Podcasts about franks wild years

Having gone through all of Waits's music Song by Song, we're obviously well-placed to say which ones are best... or maybe least-worst... perhaps just from our perspective... subjectively good in these two people's opinions... but then who are we to say? Anyway, in this penultimate episode, Sam and Martin have a little chat about The Old Favourites as the podcast enters the final straight. website: songbysongpodcast.com twitter: @songbysongpod e-mail: songbysongpodcast@gmail.com Music extracts used for illustrative/review purposes include (deep breath): All The World Is Green, Blood Money, Tom Waits (2002) Barcarolle, Alice, Tom Waits (2002) Blind Love, Rain Dogs, Tom Waits (1985) Blue Skies, The Early Years vol 2, Tom Waits (1993) Cold Cold Ground, Franks Wild Years, Tom Waits (1987) Diamond In Your Mind, Orphans: Brawlers Bawlers and Bastards, Tom Waits (2006) Downtown Train, Rain Dogs, Tom Waits (1985) Fall Of Troy, Orphans: Brawlers Bawlers and Bastards, Tom Waits (2006) Falling Down, Big Time, Tom Waits (1988) Franks Wild Years, Rain Dogs, Tom Waits (1985) Georgia Lee, Mule Variations, Tom Waits (1999) Ghosts Of Saturday Night (After Hours at Napoleone's Pizza House), The Heart Of Saturday Night, Tom Waits (1974) In The Neighbourhood, Swordfishtrombones, Tom Waits (1983) Kentucky Avenue, Blue Valentine, Tom Waits (1978) Low side Of The Road, Mule Variations, Tom Waits (1999) Lucky Day, The Black Rider, Tom Waits (1993) Martha, Closing Time, Tom Waits (1973) Metropolitan Glide, Real Gone, Tom Waits (2004) More Than Rain, Big Time, Tom Waits (1988) Nighthawk Postcards, Nighthawks At The Diner, Tom Waits (1975) Rainbow Sleeves, Girl At Her Volcano, Rickie Lee Jones [w. Tom Waits] (1978/1983) Ruby's Arms, Heartattack And Vine, Tom Waits (1980) So It Goes, The Early Years vol 2, Tom Waits (1993) Somewhere (from West Side Story), Blue Valentine, Tom Waits (1978) Strange Weather, Big Time, Tom Waits (1988) Telephone Call From Istanbul, Big Time, Tom Waits (1988) That Feel, Bone Machine, Tom Waits (1992) Tom Traubert's Blues (Four Sheets To The Wind In Copenhagen), Small Change, Tom Waits (1976) Whistle Down The Wind (For Tom Jans), Bone Machine, Tom Waits (1992) Yesterday Is Here, Franks Wild Years, Tom Waits (1987) You Can Never Hold Back Spring, Orphans: Brawlers Bawlers and Bastards, Tom Waits (2006) We think your Song by Song experience will be enhanced by hearing, in full, the songs featured in the show, which you can get hold of from your favourite record shop or online platform. Please support artists by buying their music, or using services which guarantee artists a revenue - listen responsibly.

Continuing our season of specials on material outside the show's main remit, Philippa Spanos returns to help Martin and Sam consider the creative and commercial aspects of Waits's music videos. Starting with a long-overlooked animation experiment from the 70s, we chart how these films function in relation to the music, the commercial purpose of a video, as well as all the tiny tiny guitars. website: songbysongpodcast.com twitter: @songbysongpod e-mail: songbysongpodcast@gmail.com Music extracts used for illustrative/review purposes include: Tom Waits For No-One / The One That Got Away, short film feat. Tom Waits, dir. John Lamb (1979) In The Neighbourhood, Tom Waits music video, dir. Haskell Wexler (1983) Rain Dogs Promos, dir. Chris Blum (1985) Downtown Train, Tom Waits music video, dir. Jean-Baptiste Mondino (1985) Blow Wind Blow, Tom Waits music video, and Limousine Interview promo, dir. Chris Blum (1987) Temptation, Tom Waits music video from Franks Wild Years, dir. Betzy Bromberg (1987) It's Alright With Me, Tom Waits music video from Red Hot + Blue, dir. Jim Jarmusch (1990) Going Out West, Tom Waits music video from Bone Machine, dir. Jesse Dylan (1992) I Don't Wanna Grow Up, Tom Waits music video from Bone Machine, dir. Jim Jarmusch (1992) We think your Song by Song experience will be enhanced by hearing, in full, the songs featured in the show, which you can get hold of from your favourite record shop or online platform. Please support artists by buying their music, or using services which guarantee artists a revenue - listen responsibly.

