Podcasts about Mastering engineer

TOPICS: Doechii's2019 song “Anxiety” hit the Hot 100 Top 10 this week, and how it got there is an amazing story of music promotion in 2025; Ryan breaks down the Miami Music Tech Summit; ElisaRockDoc career update; we interview Grammy-nominated mastering engineer Idania Valencia(Charli XCX, Benson Boone). You can follow our guest on Instagram @idaniava.Rate/review/subscribe to the Break the Business Podcast on iTunes, SoundCloud, Stitcher, and Google Play. Follow Ryan @ryankair and the Break the Business Podcast @thebtbpodcast. Like Break the Business on Facebook and tell a friend about the show. Visit www.ryankairalla.com to find out more about Ryan's entertainment, education, and business projects.” Hosted on Acast. See acast.com/privacy for more information.

Episode 75, in der nur kurz um die Jubiläums-Folge geht, sondern in vielerlei Hinsicht um Musik: Sei es Musik von einem klassischen Orchester mit Dirigent Jacob Collier, Musik vom Blas-Orchester mit Dirigent Björn Schlüter, Musik der Musik wegen und natürlich "Music", unsere erste und voraussichtlich auch letzte Liebe im "Song des Monats". Und Björn spricht nicht nur über die MasterClass "Mastering", sondern verrät die geheime Zutat beim Mastering, die kein Mastering-Engineer verraten würde - glaube ich ^^ Playlist "Song des Monats": https://open.spotify.com/playlist/1dL9eYWItUWbCelkNVXMss?si=0c0de09f82d54238   ✅ Mein Geschenk an Dich in der #RecordingBlogFamilie ✅ Melde Dich hier gratis an zu INTRO: https://recording-blog.com/1nwk   Björns Mastering MasterClass: https://recording-blog.com/shop-im-recording-blog Hier zum Newsletter für ständig neue Mixing-Tipps für jede DAW: https://recording-blog.com/#newsletter Björns Playlist "Mastered by Storia Mastering": https://open.spotify.com/playlist/0UpGEYg66WqvXIAFVEaeCd Lass Deinen Song mastern bei Björn: https://storiamastering.com   Selber Musik aufnehmen, abmischen und produzieren lernen mit Jonas und der #RecordingBlogFamilie: https://recording-blog.com/shop-im-recording-blog  

Emily Lazar is a locally based audio engineer who became the first woman to win Best Engineered Album (Non-Classical) at the 2016 Grammys for her work on Beck's Colors. She is also the founder of the nonprofit We Are Moving the Needle, which supports female recording industry professionals, audio engineers and producers, and founder of the NYC-based company, The Lodge. Lazar discusses her work in today's installment of our Women's History Month series, Equalizers: Women in Music Production. This episode is guest-hosted by Kousha Navidar.

Send me a messageIn this episode of Inside The Mix, mastering engineer Ian Shepherd demystifies loudness metrics and debunks common mastering misconceptions while offering practical advice for producers looking to improve their masters without chasing arbitrary targets. Ian explains the role of LUFS in mastering, why normalization matters, and how focusing on musicality and dynamics leads to better results than simply hitting a loudness target.What You'll Learn: • LUFS measurements explained – momentary, short-term, and integrated loudness • How many LUFS should my master be? Understanding the balance between dynamics and loudness • The truth about LUFS for Spotify – why 83% of users never change loudness normalization settings • What does LUFS stand for? And why it's just one piece of the mastering puzzle • How normalization impacts your music across different streaming platforms • The role of audio normalization in creating a consistent listening experience • Why AI mastering struggles to match the emotional intent of human engineers • Spotify's approach to loudness and what it means for your masters • Internal dynamics – how balancing different sections of your song enhances clarity and impact • The mastering feedback loop – why collaboration between engineers and artists is keyIf you want your music to stand out in today's Spotify-dominated landscape, don't obsess over loudness numbers. Instead, focus on musicality, dynamics, and emotional impact. Test how your tracks sound at normalized streaming levels, and let the music, not the meters, drive your mastering decisions.Links mentioned in this episode:Listen to the Mastering Show PodcastMastering Engineer Reacts to 8 Pro Mixes of the Same SongHigher LUFS - do they REALLY always sound louder?YouTube ruined all my videos - UNLESS you disable this setting...Loudness Penalty: AnalyzePerception AB Support the showBook a FREE 20-minute Producer Potential Discovery Call Follow Marc Matthews' Socials:Instagram | YouTube | Synth Music Mastering Thanks for listening!!

