Podcasts about T Bone Burnett

Daniel Tashian is an American songwriter, producer, and multi-instrumentalist. Tashian grew up in a highly musical household; his father, Barry Tashian, was the leader of The Remains and later played with Gram Parsons and Emmylou Harris. Daniel is known for his melodic, often pop-influenced approach to country and Americana music. Daniel is a 2x GRAMMY-winning Nashville-based songwriter is best known for co-producing Kacey Musgraves' Album of the Year, Golden Hour. Tashian has produced for artists like Sarah Jarosz, Lady A, and Leon Bridges, and collaborated with Burt Bacharach.Tashian's music career began when he was 19 years old and signed his first deal on Elektra Records. His first album was produced by T Bone Burnett, and he also started a band called The Silver Seas (originally called the Bees) in 1999. The success of that band lead them to an appearance on Later... with Jools Holland.He has also had several sync placements in hit TV shows like Pretty Little Liars, Nashville, Reign, and Scorpion (as well as the film Our Idiot Brother). His band, the Silver Seas, also had a song featured on the TV series Breaking Bad.https://www.instagram.com/thesilverseas/Theme song: “Hollywood Faded' by Luna Halo@treymitchellphotography @feeding_the_senses_unsensoredfacebook.com/profile.php?id=100074368084848www.threads.net/@treymitchellphotographyftsunashville@gmail.com

What if you could take a walk with a legendary musician and explore their journey through music history? Join host Buzz Knight on this replay interview episode of takin' a walk as he engages with the dynamic singer-songwriter Grace Potter, a true force in the music world. Known for her powerful voice and captivating storytelling, Grace Potter opens up about her remarkable path from her Vermont roots to the global stage, revealing the stories behind her new album "Medicine," produced by the legendary T-Bone Burnett and finally seeing the light of day after 18 years. As they stroll through Grace's musical landscape, she shares her heartfelt desire to connect with her great-grandmother, Charlotte, during a hypothetical walk, sparking a rich conversation about family history and the musical legacy that shapes her art. This music interview episode of takin' a walk delves deep into the joy of live performance and the cathartic nature of music, illustrating how her early experiences in Vermont have profoundly influenced her artistic worldview. Grace Potter reflects on her recording journey with T-Bone Burnett, emphasizing the trust and creative freedom he provided, which empowered her to embrace her artistic agency. As the conversation unfolds, listeners will be captivated by Grace's aspirations to explore various genres and musical styles, reinforcing her belief in the timelessness of music and the importance of personal connection in her art. This episode serves as a vibrant reminder of the music journeythat connects us all. Join us for inspiring music stories and intimate musician interviews that reveal the inside stories of musicians and the stories behind albums and songs. Buzz Knight's takin' a walk is your weekly music history podcast that brings you closer to the legends of the industry, including rock legends and emerging artists alike. Discover the creative process behind viral music success, and enjoy authentic artist interviews that highlight the true essence of music and its power to heal and inspire. Whether you’re a fan of classic rock history, indie music journeys, or the latest in new music, this episode promises to deliver unforgettable insights and stories that resonate. Tune in to hear Grace Potter share her journey, her music, and the legacy she hopes to leave behind. Don’t miss this chance to walk alongside one of today’s most inspiring artists on takin' a walk-music history with Buzz Knight. Takin’ A Walk: In-depth music interviews exploring the stories and music history behind the songs. Check out our other shows Music Saved Me hosted by Lynn Hoffman Comedy Saved Me hosted by Lynn Hoffman Takin A Walk Nashville hosted by Sarah Harralson Part of The IHeartpodcast Network Support the show: https://takinawalk.com/ See omnystudio.com/listener for privacy information.Support the show: https://takinawalk.com/See omnystudio.com/listener for privacy information.

Brandi Carlile (Returning to Myself, By the Way, I Forgive You, and The Story) is a Grammy-winning singer-songwriter, producer, activist, and author. Brandi joins Armchair Expert to discuss being a feral kid in rural Washington, navigating her father's alcoholism, and being denied baptism by her church as a teenager. Brandi and Dax talk about building a career through relentless hustle, working with Rick Rubin and T Bone Burnett, and bringing Joni Mitchell and Tanya Tucker back to the stage and studio. Brandi explains how marriage equality changed her life, why she holds special respect for elders in the LGBTQ community, and how faith, family, and service continue to shape her worldview.Sign up now in the app or at grubhub.com/plus/golddays to unlock exclusive Gold Days deals.Check Allstate first for a quote that could save you hundreds: https://www.allstate.com/See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Ryan Bingham may be known as the character, Walker, on the hit neo-Western television series Yellowstone by many; but he's also built a fandom around his rich Americana discography, spanning seven studio albums in 19 years. Earning an Oscar and a Grammy for “The Weary Kind”, the theme song for the film Crazy Heart co-written with T Bone Burnett, jumpstarted Bingham's music career back in 2010. Since then, he's been composing, recording, and performing his heartfelt songs that sound like they belong in a different time from decades past.  Playing slide guitar and singing raspy melodies with ease, Bingham embodies the persona of an artist who appreciates the melting pot of Texas – so much so that he recently starred in a short film called Love Letter to Texas, written and directed by Jeff Nichols. And though Bingham may not be a troubadour, he certainly performs like one, both in the studio and on stage. His latest album, titled They Call Us the Lucky Ones and recorded with the Dallas-based collective The Texas Gentlemen, is a testament to his willingness to welcome spontaneity, recounting his stories in the moment as they come. You can feel the same spirit on this episode of Soundcheck, as Bingham performs some of his new songs solo at our Manhattan studios. (- Sırma Munyar) Setlist: 1. Let the Big Dog Eat 2. Relevance 3. Blue Skies Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

THE NEW YORK OBSERVER — “I finally went up to Graydon and I said, ‘Hey, you know, I know you like me. I know you wanted me to be here, but I can also do covers.'” • • • That's today's guest, Mark Seliger. He's the same Mark Seliger who, at the moment of this exchange with Vanity Fair editor Graydon Carter, had already shot over 180 covers for Rolling Stone, where he was the chief photographer from 1992-2002. Seliger had been heavily recruited by GQ and Vanity Fair to move to Condé Nast. But, as he learned, the days of being Fred Woodward's go-to image maker were over. Once again, he was the new guy. And he saw an opportunity to reinvent himself. Fortunately, reinvention is Seliger's middle name. (Well, it's really Alan, but you get what we mean). For example: Seliger grew up in rural Texas, but decides to go big and moves to New York City to get into the magazine business. Reinvention #1. He gets early work at business magazines like Manhattan, Inc. In short time his portraiture lands him a few plum assignments at Rolling Stone. Reinvention #2. Unforgettable shoots and an immediate connection with Woodward lands him the title of chief photographer, and he picks right up where the legendary Annie Leibovitz leaves off. Reinvention #3. His exposure at Rolling Stone leads Seliger (along with his pal Woodward) to directing music videos for A-listers like Lenny Kravitz and Courtney Love, and Gap commercials with LL Cool J and Missy Elliott. Reinvention #4. When Covid hits, and publishing effectively shuts down, he pivots to documentary photography and produces an epic portfolio of an empty and still New York City that becomes the book, The City That Finally Sleeps. Reinvention #5. And somewhere in the middle of all of this, Reinvention #6: Seliger starts writing songs in his free time, and then forms the band Rusty Truck. And at the moment Seliger is reminding Graydon Carter that he knows his way around a cover shoot, Rusty Truck releases its first album, Luck's Changing Lanes, which is produced by Lenny Kravitz, Gillian Welch, Willie Nelson, Dave Rawlings, Sheryl Crow, T-Bone Burnett, and Bob Dylan. That's a lot. A whole lot. But for Seliger, it's all of a piece. Photography, music, work, life. He says it's all about following your curiosity. Observing. Not just looking but seeing. “For me,” he explains, “it's all about storytelling—the storytelling in photography translated well into the storytelling of songwriting. And that exploration leads you to do something that you'd never done before.” That's the story of his life. — This episode is made possible by our friends at Commercial Type and Freeport Press. A production of Magazeum LLC ©2021–2025

In this episode, Dave and Chris review Ringo Starr's new album Long Long Road, produced by T‑Bone Burnett. We discuss the album's short runtime, country/Americana slant, and notable guests (Molly Tuttle, Billy Strings, St. Vincent, Sheryl Crow), and consider whether this feels like a sequel to his last year's Look Up. As usual with most Ringo albums, his drumming is great and his voice is good, but there are some inconsistent production choices, weirdly-muted guest vocals, and some repetitive or filler moments. But if you want to hear it, use these links to purchase the album! Ringo Starr - Long Long Road LP https://amzn.to/4tdcAwB   Ringo Starr - Long Long Road CD https://amzn.to/4dpI7qa   Our storefront: https://amzn.to/49ylVry   (As an Amazon Associate we earn from qualifying purchases)   Feel free to email or record a message about this episode to ivegotabeatlespodcast@outlook.com and we'll include you in our "Please Mr. Postman" segment. Try using Vocaroo for an audio message! Also, please comment on, like, and rate us wherever you listen to your podcasts. You can now watch us on YouTube! Complete episodes can be found at https://ivegotabeatlespodcast.podbean.com. Email: ivegotabeatlespodcast@outlook.com X: @ivegotabeatles Facebook: I've Got A Beatles Podcast Check out our non-Beatles video venture: "Song Album Career!"

