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This episode revolves around a dramatic narrative involving a potential suicide, an investigation into the circumstances surrounding it, and the unraveling of a complex web of lies and deceit. The characters navigate through despair, fear, and the quest for truth, leading to a confrontation with the real culprit behind the events.TakeawaysIf you think about suicide twice, you won't go through with it.The note sounded hysterical, indicating a state of panic.People's appearances can often hide their true fears.The investigation reveals many unknowns about Marsha Palmer.The gun was still present, raising questions about the suicide.The scrub woman was likely an actress hired for a ruse.The case involved a practical joke that turned deadly.The truth behind the suicide was more complex than it appeared.Jealousy played a significant role in the events that unfolded.The investigation led to a confrontation with the real culprit."Let George Do It" was a compelling American radio drama series broadcast from 1946 to 1954. Created by Owen and Pauline Vinson, it starred Bob Bailey as private investigator George Valentine, later voiced by Olan Soule. The show transitioned from sitcom-style episodes to thrilling private eye stories, directed by Don Clark. George Valentine's services were advertised in the newspaper, and he worked with his secretary Claire Brooks (voiced by various actresses). The show featured recurring characters like Sonny, Caleb, and Lieutenant Riley. John Hiestand announced the episodes, and the music evolved from a full orchestra to an organ.suicide, investigation, mystery, despair, truth, lies, drama, characters, emotions, crime
In this gripping ststory, the characters delve into the mystery surrounding a haunted house linked to an unsolved murder. As they explore the eerie tales and investigate the Mitchell case, they uncover secrets that intertwine the past with the present, leading to shocking revelations about the true nature of the haunting and the events that transpired within the house.TakeawaysThe community's pride in their neighborhood drives the investigation.The Mitchell House is a focal point of local ghost stories.Unsolved murders can cast a long shadow over a community.The characters exhibit a mix of skepticism and curiosity about the supernatural.Personal histories and relationships play a crucial role in the narrative.The investigation reveals deeper emotional scars tied to the past.The concept of ghosts serves as a metaphor for unresolved issues.The characters' interactions highlight the blend of humor and tension in the story.The haunting is not just about fear, but about understanding loss.Ultimately, the truth behind the murder is revealed through careful investigation.Sound Bites"Just pride in our work and a normal amount of curiosity.""Nobody will rent it. Nobody will buy it.""What a way to tell a story.""He used it before.""I think Mrs. Mitchell might be our ghost and murderer."Chapters00:00 The Haunted House Mystery03:13 Unraveling the Mitchell Case05:50 The Ghostly Encounters08:52 The Investigation Deepens12:03 Secrets of the Past15:00 The Truth Behind the Murder17:48 Confronting the Ghosts21:08 The Final Revelationhaunted house, mystery, murder, investigation, ghosts, Mitchell case, paranormal, community project, unsolved murder, neighborhood pride"Let George Do It" was a compelling American radio drama series broadcast from 1946 to 1954. Created by Owen and Pauline Vinson, it starred Bob Bailey as private investigator George Valentine, later voiced by Olan Soule. The show transitioned from sitcom-style episodes to thrilling private eye stories, directed by Don Clark. George Valentine's services were advertised in the newspaper, and he worked with his secretary Claire Brooks (voiced by various actresses). The show featured recurring characters like Sonny, Caleb, and Lieutenant Riley. John Hiestand announced the episodes, and the music evolved from a full orchestra to an organ.
"Let George Do It" was a compelling American radio drama series broadcast from 1946 to 1954. Created by Owen and Pauline Vinson, it starred Bob Bailey as private investigator George Valentine, later voiced by Olan Soule. The show transitioned from sitcom-style episodes to thrilling private eye stories, directed by Don Clark. George Valentine's services were advertised in the newspaper, and he worked with his secretary Claire Brooks (voiced by various actresses). The show featured recurring characters like Sonny, Caleb, and Lieutenant Riley. John Hiestand announced the episodes, and the music evolved from a full orchestra to an organ.
"Let George Do It" was a compelling American radio drama series broadcast from 1946 to 1954. Created by Owen and Pauline Vinson, it starred Bob Bailey as private investigator George Valentine, later voiced by Olan Soule. The show transitioned from sitcom-style episodes to thrilling private eye stories, directed by Don Clark. George Valentine's services were advertised in the newspaper, and he worked with his secretary Claire Brooks (voiced by various actresses). The show featured recurring characters like Sonny, Caleb, and Lieutenant Riley. John Hiestand announced the episodes, and the music evolved from a full orchestra to an organ.
"Let George Do It" was a compelling American radio drama series broadcast from 1946 to 1954. Created by Owen and Pauline Vinson, it starred Bob Bailey as private investigator George Valentine, later voiced by Olan Soule. The show transitioned from sitcom-style episodes to thrilling private eye stories, directed by Don Clark. George Valentine's services were advertised in the newspaper, and he worked with his secretary Claire Brooks (voiced by various actresses). The show featured recurring characters like Sonny, Caleb, and Lieutenant Riley. John Hiestand announced the episodes, and the music evolved from a full orchestra to an organ.
