Podcast appearances and mentions of George Valentine

In this episode, George is drawn into a complex web of jealousy, love, and betrayal surrounding a woman named Sylvia. As he navigates the emotional turmoil of Leslie Graham, Sylvia's husband, Valentine uncovers dark secrets that lead to a shocking conclusion about Sylvia's true nature and her past. The story explores themes of trust, the impact of jealousy, and the lengths one will go to for love, culminating in a dramatic investigation that reveals the truth behind a tragic death.TakeawaysGeorge Valentine is a private detective who takes on complex cases.Leslie Graham is deeply troubled by jealousy over his wife, Sylvia.Sylvia's beauty and charm create tension in her relationships.The investigation reveals Sylvia's dark past and previous marriage.Trust becomes a central theme as characters navigate their emotions.The narrative explores the psychological impact of jealousy.Valentine's methods involve digging into personal histories.The story culminates in a shocking revelation about Sylvia.The case raises questions about love and betrayal.The characters' motivations are driven by their emotional struggles.mystery, jealousy, investigation, trust, murder, love, betrayal, private detective, George Valentine, Sylvia

In this episode, George Valentine is tasked with uncovering the truth behind a mysterious gift—a valuable Wittenberg Bible—left by Wesley Hart. As he delves into the lives of Hart's family and acquaintances, secrets and hidden motives come to light, leading to a shocking revelation about Hart's death. The story explores themes of family dynamics, trust, and the lengths people will go to for love and legacy.TakeawaysGeorge Valentine is a detective who takes on unique cases.Wesley Hart wants to give his Bible to someone special before he dies.Family members often hide their true selves from each other.The investigation reveals deep-seated secrets and resentments.A sudden death raises questions about murder versus accident.Experiments can reveal truths about seemingly impossible situations.Dinner becomes a stage for revelations and confrontations.The value of the Wittenberg Bible symbolizes more than just money.Trust is a fragile thing in family dynamics.The story ends with a cliffhanger, hinting at future adventures.mystery, investigation, family secrets, murder, drama, George Valentine, Wittenberg Bible, character dynamics, suspense, storytelling

The sstory revolves around a mysterious series of murder attempts on Professor Kober, a botany teacher, and the investigation led by George Valentine. As the story unfolds, various characters reveal their motives and connections to the professor, leading to a thrilling conclusion where the true murderer is revealed.TakeawaysThe story begins with a mysterious threat to Professor Kober.Louise DeRane believes her professor is in danger.The investigation reveals multiple suspects with motives.The greenhouse holds secrets that could lead to murder.Accidents surrounding the professor are not mere coincidences.The tension escalates as more attempts on Kober's life occur.Valentine uncovers a deeper conspiracy involving jealousy and ambition.The true murderer is revealed through clever deduction.The story highlights the intersection of academia and personal relationships.The conclusion leaves room for future adventures.mystery, murder, investigation, botany, professor, danger, greenhouse, suspects, motives, adventure

In this gripping mystery, George Valentine investigates the case of Marion McLean, who disappeared seven years ago after writing a suicide note. As he delves deeper, he uncovers a web of deception involving her husband, Frank McLean, and a sculptor named Samuel. The investigation reveals themes of love, betrayal, and the lengths people will go to for money, culminating in a shocking revelation about the true fate of Marion McLean.TakeawaysThe concept of the 'seven-year itch' plays a crucial role in the investigation.Insurance fraud can lead to desperate measures, including faking a death.Art can be a cover for darker secrets, as seen with the sculptor.The difficulty of disposing of a body is a recurring theme in crime investigations.Hypothetical scenarios can reveal true intentions and motivations.The return of a presumed dead person can complicate matters significantly.The investigation highlights the intersection of love and betrayal.The idea of hiding in plain sight is a powerful tactic in deception.The final confrontation reveals the truth behind the mystery of Marion McLean.The story emphasizes the importance of thorough investigation in uncovering hidden truths.George Valentine, Marion McLean, insurance investigation, mystery, suspense, crime, body disposal, art, betrayal, love

Happy Father's Day! We're celebrating dear old Dad with a collection of radio mysteries featuring fathers. First, Ellery Queen and his police inspector father collaborate on a case of smuggling and murder. Larry Dobkin is Ellery in “Number Thirty-One” (originally aired on NBC on September 7, 1947). Next, George Valentine is hired by a convicted killer's son to clear his father's name. Bob Bailey stars in “The Father Who Had Nothing to Say” from Let George Do It (originally aired on Mutual on September 13, 1948). Then, meet private eye Joshua Sharp - known to his kids as The Big Guy. Henry Calvin plays the shamus and doting dad in "The Unheard Voice" (originally aired on NBC on May 7, 1950). And finally, Philip Marlowe hunts for a missing son for an ailing father. Gerald Mohr plays Marlowe in “The Last Wish” (originally aired on CBS on July 19, 1950).

In the past month, four violent deaths have occurred in the Warrington Square neighborhood, each victim found wearing a distinctive, gay sport jacket. George Valentine has been anonymously hired to investigate. Someone suspects they know the killer's identity but lacks certainty and seeks peace of mind. The police currently see no connection between the four motives. As such, George Valentine was hired; his fee and a letter identifying the suspected murderer were left in a locker at the station.In this gripping radio drama, George Valentine is hired to investigate a series of murders in Warrington Square, all linked by a mysterious plaid jacket. As he delves deeper, he encounters a cast of quirky characters, including a blind witness and a fashion designer, all while piecing together the clues that lead to the killer's identity. The story unfolds with suspense and intrigue, culminating in a shocking revelation about the true nature of the murders and the motivations behind them.TakeawaysThe case revolves around a series of murders in Warrington Square.A mysterious letter prompts George Valentine to take the case.The victims are connected by a plaid jacket worn by the killer.Valentine encounters various characters, each with their own insights.The investigation reveals the complexities of public perception and media influence.A blind witness plays a crucial role in identifying the killer.The story explores themes of fear, suspicion, and the quest for truth.Valentine's interactions with the police highlight the challenges of crime-solving.The narrative builds suspense through unexpected twists and turns.The conclusion ties together the various threads of the investigation, revealing the killer's identity.George Valentine, murder mystery, Warrington Square, plaid jacket, detective story, crime investigation, blind witness, suspense, thriller, radio drama

Crime on a WednesdayFirst, a look at the events of the dayThen Let George Do It starring Bob Bailey and Virginia Gregg, originally broadcast June 11, 1951,  74 years ago, Sucker Stunt.   George Valentine is the sucker when he proves Tim McGeehan is guilty of armed robbery. But what about the murder that McGeehan committed? George Valentine provides McGeehan's alibi!Followed by Boston Blackie starring Dick Kollmar, originally broadcast June 11, 1947, 78 years ago, Blackie Shoots a Watchman. Mary hires a private detective to follow Boston Blackie! Blackie shoots a watchman!Then Calling All Cars, originally broadcast June 11, 1935, 90 years ago, Hot Bonds. Stolen "Liberty Bonds" are being "unloaded" for Pretty Boy Floyd's gang. Floyd himself had died only a few months before this broadcast. Followed by I Was a Communist For The FBI starring Dana Andrews, originally broadcast June 11, 1952, 73 years ago, The American Kremlin.   After seeing a dead body at Party headquarters, Cvetic is sent to New York to subvert a labor union. Cvetic is accused of being an FBI spy by a clever fat man.Finally, Lum and Abner, originally broadcast June 11, 1942, 83 years ago, Trying to get Poetic License.  Lum calls the Town Hall to apply for a "Poetic License."Thanks to Adele for supporting our podcast by using the Buy Me a Coffee function at http://classicradio.streamIf you like what we do here, visit our friend Jay at http://radio.macinmind.com for great old time radio shows 24 hours a day

In this thrilling adventure, George Valentine is drawn into a dangerous rivalry between two businessmen, Gorman and Grandby, while trying to protect a beautiful singer, Lila Parker. As he navigates through deception and danger, Valentine must uncover the truth and save those involved before it's too late.TakeawaysGeorge Valentine is a private investigator who takes on dangerous assignments.The rivalry between Gorman and Grandby sets the stage for conflict.Lila Parker is a key figure in the unfolding drama.Valentine's charm and wit are essential to his character.The story explores themes of love, betrayal, and survival.The nightclub serves as a critical setting for the climax.Valentine's determination to protect Lila drives the narrative.The investigation reveals deeper connections between characters.The tension builds as the plan to confront Grandby unfolds.The conclusion leaves room for future adventures.The "Let George Do It" old time radio series included an episode titled "The Hearse Was Painted Pink," which was part of a larger series known as "Let George Do It." This episode, like others in the series, followed the detective exploits of a character named George, known for his clever deduction and investigation skills. Here's a more detailed breakdown: "Let George Do It":This was a popular old time radio detective series, known for its fast-paced stories and engaging characters."The Hearse Was Painted Pink":This was just one episode within the "Let George Do It" series, where George would typically unravel mysteries and solve crimes.George as the Detective:The series revolved around the character of George, a detective who used his wit and intelligence to solve cases.George Valentine, mystery, crime, rivalry, Lila Parker, Gorman, Grandby, investigation, danger, adventure

"The Father Who Had Nothing to Say" is an episode of the classic radio detective drama "Let George Do It", which aired on September 13, 1948. About the Show:"Let George Do It" was a radio program that aired from 1946 to 1954.The show featured George Valentine, a private investigator played by Bob Bailey. George took on cases advertised through a newspaper ad that read: "Danger is my stock in trade. If the job's too tough for you to handle, you've got a job for me, George Valentine. Write full details!" "The Father Who Had Nothing to Say" Episode Details:Airdate: September 13, 1948.Format: 30-minute episodeThe story revolves around a complex murder case involving a father, Harry Peterson, who was convicted of killing Lillian Wayne ten years ago. His son, Ralph Lochner, seeks to uncover the truth about his father's innocence. The investigation reveals layers of deception, hidden motives, and the impact of the past on the present. As George Valentine delves deeper, he confronts various characters connected to the case, ultimately leading to the revelation of the true murderer and the secrets that have been kept for years.TakeawaysThe impact of a parent's crime can shape a child's life.Seeking the truth often involves confronting uncomfortable realities.Circumstantial evidence can lead to wrongful convictions.The past can haunt individuals, affecting their present and future.Witness testimonies can be unreliable and influenced by personal motives.Redemption and forgiveness are central themes in the pursuit of justice.The importance of evidence in proving innocence cannot be overstated.Family secrets can complicate the quest for truth.The role of a detective is to uncover hidden truths, no matter how painful.Justice is not always served, but the search for it is vital.

They say clothes make the man, but they also make mysteries for this week's roster of radio detectives. George Valentine hunts a killer where the only clue is his distinctive attire in “Death Wears a Gay Sport Jacket” from Let George Do It (originally aired on Mutual on October 18, 1948) and Philo Vance probes the murder of a dress shop owner in the syndicated episode “The Herringbone Murder Case.” Richard Diamond tries to find out why someone keeps stealing blue serge suits (originally aired on ABC on February 9, 1951), and The Saint discovers a bullet hole in the back of his brand-new suit in “Formula for Death” (originally aired on ABC on March 25, 1951). Finally, John Lund stars as Johnny Dollar in “The Rochester Theft Matter,” where a girl is gunned down while wearing a stolen fur coat (originally aired on CBS on May 12, 1953).

Danger is his stock in trade, write to George Valentine for full details. Today George follows up on a letter that deals with a once powerful man who has landed…

George Valentine is the sucker when he proves Tim McGeehan is guilty of armed robbery. But what about the murder that McGeehan committed? George Valentine provides McGeehan's alibi!

Danger is his stock in trade, write to George Valentine for full details. Today George follows up on a letter that deals with a once powerful man who has landed…

In the thrilling episode "A Minor Case Of Murder" from the classic radio program "Let George Do It," proudly sponsored by Standard Oil and Chevron, listeners are drawn into a perplexing mystery. Chuck Wilson, a well-regarded member of the lively "Bearcat Social Club," takes it upon himself to enlist the services of the sharp-witted private investigator, George Valentine. Their urgent mission: to exonerate their fellow club member, Dan Corey, who stands accused of the shocking crime of fatally knifing his own stepfather.The narrative unfolds with the unsettling premise that one of the jovial members of the Bearcat Social Club has unexpectedly landed himself in dire straits. Imprisoned and facing a murder charge, the situation appears grim for Dan Corey. However, his loyal companions within the Bearcat Social Club harbor a steadfast belief in his innocence. Knowing his character and perhaps sensing inconsistencies in the accusations, they pool their resources and decide to bring in the seasoned expertise of George Valentine. Tasked with unraveling the truth, Valentine must delve into the circumstances surrounding the stepfather's death, meticulously examine the evidence, and navigate a web of potential suspects and hidden motives to prove Dan Corey's innocence and restore his freedom. The episode promises a captivating journey filled with twists, turns, and the signature wit and investigative prowess of George Valentine.

Happy Mother's Day! We're celebrating moms with five old time radio mysteries where they play major roles. In “The Case of the Lucky Shilling,” Sherlock Holmes comes to the aid of a woman whose son is wiped out by a crooked gambler (originally aired on Mutual on January 14, 1948), and George Valentine tries to prove that a woman is not an unfit mother in “Problem Child” from Let George Do It (originally aired on Mutual on June 21, 1948). A woman hires Dan Holiday to prove her son's death wasn't an accident in “Suicide or Murder” from Box 13, and the mother of an escaped convict wants Richard Diamond to send her son back to prison (originally aired on NBC on October 4, 1950). Finally, the cops of Dragnet are on the trail of a serial shoplifter who only steals clothes for children in “The Big Little Mother” (originally aired on NBC on October 6, 1953).

This episode revolves around a dramatic narrative involving a potential suicide, an investigation into the circumstances surrounding it, and the unraveling of a complex web of lies and deceit. The characters navigate through despair, fear, and the quest for truth, leading to a confrontation with the real culprit behind the events.TakeawaysIf you think about suicide twice, you won't go through with it.The note sounded hysterical, indicating a state of panic.People's appearances can often hide their true fears.The investigation reveals many unknowns about Marsha Palmer.The gun was still present, raising questions about the suicide.The scrub woman was likely an actress hired for a ruse.The case involved a practical joke that turned deadly.The truth behind the suicide was more complex than it appeared.Jealousy played a significant role in the events that unfolded.The investigation led to a confrontation with the real culprit."Let George Do It" was a compelling American radio drama series broadcast from 1946 to 1954. Created by Owen and Pauline Vinson, it starred Bob Bailey as private investigator George Valentine, later voiced by Olan Soule. The show transitioned from sitcom-style episodes to thrilling private eye stories, directed by Don Clark. George Valentine's services were advertised in the newspaper, and he worked with his secretary Claire Brooks (voiced by various actresses). The show featured recurring characters like Sonny, Caleb, and Lieutenant Riley. John Hiestand announced the episodes, and the music evolved from a full orchestra to an organ.suicide, investigation, mystery, despair, truth, lies, drama, characters, emotions, crime

In this gripping ststory, the characters delve into the mystery surrounding a haunted house linked to an unsolved murder. As they explore the eerie tales and investigate the Mitchell case, they uncover secrets that intertwine the past with the present, leading to shocking revelations about the true nature of the haunting and the events that transpired within the house.TakeawaysThe community's pride in their neighborhood drives the investigation.The Mitchell House is a focal point of local ghost stories.Unsolved murders can cast a long shadow over a community.The characters exhibit a mix of skepticism and curiosity about the supernatural.Personal histories and relationships play a crucial role in the narrative.The investigation reveals deeper emotional scars tied to the past.The concept of ghosts serves as a metaphor for unresolved issues.The characters' interactions highlight the blend of humor and tension in the story.The haunting is not just about fear, but about understanding loss.Ultimately, the truth behind the murder is revealed through careful investigation.Sound Bites"Just pride in our work and a normal amount of curiosity.""Nobody will rent it. Nobody will buy it.""What a way to tell a story.""He used it before.""I think Mrs. Mitchell might be our ghost and murderer."Chapters00:00 The Haunted House Mystery03:13 Unraveling the Mitchell Case05:50 The Ghostly Encounters08:52 The Investigation Deepens12:03 Secrets of the Past15:00 The Truth Behind the Murder17:48 Confronting the Ghosts21:08 The Final Revelationhaunted house, mystery, murder, investigation, ghosts, Mitchell case, paranormal, community project, unsolved murder, neighborhood pride"Let George Do It" was a compelling American radio drama series broadcast from 1946 to 1954. Created by Owen and Pauline Vinson, it starred Bob Bailey as private investigator George Valentine, later voiced by Olan Soule. The show transitioned from sitcom-style episodes to thrilling private eye stories, directed by Don Clark. George Valentine's services were advertised in the newspaper, and he worked with his secretary Claire Brooks (voiced by various actresses). The show featured recurring characters like Sonny, Caleb, and Lieutenant Riley. John Hiestand announced the episodes, and the music evolved from a full orchestra to an organ.

George Valentine and Brooksie fly to South America to investigate a Bolivian tin mine that is having a problem with sabotage.

"Let George Do It" was a compelling American radio drama series broadcast from 1946 to 1954. Created by Owen and Pauline Vinson, it starred Bob Bailey as private investigator George Valentine, later voiced by Olan Soule. The show transitioned from sitcom-style episodes to thrilling private eye stories, directed by Don Clark. George Valentine's services were advertised in the newspaper, and he worked with his secretary Claire Brooks (voiced by various actresses). The show featured recurring characters like Sonny, Caleb, and Lieutenant Riley. John Hiestand announced the episodes, and the music evolved from a full orchestra to an organ.

"Let George Do It" was a compelling American radio drama series broadcast from 1946 to 1954. Created by Owen and Pauline Vinson, it starred Bob Bailey as private investigator George Valentine, later voiced by Olan Soule. The show transitioned from sitcom-style episodes to thrilling private eye stories, directed by Don Clark. George Valentine's services were advertised in the newspaper, and he worked with his secretary Claire Brooks (voiced by various actresses). The show featured recurring characters like Sonny, Caleb, and Lieutenant Riley. John Hiestand announced the episodes, and the music evolved from a full orchestra to an organ.

"Let George Do It" was a compelling American radio drama series broadcast from 1946 to 1954. Created by Owen and Pauline Vinson, it starred Bob Bailey as private investigator George Valentine, later voiced by Olan Soule. The show transitioned from sitcom-style episodes to thrilling private eye stories, directed by Don Clark. George Valentine's services were advertised in the newspaper, and he worked with his secretary Claire Brooks (voiced by various actresses). The show featured recurring characters like Sonny, Caleb, and Lieutenant Riley. John Hiestand announced the episodes, and the music evolved from a full orchestra to an organ.

The mayor and two other respected citizens of Summer Springs has called for George Valentine. George is offered $1000 to not take the case, then finds a dead body named George Valentine has already arrived!

"Let George Do It" was a compelling American radio drama series broadcast from 1946 to 1954. Created by Owen and Pauline Vinson, it starred Bob Bailey as private investigator George Valentine, later voiced by Olan Soule. The show transitioned from sitcom-style episodes to thrilling private eye stories, directed by Don Clark. George Valentine's services were advertised in the newspaper, and he worked with his secretary Claire Brooks (voiced by various actresses). The show featured recurring characters like Sonny, Caleb, and Lieutenant Riley. John Hiestand announced the episodes, and the music evolved from a full orchestra to an organ.

A rubber chemist from Rangoon hires George Valentine to find a man who is missing...or is he? A fabulous black pearl necklace turns out to be a fake. A phony traveler winds up as a corpse...a complex corpse!

"Let George Do It" was a compelling American radio drama series broadcast from 1946 to 1954. Created by Owen and Pauline Vinson, it starred Bob Bailey as private investigator George Valentine, later voiced by Olan Soule. The show transitioned from sitcom-style episodes to thrilling private eye stories, directed by Don Clark. George Valentine's services were advertised in the newspaper, and he worked with his secretary Claire Brooks (voiced by various actresses). The show featured recurring characters like Sonny, Caleb, and Lieutenant Riley. John Hiestand announced the episodes, and the music evolved from a full orchestra to an organ.

"Let George Do It" was a compelling American radio drama series broadcast from 1946 to 1954. Created by Owen and Pauline Vinson, it starred Bob Bailey as private investigator George Valentine, later voiced by Olan Soule. The show transitioned from sitcom-style episodes to thrilling private eye stories, directed by Don Clark. George Valentine's services were advertised in the newspaper, and he worked with his secretary Claire Brooks (voiced by various actresses). The show featured recurring characters like Sonny, Caleb, and Lieutenant Riley. John Hiestand announced the episodes, and the music evolved from a full orchestra to an organ.

Jerry Mace, a friend of George Valentine's, is pushed in front of a train and killed. The killer's trail leads to a pawn shop...and "The Prairie Dog Killer."

"Let George Do It" was a compelling American radio drama series broadcast from 1946 to 1954. Created by Owen and Pauline Vinson, it starred Bob Bailey as private investigator George Valentine, later voiced by Olan Soule. The show transitioned from sitcom-style episodes to thrilling private eye stories, directed by Don Clark. George Valentine's services were advertised in the newspaper, and he worked with his secretary Claire Brooks (voiced by various actresses). The show featured recurring characters like Sonny, Caleb, and Lieutenant Riley. John Hiestand announced the episodes, and the music evolved from a full orchestra to an organ.

The wife of a famous politician needs George Valentine's help to protect his reputation. Mr. Pearson is being blackmailed, but the blackmailer is found murdered. George Valentine is accused of murder and arson...and so he tries a little blackmail!

The American radio drama series "Let George Do It" aired from 1946 to 1954. It was the brainchild of Owen and Pauline Vinson. Bob Bailey was the star of the show, playing the role of George Valentine, a private investigator. In 1954, Olan Soule took over the voice role. David Victor and Jackson Gillis wrote the scripts, and Don Clark directed them.Initially, the episodes were more like sitcoms, with a live studio audience and laughs, but they eventually transformed into suspenseful private eye stories. The program was sponsored by Standard Oil of California, now known as Chevron. It aired on the West Coast Don Lee network of the Mutual Broadcasting System from 1946 to 1954. In its final season, it was also broadcast in New York on Wednesdays at 9:30 p.m.Clients would reach out to George Valentine after reading his classified ad in the newspaper, which said something like, "Danger's my thing. If you can't handle the job, I'm your guy. George Valentine. Give me all the details!" The ad would change from episode to episode, but it always started with "Danger's my thing" and ended with "Give me all the details!"George Valentine was a professional detective, and his secretary was Claire Brooks, also known as Brooksie. Frances Robinson, Virginia Gregg, and Lillian Buyeff voiced Brooksie at different times. As Valentine went about his detective work, he'd sometimes run into Brooksie's little brother, Sonny, played by Eddie Firestone, or the elevator man, Caleb, voiced by Joseph Kearns. Police Lieutenant Riley, played by Wally Maher, was a frequent guest. In the early episodes, Sonny was George's assistant, but later became a less regular character.The show's announcer was John Hiestand. The background music was initially provided by Eddie Dunstedter and his full orchestra, but as television took over as the main source of home entertainment, radio budgets got tighter, and Dunstedter's orchestra was replaced by an organ, which he also played.

"Let George Do It" was a compelling American radio drama series broadcast from 1946 to 1954. Created by Owen and Pauline Vinson, it starred Bob Bailey as private investigator George Valentine, later voiced by Olan Soule. The show transitioned from sitcom-style episodes to thrilling private eye stories, directed by Don Clark. George Valentine's services were advertised in the newspaper, and he worked with his secretary Claire Brooks (voiced by various actresses). The show featured recurring characters like Sonny, Caleb, and Lieutenant Riley. John Hiestand announced the episodes, and the music evolved from a full orchestra to an organ.

"Let George Do It" was a compelling American radio drama series broadcast from 1946 to 1954. Created by Owen and Pauline Vinson, it starred Bob Bailey as private investigator George Valentine, later voiced by Olan Soule. The show transitioned from sitcom-style episodes to thrilling private eye stories, directed by Don Clark. George Valentine's services were advertised in the newspaper, and he worked with his secretary Claire Brooks (voiced by various actresses). The show featured recurring characters like Sonny, Caleb, and Lieutenant Riley. John Hiestand announced the episodes, and the music evolved from a full orchestra to an organ.

A man writes with a problem that might be better suited for a psychiatrists couch than for George Valentine. Still, George is intrigued enough by finding out who Sylvia is…

A man writes with a problem that might be better suited for a psychiatrists couch than for George Valentine. Still, George is intrigued enough by finding out who Sylvia is…

The American radio drama series "Let George Do It" aired from 1946 to 1954. It was the brainchild of Owen and Pauline Vinson. Bob Bailey was the star of the show, playing the role of George Valentine, a private investigator. In 1954, Olan Soule took over the voice role. David Victor and Jackson Gillis wrote the scripts, and Don Clark directed them.Initially, the episodes were more like sitcoms, with a live studio audience and laughs, but they eventually transformed into suspenseful private eye stories. The program was sponsored by Standard Oil of California, now known as Chevron. It aired on the West Coast Don Lee network of the Mutual Broadcasting System from 1946 to 1954. In its final season, it was also broadcast in New York on Wednesdays at 9:30 p.m.Clients would reach out to George Valentine after reading his classified ad in the newspaper, which said something like, "Danger's my thing. If you can't handle the job, I'm your guy. George Valentine. Give me all the details!" The ad would change from episode to episode, but it always started with "Danger's my thing" and ended with "Give me all the details!"George Valentine was a professional detective, and his secretary was Claire Brooks, also known as Brooksie. Frances Robinson, Virginia Gregg, and Lillian Buyeff voiced Brooksie at different times. As Valentine went about his detective work, he'd sometimes run into Brooksie's little brother, Sonny, played by Eddie Firestone, or the elevator man, Caleb, voiced by Joseph Kearns. Police Lieutenant Riley, played by Wally Maher, was a frequent guest. In the early episodes, Sonny was George's assistant, but later became a less regular character.The show's announcer was John Hiestand. The background music was initially provided by Eddie Dunstedter and his full orchestra, but as television took over as the main source of home entertainment, radio budgets got tighter, and Dunstedter's orchestra was replaced by an organ, which he also played.

In celebration of Black History Month in February, MPR News is highlighting Black history throughout the state. From a fur trader believed to be one of the first African descendants in territory that is now Minnesota, to streets and parks renamed in 2024 after Black community leaders, these sites span the state and the centuries. Click to explore Black history sites throughout the stateSouthern Minnesotagibbs divGibbs Elementary School, RochesterGibbs Elementary School in Rochester is named after George W. Gibbs Jr., the first known Black person to set foot in Antarctica.Gibbs was serving in the U.S. Navy when he sailed to the continent as a member of Rear Admiral Richard E. Byrd's third expedition.In January 1940, after almost 40 days at sea on the U.S.S. Bear, he was the first person to step off the ship.Gibbs moved to Rochester and became a civil rights activist and small business owner. He spent almost 20 years working at IBM, co-founded the Rochester Chapter of the National Association for the Advancement of Colored People, or NAACP, and founded an employment agency he operated until 1999.— Alex Haddon, radio reporter interndiv rushfordUnderground RailroadAlthough not much is known about Minnesota's role in the Underground Railroad due to its secrecy, the Rushford Area Historical Society believes the city was part of the network to help enslaved people to freedom. The area was home to abolitionists at the time and is about 16 miles from the Mississippi River, an escape route north to Canada. Secret rooms have been discovered in at least three homes in Rushford, which are all currently private residences. One home was built in 1859 for abolitionists George and Harriet Stevens and is thought to be a safe house in the 1860s. In a different house, a secret room was found downstairs after the flood of 2007. It's an 18-room, two-story house built in 1861 for Roswell and George Valentine. It is on the National Register of Historic Places.A third home was built in 1867 for Miles Carpenter, an early Rushford banker, and is also thought to be a safe house. The Rushford Area Historical Society also believes limestone caves were used to hide people escaping to freedom. — Lisa Ryan, editorCentral Minnesotadiv msrMinnesota Spokesman-Recorder, MinneapolisAs the oldest Black-owned newspaper and one of the longest standing family-owned newspapers in the country, the Minnesota Spokesman-Recorder is a point of pride in the Twin Cities. The paper was started in August 1934 by civil rights activist Cecil E. Newman with a split publication: the Minneapolis Spokesman and the St. Paul Recorder. In its first issue, Newman made a prediction and promise to readers, writing, “We feel sure St. Paul and Minneapolis will have real champions of the Race.” Today, Newman's granddaughter Tracey Williams-Dillard serves as the CEO and publisher for MSR and continues the paper that has been a trusted news source in the Black community for almost a century. As a weekly paper, MSR has tackled topics like local Ku Klux Klan activities, Brown v. Board of Education, the Civil Rights Movement, Minneapolis' first Black woman mayor, and George Floyd's murder. In 2015, its building at 3744 4th Ave. in Minneapolis became a state historic landmark.— Kyra Miles, early education reporterdiv penumbraPenumbra Theatre, St. PaulFounded in 1976, Penumbra Theatre was created by Lou Bellamy. Over the years, Penumbra has had the distinction of being the only Black professional theater in Minnesota. The name Penumbra means “half-light” or “partial eclipse.” It was founded using a Comprehensive Employment Training Act grant from the federal government. Its first production, Steve Carter's “Eden,” explored diversity of ethnicities within the African American community. In a 1977 interview with MPR News, Bellamy described the theater as being inadvertently political, with its focus on giving Black actors opportunities to perform at the professional level.  “The roles that you generally see — and it's because of the people who choose the shows — are waiters, butlers, things that if not debilitating, at least are not allowing them to show the extent of their capability,” Bellamy said.Penumbra has had a number of company members that are recognizable, both locally and nationally. Perhaps its most famous alumnus is playwright August Wilson, who developed some of his earliest plays at Penumbra. In a 2023 interview, Bellamy noted that the character Levee in “Ma Rainey's Black Bottom” was influenced by his brother Terry's portrayal in early readings. In 2021, under the direction of Lou's daughter Sarah Bellamy, the theater received a $5 million grant to build on its work in racial equality. — Jacob Aloi, arts reporter and newscasterdiv leeArthur and Edith Lee House, Minneapolis In June 1931, Arthur and Edith Lee, a Black couple, purchased the modest craftsman-style home in Minneapolis' Field neighborhood and moved into the predominantly white neighborhood with their young daughter, Mary.Several years earlier, property owners in the area signed a contract with the neighborhood association to not sell or rent their homes to anyone who wasn't white.When the Lees moved in, community members tried to force them out.Their home became the site of an urban riot in July 1931, when an angry mob of 4,000 white people gathered in their yard and spilled out onto the street, demanding the family leave the neighborhood.A U.S. postal worker, World War I veteran and NAACP member, Arthur Lee said he had a “right to establish a home” in the neighborhood of his choosing.Many individuals and organizations came to the family's defense, including local and national chapters of the NAACP and the prominent civil rights attorney, Lena Olive Smith. (see Lena O. Smith House below)The Lees stayed in their home until the fall of 1933. According to the National Register of Historic Places Registration Form, the family slept in the basement because of safety concerns, and their daughter Mary was escorted to kindergarten by the police.The Arthur and Edith Lee House became a designated historic property in Minneapolis in 2014.The Lee protests remain some of the largest and most widely publicized race-related demonstrations in Minnesota's history. The city of Minneapolis' local historic landmark designation similarly finds the Arthur and Edith Lee House to be associated “with broad patterns of social history, particularly in regard to African American history in Minneapolis, race relations and historical trends of housing discrimination.”— Erica Zurek, senior health reporterdiv floydGeorge Floyd Square, Minneapolis On May 25, 2020, former Minneapolis police officer Derek Chauvin murdered George Floyd outside of a convenience store at the intersection of 38th Street and Chicago Avenue on the south side of Minneapolis. The community transformed the intersection into a memorial and protest site. It's also become a point of contention over how to remember Floyd's murder and the protest movement that started here. Local protesters maintain that the site should be community-led, until the city meets a list of demands for justice. For a year after Floyd's murder, protesters kept the streets closed to traffic; city workers took down the barricades in 2021. Now, the city is locked in an ongoing debate over the square's future. City officials say the streets are overdue for reconstruction. They're pushing for a plan to rebuild the intersection, supported by some local residents and businesses on the block. But local activists, who still maintain the ongoing protest, say it's too soon for the city to take a role in the street design. Instead, they say they want the city to invest in neighborhood services, like housing and substance abuse programs.— Estelle Timar-Wilcox, general assignment reporterdiv hiawathaHiawatha Golf Course, MinneapolisAt a time when African American golfers were barred from participating in white-only tournaments and golf courses, the Hiawatha Golf Course became a popular gathering spot for Black golfers.The course opened in 1934 in south Minneapolis, and was the spot, a few years later, where African American golfer James “Jimmie” Slemmons created what's now the Upper Midwest Bronze Amateur Memorial — a tournament that welcomed Black golfers.Despite being a popular course for African Americans, the Hiawatha Golf Course clubhouse barred non-white golfers from entering. That is until 1952, when that rule ended, largely because of the efforts of golf legend and trailblazer Solomon Hughes Sr.“Hughes was an excellent golfer, recognized nationwide, yet still could not golf at white golf courses, which is why Hiawatha golf course is so important to us,” said Greg McMoore, a long-time south Minneapolis resident and historian.Although once only allowed to play with the United Golfer's Association, a league formed by Black golfers, Hughes was among the first Black golfers to tee off in a PGA event at the 1952 St. Paul Open.In 2022, the Minneapolis Park and Recreation Board officially named the clubhouse the Solomon Hughes Clubhouse. The golf course was added to the National Register of Historic Places in 2023.— Cari Spencer, reporterdiv smithLena O. Smith House, MinneapolisCivil rights leader and trailblazing attorney Lena O. Smith lived in this Minneapolis home on 3905 Fifth Ave. S. While working in real estate, Smith witnessed up close the discriminatory practices that excluded Black families from certain neighborhoods of the city. She took that experience to law school and in 1921 became the first Black woman to practice law in the state of Minnesota.As an attorney, Smith took on several high-profile cases fighting segregation and defending the rights of Black residents of Minneapolis. She worked to desegregate spaces in the city including the Pantages Theatre and protected a Black family from a campaign to oust them from their home in a mostly white neighborhood of south Minneapolis. (see Arthur and Edith Lee House, above)Smith founded the Minneapolis Urban League and led the local chapter of the NAACP as its first woman president. She worked inside and outside of the courtroom to advance civil rights until her death in 1966. Her home was added to the National Register of Historic Places in 1991. — Alanna Elder, producerdiv spiral‘Spiral for Justice' memorial, St. PaulOn the south lawn of the State Capitol grounds is the ‘Spiral for Justice' memorial for Roy Wilkins.Wilkins, who grew up in St. Paul's Rondo neighborhood, was a civil rights leader. He worked in various roles at the NAACP from 1931 to1977, leading the organization for 22 years.The memorial has 46 elements that are positioned in a spiral, getting higher and higher as they extend out from the middle and out beyond two walls that surround the main parts of the sculpture. Each element represents a year of his work at the NAACP, and the elements breaking through the wall represent progress breaking through barriers of racial inequality. The memorial, designed by sculptor Curtis Patterson, was dedicated in 1995.— Peter Cox, reporter div wigingtonClarence Wigington, St. PaulThe Highland Park Water Tower was designed by Clarence “Cap” Wigington, the first African American municipal architect in the United States.Wigington designed or supervised the creation of over 130 buildings throughout his decades-long career, with most located in St. Paul and designed during his tenure at the city architect's office between 1915 and 1949.He designed a number of city projects including fire stations and park buildings, as well as ice palaces for the St. Paul Winter Carnival. (He also designed my old stomping grounds, Chelsea Heights Elementary School, and an addition to my alma mater Murray Middle School.)Some of his other landmark structures include the Harriet Island Pavilion (since renamed after him), Roy Wilkins auditorium and the Holman Field Administration building at the St. Paul Downtown Airport.The Highland Park Water Tower, built in 1928, is one of three Wigington structures listed in the National Register of Historic Places. The others are the Harriet Island Pavilion and the Holman Field Administration building.— Feven Gerezgiher, reporter and producerNorthern Minnesotadiv gomerStatue of Tuskegee Airman Joe Gomer, DuluthA statue in the Duluth International Airport terminal honors a Minnesotan who was a member of the famed Tuskegee Airmen during World War II.Joe Gomer was among the country's first Black fighter pilots, flying 68 combat missions in Europe. He and his fellow Tuskegee Airmen were tasked with protecting bombers from German fighters. The unit's success helped the push to end segregation in the U.S. military.Gomer stayed in the military after the war and later worked for the U.S. Forest Service in Minnesota. He lived in Duluth for 50 years and stayed active into his 90s. The Duluth News Tribune reported that Gomer shared the history of the Tuskegee Airmen and talked about the importance of education with school groups.Veterans' groups in Duluth worked to raise money for the statue to honor Gomer's service to his country; it was dedicated at the airport in 2012, on Gomer's 92nd birthday. Gomer died the following year at age 93; he was Minnesota's last living Tuskegee Airman.— Andrew Krueger, editordiv mosleyHattie Mosley, HibbingIn 1905, 23-year-old Hattie Mosley moved from Decatur, Ill., to the up-and-coming mining town of Hibbing, Minn. Twelve years prior, the town was established by a German miner. At the time, 50 percent of Hibbing residents were born in a foreign country. Yet Mosley, a Black woman, remained a minority, as it was still uncommon for Black people to live in northern Minnesota as long-term residents. This is according to history expert Aaron Brown, who was featured in an Almanac interview with Twin Cities Public Television about the resident. Mosley came to Hibbing as a widow, and did not have any children. She spent the next 30 years as a single woman caring for the mining town as its residents faced the Spanish Flu, the effects of World War I and other daily ailments. She often volunteered in poor immigrant communities and checked in on the sick, using her homemade cough syrup and homemade remedies to nurse most of the town back to health.She was known to help with the worst cases other medical professionals wouldn't dare to touch, including the most severe quarantined cases of the Spanish Flu. Because of this, she is described as a heroine and often called the Florence Nightingale of Hibbing, according to Brown.She died in 1938 and is buried in Maple Hill Cemetery. The beloved nurse and midwife's obituary said her greatest joy in life was helping those who could not afford care. “Her acts of charity, so freely given, numbered a legion and among the poor her death will be keenly felt,” read her obituary in the Hibbing Daily Tribune.Mosley was elected to the Hibbing Historical Society's Hall of Service and Achievement a decade ago.— Sam Stroozas, digital producerdiv st markSt. Mark AME, DuluthSt. Mark African Methodist Episcopal Church is in the Central Hillside area of Duluth. The church was built in 1900 and was added to the National Register in 1991. W. E. B. DuBois spoke at St. Mark in 1921 before a gathering of the Duluth chapter of the NAACP, which had recently been founded after the lynching of three Black men in downtown Duluth. DuBois founded the national organization in 1909.— Regina Medina, reporterdiv bonga pembinaFort Pembina, near present-day Pembina, N.D.Pierre Bonga and his family are well known in Minnesota's early Black history, before it was even a state. His son George Bonga was one of the first Black people born in what later became the state of Minnesota, according to MNopedia. George was born in the Northwest Territory around 1802, near present-day Duluth. His mother was Ojibwe, as were the two women he married in his lifetime. George was a guide and translator for negotiations with the Ojibwe for Territorial Governor Lewis Cass. While the Bonga family has connections to many locations in present-day Minnesota and the Great Lakes region, they spent time in Fort Pembina, according to the University of North Dakota. Pierre Bonga was also a trapper and interpreter. He primarily worked near the Red River, as well as near Lake Superior. He died in 1831, in what is now Minnesota. — Lisa Ryan, editorClick here.

"Let George Do It" was a compelling American radio drama series broadcast from 1946 to 1954. Created by Owen and Pauline Vinson, it starred Bob Bailey as private investigator George Valentine, later voiced by Olan Soule. The show transitioned from sitcom-style episodes to thrilling private eye stories, directed by Don Clark. George Valentine's services were advertised in the newspaper, and he worked with his secretary Claire Brooks (voiced by various actresses). The show featured recurring characters like Sonny, Caleb, and Lieutenant Riley. John Hiestand announced the episodes, and the music evolved from a full orchestra to an organ.

"Let George Do It" was a compelling American radio drama series broadcast from 1946 to 1954. Created by Owen and Pauline Vinson, it starred Bob Bailey as private investigator George Valentine, later voiced by Olan Soule. The show transitioned from sitcom-style episodes to thrilling private eye stories, directed by Don Clark. George Valentine's services were advertised in the newspaper, and he worked with his secretary Claire Brooks (voiced by various actresses). The show featured recurring characters like Sonny, Caleb, and Lieutenant Riley. John Hiestand announced the episodes, and the music evolved from a full orchestra to an organ.

A landlord asks George Valentine for help with a problem tenant. Murder soon takes out a lease. A second murder by electrocution takes place soon after! By the time the third murder takes place, even George is ready to knock on wood!

The American radio drama series "Let George Do It" aired from 1946 to 1954. It was the brainchild of Owen and Pauline Vinson. Bob Bailey was the star of the show, playing the role of George Valentine, a private investigator. In 1954, Olan Soule took over the voice role. David Victor and Jackson Gillis wrote the scripts, and Don Clark directed them. Initially, the episodes were more like sitcoms, with a live studio audience and laughs, but they eventually transformed into suspenseful private eye stories. The program was sponsored by Standard Oil of California, now known as Chevron. It aired on the West Coast Don Lee network of the Mutual Broadcasting System from 1946 to 1954. In its final season, it was also broadcast in New York on Wednesdays at 9:30 p.m. Clients would reach out to George Valentine after reading his classified ad in the newspaper, which said something like, "Danger's my thing. If you can't handle the job, I'm your guy. George Valentine. Give me all the details!" The ad would change from episode to episode, but it always started with "Danger's my thing" and ended with "Give me all the details!" George Valentine was a professional detective, and his secretary was Claire Brooks, also known as Brooksie. Frances Robinson, Virginia Gregg, and Lillian Buyeff voiced Brooksie at different times. As Valentine went about his detective work, he'd sometimes run into Brooksie's little brother, Sonny, played by Eddie Firestone, or the elevator man, Caleb, voiced by Joseph Kearns. Police Lieutenant Riley, played by Wally Maher, was a frequent guest. In the early episodes, Sonny was George's assistant, but later became a less regular character. The show's announcer was John Hiestand. The background music was initially provided by Eddie Dunstedter and his full orchestra, but as television took over as the main source of home entertainment, radio budgets got tighter, and Dunstedter's orchestra was replaced by an organ, which he also played.

George Valentine is tricked into rescuing a woman on a building ledge...as a publicity stunt. She's a trapeze artist...and there's an insane strongman who has George's gun.

The American radio drama series "Let George Do It" aired from 1946 to 1954. It was the brainchild of Owen and Pauline Vinson. Bob Bailey was the star of the show, playing the role of George Valentine, a private investigator. In 1954, Olan Soule took over the voice role. David Victor and Jackson Gillis wrote the scripts, and Don Clark directed them. Initially, the episodes were more like sitcoms, with a live studio audience and laughs, but they eventually transformed into suspenseful private eye stories. The program was sponsored by Standard Oil of California, now known as Chevron. It aired on the West Coast Don Lee network of the Mutual Broadcasting System from 1946 to 1954. In its final season, it was also broadcast in New York on Wednesdays at 9:30 p.m. Clients would reach out to George Valentine after reading his classified ad in the newspaper, which said something like, "Danger's my thing. If you can't handle the job, I'm your guy. George Valentine. Give me all the details!" The ad would change from episode to episode, but it always started with "Danger's my thing" and ended with "Give me all the details!" George Valentine was a professional detective, and his secretary was Claire Brooks, also known as Brooksie. Frances Robinson, Virginia Gregg, and Lillian Buyeff voiced Brooksie at different times. As Valentine went about his detective work, he'd sometimes run into Brooksie's little brother, Sonny, played by Eddie Firestone, or the elevator man, Caleb, voiced by Joseph Kearns. Police Lieutenant Riley, played by Wally Maher, was a frequent guest. In the early episodes, Sonny was George's assistant, but later became a less regular character. The show's announcer was John Hiestand. The background music was initially provided by Eddie Dunstedter and his full orchestra, but as television took over as the main source of home entertainment, radio budgets got tighter, and Dunstedter's orchestra was replaced by an organ, which he also played.

"Let George Do It" was a compelling American radio drama series broadcast from 1946 to 1954. Created by Owen and Pauline Vinson, it starred Bob Bailey as private investigator George Valentine, later voiced by Olan Soule. The show transitioned from sitcom-style episodes to thrilling private eye stories, directed by Don Clark. George Valentine's services were advertised in the newspaper, and he worked with his secretary Claire Brooks (voiced by various actresses). The show featured recurring characters like Sonny, Caleb, and Lieutenant Riley. John Hiestand announced the episodes, and the music evolved from a full orchestra to an organ.

Did Abel Merton commit suicide or was he murdered? Larry Merton, Abel's nephew is very drunk with George Valentine's name in his pocket.

"Let George Do It" was a compelling American radio drama series broadcast from 1946 to 1954. Created by Owen and Pauline Vinson, it starred Bob Bailey as private investigator George Valentine, later voiced by Olan Soule. The show transitioned from sitcom-style episodes to thrilling private eye stories, directed by Don Clark. George Valentine's services were advertised in the newspaper, and he worked with his secretary Claire Brooks (voiced by various actresses). The show featured recurring characters like Sonny, Caleb, and Lieutenant Riley. John Hiestand announced the episodes, and the music evolved from a full orchestra to an organ.

"Let George Do It" was a compelling American radio drama series broadcast from 1946 to 1954. Created by Owen and Pauline Vinson, it starred Bob Bailey as private investigator George Valentine, later voiced by Olan Soule. The show transitioned from sitcom-style episodes to thrilling private eye stories, directed by Don Clark. George Valentine's services were advertised in the newspaper, and he worked with his secretary Claire Brooks (voiced by various actresses). The show featured recurring characters like Sonny, Caleb, and Lieutenant Riley. John Hiestand announced the episodes, and the music evolved from a full orchestra to an organ.

Today's Mystery: A florist from Mexico City hires George to find a dozen roses in Pasadena ... during the Tournament of Roses. Murder follows.Original Air Date: January 2, 1950Originating in HollywoodStarring Bob Bailey as George Valentine and Virginia Gregg as BrooksieSupport the show monthly at https://patreon.greatdetectives.netSupport the show on a one-time basis at http://support.greatdetectives.net.Mail a donation to: Adam Graham, PO Box 15913, Boise, Idaho 83715Take the listener survey at http://survey.greatdetectives.netGive us a call at 208-991-4783Follow us on Instagram at http://instagram.com/greatdetectivesFollow us on Twitter @radiodetectivesJoin us again tomorrow for another detective drama from the Golden Age of Radio.

"Let George Do It" was a compelling American radio drama series broadcast from 1946 to 1954. Created by Owen and Pauline Vinson, it starred Bob Bailey as private investigator George Valentine, later voiced by Olan Soule. The show transitioned from sitcom-style episodes to thrilling private eye stories, directed by Don Clark. George Valentine's services were advertised in the newspaper, and he worked with his secretary Claire Brooks (voiced by various actresses). The show featured recurring characters like Sonny, Caleb, and Lieutenant Riley. John Hiestand announced the episodes, and the music evolved from a full orchestra to an organ. --- Support this podcast: https://podcasters.spotify.com/pod/show/dwight-allen0/support

Our heroes this week encounter hypnosis and meet those who have fallen under its spell and who have used it to try and conceal their crimes. First, Boston Blackie suspects a woman's murder confession was driven by hypnosis rather than guilt. Then, a woman is hypnotized to help solve a murder in "Cupid Can Be Deadly" from Crime Club (originally aired on Mutual on October 16, 1947). In "The Voice of Darkness," Chandu the Magician investigates a bombing where the eyewitness was hypnotized into losing her memory (originally aired on Mutual on April 14, 1949). And finally, Bob Bailey stars as George Valentine in "Eleven O'Clock" from Let George Do It, where a woman's recent odd behavior may be tied to the experiments of a psychology professor (originally aired on Mutual on July 17, 1950).

This week, we look back at our first week of podcasts from 2009, with Adam's current extended thoughts on each episode and reaction to his own commentar. Original Podcast Release Date: October 26, 2009Dan Holiday tries to jumpstart his writing career through an ad in a newspaper. His first letter is from a woman who tells Dan she's being blackmailed.Original Radio Air Date: October 17, 1947Originating in HollywoodStarring: Alan Ladd as Dan Holiday; Sylvia Picker as SuzieOriginal Podcast Release Date: October 27, 2009Pat Novak is hired to frighten a man named Dixie Gillian, but when an empty gun goes off, he finds himself facing a murder charge. “You couldn't hold a moth with a searchlight.” - Pat Novak to Hellman Original Air Date: November 24, 1946 Originating in San Francisco Starring: Jack Webb as Pat Novak; Tudor Owen as Jocko Madigan Original Podcast Release Date: October 28, 2009On his first day as a private detective, George Valentine gets his first client - a famous writer who tells him he's about to be murdered and then collapses on the spot. The body then vanishes, leaving George to find out what happened.Original Audition Date: May 14, 1946Originating in HollywoodStarring: Bob Bailey as George Valentine; Shirley Mitchell as Claire; Eddie Firestone, Jr. as Sonny; Joseph Kearns; Georgia Backus; Howard McNear; Horace Murphy Original Podcast Release Date: October 30, 2009Johnny Dollar is retained to protect a man who has threatened suicide after making a notorious gambling kingpin the beneficiary on his life insurance policy. Original Audition Date: December 7, 1948 Starring: Dick Powell as Johnny Dollar; William Conrad; Betty Lou Gerson; Joseph Kearns Guest: Andrew Rhynes of the OTR Westerns podcastThe Great Detectives Old Time Radio Volume 1 (Seasons 1-3): https://volume1.greatdetectives.net The Great Detectives of Old Time Radio Volume 2 (Seasons 4-6) https://volume2.greatdetectives.net The Great Detectives of Old TIme Radio Volume 3 (Seasons 7-9) https://volume3.greatdetectives.net The Great Detectives of Old TIme Radio Detective Compilation YouTube Playlist: https://www.youtube.com/playlist?list=PLDFIOdWlnzL-YP6EZpi6JI1nLn6Hm4tAIAlso referenced: Podcast Alley and The Radio Detective Story Hour Support the show monthly at https://patreon.greatdetectives.netPatreon Supporter of the Day: Judith, Patreon supporter since May 2021Support the show on a one-time basis at http://support.greatdetectives.net.Mail a donation to: Adam Graham, PO Box 15913, Boise, Idaho 83715Take the listener survey at http://survey.greatdetectives.netGive us a call at 208-991-4783Follow us on Instagram at http://instagram.com/greatdetectivesFollow us on Twitter @radiodetectivesJoin us again tomorrow for another detective drama from the Golden Age of Radio.