Podcasts about T Bone Burnett

There is something that happens when two particular voices blend together that transcends all understanding or logic. And, when those voices share the same DNA, the magnetic pull is such that they become one voice. We've heard that family blend many times: The Everlys, The Wilsons, The Gibbs, The Andrew Sisters, etc. The list goes on.One of the most uncanny examples of this phenomenon belongs to Charlie and Ira Louvin, those titans of Country and Gospel music. When they sing with religious devotion, such as they do here in The River of Jordan - you can hear God and his miracles working in every keening, harmonic fifth. The other song presented today features Robert Plant and Alison Krauss, - a pair of folks about as far from siblings as you can get, but whose vocal cords also combine miraculously.THE LOUVINSThe first time I heard of Ira and Charlie Louvin was through Emmylou Harris's 1975 version of If I Could Only Win Your Love, and I had to know from whence this other-worldly sound originated. Like a hound on the scent, I tracked down several recordings from the brothers, and sat open mouthed as song after song cut through me. The Louvins, whose birth name was Loudermilk (cousins to the noted songwriter), had a contentious relationship, owing to Ira's drunken temperament and womanizing. Charlie contemplated going solo, but Ira's early demise, at 41, in a drunken car crash, made the decision permanent. Ira usually takes the high harmony, but they had the ability to switch mid way through a song so that it was often hard to tell who was covering which part.  Truly one of the all time great sibling singing duos. ALISON KRAUSS AND ROBERT PLANTA musical marriage made in heaven that no fiction writer could have invented, Robert Plant and Alison Krauss came together in one of the most celestial combos ever. The Led Zeppelin frontman, renowned for his soaring falsetto, melds with the rawboned steadiness of bluegrass's sweetheart in an eclectic stew of influences that somehow create a single entity. Today's featured song, Please Read the Letter, nestled among cuts by the Everlys, Gene Clark, Mel Tillis, and Townes Van Zandt was written by Plant and his Zeppelin brother, Jimmie Page, and is added seamlessly to the mix.The resulting album, Raising Sand, produced by the curatorial genius T-Bone Burnett, was released in 2007, and swept the Grammies and Americana Music Awards, taking its place in the pantheon of beautiful enigmas.  

¿Cómo se puede vivir en el mundo, sin ser de él? Este es el dilema que nos plantea Jesús en su oración al Padre, antes de dejar este mundo en el capítulo 17 de la Buena Noticia, según Juan... Tras la sintonía, esta vez a cargo del músico de jazz italiano Larry Franco, nos preguntamos con Lesley Phillips en 1985, si se pueden ver las cosas en "Blanco y negro en un mundo gris" (Black And White In A Grey World). Ella no se había casado todavía con T-Bone Burnett, aunque era ya conocida como Sam Phillips, el nombre con el que siempre la llamaron familiarmente. El problema es cómo vivir espiritualmente en el mundo material. La canción (Spirits In The Material World) la hizo Sting para el cuarto álbum de Police (Ghost In The Machine 1981), tras la lectura del libro del mismo título del pensador judío Arthur Koestler, que conecta con las inquietudes espirituales por las que de niño, quiso ser cura. El seguidor de Jesús sufrirá la hostilidad del mundo sobre la que habla Juan en este capítulo. Ves la maldad de sus intenciones, como dice Norman Barratt en 1981, tras su conversión al cristianismo en la banda británica de rock progresivo, "Gravy Train". El cristiano no parece hecho para este mundo, como observa la obra de teatro que dio origen a la película "El Pez Gordo" (The Big Kahuna 2000), un cuadro de tres ejecutivos, entre los que se encuentra un joven bautista que prefiere hablar de su fe con un cliente, a lograr el contrato que va a salvar a su empresa de la quiebra. Esta fascinante historia, llevada al cine por Kevin Spacey y Danny DeVito, recuerda a otras muchas obras de teatro que presentan a unos personajes encerrados en una habitación en espera de Otro. José de Segovia comenta varios diálogos de la versión doblada al castellano con la música de fondo de la banda sonora original de Christopher Young. La intolerancia del mundo ante los absolutos cristianos presenta la curiosa paradoja de una tolerancia intolerante con aquellos que no mantienen su pensamiento único, revestido de supuesto respeto a la diversidad. Sobre ello habla la canción del grupo británico After The Fire, formado en 1972 por tres músicos cristianos, Peter Banks, Andy Piercy y Nick Battle, primero como banda de rock progresivo, luego firmando con CBS como parte del sonido de la "nueva ola" (New Wave) de finales de los 70. En el 79 preguntan a sus críticos si hay "una regla para ti y otra para mí" (One Rule For You). La oración de Jesús acaba con la promesa de que por el Espíritu Santo, Cristo vivirá en ellos. Tras su estancia en una comunidad cristiana escocesa, más bien esotérica, Findhorn, Milke Scott escribe para los Waterboys sobre "Cristo en ti" (The Christ In You 2003).

Join @thebuzzknight with the incredibly talented singer, songwriter, musician Grace Potter. Check out Grace Potter as she opens up about the remarkable journey behind her long-lost album, Medicine—finally seeing the light of day after 18 years in the vault. Recorded in 2008 with legendary producer T Bone Burnett and a crew of acclaimed musicians, Medicine captures Potter at a moment of profound transformation, bringing a shadowy intensity and soulful honesty to her songwriting. In this episode, Grace reflects on the creative risks, the heartbreak of shelving the project, and the joy of finally sharing these songs with the world. Hear stories behind standout tracks like “Before The Sky Falls” and “Oasis,” and discover how this powerhouse album became both a time capsule and a thrilling new chapter in her extraordinary catalog. A Note to our Community Your support means everything to us! As we continue to grow, we’d love to hear what guests you might find interesting and what conversations you’d like us to explore nest. Have a friend who might enjoy our conversations? Please share our podcast with them! Your word of mouth recommendations help us reach new listeners that could benefit from our content. Thank you for being part of our community. We’re excited for what’s ahead! Warmly Buzz Knight Founder Buzz Knight Media ProductionsSupport the show: https://takinawalk.com/See omnystudio.com/listener for privacy information.

Join @thebuzzknight with the incredibly talented singer, songwriter, musician Grace Potter. Check out Grace Potter as she opens up about the remarkable journey behind her long-lost album, Medicine—finally seeing the light of day after 18 years in the vault. Recorded in 2008 with legendary producer T Bone Burnett and a crew of acclaimed musicians, Medicine captures Potter at a moment of profound transformation, bringing a shadowy intensity and soulful honesty to her songwriting. In this episode, Grace reflects on the creative risks, the heartbreak of shelving the project, and the joy of finally sharing these songs with the world. Hear stories behind standout tracks like “Before The Sky Falls” and “Oasis,” and discover how this powerhouse album became both a time capsule and a thrilling new chapter in her extraordinary catalog. A Note to our Community Your support means everything to us! As we continue to grow, we’d love to hear what guests you might find interesting and what conversations you’d like us to explore nest. Have a friend who might enjoy our conversations? Please share our podcast with them! Your word of mouth recommendations help us reach new listeners that could benefit from our content. Thank you for being part of our community. We’re excited for what’s ahead! Warmly Buzz Knight Founder Buzz Knight Media ProductionsSee omnystudio.com/listener for privacy information.

