Podcasts about eightball

Aaron Camaro returns this week to give you an extra edition of Decibel Geek Times! This week on Decibel Geek Times, we remember some of rock's greatest legends on their deathdays — including Bob Kulick, Chris Cornell, David Wayne, Ray Manzarek, Nick Menza, Paul Gray, Bradley Nowell, Duane Allman, Roky Erickson, and Derek Frigo.  Then we take a loud trip through time with 2025 album anniversaries, highlighting major releases turning 10, 15, 20, 25, 30, 40, 45, and 50 years old — from Faith No More's Sol Invictus to BTO's Four Wheel Drive, and everything in between.  Plus, we cover new music from Deraps, Midnight, Fly!, Animalize, Holler, The Dead Daisies, and a brand-new EP from EightBall, a ROCKNPOD favorite! We hope you enjoy Decibel Geek Times and SHARE with a friend! Decibel Geek is a proud member of the Pantheon Podcasts family. Contact Us! Rate, Review, and Subscribe in iTunes Join the Facebook Fan Page Follow on Twitter Follow on Instagram E-mail Us Subscribe to our Youtube channel! Support Us! Buy a T-Shirt! Donate to the show! Stream Us! Stitcher Radio Spreaker TuneIn Become a VIP Subscriber! Click HERE for more info! Comment Below Direct Download  Learn more about your ad choices. Visit megaphone.fm/adchoices

Alaska is joined by special guest co-host Laganja Estranga to discuss the newest capsule collection of queens on All Stars 10. They dive right into trolling twitter drama, the discussions of old school versus new school drag, and all the looks created for The Eight Ball design challenge. Do you hate the term ‘bracket' too? Listen to Race Chaser Ad-Free on MOM Plus Follow us on IG at @racechaserpod and click the link in bio for a list of organizations you can donate to in support of Black Lives Matter FOLLOW ALASKA https://twitter.com/Alaska5000 https://www.instagram.com/theonlyalaska5000 https://www.facebook.com/AlaskaThunder https://www.youtube.com/channel/UC9vnKqhNky1BcWqXbDs0NAQ FOLLOW WILLAM https://twitter.com/willam https://www.instagram.com/willam https://www.facebook.com/willam https://www.youtube.com/channel/UCrO9hj5VqGJufBlVJy-8D1g RACE CHASER IS A FOREVER DOG PODCAST Learn more about your ad choices. Visit megaphone.fm/adchoices

This week on Sibling Watchery, Bob and Naomi recap All Stars Season 10, Episode 4, "Eight Ball." Bracket 2 has arrived, and this new format is one of the most exciting shake-ups in Drag Race history. They discuss whether Tina Burner and Kerri Colby have shown growth since their original seasons. Mistress Isabelle Brooks is giving good television, and they break down the different types of chaos the girls are bringing in Bracket 2. They discuss Lydia B. Kollins' advantages and disadvantages of entering All Stars so soon, Nicole Paige Brooks walking right into Mistress Isabelle Brooks' trap, and the effectiveness of forming alliances on Drag Race. They review the runway looks and identify the standout ensemble of the challenge. Thanks to our sponsors: For the bookings you've dreamed of, list your property on ⁠⁠⁠⁠https://Booking.com⁠⁠⁠⁠! Rula patients typically pay $15 per session when using insurance. Connect with quality therapists and mental health experts who specialize in you at ⁠https://www.rula.com/rivalry⁠ #rulapod Go to ⁠https://HomeChef.com/RIVALRY⁠ for 50% off your first box! Want to see exclusive Sibling Rivalry Bonus Content? Head over to ⁠⁠⁠⁠⁠⁠www.patreon.com/siblingrivalrypodcast⁠⁠⁠⁠⁠⁠ to be the first to see our latest Sibling Rivalry Podcast Videos! @BobTheDragQueen @MonetXChange Learn more about your ad choices. Visit ⁠⁠⁠⁠⁠⁠megaphone.fm/adchoices⁠⁠ Learn more about your ad choices. Visit podcastchoices.com/adchoices

They complain of suffering from "fatigue" from hearing about Black grievences, but yet crave Black validation. Shoutout to Jason Wallace of ⁨@wasitgoodthoughpodcast5456⁩ for joining us in trying to make it make sense.Become a Habitual Ish Talker and follow us on The App Formally Known As Twitter: twitter.com/TalkinIsh_PodJoin in on the conversation! E-Mail us at ⁠talkinishpod@gmail.com⁠Listen to the audio version: https://linktr.ee/TalkinIshPod00:00​​​ - Intro/Idle Chit Chat09:12 - Eightball and MJG Biopic16:31 - What Artist Biopic Would You Like to See? 29:56 - Viewer Comments48:26 - This Week in Black (Graduation Edition) 1:07:19 - Diddy Trial Recap1:39:51 - Roundtable Discussion: Black Validation 2:21:35 - Her-Tep Corner2:27:55 - Question of the Pod2:31:18 - Wrap It Up, YO!!! (Closing)

In this episode of RuPaul's Drag Race Recap, hosts Joe Betance and Taylor the Latte Boy discuss the latest episode of All-Star Season 10, titled 'The Eight Ball.' They delve into the performances of the contestants, analyze their dynamics, and share their takeaways from the episode. The conversation covers the main stage performances, contestant entrances, and the overall impact of the episode on the season's narrative. Voicemail: speakpipe.com/afterthoughtmedia Email: dragracerecap@afterthought.media YouTube: youtube.com/dragracerecap Patreon: patreon.com/afterthoughtmedia Learn more about your ad choices. Visit podcastchoices.com/adchoices

Bracket Two gives us a couple of Brookses, a Butthole, a Colby, a comeback for Mrs. Burner and a now three season veteran who is still too young to legally rent a car. We get the ball rolling with a ball, but this episode is mostly Isabella holding court in the workroom, derailing the Ru-Sees and dueling with Tina before getting royally face-cracked on the runway by her old rival and daughter to be.Become a Matreon at the Sister Mary level to get full access to bonus episodes including brackets, movie reviews and past seasons of US Drag Race, UK, Canada, Down Under, Espana, Global All Stars, Philippines and more.Join us at our OnlyMary's level for our recap of Season 5 of Drag Race plus even more movie reviews, brackets, and deep dives into our personal lives!Patreon: www.patreon.com/alrightmaryEmail: alrightmarypodcast@gmail.comInstagram: @alrightmarypodJohnny: @johnnyalso (Instagram)Colin: @colindrucker_ (Instagram)Web: www.alrightmary.com  

¡El esperado bracket 2 ha llegado! Mistress, Lydia, Nicole, Tina, Kerri y Jorgeous llegan a la temporada 10 de All Stars y su primer desafío es un design challenge en donde nuestras reinas deben incorporar de forma evidente ocho diferentes materiales extraídos de una enigmática bola. Los dramas no tardaron en llegar, desde Mistress haciendo alianzas con casi todas las reinas, hasta una divertida pelea entre Tina y Mistress, sin olvidarnos de Nicole, que no tardó en recordarles a todas el icono que es. Conversamos sobre los looks finales, las estrategias que se llevarán a cabo en este grupo y mucho más en su podcast favorito.