"Let George Do It" was a compelling American radio drama series broadcast from 1946 to 1954. Created by Owen and Pauline Vinson, it starred Bob Bailey as private investigator George Valentine, later voiced by Olan Soule. The show transitioned from sitcom-style episodes to thrilling private eye stories, directed by Don Clark. George Valentine's services were advertised in the newspaper, and he worked with his secretary Claire Brooks (voiced by various actresses). The show featured recurring characters like Sonny, Caleb, and Lieutenant Riley. John Hiestand announced the episodes, and the music evolved from a full orchestra to an organ.
"Let George Do It" was a compelling American radio drama series broadcast from 1946 to 1954. Created by Owen and Pauline Vinson, it starred Bob Bailey as private investigator George Valentine, later voiced by Olan Soule. The show transitioned from sitcom-style episodes to thrilling private eye stories, directed by Don Clark. George Valentine's services were advertised in the newspaper, and he worked with his secretary Claire Brooks (voiced by various actresses). The show featured recurring characters like Sonny, Caleb, and Lieutenant Riley. John Hiestand announced the episodes, and the music evolved from a full orchestra to an organ.
"Let George Do It" was a compelling American radio drama series broadcast from 1946 to 1954. Created by Owen and Pauline Vinson, it starred Bob Bailey as private investigator George Valentine, later voiced by Olan Soule. The show transitioned from sitcom-style episodes to thrilling private eye stories, directed by Don Clark. George Valentine's services were advertised in the newspaper, and he worked with his secretary Claire Brooks (voiced by various actresses). The show featured recurring characters like Sonny, Caleb, and Lieutenant Riley. John Hiestand announced the episodes, and the music evolved from a full orchestra to an organ.
Don Clark is an illustrator and cofounder of Invisible Creature, a widely respected and award-winning design studio based in Seattle, Washington. He has worked with clients such as Target, Pixar, NASA, The New York Times, LEGO, and Apple. Don and his wife, Erika, have three children and live on a small farm just outside Seattle.
"Let George Do It" was a compelling American radio drama series broadcast from 1946 to 1954. Created by Owen and Pauline Vinson, it starred Bob Bailey as private investigator George Valentine, later voiced by Olan Soule. The show transitioned from sitcom-style episodes to thrilling private eye stories, directed by Don Clark. George Valentine's services were advertised in the newspaper, and he worked with his secretary Claire Brooks (voiced by various actresses). The show featured recurring characters like Sonny, Caleb, and Lieutenant Riley. John Hiestand announced the episodes, and the music evolved from a full orchestra to an organ.
The American radio drama series "Let George Do It" aired from 1946 to 1954. It was the brainchild of Owen and Pauline Vinson. Bob Bailey was the star of the show, playing the role of George Valentine, a private investigator. In 1954, Olan Soule took over the voice role. David Victor and Jackson Gillis wrote the scripts, and Don Clark directed them.Initially, the episodes were more like sitcoms, with a live studio audience and laughs, but they eventually transformed into suspenseful private eye stories. The program was sponsored by Standard Oil of California, now known as Chevron. It aired on the West Coast Don Lee network of the Mutual Broadcasting System from 1946 to 1954. In its final season, it was also broadcast in New York on Wednesdays at 9:30 p.m.Clients would reach out to George Valentine after reading his classified ad in the newspaper, which said something like, "Danger's my thing. If you can't handle the job, I'm your guy. George Valentine. Give me all the details!" The ad would change from episode to episode, but it always started with "Danger's my thing" and ended with "Give me all the details!"George Valentine was a professional detective, and his secretary was Claire Brooks, also known as Brooksie. Frances Robinson, Virginia Gregg, and Lillian Buyeff voiced Brooksie at different times. As Valentine went about his detective work, he'd sometimes run into Brooksie's little brother, Sonny, played by Eddie Firestone, or the elevator man, Caleb, voiced by Joseph Kearns. Police Lieutenant Riley, played by Wally Maher, was a frequent guest. In the early episodes, Sonny was George's assistant, but later became a less regular character.The show's announcer was John Hiestand. The background music was initially provided by Eddie Dunstedter and his full orchestra, but as television took over as the main source of home entertainment, radio budgets got tighter, and Dunstedter's orchestra was replaced by an organ, which he also played.
"Let George Do It" was a compelling American radio drama series broadcast from 1946 to 1954. Created by Owen and Pauline Vinson, it starred Bob Bailey as private investigator George Valentine, later voiced by Olan Soule. The show transitioned from sitcom-style episodes to thrilling private eye stories, directed by Don Clark. George Valentine's services were advertised in the newspaper, and he worked with his secretary Claire Brooks (voiced by various actresses). The show featured recurring characters like Sonny, Caleb, and Lieutenant Riley. John Hiestand announced the episodes, and the music evolved from a full orchestra to an organ.
