Podcasts about Anselm Kiefer

Anselm Kiefer zählt zu den bedeutendsten Künstlern der Gegenwart. Jetzt wurde sein restauriertes Elternhaus bei Rastatt mit einer Ausstellung seiner frühen Werke erstmals der Öffentlichkeit zugänglich gemacht.

Vor sechs Jahren hat Anselm Kiefer sein Elternhaus in Rastatt zurückgekauft und es mit viel Liebe zum Detail restaurieren lassen. "Haus Kiefer" soll künftig wechselnde Ausstellungen zeigen. Den Auftakt machten frühe Werke des berühmten Künstlers. Roth, Helen www.deutschlandfunkkultur.de, Fazit

durée : 00:32:20 - Talmudiques - par : Marc-Alain Ouaknin - À l'aube du deuxième quart du XXIᵉ siècle, la mémoire éclaire le passé et nourrit l'avenir. Historiens, archivistes et artistes s'y consacrent, dont un créateur contemporain, Anselm Kiefer. Il façonne l'histoire comme un matériau vivant, entre mémoire et compréhension. - réalisation : Alexandra Malka

Wolfs, Rein www.deutschlandfunkkultur.de, Interview

Schweighoefer, Kerstin www.deutschlandfunk.de, Kultur heute

Schweighöfer, Kerstin www.deutschlandfunkkultur.de, Fazit

Deze speciale uitzending staat in het teken van de Duitse schilder en beeldhouwer Anselm Kiefer. Zijn werk is momenteel te zien in het Van Gogh Museum en Stedelijk Museum Amsterdam, in de grote tentoonstelling ‘Sag Mir Wo Die Blumen Sind'. Te gast zijn kunstjournalisten Lucette ter Borg, Toef Jaeger en Wieteke van Zeil over het leven en werk van Anselm Kiefer.  Presentatie: Frénk van der Linden

Join us for an exploration of art and materials in this interview Nathan Terborg, recorded at his solo exhibition at Galerie Benjamin Eck in Munich. Nathan skillfully transforms found objects into thought-provoking art pieces. Discover how his early experiences in his grandfather's woodshop influenced his artistic journey, leading him away from traditional painting towards an immersive sculptural practice. Nathan dives into the essence of experimentation, stressing how the relationship between artist and materials is foundational to creating meaningful work. Nathan's approach of curiosity and discovery emphasizes that artistic freedom resides in the acceptance of imperfection and the willingness to explore beyond the surface. The conversation also highlights the importance of communication through art, with Nathan referencing the impactful words of Louise Bourgeois. This insight showcases the intrinsic value of art as an unspoken language that connects both the creator and observer. By drawing from personal anecdotes and professional insights, Nathan inspires listeners to reconsider their interactions with materials and art forms. As he encourages audiences to engage with sculptures tactually, he elucidates the transformative potential hidden within the discarded. Dive into this rich dialogue on creativity and allow yourself to be inspired by the alchemy of art! Make sure to subscribe, share, and leave your thoughts in the comments! We love to hear how art resonates with you!Galerie Benjamin Eck: www.benjamin-eck.comChris Fay Media: www.chrisfay.deSend us a message - we would love to hear from you!Make sure to follow us on Instagram here:@justmakeartpodcast @tynathanclark @nathanterborg

Mein heutiger Gast ist Dr. Aeneas Bastian, Galerist aus Berlin. Unser Gesprächsthema ist der von ihm vertretene Künstler Anselm Kiefer. Wir werden natürlich auch über Aeneas Galerie sprechen, seine Arbeit mit den von ihm vertretenen Künstlern neben Anselm Kiefer, wie Ulrich Erben, Paul Wallach, Wim Wenders und Emma Stibbon und werden uns dann in die Arbeit von Anselm Kiefer vertiefen.Für mich ist Kiefer ein Schwergewicht der Kunstszene und ich bin sehr froh, all diese Details über ihn von Aeneas Bastian erfahren zu haben. Hier teile ich sie mit Euch! 

Next month, the German artist Anselm Kiefer will be 80, and the first of a number of shows internationally to mark this landmark moment opened this week at the Ashmolean Museum, Oxford, UK. It focuses on his early works, and Ben Luke visits Oxford to discuss this pivotal moment in his career with Lena Fritsch, the curator of the exhibition. The latest edition of the biennial in the United Arab Emirate of Sharjah opened earlier this month. The Art Newspaper's correspondent Dale Berning Sawa visited during opening week and spoke to Sheikha Hoor Al Qasimi, the president and director of Sharjah Art Foundation, which runs the biennial, about this year's edition, her journey in art, and her role in establishing the biennial as a leading art world event. And this episode's Work of the Week is Portrait of Mateu Fernández de Soto (1901) by Pablo Picasso, a painting from the artist's Blue Period. Conservators at The Courtauld Institute in London have discovered an image of a mystery woman hidden beneath this portrait of De Soto, Picasso's friend and fellow artist. We talk to Barnaby Wright, deputy head of The Courtauld Gallery, about the painting and the image beneath it. The work features in a new exhibition at the gallery, Goya to Impressionism. Masterpieces from the Oskar Reinhart Collection.Anselm Kiefer: Early Works, Ashmolean Museum, Oxford, UK, 14 February-15 June; Anselm Kiefer: Where Have All the Flowers Gone, Van Gogh Museum and the Stedelijk Museum, Amsterdam, 7 March-9 June; Kiefer / Van Gogh, Royal Academy of Arts, London, 28 June-26 October; Anselm Kiefer: Becoming the Ocean, Saint Louis Art Museum, US, 18 October 2025-25 January 2026To carry, the 16th Sharjah Biennial, until 15 June 2025.The Griffin Catalyst Exhibition: Goya to Impressionism. Masterpieces from the Oskar Reinhart Collection, The Courtauld Gallery, London, 14 February-26 May.The Art Newspaper's book The Year Ahead 2025, an authoritative guide to the year's unmissable art exhibitions, museum openings and significant art events, is still available to buy at theartnewspaper.com for £14.99 or the equivalent in your currency. Buy it here. Hosted on Acast. See acast.com/privacy for more information.

Antonio Danieli, Vice Presidente e Direttore Generale Fondazione Golinelli"Dall'origine al destino"Dall'8 febbraio al 30 giugno 2025Bologna, Centro Arti e Scienze Golinelliwww.dalloriginealdestino.itIl nuovo progetto espositivo di Fondazione Golinelli a cura di Andrea Zanotti, Antonio Danieli, Luca Ciancabilla e Simone Gheduzzi.Tra arte, scienza e tecnologia, la mostra esplora la trama del progresso della cultura umana, nella sua dimensione sia universale che soggettiva. Un viaggio affascinante attraverso i momenti più significativi dell'evoluzione culturale e tecnologica, dalla comparsa dell'uomo sulla Terra all'avvento dell'Intelligenza Artificiale, ponendo l'accento sulle nostre capacità di orientamento rispetto alla velocità dello sviluppo della tecnica.Una riflessione profonda sul passato, sul futuro e sul nostro rapporto con il tempo e la tecnologia, con l'invito a mettere in pratica un esercizio di umanità per riconciliare la dimensione personale e quella collettiva che il concetto di destino tiene insieme.Il percorso espositivo è suddiviso in due grandi capitoli, che si dipanano in cinque tappe.L'esposizione ripercorre l'evoluzione culturale dell'umanità, dalla comparsa dell'uomo sulla Terra all'avvento dell'Intelligenza Artificiale attraverso opere di Anselm Kiefer, Nicola Samorì, Umberto Boccioni, Fortunato De Pero, Mario Sironi, Giacomo Balla; oggetti di design di Pablo Picasso ed Ettore Sottsass, grafiche di Bruno Munari.Sono esposti, inoltre, la nuova Ducati Panigale V4 S con la sua sofisticata base meccanica e il fondo di una supercar ad alte prestazioni, la Dallara Stradale.Il progetto esplora la trama del progresso della cultura umana, indagandone sia la dimensione universale che soggettiva: "invita i visitatori a riflettere sul nostro rapporto con il tempo e la tecnologia, - ha spiegato Zanotti - e a mettere in pratica un esercizio di umanità volto a riconciliare la dimensione personale e universale che i concetti di origine e destino tengono insieme".    Il percorso espositivo (oltre 150 opere, oggetti e reperti provenienti da 50 musei, istituzioni culturali e collezioni private) è suddiviso in due grandi capitoli. Il primo si concentra sui passaggi evolutivi della civiltà, un vero e proprio viaggio nel tempo grazie alla presenza di reperti, manufatti, strumenti tecnico-scientifici, installazioni, opere d'arte e di design di svariati materiali e tecniche artistiche.Nel secondo capitolo si è chiamati a riflettere sulla propria condizione esistenziale e invitati a un esercizio più intimo: riscoprire, in un'epoca dominata da un divenire frenetico e incessante, la consapevolezza di un futuro il cui senso appare sempre più sfuggente.Il percorso si conclude con un exhibit immersivo di grande impatto emozionale: il T-Simmetry, il tunnel a "cronologia inversa" che condurrà il pubblico in un viaggio interattivo a ritroso nel tempo, ripercorrendo simbolicamente le tappe fondamentali della propria esistenza, come se il "nastro" della vita di ognuno venisse riavvolto. In concomitanza dell'apertura della mostra Dall'origine al destino, è stata svelata Before and after, l'opera site specific dell'artista argentino Jorge Macchi, che entra a far parte, in modo permanente, del patrimonio artistico del Centro Arti e Scienze Golinelli, costituita da una trama di cavi d'acciaio e mattoni di argilla.   Orari: da martedì a venerdì 15-20; sabato e domenica 10-20 (compresi 25 aprile, 1 maggio e 2 giugno)IL POSTO DELLE PAROLEascoltare fa pensarewww.ilpostodelleparole.itDiventa un supporter di questo podcast: https://www.spreaker.com/podcast/il-posto-delle-parole--1487855/support.