Grace Potter makes her Record Store Day Podcast debut to talk about her new album that is actually seventeen years old. In 2008, the Vermont-born, singer songwriter, and front person for Grace Potter & The Nocturnals, collaborated with the legendary T-Bone Burnett on a solo departure called Medicine, featuring Burnett and a crew of side players including Jim Keltner, Marc Ribot, Dennis Crouch, and Keefus Ciancia. It was a solid set and a bold personal statement but, at the time, Hollywood Records shelved the album indefinitely to concentrate on furthering her work with the Nocturnals. But now, it's finally seeing the light of day, and Grace graced us with the inside story on Medicine's long, long journey to the racks of your local independent record store. The Record Store Day Podcast is a weekly music chat show written, produced, engineered and hosted by Paul Myers, who also composed the theme music and selected interstitial music.  Executive Producers (for Record Store Day) Michael Kurtz and Carrie Colliton. For the most up-to-date news about all things RSD, visit RecordStoreDay.com   Please consider subscribing to our podcast wherever you get podcasts, and tell your friends, we're here every week and we love making new friends.

For decades, the innovative guitarist Marc Ribot has been a first-call session musician, lending his singular instrumental voice to recordings by Tom Waits, Marianne Faithfull, Elvis Costello, T-Bone Burnett and many more. On his brand new album, Map Of A Blue City (New West Records), Ribot adds his actual voice to the music for his first ever vocal album, one that took roughly 30 years to finally see the light of day. In our conversation, he talks about working with the late, great Hal Willner (who worked on the early stages of ...Blue City), the poetry of Allen Ginsberg, and why Tom Waits is such a uniquely effective bandleader.  The Record Store Day Podcast is a weekly music chat show written, produced, engineered and hosted by Paul Myers, who also composed the theme music and selected interstitial music.  Executive Producers (for Record Store Day) Michael Kurtz and Carrie Colliton. For the most up-to-date news about all things RSD, visit RecordStoreDay.com   Please consider subscribing to our podcast wherever you get podcasts, and tell your friends, we're here every week and we love making new friends.

Grace Potter was raised in rural Vermont by parents who were seeking a different way of life, one with an emphasis on the arts and a connection to the land. Thanks to her parents' extensive record collection, Grace grew up listening to a lot of soul and gospel by artists like the Staple Singers and Mahalia Jackson. You can still hear those influences in her music now, even as she's created her own distinctive bluesy sound. Often compared to Bonnie Raitt or Janis Joplin, Grace has a powerful voice and the stage presence to match. And now she has a new album called Medicine that's actually not new at all. It was produced with T Bone Burnett 17 years ago before her record label decided to shelve it in favor of a different direction. And even though it was recorded when she was just 24, it sounds as fresh and timely as if she cut it yesterday. Sid talks to Grace about the vision issues that shaped the way she sees the world, the impact of motherhood on her songwriting, and how she's preparing to sing the national anthem at the 2025 Kentucky Derby. For more info visit: southernliving.com/biscuitsandjam Biscuits & Jam is produced by: Sid Evans - Editor-in-Chief, Southern Living Krissy Tiglias - GM, Southern Living Lottie Leymarie - Executive Producer Michael Onufrak - Audio Engineer & Editor/Producer Jeremiah McVay - Producer Learn more about your ad choices. Visit podcastchoices.com/adchoices

In this week's episode, I'm joined by Chris Vos, lead singer and guitarist of The Record Company, for an in-depth conversation covering highlights from across the band's career. We dive into the fascinating story behind the band's name — and how their label reacted to it. Chris opens up about the pressure following their Grammy Award nomination for Give It Back To You, and how it influenced their second album All Of This Life. We also discuss working with the legendary producer T-Bone Burnett to re-record “You & Me Now,” and explore how placements on hit TV shows like Suits, Nashville, Shameless and CSI have impacted their journey. Plus, we get into the cover songs they've recorded over the years, including the Beastie Boys' "So What'cha Want," Cypress Hill's "I Wanna Get High," and Big Mama Thornton's "Ball & Chain." Chris shares insights into how The Record Company's sound has evolved across their discography — and much more.

Six String Hayride Classic Country Podcast, Episode 57. The Ringo Starr Episode. Ringo Starr, Born Richard Starkey in July 1940, is one of the finest and most influential drummers of the last 65 years. Growing up in post war Liverpool as a Gene Autry and Hank Williams fan, Ringo becomes the drummer for The Beatles and they create one of the greatest catalogues in music history. In 1970, Ringo records Beaucoups of Blues with Pete Drake, Scotty Moore, Jerry Reed, Charlie Daniels, and DJ Fontana. In 2025, Ringo releases LOOK UP with T-Bone Burnett, Billy Strings, Molly Tuttle, Larkin Poe, Alison Krauss and gets inducted into the Grand Old Opry. In the years between these two fine albums, Ringo performs and records with Buck Owens, Carl Perkins, Willie Nelson, Billy Preston, and George Harrison. Chris and Jim discuss Ringo's musical influences, drumming style, and love of Country Music. Chris reviews the new album, LOOK UP and offers up a classic Fish and Chips recipe. Jim discusses Ringo's time in the Beatles and his unique drumming style. Join us on the Six String Hayride Podcast for all your musical needs and beyond.

This week, Original Counting Crows Drummer Steve Bowman joins me to take a deep dive into the band's debut 1993 masterpiece, “August & Everything After,” including the stories behind tracks such as: “Round Here,” “Omaha,” “Mr. Jones,” “Anna Begins,” “Time & Time Again,” “Rain King,” “Sullivan Street” & “A Murder of One.”  We also discuss: the lessons learned from T-Bone Burnett, the producer of the album; the stories behind deep cuts & b-sides from that era, such as “Einstein on the Beach (For an Eggman),” “Love & Addiction” & the album's title track (which wasn't released officially until 2019); the experience of performing on the David Letterman Show on the same evening as Madonna; seeing your smiling face on the cover of Rolling Stone Magazine (just like Dr. Hook sang about), and so much more!  Be sure to visit MyWeeklyMixtape.com to hear all of the songs we discussed in this episode, and join the My Weekly Mixtape Discord Server via the link on the episode page! Theme music is "Unveiled" by The 4th. You can find the album on Spotify, Apple Music, Amazon Music, Pandora, YouTube, Bandcamp & more! FOR MORE ON MY WEEKLY MIXTAPE Website: http://www.myweeklymixtape.com Patreon: https://www.patreon.com/myweeklymixtape Facebook: http://www.facebook.com/myweeklymixtape X: https://x.com/myweeklymixtape Instagram: https://www.instagram.com/myweeklymixtape Threads: https://www.threads.net/@myweeklymixtape  Bluesky: https://bsky.app/profile/myweeklymixtape.bsky.social  TikTok: https://www.tiktok.com/@myweeklymixtape Learn more about your ad choices. Visit megaphone.fm/adchoices

“What I meant when I said there is no AI is that I don't think we serve ourselves well when we put our own technology up as if it were a new God that we created. I think we confuse ourselves too easily. This goes back to Alan Turing, the main founder of computer science, who had this idea of the Turing test. In the test, you can't tell whether the computer has gotten more human-like or the human has gotten more computer-like. People are very prone to becoming more computer-like. When we're on social media, we let ourselves be guided by the algorithms, so we start to become dumb in the way the algorithms want us to. You see that all the time. It's really degraded our psychologies and our society.”Jaron Lanier is a pioneering technologist, writer, and musician, best known for coining the term “Virtual Reality” and founding VPL Research, the first company to sell VR products. He led early breakthroughs in virtual worlds, avatars, and VR applications in fields like surgery and media. Lanier writes on the philosophy and economics of technology in his bestselling book Who Owns the Future? and You Are Not a Gadget. His book Dawn of the New Everything: Encounters with Reality and Virtual Reality is an inventive blend of autobiography, science writing, and philosophy. Lanier has been named one of TIME's 100 most influential people and serves as Prime Unifying Scientist at Microsoft's Office of the CTO—aka “Octopus.” As a musician, he's performed with Sara Bareilles, Philip Glass, T Bone Burnett, Laurie Anderson, Jon Batiste, and others.Episode Websitewww.creativeprocess.info/podInstagram:@creativeprocesspodcastEpisode Websitewww.creativeprocess.info/podInstagram:@creativeprocesspodcast

