Podcasts about pro audio

Insights In Sound - Peter Doell, Mastering Engineer S18 E10 He's a golden ears mastering engineer and beloved member of the L.A. audio community, as well as the creator and curator of the legendary L.A. Pro Audio Lunch Bunch. We finally managed to sit down with the one and only Peter Doell, and oh the stories he can tell.

Insights In Sound - Bob Clearmountain, Audio Engineer S18 E9 From Springsteen to Stones to Roxy Music and so many more, he's run the faders for some of the era's most legendary recordings. We sat down with Bob Clearmountain at the new Mix This! FTA (From The Ashes) studio.

Insights In Sound 178- Robert Scovill at the Sphere Las Vegas We met up with our old pal Robert Scovill at the Sphere to see, hear, and talk about the innovations and challenges of mixing in one of today's more unique immersive environments.

Insights In Sound 177 - Malcolm Toft, Co-founder, Trident Audio Designs Our salute to Trident continues as we chat with Malcolm Toft, employee number one at Trident Studios and the designer of the legendary Trident consoles. In an era where the music industry was changing by leaps and bounds, Trident made its mark as one of the UK's first independent studios. Hired as the Studio's very first engineer, Malcolm then took on the challenge of building Trident's own multichannel console, leading to the development of the legendary A-Range, B-Range, and subsequent mixing desks.

Mark Murphy, Terry Butcher, Russell Osman host this 1st episode of Life's A Pitch TV Season 3.  We would like to thank our Main Sponsor DPS Tech, our Associated Sponsors, All About Hearing, Hudson Group, Venue 16, The Dove, Seckford Golf Club, John Keeble Cars (Bramford), Ashford Wright Ltd, Lacons, and our Production Sponsors who are Come Hither Design, Jon Parker of Venue 16 and Richard Garrett of Sound 4 Pro Audio on Technicals..Life's A Pitch TV

Insights In Sound 175 - Sam Berkow - Acoustician/Innovator He's been behind the design of some legendary concert halls and venues, as well as the creation of the SMAART system of predictive analysis used by multitudes of audio engineers worldwide.We caught up with Sam at the InfoComm Show in Orlando, Florida.

Simply put, there is nothing trifling about Kathleen Wirt. Running the legendary 4th Street Studios in Santa Monica for 35 years, she's seen it all and then some. And yet she continues to be passionate about music and the arts, and curious about the human condition. It's a fascinating conversation.  

Benny Rietveld has worn multiple hats over the course of his career. The Utrect-born, Hawaii-raised bassist has played with the likes of Miles Davis, Shiela E, and has been Santana's bassist and musical director for close to 25 years. He caught up at the Hideout Studios in Las Vegas.

How do you build the audio gear that powers the Super Bowl, blockbuster films, and YouTube studios alike? In this episode, Marc Aflalo sits down with Matt Anderson, CEO and co-founder of Sound Devices, to uncover the origin story, innovations, and engineering principles behind one of the most trusted names in professional audio. From a basement startup in 1998 to an industry-defining powerhouse, Sound Devices has built a reputation for rock-solid audio gear used on film sets, sports broadcasts, and stages worldwide. CEO Matt Anderson shares the company's humble beginnings, the development of iconic products like the 442 mixer and USBPre, and the leap into wireless with the powerful A20 SuperNexus system. Marc and Matt dive into the secrets behind Sound Devices' engineering mindset, their refusal to compromise on audio quality, and how customer feedback has shaped every product. Whether it's 32-bit float recording, Dante integration, or software-defined audio platforms, Sound Devices continues to innovate without sacrificing reliability. Plus, learn how the company's partnership with Digico is changing the live production landscape, and why Matt still sketches schematics by hand. [Chapters] 0:00 – Introduction & Sound Devices overview 2:00 – Origin story: from a basement to broadcast fame 4:20 – First products: MP-1, analog mixers, USBPre 7:40 – USB audio in the early 2000s 10:00 – 32-bit float recording: why Sound Devices led the way 11:15 – First recorder used in a major film 13:00 – Building the 744T: technical challenges 17:00 – Software vs hardware development realities 18:10 – Entering the wireless market 22:00 – Philosophy of listening to customers 25:30 – Compact, multi-channel wireless for reality TV 28:30 – Rise of independent creators and the MixPre line 31:00 – A20 SuperNexus and global frequency tuning 34:00 – Integration with Digico and the Audiotonix ecosystem 37:30 – Real-world use case: from Metallica to live broadcast 39:00 – Product ideation, design, and beta testing 43:30 – Matt's favorite Sound Devices products 45:00 – Closing thoughts

John Ellis' long and winding road led through performing, recording, engineering, teaching, and then some. Currently one of two main techs at the Conservatory of Recording Arts & Sciences, we caught up with him in the midst of customizing a new console for Bob Clearmountain.

