Podcasts about san francisco museum

Jessica Walker is a multidisciplinary artist, illustrator, filmmaker, and educator, she is an assistant professor of fine arts at Parsons and has exhibited films, books, and 2D media in solo and group shows in New York, Los Angeles, San Francisco, Boston, and Australia. Her work is housed in the permanent collections at the San Francisco Museum of Modern Art Research Library, Yale University Haas Family Arts Library, and the University of Washington Art Library. Her new book is a debut novel called The Secret Astronomers, published by Viking Books Children's Books. It won the Best YA Book Award at the 2026 Barnes & Noble Children's & YA Book Awards. The award is voted on by Barnes & Noble booksellers nationwide. Listen in as we discuss writing and illustrating a coming of age story that explores how to work through our differences. The QWERTY podcast is brought to you by the book ,The Memoir Project: A Thoroughly Non-Standardized Text for Writing & Life. Read it, and begin your own journey to writing what you know. To learn more, join The Memoir Project free newsletter list and keep up to date on all our free webinars, instructive posts and online classes in how to write memoir, as well as our talented, available memoir editors and memoir coaches, podcast guests and more.

Artists Dru Donovan and Jon Rubin join PhotoWork with Sasha Wolf to share their memories of legendary photographer, artist, and teacher Larry Sultan and discuss the release of Water Over Thunder: Selected Writings (MACK), the first publication devoted to Sultan's wide-ranging use of writing as a personal, artistic, and pedagogical tool, illustrated throughout with previously unseen materials from his archive. Former students, assistants, and friends of Sultan, Donovan and Rubin share personal stories about his approach to photography, teaching, and mentorship, while reflecting on his lasting influence and the privilege of collaborating with his family on this book. Dru Donovan Dru Donovan works with both photography and video to examine the connection between physical and emotional occurrences by constructing or revisiting human experiences. Donovan's work has shown nationally and internationally and was included in reGeneration2: Tomorrow's Photographers Today at the Musée de l'Elysée in Lausanne, Switzerland, and in the 2010 California Biennial at the Orange County Museum of Art, Fraenkel Gallery, Yancey Richardson Gallery, Williamson Knight Gallery and Philadelphia Photo Arts Center. Donovan's photographs were published in Aperture Magazine, Blind Spot, Picture Magazine and Matte Magazine. In 2011 TBW Books published her first book, Lifting Water. In 2011-2012 she participated in the Lower Manhattan Cultural Council's Workspace studio residency. Awards Donovan has received are the John Gutmann Photography Fellowship in 2015 and the John Simon Guggenheim Memorial Foundation Fellowship in 2016. https://drudonovan.com Jon Rubin  Jon Rubin is an interdisciplinary artist who creates collaborative interventions into public life that re-imagine individual, group, and institutional behavior. His socially engaged projects include running a barter-based nomadic art school, founding a national museum, operating a restaurant that produces a live talk show with its customers, and co-directing another that only serves cuisine from countries with which the United States is in conflict. In 2019, with the support from Creative Capital, Rubin built an exact replica of his friend Sohrab Kashani's Tehran apartment so they both could live and work together in a parallel universe that bypassed the Trump travel ban. Rubin has exhibited at the Shanghai Biennial; the San Francisco Museum of Modern Art; the Mercosul Biennial; the Carnegie International; The Lyon Biennale; The Museum of Contemporary Art, Denver; The Museo Tamayo Arte Contemporaneo, Mexico; The Rooseum, Sweden; as well as in backyards, living rooms, and street corners. In 2017 the Solomon R. Guggenheim Museum commissioned a major new work by Rubin and collaborator Lenka Clayton, entitled A talking parrot, a high school drama class, a Punjabi TV show, the oldest song in the world, a museum artwork, and a congregation's call to action circle through New York. With the participation of six diverse venues around New York City, the artists arranged for an essential element from each site—referenced in the project's title—to circulate from one place to the next, creating a six-month network of social and material exchange.  His work has been reported on internationally by outlets including The New York Times, The Associated Press, Art in America, Artforum, The Boston Globe, La Repubblica, Al Jazeera, BBC World News, and NPR's All Things Considered. Conflict Kitchen, Rubin's collaborative seven-year work with artist Dawn Weleski, was named as one of the 100 Artworks that “Defined the Decade” by Artnet News. Rubin is a Professor in the School of Art at Carnegie Mellon University. In 2016 he was awarded an Honorary Doctorate from the Columbus College of Art and Design. https://www.jonrubin.net Larry Sultan Larry Sultan (American photographer, b. Brooklyn, NY, 1946; d. Greenbrae, CA, 2009) was raised in California's San Fernando Valley. His work, heavily influenced by the post-war popular culture of Los Angeles, plays with notions of documentary and staged photography and reveals the psychological nuances found in the everyday suburban landscape and family life. Acclaimed for his use of color and light, Sultan is also known for uniquely collapsing the distance between himself and his subject. His series include Swimmers (1978-82), Pictures from Home (1983-92), The Valley (2004) and Homeland (2006-2009). Sultan co-authored the ground-breaking work, Evidence (1977) with Mike Mandel. A beloved and highly influential educator, Sultan taught at the San Francisco Art Institute from 1978 to 1988 and served as a Distinguished Professor of Photography at California College of the Arts, San Francisco, from 1989 to 2009. Sultan's work has been widely published, exhibited, and collected worldwide including Tate Modern, London; The National Gallery, London; Stedejik Museum, Amsterdam; Musée de l'Elysée, Lausanne; Centre Pompidou, Paris; The National Gallery of Art, Washington DC; Museum of Modern Art, NY; the Metropolitan Museum of Art, NY; Whitney Museum of American Art, NY; the Solomon Guggenheim Museum, NY; Los Angeles County San Francisco Museum of Art, CA; Art Institute of Chicago, IL. Sultan was the recipient of numerous awards, including a Guggenheim Fellowship, US Department of International Arts and Lectures Grant, National Endowment for the Arts Photography Fellowship. Sultan's project Pictures from Home was developed for the stage and premiered on Broadway in 2023. https://www.larrysultan.com

Police Save Kidnapping Victim: The Investigation, Several Arrests, and a Deadly Armed Standoff. Kidnappings may be relatively rare in many parts of the United States, but when they occur, they can quickly become some of the most complicated and dangerous cases police officers investigate. The Law Enforcement Talk Radio Show and Podcast social media like their Facebook , Instagram , LinkedIn , Medium and other social media platforms. For Brian Brady, retired Chief of Police for the Novato Police Department in California, one such investigation began with a violent attack at a tennis club. It developed into the kidnapping of a woman, an intensive police investigation, and several arrests. The Podcast is available for free on the Law Enforcement Talk Radio Show and Podcast website, also on Apple Podcasts, Spotify, YouTube, iHeartradio and most major podcast platforms. #LawEnforcementTalk #Free #Podcast #Radio Brady shares the remarkable case, along with stories from his extensive law enforcement career, during an interview on the Law Enforcement Talk Radio Show and Podcast. The episode is available on Apple, Spotify, YouTube, and other major Podcast platforms. It is also promoted across Facebook, Instagram, LinkedIn, and additional social media outlets. Supporting articles about this and much more from Law Enforcement Talk Radio Show and Podcast in platforms like Medium , Blogspot and Linkedin. The conversation explores the rescue of a kidnapping victim, the painstaking investigation that followed, and an unrelated barricade involving a mentally disturbed armed man. It also examines Brady's transition from police chief to corporate security executive and True Crime author. A Violent Kidnapping involving a California Tennis Club Management Couple The kidnapping case involved the attack of a married couple that managed a tennis club. What should have been an ordinary day suddenly turned into a nightmare when strangers confronted the couple. The husband was reportedly pistol-whipped, and his wife was abducted. The attackers were armed, violent, and willing to use force. Police were confronted with two immediate priorities: locating the kidnapped woman before she could be seriously injured or killed and identifying the people responsible for the crime. Police Save Kidnapping Victim: The Investigation, Several Arrests, and a Deadly Armed Standoff. The conversation is available on the Law Enforcement Talk Radio Show and Podcast website, Facebook, Instagram, YouTube, Apple Podcasts, Spotify, iHeartRadio, and most other major podcast platforms, where audiences continue discovering firsthand accounts from those who have lived them. “When a person is taken at gunpoint, every minute matters,” Brady explains during the interview. “The first concern is always the safety of the victim. At the same time, investigators have to begin preserving evidence and identifying everyone who may have been involved.” Unlike many kidnapping cases in which the victim and offender know one another, this case involved strangers. That created additional investigative challenges because there was no immediately obvious relationship or personal dispute pointing police toward a suspect. The victim had disappeared, her husband had been violently assaulted, and investigators had limited time to determine where she had been taken. Police Save the Kidnapping Victim The police response ultimately produced the result everyone had hoped for: officers found and rescued the kidnapped woman. Her safe recovery, however, did not end the case. Once the victim was protected, the focus shifted toward determining exactly what had happened, identifying every participant, and gathering enough evidence to support criminal charges. Brady describes police work as a process that frequently continues long after the most visible danger has passed. The public may see the rescue or initial arrest, but investigators must then reconstruct the crime in a way that will withstand scrutiny in court. The episode is available across major platforms including their website, Apple Podcasts, Spotify, YouTube, with highlights shared across their Facebook, Instagram, and LinkedIn profiles. “The rescue is the moment everyone remembers,” Brady says. “But the investigation is what holds the entire case together.” Detectives needed to examine the original crime scene, document the assault on the husband, interview the victims and witnesses, and trace the movements of the kidnappers. They also had to determine whether additional people had helped plan or carry out the crime. Investigators could not afford to assume that the first person identified was the only offender. Kidnappings can involve drivers, lookouts, planners, and others who knowingly assist before, during, or after the abduction. The detailed investigation eventually resulted in several arrests. Three people were reportedly taken into custody in connection with the kidnapping. The Investigation and Several Arrests A successful kidnapping prosecution requires more than suspicion. Investigators must establish the role played by each alleged offender and connect that person to the crime through reliable evidence. Police Save Kidnapping Victim: The Investigation, Several Arrests, and a Deadly Armed Standoff. Available for free on the Law Enforcement Talk Radio Show and Podcast website, also on Apple Podcasts, Spotify, Youtube and most major Podcast networks. That evidence may include witness statements, physical evidence, photographs, surveillance footage, telephone records, vehicle information, fingerprints, forensic findings, and statements made by the suspects. Although Brady does not reveal every sensitive detail of the case, he emphasizes the importance of patience and coordination. “Complex cases are built one fact at a time,” he explains. “Investigators have to follow the evidence wherever it leads and avoid becoming locked into a theory too early.” Police also must consider whether the crime crosses jurisdictional boundaries. If a victim is transported across state lines or other circumstances bring the offense under federal jurisdiction, federal kidnapping statutes may apply. Under 18 U.S. Code § 1201, kidnapping can become a serious federal offense carrying severe penalties. California also has its own kidnapping laws and sentencing provisions. The precise charges depend on the facts, including whether a weapon was used, whether the victim suffered bodily harm, how the victim was moved or confined, and whether ransom, robbery, or another crime was involved. In the tennis club case, the violent assault, armed abduction, rescue, and eventual arrests illustrate why kidnapping investigations demand immediate action followed by methodical detective work. The case also demonstrates the emotional strain placed on victims. The physical rescue may occur within hours, but the psychological effects can last for years. When a Barricade Turned Deadly The kidnapping investigation was not the only critical incident Brady encountered during his law enforcement career. Earlier in his career, he tested for a police captain's position and was hired in Farmington, New Mexico. While serving there, he became involved in a dangerous call involving an armed, mentally disturbed man. The Podcast is available for free on the Law Enforcement Talk Radio Show and Podcast website, also on Apple Podcasts, Spotify, YouTube, iHeartradio and most major podcast platforms. The incident reportedly began when the man lost control and set his own residence on fire. As flames spread, the emergency became both a fire scene and an armed barricade. Police officers, firefighters, and tactical personnel faced an almost impossible situation. They had to contain the fire, protect neighboring residents, and attempt to prevent the armed man from harming himself or anyone else. Responders wanted to bring the incident to a peaceful conclusion. According to Brady, officers considered using a fire hose to disable or disorient the man without using deadly force. It was an unusual strategy, but the circumstances were anything but ordinary. “They were searching for every reasonable option that might end the confrontation without someone dying,” Brady recalls. “The goal was to create an opportunity to take him into custody safely.” The plan changed when the suspect returned carrying a gun. At that moment, the threat was no longer theoretical. An armed man was confronting police during an active fire and barricade situation. A SWAT officer ultimately shot and killed him. Extraordinary Efforts to Avoid Deadly Force Officer-involved shootings are often judged through short video clips, incomplete reports, or information released before an investigation is finished. Brady's account shows how much may occur before an officer fires a weapon. Police had attempted to contain the suspect. They considered less-lethal and unconventional methods. They tried to create time and distance. Yet the suspect's return with a firearm forced officers to react to an immediate threat. The Law Enforcement Talk Radio Show and Podcast continues bringing listeners real conversations from the front lines of crime, policing, trauma, survival, and healing. “No officer arrives at a scene hoping it will end with a fatal shooting,” Brady says. “The objective is to protect life, including the life of the person creating the danger. But circumstances can change in seconds.” Armed barricades involving mental illness create especially difficult decisions. Officers must balance compassion for a person in crisis against their responsibility to protect firefighters, neighbors, fellow officers, and the public. Mental illness may help explain a person's behavior, but it does not make an armed threat less dangerous. When a suspect presents a firearm, officers have only moments to assess intent, opportunity, distance, surroundings, and the risk to innocent people. The Farmington incident remained memorable to Brady because of the extraordinary efforts made to resolve it peacefully, and because those efforts ultimately could not prevent a fatal outcome. From Police Officer to Police Chief Brady's law enforcement journey carried him through several very different communities. Police Save Kidnapping Victim: The Investigation, Several Arrests, and a Deadly Armed Standoff. Born and raised in San Francisco, he was inspired by the city's architecture, sports teams, traditions, neighborhoods, and colorful personalities. That environment later influenced both his police career and his fiction. His work took him from the eclectic streets of Berkeley to Farmington's Southwestern landscape and eventually back to the California Bay Area. He later became Chief of Police in Novato. Supporting articles about this and much more from Law Enforcement Talk Radio Show and Podcast in platforms like Medium , Blogspot and Linkedin. Each assignment offered different challenges. A police officer in a major metropolitan area may encounter problems that differ from those faced by officers in a smaller community. Yet the fundamental responsibilities remain the same: protect life, investigate crime, communicate clearly, and make difficult decisions under pressure. Leadership added another dimension to Brady's career. As a chief, he was responsible not only for individual incidents but also for agency policy, officer development, public trust, emergency preparedness, and relationships throughout the community. The kidnapping investigation and armed barricade illustrate the range of situations police leaders must understand. One case required detailed investigative coordination and several arrests. The other demanded crisis management during an active fire and confrontation with an armed suspect. A New Career in Corporate Security After leaving municipal law enforcement, Brady moved into the private sector and became a corporate security executive. His experience led to executive positions with prestigious organizations, including NBC Universal and the San Francisco Museum of Modern Art. The transition may appear dramatic, but many skills learned in police work transfer naturally into corporate security. Risk assessment, crisis response, investigations, personnel management, threat prevention, and communication are valuable in both professions. The show is distributed through Apple Podcasts, Spotify, YouTube, iHeartradio and other podcast platforms. Its interviews are also promoted across Facebook, Instagram, and other social media channels. Brady's career also brought him into contact with people from many backgrounds. Those encounters gave him a collection of personalities, conflicts, and stories that eventually inspired his work as an author. His professional journey became the foundation for a new form of storytelling, one that blends imagination with an insider's understanding of police work. From True Crime Experience to Fiction Brady entered the literary world with his debut novel, "Oh, What A Tangled Web", available through Amazon and Kindle. The Book introduced readers to San Francisco Police Department homicide inspectors whose investigations unfold against the city Brady knows so well. He continued their adventures in "Hiding In Plain Sight" and "Greed", his third Book, released in April 2025 by Palmetto Publishing. His fourth novel, Still Waters Run DEEP, was published in January 2026. It represents a departure from his familiar San Francisco setting and the SFPD homicide inspectors featured in his earlier work. Although the novels are fictional, Brady's law enforcement background gives him an understanding of police culture, investigative procedure, internal pressures, and the personal cost of confronting violence. His stories appeal to readers drawn to crime fiction, police investigations, mysteries, and True Crime themes. Police Save Kidnapping Victim: The Investigation, Several Arrests, and a Deadly Armed Standoff. The episode is available across major platforms including their website, Apple Podcasts, Spotify, YouTube, with highlights shared across their Facebook, Instagram, and LinkedIn profiles. “A writer never has to reproduce a real case to be influenced by a career in law enforcement,” Brady observes. “The emotions, the personalities, the difficult decisions, and the unexpected turns all stay with you.” The Influence of Joseph Wambaugh The Podcast conversation also examines Joseph A. Wambaugh Jr., one of America's best-known writers of police fiction and nonfiction. Wambaugh joined the Los Angeles Police Department in 1960 and served for approximately 14 years, rising from patrol officer to detective sergeant. He also earned bachelor's and master's degrees from California State University, Los Angeles. His novels frequently featured Los Angeles police officers as central characters. Rather than portraying them as one-dimensional heroes, Wambaugh wrote about flawed, complicated human beings affected by the pressures of the profession. Among his most famous works are The New Centurions and The Onion Field. His writing earned three Edgar Awards, and the Mystery Writers of America named him a Grand Master. Comparisons between Brady and Wambaugh naturally emerge because both transformed police experience into storytelling. However, each author brings a distinctive voice, background, and perspective to the page. Wambaugh helped change how police officers were depicted in American literature. Brady carries that tradition forward by drawing upon his experiences in California, New Mexico, municipal policing, police leadership, and corporate security. Life in Sonoma County Brady now lives with his wife in picturesque Sonoma County. Both are San Francisco natives. The quieter setting offers a contrast to the energy and congestion of the city, while San Francisco remains only about an hour away. That allows the couple to return whenever they want to reconnect with its distinctive neighborhoods, culture, and atmosphere. For Brady, the distance may also provide the space needed to reflect and write. His life has moved through several chapters: San Francisco native, police officer, captain, police chief, corporate security executive, and published author. Each chapter contributed experiences that now shape his books and public conversations. A Podcast for Police and True Crime Audiences Brian Brady's appearance on the Law Enforcement Talk Radio Show and Podcast provides much more than a summary of old police cases. It offers a firsthand examination of how police saved a kidnapping victim, conducted the investigation, and made several arrests. It also reveals the difficult choices officers faced when an armed, mentally disturbed man turned a fire into a barricade and deadly confrontation. The episode connects real police work with leadership, corporate security, books, crime fiction, and the lasting influence of writers such as Joseph Wambaugh. Listeners can hear the full interview through Apple, Spotify, YouTube, and other major Podcast platforms. Additional stories, photographs, and episode updates are available through Facebook, Instagram, LinkedIn, and the show's other social media channels. Police Save Kidnapping Victim: The Investigation, Several Arrests, and a Deadly Armed Standoff. Brady's story is ultimately about far more than crime. It is about decisions made under extreme pressure, victims rescued from danger, investigators determined to uncover the truth, and a former California police chief who transformed decades of experience into a new career as an author. The badge may have represented one chapter of his life, but the stories did not end when his police career did. For a community of like minded individuals from all over the planet that want to improve their lives, relationships and business. Learn what they need, and develop the life that they've always wanted. We host weekly rooms on the Clubhouse Drop In Social Audio App. The App and Your Confident Life rooms are free of charge. You can get more information about Clubhouse and Your Confident Life for free here. Download the Free Ebook about ways and tips to improve your health. You can get the ebook for free at www.LetHealthy.com Listen to the Law Enforcement Talk Radio Show and Podcast on their website, Facebook, Instagram, YouTube, Apple Podcasts, Spotify, iHeartRadio, and most major podcast platforms. Get the Free Clubhouse App, it is Drop In Social Audio. Think of it as your own talk radio show on your phone, and best of all it is free. Be sure to look for me and follow me, that's John J Wiley or @letradioshow you can do all that here. The Law Enforcement Talk Radio Show and Podcast social media like their Facebook , Instagram , LinkedIn , Medium and other social media platforms. You can contact John J. “Jay” Wiley by email at Jay@letradio.com , or learn more about him on their website . Find a wide variety of great podcasts online at The Podcast Zone Facebook Page , look for the one with the bright green logo. Be sure to check out our website . Be sure to follow us on X , Instagram , Facebook, Pinterest, Linkedin and other social media platforms for the latest episodes and news. Listeners can find the show across Apple, Spotify, YouTube, Facebook, Instagram, and other podcast and social media platforms. Learn and get access to money saving tips and how to increase your net worth at www.LetSavings.com Police Save Kidnapping Victim: The Investigation, Several Arrests, and a Deadly Armed Standoff. 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Curators Marina Chao & Adam Ryan (CPW) join PhotoWork with Sasha Wolf to discuss the inaugural Upstate Photography Biennial and the curatorial process behind this major contemporary photography exhibition. Chao, Ryan, and Wolf explore how CPW develops exhibitions with both the local community and broader audience in mind, building meaningful public engagement, and what artists can do to establish and sustain relationships with photography and arts organizations. https://cpw.org Marina Chao has previously held curatorial positions at the International Center of Photography and the Museum of Modern Art in New York. As assistant curator at ICP she organized the exhibition Multiply, Identify, Her (2018) and contributed to the publication Public, Private, Secret: On Photography and the Configuration of Self (Aperture and ICP, 2018). She was awarded a 2019 Curatorial Research Fellowship from the Andy Warhol Foundation for the Visual Arts for a project exploring the intersections of image, language, and technology. Adam Ryan is a photography specialist and curator based in Poughkeepsie, New York. He gained experience working at the San Francisco Museum of Modern Art, where he focused on the museum's permanent collection of photographs, while also managing its Collection Study Center. He collaborated on multiple exhibitions such as Japanese Photography from Post War to Now, Selections from the Sack Photographic Trust, and Nothing Stable Under Heaven. Before that, he worked in the Photography Department of the Carnegie Museum of Art in Pittsburgh, Pennsylvania, where his primary focus was a major retrospective on the work of renowned artist Duane Michals – Storyteller: The Photographs of Duane Michals. As a student, he learned photography at the Rochester Institute of Technology and continued into graduate school at Toronto Metropolitan University in Toronto, Canada. https://www.adamgilesryan.com