“What I meant when I said there is no AI is that I don't think we serve ourselves well when we put our own technology up as if it were a new God that we created. I think we confuse ourselves too easily. This goes back to Alan Turing, the main founder of computer science, who had this idea of the Turing test. In the test, you can't tell whether the computer has gotten more human-like or the human has gotten more computer-like. People are very prone to becoming more computer-like. When we're on social media, we let ourselves be guided by the algorithms, so we start to become dumb in the way the algorithms want us to. You see that all the time. It's really degraded our psychologies and our society.”Jaron Lanier is a pioneering technologist, writer, and musician, best known for coining the term “Virtual Reality” and founding VPL Research, the first company to sell VR products. He led early breakthroughs in virtual worlds, avatars, and VR applications in fields like surgery and media. Lanier writes on the philosophy and economics of technology in his bestselling book Who Owns the Future? and You Are Not a Gadget. His book Dawn of the New Everything: Encounters with Reality and Virtual Reality is an inventive blend of autobiography, science writing, and philosophy. Lanier has been named one of TIME's 100 most influential people and serves as Prime Unifying Scientist at Microsoft's Office of the CTO—aka “Octopus.” As a musician, he's performed with Sara Bareilles, Philip Glass, T Bone Burnett, Laurie Anderson, Jon Batiste, and others.Episode Websitewww.creativeprocess.info/podInstagram:@creativeprocesspodcastEpisode Websitewww.creativeprocess.info/podInstagram:@creativeprocesspodcast

“What I meant when I said there is no AI is that I don't think we serve ourselves well when we put our own technology up as if it were a new God that we created. I think we confuse ourselves too easily. This goes back to Alan Turing, the main founder of computer science, who had this idea of the Turing test. In the test, you can't tell whether the computer has gotten more human-like or the human has gotten more computer-like. People are very prone to becoming more computer-like. When we're on social media, we let ourselves be guided by the algorithms, so we start to become dumb in the way the algorithms want us to. You see that all the time. It's really degraded our psychologies and our society.”Jaron Lanier is a pioneering technologist, writer, and musician, best known for coining the term “Virtual Reality” and founding VPL Research, the first company to sell VR products. He led early breakthroughs in virtual worlds, avatars, and VR applications in fields like surgery and media. Lanier writes on the philosophy and economics of technology in his bestselling book Who Owns the Future? and You Are Not a Gadget. His book Dawn of the New Everything: Encounters with Reality and Virtual Reality is an inventive blend of autobiography, science writing, and philosophy. Lanier has been named one of TIME's 100 most influential people and serves as Prime Unifying Scientist at Microsoft's Office of the CTO—aka “Octopus.” As a musician, he's performed with Sara Bareilles, Philip Glass, T Bone Burnett, Laurie Anderson, Jon Batiste, and others.Episode Websitewww.creativeprocess.info/podInstagram:@creativeprocesspodcastEpisode Websitewww.creativeprocess.info/podInstagram:@creativeprocesspodcast

“What I meant when I said there is no AI is that I don't think we serve ourselves well when we put our own technology up as if it were a new God that we created. I think we confuse ourselves too easily. This goes back to Alan Turing, the main founder of computer science, who had this idea of the Turing test. In the test, you can't tell whether the computer has gotten more human-like or the human has gotten more computer-like. People are very prone to becoming more computer-like. When we're on social media, we let ourselves be guided by the algorithms, so we start to become dumb in the way the algorithms want us to. You see that all the time. It's really degraded our psychologies and our society.”Jaron Lanier is a pioneering technologist, writer, and musician, best known for coining the term “Virtual Reality” and founding VPL Research, the first company to sell VR products. He led early breakthroughs in virtual worlds, avatars, and VR applications in fields like surgery and media. Lanier writes on the philosophy and economics of technology in his bestselling book Who Owns the Future? and You Are Not a Gadget. His book Dawn of the New Everything: Encounters with Reality and Virtual Reality is an inventive blend of autobiography, science writing, and philosophy. Lanier has been named one of TIME's 100 most influential people and serves as Prime Unifying Scientist at Microsoft's Office of the CTO—aka “Octopus.” As a musician, he's performed with Sara Bareilles, Philip Glass, T Bone Burnett, Laurie Anderson, Jon Batiste, and others.Episode Websitewww.creativeprocess.info/podInstagram:@creativeprocesspodcastEpisode Websitewww.creativeprocess.info/podInstagram:@creativeprocesspodcast

“What I meant when I said there is no AI is that I don't think we serve ourselves well when we put our own technology up as if it were a new God that we created. I think we confuse ourselves too easily. This goes back to Alan Turing, the main founder of computer science, who had this idea of the Turing test. In the test, you can't tell whether the computer has gotten more human-like or the human has gotten more computer-like. People are very prone to becoming more computer-like. When we're on social media, we let ourselves be guided by the algorithms, so we start to become dumb in the way the algorithms want us to. You see that all the time. It's really degraded our psychologies and our society.”Jaron Lanier is a pioneering technologist, writer, and musician, best known for coining the term “Virtual Reality” and founding VPL Research, the first company to sell VR products. He led early breakthroughs in virtual worlds, avatars, and VR applications in fields like surgery and media. Lanier writes on the philosophy and economics of technology in his bestselling book Who Owns the Future? and You Are Not a Gadget. His book Dawn of the New Everything: Encounters with Reality and Virtual Reality is an inventive blend of autobiography, science writing, and philosophy. Lanier has been named one of TIME's 100 most influential people and serves as Prime Unifying Scientist at Microsoft's Office of the CTO—aka “Octopus.” As a musician, he's performed with Sara Bareilles, Philip Glass, T Bone Burnett, Laurie Anderson, Jon Batiste, and others.Episode Websitewww.creativeprocess.info/podInstagram:@creativeprocesspodcastEpisode Websitewww.creativeprocess.info/podInstagram:@creativeprocesspodcast

“What I meant when I said there is no AI is that I don't think we serve ourselves well when we put our own technology up as if it were a new God that we created. I think we confuse ourselves too easily. This goes back to Alan Turing, the main founder of computer science, who had this idea of the Turing test. In the test, you can't tell whether the computer has gotten more human-like or the human has gotten more computer-like. People are very prone to becoming more computer-like. When we're on social media, we let ourselves be guided by the algorithms, so we start to become dumb in the way the algorithms want us to. You see that all the time. It's really degraded our psychologies and our society.”Jaron Lanier is a pioneering technologist, writer, and musician, best known for coining the term “Virtual Reality” and founding VPL Research, the first company to sell VR products. He led early breakthroughs in virtual worlds, avatars, and VR applications in fields like surgery and media. Lanier writes on the philosophy and economics of technology in his bestselling book Who Owns the Future? and You Are Not a Gadget. His book Dawn of the New Everything: Encounters with Reality and Virtual Reality is an inventive blend of autobiography, science writing, and philosophy. Lanier has been named one of TIME's 100 most influential people and serves as Prime Unifying Scientist at Microsoft's Office of the CTO—aka “Octopus.” As a musician, he's performed with Sara Bareilles, Philip Glass, T Bone Burnett, Laurie Anderson, Jon Batiste, and others.Episode Websitewww.creativeprocess.info/podInstagram:@creativeprocesspodcastEpisode Websitewww.creativeprocess.info/podInstagram:@creativeprocesspodcast

