heavy music have created such an extraordinary and unique body of work as Ihsahn. Having refined and redefined black metal with the now legendary Emperor, Norway’s foremost musical extremist has spent the last decade establishing himself as a fearless and wildly idiosyncratic solo artist, but even by his own remarkable standards, another bold stride into uncharted territory, Ihsahn’s seventh solo album is the legendary Norwegian’s most eclectic and challenging to date." Ben talked to Ishan about his new album, Àmr, and what it means for music to be beauttiful and why he might want it to see it be a bit more dangerous. Aired 26th April 2018. Tune in to SYN's Punk and Metal Night, Moshpit, on 8pm-11pm Thursdays, on SYN 90.7 FM & Digital, and online at www.syn.org.au. Facebook: https://www.facebook.com/Moshpitonsyn/ Follow us on Twitter and Instagram: @MoshpitSYN Hashtag: #MoshpitonSYN Website: www.SYN.org.au/Moshpit Subscribe to YouTube Channel: https://www.youtube.com/user/moshpitonsyn?sub_confirmation=1 Omny Podcast: http://omnyapp.com/shows/moshpit Subscribe on iTunes: https://itunes.apple.com/au/podcast/moshpit-backstage-podcast/id1103834864?ls=1

A pastor's daughter,  Eliza Rickman learned to play the piano in church at age 13, and then discovered Nick Cave.  Things went south from there - or north depending on your prespective - and now Rickman is a  musical artist who is not exactly religious, although her most recent album, O, You Sinners, is laced with religious references. Controversial but honest themes pervade her music and her acts, which are often accompanied by a toy piano or an accordian or a grand piano in complex lyrical melodies.  She is witty, sometimes profane, down to earth, always in tune and very, very talented. Her music is a joy to listen to and her lyrics make you think.  There is nothing like her and you will be so happy you listen to her words and her music. Cold Blood Club is a dark,8-piece band that sings like an indie rock love letter to New York City and puts a new spin on the electro dance/pop sound with an edgy blend of soul and rock influences. Inspired by life in New York and the likes of New Order, Depeche Mode, Broken Social Scene and The Flaming Lips, guitarist/songwriter Tom Stuart (Radio America) began writing songs for powerhouse singer Kendra Jones. What started as a small studio project quickly evolved into a collective of dynamic live musicians. After recruiting former bandmates Jesse Reno (Radio America) to play bass and Brad Peterson (Earlymay) to join on lead vocals, Cold Blood Club was soon joined by wunderkind drummer Shin Kamei (Angela Jane), flame haired violinist Hilary Davis (Bella Koshka) and Adina Benno on keys. The rest is history - and great music.

Time for a research presentation! In this short, Dacia explores the history of banned and censored classical music. And you thought classical music was just for elevators and nap time!

Artistic anathemas, musical mayhem, and cultural conundrums such as "the devil's music"- Middleton and Krash explore the psychological and social issues associated with the human tendency toward censorship of musical expression, as well as what has been described as "suicide-by-music" and crimes that have been connected to musical genres.

Artistic anathemas, musical mayhem, and cultural conundrums such as "the devil's music"- Middleton and Krash explore the psychological and social issues associated with the human tendency toward censorship of musical expression, as well as what has been described as "suicide-by-music" and crimes that have been connected to musical genres.

Artistic anathemas, musical mayhem, and cultural conundrums such as "the devil's music"- Middleton and Krash explore the psychological and social issues associated with the human tendency toward censorship of musical expression, as well as what has been described as "suicide-by-music" and crimes that have been connected to musical genres.