"Let George Do It" was a compelling American radio drama series broadcast from 1946 to 1954. Created by Owen and Pauline Vinson, it starred Bob Bailey as private investigator George Valentine, later voiced by Olan Soule. The show transitioned from sitcom-style episodes to thrilling private eye stories, directed by Don Clark. George Valentine's services were advertised in the newspaper, and he worked with his secretary Claire Brooks (voiced by various actresses). The show featured recurring characters like Sonny, Caleb, and Lieutenant Riley. John Hiestand announced the episodes, and the music evolved from a full orchestra to an organ.
The American radio drama series "Let George Do It" aired from 1946 to 1954. It was the brainchild of Owen and Pauline Vinson. Bob Bailey was the star of the show, playing the role of George Valentine, a private investigator. In 1954, Olan Soule took over the voice role. David Victor and Jackson Gillis wrote the scripts, and Don Clark directed them.Initially, the episodes were more like sitcoms, with a live studio audience and laughs, but they eventually transformed into suspenseful private eye stories. The program was sponsored by Standard Oil of California, now known as Chevron. It aired on the West Coast Don Lee network of the Mutual Broadcasting System from 1946 to 1954. In its final season, it was also broadcast in New York on Wednesdays at 9:30 p.m.Clients would reach out to George Valentine after reading his classified ad in the newspaper, which said something like, "Danger's my thing. If you can't handle the job, I'm your guy. George Valentine. Give me all the details!" The ad would change from episode to episode, but it always started with "Danger's my thing" and ended with "Give me all the details!"George Valentine was a professional detective, and his secretary was Claire Brooks, also known as Brooksie. Frances Robinson, Virginia Gregg, and Lillian Buyeff voiced Brooksie at different times. As Valentine went about his detective work, he'd sometimes run into Brooksie's little brother, Sonny, played by Eddie Firestone, or the elevator man, Caleb, voiced by Joseph Kearns. Police Lieutenant Riley, played by Wally Maher, was a frequent guest. In the early episodes, Sonny was George's assistant, but later became a less regular character.The show's announcer was John Hiestand. The background music was initially provided by Eddie Dunstedter and his full orchestra, but as television took over as the main source of home entertainment, radio budgets got tighter, and Dunstedter's orchestra was replaced by an organ, which he also played.
"Let George Do It" was a compelling American radio drama series broadcast from 1946 to 1954. Created by Owen and Pauline Vinson, it starred Bob Bailey as private investigator George Valentine, later voiced by Olan Soule. The show transitioned from sitcom-style episodes to thrilling private eye stories, directed by Don Clark. George Valentine's services were advertised in the newspaper, and he worked with his secretary Claire Brooks (voiced by various actresses). The show featured recurring characters like Sonny, Caleb, and Lieutenant Riley. John Hiestand announced the episodes, and the music evolved from a full orchestra to an organ.
"Let George Do It" was a compelling American radio drama series broadcast from 1946 to 1954. Created by Owen and Pauline Vinson, it starred Bob Bailey as private investigator George Valentine, later voiced by Olan Soule. The show transitioned from sitcom-style episodes to thrilling private eye stories, directed by Don Clark. George Valentine's services were advertised in the newspaper, and he worked with his secretary Claire Brooks (voiced by various actresses). The show featured recurring characters like Sonny, Caleb, and Lieutenant Riley. John Hiestand announced the episodes, and the music evolved from a full orchestra to an organ.
The American radio drama series "Let George Do It" aired from 1946 to 1954. It was the brainchild of Owen and Pauline Vinson. Bob Bailey was the star of the show, playing the role of George Valentine, a private investigator. In 1954, Olan Soule took over the voice role. David Victor and Jackson Gillis wrote the scripts, and Don Clark directed them. Initially, the episodes were more like sitcoms, with a live studio audience and laughs, but they eventually transformed into suspenseful private eye stories. The program was sponsored by Standard Oil of California, now known as Chevron. It aired on the West Coast Don Lee network of the Mutual Broadcasting System from 1946 to 1954. In its final season, it was also broadcast in New York on Wednesdays at 9:30 p.m. Clients would reach out to George Valentine after reading his classified ad in the newspaper, which said something like, "Danger's my thing. If you can't handle the job, I'm your guy. George Valentine. Give me all the details!" The ad would change from episode to episode, but it always started with "Danger's my thing" and ended with "Give me all the details!" George Valentine was a professional detective, and his secretary was Claire Brooks, also known as Brooksie. Frances Robinson, Virginia Gregg, and Lillian Buyeff voiced Brooksie at different times. As Valentine went about his detective work, he'd sometimes run into Brooksie's little brother, Sonny, played by Eddie Firestone, or the elevator man, Caleb, voiced by Joseph Kearns. Police Lieutenant Riley, played by Wally Maher, was a frequent guest. In the early episodes, Sonny was George's assistant, but later became a less regular character. The show's announcer was John Hiestand. The background music was initially provided by Eddie Dunstedter and his full orchestra, but as television took over as the main source of home entertainment, radio budgets got tighter, and Dunstedter's orchestra was replaced by an organ, which he also played.