“AI is obviously the dominant topic in tech lately, and I think occasionally there's AI that's nonsense, and occasionally there's AI that's great. I love finding new proteins for medicine and so on. I don't think we serve ourselves well when we put our own technology up as if it were a new God that we created. I think we're really getting a little too full of ourselves to think that. This goes back to Alan Turing, the main founder of computer science, who had this idea of the Turing test. In the test, you can't tell whether the computer has gotten more human-like or the human has gotten more computer-like. People are very prone to becoming more computer-like. When we're on social media, we let ourselves be guided by the algorithms, so we start to become dumb in the way the algorithms want us to. You see that all the time. It's really degraded our psychologies and our society.”Jaron Lanier is a pioneering technologist, writer, and musician, best known for coining the term “Virtual Reality” and founding VPL Research, the first company to sell VR products. He led early breakthroughs in virtual worlds, avatars, and VR applications in fields like surgery and media. Lanier writes on the philosophy and economics of technology in his bestselling book Who Owns the Future? and You Are Not a Gadget. His book Dawn of the New Everything: Encounters with Reality and Virtual Reality is an inventive blend of autobiography, science writing, and philosophy. Lanier has been named one of TIME's 100 most influential people and serves as Prime Unifying Scientist at Microsoft's Office of the CTO—aka “Octopus.” As a musician, he's performed with Sara Bareilles, Philip Glass, T Bone Burnett, Laurie Anderson, Jon Batiste, and others.Episode Websitewww.creativeprocess.info/podInstagram:@creativeprocesspodcastPhoto credit: Michael Springer

“AI is obviously the dominant topic in tech lately, and I think occasionally there's AI that's nonsense, and occasionally there's AI that's great. I love finding new proteins for medicine and so on. I don't think we serve ourselves well when we put our own technology up as if it were a new God that we created. I think we're really getting a little too full of ourselves to think that. This goes back to Alan Turing, the main founder of computer science, who had this idea of the Turing test. In the test, you can't tell whether the computer has gotten more human-like or the human has gotten more computer-like. People are very prone to becoming more computer-like. When we're on social media, we let ourselves be guided by the algorithms, so we start to become dumb in the way the algorithms want us to. You see that all the time. It's really degraded our psychologies and our society.”Jaron Lanier is a pioneering technologist, writer, and musician, best known for coining the term “Virtual Reality” and founding VPL Research, the first company to sell VR products. He led early breakthroughs in virtual worlds, avatars, and VR applications in fields like surgery and media. Lanier writes on the philosophy and economics of technology in his bestselling book Who Owns the Future? and You Are Not a Gadget. His book Dawn of the New Everything: Encounters with Reality and Virtual Reality is an inventive blend of autobiography, science writing, and philosophy. Lanier has been named one of TIME's 100 most influential people and serves as Prime Unifying Scientist at Microsoft's Office of the CTO—aka “Octopus.” As a musician, he's performed with Sara Bareilles, Philip Glass, T Bone Burnett, Laurie Anderson, Jon Batiste, and others.Episode Websitewww.creativeprocess.info/podInstagram:@creativeprocesspodcastPhoto credit: Michael Springer

“AI is obviously the dominant topic in tech lately, and I think occasionally there's AI that's nonsense, and occasionally there's AI that's great. I love finding new proteins for medicine and so on. I don't think we serve ourselves well when we put our own technology up as if it were a new God that we created. I think we're really getting a little too full of ourselves to think that. This goes back to Alan Turing, the main founder of computer science, who had this idea of the Turing test. In the test, you can't tell whether the computer has gotten more human-like or the human has gotten more computer-like. People are very prone to becoming more computer-like. When we're on social media, we let ourselves be guided by the algorithms, so we start to become dumb in the way the algorithms want us to. You see that all the time. It's really degraded our psychologies and our society.”Jaron Lanier is a pioneering technologist, writer, and musician, best known for coining the term “Virtual Reality” and founding VPL Research, the first company to sell VR products. He led early breakthroughs in virtual worlds, avatars, and VR applications in fields like surgery and media. Lanier writes on the philosophy and economics of technology in his bestselling book Who Owns the Future? and You Are Not a Gadget. His book Dawn of the New Everything: Encounters with Reality and Virtual Reality is an inventive blend of autobiography, science writing, and philosophy. Lanier has been named one of TIME's 100 most influential people and serves as Prime Unifying Scientist at Microsoft's Office of the CTO—aka “Octopus.” As a musician, he's performed with Sara Bareilles, Philip Glass, T Bone Burnett, Laurie Anderson, Jon Batiste, and others.Episode Websitewww.creativeprocess.info/podInstagram:@creativeprocesspodcastPhoto credit: Michael Springer

“AI is obviously the dominant topic in tech lately, and I think occasionally there's AI that's nonsense, and occasionally there's AI that's great. I love finding new proteins for medicine and so on. I don't think we serve ourselves well when we put our own technology up as if it were a new God that we created. I think we're really getting a little too full of ourselves to think that. This goes back to Alan Turing, the main founder of computer science, who had this idea of the Turing test. In the test, you can't tell whether the computer has gotten more human-like or the human has gotten more computer-like. People are very prone to becoming more computer-like. When we're on social media, we let ourselves be guided by the algorithms, so we start to become dumb in the way the algorithms want us to. You see that all the time. It's really degraded our psychologies and our society.”Jaron Lanier is a pioneering technologist, writer, and musician, best known for coining the term “Virtual Reality” and founding VPL Research, the first company to sell VR products. He led early breakthroughs in virtual worlds, avatars, and VR applications in fields like surgery and media. Lanier writes on the philosophy and economics of technology in his bestselling book Who Owns the Future? and You Are Not a Gadget. His book Dawn of the New Everything: Encounters with Reality and Virtual Reality is an inventive blend of autobiography, science writing, and philosophy. Lanier has been named one of TIME's 100 most influential people and serves as Prime Unifying Scientist at Microsoft's Office of the CTO—aka “Octopus.” As a musician, he's performed with Sara Bareilles, Philip Glass, T Bone Burnett, Laurie Anderson, Jon Batiste, and others.Episode Websitewww.creativeprocess.info/podInstagram:@creativeprocesspodcastPhoto credit: Michael Springer

“AI is obviously the dominant topic in tech lately, and I think occasionally there's AI that's nonsense, and occasionally there's AI that's great. I love finding new proteins for medicine and so on. I don't think we serve ourselves well when we put our own technology up as if it were a new God that we created. I think we're really getting a little too full of ourselves to think that. This goes back to Alan Turing, the main founder of computer science, who had this idea of the Turing test. In the test, you can't tell whether the computer has gotten more human-like or the human has gotten more computer-like. People are very prone to becoming more computer-like. When we're on social media, we let ourselves be guided by the algorithms, so we start to become dumb in the way the algorithms want us to. You see that all the time. It's really degraded our psychologies and our society.”Jaron Lanier is a pioneering technologist, writer, and musician, best known for coining the term “Virtual Reality” and founding VPL Research, the first company to sell VR products. He led early breakthroughs in virtual worlds, avatars, and VR applications in fields like surgery and media. Lanier writes on the philosophy and economics of technology in his bestselling book Who Owns the Future? and You Are Not a Gadget. His book Dawn of the New Everything: Encounters with Reality and Virtual Reality is an inventive blend of autobiography, science writing, and philosophy. Lanier has been named one of TIME's 100 most influential people and serves as Prime Unifying Scientist at Microsoft's Office of the CTO—aka “Octopus.” As a musician, he's performed with Sara Bareilles, Philip Glass, T Bone Burnett, Laurie Anderson, Jon Batiste, and others.Episode Websitewww.creativeprocess.info/podInstagram:@creativeprocesspodcastPhoto credit: Michael Springer