Mike Marra is a seasoned Mastering Engineer based in Toronto, Canada, working out of the renowned Joao Carvalho Mastering studio. Music and sound have been Mike's lifelong passions, with an early exposure to a diverse range of music and technology that deeply influenced his critical listening skills and technical expertise.Mike followed his dream into the world of mastering, where his enthusiasm for the craft is contagious. The positive reactions from his clients to his work are a testament to his talent. He approaches every project with the highest respect and attention to detail, ensuring that each artist's sonic vision is brought to life.Known for his bold, powerful low-end on Hip Hop and EDM tracks, Mike has worked with a wide variety of Canadian and international artists across all genres. His impressive list of collaborators includes mastering an official Bob Marley remix for the 75th-anniversary legacy release, Phil Gonzo, Jazz Cartier, Sean Leon, Dr. Draw, Sara Diamond, Storry, Division Street, The Dreamboats, Victoria Duffield, and many others.IN THIS EPISODE YOU'LL LEARN:Listening to music with a “big picture” perspective, rather than focusing on individual elementsEmotional mastering: How to infuse emotion into your tracks through processing like EQ and compressionTreating each song as uniqueMastering singles vs a full recordHow to achieve consistency between tracks that have already been released as singles and later compiled into an albumWhat to listen for when mixing/mastering low-endHow your treatment of low-end can make mixes sound widerWhy great masters start in the recording stageHigh Pass Filters: Why you might not want to use themTo learn more about Mike Marra, visit: https://mikemarramastering.com/Looking for 1-on-1 feedback and training to help you create pro-quality mixes?Check out my coaching program Amplitude and apply to join: https://masteryourmix.com/amplitude/Want additional help with your music productions?For tips on how to improve your mixes, visit https://masteryourmix.com/Download your FREE copy of the Ultimate Mixing Blueprint: https://masteryourmix.com/blueprint/ Get your copy of my Amazon #1 bestselling books:The Recording Mindset: A Step-By-Step Guide to Creating Pro Recordings From Your Home Studio: https://therecordingmindset.comThe Mixing Mindset: The Step-By-Step Formula For Creating Professional Rock Mixes From Your Home Studio: https://masteryourmix.com/mixingmindsetbook/ Check out our Sponsors:Download Waves Plugins here: https://waves.alzt.net/EK3G2KSubscribe to the show:Apple Podcasts: https://podcasts.apple.com/us/podcast/master-your-mix-podcast/id1240842781Spotify:...

Mat Leffler-Schulman is a mastering engineer who's worked with artists such as Jon Batiste, Blondie, Mary J Blige, Beach House, and many more.In this episode, you'll learn about:The Value of Working with a Human Mastering EngineerThe Ethics of Using Stem Splitting to Alter a Mix in MasteringThe Various Roles AI Could Play for Music Production ProsHow to Address "Width" in a MasterThe Business Side of a Mastering StudioAn Analog One Stop Shop Mastering UnitHow to Setup a Project for Success with CommunicationStaking Multiple Limiters for Louder, Cleaner MastersLearning to Work with SynesthesiaEnjoyed this Episode? Dig deeper on mastering with my interview with Sam FischmannConnect with

To clip or to limit? That is the question today. Where, why and how would you use a clipper rather than a limiter, and vice versa? Justin Colletti explores. ►

Mass Giorgini is a Producer, Mixing & Mastering Engineer, Musician from bands such as Squirtgun, Screeching Weasel, and Common Rider.  Jughead and Mass have been friends since the late 80s.  That's a long time.  And their catchups are always sprawling, referential, and we believe fun and interesting.  Give it a listen.

Matt and Sam conclude this chapter of life, say thank you, and provide a proper goodbye to the listeners - perhaps just for now.

