Podcasts about Sweetwater

In Episode 362 of the Mixing Music Podcast, hosts Dee Kei and Lu start with a wild weekend recap that includes long work hours, live sound chaos, and a massive rally in downtown Los Angeles. Dee Kei shares how he went from one gig to another while traffic was locked up, and even ended up unintentionally marching with a protest on the way to the next event. He describes the scale of the rally setup, including flying dozens of line arrays to cover an enormous crowd, and then later connects that experience to one of the core themes of the episode: fundamentals matter more than fancy gear.The main conversation is sparked by a viral-style audio story: a blind listening test where people could not reliably tell the difference between audio passed through standard copper wire, a banana, or wet mud. Dee Kei and Lu use the article as a jumping-off point to talk about how easy it is for audio culture to become obsessed with mysticism, status, and expensive objects rather than results. They point out that even when engineers care deeply about details, most listeners respond to vibe, emotion, and impact, not the mythology around cables, converters, or obscure technical flexes.From there, the episode expands into a bigger discussion about anti-intellectualism in the Zen sense, not anti-intelligence. The idea is that practical experience, experimentation, and real listening should take priority over rigid theories, cheat sheets, and secondhand rules. They talk about how knowing everything about a compressor on paper is not the same as using it well in context, and how taste and emotional translation are often more important than technical trivia. They connect this to why AI may automate some low-stakes, background-music needs, but will not fully replace the human judgment behind great mixing and music made for music's sake.The guys also get into the social side of the industry, including how insecurity can show up as a need to prove people wrong, and how being “the smartest person in the room” does not matter if you make everyone miserable. They share stories about people who are technically knowledgeable but communicate with a defensive, correcting energy that makes others want to exit the conversation. Dee Kei frames it as a lack of contentment and an obsession with being right instead of being useful.Later, they bring the conversation back to growth and practice: why daily reps matter, how to get better by accelerating mistake-making, and why it helps to mix for real people with opinions rather than only practicing in a vacuum. They talk about practical ways to practice recording and mixing when you do not have a studio, like using rehearsal spaces, booking an affordable studio day, or working with local bands in exchange for experience. Dee Kei also emphasizes a simple principle he has said before: if you want to get good, start mixing faster and start making decisive choices with intention.To close, they reflect on humility, responsibility, and long-term improvement, including an example of how top performers stay grounded under pressure, plus a nuanced comparison of how gratitude can be framed differently in American versus Japanese culture. The episode ends with a reminder to focus on the craft over the distractions, keep it fun, and keep learning.SUBSCRIBE TO OUR PATREON FOR EXCLUSIVE CONTENT!⁠SUBSCRIBE TO YOUTUBE⁠Join the ‘Mixing Music Podcast' Discord!HIRE DEE KEIHIRE LU⁠HIRE JAMES⁠Find Dee Kei and Lu on Social Media:Instagram: @DeeKeiMixes @MasteredbyLu @JamesParrishMixesTwitter: @DeeKeiMixes @MasteredbyLuThe Mixing Music Podcast is sponsored by ⁠Izotope⁠, ⁠Antares (Auto Tune)⁠, Sweetwater, ⁠Plugin Boutique⁠, ⁠Lauten Audio⁠, ⁠Filepass⁠, & ⁠Canva⁠The Mixing Music Podcast is a video and audio series on the art of music production and post-production. Dee Kei, Lu, and James are professionals in the Los Angeles music industry having worked with names like Odetari, 6arelyhuman, Trey Songz, Keyshia Cole, Benny the Butcher, carolesdaughter, Crying City, Daphne Loves Derby, Natalie Jane, charlieonnafriday, bludnymph, Lay Bankz, Rico Nasty, Ayesha Erotica, ATEEZ, Dizzy Wright, Kanye West, Blackway, The Game, Dylan Espeseth, Tara Yummy, Asteria, Kets4eki, Shaquille O'Neal, Republic Records, Interscope Records, Arista Records, Position Music, Capital Records, Mercury Records, Universal Music Group, apg, Hive Music, Sony Music, and many others.This podcast is meant to be used for educational purposes only. This show is filmed and recorded at Dee Kei's private studio in North Hollywood, California. If you would like to sponsor the show, please email us at ⁠deekeimixes@gmail.com⁠.Support this podcast at — https://redcircle.com/mixing-music-music-production-audio-engineering-and-music/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

As retail continues to evolve at the intersection of technology and human connection, Jason Johnson, CIO of Sweetwater Sound, offers a compelling perspective on what it means to lead with both innovation and heart. On this episode of “Retail Gets Real,” Johnson discusses how Sweetwater has grown into one of the most distinctive retailers in the industry by treating technology not as a back-office function, but as a core driver of growth — especially with its team of more than 700 commissioned sales engineers building off the founder's core mission of deeply personal service(00:00:00) Inside Sweetwater's rock ‘n' roll retail model(00:04:46) From Navy service to CIO leadership(00:11:10) Innovating at scale with AI and education(00:16:30) Bringing the in-store experience online(00:19:40) Leading with radical transparency and trust(00:23:12) Building a culture where people truly thrive(00:26:34) The future of retail in an AI-powered worldThe National Retail Federation is the world's largest retail trade association.Every day, we passionately stand up for the people, policies and ideas that help retail succeed.Resources:• Visit sweetwater.com • Become an NRF member and join the world's largest retail trade association• Learn about our retail education platform, NRF Foundation, at nrffoundation.org• Learn about retail advocacy at nrf.com/advocacy• Find more episodes at retailgetsreal.comRelated:• 392: How Warby Parker is redefining retail and customer experience• 364: How BJ's Wholesale Club leverages AI to serve its customers

Write better songs faster! Clay & Marty's 10-day video series will help you level-up your songs and finish them faster. CLICK HERE to begin!    SongTown Press Books: Mastering Melody Writing : Check It Out Song Building: Mastering Lyric Writing : Check It Out The Songwriter's Guide To Mastering Co-Writing : Check It Out   Hosts:  Clay Mills : Facebook   :   Instagram Marty Dodson :   Facebook   :   Instagram   SongTown on Songwriting Podcast, Powered by Sweetwater.com - The best place for musical gear on the planet!   For advertising opportunities, email kristine@songtown.com Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

Sermon by Pastor Tyler Looney; February 22, 2026; First Methodist Church - Sweetwater, TX; ‘Free to Be Holy: Holiness Starts with Worship' Genesis 1-3 You are invited to join us for Worship Services at 309 Cedar Street in Sweetwater, Texas. For more information about our Church, please go to https://www.fmcsweetwater.com.(Music provided by spinningmerkaba, Sun Says Yes, under Creative Commons license - https://creativecommons.org/licenses/by-nc/3.0/legalcode)

Madre teme que su bebé nazca entre los muros del centro de detención de Dilley. Jueza ordena otorgar derecho a fianza a inmigrantes no detenidos al ingresar ilegalmente a EE.UU. Tras la detención de un padre en Alabama, la pequeña de 17 meses fue abandonada en una autopista. Miles de familias en Los Ángeles enfrentan desalojo por cambio en reglamento federal de vivienda. Trump firma arancel global del 10% para todos los países tras fallo de la Corte Suprema. Estados Unidos sanciona a red de fraude con propiedades de tiempo compartido. Dormir con temperaturas altas puede afectar el corazón . Ricky Martin disfrutó de un batido gratis en Sweetwater, Florida. Escucha de lunes a viernes el ‘Noticiero N+ Univision Edición Nocturna' con Paulina Sodi.    

Send a textIn this episode of Authors Who Lead, I sit down with Samantha Sweetwater to discuss how her book True Human: Reimagining Ourselves at the End of Our World evolved from scattered ideas into a cohesive manuscript through patience, humility, and honesty.We explore what it means to write during a time of ecological, technological, and cultural transformation—and why authorship requires more than inspiration. Samantha shares the four-year journey of shaping her ideas, letting go of what didn't belong, and allowing the book to mature into its final form.Timestamp:00:00 Reimagining humanity in the Anthropocene04:10 Writing to reveal oneself08:56 Guide to radical civilizational transition10:13 Responses to the personal transformation chapter13:24 Navigating a transcontextual crisis16:34 Patience nurtures ideas into form20:49 Why this book resonates24:56 AI cover art collaboration29:09 Authors' long-term success plan32:35 Regenerative devotion and resilience35:01 Books thrive through community38:03 True Human: the author journeyFull show notesCOMMUNITY PROGRAMS

In Episode 361 of the Mixing Music Podcast, hosts Dee Kei and Lu start with some Super Bowl talk and quickly pivot into a bigger conversation about obsession, creativity, and what actually drives high-level engineers to improve. Dee Kei shares a recent clip he saw from a well-known mixer talking about working extreme hours early on, and how an unhealthy level of obsession can sometimes be part of why people eventually earn enough skill, stability, and confidence to relax later.From there, the episode becomes a deep mindset discussion about craft. Dee Kei argues that great work tends to create money as a consequence, not as a starting motivation, and that when money becomes the primary goal, it can de-incentivize the kind of care and curiosity that lead to truly great records. He uses a story about giving his young son an allowance and watching how the introduction of money changed the child's relationship to making art. The broader point is that creative work is different than typical product-based entrepreneurship, because art has no built-in finish line and its value is often subjective.They also talk about the difference between loving music and loving the identity of being a producer or engineer. Dee Kei suggests that real obsession is not something you force. It is an alignment that shows up naturally in how you spend your time, what you want to learn, and how much you care even when conditions are not ideal. He shares a C.S. Lewis quote about how favorable conditions never arrive, and why the people who achieve the most are the ones who keep learning and working even when life is inconvenient.Lu adds a practical anchor to the conversation with a reminder that fundamentals beat trendy techniques. Whether you are mixing, recording, or working live sound, focusing on the basics of sound capture, decision-making, and working within limitations is what consistently produces results. They also touch on loudness briefly, including the idea of getting competitively loud while still feeling dynamic, plus how tools like clippers can be used creatively when the foundation of the mix is already solid.The episode wraps with a short story about a Japanese sword parable that illustrates diminishing returns and restraint, tying back to the idea that technical mastery alone is not the point. The bigger goal is making meaningful art with intention, curiosity, and integrity, without reducing the whole process to profit, ego, or external validation.SUBSCRIBE TO OUR PATREON FOR EXCLUSIVE CONTENT!⁠SUBSCRIBE TO YOUTUBE⁠Join the ‘Mixing Music Podcast' Discord!HIRE DEE KEIHIRE LU⁠HIRE JAMES⁠Find Dee Kei and Lu on Social Media:Instagram: @DeeKeiMixes @MasteredbyLu @JamesParrishMixesTwitter: @DeeKeiMixes @MasteredbyLuThe Mixing Music Podcast is sponsored by ⁠Izotope⁠, ⁠Antares (Auto Tune)⁠, Sweetwater, ⁠Plugin Boutique⁠, ⁠Lauten Audio⁠, ⁠Filepass⁠, & ⁠Canva⁠The Mixing Music Podcast is a video and audio series on the art of music production and post-production. Dee Kei, Lu, and James are professionals in the Los Angeles music industry having worked with names like Odetari, 6arelyhuman, Trey Songz, Keyshia Cole, Benny the Butcher, carolesdaughter, Crying City, Daphne Loves Derby, Natalie Jane, charlieonnafriday, bludnymph, Lay Bankz, Rico Nasty, Ayesha Erotica, ATEEZ, Dizzy Wright, Kanye West, Blackway, The Game, Dylan Espeseth, Tara Yummy, Asteria, Kets4eki, Shaquille O'Neal, Republic Records, Interscope Records, Arista Records, Position Music, Capital Records, Mercury Records, Universal Music Group, apg, Hive Music, Sony Music, and many others.This podcast is meant to be used for educational purposes only. This show is filmed and recorded at Dee Kei's private studio in North Hollywood, California. If you would like to sponsor the show, please email us at ⁠deekeimixes@gmail.com⁠.Support this podcast at — https://redcircle.com/mixing-music-music-production-audio-engineering-and-music/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

The State of Texas filed a lawsuit against industrial waste recycler Global Fiberglass Solutions for illegally compiling approximately 3,000 wind turbine blades and parts at two disposal sites in Sweetwater, Texas. The lawsuit claims that Global and other entities violated the Texas Solid Waste Disposal Act and Texas Water Code.Court documents state that Global, a Texas corporation with a principal place of business in Washington, is hired by companies to break down, transport and recycle turbine blades. However, the company allegedly failed to properly dispose of the waste and instead created a stockpile of nearly 487,000 cubic yards of solid waste.#Texas, #WindEnergy, #WindTurbines, #RenewableEnergy, #RecyclingIndustry, #EnvironmentalCompliance, #TCEQ, #SolidWaste, #IndustrialWaste, #Lawsuit, #EnvironmentalLaw, #Sustainability, #EnergyIndustry, #ManufacturingNews, #RegulatoryNews, #CleanEnergy, #WasteManagement, #WaterCode, #GreenEnergy, #EnvironmentalInvestigation, #GlobalFiberglassSolutions

Trish Garner from Sweetwater's Donut Mill joined us to talk about the Fat Tuesday tradition and how their locations are busy creating special treats.See omnystudio.com/listener for privacy information.

