Podcasts about Take Me Home

Everybody sings the chorus, but superfans quote the verse. On this episode of Switched on Pop, Charlie and Nate trace the verse from Shakespeare through opera to TikTok, and songwriter Audrey Hobert shares her philosophy of specific verses and anthemic choruses: you can't have the payoff without the setup. CREDITS Reanna Cruz: Producer Iris Gottlieb: Illustrator Charlie Harding: Host, Executive Producer Dion Lee: Art Director Brandon McFarland: Audio Engineer Nick Ripps: Video Editor Nate Sloan: Host Lissa Soep: Editor Zach Tenorio & Jocie Adams: Theme Composers Switched On Pop is a co-production of Vox Media Podcast Network, Vulture, and Rock Ridge Productions. Links: ⁠Newsletter⁠ Songs discussed: Aretha Franklin, "(You Make Me Feel Like) A Natural Woman" Edward Meeker, "Take Me Out to the Ballgame" Third Eye Blind, "Semi-Charmed Life" Zara Larsson, "Lush Life" John Denver, "Take Me Home, Country Roads" Rick Astley, "Never Gonna Give You Up" William Smith, Choir of New College, Oxford, Edward Higginbottom, "Opening Versicles and Responses" Georges Bizet, Michel Plasson, Angela Gheorghiu, Les Éléments, Orchestre National Du Capitole De Toulouse, "Bizet: Carmen, WD 31, Act 1: Habanera. "L'amour est un oiseau rebelle" (Carmen, Chœur)" Richard Rodgers and Lorenz Hart, "Bewitched, Bothered and Bewildered" Built to Spill, "Joyride" The Killers, "Mr. Brightside" Gracie Abrams, "That's So True" Audrey Hobert, "Sue me" Lizzo, "About Damn Time" Audrey Hobert, "Drive" Audrey Hobert, "Bowling alley" Learn more about your ad choices. Visit podcastchoices.com/adchoices

The Academy of Ideas team of Alastair Donald, Geoff Kidder and Rob Lyons are joined by Sebastian Moore from the Take Me Home podcast to discuss why England lost that semi-final, what they thought about the performances of England and Scotland in the tournament, why 64 teams isn't as mad as it sounds, and who they think between Argentina and Spain will walk away with the trophy on Sunday.