Bracket 2 Let's do this! ALL STARS 10 HERE WE COME! DR TOM AND PAULO are back, back, back, back, back again!!! This time, we're breaking down BRACKET 2 of our queens for ALLSTARS: MISTRESS ISABELLE BROOKS NICOLE PAIGE BROOKS JORGEOUS TINA BURNER LYDIA BUTTHOLE KERRI COLBY Who you rooting for? Listen to our rambles! Commenting on the amazing talents our this seasons DRAG ARTISTS!   You ready for some more "Spilling the G&T"? Then COME JOIN IN! Spilling the G&T podcast is a LIVE and real-time podcast that Spills the G&T on the latest episode! With hosts: performer Paulo and everyone's favourite Psychiatrist, Dr Tom.  Follow AND engage Spilling the G&T Podcast on: Instagram: https://www.instagram.com/spillingthegandtpodcast/  Twitter: https://twitter.com/SpillingGandT Email enquiries: thepaulomedia@gmail.com 

Eight Ball Theatre presents: World Premiere: MEMORY LANE IS A DESERT ROAD - 7.8 out of 10! Above Average! April 4th-13th, 2025.  www.latheatrebites.com

The mayor and two other respected citizens of Summer Springs has called for George Valentine. George is offered $1000 to not take the case, then finds a dead body named George Valentine has already arrived!

What does the Magic 8 Ball say about this relationship

Midnight Madness Radio Episode 307 with Stellaris, SVANZICA, Worlds Beyond, JIMMY McG, LEVEL THE PLANET, SHOWDOWN, LILIAC, THE SMOKIN KILLS, NECTAROUS, DAN SINDEL, CROWNDROP, PETER ZANTEY, UPTRODDEN CYNIC, MARSHALL WATKINS, GENGVEJ, LESS THEN PERFECT, MIDNIGHT MURDER SHOW, SEVENTH LEGEND, SUZY & THE SUBSTITUTES, SATURN SUNRISE, POCKET FULL OF WOLVES, Shawn Michael Perry & Only The Brave, GANG OF NOISE, SKYNYRD RISING, THE SOUL JUICE BAND, EVEN IN DEATH, BONEYARD, HAROLD DAVIS, R-HUMAN, TAKE BACK THE SUN, CRUELLA D'VIL, MOVING LINES, D.N.D, GAONA, THE RISING FALL, VERDANT FIELDS, THE BLACK HEARTSRINGS, KENNY SHIPMAN BAND, SEPHERIN, DAYMES ROCKET, cl0cks0ng, THE POSTER KIDS, THE FODS, OUTLAW DEVILS, BLOOD DESECRATION, EIGHTBALL, AUTUMN KILLERS, ALCH3MY, THE MYSTIC EUPHORIA PROJECT, LARRY PASCALE, HUBANWIF, SABBATAR, and EDEN AGE UNDERCOVER. Hardy Mills from Hardman Productions has an interview of Dawn Melanie.

Fotografare la Shoah è un saggio di Laura Fontana che riflette sulle immagini della distruzione degli ebrei. Daniel Clowes è uno dei grandi innovatori del fumetto statunitense e The complete Eightball è un volume che raccoglie finalmente le sue prime storie a partire dalla fine degli anni ottanta. Nel documentario Black Box Diaries, candidato agli Oscar, la giornalista giapponese Shiori Itō racconta lo stupro che ha subìto e la sua battaglia per ottenere giustizia. Il nostro tempo è una mostra-rassegna di cinema d'artista in corso alla Triennale di Milano.CONVanessa Roghi, storica Veronica Raimo, scrittrice Junko Terao, editor di Asia di Internazionale Sergio Fant, CineAgenziaLeonardo Merlini, giornalista Se ascolti questo podcast e ti piace, abbonati a Internazionale. È un modo concreto per sostenerci e per aiutarci a garantire ogni giorno un'informazione di qualità . Vai su internazionale.it/podcastScrivi a podcast@internazionale.it o manda un vocale a +39 3347063050Produzione di Claudio Balboni e Vincenzo De Simone.Musiche di Carlo Madaghiele, Raffaele Scogna, Jonathan Zenti e Giacomo Zorzi.Direzione creativa di Jonathan Zenti.Fotografare la Shoah: https://www.youtube.com/watch?v=BUT24d4RtMY&t=1391sDaniel Clowes: https://www.youtube.com/watch?v=MBE3CykfD84Black Box Diaries: https://www.youtube.com/watch?v=XigroYj8Amo&t=555sIl nostro tempo: https://www.youtube.com/watch?v=Ep29F65-xs4&t=83s

https://scp-wiki.wikidot.com/scp-8888 Written by: Billith, Doctor Cimmerian, HarryBlank, Placeholder McD Support the Patreon to see Exploring videos early and vote on new ones!: http://bit.ly/1U9QkPh Join the Discord!: https://discord.gg/beRYZgbbgP Support the Series with official Merch!: https://t.co/aH0HApXp7v Follow me on Twitter for updates!: https://twitter.com/TES_Mangg Listen on Podcasts: https://anchor.fm/theexploringseries Exploring SCP Foundation Playlist: https://bit.ly/2whu8NA Exploring Dungeons and Dragons Playlist: https://bit.ly/348IZZu Exploring Warhammer 40k Playlist: https://bit.ly/2DoFZgu Exploring Celtic Mythology Playlist: https://bit.ly/2rTuHLm Exploring Norse Mythology Playlist: http://bit.ly/2EAHTda Exploring Elder Scrolls Playlist: http://bit.ly/2fgqQoY Exploring Star Wars Playlist: http://bit.ly/2lNtlN0 Exploring Middle-Earth Playlist: http://bit.ly/2cGNcty Exploring the Cthulhu Mythos Playlist: http://bit.ly/25OI9jY Exploring History Playlist: https://bit.ly/2w7XMqM Video Game Stories Playlist: https://bit.ly/3hhgbqK My Gaming Channel: youtube.com/user/ManggsLPs Music: https://www.youtube.com/watch?v=ZVm52MbXb7s https://www.youtube.com/watch?v=O6It2y6sgUA https://www.youtube.com/watch?v=YbEX2cpDdPU Content relating to the SCP Foundation, including the SCP Foundation logo, is licensed under Creative Commons Sharealike 3.0 and all concepts originate from http://www.scp-wiki.net and its authors. This video, being derived from this content, is hereby also released under Creative Commons Sharealike 3.0.