I talk with Ed Chin of https://www.facebook.com/Allaboutadventureexcursions Craig Robbins of https://www.facebook.com/pacnwbasserzz Marvin Forte of https://www.facebook.com/groups/kayakfishingnorthwest Jamie Mceldowney of https://www.facebook.com/discounttackleusa For information on Fish Fighter product https://fishfighterproducts.com/ For show feedback email Don Clark at Talkinbassinpdx@outlook.com
The American radio drama series "Let George Do It" aired from 1946 to 1954. It was the brainchild of Owen and Pauline Vinson. Bob Bailey was the star of the show, playing the role of George Valentine, a private investigator. In 1954, Olan Soule took over the voice role. David Victor and Jackson Gillis wrote the scripts, and Don Clark directed them. Initially, the episodes were more like sitcoms, with a live studio audience and laughs, but they eventually transformed into suspenseful private eye stories. The program was sponsored by Standard Oil of California, now known as Chevron. It aired on the West Coast Don Lee network of the Mutual Broadcasting System from 1946 to 1954. In its final season, it was also broadcast in New York on Wednesdays at 9:30 p.m. Clients would reach out to George Valentine after reading his classified ad in the newspaper, which said something like, "Danger's my thing. If you can't handle the job, I'm your guy. George Valentine. Give me all the details!" The ad would change from episode to episode, but it always started with "Danger's my thing" and ended with "Give me all the details!" George Valentine was a professional detective, and his secretary was Claire Brooks, also known as Brooksie. Frances Robinson, Virginia Gregg, and Lillian Buyeff voiced Brooksie at different times. As Valentine went about his detective work, he'd sometimes run into Brooksie's little brother, Sonny, played by Eddie Firestone, or the elevator man, Caleb, voiced by Joseph Kearns. Police Lieutenant Riley, played by Wally Maher, was a frequent guest. In the early episodes, Sonny was George's assistant, but later became a less regular character. The show's announcer was John Hiestand. The background music was initially provided by Eddie Dunstedter and his full orchestra, but as television took over as the main source of home entertainment, radio budgets got tighter, and Dunstedter's orchestra was replaced by an organ, which he also played.
"Let George Do It" was a compelling American radio drama series broadcast from 1946 to 1954. Created by Owen and Pauline Vinson, it starred Bob Bailey as private investigator George Valentine, later voiced by Olan Soule. The show transitioned from sitcom-style episodes to thrilling private eye stories, directed by Don Clark. George Valentine's services were advertised in the newspaper, and he worked with his secretary Claire Brooks (voiced by various actresses). The show featured recurring characters like Sonny, Caleb, and Lieutenant Riley. John Hiestand announced the episodes, and the music evolved from a full orchestra to an organ.
"Let George Do It" was a compelling American radio drama series broadcast from 1946 to 1954. Created by Owen and Pauline Vinson, it starred Bob Bailey as private investigator George Valentine, later voiced by Olan Soule. The show transitioned from sitcom-style episodes to thrilling private eye stories, directed by Don Clark. George Valentine's services were advertised in the newspaper, and he worked with his secretary Claire Brooks (voiced by various actresses). The show featured recurring characters like Sonny, Caleb, and Lieutenant Riley. John Hiestand announced the episodes, and the music evolved from a full orchestra to an organ.
"Let George Do It" was a compelling American radio drama series broadcast from 1946 to 1954. Created by Owen and Pauline Vinson, it starred Bob Bailey as private investigator George Valentine, later voiced by Olan Soule. The show transitioned from sitcom-style episodes to thrilling private eye stories, directed by Don Clark. George Valentine's services were advertised in the newspaper, and he worked with his secretary Claire Brooks (voiced by various actresses). The show featured recurring characters like Sonny, Caleb, and Lieutenant Riley. John Hiestand announced the episodes, and the music evolved from a full orchestra to an organ.