Group Guide Use this guide to help your group discussion as you meet this week. 2 Samuel 22 Matt Freeman Download TranscriptIt's good to see you guys this morning. If you would go ahead, grab a Bible and turn to 2 Samuel 22. If you don't have a Bible, I want to encourage you to grab one of the black ones that are under the seats right in front of you. We're going to be on page 313. I'm going to put some of the extra passages and verses on the screen for us, but the bulk of our time is just going to be walking through this passage together. So, we want you to have a Bible in your hands.If we haven't met yet, my name is Matt Freeman. I get the opportunity to serve here as a lay pastor. And most Sundays you'll see me up here with a guitar in my hands or maybe playing piano and leading worship. But I am thankful for the times where I get the opportunity to teach our church family when it makes the most sense for our team. The truth is I'm usually just called in for the passages that Chet and Spencer find too difficult. But today is a little bit more in my wheelhouse.And so we're coming to the end of our time in 1 and 2 Samuel and we're bringing our study on the life of David to a close. And Chet mentioned this last week, but we have left the chronological flow of things and we've really just entered into the epilogue where the writer of 1 and 2 Samuel is just highlighting specific vignettes in David's life for us to focus in on to learn something from. But part of what's interesting here is that the books of 1 and 2 Samuel are historical narrative, meaning that they're just giving us a historical account of the people of God. And we've been tracing that through the lives of Samuel and then Saul and now David.But in this epilogue, we're given a song, which is crazy because we've been walking through all of this history, but now we're given a song. In fact, in the ESV, the title is David's Song of Deliverance. And so, it's at least curious enough for us to lean in and go, why a song? Why here? And for me, I love music. So, I'm pumped about the fact that it's a song.I listen to music constantly. I am either playing or singing all the time. People who know me well know my life is like I'm a walking musical. But music has this incredible power about it. It has the ability to make us feel things more deeply than we could without it. Just imagine your favorite movie without the musical score behind it.Imagine Jaws without the two notes getting faster and faster and faster. Imagine the opening of a Star Wars movie without the fanfare. It's just words suddenly going across your screen at an awkward angle. Think about it. Think about going to a wedding. The doors open.The bride walks in and it's just shuffling feet. Music helps us feel that moments matter. Music also helps us remember things way more easily. Some of you have a very deep bank of song lyrics. Some of those songs you wish you could forget, but you just remember songs. Let's play a game.[He prompts the congregation with a brief Bon Jovi lyric, and they sing the response in harmony.] That wasn't just melody. It was harmony. Like, also, I bet you didn't have singing Bon Jovi on your bingo card for this morning. But we could play that game all morning long. Music's also a part of how we learned. Nearly half of everything you learned in elementary school was set to a song.It's part of how we give honor and celebrate. It's why we sing happy birthday. We do the national anthem. You know, over the course of your life, music is how you got through your first breakup. Music's how you got pumped up for a game. You know that if you're at a college football game and the band kicks in, it's go time.Music helps us feel these things. And here's the reality. God created music. He beautifully and intentionally and creatively baked all of this stuff into it, and he made it important in the life of his people. Roughly one-third of the Old Testament is divinely inspired poetry. The book in the Bible with the largest number of chapters and one of the largest books in the Bible is the book of Psalms.John Piper says in the Psalms you can find 27 different human emotions and how they're given expression in relation to God. The people of God are a musical people. We're singing people. We're commanded over 50 times in the Bible to sing to the Lord. And here we are at the end of historical narrative and we're given a song. And it's not just any song.It's a song that's so important that it's not just put in the Bible once, it's in the Bible twice. We have a near verbatim replica of this song given to us in Psalm 18 that we started as our call to worship this morning. And so, knowing that God's the creator of music and knowing all that he's put into it, why do we get this song here? So at this season of David's life, after decades of war and strife and danger and hundreds of deliverances, it says that David now has rest from his enemies and from Saul. He's now a successful and powerful king. And what does David do?He worships God. In the ancient world, when earthly kings came to the end of their lives and they wanted people to celebrate their victories and conquest, they would build monuments to themselves. They wanted future generations to look at their strength, their power, their accomplishments, but not David. David doesn't say, "Look at me." He says, "Look at God." The song is not a monument to David's victories.It's a testimony to David's God. And so its placement here in the epilogue is to teach us that it's all about God. So in some ways this morning, David's going to teach us about worship. We're going to walk through this song together, and we're going to let David fix our eyes on the Lord. Hopefully by the end of it, we're going to see how this song extends to us, into our lives and into our story as well. So let's ask the Lord to help us do that.Would you pray with me? God, we know that you have intentionally placed this song in the epilogue after we've seen so much of David's story for a reason. So, I pray that you would help us let David fix our eyes on you this morning. That we would see why David worships you his whole life long. And that would extend into our story as well. In Jesus' name, amen.So, let's take a look at it together. 2 Samuel 22. Again, this is mirrored in Psalm 18, meaning it's not just David's personal song. It is meant to be a song of deliverance for all of God's people. And what we're going to see here is that this song is all about David's God, not David's victories. But verse one gets us into it. It says this:> And David spoke to the LORD the words of this song on the day when the LORD delivered him from the hand of all his enemies, and from the hand of Saul. (2 Samuel 22:1 ESV)It just sets the context for the song. We're not actually into the song yet. And it says that David spoke these words to the LORD. So LORD, if you're looking in your Bible, it's capitalized.It's L O R D. This is the personal covenant name of God that he gave to his people. This is Yahweh. And so David is singing this song to his personal God, Yahweh. And again, we've left chronology here. We don't know exactly when this sits in David's life, but we've read 1 and 2 Samuel, so we know a lot of things.We know the kinds of deliverances that he's been delivered from. We know at least we can go back to one of our first encounters where God delivers David from Goliath and then battle after battle with the Philistines and then from Saul. But we've also seen that once he becomes king, he's delivered from his son Absalom, who rebels against him. He goes on the run. Most recently, we looked at the rebellion of Sheba. And so David, looking back over a lifetime of deliverance with gratitude in his heart, can't help but erupt in praise to the Lord.And so let's pick it back up in verse two. We'll go through seven:> He said, “The LORD is my rock and my fortress and my deliverer,> my God, my rock, in whom I take refuge,> my shield, and the horn of my salvation,> my stronghold and my refuge,> my savior; you save me from violence.> I call upon the LORD, who is worthy to be praised,> and I am saved from my enemies.> For the waves of death encompassed me,> the torrents of destruction assailed me;> the cords of Sheol entangled me;> the snares of death confronted me.> In my distress I called upon the LORD;> to my God I called.> From his temple he heard my voice,> and my cry came to his ears. (2 Samuel 22:2–7 ESV)You can just feel the language of an old, battle-worn warrior here.David has continually found his strength in the Lord. And so he reaches for every word that he can find. Look back at it. It says rock, fortress, deliverer, shield, horn, stronghold, refuge. But notice, David is not just teaching us to praise God only when life feels good and settled.He's teaching us how to praise God in the middle of every season. He remembers the waves of death, the torrents of destruction, the days when he felt alone and afraid, surrounded and desperate for rescue. And yet in all of it, he cries out to the Lord and he praises the Lord. So he praises God in the midst of his strength and in his weakness, in his victories and in his fears. In the midst of the battle and when he's been delivered, he turns all of it into worship. And let me step to the side for a moment and go into worship leader mode. Again, David's teaching us about worship. This isn't the main point of the passage, but I do think there are a couple of things that help highlight for us why corporate worship matters.Okay, first one is this. We sing to God in every season of life. So, it matters that we sing songs like that on Sunday morning. When we come into this room, we're going to sing songs of praise like we've done this morning. We have sung “Cornerstone” and “The Rock Won't Move,” high songs of praise to God. But we also need songs in the midst of pain and grief and lament.Songs like “Lord, I Need You” or “He Will Hold Me Fast.” We need songs for all of it on Sunday morning because we all come into this room in different seasons of life. And we have a God who can relate to us in all of it. So, we want those songs to be reflected.It also means that we sing to God, but also for the benefit of everyone else in the room. This morning, when our vocalists pulled the mics down and you could just hear the room singing, it was incredible. This is one of my favorite verses. This is from Ephesians 5:19. This is Paul talking to the church, giving them some instructions.It says, “Addressing one another in psalms and hymns and spiritual songs, singing and making melody to the Lord with your heart.” So, we sing for God, to God, but it's also for the benefit of everyone else around us. And so, there have been times, guys, where I've walked into this room and I've been struggling. I've been hurting. I wasn't leading worship. I was just in a seat. And we start singing songs, and I'm looking at the screen and having a hard time believing the words that are up there.But I start looking around the room at my brothers and sisters, and I see them singing. I see the couple who's just lost a child. I see the marriage that is struggling. I see the brother or sister who is currently walking through a battle with sin. And they're standing, and with faith and hope and trust they're praising the Lord. Suddenly I'm encouraged because I'm looking at their faith, and I'm back to my feet and singing, which kind of makes the third point obvious. It highlights why it's important that we regularly gather and participate on Sunday mornings. It's not just enough to come into this room.God has intentionally put something in the times where we are singing to him and singing for the benefit of others that is meant to teach us how to walk the journey of faith with him in all seasons. And again, David's teaching us about worship here. We're seeing God for who he is. And then he continues back in the passage. He's going to paint this picture for us a little bit more here. He's going to use even more colorful and descriptive language for us to describe how the Lord has delivered him time and again.Let's pick it back up in verse 8:> Then the earth reeled and rocked;> the foundations of the heavens trembled> and quaked, because he was angry.> Smoke went up from his nostrils,> and devouring fire from his mouth;> glowing coals flamed forth from him.> He bowed the heavens and came down;> thick darkness was under his feet.> He rode on a cherub and flew;> he was seen on the wings of the wind.> He made darkness around him his canopy,> thick clouds, a gathering of water.> Out of the brightness before him> coals of fire flamed forth.> The LORD thundered from heaven,> and the Most High uttered his voice.> And he sent out arrows and scattered them;> lightning, and routed them.> Then the channels of the sea were seen;> the foundations of the world were laid bare,> at the rebuke of the LORD,> at the blast of the breath of his nostrils. (2 Samuel 22:8–16 ESV)The reality here is that we have such a finite capability to comprehend the glory and the magnitude and the majesty of our Creator God. And there's something about this type of poetic and metaphorical and descriptive language that just plainly saying it does not get across.Let me give you an example of this. Someone could say, “I would like to travel to my hometown in the mountains because I have a positive emotional connection with it.” That's technically clear. That's communicating information. Or someone could do this.[Sings a brief excerpt from “Take Me Home, Country Roads.”]And now what could have been a plain sentence is emotion and longing and geography and family and home. The plain sentence may be true, but the song engages us in a completely different way. And that's exactly what David's doing right here. David's not giving us a weather report. He's not saying that smoke literally came out of God's nose or that God physically flew on a cherub through the clouds. He's reaching for language that's big enough to help us picture and feel what ordinary language cannot: that when the God of the heavens and the earth chooses to move to rescue his servant, it's as if the whole world were laid bare.Plain language can tell us that God delivered David. But there's something about this type of language that helps us feel the majesty of the God who does the saving. So, David reaches for earthquakes, fire, smoke, thunder, darkness, and lightning. Because when God comes to save, he doesn't come lightly. And he continues on with some of this kind of metaphorical language. Again, he's trying to help us picture it. He continues in a similar way back in verse 17.Let's read a few verses here:> He sent from on high, he took me;> he drew me out of many waters.> He rescued me from my strong enemy,> from those who hated me,> for they were too mighty for me.> They confronted me in the day of my calamity,> but the LORD was my support.