This week on Geekwire, we dig into some big movement in the hard rock and metal world as Skid Row teams up with Sweetwater for a worldwide search for a brand-new singer — and yes, anyone with the pipes can throw their hat in the ring. We also hit comments from Slash, who explains how the Guns N' Roses recording process has always worked as a democracy behind the scenes, plus tour news as W.A.S.P. announces the “1984 to Headless” North American run with special guests KK's Priest. We discuss a tough update from the metal world as Twisted Sister cancels all 2026 reunion shows due to Dee Snider's health challenges, and the reaction across the scene. Also in the mix: Manowar shares emotional words following news about Ross “The Boss,” Accept guitarist Philip Shouse unveils his debut EP, and Blaze Bayley explains why he's stepping away from meet-and-greets at future shows. We check out a funny story from Chris Jericho involving Ozzy Osbourne, along with new music news from Donnie Vie signing to Steven Van Zandt's label. KISS-related headlines dominate part of the show as Gene Simmons joins an all-star tribute to the Bon Scott era of AC/DC, the sons of Paul Stanley and Gene Simmons release the first Stanley Simmons video, and the classic “I Was Made For Lovin' You” video crosses the one-billion-view mark on YouTube. Plus: Brett Carlisle's run on American Idol, the bizarre Chattanooga KISS memorabilia theft story (by popular demand), and renewed discussion around the Kurt Cobain investigation as claims resurface while Seattle police stand by the original ruling. We hope you enjoy Geekwire and SHARE with a friend. Decibel Geek is a proud member of the Pantheon Podcasts family. Contact Us! Rate, Review, and Subscribe in iTunes Join the Facebook Fan Page Follow on Twitter Follow on Instagram E-mail Us Subscribe to our Youtube channel! Support Us! Buy a T-Shirt! Donate to the show! Stream Us! Stitcher Radio Spreaker TuneIn Become a VIP Subscriber! Click HERE for more info! Comment Below Direct Download  Learn more about your ad choices. Visit megaphone.fm/adchoices

This week on Geekwire, we dig into some big movement in the hard rock and metal world as Skid Row teams up with Sweetwater for a worldwide search for a brand-new singer — and yes, anyone with the pipes can throw their hat in the ring. We also hit comments from Slash, who explains how the Guns N' Roses recording process has always worked as a democracy behind the scenes, plus tour news as W.A.S.P. announces the “1984 to Headless” North American run with special guests KK's Priest. We discuss a tough update from the metal world as Twisted Sister cancels all 2026 reunion shows due to Dee Snider's health challenges, and the reaction across the scene. Also in the mix: Manowar shares emotional words following news about Ross “The Boss,” Accept guitarist Philip Shouse unveils his debut EP, and Blaze Bayley explains why he's stepping away from meet-and-greets at future shows. We check out a funny story from Chris Jericho involving Ozzy Osbourne, along with new music news from Donnie Vie signing to Steven Van Zandt's label. KISS-related headlines dominate part of the show as Gene Simmons joins an all-star tribute to the Bon Scott era of AC/DC, the sons of Paul Stanley and Gene Simmons release the first Stanley Simmons video, and the classic “I Was Made For Lovin' You” video crosses the one-billion-view mark on YouTube. Plus: Brett Carlisle's run on American Idol, the bizarre Chattanooga KISS memorabilia theft story (by popular demand), and renewed discussion around the Kurt Cobain investigation as claims resurface while Seattle police stand by the original ruling. We hope you enjoy Geekwire and SHARE with a friend. Decibel Geek is a proud member of the Pantheon Podcasts family. Contact Us! Rate, Review, and Subscribe in iTunes Join the Facebook Fan Page Follow on Twitter Follow on Instagram E-mail Us Subscribe to our Youtube channel! Support Us! Buy a T-Shirt! Donate to the show! Stream Us! Stitcher Radio Spreaker TuneIn Become a VIP Subscriber! Click HERE for more info! Comment Below Direct Download  Learn more about your ad choices. Visit megaphone.fm/adchoices

Write better songs faster! Clay & Marty's 10-day video series will help you level-up your songs and finish them faster. CLICK HERE to begin!  SongTown Press Books:Mastering Melody Writing : Check It OutSong Building: Mastering Lyric Writing : Check It OutThe Songwriter's Guide To Mastering Co-Writing : Check It Out Hosts: Clay Mills : Facebook   :   InstagramMarty Dodson :   Facebook   :   Instagram SongTown on Songwriting Podcast, Powered by Sweetwater.com - The best place for musical gear on the planet! For advertising opportunities, email kristine@songtown.com Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

PG Editorial Director Richard Bienstock has interviewed Slash more than a few times throughout the last couple decades. So, we've called on him to join us in celebrating the Guns N' Roses guitarist as we discuss his sound, his riffs, and his look! Tune in to find out about the time the two went guitar shopping and when Slash showed up at Richard's desk. Sponsored by Gibson: gibson.comFollow Nick: https://www.instagram.com/nickmillevoiFollow Jason: https://www.instagram.com/jasonshadrickGet at us: 100guitarists@premierguitar.comCall/Text: 319-423-9734Podcast powered by Sweetwater. Get your podcast set up here! - https://sweetwater.sjv.io/75rE0dSubscribe to the podcast:Spotify: https://open.spotify.com/show/0aXdYIDOmS8KtZaZGNazVb?si=c63d98737a6146afApple: https://podcasts.apple.com/us/podcast/100-guitarists/id1746527331

One of the foremost places where wisdom is needed is in the realm of sexual discretion

Send a textEnter to win a Fender Player II Jaguar from Sweetwater! Contest ends February 22, 2026: https://sweetwater.sjv.io/xLARvOFind Angus on: Internet: https://www.angusclarkgtr.com/YouTube: https://www.youtube.com/channel/UC8uJyfNOhgNRCYuvE8EqMDgInstagram: https://www.instagram.com/angusclarkgtr/SponsorsGrez Guitars: https://www.grezguitars.com/Grez Guitars (Instagram): https://www.instagram.com/grezguitars/Madsen Amplification (Internet): https://www.madsenamps.com/Madsen Amplification (Instagram): https://www.instagram.com/madsenamps/Fuzz Imp Pedals (Internet): https://www.fuzzimp.com/Fuzz Imp Pedals (Instagram): https://www.instagram.com/fuzzimp/ Support the showAffiliate LinksSweetwater: https://sweetwater.sjv.io/qzy9Xj TrueFire (affiliate link): https://shorturl.at/bfjGXGet 40% off your first lesson purchase (including the annual pass!) with code 40WATTReverb (affiliate link): https://tidd.ly/3zLI32NPatreon: https://www.patreon.com/40wattpodcast/​Find all of the podcast links at:https://www.linktr.ee/40wattpodcasthttps://www.40wattpodcast.com/Subscribe to the channel and give a like – also find us in audio format wherever you listen to podcasts and leave us a review and share us with your friends.

Sermon by Pastor Tyler Looney; February 8, 2026; First Methodist Church - Sweetwater, TX; ‘The Final Act: A People of Hope' Romans 15: 8-13 You are invited to join us for Worship Services at 309 Cedar Street in Sweetwater, Texas. For more information about our Church, please go to https://www.fmcsweetwater.com.(Music provided by spinningmerkaba, Sun Says Yes, under Creative Commons license - https://creativecommons.org/licenses/by-nc/3.0/legalcode)