¡Hola! ¿Cómo estás? Esperamos que muy bien.Es el cuarto episodio de la séptima temporada y viene con un montón de cosas. Hay una mini sección de noticias con cositas de George, Ringo y Paul. ¡Vimos una película! Fuimos al cine a ver Power To The People, el recital de John y Yoko de 1972.Y nuestro tema del día es Long Long Road, el nuevo disco de Ringo en su segunda colaboración con T-Bone Burnett.¿Sensaciones? Bueno, le vas a tener que dar play...¡Y no falta nada para el nuevo disco de Paul!*ruido de mate*

Phil & David are full of Peace & Love to present to you our most Fabulous "Naked Lunch" yet. First Ringo Starr & T Bone Burnett discuss Ringo's excellent new Country album, "Long Long Road"  out now, plus stories about taking a punch from Muhammad Ali when he was Cassius Clay-- The Greatest vs. The Greatest! -- the joy of playing with the frontline of John. Paul and George & the impact of their Liverpudlian wits. Don't miss Phil kvelling when Ringo drums "Get Back" and "Come Together" on the "Naked Lunch" table. Plus Elvis Costello on the greatness of Ringo, and previews of upcoming episodes with Peter Frampton, his son Julian & next week's second serving of Dogstar! For more on Ringo, the new album, his tour dates with the All Starr Band and more, go to https://www.ringostarr.com. To learn more about building community through food and "Somebody Feed the People," visit the Philanthropy page at ⁠philrosenthalworld.com⁠. Learn more about your ad choices. Visit megaphone.fm/adchoices

Hello friends! Three-time Grammy nominated singer-songwriter Peter Case is my guest for episode 1561! His latest album, My Life To Live: Peter Case At McCabe's comes out on April 24th. You can hear five of the songs from the album wherever you stream. Peter is on tour in the U.S. through the end of May. Go to petercase.com for tour dates, music, and more. We have a great conversation about his decades long relationship with McCabe's and why decided to record the album there, The Plimsouls, songwriting, touring solo, his first solo album produced by T-Bone Burnett, his piano playing, Jon Dee Graham, and much more. I had a great time catching up with Peter. I'm sure you will too. Let's get down! Find Peter Case on Spotify, Instagram, Facebook Follow us on Instagram, TikTok, X, Facebook, Spotify, Apple Podcasts, or anywhere you pod. Go to johnny-goudie.com for all things Johnny.   If you feel so inclined. Venmo: venmo.com/John-Goudie-1  Paypal: paypal.me/johnnygoudie

Nueva entrega de Música de Contrabando, semanario de actualidad musical de Onda Regional Murcia (09/04/2026)Noticias: U2 celebra el Viernes Santo publicando el EP 'Easter Lily' por sorpresa. Ringo Starr presenta “Choose love”, con St. Vincent en los coros, como segundo adelanto de su disco Long long road, que de nuevo producido por T Bone Burnett. Jethro Tull anuncian Under wraps: The unwrapped edition – Walk into the light, una caja de cinco cedés y un Blu-ray en la que se reeditan juntos el álbum Under wraps, de 1984, y el disco de debut en solitario de Ian Anderson Walk into the light, de 1983. Chrysalis Records publicará Under wraps: The unwrapped edition el 15 de mayo. Bob Dylan ha abierto una cuenta en Patreon, la plataforma de suscripción que permite aVcreadores de contenido recibir ingresos recurrentes .Cherry Red anuncia la reedición de Just as I am, el disco con el que en 1971 debutó Bill Withers. El álbum, uno de los clásicos del soul . The Strokes han levantado la liebre sobre lo que será un nuevo trabajo del grupo. De momento solamente han lanzado el título, "Reality Awaits". Sisters Of Mercy grabarán disco por primera vez ¡en treinta y seis años!. La próxima edición del festival Viña Rock ha completado su cartel con una larga lista de nombres tanto nacionales como internacionales. A la cabeza están Sex Pistols feat. Frank Carter, Turbonegro o Skindred, entre muchos otros.Bilbao BBK Live anuncia la programación especial de su vigésimo aniversario, que se suma al cartel del festival que se celebrará los días 9, 10 y 11 de julio. Weezer ofrecieron un concierto sorpresa en una azotea de Los Ángeles como parte de la “semana de iniciación” de su próxima gira.Thom Yorke Live At Sydney Opera House», ya al completo en YouTube. Bon Iver lanza un recopilatorio con temas grabados en vivo («VOLUMES: ONE»)Novedades musicales:U2, Ringo Starr, Kneecap, Jack White, Triángulo de Amor Bizarro, Metric, Marinero, Dry Cleaning, Bruce Hornsby, Ted Lucas, Slift, The New Pornographers, Lifeguard, Beth Orton, Mouse on Mars, Greg Méndez, Philine Sonny, Terror, Rikas, Flea ft Nick Cave, Aja Monet, Vermú, Dowtown Boys, Al Dual, Los Romeos y Samantha Hudson, Compro Oro, maria greep y Mundo Prestigio, Estela Gris, Los Rotundos, Sheken, Malva, Raúl Querido, Minibús Intergalactic, Niña Polaca, Cristalino, Biodramina Mood, The Delines, Wasia Project, Gia Margaret, Rostam, Agenda de conciertos:Primavera Rio( Walls, Rata, Maldita Nerea) , Antioxidante (Soziedad Alkoholika), Diego Torres, Tremendo Road, Asere, Shakira Martínez, Lady Tatoo, Brath...

Joe Henry has released 15 studio albums, apprenticed for legendary producer T Bone Burnett and, in turn, has produced many other musicians' albums on his own, including three GRAMMY Award-winning albums – for Solomon Burke, Carolina Chocolate Drops, and Ramblin' Jack Elliott. He's co-written a few songs as well, including a couple with his sister-in-law, who happens to be the one and only legendary pop icon, Madonna. His latest album is 'Life and Time,' a collaboration with songwriter Mike Reid, who has written many wonderful songs like "I Can't Make You Love Me," one of Bonnie Raitt's most successful and beloved recordings. In recent years, Joe has struck up a friendship with our bestie, Mark Erelli. Mark's been on Basic Folk 10,000 times and in honor of his new record, 'Spring Green,' we invited him to do whatever he wanted on this appearance on the pod. Mark chose to be in conversation with his friend Joe on location in Joe's beautiful studio located north of Portland on the coast of Maine.In 2020, Mark was diagnosed with retinitis pigmentosa (or RP) which is causing him to slowly go blind. Joe was diagnosed with stage 4 prostate cancer in 2018 and was told he only had months to live. Now, in 2026, his cancer is in remission and his health has improved. In this Basic Folk conversation, they tackle topics such as asking for help and finding hope while living with chronic illnesses. They also get into other parallels the two musicians have experienced, including how music has shaped their male friendships and being free of vanity. Mark and Joe have never worked together, but their respect and admiration for the other is clear from their time together. Here's hoping a collaboration is in the works for the near future!Follow Basic Folk on social media: https://basicfolk.bio.link/Sign up for Basic Folk's newsletter: https://bit.ly/basicfolknewsHelp produce Basic Folk by contributing: https://basicfolk.com/donate/Interested in sponsoring us? Contact BGS: https://bit.ly/sponsorBGSpodsAdvertising Inquiries: https://redcircle.com/brands

No hay nada que podamos dar menos por obvio que el perdón. El mensaje de Pablo y Bernabé en la sinagoga de Antioquía en Hechos 13 une dos sentimientos que no podemos relacionar en nuestra mente, teniendo la misma actitud: o reclamamos justicia, o pedimos misericordia. Las dos se une, sin embargo, en Cristo Jesús (vv. 38-39). Tras la sintonía de "Ruta 66", a cargo esta vez del tempranamente fallecido cantante afroamericano de jazz en Kansas City, Kevin Mahogany, conocido por su técnica de "scat" en los años 90, oímos a uno de los representantes del "country" que se tildó de "forajido" (outlaw) por su abuso del alcohol, el sexo y la droga, que llevó a prisión y a una muerte temprana a Johnny Paycheck (1938-2003). Su canción "Yo soy el único infierno que mi Mamá crio" (I Am The Only Hell My Momma Ever Raised 1977) confiesa la culpa que la mayoría no quiere reconocer, pero también su recuerdo de la madre que le "intentó llevar a Jesús", pero él "siguió los caminos del diablo", aunque ahora quisiera oír el himno evangélico de Toplady en el siglo XVIII "Roca de la eternidad", sobre cómo sólo en Cristo hay salvación. El poeta cristiano de Liverpool, Stewart Henderson, se une a su esposa Carol y la cantautora escocesa de folk Yvonne Lyon en 1018, para poner música a sus versos sobre la realidad que vivimos "Después de la Caída" (After The Fall) basados en el tercer capítulo de la Biblia, que muestra el origen del mal. Es la dura realidad de una vida "Sin Gracia" (Graceless), sobre la que canta el grupo de Nueva York, The National en su disco del 2013, "El problema me encontrará" (Trouble Will Find Me). El conflicto entre la necesidad de justicia y la búsqueda de perdón se ve claramente en la forma cómo se enfrentan a la atrocidad del Holocausto, el superviviente que interpreta el director checo Jiri Menzel y el hijo del oficial de las SS que ha matado a sus padres, que hace el actor austriaco Peter Simonischek en la película eslovaca que se conoce en España como "Sin olvido" (2018) o "El interprete" en el resto del mundo. Escuchamos escenas de la versión doblada al castellano de su encuentro en Viena y el viaje que emprenden juntos, comentadas por José de Segovia con el fondo instrumental de la banda sonora original por Michal Pajdiak y la de Mychael Danna para la película de temática similar del canadiense Atom Egoyan en 2015 (Remember), así como de Max Richter para "La llave de Sarah" (2010). El guitarrista de Dylan, cantautor y productor de tantas bandas sonoras, T-Bone Burnett es probablemente el músico más conocido por su fe cristiana, ahora en Nashville. En su último disco muestra las paradojas de "Todo y nada" (Everything And Nothing 2024), que recuerdan el rechazo que sufre Pablo y Bernabé de los judíos de Antioquía. El también veterano músico, cantante y productor desde sus días con el grupo Genesis, Peter Gabriel, se enfrenta también al problema del perdón en su último álbum en "Vive y deja vivir" (Live And Let Live 2023).

