Podcasts about willows

With family: Numbers 25; Psalm 68 Numbers 25 (Listen) Baal Worship at Peor 25 While Israel lived in Shittim, the people began to whore with the daughters of Moab. 2 These invited the people to the sacrifices of their gods, and the people ate and bowed down to their gods. 3 So Israel yoked himself to Baal of Peor. And the anger of the LORD was kindled against Israel. 4 And the LORD said to Moses, “Take all the chiefs of the people and hang1 them in the sun before the LORD, that the fierce anger of the LORD may turn away from Israel.” 5 And Moses said to the judges of Israel, “Each of you kill those of his men who have yoked themselves to Baal of Peor.” 6 And behold, one of the people of Israel came and brought a Midianite woman to his family, in the sight of Moses and in the sight of the whole congregation of the people of Israel, while they were weeping in the entrance of the tent of meeting. 7 When Phinehas the son of Eleazar, son of Aaron the priest, saw it, he rose and left the congregation and took a spear in his hand 8 and went after the man of Israel into the chamber and pierced both of them, the man of Israel and the woman through her belly. Thus the plague on the people of Israel was stopped. 9 Nevertheless, those who died by the plague were twenty-four thousand. The Zeal of Phinehas 10 And the LORD said to Moses, 11 “Phinehas the son of Eleazar, son of Aaron the priest, has turned back my wrath from the people of Israel, in that he was jealous with my jealousy among them, so that I did not consume the people of Israel in my jealousy. 12 Therefore say, ‘Behold, I give to him my covenant of peace, 13 and it shall be to him and to his descendants after him the covenant of a perpetual priesthood, because he was jealous for his God and made atonement for the people of Israel.'” 14 The name of the slain man of Israel, who was killed with the Midianite woman, was Zimri the son of Salu, chief of a father's house belonging to the Simeonites. 15 And the name of the Midianite woman who was killed was Cozbi the daughter of Zur, who was the tribal head of a father's house in Midian. 16 And the LORD spoke to Moses, saying, 17 “Harass the Midianites and strike them down, 18 for they have harassed you with their wiles, with which they beguiled you in the matter of Peor, and in the matter of Cozbi, the daughter of the chief of Midian, their sister, who was killed on the day of the plague on account of Peor.” Footnotes [1] 25:4 Or impale (ESV) Psalm 68 (Listen) God Shall Scatter His Enemies To the choirmaster. A Psalm of David. A Song. 68   God shall arise, his enemies shall be scattered;    and those who hate him shall flee before him!2   As smoke is driven away, so you shall drive them away;    as wax melts before fire,    so the wicked shall perish before God!3   But the righteous shall be glad;    they shall exult before God;    they shall be jubilant with joy! 4   Sing to God, sing praises to his name;    lift up a song to him who rides through the deserts;  his name is the LORD;    exult before him!5   Father of the fatherless and protector of widows    is God in his holy habitation.6   God settles the solitary in a home;    he leads out the prisoners to prosperity,    but the rebellious dwell in a parched land. 7   O God, when you went out before your people,    when you marched through the wilderness, Selah8   the earth quaked, the heavens poured down rain,    before God, the One of Sinai,    before God,1 the God of Israel.9   Rain in abundance, O God, you shed abroad;    you restored your inheritance as it languished;10   your flock2 found a dwelling in it;    in your goodness, O God, you provided for the needy. 11   The Lord gives the word;    the women who announce the news are a great host:12     “The kings of the armies—they flee, they flee!”  The women at home divide the spoil—13     though you men lie among the sheepfolds—  the wings of a dove covered with silver,    its pinions with shimmering gold.14   When the Almighty scatters kings there,    let snow fall on Zalmon. 15   O mountain of God, mountain of Bashan;    O many-peaked3 mountain, mountain of Bashan!16   Why do you look with hatred, O many-peaked mountain,    at the mount that God desired for his abode,    yes, where the LORD will dwell forever?17   The chariots of God are twice ten thousand,    thousands upon thousands;    the Lord is among them; Sinai is now in the sanctuary.18   You ascended on high,    leading a host of captives in your train    and receiving gifts among men,  even among the rebellious, that the LORD God may dwell there. 19   Blessed be the Lord,    who daily bears us up;    God is our salvation. Selah20   Our God is a God of salvation,    and to GOD, the Lord, belong deliverances from death.21   But God will strike the heads of his enemies,    the hairy crown of him who walks in his guilty ways.22   The Lord said,    “I will bring them back from Bashan,  I will bring them back from the depths of the sea,23   that you may strike your feet in their blood,    that the tongues of your dogs may have their portion from the foe.” 24   Your procession is4 seen, O God,    the procession of my God, my King, into the sanctuary—25   the singers in front, the musicians last,    between them virgins playing tambourines:26   “Bless God in the great congregation,    the LORD, O you5 who are of Israel's fountain!”27   There is Benjamin, the least of them, in the lead,    the princes of Judah in their throng,    the princes of Zebulun, the princes of Naphtali. 28   Summon your power, O God,6    the power, O God, by which you have worked for us.29   Because of your temple at Jerusalem    kings shall bear gifts to you.30   Rebuke the beasts that dwell among the reeds,    the herd of bulls with the calves of the peoples.  Trample underfoot those who lust after tribute;    scatter the peoples who delight in war.731   Nobles shall come from Egypt;    Cush shall hasten to stretch out her hands to God. 32   O kingdoms of the earth, sing to God;    sing praises to the Lord, Selah33   to him who rides in the heavens, the ancient heavens;    behold, he sends out his voice, his mighty voice.34   Ascribe power to God,    whose majesty is over Israel,    and whose power is in the skies.35   Awesome is God from his8 sanctuary;    the God of Israel—he is the one who gives power and strength to his people.  Blessed be God! Footnotes [1] 68:8 Or before God, even Sinai before God [2] 68:10 Or your congregation [3] 68:15 Or hunch-backed; also verse 16 [4] 68:24 Or has been [5] 68:26 The Hebrew for you is plural here [6] 68:28 By revocalization (compare Septuagint); Hebrew Your God has summoned your power [7] 68:30 The meaning of the Hebrew verse is uncertain [8] 68:35 Septuagint; Hebrew your (ESV) In private: Isaiah 15; 1 Peter 3 Isaiah 15 (Listen) An Oracle Concerning Moab 15 An oracle concerning Moab.   Because Ar of Moab is laid waste in a night,    Moab is undone;  because Kir of Moab is laid waste in a night,    Moab is undone.2   He has gone up to the temple,1 and to Dibon,    to the high places2 to weep;  over Nebo and over Medeba    Moab wails.  On every head is baldness;    every beard is shorn;3   in the streets they wear sackcloth;    on the housetops and in the squares    everyone wails and melts in tears.4   Heshbon and Elealeh cry out;    their voice is heard as far as Jahaz;  therefore the armed men of Moab cry aloud;    his soul trembles.5   My heart cries out for Moab;    her fugitives flee to Zoar,    to Eglath-shelishiyah.  For at the ascent of Luhith    they go up weeping;  on the road to Horonaim    they raise a cry of destruction;6   the waters of Nimrim    are a desolation;  the grass is withered, the vegetation fails,    the greenery is no more.7   Therefore the abundance they have gained    and what they have laid up  they carry away    over the Brook of the Willows.8   For a cry has gone    around the land of Moab;  her wailing reaches to Eglaim;    her wailing reaches to Beer-elim.9   For the waters of Dibon3 are full of blood;    for I will bring upon Dibon even more,  a lion for those of Moab who escape,    for the remnant of the land. Footnotes [1] 15:2 Hebrew the house [2] 15:2 Or temple, even Dibon to the high places [3] 15:9 Dead Sea Scroll, Vulgate (compare Syriac); Masoretic Text Dimon; twice in this verse (ESV) 1 Peter 3 (Listen) Wives and Husbands 3 Likewise, wives, be subject to your own husbands, so that even if some do not obey the word, they may be won without a word by the conduct of their wives, 2 when they see your respectful and pure conduct. 3 Do not let your adorning be external—the braiding of hair and the putting on of gold jewelry, or the clothing you wear—4 but let your adorning be the hidden person of the heart with the imperishable beauty of a gentle and quiet spirit, which in God's sight is very precious. 5 For this is how the holy women who hoped in God used to adorn themselves, by submitting to their own husbands, 6 as Sarah obeyed Abraham, calling him lord. And you are her children, if you do good and do not fear anything that is frightening. 7 Likewise, husbands, live with your wives in an understanding way, showing honor to the woman as the weaker vessel, since they are heirs with you1 of the grace of life, so that your prayers may not be hindered. Suffering for Righteousness' Sake 8 Finally, all of you, have unity of mind, sympathy, brotherly love, a tender heart, and a humble mind. 9 Do not repay evil for evil or reviling for reviling, but on the contrary, bless, for to this you were called, that you may obtain a blessing. 10 For   “Whoever desires to love life    and see good days,  let him keep his tongue from evil    and his lips from speaking deceit;11   let him turn away from evil and do good;    let him seek peace and pursue it.12   For the eyes of the Lord are on the righteous,    and his ears are open to their prayer.  But the face of the Lord is against those who do evil.” 13 Now who is there to harm you if you are zealous for what is good? 14 But even if you should suffer for righteousness' sake, you will be blessed. Have no fear of them, nor be troubled, 15 but in your hearts honor Christ the Lord as holy, always being prepared to make a defense to anyone who asks you for a reason for the hope that is in you; yet do it with gentleness and respect, 16 having a good conscience, so that, when you are slandered, those who revile your good behavior in Christ may be put to shame. 17 For it is better to suffer for doing good, if that should be God's will, than for doing evil. 18 For Christ also suffered2 once for sins, the righteous for the unrighteous, that he might bring us to God, being put to death in the flesh but made alive in the spirit, 19 in which3 he went and proclaimed4 to the spirits in prison, 20 because5 they formerly did not obey, when God's patience waited in the days of Noah, while the ark was being prepared, in which a few, that is, eight persons, were brought safely through water. 21 Baptism, which corresponds to this, now saves you, not as a removal of dirt from the body but as an appeal to God for a good conscience, through the resurrection of Jesus Christ, 22 who has gone into heaven and is at the right hand of God, with angels, authorities, and powers having been subjected to him. Footnotes [1] 3:7 Some manuscripts since you are joint heirs [2] 3:18 Some manuscripts died [3] 3:19 Or the Spirit, in whom [4] 3:19 Or preached [5] 3:20 Or when (ESV)

Chris Mills of C-Beem discusses his synth pop sound; his new album Jammin' the Steam Towers; his collaboration with other artists, like Australian Lachlan Brooks and UK artist Graham Summers; creating music at a “mature” age; regretting “chucking away” CDs after music began streaming; his song “Tin Foil Hat” and UFOs; the song “Toad of Toad Hall” and “Wind in the Willows”; producing synth-driven music in a live scenario; and cultural criticism in music. [...]

In this episode we throw out a reading challenge to you, literary warrior. We go over our list and share books we have read from each category. Enjoy this free printable from our website to help you stay on track and keep track of your reading goals. I also provided links to the versions of each book we recommend and the link to the episode if we have reviewed it on the show. You are welcome, that was a chore! Ha! Richard Pevear and Larissa Volokhonsky are our favorite Russian translators. Be sure to look for them if you are wanting to read a Russian novel. I couldn't remember their name during the show but have linked to all their versions of the classic we read that were translated by them below. Book written by someone on a different continent or translated - Count of Monte Cristo episode 65 episode 68 Dr Zhivago episode 18⁠, ⁠episode 20⁠ Anna Karenina episode 14 Alchemist episode 40 Book written before 1900- Oliver twist written in 1837, episode 49 Count of Monte Cristo 1844, Pinocchio, Graphic Novels- I survived series I Survived the Sinking of the Titanic 1912 I Survived the Shark Attacks of 1916 I Survived the Nazi Invasion, 1944 I Survived the Attacks of September 11, 2001 I Survived the Attack of the Grizzlies, 1967 I Survived Hurricane Katrina, 2005 I Survived the Great Chicago Fire, 1871 Investi Gators series episode 62 Amulet Series 1-8 Book set in wartime- War and Peace episode 29 Beneath a Scarlet Sky episode 21 The Last Green Valley episode 26 Unbroken episode 7 The Blackout Book Club episode 71 Nightingale A Place to Hang the Moon episode 5 Book of Lost Names episode 50 Book recently turned into a movie- Where the Crawdads Sing episode 33 Redeeming Love, Book set in dystopian future- Among the Hidden Hunger Games Giver Pulitzer Prize book- All the Light We Cannot See episode 12 Gone With the Wind To Kill A Mockingbird Newbury Award- A Door In the Wall episode 36 Book about religion or spirituality- Unoffendable episode 61 Joyous Leadership episode 16 Live No Lies episode 24 Imprinted episode 48 A Lineage of Grace Sons of Encouragement Goliath Must Fall episode 70 Book written in year you were born- If You Give A Mouse A Cookie Polar Express Sarah Plain and Tall Berenstain Bears Perilous Road episode 55 Witch of Black Bird Pond A mystery- Agatha Christie And Then There Were None episode 35 The Golden Spyder episode 44 Peppermints in the Parlor Book narrated by child- Words On Fire episode 59 AScary book- Crime and Punishment episode 2 Frankenstein episode 1 (our first episode!) Dr. Jekyll and Mr. Hyde episode 51 Memoria - The Reading Promise episode 41 Broken Places and Outer Spaces. Book about spy's - The Nightingale by Kristin Hannah How I Became a Spy Book of Lost Names Romance- The Second Mrs. Astor episode 6 The Masterpiece Book Woman of Troublesome Creek episode 22 Fantasy- The Hobbit (If reading to kids this version is a must! The illustrations are great!) episode 13 The Last of the Really Great Whangdoodles Wind in Willows episode 4 Plays - Shakespeare's episode 39 Western- Call of the Canyon episode 10 Series- Among the Hidden episode 15 Agatha Christie Poirot's 1st book The Mysterious Affair at Styles Depression era A Tree Grows in Brooklyn episode 3 The Four Winds Some Place to Call Home episode 9 Nothing to Fear episode 57 Items mentioned in the show: My Book Journal: A 100-Book Reading Diary for Bibliophiles Thanks for listening! Be sure to subscribe so you don't miss an episode! Connect with Kate and Sheila online at www.recapbookchat.com Note that some of the links above are affiliate links to books and brands we love and ones we think you will too! Keep those pages turning and those book lights burning! --- Send in a voice message: https://podcasters.spotify.com/pod/show/recapbookchat/message