This week, it's all about the front end — microphones for voiceover. George recently ran a live webinar comparing a wide range of mics from the Audio-Technica AT875R to the mighty Austrian Audio OC818, and we're diving deep into the results. From self-noise to low-end roll-off, polar patterns to punchy midrange, we break down what makes a great mic for VO, including:

She's part of the DNA of the legendary Capitol Records studios, as well as a legend in her own right. A rare pleasure to dig deep with the inimitable Paula Salvatore.

This week on The Pro Audio Suite, we dig into the lab-tested results of our very own PASport VO, the portable audio interface designed for voice talent and podcasters. George took it to a respected LA repair shop for an independent bench test, and the results? Minus 89 dB of self-noise. Translation: it's dead quiet. The Jasmine™ preamps inside impressed the pros, even when compared to far more expensive gear. And the design? Tough, tiny, and travel-ready. But here's the kicker: unless there's enough demand, there won't be another production run. If you missed out the first time, now's your chance to change that. We want this thing back in production, and Michael at CEntrance needs to hear it from you.

It takes a special kind of person to keep the tech behind the creativity running. Joe Vezzetti has been the guy behind the scenes for decades. We met up at Cherokee Studios, home of one of the few remaining legendary Trident A Range consoles.  

Ace came up as a live mixer in the '90s at some of L.A.'s  legendary clubs, honing his chops on up and coming bands like Rage Against the Machine, Incubus, and Red Hot Chili Peppers, and worked his way up to touring with legends like Sammy Hagar, Joe Satriani, Dream Theater, and Three Doors Down. He told me he'd be happy to do the show but, "I don't want to sit around in some boring studio. Let's go for a drive." So we went for a drive past some of the old L.A. club haunts and talked about everything and nothing. Buckle up.

He's got an old school production ethos planted firmly in the 21st century, a stellar multi-room studio, and awards for his work with artists ranging from Ozzy and Disturbed to Shania Twain. We got into some deep conversation with The Hideout Studio's Kevin Churko.

Mark Murphy, Terry Butcher, Russell Osman and Luke Chambers host this 37th episode of Life's A Pitch TV Season 2.  We would like to thank our Main Sponsor DPS Tech, our Associated Sponsors, All About Hearing, Ginger Pickle, Fore Wood Floors, Hudson Group, Venue 16, John Keeble Cars (Bramford), Ashford Wright Ltd, Fred Olsen Logistics, Lacons, and our Production Sponsors who are Come Hither Design, Jon Parker of Venue 16 and Richard Garrett of Sound 4 Pro Audio.Life's A Pitch TV

Though the influence of his famous father helped to shape his musical development, Thaddeus Corea is a true original in his own right. We get into it and talk about his early influences, his artistic path, and his production ethos. 

Award-winning voice actors Cissy Jones and Larissa Gallagher have seen their voices stolen by AI. Literally. In this hard-hitting episode of The Pro Audio Suite, they join us to share the shocking reality of finding their voices on AI platforms — being sold, shared, and synthesized without consent or compensation. But they're not just here to sound the alarm — they're here with solutions. We dive into: How they discovered their voices were being used The legal and ethical grey areas of AI voice cloning Their fight for control through advocacy with NAVA (National Association of Voice Actors) The groundbreaking tech tools being developed to protect voice actors What YOU can do to secure your voice and future Whether you're a voice actor, producer, or just someone who cares about consent in the age of AI, this is a must-listen. A big shout out to our sponsors, Austrian Audio and Tri Booth. Both these companies are providers of QUALITY Audio Gear (we wouldn't partner with them unless they were), so please, if you're in the market for some new kit, do us a solid and check out their products, and be sure to tell em "Robbo, George, Robert, and AP sent you"... As a part of their generous support of our show, Tri Booth is offering $200 off a brand-new booth when you use the code TRIPAP200. So get onto their website now and secure your new booth... https://tribooth.com/ And if you're in the market for a new Mic or killer pair of headphones, check out Austrian Audio. They've got a great range of top-shelf gear..  https://austrian.audio/ We have launched a Patreon page in the hopes of being able to pay someone to help us get the show to more people and in turn help them with the same info we're sharing with you. If you aren't familiar with Patreon, it's an easy way for those interested in our show to get exclusive content and updates before anyone else, along with a whole bunch of other "perks" just by contributing as little as $1 per month. Find out more here.. https://www.patreon.com/proaudiosuite George has created a page that is strictly for Pro Audio Suite listeners, so check it out for the latest discounts and offers for TPAS listeners. https://georgethe.tech/tpas If you haven't filled out our survey on what you'd like to hear on the show, you can do it here: https://www.surveymonkey.com/r/ZWT5BTD Join our Facebook page here: https://www.facebook.com/proaudiopodcast And the FB Group here: https://www.facebook.com/groups/357898255543203 For everything else (including joining our mailing list for exclusive previews and other goodies), check out our website https://www.theproaudiosuite.com/ “When the going gets weird, the weird turn professional.” Hunter S Thompson