Piper Payne, a Mastering Engineer based in Nashville, TN, is known for her dedication to audio quality and equality. After moving her mastering studio to Nashville, she ventured into vinyl manufacturing, opening Physical Music Products, which, through Piper's innovations, has set industry-leading turn times and quality benchmarks. As a former National Trustee of the Recording Academy and Co-Chair of the P&E Wing Steering Committee, Piper actively promotes diversity and inclusion in the industry. With a background in music and a focus on technical excellence, she approaches mastering and manufacturing as a blend of feel and precision. Piper shares her expertise in mastering and recording as an esteemed audio professor and frequent guest lecturer. Her impressive discography includes notable artists like Janis Ian, Madame Gandhi, Dolly Parton, The Go-Go's, and more. IN THIS EPISODE, YOU'LL LEARN ABOUT: Working your way into the mastering industry Building your client base Focusing on your niche The power of being accessible Starting a vinyl pressing company The process of manufacturing vinyl records What mastering engineers and artists need to know in order to ensure the highest quality results with vinyl pressing Should you mono your bass tracks or not? What frequencies are problematic with volume? Can you trust the manufacturer to preserve the quality of your masters? How much time do you need to factor into your album-release schedule for vinyl manufacturing? To learn more about Piper Payne, visit: https://www.piperpayne.com/ and https://www.physicalmusicproducts.com/ For tips on how to improve your mixes, visit https://masteryourmix.com/ Looking for 1-on-1 feedback and training to help you create pro-quality mixes? Check out my new coaching program Amplitude and apply to join: https://masteryourmix.com/amplitude/ Download your FREE copy of the Ultimate Mixing Blueprint: https://masteryourmix.com/blueprint/ Get your copy of my Amazon #1 bestselling books: The Recording Mindset: A Step-By-Step Guide to Creating Pro Recordings From Your Home Studio: https://therecordingmindset.com The Mixing Mindset: The Step-By-Step Formula For Creating Professional Rock Mixes From Your Home Studio: https://masteryourmix.com/mixingmindsetbook/ Subscribe to the show: Apple Podcasts: https://podcasts.apple.com/us/podcast/master-your-mix-podcast/id1240842781 Spotify: https://open.spotify.com/show/5V4xtrWSnpA5e9L67QcJej Have your questions answered on the show. Send them to questions@masteryourmix.com Thanks for listening! Please leave a rating and review: https://masteryourmix.com/review/

Matt and Sam discuss the significance of leaving a meaningful impact through their work in the music industry and beyond and explore ways to build a legacy that extends beyond professional achievements and positively influences others.

My guest this week is mastering engineer Maor Applebaum, who's worked with the likes of Faith No More, Yes, Meatloaf, Eric Gales, Walter Trout,  Dream Theater, Sepultura, Halford, and many more.  Maor has written presets and collaborated with various plugin companies such as Waves, Brainworx/Plugin Alliance, Softube, Arturia, Leapwing Audio, Pulsar Audio and others.  He's also guested and lectured at various trade shows and recording schools, and is co-creator of the THE OVEN line of analog hardware which is modeled and emulated by Brainworx. During our interview, Maor spoke about the different mastering requirements for different genres, common mixing problems that he sees, what he asks clients to supply for mastering, the audio gear he's developed, and so much more. I spoke with Maor via zoom from his studio outside of Los Angeles.  On the intro we look at song melodies getting simpler and production more complex, and the quietest places in the U.S.

Episode 233 features Justin Sances - a highly regarded and talented audio engineer that focuses in the dance music space. Some of you may know Justin or have worked with him directly, but he comes to the table with experience not only as an audio engineer, but previously as a DJ and Producer (a very dope one at that!) Justin is also the engineer for Hood Politics and does the final mix/master on 99% of the tracks we release. He plays a major part in ensuring that the label puts out the highest possible quality music at the end of the day. This interview breaks down his process while providing advice to producers in the studio for the first time or 1000th time. This aspect of music making is well-known but still under-appreciated and not talked about in the mainstream very much. I'm really glad we sat down and had this conversation in person because I found myself taking notes throughout this interview!

Dave McNair joins Matt and Sam and takes the podcast listener on a lovely ride talking about music, creativity, and vinyl manufacturing. Special Guest: Dave McNair.