durée : 00:32:20 - Talmudiques - par : Marc-Alain Ouaknin - À l'aube du deuxième quart du XXIᵉ siècle, la mémoire éclaire le passé et nourrit l'avenir. Historiens, archivistes et artistes s'y consacrent, dont un créateur contemporain, Anselm Kiefer. Il façonne l'histoire comme un matériau vivant, entre mémoire et compréhension. - réalisation : Alexandra Malka

A 2025 preview: Georgina Adam, our editor-at-large, tells host Ben Luke what might lie ahead for the market. And Ben is joined by Jane Morris, editor-at-large, and Gareth Harris, chief contributing editor, to select the big museum openings, biennials and exhibitions.All shows discussed are in The Art Newspaper's The Year Ahead 2025, priced £14.99 or the equivalent in your currency. Buy it here.Exhibitions: Site Santa Fe International, Santa Fe, US, 28 Jun-13 Jan 2026; Liverpool Biennial, 7 Jun-14 Sep; Folkestone Triennial, 19 Jul-19 Oct; Ruth Asawa: A Retrospective, San Francisco Museum of Modern Art, 5 Apr-2 Sep; Museum of Modern Art (MoMA), New York, 19 Oct-7 Feb 2026; Gabriele Münter, Guggenheim Museum, New York, 7 Nov-26 Apr 2026; Musée d'Art Moderne de Paris, 4 Apr-24 Aug; Elizabeth Catlett: a Black Revolutionary Artist, Brooklyn Museum, New York, until 19 Jan; National Gallery of Art (NGA), Washington DC, 9 Mar-6 Jul; Art Institute of Chicago, US, 30 Aug-4 Jan 2026; Ithell Colquhoun, Tate Britain, London, 13 Jun-19 Oct; Abstract Erotic: Louise Bourgeois, Eva Hesse, Alice Adams, Courtauld Gallery, London, 20 Jun-14 Sep; Michaelina Wautier, Kunsthistorisches Museum, Vienna, 30 Sep-25 Jan 2026; Radical! Women Artists and Modernism, Belvedere, Vienna, 18 Jun-12 Oct; Dangerously Modern: Australian Women Artists in Europe, Art Gallery of South Australia, Adelaide, 24 May-7 Sep; Art Gallery of New South Wales, Sydney, 11 Oct-1 Feb 2026; Lorna Simpson: Source Notes, Metropolitan Museum of Art, New York, 19 May-2 Nov; Amy Sherald: American Sublime, SFMOMA, to 9 Mar; Whitney Museum of American Art, New York, 9 Apr-Aug; National Portrait Gallery, Washington DC, 19 Sep-22 Feb 2026; Shahzia Sikander: Collective Behavior, Cincinnati Art Museum, 14 Feb-4 May; Cleveland Museum of Art, US, 14 Feb-8 Jun; Cantor Arts Center, Stanford, US, 1 Oct-25 Jan 2026; Jenny Saville: The Anatomy of Painting, National Portrait Gallery, London, 20 Jun-7 Sep; Linder: Danger Came Smiling, Hayward Gallery, London, 11 Feb-5 May; Arpita Singh, Serpentine Galleries, London, 13 Mar-27 Jul; Vija Celmins, Beyeler Collection, Basel, 15 Jun-21 Sep; An Indigenous Present, ICA/Boston, US, 9 Oct-8 Mar 2026; The Stars We Do Not See, NGA, Washington, DC, 18 Oct-1 Mar 2026; Duane Linklater, Dia Chelsea, 12 Sep-24 Jan 2026; Camden Art Centre, London, 4 Jul-21 Sep; Vienna Secession, 29 Nov-22 Feb 2026; Emily Kam Kngwarray, Tate Modern, London, 10 Jul-13 Jan 2026; Archie Moore, Queensland Gallery of Modern Art, 30 Aug-23 Aug 2026; Histories of Ecology, MASP, Sao Paulo, 5 Sep-1 Feb 2026; Jack Whitten, Museum of Modern Art, New York, 23 Mar-2 Aug; Wifredo Lam, Museum of Modern Art, Rashid Johnson, Solomon R. Guggenheim Museum, New York, 18 Apr-18 Jan 2026; Adam Pendleton, Hirshhorn Museum and Sculpture Garden, Washington DC, 4 Apr-3 Jan 2027; Marie Antoinette Style, Victoria and Albert Museum, London, 20 Sep-22 Mar 2026; Leigh Bowery!, Tate Modern, 27 Feb- 31 Aug; Blitz: the Club That Shaped the 80s, Design Museum, London, 19 Sep-29 Mar 2026; Do Ho Suh, Tate Modern, 1 May-26 Oct; Picasso: the Three Dancers, Tate Modern, 25 Sep-1 Apr 2026; Ed Atkins, Tate Britain, London, 2 Apr-25 Aug; Turner and Constable, Tate Britain, 27 Nov-12 Apr 2026; British Museum: Hiroshige, 1 May-7 Sep; Watteau and Circle, 15 May-14 Sep; Ancient India, 22 May-12 Oct; Kerry James Marshall, Royal Academy of Arts, London, 20 Sep-18 Jan 2026; Kiefer/Van Gogh, Royal Academy, 28 Jun-26 Oct; Anselm Kiefer, Ashmolean Museum, Oxford, 14 Feb-15 Jun; Anselm Kiefer, Van Gogh Museum, Stedelijk Museum, Amsterdam, 7 Mar-9 Jun; Cimabue, Louvre, Paris, 22 Jan-12 May; Black Paris, Centre Pompidou, Paris, 19 Mar-30 Jun; Machine Love, Mori Art Museum, Tokyo, 13 Feb-8 Jun Hosted on Acast. See acast.com/privacy for more information.

Ya tenemos ganadora del Premio El Ojo Crítico de Música Moderna 2024, es Lara Fernández, más conocida como Judeline. La sucesora de María José Llergo es jerezana y a sus 22 años, y con un su primer disco, 'Bodhiria', se ha convertido en una de las artistas más importantes de nuestro país. Parece que vive en el futuro, pero canta como nadie la tradición del presente. El martes pasado, Ángela Núñez vino a contarnos las palabras que han entrado en el Diccionario de la Real Academia Española, entre ellas, Dana... ¡Y mira que lo dijimos, que dana tenía todos los ingredientes para ser también Palabra del Año de la Fundéu RAE! Pues, por desgracia, por el impacto trágico que ha provocado la dana de octubre, es una de las 12 candidatas a Palabra del Año.Los estrenos de la semana con Conxita Casanovas pasan por 'Cuando cae el otoño', 'Es el enemigo' y un documental sobre el artista Anselm Kiefer, a cargo de uno de los grandes directores del cine europeo, Win Wenders.Nos vamos de paseo con Jesús Marchamalo y un escritor y cineasta que hace memoria, o sea, ficción, o cine o literatura... De todo esto ha hablado Manuel Gutiérrez Aragón con nuestro paseante. Y nos vamos con la sesión musical de Leyre Guerrero porque este 2024 se ha publicado un disco que ha escuchado muy poca gente. Aunque no son muchos, los que lo han hecho lo ensalzan como lo mejor de este año. Vamos a ver qué ocurre dentro de ese singular álbum con Leyre Guerrero, directora de NaNaNa en Radio 3. Ese disco es 'Diamond Jubilee', es el séptimo disco de Cindy Lee, el alterego femenino del músico canadiense y virtuoso guitarrista, Patrick Flegel. Escuchar audio