> He brought me out into a broad place;> he rescued me, because he delighted in me. (2 Samuel 22:17–20 ESV)I mean, it's just beautiful, right? It's this picture of David drowning beneath the waves, and God pulls him out and rescues him. It's similar language to what we see used to describe the Israelites coming out of Egypt: they come through the water. He rescues them.Have you ever been in a situation where you felt like you were drowning? Like literally drowning. It's terrifying. I actually have a couple of these stories from growing up. So, when we were growing up, we used to go to the state park in my hometown. It's not in West Virginia; it's in South Carolina. We would go to the lake.They had this nice swimming area. There was a beach. There was a part where you could swim that was kind of partitioned off with buoys so that you knew that you could touch. And we had gone there with some friends. But out beyond the buoys, there was this dock. It was about 40 feet from the shore. And on this dock was a high dive.And so, you know, we're there with friends. It's like, let's go. All right. So, we're going to swim beyond where our feet could touch. And we're going to swim past the buoys out all the way to this dock. We're going to clamor up on the dock.And then, you know, we've seen people jumping. My friends go to jump. And so I ascend the ladder and get to the top of this high dive. And most people were just kind of jumping off. Well, I thought I'm going to do a flip. And a flip I did.And so I did that flip and then I just kept going. So guys, I hit the water and all the air left my body and my body froze and I started going underneath the water. And then my body woke up and so I thrashed to the surface and I'm screaming and crying and I'm disoriented because I don't know where I'm at. And thankfully there were lifeguards in canoes because obviously this has happened before. And so they come over to me and they pull me from the water into this canoe. And if everybody had not been watching just by the sheer sound of me hitting the water, they're watching now because I am screaming and crying.And now they've got to canoe me the 40 feet back to the shore. And you know, my friends still love to tell this story. They laugh about it all the time. They think it's super embarrassing. And I just remind them it's not a big deal. I'm sure that happens to a lot of 17-year-olds.To be fair, I was in third grade, but it was still super embarrassing, and it does come up in stories a lot. But all jokes aside, guys, there was a moment where if they're not there and they don't pull me from the water, I don't know. And that's what the king of Israel is saying. David's saying, “If not for God, if God had not pulled me from the water, I was sunk.” It's beautiful, just incredible language. And again, he's given us a picture here.He continues on. Verse 21 says:> The LORD dealt with me according to my righteousness;> according to the cleanness of my hands he rewarded me.> For I have kept the ways of the LORD> and have not wickedly departed from my God.> For all his rules were before me,> and from his statutes I did not turn aside.> I was blameless before him,> and I kept myself from guilt.> And the LORD has rewarded me according to my righteousness,> according to my cleanness in his sight. (2 Samuel 22:21–25 ESV)This is where the song gets a little difficult to process. David says, “The LORD dealt with me according to my righteousness.” And immediately we want to stop him and be like, “David, buddy, we've read the story. We've read 2 Samuel.” And again, we don't know where this falls in David's life, but we know where the writer of 2 Samuel put it after we've already read all of this mess.We know about the adultery with Bathsheba. We know about the murder of Uriah and all the chaos that ensues from that, the failures in leadership. There's deep mess that marks parts of David's life. So when David says, "I was blameless before him," it feels out of alignment to us. And part of the reason it feels strange is because we tend to only have two categories for this type of claim. Perfection or failure.So either you get it all right or you fail. You don't. You're disqualified. So when David talks about righteousness and blamelessness, we hear him claiming perfection. But that's not actually what David's doing here.David's not saying, "I never sinned." We know that he sinned. He knows that he sinned. He's saying he kept the ways of the Lord. In verse 22, it says, "I have not wickedly departed from my God." When David sinned, he repented.When Nathan confronted him over Bathsheba and Uriah, David didn't harden his heart like Saul had done. He broke before the Lord. David knew that he sinned. Psalm 51 is David's repentance from his sin. And I think that's part of why Scripture can describe David in such unique terms. Maybe you'll remember this from 1 Samuel.This is after Saul had sinned, and Samuel comes to him and says this to Saul: “But now your kingdom shall not continue. The LORD has sought out a man after his own heart. And the LORD has commanded him to be prince over his people, because you have not kept what the LORD commanded you.” The difference between Saul and David is that David repented when he was confronted in his sin. And so the righteousness here is not sinless perfection.It's covenant faithfulness. It's loyalty to the Lord. It's why David can be described as a man after God's own heart. Not because David never failed. It was because even in his failure, he kept coming back to the Lord. And that's extraordinarily good news for us: part of keeping the ways of the Lord and the decrees of God is that he has made provision for sinners to come to him.And part of how we follow faithfully is that we own it. We confess our sin to the Lord. We confess our brokenness and we repent and we turn from it. And so again, David's teaching us about worship. He shows us that the faithful life is not a sinless life. The faithful life is a repentant life.The life that keeps returning to a God who saves, to a God who gives grace. And he keeps describing that God in the next few verses. Pick it back up in verse 26:> With the merciful you show yourself merciful;> with the blameless man you show yourself blameless;> with the purified you deal purely,> and with the crooked you make yourself seem tortuous.> You save a humble people,> but your eyes are on the haughty to bring them down.> For you are my lamp, O LORD,> and my God lightens my darkness.> For by you I can run against a troop,> and by my God I can leap over a wall.> This God—his way is perfect;> the word of the LORD proves true;> he is a shield for all those who take refuge in him. (2 Samuel 22:26–31 ESV)Isn't that so good? It's what we read out loud together just a little while ago. He shows himself merciful. He saves a humble people who know that they need it. He's a shield to those who will run behind the shield to seek refuge in him.He's a lamp that lightens the darkness. This is why it's important that the songs that we sing tell us the full counsel of God as revealed in his word. We can look back at verses 8–16 and see a God who's mighty and big and in majesty and thunders and can lay the world bare, who's also merciful and gracious and patient. And so we've proclaimed with David, “This God—his way is perfect.” It's incredible. And so we're going to continue on in verse 32.And this time we're going to read a little bit larger section. And I want us to be looking for who's the main player, who's the focus of the passage. You're going to see all kinds of pictures, so many of the stories that we've already read about David, but I want you to look for who's the focus as we walk through this. Pick it up in verse 32:> For who is God, but the LORD?> And who is a rock, except our God?> This God is my strong refuge> and has made my way blameless.> He made my feet like the feet of a deer> and set me secure on the heights.> He trains my hands for war,> so that my arms can bend a bow of bronze.> You have given me the shield of your salvation,> and your gentleness made me great.> You gave a wide place for my steps under me,> and my feet did not slip;> I pursued my enemies and destroyed them,> and did not turn back until they were consumed.> I consumed them; I thrust them through, so that they did not rise;> they fell under my feet.> For you equipped me with strength for the battle;> you made those who rise against me sink under me.> You made my enemies turn their backs to me,> those who hated me, and I destroyed them.> They looked, but there was none to save;> they cried to the LORD, but he did not answer them.> I beat them fine as the dust of the earth;> I crushed them and stamped them down like the mire of the streets.> You delivered me from strife with my people;> you kept me as the head of the nations;> people whom I had not known served me.> Foreigners came cringing to me;> as soon as they heard of me, they obeyed me.> Foreigners lost heart> and came trembling out of their fortresses. (2 Samuel 22:32–46 ESV)Notice who's the most important.Who's the focus? God trains, strengthens, enlarges, makes, sets, protects, subdues enemies, and establishes David. The message is simple. David fights, but it's God who wins. This is one of Scripture's clearest pictures of divine sovereignty working through human responsibility. David acts, but God is ultimately the one who's in control of all things.And so in this song, it becomes clear who gets the glory. Who's the focus? It's God. David may be telling his story, but David's not the hero of the story. God is the hero of David's story. And David knows this.I think it's why it's included here in the epilogue. This is the king telling his people, “Look to God. He's the deliverer.” David never takes the credit. He says it's about God. This is one of the reasons why on Sunday mornings, the large majority of the songs that we sing are either about God or to God, versus what we do or what we're going to do for God.There's a place for the latter, but this psalm reinforces that if we're talking about what we've done or what we're going to do, it's all because the Lord is sovereign over all of it. We act, but he's in control. He's the one who gets the glory. And at this point, David kind of reverts back to where he was at the beginning of the song. He just explodes back into praise. Let's finish the song.Verse 47 to the end:> The LORD lives, and blessed be my rock,> and exalted be my God, the rock of my salvation,> the God who gave me vengeance> and brought down peoples under me,> who brought me out from my enemies;> you exalted me above those who rose against me;> you delivered me from men of violence.> For this I will praise you, O LORD, among the nations,> and sing praises to your name.> Great salvation he brings to his king,> and shows steadfast love to his anointed,> to David and his offspring forever. (2 Samuel 22:47–51 ESV)The song ends where it began with praise, but now the praise expands. David says, “I will praise you among the nations.” He understood that the blessings of God were meant to extend to all peoples of the earth. Which is really good news for us because David was a Hebrew, and this song is in the Hebrew songbook.So it's good news that it was meant to extend to the nations because that's most of us, right? This becomes missionary theology in the New Testament. Paul quotes this verse in Romans 15, talking about the mission of God, God's glory going to the nations, going everywhere. And so this song has been driving. It's been in a slow, big build and crescendo to the finale, which is really this final verse. And so, we're going to look at the final verse again and focus in on it because there are some key words here that should really pull our minds towards covenant language.Let's look at it again. It says, “Great salvation he brings to his king and shows steadfast love to his anointed, to David and his offspring forever.” It says, “Great salvation he brings to his king.” That's the first time that word has shown up in this entire psalm: king. And we think about God establishing David as the king. It says he shows steadfast love. This is the Hebrew word hesed.We see it show up in Moses. We see it show up around 200 times in the Old Testament alone. This is God moving and working. It's a reminder of his covenant love to his people. He shows steadfast love to his anointed. We know that David's the anointed king, but the word for anointed here is Messiah. Then there's offspring.We see that it's coming through a line, and this is a throne that's going to be established forever. And these are not just random words. All of these are echoes of God's covenant with David. And so to refresh our minds for this, I want us to look back at 2 Samuel 7, where God has given this covenant to David, because I think it's going to help us see it. It says this:> When your days are fulfilled and you lie down with your fathers, I will raise up your offspring after you, who shall come from your body, and I will establish his kingdom. He shall build a house for my name, and I will establish the throne of his kingdom forever. I will be to him a father, and he shall be to me a son. And your house and your kingdom shall be made sure forever before me. Your throne shall be established forever. (2 Samuel 7:12–16 ESV)And here's what we know. The kingship passes to Solomon, and Solomon fulfills some of this. He does build a temple, but then he also makes some terrible decisions, and then he dies. The kingdom passes to his son Rehoboam, and almost immediately everything goes sideways. The kingdom splits, and it's never reunited.So the question remains, how will this kingdom be established forever? What kind of king can receive all of the promises of David and never lose them? What kind of son can reign forever? And as we read verse 51 and this section in 2 Samuel 7, I hope for the Christians in the room, all of the light switches have just started to turn on because it's all pointing to Jesus. The answer is Jesus. Look back at it here: “Great salvation he brings to his king.”It's the kind of king who would step off his throne and come down to his people in the greatest act of steadfast love. He comes as the one who is anointed, the long-awaited one, the Messiah. He comes in the line of David, and he comes to establish a kingdom that will last forever. Not an earthly kingdom but an eternal kingdom. This song ultimately belongs to the greater son of David. David can sing this song as a repentant king upheld by grace. But Jesus can sing it as the perfectly righteous king whose hands were truly clean, who perfectly kept the ways of the Lord, who never sinfully departed from his God, who was truly blameless.And here's the wonder of the gospel. The only king who was worthy to be rewarded for his righteousness traded places with us. At the cross, the righteous king was treated as the guilty one so that guilty people could be made righteous in him. He came and entered the storm of judgment for us. He bore the wrath that we deserved. He died the death that we should have died. And he rose again in victory as the deliverer.So this song is fulfilled in Jesus. And because it's true of Jesus, it gets to be true for everyone who belongs to Jesus. When David says, "The Lord is my rock," we know even more fully that Christ is our rock and our firm foundation. When David says, "The Lord is my fortress," we know even more fully that we are safe and secure in Christ.When David says, "The Lord is my deliverer," we relish in the fact that Jesus delivered us from sin and from death and from hell. When David says, "He rescued me because he delighted in me," we know that even more in Christ because the Father delights in the Son. And by faith, we're united to the Son. And so David writes this song about his life, but the song's not ultimately about David. It's about David's God. The story of David's life is God's faithfulness to David through every season—in danger, in deliverance, in weakness, in victory, in sin, in repentance, in sorrow, and in joy.David looks back over his life and he says, "Don't look at me. Look at the God who's been faithful." And because this song is ultimately fulfilled in Jesus, it gets to be true for us as well. The band's going to come back up, and they're going to lead us in a final song. But I want you to focus here for just a few more moments because I have a question I want to ask you and I want you to consider. If you were to write a song about your life, what would it be about?What would the lyrics be? Who would the song be about? Would it be a song that's about striving or achieving, building, trying to make a name for ourselves? Would it be a song that's about anxiety or worry or seeking to be in control or trying to white knuckle our way through life as if everything depended on us? Or would it be a song like David's a testimony that through every season God has been faithful? And the good news for you this morning is that in Jesus, this song gets to be your song.It gets to be my song. That his rescue becomes my rescue. That his refuge is my refuge. That this king is my king. And one day, every song of deliverance will roll into the new song of eternity. Salvation belongs to our God who sits on the throne and to the Lamb.So until that day, let's keep singing like David. Let every rescued sinner echo this refrain from verse 47. The Lord lives and blessed be my rock and exalted be my God, the rock of my salvation. Let's pray. God, you have been faithful and good throughout my life. Help me use every breath to sing of your goodness. In Jesus' name, amen.