Michael Blair in conversation with David Eastaugh Michael Blair is an American drummer and percussionist who has worked on records and tours with Tom Waits (Rain Dogs, Franks Wild Years), Elvis Costello (King of America, Spike and Lou Reed (Magic and Loss). As a writer/arranger he has collaborated with legendary beat poet Allen Ginsberg, and as a producer he has worked with Victoria Williams, Ryan Adams and Soul Asylum.

Get 20% OFF @manscaped + Free Shipping with promo code SHOWMEYOURS at MANSCAPED.com! #ad #manscapedpod On this episode of the podcast, Jackie and Jonny are joined by Regional Comic Jonny Paul. Jonny classed up the joint with some Tom Waits' 1987 album "Franks Wild Years", but we didn't talk too much about that. Instead we delved into the much finer art of stand-up comedy in Vancouver and Jonny's 10 year journey to where he is today. This is a music podcast, sorta.    JONNY PAUL'S INSTAGRAM: www.instagram.com/regionalcomic_jonnypaul   KING'S COMEDY EVERY TUESDAY: https://www.eventbrite.ca/e/kings-comedy-tickets-241902505907?aff=ebdsoporgprofile FOLLOW US ON INSTAGRAM: https://www.instagram.com/showmeyourspodcast/ LIKE US ON FACEBOOK: https://www.facebook.com/showmeyourspod FOLLOW US ON TWITTER: https://twitter.com/showmeyourspod   Jackie's Instagram: https://www.instagram.com/jackieagnew/ Jackie's Twitter: https://twitter.com/jackdoorgirl   Jonny's Instagram: https://www.instagram.com/jonnydivito/ Jonny's Twitter: https://twitter.com/jonnydivito  

interview - Gordon Korman (author) - interview by Evelyna Kay, Beatrice Ekoko http://gordonkorman.com/ music - Tom Waits, Straight To The Top (Rhumba); Innocent When You Dream (78), Franks Wild Years. edits - Beatrice Ekoko "Take chances, make mistakes, get messy!" Ms Frizzle (the magic schoolbus) RADIO FREE SCHOOL an all volunteer show by, for and about Un-schoolers/Home Learners. MP3 shows searchable for download at www.radio4all.net also aired on: Free Radio Santa Cruz 96.3 FM , California www.freakradio.org/ Free Radio Olympia 98.5 FM Olympia, Washington www.frolympia.org KRBS-lp 107.1 FM in Oroville, California www.radiobirdstreet.org Free Radio Asheville, 107.5 fm, North Carolina main.nc.us/iww/fra/ CFUR FM 88.7 UNBC/CNC Campus/Community Radio ears.unbc.ca Radio Lava Lamp from Osaka, Japan at www.rinku.zaq.ne.jp/bkaec205/

Once again unto the breach, dear folks, once again. We're back down the rabbit hole because there's a world going on underground. So down we go to explore the many caverns of Tom Wait's musical madness, from the Glitter and Doom tour to Paradise Alley. Along the way, to our dismay we stumble into The Human Guinea Pig's secret lair. That's right, Nashville session singer Brad Smith is back with his unexpected take on Franks Wild Years! Once again, this one's for all you diehard Tom fans!

As we dive into the first of the Big Time film-only tracks, Martin and Sam look at the imagery in the film as well as the looser feel of the lyrics in this later interpretation of the life of Frank O'Brien. Song by Song is Martin Zaltz Austwick and Sam Pay; two musicians listening to and discussing every single Tom Waits track in chronological order. website: songbysongpodcast.com twitter: @songbysongpod e-mail: songbysongpodcast@gmail.com Music extracts used for illustrative/review purposes include: Frank's Wild Years, Big Time (film), Tom Waits (1988) We think your Song by Song experience will be enhanced by hearing, in full, the songs featured in the show, which you can get hold of from your favourite record shop or online platform. Please support artists by buying their music, or using services which guarantee artists a revenue - listen responsibly.