Hablar del Cielo es para la mayoría, una forma de escapismo o mera especulación. En la Biblia, el cielo es la atmósfera, donde están las aves y las nubes, o el firmamento de planetas y estrellas, pero también al lugar al que se refiere Jesús en el capítulo 14 de la Buena Noticia según Juan: allí donde Dios está. Nuestra sintonía de "Ruta 66" está, esta vez. a cargo de una cantante y bailarina afroamericana ya fallecida, Othella Dallas (1925-2020), que fue del sur de Estados Unidos a Basilea en Suiza, donde murió y fundó una escuela de danza. Robert Smith escribió en el sur de Francia para su grupo, The Cure, la canción "Tal y como en el Cielo" (Just Like Heaven) en 1987. Habla de un viaje a la costa con la que será luego su esposa. Expresa como estar en el Cielo es unirte a la persona que amas. El argentino Kevin Johansen nació en Alaska cuando su padre huía del Vietnam con una mujer argentina. Tras su separación, Kevin vive con su madre entre Buenos Aires y Montevideo, hasta casarse con una bailarina argentina e irse a vivir a Nueva York. Allí el escocés David Byrne hizo en 1979 para su grupo Talking Heads, la canción que Johansen canta en castellano en 2022, "El Cielo". Ese mismo título tiene la canción que grabó en 1984, el grupo inglés The Psychedelic Furs (Heaven). Hay pocas películas que se atrevan a imaginar la vida después de la muerte. Una de las más curiosas es la del cómico judío Albert Brooks, que llamamos en España, "El Cielo... próximamente" y en Hispanoamérica; "Visa al Paraíso", pero su verdadero título es "Defendiendo tu vida". La hizo en 1991 con él como un publicista de Los Ángeles que muere en un accidente de coche, el día de su cumpleaños y va a la Ciudad del Juicio, donde encuentra a Meryl Streep. Escuchamos varias escenas de la versión doblada al castellano con los comentarios de José de Segovia sobre la banda sonora original de Michael Gore. La canción "Llamando a las Puertas del Cielo" (Knockin´On Heaven´s Door) es una de las más populares del actual Premio Nobel de Literatura, Bob Dylan. La escribió para el western de Sam Peckinpah, Pat Garrett y Billy The Kid en 1973. La han cantado muchos después, pero pocas versiones están tan logradas como la que hizo el propio Dylan hace medio siglo en el teatro de la plaza de la universidad de Harvard en la Rolling Thunder Revue con el violín de Scarlet Rivera y la guitarra de T-Bone Burnett. El auténtico góspel, la música de la iglesia afroamericana, aparece de forma renovada en las canciones del pastor de Los Ängeles, Deitrick Haddon, que en su visión del Cielo (Well Done 2011), recuerda a la música de Prince con la claridad del Evangelio.

Se dice que los que hacemos habla más fuerte que todas nuestras palabras. No siempre es cierto, pero hay ocasiones en que lo único que podemos decir es con nuestros actos. Jesús dice que hay algo en lo que se reconocerá a sus discípulos, que es en su amor, los unos por los otros (Juan 13:35). Este capítulo comienza con el ejemplo de humillación del Señor lavando los píes a sus siervos (vv. 1-20). El que fuera guitarrista de Bob Dylan en la gira que hizo hace medio siglo, T-Bone Burnett, se ha convertido en uno de las figuras más importantes de Nashville, como productor y autor de bandas sonoras, pero continua haciendo canciones como esta de su último álbum, que que refleja su fe en el Rey Siervo, "Él descendió" (He Came Down 2024). Marcus Mumford es hijo de los responsables de la Comunidad de la Viña durante más de veinte años en Gran Bretaña e Irlanda. Pasó de dirigir la música de alabanza a ser una estrella de "rock" y casarse con una de las más populares actrices inglesas, Carey Mulligan, que conoció en un campamento evangélico. Ahora no se llama cristiano, pero hace todavía canciones que parecen oraciones, como "Bajo mis píes" (Below My Feet 2012): "Qué mire en lo que pueda servir y aprender con mis manos / cuando Jesús me diga que todo está bien". La entrega de Jesús contrasta con la traición de Judas (vv. 21-30). El líder del grupo The Verve, Richard Ashcroft, llevaba mucho tiempo flirteando con el cristianismo hasta que hizo pública su fe, al emprender su carrera en solitario. En la canción que hizo con el grupo sobre "Judas" en 2008, lucha con los sentimientos que nos llevan a negar a quien más queremos. Martin Scorsese ha hecho el año pasado un documental sobre las impresionantes películas de dos directores ingleses en los años 40 y 50, Powell y Pressburger. Una de las más sorprendentes es "Narciso negro" (1947), la historia de una comunidad de monjas anglicanas (sí, ¡también hay monjas anglicanas!), que bajo la dirección del personaje que interpreta Deborah Kerr, forman un convento en los Himalayas, donde tenía un rajá indio, el palacio de su harén. Viven la tensión entre un cínico inglés y un joven general fascinado por el cristianismo, que encarna el actor indio Sabu. José de Segovia comenta algunas escenas de la versión doblada con la música de fondo de la banda sonora original de Brian Easdale. Suena también la de Gregoire Hertzel para la película francesa sobre una monjas polacas embarazadas, al ser violadas por las tropas rusas, "Las inocentes" (2016). así como la de Anne Dudley para el film sobre la monja mística "Benedetta" (2021) del holandés Paul Verhoeven, criado por su madre en una iglesia pentecostal. "Sin amor, no eres nada", dice Larry Norman en su crítica al "Justo Rockero" (Righteous Rocker) en el primer álbum de la maravillosa trilogía que comenzó a grabar en Londres en 1972, "Sólo de visita en este planeta" (Only Visiting This Planet), calificado por la Biblioteca Nacional del Congreso estadounidense como "la obra clave de la historia del rock cristiano". Acabamos el programa con la invitación a unirse a la "Caravana del amor" (Caravan Of Love) de los hermanos Isley en 1985 y su pregunta de si "estás preparado", porque "Él viene".

THIS IS A PREVIEW PODCAST. NOT THE FULL EPISODE. Please check out the full podcast episode on our Patreon Page by subscribing over at - https://www.patreon.com/NextBestPicture Our 2009 retrospective has begun!! And we're kicking things off with Scott Cooper's film directorial debut, which won Jeff Bridges his Oscar, "Crazy Heart," which also stars Maggie Gyllenhaal, Robert Duvall, and Colin Farrell. With original music by T Bone Burnett, Stephen Bruton, and Ryan Bingham, the film received positive reviews upon release and was nominated for three Academy Awards, winning two for Bridges and for the song "The Weary Kind." How does it hold up today? Join Josh Parham, Dan Bayer, Brendan Hodges, and me as we discuss our thoughts on the performances, writing, direction, music, its awards season run, and more in our SPOILER-FILLED review. We appreciate your support and hope you enjoy our discussion! Check out more on NextBestPicture.com Please subscribe on... Apple Podcasts - https://itunes.apple.com/us/podcast/negs-best-film-podcast/id1087678387?mt=2 Spotify - https://open.spotify.com/show/7IMIzpYehTqeUa1d9EC4jT YouTube - https://www.youtube.com/channel/UCWA7KiotcWmHiYYy6wJqwOw And be sure to help support us on Patreon for as little as $1 a month at https://www.patreon.com/NextBestPicture and listen to this podcast ad-free Learn more about your ad choices. Visit megaphone.fm/adchoices

Musician and Oscar winning actor Jeff Bridges joins us to unpack his Record Store Day 2025 release, Slow Magic 1977-1978 (Light In The Attic Records), in a wide-ranging musical conversation that finds Bridges recalling moments from his entire career.  "The Dude" (from The Big Lebowski) abides us with tales of his famous acting family (father Lloyd, mother Dorothy, and brother Beau), growing up with Bonnie Raitt, and his award winning work with T Bone Burnett (producer of the Crazy Heart soundtrack and Bridges' self-titled 2011 album), and even recalls Rocky's Burgess Meredith (the original "Penguin" from the 1960s Batman TV series who performs spoken word poetry on Slow Magic).  The Record Store Day Podcast is a weekly music chat show written, produced, engineered and hosted by Paul Myers, who also composed the theme music and selected interstitial music.  Executive Producers (for Record Store Day) Michael Kurtz and Carrie Colliton.   Record Store Day 2025 is April 12th. For the most up-to-date news about all things RSD, including The List, visit RecordStoreDay.com)   Please consider subscribing to our podcast wherever you get podcasts, and tell your friends, we're here every week and we love making new friends.