Welcome to Art is Awesome, the show where we talk with an artist or art worker with a connection to the San Francisco Bay Area.  Today, Emily chats with Miguel Arzabe, a engineer turned artist based in Oakland, Ca... About Artist Miguel Arzabe: Miguel Arzabe makes colorful and dynamic abstractions - weavings, paintings, videos. He starts by finding outdated beauty in paper ephemera from art shows, modernist paintings, discarded audio recordings. They are methodically analyzed, deconstructed, reverse-engineered. Drawing inspiration from the cultural techniques and motifs of his Andean heritage, Arzabe weaves the fragments together revealing uncanny intersections between form and content, the nostalgic and the hard-edged, failure and recuperation. Arzabe lives and works in Oakland, CA. He had recent solo shows at Shulamit Nazarian Gallery (Los Angeles, CA) and Johansson Projects (Oakland, CA). Arzabe's work has been featured in such festivals as Hors Pistes (Centre Pompidou, Paris), Festival du Nouveau Cinéma (Montreal), and the Geumgang Nature Art Biennale (Gongju, South Korea); and in museums and galleries including MAC Lyon (France), MARS Milan (Italy), RM Projects (Auckland), FIFI Projects (Mexico City), Marylhurst University (Oregon), the Contemporary Jewish Museum, Berkeley Art Museum, the CCA Wattis Institute, and the San Francisco Museum of Modern Art. Arzabe's work is held in public collections such as the Harn Museum of Art in Gainseville, FL; the de Young Museum; Albuquerque Museum of Art; Oakland Museum of California; San Francisco Arts Commission; the State of California; as well as numerous private collections. He has attended many residencies including Facebook AIR, Headlands Center for the Arts, Montalvo Arts Center, Millay Arts, and Santa Fe Art Institute. He holds a BS from Carnegie Mellon University, an MS from Arizona State University, and an MFA from UC Berkeley. In 2022 Arzabe was awarded the San Francisco Bay Area Artadia Award. In 2023 he was awarded a Pollock-Krasner Foundation Grant and and a Golden Foundation Residency. In 2024 his work was featured in the exhibitions About Place at the deYoung Museum and The Poetics of Dimensions at the ICA San Francisco. His work is featured in the 2025 contemporary art survey TEXTILES x ART published by Thames and Hudson AU. Visit Miguel's Website:  MiguelArzabe.net Follow Miguel on Instagram: @Miguel.Arzabe -- About Podcast Host Emily Wilson: Emily a writer in San Francisco, with work in outlets including Hyperallergic, Artforum, 48 Hills, the Daily Beast, California Magazine, Latino USA, and Women's Media Center. She often writes about the arts. For years, she taught adults getting their high school diplomas at City College of San Francisco. Follow Emily on Instagram: @PureEWil Follow Art Is Awesome on Instagram: @ArtIsAwesome_Podcast -- CREDITS: Art Is Awesome is Hosted, Created & Executive Produced by Emily Wilson.  Theme Music "Loopster" Courtesy of Kevin MacLeod (incompetech.com)Licensed under Creative Commons: By Attribution 4.0 License The Podcast is Co-Produced, Developed & Edited by Charlene Goto of @GoToProductions.  For more info, visit Go-ToProductions.com Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

Portrait of Shaun Leonardo, 2024. Photo by Argenis Apolinario. Shaun Leonardo (b. 1979, Queens, NY) is a multidisciplinary artist whose work negotiates societal expectations of manhood, namely definitions surrounding Black and brown masculinities, along with its notions of achievement, collective identity, and experience of failure. Leonardo received his MFA from the San Francisco Art Institute and has received support from Creative Capital, Guggenheim Social Practice, Art for Justice, and A Blade of Grass. His work is currently included in the traveling group exhibition Get in the Game: Sports, Art, Culture, open now at the Perez Art Museum Miami. Leonardo's work has also been featured at the Guggenheim Museum, the Norton Museum of Art, the San Francisco Museum of Modern Art, the Crystal Bridges Museum of American Art, the Queens Museum, the High Line, and the New Museum, and profiled in The New York Times, Artnet News, and CNN. His solo exhibition, The Breath of Empty Space, was presented at MICA, MASS MoCA, and The Bronx Museum, and his first major public art commission, Between Four Freedoms, premiered at Four Freedoms Park Conservancy in 2021. Numerous institutions hold Leonardo's work in their collections, including the Bowdoin Museum of Art, the JP Morgan Chase Corporate Art Collection, the Los Angeles County Museum of Art, El Museo del Barrio, the Portland Museum of Art, the Shelley and Donald Rubin Foundation, and the Smithsonian National Museum of African American History and Culture. The artist lives and works in Brooklyn, NY. Shaun Leonardo, Self-Portrait Icon (Sculpture), 2007. Marble. 24 x 6 x 24 inches (61 x 15.2 x 61 cm). Courtesy of the artist and Cristin Tierney Gallery, New York. Shaun Leonardo, Self-Portrait Superhero 4 (Sleeping Giant), 2008. Sign enamel on plywood cutout. 48 x 70 x 3/4 inches (121.9 x 177.8 x 1.9 cm). Courtesy of the artist and Cristin Tierney Gallery, New York. Shaun Leonardo, Champ (Mike Tyson), 2014. Charcoal on paper. 76 1/8 x 64 inches (193.4 x 162.6 cm). Courtesy of the artist and Cristin Tierney Gallery, New York.

Photographers Jarod Lew and Reagan Louie join PhotoWork with Sasha Wolf to discuss how they explore cultural identity, personal loss, and trauma through photography. Lew and Louie are Asian American photographers from different generations, and their work reflects how the exploration of cultural identity in contemporary photography has evolved over the decades. While Louie takes a documentary photography approach, Lew works through more conceptual constructs. Their conversation with Wolf highlights the visual differences between their practices while revealing striking resonances in how they discuss their approach. https://www.jarodlew.com https://www.reaganlouie.com Jarod Lew is an artist who draws on photography to explore intergenerational encounters with diasporic loss, displacement, and postmemory. Through this exploration, his work contends with the performativity of race and its instability as a locus of meaning. His project, Please Take Off Your Shoes was shortlisted for the Aperture Portfolio Prize in 2021, and was exhibited in a group exhibition at SFMOMA titled Kinship: Photography and Connection in 2023. His other project, In Between You and Your Shadow, examines his relationship with his mother, who was the fiancé of Vincent Chin--the subject of a hate-crime that brought national attention to matters of Asian American civil rights. In 2025, Lew will mount his first museum exhibition at the University of Michigan Museum of Art titled- Strange You Never Knew.  His works are held in public and private collections including the Cantor Art Center, Detroit Institute of Arts, Kadist, San Francisco, Harvard Art Museum, University of Michigan Museum of Art and the San Francisco Museum of Modern Art. Lew's work has been written about in Aperture, Artforum, Elephant Magazine, and Aesthetica Magazine. Lew graduated with an MFA in photography at the Yale School of Art. Reagan Louie's photography and installations explore global transformation and cultural identity. He is currently at work on several projects that focus on the relationship between home and homeland; including a book about his family's immigration from China to America. And a Virtual Reality experience about his ancestral home, Wing Wor. His work is exhibited at institutions: San Francisco Museum of Modern Art, Museum of Modern Art NY, Philadelphia Art Museum, Fotomuseum Winterthur, Gwangju Biennale. Louie's photographs are in the public collections of the Metropolitan Museum of Art, San Francisco Museum of Modern Art, Museum of Modern Art NY, Los Angeles County Museum of Art, Oakland Museum, Cantor Art Museum. Louie's photographs are widely published. His books have received critical acclaim. The New York Times Book Review named his first book on China, “Toward a Truer Life”, the photography book of the year. He is the recipient of numerous awards - The Guggenheim fellowship, National Endowment for the Arts Fellowship, Lange-Taylor Prize, and Fulbright Fellowship.