In today's episode, Deepti Doshi, Co-Director of New_ Public (and leader in the intersection of social media, community organizing, and leadership development) speaks with Matt Prewitt on how to create online spaces that foster interconnection, mutual dependency, and democratic outcomes. Together, they explore the need for socio-technical expertise and community stewards to work together to design a healthier and more equitable digital ecosystem. They give consideration to the role of technology and tools in creating democratic spaces, and the potential impact of generative AI on social spaces and democracy. They share a hopeful and exciting outlook for building a more democratic political economy online.References:Marshall Ganz (American scholar for grassroots organizing)2012 Nirbhaya Case (TW: Sexual Assault) Arab SpringLola Omolola (Nigerian journalist who founded the Female IN (FIN) group on Facebook - formerly “Female In Nigeria”)John Dewey (American philosopher, psychologist, and educational reformer (1859–1952)Transcript: Ezra Klein Interviews Danielle Allen - The New York TimesNew_ PublicCommunity by Design | New_ PublicBios:Deepti Doshi co-leads New_Public with Eli Pariser and Talia Stroud. New_Public is a product studio for healthy digital public spaces; spaces where people can connect with one another, build understanding across differences, and work towards shared goals, and that are built to maximize plurality, equity, and cohesion - not financial returns. Her work has focused on the intersection of social media, community organizing, and leadership development. Deepti was a Director at Meta, where she helped set up Meta's New Product Experimentation team, created the Community Partnerships team to build products (namely, Groups), programs, and partnerships that support community leaders, and led Internet.org across Asia. Prior to Meta she founded Haiyya, India's largest community organizing platform, Escuela Nueva India, an education company that serves the urban poor, and the Fellows Program at Acumen Fund to build leaders for the social enterprise sector. Deepti is a graduate of the Harvard Kennedy School and the Wharton Business School, and holds a bachelors degree in Psychology. She is a TED Fellow, an Aspen Institute First Movers Fellow and Ideas Scholar, and her work has been featured in multiple publications. She lives in Berkeley with her husband, Adrien, and two boys, Aiden and Luca. When not working, you can find her playing tennis, cooking, meditating, or planning the next block party. Deepti's Social Links: @deeptidoshi | TwitterDeepti Doshi | InstagramDeepti Doshi | LinkedInConnect with New_ Public:New_ Public - Website@WeAreNew_Public | TwitterNew_ Public | InstagramNew_ Public | LinkedInNew_ Public | Substack Newsletter  Matt Prewitt (he/him) is a lawyer, technologist, and writer. He is the President of the RadicalxChange Foundation.Matt's Social Links:@m_t_prewitt | TwitterMatt's Substack: Matt's WritingsConnect with RadicalxChange Foundation:@RadxChange | TwitterRadicalxChange WebsiteRxC | YouTubeRxC | InstagramRxC | LinkedInJoin the conversation on Discord.Credits:Produced by G. Angela Corpus.Co-Produced, Edited, Narrated and Audio Engineered by Aaron Benavides.Executive Produced by G. Angela Corpus and Matt Prewitt.Intro/Outro music by MagnusMoone, “Wind in the Willows,” is licensed under an Attribution-NonCommercial-ShareAlike 3.0 International License (CC BY-NC-SA 3.0)

Psalms and Wisdom: Psalm 107 Psalm 107 (Listen) Book Five Let the Redeemed of the Lord Say So 107   Oh give thanks to the LORD, for he is good,    for his steadfast love endures forever!2   Let the redeemed of the LORD say so,    whom he has redeemed from trouble13   and gathered in from the lands,    from the east and from the west,    from the north and from the south. 4   Some wandered in desert wastes,    finding no way to a city to dwell in;5   hungry and thirsty,    their soul fainted within them.6   Then they cried to the LORD in their trouble,    and he delivered them from their distress.7   He led them by a straight way    till they reached a city to dwell in.8   Let them thank the LORD for his steadfast love,    for his wondrous works to the children of man!9   For he satisfies the longing soul,    and the hungry soul he fills with good things. 10   Some sat in darkness and in the shadow of death,    prisoners in affliction and in irons,11   for they had rebelled against the words of God,    and spurned the counsel of the Most High.12   So he bowed their hearts down with hard labor;    they fell down, with none to help.13   Then they cried to the LORD in their trouble,    and he delivered them from their distress.14   He brought them out of darkness and the shadow of death,    and burst their bonds apart.15   Let them thank the LORD for his steadfast love,    for his wondrous works to the children of man!16   For he shatters the doors of bronze    and cuts in two the bars of iron. 17   Some were fools through their sinful ways,    and because of their iniquities suffered affliction;18   they loathed any kind of food,    and they drew near to the gates of death.19   Then they cried to the LORD in their trouble,    and he delivered them from their distress.20   He sent out his word and healed them,    and delivered them from their destruction.21   Let them thank the LORD for his steadfast love,    for his wondrous works to the children of man!22   And let them offer sacrifices of thanksgiving,    and tell of his deeds in songs of joy! 23   Some went down to the sea in ships,    doing business on the great waters;24   they saw the deeds of the LORD,    his wondrous works in the deep.25   For he commanded and raised the stormy wind,    which lifted up the waves of the sea.26   They mounted up to heaven; they went down to the depths;    their courage melted away in their evil plight;27   they reeled and staggered like drunken men    and were at their wits' end.228   Then they cried to the LORD in their trouble,    and he delivered them from their distress.29   He made the storm be still,    and the waves of the sea were hushed.30   Then they were glad that the waters3 were quiet,    and he brought them to their desired haven.31   Let them thank the LORD for his steadfast love,    for his wondrous works to the children of man!32   Let them extol him in the congregation of the people,    and praise him in the assembly of the elders. 33   He turns rivers into a desert,    springs of water into thirsty ground,34   a fruitful land into a salty waste,    because of the evil of its inhabitants.35   He turns a desert into pools of water,    a parched land into springs of water.36   And there he lets the hungry dwell,    and they establish a city to live in;37   they sow fields and plant vineyards    and get a fruitful yield.38   By his blessing they multiply greatly,    and he does not let their livestock diminish. 39   When they are diminished and brought low    through oppression, evil, and sorrow,40   he pours contempt on princes    and makes them wander in trackless wastes;41   but he raises up the needy out of affliction    and makes their families like flocks.42   The upright see it and are glad,    and all wickedness shuts its mouth. 43   Whoever is wise, let him attend to these things;    let them consider the steadfast love of the LORD. Footnotes [1] 107:2 Or from the hand of the foe [2] 107:27 Hebrew and all their wisdom was swallowed up [3] 107:30 Hebrew they (ESV) Pentateuch and History: Leviticus 14:1–32 Leviticus 14:1–32 (Listen) Laws for Cleansing Lepers 14 The LORD spoke to Moses, saying, 2 “This shall be the law of the leprous person for the day of his cleansing. He shall be brought to the priest, 3 and the priest shall go out of the camp, and the priest shall look. Then, if the case of leprous disease is healed in the leprous person, 4 the priest shall command them to take for him who is to be cleansed two live1 clean birds and cedarwood and scarlet yarn and hyssop. 5 And the priest shall command them to kill one of the birds in an earthenware vessel over fresh2 water. 6 He shall take the live bird with the cedarwood and the scarlet yarn and the hyssop, and dip them and the live bird in the blood of the bird that was killed over the fresh water. 7 And he shall sprinkle it seven times on him who is to be cleansed of the leprous disease. Then he shall pronounce him clean and shall let the living bird go into the open field. 8 And he who is to be cleansed shall wash his clothes and shave off all his hair and bathe himself in water, and he shall be clean. And after that he may come into the camp, but live outside his tent seven days. 9 And on the seventh day he shall shave off all his hair from his head, his beard, and his eyebrows. He shall shave off all his hair, and then he shall wash his clothes and bathe his body in water, and he shall be clean. 10 “And on the eighth day he shall take two male lambs without blemish, and one ewe lamb a year old without blemish, and a grain offering of three tenths of an ephah3 of fine flour mixed with oil, and one log4 of oil. 11 And the priest who cleanses him shall set the man who is to be cleansed and these things before the LORD, at the entrance of the tent of meeting. 12 And the priest shall take one of the male lambs and offer it for a guilt offering, along with the log of oil, and wave them for a wave offering before the LORD. 13 And he shall kill the lamb in the place where they kill the sin offering and the burnt offering, in the place of the sanctuary. For the guilt offering, like the sin offering, belongs to the priest; it is most holy. 14 The priest shall take some of the blood of the guilt offering, and the priest shall put it on the lobe of the right ear of him who is to be cleansed and on the thumb of his right hand and on the big toe of his right foot. 15 Then the priest shall take some of the log of oil and pour it into the palm of his own left hand 16 and dip his right finger in the oil that is in his left hand and sprinkle some oil with his finger seven times before the LORD. 17 And some of the oil that remains in his hand the priest shall put on the lobe of the right ear of him who is to be cleansed and on the thumb of his right hand and on the big toe of his right foot, on top of the blood of the guilt offering. 18 And the rest of the oil that is in the priest's hand he shall put on the head of him who is to be cleansed. Then the priest shall make atonement for him before the LORD. 19 The priest shall offer the sin offering, to make atonement for him who is to be cleansed from his uncleanness. And afterward he shall kill the burnt offering. 20 And the priest shall offer the burnt offering and the grain offering on the altar. Thus the priest shall make atonement for him, and he shall be clean. 21 “But if he is poor and cannot afford so much, then he shall take one male lamb for a guilt offering to be waved, to make atonement for him, and a tenth of an ephah of fine flour mixed with oil for a grain offering, and a log of oil; 22 also two turtledoves or two pigeons, whichever he can afford. The one shall be a sin offering and the other a burnt offering. 23 And on the eighth day he shall bring them for his cleansing to the priest, to the entrance of the tent of meeting, before the LORD. 24 And the priest shall take the lamb of the guilt offering and the log of oil, and the priest shall wave them for a wave offering before the LORD. 25 And he shall kill the lamb of the guilt offering. And the priest shall take some of the blood of the guilt offering and put it on the lobe of the right ear of him who is to be cleansed, and on the thumb of his right hand and on the big toe of his right foot. 26 And the priest shall pour some of the oil into the palm of his own left hand, 27 and shall sprinkle with his right finger some of the oil that is in his left hand seven times before the LORD. 28 And the priest shall put some of the oil that is in his hand on the lobe of the right ear of him who is to be cleansed and on the thumb of his right hand and on the big toe of his right foot, in the place where the blood of the guilt offering was put. 29 And the rest of the oil that is in the priest's hand he shall put on the head of him who is to be cleansed, to make atonement for him before the LORD. 30 And he shall offer, of the turtledoves or pigeons, whichever he can afford, 31 one5 for a sin offering and the other for a burnt offering, along with a grain offering. And the priest shall make atonement before the LORD for him who is being cleansed. 32 This is the law for him in whom is a case of leprous disease, who cannot afford the offerings for his cleansing.” Footnotes [1] 14:4 Or wild [2] 14:5 Or running; Hebrew living; also verses 6, 50, 51, 52 [3] 14:10 An ephah was about 3/5 bushel or 22 liters [4] 14:10 A log was about 1/3 quart or 0.3 liter [5] 14:31 Septuagint, Syriac; Hebrew afford, 31such as he can afford, one (ESV) Chronicles and Prophets: Isaiah 15–16 Isaiah 15–16 (Listen) An Oracle Concerning Moab 15 An oracle concerning Moab.   Because Ar of Moab is laid waste in a night,    Moab is undone;  because Kir of Moab is laid waste in a night,    Moab is undone.2   He has gone up to the temple,1 and to Dibon,    to the high places2 to weep;  over Nebo and over Medeba    Moab wails.  On every head is baldness;    every beard is shorn;3   in the streets they wear sackcloth;    on the housetops and in the squares    everyone wails and melts in tears.4   Heshbon and Elealeh cry out;    their voice is heard as far as Jahaz;  therefore the armed men of Moab cry aloud;    his soul trembles.5   My heart cries out for Moab;    her fugitives flee to Zoar,    to Eglath-shelishiyah.  For at the ascent of Luhith    they go up weeping;  on the road to Horonaim    they raise a cry of destruction;6   the waters of Nimrim    are a desolation;  the grass is withered, the vegetation fails,    the greenery is no more.7   Therefore the abundance they have gained    and what they have laid up  they carry away    over the Brook of the Willows.8   For a cry has gone    around the land of Moab;  her wailing reaches to Eglaim;    her wailing reaches to Beer-elim.9   For the waters of Dibon3 are full of blood;    for I will bring upon Dibon even more,  a lion for those of Moab who escape,    for the remnant of the land.16   Send the lamb to the ruler of the land,  from Sela, by way of the desert,    to the mount of the daughter of Zion.2   Like fleeing birds,    like a scattered nest,  so are the daughters of Moab    at the fords of the Arnon. 3   “Give counsel;    grant justice;  make your shade like night    at the height of noon;  shelter the outcasts;    do not reveal the fugitive;4   let the outcasts of Moab    sojourn among you;  be a shelter to them4    from the destroyer.  When the oppressor is no more,    and destruction has ceased,  and he who tramples underfoot has vanished from the land,5   then a throne will be established in steadfast love,    and on it will sit in faithfulness    in the tent of David  one who judges and seeks justice    and is swift to do righteousness.” 6   We have heard of the pride of Moab—    how proud he is!—  of his arrogance, his pride, and his insolence;    in his idle boasting he is not right.7   Therefore let Moab wail for Moab,    let everyone wail.  Mourn, utterly stricken,    for the raisin cakes of Kir-hareseth. 8   For the fields of Heshbon languish,    and the vine of Sibmah;  the lords of the nations    have struck down its branches,  which reached to Jazer    and strayed to the desert;  its shoots spread abroad    and passed over the sea.9   Therefore I weep with the weeping of Jazer    for the vine of Sibmah;  I drench you with my tears,    O Heshbon and Elealeh;  for over your summer fruit and your harvest    the shout has ceased.10   And joy and gladness are taken away from the fruitful field,  and in the vineyards no songs are sung,    no cheers are raised;  no treader treads out wine in the presses;    I have put an end to the shouting.11   Therefore my inner parts moan like a lyre for Moab,    and my inmost self for Kir-hareseth. 12 And when Moab presents himself, when he wearies himself on the high place, when he comes to his sanctuary to pray, he will not prevail. 13 This is the word that the LORD spoke concerning Moab in the past. 14 But now the LORD has spoken, saying, “In three years, like the years of a hired worker, the glory of Moab will be brought into contempt, in spite of all his great multitude, and those who remain will be very few and feeble.” Footnotes [1] 15:2 Hebrew the house [2] 15:2 Or temple, even Dibon to the high places [3] 15:9 Dead Sea Scroll, Vulgate (compare Syriac); Masoretic Text Dimon; twice in this verse [4] 16:4 Some Hebrew manuscripts, Septuagint, Syriac; Masoretic Text let my outcasts sojourn among you; as for Moab, be a shelter to them (ESV) Gospels and Epistles: 2 Corinthians 10:13–12:13 2 Corinthians 10:13–12:13 (Listen) 13 But we will not boast beyond limits, but will boast only with regard to the area of influence God assigned to us, to reach even to you. 14 For we are not overextending ourselves, as though we did not reach you. For we were the first to come all the way to you with the gospel of Christ. 15 We do not boast beyond limit in the labors of others. But our hope is that as your faith increases, our area of influence among you may be greatly enlarged, 16 so that we may preach the gospel in lands beyond you, without boasting of work already done in another's area of influence. 17 “Let the one who boasts, boast in the Lord.” 18 For it is not the one who commends himself who is approved, but the one whom the Lord commends. Paul and the False Apostles 11 I wish you would bear with me in a little foolishness. Do bear with me! 2 For I feel a divine jealousy for you, since I betrothed you to one husband, to present you as a pure virgin to Christ. 3 But I am afraid that as the serpent deceived Eve by his cunning, your thoughts will be led astray from a sincere and pure devotion to Christ. 4 For if someone comes and proclaims another Jesus than the one we proclaimed, or if you receive a different spirit from the one you received, or if you accept a different gospel from the one you accepted, you put up with it readily enough. 5 Indeed, I consider that I am not in the least inferior to these super-apostles. 6 Even if I am uns