Michael Blair had much training in percussion, including a degree from the University of Illinois Urbana-Champaign, by the time he pulled out the marimba, congas, drums and other instruments for Tom Waits' landmark 1985 album Rain Dogs. As was the case with recent Caropop guest Mark Ribot, Rain Dogs propelled Blair to more work with Waits (including the album and Steppenwolf Theatre performances of Franks Wild Years) and projects with Elvis Costello and producers T Bone Burnett and Hal Willner. That's Blair delivering the “Don't Let Me Be Misunderstood” riff on marimba on Costello's cover of the song and playing a wild array of percussion instruments on Costello's Spike. Blair tells how he landed the drumming gig on Lou Reed's Magic and Loss and the unusual way that album's drums were recorded. He also relates how he wound up on the Replacements' All Shook Down and why he has lived in Stockholm, Sweden, for many years. (Photo by Cato Lein.)

Kyle, Joe, and Rick are joined by the Sun Sentinel's sports reporter, Adam Lichtenstein, to review the 2007 jukebox musical romantic drama film, "Across The Universe." Directed by Julie Taymor, written by Dick Clement and Ian La Frenais, with music by Elliot Goldenthal, "T Bone" Burnett, and Matthias Gohl, as well as The Beatles. The film stars Jim Sturgess, Evan Rachel Wood, Joe Anderson, Dana Fuchs, Martin Luther McCoy, T.V. Carpio, with Joe Cocker, and Salma Hayek. We ranked the 28 songs from the deluxe soundtrack and picked our favorite lines, characters, performers, and scenes. Enjoy!

I first noticed Marc Ribot's slinky, spiky guitar playing as “Jockey Full of Bourbon,” from Tom Waits' Rain Dogs, slithered over the opening of Jim Jarmusch's Down By Law. Rain Dogs was a breakthrough for Ribot, who previously had played in Brother Jack McDuff's soul-jazz band, backed Wilson Pickett and Solomon Burke, and been a member of the Lounge Lizards. More Waits collaborations followed, as did work with Elvis Costello, Sam Phillips, McCoy Tyner, Yoko Ono, Robert Plant and Allison Krauss, Elton John and Leon Russell, and many others. Here Ribot reflects on his robust studio-musician and solo career; his love of Latin American music; the creative leeway that Waits, Costello and others gave him; the impact of producers such as T Bone Burnett and Hal Willner; his decision to sing lead for the first time on his long-gestating 2025 album, Map of a Blue City; and his fight for indie musicians' rights with the Music Workers Alliance. (Photo by Eric van den Brulle.)

Fan Jan rolls on here at @wedrinkandwewatchthings, and this week we're answering a massive listener request by hopping a freight train into the Great Depression-era South with the Coen Brothers' 2000 masterpiece, O Brother, Where Art Thou? Mix yourself a  R-U-N-N-O-F-T by @crft.wrld because we are joining the chain-gang escapees on their quest for buried treasure and, more importantly, some Dapper Dan hair grease.This week, we trace the brilliant parallels between this folk-tale odyssey and Homer's epic poem, looking at how Everett, Pete, and Delmar navigate sirens, a cyclops, and one very charismatic blind prophet. We appreciate the Grammy-winning, T-Bone Burnett-produced soundtrack that single-handedly revitalized bluegrass and old-timey music, and we marvel at George Clooney's pitch-perfect comedic performance as the fast-talking Ulysses Everett McGill. We also spend some time admiring Roger Deakins' groundbreaking, sepia-tinted cinematography that gives the whole film the warm, dusty feel of a living postcard from a bygone era.If you're a fan of quirky Coen Brothers humor, legendary soundtracks, or just want to hear us debate which of the three protagonists we'd actually trust to lead us to safety, this episode is a "bonafide" treat. We're blending our love for this cinematic treasure with our usual casual banter, making this one of our most harmonious Fan Jan entries yet. Come on in, the water's fine!This episode VIDEO is live on YouTube AND Spotify!Follow us on Instagram and TikTok to get ep sneak peaks and find out what's coming next. DM us what you want to hear about next or email us at wedrinkandwewatchthingspod@gmail.com.

Jaron Lanier, E. Glen Weyl, and Taylor Black join Beauty at Work for a wide-ranging conversation on artificial intelligence, innovation, and the deeper questions of meaning, faith, and human flourishing that surround emerging technologies.Jaron Lanier coined the terms Virtual Reality and Mixed Reality and is widely regarded as a founding figure of the field. He has served as a leading critic of digital culture and social media, and his books include You Are Not a Gadget and Who Owns the Future? In 2018, Wired Magazine named him one of the 25 most influential people in technology of the previous 25 years. Time Magazine named him one of the 100 most influential people in the world. Jaron is currently the Prime Unifying Scientist at Microsoft's Office of the Chief Technology Officer, which spells out “Octopus”, in reference to his fascination with cephalopod neurology. He is also a musician and composer who has recently performed or recorded with Sara Bareilles, T Bone Burnett, Jon Batiste, Philip Glass, and many others.E. Glen Weyl is Founder and Research Lead at Microsoft Research's Plural Technology Collaboratory and Co-Founder of the Plurality Institute and RadicalxChange Foundation. He is the co-author of Radical Markets and Plurality and works at the intersection of economics, technology, democracy, and social institutions.Taylor Black is Director of AI & Venture Ecosystems in the Office of the Chief Technology Officer at Microsoft and the founding director of the Leonum Institute on Emerging Technologies and AI at The Catholic University of America. His background spans philosophy, law, and technology leadership.In this second part of our conversation, we talk about:1. The idea that modern technology and AI, in particular, have taken on religious or idolatrous qualities2. Why the Talmud offers a powerful model for collective intelligence without erasing individual voices3. The dangers of excessive anonymity in digital systems and AI training4. The idea of “superintelligences” as collective human systems like corporations, democracies, and religions5. Vatican-led efforts toward algorithmic ethics and the protection of human dignity6. Where Glen and Jaron disagree about human-centered AI7. AI as a tool for metacognition8. How imagination, storytelling, and shared meaning can shape the future of innovationTo learn more about Jaron, Glen and Taylor's work, you can find them at: Jaron Lanier - https://www.jaronlanier.com/ Glen Weyl - https://glenweyl.com/ Taylor Black - https://www.linkedin.com/in/blacktaylor/ Books and Resources mentioned:You Are Not a Gadget (Jaron Lanier)Who Owns the Future? (Jaron Lanier)Radical Markets (Eric Posner & E. Glen Weyl)Plurality (Audrey Tang & E. Glen Weyl)The Human Use of Human Beings (Norbert Wiener)The Fellowship of the Ring (J.R.R. Tolkien)This season of the podcast is sponsored by Templeton Religion Trust.Support the show