My guest this week is mastering engineer Howie Weinberg, who has 20 Grammy Awards and 76 Grammy nominations, 4 TEC awards, 2 Juno awards, 1 Mercury Prize award, 200+ gold and platinum records, an unbelievable 19,000 total credits, and 91 billion streams. Howie started working in the mail room at Masterdisk in New York City but soon became the apprentice of mastering legend Bob Ludwig. Within a few months Howie began mastering tracks for hip hop stars like Kurtis Blow, Run DMC, Grandmaster Flash and Public Enemy. Since then he's mastered projects for legends like U2, Nirvana, Sheryl Crow, The Clash, Madonna, Alice Cooper, Aerosmith, John Mellencamp, Ozzy Osbourne - the list goes on. During our interview Howie talked about mastering at the beginning of hip hop, the tremendous volume of work that he does, why he thinks vinyl is a fad, why he creates both an analog and digital master, and so much more. I spoke with Howie via zoom from his home in Santa Monica.  On the intro we look at Universal Music's patent to be able to embed binaural beats in label songs, and a look at the different eras of modern music that show when rock died. var podscribeEmbedVars = { epId: 105931496, backgroundColor: 'white', font: undefined, fontColor: undefined, speakerFontColor: undefined, height: '600px', showEditButton: false, showSpeakers: true, showTimestamps: true };

Matt and Sam reflect on the ever-evolving nature of the music industry while drawing parallels to navigating life transitions and finding opportunity in uncertainty.

Have you ever wondered how to make money with a home studio? Maybe you're seeking answers to the questions: How do I market my home studio? How do I get more clients with my recording studio? How do you differentiate yourself from your competitors? Or maybe even, how do I acquire and keep clients? Then check out EP 148 of the Inside The Mix podcast.Want to unlock the secrets to building a profitable home studio? Join us as I uncover essential tips with Philip Marsden of Marsden Mastering, from acquiring clients to creating a robust portfolio and working with musicians you admire. Learn how to set your rates, position yourself in the market, and identify your target audience while maintaining strong client relationships. Philip also shares his top revision strategy, guaranteeing client satisfaction and long-term success.Have you ever wondered how to stand out in a crowded marketplace? Discover how consistency and relationship-building can make you memorable in the creative industry. Philip emphasises the importance of unique service offerings and clear communication. By delivering projects on time, being approachable, and being receptive to feedback, you can foster trust and become a preferred choice in music production and engineering. We'll provide practical tips to help you stand out in a competitive field.Effective client communication and satisfaction are crucial to your success. Learn to convey the transformation you offer, manage client feedback, and set clear expectations. Philip discusses the value of written communication, tailored proposals, and understanding clients' deeper goals. We also touch on recognising when a service relationship isn't a good fit and the benefits of offering refunds. Finally, get introduced to Philip's podcast, "The Savvy Producer," which offers actionable advice on productivity and efficiency in the music industry. Join us for invaluable insights into creating a profitable home studio and building lasting client relationships.CLICK HERE to follow Philip: https://marsdenmastering.com/Send me a Message Support the Show.► ► ► WAYS TO CONNECT ► ► ► Grab your FREE Producer Growth Scorecard TODAY!✸✸✸✸✸✸✸✸✸✸✸✸✸✸✸✸✸✸✸✸✸✸✸✸✸✸Are you READY to take on the 28-day challenge and release more music? Bag your FREE Producer Growth Scorecard at Synth Music Mastering: https://www.synthmusicmastering.com/scorecardSend a DM via IG @insidethemicpodcastEmail me at marc@synthmusicmastering.com

My guest this week is 5 time MPG mastering engineer of the year Katie Tavini, who's work includes Rudimental, Bloc Party, Ash, We Are Scientists, Nadine Shah, Arlo Parks, Los Bitchos and many more. Since starting in 2014, Katie has grown to become one of the mostin-demand mastering engineers in the UK, who's at home with everything from the heaviest metal to the lushest orchestral works and everything in between. Katie is also a founding member of Weird Jungle, a collective of independent mastering engineers in the UK dedicated to helping bands, artists and labels release the best possible version of their work. During our interview Katie talked about becoming a mastering engineer, how mastering has changed in the last few years, things that mixers sometimes overlook, starting Weird Jungle, and so much more. I spoke with Katie via zoom from her studio in Liverpool.  On the intro we look at how mainstream success isn't as big as it used to be, and in honor of Fathers Day, ultimate Dad Rock bands.

What makes Serban Ghenea a great mixer? It's not the gear. ►

Matt and Sam explore the importance of networking, collaboration, and fostering genuine connections in both your career and personal life.