"Let George Do It" was a compelling American radio drama series broadcast from 1946 to 1954. Created by Owen and Pauline Vinson, it starred Bob Bailey as private investigator George Valentine, later voiced by Olan Soule. The show transitioned from sitcom-style episodes to thrilling private eye stories, directed by Don Clark. George Valentine's services were advertised in the newspaper, and he worked with his secretary Claire Brooks (voiced by various actresses). The show featured recurring characters like Sonny, Caleb, and Lieutenant Riley. John Hiestand announced the episodes, and the music evolved from a full orchestra to an organ. --- Support this podcast: https://podcasters.spotify.com/pod/show/dwight-allen0/support
"Let George Do It" was a compelling American radio drama series broadcast from 1946 to 1954. Created by Owen and Pauline Vinson, it starred Bob Bailey as private investigator George Valentine, later voiced by Olan Soule. The show transitioned from sitcom-style episodes to thrilling private eye stories, directed by Don Clark. George Valentine's services were advertised in the newspaper, and he worked with his secretary Claire Brooks (voiced by various actresses). The show featured recurring characters like Sonny, Caleb, and Lieutenant Riley. John Hiestand announced the episodes, and the music evolved from a full orchestra to an organ. --- Support this podcast: https://podcasters.spotify.com/pod/show/dwight-allen0/support
"Let George Do It" was a compelling American radio drama series broadcast from 1946 to 1954. Created by Owen and Pauline Vinson, it starred Bob Bailey as private investigator George Valentine, later voiced by Olan Soule. The show transitioned from sitcom-style episodes to thrilling private eye stories, directed by Don Clark. George Valentine's services were advertised in the newspaper, and he worked with his secretary Claire Brooks (voiced by various actresses). The show featured recurring characters like Sonny, Caleb, and Lieutenant Riley. John Hiestand announced the episodes, and the music evolved from a full orchestra to an organ. --- Support this podcast: https://podcasters.spotify.com/pod/show/dwight-allen0/support
This week, Pat Gelsinger stepped down as chief executive of Intel. We talk with The New York Times's Don Clark about why Gelsinger was ousted, what it means for the chip industry and how his departure could affect national security. Then, Kevin and Casey report back from an artificial intelligence conference, where experts debated how long it would take to build a structure around the sun to capture the star's energy — also known as a Dyson sphere. And finally, gift guides have taken over the internet. We dig into why, and offer up suggestions for gear dads, home cooks and even tech billionaires in our first ever Hard Fork gift guide. Guest:Don Clark, New York Times contributor covering the chips industry. Additional Reading: Intel CEO Pat Gelsinger Steps Down Amid Chipmaker's StrugglesNvidia Rules A.I. Chips, but Amazon and AMD Emerge as Contenders We want to hear from you. Email us at hardfork@nytimes.com. Find “Hard Fork” on YouTube and TikTok. Unlock full access to New York Times podcasts and explore everything from politics to pop culture. Subscribe today at nytimes.com/podcasts or on Apple Podcasts and Spotify.
The OTRNow Radio Program- Thanksgiving SpecialTarzan. November 29, 1951. Mutual-Don Lee net origination, Commodore syndication. "African Thanksgiving". Commercials added locally. A beautiful French girl starts a battle of wills between Sheik Hazara and Tarzan. CBS rebroadcast date: November 22, 1952. Lamont Johnson, Walter White Jr. (producer), Bud Lesser (writer), Albert Glaser (original music) The Lucky Strike Program Starring Jack Benny. November 30, 1947. NBC net. Lucky Strike. Phil Harris and The Sportsmen do a clever singing commercial to the tune of, "That's What I Like About The South." Jack dreams that he's being tried for murder for killing a Thanksgiving turkey. Fred Allen (imitated by Ollie O'Toole) appears as a turkey during the trial! A great show!. Artie Auerbach, Basil Ruysdael (commercial spokesman), Dennis Day, Don Wilson, Frank Nelson, Jack Benny, L. A. Speed Riggs (tobacco auctioneer), Mary Livingstone, Mel Blanc (quadruples, one part is a turkey), Phil Harris, Eddie Anderson, The Sportsmen, F. E. Boone (tobacco auctioneer), Bea Benaderet, John Laing (commercial spokesman), Ollie O'Toole, George Balzer (writer), John Tackaberry (writer), Milt Josefsberg (writer), Sam Perrin (writer), Mahlon Merrick (conductor). Doctor Christian. November 22, 1939. CBS net. "Prelude To Thanksgiving". Vaseline. Jean Hersholt, Art Gilmore (announcer), Rosemary De Camp.Speech Winston Churchill 1944-11-23 American Thanksgiving Vic and Sade. November 20, 1941. Red net. Crisco. Nicer Scott has been telling everyone that Rush Gook eats with a baby's knife and fork. Rush is humiliated and angry. Stuff happens! The organ themes, bridges and system cue have been deleted. Paul Rhymer (writer), Art Van Harvey, Bernardine Flynn, Billy Idelson, Ed Herlihy (announcer).Let George Do It. November 20, 1950. Mutual-Don Lee net. "Cause For Thanksgiving". Standard Oil. A Thanksgiving story about a tough ten-year-old boy who refuses to talk. Is it psychic shock?. Bob Bailey, Virginia Gregg, Jackson Gillis (writer), David Victor (writer), Eddie Dunstedter (composer, presenter), Don Clark (director), Bud Hiestand (announcer), Wally Maher, Carl Watson (commercial spokesman), Bob Burchill (commercial spokesman), Alan Reed, Dick Ryan, Tony Barrett, Jeffrey Silver, Steven Chase.Suspense. November 25, 1948. CBS net. "The Screaming Woman". Auto-Lite. A little girl hears a screaming woman who is buried alive. The script was subsequently used on "Suspense" on March 1, 1955 (see cat. #7264). Margaret O'Brien, Ray Bradbury (author), Sylvia Richards (adaptor), Ted de Corsia, John McIntire, Lurene Tuttle, Agnes Moorehead, Anton M. Leader (producer, director), Harlow Wilcox (commercial spokesman), William Johnstone (commercial spokesman), Lucien Moraweck (composer), Lud Gluskin (conductor), Paul Frees (announcer).