This week on About Art, Heidi Zuckerman speaks with artist Jennifer Guidi.This episode was recorded live before an audience at the Orange County Museum of Art in conjunction with And so it is., Guidi's solo exhibition curated by Heidi Zuckerman.Born in Redondo Beach, California, Guidi received a BFA from Boston University and an MFA from the School of the Art Institute of Chicago. Her work is held in major public and private collections worldwide, including the Solomon R. Guggenheim Museum, the San Francisco Museum of Modern Art, the Los Angeles County Museum of Art, the Hammer Museum, the Museum of Contemporary Art Los Angeles, and the Louis Vuitton Foundation in Paris.Known for her luminous paintings that draw inspiration from nature, meditation, ritual, and the California landscape, Guidi has developed a distinctive visual language rooted in repetition, mark-making, color, and the exploration of consciousness.In this conversation, Heidi and Jennifer discuss artistic practice, meditation, motherhood, ritual, silence, creativity, nature, and the relationship between awareness and intention. They also explore the role of repetition in art, the influence of landscape on memory and perception, collecting, community, and the lifelong process of discovering one's own visual language.Together they reflect on inspiration, failure, trust, surrender, and the ways creativity can help us connect more deeply with ourselves, each other, and the world around us.A thoughtful conversation about art, awareness, and what it means to devote a life to making.

Episode No. 762 features artist John Akomfrah. The Menil Collection, Houston is showing "John Akomfrah: The Hour of The Dog" through October 11. The work, co-commissioned by the Menil and the Baltimore Museum of Art, explores the history of the US civil rights movement between 1954 and 1963. The presentation was curated by Michelle White and Cecilia Wichmann. Akomfrah is one of the world's most celebrated film-based artists. His work often investigates memory, colonialism, diaspora, and the intersection of time and aesthetics. He has had solo exhibitions at several Smithsonian museums, the San Francisco Museum of Modern Art, and at the Tate Britain. He represented the UK in the 2024 Venice Biennale, a year after the UK honored him with a knighthood. This is Akomfrah's third time on the program. His previous visits were on Episode No. 332 and Episode No. 339. Air date: June 11, 2026.

In this episode of ‘My Identity' Professor Colin Graham (Maynooth) is in conversation with Joy Gerrard and Paul Seawright. This episode was recorded live, at Belfast Exposed as part of as part of the BIEN programme — an ongoing series of exhibitions and events under the title “British? Irish? Either? Neither?” sponsored by the Office of Identity and Cultural Expression (OICE). Joy Gerrard lives and works in Belfast. She is known for work that investigates different systems of relations between crowds, architecture and the built environment. Using Japanese ink on paper and canvas Gerrard makes detailed ink works which re-create recent political protests from around the world, including recent work on UK based Brexit demonstrations and political protest in the USA. Professor Paul Seawright OBE is the Deputy Vice-Chancellor at Ulster University. He was Executive Dean of the Faculty of Arts Humanities and Social Sciences for five years and previously Head of Belfast School of Art. Paul has an international profile as an artist and researcher. His work is held in many museum collections including the Irish Museum of Modern Art, the Tate, San Francisco Museum of Modern Art, International Centre of Photography New York, Arts Councils of Ireland, England and Northern Ireland, the UK Government Collection and the Museum of Contemporary Art in Rome. The My Identity series is hosted by Professor Colin Graham, Maynooth. In this series, Colin is in conversation with a range of people whose ideas, work and life experiences shed light on the topic of identity on the Island of Ireland. My Identity is part of the ARINS project. About ARINS Colin Graham is Professor English and formerly Dean of the Faculty of Arts at Maynooth University. His books include Northern Ireland: Thirty Years of Photography, Deconstructing Ireland and Ideologies of Epic. He was editor of The Irish Review from 2004 to 2020. During the Brexit negotiations he created the Twitter account @borderirish and wrote the book I am the Border, so I am, published by HarperCollins. ARINS: Analysing and Researching Ireland North and South brings together experts to provide evidence-based research and analysis on the most significant questions of policy and public debate facing the island of Ireland, north and south. The project publishes, facilitates and disseminates research on the challenges and opportunities presented to the island in a post-Brexit context, with the intention of contributing to an informed public discourse. More information can be found at www.arinsproject.com ARINS is a joint project of The Royal Irish Academy, an all-island body, and the Keough-Naughton Institute for Irish Studies at Notre Dame's Keough School of Global Affairs. My Identity is hosted by Professor Colin Graham. Podcast management and production by Dr Susie Deedigan (University of Notre Dame). With thanks to Conor Patterson and Morgan Blain-Crehan, The Spinner's Mill, Belfast.

Johanna Calle was born in 1965 in Bogotá, where she lives and works. Following her studies in the visual arts at the Talleres Artísticos of the Universidad de los Andes in Bogotá from 1984 to 1989, Calle received a British Council scholarship in 1992 to earn a master's degree at the Chelsea College of Art and Design in London. Her work draws on a range of archival and deciphering techniques, often associated with everyday life, to address the violence of recent Colombian history and evoke the victims of forced disappearances. Johanna Calle has been honored with numerous prestigious awards, including major prizes and honorary recognitions in Colombian art salons (1996–2003), a fellowship at the Cité Internationale des Arts in Paris (2001), and international grants and residencies in Europe and the United States (2008–2013). She has been included in international biennials such as the Sydney Biennale (2016), the São Paulo Biennial (2014), SITE Santa Fe (2014), and the Istanbul Biennial (2014). Selected exhibitions include Arquitecturas, Bienvenu Steinberg & C, New York (2026); Museum of Contemporary Art Denver (2024); Hayward Gallery (2020); Josée Bienvenu Gallery, New York (2019); La Maison de l'Amérique latine, Paris (2017); Museum of Modern Art (2017); Silentes 1985–2015, Museo de Arte del Banco de la República, Bogotá, traveled to Museum Amparo, Puebla, Mexico (2015); Fondation Cartier pour l'art contemporain (2013); the Drawing Room, London (2013); Wattis Institute for Contemporary Arts in San Francisco (2012); Museum of Latin American Art in Long Beach, California (2012); Sàn Art in Ho Chi Minh City, Vietnam (2012); and San Francisco Museum of Modern Art (2011). Her work is included in institutional collections such as the Museum of Modern Art; Tate Modern; San Francisco Museum of Modern Art; Museum of Modern Art, Buenos Aires; Fondation Cartier pour l'art contemporain; Museum of Fine Arts, Houston; Museum of Latin American Art, Long Beach; Museum of Bogotá; National Museum of Colombia, Bogotá; National Bank of the Republic of Colombia, Bogotá; Cisneros Fontanals Art Foundation, Miami; Sur Collection, San Francisco; Comfenalco Antioquia, Medellín; Enersis Collection, Santiago; and Teorética Museum, San José. Johanna Calle Arquitecturas, 2026 Signed and dated on the back Nail polish on chromogenic print (anonymous photograph) Framed in Optium Museum Acrylic 3.5 x 3.5 in (image) Johanna Calle Arquitecturas, 2026 Signed and dated on the back Nail polish on chromogenic print (anonymous photograph) Framed in Optium Museum Acrylic 3.5 x 3.5 in (image) Johanna Calle Abstractas, 2026 Signed and dated on the back Erased found chromogenic print (anonymous photograph) Framed in Optium Museum Acrylic 3.5 x 6 in (image)

Nicola Tyson was born in 1960 in London, England. She attended Chelsea School of Art, St. Martins School of Art and Central/St. Martins School of Art in London, and currently lives and works in New York. Primarily known as a painter, Tyson has also worked with photography, film, performance and the written word, in addition to running Trial BALLOON, an NYC project space in the early 90s. In 2023, Nicola Tyson: Selected Paintings 1993-2022, the most comprehensive overview of the artist's work to date, was published. In 2011, Tyson released the limited-edition book Dead Letter Men, which is a collection of satirical letters addressing famous male artists. Her unique archive of color photos documenting the London club scene of the late 1970's — Bowie Nights at Billy's Club — was the subject of shows, both in New York and London, in 2012 and 2013. In 2025, Tyson was commissioned for Hayward Gallery's public project banner. Tyson has mounted solo exhibitions at Petzel Gallery, New York (2026, 2025, 2024, 2020, 2016); Nino Mier Gallery, Los Angeles (2024); Nino Mier Gallery, Brussels (2022); Sadie Coles HQ, London (2021, 2017, 2013); The Contemporary Art Museum St. Louis, St. Louis (2017); The Drawing Room, London (2017); Nathalia Obadia, Paris (2015); Susanne Vielmetter Gallery, Los Angeles (2014); White Columns, New York (2012), among others. She has participated in group exhibitions at the Design Museum, London (2025); The Modern Art Museum of Forth Worth, Fort Worth (2022); Art Institute of Chicago, Chicago (2021); Drawing Room, London (2021, 2018); Drawing Center, New York (2020); Whitechapel Gallery, London (2018); Cleveland Institute of Art, Cleveland (2016); Wexner Center for the Arts (2013); and Museum of Modern Art, New York (2012); among others. Tyson's work is included in major collections such as Museum of Modern Art, New York; Whitney Museum of Art, New York; Solomon R. Guggenheim Museum, New York; Philadelphia Museum of Art, Philadelphia; Museum of Contemporary Art, Chicago; UCLA Hammer Museum, Los Angeles; San Francisco Museum of Modern Art, San Francisco; Walker Art Center, Minneapolis; Corcoran Gallery of Art, Washington, D.C.; and Tate Modern, London. Nicola Tyson, Random Attachments, 2026 Charcoal, conte, pastel on sanded paper 50 x 38 in 127 x 96.5 cm. Photo: Meg Symanow Courtesy of the artist and Petzel, New York. Nicola Tyson Nature Nurture, 2026 Charcoal, conte, pastel on sanded paper 50 x 38 in 127 x 96.5 cm. Photo: Meg Symanow Courtesy of the artist and Petzel, New York. Nicola Tyson Motherload, 2026 Charcoal, conte, pastel on sanded paper 50 x 38 in 127 x 96.5 cm. Photo: Meg Symanow Courtesy of the artist and Petzel, New York.

Photographer, director, and producer Mitch Epstein joins PhotoWork with Sasha Wolf to discuss his storied career in photography, environmental activism, and artistic influences. From early inspiration by Garry Winogrand to guidance from John Szarkowski, Epstein reflects on how he evolved into a research-driven, project-based photographer focused on environmental issues. He also discusses his work in film as a production designer and co-producer on Mississippi Masala (1991) and Salaam Bombay! (1988), and shares insights on privilege, longevity, and sustaining a life in photography. https://www.mitchepstein.net Mitch Epstein has photographed the landscape and culture of America for half a century. A graduate of Cooper Union, he became a pioneer of 1970s fine-art color photography.  Epstein has been inducted into the National Academy of Design (2020) and was awarded the Prix Pictet (2011), Berlin Prize (2008), and a Guggenheim Fellowship (2002). His work has been shown and collected by museums worldwide, including New York's Museum of Modern Art, Metropolitan Museum of Art, and Whitney Museum of American Art, the National Gallery in Washington DC, The Art Institute of Chicago, Tate Modern in London, Museum of Modern Art in Paris, Los Angeles's Getty Museum and LACMA, the Amon Carter Museum in Fort Worth, TX, and the San Francisco Museum of Modern Art. Recent exhibitions include “American Nature” (photographs and multi-media installations) at the Gallerie d'Italia museum in Torino, Italy (2024-25); “In India,” (photographs and films) at Les Rencontres d'Arles in the Abbey of Montmajour, Arles, France (2022); and “Property Rights” at The Amon Carter Museum of American Art in Fort Worth, Texas (2020-21). Epstein's seventeen books, mostly published by Steidl Verlag, include Recreation (2022, 2005), Property Rights (2021), New York Arbor (2013), American Power (2009), and Family Business (2004), winner of the Kraszna-Krausz Photography Book Award. Epstein's mixed media work includes films, moving image with sound installations, and performance. In 2013, The Walker Art Center commissioned and premiered a theatrical rendition of his American Power series. Directed by Annie B. Parsons and Paul Lazar, the performance combined original live music by Erik Friedlander and live storytelling by Epstein; and included video, projected photographs, and archival material. In documentary film, Epstein was director of Dad and Retail (2003) and director of photography for India Cabaret (1988). He was production designer and co-producer for the feature films Mississippi Masala (1991) and Salaam Bombay! (1988). Epstein's most recent exhibition, American Nature, assembles three self-contained yet integrated photographic series (Old Growth, Property Rights, American Power); a multi-channel video-sound installation with tonal music by Mike Tamburo and Samer Ghadry filmed performing in the forest (Forest Waves), and a looped projection with music by David Lang, performed by Maya Beiser (Darius Kinsey: Clear Cut). Together these five pieces investigate notions of wilderness and human society; and their both collaborative and troubled co-existence. Epstein lives in New York City and Massachusetts.