Comenzamos con una película con participación de esta casa que además de llevarnos a un momento de nuestra historia va a despertarnos una gran sonrisa, ¿Es el enemigo? Una película de Alexis Morante con el que hablamos, protagonizada por Oscar Lasarte y Natalia de Molina que nos cuenta las vivencias de Gila en la guerra civil e inspiraron su famoso monólogo. Hablamos con el cineasta francés François Ozon de su nueva película, Cuando cae el otoño, ganadora de dos premios en la última edición del Festival de San Sebastián. Chaplin espíritu Gitano es un documental de Carmen Chaplin, la nieta del cómico dónde nos habla de uno de los aspectos pocos conocidos de él, su origen gitano. Todo un homenaje y reconciliación familiar en pantalla que nos acerca nuestro colaborador Elio Castro.Otras de las películas en las que nos detenemos y llegan a salas son: Kraven The Hunter con un elenco de grandes y oscarizadas estrellas, desde Aaron Taylor-Johnson a Russell Crowe pasando por Ariana DeBose, bajo la firma del director J.C. Chandor. La historia de cómo y por qué surgió uno de los villanos más emblemáticos de Marvel. Anselm dirigida por Wim Wenders, que narra el arte del pintor y escultor alemán Anselm Kiefer, toda una experiencia inmersiva. Rock Bottom, Una película musical de la directora María Trénor, que toma como punto de partida la vida de Robert Wyatt, durante la composición de su principal obra, el disco Rock Bottom, y Cart3, la tercera entrega de Sonic, basada en la serie de videojuegos publicada por Sega.Todo esto además del resto de la cartelera, las mejores series con Pedro Calvo. Nos detenemos con Luis Alegre en los premios Forqué, con José Fernández en los Globos de oro y con Ana Vega Toscano en la actriz y escritora británica Judi Dench tenemos las secciones habituales y muy atentos a de película responde con Carlos Brioso.Escuchar audio

Comenzamos con una película con participación de esta casa que además de llevarnos a un momento de nuestra historia va a despertarnos una gran sonrisa, ¿Es el enemigo?. Una película de Alexis Morante con el que hablamos, protagonizada por Oscar Lasarte y Natalia de Molina que nos cuenta las vivencias de Gila en la guerra civil e inspiraron su famoso monólogo. Hablamos con el cineasta francés François Ozon de su nueva película, Cuando cae el otoño, ganadora de dos premios en la última edición del Festival de San Sebastián. Chaplin espíritu Gitano es un documental de Carmen Chaplin, la nieta del cómico dónde nos habla de uno de los aspectos pocos conocidos de él, su origen gitano. Todo un homenaje y reconciliación familiar en pantalla que nos acerca nuestro colaborador Elio Castro. Otras de las películas en las que nos detenemos y llegan a salas son: Kraven The Hunter con un elenco de grandes y oscarizadas estrellas ,desde Aaron Taylor-Johnson a Russell Crowe pasando por Ariana DeBose, bajo la firma del director J.C. Chandor. La historia de cómo y por qué surgió uno de los villanos más emblemáticos de Marvel. Anselm dirigida por Wim Wenders, que narra el arte del pintor y escultor alemán Anselm Kiefer, toda una experiencia inmersiva. Rock Bottom, Una película musical de la directora María Trénor, que toma como punto de partida la vida de Robert Wyatt, durante la composición de su principal obra, el disco Rock Bottom, y Cart3, la tercera entrega de sonic basada en la serie de videojuegos publicada por Sega.Todo esto además del resto de la cartelera, las mejores series con Pedro Calvo ,Nos detenemos con Luis Alegre en los premios Forqué, con José Fernández en los Globos de oro y con Ana Vega Toscano en la actriz y escritora británica Judi Dench tenemos las secciones habituales y muy atentos a de película responde con Carlos Brioso.Escuchar audio

Der Filmemacher und Schriftsteller Alexander Kluge und der Maler und Bildhauer Anselm Kiefer treffen sich zum Dialog über die Kunst, sich selbst treu zu bleiben. Herausgekommen ist viel mehr als ein Buch – eine mediale Neuerfindung. Rezension von Simone Reber

Der Filmemacher und Schriftsteller Alexander Kluge und der Maler und Bildhauer Anselm Kiefer treffen sich zum Dialog über die Kunst, sich selbst treu zu bleiben. Herausgekommen ist viel mehr als ein Buch – eine mediale Neuerfindung. Rezension von Simone Reber

Anselm Kiefer und Alexander Kluge sind seit vielen Jahren befreundet. Und nicht nur das: Sie arbeiten auch zusammen in einer, wie Kluage das nennt "imaginären Werkstatt". Kluge ist Filmemacher, Schriftsteller, Forscher, Denker, Fernsehproduzent – und darüber hinaus immer auf der Suche nach Kooperationsmöglichkeiten und Gesprächspartnern. Anselm Kiefer ist einer der bedeutendsten Maler der Gegenwart. Kluge und Kiefer sind jeder für sich ein Ereignis. Jetzt haben die beiden gemeinsam ein Buch publiziert mit dem ungewöhnlichen Titel "Klugheit ist die Kunst, unter verschiedenen Umständen getreu zu blieben."

In dieser Folge von »Dichtung & Wahrheit« gibt Alexander Kluge Einblick in seine kreative Welt, in der Literatur, Film und Musik miteinander verschmelzen. Im Gespräch mit Silke Hohmann erklärt der preisgekrönte Autor und Filmemacher, warum er in der Kunst immer den »siebenjährigen Geist« bewahrt und welche Bedeutung Humor und Zorn für ihn haben. Für Kluge ist Kunst stets von einem Verständnis geprägt, das über Logik hinausgeht – einem »Verstand des Herzens« und einer Begeisterungsfähigkeit, die ein Zusammenspiel unterschiedlichster Ausdrucksformen und selbst das Heranziehen moderner Technik wie KI erlaubt. Kluge spricht auch über seine tiefen künstlerischen Verbindungen zu anderen Künstler:innen wie Katharina Grosse, Anselm Kiefer und Helge Schneider und beschreibt, wie Kunst zu einem Ort wird, an dem Begegnung und Nahtstellen etwas Neues erschaffen. Eine inspirierende Folge, die – ganz in Klugescher Manier – das Potenzial der Vielfalt und die Magie der kreativen Kooperation thematisiert.Wer uns bis zum 13.11.24 verrät, welche Autorin oder welchen Autor er oder sie gerne in den kommenden Podcasts hören würde, hat die Chance, eins von drei Exemplaren von Alexander Kluges und Anselm Kiefers neuem Buch »Klugheit ist die Kunst, unter verschiedenen Umständen getreu zu bleiben« zu gewinnen. Weitere Informationen zur Teilnahme gibt es Im Podcast.Das Buch zur Folge:»Klugheit ist die Kunst, unter verschiedenen Umständen getreu zu bleiben« von Alexander Kluge und Anselm Kiefer Hosted on Acast. See acast.com/privacy for more information.

Nederland herbergt een schat aan hedendaagse kunst, vaak ‘verborgen' in privéverzamelingen. Vanaf 18 september 2024 brengt Singer Laren een selectie van deze kunstwerken samen in My World. De tentoonstelling biedt een inkijk in enkele van de belangrijkste particuliere Nederlandse collecties met internationale hedendaagse kunst van topkwaliteit. Er is werk te zien uit alle windstreken van onder anderen Yayoi Kusama, Charles Avery, Ai Weiwei, Zanele Muholi, Marlene Dumas en Anselm Kiefer. De tentoonstelling is samengesteld door kunstcriticus en curator Hans den Hartog Jager en belicht de wereld die een kunstverzamelaar opbouwt en zich steeds verder uitbreidt. Annemieke Bosman gaat met Hans in gesprek.

