Podcast appearances and mentions of Lorne Balfe

Daniel and Erwin review the latest action comedy, "Novocaine" starring Jack Quaid, Amber Midthunder, and Jacob Batalon. They talk about the creative idea, the fun action, and more! Did they love it, did they hate it, or are they Somewhere Between!? Listen to find out!Description: When the girl of his dreams gets kidnapped, a man turns his inability to feel pain into an unexpected advantage as he fights a bunch of thugs to get her back. Release date: March 14, 2025 (USA) Budget: $18 million Directed by: Dan Berk; Robert Olsen Distributed by: Paramount Pictures Music by: Lorne Balfe; Andrew Kawczynski Produced by: Joby Harold; Tory Tunnell; Drew Simon; Julian Rosenberg; Matt Schwartz

Hey everybody, welcome back to another review here on MOVIE Morning. Today, I'm reviewing one of my most anticipated action, mid-budget films of the whole year: NOVOCAINE, starring Jack Quaid. The trailer for this film that came out a few months ago immediately put this film on my radar. It had a U.S. release just a few days ago and I had the chance to see it a bit early, relatively, here in the U.K. thanks to a Mystery Screening. So far, Jack Quaid's already been having a pretty good year because I was a big fan of Companion, the horror-comedy that came out at the end of January. So, is Novocaine one of the most fun action films of recent memory? Find out in this review!Novocaine:Directed by: Dan Berk, Robert OlsenWritten by: Lars JacobsonProduced by: Adam Friedlander, Joby Harold, Julian Rosenberg, Drew Simon, Tory TunnellExecutive Producers: Josh Adler, Paul Barbeau, Lars Jacobson, Matt Schwartz, Sam SpeiserMusic by: Lorne Balfe, Andrew KawczynskiCinematography by: Jacques JouffretEditing by: Christian WagnerCasting by: Bonnie Lee Bouman, Ronna KressProduction Design by: Kara LindstromArt Direction by: Kirk Doman, Sara Hartinger, Moray McGregorCast: Jack Quaid, Amber Midthunder, Ray Nicholson, Jacob BattalionSynopsis: When the girl of his dreams is kidnapped, everyman Nate turns his inability to feel pain into an unexpected strength in his fight to get her back.

[School of Everything Else 2025] All the way back in 2017 I put together an absolutely EPIC musical journey through the first eight years of the MCU, from Iron Man all the way up to Doctor Strange. So much time has passed since then (cue many gifs of Matt Damon drinking from the wrong Grail) and Marvel has not followed my sound advice about allowing each hero (and maybe a villain or two) to retain a theme that reprises with every subsequent appearance. However, that does not mean there haven't been some truly excellent scores composed, which got side-lined in the clickbaity rush to pronounce Marvel as being formulaic, failing or indeed signifying the baleful death of film. Here for you now is a compendium of themes and sonic explorations as Phase 3 draws to its epic conclusion and Phases 4 and 5 wend their way from the small screen to the big and back again. I look forward to a third volume of these shows sometime in the early 2030s, when the Fantastic Four, the X-Men, Secret Wars and whatever happens with Spider-Man and whatever inevitable soft reboot brings us to a new era of superhero cinema. 1.     The Falcon and the Winter Soldier (‘Louisiana Hero' by Henry Jackman) 2.     Guardians of the Galaxy Vol. 2 (‘Dad' by Tyler Bates) 3.     Spider-Man Homecoming (Michael Giacchino) 4.     Thor: Ragnarok (‘Main Title' by Mark Mothersbourough) 5.     Black Panther (‘Wakanda', ‘Warrior Falls' and ‘Killmonger' by Ludwig Goransson) 6.     Infinity War (Alan Silvestri) 7.     Captain Marvel (‘Main Theme' and ‘All Fired Up' by Pinar Toprak) 8.     Black Widow (‘Yelena Belova' and ‘Natasha Soars' by Lorne Balfe) 9.     WandaVision (‘Opening Themes: 50s, 60s, 70s and 80s' and ‘End Cretids' by Kristen Anderson-Lopez, Robert Lopez and Christophe Beck) 10. Loki (Natalie Holt) 11. Shang Chi (Joel P. West) 12. Eternals (Ramin Djawadi) 13. Moon Knight (Hesham Nazih) 14. Ms. Marvel (Laura Karpman) 15. The Marvels (Laura Karpman) 16. Spider-Man: No Way Home (‘Forget-Me-Knots' by Michael Giaccino) 17. Wakanda Forever (Ludwig Goransson) 18. Guardians Vol. 3 (‘Guardians vs Hallespawn' / ‘Into the Light' by John Murphy) 19. Thor Ragnarok Reprised (‘Twilight of the Gods' & ‘What Heroes Do' by Mark Mothersbourough) 20. Daredevil (John Paesano) 21. Jessica Jones (Sean Callery) 22. Luke Cage (Adrian Younge & Ali Shaheed Muhammad) 23. Iron Fist (Trevor Morris) 24. Werewolf by Night (Michael Giacchino) 25. Quantumania (Christophe Beck) 26. Agatha All Along (Christopher Beck) 27. Your Friendly Neighbourhood Spider-Man (The Math Club) 28. Deadpool & Wolverine (‘Bye Bye Bye' by NSYNC & ‘Like a Prayer Battle Royale Mix' by Madonna) 29. Avengers: Endgame (‘Portals', ‘The Real Hero' and ‘Main on End' by Alan Silvestri)

In the third episode of The Emerald Save Point, Gracie talks about the recent video game voice actor strike. The music used is “I Am Astro Bot – ASTRO BOT Remix” by Kenneth C M Young from ASTRO BOT, arranged for the orchestral “Game of the Year Medley,” composed by Lorne Balfe.

Tell us what you though of the episodeIn this episode, host Jawad Nir interviews composer Adam Price, whose music enriches Paramount Plus's "The Crow Girl." Adam shares insights into crafting evocative soundscapes, drawing on his experience with iconic projects like "Mission Impossible: Dead Reckoning" and "Black Adam," as well as his collaborations with master composer Lorne Balfe.The Crow Girl is a 2025 television series based on the Crow Girl book series by Erik Axl Sund, adapted by Milly Thomas for Paramount+. All episodes released on 16 January 2025. It begins in a Stockholm city park where the abused body of a young boy is discovered. Detective Superintendent Jeanette Kihlberg heads the investigation, battling an apathetic prosecutor and a bureaucratic police force unwilling to devote resources to solving the murder of an immigrant child. But with the discovery of the mutilated corpses of two more children, it becomes clear that a serial killer is at large. Adam Price is a composer for film and television, known for his bold, gritty sound that blends contemporary electronic textures with traditional orchestral scoring. He recently scored Paramount's thriller APARTMENT 7A, starring Julia Garner and produced by Michael Bay and John Krasinski, and has also written the music for the upcoming Paramount+ UK series  THE CROW GIRL, collaborating with Guns 'n' Roses lead guitarist Slash on the score. Additionally, Adam has contributed music to blockbuster films such as MISSION: IMPOSSIBLE - DEAD RECKONING, ARGYLLE, and DUNGEONS & DRAGONS, solidifying his reputation as a versatile composer. http://twitter.com/dreamingkingdomhttp://instagram.com/kingdomofdreamspodcasthttp://facebook.com/kingdomofdreamspodcast Watch the feature films that I have directedCitizen of Moria - https://rb.gy/azpsuIn Search of My Sister - https://rb.gy/1ke21Official Website - www.jawadmir.com