In today's ep, Matt Prewitt speaks with Victoria Ivanova, R&D Strategic Lead of Serpentine Arts and curator-strategist-writer, about the role art and culture have in society in preserving democratic ideals while offering critical and actionable solutions for the emerging technological era.They delve into the historical and present significance of art, its crisis of meaning in the age of accelerationism and powerful AI, and the potential for Plural Property (Partial Common Ownership) to create a more fair and dynamic market for art; thereby rethinking art ownership and promoting a more equitable future. This conversation and the collaboration between RadicalxChange and Serpentine Arts offer new perspectives on the intersection of art, technology, and society.Links: Rethinking Art Ownership (blog post) by Paula Berman, Victoria Ivanova, & Matt PrewittRethinking Art Ownership (audio version)Rethinking Art Ownership (video version - audio + text)References:6:04 Gustave Courbet (French painter leading the Realism movement)7:00 Uncle Tom's Cabin (1852) anti-slavery novel by American author and abolitionist Harriet Beecher Stowe7:01 A Sportsman's Sketches (1852) collection of Russian realist short stories by Russian novelist, poet, and playwright Ivan Turgenev8:54 Italian Futurism12: 45 Salon des Refusés14:52 French painter and sculptor Marcel Duchamp's "Fountain" (Duchamp, 1917)15:54 Conceptual art24:51 Nick Land (English philosopher and theorist)Accelerationism26:03 Nick Srnicek (Canadian writer and academic) and Dr. Alex Williams (British political theorist and lecturer)Manifesto for an Accelerationist Politics27:11 Ursula K. Le Guin (American novelist)29:15 Jakob Kudsk Steensen (Danish artist)31:38 Marshall McLuhan (Canadian philosopher)49:11 Norbert Wiener (American mathematician and philosopher)55:38 Systems Esthetics (1968, Artforum) by Jack Burnham (American artist, writer, and theorist of art and technology)55:55 Santa Fe Institute for Complexity58:59 GPT-4 (ChatGPT AI created by OpenAI)01:04:12 Ezra Klein's “My View on A.I.”1:33:55 EQUANIMITY | Cambridge English DictionaryBios:Victoria Ivanova is a strategist and writer with a background in human rights, currently working as R&D Strategist at Serpentine, a leading contemporary art organisation located in London, where she leads Future Art Ecosystems – a project for the construction of 21st-century cultural infrastructure for art and technology.Victoria's Social Links:Twitter: @VivLaNovaWebsite: Victoria IvanovaConnect with Serpentine Arts Technologies:Sign up for the Future Art Ecosystems newsletter.Continue the conversation in FAE's Telegram.Check out Serpentine's Twitch channel.Matt Prewitt (he/him) is a lawyer, technologist, and writer. He is President of the RadicalxChange Foundation.Matt's Social Links:Twitter: @m_t_prewittMatt's Substack: Matt's WritingsConnect with RxC:Follow @radxchange on Twitter.Visit RxC's website.Join the conversation on Discord.Credits:Produced by G. Angela Corpus.Edited and Audio Engineered by Aaron Benavides.Executive Produced by G. Angela Corpus and Matt Prewitt.Intro/Outro music by MagnusMoone, “Wind in the Willows,” is licensed under an Attribution-NonCommercial-ShareAlike 3.0 International License (CC BY-NC-SA 3.0)This is a RadicalxChange Production.

A complete reading of The Wind in the Willows as a bedtime story with rain sounds. Support this podcast and get 2 episodes a week on Patreon.com/DownToSleep  If you enjoy this reading please leave a thumbs up and positive review. Down To Sleep is a weekly podcast of book readings and bedtime stories. A mixture of classic adult and children's story books read softly as audiobooks. Patreon: https://www.Patreon.com/DownToSleep Website: https://www.DownToSleepPodcast.com Support the podcast on Patreon and get a full extra reading every week, VOTE on what gets read next, get access to all episodes and complete audiobooks, including versions with relaxing rain sounds. Currently reading: Howl's Moving Castle, The Lord of the Rings and Twilight.  Down To Sleep is a sleep podcast of bedtime stories designed to help you fall asleep. Turn on & drift off. If you need help sleeping or just want to relax listening to classic tales as bedtime stories with a side of unintentional softly spoken ASMR. Come gently nod off to sleep with me, a new episode every Monday. You can listen on Spotify, Google, Apple, and most podcast apps.

The Willows Weep house in Cayuga, Indiana is considered to be one of the most haunted houses in the nation. It's been dubbed 'the most evil place in America' Willows Weep has a dark history. It was constructed in 1890 and since then, the house has been the site of numerous suicides & mysterious deaths. Willows Weep seems to attract and harbor darkness... Paranormal activity runs rampant on this property and some prior residents who were terrorized in the home refuse to ever go back What kind of entities are lurking in the shadows at Willows Weep? And what do they want? Thank you to ZocDoc for sponsoring this episode! Go to Zocdoc.com/AVERY and download the Zocdoc app for FREE! Find and book a top rated doctor today! Business Inquires | averyannross@gmail.com 'Ask Aves' Questions & Episode Requests | averyafterdarkstories@gmail.com Want this episode EARLY & AD FREE? Join the PATREON for only $3 dollars a month! Make sure you are following along for all the latest! TIKTOK INSTAGRAM FACEBOOK YOUTUBE

In this episode I speak with Professor Vigen Gurioan about the revised and expanded edition of his book Tending the Heart of Virtue: How Classic Stories Awaken a Child's Imagination. We discuss the power of stories, how they help can us develop self-knowledge, and how fairy tales and classic stories are essential for education and moral formation for children — and for adults. Fairy tales and classic stories can impress upon us profound philosophical and often theological insights about life and death, the good and beautiful, the value of courage and nobility, and importance of self-sacrifice for love. Stories, themes, and thinkers we we discuss include Hans Christian Anderson The Little Mermaid Beauty and the Beast Grimm's Fairy Tales George McDonald Pinocchio, honor, honesty, and the responsibility of children to their parents The Ugly Duckling, courage, and the desire for beauty The Wind and the Willows, Charlotte's Web, and friendship of equality and friendship of mentors Good Wishes and Bad Wishes Joseph Pieper and Dietrich von Hildebrand on joy as a the superabundant fruit of love and self-gift Charles Dickens C.S. Lewis Edmund Burke Aristotle on Friendship and more

There are seasons in our life where we learn to praise God in our high moments, having mountain-top victories, and to worship God in the low moments, like in a valley. Pastor Tony shares how we can always bless the Lord and continually allow praise to come forth. 

Cariño estrenan en este podcast 'Locochona', su nueva canción junto a la mexicana, Girl Ultra. De hecho, el título viene de México y se refiere a una persona atrevida, como laa banda, como Cariño. Una canción pegadiza, directa y con el pop característico de la banda mezclado con un poco de R&B. Samurai también nos trae, en exclusiva, 'Pared y Espada', otra de las canciones de 'Artillería', su proxímo EP, y ¡ojo! al estribillo de lo nuevo de Samurai. Escuchamos también a loso catalanes Wud, a Will Butler con Sisters Squares en 'Willlows' y a Georgia con la energía melódica de 'It's Euphoric'. levitants – Vamonos INTERPOL – C’mere D'BALDOMEROS - Masa Critica GEORGIA - It's Euphoric SAMURAI - Pared y Espada LA LA LOVE YOU & SAMURAI - El Principio de Algo GINEBRAS ft KARAVA – Lunes Negro CALA VENTO – 23 Semanas WUD - Sirens Wailing _juno – La Biblioteca Nacional SHEGO – Sorry Ojitos CARIÑO – Locochona VEINTIUNO ft LOVE OF LESBIAN – La Vida Moderna WILL BUTLER & SISTER SQUARES – Willows JUNGLE ft. ERICK THE ARCHITECT - Candle Flame LUZ CASAL – Antes Que Tú MI CAPITÁN – Pienso Cuando Era Posible CARLANGAS – Los Dineros Escuchar audio

How can being courageous change your life?! What are the best TikTok strategies for winning over the audience? Get inspired in today's episode! In this episode, my guest Sasha from My Willows, a unique sunglasses company, will be sharing her amazing business journey and how being herself helped her to engage with the audience.  Press play and Fierce Forward for you… Shop Fierce Forward Jewelry & LIVE FIERCE Follow Fierce Forward on Instagram  Follow Ashley's personal Instagram Join our FF Tribe Facebook Group

Shrey Jain, an applied scientist at Microsoft Research Special Projects, speaks with Matt Prewitt on a very timely and topical subject: AI and – more specifically – the dangers it poses to the nature of natural human communication (“context collapse”). They take a deep dive into the current threats to privacy by expanding beyond the often discussed cryptographic sense into “privacy as contextual integrity”, and the immediate opportunity to embed ethical guardrails into this ever-changing realm of generative AI through possible solutions of designated verified signatures in “plural publics”.Shrey's recently published paper co-authored with Divya Siddarth and E. Glen Weyl “Plural Publics” is linked in the episode notes.Links & References: Georg Simmel and The Sociology of Secrecy and of Secret SocietiesJohn Dewey on The Public and Its Problems: An Essay in Political Inquiry on JSTORScamming in AI via The Washington Post - They thought loved ones were calling for help. It was an AI scam."Privacy as Contextual Integrity" by Helen NissenbaumAlso see: Privacy in Context: Technology, Policy, and the Integrity of... (book)Jaron Lanier on How to Fix Twitter—And All of Social Media - The AtlanticAI Education - Will ChatGPT Kill the Student Essay? - The AtlanticShrey Jain, Divya Siddarth, and E. Glen Weyl. “Plural Publics.” Edmond & Lily Safra Center for Ethics, Harvard University, March 20, 2023.Bios:Shrey Jain (he/him) is an Applied Scientist at Microsoft Research Special Projects. His research area is AI Security and Cryptography with a specific focus on information integrity in an era of generative AI. Shrey's work has been featured in CBC News, The Globe and Mail, Financial Times, National Post, CTV News, and the Toronto Star.Shrey's Social Links:Twitter: @shreyjainethConnect with Shrey on LinkedInShrey's Substack: GlasswingMatt Prewitt (he/him) is a lawyer, technologist, and writer. He is President of the RadicalxChange Foundation.Matt's Social LInks:Twitter: @m_t_prewittMatt's Substack: Matt's WritingsConnect with RadicalxChange:Follow us on Twitter.Visit our website.Join the conversation on Discord.Credits:Produced by G. Angela Corpus.Edited and Audio Engineered by Aaron Benavides.Executive Produced by G. Angela Corpus and Matt Prewitt.Intro/Outro music by MagnusMoone, “Wind in the Willows,” is licensed under an Attribution-NonCommercial-ShareAlike 3.0 International License (CC BY-NC-SA 3.0)This is a RadicalxChange Production.

a dance-like novelette composed in 1912 by Frank Grey Free score: https://musescore.com/user/3636436/scores/5959560

Nobody said it better than the redoubtable Mr. Toad in that wonderful children's story, The Wind in the Willows when he said "There's none so much fun as messing around in boats," as we try to honor his wisdom with stories about sailing and other boat lore.