Jaron Lanier, E. Glen Weyl, and Taylor Black join Beauty at Work for a wide-ranging conversation on artificial intelligence, innovation, and the deeper questions of meaning, faith, and human flourishing that surround emerging technologies.Jaron Lanier coined the terms Virtual Reality and Mixed Reality and is widely regarded as a founding figure of the field. He has served as a leading critic of digital culture and social media, and his books include You Are Not a Gadget and Who Owns the Future? In 2018, Wired Magazine named him one of the 25 most influential people in technology of the previous 25 years. Time Magazine named him one of the 100 most influential people in the world. Jaron is currently the Prime Unifying Scientist at Microsoft's Office of the Chief Technology Officer, which spells out “Octopus”, in reference to his fascination with cephalopod neurology. He is also a musician and composer who has recently performed or recorded with Sara Bareilles, T Bone Burnett, Jon Batiste, Philip Glass, and many others.E. Glen Weyl is Founder and Research Lead at Microsoft Research's Plural Technology Collaboratory and Co-Founder of the Plurality Institute and RadicalxChange Foundation. He is the co-author of Radical Markets and Plurality and works at the intersection of economics, technology, democracy, and social institutions.Taylor Black is Director of AI & Venture Ecosystems in the Office of the Chief Technology Officer at Microsoft and the founding director of the Leonum Institute on Emerging Technologies and AI at The Catholic University of America. His background spans philosophy, law, and technology leadership.In this first part of our conversation, we discuss:1. How aesthetic experience shapes worldview, imagination, and intellectual vocation2. The historical rivalry between artificial intelligence and cybernetics3. The danger of treating AI as an object of faith or a replacement for human meaning4. The psychological and spiritual costs of assuming people will become obsolete5. A tension between two different modalities of beautyTo learn more about Jaron, Glen and Taylor's work, you can find them at: Jaron Lanier - https://www.jaronlanier.com/ Glen Weyl - https://glenweyl.com/ Taylor Black - https://www.linkedin.com/in/blacktaylor/ Books and Resources mentioned:You Are Not a Gadget (Jaron Lanier)Who Owns the Future? (Jaron Lanier)Radical Markets (Eric Posner & E. Glen Weyl)Plurality (Audrey Tang & E. Glen Weyl)The Human Use of Human Beings (Norbert Wiener)The Fellowship of the Ring (J.R.R. Tolkien)This season of the podcast is sponsored by Templeton Religion Trust.Support the show

What if you could take a walk with a legendary musician and explore their journey through music history? Join host Buzz Knight on this replay interview episode of takin' a walk as he engages with the dynamic singer-songwriter Grace Potter, a true force in the music world. Known for her powerful voice and captivating storytelling, Grace Potter opens up about her remarkable path from her Vermont roots to the global stage, revealing the stories behind her new album "Medicine," produced by the legendary T-Bone Burnett and finally seeing the light of day after 18 years. As they stroll through Grace's musical landscape, she shares her heartfelt desire to connect with her great-grandmother, Charlotte, during a hypothetical walk, sparking a rich conversation about family history and the musical legacy that shapes her art. This music interview episode of takin' a walk delves deep into the joy of live performance and the cathartic nature of music, illustrating how her early experiences in Vermont have profoundly influenced her artistic worldview. Grace Potter reflects on her recording journey with T-Bone Burnett, emphasizing the trust and creative freedom he provided, which empowered her to embrace her artistic agency. As the conversation unfolds, listeners will be captivated by Grace's aspirations to explore various genres and musical styles, reinforcing her belief in the timelessness of music and the importance of personal connection in her art. This episode serves as a vibrant reminder of the music journeythat connects us all. Join us for inspiring music stories and intimate musician interviews that reveal the inside stories of musicians and the stories behind albums and songs. Buzz Knight's takin' a walk is your weekly music history podcast that brings you closer to the legends of the industry, including rock legends and emerging artists alike. Discover the creative process behind viral music success, and enjoy authentic artist interviews that highlight the true essence of music and its power to heal and inspire. Whether you’re a fan of classic rock history, indie music journeys, or the latest in new music, this episode promises to deliver unforgettable insights and stories that resonate. Tune in to hear Grace Potter share her journey, her music, and the legacy she hopes to leave behind. Don’t miss this chance to walk alongside one of today’s most inspiring artists on takin' a walk-music history with Buzz Knight. Check out our other shows Music Saved Me hosted by Lynn Hoffman Comedy Saved Me hosted by Lynn Hoffman Takin A Walk Nashville hosted by Sarah Harralson Part of IHeartpodcastSupport the show: https://takinawalk.com/See omnystudio.com/listener for privacy information.

What if you could take a walk with a legendary musician and explore their journey through music history? Join host Buzz Knight on this replay interview episode of takin' a walk as he engages with the dynamic singer-songwriter Grace Potter, a true force in the music world. Known for her powerful voice and captivating storytelling, Grace Potter opens up about her remarkable path from her Vermont roots to the global stage, revealing the stories behind her new album "Medicine," produced by the legendary T-Bone Burnett and finally seeing the light of day after 18 years. As they stroll through Grace's musical landscape, she shares her heartfelt desire to connect with her great-grandmother, Charlotte, during a hypothetical walk, sparking a rich conversation about family history and the musical legacy that shapes her art. This music interview episode of takin' a walk delves deep into the joy of live performance and the cathartic nature of music, illustrating how her early experiences in Vermont have profoundly influenced her artistic worldview. Grace Potter reflects on her recording journey with T-Bone Burnett, emphasizing the trust and creative freedom he provided, which empowered her to embrace her artistic agency. As the conversation unfolds, listeners will be captivated by Grace's aspirations to explore various genres and musical styles, reinforcing her belief in the timelessness of music and the importance of personal connection in her art. This episode serves as a vibrant reminder of the music journeythat connects us all. Join us for inspiring music stories and intimate musician interviews that reveal the inside stories of musicians and the stories behind albums and songs. Buzz Knight's takin' a walk is your weekly music history podcast that brings you closer to the legends of the industry, including rock legends and emerging artists alike. Discover the creative process behind viral music success, and enjoy authentic artist interviews that highlight the true essence of music and its power to heal and inspire. Whether you’re a fan of classic rock history, indie music journeys, or the latest in new music, this episode promises to deliver unforgettable insights and stories that resonate. Tune in to hear Grace Potter share her journey, her music, and the legacy she hopes to leave behind. Don’t miss this chance to walk alongside one of today’s most inspiring artists on takin' a walk-music history with Buzz Knight. Takin’ A Walk: In-depth music interviews exploring the stories and music history behind the songs. Check out our other shows Music Saved Me hosted by Lynn Hoffman Comedy Saved Me hosted by Lynn Hoffman Takin A Walk Nashville hosted by Sarah Harralson Part of IHeartpodcastSupport the show: https://musicsavedme.net/See omnystudio.com/listener for privacy information.

We're celebrating our 10th anniversary all year by digging in the vaults to re-present classic episodes with fresh commentary. Today, we're revisiting our 2020 conversation with Elvis Costello. ABOUT ELVIS COSTELLOReleased between 1977 and 1979, Elvis Costello's first three albums—My Aim is True, This Year's Model, and Armed Forces—were all included in Rolling Stone magazine's list of the 500 Greatest Albums of All Time. That early period of his recording career yielded now-classic singles such as “Alison,” “Watching the Detectives,” “Pump it Up,” “Radio Radio,” “Oliver's Army,” “Accidents Will Happen,” and others.Though he established his career as a rock artist and reached commercial heights in the US with the pop hit “Everyday I Write the Book,” Costello's more than thirty studio albums cover a breathtaking range of stylistic ground, from Almost Blue, his early 1980s album of country covers, to The Juliet Letters, his 1993 collaboration with The Brodsky Quartet, to North, an album of ballads partially inspired by his wife Diana Krall that topped Billboard's Jazz chart in 2003, to Il Sogno, his first full-length orchestral work, which was performed by the London Symphony Orchestra, and topped Billboard's classical chart in 2004, to Wise Up Ghost, a 2013 collaboration with Questlove and The Roots. In between, he's continued to release albums both solo and with his bands The Attractions, The Imposters, and The Sugarcanes. Always an adventurous collaborator, Costello entered into a fruitful songwriting partnership with Paul McCartney that yielded more than a dozen songs, including Costello's Top 10 single “Veronica” and McCartney's “My Brave Face.” He went on to release entire collaborative albums with Richard Harvey, Burt Bacharach, Allen Toussaint, and others. He has written lyrics for compositions by Charles Mingus, Billy Strayhorn and Oscar Peterson, as well as musical settings for lyrics by Johnny Cash and Bob Dylan. His songs have been covered by a range of artists including George Jones, Chet Baker, Dusty Springfield, and Solomon Burke. Costello has been nominated for fourteen Grammy awards, two of which he won, as well as an Academy Award for co-writing “The Scarlet Tide” with T-Bone Burnett for the film Cold Mountain. He has received two Ivor Novello awards for Songwriting, the Americana Music Association's Lifetime Achievement in Songwriting award, and the ASCAP Founder's Award, which was presented by Burt Bacharach. He was inducted into both the Songwriters Hall of Fame and the Rock & Roll Hall of Fame, and was named one of the 100 Greatest Songwriters of All Time by Rolling Stone magazine. His genre-stretching new album, Hey Clockface, was recorded in Helsinki and Paris, and was released on October 30.  Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