Steffen Thum is a German composer for film, TV, games and advertising, based in Berlin. With over 70 credits to his name, he has extensive experience across high profile studio films, independent cinema, TV and advertising campaigns. Max Aruj is a composer born and raised in Los Angeles. His recent projects include MoviePass, MovieCrash (HBO), Lansky starring Harvey Keitel, and The Ice Road (Netflix) starring Liam Neeson. Both are successful film composers with experience working on high profile projects with composers such as Lorne Balfe, Hans Zimmer and others. They're here to talk with us today about collaboration, lessons learned in their careers, and their work on the film “Betrayal.” Topics Include: *Working for another composer is another level of training and “school” *The importance of working very cleanly and clearly in collaboration *Work at a high level to hone your craft *The importance of attention to detail *Behind the score of “Betrayal” *Advice for aspiring musicians https://www.steffenthum.com/ https://maxaruj.com/

The shot heard ‘round the world'; the start of the American Revolution. An event that would have profound consequences for world history, especially western democracy. Who'd have thought that something of such magnitude would begin in a small settlement with as many cows as people living in it?Don Wildman hops across the Atlantic from American History Hit to Echoes of History to help Matt Lewis understand how two tiny towns became the spark that lit the fire of the American War of Independence.Sign up to History Hit for hundreds of hours of original documentaries, with a new release every week and ad-free podcasts. Sign up at https://www.historyhit.com/subscribe.  You can take part in our listener survey here.All music from Epidemic Sounds/All3 MediaAmerican History Hit is a History Hit podcast.Hosted by: Matt LewisEdited by: Tim ArstallProduced by: Matt Lewis, Sophie Gee, Robin McConnellSenior Producer: Anne-Marie LuffProduction Coordinator: Beth DonaldsonExecutive Producers: Etienne Bouvier, Julien Fabre, Steve Lanham, Jen BennettMusic:Main Menu Theme by Lorne BalfeBurial Mound by Lorne BalfeThe Convoy by Lorne BalfeFort Attack by Lorne BalfeDeadly Performance by Lorne Balfe

Episode #349 of BGMania: A Video Game Music Podcast. This week on the show, Bryan from RPGera presents another Musical Review, this time focusing on the recently released... Dragon Age: The Veilguard! Email the show at bgmaniapodcast@gmail.com with requests for upcoming episodes, questions, feedback, comments, concerns, or whatever you want! Special thanks to our Executive Producers: Jexak, Xancu, & Jeff. EPISODE PLAYLIST AND CREDITS Main Theme from Dragon Age: The Veilguard [Hans Zimmer & Lorne Balfe, 2024] Not the Chosen One from Dragon Age: The Veilguard [Hans Zimmer & Lorne Balfe, 2024] Down, But Not Out from Dragon Age: The Veilguard [Hans Zimmer & Lorne Balfe, 2024] Where the Dead Must Go from Dragon Age: The Veilguard [Hans Zimmer & Lorne Balfe, 2024] Sea of Blood from Dragon Age: The Veilguard [Hans Zimmer & Lorne Balfe, 2024] Love and Ashes from Dragon Age: The Veilguard [Hans Zimmer & Lorne Balfe, 2024] An Unfamiliar Sense from Dragon Age: The Veilguard [Hans Zimmer & Lorne Balfe, 2024] One Battle at a Time from Dragon Age: The Veilguard [Hans Zimmer & Lorne Balfe, 2024] Dragon Hunter from Dragon Age: The Veilguard [Hans Zimmer & Lorne Balfe, 2024] A Warden's Best Friend from Dragon Age: The Veilguard [Hans Zimmer & Lorne Balfe, 2024] You Have Everything That You Need from Dragon Age: The Veilguard [Hans Zimmer & Lorne Balfe, 2024] The Dread Wolf from Dragon Age: The Veilguard [Hans Zimmer & Lorne Balfe, 2024] Mother of the Halla from Dragon Age: The Veilguard [Hans Zimmer & Lorne Balfe, 2024] Eldest of the Sun from Dragon Age: The Veilguard [Hans Zimmer & Lorne Balfe, 2024] SUPPORT US Patreon: https://patreon.com/rpgera CONTACT US Website: https://rpgera.com Discord: https://discord.gg/cC73Heu Twitch: https://twitch.tv/therpgera Twitter: https://twitter.com/OriginalLDG Instagram: https://instagram.com/bryan.ldg/ Facebook: https://facebook.com/leveldowngaming RPGERA PODCAST NETWORK Very Good Music: A VGM Podcast The Movie Bar

Today on the best synth wave chat show there is Sunglasses Kid returns to the show after almost 4 years! Edward talks about going viral on social media and pioneering the 80s POV cinematic music videos, and writing the perfect caption. They also chat Call of Duty, ISRC codes, and the problems and potential of using AI in their workflows. Edward tells the story about how he met Hollywood film composer Lorne Balfe which led to working on Beverly Hills Cop 4 and how Edward got Tim Capello involved. You can support Beyond Synth on Patreon: www.patreon.com/beyondsynth or PayPal: www.paypal.com/paypalme/beyondsynth You can check out SUNGLASSES KID here: https://soundcloud.com/sunglasseskid http://sunglasseskid.bandcamp.com/ https://open.spotify.com/artist/0jn6ofLtVkXpuH2mmV8J82 https://www.instagram.com/sunglasseskidmusic https://www.facebook.com/SunglassesKid https://twitter.com/sunglasseskid Today's Tracklist: Sunglasses Kid - “Warehouse Shootout” Sunglasses Kid - “Badge and Gun” Sunglasses Kid - “Major Heist (Album Version)” Sunglasses Kid - “Last Sunset” Sunglasses Kid - “On Hold” Sunglasses Kid - “Revenge” Sunglasses Kid - “Dangerous Romance”

Robert Kraft reunites with the talented Jessica Weiss to talk about her path from ballet to Hollywood film scoring. In 2012, Jessica was invited to join the Remote Control Productions team and worked with Hans Zimmer, Lorne Balfe, Junkie XL and others on films. Then, she landed a job as a music editor working with Mychael Danna, and has continued on to score the recent Camila Cabello film Cinderella.

Composer and record producer for television, film, and video games Lorne Balfe sits down with Frank Mackay on this episode of The Frank Mackay Show!