Hear the story of Anna May Wong, cinema's first Chinese-American superstar, who turned disillusionment into a determination to create change... To get hundreds more hours of Hollywood storytelling and unlock the secrets of movieland's greatest innovators, go to https://www.patreon.com/attaboysecret right now and sign up! Learn more about your ad choices. Visit megaphone.fm/adchoices

"You shall not covet your neighbour's goods"Is it bad to desire material things? Is envy always a sin? How can I avoid being jealous?In this episode, we wrap up our discussion of Part Three of the Catechism (!)This episode covers Part Three, Section Two, Chapter Two, Article Ten of the Catechism of the Catholic Church (pts 2534-2557).Contact the podcast: crashcoursecatholicism@gmail.com.Instagram: https://www.instagram.com/crashcoursecatholicism/....References and further reading/listening/viewing:Luke Chapter 12Wisdom 2:24St Josmaria Escriva, The Forge, "Point 422"Kenneth Grahame, The Wind in the Willows, "The Open Road"C. S. Lewis, "Screwtape Proposes a Toast"The Catholic Encyclopedia, "Gnosticism"Roman Catechism, III, 37.Bishop Barron, "The Key to Happiness"

This episode sees us review Spinning Tales by Brey Willows. Find out more about her at breywillows.com Maggie McShay wants a little magic in her life. Something more than the drab existence of going to work and coming home to a cat that barely tolerates her. It's up to Maggie, her grumpy, shape-shifting cat, a dwarf hell-bent on finding romance, and Kody to set the fairy tale world to rights. The big bad wolf has nothing on Maggie McShay. The rest you will need to find out yourself when you read the book.  You can find Bare Books Flash Fiction Anthologies Volumes l and ll on Amazon. Sales from Volume ll are what will keep us promoting indie authors for FREE xx Submit your book for a future review to barebookspod1@gmail.com Big thanks to Sydney Strong for the musical interludes. Find her on Instagram @syd_extinction  

Today's episode is a double shot of Willow! We are combining our pop culture classic episode, with it's newer version!! We are of course talking about Willow, which now has a bit of a universe. The movie was quite a spectacle when it originally aired, and it was even more so, when the TV show was unexpectedly announced!! "Enter the world of "Willow." Journey to the far corners of your imagination, to a land of myth and magic, where dream and reality live side by side ... to a place that never existed, a time that never was. It is a world where a young man named Willow lives out an adventure that explodes beyond the boundaries of his own hopes and fears." If you're a fan, make sure you take a look back at the movie, then jump into the show, THEN come listen to us talk about it, and let us know what you thought as well! SUBSCRIBE: Apple Podcasts | Android |  Spotify | Pandora | RSS Tell us what you think! Leave us a voicemail at 970-573-6148 Send us feedback and/or MP3's to outsidethelongbox@gmail.com Follow us on Facebook, Twitter, Instagram, and Youtube! Support the podcast on Patreon! Credit - Doyle Daniels, Juan Muro

A most golden age murder. Books mentioned in this episode — Lady Chatterley's Lover by DH Lawrence — The Wind in the Willows by Kenneth Grahame — Peril at End House by Agatha Christie — The Crime at Black Dudley by Margery Allingham — There Came Both Mist and Snow by Michael Innes — Sad Cypress by Agatha Christie — Too Soon to Die by Henry Wade — The Stately Home Murder by Catherine Aird — Strange Bedfellows by Andrew Soutar — Brideshead Revisited by Evelyn Waugh — Orlando by Virginia Woolf — Coming Up for Air by George Orwell — Rebecca by Daphne Du Maurier NB: Links to Blackwell's are affiliate links, meaning that the podcast receives a small commission when you purchase a book there (the price remains the same for you). Blackwell's is a UK bookselling chain that ships internationally at no extra charge. This episode is sponsored by BetterHelp. Give online therapy a try at betterhelp.com/shedunnit. To be the first to know about future developments with the podcast, sign up for the newsletter at shedunnitshow.com/newsletter. The podcast is on Twitter, Facebook, and Instagram as @ShedunnitShow, and you can find it in all major podcast apps. Make sure you're subscribed so you don't miss the next episode. Click here to do that now in your app of choice. Find a full transcript of this episode at shedunnitshow.com/thedeathofthecountryhousetranscript Music by Audioblocks and Blue Dot Sessions. See shedunnitshow.com/musiccredits for more details. Learn more about your ad choices. Visit megaphone.fm/adchoices

This week we have "scary" episode that we couldn't wait until October to Tell. This week we bring you WILLOWS WEEP. What William Shatner calls "The Most Haunted Place In North America". That's right folks, William Shatner, the face of Michael Myers.  Anyways we've covered haunted house before  (Amityville Horror, Winchester Mystery House, Jacob's Mom's House, Etc) But what separates this house from those houses....is that this house was INTENTIONALLY built to be haunted. WHO? Why? and WHAT THE HELL?? "How's That'? " You might ask, well the damn thing was built as an inverted cross and if you open up all of the window's and bedroom doors the sunlight makes perfect pentagram inside the home....yikes....oh yeah and like 7 people died , 3 people murdered and 3 people  committed suicide....so yeah pretty f'n haunted ....or not.....lol Listen to find out why ... As always follow us on the stuff Merch Store- http://tee.pub/lic/doEoXMI_oPI Patreon- https://www.patreon.com/Artandjacobdoamerica Website- https://artandjacobdoamerica.com/ Network- https://podbelly.com/ Instagram- https://www.instagram.com/artandjacobdoamerica YouTube Channel- https://www.youtube.com/channel/UC0rT6h3N2pWtlkxaqgIvaZw?view_as=subscriber Twitter- https://twitter.com/ArtandJacobDoA1 Facebook- https://www.facebook.com/artandjacobdoamerica/   ALSO! Make sure you're checking out our sponsors  https://cavemancoffeeco.com Suiker Apparel: Graphic Statement Tees & Accessories   Use Promo code "AMERICA" for 15% off at Caveman Coffee  Use Promo code "Artandjacob" for 10% off at Suiker Apparel   Samples used:https://www.youtube.com/watch?v=kT-m-xL3iiQ&list=LL&index=1&t=7s https://www.youtube.com/watch?v=hoVzfTPq7II  

Tonight's story to help you fall asleep is the continuation of The Wind in the Willows by Kenneth Grahame. In this episode, Badger, Rat, and the Mole stage an intervention for Toad to stop him from driving recklessly. Will Toad outwit them?If you'd like to support the podcast, you can buy me a coffee here ------> buymeacoffee.com/justsleeppodIf you like this episode, please follow the podcast in your favourite podcast app. Also, share with any family or friends that might have trouble drifting off to sleep.Goodnight and Sweet Dreams.... Hosted on Acast. See acast.com/privacy for more information.

In today's episode, Will Holley (Founder of 721 Labs), Graven Prest (Co-Founder of the Geo Web project), and Kevin Seagraves (CEO of NiftyApes) are three mission-focused entrepreneurs who join host Matt Prewitt in a roundtable discussion on the topic of Plural Property — RadicalxChange's umbrella term for Partial Common Ownership, Harberger Taxation, Self-Assessed Licenses Sold via Auction or SALSA, and Common Ownership Self-Assessed Tax or COST.NOTE: This is a regular season episode of the RadicalxChange(s) podcast. Our mini season of "A New Era of Democracy" will continue following this episode.Links for Today's Episode:RxC Plural Property Concept Page721 LabsCityDAOGeo WebNiftyApesHarberger Style Lending AuctionsConnect with RxC:Follow us on Twitter.Visit our website.Join the conversation on Discord.Will Holley (he/him) is the founder of 721 Labs, a research and development company focused on Ethereum token standards and mechanism design. He is also the founder of CityDAO's Network City initiative, the first IRL experiment using Partial Common Ownership, Harberger Taxes and Quadratic Funding to coordinate efficient private market funding of public goods.  Will first engaged with Radical ideas and Web3 in 2020, after selling his last startup, a collectibles marketplace.  A software engineer by training, Will previously worked in the fine art world, building machine learning models to predict auction results for Sotheby's and Christie's.Graven Prest (he/him) is an entrepreneur and mechanism designer in the Web3 space. He's the co-founder of the Geo Web project (@TheGeoWeb)—an open protocol that creates consensus for browsing digital media anchored to physical locations (i.e. geospatial augmented reality). The network protocol uses partial common ownership to administer its digital land market and fund public goods.Kevin Seagraves (he/him) has been building in the Ethereum ecosystem since 2017. He was the lead engineer of Gitcoin Grants v0, co-author of EIP-1337, and a co-founder of the ETHSecurity community. Later he went on to lead product at Charge before returning to the Gitcoin family and contributing to the Moonshot Collective and Scaffold-eth. He is now the CEO at NiftyApes, building tools for NFT traders, and is the creator of Harberger Style Lending Auctions. Matt Prewitt (he/him) is a lawyer, technologist, and writer. He is President of the RadicalxChange Foundation. Episode CreditsExecutive produced by G. Angela Corpus and Matt Prewitt.Co-Produced, Edited, and Audio Engineered by Aaron Benavides.Produced by G. Angela Corpus and Aaron Benavides.Intro/Outro music by MagnusMoone, “Wind in the Willows,” is licensed under an Attribution-NonCommercial-ShareAlike 3.0 International License (CC BY-NC-SA 3.0)This is a RadicalxChange Production.

After a chaotic season, WE ARE BACK and just as chaotic as ever! Part 2 is brought to you by whiskey and a 3 month hiatus! We are bringing back LISTENERSODES! Send your stories to us via winesanddolls.com or winesanddolls@gmail.com! As always, feel free to reach out via email at winesanddolls@gmail.com or social media! Cheers! . . . Help Wines and Dolls be the best they can be by supporting us on Patreon at patreon.com/winesanddolls for a cheers on the show and other perks for Patrons. Cheers to our Patrons: all who are left- Bob, Noah, Victoria, Sandra, Julia and John! Follow us on Instagram, Facebook, TikTok, and Twitter at winesanddolls Artwork by From Pen to Paper Music from Guys and Dolls, 1992 and Wind and the Willows, 2017 on Spotify --- Send in a voice message: https://anchor.fm/winesanddolls/message

This is a book talk about The Wind in the Willows, by Kenneth Grahame

On this fresh episode of Just Matt Steve has a joke, the boys remenice about growing up and discuss whether or not there really was a rash of runaways in the 90's or was it a convenient excuse for something else? Then Steve wants to start up a pirate radio station, Matt has thoughts on the new Disney+ Willow series, and we close up talking about Black Adam. Come on in and enjoy the fun!

This week on the podcast, we bring you another of our “Best of The Literary Life Podcast” episode replays. On today's episode we delve into the literary life of the mysterious Mr. Banks. Cindy begins the interview asking Thomas about his family background and the influence of his parents on his own reading life. He shares about many of the books he loved in childhood and how that shaped his tastes in literature. He also talks about how he approached school learning as opposed to his personal reading. Angelina asks Thomas to tell about how he fell in love with poetry and how he ended up going to college even though that was not his original goal. He also shares more about his reading as an adult, as well as his habit of commonplacing quotations.  Commonplace Quotes: …but I was glad to sing again too; it had been a greater loss that I realized in that particular wintering which saw the waning of my voice. It wasn't about the vanity of being able to trill out a fine song; it was about the joy of singing for its own sake. Katherine May Michael explains to Adam in the last book of Milton's Paradise Lost, that tyranny exists in human society because every individual in such a society is a tyrant within himself, or at least is if he conforms acceptably to his social surroundings. Northrup Frye The Gods that are wiser than Learning But kinder than Life have made sure No mortal may boast in the morning That even will find him secure. from “A Rector's Memory” by Rudyard Kipling Time, Real and Imaginary by Samuel Taylor Coleridge On the wide level of a mountain's head, (I knew not where, but 'twas some faery place) Their pinions, ostrich-like, for sails out-spread, Two lovely children run an endless race, A sister and a brother ! This far outstripp'd the other ; Yet ever runs she with reverted face, And looks and listens for the boy behind : For he, alas! is blind! O'er rough and smooth with even step he passed, And knows not whether he be first or last. Book List: Wintering by Katherine May The Double Vision by Northrop Frye Classics to Grow On book set Tales from Shakespeare by Charles and Mary Lamb Alice's Adventures in Wonderland by Lewis Carol Beatrix Potter books Wind in the Willows by Kenneth Grahame Just So Stories by Rudyard Kipling Oxford Book of Children's Verse Praeterita by John Ruskin The Golden Treasury of Myths and Legends The Legend of Sigurd and Gudrun by J. R. R. Tolkien Surprised by Joy by C. S. Lewis The Saga of the Volsungs by Anonymous The Adventures of Tintin by Herge Encyclopedia Brown by Donald J. Sobol The Life of Samuel Johnson by James Boswell The Strange Case of Dr. Jekyll and Mr. Hyde by Robert Louis Stevenson Rifles for Watie by Harold Keith Treasure Island by Robert Louis Stevenson Kidnapped by Robert Louis Stevenson Ivanhoe by Sir Walter Scott Rob Roy by Sir Walter Scott Julius Caesar by Shakespeare Romeo and Juliet by Shakespeare A Midsummer Night's Dream by Shakespeare The Complete Poems of John Keats Far From the Madding Crowd by Thomas Hardy Hardy the Novelist by David Cecil Hawthorne's Short Stories by Nathaniel Hawthorne The James Bond Dossier by Kingsley Amis P. D. James The Sailor Who Fell From Grace with the Sea by Mishima (not recommended) 84 Charing Cross Road by Helene Hanff The Double by Fyodor Dostoevsky Fathers and Sons by Ivan Turgenev Support The Literary Life: Become a patron of The Literary Life podcast as part of the “Friends and Fellows Community” on Patreon, and get some amazing bonus content! Thanks for your support! Connect with Us: You can find Angelina and Thomas at HouseofHumaneLetters.com, on Instagram @angelinastanford, and on Facebook at https://www.facebook.com/ANGStanford/ Find Cindy at morningtimeformoms.com, on Instagram @cindyordoamoris and on Facebook at https://www.facebook.com/cindyrollins.net/. Check out Cindy's own Patreon page also! Follow The Literary Life on Instagram, and jump into our private Facebook group, The Literary Life Discussion Group, and let's get the book talk going! http://bit.ly/literarylifeFB

It's not merely where you are going, but how you get there, that matters. And as we often find ourselves going places in cars, it is worth stopping to consider how we spend our car rides.  In this week's episode, we welcome back to the podcast Mr. Kyle Blackmer for a discussion of the daily commute. Whether we carpool or ride solo, Mr. Blackmer helps us to reframe how we approach this daily endeavor which can easily become, at best, dead time and, at worst, dreaded time.  Kyle shows us how the car, with the right attitude and a little creativity, can become its own classroom. He encourages us to think about how we can best use this time by praying, engaging in good conversation—at times mere fun, at other times more formative–, listening to good music and books, and celebrating.  Chapters  00:45 Introduction: reframing the daily commute  3:20 How can we make carpooling more fruitful for our sons?  5:43 The car as a classroom: the first and last period of the day 6:22 Four modes of teaching in the Car 6:45 Prayer, especially the Rosary, especially in the morning  9:28 Car as a place for friendship, shared life  10:55 Conversation in cars 16:20 The art of asking good questions and listening  17:15 Tuning into the boys in front of you 19:16 Setting guidelines for your carpool 21:10 Being intentional about what you listen to  25:35 Audiobooks and classic rock 27:50 Celebrating the in little ways 31:20 Finding moments for little points of correction  33:30 Advice for solo commuters  35:50 The last three minutes: preparing for your return home  Recommended Audiobooks for the Road The Mysterious Benedict Society by Trenton Lee Stewart Seabiscuit by Charles Rivers Editors Boys in the Boat by Daniel James Brown The Wind in the Willows by Kenneth Grahame Treasury for Children by James Herriot Little House in the Big Woods by Laura Ingallas Wilder The Jungle Book by Rudyard Kipling Tarzan of the Apes by Edgar Rice Burroughs The Once and Future King by T.H. White The War of the Worlds by H.G. Wells The Complete Father Brown Collection by G.K. Chesterton A Canticle for Leibowitz by Walter Miller Also on the Forum On Home as Social Hub: The Importance of Hosting Our Sons and Their Friends with Tom Royals Friendship for Fathers: John Cuddeback on Living and Teaching the Art with John Cuddeback  Sarah Mackenzi on the Read-Aloud Family with Sarah Mackenzi

