Podcasts about drone pine

Thank you for listening to The Watershed, a podcast of We Are Water MN. In this episode, we hear from Sharon Day, a writer, artist, activist, educator, and leader of water protection efforts including Nibi Walks. She is also an enrolled member of the Bois Forte Band of Chippewa. Sharon Day explores some of her water memories, as well as themes around caring for and being in relationship with water. We'll also probe questions about our responsibility to past and future generations. What will you do for the water? The We Are Water MN exhibit will be hosted in Chisago County from June 20 through August 12, 2024. The main exhibit will be at the North Branch Area Library, while additional indoor exhibits will be on view at the Chisago County History Center. Lindstrom Memorial Park will have an outdoor display. After Chisago County, the exhibit will move to Cass Lake (Leech Lake Tribal College), and Shakopee (Shakopee Mdewakanton Sioux Community). You can learn more about We Are Water MN at www.mnhum.org/water. Learn more about Chisago County's hosting of the exhibit, plus related events, at https://www.chisagocountymn.gov/1349/We-Are-Water-MN-Exhibit---June-20-to-Aug. This episode of The Watershed was produced by Angela Hugunin, and by We Are Water MN, which is led by the Minnesota Humanities Center in partnership with the Minnesota Pollution Control Agency; the Minnesota Historical Society; the Board of Water and Soil Resources; the Minnesota Departments of Agriculture, Health, and Natural Resources; and University of Minnesota Extension. We are Water MN is funded in part with money from the Clean Water, Land, & Legacy Fund that was created with the vote of the people of Minnesota on November 4, 2008 and by the National Endowment for the Humanities. Special thanks to Emma Needham, who conducted this interview, which was initially featured in Hartley Nature Center's hosting. Thank you to Sharon Day, our interviewee for this episode. You can learn more about Nibi Walks at http://www.nibiwalk.org/. You can find We Are Water MN on Facebook (https://www.facebook.com/wearewatermn/), Instagram (https://www.instagram.com/wearewatermn/), and Twitter (https://twitter.com/wearewatermn). Follow along for the latest updates! Music credits: These Times, Drone Pine, McCarthy, So We Go, and Waterbourne by Blue Dot Sessions (www.sessions.blue). 

Thanks for listening to The Watershed, a podcast of We Are Water MN. In this episode, we dig into conservation practices that protect soil and water. Interviewee Don Tschida, whose family farm will become a century farm in 2025, explores questions surrounding the responsibility of caring for land and water. He shares the conservation practices he and his family have implemented on their farm in Agram Township. We Are Water MN will be hosted by Mississippi River – Sartell Watershed partners including Stearns County Soil and Water Conservation District in spring of 2024. You can visit the exhibit at Art in Motion on the Lake Wobegon Trail, in Holdingford, from April 25 through June 17. Learn more at https://www.stearnscountyswcd.net/wawmn. This episode of the Watershed was produced by Angela Hugunin, and by We Are Water MN, which is led by the Minnesota Humanities Center in partnership with the Minnesota Pollution Control Agency; the Minnesota Historical Society; the Board of Water and Soil Resources; the Minnesota Departments of Agriculture, Health, and Natural Resources; and University of Minnesota Extension. We are Water MN is funded in part with money from the Clean Water, Land, & Legacy Fund that was created with the vote of the people of Minnesota on November 4, 2008 and by the National Endowment for the Humanities. Special thanks to Emma Needham, who conducted our interviews in Holdingford. Thank you to Don Tschida, our interviewee for this episode. Don Tschida and his family are enrolled in the Minnesota Agricultural Water Quality Certification Program, a unique opportunity for farmers to take the lead in implementing conservation practices that protect our state's lakes, rivers, and streams. Learn more at MyLandMyLegacy.com.    You can find We Are Water MN on Facebook (⁠https://www.facebook.com/wearewatermn/⁠), Instagram (⁠https://www.instagram.com/wearewatermn/⁠), and Twitter (⁠https://twitter.com/wearewatermn⁠). Follow along for the latest updates! Music credits: These Times and Drone Pine by Blue Dot Sessions (⁠www.sessions.blue⁠).  You can learn more about We Are Water MN and upcoming host sites at mnhum.org/water.