Pocas ciudades en el mundo tienen la historia de Berlín. No sólo por sus diversas situaciones geopolíticas, sino por la historia artística que alberga. Recorriendo sus calles, constatamos dicha historia contemplando sus monumentos, sus cicatrices, sus estaciones de metro, sus museos… Berlín siempre ha sido un lugar de refugio, cambios, reflexiones e interacciones con el arte y sus movimientos que marcaron épocas y etapas. El Arte en Berlín: Un Viaje por la Vanguardia y la Historia Berlín, la capital de Alemania, es un crisol cultural donde convergen la historia y la modernidad en una de las escenas artísticas más dinámicas de Europa. Desde las épocas gloriosas del arte clásico hasta la turbulencia del siglo XX y la constante reinvención del presente, Berlín ofrece un recorrido único para los amantes del arte. Este artículo explora las diversas facetas del arte en Berlín, desde sus icónicos museos hasta sus vibrantes galerías contemporáneas y el impacto de su tumultuosa historia. Un Epicentro Histórico del Arte Europeo Berlín ha sido un bastión del arte europeo desde hace siglos, pero su importancia como capital cultural creció especialmente durante el siglo XIX, cuando la ciudad se convirtió en un centro intelectual y artístico bajo el Imperio Alemán. La Isla de los Museos (Museumsinsel), ubicada en el río Spree, es el testimonio más tangible de esta época dorada. Este complejo de museos es Patrimonio de la Humanidad por la UNESCO y alberga algunos de los tesoros más importantes del arte mundial. Entre sus cinco museos principales, destacan: 1. El Museo de Pérgamo (Pergamonmuseum): Famoso por su colección de arte antiguo, alberga piezas monumentales como el Altar de Pérgamo y la Puerta de Ishtar de Babilonia. Este museo es una visita imprescindible para quienes deseen explorar las raíces del arte antiguo y sus conexiones con la modernidad. 2. La Galería Nacional Antigua (Alte Nationalgalerie): Se especializa en obras del Romanticismo alemán, el Impresionismo y el Clasicismo. Aquí es posible contemplar obras maestras de Caspar David Friedrich, Claude Monet y Édouard Manet. 3. El Museo Bode: Reconocido por su colección de escultura y arte bizantino, además de su amplia galería numismática. Estas instituciones ofrecen un vistazo a los fundamentos clásicos y antiguos del arte, en contraste con el Berlín contemporáneo, marcado por su inclinación hacia la vanguardia y el arte experimental. El Arte en el Siglo XX: Expresionismo, Guerra y Renacimiento El siglo XX fue un período de transformaciones dramáticas para Berlín, y estas se reflejan poderosamente en su arte. A comienzos de siglo, la ciudad fue cuna del Expresionismo Alemán, un movimiento que rompió con las convenciones tradicionales del arte al enfocarse en emociones crudas y subjetivas. Artistas como Ernst Ludwig Kirchner, Emil Nolde y Käthe Kollwitz retrataron una ciudad vibrante y angustiada, marcada por la rápida industrialización y las tensiones sociales. La devastación causada por la Segunda Guerra Mundial dejó cicatrices imborrables tanto en la ciudad como en su escena artística. Tras la guerra, Berlín quedó dividida en dos: Oriente bajo la influencia soviética y Occidente bajo la tutela occidental. Este periodo vio el surgimiento de un Berlín Oriental marcado por el arte de la propaganda, mientras que Berlín Occidental se convirtió en un punto focal del arte experimental. El Muro de Berlín, que dividió la ciudad entre 1961 y 1989, no solo simbolizó la separación política, sino también la separación artística. Sin embargo, su caída en 1989 marcó un renacimiento cultural sin precedentes. Las paredes del muro, antes emblema de la represión, se transformaron en lienzos para artistas callejeros de todo el mundo, lo que dio lugar a la East Side Gallery, el tramo más largo del muro aún en pie, convertido en una galería al aire libre. Berlín Contemporáneo: Una Ciudad Vanguardia Tras la reunificación de Alemania, Berlín ha experimentado un auge cultural que la ha consolidado como uno de los principales centros del arte contemporáneo. Hoy, la ciudad alberga más de 400 galerías, lo que la convierte en un lugar de peregrinación para coleccionistas y aficionados al arte. Algunos de los espacios más importantes del arte contemporáneo incluyen: • Hamburger Bahnhof – Museo de Arte Contemporáneo: Un antiguo depósito de trenes convertido en museo, que alberga obras de artistas tan influyentes como Andy Warhol, Joseph Beuys y Anselm Kiefer. Este museo se ha convertido en uno de los epicentros del arte moderno en Berlín. • Berlinische Galerie: Este museo está dedicado al arte moderno desde principios del siglo XX hasta la actualidad, con un enfoque en el arte de Berlín. A menudo presenta exposiciones sobre el Expresionismo y la Bauhaus, dos movimientos estrechamente ligados a la historia artística de la ciudad. • KW Institute for Contemporary Art: KW es un espacio vanguardista conocido por su papel en la fundación de la Bienal de Berlín, uno de los eventos de arte más influyentes de Europa. Aquí, los visitantes pueden explorar lo último en arte experimental, performances y multimedia. El Arte Urbano: Berlín como Lienzo El arte callejero y el graffiti son partes fundamentales de la identidad visual de Berlín. A lo largo de los años, las calles de la ciudad han sido ocupadas por artistas locales e internacionales, que han transformado los muros grises en vibrantes murales llenos de expresión política y social. Distritos como Kreuzberg y Friedrichshain se han convertido en epicentros de este arte urbano, donde nombres como Blu, El Bocho y Victor Ash han dejado su huella. El RAW Gelände, un complejo industrial abandonado, es otro de los puntos clave para quienes buscan explorar el arte callejero de Berlín. Este espacio al aire libre está lleno de murales, instalaciones artísticas temporales y eventos culturales alternativos, lo que refleja el espíritu de constante transformación de la ciudad. Conclusión: Berlín, Ciudad del Arte sin Límites Berlín es una ciudad donde el pasado y el futuro del arte conviven en una tensión dinámica. Desde los tesoros antiguos de la Isla de los Museos hasta los murales callejeros que desafían las convenciones artísticas, Berlín es un lugar donde cualquier amante del arte puede encontrar inspiración. La ciudad continúa siendo un laboratorio de ideas, donde el arte se reinventa constantemente, en una búsqueda incesante por reflejar la complejidad de la vida urbana y la historia. Para los viajeros y residentes por igual, explorar Berlín es sumergirse en un diálogo continuo entre la tradición y la innovación. Otros temas en el programa: 31:06 Paréntesis 49:29 Lugares míticos 58:36 Axiomas No quiero matarte - Capítulo 2 Puedes leer más y comentar en mi web, en el enlace directo: https://luisbermejo.com/berlin-zz-podcast-06x04 Puedes encontrarme y comentar o enviar tu mensaje o preguntar en: WhatsApp: +34 613031122 Paypal: https://paypal.me/Bermejo Bizum: +34613031122 Web: https://luisbermejo.com Facebook: https://www.facebook.com/ZZPodcast/ X: https://x.com/LuisBermejo y https://x.com/zz_podcast Instagram: https://www.instagram.com/luisbermejo/ y https://www.instagram.com/zz_podcast/ Canal Telegram: https://t.me/ZZ_Podcast Canal WhatsApp: https://whatsapp.com/channel/0029Va89ttE6buMPHIIure1H Grupo Signal: https://signal.group/#CjQKIHTVyCK430A0dRu_O55cdjRQzmE1qIk36tCdsHHXgYveEhCuPeJhP3PoAqEpKurq_mAc Grupo Whatsapp: https://chat.whatsapp.com/FQadHkgRn00BzSbZzhNviThttps://chat.whatsapp.com/BNHYlv0p0XX7K4YOrOLei0