Aunque la piscología lleva tiempo intentando que nos libremos del sentimiento de culpa, seguimos escuchando la voz de la conciencia que nos dice que no somos cómo debieramos ser. Nuestro temor más profundo es que un día se haga evidente la realidad de todo aquello que logramos ocultar con nuestras palabras y disimulos. Jesús anuncia al final del capítulo 12 del Evangelio según Juan que ha llegado la Luz que pondrá en evidencia todo lo que está en tinieblas (vv. 44-50). Tras la sintonía de nuevo a cargo de Depeche Mode, el grupo británico que José de Segovia conoció cuando dos de sus miembros iban a un festival cristiano a principios de los años 80. Esta vez escuchamos su versión de Ruta 66 en vivo en Pasadena (California) en 1988. Otro de los grupos que unía los sintetizadores a las melodías pop en aquella época desde la fe cristiana era Vector. Formada en Sacramento (California) escuchamos la canción de su primer albúm, "La virtud del maniquí" (Mannequin Virtue 1983) que nos habla de la necesidad de esa Luz (All Around The Word). A ese momento de revelación se refiere también el granadino José Ignació Lapido, que después de 091 sigue escribiendo canciones tan sugerentes como ésta de su último álbum (Curado de espanto). José Moreno Berrocal habla de cómo el escritor checo Franz Kafka (1883-1924) "nos enseña la realidad de ser humano, que arrojado a la existencia en un mundo que no asimila, carece de rumbo". De Segovia habla a raíz de los comentarios de su amigo Moreno Berrocal, por el centenario de este escritor judío, sobre su libro "El Proceso", publicado de modo postumo en 1925 por su amigo Max Brod. Escuchamos escenas de la película de Orson Welles en 1962, después de la canción del grupo británico The Cure inspirada en su obra (At Night 1980). La música instrumental de fondo es de la película "Kafka" (1991) por Cliff Martínez y "El inquilino" (1976) de Polanski por Philippe Sarde. La canción de "blues" del Ciego Willie Johnson, "No es culpa de ningún otro, sino mía" (It´s Nobody´s Fault But Mine) en 1927 fue llevada al "rock" por el grupo Led Zeppelin. La grabaron varias veces. La escuchamos en la reciente versión que volvieron a hacer juntos, Jimmy Page y Robert Plant. No es tarde para el arrepentimiento. Vivimos todavía un tiempo de gracia. El guitarrista de Bob Dylan en la Rolling Thunder Revue, T-Bone Burnett, tiene toda una carrera en solitario y como productor, que une su fe cristiama a la música americana con raíces. El nieto del pator, secretario de la Convención Bautista del Sur, criado en la iglesia episcopal, nos dice que "No es demasiado tarde" (It´s Not Too Late) en el álbum en que confiesa ser "El criminal bajo su propio sombrero" (The Criminal Under My Own Hat 1992).

Esta semana, en Islas de Robinson, caemos de lleno en territorio de Americana. Un puñado de clásicos del Country alternativo, del 90 en adelante. Suenan: CHUCK PROPHET - "RAGE AND STORM" ("BROTHER ALDO", 1990) / LUCINDA WILLIAMS - "SOMETHING ABOUT WHAT HAPPENS WHEN WE TALK" ("SWEET OLD WORLD", 1992) / VIC CHESNUTT - "WHERE WERE YOU" ("WEST OF ROME", 1991) / VIGILANTES OF LOVE - "SICK OF IT ALL" ("THE KILLING FLOOR", 1992) / TERRY LEE HALE - "JUST ASK ME" ("OH WHAT A WORLD", 1991) / T-BONE BURNETT - "OVER YOU" ("THE CRIMINAL UNDER MY OWN HAT", 1992) / FREAKWATER - "MY OLD DRUNK FRIEND" ("FEELS LIKE THE THIRD TIME", 1993) / UNCLE TUPELO - "GIVE BACK THE KEY TO MY HEART" ("ANODYNE", 1993) / VICTORIA WILLIAMS - "WHEN WE SING TOGETHER" ("LOOSE", 1994) / RICHARD BUCKNER - "BLUE AND WONDER" ("BLOOMED", 1994) / STEVE EARLE - "NOTHIN' WITHOUT YOU" ("TRAIN A COMIN'", 1995) / GILLIAN WELCH - "ONLY ONE AND ONLY" ("REVIVAL", 1996) / LAURA CANTRELL - "LITTLE BIT OF YOU" ("NOT THE TREMBLIN' KIND", 2000) / NICK LOWE - "THE BEAST IN ME" ("THE IMPOSSIBLE BIRD", 1994) /Escuchar audio

Blackie and the Rodeo Kings are one of the most interesting bands working anywhere today. Sometimes they're in a recording studio time warp with more songs to choose from than Gabriel. Followed by tours and festivals everywhere. Then they disappear The punch line to the tale is, the Blackie guys have their own lives, careers and fan bases. What's most remarkable is, after more than 25 years, they are still a band and friends.   For Example:   Stephen Fearing is releasing his next album on March 13 - The Empathist.  Wildly outstanding music. (We'll be talking again.) Stephen starts his Canadian tour at The Carleton Room in Halifax with two sold-out nights Feb 4-5. Kicks off album release March 13 at Mary Winspear in Sidney, Vancouver Island. Alberta dates March 21 Festival Place Sherwood Park, March 22 River Park Church Calgary.   Colin Linden Colin continues to produce artists at his Pinhead Recorders in Nashville. He's also been touring with T Bone Burnett. He co-wrote and co-produced T Bone's latest album The Other Side.  Next week Colin starts a new album, just in time to hit the road again. Colin begins his own tour - The Ride on Tour - on April 23, hitting Calgary on June 1 and Canmore on June 3. Tom and Terry   Tom Wilson I'll just give you the short version. Re-recording songs,  with son Thompson, from his play Beautiful Scars.  Writing and recording soundtrack music for a number of projects including a film by Tanya Tagaq. Between his flourishing artwork, writing a new book, and starting a new album, Tom also enjoys the glow of an Order of Canada induction.  That's the short version.   Blackie - The Band.   Plans are underway for dates in Canada. Winnipeg Folk Festival, Mariposa Folk Festival, Belmont Festival Edmonton (June 20) They are planning shows in Hamilton, Toronto where cameras will be filming. More events to come.

Taylor Goldsmith of Dawes joins us to talk about the evolution of humor in his songwriting, why he's transparent with his fans, and maybe the most Bob Dylan of Bob Dylan stories we've ever heard. PART ONE:Paul and Scott address the recent wildfires in the Los Angeles area, and encourage people to help make a difference by considering a donation through one of four organizations: Fire Aid (fireaidla.org)The Red Cross (redcross.org)MusiCares (musicares.org)World Central Kitchen (wck.org) PART TWO:Our in-depth conversation with Taylor Goldsmith of DawesABOUT TAYLOR GOLDSMITH:Taylor Goldsmith is best known as the lead singer, guitarist, and primary songwriter for the folk-influenced rock band Dawes. The group, which also includes Taylor's brother, Griffin, has released nine full-length studio albums, six of which have hit the Top 5 on Billboard's Americana/Folk Albums chart, and four of which have hit the Top 10 on Billboard's rock chart. In addition to his work with Dawes, he has been a member of the band Middle Brother with Matt Vasquez of Delta Spirit and John McCauley of Deer Tick. Taylor also contributed to T Bone Burnett's New Basement Tapes project—which completed unfinished Bob Dylan songs—alongside Marcus Mumford, Jim James, Rhiannon Giddens, and Elvis Costello. As a songwriter outside the band, Taylor has collaborated with The Killers, Conor Oberst, Brandon Flowers, Robert Ellis, Demi Lovato, and his wife Mandy Moore. The most recent Dawes album, released in October of 2024, is called Oh Brother. Sadly, not long after our conversation, both Taylor and his brother Griffin became victims of the massive Southern California wildfires that devastated portions of the Los Angeles area and severely damaged or destroyed their homes.  