Thank you for listening to The Watershed, a podcast of We Are Water MN. In this episode, we hear from Sharon Day, a writer, artist, activist, educator, and leader of water protection efforts including Nibi Walks. Sharon is also an enrolled member of the Bois Forte Band of Chippewa. In this episode, Sharon Day shares water memories and an exploration of themes around caring for and being in relationship with water, plus our responsibility to past and future generations. What will you do for the water? The We Are Water MN exhibit will be hosted by Hartley Nature Center in Duluth from February 29 through April 22, 2024. After Hartley, it will move to four other communities throughout the state of Minnesota: Holdingford (Stearns County Soil and Water Conservation District in partnership with Art in Motion on the Lake Wobegon Trail), Chisago County, Cass Lake (Leech Lake Tribal College), and Shakopee (Shakopee Mdewakanton Sioux Community). You can learn more about We Are Water MN at www.mnhum.org/water. Learn more about Hartley Nature Center's hosting of the exhibit, plus related events, at https://hartleynature.org/hartley-nature-center-programs/we-are-water-mn/. We Are Water MN is led by the Minnesota Humanities Center in partnership with the Minnesota Pollution Control Agency; the Minnesota Historical Society; the Board of Water and Soil Resources; the Minnesota Departments of Agriculture, Health, and Natural Resources; and University of Minnesota Extension. We are Water MN is funded in part with money from the Clean Water, Land, & Legacy Fund that was created with the vote of the people of Minnesota on November 4, 2008 and by the National Endowment for the Humanities. Special thanks to Emma Needham, who conducted our interviews in Duluth. Thank you to Sharon Day, our interviewee for this episode. You can find We Are Water MN on Facebook (https://www.facebook.com/wearewatermn/), Instagram (https://www.instagram.com/wearewatermn/), and Twitter (https://twitter.com/wearewatermn). Follow along for the latest updates! Music credits: These Times, Drone Pine, McCarthy, So We Go, Waterbourne, and On Top of It by Blue Dot Sessions (www.sessions.blue). 

Betimlenen tablo: Alex Colville, Moon and Cow (1963) "...Bu çayırda inekten başka hiçbir canlı yok, yapayalnız. Gecenin sessizliği ve ay ışığının altında bir tepeciğe uzanmış tembellik ediyor..." Kullanılan Müzikler: ⁠The Blue Dot Sessions⁠ Jenerik, "Haena" Fon Müziği, "Drone Pine" Sesli Resim sosyal medya hesapları: ⁠https://www.instagram.com/sesliresim.podcast/⁠ ⁠https://twitter.com/SesliResimPod

When tragedy strikes an individual, a nation, or an entire people, artists and architects are tasked with designing a public display that memorializes the event and its victims. But how do you do that? In this episode, we explore the Memorial to the Murdered Jews of Europe in Berlin, the Vietnam Veterans' Memorial in DC, the 9/11 Memorial, and others, to look at how respecting and remembering loss collides with the demands of history and politics. Why do abstract, rather than representational, memorials resonate more profoundly in recent years? And no matter how well done they are, will they inevitably lose their impact after a single generation? This episode of The Lonely Palette was produced in collaboration with Slate's Hi-Phi Nation. Music Used: The Blue Dot Sessions, “Drone Pine,” “Taoudella,” “The Consulate,” “Our Fingers Cold,” “Slider” Silver Maple, “After the Rain” Megan Wofford, “Awake” Yi Nantiro, “Blue Lantern” Christian Nanzell, “Contraband” Gunnar Johnsen, “Documents 4” Fabien Tell, “Liaison” Arden Forest, “Monastral” Niclas Gustavsson, “My Kind of Illusion 1” Niclas Gustavsson, “Reflection 4” Episode webpage: https://bit.ly/3pkhoCI Support the show: www.patreon.com/lonelypalette

A year ago today, we released our most ambitious episode yet: an exploration of postwar German artist Anselm Kiefer's layered, dense, enormous canvases that themselves respond to the enormity of Holocaust survivor Paul Celan's layered, dense poem, "Todesfugue." In honor of it taking the gold in podcasting at the American Alliance of Museums' MuseWeb awards, we're re-releasing the episode, and with it the layers of metaphor and materials, texture and text, golden straw and blackened ash, that comprise the unimaginable. This episode was produced with support from the San Francisco Museum of Modern Art. Learn more at www.sfmoma.com. See the images: bit.ly/31gUSwW Music used: The Blue Dot Sessions, “The Bus at Dawn,” “Silky,” Drone Pine,” “Tiny Bottles,” “Inamorata,” “Tapoco,” “The Summit,” “Cirrus,” “Derailed,” “Insatiable Toad,” “Dolly and Pad,” “A Pleasant Strike” John Williams, performed by Itzhak Perlman & Pittsburgh Symphony Orchestra, “Theme from Schindler's List” Support the show: www.patreon.com/lonelypalette AAM MuseWeb award press release: https://bit.ly/37hItwi

The podcast theme song is “Mesh Shirt” by Mom Jeans off their album “Chub Rub.” Listen to the whole album here or learn more about them here. Follow me @hkpmcgregor and tweet about the podcast using #SecretFeministAgenda. The additional music in this episode came from blue dot sessions; you heard the tracks Drone Pine, Thoughtless, Vik Fence Lardha, and … Continue reading Bonus Episode: Burning Out