Grammy-winning producer and singer-songwriter Joe Henry gives us insight into his multi-faceted careerPART ONEPaul and Scott chat about their music-themed road trip and say R.I.P. to MTV. PART TWOOur in-depth conversation with Joe HenryABOUT JOE HENRYJoe Henry is a singer-songwriter who became a record producer as a protege of T Bone Burnett. He went on to win Grammy awards for his work with Solomon Burke, Ramblin' Jack Elliott, The Carolina Chocolate Drops, and Bonnie Raitt. Additionally, he produced the final albums of the late Allen Toussaint, who credited Henry for ushering him out of retirement. Henry's contribution to American music remains somewhat enigmatic. Joe's own records often feature adventurous contributions by instrumentalists, such as one of only two cameos Ornette Coleman ever made with a singer, while his song “Stop” was reworked into Madonna's hit pop single, “Don't Tell Me.” The long list of artists Joe has produced includes Ani DiFranco, Aimee Mann, Bettye LaVette, Elvis Costello, Rodney Crowell, Aaron Neville, Hayes Carll, Joan Baez, The Milk Carton Kids, Rhiannon Giddens, and many others. As a songwriter he has collaborated with Rosanne Cash, Jakob Dylan, Loudon Wainwright III, Billy Bragg, Madonna, and many more, while releasing 17 studio albums as an artist. He received a Lifetime Achievement Award at the Americana Music Honors & Awards in 2025. Joe's most recent album is Life and Time, a collaborative project with fellow songwriter Mike Reid.  Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

In 1930's Mississippi, three escaped convicts go on the run into the country to find freedom and treasure - they are Everett (George Clooney), Pete (John Turturro), and Delmar (Tim Blake Nelson) and along the way, they have a variety of adventures encountering any number of interesting characters.  LOOSELY based on Homer's The Odyssey, this was co-written and directed by the Coen Brothers (The Big Lebowski, Fargo, No Country for Old Men) and unexpectedly became their biggest hit at the time.  Not only that but the bluegrass soundtrack produced by T-Bone Burnett became a surprise smash.  So let's hit the road with The Soggy Bottom Boys and find out who's BONAFIED.! :)  Host: Geoff GershonEdited By Ella GershonProducer: Marlene GershonSend us a textSupport the showhttps://livingforthecinema.com/Facebook:https://www.facebook.com/Living-for-the-Cinema-Podcast-101167838847578Instagram:https://www.instagram.com/livingforthecinema/Letterboxd:https://letterboxd.com/Living4Cinema/

Insights In Sound 188 - Vanessa Parr, Audio Engineer/Educator S19 E8 Coming up under legendary engineers and producers including T-Bone Burnett, Ed Cherney, Don Was, and Hal Wilner, Vanessa Parr's credits include projects with Weezer, Dixie Chicks, Elvis Costello, and Elton John, as well as movies, jingles, and the acclaimed Tiny Desk Concerts. We caught up with her at her alma mater, the legendary Village Studios.

Lera Lynn has released 8+ records, written and recorded songs for True Detective (HBO) with T-Bone Burnett and Rosanne Cash (as well as being cast as a character), played Late Night with David Letterman, toured extensively nationally and internationally, and has been praised by NPR, Rolling Stone, Nylon, and other outlets. We go deep with Lera on learning and setting your own boundaries with yourself and with the industry, lived experiences with the impact and bias against women and mothers by the music industry, losing your sense of purpose and finding it again, enjoying yourself, and more.Get more access and support this show by subscribing to our Patreon, right here.Links:Lera LynnTrue DetectiveKorby LenkerDaniel TashianEp 126 - Yancey StricklerEp 27 - Mary GauthierJillian JacquelineEp 107 - Caitlyn SmithClick here to watch this conversation on YouTube.Social Media:The Other 22 Hours InstagramThe Other 22 Hours TikTokMichaela Anne InstagramAaron Shafer-Haiss InstagramAll music written, performed, and produced by Aaron Shafer-Haiss. Become a subscribing member on our Patreon to gain more inside access including exclusive content, workshops, the chance to have your questions answered by our upcoming guests, and more.

The Five Count recently had a chance to speak with musician A.J. Croce. Releasing music since the early '90s, A.J. has played with people like Willie Nelson, T Bone Burnett, Leon Russell, Béla Fleck and Ry Cooder. He's also the son of Jim Croce. See A.J. on Oct. 3 with the "Croce Plays Croce: Where The Songbook Ends, The Story Begins" tour at the Pantages Theatre in Minneapolis! https://youtu.be/JhUcb35DFiw?si=e6OgM0ut2mFRmnTQ

PLUS ART, ALBUM AND BOOK! QUICK CLIP (Ringo on performing in Vegas through the years): Ringo and the All Starrs - Steve Lukather, Colin Hay, Hamish Stuart, Warren Ham, Buck Johnson and Gregg Bissonette - joined by musical director Mark Rivera - zoomed in from Riverside Theater in Milwaukee today where they are rehearsing for the Ringo & His All Starr Band Tour, which kicks off September 10 at the Chicago Theatre. Watch Full Podcast Video Fall Tour Dates for September: 10 The Chicago Theatre, Chicago, IL 12 Miller High Life Theater, Milwaukee, WI 13 Bourbon & Beyond, Louisville, KY 17 The Venetian, Las Vegas, NV 19 The Venetian, Las Vegas, NV 20 The Venetian, Las Vegas, NV 21 Ironstone, Murphys, CA 23 Yaamava' Resort & Casino, Highland, CA 24 The Venetian, Las Vegas, NV 26 The Venetian, Las Vegas, NV 27 The Venetian, Las Vegas, NV Other Ringo news: STARR ART exhibition at Animazing Art Gallery (September 5-October 15) in the Grand Canal Shoppes at the Venetian Resort Las Vegas, his first show since 2019 and his first to feature his original paintings for exhibition and sale (with all artist proceeds going to the Lotus Foundation).  Look Up, Ringo's acclaimed Country album with T Bone Burnett released in January 2025 and  garnered him his first UK #1 and saw him chart in the Top 10 on numerous Billboard Charts and make his Grand Ole Opry debut. Ringo and T Bone are currently working on the follow up.  + Ringo's last book, Beats and Threads, published by Julien's Auctions, is an unprecedented chronicle of more than 70 years of his legendary sonic and sartorial style dedicated solely to his historic drum kits and era defining garments. Features 300 images and offers for the first-time the most comprehensive look at his legendary Beatles-era drum kits containing decades of research-based information with curated and detailed photographs of these pieces of music history. Watch the full Podcast Video

On this episode of The Bandwich Tapes, I catch up with the powerhouse duo Striking Matches (Sarah Zimmermann and Justin Davis). Our conversation weaves together their incredible journey, from garage jams in Georgia and formative years at Belmont University to charting their own artistic path on international stages.We talk about the early sparks: how a chance pairing at Belmont led to instant musical chemistry, their first gig at the Bluebird Café, and how harmonies, slide guitar, and raw energy shaped their sound.They share stories from their European tours, traveling light with only two acoustic guitars, and the magic of making a full band's worth of sound as a duo. We also delve into the impact of having nine original songs placed on ABC's hit show Nashville, a career-launching moment that opened doors to the Grand Ole Opry, the UK, and even collaborations with T-Bone Burnett and the late, great Michael Rhodes.We reflect on the craft of songwriting: from following Nashville's “rules” early on to breaking them with honesty and authenticity. Sarah and Justin discuss chasing their best song yet, recording and producing on their own terms, and creating studio records that capture the energy of their live shows.There's nostalgia too, remembering jam sessions with the Rosson family, watching musical heroes like Tommy Emmanuel, and feeling the support of mentors who helped shape their artistry. And, of course, we share plenty of laughs about gear disasters, sushi metaphors, and why less is often more when it comes to making music.Whether you know them from Nashville, their stirring live performances, or their new releases, this is a deep, heartfelt conversation about growth, partnership, and what it means to create music that connects.To learn more about the duo, visit their website. Music from the Episode:Six-String Baby (Striking Matches)Insincerely (Striking Matches)Thank you for listening! If you have any questions, feedback, or ideas for the show, please contact me at brad@thebandwichtapes.com.The theme song, Playcation, was written by Mark Mundy. 

"Can You Fly" Yes, Freedy Johnston did his California Thing and it was immortalized on his 1992 album Can You Fly. When you're an artist you can go one of two ways: east or west and he Kansas-born singer-songwriter Freedy Johnston went east, landing in New York after college. Firmly planted in the 212, Johnston worked odd jobs and wrote songs and after keeping at it, he signed with the fledgling indie label Bar/None and that kicked off a career that has yielded classic albums like This Perfect World, Never Home, Back On The Road To You and, of course Can You Fly, which, after almost 30 years is available again in a remastered on CD and clear vinyl pressing. More on that in a second. Johnston has worked with Butch Vig, Aimee Mann, T-Bone Burnett, The Embarrassment and John Dee Graham, he's played all over the world, been praised by everyone from Rolling Stone to The New York Times, had a hit song with "Bad Reputation," played Conan, SXSW and signed to a major label. It's a partial list, but you get the idea: Freedy Johnston has had quite a career. With a new album on the way, Johnston has never sounded better. And Can You Fly has never sounded better either; a storming set of jagged pop like Trying To Tell You I Don't Know and In The New Sunshine along with wistful ballads like Tearing Down This Place and We Will Shine, Can You Fly is a timeless classic that remains dynamic and vital. www.freedyjohnston.com (http://www.freedyjohnston.com) www.stereoembersmagazine.com (http://www.stereoembersmagazine.com) www.bombshellradio.com (http://www.bombshellradio.com) www.alexgreenbooks.com (http://www.alexgreenbooks.com) Stereo Embers The Podcast: Email: editor@stereoembersmagazine.com (mailto:editor@stereoembersmagazine.com) BLUESKY + IG: @emberspodcast