Roger Bennett will be rooting for Folarin Balogun when the USMNT takes the pitch against Belgium in the World Cup, but he is worried about the way he was able to play in the game more than the fact that he was. Can the US beat Belgium? And is "Take Me Home, County Roads" a good song for the USMNT?See omnystudio.com/listener for privacy information.

HOUR 3 (07/06) - Gary & Shannon get you ready for Team USA's World Cup showdown with Belgium, react to President Trump's comments on the overturned red card controversy, debate whether "Take Me Home, Country Roads" really deserves to be America's World Cup anthem, count down the happiest songs ever recorded, discuss why Queen's catalog is impossible to separate from Freddie Mercury's legacy, and explore why more Americans are becoming "late bloomers" later in life.See omnystudio.com/listener for privacy information.

HOUR 1 (07/06) - Gary & Shannon recap a chaotic Fourth of July weekend, break down FIFA's controversial reversal that puts Folarin Balogun back on the field for Team USA's World Cup showdown with Belgium, debate whether "Take Me Home, Country Roads" has become America's unlikely soccer anthem, react to July 4th mayhem across Southern California, discuss the first AI-generated feature film, and dive into the eye-popping price tag and celebrity guest list for Taylor Swift and Travis Kelce's reported $20 million wedding.See omnystudio.com/listener for privacy information.

What's your favorite childhood memory? What's the craziest thing you've ever done for your job? In our case, this would be, what's the craziest thing we've ever done for the show. AMA, Next Question this hour.

Traveling often comes with its own set of challenges,especially when it comes to managing expectations around accommodations. In this episode, I'll share insights from my recent trip to North Central West Virginia, where I encountered a series of hiccups that reminded me of theimportance of preparation and adaptability in travel. Here's what I learned and how you can better manage expectations to enhance your travel experience.Listen in as Kristy talks about her recent experience with: -Managing Expectations in Travel-The Importance of Planning Accommodations-Sticky Kitchens and Wonderful Showerheads!-Experiencing Unexpected Challenges-Finding Joy Amidst Disappointment-Prioritizing What Matters in Travel

#120 caritalks – Rocken ohne Vorurteile Ein Besuch bei der inklusiven Band „Die Heuler“ in Oberhausen Jeden Montag von 14 bis 16 Uhr musizieren im Gruppenraum der Kontakt- und Beratungsstelle für psychisch Erkrankte (KOBS) der Caritas Oberhausen bis zu 20 gesangs-und musikbegeisterte Menschen. Menschen mit psychischen Einschränkungen, aber auch Nachbarn aus dem Stadtteil, die einfach gerne singen und musizieren. Fünf Gitarren, ein Piano und verschiedenste Percussion-Instrumente, wie Schellenringe, Tamburine und Congas stehen bereit für die Musikerinnen und Musiker. „Take Me Home, Country Roads“ - damit fängt die Probe an. Norbert Nilkens, der Ende der 80er Jahre die Gruppe ins Leben gerufen hat, zählt vor: „One two, one two three…“ – und los geht‘s. Nilkens war bis vor sieben Jahren noch Leiter der KOBS und begleitet die Heuler ehrenamtlich an der Gitarre. Begeistert singen und musizieren die elf anwesenden Musiker und Musikerinnen und man fühlt deutlich, hier herrscht ein besonderer Spirit; Gemeinschaft und Spaß stehen im Vordergrund. Sebastian Secker, der die Gruppe von Seiten der Caritas begleitet, sagt: „Ich freue mich jeden Montag auf die Heuler, weil in keiner anderen Gruppe, wird so viel gelacht. Die Themen, mit denen ich sonst zu tun habe, sind eher schwererer Natur.“ Secker ist Drummer in einer Band, bei den Heulern spielt er Klavier und Gitarre. Wer hier hinkommt, ist herzlich willkommen. Norman, der mit seinem Hund Pablo gekommen ist und Gitarre spielt, sagt: „Beim Singen denke ich nicht so sehr an Probleme, es befreit mich und ich mag die Gemeinschaft hier.“