In honor of Holocaust Remembrance Day on January 27, and to commemorate a year saturated in grief, we're re-releasing our deeply personal episode on Henryk Ross's photographs of the Lodz Ghetto. We should all be so moved to explore the beauty of individual stories of the lives lived that get swept away in statistics and tribalism. And perhaps we should allow ourselves to feel their loss all the more by doing so. Memory Unearthed: Henryk Ross's Photographs of the Lodz Ghetto was on view at the Museum of Fine Arts, Boston from March to July, 2017. See the images: www.thelonelypalette.com/episodes/201…-lodz-ghetto Music used: The Blue Dot Sessions, "Doghouse", "Drone Pine", "Drone Birch", "3rd Chair", "Our Fingers Cold" Support the show: www.patreon.com/lonelypalette

We've collaborated with Philadelphia photographer Kyle Cassidy to tell the stories of our city's essential workers. This fall his large-scale portraits of nurses, sanitation workers, Instacart shoppers, mask-makers, and delivery drivers will be on display on the exterior of the Science History Institute, in Old City Philadelphia. Find out more at sciencehistory.org/pandemic. Hosts: Alexis Pedrick and Elisabeth Berry Drago Senior Producer: Mariel Carr Producer: Rigoberto Hernandez Music by Blue Dot Sessions: "Arlan Vale," "Alum Drum," "Setting Pace," "Kalstead," "Drone Pine," and "Raskt Landsby."

The art of postwar German artist Anselm Kiefer and the poetry of Holocaust survivor Paul Celan have a lot in common. They're both layered, dense, hard to read, and most of the time you're not quite sure if you get it. And while this might seem like an onerous way to understand history, sometimes the best starting point is through the layered, dense, and idiosyncratic ways that an individual processes trauma. So grab a spelunking hardhat and together we'll mine these layers of metaphor and materials, texture and text, golden straw and blackened ash, that comprise the unimaginable. This episode was produced with support from the San Francisco Museum of Modern Art. Learn more at www.sfmoma.com. See the images: https://bit.ly/31gUSwW Music used: The Blue Dot Sessions, “The Bus at Dawn,” “Silky,” Drone Pine,” “Tiny Bottles,” “Inamorata,” “Tapoco,” “The Summit,” “Cirrus,” “Derailed,” “Insatiable Toad,” “Dolly and Pad,” “A Pleasant Strike” John Williams, performed by Itzhak Perlman & Pittsburgh Symphony Orchestra, “Theme from Schindler's List” Support the show: www.patreon.com/lonelypalette

Part two of our deep dive into drones—exploring how we experience sustained and resonant frequencies in the body, altering our moods and perceptions of the world. Advocating for listening as a whole-body activity and echoing the call of Deep Listening, this episode curates some contemporary takes on drones in global musical traditions. Then we take a distinct turn toward the mechanical, closing with three machine drones that invite us to experience the "noise" we often tune out in the form of field recordings. Thanks to all our Patreons for your support! You can find us on Patreon at www.Patreon.com/TheWillowsNest You can support this podcast and the work of our independent productions here at The Willows nest, through a one-time donation at www.paypal.me/bansheemedia Tracks in order of audition: Peter Cusack "Distant mine, pervasive sounds, astonishing view" /Czech Republic. Found on www.aporee.org/maps From Free Music Archive (www.freemusicarchive.org): "Haratanaya Sree" by Veena Kinhal from the album "Tribute to Venna Raja Rao." "Raag (YouTube)" by Vinod Prasanna x Okey Szoke x Pompey from the album "s/t" "Drone Pine" by Blue Dot Sessions from the album "The Pine Barrens" "Post Drone" by Uuriter from the album "Analog Fields" Closing tracks permission of the artist, Peter Terner. Unpublished: "Tesco close" "Gate Painting, Drone, Hiss" and "Sage Hum (soft)"

Jerusalem is a city that has captivated the imagination and devotion of people for thousands of years. Jonathan Brumberg-Kraus, a rabbi and Wheaton College professor of religion, illuminates the connections between each of the Abrahamic traditions and the historical and theological ties grounding them in Jerusalem. Learn more at www.primarysource.org/for-teachers/podcasts. Music Credits: “Kim Arar,” by Wind of Anatolia (with permission) “Leave the TV on,” by Blue Dot Sessions(CC BY-NC 4.0) “Lahaina,” by Blue Dot Sessions (CC BY-NC 4.0) “The Records,” by Blue Dot Sessions (CC BY-NC 4.0) “Sals Place,” by Blue Dot Sessions (CC BY-NC 4.0) “Our Names Engraved,” by Blue Dot Sessions (CC BY-NC 4.0) “Strange Dog Walk,” by Blue Dot Sessions (CC BY-NC 4.0) “Dolly and Pad,” by Blue Dot Sessions (CC BY-NC 4.0) “Slate Tracker,” by Blue Dot Sessions (CC BY-NC 4.0) “Drone Pine,” by Blue Dot Sessions (CC BY-NC 4.0) “Wistful,” by Blue Dot Sessions (CC BY-NC 4.0) “Morning Colorwheel,” by Blue Dot Sessions (CC BY-NC 4.0) Image Credit: Photo of Jerusalem taken by Daniel Osborn