Allen, Rosemary, and Yolanda, joined by Matthew Stead, discuss Vestas’ Q4 earnings beating competitors but disappointing investors, and the latest on the Wind Energy O&M Australia 2026 conference in Melbourne. Plus the European Commission opens a subsidy investigation into Goldwind, Texas sues over 3,000 dumped wind turbine blades, and Muehlhan Wind Service acquires Canadian AC883. Sign up now for Uptime Tech News, our weekly newsletter on all things wind technology. This episode is sponsored by Weather Guard Lightning Tech. Learn more about Weather Guard’s StrikeTape Wind Turbine LPS retrofit. Follow the show on YouTube, Linkedin and visit Weather Guard on the web. And subscribe to Rosemary’s “Engineering with Rosie” YouTube channel here. Have a question we can answer on the show? Email us! The Uptime Wind Energy Podcast brought to you by StrikeTape, protecting thousands of wind turbines from lightning damage worldwide. Visit strike tape.com. And now your hosts.  Allen Hall: Welcome to the Uptime Wind Energy Podcast. I’m your host Alan Hall, and I’m here with Rosemary Barnes, Yolanda Padron. Matthew Stead down in Australia. So welcome Matthew.  Matthew Stead: Great to be here. Thank you, Alan.  Allen Hall: We have a number of articles and interesting topics this week. Top of the list is Vestus. Vestus announced their Q4 numbers, and although the the revenue is great, uh, they, they had a profit of about 580 million euros. It was below what analysts expected, so the shares dropped about 6% on the news. But the CEO of Vestus is saying, uh, full speed ahead. They’re, they’re willing to make some concessions. Vestus, as it sounds like, in terms [00:01:00] of thinning out the company a little bit, which I, that’s been a, a, a complaint from investors for a little while. But in, in terms of, uh, going forward in renewable energy, Vestus is still going to pursue that. The offshore wind business looks like it’s gonna be profitable in 2027. And as we all know, and we, we see wind turbine prices, uh, quite a bit in each of our positions. Vestas is the most expensive one on the block, but they’re still winning a whole bunch of orders. And, and Matthew, uh, Vestas globally. I would say is the leader right now, if you look at Siemens GAA and GE Vestas is really winning a lot of the orders. Matthew Stead: Yeah, I think a very strong reputation for quality. Um, I have to say, I’ve got some Vestas turbines behind me, so, um, all paid for by myself. They’ve always been well regarded for their, um, you know, quality of [00:02:00] product. And when I first got into wind, um, you know, probably 15 years ago, you know, they were, they were the leaders at that point in time. And so, you know, quality. Reduces future o and m cost. I think  Rosemary Barnes: it’s not just about like the simple o and m, either it’s the risk that something really bad goes wrong and you’re just stuck with, you know, like a, a whole a hundred turbines that can’t be fixed or, you know, at least a large, a large chunk of them. The more that I work in, in o and m, the more you see, like on occasion when you do have those serial issues that mean, you know, like. Sometimes all the blades in the wind farm have to be replaced or sometimes all the generators or you know, even if it’s not replaced, if you’ve gotta take them all out and do something and put ’em back in, it is just such a massive cost. And, um, reducing the chance that that’s gonna happen is actually really valuable for insurance. And yeah, all sorts of other financial reasons.  Yolanda Padron: And even as an FSA customer, I feel like Vestus has a lot more transparency as to what actually is going on, [00:03:00] on site and more able to, to collaborate on, on like a site to site basis, which is very obviously helping them in getting a lot of return customers. Allen Hall: Yeah. One of the key revenues for Vestus has been the FSA, where almost every project I’ve seen over the last couple of years has had a 2030 year FSA attached to it. Rarely do you see. Order without that, and that’s a long-term revenue stream. The, the thing about Vestus and the complaints that are happening, uh, around vestus are odd because if you look at Siemens Cab Mesa, they’re really struggling to be profitable. And then GE Renova, which is really, really struggling to be profitable and they’re losing several hundred millions of dollars a year. Vestas is bringing in a profit, and, and yet the investors are wanting even more. I, I guess, is, is this just a relationship to the. Where you can invest money today. The stock market going up so high, gold and silver prices are at record highs. Rosemary Barnes: Haven’t they just [00:04:00] crushed?  Allen Hall: They have a little bit. They’ve, they’ve rescinded some, but they’re still at really high numbers, right? So Gold Cross, what? $5,000 and ounce and then, uh, it was it 2000 a year ago? So the, the rise in the value of, of, uh, rear metals is crazy. Is there a plan you think Vestas is changing the way they’re gonna operate? ’cause uh, they’re talking about thinning out the ranks and they do seem to be becoming more vertically integrated with the acquisition of the TPI factories down in Mexico. GPI in India  Rosemary Barnes: before we make it sound too much like a paid segment from investors, I have to say I disagree that they’re like just crushing it with the, the FSAs. I think that the full service agreements are across the board. Perform badly in Australia, at least I think it’s different elsewhere. Um, maybe it’s a good segue into, uh, talk about our event that we’ve got coming up to talk [00:05:00] about, um, the difficult operating conditions in Australia. But I, I think that best as, like everybody else has been surprised at how many things can go wrong in an Australia and wind farm. And, um, I don’t, I I would’ve put them up on a pedestal for. Particularly noteworthy, um, brilliant service with the FSAs. I think, yeah, across the board everyone’s doing a little bit less than they should be, and I have no doubt that they’re also making a whole lot less money on those agreements than what they spent or spending a lot more than what they’re expecting. So I don’t wanna be too harsh in my judgment.  Yolanda Padron: That’s fair. The bar is very low.  Rosemary Barnes: But what I do notice when I go to international events, um, and I, you know, I talk to, I’ve got a lot of ex-colleagues that’s still working in the industry and vest. Stands out as still investing a lot in r and d. And that doesn’t mean like crushing out a new platform every single year or every two years. It’s not that. But they are investing in a lot of new technologies that are more incremental. They’re [00:06:00] looking at bigger technology leaps and um, you know, still investigating stuff like that. Like I think if I was to go back working for an OEM, that’s the kind of work I’d like to do. And investors does seem like it’s the main company that’s still doing a whole lot of that. With the exception of, of the Chinese manufacturers, which are obviously doing like tons and tons of new development. But, um, I don’t have the insight into them like I do with the European ones.  Allen Hall: As you’re listening to this podcast, most of the people on this podcast are traveling to Melbourne, Australia for Woma 26. That’s Wind Energy and M Australia. Big event. Matthew, the numbers are impressive. I’m getting a little bit scared. Run out of food and uh, seats because there is a massive influx in the last 24, 48 hours, which is great to see, but wind energy in Australia. Is huge, and the o and m aspect is one of those key pain points. Matthew Stead: Yeah. I think, uh, thanks to Rosie and Alan, your argument, [00:07:00] um, a little while ago, your argument, which spurred the whole, um, the reason for the conference. Um, you know, the, the lack of, uh, Australian content, the lack of, um, poor. Conferences in Australia. I think unless you’d have that argument, um, this event wouldn’t, wouldn’t be there. Allen Hall: Rosie did bring up that she had been to a number of conferences and so had I that were pretty much useless in terms of take home. What could we be able to use in the world and, and make the world just slightly better from our knowledge and. With all the policy talk and uh, discussion about sort of global warming things that it’s not really useful necessarily in making your operations run more efficiently. And this was what Woma is all about is. Sharing information. Not everybody runs their operations the same. And you can learn from that of the way, uh, others do it. And at the same time, we’re bringing in experts from around the world to talk about some of [00:08:00] those really critical issues. One of them being leading edge erosion. And Rosie’s been doing a lot of work in Australia on leading edge erosion and the complexities around that. Rosie, the leading edge erosion discussion and the panel involved in the people are gonna be on the panel are impressive. What are you looking forward to?  Rosemary Barnes: I’m looking forward to, um, getting the international perspective because leading edge erosion, I mean, there’s heaps of aspects of wind turbine operation that I think are just dramatically different in Australia, but I think leading edge erosion is the one that like really, really jumped out at me. When I was, um, when I moved back to Australia and started looking at inspection reports for wind farms that were like one or two years old, and you see 90, 99% of turbines that have significant erosion like within a couple of years. It’s like, this is, this is not. Like, I’ve never, I’ve never seen this before. It’s clear that no one is designing these products that are gonna peel off [00:09:00] within a couple of years. Um, and so that was what kind of got me thinking, you know what, like Australia is really different. Climatically and in terms of the weather. Um, and so we need to start not just getting our information from overseas, but also relating it back to Australia. So I think that that’s what we’re trying really hard with the conference to do, is to like really ground it on Australian problems and solutions that have worked in Australia, but then draw on, you know, we don’t need to invent every single new product ourselves. Although there will also be. I, I’m very confident that, that we do need new products developed specifically for Australia. Um, but you know, there are a lot of things out there we can really accelerate how quickly we can solve our Australian problems if we know what’s worked overseas in, you know, different places and just get ideas about how things work. So I think that’s a really good mix of, of local and international. Matthew Stead: Yeah, as [00:10:00] we were talking before about, um, registrations, so we had. Definitely over 200 now. Um, and, um, I, I think we just need to warn people that we might need to cap it out. Um, so the venue’s told us two 50 maximum, so getting in quick  Allen Hall: and if you haven’t registered, you need to do so today. Go to WMA 2020 six.com. It’s very easy to do. It’s an inexpensive conference and full of great information. And the one thing you wanna register for also when you’re there is the free Lightning workshop. On the Monday, so this, it will be February 16th. It’s a lightning workshop in the afternoon, and then the, the full event begins Tuesday the 17th, and running through Wednesday the 18th. So you have two and a half full days of o and m. Knowledge sharing.  Matthew Stead: Don’t, don’t forget the workshops. There are two sessions of workshops with three, um, parallel sessions. And also don’t forget the chance to catch up with your buddies. So, uh, on the Monday [00:11:00] night, um, after the Lightning Masterclass, there’s, um, an event, you know, food and wine and drinks, et cetera. And then also on the, the Tuesday after the first day, there’s also a chance to catch up  Allen Hall: and you’ll go to Wilma 2026. Com and register. Now.  Speaker: Australia’s wind farms are growing fast, but are your operations keeping up? Join us February 17th and 18th at Melbourne’s Pullman on the park for Wind energy o and m Australia 2026, where you’ll connect with the experts solving real problems in maintenance asset management and OEM relations. Walk away with practical strategies to cut costs and boost uptime that you can use the moment you’re back on site. Register now at WM a 2020 six.com. Wind Energy o and m Australia is created by Wind professionals for wind professionals. Because this industry needs solutions, not speeches,  Allen Hall: the European Commission [00:12:00] has a message for Chinese wind turbine manufacturers. We are watching. Uh, Brussels just opened an in-depth investigation into Goldwind, that’s one of China’s biggest turbine makers. The concern is really straightforward. European regulators believe Goldwin may have received government subsidies that given it unfair advantage. Over European competitors such as Vestus and Siemens, GOMESA, Nordics, and others, grants preferential tax treatment and below market loans are all on the table. And if confirmed, the EU could impose corrective measures under its foreign subsidies regulation, which is a tool designed to keep the playing field level for everyone doing business in Europe. This has led to a number of heated exchanges in the press between China and the eu. China has, uh, said, Hey, eu, calm down. It’s not that big of a deal. We, and we don’t really do this. And if you wanna point [00:13:00] fingers, uh, the EU has given a lot of money and resources to the wind turbine operations in the eu. So it’s a, a, a bunch of back and forth, which is an odd thing at the moment because China is really trying to penetrate the EU market and the UK market for that matter, offshore in particular. Uh, Matthew, when you watch this go on and, and China obviously being the largest player in wind turbines, uh, there is some. Protection isn’t going into this. China has protected themselves from European manufactured turbines for the most part. Uh, it does seem like the EU has a leg to stand on and saying, Hey, if you’re gonna protect your borders, we’re gonna protect our borders. How does this end up? Does this end up with, uh, China making turbines or getting turbines shipped into EU or. There’s just gonna be a prohibition.  Matthew Stead: Uh, actually, I’m a little bit surprised that this hasn’t happened already. [00:14:00] I mean, there’s obviously plenty of European investigations and I’m a little bit surprised it didn’t happen earlier. Um, I, I guess my expectation is that, you know, this will be done and dusted and we can just move, move forward. Um, you know, my, my guesstimate is that it’ll be showing that, you know, this is all fine and, uh, yeah, just continue as per normal. Um, yep. Maybe, maybe critically. Um, I actually think a bit more competition in the industry is a good thing. Um, and so I think the whole, you know, global industry can, can, can benefit.  Allen Hall: And when we’re talking about, uh, the construction of wind farms in the eu, the Chinese manufacturers always come up because they tend to be somewhere between 30 and 40% less expensive than the European counterparts for basically the same turbine. What is the, the real linchpin there, because it does seem like operators and sted uh, evidently had a project going on where they’re looking at Chinese [00:15:00] turbines, but hasn’t made any decisions about it. There’s not a lot of history on the Chinese turbines. You can’t go back and pull, uh, o and m records. You can’t see reliability rates. You can’t see what their insurance rates have been. And Rosie, I think you’ve talked about this quite a bit. It does seem like the manufacturing capability in China is quite good, but then we see things on LinkedIn quite often. We’re uh, there has been some really massive failures there. How is the EU thinking about this? Is it really a competitive issue at this point, or is it a technology issue? What is the real. Uh, linchpin that it, it is, it everybody is trying to get at.  