Looking back to the Rhumba version of this track from Franks Wild Years, Sam and Martin feel their way through an excellent version of a song that has little appeal for either of them. We also discuss some of the physicality of Waits's live performance, and how that informs the performance. Song by Song is Martin Zaltz Austwick and Sam Pay; two musicians listening to and discussing every single Tom Waits track in chronological order. website: songbysongpodcast.com twitter: @songbysongpod e-mail: songbysongpodcast@gmail.com Music extracts used for illustrative/review purposes include: Straight To The Top, Big Time, Tom Waits (1988) We think your Song by Song experience will be enhanced by hearing, in full, the songs featured in the show, which you can get hold of from your favourite record shop or online platform. Please support artists by buying their music, or using services which guarantee artists a revenue - listen responsibly.

After seventeen tracks, we reach the end of Franks Wild Years with this scratchy demo-style version of Innocent When You Dream. We discuss the album as a whole, some of the recording techniques and the information that imparts, as well as the narrative of the show in relation to the drama of American identity as well as his own life. And Sam gets a bit emotional about 1980s Scottish cinema. Song by Song is Martin Zaltz Austwick and Sam Pay; two musicians listening to and discussing every single Tom Waits track in chronological order. website: songbysongpodcast.com twitter: @songbysongpod e-mail: songbysongpodcast@gmail.com Music extracts used for illustrative/review purposes include: Innocent When You Dream (78), Franks Wild Years, Tom Waits (1987) We think your Song by Song experience will be enhanced by hearing, in full, the songs featured in the show, which you can get hold of from your favourite record shop or online platform. Please support artists by buying their music, or using services which guarantee artists a revenue - listen responsibly.

Sam and Martin return for the penultimate track of Franks Wild Years, to debate the refining of the Tom-Waits-Saying-Goodbye-And-Catching-A-Train song. We talk about the sense of conclusion to Frank's story (or stories), the departure and the collapse of the dream he's seeking throughout this album, and Waits reaching again for older traditions of songwriting. Song by Song is Martin Zaltz Austwick and Sam Pay; two musicians listening to and discussing every single Tom Waits track in chronological order. website: songbysongpodcast.com twitter: @songbysongpod e-mail: songbysongpodcast@gmail.com Music extracts used for illustrative/review purposes include: Train Song, Franks Wild Years, Tom Waits (1987) The Cold Icy Floor, Archive Recording, The Bogtrotter Band (1937) We think your Song by Song experience will be enhanced by hearing, in full, the songs featured in the show, which you can get hold of from your favourite record shop or online platform. Please support artists by buying their music, or using services which guarantee artists a revenue - listen responsibly.

Waits begins to step away from Frank and the relationship of the songs to the play, as Martin and Sam discuss the tense nature of the music on this album, the simplicity of this song compared to the arrangement of others on Franks Wild Years, and the political and social charge that land (and what lurks beneath) can have. Song by Song is Martin Zaltz Austwick and Sam Pay; two musicians listening to and discussing every single Tom Waits track in chronological order. website: songbysongpodcast.com twitter: @songbysongpod e-mail: songbysongpodcast@gmail.com Music extracts used for illustrative/review purposes include: Cold Cold Ground, Franks Wild Years, Tom Waits (1987) Down Under, Mining, Rivona, Dear Reader (2013) We think your Song by Song experience will be enhanced by hearing, in full, the songs featured in the show, which you can get hold of from your favourite record shop or online platform. Please support artists by buying their music, or using services which guarantee artists a revenue - listen responsibly.