Happy 2025! We begin this year with our review of Ringo Starr's new album Look Up. We talk about the guest stars who play with Ringo (Billy Strings, Molly Tuttle, and others), the songs, the production and songwriting by T-Bone Burnett, the idea of this being a "country" album, Ringo's recent concerts in Nashville (and a cool new setlist!), and much more. We finish with a bit of Beatles news. Thanks for listening! =================== Feel free to email or record a message to ivegotabeatlespodcast@outlook.com and we'll include you in our "Please Mr. Postman" segment. Also, please rate us wherever you listen to your podcasts. You can now hear us on YouTube! Complete episodes can be found at https://ivegotabeatlespodcast.podbean.com. Email: ivegotabeatlespodcast@hotmail.com X: @ivegotabeatles Facebook: I've Got A Beatles Podcast Our video venture: "Song Album Career!"

This week, Original Counting Crows Drummer Steve Bowman joins me to take a deep dive into the band's debut 1993 masterpiece, “August & Everything After,” including the stories behind tracks such as: “Round Here,” “Omaha,” “Mr. Jones,” “Anna Begins,” “Time & Time Again,” “Rain King,” “Sullivan Street” & “A Murder of One.”  We also discuss: the lessons learned from T-Bone Burnett, the producer of the album; the stories behind deep cuts & b-sides from that era, such as “Einstein on the Beach (For an Eggman),” “Love & Addiction” & the album's title track (which wasn't released officially until 2019); the experience of performing on the David Letterman Show on the same evening as Madonna; seeing your smiling face on the cover of Rolling Stone Magazine (just like Dr. Hook sang about), and so much more!  Be sure to visit MyWeeklyMixtape.com to hear all of the songs we discussed in this episode, and join the My Weekly Mixtape Discord Server via the link on the episode page! FOR MORE ON MY WEEKLY MIXTAPE Website: http://www.myweeklymixtape.com Patreon: https://www.patreon.com/myweeklymixtape Facebook: http://www.facebook.com/myweeklymixtape X: https://x.com/myweeklymixtape Instagram: https://www.instagram.com/myweeklymixtape Threads: https://www.threads.net/@myweeklymixtape  Bluesky: https://bsky.app/profile/myweeklymixtape.bsky.social  TikTok: https://www.tiktok.com/@myweeklymixtape Learn more about your ad choices. Visit megaphone.fm/adchoices

El 2024 ha estat un any de retorns, i potser el m

This afternoon's program features musical commentary of the week that was from Jefferson Airplane, The Doors, Bob Dylan, T Bone Burnett, Love, Grateful Dead, Talking Heads, Beatles & Rolling Stones. Additional tuneage from The Hollies, Who, Byrds, Monkees, Rascals, Brian Auger, Return To Forever, Al Di Meola, Creedence Clearwater Revival, Chicago, Deep Purple, GGrand Funk Railroad and Humble Pie.

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Friends and musical collaborators for over 40 years, Elvis Costello and T Bone Burnett know more about the American songbook than almost anyone else. Listen to them regale Stephen Colbert with stories from their decades in show business and go to The Late Show's YouTube channel for two performances by a duo that looks a lot like Elvis and T Bone, The Coward Brothers. Learn more about your ad choices. Visit megaphone.fm/adchoices

Phil and David didn't want last week's conversation with Elvis Costello & T Bone Burnett to end, so they invited The Artists Also Known as Howard Coward and Henry Coward to discuss The Fab Four and so much more. The result might have been A Hard Day's Night for our Fab guests, but it was the best kind of Magical Mystery Tour for Phil, David & all of you out there trying to create "Naked Lunchmania." Stay tuned for a preview of the three-part Audible Original series, "The True Story of The Coward Brothers." To learn more about building community through food and "Somebody Feed the People," visit the Philanthropy page at philrosenthalworld.com.

This week on Rockonteurs we welcome Elvis Costello to the podcast. Elvis chats to Guy and Gary about the new ‘King of America' boxset and some of the superb tracks off that album like ‘America Without Tears'. Elvis also talks about his well established and highly productive relationship with producer T-Bone Burnett, meeting Johnny Cash and how his father got an autographed photo of Duke Ellington. Listen to the podcast and watch some of our latest episodes on our Rockonteurs YouTube channel.Instagram @rockonteurs @guyprattofficial @garyjkemp @elviscostello @gimmesugarproductionsYouTube: https://www.youtube.com/@rockonteursFacebook: https://www.facebook.com/RockonteursProduced for WMG UK by Ben Jones and Ian Callaghan at Gimme Sugar Productions Hosted on Acast. See acast.com/privacy for more information.

This week on Rockonteurs we welcome Elvis Costello to the podcast. Elvis chats to Guy and Gary about the new ‘King of America' boxset and some of the superb tracks off that album like ‘America Without Tears'. Elvis also talks about his well established and highly productive relationship with producer T-Bone Burnett, meeting Johnny Cash and how his father got an autographed photo of Duke Ellington. Listen to the podcast and watch some of our latest episodes on our Rockonteurs YouTube channel.Instagram @rockonteurs @guyprattofficial @garyjkemp @elviscostello @gimmesugarproductionsYouTube: https://www.youtube.com/@rockonteursFacebook: https://www.facebook.com/RockonteursProduced for WMG UK by Ben Jones and Ian Callaghan at Gimme Sugar Productions Hosted on Acast. See acast.com/privacy for more information.

Hosted by Jane Pauley. In our cover story, David Martin looks at an organization extending a helping hand to wounded veterans and their families. Plus: Tracy Smith talks with actor Ted Danson about his new Netflix series, “A Man on the Inside”; Anthony Mason interviews music producer T Bone Burnett; Bill Whitaker reports on one woman's search for her ancestor, a former slave and Civil War veteran; and Seth Doane examines a promising new therapy for PTSD.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

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On this week's show, we pour one out for the late Kris Kristofferson, spend quality with new records from Alan Sparhawk, The Hard Quartet and Steve Wynn, and spotlight the sprawling new compilation Cardinals at the Window, a benefit to raise money to help the communities of Western Notrth Carolina that were affected by Hurrican Helene. All this & much, much less! Debts No Honest Man Can Pay started in 2003 at WHFR-FM (Dearborn, MI), moved to WGWG-FM (Boiling Springs, NC) in 2006 & Plaza Midwood Community Radio (Charlotte, NC) in 2012, with a brief pit-stop at WLFM-FM (Appleton, WI) in 2004.