Vincenzo Trione"Armi improprie"Lo stato della critica d'arte in ItaliaJohann & Leviwww.johanandlevi.comNel manifesto l'Antitradizione futurista, pubblicato nel 1913, Apollinaire riserva «mer…de aux critiques». Poco più di cento anni dopo quel j'accuse ha conservato, intatta, la sua forza scandalosa. Dov'è la critica, oggi? Condannata a una lenta eutanasia, è diventata un genere residuale: la figura del critico è stata sostituita da quella del curatore.Eppure, proprio nell'epoca in cui le opere d'arte sono divenute sempre più criptiche, questa pratica legata alle origini della modernità avrebbe un ruolo decisivo. Per non permettere che l'esoterismo e la volatilità di tante esperienze artistiche attuali ci escludano dal piacere. E per creare un sentimento di prossimità nei confronti di creazioni non di rado respingenti.Ma, per avere ancora un senso, la critica non può che ripartire dalle sue ragioni originarie. Rimodulare, attraverso le parole, i segni dipinti. Riaffermare la centralità dell'opera. Raccontare in che modo un quadro è nato e che cosa rappresenta; quali erano gli obiettivi del suo autore; come egli si è formato; che tecniche ha adoperato; che relazioni ha intrattenuto con la società in cui si è trovato ad agire; a quali simboli ha rimandato. E ancora: insegnare a vedere meglio ciò che è in evidenza, ma anche ciò che si nasconde nell'ombra. Infine, non lasciarsi sedurre dal mito dell'eterno cominciamento, per darsi come inquieta storia del presente. E, insieme, come esercizio “parziale, appassionato, politico” (per dirla con Baudelaire).Di questa filosofia, con sensibilità e culture diverse e lontane, si sono fatti interpreti critici come, tra gli altri, Roberto Longhi e Lionello Venturi, Giulio Carlo Argan e Francesco Arcangeli, Cesare Brandi e Filiberto Menna, Giuliano Briganti ed Emilio Villa, Germano Celant e Achille Bonito Oliva, Carla Lonzi e Lea Vergine. All'attualità della loro lezione è dedicato Armi improprie. Che suggerisce un viaggio appassionante tra idee, teorie, libri, articoli, progetti, mostre, esperienze corsare. Disegnando così i contorni di un possibile canone della critica d'arte italiana del XX secolo.Vincenzo TrioneProfessore ordinario di Arte e media e di Storia dell'arte contemporanea presso l'Università IULM di Milano, è Preside della Facoltà di Arti e turismo. È Presidente della Scuola dei beni e delle attività culturali. Collabora al Corriere della Sera. Ha curato mostre in musei italiani e stranieri e il Padiglione Italia della Biennale di Venezia (2015). Direttore dell'Enciclopedia Treccani dell'Arte Contemporanea, è autore di monografie su Apollinaire, Soffici e de Chirico. Tra i suoi libri: Effetto città. Arte cinema modernità (2014), Contro le mostre (con Tomaso Montanari, 2017), L'opera interminabile. Arte e XXI secolo (2019), Artivismo. Arte, politica, impegno (2022), Prologo celeste. Nell'atelier di Anselm Kiefer (2023).IL POSTO DELLE PAROLEascoltare fa pensarewww.ilpostodelleparole.itDiventa un supporter di questo podcast: https://www.spreaker.com/podcast/il-posto-delle-parole--1487855/support.

Palazzo Strozzi is an amazing Renaissance monument, and since the 2006 opening as Fondazione Palazzo Strozzi, it's an destination for blockbuster exhibits with a lean towards contemporary art. In this episode, Erica talks with General Director Arturo Galansino about Palazzo Strozzi, the importance of today's art in Florence, and the mesmerising Fallen Angels show by Anselm Kiefer.   For show notes and more visit Ciao Bella  INSTAGRAM: @ericafirpo TWITTER  @moscerina  

Giovanna Giacomini, psicopedagogista e divulgatrice, nella Giornata Mondiale del Teatro, parla dell'importanza formativa del teatro per bambini e teen-agers; la mostra "Anselm Kiefer. Angeli caduti" a Palazzo Strozzi di Firenze; il libro di racconti "Corpi celesti" di Marco Minoja (Ev editore); Daniela Nicolò (Motus) introduce i temi della giornata di protesta pubblica "Vogliamo tutt'altro", a cui aderiscono decine di lavoratrici e lavoratori del teatro a Bologna e Roma...

Welcome to the Psychedelic Conversations Podcast! Episode 112: In this episode, we delve into the world of Visionary Art with the renowned painter and sculptress, Martina Hoffmann. We discuss Martina's unique journey from her childhood in Cameroon and Germany to her pivotal encounters with psychedelic substances and visionary experiences that deeply influence her art. Martina shares insights into her artistic process, highlighting her work's focus on feminine divine, spirituality, and the intimate connection between expanded states of consciousness and creativity. She also reflects on her collaborations with visionary artists and mentors, including Robert Venosa and Stanislav Grof. This conversation offers a profound look into the life and work of a central figure in Contemporary Visionary Art, exploring the intersections of art, spirituality, and psychedelics. About Martina: German-born, Martina Hoffmann partially grew up in Cameroon, West Africa. She studied art education with Professor Kiefer (father of Anselm Kiefer) and sculpting with Professor Spelmann at the Johann Wolfgang Goethe University in Frankfurt/Main, Germany. During this time she also met the Fantastic Realist, Robert Venosa, and greatly inspired by his work, began her work as a painter. During their 30 year relationship they closely worked together, taught workshops worldwide and shared studios, both in the US as well as in Europe. Today Martina Hoffmann works as a painter and sculptress and remains a central figure in contemporary Visionary Art. Her paintings offer the viewer a detailed glimpse into her inner landscapes - imagery that has been inspired by expanded states of consciousness. Her Visionary Realism is decidedly feminine and places the ‘Universal Woman' in an intimate cosmos. The artist has spoken on behalf of art and culture at events and conferences such as 'Estados Modificados De Consciencia', Universiity of Cuernavaca Mexico, 'Chimeria', France, and the 'The Promethean Impulse' at the HR Giger Museum in Switzerland, et. al.. Connect with Martina: Website: https://www.martinahoffmann.com Twitter: https://twitter.com/artbird2013 Instagram: https://www.instagram.com/martina_hoffmann_art LinkedIn: https://www.linkedin.com/in/martina-hoffmann-aa88452/ Facebook: https://www.facebook.com/MartinaHoffmannFineArt?ref=ts&fref=ts Robert's Website: https://www.venosa.com Pascal's Website: https://www.pascalferry.com Please also take note of her VIVA pages, representing the private collection of art by Robert Venosa, Martina Hoffmann & Pascal Ferry. With over 350 pieces of paintings, drawings, book illustrations, sculpture, and the planning of a future museum/gallery space: https://www.martinahoffmann.com/viva Thank you so much for joining us! Psychedelic Conversations Podcast is designed to educate, inform, and expand awareness. For more information, please head over to https://www.psychedelicconversations.com This show is for information purposes only, and is not intended to provide mental health or medical advice. About Susan Guner: Susan is a trained somatic, trauma-informed holistic psychotherapist with a mindfulness-based approach grounded in Transpersonal Psychology that focuses on holistic perspective through introspection, insight, and empathetic self-exploration to increase self-awareness, allowing the integration of the mind, body and spirit aspects of human experience in personal growth and development. Connect with Susan: Website: https://www.psychedelicconversations.com/ Facebook: http://www.facebook.com/susan.guner LinkedIn: https://www.linkedin.com/in/susan-guner/ Instagram: http://www.instagram.com/susanguner Twitter: http://www.twitter.com/susanguner Blog: https://susanguner.medium.com/ Podcast: https://anchor.fm/susan-guner

Zoals trouwe luisteraars ondertussen wel weten, passeert er geen vakantie zonder verhalen. Zo heeft Andries er de afgelopen week een cultureel tripje in Den Haag op zitten en scoorde Marijke dan weer haar peperdure AC/DC tickets en Alex..wel die reisde helemaal naar Tenerife om terug te komen met een gebruinde huid én ook wel een celebrity reality check.

He's worked with the greatest names in music and the arts – now legendary photographer Anton Corbijn turns the Lamborghini Revuelto into a rock star. His portfolio boasts iconic images of David Bowie, Miles Davis, Joy Division, Bruce Springsteen, Tom Waits, PJ Harvey, Anselm Kiefer… and the list goes on.  Beyond portraiture, he's played a pivotal role in shaping the visual and creative identity of Depeche Mode and U2.  During a shoot spread over two days in the Dolomite mountains, Corbijn channelled 50 years of experience and vision into a subject he's less well-known for: an automobile.

This is an odd duck of an episode. I intended it to be a review of H of H Playbook by Anne Carson. It turned into a bit of a ramble about Anselm Kiefer, Heracles, the Vulnerability Journal Project, and a walk between darkness and light. I'd love to hear what you think. You can email me at vulnerabilitylifeart@gmail.com Anne Carson is a Canadian classicist, poet, translator, and professor. She has written a wide range of books, including Eros the Bittersweet and Men in the Off Hour. Anselm Kiefer is a German painter and sculptor who has been creating monumental work throughout his career to ensure our collective history is not forgotten.