In this episode of The Handsome Beatdown Podcast, we're diving into the undeniable similarities between three of the South's most legendary hip-hop duos—Outkast, UGK, and Eightball & MJG. Like a real-life version of the Spider-Man pointing meme, these iconic pairs share a history of storytelling, soulful production, and regional dominance while maintaining distinct styles that shaped Southern huhip-hop forever. We'll break down their musical parallels, lyrical themes, and cultural impact, as well as celebrate the unique contributions each duo brought to the game. Join us for an in-depth discussion on how these Southern kings laid the foundation for future generations of hip-hop duos. #Outkast #UGK #EightballMJG #SouthernHipHop #HipHopLegends #RapDuos #DirtySouth #PimpC #BunB #Andre3000 #BigBoi #Eightball #MJG #HipHopPodcast #TheHandsomeBeatdown #HipHopHistory #RapIcons Shirts NFTs & Downloads https://www.teepublic.com/user/thebeatdown/albums/361684-schwebel-room

Some good news -- finally! Judge Merchan refuses to overturn Donald Trump's criminal conviction. ABC News's capitulaiton is chilling. SLAPP defamation lawsuits are a pernicious threat to free speech. Donald makes good on threat to sue the Des Moines Register. AOC loses her bid to be ranking member of the Oversight Committee. RFK Jr ally wants to ban the polio vaccine. Donald's team floats eliminating the FDIC. Alexander Smirnov pleads guilty to lying about the Bidens. The school shooting in Madison. With Cliff Schecter, music by The Wildwoods, Wallis, and more!See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Hello! And welcome back to The Dana Gould Hour Podcast. It's the holidays! The election is over and, although I haven't been paying much attention to politics, I'm sure everything turned out grea... WHHHHHAAAAAA?!?!?!?!?! But I'm still me and you're still you, so let's be who we are and do what we do.  Bob Fingerman is here. Bob is an old pal, and one of the finest comic artists in the biz, Bob gained fame in the 90's with his comic Minimum Wage which was one of my favorites of the era, along with Dan Clowes' Eightball and Peter Bagge's Hate. Bob has a new graphic novel out called Printopia and a new book that's sort of a career retrospective to date (anyway, he's still a young man) called That's Some Business You're In. We'll be talking about that, his days writing for Cracked and then later MAD working with Harvey Kurtzman, all that and more, Bob Fingerman.  Burt Kearns is here. Burt had visited us before discussing his books The Show Won't Go On as well as his biography of the great and fascinating Lawrence Tierney. But his new book holds a special fascination for me, and probably you if you're listen to this podcast with any regularity. It's called SHEMP! And it's about Shemp Howard, The great Stooge. People think Shemp replaced Curly. He did not! Curly replaced Shemp, and then Shemp re-replaced Curly after that. But it's not just Stooge lore, although there's a lot. It's also about showbiz in the 1930's and 1940's, the experience of American immigrants and how they helped define our culture and so much more. It's a great read. It has a forward by your friend and mine, Drew Freidman. SHEMP! With an exclamation point. https://www.DanaGould.com

Eightball é um gibi publicado nos EUA pela Fantagraphics de 1989 até 2004. Seu criador, Daniel Clowes, é autor de outros quadrinhos importantes, como Mônica, lançado recentemente no Brasil (traduzido pelo Érico Assis e com episódio especial aqui mesmo) A Editora Tábula acaba de lançar EIGHTBALL - O MELHOR DO SÉCULO XX, coletânea de histórias lançadas no já longínquo século passado. Já está disponível na Amazon. E quem foi incumbido de traduzir essa miscelânea de irreverência, humor ácido e provocação foi nosso multi-homem Carlos Rutz. - Títulos e batismos de personagens - Como Clowes desabafa e escolhe seus alvos - Esportes como você nunca viu antes - Papai Noel, um trauma sensual - Serelepe & Delicinha - Ripongo & Ursão Brisado - Citações musicais: com nota, sem nota, traduzida... Não, não tem receita. - Bonzo = Reagan? Isso e muito mais num (literalmente) papo de compadres, que aproveitaram pra colocar a conversa em dia com o gravador ligado. Alguns reparos: - O Mario pesquisou quem desenhou "Atômica: A Cidade Mais Fria" e confirmou que foi o @samrahart. - Falamos no papo que Ghost World, quadrinho do Clowes, virou filme em 2001. Isso é verdade, mas não foi o único. Art School Confidential também ganhou as telas em 2006 (no Brasil: Uma Escola de Arte Muito Louca). Wilson é a mais recente graphic novel que foi pro cinema, em 2017. NOTAS DOS TRADUTORES é uma produção de Carlos Henrique Rutz, Mario Luiz C. Barroso e Érico Assis. Locução de abertura e de encerramento: Bruna Bernardes. Identidade visual: Marcela Fehrenbach. Apoio: LabPub (www.labpub.com.br) COLEÇÃO NOVA DO NOTAS! Carcaju! Rebento! Pedro Prado! Camisetas novinhas lá na Tradushirts: tradushirts.com.br/collections/notas-dos-tradutores

We hear from The Man Called X on this week's Relic Radio Thrillers. From January 4, 1948, here's his story, Spot The Eight Ball. Listen to more from The Man Called X https://archive.relicradio.com/temp/Thriller863.mp3 Download Thriller863 | Subscribe | Spotify | Support Relic Radio Thrillers

Football flexed their offensive muscles on Saturday night down in Nack-a-dish, while the defense pitched a shutout against Northwestern State. We take a look at the game and the signs of promise for the remaining schedule.Then, we'll preview this weekend's blackout home game against McNeese State, the Dub Cats' third Southland opponent in as many weeks led by former Montana Griz QB Clifton McDowell.Afterward, we'll recap last week's in-state VB matches against UVU, BYU, and the heartbreaker against USU before taking a look at the beginning of the conference slate this week against NAU and Idaho.And last, but certainly not least, we'll dust off Waldo's Magic Eight Ball to see how it's feeling about the football offense, defense, and our volleyball prospects for the rest of the season.Episode Timestamps:Northwestern State FB Recap: 5:09McNeese State FB Preview: 16:05UVU, BYU, and USU VB Recap: 34:01NAU & Idaho VB Preview: 43:36Waldo's Magic Eight Ball: 49:17Upcoming Events: 54:59Don't forget to follow us on Facebook, Twitter, Instagram, or join the Wildcat Fans FB group.