What happens when a police chief who spent decades solving real crimes begins writing crime fiction? Tune in for Moments with Marianne Radio Show as retired San Francisco Police Chief and author Brian Brady joins us to share how his years in law enforcement shaped the gripping stories behind his novels, including his latest release, Still Waters Run Deep and Greed.Moments with Marianne Radio Show airs in the Southern California area on KMET1490AM & 98.1 FM, an ABC Talk News Radio Affiliate!  https://www.kmet1490am.comBorn and raised in the vibrant heart of San Francisco, Brian Brady found endless inspiration in the City, celebrated for its stunning architecture, dynamic sports teams, rich traditions and colorful characters. His career journey began as a Police Officer, later transitioning to a Corporate Security Executive. This path led him through diverse landscapes, from Berkeley's eclectic streets to the scenic vistas of Farmington, New Mexico, and eventually back to the Bay Area. He then moved into the private sector, holding Executive positions at prestigious organizations such as NBC Universal and the San Francisco Museum of Modern Art. https://www.goldengatetales.comOrder books at https://www.goldengatetales.com/booksTo learn more about the show and interview opportunities contact us at: https://www.mariannepestana.com 

Episode No. 750 (!!!) is a clips episode featuring artist Jo Ann Callis. Starting in the early 1970s, Callis has constructed both black-and-white and color photographs that consider, sex, sexuality, pleasure and more pleasure. This program was taped in 2014 when Aperture published "Other Rooms," a book of Callis' investigations of the nude body and sexuality, mostly from the mid-1970s. Last year Luhz Press published "Jo Ann Callis - Dish Trick," featuring Callis pictures that explores the emotions latent in the objects of the home. Luhz lists it at $45; Amazon offers it for $80. Callis is a leading feminist artist and one of the most important photographers of her generation. In 2009 the J. Paul Getty Museum presented a retrospective of her work titled "Woman Twirling." Callises are in the permanent collection of museums such as the Museum of Modern Art, the Los Angeles County Museum of Art and the San Francisco Museum of Modern Art. Air date: March 19, 2026.

The work of acclaimed photographer Meghann Riepenhoff examines our relationship to nature and time, both in subject-matter and process. In projects like Litoral Drift, a series of cameral-less cyanotypes, Rieopenhoff makes use of natural elements like water and sediment. Her art is intentionally vulnerable to weather conditions like wind, and her interest in environmental degradation as well as the sublime carry across her work, from Waters of the Americas and State Shift. Based in the Pacific Northwest, Riepnhoff was born in Atlanta and received a BFA in Photography from the University of Georgia and an MFA from San Francisco Art Institute. Her work has been exhibited internationally at locations including the San Francisco Museum of Modern Art, the Museum of Fine Arts Boston, the Denver Art Museum, the Royal Maritime Museum, Centre d'art contemporain de l'Onde, and The Smithsonian. She has published two monographs: Littoral Drift and Ecotone and Ice.  Nigel Poor is a co-founder of Ear Hustle and Bay Area visual artist whose work explores the various ways people make a mark and leave behind evidence of their existence. Her work can be found in various museum collections including the the San Francisco Museum of Modern Art, the M.H. deYoung Museum and the Corcoran Gallery of Art, Washington, D.C. She is also a professor of photography at California State University, Sacramento. 

Episode 514 / Michael BrennanMichael Brennan (b. 1965, Pine Island, FL; lives Brooklyn, NY) has exhibited his paintings and works on paper nationally and internationally for the past three decades, including in the United States, Mexico, Belgium, France, Germany, Italy, China, Australia, and New Zealand.  Here at the gallery, he previously mounted four very well-received solo exhibitions – Floating Weeds (2023), Late Spring (2018), Grey Razor Paintings (2014), and Knife Paintings (2006) – and has participated in numerous group exhibitions including our major survey exhibition MINUS SPACE at MoMA PS1 in 2008-2009 and Twenty (2023).Brennan's work have been reviewed in publications including The New York Times, Art in America, ARTnews, Art New England, The Brooklyn Rail, ArtNet Magazine, NY Arts, and Philadelphia Inquirer. He is also an accomplished arts writer, and his reviews and essays have been published in The Brooklyn Rail, ArtNet Magazine, Two Coats of Paint, The Village Voice, The Architect's Newspaper, American Abstract Artists, and Archives of American Art/Smithsonian Institution, as well as in numerous exhibition catalogues.Brennan's work is included in collections such as the Baltimore Museum of Art, National Gallery of Art, San Francisco Museum of Modern Art, San Jose Museum of Art, American Express, General Dynamics, Daimler AG, and Sony Corporation. He holds an MFA in Painting and an MS in Art History from Pratt Institute and a BA in Classics from the University of Florida. He has taught at Pratt Institute since 1998 and is currently Adjunct Professor in the Fine Arts Department. He has also previously taught at the School of Visual Arts, Hunter College, and Cooper Union (all NYC).  

Episode No. 742 features artist Woody De Othello, and artists Jason Garcia, Michael Namingha, and curator Bess Murphy. The Pérez Art Museum Miami is presenting "Woody De Othello: coming forth by day," a presentation of new ceramic and wood sculptures, tiled wall works, and a large-scale bronze, all of which explore the primordial relationship between body, earth, and spirit. The exhibition was organized by Jennifer Inacio with the support of Fabiana A. Sotillo. It is on view in Miami through June 28 after which it will travel to the Manetti Shrem Museum of Art, University of California, Davis. De Othello's sculpture, painting, and drawing often investigate the still life genre. His previous institutional solo exhibition was at The Bowes Museum in the UK. Museums that have featured his work in group shows include the Metropolitan Museum of Art, New York, the Seattle Art Museum, the University of Michigan Museum of Art, and the Fine Arts Museums of San Francisco. The Whitney Museum of American Art included him in its 2022 biennial. Later this year, his work will be featured in a Public Art Fund solo presentation in Brooklyn's Brooklyn Bridge Park. He is an artist trustee of the San Francisco Museum of Modern Art. Garcia and Murphy are the co-curators of "Tewa Nangeh/Tewa Country" at the Georgia O'Keeffe Museum in Santa Fe. Namingha is among the 13 artists in the exhibition, 12 of whom are from the six Tewa Pueblos of northern New Mexico (Nambé, Ohkay Owingeh, Pojoaque, San Ildefonso, Santa Clara, and Tesuque).  "Tewa Nangeh" presents the work of Tewa artists while highlighting O'Keeffe's erasure of Tewa people. It is on view through September 7. Garcia's work is in the collection of museums such as the Heard Museum in Phoenix, the Art Institute of Chicago, the Nelson-Atkins Museum of Art, Kansas City, and the Smithsonian's National Museum of the American Indian. Namingha's work is also on view through April 5 at the Museum of Indian Arts and Culture, Santa Fe in "Essential Elements: Art, Environment, and Indigenous Futures." The El Paso Museum of Art and the IAIA Museum of Contemporary Native Arts, Santa Fe have featured solo exhibitions of his work; he's been in group shows at museums such as the Minneapolis Institute of Arts, the Metropolitan Museum of Art, New York, and the Hood Museum of Art, Dartmouth College. Instagram: Woody De Othello, Jason Garcia, Michael Namingha, Tyler Green. Air date: January 22, 2026.

In this episode of PhotoWork with Sasha Wolf, Alejandro Cartagena returns to discuss his mid-career solo exhibition Ground Rules at San Francisco Museum of Modern Art, along with the accompanying book published by Aperture. Alejandro and Sasha dig into how both the exhibition and the book came together, from concept to execution. He also reflects on the lasting impact of his seminal project Carpoolers, and how it shaped his thinking around photography, technology, and intent. The conversation expands to the broader cultural stakes of the medium, including Alejandro's recent investigations into AI-generated imagery. https://alejandrocartagena.com https://www.sfmoma.org/exhibition/alejandro-cartagena-ground-rules/ https://aperture.org/books/alejandro-cartagena-ground-rules/ Alejandro Cartagena, Mexican (b. 1977, Santo Domingo, Dominican Republic) lives and works in Monterrey, Mexico. His projects employ landscape and portraiture as a means to examine social, urban, and environmental issues. Cartagena's work has been exhibited internationally in more than 50 group and individual exhibitions in spaces including the Fondation Cartier pour l'art contemporain in Paris and the CCCB in Barcelona, and his work is in the collections of several museums including the San Francisco MOMA, The J. Paul Getty Museum, The Museum of Contemporary Photography in Chicago, The MFAH in Houston, the Portland Museum of Art, The West Collection, the Coppel collection, the FEMSA Collection, Museum of Fine Arts in Houston, the George Eastman House and the Santa Barbara Museum of Art and among others. Alejandro is a self publisher and co-editor and has created several award wining titles including Insurrection Nation, Studio Cartagena 2021, Santa Barbara Save US, Skinnerboox, 2020, A Small Guide to Homeownership, The Velvet Cell 2020, We Love Our Employees, Gato Negro 2019, Santa Barbara Shame on US, Skinnerboox, 2017, A Guide to Infrastructure and Corruption, The velvet Cell, 2017, Rivers of Power, Newwer, 2016, Santa Barbara return Jobs to US, Skinnerboox, 2016, Headshots, Self-published, 2015, Before the War, Self-published, 2015, Carpoolers, Self-published with support of FONCA Grant, 2014, Suburbia Mexicana, Daylight/ Photolucida 2010. Some of his books are in the Yale University Library, the Tate Britain, and the 10×10 Photobooks/MFH Houston book collections among others. Cartagena has received several awards including the international Photolucida Critical Mass Book Award, the Street Photography Award in London Photo Festival, the Lente Latino Award in Chile, the Premio IILA-FotoGrafia Award in Rome and the Salon de la Fotografia of Fototeca de Nuevo Leon in Mexico among others. He has been named an International Discoveries of the FotoFest festival, a FOAM magazine TALENT and an Emerging photographer of PDN magazine. He has also been a finalist for the Aperture Portfolio Award and has been nominated for the Santa Fe Photography Prize, the Prix Pictet Prize, the Photoespaña Descubrimientos Award and the FOAM Paul Huff Award. His work has been published internationally in magazines and newspapers such as Newsweek, Nowness, Domus, the Financial Times, The New York Times, Le Monde, Stern, PDN, The New Yorker, and Wallpaper, among others.

Welcome to Art is Awesome, the show where we talk with an artist or art worker with a connection to the San Francisco Bay Area. Happy New Year! Cheers to a great 2026! In today's Episode, we continue our Winter Hiatus with a Replay of EP27 from June of 2024, with Illustrator Tucker Nichols... Emily chats with NorCal based artist Tucker Nichols as he shares stories about his spontaneous move to Taiwan, where he immersed himself in a vibrant artistic community. He discusses his extensive body of work, including children's books and the initiative 'Flowers for Sick People.' He reflects on his background, including his mother's influence and his intense study of East Asian art. Tucker's journey includes struggling with Crohn's disease and a career shift to become a full-time artist, supported by his wife. He talks about influential works and places, emphasizing his lifelong passion for art. The podcast concludes with three thought-provoking questions Emily asks every guest.Stay tuned as we return in 2 weeks with a brand new Episode with featuring a new batch of Awesome Artists! About Artist  Tucker Nichols:Tucker Nichols is an artist based in Northern California. His work has been featured at the Drawing Center in New York, the San Francisco Museum of Modern Art, the Denver Art Museum, Den Frie Museum in Copenhagen, and the Asian Art Museum in San Francisco. A show of his sculpture, Almost Everything On The Table, was recently on view at the Aldrich Contemporary Art Museum. He is currently an Artist Trustee at SFMOMA.His drawings have been published in The New Yorker, The New York Review of Books, McSweeney's, The Thing Quarterly, and the Op-Ed pages of The New York Times. He is co-author of the books, Crabtree (with Jon Nichols) and This Bridge Will Not Be Gray (with Dave Eggers). Flowers for Things I Don't Know How to Say  was released in March 2024. Flowers for Sick People, his ongoing multimedia project, can be viewed here.Visit Tucker's Website:  TuckerNichols.comFollow Tucker  on Instagram:  @TuckerNichols--About Podcast Host Emily Wilson:Emily a writer in San Francisco, with work in outlets including Hyperallergic, Artforum, 48 Hills, the Daily Beast, California Magazine, Latino USA, and Women's Media Center. She often writes about the arts. For years, she taught adults getting their high school diplomas at City College of San Francisco.Follow Emily on Instagram: @PureEWilFollow Art Is Awesome on Instagram: @ArtIsAwesome_Podcast--CREDITS:Art Is Awesome is Hosted, Created & Executive Produced by Emily Wilson. Theme Music "Loopster" Courtesy of Kevin MacLeod (incompetech.com)Licensed under Creative Commons: By Attribution 4.0 LicenseThe Podcast is Co-Produced, Developed & Edited by Charlene Goto of @GoToProductions. For more info, visit Go-ToProductions.com Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

Welcome to Art is Awesome, the show where we talk with an artist or art worker with a connection to the San Francisco Bay Area. In this episode Emily interviews artist Masako Miki, whose solo exhibition "Midnight March" is on view at the ICA San Francisco through December 7th. Masako discusses her journey from Osaka, Japan to California, her fascination with Japanese folklore—especially the "Night Parade of 100 Demons"—and how these stories inspire her colorful felted sculptures. The conversation explores themes of animism, transformation, and protest, as well as Masako's creative process and the importance of art in shifting perspectives. Tune in to hear about her artistic influences, the significance of her studio, and the playful yet profound characters she brings to life.About Artist Masako Miki :As a multimedia artist, Masako Miki navigates diverse mediums, including textile sculpture, watercolor, and outdoor public installations to explore the intersection of mythology, folklore, and contemporary social issues. Miki has exhibited her immersive felt sculptural installations and watercolor works on paper in the US, and internationally.  She has exhibited at institutions including Berkeley Art Museum and Pacific Film Archive and de Young Museum. Inspired by Shinto's animism, Miki attempts crafting new mythologies concerning cultural identity as social collectives.  Miki was a recipient of the 2018 Inga Maren Otto Fellowship Award from Watermill Center in New York, also has been a resident artist including de Young Museum and Facebook HQ.  Miki's work is in collections at San Francisco Museum of Modern Art, Colección Solo in Spain, The Byrd Hoffman Water Mill Foundation, Facebook, Inc., and Berkeley Art Museum and Pacific Film Archive.  Miki's monumental outdoor public art installation at Uber HQ in San Francisco and OH Bay cultural coastal park in Shenzhen China is on view.  She is currently working on Mina and Natoma Street Corridor Project with SFMOMA and SFAC designing functional sculptures. Miki is a native of Japan and currently based in Berkeley, California.  She is represented by RYANLEE Gallery in New York and Jessica Silverman Gallery in San Francisco.Visit Masako's Website:  MasakoMiki.comFollow Masako on Instagram: @MasakoMikiLearn More about Masako's exhibit "Midnight March" at the ICA SF through December 7 - CLICK HERE. --About Podcast Host Emily Wilson:Emily a writer in San Francisco, with work in outlets including Hyperallergic, Artforum, 48 Hills, the Daily Beast, California Magazine, Latino USA, and Women's Media Center. She often writes about the arts. For years, she taught adults getting their high school diplomas at City College of San Francisco.Follow Emily on Instagram: @PureEWilFollow Art Is Awesome on Instagram: @ArtIsAwesome_Podcast--CREDITS:Art Is Awesome is Hosted, Created & Executive Produced by Emily Wilson. Theme Music "Loopster" Courtesy of Kevin MacLeod (incompetech.com)Licensed under Creative Commons: By Attribution 4.0 LicenseThe Podcast is Co-Produced, Developed & Edited by Charlene Goto of @GoToProductions. For more info, visit Go-ToProductions.com Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

Marilyn Minter (b. 1948, USA) is an artist based in New York. Recent solo exhibitions include Marilyn Minter, Lehmann Maupin, Seoul, South Korea (2024). Marilyn Minter, LGDR, New York, NY (2023); Marilyn Minter, Lehmann Maupin, Hong Kong, China (2021); All Wet, Montpellier Contemporary (Mo.Co), Montpellier, France (2021); Smash, MoCA Westport, Westport, CT (2021); Fierce Women, The Cube, Moss Arts Center, Virginia Polytechnic Institute and State University, Blacksburg, VA (2020); Nasty Woman, SCAD Museum of Art, Savannah GA (2020); among others. From 2015 through 2017, her retrospective, Marilyn Minter: Pretty/Dirty, traveled to the Contemporary Arts Museum, Houston (TX); the Museum of Contemporary Art, Denver (CO); the Orange County Museum of Art, Newport Beach (CA); and the Brooklyn Museum, Brooklyn (NY). Her video Green Pink Caviar was on view at The Museum of Modern Art, New York from 2010-2011.Minter is the recipient of numerous prestigious awards, including the Louis Comfort Tiffany Grant (2006) and the Guggenheim Fellowship (1998). Minter's work is in the collections of many museums globally, including the the Museum of Contemporary Art, Los Angeles (CA); San Francisco Museum of Modern Art, San Francisco (CA); (MA); the Museum of Modern Art, New York (NY); the Perez Art Museum, Miami (FL); the Tate Modern, London (U.K); the Solomon R. Guggenheim Museum, New York (NY); and the Whitney Museum of American Art, New York (NY), among many others.She and Zuckerman discussed shaming young and beautiful women, trust, how we take care of ourselves, making things her own, progress, the ability to copy anything, getting rid of narrative, finding out who we are, identifying people's gifts, seeing joy and the love of making, making bad things, the reality of self-doubt, looking for things that bother you, piggy backing, and how hard it is to be alive!