Heading into the closing tracks of Franks Wild Years, Sam and Martin debate the change of locations in Waits's songwriting from this era, scrunchy chords in relation to atonality, and the relationship of intention & accident in art. Also, a small dog finding the World Cup. Song by Song is Martin Zaltz Austwick and Sam Pay; two musicians listening to and discussing every single Tom Waits track in chronological order. website: songbysongpodcast.com twitter: @songbysongpod e-mail: songbysongpodcast@gmail.com Music extracts used for illustrative/review purposes include: Telephone Call From Istanbul, Franks Wild Years, Tom Waits (1987) Istanbul (Not Constantinople), 16 Most Requested Songs, The Four Lads (1953) We think your Song by Song experience will be enhanced by hearing, in full, the songs featured in the show, which you can get hold of from your favourite record shop or online platform. Please support artists by buying their music, or using services which guarantee artists a revenue - listen responsibly.

Gabriel Ebulue returns for a second portion of Tom Waits doing his crazy lounge singer schtick. This week’s discussion includes atonal organ arrangements, the trajectory of depression in pop songs, and the lonely death of Frank O’Brien. Song by Song is Martin Zaltz Austwick and Sam Pay; two musicians listening to and discussing every single Tom Waits track in chronological order. website: songbysongpodcast.com twitter: @songbysongpod e-mail: songbysongpodcast@gmail.com Music extracts used for illustrative/review purposes include: I’ll Take New York, Franks Wild Years, Tom Waits (1987) Here, Working For The Man, Tindersticks (2004) We think your Song by Song experience will be enhanced by hearing, in full, the songs featured in the show, which you can get hold of from your favourite record shop or online platform. Please support artists by buying their music, or using services which guarantee artists a revenue - listen responsibly.

Song by Song welcomes fellow music enthusiast Gabriel Ebulue from The Three Track Podcast to discuss the second version of this track, as it relates to Sinatra, Jaques Brel, and your crazy uncle at a wedding. Song by Song is Martin Zaltz Austwick and Sam Pay; two musicians listening to and discussing every single Tom Waits track in chronological order. website: songbysongpodcast.com twitter: @songbysongpod e-mail: songbysongpodcast@gmail.com Music extracts used for illustrative/review purposes include: Straight To The Top (Vegas), Franks Wild Years, Tom Waits (1987) Jacky, Tenement Symphony, Marc Almond (1991) We think your Song by Song experience will be enhanced by hearing, in full, the songs featured in the show, which you can get hold of from your favourite record shop or online platform. Please support artists by buying their music, or using services which guarantee artists a revenue - listen responsibly.

We present (now in the correct context) our special episode with Kobi Omenaka, discussing the use of Way Down In The Hole in the opening credits of the TV show The Wire. Kobi and his co-host Dave Corkery have launched their new show The Wire Stripped, so conversation ranges from the musical styles and influences of the covers into the content of the seasons themselves, and how the credits music informs and echoes that content. We'll be back to our regular schedule next week. In the meantime, be sure to check out The Wire Stripped on your podcatcher of choice. Song by Song is Martin Zaltz Austwick and Sam Pay; two musicians listening to and discussing every single Tom Waits track in chronological order. website: songbysongpodcast.com twitter: @songbysongpod e-mail: songbysongpodcast@gmail.com Music extracts used for illustrative/review purposes include: Way Down In The Hole, Frank's Wild Years, Tom Waits (1987) Way Down In The Hole, Spirit Of The Century, Blind Boys Of Alabama (2002) Way Down In The Hole, "...and all the pieces matter..." - The Music of The Wire, The Neville Brothers (2008) Way Down In The Hole, "...and all the pieces matter..." - The Music of The Wire, DoMaJe (2008) Way Down In The Hole, Washington Square Serenade, Steve Earle (2007) We think your Song by Song experience will be enhanced by hearing, in full, the songs featured in the show, which you can get hold of from your favourite record shop or online platform. Please support artists by buying their music, or using services which guarantee artists a revenue - listen responsibly.