Good evening and a huge welcome back to the show, I hope you've had a great day and you're ready to kick back and relax with another episode of Brett's old time radio show. Hello, I'm Brett your host for this evening and welcome to my home in beautiful Lyme Bay where it's lovely December night. I hope it's just as nice where you are. You'll find all of my links at www.linktr.ee/brettsoldtimeradioshow A huge thankyou for joining me once again for our regular late night visit to those dusty studio archives of Old Time radio shows right here at my home in the united kingdom. Don't forget I have an instagram page and youtube channel both called brett's old time radio show and I'd love it if you could follow me. Feel free to send me some feedback on this and the other shows if you get a moment, brett@tourdate.co.uk #sleep #insomnia #relax #chill #night #nighttime #bed #bedtime #oldtimeradio #drama #comedy #radio #talkradio #hancock #tonyhancock #hancockshalfhour #sherlock #sherlockholmes #radiodrama #popular #viral #viralpodcast #podcast #podcasting #podcasts #podtok #podcastclip #podcastclips #podcasttrailer #podcastteaser #newpodcastepisode #newpodcast #videopodcast #upcomingpodcast #audiogram #audiograms #truecrimepodcast #historypodcast #truecrime #podcaster #viral #popular #viralpodcast #number1 #instagram #youtube #facebook #johnnydollar #crime #fiction #unwind #devon #texas #texasranger #beer #seaton #seaside  #smuggler #colyton #devon #seaton #beer #branscombe #lymebay #lymeregis #brett #brettorchard #orchard #greatdetectives #greatdetectivesofoldtimeradio #detectives #johnnydollar #thesaint #steptoe #texasrangers   The Man Called X An espionage radio drama that aired on CBS and NBC from July 10, 1944, to May 20, 1952. The radio series was later adapted for television and was broadcast for one season, 1956–1957. People Herbert Marshall had the lead role of agent Ken Thurston/"Mr. X", an American intelligence agent who took on dangerous cases in a variety of exotic locations. Leon Belasco played Mr. X's comedic sidekick, Pegon Zellschmidt, who always turned up in remote parts of the world because he had a "cousin" there. Zellschmidt annoyed and helped Mr. X. Jack Latham was an announcer for the program, and Wendell Niles was the announcer from 1947 to 1948. Orchestras led by Milton Charles, Johnny Green, Felix Mills, and Gordon Jenkins supplied the background music. William N. Robson was the producer and director. Stephen Longstreet was the writer. Production The Man Called X replaced America — Ceiling Unlimited on the CBS schedule. Television The series was later adapted to a 39-episode syndicated television series (1956–1957) starring Barry Sullivan as Thurston for Ziv Television. Episodes Season 1 (1956) 1 1 "For External Use Only" Eddie Davis Story by : Ladislas Farago Teleplay by : Stuart Jerome, Harold Swanton, and William P. Templeton January 27, 1956 2 2 "Ballerina Story" Eddie Davis Leonard Heideman February 3, 1956 3 3 "Extradition" Eddie Davis Ellis Marcus February 10, 1956 4 4 "Assassination" William Castle Stuart Jerome February 17, 1956 5 5 "Truth Serum" Eddie Davis Harold Swanton February 24, 1956 6 6 "Afghanistan" Eddie Davis Leonard Heidman March 2, 1956 7 7 "Embassy" Herbert L. Strock Laurence Heath and Jack Rock March 9, 1956 8 8 "Dangerous" Eddie Davis George Callahan March 16, 1956 9 9 "Provocateur" Eddie Davis Arthur Weiss March 23, 1956 10 10 "Local Hero" Leon Benson Ellis Marcus March 30, 1956 11 11 "Maps" Eddie Davis Jack Rock May 4, 1956 12 12 "U.S. Planes" Eddie Davis William L. Stuart April 13, 1956 13 13 "Acoustics" Eddie Davis Orville H. Hampton April 20, 1956 14 14 "The General" Eddie Davis Leonard Heideman April 27, 1956 Season 2 (1956–1957) 15 1 "Missing Plates" Eddie Davis Jack Rock September 27, 1956 16 2 "Enemy Agent" Eddie Davis Teleplay by : Gene Levitt October 4, 1956 17 3 "Gold" Eddie Davis Jack Laird October 11, 1956 18 4 "Operation Janus" Eddie Davis Teleplay by : Jack Rock and Art Wallace October 18, 1956 19 5 "Staff Headquarters" Eddie Davis Leonard Heideman October 25, 1956 20 6 "Underground" Eddie Davis William L. Stuart November 1, 1956 21 7 "Spare Parts" Eddie Davis Jack Laird November 8, 1956 22 8 "Fallout" Eddie Davis Teleplay by : Arthur Weiss November 15, 1956 23 9 "Speech" Eddie Davis Teleplay by : Ande Lamb November 22, 1956 24 10 "Ship Sabotage" Eddie Davis Jack Rock November 29, 1956 25 11 "Rendezvous" Eddie Davis Ellis Marcus December 5, 1956 26 12 "Switzerland" Eddie Davis Leonard Heideman December 12, 1956 27 13 "Voice On Tape" Eddie Davis Teleplay by : Leonard Heideman December 19, 1956 28 14 "Code W" Eddie Davis Arthur Weiss December 26, 1956 29 15 "Gas Masks" Eddie Davis Teleplay by : Jack Rock January 3, 1957 30 16 "Murder" Eddie Davis Lee Berg January 10, 1957 31 17 "Train Blow-Up" Eddie Davis Ellis Marcus February 6, 1957 32 18 "Powder Keg" Jack Herzberg Les Crutchfield and Jack Rock February 13, 1957 33 19 "Passport" Eddie Davis Norman Jolley February 20, 1957 34 20 "Forged Documents" Eddie Davis Charles Mergendahl February 27, 1957 35 21 "Australia" Lambert Hill Jack Rock March 6, 1957 36 22 "Radio" Eddie Davis George Callahan March 13, 1957 37 23 "Business Empire" Leslie Goodwins Herbert Purdum and Jack Rock March 20, 1957 38 24 "Hungary" Eddie Davis Fritz Blocki and George Callahan March 27, 1957 39 25 "Kidnap" Eddie Davis George Callahan April 4, 1957 sleep insomnia relax chill night nightime bed bedtime oldtimeradio drama comedy radio talkradio hancock tonyhancock hancockshalfhour sherlock sherlockholmes radiodrama popular viral viralpodcast podcast brett brettorchard orchard east devon seaton beer lyme regis village condado de alhama spain murcia   The Golden Age of Radio Also known as the old-time radio (OTR) era, was an era of radio in the United States where it was the dominant electronic home entertainment medium. It began with the birth of commercial radio broadcasting in the early 1920s and lasted through the 1950s, when television gradually superseded radio as the medium of choice for scripted programming, variety and dramatic shows. Radio was the first broadcast medium, and during this period people regularly tuned in to their favourite radio programs, and families gathered to listen to the home radio in the evening. According to a 1947 C. E. Hooper survey, 82 out of 100 Americans were found to be radio listeners. A variety of new entertainment formats and genres were created for the new medium, many of which later migrated to television: radio plays, mystery serials, soap operas, quiz shows, talent shows, daytime and evening variety hours, situation comedies, play-by-play sports, children's shows, cooking shows, and more. In the 1950s, television surpassed radio as the most popular broadcast medium, and commercial radio programming shifted to narrower formats of news, talk, sports and music. Religious broadcasters, listener-supported public radio and college stations provide their own distinctive formats. Origins A family listening to the first broadcasts around 1920 with a crystal radio. The crystal radio, a legacy from the pre-broadcast era, could not power a loudspeaker so the family must share earphones During the first three decades of radio, from 1887 to about 1920, the technology of transmitting sound was undeveloped; the information-carrying ability of radio waves was the same as a telegraph; the radio signal could be either on or off. Radio communication was by wireless telegraphy; at the sending end, an operator tapped on a switch which caused the radio transmitter to produce a series of pulses of radio waves which spelled out text messages in Morse code. At the