Join George the Tech as he flips the script and interviews his co-host Darren 'Robbo' Robertson of The Pro Audio Suite podcast. Discover Darren's extensive 30+ year journey in the audio industry, from his initial foray into radio production studios to mastering digital audio workstations and producing demos. Explore memorable anecdotes from his career, his intricate work with Source Connect, and his collaborative podcasting experience with industry veterans, revealing tips, techniques, and the evolution of podcast production. @proaudiosuitepodcast theproaudiosuite.com @voodoosound4501 voodoosound.com.au 00:00 Introduction and Early Days 01:48 First Steps in Pro Audio 03:51 Radio Production Studio Experience 08:21 Transition to Digital Audio Workstations 09:59 Mentorship and Career Highlights 16:04 Working with Voice Actors 18:30 Loyalty and Generosity of Sponsors 20:10 The Mojo Radio Show Origins 22:35 Podcast Production Insights 25:29 The Importance of Audio Quality 29:18 Challenges and Changes in Podcasting 32:55 Creating Voiceover Demos 39:50 Conclusion and Future Plans Website: http://georgethehtech Facebook: http://www.facebook.com/georgethetech Instagram: @georgethetech Podcast: http://theproaudiosuite.com

DMGAudio is Dave Gamble and co-conspirator Krzysztof Oktalski, enriched with ideas from hundreds of engineers, producers and audio specialists. Dave has worked in Pro-Audio for over a decade, for prestigious companies such as Focusrite, Novation, Sonalksis, Neyrinck, Brainworx. DMGAudio was created to build the products that we've always wanted; free from the constraints of a board of directors and instead driven by our users. Dave Gamble Links Mr. Bill Links

What's the weirdest direction you've ever received in a session? "Read it more magenta"? "Give me rage, but lean toward anger"? "Sound like a potato"? In this week's episode of The Pro Audio Suite, Robbo, AP, George, and Robert dive into the hilariously bizarre world of VO direction that makes absolutely no sense… and yet somehow still happens every day. Pulled straight from Robbo's viral LinkedIn thread, this episode is packed with laugh-out-loud moments, real-life war stories, and a bit of therapy for anyone who's ever heard: “That was perfect. Let's do one more.”

Part two of our conversation with Chris Cox. He's been the force behind hundreds of club remixes, including 64 number one tracks in the Billboard Dance Music charts, and has revved up the crowds on multiple continents. We sat down for a deep dive in his Las Vegas studio. THIS IS PART TWO OF TWO PARTS.

This week, The Pro Audio Suite breaks tradition — and smashes a few stereotypes along the way — as we welcome Christy Harst to the show. Christy is a voice actor and founder of Building Doors, a grassroots movement dedicated to creating opportunities for women in male-dominated sectors like sports, automotive, gaming, and tech voiceover. After years of hitting roadblocks, Christy decided to stop waiting for the industry to change — and started building her own doors. In this wide-ranging, real, and sometimes confronting conversation, we dive into: The harsh realities facing women in promo and commercial VO today Why even major brands are missing huge opportunities by ignoring female voices The importance of representation in creating real cultural change How grassroots support — a like, share, or tag — can directly impact a voice actor's career Christy's global plans for Building Doors, including expansions into Australia, Egypt, and the UK The Pro Audio Suite proudly stands behind Building Doors and its mission. If you believe in a more inclusive, forward-thinking voiceover industry, you can help in three simple ways:

He's been the force behind hundreds of club remixes, including 64 number one tracks in the Billboard Dance Music charts, and has revved up the crowds on multiple continents. We sat down for a deep dive in his Las Vegas studio. THIS IS PART ONE OF TWO PARTS.

Title: NAB 2026 Recap: Booths, Bridges & Broadcast Breakthroughs Description: We're back from NAB — well, two of us are! George and Robert hit the Las Vegas show floor to scope out the latest in broadcast tech, while AP and Robbo keep the audio nerd banter flowing. In this episode: A deep dive on ultra-high-end ISO booths like MECART and the pros/cons of serious soundproofing The rise and practicality of Cousteau Block acoustic systems The origin story of SourceConnect and how it revolutionised VO and remote workflows The surprising legacy of SourceNexus, and how it changed Robbo's day-to-day life Wild stories: $13K calls to Cuba, ISDN blunders, and cruise ship mishaps Why the PASport VO is the modern answer to overpriced Comrex units Whether you're reminiscing about ISDN or eyeing off your next mobile rig, this one's packed with insights, laughter, and enough gear talk to fill a Pelican case.

Looking for the ultimate budget-friendly tool for pro audio? The Saramonic Ultra 32-bit float mic is here to revolutionize your workflow! In this video, we explore how this cutting-edge wireless microphone can save you time and enhance your sound quality, making it the perfect investment for photographers, videographers, and content creators aiming to turn their passion into profit.