Rosemary Barnes: Yeah. Well I think Europe would be crazy to not support their wind industry because China is so big and has, um, you know, so many wind turbine manufacturers now that if Europe doesn’t specifically try to, you know, compete and survive, then I can [00:16:00] imagine no. non-Chinese manufacturers in 10 years time, um, or you know, at least 20, which I think would be a shame because there is a huge, long history of really good engineering, um, in Europe. Yes. Uh, every country supports their manufacturers. China do it in many, maybe most of their export industries. Everybody knows that. Chinese solar panels are subsidized most countries and regions, except that steel is heavily subsidized in, um, in China. And so there are in many countries restrictions on Chinese made wind turbine towers or tariffs on them. Because of that reason, it’s like pretty. It is pretty uncontroversial. Like it’s pretty obvious, right? That um, if you don’t fight, then um, you say, yeah, we’ll accept all these cheap products then, um, you know, because that’s beneficial for our economy to have them cheap. That’s like a short term thing. It’s [00:17:00] a lot easier in a country like Australia where we don’t have competing industries for many of these, um, many of these products, it’s a bit easier to say, yes, we would love cheap solar panels and cheap wind turbines and cheap electric vehicles and cheap batteries. But I mean, even Australia is trying to regain some of some of that, um, manufacturing capability.  Matthew Stead: But Rosie to, I guess Rosie to challenge you there. I mean, it won’t, it to improve the world’s, you know, position if we, you know, continue to drive prices down and drive a bit of innovation.  Rosemary Barnes: Yeah. If we drive prices down, but not if we drive, um, all competition out of business. And then you’re left with just one country that controls the supply chain for absolutely everything, which they’re already very largely. Do in terms of, you know, like, yeah, batteries, EVs, uh, solar panels, um, heaps of the raw materials, you know, like rare earths and a lot of other critical, um, critical [00:18:00] minerals. But I do think it’s a little bit different for Europe with wind because, um, if that, if that dies, it’s a big chunk of, um, just engineering knowledge that will just. Die with it. I would definitely, especially the countries like Denmark, where it is a, a significant industry for them, I have been a little bit surprised that they haven’t been supporting more the industry through some hard patches. But yeah, let’s, um. It’ll be an interesting next few years. Speaker 6: Delamination and bottomline failures and blades are difficult problems to detect early. These hidden issues can cost you millions in repairs and lost energy production. C-I-C-N-D-T are specialists to detect these critical flaws before they become expensive burdens. Their non-destructive test technology penetrates deep to blade materials to find voids [00:19:00] and cracks. Traditional inspections completely. Miss C-I-C-N-D-T Maps. Every critical defect delivers actionable reports and provides support to get your blades back in service. So visit cic ndt.com because catching blade problems early will save you millions. Allen Hall: Well, occasionally the wind industry has a recycling problem and down in Texas this has come to a head, uh, an Attorney General Ken Paxton. We as the Attorney General of Texas has sued global fiberglass solutions and affiliated companies for illegally dumping more than 3000 wind turbine blades in Sweetwater, Texas. Uh, the company was hired to break down and recycle the blades many years ago. Instead, it stockpiled them at two unpermitted disposal sites. The attorney General is seeking civil [00:20:00] penalties, complete removal of the waste and full cleanup costs paid to the state. And Yolanda, you have seen this facility, I’ve seen this facility down by Sweetwater. It is not a small site. It is massively large and has been there for a number of years. I, I guess there hasn’t been anybody willing to do it, and Global Fiberglass Solutions hasn’t stepped up to even start from what I understand. To take care of the problem. Is there a happy outcome of this? Does anybody else step into the, the fray and, and try to clean up these 3000 blades? Yolanda Padron: We were talking a little bit about this offline, but Rosie you mentioned there’s so many companies that can recycle in general, right? We know just in Texas, there’s a lot of smaller companies. That could take on at least part of, of what’s going on here. And I think, I mean, it’s, it’s something that is [00:21:00] affecting the people that are living there. It’s not just an eyesore. I mean, it’s just, I mean, nobody wants their home to be just this big dumping ground. It’s like a graveyard for blades. And it’s so sad to see that this is really affecting people and just their, how they view wind in the area because. Texas does really, really well with wind in general and that area gets a lot of money in. It’s very oftentimes rural areas that don’t get a lot of funding that are getting a lot of funding for schools are getting a lot of funding for hospitals are, are making sure that their roads are paved. Just in general, a lot of jobs are coming into town and it’s, it should be a really great win-win and it’s just really sad to know that it’s come to this point after years and years where it just, all of the pros are outweighed by a huge calm that is a [00:22:00] huge dumping site in the middle of people. General homes,  Rosemary Barnes: are they saying that it’s they’re storing the blades or did they just pretend that they recycled them and actually landfill them? What’s the Or? It’s unclear.  Allen Hall: They didn’t landfill them. I mean, in a sense, they didn’t bury them. They’re just sitting on the surface.  Yolanda Padron: Piled up.  Rosemary Barnes: I think a lot of this comes down to what, what does recycling mean? What’s your definition of it? Um, and it, depending on what your definition is, there absolutely are plenty of, um, companies, you know, like all over. And I’m sure that there are many more in Texas than there would be in, um, yeah, in the Australian regions I’ve looked at. But there’ll be companies that. Um, already a shredding waste of, from multiple sources and putting it into products like concrete for non-structural applications like, um, footpaths or sidewalks, stuff like that. Um, asphalt is another one. And then a little bit more high tech. You get, um, plastic products that [00:23:00] again, aren’t super duper structurally, um, demanding. So like, um. Decking materials or outdoor furniture, or even I saw one company who’s using recycled material in, um, rainwater tanks. I just really feel like any decent project manager could actually given enough money, like I’m, I’m not saying it’s an economic thing to do, like it’ll always be cheaper to landfill them, um, than to do something with them. But if you’ve been given money to recycle them enough money. Any decent project manager could make that happen?  Allen Hall: Well, just down the road is ever Point Services. And Rosemary, I don’t know if I’ve introduced you to ever Point Services, Tyler Goodell, Candace Woods, uh, they are recycling blades in a totally different way. They’re, they’re grinding them down, but they’re end use product is totally different than anything you have seen and all, although that is just getting ramped up from what I understand so far. The product they’re delivering has a [00:24:00] decent commercial value. It’s helping out in other industries. So it’s not just getting mixed with asphalt necessarily. Those 3000 turbine blades have value. They really do. And ever point, I think if they were involved, would turn them into something really useful. So there is the opportunity to recycle these blades by grinding them down in different, in different ways. But there are new markets. For this product and I’m, I’m just a little shocked that no one’s really stepped forward to say, Hey, I, I’ll take those blazes, but because it’s in a lawsuit, I assume that’s the problem. No wants to walk into there and say. Take responsibility for this thing that’s been hanging around for several years at this point.  Rosemary Barnes: I don’t know. I think I would disagree when, when you say those blades have value, I would be highly surprised if someone would just take them and make a profit from them. I would expect if I had 3000 blades in my backyard, I would expect to pay somebody to take them off my hands. Um. That should have been covered by the fee that they were paid for this [00:25:00] recycling, right? So if that money’s gone now, then there is gonna be a challenge in, um, doing something with it. Because I just want to you reiterate that like recycling is not the economic thing to do with wind turbine blades. Now it’s not even the best thing to do in terms of an energy or environmental or climate change, um, consideration. But if you are sure that you don’t want, um, to deal with the physicality of 3000 blades, um, then. You know, you and you’re prepared to pay to get rid of them, then there are definitely things that you can do.  Matthew Stead: Uh, I think this makes me like super angry because really if we look at it more from a social perspective, um, this is. These pictures are shown all over the world, and whenever I talk to someone and say, Hey, yeah, I’m in the wind industry, they say, oh yeah, what about all those blades in Yeah, and the, the stockpile, blah, blah, blah. So really this, this incident has really screwed up the whole global industry. So it may have destroyed parts of Texas, but it’s also destroyed part of [00:26:00] the global industry. Rosemary Barnes: I agree and it’s, it’s crazy because wind turbine blade waste is five to 10% of global composite waste. So the boats and cars and airplanes, um, and other composites are. They’re not piled up in a recognizable form. And so nobody is absolutely outraged that people are, you know, um, disposing of fiberglass boats every year. Um, so yeah, I mean, that, that, that es me too. I have, um, I’ve spent a long time being annoyed about that fact, and I’ve kind of come around to the, the fact that universally people absolutely hate. Wind turbine blades to be wasted and it just needs to be solved. For that reason, it’s not, it doesn’t need to be solved because of the economics. It doesn’t need to be solved because of the environment. It doesn’t need to be solved because of climate change, but it does really need to be solved because of the social perception.  Allen Hall: Well, as North American Wind Farms age, the companies that keep them running. Keep getting bigger. [00:27:00] And Mohan Wind Service, which if you haven’t worked with them, is a Danish turbine service provider. Uh, and they’ve acquired the operating assets of Canada based AC 8 83. And our friends at AC 8 83 have been evidently working behind the scenes to make that deal go through, which is. Awesome. Actually, uh, the deal gives Mulan a local platform for blade repair and turbine services across Canada and the United States, uh, with more than three. Thousand certified technicians in over 35 countries. Muhan says it is confident the long-term growth in North American market will, uh, continue to prosper. So Muhan come in and saying to AC 83 and others, uh, that they’re, uh, gonna be a, a real powerhouse in terms of a service provider in Canada and the United States and acquiring AC 83 is, is one of the good moves. And we know Lars Benson, [00:28:00] who’s run that business, and Yannick Benson who operates that business today. This is a big deal for both of them and the company.  Matthew Stead: Yeah, I mean, uh, Lars is a great guy and I, I think this is wonderful that you get more economies of scale by, you know, these companies growing and it has to be, has to be great for the industry. O obviously, you know, it’s a good thing for, for Lars and, um, Yanick. Um, but yeah. Yeah. Good on them for, for doing this. And you, we need more companies that are larger and able to operate across different industries. I know the seasonality might, might play into it. I don’t know. Maybe not. Um, but, and the more that companies can work across different regions, the better. Allen Hall: Well, it just gives a C 83 a lot of operating power. So as a sort of a small, medium sized business, that’s one of the problems that you try to scale is just a lot of detail. Human resources, all the legal aspects, and. Uh, international travel people coming back and forth all the time. It is just a lot to operate. Muhan gives them all that infrastructure support. So, [00:29:00] uh, the brain powers that lie at AC 8 83 to do great work can do that work. And they have the muhan to come underneath and provide the support and the, the financial stability. Matthew, as you point out, the season is pretty short up in Canada, uh, to make this thing go. So this is really great news and we’re, I think we’re gonna see more. Of this type of structure happen where the companies that have grown and have shown value to the wind industry, regardless of where they’re located at, are gonna become prized possessions and, and larger companies are gonna want to come in and, and acquire them to expand their portfolio at the same time. And there’s value there. I, I think a lot of ISPs around the world have shown themselves to be profitable, even in some really tough economic times. Uh, they’ve had. Done a good job. And it does seem like the industry is rewarding. Those companies that have put the effort in and have shown themselves to be the professionals that AC 83 is. So this, [00:30:00] this is a really great development. And do we see this happening, uh, through 26 and 27? Because I think, I think that’s where the industry’s headed. But I talk to a lot of my counterparts who say, oh, there is no. Everything’s gloomy and doomy, and none of this is gonna happen, and these companies are gonna just fade away. Where do you think this is headed at Matthew?  Matthew Stead: I think, um, we, we’ve done a little bit of work and we’ve been looking at the industry and I think, uh, if you compare it to, you know, construction or, you know, automotive or whatever, I, I think the, there is a, a strong opportunity for the industry to have some consolidation amongst companies. So I think, um, you know, the industry is still a bit of a baby. You know, maybe whatever, 30 years there is still opportunity, um, for consolidation. You know, much like a few of the other more mature industries, like I said. Um, so I, I, I think there’ll be more of this, um, going on the next few years.  Allen Hall: That wraps up another episode of the Uptime Wind Energy Podcast. If today’s [00:31:00] discussion sparked any questions or ideas. We’d love to hear from you. Reach out to us on LinkedIn and don’t forget to subscribe so you never miss an episode. And if you found value in today’s conversation, please leave us a review. It really helps other wind energy professionals discover the show for Rosie, Yolanda and Matthew. I’m Alan Hall, and we’ll see you here next week on the Uptime Wind Energy Podcast.