"A Boot And A Shoe" The Grammy-nominated singer/songwriter Sam Phillips has had quite a career. The Glendale-born musician has almost fifteen albums under her musical belt, including The Indescribable Wow, Cruel Inventions, Martinis and Bikinis, Cold Dark Nights and the newly reissued version of A Boot And A Shoe. We'll get to that in a minute, but before we do, let me give you a partial list of folks she's collaborated with over the years: R.EM., Elvis Costello, T-Bone Burnett, Van Dyke Parks, Marc Ribot, Jim Keltner, Gillian Welch and David Rawlings. Other career highlights; she's composed scores for Gilmore Girls, Bunheads and the Marvelous Ms. Maisel, she appeared in Die Hard With A Vengeance and Wim Wenders' The End Of Violence (the throat cutting I referenced comes in the former) and her handmade collages on repurposed vintage album sleeves that were found at flea markets.were exhibited at the Gertrude Contemporary in Australia. But back to a Boot and A Shoe. The 2004 album has been given a proper reissue by Omnivore to commemorate its 20th anniversary. Available on CD and on vinyl for the very first time along with new liner notes penned by Phillips, the thirteen track album has never sounded better. Thanks to Phillips' lyrical dexterity and elegant phrasing and featuring numbers like "Reflecting Light," "If I Could Write," "Hole In My Pocket" and "One Day Late," A Boot And A Shoe" remains a timeless classic. www.samphillips.com www.stereoembersmagazine.com (http://www.stereoembersmagazine.com) www.bombshellradio.com (http://www.bombshellradio.com) www.alexgreenbooks.com (http://www.alexgreenbooks.com) Stereo Embers The Podcast Twitter (what's left of it): @emberseditor IG: @emberspodcast Email: editor@stereoembersmagazine.com (mailto:editor@stereoembersmagazine.com)

This week on "BETA," award-winning actor and director David Duchovny on learning from failure. Plus, a look at the long-awaited solo album from music legend T Bone Burnett and a crash course on writing from author, Steve Almond.

Guanyadora d'un Globus d'Or pel seu paper de Billie Holliday a la pel

Pacific St Blues & AmericanaSeptember 15, 2024Play What's the Common Thread this weekContact 1. Shemekia Copeland / Blame It On Eve2. Sarah King / Not Worth the Whiskey 3. Robben Ford / Nothin' to Nobody 4. Marcus King / Soul It Screams5. Kyshona feat Keb Mo / Carolina6. T Bone Burnett feat Rosanne Cash / (I'm Gonna Get Over This) Someday7. Bonnie Raitt / Made Up Mind 8. Kris Lager Band / What You Don't Have 9. Canned Heat / One Last Boogie10. Sue Foley / Me and My Chauffer11. Memphis Minnie / When the Levee Breaks12. Luther Allison / Gamblers Blues 13. BB King / Dark is the Night 14. Ann Peebles / I'm Gonna Tear Your Playhouse Down15. Al Green / Let's Stick Together16. Bobby Day / Rockin' Robin17. Jackson Five / Mama Told Me Not to Come18. Graham Parker / I Want You Back 19. Karen Souza / Billie Jean 

Two movies for the price of one! Our first double feature is a doozy! Tender Mercies and Crazy Heart both tell the story of aging country singer/songwriters fallen on hard times. Both have incredible star power from Robert DuVall, Tess Harper, Horton Foote, Jeff Bridges, Maggie Gyllenhaal & T-Bone Burnett. Both were award show darlings. And both have top notch country tunes! So roll down the windows and enjoy the sunset as we walk ya through all the ins and outs of Mac Sledge and Otis "Bad" Blake. Visit https://fictionradiopod.com for more episodes and links to all our feeds and socials. Contact us at FictionRadioPod@gmail.com with your comments or suggestions for future episodes.

Two-time Grammy nominated duo The Secret Sisters (Laura Rogers and Lydia Slagle) join us to chat about their development as songwriters and reaching new creative heights with their latest album. PART ONE:Scott and Paul chat about Scott's recent trip to see Norah Jones and Lake Street Dive perform at Red Rocks and discuss the ways concerts have changed in recent years. Plus, they take an opportunity to gripe about the changes coming to Southwest Airlines. What does that have to do with anything? Nothing, but I guess they're the ones with the microphones! PART TWO:Our in-depth conversation with Laura Rogers and Lydia Slagle of The Secret SistersABOUT THE SECRET SISTERS:Two-time Grammy nominees Laura Rogers and Lydia Rogers Slagle, known as The Secret Sisters, are Alabama-born siblings who released their self-titled debut album on Universal Republic Records in 2010. Produced by Dave Cobb, the album featured primarily traditional songs and country music covers alongside two originals. The follow-up, Put Your Needle Down, was produced by T-Bone Burnett and found the sisters contributing more original material, including collaborations with Brandi Carlile and Dan Wilson. Both albums reached the Top 10 on Billboard's folk chart. Their next two releases—You Don't Own Me Anymore and Saturn Return—were co-produced by Brandi Carlile, and each earned a Grammy nomination for Best Folk Album. Their fifth, and most recent, studio album is called Mind, Man, Medicine and finds the sisters co-producing for the first time, alongside Ben Tanner and John Paul White, who is best known as half of the duo The Civil Wars. The album was recorded in their hometown of Muscle Shoals, Alabama, primarily at the legendary FAME Studios. 

Tom Schulman graduated from Vanderbilt University with a B.A. in Philosophy. He studied at USC Graduate School of Cinema, with Jack Garfein at the Actors and Directors Lab, Los Angeles, and with director Joan Darling. He directed the Actors' Studio first west coast production, Harold Pinter's The Caretaker.Tom wrote Dead Poets Society for which he received an Academy Award for best original screenplay. He also wrote What About Bob?, Honey, I Shrunk the Kids, Medicine Man, and Holy Man. He wrote and directed Eight Heads in a Duffel Bag He was an executive producer on Indecent Proposal and Me, Myself and Irene. He was the writer/producer of Welcome to Mooseport. He co-wrote and co-produced with Rafael Yglesias and J.J. Abrams, The Anatomy of Hope, a pilot for HBO. He recently wrote, with Callie Khouri, Trae Crowder, and T Bone Burnett, a pilot for Amazon.He recently wrote and directed Double Down South, an indie feature that will be released in April. Tom served on the board of directors and then as vice president of the Writers Guild of America, West. Tom was the president of the Writers Guild Foundation and serves on its board. He serves on the advisory board of the Science and Entertainment Exchange.Please enjoy my conversation with Tom Schulman.Become a supporter of this podcast: https://www.spreaker.com/podcast/indie-film-hustle-a-filmmaking-podcast--2664729/support.

With two Midstate communities considering changes to their alcohol laws, we take a look at why the rules vary throughout Tennessee. Plus the local news for July 2, 2024 and T-Bone Burnett.   Credits: This is a production of Nashville Public Radio Host/producer: Nina Cardona Editor: Miriam Kramer Additional support: Mack Linebaugh, Tony Gonzalez, Rachel Iacovone, LaTonya Turner and the staff of WPLN and WNXP 

NPR Music's Ann Powers and Hazel Cills dig into Taylor Swift's 'The Tortured Poets Department,' which hit streaming services last night, and share a handful of other new albums out Friday, April 19.Featured Albums:• Taylor Swift, 'The Tortured Poets Department'• Bbymutha, 'Sleep Paralysis'• claire rousay, 'sentiment'• Pearl Jam, 'Dark Matter'Other notable albums out April 19:• Stephanie Lambring, 'Hypocrite'• Cadence Weapon, 'ROLLERCOASTER'• Tei Shi, 'Valerie'• Ekko Astral, 'pink balloons'• Bill Frisell, 'Orchestras'• BIG|BRAVE, 'A Chaos of Flowers'• Blue Lab Beats, 'Blue Eclipse'• Chanel Beads, 'Your Day Will Come'• Local Natives, 'But I'll Wait For You'• Gangrene (The Alchemist & Oh No), 'Heads I Win, Tails You Lose'• Brian Eno, 'Eno'• Cloud Nothings, 'Final Summer'• Melvins, 'Tarantula Heart'• Mozzy, 'CHILDREN OF THE SLUMS'• Lucy Rose, 'This Ain't The Way You Go Out'• Pillow Queens, 'Name Your Sorrow'• A Certain Ratio, 'It All Comes Down To This'• Cavalier, 'Different Type Time'• Kid Congo & The Pink Monkey Birds, 'That Delicious Vice'• T Bone Burnett, 'The Other Side'Learn more about sponsor message choices: podcastchoices.com/adchoicesNPR Privacy Policy