receiver these sounded like beeps, requiring an operator who knew Morse code to translate them back to text. This type of radio was used exclusively for person-to-person text communication for commercial, diplomatic and military purposes and hobbyists; broadcasting did not exist. The broadcasts of live drama, comedy, music and news that characterize the Golden Age of Radio had a precedent in the Théâtrophone, commercially introduced in Paris in 1890 and available as late as 1932. It allowed subscribers to eavesdrop on live stage performances and hear news reports by means of a network of telephone lines. The development of radio eliminated the wires and subscription charges from this concept. Between 1900 and 1920 the first technology for transmitting sound by radio was developed, AM (amplitude modulation), and AM broadcasting sprang up around 1920. On Christmas Eve 1906, Reginald Fessenden is said to have broadcast the first radio program, consisting of some violin playing and passages from the Bible. While Fessenden's role as an inventor and early radio experimenter is not in dispute, several contemporary radio researchers have questioned whether the Christmas Eve broadcast took place, or whether the date was, in fact, several weeks earlier. The first apparent published reference to the event was made in 1928 by H. P. Davis, Vice President of Westinghouse, in a lecture given at Harvard University. In 1932 Fessenden cited the Christmas Eve 1906 broadcast event in a letter he wrote to Vice President S. M. Kinter of Westinghouse. Fessenden's wife Helen recounts the broadcast in her book Fessenden: Builder of Tomorrows (1940), eight years after Fessenden's death. The issue of whether the 1906 Fessenden broadcast actually happened is discussed in Donna Halper's article "In Search of the Truth About Fessenden"[2] and also in James O'Neal's essays.[3][4] An annotated argument supporting Fessenden as the world's first radio broadcaster was offered in 2006 by Dr. John S. Belrose, Radioscientist Emeritus at the Communications Research Centre Canada, in his essay "Fessenden's 1906 Christmas Eve broadcast." It was not until after the Titanic catastrophe in 1912 that radio for mass communication came into vogue, inspired first by the work of amateur ("ham") radio operators. Radio was especially important during World War I as it was vital for air and naval operations. World War I brought about major developments in radio, superseding the Morse code of the wireless telegraph with the vocal communication of the wireless telephone, through advancements in vacuum tube technology and the introduction of the transceiver. After the war, numerous radio stations were born in the United States and set the standard for later radio programs. The first radio news program was broadcast on August 31, 1920, on the station 8MK in Detroit; owned by The Detroit News, the station covered local election results. This was followed in 1920 with the first commercial radio station in the United States, KDKA, being established in Pittsburgh. The first regular entertainment programs were broadcast in 1922, and on March 10, Variety carried the front-page headline: "Radio Sweeping Country: 1,000,000 Sets in Use." A highlight of this time was the first Rose Bowl being broadcast on January 1, 1923, on the Los Angeles station KHJ. Growth of radio Broadcast radio in the United States underwent a period of rapid change through the decade of the 1920s. Technology advances, better regulation, rapid consumer adoption, and the creation of broadcast networks transformed radio from a consumer curiosity into the mass media powerhouse that defined the Golden Age of Radio. Consumer adoption Through the decade of the 1920s, the purchase of radios by United States homes continued, and accelerated. The Radio Corporation of America (RCA) released figures in 1925 stating that 19% of United States homes owned a radio. The triode and regenerative circuit made amplified, vacuum tube radios widely available to consumers by the second half of the 1920s. The advantage was obvious: several people at once in a home could now easily listen to their radio at the same time. In 1930, 40% of the nation's households owned a radio,[8] a figure that was much higher in suburban and large metropolitan areas. The superheterodyne receiver and other inventions refined radios even further in the next decade; even as the Great Depression ravaged the country in the 1930s, radio would stay at the centre of American life. 83% of American homes would own a radio by 1940. Government regulation Although radio was well established with United States consumers by the mid-1920s, regulation of the broadcast medium presented its own challenges. Until 1926, broadcast radio power and frequency use was regulated by the U.S. Department of Commerce, until a legal challenge rendered the agency powerless to do so. Congress responded by enacting the Radio Act of 1927, which included the formation of the Federal Radio Commission (FRC). One of the FRC's most important early actions was the adoption of General Order 40, which divided stations on the AM band into three power level categories, which became known as Local, Regional, and Clear Channel, and reorganized station assignments. Based on this plan, effective 3:00 a.m. Eastern time on November 11, 1928, most of the country's stations were assigned to new transmitting frequencies. Broadcast networks The final element needed to make the Golden Age of Radio possible focused on the question of distribution: the ability for multiple radio stations to simultaneously broadcast the same content, and this would be solved with the concept of a radio network. The earliest radio programs of the 1920s were largely unsponsored; radio stations were a service designed to sell radio receivers. In early 1922, American Telephone & Telegraph Company (AT&T) announced the beginning of advertisement-supported broadcasting on its owned stations, and plans for the development of the first radio network using its telephone lines to transmit the content. In July 1926, AT&T abruptly decided to exit the broadcasting field, and signed an agreement to sell its entire network operations to a group headed by RCA, which used the assets to form the National Broadcasting Company. Four radio networks had formed by 1934. These were: National Broadcasting Company Red Network (NBC Red), launched November 15, 1926. Originally founded as the National Broadcasting Company in late 1926, the company was almost immediately forced to split under antitrust laws to form NBC Red and NBC Blue. When, in 1942, NBC Blue was sold and renamed the Blue Network, this network would go back to calling itself simply the National Broadcasting Company Radio Network (NBC). National Broadcasting Company Blue Network (NBC Blue); launched January 10, 1927, split from NBC Red. NBC Blue was sold in 1942 and became the Blue Network, and it in turn transferred its assets to a new company, the American Broadcasting Company on June 15, 1945. That network identified itself as the American Broadcasting Company Radio Network (ABC). Columbia Broadcasting System (CBS), launched September 18, 1927. After an initially struggling attempt to compete with the NBC networks, CBS gained new momentum when William S. Paley was installed as company president. Mutual Broadcasting System (Mutual), launched September 29, 1934. Mutual was initially run as a cooperative in which the flagship stations owned the network, not the other way around as was the case with the other three radio networks. Programming In the period before and after the advent of the broadcast network, new forms of entertainment