"Let George Do It" was a compelling American radio drama series broadcast from 1946 to 1954. Created by Owen and Pauline Vinson, it starred Bob Bailey as private investigator George Valentine, later voiced by Olan Soule. The show transitioned from sitcom-style episodes to thrilling private eye stories, directed by Don Clark. George Valentine's services were advertised in the newspaper, and he worked with his secretary Claire Brooks (voiced by various actresses). The show featured recurring characters like Sonny, Caleb, and Lieutenant Riley. John Hiestand announced the episodes, and the music evolved from a full orchestra to an organ. --- Support this podcast: https://podcasters.spotify.com/pod/show/dwight-allen0/support
"Let George Do It" was a compelling American radio drama series broadcast from 1946 to 1954. Created by Owen and Pauline Vinson, it starred Bob Bailey as private investigator George Valentine, later voiced by Olan Soule. The show transitioned from sitcom-style episodes to thrilling private eye stories, directed by Don Clark. George Valentine's services were advertised in the newspaper, and he worked with his secretary Claire Brooks (voiced by various actresses). The show featured recurring characters like Sonny, Caleb, and Lieutenant Riley. John Hiestand announced the episodes, and the music evolved from a full orchestra to an organ. --- Support this podcast: https://podcasters.spotify.com/pod/show/dwight-allen0/support
On today's episode, Jeff and Tom speak to Grand Design RV's President and CEO Don Clark! Get your coffee, pull up a chair and listen in!
I talked to historian Bud Hartman about the history of Oregon Bass & Panfish club and some of Bud's best stories. For information on Oregon Bass & Panfish club https://www.oregonbassandpanfishclub.com/ For information on Fish Fighter product https://fishfighterproducts.com/ For show feedback email Don Clark at Talkinbassinpdx@outlook.com --- Support this podcast: https://podcasters.spotify.com/pod/show/don-clark50/support
Retired Army veteran, Bronze Star recipient and community volunteer Don Clark, 50, has plans to run for the District 5 Augusta Commission seat currently held by Bobby Williams, he came in to speak with Austin Wednesday afternoon
In this insightful episode, Ramon Vela delves into the captivating journey of Don Clark, the CEO behind Cerebelly, a trailblazing organic baby food company committed to nurturing cognitive development from infancy. From his early days in retail at Target to spearheading Cerebelly, Don shares his vision, including how the Whole Foods model inspired him to venture into the organic baby food industry with a strong emphasis on health and cognitive development. He also discusses Cerebelly's ambitious plan to revolutionize baby food and foster a healthier future generation through informed nutrition choices. Tune in to uncover the pivotal moments, challenges, and inspirations that propelled Don to redefine organic nutrition for the younger generation. For more on Cerebelly, visit: https://cerebelly.com/ This episode is brought to you by Compass Rose Ventures and Shopline USA. If you enjoyed this episode, please leave The Story of a Brand a rating and review on Apple and Spotify. Plus, don't forget to follow us! Your support helps us bring you more content like this! * Today's Sponsors: Compass Rose - Advisor for CPG Brands: https://compassroseventures.com/ramon/ Compass Rose is offering “no-cost” CPG advice exclusively for the Founders and CEOs featured on The Story of a Brand Show and listeners. The calendar is limited, so book your one-on-one call (a $500 Value) with the Compass Rose team today. Visit using our unique link. Shopline - An All-in-One Commerce Solution for Brands: https://www.us.shopline.com/story Shopline is offering a complimentary three-month trial when you schedule a demo. Seamlessly manage multi-channel sales, create user-friendly websites, and drive conversions with targeted marketing. Ready to streamline operations and accelerate your business? Visit our unique link.