For Joe Henry, truth in songwriting doesn't come from confession or fact. It comes from presence, from listening, from surrender, from giving shape to the ineffable. As he puts it: “Total presence—that is the code of my road.” Henry's road has taken him across both the literal and metaphorical map of American music. Born in North Carolina, raised in Georgia and Ohio, and coming of age in Ann Arbor, Michigan, he grew up suspended between North and South, white and Black, rural and urban. This early sense of duality, of living between poles, helped shape his identity and fed a lifelong curiosity. Alongside his brother Dave, he immersed himself in records, films, and books that would later form the bedrock of his creative work. Over the past four decades, Henry has become one of the most respected songwriters and producers in American music. His solo albums, beginning in the late 1980s, blend literary songwriting with genre-bending arrangements. As a producer, he's worked with artists like Allen Toussaint, Mavis Staples, Solomon Burke, Bonnie Raitt, Rodney Crowell, Joan Baez, and Meshell Ndegeocello. He co-wrote Madonna's hit “Don't Tell Me,” (she also happens to be his sister in law) and more recently, he's been collaborating with Jon Batiste. This year he is releasing three of his classic albums on vinyl for the first time.  In this wide-ranging conversation, Henry discusses his love of character-driven songwriting—an approach influenced early on by Randy Newman and Bob Dylan—and his rejection of the notion that autobiography equals authenticity. “Your factual experience can be disruptive to the truth you're trying to allow to move through you,” he says. www.third-story.com www.leosidran.substack.com www.wbgo.org/podcast/the-third-story

In this episode of The Bandwich Tapes, I talk with producer, mixer, and engineer Rachael Moore, whose work spans some of the biggest names in music and film. Rachael has been a major force in Nashville for over a decade, collaborating with legends such as Robert Plant, Alison Krauss, and T-Bone Burnett. She also produced and recorded all the music for the Showtime series George & Tammy, starring Jessica Chastain and Michael Shannon.Rachael shares her journey from growing up in the South to becoming a trusted name in Nashville's production scene. We discuss her beginnings as a session engineer, the lessons she learned from top producers, and how she built a career by combining technical precision with a deep understanding of artists' needs. She talks about her work on TV and film projects, including George & Tammy, Nashville, The Old Man, and the indie film Downtown Owl.What stood out to me in our conversation was Rachael's clear commitment to collaboration and service. She sees music production as a people-first business and takes pride in delivering on an artist's vision, sometimes in unconventional ways, but always with heart. From navigating the pandemic to shaping organic sounds across genres like country, Americana, indie, and rock, Rachael's story is a testament to adaptability, creativity, and love for the craft.Thank you for listening! If you have any questions, feedback, or ideas for the show, please contact me at brad@thebandwichtapes.com.The theme song, Playcation, was written by Mark Mundy. 

There is something that happens when two particular voices blend together that transcends all understanding or logic. And, when those voices share the same DNA, the magnetic pull is such that they become one voice. We've heard that family blend many times: The Everlys, The Wilsons, The Gibbs, The Andrew Sisters, etc. The list goes on.One of the most uncanny examples of this phenomenon belongs to Charlie and Ira Louvin, those titans of Country and Gospel music. When they sing with religious devotion, such as they do here in The River of Jordan - you can hear God and his miracles working in every keening, harmonic fifth. The other song presented today features Robert Plant and Alison Krauss, - a pair of folks about as far from siblings as you can get, but whose vocal cords also combine miraculously.THE LOUVINSThe first time I heard of Ira and Charlie Louvin was through Emmylou Harris's 1975 version of If I Could Only Win Your Love, and I had to know from whence this other-worldly sound originated. Like a hound on the scent, I tracked down several recordings from the brothers, and sat open mouthed as song after song cut through me. The Louvins, whose birth name was Loudermilk (cousins to the noted songwriter), had a contentious relationship, owing to Ira's drunken temperament and womanizing. Charlie contemplated going solo, but Ira's early demise, at 41, in a drunken car crash, made the decision permanent. Ira usually takes the high harmony, but they had the ability to switch mid way through a song so that it was often hard to tell who was covering which part.  Truly one of the all time great sibling singing duos. ALISON KRAUSS AND ROBERT PLANTA musical marriage made in heaven that no fiction writer could have invented, Robert Plant and Alison Krauss came together in one of the most celestial combos ever. The Led Zeppelin frontman, renowned for his soaring falsetto, melds with the rawboned steadiness of bluegrass's sweetheart in an eclectic stew of influences that somehow create a single entity. Today's featured song, Please Read the Letter, nestled among cuts by the Everlys, Gene Clark, Mel Tillis, and Townes Van Zandt was written by Plant and his Zeppelin brother, Jimmie Page, and is added seamlessly to the mix.The resulting album, Raising Sand, produced by the curatorial genius T-Bone Burnett, was released in 2007, and swept the Grammies and Americana Music Awards, taking its place in the pantheon of beautiful enigmas.  

Join @thebuzzknight with the incredibly talented singer, songwriter, musician Grace Potter. Check out Grace Potter as she opens up about the remarkable journey behind her long-lost album, Medicine—finally seeing the light of day after 18 years in the vault. Recorded in 2008 with legendary producer T Bone Burnett and a crew of acclaimed musicians, Medicine captures Potter at a moment of profound transformation, bringing a shadowy intensity and soulful honesty to her songwriting. In this episode, Grace reflects on the creative risks, the heartbreak of shelving the project, and the joy of finally sharing these songs with the world. Hear stories behind standout tracks like “Before The Sky Falls” and “Oasis,” and discover how this powerhouse album became both a time capsule and a thrilling new chapter in her extraordinary catalog. A Note to our Community Your support means everything to us! As we continue to grow, we’d love to hear what guests you might find interesting and what conversations you’d like us to explore nest. Have a friend who might enjoy our conversations? Please share our podcast with them! Your word of mouth recommendations help us reach new listeners that could benefit from our content. Thank you for being part of our community. We’re excited for what’s ahead! Warmly Buzz Knight Founder Buzz Knight Media ProductionsSupport the show: https://takinawalk.com/See omnystudio.com/listener for privacy information.

Join @thebuzzknight with the incredibly talented singer, songwriter, musician Grace Potter. Check out Grace Potter as she opens up about the remarkable journey behind her long-lost album, Medicine—finally seeing the light of day after 18 years in the vault. Recorded in 2008 with legendary producer T Bone Burnett and a crew of acclaimed musicians, Medicine captures Potter at a moment of profound transformation, bringing a shadowy intensity and soulful honesty to her songwriting. In this episode, Grace reflects on the creative risks, the heartbreak of shelving the project, and the joy of finally sharing these songs with the world. Hear stories behind standout tracks like “Before The Sky Falls” and “Oasis,” and discover how this powerhouse album became both a time capsule and a thrilling new chapter in her extraordinary catalog. A Note to our Community Your support means everything to us! As we continue to grow, we’d love to hear what guests you might find interesting and what conversations you’d like us to explore nest. Have a friend who might enjoy our conversations? Please share our podcast with them! Your word of mouth recommendations help us reach new listeners that could benefit from our content. Thank you for being part of our community. We’re excited for what’s ahead! Warmly Buzz Knight Founder Buzz Knight Media ProductionsSee omnystudio.com/listener for privacy information.

Grace Potter makes her Record Store Day Podcast debut to talk about her new album that is actually seventeen years old. In 2008, the Vermont-born, singer songwriter, and front person for Grace Potter & The Nocturnals, collaborated with the legendary T-Bone Burnett on a solo departure called Medicine, featuring Burnett and a crew of side players including Jim Keltner, Marc Ribot, Dennis Crouch, and Keefus Ciancia. It was a solid set and a bold personal statement but, at the time, Hollywood Records shelved the album indefinitely to concentrate on furthering her work with the Nocturnals. But now, it's finally seeing the light of day, and Grace graced us with the inside story on Medicine's long, long journey to the racks of your local independent record store. The Record Store Day Podcast is a weekly music chat show written, produced, engineered and hosted by Paul Myers, who also composed the theme music and selected interstitial music.  Executive Producers (for Record Store Day) Michael Kurtz and Carrie Colliton. For the most up-to-date news about all things RSD, visit RecordStoreDay.com   Please consider subscribing to our podcast wherever you get podcasts, and tell your friends, we're here every week and we love making new friends.

For decades, the innovative guitarist Marc Ribot has been a first-call session musician, lending his singular instrumental voice to recordings by Tom Waits, Marianne Faithfull, Elvis Costello, T-Bone Burnett and many more. On his brand new album, Map Of A Blue City (New West Records), Ribot adds his actual voice to the music for his first ever vocal album, one that took roughly 30 years to finally see the light of day. In our conversation, he talks about working with the late, great Hal Willner (who worked on the early stages of ...Blue City), the poetry of Allen Ginsberg, and why Tom Waits is such a uniquely effective bandleader.  The Record Store Day Podcast is a weekly music chat show written, produced, engineered and hosted by Paul Myers, who also composed the theme music and selected interstitial music.  Executive Producers (for Record Store Day) Michael Kurtz and Carrie Colliton. For the most up-to-date news about all things RSD, visit RecordStoreDay.com   Please consider subscribing to our podcast wherever you get podcasts, and tell your friends, we're here every week and we love making new friends.