It's fun questions on films and specific titles! This episode's topic: BODY PART MOVIE TITLES THIS MONTH TRIVIA WITH BUDDS IS BROUGHT TO YOU BY ZERO SLOPE EVENTS! For the ultimate events-hosting company, look no further than www.ZeroSlopeEvents.com  Fact of the Day: John Denver was born in New Mexico, and neither he nor his co-writer had ever been to West Virginia when "Take Me Home, Country Roads" was released. Triple Connections: Bridges, Phoenix, Washington THE FIRST TRIVIA QUESTION STARTS AT 02:07 SUPPORT THE SHOW MONTHLY, LISTEN AD-FREE FOR JUST $3 A MONTH: www.Patreon.com/TriviaWithBudds INSTANT DOWNLOAD DIGITAL TRIVIA GAMES ON ETSY, GRAB ONE NOW! GET A CUSTOM EPISODE FOR YOUR LOVED ONES: Email ryanbudds@gmail.com Theme song by www.soundcloud.com/Frawsty Bed Music: "Laser Groove" Kevin MacLeod (incompetech.com) Licensed under Creative Commons: By Attribution 4.0 License http://creativecommons.org/licenses/by/4.0/ http://TriviaWithBudds.comhttp://Facebook.com/TriviaWithBudds http://Instagram.com/ryanbudds Book a party, corporate event, or fundraiser anytime by emailing ryanbudds@gmail.com or use the contact form here: https://www.triviawithbudds.com/contact SPECIAL THANKS TO ALL MY AMAZING PATREON SUBSCRIBERS, INCLUDING: Samantha Wheeler Boomer Cates Grymes Industries Mark Kloppenburg Amber Shiels Alan Kreisel Rich Sommer Joe Heiman Waqas Ali Logan Booker Bringeka Sam Nathan Stenstrom Brooks Martin Robyn Price Gee Brian Clough Charles Glanville IV Lauren Schuette Evan Lemons AnneMarie Mattacchione Yves Bouyssounouse Kenny Zail York yates Gay Geek Fabulous Mollie Dominic Nathalie Avelar Natasha raina leslie gerhardt Diane White Youngblood Trophy Husband Trivia Lynnette Keel Lillian Campbell Jerry Loven Jamie Greig Jeremy Yoder Adam Jacoby rondell Adam Suzan Tiffany Poplin Bill Bavar Sarah Daniel Hoisington Keith Martin Sue First Steve Hoeker Jessica Allen Lauren Glassman Brian Williams Brett Livaudais Linda Elswick Carter A. Fourqurean Justly Maya Brandon Lavin Kathy McHale Chuck Nealen Courtney French Nikki Long Mark Zarate Laura Palmer  JT Dean Bratton Kristy Erin Burgess Trenton Sullivan Jen and Nic Michael Redman Timothy Heavner Jeff Foust Richard Lefdal Myles Bagby Jenna Leatherman Vernon Heagy Albert Thomas Kimberly Brown Tracy Oldaker Sara Zimmerman Madeleine Garvey Jenni Yetter Patrick Leahy Dillon Enderby James Brown Christy Shipley Clayton Polizzi Alexander Calder Ricky Carney Paul McLaughlin Willy Powell Robert Casey Matthew Frost Brian Salyer Greg Bristow Megan Donnelly Jim Fields Mo Martinez Luke Mckay Simon Time Feana Nevel Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

As Co-Founder of Caring Across Generations and President of the National Domestic Workers Alliance, Ai-jen Poo has spent decades working at the intersection of policy and culture — because she knows you can't change one without the other. A MacArthur Fellow, Time 100 honoree, and author of The Age of Dignity, she's now launching a million-care-conversations campaign and a new production label, Give Not Take Media, to get care stories into film and television at scale.

Send us Fan MailWelcome to Guess the Year! This is an interactive, competitive podcast series where you will be able to play along and compete against your fellow listeners. Here is how the scoring works:10 points: Get the year dead on!7 points: 1-2 years off4 points: 3-5 years off1 point: 6-10 years offGuesses can be emailed to drandrewmay@gmail.com or texted using the link at the top of the show notes (please leave your name).I will read your scores out before the next episode, along with the scores of your fellow listeners! Please email your guesses to Andrew no later than 12pm EST on the day the next episode posts if you want them read out on the episode (e.g., if an episode releases on Monday, then I need your guesses by 12pm EST on Wednesday; if an episode releases on Friday, then I need your guesses by 12 pm EST on Monday). Note: If you don't get your scores in on time, they will still be added to the overall scores I am keeping. So they will count for the final scores - in other words, you can catch up if you get behind, you just won't have your scores read out on the released episode. All I need is your guesses (e.g., Song 1 - 19xx, Song 2 - 20xx, Song 3 - 19xx, etc.). Please be honest with your guesses! Best of luck!!.....The answers to today's ten songs can be found below. If you are playing along, don't scroll down until you have made your guesses. .....Have you made your guesses yet? If so, you can scroll down and look at the answers......Okay, answers coming. Don't peek if you haven't made your guesses yet!.....Intro song: Death Cab for Cutie by Bonzo Dog Band (1967)Song 1: No One by Alicia Keys (2007)Song 2: Whatever You Like by T.I. (2008)Song 3: Somethin' 'Bout a Truck by Kip Moore (2011)Song 4: Bye Bye Love by The Everly Brothers (1957)Song 5: Baby Got Back by Sir Mix-A-Lot (1992)Song 6: H.O.L.Y. by Florida Georgia Line (2016)Song 7: Lonely by Akon (2004)Song 8: Thunderstruck by AC/DC (1990)Song 9: Heaven by Bryan Adams (1984)Song 10: Take Me Home, Country Road by John Denver (1971)

Country Roads, Take Me Home to My Very Own Yellowstone. This is 12 acres of no-rules, no-restrictions, do-what-you-want Oklahoma freedom and its only minutes to Arcadia + Route 66 and under 30 minutes to Downtown OKC. Formerly home to a commercial fl

On this week's episode of the Massively OP Podcast, Chris and Justin talk about that huge Guild Wars 3 announcement, a ton of release windows for upcoming games, some small launches, the arrival of ESO's difficulty settings, and a SWTOR patch that signals the end of the Sith. Sorta. It's the MassivelyOP Podcast, an action-packed hour of news, tales, opinions, and gamer emails! And remember, if you'd like to send in your question to the show, send 'em in through our tips form. Now, listen to this week's show… Show notes: Intro Guild Wars 3 is officially announced Aion 2 gets a September release date Stars Reach is going into early access this summer Loftia heads to early access this fall Dune Awakening targets September for a console release Valheim's also launching into 1.0 this September Camelot Unchained's early access launch is weak while Eterspire surprises us with a full launch SWTOR gifts us with Update 7.9 and Elder Scrolls Online does Update 50 Outro Other info: Podcast theme: "Crystal Oasis" from Guild Wars 2 Your show hosts: Justin and Chris Listen to Massively OP Podcast on iTunes, Stitcher, TuneIn, iHeartRadio, Player FM, Pocket Casts, Amazon, and Spotify, or follow our uploads with RSS Follow MassivelyOP on Bluesky, Mastodon, Twitch, YouTube, Twitter, and Facebook

Hour 3 with Steve Czaban: Jalen Brunson is on his way to a hero's welcome in New York / Al Galdi explains why the Nats are doing better than anticpated this season / More details emerge on the Kawhi Leonard / Steve Ballmer salary cap scandal / West Virginia baseball's extra innings win caused an epic Take Me Home stadium sing along

The Summer of 86 at 40 Music Video Companion series will post every Friday, featuring a discussion of an artist, song & music video from a song featured in the top 10 of the Casey Kasem American Top 40. Phil Collins ruled the pop music charts in the 1980s. “Take Me Home” was the final single from his No Jacket Required album. Jacob Givens checks back in to discuss this one. Thank you for listening to The Summer of 86 at 40 series! Brandon, Scott & Aaron return Monday with an all new installment! The Brandon Peters Show is available on Apple Podcasts, Spotify, iHeartRadio, Stitcher and anywhere podcasts are found. Follow the Facebook page or @brandon4kuhd on Twitter and Instagram. You can follow Jacob Givens on social media @thejacobgivens and @jacobgivens More information and content available at thebrandonpetersshow.com. “The Summer of 86 at 40” and “News” themes featured in the episode are written and performed by Pres Maxson (@presmaxson). The Summer of 86 at 40 returns Monday! TECHNICAL INFORMATIONVocalsBrandon – Shure SM58-LCJacob – Unknown Mic (recorded with ZOOM) Post ProductionNCH Wavepad Masters Edition v8.38NCH MixPad Masters v5.22The Levelator 2 RUNTIME: 21 minutes

A school in Iowa joined together to cheer-up a classmate going through cancer, plus Hammer's theory on "Take Me Home, Country Roads." See omnystudio.com/listener for privacy information.