Gregg Marshall recaps the last event in 2023 and then we preview the 2024 season. We also cover May as it is National Water Month. For information on Kayak fishing Northwest https://kayakfishingnorthwest.com/ For information on Fish Fighter product https://fishfighterproducts.com/ For show feedback email Don Clark at Talkinbassinpdx@outlook.com --- Support this podcast: https://podcasters.spotify.com/pod/show/don-clark50/support
Today's episode displays a wonderful tale of a company's heart and soul as Don Clark, the second-generation co-leader of the family-operated Clark Pacific, takes us behind the scenes of a business that has stood the test of time. Here's your opportunity to learn from a legacy of innovation and resilient leadership as we follow the company's transformation from its early days as a manufacturer of prefab construction products to a robust pillar in the construction industry. Don's account of his and his brother's ascent to the ranks of co-CEOs, under the guiding influence of their father's fervor, is not just a story—it's an inspiring blueprint for nurturing a family business across the decades.Venture with us into the core of family-centric leadership, where work-life harmony paints the daily canvas, and discover the delicate dance of co-running a company with a sibling. As Don describes the art of balancing brotherhood with business, we uncover the value of external coaching and the far-reaching impact it has on preserving family ties within the company framework. This episode is not merely an overview; it's an insightful guide into the intricacies of multi-generational success and the strategies that have fortified Clark Pacific's familial foundation.Our discussion reaches a crescendo as we celebrate the innate strengths that give family businesses an edge over corporate behemoths. Don passionately illustrates how a culture of care and personal support not only cements long-term careers but also fosters an environment where employees thrive like family. If you've ever wondered about the ingredients that make family enterprises resilient through economic ebbs and flows, this episode serves up the answers, highlighting how they adapt, support, and triumph through each challenge. Join us for a heartening exploration into the world of family business, where every success is built on the shoulders of shared values and strong relationships.For more information on Clark Pacific, you can visit their website: https://www.clarkpacific.com/For more information about the Family Business Center visit: Capital Region Family Business Center websiteTo learn more about how our sponsor, River City Bank may help your family business, visit their website: River City Bank
I talked with Tony about growing up fishing with his dad. Tony gives an overview of the Washington State Bass Federation. For information on Washington State Bass Federation https://www.wabass.org/ For information on Fish Fighter product https://fishfighterproducts.com/ For show feedback email Don Clark at Talkinbassinpdx@outlook.com --- Support this podcast: https://podcasters.spotify.com/pod/show/don-clark50/support
I took a tour of Edge Rods Pro shop and a factory tour of North Fork composite with Tom Hartshorn. For information on Edge Rods Edgerods.com and to email Tom Hartshorn Tom@edgerods.com For information on Fish Fighter product https://fishfighterproducts.com/ For show feedback email Don Clark at Talkinbassinpdx@outlook.com --- Support this podcast: https://podcasters.spotify.com/pod/show/don-clark50/support
Chuck Ceccarelli founder of Fish Fighter Products and I talked about new products and fishing this past year. For information on Fish Fighter product https://fishfighterproducts.com/ Marc Bush of Twisted Waters Guide service talk about his seminar Feb 17th Introduction to fishing. For information https://www.facebook.com/Twistedwaters/ And to wrap up the show Jamie Rodriguez on Walleye. For information on Lunkertek . https://www.lunkertek.com For show feedback email Don Clark at Talkinbassinpdx@outlook.com --- Support this podcast: https://podcasters.spotify.com/pod/show/don-clark50/support
Camron Black & Tom Hartshorn on Introduction to Tournament Bass Fishing. For information on Camron Black https://gonecatchin.com/ For information on Tom Hartshorn https://edgerods.com/?gad_source=1&gclid=CjwKCAiAiP2tBhBXEiwACslfnllDxe3SKdXSTYuCfbpdNuWUlUwjqa3MkheDO--iqz7xdzxJg37zMRoCc98QAvD_BwE For information on Fish Fighter product https://fishfighterproducts.com/ For information on Lunkertek . https://www.lunkertek.com For show feedback email Don Clark at Talkinbassinpdx@outlook.com --- Support this podcast: https://podcasters.spotify.com/pod/show/don-clark50/support
Emily Frack and I talk about her 2023 season and what is ahead for 2024. Emily also tells us about her new personal best for 2023. For information on Fish Fighter product https://fishfighterproducts.com/ For information on Lunkertek . https://www.lunkertek.com For show feedback email Don Clark at Talkinbassinpdx@outlook.com --- Support this podcast: https://podcasters.spotify.com/pod/show/don-clark50/support
On Talkin Bass in PDX I talk to Ron Schaefer about fishing and how the Facebook page Fish Heads was started. For information on Fish Heads https://www.facebook.com/FishHeadSports Here is a link to the song Fish https://www.google.com/search?q=fish+heads+dr+demento&rlz=1C1CHBF_enUS924US924&oq=fish+&gs_lcrp=EgZjaHJvbWUqDAgBECMYJxiABBiKBTIGCAAQRRg5MgwIARAjGCcYgAQYigUyEggCEC4YJxivARjHARiABBiKBTINCAMQABiSAxiABBiKBTIKCAQQABiSAxiABDINCAUQLhixAxjJAxiABDINCAYQLhivARjHARiABDINCAcQABiDARixAxiABDIKCAgQABixAxiABDIHCAkQABiABNIBCTcxMDZqMGoxNagCALACAA&sourceid=chrome&ie=UTF-8#fpstate=ive&ip=1&vld=cid:720b9a6a,vid:zqF12EkBrPM,st:0 For information on Fish Fighter product https://fishfighterproducts.com/ For information on Lunkertek . https://www.lunkertek.com For show feedback email Don Clark at Talkinbassinpdx@outlook.com --- Support this podcast: https://podcasters.spotify.com/pod/show/don-clark50/support