Grace Potter was raised in rural Vermont by parents who were seeking a different way of life, one with an emphasis on the arts and a connection to the land. Thanks to her parents' extensive record collection, Grace grew up listening to a lot of soul and gospel by artists like the Staple Singers and Mahalia Jackson. You can still hear those influences in her music now, even as she's created her own distinctive bluesy sound. Often compared to Bonnie Raitt or Janis Joplin, Grace has a powerful voice and the stage presence to match. And now she has a new album called Medicine that's actually not new at all. It was produced with T Bone Burnett 17 years ago before her record label decided to shelve it in favor of a different direction. And even though it was recorded when she was just 24, it sounds as fresh and timely as if she cut it yesterday. Sid talks to Grace about the vision issues that shaped the way she sees the world, the impact of motherhood on her songwriting, and how she's preparing to sing the national anthem at the 2025 Kentucky Derby. For more info visit: southernliving.com/biscuitsandjam Biscuits & Jam is produced by: Sid Evans - Editor-in-Chief, Southern Living Krissy Tiglias - GM, Southern Living Lottie Leymarie - Executive Producer Michael Onufrak - Audio Engineer & Editor/Producer Jeremiah McVay - Producer Learn more about your ad choices. Visit podcastchoices.com/adchoices

In this week's episode, I'm joined by Chris Vos, lead singer and guitarist of The Record Company, for an in-depth conversation covering highlights from across the band's career.We dive into the fascinating story behind the band's name — and how their label reacted to it. Chris opens up about the pressure following their Grammy Award nomination for Give It Back To You, and how it influenced their second album All Of This Life.We also discuss working with the legendary producer T-Bone Burnett to re-record “You & Me Now,” and explore how placements on hit TV shows like Suits, Nashville, Shameless and CSI have impacted their journey.Plus, we get into the cover songs they've recorded over the years, including the Beastie Boys' "So What'cha Want," Cypress Hill's "I Wanna Get High," and Big Mama Thornton's "Ball & Chain." Chris shares insights into how The Record Company's sound has evolved across their discography — and much more.

In this week's episode, I'm joined by Chris Vos, lead singer and guitarist of The Record Company, for an in-depth conversation covering highlights from across the band's career. We dive into the fascinating story behind the band's name — and how their label reacted to it. Chris opens up about the pressure following their Grammy Award nomination for Give It Back To You, and how it influenced their second album All Of This Life. We also discuss working with the legendary producer T-Bone Burnett to re-record “You & Me Now,” and explore how placements on hit TV shows like Suits, Nashville, Shameless and CSI have impacted their journey. Plus, we get into the cover songs they've recorded over the years, including the Beastie Boys' "So What'cha Want," Cypress Hill's "I Wanna Get High," and Big Mama Thornton's "Ball & Chain." Chris shares insights into how The Record Company's sound has evolved across their discography — and much more.

This week, Original Counting Crows Drummer Steve Bowman joins me to take a deep dive into the band's debut 1993 masterpiece, “August & Everything After,” including the stories behind tracks such as: “Round Here,” “Omaha,” “Mr. Jones,” “Anna Begins,” “Time & Time Again,” “Rain King,” “Sullivan Street” & “A Murder of One.”  We also discuss: the lessons learned from T-Bone Burnett, the producer of the album; the stories behind deep cuts & b-sides from that era, such as “Einstein on the Beach (For an Eggman),” “Love & Addiction” & the album's title track (which wasn't released officially until 2019); the experience of performing on the David Letterman Show on the same evening as Madonna; seeing your smiling face on the cover of Rolling Stone Magazine (just like Dr. Hook sang about), and so much more!  Be sure to visit MyWeeklyMixtape.com to hear all of the songs we discussed in this episode, and join the My Weekly Mixtape Discord Server via the link on the episode page! Theme music is "Unveiled" by The 4th. You can find the album on Spotify, Apple Music, Amazon Music, Pandora, YouTube, Bandcamp & more! FOR MORE ON MY WEEKLY MIXTAPE Website: http://www.myweeklymixtape.com Patreon: https://www.patreon.com/myweeklymixtape Facebook: http://www.facebook.com/myweeklymixtape X: https://x.com/myweeklymixtape Instagram: https://www.instagram.com/myweeklymixtape Threads: https://www.threads.net/@myweeklymixtape  Bluesky: https://bsky.app/profile/myweeklymixtape.bsky.social  TikTok: https://www.tiktok.com/@myweeklymixtape Learn more about your ad choices. Visit megaphone.fm/adchoices

“What I meant when I said there is no AI is that I don't think we serve ourselves well when we put our own technology up as if it were a new God that we created. I think we confuse ourselves too easily. This goes back to Alan Turing, the main founder of computer science, who had this idea of the Turing test. In the test, you can't tell whether the computer has gotten more human-like or the human has gotten more computer-like. People are very prone to becoming more computer-like. When we're on social media, we let ourselves be guided by the algorithms, so we start to become dumb in the way the algorithms want us to. You see that all the time. It's really degraded our psychologies and our society.”Jaron Lanier is a pioneering technologist, writer, and musician, best known for coining the term “Virtual Reality” and founding VPL Research, the first company to sell VR products. He led early breakthroughs in virtual worlds, avatars, and VR applications in fields like surgery and media. Lanier writes on the philosophy and economics of technology in his bestselling book Who Owns the Future? and You Are Not a Gadget. His book Dawn of the New Everything: Encounters with Reality and Virtual Reality is an inventive blend of autobiography, science writing, and philosophy. Lanier has been named one of TIME's 100 most influential people and serves as Prime Unifying Scientist at Microsoft's Office of the CTO—aka “Octopus.” As a musician, he's performed with Sara Bareilles, Philip Glass, T Bone Burnett, Laurie Anderson, Jon Batiste, and others.Episode Websitewww.creativeprocess.info/podInstagram:@creativeprocesspodcastEpisode Websitewww.creativeprocess.info/podInstagram:@creativeprocesspodcast

“What I meant when I said there is no AI is that I don't think we serve ourselves well when we put our own technology up as if it were a new God that we created. I think we confuse ourselves too easily. This goes back to Alan Turing, the main founder of computer science, who had this idea of the Turing test. In the test, you can't tell whether the computer has gotten more human-like or the human has gotten more computer-like. People are very prone to becoming more computer-like. When we're on social media, we let ourselves be guided by the algorithms, so we start to become dumb in the way the algorithms want us to. You see that all the time. It's really degraded our psychologies and our society.”Jaron Lanier is a pioneering technologist, writer, and musician, best known for coining the term “Virtual Reality” and founding VPL Research, the first company to sell VR products. He led early breakthroughs in virtual worlds, avatars, and VR applications in fields like surgery and media. Lanier writes on the philosophy and economics of technology in his bestselling book Who Owns the Future? and You Are Not a Gadget. His book Dawn of the New Everything: Encounters with Reality and Virtual Reality is an inventive blend of autobiography, science writing, and philosophy. Lanier has been named one of TIME's 100 most influential people and serves as Prime Unifying Scientist at Microsoft's Office of the CTO—aka “Octopus.” As a musician, he's performed with Sara Bareilles, Philip Glass, T Bone Burnett, Laurie Anderson, Jon Batiste, and others.Episode Websitewww.creativeprocess.info/podInstagram:@creativeprocesspodcastEpisode Websitewww.creativeprocess.info/podInstagram:@creativeprocesspodcast

“What I meant when I said there is no AI is that I don't think we serve ourselves well when we put our own technology up as if it were a new God that we created. I think we confuse ourselves too easily. This goes back to Alan Turing, the main founder of computer science, who had this idea of the Turing test. In the test, you can't tell whether the computer has gotten more human-like or the human has gotten more computer-like. People are very prone to becoming more computer-like. When we're on social media, we let ourselves be guided by the algorithms, so we start to become dumb in the way the algorithms want us to. You see that all the time. It's really degraded our psychologies and our society.”Jaron Lanier is a pioneering technologist, writer, and musician, best known for coining the term “Virtual Reality” and founding VPL Research, the first company to sell VR products. He led early breakthroughs in virtual worlds, avatars, and VR applications in fields like surgery and media. Lanier writes on the philosophy and economics of technology in his bestselling book Who Owns the Future? and You Are Not a Gadget. His book Dawn of the New Everything: Encounters with Reality and Virtual Reality is an inventive blend of autobiography, science writing, and philosophy. Lanier has been named one of TIME's 100 most influential people and serves as Prime Unifying Scientist at Microsoft's Office of the CTO—aka “Octopus.” As a musician, he's performed with Sara Bareilles, Philip Glass, T Bone Burnett, Laurie Anderson, Jon Batiste, and others.Episode Websitewww.creativeprocess.info/podInstagram:@creativeprocesspodcastEpisode Websitewww.creativeprocess.info/podInstagram:@creativeprocesspodcast