三个Dj一台戏：怀旧电台 part1/Summary子孙满堂组合又来了！ 虽说初衷是为了怀念Fm887,但录着录着就变成了卡拉ok现场，当我们在怀念音乐的时候，也在怀念听这些音乐时的自己，希望和“一起旅行吧”一样，这个系列也能 一直进行下去，希望让你们更开心的一点！记得告诉我们，你是不是笑出来啦 ：） /Show Note 03:52 《We Are The World》06:44 《Heal The World》09:34 《China Girl》10:09 《Take Me Home, Country Roads》11:46 《Another Brick in the Wall》15:24 《完美生活》18:40 《Blowin' in The Wind》20:12 《Five Hundred Miles》21:51 《Puff the Magic Dragon》29:34 《Say You Say Me》10:09 《Take Me Home, Country Roads》 /Staff主播 | 洪晃、罗叔、小杜制作 | 罗叔 文案 | 罗叔后期 | 罗叔技术 | 劲进 /BGM List刘索拉 /Contact新浪微博：@洪晃公众号：好生活杂货铺抖音：洪晃HungHuang小红书：洪晃

Remastered from cassette tape transfer

Take Me Home.. /mixed by DJ SPRY ART/ | Tracklist -> t.me/muzpoint/440 |

Remastered from cassette tape transfer

The world of John Denver is one of beauty, honesty, love, family, nature, positivity and community. His songs come off like the antidote to today's human condition. ATTT is delighted to bring back the beloved Helene Eisen for one more episode, and we just so happened to be visiting her in Florida for her birthday, and she also just so happens to be the biggest JD fan we know. Please enjoy Part 1 of 2 of Top Ten John Denver Songs, where we take a deep dive into his world. We wouldn't change a thing.We've lowered our prices, but not our standards over at the ATTT Patreon! Those who are kindly contributing $2 a month are receiving an exclusive monthly Emergency Pod episode featuring our favorite guests and utilizing our patent-pending improv format in which we miraculously pull a playlist out of thin air. Emergency Pod 27 was taped on location in Florida with the great Ira Eisen. We were proud to drop it May 1st!Find out more at https://www.patreon.com/c/alltimetoptenWe're having a blast chatting about music over on the ATTT Facebook Group. Join us and start a conversation about music!https://www.facebook.com/groups/940749894391295

Tanner Usrey is a Texas country singer songwriter from Prosper, Texas. Tanner signed with Atlantic Records in 2023 and has released two albums, Crossing Lines and These Days. His music has been featured on hit TV shows Yellowstone and Landman, with songs including "The Light," "Take Me Home," "Crossing Lines," and "Destiny." He has accumulated tens of millions of streams and continues to tour nationally.Tanner Usrey: ⁠⁠Instagram⁠⁠ l ⁠⁠Facebook⁠⁠ l ⁠⁠Website⁠ l Spotify l Apple MusicEnjoy The Jarrod Morris Vibe? Please leave us a review on ⁠⁠⁠⁠⁠⁠⁠Apple⁠⁠⁠⁠⁠⁠⁠ & ⁠⁠⁠⁠⁠⁠⁠⁠Spotify⁠⁠⁠⁠⁠⁠⁠⁠The Jarrod Morris Vibe Links:⁠⁠⁠⁠⁠⁠⁠⁠Patreon⁠⁠⁠⁠⁠⁠⁠⁠ | ⁠⁠⁠⁠⁠⁠⁠⁠TikTok⁠⁠⁠⁠⁠⁠⁠⁠ | ⁠⁠⁠⁠⁠⁠⁠⁠Instagram⁠⁠⁠⁠⁠⁠⁠⁠ | ⁠⁠⁠⁠⁠⁠⁠⁠Facebook⁠⁠⁠

Join Tony Gapastione in conversation with 2026 Sundance selected film: TAKE ME HOME. Written/directed by Liz Sargent. https://takemehomefilm.com/Liz Sargent is a Korean-American adoptee and award-winning filmmaker whose work delves into adoption, disability, and family dynamics. With a background in choreography, she brings emotional depth to her storytelling, shaped by her experience as the middle child of eleven in an intersectionalfamily.A two-time NY EMMY winner (2020 & 2021), Sargent is also a HALF Initiative Mentee (2022 & 2023), an MSSNG PCES AICP Mentee (2023), and NBCU's Launch Director (2024-2026). Her debut narrative short,Strangers' Reunion, (2019), was a personal adoptee film produced by Ritz- Carlton and Hearst under the mentorship of Mike Figgis, released in six languages worldwide.Her proof of concept, Take Me Home, premiered at Sundance (2023), won the Grand Jury Prize at American Cinematheque's PROOF FF (2024), and was the centerpiece at the White House to celebrate the 25th Anniversary of the Olmstead Act, where Sargent and her sister, the film's star, shared theirstories with key officials.The feature pitch won the largest production award in the world at AT&T Untold Stories at Tribeca FF (2025) and will world premiere at Sundance in U.S. Dramatic Competition 2026.

Hey Winner, There's a lot of noise around how to grow a business right now, and most of it points back to social media. But what if that's not the only way… or even the best way? In this talk, I'm joined by John Meese, who made the bold decision to step away from social media entirely. What he found on the other side wasn't just more focus, but a more sustainable, profitable, and life-giving way to build his business. If you've ever felt stretched thin trying to keep up online, this episode will give you a different lens... and a lot of permission. If you're craving more depth, more peace, and a business that doesn't rely on constant posting, this one is for you. Rooting for you ~ Gabe   Listen to hear: Why social media feels like a crowded town square with lots of noise but little connection The difference between getting attention and building a business that actually sustains you What it looks like to move people off the feed and into a space you truly own   Links mentioned in talk: Register (free) here: https://redhotmindset.com/gbws-register/ Swag bag: https://growwithoutsocial.com/swag-early John's website: https://www.sellyoursmarts.co/ Free gift: SmartScan https://yoursmartscan.com/

Название релиза: Monzenty, Razus - Take Me Home Дата релиза: 15.01.2026 Тип Релиза: Сингл Жанр: Dance Ссылка на соц сети артиста: Ссылка на BandLink: band.link/MonRazTakeMeHome Описание Артиста: Monzenty — Российский Артист, музыкант и продюсер электронной музыки. Основной стилистикой Артиста является стиль музыки Slap House, G-House, Dance Pop. Monzenty - Это качественный современный звук, который не заставит вас пройти мимо. Его треки подойдут для прослушивания как на танцевальных площадках, так и в машинах на хорошем профессиональном звуке. Артист является многоуважаемым резидентом лейбла "Robot Soul Records" с 2022 года. Razus — талантливый музыкант из Казани, быстро ставший популярным благодаря своим энергичным трекам в стилях Slap House, G-House и Dance Pop. Его музыка идеально подходит как для клубов, так и для прослушивания в автомобилях, получая поддержку от крупных стриминговых сервисов. Резидент лейбла Music Destinations с 2020 года, он предлагает мощные треки, которые заряжают энергией и создают незабываемую атмосферу. Описание релиза: Трек "Take Me Home" от Razus и Monzenty представляет собой атмосферную и динамичную композицию, сочетающую элементы электронной музыки и танцевального звука. Его настроение можно описать как легкое и мечтательное, с элементами загадки. Идея трека заключается в стремлении к свободе и уходу от обыденности, что подчеркивается повторяющимся фразами, создающими ощущение момента ожидания перемен. Энергия и ритм делают его идеальным для клубной сцены, обещая погрузить слушателя в состояние уединения и движения.