Today on another encore episode of the Rarified Heir Podcast, we are talking to musician Jon Klages, grandson of musician and Hi-Fi proponent and record label owner Enoch Light. Our conversation with Jon began with understanding just who his grandfather was. A classically trained musician, Enoch founded his first group, Enoch Light & His Orchestra & later Enoch Light and the Light Brigade before World War II. Wildly popular in upper class New York society, Light went on to found one of the most unique independent record labels, well, ever. Vinyl collectors today will know Light's Command Records & Project 3 firstly for its unique, minimalist artwork from renowned artist Josel Albers. From classical to pop to Space Age Bachelor Pop to popular soundtrack hits and more, Light was nothing if not proficient. From albums like Persuasive Percussion to The Private Life of a Private Eye, Lights albums were visually stunning first and foremost. But take a listen to any of his albums from composers as varied as Doc Severinson, Dick Hyman, Tommy Mottola & the landmark album from The Free Design, the albums were recorded for the best audio fidelity available. The albums sound terrific. We discuss this with Jon & loved hearing about how his own mother played a role in all these recordings too. If you love the Moog, horns, Bossa Nova and more mid-sixties exotica, you must find these albums for your collection. We also talk to Jon about his experiences in the studio with his grandfather as well as his own recordings. Part of the fabled Hoboken indie scene of the 1980s, Jon release a new album in 2021, Fabulous Twilight and has a new album coming in 2025 as well. We discuss how Jon became a singer/songwriter, how his passion for being around music led to a career in it and much more. Plus, we hear much about Jon's father, a seven-time Emmy winner for lighting design who worked with everyone from Muhammad Ali to Ernie Kovacs. This is one episode you do not want to miss and it's happening right now. Take a listen to the Rarified Heir Podcast with Jon Klages, right now.            

Send us a textIn this episode the hosts are joined by singer songwriter Dalona to discuss her latest EP, Love and Delusion. Dalona answers questions such as how she went about choosing an engineer, her process in approving a mix, how she defines success, and more. There is now a mailing list. We will be using this mailing list to share updates, giveaways, product discounts and more. You can sign up for the mailing list at http://eepurl.com/hzwW4fAs usual this episode will be posted in theFacebook Group for discussion, Faders Up Podcast.Follow the hosts, guest, and podcast on Instagram- FadersUpPodcast- AudioCzar901- ItspronouncedOshayGuest- Dalona

In this week's video episode of The Pro Audio Suite, AP's got his ears on the new Audio-Technica R70xA headphones, and the team dives into a full-blown can convo. He shares his first impressions after two weeks of use — lightweight, comfy, and eerily similar in tone to the Hi-X65s. But how do they really stack up against other studio staples like the KRKs, Austrian Audio Hi-X55s and 65s, Sennheiser HD280s, and even some vintage Audio-Technica ATH2s? From comfort and design quirks (hello magnetic straps and mystery cables) to 470-ohm impedance madness, gear abuse stories, and which cans sound great but feel like a head clamp, this is one juicy headphone shootout. Bonus: George nerds out on impedance math, Robert gets officially certified as “professional grade,” and an AKG suffers a tragic fate at VO Atlanta...R70xA Headphones – Worth the Hype?

In this episode, we dive into one of the biggest and most talked-about voiceover events on the planet — VO Atlanta. Andrew, George, Robbo, and Robert break down the experience from every angle: Is it still the king of VO conferences? What's changed post-pandemic? Who should (and maybe shouldn't) be booking flights for next year? The good, the bad, and the “interesting” from this year's event Tips for getting the most out of VO Atlanta if you go in the future Plus, a little side chat about conferences in general — when are they worth it, when are they not, and how they could be better. Oh, and don't miss the usual dose of questionable humour, honest takes, and hard-earned industry insight.