Welcome back for the conclusion of my conversation with retired Chief of Police and Author Brian Brady. Brian was born and raised in the San Francisco area and became a police officer in Berkeley, California, in the late sixties. He moved around to four different police departments, eventually attaining the rank of Chief of Police.  After decades of serving and protecting, he retired from police work and transitioned to becoming a corporate security executive. This path led him to holding executive positions at prestigious organizations such as NBC Universal and the San Francisco Museum of Modern Art. Brian has published two crime novels and is working on his third.  I really enjoyed talking to someone like Brian, who has seen the evolution of police work through the years and worked his way up from police officer to chief. Brain is one of the few police chiefs I have known who didn’t lose their way and bend to politics and ego. He has a good heart, and that is what’s needed if you are going to lead a police force in today’s world of distorted priorities and egos. Please enjoy this informative and wide-ranging conversation with Brian Brady. In today’s episode, we discuss: ·      How departments are falsifying crime stats. ·      Why would you want to be a police chief? ·      Brian being in four different departments and did most jobs within the PD. What were his favorite positions and department? What was his least favorite? ·      How could the Alec Baldwin situation have happened? ·      Retired from law enforcement and going to corporate security. How difficult was it for him to transition to that? ·      The billion-dollar business of fine art security. ·      Where do art thieves fence priceless pieces of art? ·      The secret world of fine art forgeries. ·      Artificial intelligence and writing. ·      Talking about Harry Bosch and Titus Welliver! ·      His latest book, Greed. What is it about, and what should we expect? ·      The Isabella Stewart Gardner Museum heist, which occurred on March 18, 1990, where 500 million in art was stolen. ·      If your book made it to the big screen, who would you want playing the main role? All of this and more on today’s episode of the Cops and Writers podcast. Check out Brian's website to learn more about him and his books! Check out the new Cops and Writers YouTube channel! Check out my newest book, The Good Collar (Michael Quinn Vigilante Justice Series Book 1)!!!!! Enjoy the Cops and Writers book series. Please visit the Cops and Writers website.  

Suzanne Jackson talks to Ben Luke about her influences—from writers to musicians and, of course, other artists—and the cultural experiences that have shaped her life and work. Jackson, who was born in 1944 in St. Louis, Missouri, but grew up in San Francisco and Fairbanks, Alaska, has worked across drawing and painting, poetry, dance and theatre, to explore a strong and often spiritual connection between people and the natural world. With a fluid and poetic painting style, Suzanne has responded to the many different natural and social environments in which she has lived in the US, from San Francisco and Los Angeles, to Fairbanks, Alaska and Savannah, Georgia, to forge a distinctive take on the world and the communities that inhabit it. She taps into a broad range of artistic languages, including Native American and African American traditions, and exhibits a deep sensitivity to history and ecology while reflecting profoundly on her personal lived experience. She has also been a gallery owner and public art administrator, with a keen sense of the role art can play in uniting and inspiring communities. Today, she makes installations formed by painted and sculptural forms that hang in the exhibition space, directly addressing subjects including the climate catastrophe. She discusses the important moment where she first encountered the work of Barbara Chase Riboud, a profound encounter with Elizabeth Catlett and her admiration for Torkwase Dyson. She talks of her passion for the cartoons Archy and Mehitabel and Krazy Kat, and her love of Mississippi Delta Blues and jazz or as she calls it, African American classical music. Plus she gives insight into her life in the studio and answer our usual questions, including the ultimate, “what is art for?”Suzanne Jackson: What is Love, San Francisco Museum of Modern Art, until 1 March 2026; Walker Art Center, Minneapolis, 14 May-23 August 2026; Museum of Fine Arts, Boston, 26 September 2026-7 February 2027 Hosted on Acast. See acast.com/privacy for more information.

On today’s episode of the Cops and Writers Podcast, I have with me retired Chief of Police and Author Brian Brady. Brian was born and raised in the San Francisco area and became a police officer in Berkeley, California, in the late sixties. He moved around to four different police departments, eventually attaining the rank of Chief of Police.  After decades of serving and protecting, he retired from police work and transitioned to becoming a corporate security executive. This path led him to holding executive positions at prestigious organizations such as NBC Universal and the San Francisco Museum of Modern Art. Brian has published two crime novels and is working on his third.   I really enjoyed talking to someone like Brian, who has seen the evolution of police work through the years and worked his way up from police officer to chief. Please enjoy this informative and wide-ranging conversation with Brian Brady.   In today’s episode, we discuss: ·      Growing up in San Francisco. ·      Brain’s law enforcement influences. ·      Brian starting his LE career in Berkeley in the late 60s. Lots going on in the world, and of course, Berkeley was the epicenter of turmoil. ·      The innovations that came from the Berkeley Police Department. ·      No formal FTO program when he started in Berkeley. ·      Brian’s first foot chase, apprehending a purse snatcher and getting scolded for not following protocol. ·      Typing police reports on a manual typewriter? ·      Why the rank of sergeant is the most influential and important in law enforcement. ·      Novato PD as Police Chief. What did he expect being chief, and what surprised you about the job? Are you the “Political Pinata”? ·      Being the incident commander at an officer-related shooting where an officer was forced to take a life. ·      The pros and cons of CompStat.     All of this and more on today’s episode of the Cops and Writers podcast.     Check out Brian's website to learn more about him and his books!      Check out the new Cops and Writers YouTube channel! Check out my newest book, The Good Collar (Michael Quinn Vigilante Justice Series Book 1)!!!!! Enjoy the Cops and Writers book series. Please visit the Cops and Writers website.     

Episode 489 / Alexis RockmanBorn in 1962 in New York, Alexis Rockman has depicted a darkly surreal vision of the collision between civilization and nature – often apocalyptic scenarios on a monumental scale – for over three decades. Notable solo museum exhibitions include “Alexis Rockman: Manifest Destiny” at the Brooklyn Museum (2004), which traveled to several institutions including the Wexner Center for the Arts (2004) and the Rhode Island School of Design (2005). In 2010, the Smithsonian American Art Museum organized “Alexis Rockman: A Fable for Tomorrow,” a major touring survey of his paintings and works on paper. Concurrent with Rockman's 2013 exhibition at Sperone Westwater, the Drawing Center mounted “Drawings from Life of Pi,” featuring the artist's collaboration with Ang Lee on the award-winning film Life of Pi. His series of 76 New Mexico Field Drawings was included in “Future Shock” at SITE Santa Fe (2017-18). “Alexis Rockman and Mark Dion: A Journey to Nature's Underworld” was presented at the Bruce Museum, Greenwich, CT (2023) and traveled to the Virginia Museum of Contemporary Art (2024). It will be on view at the Tang Teaching Museum at Skidmore College, Saratoga Springs, NY until 5 January 2025, and at the Palmer Museum of Art at Penn State from August 30th through December 7th. His work is represented in many museum collections, including the Baltimore Museum of Art; Brooklyn Museum; Crystal Bridges Museum of American Art; Grand Rapids Art Museum; Los Angeles County Museum of Art; Museum of Fine Arts, Boston; New Orleans Museum of Art; San Francisco Museum of Modern Art; Smithsonian American Art Museum; Solomon R. Guggenheim Museum; and Whitney Museum of American Art. Rockman's first solo exhibition with Sperone Westwater, “Evolution,” was presented in 1992. He has had subsequent solo exhibitions at the gallery in 2013, 2018, 2020-21 and 2023. He lives and works in Warren, Connecticut.

Robert Janitz (b. 1962, Alsfeld, Germany) is a contemporary painter known for his bold, abstract canvases that balance humor, gesture, and materiality. After studying Sanskrit and art history in Germany, he lived in Paris for many years before relocating to New York and later Mexico City, where he currently lives and works. Janitz is best recognized for his large-scale works featuring sweeping, textured brushstrokes that recall the motion of everyday acts—like buttering toast or polishing shoes—transforming mundane gestures into painterly abstraction. His practice often blends saturated color fields with playful surfaces, exploring perception, language, and the boundaries of painting itself. Over the past two decades, his work has been exhibited internationally in museums and galleries, including solo and group shows across Europe, the United States, and Latin America. His works are part of the permanent collections of the Musée d'Art Moderne de Paris, France; San Francisco Museum of Modern Art, San Francisco, USA; Amorepacific Museum of Art, Seoul, South Korea; the Collezione Maramotti in Reggio Emilia and the Hall Art Foundation, Reading, VT, USA. Robert Janitz, Studio Rats, 2025, Oil, wax, flour on linen, 25 × 20 inches (63.5 × 50.8 cm) Robert Janitz, Masquerade in the Park, 2024, Oil, wax, flour on linen, 25 ½ × 19 ½ inches (65 × 50 cm) Robert Janitz, Camino a Comala, 2024, Oil, wax, flour on linen, 51 × 39 inches (130 × 100 cm)

Episode No. 718 features artist Masako Miki and artist/curator Katherine Simóne Reynolds. The Institute of Contemporary Art San Francisco is presenting "Midnight March," a far-ranging presentation of Miki's two-dimensional and three-dimensional practice. The Japanese-born Miki's paintings, sculptures, and installations live between the sacred and the secular. Her often exuberant sculptures are rooted in the blending of Japanese and US cultures. Her previous solo shows have been at museums such as the de Young Museum, San Francisco, the Berkeley Art Museum and Pacific Film Archive, University of California, Berkeley, and the ICA San José. Her work is in the permanent collections of BAMPFA, the San Francisco Museum of Modern Art, and more. Reynolds is the curator of "Held Impermanence (Artists Select: Katherine Simóne Reynolds)" at the Clyfford Still Museum, Denver. The exhibition uses the museum's art collection and archive to consider multiple competing desires, including Still's and the desires of art institutions, such as the unknown future museum to which he directed his art and archive be entrusted. Reynolds is an artist and curator who investigates emotional dialects and psychogeographies of Blackness. Her previous exhibitions have been at venues such as SculptureCenter, New York, Counterpublic 2023, St. Louis, and the Stanley Museum of Art, University of Iowa. As mentioned on the program: The CSM's gallery booklet. Instagram: Masako Miki, Tyler Green.

In this episode of PhotoWork with Sasha Wolf, photographer and educator Sage Sohier joins Sasha to discuss a lifetime of extraordinary work, including her recently published books Passing Time and Americans Seen (Nazraeli Press), featuring photographs made primarily in the 1980s. They also delve into Witness to Beauty (Kehrer Verlag), an intimate and moving portrait of Sohier's mother alongside her two daughters—a project that embraces aging and the passage of time. Throughout the conversation, Sage shares her enthusiasm and thoughtful insights on staying open to new ideas and equipment, as well as the value of revisiting older work with fresh eyes. https://sagesohier.com https://www.instagram.com/sagesohier/ Sage Sohier (b. 1954, Washington, D.C.) grew up in Virginia and received her BA from Harvard University in 1975. She is a Boston-based photographer who has published eight monographs, including “Americans Seen,” (Nazraeli Press 2017 and 2024), “Passing Time,” (2023), and “Witness to Beauty” (Kehrer 2017). She is the recipient of Guggenheim and National Endowment for the Arts fellowships. Sohier's work has been included in group shows at the Museum of Modern Art, NY, the International Center of Photography, the Art Institute of Chicago, and in solo shows at Joseph Bellows Gallery, Robert Klein Gallery, Foley Gallery, Blue Sky Gallery, and The Museum of Contemporary Photography in Chicago. Her work is in numerous collections including the Museum of Modern Art, NY, the Museum of Fine Arts, Boston, the San Francisco Museum of Modern Art, and the Nelson-Atkins Museum of Art. She has taught photography at Harvard University and Wellesley College, and has done commissioned work for the George Gund Foundation in Cleveland, the Robert Rauschenberg Residency program in Captiva, FL, as well as editorial work for numerous publications

Anselm Kiefer is one of the world's greatest living artists. Born in Germany at the end of the Second World War, much of his work in paintings, sculptures and vast installation pieces, has addressed his country's history and culture, asking difficult questions about the legacy of fascism and conflict. His paintings, thickly layered and sometimes embellished with straw or molten lead, often depict dark rutted fields or dense forests. Kiefer is renowned for the size of his work, and for his industrial-scale studio complexes in France, where he has lived for over thirty years. Kiefer's works are included in numerous public collections including the Museum of Modern Art and the Solomon R. Guggenheim Museum, New York, Tate Modern, the San Francisco Museum of Modern Art and the National Gallery of Australia. His most recent show at the Royal Academy in London has paired his works with those of one his artistic heroes for an exhibition called Kiefer/Van Gogh. Producer: Edwina Pitman

Lisa Yuskavage creates works that affirm the singularity of the medium of painting while challenging conventional understandings of genres and viewership. At once exhibitionist and introspective, her rich cast of characters and their varied attributes are layered within compositions built of both representational and abstract elements, in which color is the primary vehicle of meaning. Yuskavage's work has been the subject of numerous solo exhibitions, including Lisa Yuskavage: Wilderness, which was on view at the Aspen Art Museum in 2020 and the Baltimore Museum of Art in 2021. In 2015, The Rose Art Museum, Brandeis University, Waltham, Massachusetts, presented Lisa Yuskavage: The Brood, a major survey spanning twenty-five years of the artist's work. The show traveled to the Contemporary Art Museum St. Louis in 2016. Lisa Yuskavage: Drawings just opened at The Morgan Library & Museum and is on view through January 4, 2026.Museum collections which hold works by the artist include the Art Institute of Chicago; Hirshhorn Museum and Sculpture Garden, Washington, DC; The Metropolitan Museum of Art, New York; Museum of Contemporary Art, Los Angeles; The Museum of Modern Art, New York; San Francisco Museum of Modern Art; and the Whitney Museum of American Art, New York, among others. She and Zuckerman discuss changing the world, vulnerability, why make art, using pushback as an opportunity, pushing against resistance, getting rid of self-doubt, and how Art makes you feel less alone!