Detroit's Friday crew is back! We kick things off a hidden "speakeasy of coffee" called Sml Wrld Cafe on Gratiot in Detroit, and why now is the time to get your yard and urban garden in order. Plus, the historic Detroit Boat Club is on getting on track for a major revival into a public-facing hub with restaurants, events, and rowing education. Jer also checked out the new Cadillac Arts Center near Waterworks Park, with In Thicket Books, Take Me Home, and Bowerbird Home anchoring a growing Little Village arts district on the east side. On the west side, the guys mourn the end of nearly 70 years of Daly's Restaurant, swapping memories of steam-bun burgers, cherry fudge shakes, and midcentury drive-in diner culture as the last Livonia location prepares to close. Then a serious note: DTE's proposed $474 million electric rate hike has listeners worrying about affordability. Finally, meet our Spring logo, featuring Phezzy - a pheasant because quintessentially Detroit and they're in every corner of the city.

Phil Collins makes his 6th appearance on the podcast, but the first one as a solo artist!Hosted by @sliiiiip and @megamixdotcom, the Super Hits Podcast reviews a different retro single each episode! We're on all of the usual podcast platforms, so come find us. Come and give us a 5-star review!To correct us if we miss a fact or get something wrong, to request a single, or to just say hello, hit us up at superhitspodcast@gmail.comHere's our website: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://megamixdotcom.com/super-hits/⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Here's our Instagram: @SuperHitsPodcastYou can also find playlists for all of the songs we've covered on ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Spotify⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ and Apple Music. Just search for Super Hits Podcast Playlist!

Take Me Home! | Easter at Emmanuel | Dr. Nate Ruch by Emmanuel Christian Center

Welcome to Poetically Yours. Poetically Yours showcases poems written by northern Illinois poets. This week's poet is Voltavelle.

In the Season 5 premiere of the SoundStage! Audiophile Podcast, host Jorden Guth sits down with Conradin Amft, CEO of T+A Elektroakustik, to explore how high-end audio needs to evolve to reach a new generation. The conversation digs into the headphone-to-hi-fi pipeline, the growing appeal of all-in-one systems, and why user interface, user experience, and industrial design now matter as much as sound quality. Amft also explains what hi-fi can learn from other industries—and how a legacy brand experiments without losing its identity. Sources: “Selling Emotions: Conradin Amft on T+A's History and Future”: https://www.soundstage.life/e/selling-emotions-conradin-amft-on-tas-history-and-future-then-to-now-hi-fi-tomorrow/ “Made-in-Germany Hi-Fi and Playback-Control Software from T+A”: https://www.soundstage.life/e/made-in-germany-hi-fi-and-software-from-ta/ Chapters: 00:00:00 Announcement 00:00:36 Introductions 00:06:00 The headphone-to-hi-fi pipeline 00:12:00 The appeal of all-in-ones 00:15:57 Inspiration from other industries 00:22:06 UI and UX 00:24:40 Aesthetics matter more than ever 00:30:20 Testing new waters 00:31:49 Outro music: “Take Me Home” by Channel 13

感谢金主妈妈妙界N12按摩加热护腰带的温暖赞助！ 点击收获疲惫娇娃专属购买链接 【聊了什么The What】 圣丹斯这个滑雪小城不仅有皑皑白雪，还有满肚子的小米粥和最真实的独立电影。这期节目小蓝和小杨用从夯到拉这个体系点评了这次我们在圣丹斯看到的几部作品。从震撼人心的战地纪录片《美国医生》，到让苹果肌飞起的孙锡久新作《贝德福特公园》，再到德黑兰地下的女性友谊。我们会聊聊那些让人燃到不行的先行者，也会毫不留情地吐槽那些把苦难奇观化的雷片。 This snowy ski-town version of Sundance came with more than just white peaks — it also came with full bellies of millet porridge and some of the most unvarnished independent films around. In this episode, Xiaolan and Xiaoyang rate the films we saw at Sundance on a scale from banger to flop. From the devastating war-zone documentary American Doctor, to Bedford Park, the new Son Suk-ku film that had our cheeks lifted the entire time, to stories of female friendship in Tehran's underground art scene — we talk about the trailblazers who left us completely fired up, and also roast, without mercy, the disasters that turn suffering into spectacle. 【时间轴 The When】 00:00 - 圣丹斯在Park City的最后一年，两个中国胃勇闯犹他 07:55 - 顶级：American Doctor（美国医生）关于加沙救援最硬核的纪录片 18:16 - 顶级 / 人上人：Bedford Park（贝德福特公园）韩裔美国人的新泽西爱情故事 26:44 - 顶级 / 人上人：The Friend's House Is Here（朋友的房子在这里）关于伊朗女性日常生活和日常反抗的故事 32:37 - NPC：The Moment - Charli xcx对过去的Brat Summer的伪纪录片 37:52 - 顶级：Give Me the Ball! 改变网球的传奇Billie Jean King的纪录片 47:44 - NPC：Ha-Chan, Shake Your Booty（小春，屁股摇起来）老派纯粹的跨文化爱情故事 54:44 - 没看上但很想看：Josephine 56:30 - 顶级 / 人上人：Take Me Home 关于残障身份的亲密家庭故事 59:24 - 拉到家了：Burning（炎上），看完只想炎上导演 00:00 - Sundance's last year in Park City 07:55 - Top-tier: American Doctor — hard-hitting documentary about medical relief in Gaza 18:16 - Top-tier / Elite: Bedford Park — a New Jersey Korean Americans love story and family drama 26:44 - Top-tier / Elite: The Friend's House Is Here — t Iranian women's everyday lives and everyday resistance 32:37 - NPC: The Moment — Charli xcx's mockumentary of Brat Summer 37:52 - Top-tier: Give Me the Ball! — a documentary about Billie Jean King, the legend who changed tennis 47:44 - NPC: Ha-Chan, Shake Your Booty — old-school, wholehearted cross-cultural love story 54:44 - Didn't get in, but really wanted to see it: Josephine 56:30 - Top-tier / Elite: Take Me Home — an intimate family story about disability identity 59:24 - Absolute flop: Burning — the fact that this got made???

【聊了什么The What】 小杨、小蓝与友台残言片语主播八如一起聊了两部关于残障与照护的电影：刘玉玲主演的《罗丝密》(Rosemead) 与圣丹斯今年新出的口碑佳作《带我回家》(Take Me Home)。 讲述残障者的故事，很难绕过照护者的故事，也很容易陷入苦大仇深的叙事漩涡；毕竟社会给残障者的资源那么少，而在资源的匮乏中能讲出的故事常常是《罗丝密》中描绘出的毁灭性的绝路。而《带我回家》则通过一种模糊虚构与真实的即兴手段，让残障演员在故事中展现全新的创作方式。或许这种匮乏并不是必须的，或许优绩主义的亚裔家庭不一定要把残障视为绝路，或许电影人能给出的激进的想象能够推动我们重塑现实，毕竟生而为人我们终将是脆弱的。 In this episode we are joined by Baru from our friend at 残言片语 to discuss two films about disability and caregiving: Rosemead, starring Lucy Liu, and Take Me Home, a critically acclaimed new Sundance film. When telling stories about disabled people, it is hard to avoid telling the stories of caregivers as well. It is also easy to fall into a heavy, tragic narrative spiral. After all, society offers so few resources to disabled people, and from within that scarcity, the kinds of stories that emerge often look like the devastating dead end portrayed in Rosemead. Take Me Home, by contrast, uses an improvisational approach that blurs fiction and reality, allowing disabled actors to reveal a wholly different creative mode within the film itself. Perhaps this scarcity is not inevitable. Perhaps, in high-achieving Asian families, disability does not have to be treated as a dead end. Perhaps the radical imagination offered by filmmakers can help us reshape reality—because as human beings, we are all ultimately fragile. 【时间轴 The When】 00:00 - 两部电影的初观感 08:11 - 《柔似蜜》：真实的悲剧还是缺乏想象力的“绝路” 19:01 - 《待我回家》中的姐姐角色：拒绝牺牲自我，寻找更长久的方案 31:01 - 《待我回家》的激进结局 36:39 - 导演 Liz Sargent 谈“激进的想象力”(Radical Imagination) 45:53 - 电影工业能够多大程度上支持残障演员 55:31 - 心理健康与精神健康在政策支持上的滞后性 59:11 - 亚裔社区的“家丑”观与优绩主义 71:14 - 人类本来就是脆弱的 00:00 – First impressions of the two films 08:11 – Rosemead: a true tragedy, or a “dead end” shaped by a failure of imagination 19:01 – The sister character in Take Me Home: refusing self-sacrifice and searching for a more sustainable path 31:01 – The radical ending of Take Me Home 36:39 – Director Liz Sargent on “radical imagination” 45:53 – To what extent the film industry can support disabled actors 55:31 – The lag in policy support for mental and psychological health 59:11 – The Asian community's view of “family shame” and meritocracy 71:14 – Human beings are fragile to begin with 【买咖啡 Please Support Us】 如果喜欢这期节目并愿意想要给我们买杯咖啡： 海外用户：https://www.patreon.com/cyberpinkfm 海内用户：https://afdian.com/a/cyberpinkfm 商务合作邮箱：cyberpinkfm@gmail.com 商务合作微信：CyberPink2022 If you like our show and want to support us, please consider the following: Those Abroad: https://www.patreon.com/cyberpinkfm Those in China: https://afdian.com/a/cyberpinkfm Business Inquiries Email: cyberpinkfm@gmail.com Business Inquiries WeChat: CyberPink2022