Today on The Literary Life Podcast, we have another installment in our “Best of The Literary Life Podcast series. This week's replay is a special chat our hosts Angelina and Cindy had with Wendi Capehart. Wendi passed away in 2022, and this episode is in honor of her memory. Wendi was an adventurous mom of many and lived throughout Asia for many years. She spent the last several years enjoying the life of an at-home librarian, caring for her disabled daughter, and cherishing time with her 15 grandchildren. She also served on the AmblesideOnline Advisory board since its founding. Angelina starts off the conversation asking Wendi about her reading life beginning with her childhood memories of reading. Wendi talks a little about how books helped her survive and heal from the trauma of living in an abusive situation. They also discuss what the difference was for Wendi in leisurely reading and reading for school. Wendi shares some of the reasons she began homeschooling her own children, as well, and how she kept reading voraciously even after she became a mother. Angelina and Wendi talk about the brain and changing your reading habits to digest and enjoy more challenging books. Wendi shares how she built a library while one a military budget and moving frequently. They talked about too many things to cover in this summary, but you can scroll down for the many book titles mentioned in this episode! Commonplace Quotes: “We're all fools,” said Clemens, “all the time. It's just we're a different kind each day. We think, I'm not a fool today. I've learned my lesson. I was a fool yesterday but not this morning. Then tomorrow we find out that, yes, we were a fool today too. I think the only way we can grow and get on in this world is to accept the fact we're not perfect and live accordingly.” Ray Bradbury Where science does not teach a child to wonder and admire it has perhaps no educative value. Charlotte Mason Now the story of Christ is simply a true myth, a myth working on us in the same way as the others, but with tremendous difference–that it really happened–and one must be content to accept it in the same way, remembering that it is God's myth, where the others are men's myths. That is, the pagan stories are God expressing himself through the minds of poets, using such images as he found there, while Christianity is God expressing Himself through real things. C. S. Lewis If Only I Were King by A. A. Milne I often wish I were a King, And then I could do anything. If only I were King of Spain, I'd take my hat off in the rain. If only I were King of France, I wouldn't brush my hair for aunts. I think, if I were King of Greece, I'd push things off the mantelpiece. If I were King of Norroway, I'd ask an elephant to stay. If I were King of Babylon, I'd leave my button gloves undone. If I were King of Timbuctoo, I'd think of lovely things to do. If I were King of anything, I'd tell the soldiers, “I'm the King!” Book List: The Illustrated Man by Ray Bradbury Towards a Philosophy of Education by Charlotte Mason The Narnian: The Life and Imagination of C. S. Lewis by Alan Jacobs Honey for a Child's Heart by Gladys Hunt Winnie the Pooh by A. A. Milne The Three Musketeers by Alexander Dumas Gene Stratton Porter The Outsiders by S. E. Hinton Jane Austen The Little Prince by Antione de Saint-Exupéry The Sea Around Us by Rachel Carson The Heroes by Charles Kingsley The Water-Babies by Charles Kingsley The Wind in the Willows by Kenneth Graham Kim by Rudyard Kipling The Chestry Oak by Kate Seredy The Chronicles of Narnia by C. S. Lewis The Rescuers by Marjorie Sharp The Borrowers by Mary Norton Swallows and Amazons by Arthur Ransome Booth Tarkington Ben Hur by Lew Wallace The Bears of Blue River by Charles Major Thornton W. Burgess Support The Literary Life: Become a patron of The Literary Life podcast as part of the “Friends and Fellows Community” on Patreon, and get some amazing bonus content! Thanks for your support! Connect with Us: You can find Angelina and Thomas at HouseofHumaneLetters.com, on Instagram @angelinastanford, and on Facebook at https://www.facebook.com/ANGStanford/ Find Cindy at MorningTimeforMoms.com, on Instagram @cindyordoamoris and on Facebook at https://www.facebook.com/cindyrollins.net/. Check out Cindy's own Patreon page also! Follow The Literary Life on Instagram, and jump into our private Facebook group, The Literary Life Discussion Group, and let's get the book talk going! http://bit.ly/literarylifeFB

Horror OTR-The Willows Part 4 Conclusion-The Alternate Sacrifice http://oldtimeradiodvd.com  or Nostalgia USA PRIME Roku Channel

Horror OTR-The Willows Part 3-A New Order Of Experience http://oldtimeradiodvd.com  or Nostalgia USA PRIME Roku Channel

How to Survive is now on Patreon! Support us at Patreon.com/HowtoSurvivePod to get every episode one week early, plus monthly bonus episodes and more.   It's Boxing Day, and there's a mole at the very top of The Circus...   No, it's not a strange sequel to Wind in the Willows... Tinker Tailor Soldier Spy (2011) tells the story of George Smiley and all his friends as he tries to work out which one of them is a traitor, working under the pay of the KGB. (Smiley, it should be noted, is a member of the British Foreign Intelligence service, and it's generally quite bad when a member of the service is selling secrets to the Soviets).   We discuss the risks of falling in love; the benefits of being likeable; and the merits of mistrusting anything that's too good to be true.   All of which leads to one question: How would you survive?   This film was chosen by our Patron, Steve. If you want to help us decide the films we cover, head to Patreon.com/HowtoSurvivePod and sign up to unlock bonus episodes, early launches and more!   Whatever happens, one thing's for sure: I bet you're the best watcher in the unit. As long as you've got your specs on.   Next up we're rounding out 2022 with a few films we missed along the way.   Get in touch! HowtoSurviveShow@gmail.com   Follow us on Twitter! @HowToSurvivePod

Native Lights: Where Indigenous Voices ShineNative Lights is a weekly, half-hour radio program hosted by Mille Lacs Band of Ojibwe members and siblings, Leah Lemm and Cole Premo. Native Lights is a space for people in Native communities around Mni Sota Mkoce -- a.k.a. Minnesota -- to tell their stories about finding their gifts and sharing them with the community. Jada Brown: Expression and Affirmation Through Singing Today Leah and Cole have a conversation with Jada Brown. Jada is a Minneapolis-based singer, songwriter and spoken word poet who is affiliated with the Turtle Mountain Band of Ojibwe. She just released her debut solo album Admiration this month. Jada is also in the band Willows who are releasing an EP at Icehouse in January. Jada has been singing since her teen years and moved to Minneapolis from St. Michael. Jada is also studying Global Studies, American Indian Studies and Gender studies at the University of Minnesota. Chi Miigwech to Jada for talking with us today.  Native Lights: Where Indigenous Voices Shine is produced by Minnesota Native News and Ampers, Diverse Radio for Minnesota's Communities with support from the Minnesota Arts and Cultural Heritage fund. Online at https://minnesotanativenews.org/

Horror OTR-The Willows Part 2-False Haven http://oldtimeradiodvd.com  or Nostalgia USA PRIME Roku Channel

Horror OTR-The Willows Part 1-TheBodyOfWater http://oldtimeradiodvd.com  or Nostalgia USA PRIME Roku Channel

3 Friends embark on an adventure to watch the cult classic movie Willow and talk about storytelling as they get drunker and drunkerer!

See omnystudio.com/listener for privacy information.

We're still recovering from Thanksgiving this week, but please partake in this Serial Mom (1994) episode we released in November 2020 on Patreon! We had a blast discussing John Waters's suburban horror-comedy camp classic. Pardon any dated comments (2020 was a rough year for all!). PLOT: Happy housewife Beverly Sutphin (Kathleen Turner) has a charmed life - a beautiful suburban home, a successful dentist husband, and two normal teenagers. However, when one of her son's teachers speaks disparagingly of the boy at a parent-teacher conference, Bev runs the instructor over in the school parking lot. Suddenly she has an insatiable taste for murder. Six homicides later, the cops get wise to her crimes. Connect with us on Patreon and social media for updates! Patreon (on hold): https://www.patreon.com/homosonhauntedhill Instagram: https://www.instagram.com/homosonhauntedhill Facebook: https://www.facebook.com/hohhpodcast Twitter: https://twitter.com/hohhpodcast

Willow Wolfe started off painting little wooden bowls with her grandmother and by 19 was teaching art in her own studio in Winnipeg, Canada. Today she is an award winning art teacher, the author of a library of internationally available books and the designer of best-selling brush lines for over twenty years. Her approachable style and step-by-step painting methods have taken her to events, seminars and engagements across the globe. She is widely recognized for challenging and modernizing today's world of art supplies and education.  At one point in this episode Willows shares a sweet story about how a thoughtful gift from her college boyfriend changed the entire trajectory of her life - And in fact was the seed for what would become one of the most important lessons underpinning all of her teachings. Homework this week is about Awakening the Artist Within  -  an important part of the process of coming into contact with this wordless, wise creative part of ourselves involves loosening the grip that our conditioning and experiences have had on us. We all have developed protective beliefs which over time, become parts of ourselves that can seem very real - like they are the real us. These parts have kept us safe, helped us navigate difficulties, chaos and even trauma in our lives. But they are not our true essence, they are survival mechanisms based in fear and ultimately are holding us back. We can begin to unwind ourselves from being led by these fear parts by looking gently at the conditioning itself. I have created a handful of journal exercises for you that will help you start to put some distance between you and these beliefs  - to observe them better, and to begin to notice and identify more with your boundless, infinite creative self which is how you will set yourself free creatively. WHAT WE TALK ABOUT- How we live with and perpetuate our own programming of the idea “I can't” -The importance of navigating the liminal space between “I can't” and “I can”  changing our own stories of what is possible for ourselves. She gives us her insights as a creative teacher of over 20 years for how to navigate that liminal space between i can't and i can.. As we work to change our own inner narrative-Resiliency and its role in our lives as artists-How choosing to be you is something only you can do, and how it is the only thing you came here to do-How art can connect us to the people we love-How even people who are supported from a very young age to pursue being an artist, we can STILL found ourselves paralyzed by limiting beliefs and the simple thing we must do to bust through this. -How a thoughtful gift from her college boyfriend changed the trajectory of her whole life-Learning a new thing often feels impossible, but if you look closely, it can often be broken down is a series of achievable steps. -Learning how to honour and get comfortable hearing no when it comes to your creative offerings, and how to see these moments as detours taking you somewhere even better -Learning the important messages no's can carry into our lives and how to look for their hidden meanings