Peter Krause of Boston College breaks down the crisis in Syria and shares strategies for teaching about Syria in the K-12 classroom. Learn more at www.primarysource.org/podcasts Music credits: "Kim Arar" by Wind of Anatolia "White Filament" by Blue Dot Sessions "Stillness" by Blue Dot Sessions "Drone Pine" by Blue Dot Sessions "White Limit" by Blue Dot Sessions "As Dust Gathers" by Blue Dot Sessions "Cirrus" by Blue Dot Sessions Image Credit: "Aleppo" by Joshua Tabti, via Flickr Creative Commons (CC BY 2.0)

Immigrating is a conversation that happens across borders, generations, and versions of oneself. Grace and Justin talk across political differences. Unknown workers who forged the Transcontinental Railroad receive a new voice. Solmaz writes poetry to orient herself in the world. And Frankie and Francisco reflect on growing up in a new place. This is part two of a two-part series. Host: Cathy Wong Producers:​​ ​Carissa​ ​Cirelli,​ ​Noelle​ ​Chow,​ ​Jett​ ​Hayward,​ ​An-Li​ ​Herring,​ ​Julia​ ​Ingram,​ ​Louis​ ​Lafair,​ ​Rosie LaPuma,​ ​Yue​ ​Li,​ ​Jenny​ ​March,​ ​Kate​ ​Nelson,​ ​Jackson​ ​Roach,​ ​Helvia​ ​Taina,​ ​Melina​ ​Walling,​ ​Jake​ ​Warga, Eileen​ ​Williams,​ ​Cathy​ ​Wong Show​ ​Music:​​ ​​johnny_ripper (Links to this show's music and sound sources can be found at https://storytelling.stanford.edu) Story 4: Grace and Justin Grace and Justin send each other letters. Producers: Cathy Wong and Kate Nelson
 Featuring: Justin Hsuan and Grace
 Music: "When in the West," "Sage the Hunter," and "Drone Pine" by Blue Dot Sessions Story 5: Chinese Railroad Workers Producer:​ ​​Yue​ ​Li Featuring:​​ ​Hilton​ ​Obenzinger,​ ​Barre​ ​Fong,​ ​and Gordon​ ​Chang Music: "Everything Ends Here" by Johnny Ripper; "More Weather," "Waterbourne," and "The Summit" by Blue Dot Sessions Story 6: Solmaz Solmaz Sharif wants to have the conversation we’re avoiding. Producers: Jackson Roach and Jett Hayward
 Featuring: Solmaz Sharif 
Music: "c" and "m" by Gallery Six, "Krankenwagen im Stau" by rui, "Upward" and "It Moves Like A 500 Year Old Process" by junior85 Story 7: Frankie and Francisco After immigrating from Mexico, Francisco Preciado Sr. gets a job as a groundskeeper at Stanford University. When his son, Francisco Preciado Jr., applies to Stanford, they learn together what it means to carry on a family legacy in a new country. Producers: Louis Lafair and Melina Walling
 Featuring: Francisco Preciado Sr. and Francisco Preciado Jr.
 Music: "An opener" by Bitbasic, "motion (johnny_ripper remix)" by noah, "Selbstheilend" by rui, "Pomp and Circumstance" by Edward Elgar and Miguel Flores

While U.S. politics have become increasingly polarized, Zack Porter with the Montana Wilderness Association would argue the reality on the ground is much more collaborative. Music credit: "Jettisoned" and "Drone Pine" by Blue Dot Sessions.

In this special episode, we look at the exhibition Memory Unearthed: Henryk Ross's Photographs of the Lodz Ghetto, and explore the Lodz ghetto specifically, Holocaust photography more generally, and the role our need for a good story has played in shaping our understanding of both. Memory Unearthed is on view at the Museum of Fine Arts, Boston until July 30, 2017 See the images: http://www.thelonelypalette.com/episodes/2017/6/29/episode-20-henryk-rosss-photographs-of-the-lodz-ghetto Music Used: The Blue Dot Sessions, "Doghouse", "Drone Pine", "Drone Birch", "3rd Chair", "Our Fingers Cold"