John & Heidi share funny stories of people doing weird things... plus we continue our segment #MovieStarMonday as John chats with Lorne Balfe - Beverly Hills CopGET AN "AMAZON PRIME" 30 DAY FREE TRIAL HERE > https://zurl.co/xtXhLearn more about our radio program, podcast & blog at www.JohnAndHeidiShow.com

Sam Clements is curating a fictional film festival. He'll accept almost anything, but the movie must not be longer than 90 minutes. This is the 90 Minutes Or Less Film Fest podcast. In episode 125 Sam is joined by film composer Lorne Balfe.  You can hear Lorne's latest scores in Beverly Hills Cop: Axel F on Netflix now, and Bad Boys: Ride or Die in cinemas.  Lorne has chosen Red Eye (85 mins). Directed by Wes Craven and released in 2005, the movie stars Rachel McAdams, Cillian Murphy, and Brian Cox.  Sam and Lorne discuss writing music for beloved film franchises, discovering Red Eye on DVD, and reminisce about payphones on aeroplanes.  Thank you for downloading. We'll be back in a couple of weeks! Rate and subscribe on Apple Podcasts: https://tinyurl.com/90minfilm If you enjoy the show, please subscribe, rate, review and share with your friends. We're an independent podcast and every recommendation helps - thank you!  You can also show your support for the podcast by leaving us a top at our Ko-fi page: https://ko-fi.com/90minfilmfest Website: 90minfilmfest.com Tweet: @90MinFilmFest  Instagram: @90MinFilmFest  We are a proud member of the Stripped Media Network. Hosted and produced by @sam_clements. Edited and produced by Louise Owen. Guest stars Lorne Balfe. Additional editing and sound mixing by @lukemakestweets. Music by @martinaustwick. Artwork by @samgilbey. 

Composing Hollywood: An Interview with Lorne Balfe In this special simulcast episode of the Neil Haley Show and the Storehouse Media Group Podcast, host Sherrie chats with the illustrious Lorne Balfe, a Grammy Award-winning and Emmy and BAFTA-nominated composer. Known for his iconic scores for films like "Beverly Hills Cop" and "Mission Impossible," Lorne shares insights into his creative process, his journey from a musical household to Hollywood stardom, and the inspirations behind his celebrated compositions. Tune in to hear about his latest project, "Beverly Hills Cop: Axel F," and get a behind-the-scenes look at how this musical maestro brings stories to life through his exceptional scores.

In this special simulcast episode of the Neil Haley Show and the Storehouse Media Group Podcast, host Sherrie chats with the illustrious Lorne Balfe, a Grammy Award-winning and Emmy and BAFTA-nominated composer. Known for his iconic scores for films like "Beverly Hills Cop" and "Mission Impossible," Lorne shares insights into his creative process, his journey from a musical household to Hollywood stardom, and the inspirations behind his celebrated compositions. Tune in to hear about his latest project, "Beverly Hills Cop: Axel F," and get a behind-the-scenes look at how this musical maestro brings stories to life through his exceptional scores.

Our next composer is a recent friend and amazing composer who is behind the music of the 2023 Riot Games' League Of Legends - Lunar New Year Campaign. He has worked as an additional writer for composer Lorne Balfe on projects including The Wheel Of Time, Life On Our Planet, His Dark Materials, and Victoria's Secret: Angels & Demons among others. He is the composer of psychological horror feature film Dead Whisper and I am so excited to welcome him on to the podcast.  And the Composer is…Nikhil Koparkar --- Support this podcast: https://podcasters.spotify.com/pod/show/composertalk/support

Lorne Balfe's score for “Mission: Impossible – Fallout” is an all-time classic, so you can imagine how thrilled we were to talk to the composer about how it all came together. Learn his inspiration for unforgettable cues and how composing the music was its own (almost) impossible mission. This episode was originally released in October 2018. You can own “Mission: Impossible – Dead Reckoning” on digital and 4K HD, Blu-ray and DVD now. Learn more about your ad choices. Visit megaphone.fm/adchoices

They said it couldn't be done, but we proved the doubters wrong. This is our 100th episode spectacular. And if that's confusing, well, that's okay, because this was from the original version of the show. All you need to know is that we are joined by Christopher McQuarrie, Simon Pegg, Hayley Atwell and Lorne Balfe. Also: it's totally unpredictable and so much fun. Join us, won't you? This episode was originally released in May 2020. You can own “Mission: Impossible – Dead Reckoning” on digital and 4K HD, Blu-ray and DVD now. Learn more about your ad choices. Visit megaphone.fm/adchoices

Join Jeff Kaufman, attorney, radio host, and comic book writer, as he uncovers the untold tales of celebrities, infamous figures, and unsung heroes. From the glamour of Hollywood to the gritty stories of true crime survivors, every episode of "Under Oath" promises a captivating journey into the lives of those who've made a mark.Listen to the show live on Saturdays, at 7:30am EST, on Real Radio 104.1, or catch the stream on your iHeartRadio app (or wherever you get your shows and podcasts). You can also watch the show on YouTube.

We have a very special bonus episode of Soundtracking for you today, as Matthew Vaughn, Lorne Balfe, Giles Martin, Gary Barlow and Stuart Price join Edith to discuss the music of Argylle. As you'll hear, each made very specific contributions to the film, but channelled the spirit of collaboration to provide score, original songs and that new Beatles track! 

Visit HOW TO GROW YOUR MUSIC CAREER BLOG for more action items, and valuable insights on your music career! Julie Elven is a soundtrack vocalist, concert soloist and musician based in Munich, Germany. She has been a soloist for Hollywood composers James Newton Howard, Lorne Balfe, as well as for Hans Zimmer's scoring company Bleeding Fingers Music. She is a featured solo vocalist on the GRAMMY longlisted and BAFTA winning video game Horizon Forbidden West, as well as the vocalist of the BAFTA nominated Horizon Zero Dawn soundtrack. Julie was invited into the Recording Academy as a GRAMMY voting member in 2023. She performed in numerous other video games and movies.       If you want to support the podcast, don't forget to rate the podcast and give it a follow. It will help the podcast reach more people who might find it interesting! Feel free to reach out with any questions, on LinkedIn, Facebook, Instagram, or through my email listed on my website, where I share additional content about music career. Read more career tips in the blog: https://www.amitweiner.com/rewind-the-musicians-blog   Amit Weiner on LinkedIn: https://www.linkedin.com/in/amit-weiner/   Stay tuned and don't forget to REWIND!

We start in Brussels to discuss the outcome of the EU Summit, before heading to Melbourne, where Australian and New Zealand defence and foreign ministers are meeting to talk about regional security. Plus: a report from the Copenhagen International Fashion Fair and a catch-up with Grammy-winning composer Lorne Balfe.See omnystudio.com/listener for privacy information.