Psalms and Wisdom: Psalm 115 Psalm 115 (Listen) To Your Name Give Glory 115   Not to us, O LORD, not to us, but to your name give glory,    for the sake of your steadfast love and your faithfulness! 2   Why should the nations say,    “Where is their God?”3   Our God is in the heavens;    he does all that he pleases. 4   Their idols are silver and gold,    the work of human hands.5   They have mouths, but do not speak;    eyes, but do not see.6   They have ears, but do not hear;    noses, but do not smell.7   They have hands, but do not feel;    feet, but do not walk;    and they do not make a sound in their throat.8   Those who make them become like them;    so do all who trust in them. 9   O Israel,1 trust in the LORD!    He is their help and their shield.10   O house of Aaron, trust in the LORD!    He is their help and their shield.11   You who fear the LORD, trust in the LORD!    He is their help and their shield. 12   The LORD has remembered us; he will bless us;    he will bless the house of Israel;    he will bless the house of Aaron;13   he will bless those who fear the LORD,    both the small and the great. 14   May the LORD give you increase,    you and your children!15   May you be blessed by the LORD,    who made heaven and earth! 16   The heavens are the LORD's heavens,    but the earth he has given to the children of man.17   The dead do not praise the LORD,    nor do any who go down into silence.18   But we will bless the LORD    from this time forth and forevermore.  Praise the LORD! Footnotes [1] 115:9 Masoretic Text; many Hebrew manuscripts, Septuagint, Syriac O house of Israel (ESV) Pentateuch and History: 2 Kings 23:1–30 2 Kings 23:1–30 (Listen) Josiah's Reforms 23 Then the king sent, and all the elders of Judah and Jerusalem were gathered to him. 2 And the king went up to the house of the LORD, and with him all the men of Judah and all the inhabitants of Jerusalem and the priests and the prophets, all the people, both small and great. And he read in their hearing all the words of the Book of the Covenant that had been found in the house of the LORD. 3 And the king stood by the pillar and made a covenant before the LORD, to walk after the LORD and to keep his commandments and his testimonies and his statutes with all his heart and all his soul, to perform the words of this covenant that were written in this book. And all the people joined in the covenant. 4 And the king commanded Hilkiah the high priest and the priests of the second order and the keepers of the threshold to bring out of the temple of the LORD all the vessels made for Baal, for Asherah, and for all the host of heaven. He burned them outside Jerusalem in the fields of the Kidron and carried their ashes to Bethel. 5 And he deposed the priests whom the kings of Judah had ordained to make offerings in the high places at the cities of Judah and around Jerusalem; those also who burned incense to Baal, to the sun and the moon and the constellations and all the host of the heavens. 6 And he brought out the Asherah from the house of the LORD, outside Jerusalem, to the brook Kidron, and burned it at the brook Kidron and beat it to dust and cast the dust of it upon the graves of the common people. 7 And he broke down the houses of the male cult prostitutes who were in the house of the LORD, where the women wove hangings for the Asherah. 8 And he brought all the priests out of the cities of Judah, and defiled the high places where the priests had made offerings, from Geba to Beersheba. And he broke down the high places of the gates that were at the entrance of the gate of Joshua the governor of the city, which were on one's left at the gate of the city. 9 However, the priests of the high places did not come up to the altar of the LORD in Jerusalem, but they ate unleavened bread among their brothers. 10 And he defiled Topheth, which is in the Valley of the Son of Hinnom, that no one might burn his son or his daughter as an offering to Molech.1 11 And he removed the horses that the kings of Judah had dedicated to the sun, at the entrance to the house of the LORD, by the chamber of Nathan-melech the chamberlain, which was in the precincts.2 And he burned the chariots of the sun with fire. 12 And the altars on the roof of the upper chamber of Ahaz, which the kings of Judah had made, and the altars that Manasseh had made in the two courts of the house of the LORD, he pulled down and broke in pieces3 and cast the dust of them into the brook Kidron. 13 And the king defiled the high places that were east of Jerusalem, to the south of the mount of corruption, which Solomon the king of Israel had built for Ashtoreth the abomination of the Sidonians, and for Chemosh the abomination of Moab, and for Milcom the abomination of the Ammonites. 14 And he broke in pieces the pillars and cut down the Asherim and filled their places with the bones of men. 15 Moreover, the altar at Bethel, the high place erected by Jeroboam the son of Nebat, who made Israel to sin, that altar with the high place he pulled down and burned,4 reducing it to dust. He also burned the Asherah. 16 And as Josiah turned, he saw the tombs there on the mount. And he sent and took the bones out of the tombs and burned them on the altar and defiled it, according to the word of the LORD that the man of God proclaimed, who had predicted these things. 17 Then he said, “What is that monument that I see?” And the men of the city told him, “It is the tomb of the man of God who came from Judah and predicted5 these things that you have done against the altar at Bethel.” 18 And he said, “Let him be; let no man move his bones.” So they let his bones alone, with the bones of the prophet who came out of Samaria. 19 And Josiah removed all the shrines also of the high places that were in the cities of Samaria, which kings of Israel had made, provoking the LORD to anger. He did to them according to all that he had done at Bethel. 20 And he sacrificed all the priests of the high places who were there, on the altars, and burned human bones on them. Then he returned to Jerusalem. Josiah Restores the Passover 21 And the king commanded all the people, “Keep the Passover to the LORD your God, as it is written in this Book of the Covenant.” 22 For no such Passover had been kept since the days of the judges who judged Israel, or during all the days of the kings of Israel or of the kings of Judah. 23 But in the eighteenth year of King Josiah this Passover was kept to the LORD in Jerusalem. 24 Moreover, Josiah put away the mediums and the necromancers and the household gods and the idols and all the abominations that were seen in the land of Judah and in Jerusalem, that he might establish the words of the law that were written in the book that Hilkiah the priest found in the house of the LORD. 25 Before him there was no king like him, who turned to the LORD with all his heart and with all his soul and with all his might, according to all the Law of Moses, nor did any like him arise after him. 26 Still the LORD did not turn from the burning of his great wrath, by which his anger was kindled against Judah, because of all the provocations with which Manasseh had provoked him. 27 And the LORD said, “I will remove Judah also out of my sight, as I have removed Israel, and I will cast off this city that I have chosen, Jerusalem, and the house of which I said, My name shall be there.” Josiah's Death in Battle 28 Now the rest of the acts of Josiah and all that he did, are they not written in the Book of the Chronicles of the Kings of Judah? 29 In his days Pharaoh Neco king of Egypt went up to the king of Assyria to the river Euphrates. King Josiah went to meet him, and Pharaoh Neco killed him at Megiddo, as soon as he saw him. 30 And his servants carried him dead in a chariot from Megiddo and brought him to Jerusalem and buried him in his own tomb. And the people of the land took Jehoahaz the son of Josiah, and anointed him, and made him king in his father's place. Footnotes [1] 23:10 Hebrew might cause his son or daughter to pass through the fire for Molech [2] 23:11 The meaning of the Hebrew word is uncertain [3] 23:12 Hebrew pieces from there [4] 23:15 Septuagint broke in pieces its stones [5] 23:17 Hebrew called (ESV) Chronicles and Prophets: Isaiah 15–16 Isaiah 15–16 (Listen) An Oracle Concerning Moab 15 An oracle concerning Moab.   Because Ar of Moab is laid waste in a night,    Moab is undone;  because Kir of Moab is laid waste in a night,    Moab is undone.2   He has gone up to the temple,1 and to Dibon,    to the high places2 to weep;  over Nebo and over Medeba    Moab wails.  On every head is baldness;    every beard is shorn;3   in the streets they wear sackcloth;    on the housetops and in the squares    everyone wails and melts in tears.4   Heshbon and Elealeh cry out;    their voice is heard as far as Jahaz;  therefore the armed men of Moab cry aloud;    his soul trembles.5   My heart cries out for Moab;    her fugitives flee to Zoar,    to Eglath-shelishiyah.  For at the ascent of Luhith    they go up weeping;  on the road to Horonaim    they raise a cry of destruction;6   the waters of Nimrim    are a desolation;  the grass is withered, the vegetation fails,    the greenery is no more.7   Therefore the abundance they have gained    and what they have laid up  they carry away    over the Brook of the Willows.8   For a cry has gone    around the land of Moab;  her wailing reaches to Eglaim;    her wailing reaches to Beer-elim.9   For the waters of Dibon3 are full of blood;    for I will bring upon Dibon even more,  a lion for those of Moab who escape,    for the remnant of the land.16   Send the lamb to the ruler of the land,  from Sela, by way of the desert,    to the mount of the daughter of Zion.2   Like fleeing birds,    like a scattered nest,  so are the daughters of Moab    at the fords of the Arnon. 3   “Give counsel;    grant justice;  make your shade like night    at the height of noon;  shelter the outcasts;    do not reveal the fugitive;4   let the outcasts of Moab    sojourn among you;  be a shelter to them4    from the destroyer.  When the oppressor is no more,    and destruction has ceased,  and he who tramples underfoot has vanished from the land,5   then a throne will be established in steadfast love,    and on it will sit in faithfulness    in the tent of David  one who judges and seeks justice    and is swift to do righteousness.” 6   We have heard of the pride of Moab—    how proud he is!—  of his arrogance, his pride, and his insolence;    in his idle boasting he is not right.7   Therefore let Moab wail for Moab,    let everyone wail.  Mourn, utterly stricken,    for the raisin cakes of Kir-hareseth. 8   For the fields of Heshbon languish,    and the vine of Sibmah;  the lords of the nations    have struck down its branches,  which reached to Jazer    and strayed to the desert;  its shoots spread abroad    and passed over the sea.9   Therefore I weep with the weeping of Jazer    for the vine of Sibmah;  I drench you with my tears,    O Heshbon and Elealeh;  for over your summer fruit and your harvest    the shout has ceased.10   And joy and gladness are taken away from the fruitful field,  and in the vineyards no songs are sung,    no cheers are raised;  no treader treads out wine in the presses;    I have put an end to the shouting.11   Therefore my inner parts moan like a lyre for Moab,    and my inmost self for Kir-hareseth. 12 And when Moab presents himself, when he wearies himself on the high place, when he comes to his sanctuary to pray, he will not prevail. 13 This is the word that the LORD spoke concerning Moab in the past. 14 But now the LORD has spoken, saying, “In three years, like the years of a hired worker, the glory of Moab will be brought into contempt, in spite of all his great multitude, and those who remain will be very few and feeble.” Footnotes [1] 15:2 Hebrew the house [2] 15:2 Or temple, even Dibon to the high places [3] 15:9 Dead Sea Scroll, Vulgate (compare Syriac); Masoretic Text Dimon; twice in this verse [4] 16:4 Some Hebrew manuscripts, Septuagint, Syriac; Masoretic Text let my outcasts sojourn among you; as for Moab, be a shelter to them (ESV) Gospels and Epistles: John 15:18–16:15 John 15:18–16:15 (Listen) The Hatred of the World 18 “If the world hates you, know that it has hated me before it hated you. 19 If you were of the world, the world would love you as its own; but because you are not of the world, but I chose you out of the world, therefore the world hates you. 20 Remember the word that I said to you: ‘A servant is not greater than his master.' If they persecuted me, they will also persecute you. If they kept my word, they will also keep yours. 21 But all these things they will do to you on account of my name, because they do not know him who sent me. 22 If I had not come and spoken to them, they would not have been guilty of sin,1 but now they have no excuse for their sin. 23 Whoever hates me hates my Father also. 24 If I had not done among them the works that no one else did, they would not be guilty of sin, but now they have seen and hated both me and my Father. 25 But the word that is written in their Law must be fulfilled: ‘They hated me without a cause.' 26 “But when the Helper comes, whom I will send to you from the Father, the Spirit of truth, who proceeds from the Father, he will bear witness about me. 27 And you also will bear witness, because you have been with me from the beginning. 16 “I have said all these things to you to keep you from falling away. 2 They will put you out of the synagogues. Indeed, the hour is coming when whoever kills you will think he is offering service to God. 3 And they will do these things because they have not known the Father, nor me. 4 But I have said these things to you, that when their hour comes you may remember that I told them to you. The Work of the Holy Spirit “I did not say these things to you from the beginning, because I was with you. 5 But now I am going to him who sent me, and none of you asks me, ‘Where are you going?' 6 But because I have said these things to you, sorrow has filled your heart. 7 Nevertheless, I tell you the truth: it is to your advantage that I go away, for if I do not go away, the Helper will not come to you. But if I go, I will send him to you. 8 And when he comes, he will convict the world concerning sin and righteousness and judgment: 9 concerning sin, because they do not believe in me; 10 concerning righteousness, because I go to the Father, and you will see me no longer; 11 concerning judgment, because the ruler of this world is judged. 12 “I still have many things to say to you, but you cannot bear them now. 13 When the Spirit of truth comes, he will guide you into all the truth, for he will not speak on his own authority, but whatever he hears he will speak, and he will declare to you the things that are to come. 14 He will glorify me, for he will take what is mine and declare it to you. 15 All that the Father has is mine; therefore I said that he will take what is mine and declare it to you. Footnotes [1] 15:22 Greek they would not have sin; also verse 24 (ESV)

This episode is a continuation of a mini season of RadicalxChange(s) titled A New Era of Democracy.In today's episode, we welcome Professor of Communications and Political Science Zizi Papacharissi who discusses her latest book, After Democracy with host Matt Prewitt. In this thought-provoking conversation, they examine how social media affects our culture, our relationships, and consequently our democratic processes, while exploring potential ways to imagine new and better forms of democracy by “living with technology, not through technology.”Zizi Papacharissi, PhD, is Professor and Head of the Communication Department, Professor of Political Science at the University of Illinois-Chicago, and a University Scholar at the University of Illinois System. Her work focuses on the social and political consequences of online media. She has published nine books, over 70 journal articles and book chapters, and serves on the editorial board of fifteen journals. Zizi is the founding and current Editor of the open access journal Social Media & Society. She has collaborated with Apple, Facebook, Microsoft, and Oculus, and has participated in closed consultations with the Obama 2012 election campaign. She sits on the Committee on the Health and Well-Being of Young Adults, funded by the National Academies of Science, the National Research Council, and the Institute of Medicine in the US, and has been invited to lecture about her work on social media in several Universities and Research Institutes in Europe, Asia, Africa, and the Americas. Her work has been translated in Greek, German, Korean, Chinese, Hungarian, Italian, Turkish, and Persian. Her 10th book, titled After Democracy: Imagining our Political Future, is out now, from Yale University Press. Zizi Papacharissi's Professional WebsiteMatt Prewitt is a lawyer, technologist, and writer. He is President of the RadicalxChange Foundation. Episode CreditsOriginally produced by G. Angela Corpus and Aaron Benavides for 2021 RxC Annual Conference RxC TV program.Produced by G. Angela Corpus, Jennifer Morone, and Matt Prewitt.Co-Produced and Audio Engineered by Aaron Benavides.Intro/Outro music by MagnusMoone, “Wind in the Willows,” is licensed under an Attribution-NonCommercial-ShareAlike 3.0 International License (CC BY-NC-SA 3.0)This is a RadicalxChange Production.

Brought to you by the writer of Downtown Abbey, THE MUSICAL NO ONE COULD GUESS! We are bringing back LISTENERSODES! Send your stories to us via winesanddolls.com or winesanddolls@gmail.com! As always, feel free to reach out via email at winesanddolls@gmail.com or social media! Cheers! . . . Help Wines and Dolls be the best they can be by supporting us on Patreon at patreon.com/winesanddolls for a cheers on the show and other perks for Patrons. Cheers to our Patrons: Bob, Noah, Victoria, Sandra, Julia and John! Follow us on Instagram, Facebook, TikTok, and Twitter at winesanddolls Artwork by From Pen to Paper Music from Guys and Dolls, 1992 on Spotify --- Send in a voice message: https://anchor.fm/winesanddolls/message