needed to be created to fill the time of a station's broadcast day. Many of the formats born in this era continued into the television and digital eras. In the beginning of the Golden Age, network programs were almost exclusively broadcast live, as the national networks prohibited the airing of recorded programs until the late 1940s because of the inferior sound quality of phonograph discs, the only practical recording medium at that time. As a result, network prime-time shows would be performed twice, once for each coast. Rehearsal for the World War II radio show You Can't Do Business with Hitler with John Flynn and Virginia Moore. This series of programs, broadcast at least once weekly by more than 790 radio stations in the United States, was written and produced by the radio section of the Office of War Information (OWI). Live events Coverage of live events included musical concerts and play-by-play sports broadcasts. News The capability of the new medium to get information to people created the format of modern radio news: headlines, remote reporting, sidewalk interviews (such as Vox Pop), panel discussions, weather reports, and farm reports. The entry of radio into the realm of news triggered a feud between the radio and newspaper industries in the mid-1930s, eventually culminating in newspapers trumping up exaggerated [citation needed] reports of a mass hysteria from the (entirely fictional) radio presentation of The War of the Worlds, which had been presented as a faux newscast. Musical features The sponsored musical feature soon became one of the most popular program formats. Most early radio sponsorship came in the form of selling the naming rights to the program, as evidenced by such programs as The A&P Gypsies, Champion Spark Plug Hour, The Clicquot Club Eskimos, and King Biscuit Time; commercials, as they are known in the modern era, were still relatively uncommon and considered intrusive. During the 1930s and 1940s, the leading orchestras were heard often through big band remotes, and NBC's Monitor continued such remotes well into the 1950s by broadcasting live music from New York City jazz clubs to rural America. Singers such as Harriet Lee and Wendell Hall became popular fixtures on network radio beginning in the late 1920s and early 1930s. Local stations often had staff organists such as Jesse Crawford playing popular tunes. Classical music programs on the air included The Voice of Firestone and The Bell Telephone Hour. Texaco sponsored the Metropolitan Opera radio broadcasts; the broadcasts, now sponsored by the Toll Brothers, continue to this day around the world, and are one of the few examples of live classical music still broadcast on radio. One of the most notable of all classical music radio programs of the Golden Age of Radio featured the celebrated Italian conductor Arturo Toscanini conducting the NBC Symphony Orchestra, which had been created especially for him. At that time, nearly all classical musicians and critics considered Toscanini the greatest living maestro. Popular songwriters such as George Gershwin were also featured on radio. (Gershwin, in addition to frequent appearances as a guest, had his own program in 1934.) The New York Philharmonic also had weekly concerts on radio. There was no dedicated classical music radio station like NPR at that time, so classical music programs had to share the network they were broadcast on with more popular ones, much as in the days of television before the creation of NET and PBS. Country music also enjoyed popularity. National Barn Dance, begun on Chicago's WLS in 1924, was picked up by NBC Radio in 1933. In 1925, WSM Barn Dance went on the air from Nashville. It was renamed the Grand Ole Opry in 1927 and NBC carried portions from 1944 to 1956. NBC also aired The Red Foley Show from 1951 to 1961, and ABC Radio carried Ozark Jubilee from 1953 to 1961. Comedy Radio attracted top comedy talents from vaudeville and Hollywood for many years: Bing Crosby, Abbott and Costello, Fred Allen, Jack Benny, Victor Borge, Fanny Brice, Billie Burke, Bob Burns, Judy Canova, Eddie Cantor, Jimmy Durante, Burns and Allen, Phil Harris, Edgar Bergen, Bob Hope, Groucho Marx, Jean Shepherd, Red Skelton and Ed Wynn. Situational comedies also gained popularity, such as Amos 'n' Andy, Easy Aces, Ethel and Albert, Fibber McGee and Molly, The Goldbergs, The Great Gildersleeve, The Halls of Ivy (which featured screen star Ronald Colman and his wife Benita Hume), Meet Corliss Archer, Meet Millie, and Our Miss Brooks. Radio comedy ran the gamut from the small town humor of Lum and Abner, Herb Shriner and Minnie Pearl to the dialect characterizations of Mel Blanc and the caustic sarcasm of Henry Morgan. Gags galore were delivered weekly on Stop Me If You've Heard This One and Can You Top This?,[18] panel programs devoted to the art of telling jokes. Quiz shows were lampooned on It Pays to Be Ignorant, and other memorable parodies were presented by such satirists as Spike Jones, Stoopnagle and Budd, Stan Freberg and Bob and Ray. British comedy reached American shores in a major assault when NBC carried The Goon Show in the mid-1950s. Some shows originated as stage productions: Clifford Goldsmith's play What a Life was reworked into NBC's popular, long-running The Aldrich Family (1939–1953) with the familiar catchphrases "Henry! Henry Aldrich!," followed by Henry's answer, "Coming, Mother!" Moss Hart and George S. Kaufman's Pulitzer Prize-winning Broadway hit, You Can't Take It with You (1936), became a weekly situation comedy heard on Mutual (1944) with Everett Sloane and later on NBC (1951) with Walter Brennan. Other shows were adapted from comic strips, such as Blondie, Dick Tracy, Gasoline Alley, The Gumps, Li'l Abner, Little Orphan Annie, Popeye the Sailor, Red Ryder, Reg'lar Fellers, Terry and the Pirates and Tillie the Toiler. Bob Montana's redheaded teen of comic strips and comic books was heard on radio's Archie Andrews from 1943 to 1953. The Timid Soul was a 1941–1942 comedy based on cartoonist H. T. Webster's famed Caspar Milquetoast character, and Robert L. Ripley's Believe It or Not! was adapted to several different radio formats during the 1930s and 1940s. Conversely, some radio shows gave rise to spinoff comic strips, such as My Friend Irma starring Marie Wilson. Soap operas The first program generally considered to be a daytime serial drama by scholars of the genre is Painted Dreams, which premiered on WGN on October 20, 1930. The first networked daytime serial is Clara, Lu, 'n Em, which started in a daytime time slot on February 15, 1932. As daytime serials became popular in the early 1930s, they became known as soap operas because many were sponsored by soap products and detergents. On November 25, 1960, the last four daytime radio dramas—Young Dr. Malone, Right to Happiness, The Second Mrs. Burton and Ma Perkins, all broadcast on the CBS Radio Network—were brought to an end. Children's programming The line-up of late afternoon adventure serials included Bobby Benson and the B-Bar-B Riders, The Cisco Kid, Jack Armstrong, the All-American Boy, Captain Midnight, and The Tom Mix Ralston Straight Shooters. Badges, rings, decoding devices and other radio premiums offered on these adventure shows were often allied with a sponsor's product, requiring the young listeners to mail in a boxtop from a breakfast cereal or other proof of purchase. Radio plays Radio plays were presented on such programs as 26 by Corwin, NBC Short Story, Arch Oboler's Plays, Quiet, Please, and CBS Radio Workshop. Orson Welles's The Mercury Theatre on the Air and The Campbell Playhouse were considered by many critics to be the finest radio drama anthologies ever presented. They usually starred Welles in the leading role, along with celebrity guest stars such as Margaret Sullavan or Helen Hayes, in adaptations from literature, Broadway, and/or films. They included such titles as Liliom, Oliver Twist (a title now feared lost), A Tale of Two Cities, Lost Horizon, and The Murder of Roger Ackroyd. It was on Mercury Theatre that Welles presented his celebrated-but-infamous 1938 adaptation of H. G. Wells's The War of the Worlds, formatted to sound like a breaking news program. Theatre Guild on the Air presented adaptations of classical and Broadway plays. Their Shakespeare adaptations included a one-hour Macbeth starring Maurice Evans and Judith Anderson, and a 90-minute Hamlet, starring John Gielgud.