Write better songs faster! Clay & Marty's 10-day video series will help you level-up your songs and finish them faster. CLICK HERE to begin!  SongTown Press Books:Mastering Melody Writing : Check It OutSong Building: Mastering Lyric Writing : Check It OutThe Songwriter's Guide To Mastering Co-Writing : Check It Out Hosts: Clay Mills : Facebook   :   InstagramMarty Dodson :   Facebook   :   Instagram SongTown on Songwriting Podcast, Powered by Sweetwater.com - The best place for musical gear on the planet! For advertising opportunities, email kristine@songtown.com Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

In this episode I chat with Marc Gallagher in the UK about writing songs on the ukulele, teaching kids, and how being honest and open is necessary and important, even if it sometimes gets you in trouble. He's a real deal working musician who's transparent perspective is refreshing. I very much enjoyed this interview and hope you do too.Marc's website: https://www.marcgallaghermusic.com/Marc's Bandcamp: https://marcgallaghermusic.bandcamp.com/Support the showJoin my newsletter! It's free and I won't spam you. Get updates on new lessons and access to exclusive resources: https://liveukulele.com/signup/Support the podcast: Become a supporting member: https://liveukulele.com/register/supporting-member/?coupon=SUPPORT5 Buy video lessons or a book: https://liveukulele.com/store/ Use my Sweetwater affiliate link next time you need to buy some gear! https://sweetwater.sjv.io/9WbER0. Gear I use to create this podcast: https://liveukulele.com/about/my-gear/#recordingCREDITS- Hosted, produced, edited, and mixed by Brad Bordessa - Theme music by Brad Bordessa: "Fallout," "Eat You," and "Sister's Got a Gun" available on https://bradbordessa.bandcamp.com/

Send us a textEnter to win a Fender Player II Jaguar from Sweetwater! Contest ends February 22, 2026: https://sweetwater.sjv.io/xLARvOFind Shelby and Black Bobbin on: Internet: https://blackbobbin.com/YouTube: https://www.youtube.com/@BlackBobbinInstagram: https://www.instagram.com/blackbobbinchicago/Find Wade and 3Bender on: Internet: https://www.3bender.com/YouTube: https://www.youtube.com/@3BenderInstagram: https://www.instagram.com/3_bender/Find my video on the SteelMaster at: https://youtu.be/Xr8QwS6MshsSponsorsGrez Guitars: https://www.grezguitars.com/Grez Guitars (Instagram): https://www.instagram.com/grezguitars/Madsen Amplification (Internet): https://www.madsenamps.com/Madsen Amplification (Instagram): https://www.instagram.com/madsenamps/Fuzz Imp Pedals (Internet): https://www.fuzzimp.com/Fuzz Imp Pedals (Instagram): https://www.instagram.com/fuzzimp/ Support the showAffiliate LinksSweetwater: https://sweetwater.sjv.io/qzy9Xj TrueFire (affiliate link): https://shorturl.at/bfjGXGet 40% off your first lesson purchase (including the annual pass!) with code 40WATTReverb (affiliate link): https://tidd.ly/3zLI32NPatreon: https://www.patreon.com/40wattpodcast/​Find all of the podcast links at:https://www.linktr.ee/40wattpodcasthttps://www.40wattpodcast.com/Subscribe to the channel and give a like – also find us in audio format wherever you listen to podcasts and leave us a review and share us with your friends.

Philip welcomes Samantha Sweetwater, author of True Human: Reimagining Ourselves at the End of the World. In their conversation, they explore the meaning of what it is to human, how we navigate death and what future(s) can we build. The Drop – The segment of the show where Philip and his guest share tasty morsels of intellectual goodness and creative musings. Philip's Drop: Kings of Convenience (Spotify) Samantha's Drop: Jacob Collier (Spotify) Special Guest: Samantha Sweetwater.

In Episode 359 of the Mixing Music Podcast, Dee Kei sits down in Shibuya, Tokyo with Eric from Blackcat Whitecat Music, a music agency working across advertising, film, TV series, games, and publishing. The conversation offers a rare inside look at how brands and agencies actually choose music, and what producers need to understand if they want to land real commercial placements.Eric breaks down how music is sourced for advertising in Japan, including how creative decisions are made, why relationships matter more than cold pitches, and how Japanese and Western expectations around sync, licensing, and royalties can differ. He explains the concept of “tie-ups,” upfront fees, and why some advertising music deals function very differently than traditional backend royalty models.They also get into practical pitching advice for producers and composers, including what makes an outreach email worth opening, why personalization matters, and how professionalism, reliability, and communication often outweigh raw talent. Eric shares his strong stance on not delivering full stems at the final stage, explaining how protecting the approved mix helps preserve the original creative intent.The episode explores cross-cultural communication, Japanese business etiquette, and the role of trust when working with clients. They also discuss AI in advertising music, where automation may increase, and why taste, branding, human judgment, and imperfection still hold real value.This episode is a must-listen for producers, composers, and engineers interested in sync, advertising, international music work, and building sustainable creative careers through relationships rather than hype. The episode closes with a recap on outreach, research, and telling a clear story when you pitch, along with a direct contact point for producers who want to reach out: info@bwcatmusic.comSUBSCRIBE TO OUR PATREON FOR EXCLUSIVE CONTENT!⁠SUBSCRIBE TO YOUTUBE⁠Join the ‘Mixing Music Podcast' Discord!HIRE DEE KEIHIRE LU⁠HIRE JAMES⁠Find Dee Kei and Lu on Social Media:Instagram: @DeeKeiMixes @MasteredbyLu @JamesParrishMixesTwitter: @DeeKeiMixes @MasteredbyLuThe Mixing Music Podcast is sponsored by ⁠Izotope⁠, ⁠Antares (Auto Tune)⁠, Sweetwater, ⁠Plugin Boutique⁠, ⁠Lauten Audio⁠, ⁠Filepass⁠, & ⁠Canva⁠The Mixing Music Podcast is a video and audio series on the art of music production and post-production. Dee Kei, Lu, and James are professionals in the Los Angeles music industry having worked with names like Odetari, 6arelyhuman, Trey Songz, Keyshia Cole, Benny the Butcher, carolesdaughter, Crying City, Daphne Loves Derby, Natalie Jane, charlieonnafriday, bludnymph, Lay Bankz, Rico Nasty, Ayesha Erotica, ATEEZ, Dizzy Wright, Kanye West, Blackway, The Game, Dylan Espeseth, Tara Yummy, Asteria, Kets4eki, Shaquille O'Neal, Republic Records, Interscope Records, Arista Records, Position Music, Capital Records, Mercury Records, Universal Music Group, apg, Hive Music, Sony Music, and many others.This podcast is meant to be used for educational purposes only. This show is filmed and recorded at Dee Kei's private studio in North Hollywood, California. If you would like to sponsor the show, please email us at ⁠deekeimixes@gmail.com⁠.Support this podcast at — https://redcircle.com/mixing-music-music-production-audio-engineering-and-music/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

One of the many things that Willie Nelson and his trusty Martin nylon-string, Trigger, have in common is their truly unmistakable voices. And Willie's laid back, behind-the-beat phrasing applies to both. To break it all down, we called on Ray Benson of Asleep at the Wheel. The two have been friends for a long time, and in 2009 they released the swinging Willie and the Wheel together. Benson tells us about what it's like to work with Willie, what it's like to play Trigger, and when he finally got to put his signature on the latter. Sponsored by Strings By Mail: stringsbymail.comFollow Nick: https://www.instagram.com/nickmillevoiFollow Jason: https://www.instagram.com/jasonshadrickGet at us: 100guitarists@premierguitar.comCall/Text: 319-423-9734Podcast powered by Sweetwater. Get your podcast set up here! - https://sweetwater.sjv.io/75rE0dSubscribe to the podcast:Spotify: https://open.spotify.com/show/0aXdYIDOmS8KtZaZGNazVb?si=c63d98737a6146afApple: https://podcasts.apple.com/us/podcast/100-guitarists/id1746527331

Sermon by Special Guest Stephen Gehring; February 1, 2026; First Methodist Church - Sweetwater, TX; ‘A Holy Rewiring'; Text: Romans 6: 11-14 You are invited to join us for Worship Services at 309 Cedar Street in Sweetwater, Texas. For more information about our Church, please go to https://www.fmcsweetwater.com.(Music provided by spinningmerkaba, Sun Says Yes, under Creative Commons license - https://creativecommons.org/licenses/by-nc/3.0/legalcode)

Send us a textEnter to win a Fender Player II Jaguar from Sweetwater! Contest ends February 22, 2026: https://sweetwater.sjv.io/xLARvOFind Jeff McErlain on: Internet: https://www.jeffmcerlain.com/Lessons: https://jmguitarlessons.com/YouTube: https://www.youtube.com/jeffmcerlainInstagram: https://www.instagram.com/jeffmcerlain/SponsorsGrez Guitars: https://www.grezguitars.com/Grez Guitars (Instagram): https://www.instagram.com/grezguitars/Madsen Amplification (Internet): https://www.madsenamps.com/Madsen Amplification (Instagram): https://www.instagram.com/madsenamps/Fuzz Imp Pedals (Internet): https://www.fuzzimp.com/Fuzz Imp Pedals (Instagram): https://www.instagram.com/fuzzimp/ Support the showAffiliate LinksSweetwater: https://sweetwater.sjv.io/qzy9Xj TrueFire (affiliate link): https://shorturl.at/bfjGXGet 40% off your first lesson purchase (including the annual pass!) with code 40WATTReverb (affiliate link): https://tidd.ly/3zLI32NPatreon: https://www.patreon.com/40wattpodcast/​Find all of the podcast links at:https://www.linktr.ee/40wattpodcasthttps://www.40wattpodcast.com/Subscribe to the channel and give a like – also find us in audio format wherever you listen to podcasts and leave us a review and share us with your friends.