This week's episode of The Pro Audio Suite dives headfirst into the world of budget audio gear, exploring whether cheaper equipment has actually improved or if it's still just average kit with fancy marketing. Here are some key highlights and insights from the discussion: Budget Gear: Better or Still Rubbish? Robustness & Quality: The crew revisits the Rode NT1's evolution—from early plastic models to today's sturdy iterations. They ponder its surprising collectability today. User-Friendliness: A cheeky chat unfolds about how budget gear manufacturers should assume nothing when it comes to user knowledge, advocating for painfully obvious product instructions, especially with mics like Rode's NT1. Headphones: Still the Achilles Heel? Consensus emerges around headphones as one area where low-budget options haven't improved as dramatically as microphones. The crew reckons that decent studio cans rarely dip below the $100 mark without significant compromises in sound and build quality. Austrian Audio gets a shout-out for their entry-level headphones offering decent quality, but it's noted that paying a little more generally delivers much better audio. Interfaces and Converters: Robbo's downsized rig is highlighted, having moved from larger interfaces to compact solutions like the SSL2 and the Centrance PASport VO. An important insight shared is that cheap interfaces often share internal converter chips with much pricier gear, meaning the sonic differences can be surprisingly subtle. Bargain Finds and Bargain Fails: Andrew points out the rise in cost of entry-level interfaces from brands like Focusrite, thanks to feature-creep. The group chats about bargain-basement gear flooding Amazon, discussing surprising finds like a $30 dual XLR-to-USB-C interface cable. Robbo humorously advises caution, noting that certain inexpensive gear—particularly cables and mic arms—can still be absolute rubbish. Chinese Clones and Cheap Accessories: George brings up affordable Chinese-made hardware like camera mounts and mic arms, now significantly cheaper yet surprisingly robust compared to premium brands. The "magic arm" clamp is a notable budget win. However, the consensus firmly recommends against skimping on headphones and cables. Quality connectors from Neutrik and Mogami cables are touted as essentials worth investing in. Plug-ins: Stock vs. Premium vs. AI Debate surrounds stock plug-ins vs premium offerings, questioning the necessity of higher-priced plug-ins from brands like FabFilter. Healthy skepticism about AI-enhanced plug-ins and noise reduction is expressed, particularly regarding Adobe Podcast's AI noise reduction. Emulators & Mic Modeling: Opinions split on whether mic emulation is beneficial or just a feel-good factor. Townsend Sphere and Antelope Audio's mics spark a conversation about whether emulated models truly rival their inspirations. Final Thoughts: Cheaper gear today often does punch above its price tag compared to the past, especially microphones. But there remain clear lines where quality is non-negotiable (headphones, connectors, and build quality in general). Ultimately, the episode reinforces the idea that good engineering practice and knowledge still win the day, regardless of budget constraints. It's another lively, opinionated, and informative chat from Robbo, Andrew Peters, George "The Tech" Whittam, and Robert Marshall, brought to you by their sponsors Tribooth and Austrian Audio. If you're keen to catch the full flavour and all the banter, check out the episode at theproaudiosuite.com. A big shout out to our sponsors, Austrian Audio and Tri Booth. Both these companies are providers of QUALITY Audio Gear (we wouldn't partner with them unless they were), so please, if you're in the market for some new kit, do us a solid and check out their products, and be sure to tell em "Robbo, George, Robert, and AP sent you"... As a part of their generous support of our show, Tri Booth is offering $200 off a brand-new booth when you use the code TRIPAP200. So get onto their website now and secure your new booth... https://tribooth.com/ And if you're in the market for a new Mic or killer pair of headphones, check out Austrian Audio. They've got a great range of top-shelf gear..  https://austrian.audio/ We have launched a Patreon page in the hopes of being able to pay someone to help us get the show to more people and in turn help them with the same info we're sharing with you. If you aren't familiar with Patreon, it's an easy way for those interested in our show to get exclusive content and updates before anyone else, along with a whole bunch of other "perks" just by contributing as little as $1 per month. Find out more here..   https://www.patreon.com/proaudiosuite     George has created a page that is strictly for Pro Audio Suite listeners, so check it out for the latest discounts and offers for TPAS listeners. https://georgethe.tech/tpas If you haven't filled out our survey on what you'd like to hear on the show, you can do it here: https://www.surveymonkey.com/r/ZWT5BTD Join our Facebook page here: https://www.facebook.com/proaudiopodcast And the FB Group here: https://www.facebook.com/groups/357898255543203 For everything else (including joining our mailing list for exclusive previews and other goodies), check out our website https://www.theproaudiosuite.com/ “When the going gets weird, the weird turn professional.” Hunter S Thompson  

We're back with Derek Bargaehr, co-founder and chief designer at Vanguard Microphones, for Part 2 of our deep dive into the world of boutique microphone design. In this episode, Derek opens up about what really drives sound quality — from component selection to the subtle tweaks that can make or break a mic's character. We also get into the realities of manufacturing in today's world, and why Vanguard is so passionate about keeping the ‘human touch' in their mics. If you love gear talk and want to know what separates the good mics from the great ones, don't miss this. A big shout out to our sponsors, Austrian Audio and Tri Booth. Both these companies are providers of QUALITY Audio Gear (we wouldn't partner with them unless they were), so please, if you're in the market for some new kit, do us a solid and check out their products, and be sure to tell em "Robbo, George, Robert, and AP sent you"... As a part of their generous support of our show, Tri Booth is offering $200 off a brand-new booth when you use the code TRIPAP200. So get onto their website now and secure your new booth... https://tribooth.com/ And if you're in the market for a new Mic or killer pair of headphones, check out Austrian Audio. They've got a great range of top-shelf gear..  https://austrian.audio/ We have launched a Patreon page in the hopes of being able to pay someone to help us get the show to more people and in turn help them with the same info we're sharing with you. If you aren't familiar with Patreon, it's an easy way for those interested in our show to get exclusive content and updates before anyone else, along with a whole bunch of other "perks" just by contributing as little as $1 per month. Find out more here..   https://www.patreon.com/proaudiosuite     George has created a page that is strictly for Pro Audio Suite listeners, so check it out for the latest discounts and offers for TPAS listeners. https://georgethe.tech/tpas If you haven't filled out our survey on what you'd like to hear on the show, you can do it here: https://www.surveymonkey.com/r/ZWT5BTD Join our Facebook page here: https://www.facebook.com/proaudiopodcast And the FB Group here: https://www.facebook.com/groups/357898255543203 For everything else (including joining our mailing list for exclusive previews and other goodies), check out our website https://www.theproaudiosuite.com/ “When the going gets weird, the weird turn professional.” Hunter S Thompson  