What are the best reference mixes? Justin Colletti shares his favorite reference mixes, WHY they work, and how you can choose your own. ►

Hot George Summer continues! Singer-songwriter, educator, podcaster, and mastering engineer, Justin Marra joins Tim and Jim in a discussion of the sounds that inspired Star Wars! Brought to you By: The Sonar Network https://thesonarnetwork.com/

Are you tired of seeing ads for business coaching programs promising you your dreams are right around the corner if you just follow their secret success formula? It can seem like snake oil is everywhere, from Amazon drop shipping to building your own empire as a sample-pack-fueled startup. Cameron dives into the brutal reality behind these programs, exposing the cold, hard truth as to why some people see success while others don't.  If you have a dream that seems out of reach, and the light at the end of the tunnel is fading, you won't want to miss this episode. Resources:9 Confirmation Bias Fallacy Examples In Everyday Life (developgoodhabits.com)Acuity – All-in-one appointment managementDistrokid – The easiest way to get music onto Spotify, Apple, Amazon, Tidal, TikTok, and more.Get Backblaze – We're offering a free month of Backblaze cloud backup for a limited time!MailChimp – email marketing done easy.  Whether you are an up-and-coming producer or an established professional, our unrivaled mastermind community of like-minded music entrepreneurs can help you elevate your brand online so you can consistently attract higher quality artists who will pay premium prices for your production services. Go to modernproducermastermind.com and become a member today!  Producer & Host: Cameron BashawEditorial: Cameron BashawEdited in Descript. Try it for yourself (affiliate code in link)Published by: Teknofonic Recordings LLCIntro Song: Project Overthrow – Cameron BashawOutro song: Lost in A Remix – Pollux & Castor

Matt and Sam discuss the topic of navigating success and failure and if failure is actually genuine failure.

Forget what you know about mastering music... Have you ever wondered: can I master my music or can I master music at home? Maybe you're seeking answers to topics: mastering music fundamentals, the basic steps of mastering, what is the use of mastering, what is mastering a song, or maybe just what is mastering music. Then check out EP 143 of the Inside The Mix podcast.Unlock the mysteries of home studio mastering with the guidance of Eric Mitchell from Eric Mitchell Audio—your personal mentor in this sonic adventure. We deconstruct the myth that only a high-end studio can produce stellar mastering outcomes, as Eric highlights the pivotal role of a well-treated space and the refined artistry of the human ear. Beware the snares of quick-fix plugins and the deceptive 'car test', for they may lead you astray. Instead, find solace in the wisdom that your DAW, while a trusty steed, isn't the hero of this tale—your skills are.Embark on a historical quest through the evolution of mastering, where Eric, armed with tales of yesteryear's resourceful audio engineering, shares the transition from the analogue days to the digital dominion. The narrative weaves through his experiences, from reshaping the thunderous realms of electronic dance music to challenging the norms by mastering directly from clients' DAW project files. Through this, we scrutinize the fine line separating mixing from mastering, a frontier continually tested by innovation.As our journey nears its end, Eric imparts strategic sagacity for the modern music producer: the golden rules of gain staging and workflow finesse. We examine the nuanced alchemy of mastering for today's streaming giants, ensuring your tracks resonate with crystal-clear quality and robust loudness. Remember, the path to mastering virtuosity demands patience, practice, and an unyielding commitment to one's craft. Join us and absorb Eric's invaluable expertise, a beacon for those navigating the multifaceted seas of audio engineering.CLICK HERE to follow Eric: https://www.ericmitchellaudio.com/Send me a Message Support the Show.► ► ► WAYS TO CONNECT ► ► ► Grab your FREE Test Master at Synth Music Mastering TODAY!✸✸✸✸✸✸✸✸✸✸✸✸✸✸✸✸✸✸✸✸✸✸✸✸✸✸Are you READY to enhance your music with my steadfast dedication to quality and personal touch? Bag your FREE Test Master at Synth Music Mastering: https://www.synthmusicmastering.com/masteringBuy me a COFFEE✸✸✸✸✸✸✸✸✸✸✸✸✸✸✸✸✸✸✸✸✸✸✸✸✸✸If you like what I do, buy me a coffee so I can create more amazing content for you: https://www.buymeacoffee.com/marcjmatthewsSend a DM through IG @insidethemicpodcastEmail me at marc@synthmusicmastering.comThanks for listening & happy producing!

Matt and Sam talk mastering, small business, life long learning, and finding balance and margin.