Monocle Radio's Laura Kramer speaks with Grammy-winning composer Lorne Balfe about his latest project, the spy comedy *Argylle*. Balfe reflects on his impressive career and working with the likes of Michael Bay, Matthew Vaughn and Hans Zimmer. Plus: how The Beatles' last song, ‘Now and Then', ended up on his new film.See omnystudio.com/listener for privacy information.

Welcome back, everyone! To close out 2023, I'm concluding with an episode of the Now Playing sub-series of the podcast to spotlight notable film scores throughout the calendar year. This year provided some surprise blockbusters, such as BARBIE and OPPENHEIMER, along with new entries from major franchises like INDIANA JONES, CREED and THE FAST & THE FURIOUS - with memorable music from many. Enjoy music from a cavalcade of composers - John Williams, Lorne Balfe, Christophe Beck and Hans Zimmer, among others!   Below are the films and composers represented here, with time index for helpful reference.   Title playtime index: ANT-MAN AND THE WASP: QUANTUMANIA (Christophe Beck) - 00:01:37 SHAZAM: FURY OF THE GODS (Christophe Beck) - 00:06:12 CREED 3 (Joseph Shirley) - 00:10:09 TETRIS (Lorne Balfe) - 00:17:29 DUNGEONS & DRAGONS: HONOUR AMONG THIEVES (Lorne Balfe) - 00:24:06 THE SUPER MARIO BROS MOVIE (Brian Tyler/Koji Kondo) - 00:34:09 FAST X (Brian Tyler) - 00:38:24 INDIANA JONES AND THE DIAL OF DESTINY (John Williams) - 00:42:33 BARBIE (Mark Ronson and Andrew Wyatt, "What Was I Made For?" by Billie Eilish) - 00:53:00 OPPENHEIMER (Ludwig Göransson) - 01:04:02 THE CREATOR (Hans Zimmer) - 01:10:50 THE MARVELS (Laura Karpman) - 01:19:01   Stay safe out there, take care of yourself and each other!    Connect with the podcast on Facebook and Twitter: www.facebook.com/ascoretosettle https://twitter.com/score2settlepod     Email the show at ascoretosettlepodcast@gmail.com  

Episode 413."Gran Turismo"Composer: Andrew Kawczynski.Talented composer Andrew Kawczynski joins me to talk about working with Hans Zimmer, Lorne Balfe, his impeccable filmography, burn out, completely investing yourself in your work and his new fantastic score in Gran Turismo. Fun Interview. Super talented composer. #granturismo #granturismo7 #granturismosport #movie #moviemusic #soundtrack #videogames #truestory #shortsvideo #shorts #interview #podcast #hanszimmer #topgun #topgunmaverick #dunkirk #inception #interstellar Welcome, Andrew Kawcyznski.Social Media:https://twitter.com/mdmcritic?lang=enhttps://www.instagram.com/mondaymorni...https://www.facebook.com/mondaymornin...https://www.tiktok.com/@mondaymorning...www.mmcpodcast.comEmail: Mondaymorningcritic@gmail.com

I am very, VERY late but at last, I finally got to see Gran Turismo - a movie that's been on my radar ever since the trailer and premise came out. I thought it was so interesting g that they decided to base this film on a story that the video game IP inspired; it's certainly a different approach to a 'video game movie.' I am by no means a player of Gran Turismo but I've been hearing good things for 3 WHOLE weeks now... but anyways, here we are now. Enjoy my review of Gran Turismo and hear out why I think it's one of the biggest surprises of the year! Gran Turismo: Directed by: Neill Blomkamp Screenplay by: Jason Hall and Zach Baylin Story by: Jason Hall and Alex Tse Based on the PLAYSTATION STUDIOS video game Produced by: Doug Belgrad, Asad Qizilbash, Carter Swan, Dana Brunetti Executive Producers: Matthew Hirsch, Jason Hall, Kazunori Yamauchi, Hermen Hulst Music by: Lorne Balfe, Andrew Kawczynski Cinematography by: Jacques Jouffret Editing by: Austyn Daines, Colby Parker Jr., Eric Freidenberg (Co-Editor) Casting by: Raylin Sabo, Mary Vernieu Production Design by: Martin Whist Cast: David Harbour, Orlando Bloom, Archie Madekwe, Darren Barnet, Geri Halliwell Horner and Djimon Hounsou Synopsis: The ultimate wish fulfillment tale of a teenage Gran Turismo player whose gaming skills won him a series of Nissan competitions to become an actual professional racecar driver.

On this SPECIAL EDITION of The Movie Podcast, Daniel and Shahbaz are joined by Gran Turismo Composer Andrew Kawczynski. Based in Los Angeles, Andrew Kawczynski is a composer specializing in film, television, commercials and video games. He has written original music for feature films (The Eight Hundred, The Amazing Spider-Man 2 as a member of the band- Hans Zimmer and "The Magnificent Six,) various commercials (Apple, Audi, Mercedes-Benz,) and short films (Laboratory Conditions, The Escape.) Andrew has also been credited with additional music on over 25 major motion pictures, most recently including Top Gun: Maverick, Dune, Aquaman, Dunkirk, Wonder Woman, Thor: Ragnarok, Chappie, and the Grammy-nominated The Dark Knight Rises. On Gran Turismo, he collaborated with Lorne Balfe for the film's soundtrack. Gran Turismo: Based on a True Story is now playing in theatres.Watch and listen to The Movie Podcast now on all podcast feeds, YouTube, and TheMoviePodcast.caGet a whole month of great cinema FREE on MUBI: mubi.com/themoviepodcastContact: hello@themoviepodcast.caTHE MOVIE PODCAST ON ET CANADA!THE MOVIE PODCAST MERCHANDISE NOW AVAILABLE!FOLLOW USDaniel on Twitter, Instagram, and LetterboxdShahbaz on Twitter, Instagram, and LetterboxdAnthony on Twitter, Instagram, and LetterboxdThe Movie Podcast on Twitter, Instagram, TikTok, Discord, and YouTube

“Mission: Impossible – Dead Reckoning Part One” composer Lorne Balfe talks us through his process for both “Fallout” and the new movie, including telling us the differences between the two scores. We also get in depth about the airport and train sequences in “Dead Reckoning Part One” and how closely connected he is to the editing process (very close!). It'll be music to your ears. See “Mission: Impossible — Dead Reckoning Part One” only in theatres. Catch up on the entire "Mission: Impossible" film series on Paramount+. Learn more about your ad choices. Visit megaphone.fm/adchoices

On this episode we are joined by Lorne Balfe, composer of “Mission: Impossible – Fallout” and “Dead Reckoning Part One.” Balfe discusses the specific approach he takes with the “M:I” movies (and how it's different than other movies), plus talks about the more romantic tone of this movie's score and the drum corps that add that extra zing to the theme music. Are you keeping score? See “Mission: Impossible — Dead Reckoning Part One” only in theatres. Catch up on the entire "Mission: Impossible" film series on Paramount+. Learn more about your ad choices. Visit megaphone.fm/adchoices

En La Música Clásica De Nuestro Tiempo con Iker González Urresti la banda sonora de Lorne Balfe para “Misión imposible: Sentencia mortal. Parte 1”, una vez uno de los aspectos artísticos más cuidados e importantes de la saga encabezad por Tom Cruise en los últimos 27 años. Este reportaje pertenece al programa “El Cine de LoQueYoTeDiga” nº 414 (14x48) y fue emitido el 29 de Julio de 2023.