In this first part of our two-part interview with Derek Bargaehr, co-founder and chief designer at Vanguard Microphones, we dig into the nuts and bolts of what goes into designing a modern microphone that stands out in a crowded market. From capsule choices to ribbon designs, Derek gives us the lowdown on how Vanguard approaches innovation, sound quality, and the all-important ‘vibe factor' every engineer is chasing. Whether you're a gear junkie, a home studio tragic, or a working pro wondering if that next mic purchase should have a Vanguard badge on it, this is the episode for you. A big shout out to our sponsors, Austrian Audio and Tri Booth. Both these companies are providers of QUALITY Audio Gear (we wouldn't partner with them unless they were), so please, if you're in the market for some new kit, do us a solid and check out their products, and be sure to tell em "Robbo, George, Robert, and AP sent you"... As a part of their generous support of our show, Tri Booth is offering $200 off a brand-new booth when you use the code TRIPAP200. So get onto their website now and secure your new booth... https://tribooth.com/ And if you're in the market for a new Mic or killer pair of headphones, check out Austrian Audio. They've got a great range of top-shelf gear..  https://austrian.audio/ We have launched a Patreon page in the hopes of being able to pay someone to help us get the show to more people and in turn help them with the same info we're sharing with you. If you aren't familiar with Patreon, it's an easy way for those interested in our show to get exclusive content and updates before anyone else, along with a whole bunch of other "perks" just by contributing as little as $1 per month. Find out more here..   https://www.patreon.com/proaudiosuite     George has created a page that is strictly for Pro Audio Suite listeners, so check it out for the latest discounts and offers for TPAS listeners. https://georgethe.tech/tpas If you haven't filled out our survey on what you'd like to hear on the show, you can do it here: https://www.surveymonkey.com/r/ZWT5BTD Join our Facebook page here: https://www.facebook.com/proaudiopodcast And the FB Group here: https://www.facebook.com/groups/357898255543203 For everything else (including joining our mailing list for exclusive previews and other goodies), check out our website https://www.theproaudiosuite.com/ “When the going gets weird, the weird turn professional.” Hunter S Thompson  

Marc Walton, Forex Mentor, retired from trading for clients in spring 2020. He now focuses on running Forex Mentor Pro, his passion. Marc takes on a few private clients each year who wish to fast-track their trading progress.Marc trades forex, crypto and actively invests in metals and mining stocks.Marc sold his successful business in the UK in 2000, then invested in property to create income & emigrated with his wife & young kids to the Canary Islands. He lived out his dream to be a singer & guitarist in a band for the first few years and on the side was trying to learn how to trade (badly!).After losing over $20k in trades and spending another $10k on wonder systems, Marc was on the verge of quitting. He needed to make a drastic change.After working privately with a mentor, Marc managed to turn things around and became a consistently profitable trader. He then was introduced to a fund in the US where he began trading their client funds while living in a beautiful part of the world, trading for just a few hours a day.No boss, no staff, no commute, no hassles.Marc earned more money from trading than when he employed over 20 people + all the stress that went with it.https://www.forexmentorpro.com/

Send us a textIn this episode of the Faders Up Podcast season 6 kicks off with a discussion about hardware companies who make plugins and if its the new trend in pro audio. Oshay shows a trick with Machine, Czar recaps his trip to Anaheim, and everyone discusses their favorite saturation plugins. There is now a mailing list. We will be using this mailing list to share updates, giveaways, product discounts and more. You can sign up for the mailing list at http://eepurl.com/hzwW4fAs usual this episode will be posted in theFacebook Group for discussion, Faders Up Podcast.Follow the hosts, guest, and podcast on Instagram- FadersUpPodcast- AudioCzar901- ItspronouncedOshayGuest- Michael Gates 

In this episode of The Pro Audio Suite, we sit down with one of the most recognizable voices in the industry—David Kaye. Whether you know him as Optimus Prime, the voice of countless movie trailers, or his extensive video game and animation work, David's journey is one for the books. From his radio roots to discovering the power of simply being himself behind the mic, David shares invaluable insights into the craft of voice acting, the evolution of home studios, and the unexpected lessons he learned along the way. We talk character voices, the nuances of delivering an authentic read, and why sometimes the best performance comes from doing nothing at all. This one's a masterclass in voiceover wrapped in great stories, laughs, and a little nostalgia.

Becki Barabas-Harman Professional, Head of Global RelationsWhat can I say she is beautiful, funny and inspiring. Becki is a force of nature for all things good. She works with numerous charities and is always available to help people in need. She is a master at networking and people connector of the highest order within the Pro Audio community. I hope you enjoy listening as much as I enjoyed getting to know her better.

Recorded live at NAMM 2025, in this TEC Tracks panel we talk about getting in over your head, feeling like an imposter, and how we're all just learning as we go. Whether you're a n00b or a seasoned professional, we all share the same challenges.  Our panel (L-R): Daniel Liston Keller - moderator Rafa Sardina - producer/engineer Ross Hogarth - producer/engineer Rick Allen - sound designer David Morgan - live sound professional Ken Caillat - producer/engineer

The Pro Audio Suite crew takes you inside NAMM 2026!