In Episode 358 of the Mixing Music Podcast, hosts Dee Kei and Lu do a loose “New Year, New Goals” conversation focused on real, practical upgrades for working engineers, both technical and career-related. They start with the career side: how easy it is to get comfortable when work is steady, and why that comfort can quietly turn into less outreach, fewer in-person hangs, and slower networking. The guys talk about rebuilding the habit of showing up, saying hi, staying visible, and keeping relationships warm, even when you do not feel desperate for the next client. On the technical side, Dee Kei shares a simple but powerful listening habit for 2026: mixing at lower monitor volume more intentionally. He describes how turning the monitors down can instantly reveal vocal level problems and balance issues, especially when comparing what a limiter is doing to your drums and mix shape. They also get into the challenge of mixing a live performance EP to sound as close to the studio record as possible, including the reality of trying to make live drums feel more like samples. From there, the conversation turns into “skill stacking” and education. They talk about learning tools you may not personally prefer, simply because certain environments demand them, like Pro Tools in many studio workflows or Digico consoles in a lot of festival and live sound situations. They discuss the idea of getting Digico certified, what high-end live consoles are built for (including redundancy features), and why expanding your toolset can help you scale into bigger gigs. They also explore an unexpectedly practical idea: taking community college courses for cheap, from Pro Tools and recording classes to music business, marketing, and even basic economics and personal finance. The point is not chasing a degree, it is staying sharp, learning from experienced teachers, and intentionally investing in growth without going into debt. They wrap the episode by encouraging listeners to choose a technical goal for the year and keep it front of mind, plus a few fun side tangents that are very on brand.SUBSCRIBE TO OUR PATREON FOR EXCLUSIVE CONTENT!⁠SUBSCRIBE TO YOUTUBE⁠Join the ‘Mixing Music Podcast' Discord!HIRE DEE KEIHIRE LU⁠HIRE JAMES⁠Find Dee Kei and Lu on Social Media:Instagram: @DeeKeiMixes @MasteredbyLu @JamesParrishMixesTwitter: @DeeKeiMixes @MasteredbyLuThe Mixing Music Podcast is sponsored by ⁠Izotope⁠, ⁠Antares (Auto Tune)⁠, Sweetwater, ⁠Plugin Boutique⁠, ⁠Lauten Audio⁠, ⁠Filepass⁠, & ⁠Canva⁠The Mixing Music Podcast is a video and audio series on the art of music production and post-production. Dee Kei, Lu, and James are professionals in the Los Angeles music industry having worked with names like Odetari, 6arelyhuman, Trey Songz, Keyshia Cole, Benny the Butcher, carolesdaughter, Crying City, Daphne Loves Derby, Natalie Jane, charlieonnafriday, bludnymph, Lay Bankz, Rico Nasty, Ayesha Erotica, ATEEZ, Dizzy Wright, Kanye West, Blackway, The Game, Dylan Espeseth, Tara Yummy, Asteria, Kets4eki, Shaquille O'Neal, Republic Records, Interscope Records, Arista Records, Position Music, Capital Records, Mercury Records, Universal Music Group, apg, Hive Music, Sony Music, and many others.This podcast is meant to be used for educational purposes only. This show is filmed and recorded at Dee Kei's private studio in North Hollywood, California. If you would like to sponsor the show, please email us at ⁠deekeimixes@gmail.com⁠.Support this podcast at — https://redcircle.com/mixing-music-music-production-audio-engineering-and-music/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Guests: Greg Loiacano – vocals, guitar Michael Urbano – drums Vicki Randle – percussionIn this episode of Only in the Green Room, we sit down with Greg Loiacono & Stingray, a Bay Area super-group built on deep respect, serious groove, and a whole lot of joy. What started as a solo recording session for Greg Loiacano quickly turned into something much bigger when drummer Michael Urbano stepped in—and the chemistry was instant. Add longtime collaborator and powerhouse percussionist Vicki Randle, and Stingray was born.The trio talks about the unspoken language that defines their music: listening more than talking, playing for the song, and letting structure and feel guide everything. Influenced by classic soul, R&B, funk, and rock—from Curtis Mayfield and Marvin Gaye to Sly Stone and beyond—Stingray's sound feels timeless but alive in the moment.We dig into:How the band formed organically (and accidentally)Why joy and laughter are non-negotiable onstageThe rare magic of musicians who truly listen to one anotherPlaying parts instead of overplayingBalancing Stingray with busy touring and recording schedulesRecording at the legendary 2200 Studios and feeling the weight of Bay Area music historyWhat's next: new singles, more shows, and getting back into the studioWith lineup support from Tom Ayer's, Kofi Brown, and Danny Eisenberg, Stingray is prioritizing what matters most—great songs, great vibes, and genuine connection.If you've ever wondered what it looks like when seasoned musicians stop chasing “projects” and start chasing feeling, this conversation says it all.New singles out now:Come Back HomeI Hope We Get to DanceRecorded backstage, moments after finishing their November 2025 set at Sweetwater Music Hall in Mill Valley, California —because the best conversations always happen only in the green room.Greg Loiacono. Founder of Stingray, is best known as a gritty rock and soul man of legendy San Francisco rock band, The Mother Hips and his collaborations with Chris RobinsonVicki Randle has recorded and/or toured with Aretha Franklin, Mavis Staples, George Benson, Lionel Richie, Kenny Loggins, Celine Dion, Herbie Hancock, Wayne Shorter, Branford Marsalis, Jeffrey Osborne, Laura Nyro and Lyle Mays. She appeared in the HBO documentary Mavis!. She became the first female permanent member of the Tonight Show Band with Branford Marsalis, starting in May 1992 and continuing through May 2009.Michael Urbano  toured extensively with John Hiatt (1995–1999), as one of Hiatt's "Nashville Queens" that included bassist Davey Faragher (Elvis Costello) and guitarist David Immergluck (Counting Crows). He also spent time as a drummer Smash Mouth. Before Smash Mouth, Urbano had played drums with The Spent Poets, The Kinetics, Deathray, Third Eye Blind, John Hiatt, Black Lab, Cracker, Paul Westerberg, Red House Painters, Willy DeVille, Camper Van Beethoven, and Sheryl Crow.[2]https://gregloiacono.com/

Write better songs faster! Clay & Marty's 10-day video series will help you level-up your songs and finish them faster. CLICK HERE to begin!  SongTown Press Books:Mastering Melody Writing : Check It OutSong Building: Mastering Lyric Writing : Check It OutThe Songwriter's Guide To Mastering Co-Writing : Check It Out Hosts: Clay Mills : Facebook   :   InstagramMarty Dodson :   Facebook   :   Instagram SongTown on Songwriting Podcast, Powered by Sweetwater.com - The best place for musical gear on the planet! For advertising opportunities, email kristine@songtown.com Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

Author, facilitator and coach Samantha Sweetwater (LinkedIn) came back to the podcast for a deep dive into her most recent book True Human. We spoke of homecoming, the current predicament, the current moment. We also spoke of separation, domination and their antidotes. What does it take for humans to come back into relational process that serves the vitality, emergence and co-emergence of life. Enjoy this wonderful podcast. And get the book! More info on Samanthas website. (EP239, our first episode)

Sermon by Pastor Tyler Looney; January 25, 2026; First Methodist Church - Sweetwater, TX; ‘The Final Act: Serve Christ' Romans 14: 1-12 You are invited to join us for Worship Services at 309 Cedar Street in Sweetwater, Texas. For more information about our Church, please go to https://www.fmcsweetwater.com.(Music provided by spinningmerkaba, Sun Says Yes, under Creative Commons license - https://creativecommons.org/licenses/by-nc/3.0/legalcode)

Sermon by Pastor Tyler Looney; January 18, 2026; First Methodist Church - Sweetwater, TX; ‘The Final Act: To Submit or Not to Submit' Romans 13 You are invited to join us for Worship Services at 309 Cedar Street in Sweetwater, Texas. For more information about our Church, please go to https://www.fmcsweetwater.com.(Music provided by spinningmerkaba, Sun Says Yes, under Creative Commons license - https://creativecommons.org/licenses/by-nc/3.0/legalcode)

A fascinating piece of gear quietly surfaced ahead of NAMM, and it sent us down a deep rabbit hole. In this episode of The Pro Audio Suite, the crew digs into the Carno Sepia system, a digitally controlled, fully analog modular hardware platform that feels like a modern reimagining of the 500 series concept, minus the knobs. We unpack how it works, who it's really for, and whether this kind of hybrid approach is genuine innovation or just another expensive way to chase "analog purity." Along the way, we talk NAMM expectations, Sweetwater leaks, digitally controlled analog routing, redundancy, reliability fears, scratchy pots, touring rigs, and whether DSP has already caught up anyway. This one is equal parts curiosity, scepticism, and hard-earned industry perspective. In this episode: A NAMM-bound product that surfaced early on Sweetwater Digitally controlled analog hardware with no physical controls How Carno Sepia compares to traditional 500 series systems Routing, redundancy, and remote control advantages Real-world concerns around longevity and software dependency Analog obsession vs modern DSP reality Who this gear actually makes sense for Why some innovation feels brilliant and ridiculous at the same time Thanks to Tri-Booth and Austrian Audio for supporting The Pro Audio Suite.

Write better songs faster! Clay & Marty's 10-day video series will help you level-up your songs and finish them faster. CLICK HERE to begin!  SongTown Press Books:Mastering Melody Writing : Check It OutSong Building: Mastering Lyric Writing : Check It OutThe Songwriter's Guide To Mastering Co-Writing : Check It Out Hosts: Clay Mills : Facebook   :   InstagramMarty Dodson :   Facebook   :   Instagram SongTown on Songwriting Podcast, Powered by Sweetwater.com - The best place for musical gear on the planet! For advertising opportunities, email kristine@songtown.com Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

Marin County singer-songwriter, community and music collaborator Jon Chi joins “Only In The Green Room” as the first guest under the show's new banner—recorded in the Sweetwater Music Hall Green Room before Jon played to a packed house for his birthday show at the iconic venue. In a conversation full of gratitude, community love, and live-music philosophy, Jon reflects on how the Terrapin scene helped shape his musical orbit, why vulnerability is where the magic lives, and how live shows remain irreplaceable—no matter what AI does to recorded music. Special guests Stephanie Salva (Tumbleweed Soul) and Elliot Peck (Midnight North, Phil Lesh & Friends) pop in before joining Jon on stage, adding stories about collaborations, harmonies, and the deep relationships built through the Bay Area music community. Creators & Guests Tami Larson - Host Dennis Strazulo - Host Creators & Guests Tami Larson - Host Dennis Strazulo - Host Creators & Guests Tami Larson - Host Dennis Strazulo - Host   The “how lucky am I to have stumbled into this community?” moment—and why Jon leads with love The Terrapin Crossroads/Marin/Bay Area musician ecosystem (and all the overlap that makes it work) - spawning collaborations and lasting friendships Jon's musical roots: Massachusetts → Berklee College of Music → Bay Area scene The JP McClean (Melvin Seals JGB)) origin story: their first day as students at Berklee,  a chart that looked like “hieroglyphics,” and instant respect  Vulnerability on stage: choosing connection over perfection The “Yoga Mafia” crossover: how Now Yoga in Corte Madera became part of the music ecosystem Dead nights + mashups: blending Bee Gees, Biggie, Lou Reed, and more into jam setsWidespread Panic as Jon's “first jam band show”—and later collaborating with bassist Dave SchoolsThe passing-down tradition: Jon's kids performing and singing at shows Guest drop-ins: Stephanie shares what she's working on (Tumbleweed Soul, new trio, gigs with Dave Nelson Band) Elliot talks first duo collaboration with Jon, returning from hiatus, and community support Jon Chi's Birthday Show All-Star lineup: Sean Nelson — Drums Angeline Saris — bass Jordan Feinstein — keys Minglewood Lewis Jr. — percussion Patrick Byers, Natalie John, Andrew Ferren - Horns Elliott Peck and Stephanie Salva - Vocals Memorable moments & quotes: “I mean, I want to talk about how much I love everyone.” “I'd rather make a bunch of mistakes on stage and stay open to connect with people.” “If you're willing to share vulnerabilities, that's where deeper relationships grow.” “Even if AI disrupts recorded music—how do you ever replace live music?” Topics that hit hard: Why this scene works: It's collaborative, supportive, and built on people being decent humans and strong musicians.Why live music wins: Because it's shared presence, unrepeatable moments, and real connection.Why mashups matter: They expand the audience and keep traditions alive without turning them into copies. If you're new here… This episode is a love letter to the Bay Area's live music ecosystem—where jam culture, original music, yoga communities, and deep friendships all collide in the best way.Tags  John Chi, Only in the Green Room, Sweetwater Music Hall, Terrapin Crossroads community, Bay Area music scene, jam band culture, live music podcast, Grateful Dead community, improv music, vulnerability on stage, post-COVID live music, Now Yoga Corte Madera, Elliot Peck, Stephanie Tumbleweed Soul, Dave Schools, Widespread Panic

Sermon by Pastor Tyler Looney; January 11, 2026; First Methodist Church - Sweetwater, TX; ‘Remember' 1 Corinthians 10: 1-4 You are invited to join us for Worship Services at 309 Cedar Street in Sweetwater, Texas. For more information about our Church, please email us at info@fumcsweetwater.org.(Music provided by spinningmerkaba, Sun Says Yes, under Creative Commons license - https://creativecommons.org/licenses/by-nc/3.0/legalcode)

Write better songs faster! Clay & Marty's 10-day video series will help you level-up your songs and finish them faster. CLICK HERE to begin!  SongTown Press Books:Mastering Melody Writing : Check It OutSong Building: Mastering Lyric Writing : Check It OutThe Songwriter's Guide To Mastering Co-Writing : Check It Out Hosts: Clay Mills : Facebook   :   InstagramMarty Dodson :   Facebook   :   Instagram SongTown on Songwriting Podcast, Powered by Sweetwater.com - The best place for musical gear on the planet! For advertising opportunities, email kristine@songtown.com Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

Sermon by Special Guest Gil Cherry; January 4, 2026; First Methodist Church - Sweetwater, TX; ‘A New Year'; Text: John 1: 1-18 You are invited to join us for Worship Services at 309 Cedar Street in Sweetwater, Texas. For more information about our Church, please email us at info@fumcsweetwater.org.(Music provided by spinningmerkaba, Sun Says Yes, under Creative Commons license - https://creativecommons.org/licenses/by-nc/3.0/legalcode)