“What I meant when I said there is no AI is that I don't think we serve ourselves well when we put our own technology up as if it were a new God that we created. I think we confuse ourselves too easily. This goes back to Alan Turing, the main founder of computer science, who had this idea of the Turing test. In the test, you can't tell whether the computer has gotten more human-like or the human has gotten more computer-like. People are very prone to becoming more computer-like. When we're on social media, we let ourselves be guided by the algorithms, so we start to become dumb in the way the algorithms want us to. You see that all the time. It's really degraded our psychologies and our society.”Jaron Lanier is a pioneering technologist, writer, and musician, best known for coining the term “Virtual Reality” and founding VPL Research, the first company to sell VR products. He led early breakthroughs in virtual worlds, avatars, and VR applications in fields like surgery and media. Lanier writes on the philosophy and economics of technology in his bestselling book Who Owns the Future? and You Are Not a Gadget. His book Dawn of the New Everything: Encounters with Reality and Virtual Reality is an inventive blend of autobiography, science writing, and philosophy. Lanier has been named one of TIME's 100 most influential people and serves as Prime Unifying Scientist at Microsoft's Office of the CTO—aka “Octopus.” As a musician, he's performed with Sara Bareilles, Philip Glass, T Bone Burnett, Laurie Anderson, Jon Batiste, and others.Episode Websitewww.creativeprocess.info/podInstagram:@creativeprocesspodcastEpisode Websitewww.creativeprocess.info/podInstagram:@creativeprocesspodcast

“AI is obviously the dominant topic in tech lately, and I think occasionally there's AI that's nonsense, and occasionally there's AI that's great. I love finding new proteins for medicine and so on. I don't think we serve ourselves well when we put our own technology up as if it were a new God that we created. I think we're really getting a little too full of ourselves to think that. This goes back to Alan Turing, the main founder of computer science, who had this idea of the Turing test. In the test, you can't tell whether the computer has gotten more human-like or the human has gotten more computer-like. People are very prone to becoming more computer-like. When we're on social media, we let ourselves be guided by the algorithms, so we start to become dumb in the way the algorithms want us to. You see that all the time. It's really degraded our psychologies and our society.”Jaron Lanier is a pioneering technologist, writer, and musician, best known for coining the term “Virtual Reality” and founding VPL Research, the first company to sell VR products. He led early breakthroughs in virtual worlds, avatars, and VR applications in fields like surgery and media. Lanier writes on the philosophy and economics of technology in his bestselling book Who Owns the Future? and You Are Not a Gadget. His book Dawn of the New Everything: Encounters with Reality and Virtual Reality is an inventive blend of autobiography, science writing, and philosophy. Lanier has been named one of TIME's 100 most influential people and serves as Prime Unifying Scientist at Microsoft's Office of the CTO—aka “Octopus.” As a musician, he's performed with Sara Bareilles, Philip Glass, T Bone Burnett, Laurie Anderson, Jon Batiste, and others.Episode Websitewww.creativeprocess.info/podInstagram:@creativeprocesspodcastPhoto credit: Michael Springer

“AI is obviously the dominant topic in tech lately, and I think occasionally there's AI that's nonsense, and occasionally there's AI that's great. I love finding new proteins for medicine and so on. I don't think we serve ourselves well when we put our own technology up as if it were a new God that we created. I think we're really getting a little too full of ourselves to think that. This goes back to Alan Turing, the main founder of computer science, who had this idea of the Turing test. In the test, you can't tell whether the computer has gotten more human-like or the human has gotten more computer-like. People are very prone to becoming more computer-like. When we're on social media, we let ourselves be guided by the algorithms, so we start to become dumb in the way the algorithms want us to. You see that all the time. It's really degraded our psychologies and our society.”Jaron Lanier is a pioneering technologist, writer, and musician, best known for coining the term “Virtual Reality” and founding VPL Research, the first company to sell VR products. He led early breakthroughs in virtual worlds, avatars, and VR applications in fields like surgery and media. Lanier writes on the philosophy and economics of technology in his bestselling book Who Owns the Future? and You Are Not a Gadget. His book Dawn of the New Everything: Encounters with Reality and Virtual Reality is an inventive blend of autobiography, science writing, and philosophy. Lanier has been named one of TIME's 100 most influential people and serves as Prime Unifying Scientist at Microsoft's Office of the CTO—aka “Octopus.” As a musician, he's performed with Sara Bareilles, Philip Glass, T Bone Burnett, Laurie Anderson, Jon Batiste, and others.Episode Websitewww.creativeprocess.info/podInstagram:@creativeprocesspodcastPhoto credit: Michael Springer

“AI is obviously the dominant topic in tech lately, and I think occasionally there's AI that's nonsense, and occasionally there's AI that's great. I love finding new proteins for medicine and so on. I don't think we serve ourselves well when we put our own technology up as if it were a new God that we created. I think we're really getting a little too full of ourselves to think that. This goes back to Alan Turing, the main founder of computer science, who had this idea of the Turing test. In the test, you can't tell whether the computer has gotten more human-like or the human has gotten more computer-like. People are very prone to becoming more computer-like. When we're on social media, we let ourselves be guided by the algorithms, so we start to become dumb in the way the algorithms want us to. You see that all the time. It's really degraded our psychologies and our society.”Jaron Lanier is a pioneering technologist, writer, and musician, best known for coining the term “Virtual Reality” and founding VPL Research, the first company to sell VR products. He led early breakthroughs in virtual worlds, avatars, and VR applications in fields like surgery and media. Lanier writes on the philosophy and economics of technology in his bestselling book Who Owns the Future? and You Are Not a Gadget. His book Dawn of the New Everything: Encounters with Reality and Virtual Reality is an inventive blend of autobiography, science writing, and philosophy. Lanier has been named one of TIME's 100 most influential people and serves as Prime Unifying Scientist at Microsoft's Office of the CTO—aka “Octopus.” As a musician, he's performed with Sara Bareilles, Philip Glass, T Bone Burnett, Laurie Anderson, Jon Batiste, and others.Episode Websitewww.creativeprocess.info/podInstagram:@creativeprocesspodcastPhoto credit: Michael Springer

THIS IS A PREVIEW PODCAST. NOT THE FULL EPISODE. Please check out the full podcast episode on our Patreon Page by subscribing over at - https://www.patreon.com/NextBestPicture Our 2009 retrospective has begun!! And we're kicking things off with Scott Cooper's film directorial debut, which won Jeff Bridges his Oscar, "Crazy Heart," which also stars Maggie Gyllenhaal, Robert Duvall, and Colin Farrell. With original music by T Bone Burnett, Stephen Bruton, and Ryan Bingham, the film received positive reviews upon release and was nominated for three Academy Awards, winning two for Bridges and for the song "The Weary Kind." How does it hold up today? Join Josh Parham, Dan Bayer, Brendan Hodges, and me as we discuss our thoughts on the performances, writing, direction, music, its awards season run, and more in our SPOILER-FILLED review. We appreciate your support and hope you enjoy our discussion! Check out more on NextBestPicture.com Please subscribe on... Apple Podcasts - https://itunes.apple.com/us/podcast/negs-best-film-podcast/id1087678387?mt=2 Spotify - https://open.spotify.com/show/7IMIzpYehTqeUa1d9EC4jT YouTube - https://www.youtube.com/channel/UCWA7KiotcWmHiYYy6wJqwOw And be sure to help support us on Patreon for as little as $1 a month at https://www.patreon.com/NextBestPicture and listen to this podcast ad-free Learn more about your ad choices. Visit megaphone.fm/adchoices

Musician and Oscar winning actor Jeff Bridges joins us to unpack his Record Store Day 2025 release, Slow Magic 1977-1978 (Light In The Attic Records), in a wide-ranging musical conversation that finds Bridges recalling moments from his entire career.  "The Dude" (from The Big Lebowski) abides us with tales of his famous acting family (father Lloyd, mother Dorothy, and brother Beau), growing up with Bonnie Raitt, and his award winning work with T Bone Burnett (producer of the Crazy Heart soundtrack and Bridges' self-titled 2011 album), and even recalls Rocky's Burgess Meredith (the original "Penguin" from the 1960s Batman TV series who performs spoken word poetry on Slow Magic).  The Record Store Day Podcast is a weekly music chat show written, produced, engineered and hosted by Paul Myers, who also composed the theme music and selected interstitial music.  Executive Producers (for Record Store Day) Michael Kurtz and Carrie Colliton.   Record Store Day 2025 is April 12th. For the most up-to-date news about all things RSD, including The List, visit RecordStoreDay.com)   Please consider subscribing to our podcast wherever you get podcasts, and tell your friends, we're here every week and we love making new friends.

Friends and musical collaborators for over 40 years, Elvis Costello and T Bone Burnett know more about the American songbook than almost anyone else. Listen to them regale Stephen Colbert with stories from their decades in show business and go to The Late Show's YouTube channel for two performances by a duo that looks a lot like Elvis and T Bone, The Coward Brothers. Learn more about your ad choices. Visit megaphone.fm/adchoices