Lily Sloane returns for one more Franks Wild Years track, debating Waits’s attitude towards religion, how the track relates to the rest of the album, and the presence of joy in music. Song by Song is Martin Zaltz Austwick and Sam Pay; two musicians listening to and discussing every single Tom Waits track in chronological order. website: songbysongpodcast.com twitter: @songbysongpod e-mail: songbysongpodcast@gmail.com Music extracts used for illustrative/review purposes include: Way Down In The Hole, Franks Wild Years, Tom Waits (1987) Oh Happy Day, The Best of the Edwin Hawkins Singers, The Edwin Hawkins Singers (1967/2001) We think your Song by Song experience will be enhanced by hearing, in full, the songs featured in the show, which you can get hold of from your favourite record shop or online platform. Please support artists by buying their music, or using services which guarantee artists a revenue - listen responsibly.

Existential crises galore, or just a really bad hangover, as Lily, Sam and Martin attempt to catch the bouquet of Waits's mournful gallic ditty. Accordion tuning, a keyboard called Leslie and a slightly unfair comparison to one of the great Jazz numbers of the 20th Century all feature this week on Song by Song. Song by Song is Martin Zaltz Austwick and Sam Pay; two musicians listening to and discussing every single Tom Waits track in chronological order. website: songbysongpodcast.com twitter: @songbysongpod e-mail: songbysongpodcast@gmail.com Music extracts used for illustrative/review purposes include: More Than Rain, Franks Wild Years, Tom Waits (1987) Alabama, Live At Birdland, John Coltrane (1964) We think your Song by Song experience will be enhanced by hearing, in full, the songs featured in the show, which you can get hold of from your favourite record shop or online platform. Please support artists by buying their music, or using services which guarantee artists a revenue - listen responsibly.

Martin and Sam are joined by Lily Sloane of A Therapist Walks Into A Bar to discuss this side of the album's final track (as well as the first song from the play), and the images of dreams, hope, despair and fantasy that it evokes. Plus turnip-sales. Song by Song is Martin Zaltz Austwick and Sam Pay; two musicians listening to and discussing every single Tom Waits track in chronological order. website: songbysongpodcast.com twitter: @songbysongpod e-mail: songbysongpodcast@gmail.com Music extracts used for illustrative/review purposes include: Franks Theme, Franks Wild Years, Tom Waits (1987) Life In A Scotch Sittingroom #2 Episode 11, Jammy Smears, Ivor Cutler (1976) We think your Song by Song experience will be enhanced by hearing, in full, the songs featured in the show, which you can get hold of from your favourite record shop or online platform. Please support artists by buying their music, or using services which guarantee artists a revenue - listen responsibly.

More dream talk with Helen, Sam and Martin, as Waits constructs an unsettled and dislocated musical world to capture the sense of space between waking and sleeping. We also discuss the impact of sound (and film) on big systems vs headphones, as well as terrifying clown music and the vocal brilliance of Mike Patton. Song by Song is Martin Zaltz Austwick and Sam Pay; two musicians listening to and discussing every single Tom Waits track in chronological order. website: songbysongpodcast.com twitter: @songbysongpod e-mail: songbysongpodcast@gmail.com Music extracts used for illustrative/review purposes include: Please Wake Me Up, Franks Wild Years, Tom Waits (1987) Carousel, Mr. Bungle, Mr. Bungle (1991) We think your Song by Song experience will be enhanced by hearing, in full, the songs featured in the show, which you can get hold of from your favourite record shop or online platform. Please support artists by buying their music, or using services which guarantee artists a revenue - listen responsibly.

Still picking apart the worlds of the album and the play, Helen, Sam and Martin delve into the tone created by Waits, as well as Paul McCartney, in their songs yearning for the past. Song by Song is Martin Zaltz Austwick and Sam Pay; two musicians listening to and discussing every single Tom Waits track in chronological order. website: songbysongpodcast.com twitter: @songbysongpod e-mail: songbysongpodcast@gmail.com Music extracts used for illustrative/review purposes include: Yesterday Is Here, Franks Wild Years, Tom Waits (1987) Yesterday, Help, The Beatles (1965) We think your Song by Song experience will be enhanced by hearing, in full, the songs featured in the show, which you can get hold of from your favourite record shop or online platform. Please support artists by buying their music, or using services which guarantee artists a revenue - listen responsibly.