In this episode, the team dives into the latest updates on the PASportVO – the game-changing audio interface designed for voice actors and podcasters. The units have arrived in Chicago and are being tested, calibrated, and packed for shipping. If you ordered one, your PASportVO is on the way!

In the first episode of Series 8, we explore the big news: Austrian Audio has been acquired by DPA. We dig into what this means for audio gear lovers, with our usual tangents on microphones, recording tips, and more. Thanks to our sponsors: Tri-Booth (not Tribush!) and Austrian Audio. Dive in for everything audio professionals need to know in 2025. Big thanks to our sponsors: Austrian Audio – Making passion heard. Check out the Hi-X20 headphones: Austrian Audio Hi-X20 Tribooth – The portable vocal booth that fits in a suitcase. Use code TRIPAP200 for $200 off! A big shout out to our sponsors, Austrian Audio and Tri Booth. Both these companies are providers of QUALITY Audio Gear (we wouldn't partner with them unless they were), so please, if you're in the market for some new kit, do us a solid and check out their products, and be sure to tell em "Robbo, George, Robert, and AP sent you"... As a part of their generous support of our show, Tri Booth is offering $200 off a brand-new booth when you use the code TRIPAP200. So get onto their website now and secure your new booth... https://tribooth.com/ And if you're in the market for a new Mic or killer pair of headphones, check out Austrian Audio. They've got a great range of top-shelf gear..  https://austrian.audio/ We have launched a Patreon page in the hopes of being able to pay someone to help us get the show to more people and in turn help them with the same info we're sharing with you. If you aren't familiar with Patreon, it's an easy way for those interested in our show to get exclusive content and updates before anyone else, along with a whole bunch of other "perks" just by contributing as little as $1 per month. Find out more here..   https://www.patreon.com/proaudiosuite     George has created a page strictly for Pro Audio Suite listeners, so check it out for the latest discounts and offers for TPAS listeners. https://georgethe.tech/tpas If you haven't filled out our survey on what you'd like to hear on the show, you can do it here: https://www.surveymonkey.com/r/ZWT5BTD Join our Facebook page here: https://www.facebook.com/proaudiopodcast And the FB Group here: https://www.facebook.com/groups/357898255543203 For everything else (including joining our mailing list for exclusive previews and other goodies), check out our website https://www.theproaudiosuite.com/ “When the going gets weird, the weird turn professional.” Hunter S Thompson

In this inspiring episode, we chat with Lee Fields about his remarkable journey from a church kid in Tennessee to becoming a leader in the pro audio world. Lee shares his story of playing music in church, dropping out of college, touring with Disciple, and ultimately shaping the world of church production through innovation and leadership. We dive into topics like: - His humble beginnings and early love for music. - Touring stories, including mixing for headliners and working with Christian rock bands. - Transitioning to large-scale church AVL systems in California. - Founding MXU (Formaly), the revolutionary church production education platform. - The importance of acoustics, training, and team leadership in churches. - His current ventures include mixing, mentoring, and creative projects.

He's been behind the faders for everyone from McCartney and AC/DC to Paul Simon, Eric Clapton, Michael Jackson, and so many more. We caught up with Pab during rehearsals for Macca's South America tour in the fall of 2024.

This week on The Pro Audio Suite, we dive into the fascinating—and sometimes frustrating—world of AI noise reduction. From Descript's Studio Sound to Adobe Podcast's quick-fix tools, we explore how these AI-driven solutions are shaking up audio post-production. What works? What doesn't? And when do these tools cross the line from helpful to downright hallucinating? Join Robbo, George, Robert, and Andrew as they unpack real-world examples of AI audio gone right—and hilariously wrong. Plus, we talk about best practices for using these tools without sacrificing natural sound. Big thanks to our sponsors: Austrian Audio – Making passion heard. Check out the Hi-X20 headphones: Austrian Audio Hi-X20 Tribooth – The portable vocal booth that fits in a suitcase. Use code TRIPAP200 for $200 off! A big shout out to our sponsors, Austrian Audio and Tri Booth. Both these companies are providers of QUALITY Audio Gear (we wouldn't partner with them unless they were), so please, if you're in the market for some new kit, do us a solid and check out their products, and be sure to tell em "Robbo, George, Robert, and AP sent you"... As a part of their generous support of our show, Tri Booth is offering $200 off a brand-new booth when you use the code TRIPAP200. So get onto their website now and secure your new booth... https://tribooth.com/ And if you're in the market for a new Mic or killer pair of headphones, check out Austrian Audio. They've got a great range of top-shelf gear..  https://austrian.audio/ We have launched a Patreon page in the hopes of being able to pay someone to help us get the show to more people and in turn help them with the same info we're sharing with you. If you aren't familiar with Patreon, it's an easy way for those interested in our show to get exclusive content and updates before anyone else, along with a whole bunch of other "perks" just by contributing as little as $1 per month. Find out more here..   https://www.patreon.com/proaudiosuite     George has created a page strictly for Pro Audio Suite listeners, so check it out for the latest discounts and offers for TPAS listeners. https://georgethe.tech/tpas If you haven't filled out our survey on what you'd like to hear on the show, you can do it here: https://www.surveymonkey.com/r/ZWT5BTD Join our Facebook page here: https://www.facebook.com/proaudiopodcast And the FB Group here: https://www.facebook.com/groups/357898255543203 For everything else (including joining our mailing list for exclusive previews and other goodies), check out our website https://www.theproaudiosuite.com/ “When the going gets weird, the weird turn professional.” Hunter S Thompson