Matt and Sam talk about the "currency" of mastering engineers. This may or may not be a rerun. But it's a good re-run.

Matt and Sam talk about how you market as a mastering engineer in 2024.

Mastering engineer Justin Colletti answers your questions about mixing and music production in this livestream Q&A. ►

Matt and Sam talk about how they believe the music industry is facing its own inflationary period.

In this episode: Listen to a conversation between your host Vivienne Aerts and legendary mastering engineer Maria Triana as they talk about the craft of mastering and her experience of mastering the album 'Typuhthâng' About Maria Maria Triana started out as a classically trained violist in her native Colombia. Until 2019 she worked at Sony Music Entertainment in New York – out of their Battery Studios facility – as a Mastering Engineer. There, she had the honour and opportunity to contribute her skills and expertise on many award winning recordings, from legendary artists such as Aretha Franklin, Wayne Shorter and Bob Dylan as well as current releases by Donald Fagen, Sting and Britney Spears While at Sony, she contributed towards the testing of Sony's new immersive 360RA technology and creating content by mixing and remixing released and unreleased material. Furthermore she developed an extensive knowledge of legacy formats such as analogue tape and metal discs. Being equally versatile in both the analog and digital domains, Maria has worked as a restoration and archival engineer for music collections of the Metropolitan Opera of NY, Jazz at Lincoln Center and Legacy. Now based in the Netherlands, Maria is available for mastering and re-mastering projects, both independent and major label. Since 2020 she is also a part-time lecturer for the Abbey Road Institute – Amsterdam campus.⁠ Instagram⁠ About ViviTalks - Interviews with the Women Behind Typuhthâng. Introducing ViviTalks, a podcast hosted by Dutch New York-based musician Vivienne Aerts. Join us as we celebrate 100 talented female musicians from Vivienne's latest album "Typuhthâng," with a mission to empower female cacao farmers in the Virunga State Park of Congo and contribute to rainforest restoration. We delve into the musical journeys, creative processes, and unique perspectives of these talented women, seeking to bring greater balance to the music industry. It's a safe space for honest and authentic conversations with artists and trailblazers. Let's amplify the voices of remarkable women in music and stay tuned for inspiring stories and meaningful dialogues on ViviTalks. ⁠⁠Stream⁠⁠ the Album or ⁠⁠Buy it on Bandcamp⁠⁠ and get the chocolate! ⁠⁠More about Vivienne here. --- Send in a voice message: https://podcasters.spotify.com/pod/show/vivienne-aerts/message

Cicely Balston won the 2023 Music Producer's Guild's Mastering Engineer of the Year Award, and when you hear the music she has mastered—and the smart, easygoing way she discusses it—you understand why. Working out of AIR Studios in London, Balston has applied her talents to the doom-punk band Witch Fever and David Bowie's back catalog, as well as some dynamite-sounding hip-hop reissues for the Vinyl Me, Please record club, including Eric B. & Rakim's Don't Sweat the Technique, Gravediggaz's 6 Feet Deep, and Madlib's Shades of Blue. How did this young British woman become an ace hip-hop masterer, and do those albums require a specific skill set? Are people too fixated on analog vs. digital? How did she become a mastering engineer anyway, and what's the most commonly misunderstood aspect of what she does? (Photo by Silvia Gin.)

Matt and Sam discuss intelligence faculties and how that relates to your business.

Josh takes over the spring Q&A and fires questions at Matt and Sam. Special Guest: Josh Bonanno.

What makes this mix great? Justin Colletti analyzes the mix, production and arrangement for Soundgarden's "Black Hole Sun". Check out all courses here: ►Mixing Breakthroughs: https://mixingbreakthroughs.com ►EQ Breakthroughs: https://EQBreakthroughs.com ►Compression Breakthroughs: https://compressionbreakthroughs.com ►Mastering Demystified: https://MasteringDemystified.com ►Become a Member! Join this channel for access to perks: https://www.youtube.com/channel/UCqEKv3KIZoZrjv2LymD3iMg/join Soundgarden's Superunknown stands the test of time with some S-Tier rock mixes that sound amazing on any good system. Mixed by Brendan O'Brien and produced with Michael Beinhorn, songs like "Black Hole Sun" and "Fell On Black Days" get just about everything right that a rock mix can get right. There are a ton of lessons to be learned here about relative levels between vocals, kick, snare, tom and guitars in the genre, exactly how to use panning to enhance the stereo filed and a lot more. Big thanks to Soundtoys, Lewitt Audio and Ultimate Support for making this episode possible. ►See free audio tutorial videos with Justin here: https://www.youtube.com/playlist?list=PL3yghKGBjggTkBYyc-1_larMT6K4rGwmr ►Get the free mastering workshop: https://sonicscoop.com/Mastering101

Matt and Sam discuss if your business should serve your personal goals and the importance of defining your "why" in life and work.