Scottish composer Lorne Balfe joins us to discuss his incredible original score for the latest addition of the Mission: Impossible franchise. Guest host Jon Burlingame returns to delve into Lorne's process — including some on-the-fly performances during his interview — and why he so badly wanted to record elements of the soundtrack in so many locations from around the world.“You sometimes have these choirs [that] have to sing in different languages. And of course they can do it. But it's just not natural to them. So that was one idea that I had: Wouldn't it be amazing to have the musicians from that city or from that town be part of this soundtrack? The same way that the crew, and the extras, and the actors are from that environment? Let's try to incorporate that world into our world.”—Lorne Balfe, Composer, “Mission: Impossible - Dead Reckoning Part One”Be sure to check out the latest Mission: Impossible at a Dolby Cinema®, so you can enjoy the film in Dolby Vision® and Balfe's score in stunning Dolby Atmos®.Please subscribe to The Dolby Institute Podcast wherever you get your podcasts.You can also check out the video for this episode.Learn more about the Dolby Institute and check out Dolby.com. Connect with Dolby on Instagram, Twitter, Facebook, or LinkedIn.

Tocando ya las vacaciones (que también se tomará este podcast) celebramos los 70 años de “Vacaciones en Roma”, la cinta que hizo nacer a una estrella como lo fue Audrey Hepburn. En La Música Clásica De Nuestro Tiempo con Iker González Urresti la banda sonora de Lorne Balfe para “Misión imposible: Sentencia mortal. Parte 1” y en Leer cine, la biblioteca sonora de Carlos López-Tapia, “El maestro de la fuga” de Jonathan Freedland. Además las apuestas de Colgados de la plataforma con Mary Carmen Rodríguez y la crítica de las favoritas “Oppenheimer” y “Barbie”. Spooky a los mandos técnicos. ¡Muchas gracias por escucharnos!

杨超：6.5分 （《长江图》导演，《阿凡达2》等20期嘉宾） 现如今，华语电影粗糙的CG特效太多了，甚至都开始影响到一些非神幻制作，很多现实题材的影像也十分虚假。还有大量的“阴间绿”调色，始终让画面感觉糊了一层什么，似乎这样调色就显得好有审美了一样，这些都使得观众距离“真实感”渐行渐远了。从这个意义上，仅就工艺感，《碟7》值得推荐——它有着世界上最好的那类视听语言。 波米：6.5分 11年前，抖音的张一鸣在餐巾纸上给投资人画了他理想中媒体的样子。在他眼里，当时那些传媒都是垃圾，因为它们还要用户自己来选择看什么。而他，要让“算法”代替人做选择，理由很简单——人类不需要选择权。就像那首老歌，人民，不需要自由。11年后，汤姆·克鲁斯带着银子和故事，砸了2.9亿搞实拍，用“最过时的玩意儿”去对抗一张餐巾纸。于是，银子和故事，都没了。 节目流程： 节目总时长：01:11:27； 音频包含内容有（无剧透）： 1）影片信息介绍； 2）主播为影片打分并阐述理由； 优点环节涉及如下话题（含剧透）： 1）人物前史与主线剧情相得益彰？ 2）视听语言保持了系列水准？ 3）东方快车表意极其丰富？ 4）选择实拍就是对抗“算法”？ 5）序幕重新定义“炸弹时刻”？ 6）“AI换脸”迭代了头套换脸？ 7）黑客失业表达ChatGPT焦虑？ 8）反派“加百利”就是AI上帝的信使？ 9）“借刀杀人”AI其实赢两次？ 10）算法谜语筒早已看穿一切？ 缺点环节涉及如下话题（含剧透）： 1）动作设计有失水准？ 2）悬崖摩托“为跳而跳”？ 3）喜剧干扰严肃表达？ 4）心理惊悚完全失效？ 5）AI焦虑痛点不强？ 6）自动驾驶实属荒唐？ 7）类型混搭造成冗长？ 8）“英雄救美”百试不爽？ 外延涉及如下话题： 1）回望《碟中谍1》作何评价？ 2）如何用电影呈现“算法”的本质？ 影片信息： 影片英文原名：Mission: Impossible – Dead Reckoning Part One； 本片北美分级：PG-13级； 内地是否有删减：有，3处至少15秒（画面即本期封面）； 片尾是否有彩蛋：长字幕后仅音效彩蛋； 内地是否有2D版：本片为2D电影； 内地是否有IMAX版：有； IMAX版有无特殊画幅：无； 内地是否有杜比版：有； 本期片目： 《将军号》（1926） 《扒手》（1959） 《警察故事1》（1985） 《碟中谍1-6》（1996-2018） 《侏罗纪公园2：失落的世界》（1997） 《007之明日帝国》（1997） 《我是谁》（1998） 《尖峰时刻》（1998） 《蝙蝠侠3：黑暗骑士崛起》（2012） 《壮志凌云2：独行侠》（2022） 《子弹列车》（2022） 《惊天营救2》（2023） 《碟中谍8:致命清算(下)》（已停摆） 开场曲：(Lorne Balfe)； 结束曲：(Lorne Balfe)； 音频后期协助：出雲；

Our guests today are Cécile Tournesac and Eddie Hamilton, who are respectively the music editor and editor of Mission Impossible: Dead Reckoning (Part I), directed by our old friend Christopher McQuaurrie, and scored by our even older friend, Lorne Balfe.

Mission: Impossible – Dead Reckoning Part One is a 2023 American spy action film directed by Christopher McQuarrie from a screenplay he co-wrote with Erik Jendresen. It is the sequel to Mission: Impossible – Fallout (2018) and the seventh installment in the Mission: Impossible film series. Dead Reckoning Part One sees Tom Cruise returns as Ethan Hunt, whose IMF team match wits with a powerful rogue AI known as "the Entity". The ensemble cast also features Hayley Atwell, Ving Rhames, Simon Pegg, Rebecca Ferguson, Vanessa Kirby, Esai Morales, Pom Klementieff, Mariela Garriga and Henry Czerny. In January 2019, Cruise announced that the seventh and eighth Mission: Impossible films would be shot back-to-back with McQuarrie writing and directing both films. Returning and new cast members were announced soon after, and Lorne Balfe, who composed the score for Fallout, returned to score the film. Filming began in Italy in February 2020 but was halted due to the COVID-19 pandemic. It resumed later that year and wrapped in September 2021 with other filming locations, including Norway, the United Kingdom, Italy, and the United Arab Emirates. It is the first film in the series since Mission: Impossible 2 (2000) not to involve J. J. Abrams in any capacity and is also the first film in the series to not be produced by Bad Robot Productions since Mission: Impossible III (2006). With an estimated budget of $291 million, it is one of the most expensive films ever made, and the most expensive in the franchise. Mission: Impossible – Dead Reckoning Part One premiered on the Spanish Steps in Rome on June 19, 2023, and was theatrically released in the United States on July 12, 2023, by Paramount Pictures. The film received widespread critical acclaim. A direct sequel, Dead Reckoning Part Two, is set to be released on June 28, 2024. --- Send in a voice message: https://podcasters.spotify.com/pod/show/popcorn-junkies/message