Brian Brady worked 35 years in law enforcement with four departments in two states.He worked every rank and assignment from Patrol Officer to Chief of Police. Brian did 10 years as the Vice President of Corporate Security for NBCUniversal in Los Angeles and also was Director of Security for the San Francisco Museum of Modern Art. He has authored three crime/fiction books centered in the San Francisco Bay Area. ProForce Law Enforcement - Instagram @proforcelawenforcement / 1-800-367-5855 Special Discount Link for TPS listeners! http://tps.proforceonline.com   Check out Brian's popular novels at https://www.goldengatetales.com   Contact Steve - steve@thingspolicesee.com Support the show by joining the Patreon community today! https://www.patreon.com/user?u=27353055

A photo of the artist: Judith Simonian with Charles Yuen Many of Simonian's works in the exhibition at JJ MURPHY Gallery are still lifes, such as “Marysia's Salon” (2024), which was inspired by a visit to a Polish beauty parlor in her East Village neighborhood. “Bottle Symphony in Red” (2023) recalls Giorgio Morandi. Whereas Morandi's still lifes are a delicate arrangement of vases, jugs, bowls, urns, and bottles, painted in muted colors—whites, browns, and tans—set against a neutral background, Simonian bombards our senses through her use of high-intensity reds, pinks, blue-greens, grays, blacks, and yellow ochre. In “Inside Outside” (2023), the artist similarly portrays a room as an expressionistic whirlwind of vivid colors. Simonian's paintings deal with intervals, or the spaces between points. Simonian's still lifes often open up an interior space to an exterior one. In “Marysia's Salon,” a photograph tacked on the wall suggests the world outside. “Bobby Pins of Manhattan” (2023-24) provides a glimpse of the city skyline through the window, including the landmark Empire State Building. “Cat in the Lamp” (2024) depicts a black cat inside an illuminated yellow lampshade in front of a large window that overlooks water. Simonian employs careful framing to create meaning. It is possible to view several of her landscape paintings as political allegories. In "Greener Pastures" (2025), the shimmering image of the Statue of Liberty appears to be a mirage, while green brushstrokes seem to hint at water on deck or maybe even a school of fish. "Resting on Her Side" (2024) depicts rocky terrain and the bleak spectacle of a capsized ship. Judith Simonian has had solo exhibitions of her work at 1GAP, Brooklyn; Edward Thorp Gallery, New York City; and John Davis Gallery in Hudson, NY. Her work has been shown in numerous museums, including The New Museum, NYC; MoMA/PS1, NYC; Islip Museum, NY; Montclair Art Museum, NJ; Weatherspoon Art Museum, NC; San Francisco Museum of Art, CA; Santa Barbara Museum of Art, CA; Newport Harbor Art Museum, CA; and the Madison Museum of Contemporary Art, WI. Simonian has been awarded many prestigious honors, including a John Simon Guggenheim Memorial Foundation Fellowship, an Adolph and Esther Gottlieb Foundation Individual Support Grant, and a National Endowment for the Arts Grant. She received her BA and MA degrees from California State University, Northridge. The artist lives and works in New York City. Greener Pastures, 2025, acrylic on canvas, 24 x 32 inches Marysia's Salon, 2024, acrylic on canvas, 30 x 20 inches Enter the Mountain Yellow, 2023, acrylic on canvas, 50 x 66 inches

Paul Seawright is Professor of Photography and Deputy Vice Chancellor at Ulster University in Northern Ireland. His photographic work is held in many museum collections including The Irish Museum of Modern Art, Tate, San Francisco Museum of Modern Art, International Centre of Photography New York, Arts Councils of Ireland, England and N.Ireland, UK Government Collection and the Museum of Contemporary Art Rome. In 2002 he was commissioned by the Imperial War Museum London to undertake a war art commission in Afghanistan and his photographs of battle-sites and minefields have subsequently been exhibited in North America, Canada, Ireland, Spain, France, Germany, Korea, Japan and China. In 2003 he represented Wales at the Venice Biennale of Art and in 1997 won the Irish Museum of Modern Art/Glen Dimplex Prize. He is represented by the Kerlin Gallery Dublin.Paul was appointed Officer of the Order of the British Empire (OBE) in the 2020 Birthday Honours for services to higher education and the arts. In episode 258, Paul discusses, among other things:The influence of studying at Farnham..and Martin Parr……And being at NewportNot taking a position‘Allusive documentary'The danger of losing the meaningThe ethical considerations of working on foreign soilThe essential business of researchHow do you find your next project?His USA projects Volunteer and Things Left UnsaidThe importance of titlesHis work from Rwanda, Beasts of Burden Referenced:Thomas Joshua CooperAnna Fox (Ep. 166)Ken Grant (Ep. 128)Chris ShawMartin Parr (Eps. 91 & 197)Peter Fraser (Ep. 172)Paul Graham (Ep. 149)Jem Southam (Ep. 174)Chris Killip (Ep. 94)Victor BurginAnne WilliamsNewportDaniel Meadows (Ep. 116)Clive LandenIvor Prickett (Ep.204)Anastasia Taylor Lind (Ep.68)Rich GilliganJames MollisonPaul VirilloParr and BadgerRobert Adams, The New WestIan Walker, Desert Stories, or Faith In FactsBaudrillardCalvino, Invisible CitiesGilles Peress The SilenceAlfredo JaarFergal KeaneBrian Keenan Website | Instagram EPISODE SPONSOR: CHARCOAL WORKSHOPS. THE ‘SUMMER SERIES' TAKING PLACE IN PORTLAND, MAINE, SEPTEMBER 15-19, 2025. FEATURING: ANTOINE D'AGATA, TODD HIDO AND CHRISTIAN PATERSON. SIGN UP AT THE LINK! “‘Allusive documentary' is probably a good way to think about it. For me, it's really about - and this is the bit that goes back to my experience of photography in Northern Ireland, which was all about dramacentric imagery - how you can make photographs that have a documentary subject (that might be the closest I come to being a documentarian, that I work with the subject of documentary photography) but with the methodology of an artist. That's kind of the way I like to frame it, and I think that follows through to the work which is nearly always conceived for the gallery wall.” Become a A Small Voice podcast member here to access exclusive additional subscriber-only content and the full archive of 200+ previous episodes for £5 per month.Subscribe to my weekly newsletter here for everything A Small Voice related and much more besides.Follow me on Instagram here.Build Yourself a Squarespace Website video course here.

Welcome to Art is Awesome, the show where we talk with an artist or art worker with a connection to the San Francisco Bay Area. In this Episode, Emily chats with "The Button Man", Harlem artist Beau McCall, an artist renowned for his unique use of buttons in wearable and visual art. McCall's work is featured in prominent collections such as New York's Museum of Arts and Design and London's Victoria and Albert Museum. McCall recounts his upbringing in Philadelphia, his move to Harlem, and his early inspirations. He explains how his fascination with buttons began with his mother's collection and grew through various craft classes. McCall shares memories of his artistic evolution, his experiences with the Harlem community, and the personal significance of his work, including tributes to friends lost to AIDS. The episode concludes with McCall's advice to aspiring artists and a nod to his ongoing support from his mother.About Artist Beau McCall :Drawing inspiration from the vast button collection of his mother and family, Beau McCall creates wearable and visual art by applying clothing buttons onto mostly upcycled fabrics, materials, and objects. With deliberate focus the buttons are arranged to stimulate one's curiosity and imagination, while simultaneously drawing attention to the unique history of buttons. Thereby McCall's work generates a discussion surrounding many topics such as pop culture and social justice.McCall began his professional career in Harlem in the 1980s after arriving from his native, Philadelphia with nothing more than a few hundred dollars, a duffel bag, and buttons. Circa 1988 he made his critically acclaimed wearable art debut at The Harlem Institute of Fashion (HIF) show for HARLEM WEEK. McCall went on to become an established force within HIF's Black Fashion Museum collective presenting at their shows consecutively through circa 1995, as well being featured in their museum exhibitions and prestigious events. During this time, McCall's visually captivating work was featured in the fashion bible Women's Wear Daily, on the PBS version of George C. Wolfe's The Colored Museum (1991), and in the award-winning film Quartier Mozart (1992), directed by Jean-Pierre Bekolo. The film won prizes at film festivals in Cannes, Locarno, and Montreal and was nominated, in 1993, for a British Film Institute award.McCall eventually applied his mastery of the button to visual art. Since then, he's been proclaimed by American Craft magazine as “The Button Man.” His visual and wearable art has been included in exhibitions at The Museum at FIT, Nordstrom, the African American Museum in Philadelphia, Houston Museum of African American Culture, Charles H. Wright Museum of African American History, Stax Museum of American Soul Music, the Langston Hughes House in partnership with the inaugural Columbia University Wallach Art Gallery Uptown triennial and StoryCorps, and Rush Arts Gallery. McCall's work is held in the permanent collection of public institutions and by private individuals including the Museum of Arts and Design (New York), Philadelphia Museum of Art (Philadelphia), Victoria and Albert Museum (London), The Museum at FIT (New York), Schomburg Center for Research in Black Culture (New York), Amistad Research Center (New Orleans), The Museum of Modern Art Library (New York), Leslie-Lohman Museum of Art (New York), Stonewall National Museum & Archives (Fort Lauderdale), and The San Francisco Museum of Modern Art Library (San Francisco), Cyndi Lauper's True Colors Residence, Debbie Harry of Blondie, Jeffrey Gibson, and Cristina Grajales. McCall has also been commissioned by the Museum of Arts and Design, Columbia University, and the Schomburg Center for Research in Black Culture. And his wearable art can be found in gift shops including the Newark Museum of Art. McCall has been featured in the NY Times, Associated Press, NPR, L.A. Times, and more. In addition, he has served as a teaching artist at the Newark Museum of Art, the New York Public Library, and the Harlem Arts Alliance. McCall has also created a wearable art line called, Triple T-shirts. For these pieces, he upcycles three T-shirts by combining them into one flowing garment that can be worn in six different ways. Each style—from poncho to hoodie to shawl and beyond—brings dynamic versatility to traditional T-shirts. The shirts are curated to form a narrative about various socially-conscious and lighthearted themes.In 2021, McCall released his debut artists' book titled, REWIND: MEMORIES ON REPEAT, commissioned and published by SHINE Portrait Studio@ Express Newark, Rutgers University-Newark. The book honors the legacy of ten of McCall's deceased friends through collages composed of archival photos and images from his button artwork. The collages capture the late 1970s to the mid-1980s, from Philadelphia to New York, during the LGBTQ+ rights movement, the height of disco music and the AIDS crisis.In 2024, McCall debuted his first-ever retrospective and exhibition catalog titled, Beau McCall: Buttons On! at Fuller Craft Museum. The exhibition is currently on a nationwide tour.Through his work, McCall remains committed to channeling and contributing to the universal cultural legacy one button at a time.Visit Beau's Website:  BeauMcCall.ComFollow Beau on Instagram: @Beau_McCallFor more on Beau's exhibit "Buttons On!" CLICK HERE--About Podcast Host Emily Wilson:Emily a writer in San Francisco, with work in outlets including Hyperallergic, Artforum, 48 Hills, the Daily Beast, California Magazine, Latino USA, and Women's Media Center. She often writes about the arts. For years, she taught adults getting their high school diplomas at City College of San Francisco.Follow Emily on Instagram: @PureEWilFollow Art Is Awesome on Instagram: @ArtIsAwesome_Podcast--CREDITS:Art Is Awesome is Hosted, Created & Executive Produced by Emily Wilson. Theme Music "Loopster" Courtesy of Kevin MacLeod (incompetech.com)Licensed under Creative Commons: By Attribution 4.0 LicenseThe Podcast is Co-Produced, Developed & Edited by Charlene Goto of @GoToProductions. For more info, visit Go-ToProductions.com

Cianne Fragione (b. 1952) is a multidisciplinary artist. With roots in the San Francisco Bay Area Beat and Funk art milieus, she has developed her own process-oriented artistic vocabulary over the past four decades that crosses boundaries between abstract painting and sculpture, and between object and image. A striking combination of oil paint, mixed-media materials, found objects, and textiles characterizes her signature style. Each piece, whether two- or three-dimensional, is built slowly over lengthy periods, becoming a dense synthesis of influences and personal perspectives, including mid-century gestural abstraction and the physical fluency of her early training as a professional dancer. While a sense of space and movement dominates her two-dimensional works, her assemblage pieces tend to be denser and more corporeal. Her most recent works respond to two collections of poems by Italian poet and writer Eugenio Montale: Mediterraneo and Ossi di Seppia.   Fragione has exhibited extensively in solo and group exhibitions nationally and internationally, including at St. Mary's College Museum of Art, Moraga, CA; Georgetown College, KY; Anya and Andrew Shiva Gallery, New York, NY; American University Museum, Washington, D.C.; John D. Calandra Italian American Institute of Queens College, CUNY, New York, NY; Associazione di Museo D'Arte Contemporaneo Italiano, Catanzaro, Italy; Harmony Hall Regional Center, Washington, MD; University of Scranton Art Museum, Scranton, PA; The Textile Museum, Washington, D.C.; Art in Embassies, Geneva, Sofia, Bulgaria, and Vilnius, Lithuania; Indianapolis Art Center, IN; and San Francisco Museum of Modern Art Gallery, CA.   Her works are held in numerous public collections, including the Baltimore Museum of Art MD; DC Commission Art Bank Collection; Art in Embassies Permanent Collection, U.S. State Department, Guadalajara, Mexico; St. Mary's College Museum of Art, CA; Italian American Museum, D.C; Department of Special Collections, Cecil H. Green Library, Stanford University, CA; Comune di Monasterace, Calabria, IT; among other museum and private collections.   Motetti: Flowers Grow/ Salty Breath, 2024, oil-based paint, pigment, walnut and black ink, graphite, oil pencils,on paper, 42.5 x 35 in (107.95 x 88.9 cm), Image by Martin Seck Bundles: Seacoasts / Among Fragrances / Winds / Decoy, 2024, oil-based paint, pigment, string, lace, fishing lures, and bone on canvas panel, 8 x 5 x 2 in (20.3 x 12.7 x 5.1 cm), Image by Martin Seck The Clouds Travel like White Handkerchiefs of Goodbye, 2020 oil-based pigment, collage, graphite, on mylar 54 x 65 in (137.16 x 165.1 cm) Image by Martin Seck  

In this episode, MoCP Executive Director, Natasha Egan, sits down with artist Christina Fernandez. The two discuss Christina's decades-long career in pushing the boundaries of photography, blending her personal history as a Mexican American woman with broader cultural narratives about migration, labor, and gender. Natasha and Christina additionally discuss a piece in the MoCP permanent collection by Sidian Liu. Christina Fernandez has been featured in exhibitions at the Whitney Museum of Art, the San Francisco Museum of Modern Art, the Los Angeles County Museum of Aart, the Getty, and MoMA New York, just to name a few. Ferndandez is a 2021 Latinx Artist Fellowship honoree. She is also an influential educator, currently serving as an associate professor at Cerritos College in Norwalk, California where she has been on faculty since 2001. Fernandez's exhibition Multiple Exposures, is on view at the DePaul Art Museum in Chicago from March 20 - August 3, 2025, and it the first major museum survey of her work and has traveled to institutions across the county for the last three years.