Matt and Sam discuss scenarios when you may want to consider not using an analog chain for mastering

Yo what's up this is toru and in a way so are you.For those of you who don't know me, I'm a music producer, artist, and entrepreneur.I make music for that space between the dance floor and the bedroom, which has been streamed millions of times and licensed by brands big and small, including companies like Apple.I believe that regardless of what you produce, whether it be music, art, physical goods, or even spreadsheets, you have a process, whether you know it or not.To explore this further, I created The ProducerHead Podcast.ProducerHead is a place to have conversations with Producers about their experience and process to share what works and what doesn't. To help each of us learn and improve our own processes along the way.Today's guest is Eric Boulanger, a professional mastering engineer and founder of The Bakery, a Los Angeles-based mastering studio.Eric has mastered GRAMMY-award winning and nominated projects, including work with Green Day, Hozier, Selena Gomez, The Doors...and the list goes on.I won't spoil the surprise, but Eric even had the chance to re-master a beloved childhood record.If that weren't enough,Eric was mentored by industry legend Al Schmitt, who, if you don't already know, won GRAMMYs for projects that include:George Benson's Breezin',Toto's Toto IV,Qunicy Jones' Q's Jook Joint,Luis Miguel's Amarte Es Un Placer,Ray Charles Genius Loves Company,Chick Corea's The Ultimate Adventure, andSteely Dan's Aja.I mean. That is a list. And, for the record that is not a complete list.In this conversation we dive into   - Learning to trust your own ears and preferences.   - His take on digital v. analog gear in creating quality music.   - How knowledge of mastering can influence your production and mixing work.   - Some of his favorite tools and plug-ins   - Selecting reference tracks for your own mixes and masters.   - His experience as a musician and its ongoing role in his life and career.   - The importance of resting your ears outside of work.   What I really appreciate about Eric and this conversation is what seems to be a strongly held belief to not offer shortcuts and tactics. Instead, Eric presents questions that encourage us to think and further develop our own working philosophies as well as our ears. I'm stoked to share this episode with you. It is full of gems.Alright, here we go, Episode 7 of ProducerHead with Eric Boulanger, starts now.That's it for this episode of ProducerHead. Appreciate you coming through and being a part of it. My hope is that it helps you unlock a bit more creativity and find progress in a way that matters to you.Before we go:There are three simple and zero cost ways to support the ProducerHead Podcast.1 - Tap in and subscribe or follow wherever you're listening, whether it be Spotify or Apple.2- If you haven't already, drop a review on Apple or Spotify. The feedback is appreciated and helps me continue to do what's working while improving along the way.3 - Send this episode to one person who would enjoy it. Do not underestimate the power of word of mouth. The most old school of methods are often the most effective.Finally, let's stay connected:I regularly share ideas that help me develop my creative process along with music recommendations, and even give away free music and sample packs. Head to torubeat.com and sign up to receive all of these things and stay up on all things ProducerHead.You can also stay connected with me and the Podcast, @torubeat on Instagram, YouTube, and tiktok.The theme music is one of my own songs. It is called “Room To Breathe” and available on all streaming platforms.Again. For real. Thanks for being here with me and I look forward to catching you in the next episode of ProducerHead.This has been toru, and in a way, so are you.Peace.Support this podcast at — https://redcircle.com/producerhead/donations This is a public episode. If you would like to discuss this with other subscribers or get access to bonus episodes, visit torubeat.substack.com

Matt and Sam answer a listener-submitted question of, "should you have to convince people to work with you?"