Building a Culture Where Customers and Employees Want to Stay   Shep interviews David Fuhr, Sweetwater's Chief Sales Officer. He talks about creating remarkable customer experiences through personalized service, passionate employees, and living the company's core values in every interaction.  This episode of Amazing Business Radio with Shep Hyken answers the following questions and more:    How does additional generosity impact customer loyalty?  Why is personalizing customer interactions important in today's business environment?  How does a company's culture influence its service and customer retention?  How can companies prevent recurring customer complaints based on feedback analysis?  Why should businesses focus on solving customer issues rather than just addressing problems?  Top Takeaways:    Additional generosity goes a long way in customer experience. It does not have to be expensive or flashy. When you add a small, unexpected touch to a customer interaction, you create a memorable moment. Any brand can show appreciation and stand out by doing a little more than expected. (Sweetwater includes a small bag of candy with every order. Sweet!)  Hiring employees who are truly passionate about what they do makes a big difference. If your team genuinely loves the industry they work in and believes in the products they sell, it shows in the way they interact with and help customers.  Match customers with employees who are genuinely interested in and knowledgeable about the products they sell. This builds trust by creating interactions in which the advice customers receive feels more valuable because it is personalized.   Training never stops. When hiring new employees, equip them with the knowledge they need to excel through immersive training. Once they are working with customers, empower them by providing continuous training that keeps everyone updated and motivated.   Listening to customer feedback leads to better service. Encouraging honest opinions, both good and bad, helps you find out what customers truly care about.  It's important to have a system for collecting this information and then actually acting on it.   Mistakes are learning opportunities. When something goes wrong, the real test is how a company reacts and focuses on "solving the customer,” not just the problem. Communicate with customers quickly, fix what went wrong, and then look deeper to stop the issue from happening to others.   Plus, Shep and David discuss Sweetwater's emphasis on company culture and community. Tune in!  Quote:   "Additional generosity means doing something a little unexpected for the customers. It is a way of saying thank you for thinking of us and giving us the opportunity to earn their business."  About:    David Fuhr is the Chief Sales Officer at Sweetwater, where he leads the company's renowned sales team. Since joining the company over five years ago, he has held key leadership positions, including SVP of Customer Experience, focusing on delivering the Sweetwater Difference for both customers and staff.  Shep Hyken is a customer service and experience expert, New York Times bestselling author, award-winning keynote speaker, and host of Amazing Business Radio.    Learn more about your ad choices. Visit megaphone.fm/adchoices

Write better songs faster! Clay & Marty's 10-day video series will help you level-up your songs and finish them faster. CLICK HERE to begin!  SongTown Press Books:Mastering Melody Writing : Check It OutSong Building: Mastering Lyric Writing : Check It OutThe Songwriter's Guide To Mastering Co-Writing : Check It Out Hosts: Clay Mills : Facebook   :   InstagramMarty Dodson :   Facebook   :   Instagram SongTown on Songwriting Podcast, Powered by Sweetwater.com - The best place for musical gear on the planet! For advertising opportunities, email kristine@songtown.com Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

Singer-songwriter Jason Sinay, maybe best known for his work alongside Mike Campbell in Dirty Knobs, joins us to talk about the most foundational rock 'n' roll guitarist of them all, the man who started the ball rolling, Chuck Berry. When it comes to his guitar playing, his influence can be heard across all styles. Without his licks, his songs, his vocal phrasing, who knows what path the electric guitar would have taken!While we're at it, we get some cool Keith Richards and Neil Young stories from Jason, and we dream about what it would be like to have those guys step onto our own stage. Sponsored by Gibson: gibson.comFollow Nick: https://www.instagram.com/nickmillevoiFollow Jason: https://www.instagram.com/jasonshadrickGet at us: 100guitarists@premierguitar.comCall/Text: 319-423-9734Podcast powered by Sweetwater. Get your podcast set up here! - https://sweetwater.sjv.io/75rE0dSubscribe to the podcast:Spotify: https://open.spotify.com/show/0aXdYIDOmS8KtZaZGNazVb?si=c63d98737a6146afApple: https://podcasts.apple.com/us/podcast/100-guitarists/id1746527331

Welcome to 2026! In this episode I share some insight on how playing simple things one way or another drastically changes the sound of the music. We'll listen to some practical examples so you can start hearing the possibilities in your own playing.TOOL in Honolulu: https://www.youtube.com/watch?v=YmrRkcuhPJk"Black Hole Sun" baritone playthru: https://www.youtube.com/watch?v=0dqEiHg2Fm0Moises.ai: https://moises.ai/Support the showJoin my newsletter! It's free and I won't spam you. Get updates on new lessons and access to exclusive resources: https://liveukulele.com/signup/Support the podcast: Become a supporting member: https://liveukulele.com/register/supporting-member/?coupon=SUPPORT5 Buy video lessons or a book: https://liveukulele.com/store/ Use my Sweetwater affiliate link next time you need to buy some gear! https://sweetwater.sjv.io/9WbER0. Gear I use to create this podcast: https://liveukulele.com/about/my-gear/#recordingCREDITS- Hosted, produced, edited, and mixed by Brad Bordessa - Theme music by Brad Bordessa: "Fallout," "Eat You," and "Sister's Got a Gun" available on https://bradbordessa.bandcamp.com/

JOIN OUR PATREON AND GET ACCESS TO EXCLUSIVE CONTENT: https://mixingmusicpodcast.com/exclusiveI WRITE BOOKS FOR CHILDREN: https://deekeiandkayoko.comHIRE DEE KEI: links.deekeimixes.comHIRE LU: https://soundbetter.com/profiles/1419...Hire James: https://www.jamesparrishmixes.com/Find Dee Kei and Lu on Social Media:Instagram: @DeeKeiMixes @masteredbyluTwitter: @DeeKeiMixes @masteredbyluJoin the ‘Mixing Music Podcast' Discord:   / discord  The Mixing Music Podcast is sponsored by ⁠Izotope⁠, ⁠Antares (Auto Tune)⁠, Sweetwater, ⁠Plugin Boutique⁠, ⁠Lauten Audio⁠, ⁠Filepass⁠, & ⁠Canva⁠The Mixing Music Podcast is a video and audio series on the art of music production and post-production. Dee Kei, Lu, and James are professionals in the Los Angeles music industry having worked with names like Odetari, 6arelyhuman, Trey Songz, Keyshia Cole, Benny the Butcher, carolesdaughter, Crying City, Daphne Loves Derby, Natalie Jane, charlieonnafriday, bludnymph, Lay Bankz, Rico Nasty, Ayesha Erotica, ATEEZ, Dizzy Wright, Kanye West, Blackway, The Game, Dylan Espeseth, Tara Yummy, Asteria, Kets4eki, Shaquille O'Neal, Republic Records, Interscope Records, Arista Records, Position Music, Capital Records, Mercury Records, Universal Music Group, apg, Hive Music, Sony Music, and many others.This podcast is meant to be used for educational purposes only. This show was filmed and recorded at Dee Kei's private studio in North Hollywood, California. If you would like to sponsor the show, please email us at mixingmusicpodcast@gmail.com.Support this podcast at — https://redcircle.com/mixing-music-music-production-audio-engineering-and-music/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Brian, Blake, and Richard are back for Episode 598 of the Chasing Tone Podcast - Get off the stage, pedalboy - it's the New Year's Eve Special 2025!Brian is playing a New Year's Eve gig, Beyonce is a billionaire. and Blake is a cuboid hulk that is composed of 110% grass fed beef. Richard assumes too much and regrets asking Brian about what he's been up to before talking about some technobabble.Richard discusses the guitar related gifts he received, the one he didn't receive,  and the guys share their Christmas hauls for 2025. Brian is astonished to discover Richard has never seen a Sweetwater catalog and has proved drummer's are real musicians...kinda.Brian has launched a new website, betterguitartone.com, as he is a workaholic and also potentially slowly morphing into the Grinch. Finally, as our brains are evidently slipping away into a strange unpredictable state, we would like to wish all of our listeners a very happy and healthy 2026! Big Pharma, Angry Richard, Fender Plug-in Lager, Spinal Tap II, Poetry for neanderthals, We are massive nerds...it's all in this week's Chasing Tone!We are on Patreon now too!Support the show (https://www.patreon.com/chasingtonepodcast)Courses and DIY mods:https://www.betterguitartone.comhttps://www.wamplerdiy.comhttps://www.guitarpedalcourse.comYoutube:https://www.youtube.com/@chasingtonepodcastFind us at:https://www.wamplerpedals.com/https://www.instagram.com/WamplerPedals/https://www.facebook.com/groups/wamplerfanpage/Contact us at: podcast@wamplerpedals.comSupport the show

In Episode 354, the guys talk directly to the reality most creatives avoid: slow season fear, debt, no savings, and the pressure to spend during the holidays. The big mindset shift is simple: you are not a consumer, you are a producer, so make something instead of buying something. They share ideas for meaningful gifts that cost little to nothing, ways to pick up skills that help your career (content creation, editing, learning tools), and even how acts of service can pull you out of isolation when work is slow.SUBSCRIBE TO OUR PATREON FOR EXCLUSIVE CONTENT!⁠SUBSCRIBE TO YOUTUBE⁠Join the ‘Mixing Music Podcast' Discord!HIRE DEE KEIHIRE LU⁠HIRE JAMES⁠Find Dee Kei and Lu on Social Media:Instagram: @DeeKeiMixes @MasteredbyLu @JamesParrishMixesTwitter: @DeeKeiMixes @MasteredbyLuThe Mixing Music Podcast is sponsored by ⁠Izotope⁠, ⁠Antares (Auto Tune)⁠, Sweetwater, ⁠Plugin Boutique⁠, ⁠Lauten Audio⁠, ⁠Filepass⁠, & ⁠Canva⁠The Mixing Music Podcast is a video and audio series on the art of music production and post-production. Dee Kei, Lu, and James are professionals in the Los Angeles music industry having worked with names like Odetari, 6arelyhuman, Trey Songz, Keyshia Cole, Benny the Butcher, carolesdaughter, Crying City, Daphne Loves Derby, Natalie Jane, charlieonnafriday, bludnymph, Lay Bankz, Rico Nasty, Ayesha Erotica, ATEEZ, Dizzy Wright, Kanye West, Blackway, The Game, Dylan Espeseth, Tara Yummy, Asteria, Kets4eki, Shaquille O'Neal, Republic Records, Interscope Records, Arista Records, Position Music, Capital Records, Mercury Records, Universal Music Group, apg, Hive Music, Sony Music, and many others.This podcast is meant to be used for educational purposes only. This show is filmed and recorded at Dee Kei's private studio in North Hollywood, California. If you would like to sponsor the show, please email us at ⁠deekeimixes@gmail.com⁠.Support this podcast at — https://redcircle.com/mixing-music-music-production-audio-engineering-and-music/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Garza breaks down his favorite moments of the year. Thank you for the support. Love you guys!SWEETWATER: https://imp.i114863.net/rnrmVB00:00 - Going on Vacation05:39 - 2026 Goals09:55 - Reflecting on Career & Life12:02 - PeelingFlesh18:18 - Vogg of Decapitated31:59 - Robb Flynn38:20 - Chevelle55:31 - Deron Miller1:05:27 - Spite1:11:55 - Sanguisugabogg1:23:50 - Despised Icon1:31:11 - Eddie Berg of Imminence1:39:19 - Chris Barnes1:51:15 - Growth & Changes1:56:19 - Bad Drivers During Holidays