Akron Civic Assembly to propose housing solutions to city officials Monday on the "Sound of Ideas," we'll discuss a new effort to tackle housing challenges in Akron that is giving residents the decision-making power. Unify America, a national nonprofit focused on problem-solving and civic engagement, has created Northeast Ohio's first-ever civic assembly, called Unify Akron. The inaugural group of 65 residents was selected by a random lottery last week. From now until May, the delegates will meet to review research, hear from experts and share their own experiences before voting on potential solutions. Those recommendations will be presented to Akron Mayor Shammas Malik, city council and other elected officials. Organizers say the goal of the program is to encourage collaboration among residents and inspire leaders to consider implementing fresh ideas. Guests: - Morgan Lasher, Chief, U.S. Democracy Leagues, Unify America - J. Cherie Strachan, Ph.D., Director, Bliss Institute of Applied Politics, University of Akron - Michael Jarzenski, Delegate, Akron Civic Assembly Summit County Prosecutor & Sheriff expand the Take Me Home program More than 480 children on the autism spectrum were reported missing to the National Center for Missing and Exploited Children in 2024. Of the 12 accidental deaths reported that same year, all were the result of drowning. That sobering reality is part of what continues to drive the Take Me Home program in Summit County — a joint effort between the Prosecutor's Office and the Sheriff's Office. Later in the hour, we'll discuss how this program is helping save lives and reunite missing individuals with their loved ones. Launched in 2007, the program created a database where parents and caregivers can voluntarily submit information to law enforcement about individuals with communication difficulties - with the goal of bringing those in danger home safely. Last month, the program expanded to include individuals living with mental health conditions, behavioral disorders and substance use disorders. Guests: - Elliot Kolkovich, Prosecutor, Summit County - Kelly Clark, Community Training Specialist, Autism Society of Greater Akron The Menu: Meet Mallorca's Owner Laurie Torres According to the Ohio Hospitality Alliance, at least 500 restaurants across the state closed last year. That's not all that surprising when you look at industry trends, and the razor thin margins that restaurants run on, with the average lifespan of a restaurant being less than10 years. When a local restaurant makes it to 15 years, 20 years or longer, that's something special. That's the case with Mallorca, which opened nearly 30 years ago in Downtown Cleveland. That establishment specializes in Spanish and Portuguese food and was just nominated by the James Beard Foundation. To end the hour, we're joined by Laurie Torres, owner of Mallorca. Torres was recently interviewed by Cleveland Magazine as part of their "Word of Mouth" series, and joins "The Menu" today. "The Menu" is our bi-weekly series produced in conjunction with Cleveland Magazine where we explore Northeast Ohio's food scene. Guest: - Laurie Torres, Owner, Mallorca

Sergeant Ryan Garcia on Community Policing and James Smathers on the Take Me Home Program | 2-27-26See omnystudio.com/listener for privacy information.

El campo puede ser mucho más que paisaje: puede ser futuro, arraigo y estabilidad social. En este programa conversamos con la periodista Agnès Batlle autora del libro Arrels Rebels [ara llibres]; el activista-periodista Gustavo Duch, co editor de la revista “Soberanía Alimentaria. Biodiversidad y Cultura”; y la ensayista-mediadora Vanesa Freixa sobre relevo generacional, modelo alimentario, mediación y ruralismo como elección de vida. Voces de jóvenes agricultores, reflexión crítica y música para preguntarnos si la paz activa también puede cultivarse desde la tierra. Ilustración de Maria del Mar Muriel.Suena en Mediterráneo:Take Me Home, Country Roads — John DenverNunha Aldea — Catuxa SalomKarmento — La Serrana Palmer — Aksak del mon nouAcorar — Orchestra Fireluche & Pau RibaRecorda o oblida — Mar PujolEscuchar audio

Send us a textWanna go for a ride? Then get in and lets us take you on a journey down the eerie roads of Essex.If you have any more information about these stories or want to share your own experience, please contact us via eerieessexpodcast@gmail.comYou can support us on Ko-Fi and Patreon:https://ko-fi.com/eerieessexhttps://www.patreon.com/EerieEssex....or by leaving us a review.Support the show

Disney Roads Take me Home - A fan favorite! by Drunky your Walt Disney World main Stay, Rhiannon who knows more about Drinking at the Disney Resorts than just about anyone & your Skipper, Dickrichie who spends more time at Disneyland than anyone else in Disney Twitter.

Yooooo shouts Phil Collins

Take Me Home for Christmas - Dan + Shay

In newly announced deals, Antero Resources and Antero Midstream will expand their holdings in northern West Virginia and divest non-core assets in eastern Ohio.

Hanukkah is fast approaching! And to celebrate, we have two songs... well, OK. We have one song about Hanukkah, and one song about Not Christmas. "Chanukah in West Virginia" by Scott Simons wraps a somewhat sad sentiment in a cheerful package (for better or worse), while "Chinese Food on Christmas" by Brandon Walker is a thoroughly silly celebration of not celebrating. The ranking music in this episode is "No War on Xmas", also by Scott Simons!

Connect:Email the show at bobsburgersreheated@gmail.comFollow the show @bobsburgersreheated on Instagram

In this week's episode, Dennis Jernigan shares the story behind his song,  “Take Me Home,” from the recording, "Mosaic of Your Love", available on most streaming services in October 2025. Daily Devotions for Kingdom Seekers, Vol. 3 is available at https://www.amazon.com/Daily-Devotions-Kingdom-Seekers-Vol-ebook/dp/B081K8TZLX Check out my Patreon page at https://www.patreon.com/DennisJernigan and read through the various tiers of support and discover the myriad of benefits you will receive based on the level of support you choose. If you're willing, go ahead and sign up!

In this final chapter of her West Virginia series, Colleen shares a mysterious story about her daughter Anna—and what felt like a sign from Laura, reminding them both that their needs matter. Whether coincidence or something more, it revealed a deeper truth: your voice is your lifeline back to yourself. Choosing to name what you need is not selfish—it's how you stop living by others' expectations and start living by your own. When you use your voice, the truths that once ruled you quietly from the shadows lose their power.

In this episode, we break down why Colorado isn't using its resources to their fullest potential—Midwest style. (22:21) Ryan shares his electrifying go-kart track experience, while (33:33) Tyler reveals the final results of his big rummage sale (He made so much money). Myles (39:01) tries to convince Tyler to start a new business (spoiler alert: Tyler hates the idea). Plus, Myles and Jerrod (48:44) gear up for a wedding this weekend and brainstorm the inevitable general tomfoolery. We wrap it all up with a fun fact about John Denver's Take Me Home, Country Roads.Tap here for PrizePicks: https://prizepicks.onelink.me/ivHR/YBR