Vincenzo Trione"Prologo celeste"Nell'atelier di Anselm KieferEinaudi Editorewww.einaudi.itAtelier come fucina creativa, laboratorio scientifico, antro alchemico, biblioteca, archivio personale, wunderkammer, dispositivo, poligono, piccola città in cui l'immaginazione diventa pensiero e gesto. Tra i massimi artisti contemporanei, Anselm Kiefer è riuscito a fare qualcosa che, per grandiosità e ambizione, ha pochi paragoni: dando voce a una profonda vocazione epica, ha trasformato i suoi studi, gli spazi in cui materialmente crea quadri e sculture, in opere d'arte interminabili. In un libro unico, arricchito da piú di settanta fotografie (molte delle quali dello stesso Kiefer), Vincenzo Trione visita questi luoghi misteriosi e inaccessibili come un pellegrino incantato, accompagnando il lettore in un privilegiato itinerario nella mente-atelier dell'artista.A Barjac e Croissy, in Francia, Kiefer ha costruito da solo musei-laboratori-archivi-città dove, come un moderno Prospero, plasma e rende reali le sue visioni. Tra torri simili ai celebri Sette Palazzi Celesti e catacombe scavate nella roccia, tra teatri che ricordano quelli della Grecia antica e hangar adibiti per mostre ipotetiche, Kiefer ha allestito autentiche cosmogonie che sembrano mimare i meccanismi della mente. In esse, gli incubi del ventesimo secolo si affiancano a illuminazioni di futuri alternativi. È difficile descrivere a chi non li ha visitati cosa siano questi luoghi, la potenza che ingabbiano, la debordante varietà di materiali che custodiscono. E sono pochi quelli che li hanno abitati: tra loro, Vincenzo Trione che, con Prologo celeste, scrive un libro unico, arricchito da piú di settanta immagini (molte delle quali dello stesso Kiefer). Come un viaggiatore curioso e sebaldianamente divagante, capace di porre in risonanza la storia dell'arte del Novecento con la filosofia, la mistica, la letteratura e la scienza, Trione fa emergere le infinite suggestioni sottese alle opere. Ci consegna cosí un originale racconto critico in cui accompagna il lettore dentro gli atelier in un vero viaggio alchemico. Animato da una vocazione epica, Kiefer, di volta in volta, si fa Prometeo, Efesto e Sisifo. Sono, queste, le tre grandi figure del mito che, come in una costellazione, orientano un'indimenticabile traversata dei cieli di Anselm Kiefer.Vincenzo Trione è professore ordinario di Arte e media e di Storia dell'arte contemporanea presso l'Università IULM di Milano, dove è Preside della Facoltà di Arti e turismo. È Presidente della Scuola dei beni e delle attività culturali. Collabora al «Corriere della Sera». Ha curato mostre in musei italiani e stranieri e il Padiglione Italia della LVI Biennale di Venezia (2015). Direttore dell'Enciclopedia Treccani dell'Arte Contemporanea, ha curato l'edizione critica di volumi di Alberto Savinio, Roberto Longhi, Mimmo Rotella e Umberto Eco. È autore dei seguenti libri: Il poeta e le arti. Apollinaire e il tempo delle avanguardie (1999), Dentro le cose. Ardengo Soffici critico d'arte (2001), Atlanti metafisici. Giorgio de Chirico. Arte, architettura, critica (2005), Giorgio de Chirico. Le città del silenzio: architettura, memoria, profezia (2009), Effetto città. Arte cinema modernità (2014, Premio Roma, Premio-giuria Viareggio) e, da Einaudi, Contro le mostre (con Tomaso Montanari, 2017), L'opera interminabile. Arte e XXI secolo (2019, Premio-giuria Viareggio), Artivismo. Arte, politica, impegno (2022, Premio-giuria Viareggio) e Prologo celeste. Nell'atelier di Anselm Kiefer (2023).IL POSTO DELLE PAROLEascoltare fa pensarewww.ilpostodelleparole.itDiventa un supporter di questo podcast: https://www.spreaker.com/show/tracce-di-il-posto-delle-parole_1/support.

Analizamos a fondo la figura y la obra de este pintor con fama internacional y querido por todas las instituciones del arte oficial.

Original Air Date: Monday 8 January, 9 pm Eastern Description: Last week, Dean and Phil said hello to 2024 and said goodbye to "Season 3" by welcoming a special guest and discussing their creative intentions for the year. This weekend, Dean and Phil got together in the nation's capital to get "Season 4" underway by swapping stories about art galleries, historic battlefields, historic D.C. clubs, the James Webb Space Telescope, New Jersey restaurants, Wim Wenders and his 3D documentary about the artist Anselm Kiefer, and a whole lot more. A whole lot of laughs ensue!

This week we're excited to present a conversation with Anselm director Wim Wenders moderated by filmmaker Michèle Stephenson. Anselm is now playing at Film at Lincoln Center, in stunning 3D! Get tickets at filmlinc.org/anselm Oscar-nominated director Wim Wenders traces the life of Anselm Kiefer, one of the most innovative and influential fine artists working today. For more than five decades, Kiefer's paintings and sculptures have confronted his native Germany's dark past through a vast network of cultural references in a dazzling mixture of 35mm and 16mm film stocks, with a distinctive focus on physical elements: from lead, glass, and textiles to found and incinerated organic matter. As he did for his sublime portrait of Pina Bausch in 2011, Wenders employs groundbreaking stereoscopic cinematography to transport us to key chapters of Kiefer's early life in post-Nazi Germany and throughout his 100-acre studio in France. Anselm, which debuted at this year's Cannes Film Festival, is a portrait of an artist at work like you've never seen before—an indelible visual experience and a vivid tour of Kiefer's imposing yet intricately textured works. A Sideshow/Janus Films release.

Wim Wenders ist einer der bedeutendsten deutschen Filmemacher, auf seiner langen Filmliste stehen unter anderem Buena Vista Social Club, Der Himmel über Berlin, Pina, Das Salz der Erde und seit diesem Jahr “Anselm”, eine Dokumentation über den Künstler Anselm Kiefer sowie “Perfect Days”. “Perfect Days” ist einer meiner Lieblingsfilme, weil er es geschafft hat, dass ich, nachdem ich den Film gesehen habe, mein Leben verändern wollte - und das auch ein bisschen geschafft habe. Wie sehr das bei Wim selbst geklappt hat, darüber sprechen wir in dieser Folge. Außerdem geht es um gefährliche Erfolgsrezepte, um künstlerische Lebensweisen und um Wims Vorliebe für Po-Duschen. Wir haben über den Kern von Erzählungen gesprochen, über Intellektualität und Bauchgefühl. Und darüber, wieso Wim überhaupt kein Ferien-Mensch ist. Und für alle, die sich wundern: Ja, Wim ist in diesem Jahr innerhalb von nur anderthalb Monaten zum zweiten Mal im Hotel Matze, weil wir nach seinem ersten Besuch gemerkt haben, dass die Zeit nicht ausgereicht hat - und ein zweites Kapitel zusammen aufnehmen wollten. Aber ich vermute, dass auch dieser zweite Besuch nicht der letzte gewesen sein wird. Es war - mal wieder - ein schönes, philosophisches und aufschlussreiches Gespräch. WERBEPARTNER & RABATTE: https://linktr.ee/hotelmatze MEIN GAST: https://wim-wenders.com/ DINGE: Filme, um die es im Gespräch geht: In weiter Ferne so nah - https://youtube.com/watch?v=59eVhBnArrc The Million Dollar Hotel - https://youtube.com/watch?v=nujV8doNoXY Bis ans Ende der Welt - https://youtube.com/watch?v=qYqGHxtp9VQ (alle von Wim) und sein Lieblingsfilm The Big Sleep - https://youtube.com/watch?v=n-K49CUaeto MITARBEIT: Redaktion: Lena Rocholl Mix & Schnitt: Maximilian Frisch MEIN ZEUG: Mein neues Buch: https://bit.ly/3cDyQ18 Die Hotel Matze Suite bei Apple: https://apple.co/3DTfsFb Die Hotel Matze Suite bei Spotify: https://bit.ly/3J7OLjJ Wunschgäste bitte in die Kommentare: https://apple.co/2RgJVH6 Mein Newsletter: https://matzehielscher.substack.com/ TikTok: https://tiktok.com/@matzehielscher Instagram: https://instagram.com/matzehielscher LinkedIn: https://linkedin.com/in/matzehielscher/ YouTube: https://bit.ly/2MXRILN Twitter: https://twitter.com/hotelmatze1 Mein erstes Buch: https://bit.ly/39FtHQy Mein Fragenset: https://beherzt.net/matze

German filmmaker Wim Wenders is a cinematic legend who has given us many classic films, including "Paris, Texas," "Wings Of Desire," "Until the End of the World," "Buena Vista Social Club," "Pina," "The Salt of the Earth," this year's "Perfect Days" and now, his latest documentary "Anselm." Shot in stunning 3D, the look at German painter and sculptor Anselm Kiefer's works of art is striking in its form and execution by Wenders. The Academy Award-nominated director was kind enough to spend some time talking with us about his latest film, which you can listen to below. The film will receive a limited release from Janus Films this weekend in New York and is up for your consideration for Best Documentary Feature Film. Please be sure to check out the film and take a listen below. Thank you, and enjoy! Check out more on NextBestPicture.com Please subscribe on... SoundCloud - https://soundcloud.com/nextbestpicturepodcast Apple Podcasts - https://itunes.apple.com/us/podcast/negs-best-film-podcast/id1087678387?mt=2 Spotify - https://open.spotify.com/show/7IMIzpYehTqeUa1d9EC4jT YouTube - https://www.youtube.com/channel/UCWA7KiotcWmHiYYy6wJqwOw And be sure to help support us on Patreon for as little as $1 a month at https://www.patreon.com/NextBestPicture Learn more about your ad choices. Visit megaphone.fm/adchoices