Episode one hundred and fifty-seven of A History of Rock Music in Five Hundred Songs looks at “See Emily Play", the birth of the UK underground, and the career of Roger Barrett, known as Syd. Click the full post to read liner notes, links to more information, and a transcript of the episode. Patreon backers also have a twenty-five-minute bonus episode available, on "First Girl I Loved" by the Incredible String Band. Tilt Araiza has assisted invaluably by doing a first-pass edit, and will hopefully be doing so from now on. Check out Tilt's irregular podcasts at http://www.podnose.com/jaffa-cakes-for-proust and http://sitcomclub.com/ Resources No Mixcloud this time, due to the number of Pink Floyd songs. I referred to two biographies of Barrett in this episode -- A Very Irregular Head by Rob Chapman is the one I would recommend, and the one whose narrative I have largely followed. Some of the information has been superseded by newer discoveries, but Chapman is almost unique in people writing about Barrett in that he actually seems to care about the facts and try to get things right rather than make up something more interesting. Crazy Diamond by Mike Watkinson and Pete Anderson is much less reliable, but does have quite a few interview quotes that aren't duplicated by Chapman. Information about Joe Boyd comes from Boyd's book White Bicycles. In this and future episodes on Pink Floyd I'm also relying on Nick Mason's Inside Out: A Personal History of Pink Floyd and Pink Floyd: All the Songs by Jean-Michel Guesdon and Philippe Margotin. The compilation Relics contains many of the most important tracks from Barrett's time with Pink Floyd, while Piper at the Gates of Dawn is his one full album with them. Those who want a fuller history of his time with the group will want to get Piper and also the box set Cambridge St/ation 1965-1967. Barrett only released two solo albums during his career. They're available as a bundle here. Completists will also want the rarities and outtakes collection Opel.  ERRATA: I talk about “Interstellar Overdrive” as if Barrett wrote it solo. The song is credited to all four members, but it was Barrett who came up with the riff I talk about. And annoyingly, given the lengths I went to to deal correctly with Barrett's name, I repeatedly refer to "Dave" Gilmour, when Gilmour prefers David. Patreon This podcast is brought to you by the generosity of my backers on Patreon. Why not join them? Transcript A note before I begin -- this episode deals with drug use and mental illness, so anyone who might be upset by those subjects might want to skip this one. But also, there's a rather unique problem in how I deal with the name of the main artist in the story today. The man everyone knows as Syd Barrett was born Roger Barrett, used that name with his family for his whole life, and in later years very strongly disliked being called "Syd", yet everyone other than his family called him that at all times until he left the music industry, and that's the name that appears on record labels, including his solo albums. I don't believe it's right to refer to people by names they choose not to go by themselves, but the name Barrett went by throughout his brief period in the public eye was different from the one he went by later, and by all accounts he was actually distressed by its use in later years. So what I'm going to do in this episode is refer to him as "Roger Barrett" when a full name is necessary for disambiguation or just "Barrett" otherwise, but I'll leave any quotes from other people referring to "Syd" as they were originally phrased. In future episodes on Pink Floyd, I'll refer to him just as Barrett, but in episodes where I discuss his influence on other artists, I will probably have to use "Syd Barrett" because otherwise people who haven't listened to this episode won't know what on Earth I'm talking about. Anyway, on with the show. “It's gone!” sighed the Rat, sinking back in his seat again. “So beautiful and strange and new. Since it was to end so soon, I almost wish I had never heard it. For it has roused a longing in me that is pain, and nothing seems worth while but just to hear that sound once more and go on listening to it for ever. No! There it is again!” he cried, alert once more. Entranced, he was silent for a long space, spellbound. “Now it passes on and I begin to lose it,” he said presently. “O Mole! the beauty of it! The merry bubble and joy, the thin, clear, happy call of the distant piping! Such music I never dreamed of, and the call in it is stronger even than the music is sweet! Row on, Mole, row! For the music and the call must be for us.” That's a quote from a chapter titled "The Piper at the Gates of Dawn" from the classic children's book The Wind in the Willows -- a book which for most of its length is a fairly straightforward story about anthropomorphic animals having jovial adventures, but which in that one chapter has Rat and Mole suddenly encounter the Great God Pan and have a hallucinatory, transcendental experience caused by his music, one so extreme it's wiped from their minds, as they simply cannot process it. The book, and the chapter, was a favourite of Roger Barrett, a young child born in Cambridge in 1946. Barrett came from an intellectual but not especially bookish family. His father, Dr. Arthur Barrett, was a pathologist -- there's a room in Addenbrooke's Hospital named after him -- but he was also an avid watercolour painter, a world-leading authority on fungi, and a member of the Cambridge Philharmonic Society who was apparently an extraordinarily good singer; while his mother Winifred was a stay-at-home mother who was nonetheless very active in the community, organising a local Girl Guide troupe. They never particularly encouraged their family to read, but young Roger did particularly enjoy the more pastoral end of the children's literature of the time. As well as the Wind in the Willows he also loved Alice in Wonderland, and the Little Grey Men books -- a series of stories about tiny gnomes and their adventures in the countryside. But his two big passions were music and painting. He got his first ukulele at age eleven, and by the time his father died, just before Roger's sixteenth birthday, he had graduated to playing a full-sized guitar. At the time his musical tastes were largely the same as those of any other British teenager -- he liked Chubby Checker, for example -- though he did have a tendency to prefer the quirkier end of things, and some of the first songs he tried to play on the guitar were those of Joe Brown: [Excerpt: Joe Brown, "I'm Henry VIII I Am"] Barrett grew up in Cambridge, and for those who don't know it, Cambridge is an incubator of a very particular kind of eccentricity. The university tends to attract rather unworldly intellectual overachievers to the city -- people who might not be able to survive in many other situations but who can thrive in that one -- and every description of Barrett's father suggests he was such a person -- Barrett's sister Rosemary has said that she believes that most of the family were autistic, though whether this is a belief based on popular media portrayals or a deeper understanding I don't know. But certainly Cambridge is full of eccentric people with remarkable achievements, and such people tend to have children with a certain type of personality, who try simultaneously to live up to and rebel against expectations of greatness that come from having parents who are regarded as great, and to do so with rather less awareness of social norms than the typical rebel has. In the case of Roger Barrett, he, like so many others of his generation, was encouraged to go into the sciences -- as indeed his father had, both in his career as a pathologist and in his avocation as a mycologist. The fifties and sixties were a time, much like today, when what we now refer to as the STEM subjects were regarded as new and exciting and modern. But rather than following in his father's professional footsteps, Roger Barrett instead followed his hobbies. Dr. Barrett was a painter and musician in his spare time, and Roger was to turn to those things to earn his living. For much of his teens, it seemed that art would be the direction he would go in. He was, everyone agrees, a hugely talented painter, and he was particularly noted for his mastery of colours. But he was also becoming more and more interested in R&B music, especially the music of Bo Diddley, who became his new biggest influence: [Excerpt: Bo Diddley, "Who Do You Love?"] He would often spend hours with his friend Dave Gilmour, a much more advanced guitarist, trying to learn blues riffs. By this point Barrett had already received the nickname "Syd". Depending on which story you believe, he either got it when he started attending a jazz club where an elderly jazzer named Sid Barrett played, and the people were amused that their youngest attendee, like one of the oldest, was called Barrett; or, more plausibly, he turned up to a Scout meeting once wearing a flat cap rather than the normal scout beret, and he got nicknamed "Sid" because it made him look working-class and "Sid" was a working-class sort of name. In 1962, by the time he was sixteen, Barrett joined a short-lived group called Geoff Mott and the Mottoes, on rhythm guitar. The group's lead singer, Geoff Mottlow, would go on to join a band called the Boston Crabs who would have a minor hit in 1965 with a version of the Coasters song "Down in Mexico": [Excerpt: The Boston Crabs, "Down in Mexico"] The bass player from the Mottoes, Tony Sainty, and the drummer Clive Welham, would go on to form another band, The Jokers Wild, with Barrett's friend Dave Gilmour. Barrett also briefly joined another band, Those Without, but his time with them was similarly brief. Some sources -- though ones I consider generally less reliable -- say that the Mottoes' bass player wasn't Tony Sainty, but was Roger Waters, the son of one of Barrett's teachers, and that one of the reasons the band split up was that Waters had moved down to London to study architecture. I don't think that's the case, but it's definitely true that Barrett knew Waters, and when he moved to London himself the next year to go to Camberwell Art College, he moved into a house where Waters was already living. Two previous tenants at the same house, Nick Mason and Richard Wright, had formed a loose band with Waters and various other amateur musicians like Keith Noble, Shelagh Noble, and Clive Metcalfe. That band was sometimes known as the Screaming Abdabs, The Megadeaths, or The Tea Set -- the latter as a sly reference to slang terms for cannabis -- but was mostly known at first as Sigma 6, named after a manifesto by the novelist Alexander Trocchi for a kind of spontaneous university. They were also sometimes known as Leonard's Lodgers, after the landlord of the home that Barrett was moving into, Mike Leonard, who would occasionally sit in on organ and would later, as the band became more of a coherent unit, act as a roadie and put on light shows behind them -- Leonard was himself very interested in avant-garde and experimental art, and it was his idea to play around with the group's lighting. By the time Barrett moved in with Waters in 1964, the group had settled on the Tea Set name, and consisted of Waters on bass, Mason on drums, Wright on keyboards, singer Chris Dennis, and guitarist Rado Klose. Of the group, Klose was the only one who was a skilled musician -- he was a very good jazz guitarist, while the other members were barely adequate. By this time Barrett's musical interests were expanding to include folk music -- his girlfriend at the time talked later about him taking her to see Bob Dylan on his first UK tour and thinking "My first reaction was seeing all these people like Syd. It was almost as if every town had sent one Syd Barrett there. It was my first time seeing people like him." But the music he was most into was the blues. And as the Tea Set were turning into a blues band, he joined them. He even had a name for the new band that would make them more bluesy. He'd read the back of a record cover which had named two extremely obscure blues musicians -- musicians he may never even have heard. Pink Anderson: [Excerpt: Pink Anderson, "Boll Weevil"] And Floyd Council: [Excerpt: Floyd Council, "Runaway Man Blues"] Barrett suggested that they put together the names of the two bluesmen, and presumably because "Anderson Council" didn't have quite the right ring, they went for The Pink Floyd -- though for a while yet they would sometimes still perform as The Tea Set, and they were sometimes also called The Pink Floyd Sound. Dennis left soon after Barrett joined, and the new five-piece Pink Floyd Sound started trying to get more gigs. They auditioned for Ready Steady Go! and were turned down, but did get some decent support slots, including for a band called the Tridents: [Excerpt: The Tridents, "Tiger in Your Tank"] The members of the group were particularly impressed by the Tridents' guitarist and the way he altered his sound using feedback -- Barrett even sent a letter to his girlfriend with a drawing of the guitarist, one Jeff Beck, raving about how good he was. At this point, the group were mostly performing cover versions, but they did have a handful of originals, and it was these they recorded in their first demo sessions in late 1964 and early 1965. They included "Walk With Me Sydney", a song written by Roger Waters as a parody of "Work With Me Annie" and "Dance With Me Henry" -- and, given the lyrics, possibly also Hank Ballard's follow-up "Henry's Got Flat Feet (Can't Dance No More) and featuring Rick Wright's then-wife Juliette Gale as Etta James to Barrett's Richard Berry: [Excerpt: The Tea Set, "Walk With Me Sydney"] And four songs by Barrett, including one called "Double-O Bo" which was a Bo Diddley rip-off, and "Butterfly", the most interesting of these early recordings: [Excerpt: The Tea Set, "Butterfly"] At this point, Barrett was very unsure of his own vocal abilities, and wrote a letter to his girlfriend saying "Emo says why don't I give up 'cos it sounds horrible, and I would but I can't get Fred to join because he's got a group (p'raps you knew!) so I still have to sing." "Fred" was a nickname for his old friend Dave Gilmour, who was playing in his own band, Joker's Wild, at this point. Summer 1965 saw two important events in the life of the group. The first was that Barrett took LSD for the first time. The rest of the group weren't interested in trying it, and would indeed generally be one of the more sober bands in the rock business, despite the reputation their music got. The other members would for the most part try acid once or twice, around late 1966, but generally steer clear of it. Barrett, by contrast, took it on a very regular basis, and it would influence all the work he did from that point on. The other event was that Rado Klose left the group. Klose was the only really proficient musician in the group, but he had very different tastes to the other members, preferring to play jazz to R&B and pop, and he was also falling behind in his university studies, and decided to put that ahead of remaining in the band. This meant that the group members had to radically rethink the way they were making music. They couldn't rely on instrumental proficiency, so they had to rely on ideas. One of the things they started to do was use echo. They got primitive echo devices and put both Barrett's guitar and Wright's keyboard through them, allowing them to create new sounds that hadn't been heard on stage before. But they were still mostly doing the same Slim Harpo and Bo Diddley numbers everyone else was doing, and weren't able to be particularly interesting while playing them. But for a while they carried on doing the normal gigs, like a birthday party they played in late 1965, where on the same bill was a young American folk singer named Paul Simon, and Joker's Wild, the band Dave Gilmour was in, who backed Simon on a version of "Johnny B. Goode". A couple of weeks after that party, Joker's Wild went into the studio to record their only privately-pressed five-song record, of them performing recent hits: [Excerpt: Joker's Wild, "Walk Like a Man"] But The Pink Floyd Sound weren't as musically tight as Joker's Wild, and they couldn't make a living as a cover band even if they wanted to. They had to do something different. Inspiration then came from a very unexpected source. I mentioned earlier that one of the names the group had been performing under had been inspired by a manifesto for a spontaneous university by the writer Alexander Trocchi. Trocchi's ideas had actually been put into practice by an organisation calling itself the London Free School, based in Notting Hill. The London Free School was an interesting mixture of people from what was then known as the New Left, but who were already rapidly aging, the people who had been the cornerstone of radical campaigning in the late fifties and early sixties, who had run the Aldermaston marches against nuclear weapons and so on, and a new breed of countercultural people who in a year or two would be defined as hippies but at the time were not so easy to pigeonhole. These people were mostly politically radical but very privileged people -- one of the founder members of the London Free School was Peter Jenner, who was the son of a vicar and the grandson of a Labour MP -- and they were trying to put their radical ideas into practice. The London Free School was meant to be a collective of people who would help each other and themselves, and who would educate each other. You'd go to the collective wanting to learn how to do something, whether that's how to improve the housing in your area or navigate some particularly difficult piece of bureaucracy, or how to play a musical instrument, and someone who had that skill would teach you how to do it, while you hopefully taught them something else of value. The London Free School, like all such utopian schemes, ended up falling apart, but it had a wider cultural impact than most such schemes. Britain's first underground newspaper, the International Times, was put together by people involved in the Free School, and the annual Notting Hill Carnival, which is now one of the biggest outdoor events in Britain every year with a million attendees, came from the merger of outdoor events organised by the Free School with older community events. A group of musicians called AMM was associated with many of the people involved in the Free School. AMM performed totally improvised music, with no structure and no normal sense of melody and harmony: [Excerpt: AMM, "What Is There In Uselesness To Cause You Distress?"] Keith Rowe, the guitarist in AMM, wanted to find his own technique uninfluenced by American jazz guitarists, and thought of that in terms that appealed very strongly to the painterly Barrett, saying "For the Americans to develop an American school of painting, they somehow had to ditch or lose European easel painting techniques. They had to make a break with the past. What did that possibly mean if you were a jazz guitar player? For me, symbolically, it was Pollock laying the canvas on the floor, which immediately abandons European easel technique. I could see that by laying the canvas down, it became inappropriate to apply easel techniques. I thought if I did that with a guitar, I would just lose all those techniques, because they would be physically impossible to do." Rowe's technique-free technique inspired Barrett to make similar noises with his guitar, and to think less in terms of melody and harmony than pure sound. AMM's first record came out in 1966. Four of the Free School people decided to put together their own record label, DNA, and they got an agreement with Elektra Records to distribute its first release -- Joe Boyd, the head of Elektra in the UK, was another London Free School member, and someone who had plenty of experience with disruptive art already, having been on the sound engineering team at the Newport Folk Festival when Dylan went electric. AMM went into the studio and recorded AMMMusic: [Excerpt: AMM, "What Is There In Uselesness To Cause You Distress?"] After that came out, though, Peter Jenner, one of the people who'd started the label, came to a realisation. He said later "We'd made this one record with AMM. Great record, very seminal, seriously avant-garde, but I'd started adding up and I'd worked out that the deal we had, we got two percent of retail, out of which we, the label, had to pay for recording costs and pay ourselves. I came to the conclusion that we were going to have to sell a hell of a lot of records just to pay the recording costs, let alone pay ourselves any money and build a label, so I realised we had to have a pop band because pop bands sold a lot of records. It was as simple as that and I was as naive as that." Jenner abandoned DNA records for the moment, and he and his friend Andrew King decided they were going to become pop managers. and they found The Pink Floyd Sound playing at an event at the Marquee, one of a series of events that were variously known as Spontaneous Underground and The Trip. Other participants in those events included Soft Machine; Mose Allison; Donovan, performing improvised songs backed by sitar players; Graham Bond; a performer who played Bach pieces while backed by African drummers; and The Poison Bellows, a poetry duo consisting of Spike Hawkins and Johnny Byrne, who may of all of these performers be the one who other than Pink Floyd themselves has had the most cultural impact in the UK -- after writing the exploitation novel Groupie and co-writing a film adaptation of Spike Milligan's war memoirs, Byrne became a TV screenwriter, writing many episodes of Space: 1999 and Doctor Who before creating the long-running TV series Heartbeat. Jenner and King decided they wanted to sign The Pink Floyd Sound and make records with them, and the group agreed -- but only after their summer holidays. They were all still students, and so they dispersed during the summer. Waters and Wright went on holiday to Greece, where they tried acid for the first of only a small number of occasions and were unimpressed, while Mason went on a trip round America by Greyhound bus. Barrett, meanwhile, stayed behind, and started writing more songs, encouraged by Jenner, who insisted that the band needed to stop relying on blues covers and come up with their own material, and who saw Barrett as the focus of the group. Jenner later described them as "Four not terribly competent musicians who managed between them to create something that was extraordinary. Syd was the main creative drive behind the band - he was the singer and lead guitarist. Roger couldn't tune his bass because he was tone deaf, it had to be tuned by Rick. Rick could write a bit of a tune and Roger could knock out a couple of words if necessary. 