He's one of the founding fathers of electronic instruments, a legendary name in synthesizer history, and a most humble and unassuming genius. We sat down with Tom Oberheim to learn about his personal history, and that of the company that bears his name. Part One of our two-part interview.

Part Two of our in-depth conversation with the legendary Tom Oberheim.

This week on The Pro Audio Suite, it's time to crown the winner of our epic mix competition in partnership with Austrian Audio! We're joined by Kurt Richter, the mastermind behind the Hi-X20 headphones, for an in-depth chat about what makes these cans a game-changer. Kurt spills the beans on Austrian Audio's design philosophy, the evolution from the Hi-X15 to the Hi-X20, and how pro feedback shaped their signature sound. Plus, we break down what set our finalists apart and why the winning mix took the top spot. Was it the perfect timing? The blend? Or that touch of magic that made it unforgettable? You'll have to tune in to find out! Missed out on the prize? Don't worry—experience the pro-level sound yourself with a pair of Hi-X20s!

Beverly Scott, author of Sarah's Secret: A Western Tale of Betrayal and Forgiveness, narrated her own memoir in a professional studio. Join Bev and Becky for a conversation about the inspiration for the researching and crafting of her book and her experience recording in a pro studio. What was the most surprising aspect of the process? Join us to find out! Learn more at https://www.bevscottauthor.com/ Get the audiobook today at: AMPlify Audiobooks

Pro Audio Design Engineer Andy Bereza summarises his impressive career in a chat with Paul Gilby. Andy founded Allen & Heath Mixers before working for TEAC/Tascam, where he conceived the TEAC Portastudio the portable multitrack cassette tape recorder that revolutionised the home recording market in the 1980s. He then co-founded Bandive-Turnkey where he developed a range of budget signal processors and the famous Great British Spring reverb to sell to the rapidly expanding Home Studio Recording market. At the same time, he was a consultant for the Fostex X15 multitrack cassette as well as helping to steer further product designs. Chapters00:00 - Introduction00:34 - Getting Into Electronics01:45 - Building Custom Desks04:09 - Allen & Heath Mixers06:07 - The Minimixer08:54 - The Pink Floyd Desks12:24 - Allen & Heath Mod II Mixer13:20 - Expanding The Company15:23 - Moving To Tascam 16:58 - Constructing The Portastudio 21:57 - Setting Up Bandive / Turnkey24:55 - Creating Products For The Home Studio 29:03 - Fostex Releases in the 80s30:48 - Bandive Seck Mixers32:08 - Expanding Turnkey35:14 - Selling To Harman38:38 - Launching Digital Postcards41:07 - A Brief Career Summary42:13 - Proudest Career MomentAndy Bereza BiogAndy Bereza started his career as a Audio Design Engineer after moving to London in 1967 to study Electronics at Chelsea University. A chance encounter with Siggy Jackson in Tin Pan Alley gave him his first custom commission and many more soon followed, with Andy building mixers for Bill Shepherd (producer of the Bee Gees), Alan Price, Maurice Gibb and also a location recording mixer for the Clockwork Orange movie.In 1970 Andy became the Founder of Allen & Heath, where he initially developed the black range of mixers, then their first mass market product the Minimix. At the same time he creating custom quadraphonic live desks for The Who along with Pink Floyd's Pompeii and Dark Side Of The Moon touring desks.In 1975, Andy joined TEAC America and was employed to introduce Tascam into Europe. Then in 1976 he was contracted directly with TEAC Japan where he developed the iconic Portastudio that changed the face of the home recording industry. In 1977 he became one of the founders of Bandive Ltd and helped to develop further products for the home recording market and created the popular Turnkey By Mail catalogue during the late 1970s to mid 80s. Bandive then opened the Turnkey retail store in central London.Following the sale of Bandive / Turnkey to Harman UK in 1987, he briefly became their Marketing Director, before signing up to become Managing Director of Fostex in 1991. Later in the 90s Andy left the Pro Audio industry and turned his attention to multimedia where he developed interactive product catalogues on CD-ROM.Paul Gilby BiogPaul Gilby is the co-founder, along with his brother Ian, of Sound On Sound magazine in 1985. Having written many product reviews and interviews over the years he now heads up the Digital Media side of the business managing the team that looks after the SOS website as well as the video and podcast productions.Catch more shows on our other podcast channels: https://www.soundonsound.com/sos-podcasts