The Born to Watch team tackle the blockbuster spy epic, Mission: Impossible - Fallout, but not everything is as it seems. One of the team is a blockbuster traitor, who will it be?Mission: Impossible - Fallout, the sixth instalment in the popular spy-action franchise, continues to redefine the genre with its relentless intensity, jaw-dropping stunts, and a gripping narrative. Directed by Christopher McQuarrie and starring Tom Cruise, the film takes the audience on a high-stakes mission filled with twists, turns, and breath taking action sequences. From start to finish, Mission: Impossible - Fallout keeps viewers on the edge of their seats, delivering an exhilarating cinematic experience.The film picks up after the events of the previous instalment, Rogue Nation, as Ethan Hunt (Tom Cruise) and his team must recover stolen plutonium before it falls into the wrong hands. As the story unfolds, Hunt finds himself entangled in a deadly game of cat and mouse with a shadowy terrorist organization known as The Apostles. The plot is intricately woven, blending espionage, double-crosses, and personal stakes, keeping the audience guessing and engaged throughout.What sets Mission: Impossible - Fallout apart from other action films is its ability to balance high-octane set pieces with a coherent and engaging narrative. The film seamlessly transitions from one pulse-pounding action sequence to the next, while also giving the characters room to breathe and develop. The stakes are continually raised, and the tension escalates, making it impossible to look away.Tom Cruise's dedication to performing his own stunts is legendary, and Mission: Impossible - Fallout showcases his unwavering commitment to delivering breath taking action sequences. From clinging to the side of a helicopter to leaping between buildings, Cruise's fearless performance adds an unparalleled level of authenticity and intensity to the film. His portrayal of Ethan Hunt is as charismatic and determined as ever, making him one of the most iconic action heroes of our time.In addition to Cruise, the supporting cast delivers strong performances that enhance the film's overall impact. Simon Pegg brings his signature wit and charm to the role of Benji Dunn, providing much-needed comic relief amid the chaos. Rebecca Ferguson returns as the enigmatic Ilsa Faust, adding depth and complexity to her character. Henry Cavill joins the franchise as August Walker, a no-nonsense CIA operative, and his physicality and intensity make him a formidable presence on screen. The chemistry among the cast members is palpable, elevating the film beyond its action-packed sequences.Mission: Impossible - Fallout raises the bar when it comes to action sequences, leaving audiences in awe of the sheer spectacle on display. Whether it's a high-speed motorcycle chase through the streets of Paris or a thrilling helicopter pursuit in the mountains, each set piece is meticulously crafted and executed with precision. The practical effects and stunt work create a visceral and immersive experience, amplified by the film's stunning cinematography. The camerawork effectively captures the intensity and danger, pulling viewers into the heart of the action.The film's musical score, composed by Lorne Balfe, complements the high-energy visuals with a pulsating and adrenaline-fueled soundtrack. It seamlessly blends with the action, enhancing the suspense and excitement. The sound design is equally impressive, with explosions, gunshots, and punches reverberating through the theatre, immersing the audience in every moment.Mission: Impossible - Fallout is an outstanding addition to the Mission: Impossible franchise, delivering an adrenaline-fueled experience that keeps viewers on the edge of their seats from start to finish. With its intricate plot, jaw-dropping action sequences, and charismatic performances, the film exemplifies the very best of the spy-action genre. Christopher McQuarrie's direction and Tom Cruise's fearless commitment to performing his own stunts create a cinematic masterpiece that will leave audiences breathless. Mission: Impossible - Fallout is a must-watch for fans of action cinema and a testament to the enduring appeal of the franchise.Please follow the Podcast and join our community at https://linktr.ee/borntowatchpodcast If you are looking to start a podcast and want a host or get guests to pipe in remotely, look no further than Riverside.fmClick the link below https://riverside.fm/?utm_campaign=campaign_1&utm_medium=affiliate&utm_source=rewardful&via=matthew

See the list for our entire lineup for SEASON 13 on our Letterboxd page!“The IMF is like Halloween, a bunch of grown men in rubber masks playing trick-or-treat.”Hunt Is Back, and He's Better Than Ever... ReallyIt's crazy that we're at the sixth film in the franchise and it's the best of the bunch. How does that happen? Likely, it's because Cruise has been driving this franchise not just as star but also producer from the start, but it's hard to dismiss the fact that writer/director Christopher McQuarrie returned. His sense of this story, these characters, and this world seems to fit hand to glove as much as Cruise does. Join us – Pete Wright and Andy Nelson – as we continue our Mission: Impossible series with McQuarrie's 2018 film Mission: Impossible – Fallout.Here's a hint at what we talk about.It's like they take all the greatest moments from the previous five films and find ways to integrate reworked versions of them into this film. It's fantastic. We walk through the various action beats in this film, starting with the over two-and-a-half minute single shot of Hunt and Walker doing a HALO jump into Paris. And it only gets better from there.Hunt is dealing with Solomon Lane again, but we're also adding John Lark into the mix. It's a bit of a mystery as to who he is, but... not really. It's hard to buy Lark, aka August Walker, as anything but villainous. Is it the way Henry Cavill plays him? Or is he just written that way? Regardless, he makes for a great villain and works exceptionally well in this franchise. There's also the return to Julia as a key part in Hunt's life. It plays well, and clearly is an important point to Hunt learning to navigate his life when it comes to saving the world vs. saving those he loves. That plays not only into Julia's story but also Ilsa, as clearly something is developing here with her in her return.All in all, it's a great film that shows insane stunt work by Cruise, a broken ankle, great characters, a thrilling and engaging story, and a mystery as to where it could go from here. We love it. We have a great time talking about it, so check it out then tune in. The Next Reel – when the movie ends, our conversation begins!Join the conversation with movie lovers from around the world on The Next Reel's Discord channel!Film SundriesLearn more about supporting The Next Reel Film Podcast through your own membership.Watch this on Apple or Amazon, or find other places at JustWatchScript OptionsTheatrical trailerPoster artworkFlickchartLetterboxd(00:00) - Welcome to The Next Reel • Mission: Impossible – Fallout(01:56) - Title and Leveling Up(05:59) - Realism and Receiving the Message(09:45) - Realism in the Franchise(12:13) - Halo Jump and the Oner(17:00) - Flying a Helicopter(22:46) - Cut Stunt Sequence(26:56) - Bathroom Fight(29:56) - Bringing Ilsa Back(33:31) - Some Great Shots and Camera Moves(38:33) - Car Chase(42:13) - Masks and Reveals(43:08) - Too Obvious?(48:04) - Steps Ahead(49:14) - Last Great Foot Chase(53:44) - Camp and Copters(55:20) - Bringing Julia Back In(59:11) - Henry and His Stunts(01:01:31) - Longest Shots in Franchise(01:03:18) - Strength in Capturing Stunts(01:05:45) - Cost of a Broken Ankle(01:06:37) - Lorne Balfe's Score(01:08:27) - A Few Quick Things(01:10:07) - Credits(01:10:54) - Awards(01:13:18) - The Box Office(01:14:14) - Last Thoughts(01:15:09) - Coming Next Month • Mission: Impossible – Dead Reckoning, Part One(01:17:22) - Letterboxd(01:19:28) - Wrap UpThis show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/5640170/advertisement