Fred D'Aguiar discusses the life and poetry of Benjamin Zephaniah, whose death was announced today.Tom Sutcliffe reviews Wim Wenders' film about the artist Anselm Kiefer and the BBC's adaptation of Enid Blyton's The Famous Five, with film critic Leila Latif and children's author Candy Gourlay. Which is the standout Christmas TV advert this year? Tom discusses the art of selling Christmas with Matt Gay, creative director of several high-profile John Lewis ads and media journalist Liz Gorny.Presenter: Tom Sutcliffe Producer: Ciaran Bermingham

Both were born in 1945 in Germany during the last year of WWII. Both became giants of the modern German art movement: Anselm Kiefer as a painter and sculptor; Wim Wenders as a filmmaker whose landmark films include “Wings of Desire”, “Paris, Texas” and “The American Friend”. The two had met in 1991 and discussed the possibility of doing a film together, but it wasn't until the two collaborated on Wenders' new 3-D documentary “Anselm” that the stars were finally aligned.   Joining Ken on the pod, Wenders paints a picture of this monumental artist whose vast studio spaces are as much works of art as the paintings and sculptures that are housed there. For Wenders, what makes working in 3-D such a crucial element in immersing the audience in these dynamic environments? How has Wenders incorporated elements of fiction into his documentaries and vice versa? And why is it so important to him to create a portrait of the art rather than of the artist? It may have taken over 75 years for these two legendary artists to work together, but the payoff was well worth waiting for.   Hidden Gem: “Reality Winner”   “Anselm” is released by Sideshow and Janus Films and opens in LA in 3-D at the Laemmle Glendale on December 15.   Follow: @wimwendersfoundation on Instagram and @wimwenders on twitter @topdocspod on Instagram and twitter   The Presenting Sponsor of "Top Docs" is Netflix.

durée : 00:52:38 - Grand Canal - par : Eva Bester - L'artiste plasticien Anselm Kiefer présente « Anselm Kiefer : la photographie au commencement », l'exposition qui lui est dédiée à l'occasion du 40ème anniversaire du LaM à Lille. Kiefer revient avec sur son œuvre, qu'il brûle parfois, en compagnie de sa solitude, de son cosmos et de Lou Reed.

Wim ist einer der bedeutendsten deutschen Regisseure und außerdem Fotograf. Er selbst würde sich allerdings zuallererst als einen Reisenden beschreiben. Im Jahr 1974 - also vor jetzt beinahe 50 Jahren - gelang ihm mit dem Film “Alice in den Städten” der künstlerische Durchbruch - und seit den 1980er Jahren ist Wim Wenders international bekannt, um nicht zu sagen “weltberühmt”. Weitere prägende Filme von ihm sind beispielsweise “Paris, Texas” und “Der Himmel über Berlin”. Dieses Jahr erschien seine 3D-Dokumentation “Anselm - Das Rauschen der Zeit”, in der er den Künstler Anselm Kiefer porträtiert - sowie der Film “Perfect Days” über das Leben eines Toilettenreinigers in Tokio. Ich wollte von Wim wissen, wie seine Definition von Kunst aussieht und welche Bedeutung sie für ihn hat, wir haben über die Kraft von Bildern gesprochen, über den tieferen Sinn des Filmemachens, über Ideen und Entdeckungsreisen. WERBEPARTNER & RABATTE: https://linktr.ee/hotelmatze MEIN GAST: https://wim-wenders.com/ DINGE: Filme, die im Gespräch vorkommen: Der scharlachrote Buchstabe, Alice in den Städten, Buena Vista Social Club, Paris,Texas, Das Salz der Erde, Anselm - Das Rauschen der Zeit, Perfect Days Wim Wenders reveals his 50 golden rules of filmmaking - https://faroutmagazine.co.uk/wim-wenders-50-filmmaking-rules/ MITARBEIT: Redaktion: Torben Becker Mix & Schnitt: Maximilian Frisch Musik: Jan Köppen & Andi Fins MEIN ZEUG: Mein neues Buch: https://bit.ly/3cDyQ18 Die Hotel Matze Suite bei Apple: https://apple.co/3DTfsFb Die Hotel Matze Suite bei Spotify: https://bit.ly/3J7OLjJ Wunschgäste bitte in die Kommentare: https://apple.co/2RgJVH6 Mein Newsletter: https://matzehielscher.substack.com/ TikTok: https://tiktok.com/@matzehielscher Instagram: https://instagram.com/matzehielscher LinkedIn: https://linkedin.com/in/matzehielscher/ YouTube: https://bit.ly/2MXRILN Twitter: https://twitter.com/hotelmatze1 Mein erstes Buch: https://bit.ly/39FtHQy Mein Fragenset: https://beherzt.net/matze

durée : 00:17:16 - L'interview de 9h20 - par : Léa Salamé - Léa Salamé reçoit le peintre et plasticien Anselm Kiefer à l'occasion de la sortie en salles du documentaire "Anselm, le bruit du temps" de Wim Wenders et de l'exposition "Anselm Kiefer. La photographie au commencement", au LaM de Lille (jusqu'au 3 mars).

durée : 02:58:29 - Le 7/10 - par : Nicolas Demorand, Léa Salamé, Sonia Devillers, Anne-Laure Sugier - Au programme du 7/10 : Mathilde Panot, présidente du groupe LFI-NUPES à l'Assemblée nationale, Le banquier d'affaires Matthieu Pigasse, un débat suite à la visite de Joe Biden au Proche-Orient, le peintre et plasticien Anselm Kiefer et l'influenceur Thomas Goldberg.

Mit Asche, Blei und getrockneten Blumen spürt der Künstler Anselm Kiefer seit mehr als 50 Jahren der deutschen Geschichte nach. Wim Wenders hat einen Film über sein zum Teil kontrovers diskutiertes Werk gemacht. Hier entlang geht's zu den Links unserer Werbepartner: https://detektor.fm/werbepartner/kunst-und-leben >> Artikel zum Nachlesen: https://detektor.fm/kultur/monopol-podcast-anselm-kiefer

Filmmaker Wim Wenders premiered two new films at Cannes this year — Anselm, a 3-D, cutting edge documentary about the contemporary German painter and sculptor Anselm Kiefer, and Perfect Days, a quiet, meditative film about a toilet cleaner in Kyoto who who drives from job to job, listening to music on cassettes — Patti Smith, the Kinks, Lou Reed… Ernst Wilhelm “Wim” Wenders, filmmaker, playwright, author, photographer, is a major figure in New German Cinema and global cinema. His films include Paris, Texas, Wings of Desire, The American Friend, Alice in the Cities, Kings of the Road, Buena Vista Social Club, Pope Francis: A Man of His Word, Pina, Until the End of the World, and many more. In honor of Wim and his extraordinary work, this story, from our Keepers series chronicles the filmmaker's life and inspirations. In our interview with Wim he told us about the impact Henri Langlois and the Cinémathèque Française had on his own filmmaking, about Lotte Eisner, Werner Herzog, and much more. Produced by Vika Aronson and The Kitchen Sisters. Mixed by Jim McKee. Special thanks to Tom Luddy, Robb Moss, Homi Bhabha, Haden Guest, Sophia Hoffinger, Brandi Howell and Nathan Dalton. And most of all, to Wim Wenders who has inspired us across the years.

Francesca Gavin joins Robert Bound to review German artist Anselm Kiefer's new exhibition at White Cube Bermondsey, ‘Finnegans Wake'. Plus: we meet the curators behind a new exhibition in which all is not as it seems.See omnystudio.com/listener for privacy information.