For the 36th episode of "Reading the Art World," host Megan Fox Kelly speaks with Sarah Roberts, curator of the landmark exhibition "Amy Sherald: American Sublime," and editor of the accompanying catalog published by Yale University Press in association with the San Francisco Museum of Modern Art.Roberts discusses Sherald's revolutionary portraiture approach — from her distinctive gray-scale skin tones that shift focus to her subjects' interior lives, to her deliberate use of clothing and settings as narrative devices. She shares insights on the "American sublime" concept in Sherald's work and her curatorial decisions integrating the iconic Michelle Obama and Breonna Taylor portraits within the larger context of the artist's practice.This episode is essential listening for anyone interested in contemporary portraiture, the evolution of American figurative painting, and how art can challenge conventional narratives about representation and identity. Roberts' insights reveal why Sherald's quiet yet radical artistic vision offers a powerful reimagining of who deserves to be seen and celebrated in American art history.ABOUT THE AUTHOR Sarah Roberts is Senior Director of Curatorial Affairs at the Joan Mitchell Foundation where she oversees the Foundation's Artwork and Archival Collections and the Joan Mitchell Catalogue Raisonné project. Since 2004, she has served in progressive leadership roles in the Department of Painting and Sculpture at the SFMOMA, and since 2020 as Andrew W. Mellon Curator and Head of Painting and Sculpture. A specialist in post-war American art, Roberts has organized significant exhibitions including major presentations of Robert Rauschenberg, Louise Bourgeois, Frank Bowling, and co-curated the Joan Mitchell retrospective that traveled internationally. Roberts holds degrees from the University of Texas at Austin and Brown University, and has contributed to numerous publications on contemporary art.ABOUT THE EXHIBITION"Amy Sherald: American Sublime" is now on view at the Whitney Museum of American Art in New York through August 3, 2025, following its run at SFMOMA. The exhibition will travel to the National Portrait Gallery in Washington, D.C. (September 19, 2025 – February 22, 2026).PURCHASE THE BOOK https://yalebooks.yale.edu/book/9780300279382/amy-sherald/ SUBSCRIBE, FOLLOW AND HEAR INTERVIEWS:For more information, visit meganfoxkelly.com, hear our past interviews, and subscribe at the bottom of our Of Interest page for new posts.Follow us on Instagram: @meganfoxkelly"Reading the Art World" is a live interview and podcast series with leading art world authors hosted by art advisor Megan Fox Kelly. The conversations explore timely subjects in the world of art, design, architecture, artists and the art market, and are an opportunity to engage further with the minds behind these insightful new publications. Megan Fox Kelly is an art advisor and past President of the Association of Professional Art Advisors who works with collectors, estates and foundations.Music composed by Bob Golden

Murder and The Police Investigation that led to an unexpected criminal. In a gripping true crime story that stunned the community of Novato, California, retired Police Chief Brian Brady recalls the murder investigation that revealed an unexpected criminal hiding in plain sight. The 13-year-old victim, Jennifer Moore, was kidnapped, raped and murdered in a case that would ultimately lead to one of the most shocking confessions in the San Francisco California Bay Area history. The Law Enforcement Talk Radio Show and Podcast episode is available for free on their website, Apple Podcasts, Spotify and most major podcast platforms. Brady, a retired police officer with 35 years of service across four departments in two states, including the Berkeley Police Department and the Novato Police Department, led the investigation during his tenure as Police Chief in Novato. Follow the Law Enforcement Talk Radio Show and Podcast on Facebook, Instagram, LinkedIn, Medium and most all social media platforms. “It started with a missing persons call,” Brady explained. “A 13-year-old girl went missing after an argument with her mother. From the beginning, something about it didn't sit right.” The investigation quickly escalated when Jennifer's body was discovered four days later, nude and discarded in a grassy field just two miles from her home. The police were initially misled by eyewitness reports involving a city bus. But a key piece of evidence, a garbage bag filled with discarded religious booklets, led them back to a local Baptist church. Murder and The Police Investigation that led to an unexpected criminal. Look for supporting stories about this and much more from Law Enforcement Talk Radio Show and Podcast in platforms like Medium, Blogspot and Linkedin. That's where they discovered the truth: the murderer was not a stranger or a drifter. He was a trusted member of the community. Listen to the interview with him as a Free Podcast on the Law Enforcement Talk Radio Show and Podcast. Available for free on their website and streaming on Apple Podcasts, Spotify, and other podcast platforms. The man behind the horrific crime was a 29-year-old Sunday school teacher, deacon, youth group worker, and volunteer groundskeeper at the church. He was also a manager at a local self-service gas station and minimart. Follow the Law Enforcement Talk Radio Show and podcast on Facebook, Instagram, LinkedIn, Medium and most all social media platforms. “I murdered her. I strangled her. I bludgeoned her,” he told Novato detectives in a taped confession, as reported by the San Francisco Chronicle. The admission stunned even veteran officers. According to detectives, the suspect revealed disturbing details about the April 13 killing that had not been made public, proof that his confession was genuine. Evidence recovered at the church reading room included a bloodstain unsuccessfully concealed with coffee, and the girl's bomber jacket, discarded in a nearby trash bin. A police bloodhound had originally led officers to the church, but early focus on misleading witness descriptions delayed the discovery of the real killer. In the end, it was the murderer's leaving behind identifiable religious material in the garbage bag used to dispose of the body, that brought the case to light. Murder and The Police Investigation that led to an unexpected criminal. The interview is available as a free podcast on the Law Enforcement Talk Radio Show and podcast website, also available on platforms like Apple Podcasts, Spotify, and most major podcast outlets. While more than 1,000 people gathered at a local park to mourn the young girl, police quietly searched the home the killer shared with his wife. “This was a murder that rocked the entire town to its core,” Brady said. “No one expected it to be someone they saw every Sunday, someone they trusted with their children.” The story of Jennifer Moore's murder and the painstaking investigation that brought her killer to justice is the basis for a book by Brian Brady. His real-life law enforcement experiences continue to inspire his fiction writing, including his most recent crime novel, Greed. Brady, born and raised in San Francisco, has built a post-retirement career as a crime novelist. His three novels "Oh, What a Tangled Web", "Hiding in Plain Sight", and "Greed", weave together the complexities of criminal behavior with the procedural knowledge gained from decades on the job. Murder and The Police Investigation that led to an unexpected criminal. “With this being my third book, I feel that I'm really hitting my stride as an author,” Brady said. “My newest story spans New York, Amsterdam, and Paris, but the Bay Area remains the heart of everything I write.” Brady's career path took him from Berkeley's diverse streets to Farmington, New Mexico, and back to the Bay Area, where he also served in executive roles with organizations like NBC Universal and the San Francisco Museum of Modern Art. His wealth of experience, both on the streets and in the boardroom, gives him a unique voice in the world of crime fiction. Today, Brady shares his stories and behind-the-scenes insights through his official website, www.goldengatetales.com. Learn more from the Law Enforcement Talk Radio Show and Podcast posts on platforms like Facebook, Instagram, LinkedIn, and X. The interview with Brian is available as a free podcast on their website, in addition to Apple Podcasts, Spotify and other podcast platforms. Murder and The Police Investigation that led to an unexpected criminal. The murder of Jennifer Moore remains one of the most haunting cases Brady encountered. “It's a reminder that evil can hide behind the most familiar faces,” he said. “But it's also proof that dedicated police work, and never giving up, can bring even the most unlikely killers to justice.” Time is running out to secure the Medicare coverage you deserve! Whether you're enrolling for the first time or looking for a better plan, our experts help you compare options to get more benefits, lower costs, and keep your doctors, all for free! Visit LetHealthy.com, that's LetHealthy.com or call (866) 427-1225, (866) 427-1222 to learn more. You can help contribute money to make the Gunrunner Movie. The film that Hollywood won't touch. It is about a now Retired Police Officer that was shot 6 times while investigating Gunrunning. He died 3 times during Medical treatment and was resuscitated. You can join the fight by giving a monetary “gift” to help ensure the making of his film at agunrunnerfilm.com. Your golden years are supposed to be easy and worry free, at least in regards to finances. If you are over 70, you can turn your life insurance policy into cash. Visit LetSavings.com, LetSavings.com or call (866) 480-4252, (866) 480-4252, again that's (866) 480 4252 to see if you qualify. Learn useful tips and strategies to increase your Facebook Success with John Jay Wiley. Both free and paid content are available on this Patreon page. Be sure to check out our website. Be sure to follow us on MeWe, X, Instagram, Facebook,Pinterest, Linkedin and other social media platforms for the latest episodes and news. Background song Hurricane is used with permission from the band Dark Horse Flyer. You can contact John J. “Jay” Wiley by email at Jay@letradio.com, or learn more about him on their website. Get the latest news articles, without all the bias and spin, from the Law Enforcement Talk Radio Show and Podcast on Medium, which is free. Find a wide variety of great podcasts online at The Podcast Zone Facebook Page, look for the one with the bright green logo. Murder and The Police Investigation that led to an unexpected criminal. Attributions LA Times UPI Patch Golden Gate Tales    

Episode No. 700 (!) features artist Tarrah Krajnak and curator Claire Howard. Krajnak is featured in two exhibitions on opposite sides of the United States. At the San Francisco Museum of Modern Art, Krajnak is featured in "Around Group f.64: Legacies and Counterhistories in Bay Area Photography" through July 13. The exhibition was curated by Shana Lopes, Erin O'Toole, and Delphine Sims, with Sally Katz and Alex Landry. At the International Center of Photography, New York, Kraynak's work is included in "To Conjure: New Archives in Recent Photography." Organized by Sara Ickow, Keisha Scarville, and Elisabeth Sherman, the exhibition presents the ways in which seven photographers are reimagining what an archive can be, or might look like. A third US exhibition of Krajnak's work opens April 16 at the Frye Art Museum, Seattle. It will be curated by Georgia Erger. Krajnak works between photography, performance, and poetry. Krajnak, who was born in Peru to an Indigenous mother and who was raised by a transracial US family, often interrogates photography standards and finds that they have limited women, and furthered the violent loss of Native land, lives, and rights. She has won most major photography prizes; her work is in the collections of museums such as the Museum of Modern Art, New York; the Tate Modern, London; the Centre Pompidou, Paris; and the Museum Ludwig, Cologne. Raab is the author of "Relics of War: The History of a Photograph" from Princeton University Press. It examines a photograph made by Clara Barton and published by Matthew Brady that features relics from the notorious Confederate prison at Andersonville, Georgia. "Relics of War" traces how the photograph was a central part of Barton's work of addressing mass death and related grief. Amazon and Bookshop offer it for $42-59. Instagram: Tarrah Krajnak, Tyler Green.

Agnieszka Sosnowska | Bryan Schutmaat | FÖR Bryan Schutmaat and Agnieszka Sosnowska join me today to talk about the process of publishing Agnieszka's monograph, FÖR (Trespasser). Agnieszka shares her journey from Poland to Boston to Iceland, and how she considers herself a teacher and a provider before thinking of herself as a photographer. Bryan and Agnieszka detail their time together looking at the work, along with Trespasser's co-founder Matthew Genitempo, and the book was later designed by Trespasser's designer, Cody Haltom. We also have a wide ranging conversation about the legacy implications of publishing your work, the differences in editing color photography, and the importance of being a smaller imprint. https://www.sosphotographs.com ||| https://www.bryanschutmaat.co ||| https://trespasser.co/shop/for This podcast is sponsored by the Charcoal Book Club Begin Building your dream photobook library today at https://charcoalbookclub.com Agnieszka Sosnowska was born in Warsaw, Poland and was raised in Boston, Massachusetts. She earned a BFA from Massachusetts College of Art and a MFA from Boston University. She is currently an elementary school teacher. She lives on farm in East Iceland. Sosnowska has been the recipient of a number of grants, including a Fulbright Scholars Fellowship to Poland and an American Scandinavian Fellowship to Iceland. She was awarded the Hjálmar R. Bárðarson Photography Grant awarded by the National Museum of Iceland. Her series was awarded the Director's Choice by the Center awards in 2017 and she has been in the Top 50 of Critical Mass on 3 occasions. Her work has been exhibited in the National Museum of Iceland and The Reykjavik Museum of Photography. Sosnowska's monograph, FÖR (Trespasser) was published in 2024. Bryan Schutmaat is a photographer based in Austin, Texas whose work has been widely exhibited and published. He has won numerous awards, including a John Simon Guggenheim Memorial Fellowship, the Aperture Portfolio Prize, and an Aaron Siskind Fellowship. Bryan's prints are held in many collections, such as Baltimore Museum of Art, Museum of Fine Arts, Boston, Pier 24 Photography, Rijksmuseum, and San Francisco Museum of Modern Art. He co-founded the imprint, Trespasser.