[22] Recordings of many of these programs survive. During the 1940s, Basil Rathbone and Nigel Bruce, famous for playing Sherlock Holmes and Dr. Watson in films, repeated their characterizations on radio on The New Adventures of Sherlock Holmes, which featured both original stories and episodes directly adapted from Arthur Conan Doyle's stories. None of the episodes in which Rathbone and Bruce starred on the radio program were filmed with the two actors as Holmes and Watson, so radio became the only medium in which audiences were able to experience Rathbone and Bruce appearing in some of the more famous Holmes stories, such as "The Speckled Band". There were also many dramatizations of Sherlock Holmes stories on radio without Rathbone and Bruce. During the latter part of his career, celebrated actor John Barrymore starred in a radio program, Streamlined Shakespeare, which featured him in a series of one-hour adaptations of Shakespeare plays, many of which Barrymore never appeared in either on stage or in films, such as Twelfth Night (in which he played both Malvolio and Sir Toby Belch), and Macbeth. Lux Radio Theatre and The Screen Guild Theater presented adaptations of Hollywood movies, performed before a live audience, usually with cast members from the original films. Suspense, Escape, The Mysterious Traveler and Inner Sanctum Mystery were popular thriller anthology series. Leading writers who created original material for radio included Norman Corwin, Carlton E. Morse, David Goodis, Archibald MacLeish, Arthur Miller, Arch Oboler, Wyllis Cooper, Rod Serling, Jay Bennett, and Irwin Shaw. Game shows Game shows saw their beginnings in radio. One of the first was Information Please in 1938, and one of the first major successes was Dr. I.Q. in 1939. Winner Take All, which premiered in 1946, was the first to use lockout devices and feature returning champions. A relative of the game show, which would be called the giveaway show in contemporary media, typically involved giving sponsored products to studio audience members, people randomly called by telephone, or both. An early example of this show was the 1939 show Pot o' Gold, but the breakout hit of this type was ABC's Stop the Music in 1948. Winning a prize generally required knowledge of what was being aired on the show at that moment, which led to criticism of the giveaway show as a form of "buying an audience". Giveaway shows were extremely popular through 1948 and 1949. They were often panned as low-brow, and an unsuccessful attempt was even made by the FCC to ban them (as an illegal lottery) in August 1949.[23] Broadcast production methods The RCA Type 44-BX microphone had two live faces and two dead ones. Thus actors could face each other and react. An actor could give the effect of leaving the room by simply moving their head toward the dead face of the microphone. The scripts were paper-clipped together. It has been disputed whether or not actors and actresses would drop finished pages to the carpeted floor after use. Radio stations Despite a general ban on use of recordings on broadcasts by radio networks through the late 1940s, "reference recordings" on phonograph disc were made of many programs as they were being broadcast, for review by the sponsor and for the network's own archival purposes. With the development of high-fidelity magnetic wire and tape recording in the years following World War II, the networks became more open to airing recorded programs and the prerecording of shows became more common. Local stations, however, had always been free to use recordings and sometimes made substantial use of pre-recorded syndicated programs distributed on pressed (as opposed to individually recorded) transcription discs. Recording was done using a cutting lathe and acetate discs. Programs were normally recorded at 331⁄3 rpm on 16 inch discs, the standard format used for such "electrical transcriptions" from the early 1930s through the 1950s. Sometimes, the groove was cut starting at the inside of the disc and running to the outside. This was useful when the program to be recorded was longer than 15 minutes so required more than one disc side. By recording the first side outside in, the second inside out, and so on, the sound quality at the disc change-over points would match and result in a more seamless playback. An inside start also had the advantage that the thread of material cut from the disc's surface, which had to be kept out of the path of the cutting stylus, was naturally thrown toward the centre of the disc so was automatically out of the way. When cutting an outside start disc, a brush could be used to keep it out of the way by sweeping it toward the middle of the disc. Well-equipped recording lathes used the vacuum from a water aspirator to pick it up as it was cut and deposit it in a water-filled bottle. In addition to convenience, this served a safety purpose, as the cellulose nitrate thread was highly flammable and a loose accumulation of it combusted violently if ignited. Most recordings of radio broadcasts were made at a radio network's studios, or at the facilities of a network-owned or affiliated station, which might have four or more lathes. A small local station often had none. Two lathes were required to capture a program longer than 15 minutes without losing parts of it while discs were flipped over or changed, along with a trained technician to operate them and monitor the recording while it was being made. However, some surviving recordings were produced by local stations. When a substantial number of copies of an electrical transcription were required, as for the distribution of a syndicated program, they were produced by the same process used to make ordinary records. A master recording was cut, then electroplated to produce a stamper from which pressings in vinyl (or, in the case of transcription discs pressed before about 1935, shellac) were moulded in a record press. Armed Forces Radio Service Frank Sinatra and Alida Valli converse over Armed Forces Radio Service during World War II The Armed Forces Radio Service (AFRS) had its origins in the U.S. War Department's quest to improve troop morale. This quest began with short-wave broadcasts of educational and information programs to troops in 1940. In 1941, the War Department began issuing "Buddy Kits" (B-Kits) to departing troops, which consisted of radios, 78 rpm records and electrical transcription discs of radio shows. However, with the entrance of the United States into World War II, the War Department decided that it needed to improve the quality and quantity of its offerings. This began with the broadcasting of its own original variety programs. Command Performance was the first of these, produced for the first time on March 1, 1942. On May 26, 1942, the Armed Forces Radio Service was formally established. Originally, its programming comprised network radio