#65: Today's guest is Jett Galindo, a mixing and mastering engineer and soprano singer based in Los Angeles. She has worked on countless high-profile projects such as the soundtracks for La La Land, Chicory: A Colorful Tale, and has worked with artists such as Pink Floyd, Towa Bird, and countless others. In this episode, we talk about Jett's journey from the Philippines to the U.S., how she got into music mastering in the first place, how she faced overt sexism in the industry she wanted to be a part of, and so much more.    Find Jett Galindo here: Instagram: https://www.instagram.com/jettgalindo/?hl=en    Find The Bakery here: Spotify: https://www.instagram.com/bakerymastering/?hl=en Website: https://thebakery.la/    And if you're interested in making music and sound for games, I have a newsletter and free courses that will get you started, and help you find paying work in games. Just go to http://www.bit.ly/soundbizpod

Matt and Sam discuss the best money they have spent on their businesses, studios, and music careers.

Matt and Sam reminisce on the past 6 years and look forward to what 2024 looks like for The Attack & Release Show.

Matt and Sam want to wish everyone "Happy Holidays" and a "Happy New Year"

GRAMMY-Winning mixer Jeff Ellis has worked with the likes of Doja Cat, d4vd, Frank Ocean, The Neighbourhood and many more. In today's MixCon Masterclass he'll talk about his approach to mixing, and especially how to avoid what he calls "Mixer Brain" and the "Mixing Death Spiral". Big thanks to Kali Audio for helping make this one free to the public. check them out at https://kaliaudio.com   ►EQ Breakthroughs: https://EQBreakthroughs.com ►Mixing Breakthroughs: https://MixingBreakthroughs.com ►Compression Breakthroughs: https://CompressionVreakthroughs.com ►Mastering Demystified: https://MasteringDemystified.co ►Become a Member! Join this channel for access to perks: https://www.youtube.com/channel/UCqEKv3KIZoZrjv2LymD3iMg/join Follow Jeff at https://instagram.com/jeffellisworldwide

Matt and Sam discuss how experience in mastering ends up leading to less processing needing to be done to achieve the final result.

Matt and Sam give a rundown of what they are using for plugins and hardware in 2023.

Matt and Sam talk about why you need a plan for 2024.

It's gotta slap to be right! Rae talked about mastering everything from pop to hard rock and punk to EDM and respecting the bass drop, how to master Atmos mixes, tips for managing a studio, when loudness matters, and the importance of level matching. Get access to FREE mixing mini-course: https://MixMasterBundle.com My guest today is Raelynn Janicke, a mastering engineer and the studio manager for Infrasonic Mastering, based in Nashville, TN. Before joining Infrasonic in 2019, Raelynn worked at Tommy's Tracks, where she fulfilled a variety of roles alongside owner Tommy Wiggins including mastering and archival. Raelynn has mastered and assisted on projects for The Shins, Kayla Hall, Nefesh Mountain, Talia Stewart, Big 50, and Eli Howard. Raelynn got her Bachelor's Degree in Applied Arts and Sciences, with Concentrations in Audio Engineering and Computer Science, from The Rochester Institute of Technology. Much like her career thus far, Raelynn's path to her degree was self-made. She was initially drawn to the practicality of a job in computer programming, but switched majors halfway through her program after assisting on a college a cappella record. From there, she discovered the school's modest audio program, created an individualized degree, and threw in minors in history and music technology, just to keep things interesting. Raelynn brings this level of enthusiasm and exploration to every project she works on at Infrasonic Mastering, both as manager and engineer. She describes herself on her website as a “Mastering Engineer Who Loves Tacos and Is Taller Than Danny Devito.” Thanks to F Reid Shippen for connecting us. Today we will talk about the tech meets art of mastering, running a busy multi room facility, Atmos immersive audio, and how AI in mastering could affect our future of music. THANKS TO OUR SPONSORS! https://UltimateMixingMasterclass.com https://www.native-instruments.com use code ROCK10 to get 10% off! https://lewitt.link/rockstars https://www.Spectra1964.com https://MacSales.com/rockstars https://iZotope.com use code ROCK10 to get 10% off any individual plugin! https://www.adam-audio.com https://RecordingStudioRockstars.com/Academy  https://www.thetoyboxstudio.com/ Listen to this guest's discography on Spotify: https://open.spotify.com/playlist/59yLjwPFClRklas9dGbfBA?si=f65808e2d4f241e3 If you love the podcast, then please leave a review: https://RSRockstars.com/Review CLICK HERE FOR COMPLETE SHOW NOTES AT: https://RSRockstars.com/427

Matt and Sam talk about how to retain clients and how to analyze where you are losing clients.