See the list for our entire lineup for SEASON 13 on our Letterboxd page!“The IMF is like Halloween, a bunch of grown men in rubber masks playing trick-or-treat.”Hunt Is Back, and He's Better Than Ever... ReallyIt's crazy that we're at the sixth film in the franchise and it's the best of the bunch. How does that happen? Likely, it's because Cruise has been driving this franchise not just as star but also producer from the start, but it's hard to dismiss the fact that writer/director Christopher McQuarrie returned. His sense of this story, these characters, and this world seems to fit hand to glove as much as Cruise does. Join us – Pete Wright and Andy Nelson – as we continue our Mission: Impossible series with McQuarrie's 2018 film Mission: Impossible – Fallout.Here's a hint at what we talk about.It's like they take all the greatest moments from the previous five films and find ways to integrate reworked versions of them into this film. It's fantastic. We walk through the various action beats in this film, starting with the over two-and-a-half minute single shot of Hunt and Walker doing a HALO jump into Paris. And it only gets better from there.Hunt is dealing with Solomon Lane again, but we're also adding John Lark into the mix. It's a bit of a mystery as to who he is, but... not really. It's hard to buy Lark, aka August Walker, as anything but villainous. Is it the way Henry Cavill plays him? Or is he just written that way? Regardless, he makes for a great villain and works exceptionally well in this franchise. There's also the return to Julia as a key part in Hunt's life. It plays well, and clearly is an important point to Hunt learning to navigate his life when it comes to saving the world vs. saving those he loves. That plays not only into Julia's story but also Ilsa, as clearly something is developing here with her in her return.All in all, it's a great film that shows insane stunt work by Cruise, a broken ankle, great characters, a thrilling and engaging story, and a mystery as to where it could go from here. We love it. We have a great time talking about it, so check it out then tune in. The Next Reel – when the movie ends, our conversation begins!Join the conversation with movie lovers from around the world on The Next Reel's Discord channel!Film SundriesLearn more about supporting The Next Reel Film Podcast through your own membership.Watch this on Apple or Amazon, or find other places at JustWatchScript OptionsTheatrical trailerPoster artworkFlickchartLetterboxd(00:00) - Welcome to The Next Reel • Mission: Impossible – Fallout(01:56) - Title and Leveling Up(05:59) - Realism and Receiving the Message(09:45) - Realism in the Franchise(12:13) - Halo Jump and the Oner(17:00) - Flying a Helicopter(22:46) - Cut Stunt Sequence(26:56) - Bathroom Fight(29:56) - Bringing Ilsa Back(33:31) - Some Great Shots and Camera Moves(38:33) - Car Chase(42:13) - Masks and Reveals(43:08) - Too Obvious?(48:04) - Steps Ahead(49:14) - Last Great Foot Chase(53:44) - Camp and Copters(55:20) - Bringing Julia Back In(59:11) - Henry and His Stunts(01:01:31) - Longest Shots in Franchise(01:03:18) - Strength in Capturing Stunts(01:05:45) - Cost of a Broken Ankle(01:06:37) - Lorne Balfe's Score(01:08:27) - A Few Quick Things(01:10:07) - Credits(01:10:54) - Awards(01:13:18) - The Box Office(01:14:14) - Last Thoughts(01:15:09) - Coming Next Month • Mission: Impossible – Dead Reckoning, Part One(01:17:22) - Letterboxd(01:19:28) - Wrap UpThis show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/5640170/advertisement

Composer Max Aruj sits down for a brand new Film.Music.Media conversation! From getting his start working on Lorne Balfe's team to scoring hit thrillers like Crawl (co-scored with Steffen Thum) and his recent score to The Tank, Max has quickly stood out for his incredible versatility and unique voice as a musical storyteller. For this chat we explore Max's background and path to composing, getting his foot in the door, working with Lorne Balfe, early lessons learned, branching out and scoring films on his own, finding his storytelling voice, and co-composing some projects with Steffen Thum. For The Tank we look at what it takes to successfully create tension and score a creature feature, and why we as a society love the genre so much! A Film.Music.Media Production | Produced & Presented by Kaya Savas

Traigan sus dados, hojas de personaje, y snacks, porque es hora del rol... de Dungeons & Dragons: Honor Among Thieves, exactamente, la nueva película del juego de rol más famoso de todos. Por eso, nos juntamos Eze, Caro, MaGnUs, y Chris, quien trae a Lu y León, sus compañeros de La Taberna de Rol, para que todos juntos hagamos una RE: seña. Robos, monstruos, magia, espadazos, y el fino balance entre adaptar y ser fiel a un juego con un montón de fans quisquillosos, así que veamos como salió. Con música de Lorne Balfe, y Carl Douglas. Próximo programa: Juegos de Mesa Históricos.

Hello everyone! With this episode of the podcast, I begin a new sub-series entitled "TV Goes To The Movies", a topic intended to explore TV shows which migrated over to the big screen.   In mapping out a potential plan for the podcast this year, I felt motivated to explore this scenario in terms of musically what was and was not carried over from the television episodes of a particular series to its respective theatrical feature. For example, was the TV series' main theme referenced? Was the style of episodic scoring repeated? Was the series composer, or composers, hired on for the cinematic adventures? My plan is to feature music released officially on album from a selected TV series, followed by the films and see if we can identify recurring attributes.   The initial episode in this sub-series is fraught with danger and intrigue... that being MISSION: IMPOSSIBLE!   Title playtime index: MISSION: IMPOSSIBLE (TV, 1966-1973) (Lalo Schifrin, et al) - 00:00:00 MISSION: IMPOSSIBLE (TV, 1988-1990) (Lalo Schifrin, Ron Jones) - 00:36:28 MISSION: IMPOSSIBLE (Film, 1996) (Danny Elfman) - 00:44:15 M:I 2 (aka MISSION: IMPOSSIBLE 2) (Film, 2000) (Hans Zimmer) - 00:55:37 MISSION: IMPOSSIBLE 3 (Film, 2006) (Michael Giacchino) - 01:05:47 MISSION: IMPOSSIBLE - GHOST PROTOCOL (Film, 2011) (Michael Giacchino) - 01:10:03 MISSION: IMPOSSIBLE - ROGUE NATION (Film, 2015) (Joe Kramer) - 01:22:27 MISSION: IMPOSSIBLE - FALLOUT (Film, 2018) (Lorne Balfe) - 1:34:22   Stay safe out there, take care of yourself and each other!    Connect with the podcast on Facebook and Twitter: www.facebook.com/ascoretosettle https://twitter.com/score2settlepod     Email the show at ascoretosettlepodcast@gmail.com  