On the podcast Zip Decker and Kit Freeman Angler and Co Angler of the Year from Columbia River Bassmaster's club For information on Fish Fighter product https://fishfighterproducts.com/ For information on Lunkertek . https://www.lunkertek.com For show feedback email Don Clark at Talkinbassinpdx@outlook.com --- Support this podcast: https://podcasters.spotify.com/pod/show/don-clark50/support
Bryan Chapman of Willamette Weapons and I are talking about cold weather Bass fishing. For information on Willamette Weapons https://willametteweaponlures.com/ Tim Davis of Tm's Sporting Channel and I talk all kinds of Bass fishing. For Information on Tm's Sporting Channel https://www.youtube.com/@timssportingchannel4572 For information on Fish Fighter product https://fishfighterproducts.com/ For information on Lunkertek . https://www.lunkertek.com For show feedback email Don Clark at Talkinbassinpdx@outlook.com --- Support this podcast: https://podcasters.spotify.com/pod/show/don-clark50/support
Bryan Chapman of Willamette Weapon gave a great presentation on Fall Bass fishing on the Columbia River to the Oregon Bass & Panfish club. For more information on the Oregon Bass & Panfish club ttps://www.oregonbassandpanfishclub.com/ For more information on Willamette Weapon Lures https://willametteweaponlures.com/ For information on Fish Fighter product https://fishfighterproducts.com/ For information on Lunkertek . https://www.lunkertek.com For show feedback email Don Clark at gonefishingpdx@gmail.com --- Support this podcast: https://podcasters.spotify.com/pod/show/don-clark50/support
Gregg Marshall with OKBF report. For more information on Oregon Kayak Bass Fishing the web address is https://kayakfishingnorthwest.com/ Will Harris and I talk Bass fishing and Kayak fishing. For information on Fish Fighter product https://fishfighterproducts.com/ For information on Lunkertek . https://www.lunkertek.com For show feedback email Don Clark at gonefishingpdx@gmail.com --- Support this podcast: https://podcasters.spotify.com/pod/show/don-clark50/support
Renaud Pelletier and I talk about Bass fishing the Northwest from the 1970's through today, along with some of his best stories For information on Fish Fighter product https://fishfighterproducts.com/ For information on Lunkertek . https://www.lunkertek.com For show feedback email Don Clark at gonefishingpdx@gmail.com --- Support this podcast: https://podcasters.spotify.com/pod/show/don-clark50/support
Mark Lassagne on the platform to tell us all about his new Bass Angler Magazine Tournament Circuit For information on Mark Lassagne https://bassanglermag.com/about-bam/publication-schedule/ For information on Fish Fighter product https://fishfighterproducts.com/ For information on Lunkertek . https://www.lunkertek.com For show feedback email Don Clark at gonefishingpdx@gmail.com --- Support this podcast: https://podcasters.spotify.com/pod/show/don-clark50/support
On the podcast we get and update on The Northwest Kayak Tournament fishing with Gregg Marshall. Then we talked about how to with Gregg Marshall. For information on The Northwest Kayak Tournament fishing https://kayakfishingnorthwest.com/ For information on Fish Fighter product https://fishfighterproducts.com/ For information on Lunkertek . https://www.lunkertek.com For information on Go4u Essentials https//go4uessentials.com For show feedback email Don Clark at gonefishingpdx@gmail.com --- Support this podcast: https://podcasters.spotify.com/pod/show/don-clark50/support
On the podcast Berkley Osborn ½ of the first all-female team to win high school championship and will be representing Oregon in the nationals. For information on Fish Fighter product https://fishfighterproducts.com/ For information on Lunkertek . https://www.lunkertek.com For show feedback email Don Clark at gonefishingpdx@gmail.com --- Support this podcast: https://podcasters.spotify.com/pod/show/don-clark50/support
William Robson attracted talented people into Slaughter's creative process. The going rate in 1958 for a radio script was four-hundred fifty dollars. Lucian Davis would produce script writers like Allen Botzer, Don Clark, Robert Stanley, and Tom Hanley, who also provided editorial supervision. Hanley shared sound duties with Bill James. Gunsmoke director Norman MacDonnell remembered their work. Luke Slaughter would be set in the 1880s around Southwest Tombstone, Arizona. The title character was based on John Horton Slaughter, a Civil War cavalryman and Texas Ranger, noted as a trail-driver, gambler and cattleman. Slaughter also served as the sheriff of Cochise County in Arizona, and inspired a series on ABC TV the same year. The supporting cast would be filled out by Hollywood radio's most famous character actors, like Harry Bartell, Lilian Buyeff, Lawrence Dobkin, Jack Kruschen, Junius Matthews, Shirley Mitchell, Jeanette Nolan, Virginia Gregg, Vic Perrin, Parley Baer, Howard McNear, and Sam Edwards. They were like a family. They looked out for each other, including those less fortunate, as Jack Kruschen and Shirley Mitchell remembered. Jerry Goldsmith, then a CBS staff musician, was tasked with creating the musical score. Picked to star was a twenty-six year old named Sam Buffington. Buffington appeared in at least thirty-nine TV shows and nine movies in less than four years. Luke Slaughter would be his only radio credit.