Helen Sadler of the Flixwatcher podcast joins Martin and Sam to listen to Tom Waits's cock...rel. Some brief discussion of Waits as an actor, further debate around the danceability of Tom Waits songs and a celebration of the work of Kate Bush quickly devolves into Martin making bird noises. Sorry folks, business as usual ... Song by Song is Martin Zaltz Austwick and Sam Pay; two musicians listening to and discussing every single Tom Waits track in chronological order. website: songbysongpodcast.com twitter: @songbysongpod e-mail: songbysongpodcast@gmail.com Music extracts used for illustrative/review purposes include: I’ll Be Gone, Franks Wild Years, Tom Waits (1987) An Endless Sky Of Honey, Aerial, Kate Bush (2005) We think your Song by Song experience will be enhanced by hearing, in full, the songs featured in the show, which you can get hold of from your favourite record shop or online platform. Please support artists by buying their music, or using services which guarantee artists a revenue - listen responsibly.

Song by Song is back for one more episode with Jeremy Warmsley, as he, Sam and Martin take a look at one of Waits's classic songs from this album, the way his storytelling style relates to truth and lies/dreams, as well as some more esoteric music from Ralph Carney & co. Song by Song is Martin Zaltz Austwick and Sam Pay; two musicians listening to and discussing every single Tom Waits track in chronological order. website: songbysongpodcast.com twitter: @songbysongpod e-mail: songbysongpodcast@gmail.com Music extracts used for illustrative/review purposes include: Innocent When You Dream (Barroom), Franks Wild Years, Tom Waits (1987) New York's Finest Dining Experience, Contents Dislodged During Shipment, Tin Huey (1979) We think your Song by Song experience will be enhanced by hearing, in full, the songs featured in the show, which you can get hold of from your favourite record shop or online platform. Please support artists by buying their music, or using services which guarantee artists a revenue - listen responsibly.

Hitting his groove (as well as the sideboard), Waits lifts into his falsetto for this warning against the evils of... alcohol? Women? Lack of faith? All three? Jeremy Warmsley returns for more discussion of music videos, sex, and identity in the 1980s. Song by Song is Martin Zaltz Austwick and Sam Pay; two musicians listening to and discussing every single Tom Waits track in chronological order. website: songbysongpodcast.com twitter: @songbysongpod e-mail: songbysongpodcast@gmail.com Music extracts used for illustrative/review purposes include: Temptation, Franks Wild Years, Tom Waits (1987) If I Was Your Girlfriend, Sign 'O' The Times, Prince (1987) We think your Song by Song experience will be enhanced by hearing, in full, the songs featured in the show, which you can get hold of from your favourite record shop or online platform. Please support artists by buying their music, or using services which guarantee artists a revenue - listen responsibly.

Jeremy Warmsley joins Sam and Martin to bloviate on Blow Wind Blow, a track which does not seem to connect easily with any of them. Picking the narrative apart, discussing some of the strengths (or frustrations) of the arrangement, and the importance of weather to Waits's writing all feature on this week's Song by Song. Song by Song is Martin Zaltz Austwick and Sam Pay; two musicians listening to and discussing every single Tom Waits track in chronological order. website: songbysongpodcast.com twitter: @songbysongpod e-mail: songbysongpodcast@gmail.com Music extracts used for illustrative/review purposes include: Blow Wind Blow, Franks Wild Years, Tom Waits (1987) I Want Wind to Blow, The Glow Pt. 2, The Microphones (2001) We think your Song by Song experience will be enhanced by hearing, in full, the songs featured in the show, which you can get hold of from your favourite record shop or online platform. Please support artists by buying their music, or using services which guarantee artists a revenue - listen responsibly.

Straight to one-down-from-the-top (track-listing-wise), Martin and Sam continue with more tortuous car similes, the divide between genuine celebration and the desperation for the same, and special guest-input from Google Translate. Song by Song is Martin Zaltz Austwick and Sam Pay; two musicians listening to and discussing every single Tom Waits track in chronological order. website: songbysongpodcast.com twitter: @songbysongpod e-mail: songbysongpodcast@gmail.com Music extracts used for illustrative/review purposes include: Straight To The Top (Rhumba), Franks Wild Years, Tom Waits (1987) Rumba Azul, Rumba International!, Lecuona Cuban Boys (1935/2015) We think your Song by Song experience will be enhanced by hearing, in full, the songs featured in the show, which you can get hold of from your favourite record shop or online platform. Please support artists by buying their music, or using services which guarantee artists a revenue - listen responsibly.