Just like Matt has been covering the music of Ramin Djwadi for Game of Thrones and House of the Dragon, he also really loves Lorne Balfe’s score for His Dark Materials, so we’re adding this episode of music analysis for the His Dark Materials series finale on this feed. SPOILERS! This episode describes scenes in […]

"Top Gun: Maverick" has gone on to become one of the highest-grossing films of all time since its release earlier this year. Now, the film is a bonafide Oscar contender for multiple categories, including Best Picture, Best Director, Best Actor (Tom Cruise), and many of its craft categories. One Oscar race where it's been the frontrunner for almost the entire season has been in Best Original Song for Lady Gaga's "Hold My Hand." The rock, power ballad plays over the credits but has its music weaved in throughout the movie, giving her composer credit alongside Hans Zimmer, Lorne Balfe, and Harold Faltermeyer. Balfe was kind enough to take some time over the summer to talk with us about working on the score, what went into creating "Hold My Hand," and more. Please take a listen below and enjoy. Thank you!   Check out more on NextBestPicture.com Please subscribe on... SoundCloud - https://soundcloud.com/nextbestpicturepodcast iTunes Podcasts - https://itunes.apple.com/us/podcast/negs-best-film-podcast/id1087678387?mt=2 Spotify - https://open.spotify.com/show/7IMIzpYehTqeUa1d9EC4jT And be sure to help support us on Patreon for as little as $1 a month at https://www.patreon.com/NextBestPicture

Matt likes Lorne Balfe’s score for His Dark Materials and Wheel of time as much as he likes Ramin’s score for Game of Thrones and House of the Dragon. Join Matt and Holly on Thursdays covering Series 3 of His Dark Materials on another podcast called The Dust Podcast! You”ll get story analysis and music […]

Welcome back to the show! In an effort to wrap up 2022, I'm concluding with an episode of the Now Playing sub-series of the podcast. This is following on from the previous Now Playing installment (episode 47) in which I primarily covered the first half of the year, including THE BATMAN and TOP GUN: MAVERICK, with additional notable highlights from late 2021. In this episode, enjoy music from John Williams, Lorne Balfe, Junkie XL, Alexandre Desplat among others! Below are the films and composers represented here, with time index for helpful reference:   Title playtime index: THOR: LOVE AND THUNDER (Michael Giacchino & Nami Melumad) - 00:00:00 NOPE (Michael Abels) - 00:10:29 THREE THOUSAND YEARS OF LONGING (Tom Holkenborg aka Junkie XL) - 00:18:53 THE WOMAN KING (Terence Blanchard) - 00:27:18 THE LOST KING (Alexandre Desplat) - 00:34:41 BLACK ADAM (Lorne Balfe) - 00:42:30 BLACK PANTHER: WAKANDA FOREVER (Ludwig Göransson) - 00:53:07 THE FABELMANS (John Williams) - 1:03:57   Stay safe out there, take care of yourself and each other!    Connect with the podcast on Facebook and Twitter: www.facebook.com/ascoretosettle https://twitter.com/score2settlepod   Email the show at ascoretosettlepodcast@gmail.com

Zo gives his spoiler free impressions of Black Adam. Is this movie worth your time? Do you want to leave your house to drive all the way to the movie theater to watch this movie? Listen in and let Zo help you to make up your mind.Back Look Cinema: The Podcast Links:www.backlookcinema.comEmail: fanmail@backlookcinema.comTwitter: @BackLookCinema - https://twitter.com/backlookcinemaFacebook: @BackLookCinemaPodcast - https://www.facebook.com/backlookcinemapodcastInstagram: @backlookcinemapodcast - https://instagram.com/backlookcinemapodcastTicTok: @backlookcinema  - https://www.tiktok.com/@backlookcinemaBack Look Cinema Merch at Teespring.com (https://back-look-cinema-merch.creator-spring.com/)Back Look Cinema Merch at Teepublic.com (https://www.teepublic.com/user/back-look-cinema-podcast-merch?utm_source=designer&utm_medium=social&utm_campaign=G1VQNMthhSg)

While this is technically another episode of Light the Fuselage, we do veer into Light the Fuse material as we talk to “Top Gun: Maverick” score producer/composer Lorne Balfe, who is also composing the score for “Mission: Impossible – Dead Reckoning Part One.” We talk a lot about the music for the “M:I-7” trailer, whether or not the music from “Fallout” carries over and what the chorus is singing in the trailer music.

We're still firmly in Light the Fuselage territory with “Top Gun: Maverick” score producer/composer Lorne Balfe. Lorne breaks down the contributions of every composer on the movie (which also includes Lady Gaga, Harold Faltermeyer and Hans Zimmer), the challenges of composing during the pandemic and how initially the score was more ‘80s-indebted.

Stevie, Pappy, Josh and latecomer PK try to become the best fighter pilots in the world. ****** After more than 30 years of service as one of the Navy's top aviators, Pete "Maverick" Mitchell is where he belongs, pushing the envelope as a courageous test pilot and dodging the advancement in rank that would ground him. Training a detachment of graduates for a special assignment, Maverick must confront the ghosts of his past and his deepest fears, culminating in a mission that demands the ultimate sacrifice from those who choose to fly it. Release date: May 27, 2022 (USA) Director: Joseph Kosinski Starring: Tom Cruise; Miles Teller; Jennifer Connelly; Jon Hamm; Glen Powell; Lewis Pullman; Ed Harris; Val Kilmer Music by: Harold Faltermeyer; Lady Gaga; Hans Zimmer; Lorne Balfe; Box office: $557.2 million Distributed by: Paramount Pictures Studios

Now, as you're probably aware, Top Gun: Maverick has hit cinemas, a full 36 years after Mav, Goose, Iceman and co. first took to the skies. And to mark the occasion, we're rather giddy and excited to welcome director Joe Kosinski and the legend that is Jerry Bruckheimer to the podcast to discuss the iconic music of the original and how they retained the spirit of said music in the sequel. Suffice to say, they got a little help on that front from our old friends, Hans Zimmer & Lorne Balfe ...