'Set the Controls for the Heart of the Sun' was the first song Roger ever wrote, and he only did it because Syd encouraged everyone to write. Syd was very hesitant about his writing, but when he produced these great songs everyone else thought 'Well, it must be easy'" Of course, we know this isn't quite true -- Waters had written "Walk with me Sydney" -- but it is definitely the case that everyone involved thought of Barrett as the main creative force in the group, and that he was the one that Jenner was encouraging to write new material. After the summer holidays, the group reconvened, and one of their first actions was to play a benefit for the London Free School. Jenner said later "Andrew King and myself were both vicars' sons, and we knew that when you want to raise money for the parish you have to have a social. So in a very old-fashioned way we said 'let's put on a social'. Like in the Just William books, like a whist drive. We thought 'You can't have a whist drive. That's not cool. Let's have a band. That would be cool.' And the only band we knew was the band I was starting to get involved with." After a couple of these events went well, Joe Boyd suggested that they make those events a regular club night, and the UFO Club was born. Jenner and King started working on the light shows for the group, and then bringing in other people, and the light show became an integral part of the group's mystique -- rather than standing in a spotlight as other groups would, they worked in shadows, with distorted kaleidoscopic lights playing on them, distancing themselves from the audience. The highlight of their sets was a long piece called "Interstellar Overdrive", and this became one of the group's first professional recordings, when they went into the studio with Joe Boyd to record it for the soundtrack of a film titled Tonite Let's All Make Love in London. There are conflicting stories about the inspiration for the main riff for "Interstellar Overdrive". One apparent source is the riff from Love's version of the Bacharach and David song "My Little Red Book". Depending on who you ask, either Barrett was obsessed with Love's first album and copied the riff, or Peter Jenner tried to hum him the riff and Barrett copied what Jenner was humming: [Excerpt: Love, "My Little Red Book"] More prosaically, Roger Waters has always claimed that the main inspiration was from "Old Ned", Ron Grainer's theme tune for the sitcom Steptoe and Son (which for American listeners was remade over there as Sanford and Son): [Excerpt: Ron Grainer, "Old Ned"] Of course it's entirely possible, and even likely, that Barrett was inspired by both, and if so that would neatly sum up the whole range of Pink Floyd's influences at this point. "My Little Red Book" was a cover by an American garage-psych/folk-rock band of a hit by Manfred Mann, a group who were best known for pop singles but were also serious blues and jazz musicians, while Steptoe and Son was a whimsical but dark and very English sitcom about a way of life that was slowly disappearing. And you can definitely hear both influences in the main riff of the track they recorded with Boyd: [Excerpt: The Pink Floyd, "Interstellar Overdrive"] "Interstellar Overdrive" was one of two types of song that The Pink Floyd were performing at this time -- a long, extended, instrumental psychedelic excuse for freaky sounds, inspired by things like the second disc of Freak Out! by the Mothers of Invention. When they went into the studio again with Boyd later in January 1967, to record what they hoped would be their first single, they recorded two of the other kind of songs -- whimsical story songs inspired equally by the incidents of everyday life and by children's literature. What became the B-side, "Candy and a Currant Bun", was based around the riff from "Smokestack Lightnin'" by Howlin' Wolf: [Excerpt: Howlin' Wolf, "Smokestack Lightnin'"] That song had become a favourite on the British blues scene, and was thus the inspiration for many songs of the type that get called "quintessentially English". Ray Davies, who was in many ways the major songwriter at this time who was closest to Barrett stylistically, would a year later use the riff for the Kinks song "Last of the Steam-Powered Trains", but in this case Barrett had originally written a song titled "Let's Roll Another One", about sexual longing and cannabis. The lyrics were hastily rewritten in the studio to remove the controversial drug references-- and supposedly this caused some conflict between Barrett and Waters, with Waters pushing for the change, while Barrett argued against it, though like many of the stories from this period this sounds like the kind of thing that gets said by people wanting to push particular images of both men. Either way, the lyric was changed to be about sweet treats rather than drugs, though the lascivious elements remained in. And some people even argue that there was another lyric change -- where Barrett sings "walk with me", there's a slight "f" sound in his vocal. As someone who does a lot of microphone work myself, it sounds to me like just one of those things that happens while recording, but a lot of people are very insistent that Barrett is deliberately singing a different word altogether: [Excerpt: The Pink Floyd, "Candy and a Currant Bun"] The A-side, meanwhile, was inspired by real life. Both Barrett and Waters had mothers who used  to take in female lodgers, and both had regularly had their lodgers' underwear stolen from washing lines. While they didn't know anything else about the thief, he became in Barrett's imagination a man who liked to dress up in the clothing after he stole it: [Excerpt: The Pink Floyd, "Arnold Layne"] After recording the two tracks with Joe Boyd, the natural assumption was that the record would be put out on Elektra, the label which Boyd worked for in the UK, but Jac Holzman, the head of Elektra records, wasn't interested, and so a bidding war began for the single, as by this point the group were the hottest thing in London. For a while it looked like they were going to sign to Track Records, the label owned by the Who's management, but in the end EMI won out. Right as they signed, the News of the World was doing a whole series of articles about pop stars and their drug use, and the last of the articles talked about The Pink Floyd and their association with LSD, even though they hadn't released a record yet. EMI had to put out a press release saying that the group were not psychedelic, insisting"The Pink Floyd are not trying to create hallucinatory effects in their audience." It was only after getting signed that the group became full-time professionals. Waters had by this point graduated from university and was working as a trainee architect, and quit his job to become a pop star. Wright dropped out of university, but Mason and Barrett took sabbaticals. Barrett in particular seems to have seen this very much as a temporary thing, talking about how he was making so much money it would be foolish not to take the opportunity while it lasted, but how he was going to resume his studies in a year. "Arnold Layne" made the top twenty, and it would have gone higher had the pirate radio station Radio London, at the time the single most popular radio station when it came to pop music, not banned the track because of its sexual content. However, it would be the only single Joe Boyd would work on with the group. EMI insisted on only using in-house producers, and so while Joe Boyd would go on to a great career as a producer, and we'll see him again, he was replaced with Norman Smith. Smith had been the chief engineer on the Beatles records up to Rubber Soul, after which he'd been promoted to being a producer in his own right, and Geoff Emerick had taken over. He also had aspirations to pop stardom himself, and a few years later would have a transatlantic hit with "Oh Babe, What Would You Say?" under the name Hurricane Smith: [Excerpt: Hurricane Smith, "Oh Babe, What Would You Say?"] Smith's production of the group would prove controversial among some of the group's longtime fans, who thought that he did too much to curtail their more experimental side, as he would try to get the group to record songs that were more structured and more commercial, and would cut down their improvisations into a more manageable form. Others, notably Peter Jenner, thought that Smith was the perfect producer for the group. They started work on their first album, which was mostly recorded in studio three of Abbey Road, while the Beatles were just finishing off work on Sgt Pepper in studio two. The album was titled The Piper at the Gates of Dawn, after the chapter from The Wind in the Willows, and other than a few extended instrumental showcases, most of the album was made up of short, whimsical, songs by Barrett that were strongly infused with imagery from late-Victorian and Edwardian children's books. This is one of the big differences between the British and American psychedelic scenes. Both the British and American undergrounds were made up of the same type of people -- a mixture of older radical activists, often Communists, who had come up in Britain in the Ban the Bomb campaigns and in America in the Civil Rights movement; and younger people, usually middle-class students with radical politics from a privileged background, who were into experimenting with drugs and alternative lifestyles. But the  social situations were different. In America, the younger members of the underground were angry and scared, as their principal interest was in stopping the war in Vietnam in which so many of them were being killed. And the music of the older generation of the underground, the Civil Rights activists, was shot through with influence from the blues, gospel, and American folk music, with a strong Black influence. So that's what the American psychedelic groups played, for the most part, very bluesy, very angry, music, By contrast, the British younger generation of hippies were not being drafted to go to war, and mostly had little to complain about, other than a feeling of being stifled by their parents' generation's expectations. And while most of them were influenced by the blues, that wasn't the music that had been popular among the older underground people, who had either been listening to experimental European art music or had been influenced by Ewan MacColl and his associates into listening instead to traditional old English ballads, things like the story of Tam Lin or Thomas the Rhymer, where someone is spirited away to the land of the fairies: [Excerpt: Ewan MacColl, "Thomas the Rhymer"] As a result, most British musicians, when exposed to the culture of the underground over here, created music that looked back to an idealised childhood of their grandparents' generation, songs that were nostalgic for a past just before the one they could remember (as opposed to their own childhoods, which had taken place in war or the immediate aftermath of it, dominated by poverty, rationing, and bomb sites (though of course Barrett's childhood in Cambridge had been far closer to this mythic idyll than those of his contemporaries from Liverpool, Birmingham, Newcastle, or London). So almost every British musician who was making music that might be called psychedelic was writing songs that were influenced both by experimental art music and by pre-War popular song, and which conjured up images from older children's books. Most notably of course at this point the Beatles were recording songs like "Strawberry Fields Forever" and "Penny Lane" about places from their childhood, and taking lyrical inspiration from Victorian circus posters and the works of Lewis Carroll, but Barrett was similarly inspired. One of the books he loved most as a child was "The Little Grey Men" by BB, a penname for Denys Watkins-Pitchford. The book told the story of three gnomes,  Baldmoney, Sneezewort, and Dodder, and their adventures on a boat when the fourth member of their little group, Cloudberry, who's a bit of a rebellious loner and more adventurous than the other three, goes exploring on his own and they have to go off and find him. Barrett's song "The Gnome" doesn't use any precise details from the book, but its combination of whimsy about a gnome named Grimble-gromble and a reverence for nature is very much in the mould of BB's work: [Excerpt: The Pink Floyd, "The Gnome"] Another huge influence on Barrett was Hillaire Belloc. Belloc is someone who is not read much any more, as sadly he is mostly known for the intense antisemitism in some of his writing, which stains it just as so much of early twentieth-century literature is stained, but he was one of the most influential writers of the early part of the twentieth century. Like his friend GK Chesterton he was simultaneously an author of Catholic apologia and a political campaigner -- he was a Liberal MP for a few years, and a strong advocate of an economic system known as Distributism, and had a peculiar mixture of very progressive and extremely reactionary ideas which resonated with a lot of the atmosphere in the British underground of the time, even though he would likely have profoundly disapproved of them. But Belloc wrote in a variety of styles, including poems for children, which are the works of his that have aged the best, and were a huge influence on later children's writers like Roald Dahl with their gleeful comic cruelty. Barrett's "Matilda Mother" had lyrics that were, other than the chorus where Barrett begs his mother to read him more of the story, taken verbatim from three poems from Belloc's Cautionary Tales for Children -- "Jim, Who Ran away from his Nurse, and was Eaten by a Lion", "Henry King (Who chewed bits of String, and was cut off in Dreadful Agonies)", and "Matilda (Who Told Lies and Was Burned to Death)" -- the titles of those give some idea of the kind of thing Belloc would write: [Excerpt: The Pink Floyd, "Matilda Mother (early version)"] Sadly for Barrett, Belloc's estate refused to allow permission for his poems to be used, and so he had to rework the lyrics, writing new fairy-tale lyrics for the finished version. Other sources of inspiration for lyrics came from books like the I Ching, which Barrett used for "Chapter 24", having bought a copy from the Indica Bookshop, the same place that John Lennon had bought The Psychedelic Experience, and there's been some suggestion that he was deliberately trying to copy Lennon in taking lyrical ideas from a book of ancient mystic wisdom. During the recording of Piper at the Gates of Dawn, the group continued playing live. As they'd now had a hit single, most of their performances were at Top Rank Ballrooms and other such venues around the country, on bills with other top chart groups, playing to audiences who seemed unimpressed or actively hostile. They also, though made two important appearances. The more well-known of these was at the 14-Hour Technicolor Dream, a benefit for International Times magazine with people including Yoko Ono, their future collaborator Ron Geesin, John's Children, Soft Machine, and The Move also performing. The 14-Hour Technicolor Dream is now largely regarded as *the* pivotal moment in the development of the UK counterculture, though even at the time some participants noted that there seemed to be a rift developing between the performers, who were often fairly straightforward beer-drinking ambitious young men who had latched on to kaftans and talk about enlightenment as the latest gimmick they could use to get ahead in the industry, and the audience who seemed to be true believers. Their other major performance was at an event called "Games for May -- Space Age Relaxation for the Climax of Spring", where they were able to do a full long set in a concert space with a quadrophonic sound system, rather than performing in the utterly sub-par environments most pop bands had to at this point. They came up with a new song written for the event, which became their second single, "See Emily Play". [Excerpt: The Pink Floyd, "See Emily Play"] Emily was apparently always a favourite name of Barrett's, and he even talked with one girlfriend about the possibility of naming their first child Emily, but the Emily of the song seems to have had a specific inspiration. One of the youngest attendees at the London Free School was an actual schoolgirl, Emily Young, who would go along to their events with her schoolfriend Anjelica Huston (who later became a well-known film star). Young is now a world-renowned artist, regarded as arguably Britain's greatest living stone sculptor, but at the time she was very like the other people at the London Free School -- she was from a very privileged background, her father was Wayland Young, 2nd Baron Kennet, a Labour Peer and minister who later joined the SDP. But being younger than the rest of the attendees, and still a little naive, she was still trying to find her own personality, and would take on attributes and attitudes of other people without fully understanding them,  hence the song's opening lines, "Emily tries, but misunderstands/She's often inclined to borrow somebody's dream til tomorrow". The song gets a little darker towards the end though, and the image in the last verse, where she puts on a gown and floats down a river forever *could* be a gentle, pastoral, image of someone going on a boat ride, but it also could be a reference to two rather darker sources. Barrett was known to pick up imagery both from classic literature and from Arthurian legend, and so the lines inevitably conjure up both the idea of Ophelia drowning herself and of the Lady of Shallot in Tennyson's Arthurian poem, who is trapped in a tower but finds a boat, and floats down