In this episode of PhotoWork with Sasha Wolf, Sasha reunites with her very first guest on PhotoWork, the photographer and publisher, Bryan Schutmaat. Bryan and Sasha talk about his new book, Sons of the Living (Trespasser) and Bryan's love of being on the road and exploring the American Landscape. Sasha and Bryan also discuss how the idea of collaboration in portraiture may be misrepresented and how a book doesn't mean a body of work comes to an end. https://www.bryanschutmaat.co https://trespasser.co/shop/sons-of-the-living Bryan Schutmaat is a photographer based in Austin, Texas whose work has been widely exhibited and published. He has won numerous awards, including a John Simon Guggenheim Memorial Fellowship, the Aperture Portfolio Prize, and an Aaron Siskind Fellowship. Bryan's prints are held in many collections, such as Baltimore Museum of Art, Museum of Fine Arts, Boston, Pier 24 Photography, Rijksmuseum, and San Francisco Museum of Modern Art. He co-founded the imprint, Trespasser.

Episode No. 691 features artists Kota Ezawa and Amy Pleasant.  The Fort Mason Center for Arts & Culture is presenting "Kota Ezawa: Here and There - Now and Then," an investigation into the creation of memory in the Bay Area and nationally, through March 9. The exhibition, organized in collaboration with the San Francisco Museum of Modern Art, features Ezawa and Julian Brave NoiseCat's Alcatraz Is an Idea (2024), and Merzbau 1, 2, 3 (2021), and Ursonate (2022), which were among 11 Ezawas recently acquired by SFMOMA. "Ezawa" was curated by Frank Smigiel. Fort Mason will publish a catalogue on the closing weekend. SFMOMA is showing Ezawa's National Anthem (2018) in "Count Me In"  through April 27. Ezawa's work has been featured in solo exhibitions at many museums, including the Baltimore Museum of Art, the Chrysler Museum of Art, Norfolk, VA; the Buffalo AKG Art Museum; the Vancouver Art Gallery, Canada; and the Saint Louis Art Museum. His work is in the collection most major US art museums, and in museums in seven other countries.  Pleasant is included in "Synchronicities: Intersecting Figuration with Abstraction" at the Bemis Center for Contemporary Arts, Omaha. The exhibition examines some of the ways in which nine artists have recently navigated the space between abstraction and figuration. "Synchronicities" was curated by Rachel Adams, and is on view through May 4. Pleasant's work is also on view at The Carnegie, Covington, KY in "Southern Democratic" through February 15, and in "Vivid: A Fresh Take" at the Hunter Museum of American Art, Chattanooga, TN through June 1.  Pleasant has been included in exhibitions at the Knoxville Museum of Art, the Montgomery (Ala.) Museum of Fine Arts, the Weatherspoon Museum of Art, University of North Carolina, Greensboro, and more.  Instagram: Amy Pleasant, Tyler Green.

A 2025 preview: Georgina Adam, our editor-at-large, tells host Ben Luke what might lie ahead for the market. And Ben is joined by Jane Morris, editor-at-large, and Gareth Harris, chief contributing editor, to select the big museum openings, biennials and exhibitions.All shows discussed are in The Art Newspaper's The Year Ahead 2025, priced £14.99 or the equivalent in your currency. Buy it here.Exhibitions: Site Santa Fe International, Santa Fe, US, 28 Jun-13 Jan 2026; Liverpool Biennial, 7 Jun-14 Sep; Folkestone Triennial, 19 Jul-19 Oct; Ruth Asawa: A Retrospective, San Francisco Museum of Modern Art, 5 Apr-2 Sep; Museum of Modern Art (MoMA), New York, 19 Oct-7 Feb 2026; Gabriele Münter, Guggenheim Museum, New York, 7 Nov-26 Apr 2026; Musée d'Art Moderne de Paris, 4 Apr-24 Aug; Elizabeth Catlett: a Black Revolutionary Artist, Brooklyn Museum, New York, until 19 Jan; National Gallery of Art (NGA), Washington DC, 9 Mar-6 Jul; Art Institute of Chicago, US, 30 Aug-4 Jan 2026; Ithell Colquhoun, Tate Britain, London, 13 Jun-19 Oct; Abstract Erotic: Louise Bourgeois, Eva Hesse, Alice Adams, Courtauld Gallery, London, 20 Jun-14 Sep; Michaelina Wautier, Kunsthistorisches Museum, Vienna, 30 Sep-25 Jan 2026; Radical! Women Artists and Modernism, Belvedere, Vienna, 18 Jun-12 Oct; Dangerously Modern: Australian Women Artists in Europe, Art Gallery of South Australia, Adelaide, 24 May-7 Sep; Art Gallery of New South Wales, Sydney, 11 Oct-1 Feb 2026; Lorna Simpson: Source Notes, Metropolitan Museum of Art, New York, 19 May-2 Nov; Amy Sherald: American Sublime, SFMOMA, to 9 Mar; Whitney Museum of American Art, New York, 9 Apr-Aug; National Portrait Gallery, Washington DC, 19 Sep-22 Feb 2026; Shahzia Sikander: Collective Behavior, Cincinnati Art Museum, 14 Feb-4 May; Cleveland Museum of Art, US, 14 Feb-8 Jun; Cantor Arts Center, Stanford, US, 1 Oct-25 Jan 2026; Jenny Saville: The Anatomy of Painting, National Portrait Gallery, London, 20 Jun-7 Sep; Linder: Danger Came Smiling, Hayward Gallery, London, 11 Feb-5 May; Arpita Singh, Serpentine Galleries, London, 13 Mar-27 Jul; Vija Celmins, Beyeler Collection, Basel, 15 Jun-21 Sep; An Indigenous Present, ICA/Boston, US, 9 Oct-8 Mar 2026; The Stars We Do Not See, NGA, Washington, DC, 18 Oct-1 Mar 2026; Duane Linklater, Dia Chelsea, 12 Sep-24 Jan 2026; Camden Art Centre, London, 4 Jul-21 Sep; Vienna Secession, 29 Nov-22 Feb 2026; Emily Kam Kngwarray, Tate Modern, London, 10 Jul-13 Jan 2026; Archie Moore, Queensland Gallery of Modern Art, 30 Aug-23 Aug 2026; Histories of Ecology, MASP, Sao Paulo, 5 Sep-1 Feb 2026; Jack Whitten, Museum of Modern Art, New York, 23 Mar-2 Aug; Wifredo Lam, Museum of Modern Art, Rashid Johnson, Solomon R. Guggenheim Museum, New York, 18 Apr-18 Jan 2026; Adam Pendleton, Hirshhorn Museum and Sculpture Garden, Washington DC, 4 Apr-3 Jan 2027; Marie Antoinette Style, Victoria and Albert Museum, London, 20 Sep-22 Mar 2026; Leigh Bowery!, Tate Modern, 27 Feb- 31 Aug; Blitz: the Club That Shaped the 80s, Design Museum, London, 19 Sep-29 Mar 2026; Do Ho Suh, Tate Modern, 1 May-26 Oct; Picasso: the Three Dancers, Tate Modern, 25 Sep-1 Apr 2026; Ed Atkins, Tate Britain, London, 2 Apr-25 Aug; Turner and Constable, Tate Britain, 27 Nov-12 Apr 2026; British Museum: Hiroshige, 1 May-7 Sep; Watteau and Circle, 15 May-14 Sep; Ancient India, 22 May-12 Oct; Kerry James Marshall, Royal Academy of Arts, London, 20 Sep-18 Jan 2026; Kiefer/Van Gogh, Royal Academy, 28 Jun-26 Oct; Anselm Kiefer, Ashmolean Museum, Oxford, 14 Feb-15 Jun; Anselm Kiefer, Van Gogh Museum, Stedelijk Museum, Amsterdam, 7 Mar-9 Jun; Cimabue, Louvre, Paris, 22 Jan-12 May; Black Paris, Centre Pompidou, Paris, 19 Mar-30 Jun; Machine Love, Mori Art Museum, Tokyo, 13 Feb-8 Jun Hosted on Acast. See acast.com/privacy for more information.

After spending over a month in the "Golden State," Gus T. debriefs on his California Counter-Racist Sojourn. We hear details on Gus' November 18 visit to Evergreen Cemetery in Oakland, the mass burial cite for the Victims of the Jonestown slaughter. Gus spoke with relatives of those who were killed in Guyana and was able to ask a group of these black people if they thought Rev. Jim Jones was a Racist. Gus also details the experience of visiting the special collections libraries at Stanford University and the University of California at Berkeley. Gus did not encounter any black librarian employed with special collections at any of these California libraries he visited. White professors like Dr. Phil Zimbardo, who conducted the infamous Stanford prison study, has massive boxed of files on the Peoples Temple and Jim Jones - including years of interviews he conducted with survivors of the Guyana slaughter. Dr. Zimbardo taught his White Stanford students about Jonestown in connection to Nazi Germany. While on this massive counter-racist business venture, Gus saw Erykah Badu, visited Stanford 8 times, Cal-Berkeley 7 times, UCLA twice and USC once. He visited the beach 5 times, hiked San Francisco's Land's End Trail, visited the San Francisco Museum of Modern Art three times, heard Kara Walker discuss her amazing new exhibit, got a haul of farmer's market goodies (yellow watermelon), and looted gigabytes worth of Jonestown material. #TheCOWS15Year INVEST in The COWS – http://paypal.me/TheCOWS Cash App: https://cash.app/$TheCOWS CALL IN NUMBER: 605.313.5164 CODE: 564943#

Episode 451 / Jason Jägel Jason Jägel born in 1971, Boston, MA is a 2023-24 Pollock-Krasner recipient. A monograph of his work entitled, Seventy-Three Funshine was published in 2008 by Electric Works, San Francisco. His work is featured in the collections of the Museum of Modern Art, New York, the San Francisco Museum of Modern Art, the UCLA Hammer Museum, among others. His 2018 public commission, The Author & Her Story, is a 13x34-foot ceramic tile mosaic at San Francisco International Airport. Landscape, his 2024 solo exhibition, was presented by Michael Benevento Gallery, Los Angeles. S&V is sponsored by the New York Studio School. Register for their programs here: https://nyss.org

Episode No. 680 features artist Ronny Quevedo and curator Jillian Kruse. The Menil Drawing Institute is presenting "Wall Drawing Series: Ronny Quevedo" through August 2025. The work on view, titled C A R A A C A R A, is a site-specific drawing that explores the relationship between origin, transfer, and translation. Each of the drawing's three panels reveals a different step in Quevedo's process. The presentation was curated by Kelly Montana. Quevedo has had a solo show at the Queens Museum, New York. He's been included in group shows at the Buffalo AKG Museum, the San Francisco Museum of Modern Art, and more. Kruse is the curator of "Imagination in the Age of Reason" at the Cleveland Museum of Art. The exhibition examines how Enlightenment artists presented fantasy and folly in works on paper during an era obsessed with truth and knowledge. It is on view through March 2, 2025. Instagram: Ronny Quevedo, Tyler Green.

Episode 449 / Fred Tomaselli (born 1956, Santa Monica, CA) Fred has been the subject of solo exhibitions at institutions including the Joslyn Art Museum, Omaha, NE (2019); Oceanside Museum of Art, Oceanside, CA (2018); Toledo Museum of Art, Toledo, OH (2016);  Modern Art Museum of Fort Worth (2014) and the University of Michigan Museum of Art (2014); a survey exhibition at Aspen Art Museum (2009) that toured to Tang Museum in Saratoga, NY and the Brooklyn Museum, Brooklyn NY (2010); The Fruitmarket Gallery, Edinburgh (2004) toured to four venues in Europe and the US; Albright-Knox Gallery of Art (2003); Site Santa Fe (2001); Palm Beach ICA (2001), and Whitney Museum of American Art (1999). His works have been included in international biennial exhibitions including Sydney (2010); Prospect 1 (2008); Site Santa Fe (2004); Whitney (2004) and others. Tomaselli's work can be found in the public collections of institutions such as the Museum of Modern Art; Whitney Museum of American Art; Metropolitan Museum of Art; Brooklyn Museum; Albright Knox Art Gallery; Hirshhorn Museum and Sculpture Garden; San Diego Museum of Contemporary Art; San Francisco Museum of Modern Art; Los Angeles County Museum of Art; Museum of Contemporary Art, Los Angeles; the Orange County Museum of Art, Santa Ana, CA; and many others.

The Context of White Supremacy hosts live election night coverage of the tussle for the White House. Gus predicted the return of Donald J. Trump, but VP Kamala Harris may surprise Gus. We'll see if non-white listeners voted or if folks have read anything about violence related to the election in their part of the world. During the course of the broadcast, we learned that Florida rejected recreational cannabis. Governor Ron Desantis beamed with pride. Gus attempted to avoid the hoopla of the day by hiding out at the San Francisco Museum of Modern Art. Their 7 floors of paintings, sculptures and photographs includes dozens of works that deal directly with the System of White Supremacy. Gus was especially impressed with the brilliance of Ernie Barnes and Robert Colescott - two black male painters. However, Gus was stunned to learn that SFMOMA is an election voting center - probably because of its central location easy access. This made Gus a lot more anxious about being on the premises with the threat of White electoral violence. #SkylerPhilippi #FourMoreYearsOfTrump #TheCOWS15Years INVEST in The COWS – http://paypal.me/TheCOWS Cash App: https://cash.app/$TheCOWS CALL IN NUMBER: 605.313.5164 CODE: 564943#

In this episode of PhotoWork with Sasha Wolf, Sasha has a warm and deeply personal conversation with photographer Gregory Halpern. They discuss his latest book, "King, Queen, Knave," published by MACK, and also revisit "ZZYZX," the 2016 monograph that significantly elevated Greg's career. Together, they emphasize the importance of knowing when to assume the roles of photographer and editor, and when to let the audience engage with the work on their own terms. http://www.gregoryhalpern.com/ ||| https://www.mackbooks.us/products/king-queen-knave-gregory-halpern Gregory Halpern is an American photographer born in Buffalo, New York. He is the author of eight monographs, including King, Queen, Knave (2024), Omaha Sketchbook (2019), and ZZYZX (2016), his fantastical book of photographs of Los Angeles, now in its fourth edition. Halpern is the recipient of a Guggenheim Fellowship and a member of Magnum Photos. His photographs are held in the collections of several major museums, including The Museum of Modern Art, the San Francisco Museum of Modern Art, The Museum of Fine Arts, Houston, Fondation Henri Cartier-Bresson, Fondation d'entreprise Hermès, and the Fotomuseum Antwerpen. His work has been featured in group exhibitions at the International Center of Photography, the Museum of Fine Arts Houston, the George Eastman Museum, the Cincinnati Art Museum, the Fotomuseum Antwerpen, and Pace/MacGill in New York. He holds a BA in History and Literature from Harvard University and an MFA from California College of the Arts. He lives in Rochester, New York with his wife, Ahndraya Parlato, and their two daughters. He is a professor of photography at the Rochester Institute of Technology. This podcast is sponsored by picturehouse + thesmalldarkroom. https://phtsdr.com