To kick off our mini-season of conversations taped on location at the 2023 Cannes film festival, host Rico Gagliano meets up with legendary director Wim Wenders (Buena Vista Social Club; Paris, Texas). The subject of their conversation: Wenders' new 3D documentary Anselm, which plunges the audience into the work of German fine artist Anselm Kiefer.  Wenders explains why he loves making art about artists, and how Kiefer's dark, often confrontational pieces... are actually childlike.Every May, the population of sleepy Cannes, France triples — as film pros and cinephiles from around the globe convene for the two-week movie-thon called the Cannes Film Festival.  For the fourth season of the MUBI Podcast, we sent host Rico Gagliano into the eye of this celluloid storm, accompanied by an intrepid camera crew, to grab interviews with a cross-section of filmmakers who made Cannes 2023 one of the most celebrated in years.  Guests include legendary director Wim Wenders, perennial Cannes favorites Kleber Mendonca Filho and Monia Chokri, and a slew of new filmmakers destined to be world cinema's next wave — from Belgian hip-hopper-turned-auteur Baloji to New York's wry boundary-smasher Joanna Arnow.Episodes air twice weekly.  Follow and watch on Spotify or Youtube... or listen wherever you get your podcasts.MUBI is a global streaming service, production company and film distributor dedicated to elevating great cinema. MUBI makes, acquires, curates, and champions extraordinary films, connecting them to audiences all over the world. A place to discover ambitious new films and singular voices, from iconic directors to emerging auteurs. Each carefully chosen by MUBI's curators.

On this week's episode of Time Sensitive—our first of Season 7—Chicago-based artist Nick Cave talks about his career-spanning retrospective, “Forothermore,” currently on view at the Guggenheim (through April 10), which takes over three floors and features installation, video works, and sculpture, including recent iterations of his famous Soundsuits; his improvisational approach to work and life; how his art seeks to find brightness in darkness; and what the world might be like if everyone sat in silence for an hour each day.Special thanks to our Season 7 sponsor, L'ÉCOLE, School of Jewelry Arts.Show notes: [00:30] Nick Cave[16:43] Facility[16:57] Bob Faust[16:59] Jack Cave[20:53] “TM13” (2015)[25:16] “Forothermore”[25:20] Naomi Beckwith[29:53] “Time and Again” (2000)[33:18] “Gestalt” (2012)[33:19]  “Blot” (2012)[36:21] “Sea Sick” (2012)[43:44] Anselm Kiefer[53:11] “Made by Whites for Whites”[55:38] Claudia Rankine[55:53] Reginald Dwayne Betts

“I think history and tradition are super important, and this is the point because each generation is sort of translating to the next one. There is almost never a gap. So each generation is in a way interpreting and hopefully also adding something to what is transmitted and continued. And so this is why I think the younger generations now have tools that we didn't have at their age. They are probably able to interpret. And now we go back to the whole discussion about the necessity for sustainability and attention to social and environmental injustice. They probably have a vision or perspectives that we don't have. So in a way, in this transmission, we should be able to learn from them too.”Manuela Lucá-Dazio is the newly appointed Executive Director of the Pritzker Architecture Prize. In this capacity, she works closely with the jury, however, she does not vote in the proceedings. She is the former Executive Director, Department of Visual Arts and Architecture of La Biennale di Venezia, where she managed exhibitions with distinguished curators, architects, artists, and critics to realize the International Art Exhibition and the International Architecture Exhibition, each edition since 2009. Preceding that, she was responsible for the technical organization and production of both Exhibitions, beginning in 1999. She holds a PhD in History of Architecture from the University of Roma-Chieti, Italy and lives in Paris, France.www.pritzkerprize.com www.pritzkerprize.com/jury#jury-node-2236 www.labiennale.org/enPhoto credits: Anselm Kiefer, Sylviane Sarfatiwww.creativeprocess.info www.oneplanetpodcast.org IG www.instagram.com/creativeprocesspodcast

“I think we have become quite disconnected. We should become more connected to rethink how to communicate and how to learn from the past. And how to use this incredible cultural heritage that we have and how to make it alive and how to translate it into our own times. We want to expand the tools. So maybe to become a little bit more open and imaginative in creating bridges between different fields of knowledge, different methods of teaching and learning, and different ways to transmit knowledge.We should all learn to be sustainable in our daily life and find the beauty in what proves to be sustainable. And we really need to start shifting our way of looking at things because sometimes sustainability, which is a priority right now, doesn't really coincide with let's say the cheapest solution or the best economical solution. But we have to decide our priorities. So the priority now is sustainability. We have to start to think about that. If I think back to the most recent winners of the Pritzker Architecture Prize, I can see a lot of really groundbreaking innovative practices being brought to the forefront.”Manuela Lucá-Dazio is the newly appointed Executive Director of the Pritzker Architecture Prize. In this capacity, she works closely with the jury, however, she does not vote in the proceedings. She is the former Executive Director, Department of Visual Arts and Architecture of La Biennale di Venezia, where she managed exhibitions with distinguished curators, architects, artists, and critics to realize the International Art Exhibition and the International Architecture Exhibition, each edition since 2009. Preceding that, she was responsible for the technical organization and production of both Exhibitions, beginning in 1999. She holds a PhD in History of Architecture from the University of Roma-Chieti, Italy and lives in Paris, France.www.pritzkerprize.com www.pritzkerprize.com/jury#jury-node-2236 www.labiennale.org/enPhoto credits: Anselm Kiefer, Sylviane Sarfatiwww.creativeprocess.info www.oneplanetpodcast.org IG www.instagram.com/creativeprocesspodcast

“There are a lot of women who influenced my life, starting with my mother. My mother is of those women who managed the house, our lives, our family. And she's still there with incredible intelligence, curiosity...She reads, and sometimes I have conversations with her about themes that relate to the Biennale, to art, to architecture, and I'm always surprised. How can she know all this? And sometimes there are even things that maybe I, I knew quite confidentially in my job, and I said, 'How did you get to know that? This is not public?' She said, 'Well, I read this in this newspaper, this in the other, and then I put the things together. It's quite clear.' You know, women have this power to analyze, to observe, then to elaborate, and act. I think history and tradition are super important, and this is the point because each generation is sort of translating to the next one. There is almost never a gap. So each generation is in a way interpreting and hopefully also adding something to what is transmitted and continued. And so this is why I think the younger generations now have tools that we didn't have at their age. They are probably able to interpret. And now we go back to the whole discussion about the necessity for sustainability and attention to social and environmental injustice. They probably have a vision or perspectives that we don't have. So in a way, in this transmission, we should be able to learn from them too.”Manuela Lucá-Dazio is the newly appointed Executive Director of the Pritzker Architecture Prize. In this capacity, she works closely with the jury, however, she does not vote in the proceedings. She is the former Executive Director, Department of Visual Arts and Architecture of La Biennale di Venezia, where she managed exhibitions with distinguished curators, architects, artists, and critics to realize the International Art Exhibition and the International Architecture Exhibition, each edition since 2009. Preceding that, she was responsible for the technical organization and production of both Exhibitions, beginning in 1999. She holds a PhD in History of Architecture from the University of Roma-Chieti, Italy and lives in Paris, France.www.pritzkerprize.com www.pritzkerprize.com/jury#jury-node-2236 www.labiennale.org/enPhoto credits: Anselm Kiefer, Sylviane Sarfatiwww.creativeprocess.info www.oneplanetpodcast.org IG www.instagram.com/creativeprocesspodcast

Art history textbooks, so excellent for flattening curled-up rug corners and holding open doors, are expected to tell us the entire story of our civilization, one painting at a time. It's more than any book, even one that weighs a spine-crunching twenty-five pounds, should be expected to do. And it opens our eyes to the way that history is narrated, and taught, and even, it follows, to how paintings are displayed, and museums are curated. So much is touched on; so much is left out. It's too much, and far too little, all at once. Dr. Charlotte Mullins has decided to lean into the brevity, and in doing so, manages to tell us so much more. In her new book, "A Little History of Art," she tells the story of 100,000 years of art history, in, in her words, language akin to a haiku, every word intentionally chosen, every artwork telling its own story. She turns us into time-travelers in a scant 300 pages. We talked about reading art history, teaching art history, writing art history, and much more. Charlotte is the art critic for Country Life and has written for specialist titles and newspapers including the Financial Times, Telegraph, Independent on Sunday, RA Magazine, Art in America and Tate Magazine. A former editor of Art Quarterly, V&A Magazine and Art Review, she has appeared on BBC TV arts programmes and is a regular on BBC Radio 4's Front Row and Radio 3's Free Thinking. She is the author of more than a dozen books including a monograph on Rachel Whiteread and A Little Feminist History of Art, both for Tate, and the internationally acclaimed Painting People, and its companion volume Picturing People, both for Thames & Hudson. Music used: The Blue Dot Sessions, "Spark" Rod Stewart, "Every Picture Tells A Story" Episode webpage: https://bit.ly/3ARd17U Charlotte's book: https://amzn.to/3TksKDl Episodes referenced: Anselm Kiefer: https://bit.ly/31gUSwW Sarah Sze: https://bit.ly/3NRnGmr Support the show: www.patreon.com/lonelypalette