Welcome back to Song by Song for this, our eleventh season, taking on the 1987 album Franks Wild Years. Sam and Martin begin again with some (brief) discussion of its theatrical context, as well as the strange mechanised wanderlust of this track as compared to previous Waits songs and the early-20th Century work of Woodie Guthrie. Song by Song is Martin Zaltz Austwick and Sam Pay; two musicians listening to and discussing every single Tom Waits track in chronological order. website: songbysongpodcast.com twitter: @songbysongpod e-mail: songbysongpodcast@gmail.com Music extracts used for illustrative/review purposes include: Hang On St. Christopher, Franks Wild Years, Tom Waits (1987) Hard Travelin', The Asch Recordings vol. 3, Woodie Guthrie (1940s/1999) We think your Song by Song experience will be enhanced by hearing, in full, the songs featured in the show, which you can get hold of from your favourite record shop or online platform. Please support artists by buying their music, or using services which guarantee artists a revenue - listen responsibly.

As Martin and Sam continue preparations for season eleven, Franks Wild Years, we take a long-overdue dive into the mailbag to justify the endless trails of email/twitter/facebook in *every single episode*! With comments, corrections, additions and rock-climbing videos going all the way back to our first series, Song by Song revisits some old ideas and older jokes. Song by Song is Martin Zaltz Austwick and Sam Pay; two musicians listening to and discussing every single Tom Waits track in chronological order. website: songbysongpodcast.com twitter: @songbysongpod e-mail: songbysongpodcast@gmail.com Music extracts used for illustrative/review purposes include: Rosie, Closing Time, Tom Waits (1973) Warm Beer And Cold Women, Nighthawks At The Diner, Tom Waits (1975) Fyn Er Fin, Fyn Er Fin, Lasse & Mathilde (1995) Pasties and a G-String (At the Two O'Clock Club), Small Change, Tom Waits (1976) I Beg Your Pardon, One From the Heart Original Soundtrack, Tom Waits/Crystal Gale (1982) Take Me Home, One From the Heart Original Soundtrack, Tom Waits/Crystal Gale (1982) Frank's Wild Years, Swordfishtrombones, Tom Waits (1983) Swordfishtrombone, Swordfishtrombones, Tom Waits (1983) Trouble's Braids, Swordfishtrombones, Tom Waits (1983) Cemetery Polka, Rain Dogs, Tom Waits (1985) Take Me Home, One From The Heart (outtake), Tom Waits (1982) We think your Song by Song experience will be enhanced by hearing, in full, the songs featured in the show, which you can get hold of from your favourite record shop or online platform. Please support artists by buying their music, or using services which guarantee artists a revenue - listen responsibly. Lyrics - Fyn Er Fin (as provided by listener Mats Ahlin (Note: Fyn is one of the Danish islands): You can think it's a good sight To look at the scenery in Midtfyn When a groomed hooked road "Stand down and there" No a " Is there a troll with witch shudder? And princesses with sexy skin And they dance wild at night However, they protect the magic tax Fyn is nice, Fyn is nice, Fyn is nice. You can think it's a good sight When you are a bye and you have seen Funen Beautiful houses ... island bukke shower Thy protest singer and a horse contender Between Store and Lillebælt We have a crown with circus tents And we sing and drink at night We will give you if you want to take it Fyn is nice, Fyn is nice, Fyn is nice. To all of you who have only seen Funen And never been to Midtfyn itself You must know, you must suffer And are you blinded with sadness in the mind And do not know a farm Then you will be healed in Lundeborg Because there you sing gently at night An anthem just like people want it Fyn is nice, Fyn is nice, Fyn is nice. Fyn is nice, Fyn is nice, Fyn is nice Fyn is nice, Fyn is nice, Fyn is NICE.

Felipe y Diego nos hablan hoy de Franks Wild Years, de Tom Waits, uno de los mejores shows de un artista inimitable.