Don't forget to like, subscribe and leave us a comment! Will AI take over the music industry? Will EHX harness the power of the magnetosphere? Will Rhett ever get a haircut? Will Fender take over the guitar universe? All this and more on today's episode.  Thanks so much to the sponsor of today's episode, Sweetwater! Make sure to check out all the gear we use here and more:  https://www.sweetwater.com/shop/dipped-in-tone/ GIVEAWAY (last chance to enter!) Enter for your chance to win a UA Volt 876 Interface:  https://kingsumo.com/g/mn588vm/universal-audio-x-dipped-in-tone-volt-v876-giveaway Check out our website & merch: https://www.dippedintone.com Support us on Patreon: https://www.patreon.com/dippedintone Follow us on Instagram: https://instagram.com/dippedintone Dipped In Tone is: Rhett Shull  https://www.rhettshull.com Zach Broyles / Mythos Pedals  https://mythospedals.com & https://highvoltageguitars.com Produced & Edited by Addison! https://www.instagram.com/addisonsauvan TIME STAMPS 00:00 Intro 00:22 What's new Zach? 01:19 Did Addison die? 01:28 Rhett needs a haircut 03:36 Rhett also got a new puppy 05:41 Inception 09:21 Thanks so much Sweetwater! 11:07 Shoutout Patrons! 11:53 Hot Take 24:27 Tom Morello Partscaster 32:00 Fender is killing right now! 33:16 EHX by JHS - The Big Muff 2 36:55 Pre-Order Josh & Daniel's new book! 38:20 Harnessing power from the earth 41:55 Buckle up for some AI talk 59:29 “Hip Hop isn't real music” 1:00:17 Rig Dip 1:08:25 Thanks again Sweetwater! Some of our favorite gear from 2025 (Affiliate Links): Universal Audio Enigmatic - https://sweetwater.sjv.io/o42Mve Fender Triple Caster - https://sweetwater.sjv.io/qzRMvq Suhr Classic S Antique - https://sweetwater.sjv.io/DyEomG Benson Delay - https://sweetwater.sjv.io/jeEb4b Boss Roland DM-101 - https://sweetwater.sjv.io/K0Nj5A TC 2290 - https://sweetwater.sjv.io/e1oz26 Universal Audio Volt 876 - https://sweetwater.sjv.io/jeko9M Boss Katana 50 Gen3 - https://sweetwater.sjv.io/DyEom5 Shure 545 (new production) - https://sweetwater.sjv.io/ravMyj Echo Fix EFX3 - https://sweetwater.sjv.io/APzZMK Helix Stadium - https://sweetwater.sjv.io/LKVnJa

In Episode 353, Dee Kei and Lu break down how to communicate timelines like a pro, even when you're booked out. They talk about setting clear expectations for V1 delivery, revisions, and approvals, why daily updates can change everything, and how “underpromise and overdeliver” builds trust long term. They also warn against a common trap in mixing: thinking more plugins, more automation, or more hours automatically equals more value, and why your pricing should not be tied to effort or session complexity.SUBSCRIBE TO OUR PATREON FOR EXCLUSIVE CONTENT!⁠SUBSCRIBE TO YOUTUBE⁠Join the ‘Mixing Music Podcast' Discord!HIRE DEE KEIHIRE LU⁠HIRE JAMES⁠Find Dee Kei and Lu on Social Media:Instagram: @DeeKeiMixes @MasteredbyLu @JamesParrishMixesTwitter: @DeeKeiMixes @MasteredbyLuThe Mixing Music Podcast is sponsored by ⁠Izotope⁠, ⁠Antares (Auto Tune)⁠, Sweetwater, ⁠Plugin Boutique⁠, ⁠Lauten Audio⁠, ⁠Filepass⁠, & ⁠Canva⁠The Mixing Music Podcast is a video and audio series on the art of music production and post-production. Dee Kei, Lu, and James are professionals in the Los Angeles music industry having worked with names like Odetari, 6arelyhuman, Trey Songz, Keyshia Cole, Benny the Butcher, carolesdaughter, Crying City, Daphne Loves Derby, Natalie Jane, charlieonnafriday, bludnymph, Lay Bankz, Rico Nasty, Ayesha Erotica, ATEEZ, Dizzy Wright, Kanye West, Blackway, The Game, Dylan Espeseth, Tara Yummy, Asteria, Kets4eki, Shaquille O'Neal, Republic Records, Interscope Records, Arista Records, Position Music, Capital Records, Mercury Records, Universal Music Group, apg, Hive Music, Sony Music, and many others.This podcast is meant to be used for educational purposes only. This show is filmed and recorded at Dee Kei's private studio in North Hollywood, California. If you would like to sponsor the show, please email us at ⁠deekeimixes@gmail.com⁠.Support this podcast at — https://redcircle.com/mixing-music-music-production-audio-engineering-and-music/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

"Shine On" Formed in Seattle in the late '80s, Sweet Water got their start under the moniker SGM. Comprised of childhood friends from the private Bush School, which we talk about a lot in this episode, SGM played with Nirvana and The Melvins and their 1988 Aggression album was produced by Jack Endino and was lauded by Sub Pop's Bruce Pavitt. A thrashy blast of American post-punk SGM underwent a few lineup changes, recruited a few new members and re-named themselves Sweet Water. Their 1992 self-titled indie album got them signed to Atlantic where they put out another self-titled album. They moved to EastWest Records, put out the Superfriends record, which was a catchy blast of glam, grunge and hard rock and from there, things get a tad confusing. Legal issues held the band in abeyance, so they played under the name Parc Boys with a C, put out a record, went back to being Sweet Water, recorded an album that was supposed to come out on the Enclave label but didn't and instead was released independently. Sweet Water took a break and didn't put any new music out until their fabulous 2009 effort Clear The Tarmac. Since then, they've put out EPs like Dance Floor Kills and their brand new long player Shine On. An infectious, hook-filled album that's rife with melodic muscle and hooks galore, Shine On is a shimmering effort that proves Sweet Water just keep getting better. Now, I mentioned The Bush School and for good reason--that Seattle school is kind of the secret hero of the Sweet Water story and you'll see why in a second. I'll let the fellas tell you everything, but let me say this: when the foundational education is one that fosters artistic freedom, students feel like they can do anything because they're not self-conscious, they're deeply brave and they're not afraid to make bold strikes out there in the world. And Sweet Water has made a career out of doing that.  www.sweetwaterrocks.com www.bombshellradio.com www.stereoembersmagazine.com www.alexgreenbooks.com IG + BLUESKY: @emberspodcast Email: editor@stereoembersmagazine.com

Don't forget to like, subscribe and leave us a comment! Who doesn't love an entire episode dedicated to some of the best and brightest gear that we've acquired this year? Don't forget to watch all the way to the end to see the winner of our first annual "Shoyles Award" for this year's favorite release - awarded by our Patrons.  Big ole thanks to the sponsor of today's episode, Sweetwater! Make sure to check out all the gear we use here and more:  https://www.sweetwater.com/shop/dipped-in-tone/ GIVEAWAY (and only two weeks left to enter!) Enter for your chance to win a UA Volt 876 Interface:  https://kingsumo.com/g/mn588vm/universal-audio-x-dipped-in-tone-volt-v876-giveaway Check out our website & merch: https://www.dippedintone.com Support us on Patreon: https://www.patreon.com/dippedintone Follow us on Instagram: https://instagram.com/dippedintone Dipped In Tone is: Rhett Shull  https://www.rhettshull.com Zach Broyles / Mythos Pedals  https://mythospedals.com & https://highvoltageguitars.com Produced & Edited by Addison! https://www.instagram.com/addisonsauvan TIME STAMPS 00:00 Intro 00:20 This is Rhett's favorite episode to do 01:14 Addison's life update 01:54 A quick story about Gregory Koch 02:55 Nashville doesn't have very good BBQ 04:34 Zach's life update 05:45 Rhett's life update 07:58 Thank you Sweetwater (today's sponsor) 09:43 Thanks to all our Patrons! 09:58 Hot Take! 17:39 Gear Of The Year 19:08 Amp Category 24:50 Digital Amp Category 29:20 Instrument Category 37:45 Pedal Category 45:12 Budget Friendly 53:11 Wildcard 1:01:19 Our Picks for Best Release of 2025 1:07:15 And the winner is…. 1:08:22 Thanks again Sweetwater! Affiliate Links: Fender Panoverb - https://sweetwater.sjv.io/e1oz56 Universal Audio Enigmatic - https://sweetwater.sjv.io/o42Mve Yamaha THR30 - https://sweetwater.sjv.io/Wyj5zO Fender Triple Caster - https://sweetwater.sjv.io/qzRMvq Suhr Classic S Antique - https://sweetwater.sjv.io/DyEomG Benson Delay - https://sweetwater.sjv.io/jeEb4b Boss Roland DM-101 - https://sweetwater.sjv.io/K0Nj5A TC 2290 - https://sweetwater.sjv.io/e1oz26 Universal Audio Volt 876 - https://sweetwater.sjv.io/jeko9M Boss Katana 50 Gen3 - https://sweetwater.sjv.io/DyEom5 Shure 545 (new production) - https://sweetwater.sjv.io/ravMyj Echo Fix EFX3 - https://sweetwater.sjv.io/APzZMK Helix Stadium - https://sweetwater.sjv.io/LKVnJa

In this episode of the Mixing Music Podcast, Dee Kei and Lū wrestle openly with one of the hardest and most misunderstood ideas in creative life: commitment. Not hustle. Not motivation. Not blind discipline — but the deeper question of why committing feels so heavy, especially in a world full of options, anxiety, and burnout.The conversation moves between mixing, relationships, career choices, and philosophy, contrasting Western goal-driven culture with Eastern ideas of alignment, duty, and craft. Dee Kei explores why overthinking and outcome-clinging create paralysis, how burnout often comes from committing to the wrong reasons, and why meaning in art and life emerges through commitment, not before it.They discuss the paradox of choice, perfectionism, nihilism, and why there is never a “perfect time” to make art, choose a path, or finish a mix. Drawing on personal stories, Japanese craftsmanship, sports analogies, and cultural contrasts, this episode isn't about giving rules — it's about helping listeners think differently so committing feels less terrifying and more natural.This one is for creatives who feel stuck, burned out, or afraid to choose — and for anyone who suspects that the answer isn't more thinking, but committing anyway.SUBSCRIBE TO OUR PATREON FOR EXCLUSIVE CONTENT!⁠SUBSCRIBE TO YOUTUBE⁠Join the ‘Mixing Music Podcast' Discord!HIRE DEE KEIHIRE LU⁠HIRE JAMES⁠Find Dee Kei and Lu on Social Media:Instagram: @DeeKeiMixes @MasteredbyLu @JamesParrishMixesTwitter: @DeeKeiMixes @MasteredbyLuThe Mixing Music Podcast is sponsored by ⁠Izotope⁠, ⁠Antares (Auto Tune)⁠, Sweetwater, ⁠Plugin Boutique⁠, ⁠Lauten Audio⁠, ⁠Filepass⁠, & ⁠Canva⁠The Mixing Music Podcast is a video and audio series on the art of music production and post-production. Dee Kei, Lu, and James are professionals in the Los Angeles music industry having worked with names like Odetari, 6arelyhuman, Trey Songz, Keyshia Cole, Benny the Butcher, carolesdaughter, Crying City, Daphne Loves Derby, Natalie Jane, charlieonnafriday, bludnymph, Lay Bankz, Rico Nasty, Ayesha Erotica, ATEEZ, Dizzy Wright, Kanye West, Blackway, The Game, Dylan Espeseth, Tara Yummy, Asteria, Kets4eki, Shaquille O'Neal, Republic Records, Interscope Records, Arista Records, Position Music, Capital Records, Mercury Records, Universal Music Group, apg, Hive Music, Sony Music, and many others.This podcast is meant to be used for educational purposes only. This show is filmed and recorded at Dee Kei's private studio in North Hollywood, California. If you would like to sponsor the show, please email us at ⁠deekeimixes@gmail.com⁠.Support this podcast at — https://redcircle.com/mixing-music-music-production-audio-engineering-and-music/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy