Podcasts about Marlowe

On this week's epsiode, we discuss Love and Other Conspiracies by Mallory Marlowe and spoiler alert - we both loved this! The romance was SO adorable and we loved the addition of conspiracy theory talk because who doesnt love a Big Foot conspiracy ?If you are looking for something fun and sweet this book is the perfect one to pick up!

In the long lineup of fictional hard-boiled detectives, Philip Marlowe stands out as one of the earliest and best. Raymond Chandler's creation first reached print in the early 1930s, then went on to memorable adaptations in film, television, and of course radio. "The Adventures of Philip Marlowe" had a solid four-year run of well over 100 episodes on CBS. Still, a handful of recordings are lost today.  Now Project Audion recreates one of these missing episodes - "The Quiet Number" - directly from the original script, exactly seventy-five years after it was broadcast. "The Quiet Number" wasn't penned by Chandler, but we meet the son of the man who wrote this and most of Marlowe's other radio adventures. Then our transcontinental voice cast performs this gritty story of lost love in a hot Los Angeles summer via a live transcription that sounds just like 1949. Our versatile voice actors were: Andy Hartson-bowyer in Virginia Richard Durrington in Idaho Gary Layton in Texas Lothar Tuppan in California Kristen James in Nevada Holly Adams in New York Kyle Bonn in Oregon Larry Groebe produced and directed from Texas Learn more about your ad choices. Visit megaphone.fm/adchoices

In the long lineup of fictional hard-boiled detectives, Philip Marlowe stands out as one of the earliest and best. Raymond Chandler's creation first reached print in the early 1930s, then went on to memorable adaptations in film, television, and of course radio. "The Adventures of Philip Marlowe" had a solid four-year run of well over 100 episodes on CBS. Still, a handful of recordings are lost today.  Now Project Audion recreates one of these missing episodes - "The Quiet Number" - directly from the original script, exactly seventy-five years after it was broadcast. "The Quiet Number" wasn't penned by Chandler, but we meet the son of the man who wrote this and most of Marlowe's other radio adventures. Then our transcontinental voice cast performs this gritty story of lost love in a hot Los Angeles summer via a live transcription that sounds just like 1949. Our versatile voice actors were: Andy Hartson-bowyer in Virginia Richard Durrington in Idaho Gary Layton in Texas Lothar Tuppan in California Kristen James in Nevada Holly Adams in New York Kyle Bonn in Oregon Larry Groebe produced and directed from Texas Learn more about your ad choices. Visit megaphone.fm/adchoices

00:00 Nikola Jokic... player/coach?8:50 Scott Hastings hops on.17:25 Connor McGahey joins the show to talk Avs.30:15 Chris Marlowe hops on.

RNIB Connect Radio's Toby Davey is joined again by Vidar Hjardeng MBE, Inclusion and Diversity Consultant for ITV News across England, Wales, Northern Ireland and the Channel Islands for the next of his regular audio described theatre reviews for 2025. This week we have murder and fight scenes with blood a plenty too on stage with the Royal Shakespeare Company's production of Christopher Marlow's Edward II with description by Professional Audio Describers Julia Grundy and Ellie Packer.  About ‘Edward II' When the new King Edward II insists on ruling with the man he loves by his side, conspiracy and civil war threaten the very existence of the monarchy in Marlowe's violent and tender play. I see your love to Gaveston will be the ruin of the realm and you.' The King is dead, long live the King. And his boyfriend. When Edward II insists on ruling with the man he loves by his side, the Palace refuses. The establishment conspires to restore the natural order, plunging the country into a civil war and threatening the very existence of the monarchy. Better a dead king than a gay king. Double Olivier Award-winner and RSC Co-Artistic Director Daniel Evans returns to the stage with a cast including Eloka Ivo as Gaveston and Ruta Gedmintas as Queen Isabella in Daniel Raggett's production of Marlowe's violent and tender play. For more about access at the Royal Shakespeare Company including details of audio described performances of their productions do visit - https://www.rsc.org.uk/your-visit/access  (Image shows RNIB logo. 'RNIB' written in black capital letters over a white background and underlined with a bold pink line, with the words 'See differently' underneath)

Join host Victoria Carthew as she speaks with award-winning author Mandy Beaumont about her latest book, “The Thrill of It”.The 1977 murder of Marlowe Kerr – Sydney's art darling and socialite, a woman known for her lavish parties and her world-famous designs, was never solved. And now, in 1989, a terrifying string of crimes against older women begins, forcing aging female residents to lock themselves in their homes. They will be in a state of constant fear. As the killer's reign of terror escalates, Emmerson Kerr begins to unearth her grandmother Marlowe's shady past and becomes increasingly convinced that the same person who killed Marlowe is also responsible for the depravity that is now unfolding in the city. Could Emmerson be the link to solving Marlowe's murder and help catch the killer before they strike again?Purchase “The Thrill of It” from your local QBD Books store or online today: https://www.qbd.com.au/the-thrill-of-it/mandy-beaumont/9780733651229/ Follow along with QBD Books here: QBD Books on Facebook: www.facebook.com/qbdbooks QBD Books on Instagram: www.instagram.com/qbdbooks QBD Books on TikTok: www.tiktok.com/@qbdbooksaustralia

Contains: Gore, Elements of Body HorrorPart 3 of the Season 1 Campaign Finale.The Invisible Man, Dr. Jekyll/Mr. Hyde, Johnathan Harker, Carmilla, and Marlowe confront Dracula at his final coffin...Support us on Patreon: https://www.patreon.com/DnDarkPodcastMerch available at: https://www.dndarkpodcast.com/storehttps://ratethispodcast.com/dndarkInstagram: https://www.instagram.com/dndark_podcast/Tiktok: https://www.tiktok.com/@dndark_podcastReddit: https://www.reddit.com/r/DnDarkPodcast/Facebook: https://www.facebook.com/dndarkpodcastCast:Crypt Keeper (GM) - Danger Dan JerzJack Griffin, The Invisible Man - Grayson NormanJohnathan Harker - Jordan NelsonDr. Henry Jekyll/Mr. Edward Hyde - Fabrice from Dread and BreakfastCountess Millarca "Carmilla" Karnstein - Journee PapellionOriginal Music:"Lets All Have a Ball" by Ryan Whyte Maloney and Tony Carboney"The Vampyre"/"The Prince of Death" by Alexander Lapko"The Alchemist/The Charlatan" by CloudRoad MusicAdditional Music:Necrotic Suite B by Monument StudiosNominate us for the 2025 CRIT Awards! Vote Here: https://forms.gle/edQebZun5J6TJR1B6 Our Suggested Submissions: https://docs.google.com/document/d/1iUXTa0nwcpSLQ6OvjiCJ9Lr_rpKEy7bIhB4c9gON34o/edit?usp=sharing

This episode dives into the weird and wacky world of Christopher Marlowe---or does it?Actors:James Lucas--Sir Toby Belch, Dogberry, Lear's FoolDoll PIccotto--Maria, Verges, King Lear

Journalist and Author Lara Marlowe, who will deliver the annual lecture to the arts and humanities faculty of University College Dublin on Wednesday evening, joined Pat on the show this morning.

U Guys, current Elder Cunningham standby in Broadway's The Book of Mormon, Noah Marlowe is here! Noah started his professional career at age 10, playing the role of Michael Banks in the Broadway production of Disney's Mary Poppins. Now he is standing by for a principal role in one of Broadway's biggest hits. In this episode, we touch on everything from being a child actor, to swinging on mid-show for one of Broadway's biggest roles. Noah shares about his experience leaving a collegiate program early to make his Broadway debut, and what it means to navigate the current landscape while acting in a long running show. Noah is the sweetest, U don't wanna miss this episode! Follow Noah on Instagram: @noah.marlowe Follow the pod on Instagram: @ohmypoduguys Learn more about your ad choices. Visit megaphone.fm/adchoices

Hörspielklassiker · Das berühmte «Marlowe» in New York hat seine besten Tage gesehen, so auch seine Dauergäste: vorwiegend alleinstehende Damen unbestimmbaren Alters. Witwen, Geschiedene oder Abgeschobene. Auf den Fluren des Hotels schwärmen sie von reizenden Männern, terrorisieren ihre Kinder, spionieren sich gegenseitig aus und pflegen ihre Lebenslügen. | Mit Helmut Stange, Ruth Hausmeister, Renate Grosser, Christa Berndl, Barbara Nüsse, Louise Martini u.a. | Aus dem Amerikanischen von Friederike Roth | Komposition: Peter Zwetkoff | Bearbeitung und Regie: Irene Schuck | BR 1991 | Podcast-Tipp: Uwe Timm Ikarien - Ein Stunde-Null-Roman: https://1.ard.de/uwe-timm-ikarien

Tracy Marlowe champions the power of women. In 2008, with a newborn at home, she founded Creative Noggin, a fully remote advertising agency designed to empower women with fulfilling careers while balancing family life. She believes a supportive, women-centric culture drives success—for employees, clients, and the world. Under her leadership, Creative Noggin has grown from $100K in first-year sales to over $7M, proving that a human-centered workplace benefits both people and business. CONNECT WITH HER https://www.creativenoggin.com Subscribe to this channel now! https://www.youtube.com/user/lunidelouis/?sub_confirmation=1 ---------------------------------------------------- Join our exclusive Facebook group @ https://www.facebook.com/groups/339709559955223 --------------------------------------------------- Looking for accountability to do your morning routine -- join us tomorrow morning, it's FREE: https://bestmorningroutineever.com/ ----------------------------------------­­­­­­­-------------

How far does corruption reach? A single pencil, sharpened to a point, sends a shiver down Marlowe's spine. The message is clear: stay out. But for a man with a code, some lines can't be crossed. Dive into a world where cops and criminals dance a dangerous tango, and a good deed might get you killed. Tune in. ⭐ Join my Patreon ⭐ https://patreon.com/barcud Go here for a library of ad-free stories, a monthly members only story and early access to the regular stories I put out.  You can choose to have ghost stories only, or detective stories or classic literature, or all of them for either $5 or $10 a month.  Many hundreds of hours of stories. Who needs Audible? Or, if you'd just like to make a one-off gesture of thanks for my work https://buymeacoffee.com/10mn8sk Learn more about your ad choices. Visit megaphone.fm/adchoices

Ian Leslie posted his ‘64 Reasons To Celebrate Paul McCartney' in 2020 and the viral reaction to its piercing and original points encouraged him to write ‘John & Paul: A Love Story In Songs'. Do we need another Beatles book? We do if it's this one! It's exceptionally good and highly recommended. The conventional wisdom for decades was that John was the tormented, anti-establishment genius and Paul the effortlessly tune-churning, bourgeois poser. Ian's book points up that their deep devotion to each other and telepathic, close relationship was the root of the supernatural partnership that made those songs possible. The two of them were, as he puts it, “the bubble within the bubble – and the deeper you get, the more mysterious the story becomes.” He talks to us here about …  … their powerplays and their underlying rivalries for the leadership of the group. … why the Beatles were in another league - “like Shakespeare versus Johnson or Marlowe”. … how a songwriting duo where both wrote words and music gave them an extraordinary advantage. … the writing of Yesterday and John's fear that Paul might no longer need the group and leave. … Paul's discovery of his “superpowers” between ‘64 and '66. … how current groups now have “intimacy councillors” and in any other band the unmanageable Lennon would have been ejected. … In My Life, Hey Jude and other songs they wrote about each other. … how there was “an element of their fathers about them, of stiff upper lip” and displays of physical affection were rare. … Paul as “the omnivorous culture-vore” in avant garde London while John was horizontal in suburbia. … why Paul's pace and creativity must have been psychologically punishing for the others. … and how the emotional landscape shifted with the arrival of Yoko and Linda. Order Ian's book here:https://www.amazon.co.uk/John-Paul-Story-Beatles-decades/dp/0571376118Find out more about how to help us to keep the conversation going: https://www.patreon.com/wordinyourear Get bonus content on Patreon Hosted on Acast. See acast.com/privacy for more information.

Ian Leslie posted his ‘64 Reasons To Celebrate Paul McCartney' in 2020 and the viral reaction to its piercing and original points encouraged him to write ‘John & Paul: A Love Story In Songs'. Do we need another Beatles book? We do if it's this one! It's exceptionally good and highly recommended. The conventional wisdom for decades was that John was the tormented, anti-establishment genius and Paul the effortlessly tune-churning, bourgeois poser. Ian's book points up that their deep devotion to each other and telepathic, close relationship was the root of the supernatural partnership that made those songs possible. The two of them were, as he puts it, “the bubble within the bubble – and the deeper you get, the more mysterious the story becomes.” He talks to us here about …  … their powerplays and their underlying rivalries for the leadership of the group. … why the Beatles were in another league - “like Shakespeare versus Johnson or Marlowe”. … how a songwriting duo where both wrote words and music gave them an extraordinary advantage. … the writing of Yesterday and John's fear that Paul might no longer need the group and leave. … Paul's discovery of his “superpowers” between ‘64 and '66. … how current groups now have “intimacy councillors” and in any other band the unmanageable Lennon would have been ejected. … In My Life, Hey Jude and other songs they wrote about each other. … how there was “an element of their fathers about them, of stiff upper lip” and displays of physical affection were rare. … Paul as “the omnivorous culture-vore” in avant garde London while John was horizontal in suburbia. … why Paul's pace and creativity must have been psychologically punishing for the others. … and how the emotional landscape shifted with the arrival of Yoko and Linda. Order Ian's book here:https://www.amazon.co.uk/John-Paul-Story-Beatles-decades/dp/0571376118Find out more about how to help us to keep the conversation going: https://www.patreon.com/wordinyourear Get bonus content on Patreon Hosted on Acast. See acast.com/privacy for more information.

Ian Leslie posted his ‘64 Reasons To Celebrate Paul McCartney' in 2020 and the viral reaction to its piercing and original points encouraged him to write ‘John & Paul: A Love Story In Songs'. Do we need another Beatles book? We do if it's this one! It's exceptionally good and highly recommended. The conventional wisdom for decades was that John was the tormented, anti-establishment genius and Paul the effortlessly tune-churning, bourgeois poser. Ian's book points up that their deep devotion to each other and telepathic, close relationship was the root of the supernatural partnership that made those songs possible. The two of them were, as he puts it, “the bubble within the bubble – and the deeper you get, the more mysterious the story becomes.” He talks to us here about …  … their powerplays and their underlying rivalries for the leadership of the group. … why the Beatles were in another league - “like Shakespeare versus Johnson or Marlowe”. … how a songwriting duo where both wrote words and music gave them an extraordinary advantage. … the writing of Yesterday and John's fear that Paul might no longer need the group and leave. … Paul's discovery of his “superpowers” between ‘64 and '66. … how current groups now have “intimacy councillors” and in any other band the unmanageable Lennon would have been ejected. … In My Life, Hey Jude and other songs they wrote about each other. … how there was “an element of their fathers about them, of stiff upper lip” and displays of physical affection were rare. … Paul as “the omnivorous culture-vore” in avant garde London while John was horizontal in suburbia. … why Paul's pace and creativity must have been psychologically punishing for the others. … and how the emotional landscape shifted with the arrival of Yoko and Linda. Order Ian's book here:https://www.amazon.co.uk/John-Paul-Story-Beatles-decades/dp/0571376118Find out more about how to help us to keep the conversation going: https://www.patreon.com/wordinyourear Get bonus content on Patreon Hosted on Acast. See acast.com/privacy for more information.

The South African scene wouldn't be what it was without community - and there were arguably no stronger examples than the metal and punk communities that spanned the country. While there was friendly competition, there was ultimately support and collaboration at every turn.That's the era I came up in, and so talking with these three friends was not only a hilarious treat, but also very meaningful as we reconnect after some 20 years.I'll let the episode do the talking...PESTROY:https://www.youtube.com/channel/UCTydtWH0kF2VQlV_DP3MFuQhttps://open.spotify.com/artist/3baf1D1VQZUemM5vrukbLW?si=zNQxpOh9Srub4qOPBOT7vwhttps://music.apple.com/gb/artist/pestroy/25487573016STITCH:https://youtu.be/3XglpfkD2wI?si=VvEwoiWLYa0TASxiNEWTOWN KNIFE GANG:https://www.youtube.com/@newtownknifeganghttps://music.apple.com/gb/artist/newtown-knife-gang/437204292MARLOWE:13 videosPlay allhttps://open.spotify.com/artist/4ZY49Da5Jtv8pfmea1XWdu?si=AkZRbZG8Q0iFKHp9g_zz3Ahttps://music.apple.com/gb/album/lines-from-the-broken-telephone/1377206148HOKUMhttps://www.youtube.com/@HOKUMBANDSAhttps://open.spotify.com/artist/06zsO0gfNuux6sp6vSYRBV?si=XoSrJ-gbSmyoOmUc883J4ghttps://music.apple.com/gb/artist/hokum/379976432 Hosted on Acast. See acast.com/privacy for more information.

Cecelia Sharpe talks with award-winning Detroit trumpeter, composer, and educator Kris Johnson who premieres his work Marlowe's Wings: Detroit's Champion of Change at the Detroit Symphony Orchestra's 2025 Classical Roots concert.

Listen Ad Free https://www.solgood.org - Listen to hundreds of audiobooks, thousands of short stories, and meditative sounds.

Can a young Marlowe survive as second mate for the ill-fated ship Judea? Joseph Conrad, today on The Classic Tales Podcast.   Welcome to this Vintage Episode of The Classic Tales Podcast. Thank you for listening.   If you'd like to ensure the future of The Classic Tales, please visit the website, classictalesaudiobooks.com, and either make a donation, buy an audiobook, or pick up one of our many support options.   And if you can't support us monetarily, leave us a review or share an episode with a friend. It all helps.   Joseph Conrad was a bit of an adventurer, and today's story is autobiographical.   And now, “Youth: a narrative”, by Joseph Conrad   Follow this link to become a monthly supporter:       Follow this link to subscribe to our YouTube Channel:       Follow this link to subscribe to the Arsène Lupin Podcast:     Follow this link to follow us on Instagram:     Follow this link to follow us on Facebook:

Pamela Allen Brown joins Jana Byars to talk about The Diva's Gift to the Shakespearean Stage (Oxford University Press, 2022), which traces the transnational connections between Shakespeare's all-male stage and the first female stars in the West. The book is the first to use Italian and English plays and other sources to explore this relationship, focusing on the gifted actress who radically altered female roles and expanded the horizons of drama just as the English were building their first paying theaters.  By the time Shakespeare began to write plays, women had been acting professionally in Italian troupes for two decades, traveling across the Continent and acting in all genres, including tragicomedy and tragedy. Some women became the first truly international stars, winning royal and noble patrons and literary admirers beyond Italy, with repeat tours in France and Spain.Elizabeth and her court caught wind of the Italians' success, and soon troupes with actresses came to London to perform. Through contacts direct and indirect, English professionals grew keenly aware of the mimetic revolution wrought by the skilled diva, who expanded the innamorata and made the type more engaging, outspoken, and autonomous. Some English writers pushed back, treating the actress as a whorish threat to the all-male stage, which had long minimized female roles. Others saw a vital new model full of promise.  Faced with rising demand for Italian-style plays, Lyly, Marlowe, Kyd, and Shakespeare used Italian models from scripted and improvised drama to turn out stellar female parts in the mode of the actress, altering them in significant ways while continuing to use boys to play them. Writers seized on the comici's materials and methods to piece together pastoral, comic, and tragicomic plays from mobile theatergrams - plot elements, roles, stories, speeches, and star scenes, such as cross-dressing, the mad scene, and the sung lament. Shakespeare and his peers gave new prominence to female characters, marked their passions as un-English, and devised plots that figured them as self-aware agents, not counters traded between men. Playing up the skills and charisma of the boy player, they produced stunning roles charged with the diva's prodigious theatricality and alien glamour. Rightly perceived, the diva's celebrity and her acclaimed skills posed a radical challenge that pushed English playwrights to break with the past in enormously generative and provocative ways. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Pamela Allen Brown joins Jana Byars to talk about The Diva's Gift to the Shakespearean Stage (Oxford University Press, 2022), which traces the transnational connections between Shakespeare's all-male stage and the first female stars in the West. The book is the first to use Italian and English plays and other sources to explore this relationship, focusing on the gifted actress who radically altered female roles and expanded the horizons of drama just as the English were building their first paying theaters.  By the time Shakespeare began to write plays, women had been acting professionally in Italian troupes for two decades, traveling across the Continent and acting in all genres, including tragicomedy and tragedy. Some women became the first truly international stars, winning royal and noble patrons and literary admirers beyond Italy, with repeat tours in France and Spain.Elizabeth and her court caught wind of the Italians' success, and soon troupes with actresses came to London to perform. Through contacts direct and indirect, English professionals grew keenly aware of the mimetic revolution wrought by the skilled diva, who expanded the innamorata and made the type more engaging, outspoken, and autonomous. Some English writers pushed back, treating the actress as a whorish threat to the all-male stage, which had long minimized female roles. Others saw a vital new model full of promise.  Faced with rising demand for Italian-style plays, Lyly, Marlowe, Kyd, and Shakespeare used Italian models from scripted and improvised drama to turn out stellar female parts in the mode of the actress, altering them in significant ways while continuing to use boys to play them. Writers seized on the comici's materials and methods to piece together pastoral, comic, and tragicomic plays from mobile theatergrams - plot elements, roles, stories, speeches, and star scenes, such as cross-dressing, the mad scene, and the sung lament. Shakespeare and his peers gave new prominence to female characters, marked their passions as un-English, and devised plots that figured them as self-aware agents, not counters traded between men. Playing up the skills and charisma of the boy player, they produced stunning roles charged with the diva's prodigious theatricality and alien glamour. Rightly perceived, the diva's celebrity and her acclaimed skills posed a radical challenge that pushed English playwrights to break with the past in enormously generative and provocative ways. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/history

Pamela Allen Brown joins Jana Byars to talk about The Diva's Gift to the Shakespearean Stage (Oxford University Press, 2022), which traces the transnational connections between Shakespeare's all-male stage and the first female stars in the West. The book is the first to use Italian and English plays and other sources to explore this relationship, focusing on the gifted actress who radically altered female roles and expanded the horizons of drama just as the English were building their first paying theaters.  By the time Shakespeare began to write plays, women had been acting professionally in Italian troupes for two decades, traveling across the Continent and acting in all genres, including tragicomedy and tragedy. Some women became the first truly international stars, winning royal and noble patrons and literary admirers beyond Italy, with repeat tours in France and Spain.Elizabeth and her court caught wind of the Italians' success, and soon troupes with actresses came to London to perform. Through contacts direct and indirect, English professionals grew keenly aware of the mimetic revolution wrought by the skilled diva, who expanded the innamorata and made the type more engaging, outspoken, and autonomous. Some English writers pushed back, treating the actress as a whorish threat to the all-male stage, which had long minimized female roles. Others saw a vital new model full of promise.  Faced with rising demand for Italian-style plays, Lyly, Marlowe, Kyd, and Shakespeare used Italian models from scripted and improvised drama to turn out stellar female parts in the mode of the actress, altering them in significant ways while continuing to use boys to play them. Writers seized on the comici's materials and methods to piece together pastoral, comic, and tragicomic plays from mobile theatergrams - plot elements, roles, stories, speeches, and star scenes, such as cross-dressing, the mad scene, and the sung lament. Shakespeare and his peers gave new prominence to female characters, marked their passions as un-English, and devised plots that figured them as self-aware agents, not counters traded between men. Playing up the skills and charisma of the boy player, they produced stunning roles charged with the diva's prodigious theatricality and alien glamour. Rightly perceived, the diva's celebrity and her acclaimed skills posed a radical challenge that pushed English playwrights to break with the past in enormously generative and provocative ways. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Pamela Allen Brown joins Jana Byars to talk about The Diva's Gift to the Shakespearean Stage (Oxford University Press, 2022), which traces the transnational connections between Shakespeare's all-male stage and the first female stars in the West. The book is the first to use Italian and English plays and other sources to explore this relationship, focusing on the gifted actress who radically altered female roles and expanded the horizons of drama just as the English were building their first paying theaters.  By the time Shakespeare began to write plays, women had been acting professionally in Italian troupes for two decades, traveling across the Continent and acting in all genres, including tragicomedy and tragedy. Some women became the first truly international stars, winning royal and noble patrons and literary admirers beyond Italy, with repeat tours in France and Spain.Elizabeth and her court caught wind of the Italians' success, and soon troupes with actresses came to London to perform. Through contacts direct and indirect, English professionals grew keenly aware of the mimetic revolution wrought by the skilled diva, who expanded the innamorata and made the type more engaging, outspoken, and autonomous. Some English writers pushed back, treating the actress as a whorish threat to the all-male stage, which had long minimized female roles. Others saw a vital new model full of promise.  Faced with rising demand for Italian-style plays, Lyly, Marlowe, Kyd, and Shakespeare used Italian models from scripted and improvised drama to turn out stellar female parts in the mode of the actress, altering them in significant ways while continuing to use boys to play them. Writers seized on the comici's materials and methods to piece together pastoral, comic, and tragicomic plays from mobile theatergrams - plot elements, roles, stories, speeches, and star scenes, such as cross-dressing, the mad scene, and the sung lament. Shakespeare and his peers gave new prominence to female characters, marked their passions as un-English, and devised plots that figured them as self-aware agents, not counters traded between men. Playing up the skills and charisma of the boy player, they produced stunning roles charged with the diva's prodigious theatricality and alien glamour. Rightly perceived, the diva's celebrity and her acclaimed skills posed a radical challenge that pushed English playwrights to break with the past in enormously generative and provocative ways. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/performing-arts

Pamela Allen Brown joins Jana Byars to talk about The Diva's Gift to the Shakespearean Stage (Oxford University Press, 2022), which traces the transnational connections between Shakespeare's all-male stage and the first female stars in the West. The book is the first to use Italian and English plays and other sources to explore this relationship, focusing on the gifted actress who radically altered female roles and expanded the horizons of drama just as the English were building their first paying theaters.  By the time Shakespeare began to write plays, women had been acting professionally in Italian troupes for two decades, traveling across the Continent and acting in all genres, including tragicomedy and tragedy. Some women became the first truly international stars, winning royal and noble patrons and literary admirers beyond Italy, with repeat tours in France and Spain.Elizabeth and her court caught wind of the Italians' success, and soon troupes with actresses came to London to perform. Through contacts direct and indirect, English professionals grew keenly aware of the mimetic revolution wrought by the skilled diva, who expanded the innamorata and made the type more engaging, outspoken, and autonomous. Some English writers pushed back, treating the actress as a whorish threat to the all-male stage, which had long minimized female roles. Others saw a vital new model full of promise.  Faced with rising demand for Italian-style plays, Lyly, Marlowe, Kyd, and Shakespeare used Italian models from scripted and improvised drama to turn out stellar female parts in the mode of the actress, altering them in significant ways while continuing to use boys to play them. Writers seized on the comici's materials and methods to piece together pastoral, comic, and tragicomic plays from mobile theatergrams - plot elements, roles, stories, speeches, and star scenes, such as cross-dressing, the mad scene, and the sung lament. Shakespeare and his peers gave new prominence to female characters, marked their passions as un-English, and devised plots that figured them as self-aware agents, not counters traded between men. Playing up the skills and charisma of the boy player, they produced stunning roles charged with the diva's prodigious theatricality and alien glamour. Rightly perceived, the diva's celebrity and her acclaimed skills posed a radical challenge that pushed English playwrights to break with the past in enormously generative and provocative ways. Learn more about your ad choices. Visit megaphone.fm/adchoices

Pamela Allen Brown joins Jana Byars to talk about The Diva's Gift to the Shakespearean Stage (Oxford University Press, 2022), which traces the transnational connections between Shakespeare's all-male stage and the first female stars in the West. The book is the first to use Italian and English plays and other sources to explore this relationship, focusing on the gifted actress who radically altered female roles and expanded the horizons of drama just as the English were building their first paying theaters.  By the time Shakespeare began to write plays, women had been acting professionally in Italian troupes for two decades, traveling across the Continent and acting in all genres, including tragicomedy and tragedy. Some women became the first truly international stars, winning royal and noble patrons and literary admirers beyond Italy, with repeat tours in France and Spain.Elizabeth and her court caught wind of the Italians' success, and soon troupes with actresses came to London to perform. Through contacts direct and indirect, English professionals grew keenly aware of the mimetic revolution wrought by the skilled diva, who expanded the innamorata and made the type more engaging, outspoken, and autonomous. Some English writers pushed back, treating the actress as a whorish threat to the all-male stage, which had long minimized female roles. Others saw a vital new model full of promise.  Faced with rising demand for Italian-style plays, Lyly, Marlowe, Kyd, and Shakespeare used Italian models from scripted and improvised drama to turn out stellar female parts in the mode of the actress, altering them in significant ways while continuing to use boys to play them. Writers seized on the comici's materials and methods to piece together pastoral, comic, and tragicomic plays from mobile theatergrams - plot elements, roles, stories, speeches, and star scenes, such as cross-dressing, the mad scene, and the sung lament. Shakespeare and his peers gave new prominence to female characters, marked their passions as un-English, and devised plots that figured them as self-aware agents, not counters traded between men. Playing up the skills and charisma of the boy player, they produced stunning roles charged with the diva's prodigious theatricality and alien glamour. Rightly perceived, the diva's celebrity and her acclaimed skills posed a radical challenge that pushed English playwrights to break with the past in enormously generative and provocative ways. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/european-studies

Pamela Allen Brown joins Jana Byars to talk about The Diva's Gift to the Shakespearean Stage (Oxford University Press, 2022), which traces the transnational connections between Shakespeare's all-male stage and the first female stars in the West. The book is the first to use Italian and English plays and other sources to explore this relationship, focusing on the gifted actress who radically altered female roles and expanded the horizons of drama just as the English were building their first paying theaters.  By the time Shakespeare began to write plays, women had been acting professionally in Italian troupes for two decades, traveling across the Continent and acting in all genres, including tragicomedy and tragedy. Some women became the first truly international stars, winning royal and noble patrons and literary admirers beyond Italy, with repeat tours in France and Spain.Elizabeth and her court caught wind of the Italians' success, and soon troupes with actresses came to London to perform. Through contacts direct and indirect, English professionals grew keenly aware of the mimetic revolution wrought by the skilled diva, who expanded the innamorata and made the type more engaging, outspoken, and autonomous. Some English writers pushed back, treating the actress as a whorish threat to the all-male stage, which had long minimized female roles. Others saw a vital new model full of promise.  Faced with rising demand for Italian-style plays, Lyly, Marlowe, Kyd, and Shakespeare used Italian models from scripted and improvised drama to turn out stellar female parts in the mode of the actress, altering them in significant ways while continuing to use boys to play them. Writers seized on the comici's materials and methods to piece together pastoral, comic, and tragicomic plays from mobile theatergrams - plot elements, roles, stories, speeches, and star scenes, such as cross-dressing, the mad scene, and the sung lament. Shakespeare and his peers gave new prominence to female characters, marked their passions as un-English, and devised plots that figured them as self-aware agents, not counters traded between men. Playing up the skills and charisma of the boy player, they produced stunning roles charged with the diva's prodigious theatricality and alien glamour. Rightly perceived, the diva's celebrity and her acclaimed skills posed a radical challenge that pushed English playwrights to break with the past in enormously generative and provocative ways. Learn more about your ad choices. Visit megaphone.fm/adchoices

Pamela Allen Brown joins Jana Byars to talk about The Diva's Gift to the Shakespearean Stage (Oxford University Press, 2022), which traces the transnational connections between Shakespeare's all-male stage and the first female stars in the West. The book is the first to use Italian and English plays and other sources to explore this relationship, focusing on the gifted actress who radically altered female roles and expanded the horizons of drama just as the English were building their first paying theaters.  By the time Shakespeare began to write plays, women had been acting professionally in Italian troupes for two decades, traveling across the Continent and acting in all genres, including tragicomedy and tragedy. Some women became the first truly international stars, winning royal and noble patrons and literary admirers beyond Italy, with repeat tours in France and Spain.Elizabeth and her court caught wind of the Italians' success, and soon troupes with actresses came to London to perform. Through contacts direct and indirect, English professionals grew keenly aware of the mimetic revolution wrought by the skilled diva, who expanded the innamorata and made the type more engaging, outspoken, and autonomous. Some English writers pushed back, treating the actress as a whorish threat to the all-male stage, which had long minimized female roles. Others saw a vital new model full of promise.  Faced with rising demand for Italian-style plays, Lyly, Marlowe, Kyd, and Shakespeare used Italian models from scripted and improvised drama to turn out stellar female parts in the mode of the actress, altering them in significant ways while continuing to use boys to play them. Writers seized on the comici's materials and methods to piece together pastoral, comic, and tragicomic plays from mobile theatergrams - plot elements, roles, stories, speeches, and star scenes, such as cross-dressing, the mad scene, and the sung lament. Shakespeare and his peers gave new prominence to female characters, marked their passions as un-English, and devised plots that figured them as self-aware agents, not counters traded between men. Playing up the skills and charisma of the boy player, they produced stunning roles charged with the diva's prodigious theatricality and alien glamour. Rightly perceived, the diva's celebrity and her acclaimed skills posed a radical challenge that pushed English playwrights to break with the past in enormously generative and provocative ways. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/italian-studies

Julija Mykytenkos Vater verbrannte auf dem Maidan, russische Bomben töteten ihren Mann. Die 29-Jährige kämpft seit zehn Jahren als Kommandeurin einer Drohneneinheit für die Freiheit der Ukraine. Die Autorin Lara Marlowe hat die Soldatin porträtiert. Marlowe, Lara www.deutschlandfunkkultur.de, Lesart

Julija Mykytenkos Vater verbrannte auf dem Maidan, russische Bomben töteten ihren Mann. Die 29-Jährige kämpft seit zehn Jahren als Kommandeurin einer Drohneneinheit für die Freiheit der Ukraine. Die Autorin Lara Marlowe hat die Soldatin porträtiert. Marlowe, Lara www.deutschlandfunkkultur.de, Lesart

Not everyone gets along with their family members, and literature is no exception. Jeanette Tran, associate professor of English at Drake University, explores one play that may give some answers. Jeanette Tran is a scholar of early modern English Literature. She has published on major early modern dramatists—Shakespeare, Marlowe, and Fletcher—and more recently on the […]

Country Artist Dylan Marlowe called in to Melissa and Austin to talk about his crazy year, what he does in his (limited) time off and even stuck around for a game of One's Gotta Go!

Case Closed begins with The Indian Giver, from The Adventures Of Philip Marlowe this week. That story aired August 13, 1949. (29:51) We close the show with Yours Truly, Johnny Dollar, and The Weather Or Not Matter, from July 15, 1962. https://traffic.libsyn.com/forcedn/e55e1c7a-e213-4a20-8701-21862bdf1f8a/CaseClosed934.mp3 Download CaseClosed934 | Subscribe | Spotify | Support Case Closed

Join Mary Jo (Pines), Kellie (Pluto), and special guests Ella Cesari and Charley Marlowe of the podcast Mystery Shack Lookback as they discuss the third episode of Pinky and The Brain's second season (and the failed pilot of Zalgar the Brain Eater), Plan Brain From Outer Space! This strange episode follows The Brain corresponding with his intergalactic pen pal, Zalgar, who is secretly trying to consume his brain (cause that's what his diet consists of, apparently). When Zalgar reveals his true intentions to the mice, Brain and Pinky must work together to outsmart the cerebrum-consuming alien, with Brain employing his wits and Pinky applying his love of sci-fi pop culture. Mystery Shack Look Back Info!http://mysteryshacklookback.libsyn.com/ Twitter: http://twitter.com/mysteryshackpod Ella CesariInstagram: https://www.instragram.com/drawnwithoutrefPortfolio: https://ellacesari.weebly.comThe Matrix Reclamations: A Queer Fancast: https://zencastr.com/The-Matrix-Reclamations-A-Queer-Fancast Phantom of the Paradise Fanzine: https://potpzine.carrd.co/The Pretzel Theater: https://www.instagram.com/pretzeltheaterco/Charley Marlowehttp://www.youtube.com/c/CharleyMarlowe Contact Us!Email: thepoitcast@gmail.comTwitter: @poitcastTumblr: poitcast.tumblr.comCover Art by @mygames19Opening Theme Song  arranged by ComposerrClosing Theme Song arranged by Ian Knowles

Join Steve and Marlowe in thisinterview with author Phil Smith as they discuss his book "Eco-Eerie: TV and Movies of the Haunted Generation" available now through Temporal Boundaries Press. https://www.patreon.com/LostFuturesPod⁠⁠⁠⁠  Rate⁠⁠ us on Apple Podcasts: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://podcasts.apple.com/us/podcast/lost-futures-a-mark-fisher-podcast/id1685663806⁠⁠⁠⁠⁠⁠ ⁠⁠⁠ ⁠⁠⁠Spotify:⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://open.spotify.com/show/0EnwNGZijCDZVIl5JtjwGT⁠⁠⁠ Follow⁠⁠⁠ us on Twitter: @lostfuturespod Theme Song By: EvilJekyll Art/animation by: Gregory Cristiani

A Dangerous TuesdayFirst a look at the events of the dayThen The Adventures of Philip Marlowe starring Gerald Mohr, originally broadcast January 28, 1950, 75 years ago, The Hairpin turn. Marlowe meets a pistol-packin' mama, who happens to be a champion sharpshooter, and a dead body, drilled dead center with a target pistol! Keep your ear on Mutt, chum!Followed by The New Adventures of Sherlock Holmes starring Basil Rathbone and Nigel Bruce, originally broadcast January 28, 1946, 79 years ago, The Case Of Sweeney Todd, The Demon Barber. Holmes and Watson try to keep an actor who is portraying a fiendish killer, from being driven crazy. Holmes fails when the actor is found with his throat slit, just as Sweeney Todd would have done it! Holmes almost makes a very serious mistake.Then Dangerous Assignment starring Brian Donlevy, originally broadcast January 28, 1953, 72 years ago, Mexico City.   Steve Mitchell goes to Mexico City to find that sometimes the only way to catch the right guy is to chase the wrong guy! Steve tries to trap an international killer known only as "Mr. Charon."Followed by Suspense, originally broadcast January 28, 1952, 73 years ago, Carnival starring Joseph Cotton.  Rene, a side show "mechanical man," has very human feelings after all. Finally, Superman, originally broadcast January 28, 1942, 83 years ago, Lita the Leopard Woman.  The Leopard Woman escapes, leaving behind a medallion with the Japanese words, The Society Of The Leopard. Clark Kent is fired by the Secret Service! A want-ad appears for a leopard skin coat!Thanks to Honeywell for supporting our podcast by using the Buy Me a Coffee function at http://classicradio.streamIf you like what we do here, visit our friend Jay at http://radio.macinmind.com for great old time radio shows 24 hours a day

In honor of the recent passing of legendary director David Lynch, please enjoy this unlocked Patreon episode. Steve and Marlowe dive into David Lynch's 1986 masterpiece Blue Velvet. RIP David Lynch (1/20/1946 - 1/16/2025) Patreon: https://www.patreon.com/LostFuturesPod Rate us on Apple Podcasts: https://podcasts.apple.com/us/podcast/lost-futures-a-mark-fisher-podcast/id1685663806 Spotify: https://open.spotify.com/show/0EnwNGZijCDZVIl5JtjwGT Follow us on Twitter: @lostfuturespod Theme Song By: EvilJekyll Art/animation by: Gregory Cristiani

Welcome to the first episode for the new year, with “Tuesday Night Detectives” on Vintage Classic Radio. Tonight, we delve into the thrilling world of classic detective radio dramas with two captivating episodes. First, we feature “The Adventures of Philip Marlowe” in the episode titled “The Black Halo.” Originally aired on January 15, 1949, this gripping story follows the sharp-witted private detective Philip Marlowe as he unravels the mystery of a missing woman last seen wearing a distinctive black halo hat. As Marlowe digs deeper, he finds himself entangled in a web of deceit, betrayal, and murder. This episode stars Gerald Mohr as Philip Marlowe, with supporting performances by Jeff Corey, Gloria Blondell, and Parley Baer, each bringing to life the dark and suspenseful atmosphere of the story. Following that, we present “Rocky Fortune,” starring Frank Sinatra in the episode “The Museum Murder,” which first hit the airwaves on January 19, 1954. In this episode, Rocky Fortune finds employment as a museum tour guide, only to stumble upon a dead body during his first shift. The chase to uncover the murderer leads Rocky through a maze of historical artifacts and deadly traps. Frank Sinatra's charming yet edgy portrayal of Rocky is complemented by stellar performances from Barney Phillips, Georgia Ellis, and John McIntire, who collectively add layers of intrigue and danger to this thrilling narrative. Together, these episodes from “The Adventures of Philip Marlowe” and “Rocky Fortune” offer a nostalgic look back at the golden age of radio detective stories, filled with mystery, suspense, and unforgettable characters. Join us in 2025 as we step back in time and experience the shadows and sleuths of yesteryear on “Tuesday Night Detectives.”

Dylan Scott and Dylan Marlowe stop by to talk about their song about to go no, 1, touring together and they perform "Go Tell It On The Mountain". Can Eddie take home another championship in the first Easy Trivia of the Year? Bobby shares a list of predictions made in 1925 About 2025 and we discuss which actually came true. In Fun Fact Friday, Bobby shares the crazy thing that Presidents get for free. In the Anonymous Inbox, a listener needs help after a friend asked them to recommend them for a job at her work...but she doesn't think her friend would be a good fit.See omnystudio.com/listener for privacy information.

Marlowe Dobbe, artist and art director for MegaCrit and lots of other games, knows how to brainstorm like a professional, and you'll see it in action with the prompts: indie rock TOUCANS! Cat tower city builder They quickly cycle through about a dozen perfect ideas before settling on a cat-tower-builder with musical elements: "Harmony Cafe Sim: Cats vs Toucans." Keep the Toucans and Cats separate while building the biggest and best cat tree this broken down mall has ever seen! Follow Marlowe Dobbe's work on bsky @MarloweDobbe, wishlist Slay the Spire 2 NOW, and if you're in the Portland area, check out the PIGSquad game jams! Visit the DFTBA Big Game Hunger merch shop at bit.ly/jennamerch. Support this show, and submit your OWN random prompts, by subscribing at Patreon.com/TheJenna. Gift subscriptions are now available at Patreon.com/TheJenna/Gift. Email the show at BigGameHungerPod@gmail.com. Big Game Hunger is part of the Multitude Collective of podcasts. Created and hosted by Jenna Stoeber. Big Game Hunger is a weekly video game podcast where Jenna Stoeber and a guest get three random prompts and have to make the big next game based on them.

Marlowe is hired to find a missing house on New Year's Eve.Original Air Date: December 31, 1949Originating in HollywoodStarring: Gerald Mohr as Philip MarloweSupport the show monthly at https://patreon.greatdetectives.netSupport the show on a one-time basis at http://support.greatdetectives.net.Mail a donation to: Adam Graham, PO Box 15913, Boise, Idaho 83715Take the listener survey at http://survey.greatdetectives.netGive us a call at 208-991-4783Follow us on Instagram at http://instagram.com/greatdetectivesFollow us on Twitter @radiodetectivesJoin us again tomorrow for another detective drama from the Golden Age of Radio.

PROJECT AUDION 64: Philip Marlowe, "The Three Wise Guys" Project Audion's Christmas gift this year is a lost episode of the classic detective drama The Adventures of Philip Marlowe with a holiday theme! Because Audion's previous Philip Marlowe restoration became its most popular episode ever, we returned to our archives to unearth a Marlowe script which hasn't been performed or heard since December 19, 1948 -- "The Three Wise Guys." The Adventures of Philip Marlowe ran for three years on network radio, with new noir-ish tales from author Raymond Chandler's detective. In this episode, it was the night before Christmas and (as Marlowe says) "a sweet girl was in trouble.  But that didn't mean a thing to the second-story man, the four-flusher in spats, and the ex-Chicago cabbie -- until, one way or the other, they all got into the spirit of the thing..." Our cast, which recorded this episode live in the classic radio drama style, included:   Andy Hartson-Bowyer in Virginia Tom Konkle in California Hunter Adkins in Maryland Gregg McAfee in California Jessica Matthews in Texas Rhiannon McAfee in California Donna Patton in Tennessee Paul Kovit in New York Music, sounds, production, direction by Larry Groebe  

Project Audion's Christmas gift this year is a lost episode of the classic detective drama "The Adventures of Philip Marlowe" with a holiday theme! Because Audion's previous Philip Marlowe restoration became its most popular episode ever, we returned to our archives to unearth a Marlowe script which hasn't been performed or heard since December 19, 1948 -- "The Three Wise Guys." "The Adventures of Philip Marlowe" ran for three years on network radio, with new noir-ish tales from author Raymond Chandler's detective. In this episode, it was the night before Christmas and (as Marlowe says) "a sweet girl was in trouble. But that didn't mean a thing to the second-story man, the four-flusher in spats, and the ex-Chicago cabbie -- until, one way or the other, they all got into the spirit of the thing..."  Learn more about your ad choices. Visit megaphone.fm/adchoices

Enjoy this year's 46 of 46 Christmas special where we put an Adirondack spin on beloved Christmas classics.This year I chose the classic, "Rudolph the Red Nosed Reindeer" story.Meet "Marlowe the "Blue Antlered Moose" and his friend Picket the beaver as they go from misfits to heros by saving distressed ice climber on Christmas Eve. Merry Christmas everyone!Visit my website:www.46OUTDOORS.comwww.46OF46.comFollow on Instagram & Facebook@46of46podcast@jamesappleton46Looking for help improving your physical fitness and mental toughness for hiking and life, so you can become the strongest version of yourself on and off the trail? Book a free strategy call with James to learn more about his 1-on-1 coaching program, SEEK TO DO MORE atwww.seektodomore.com Order my new bookAdirondack Campfire Stories: Tales and Folklore From Inside the Blue LineOrder LinksAmazon LinkBarnes & Nobles LinkIndieBound Link

What does it mean to be called an “upstart crow”? In 1592, a pamphlet titled Greene's groats-worth of witte described William Shakespeare, in the first allusion to him as a playwright, with this phrase, calling him “an upstart crow, beautified with our feathers.” This phrase sparked centuries of speculation. As Darren Freebury-Jones explores in his book, Shakespeare's borrowed feathers: How early modern playwrights shaped the world's greatest writer, Shakespeare's so-called borrowing was neither unusual for the time nor a weakness—it was ultimately a testament to his genius. Exploring how Shakespeare navigated a competitive theatrical scene in early modern England, Freebury-Jones reveals the ways in which Shakespeare reshaped the works of contemporaries like John Lyly, Thomas Kyd, and Christopher Marlowe into something distinctly his own. By combining traditional literary analysis with cutting-edge digital tools, he uncovers echoes of Lyly's witty comedies and gender-bending heroines, Kyd's tragic revenge dramas, and Marlowe's powerful verse in Shakespeare's early plays. This episode sheds light on Shakespeare's role as a responsive and innovative playwright deeply embedded in the early modern theatrical community. Listen in to learn more about the influences on the “upstart crow” as he created a canon of timeless works. Dr Darren Freebury-Jones is author of the monographs: Reading Robert Greene: Recovering Shakespeare's Rival (Routledge), Shakespeare's Tutor: The Influence of Thomas Kyd (Manchester University Press), and Shakespeare's Borrowed Feathers (Manchester University Press). He is Associate Editor for the first critical edition of The Collected Works of Thomas Kyd since 1901 (Boydell and Brewer). He has also investigated the boundaries of John Marston's dramatic corpus as part of the Oxford Marston project and is General Editor for The Collected Plays of Robert Greene (Edinburgh University Press). His findings on the works of Shakespeare and his contemporaries have been discussed in national newspapers such as The Times, The Guardian, The Telegraph, The Observer, and The Independent as well as BBC Radio. His debut poetry collection, Rambling (Broken Sleep Books), was published in 2024. In 2023 he was elected a Fellow of the Royal Historical Society in recognition of his contributions to historical scholarship.

This is the true western story of a passel of Texas brothers who fought against a crooked justice system. The original story of the Marlowes became a frontier novel which served as the basis for the John Wayne film 'The Sons of Katie Elder', which strayed far from the true story- so we figured you should get the true story. I originally did this one for 1001 Heroes and I'm bringing it to 1001 Stories From The Old West for you fans of all things western. Please tell all your friends about our 1001 Stories From The Old West where we offer a great mix of radio fiction with well-researcedwestern stories like this one. There is no other western podcast like this one! Enjoy all our 1001 shows here: www.bestof1001stories.com  

This week's Case Closed begins with The Lazarus Caper, from The Adventures Of Sam Spade. That story aired September 12, 1948. (29:40) The second story is The Monkey's Uncle, the March 7, 1950, episode of The Adventures Of Philip Marlowe. https://traffic.libsyn.com/forcedn/e55e1c7a-e213-4a20-8701-21862bdf1f8a/CaseClosed925.mp3 Download CaseClosed925 | Subscribe | Spotify  | Support Case Closed Your donation of any amount keeps Case Closed [...]

Join Tracy Lawrence this week as he welcomes Dylan Marlowe onto the bus! The rising country star opens up about his move to Nashville, which was sparked by a honest conversation with his dad. Dylan also shares some of his favorite road stories with his band and crew, and he and Tracy dive into their favorite conspiracy theories and talk all things hunting and the outdoors. Dylan is looking forward to getting back into the studio soon, but for now, he's enjoying the success of his song "Boys Back Home" with Dylan Scott. You won't want to miss this week's episode!

Originally published in Galaxy Science Fiction magazine, July 1951, the story “Pen Pal” by Stephen Marlowe introduces us to Matilda, a young woman looking for love by submitting letters to a literary magazine. That's something much more common when the story was published in 1951 and probably pretty close to using a dating app these days. When she thinks she's found the love of her life, things get really strange.SOURCES AND REFERENCES FROM THE EPISODE…“Pen Pal” by Stephen Marlowe: https://amzn.to/3AnH3m9= = = = =(Over time links seen above may become invalid, disappear, or have different content. I always make sure to give authors credit for the material I use whenever possible. If I somehow overlooked doing so for a story, or if a credit is incorrect, please let me know and I will rectify it in these show notes immediately. Some links included above may benefit me financially through qualifying purchases.)= = = = ="I have come into the world as a light, so that no one who believes in me should stay in darkness." — John 12:46= = = = =WeirdDarkness® is a registered trademark. Copyright ©2024, Weird Darkness.= = = = =Originally aired: November 01, 2024

Dylan Marlowe joins the show for the first time to talk about his album, Mid-Twenties Crisis, how he ended up on a private jet, how he got discovered and more! Plus, hear the audio clip Amy shares to help Morgan after her breakup!See omnystudio.com/listener for privacy information.