shows with the commercials removed. However, it soon began producing original programming, such as Mail Call, G.I. Journal, Jubilee and GI Jive. At its peak in 1945, the Service produced around 20 hours of original programming each week. From 1943 until 1949 the AFRS also broadcast programs developed through the collaborative efforts of the Office of the Coordinator of Inter-American Affairs and the Columbia Broadcasting System in support of America's cultural diplomacy initiatives and President Franklin Roosevelt's Good Neighbour policy. Included among the popular shows was Viva America which showcased leading musical artists from both North and South America for the entertainment of America's troops. Included among the regular performers were: Alfredo Antonini, Juan Arvizu, Nestor Mesta Chayres, Kate Smith,[26] and John Serry Sr. After the war, the AFRS continued providing programming to troops in Europe. During the 1950s and early 1960s it presented performances by the Army's only symphonic orchestra ensemble—the Seventh Army Symphony Orchestra. It also provided programming for future wars that the United States was involved in. It survives today as a component of the American Forces Network (AFN). All of the shows aired by the AFRS during the Golden Age were recorded as electrical transcription discs, vinyl copies of which were shipped to stations overseas to be broadcast to the troops. People in the United States rarely ever heard programming from the AFRS,[31] though AFRS recordings of Golden Age network shows were occasionally broadcast on some domestic stations beginning in the 1950s. In some cases, the AFRS disc is the only surviving recording of a program. Home radio recordings in the United States There was some home recording of radio broadcasts in the 1930s and 1940s. Examples from as early as 1930 have been documented. During these years, home recordings were made with disc recorders, most of which were only capable of storing about four minutes of a radio program on each side of a twelve-inch 78 rpm record. Most home recordings were made on even shorter-playing ten-inch or smaller discs. Some home disc recorders offered the option of the 331⁄3 rpm speed used for electrical transcriptions, allowing a recording more than twice as long to be made, although with reduced audio quality. Office dictation equipment was sometimes pressed into service for making recordings of radio broadcasts, but the audio quality of these devices was poor and the resulting recordings were in odd formats that had to be played back on similar equipment. Due to the expense of recorders and the limitations of the recording media, home recording of broadcasts was not common during this period and it was usually limited to brief excerpts. The lack of suitable home recording equipment was somewhat relieved in 1947 with the availability of magnetic wire recorders for domestic use. These were capable of recording an hour-long broadcast on a single small spool of wire, and if a high-quality radio's audio output was recorded directly, rather than by holding a microphone up to its speaker, the recorded sound quality was very good. However, because the wire cost money and, like magnetic tape, could be repeatedly re-used to make new recordings, only a few complete broadcasts appear to have survived on this medium. In fact, there was little home recording of complete radio programs until the early 1950s, when increasingly affordable reel-to-reel tape recorders for home use were introduced to the market. Recording media Electrical transcription discs   The War of the Worlds radio broadcast by Orson Welles on electrical transcription disc Before the early 1950s, when radio networks and local stations wanted to preserve a live broadcast, they did so by means of special phonograph records known as "electrical transcriptions" (ETs), made by cutting a sound-modulated groove into a blank disc. At first, in the early 1930s, the blanks varied in both size and composition, but most often they were simply bare aluminum and the groove was indented rather than cut. Typically, these very early recordings were not made by the network or radio station, but by a private recording service contracted by the broadcast sponsor or one of the performers. The bare aluminum discs were typically 10 or 12 inches in diameter and recorded at the then-standard speed of 78 rpm, which meant that several disc sides were required to accommodate even a 15-minute program. By about 1936, 16-inch aluminum-based discs coated with cellulose nitrate lacquer, commonly known as acetates and recorded at a speed of 331⁄3 rpm, had been adopted by the networks and individual radio stations as the standard medium for recording broadcasts. The making of such recordings, at least for some purposes, then became routine. Some discs were recorded using a "hill and dale" vertically modulated groove, rather than the "lateral" side-to-side modulation found on the records being made for home use at that time. The large slow-speed discs could easily contain fifteen minutes on each side, allowing an hour-long program to be recorded on only two discs. The lacquer was softer than shellac or vinyl and wore more rapidly, allowing only a few playbacks with the heavy pickups and steel needles then in use before deterioration became audible. During World War II, aluminum became a necessary material for the war effort and was in short supply. This caused an alternative to be sought for the base on which to coat the lacquer. Glass, despite its obvious disadvantage of fragility, had occasionally been used in earlier years because it could provide a perfectly smooth and even supporting surface for mastering and other critical applications. Glass base recording blanks came into general use for the duration of the war. Magnetic wire recording In the late 1940s, wire recorders became a readily obtainable means of recording radio programs. On a per-minute basis, it was less expensive to record a broadcast on wire than on discs. The one-hour program that required the four sides of two 16-inch discs could be recorded intact on a single spool of wire less than three inches in diameter and about half an inch thick. The audio fidelity of a good wire recording was comparable to acetate discs and by comparison the wire was practically indestructible, but it was soon rendered obsolete by the more manageable and easily edited medium of magnetic tape. Reel-to-reel tape recording Bing Crosby became the first major proponent of magnetic tape recording for radio, and he was the first to use it on network radio, after he did a demonstration program in 1947. Tape had several advantages over earlier recording methods. Running at a sufficiently high speed, it could achieve higher fidelity than both electrical transcription discs and magnetic wire. Discs could be edited only by copying parts of them to a new disc, and the copying entailed a loss of audio quality. Wire could be divided up and the ends spliced together by knotting, but wire was difficult to handle and the crude splices were too noticeable. Tape could be edited by cutting it with a blade and neatly joining ends together with adhesive tape. By early 1949, the transition from live performances preserved on discs to performances pre-recorded on magnetic tape for later broadcast was complete for network radio programs. However, for the physical distribution of pre-recorded programming to individual stations, 16-inch 331⁄3 rpm vinyl pressings, less expensive to produce in quantities of identical copies than tapes, continued to be standard throughout the 1950s. Availability of recordings The great majority of pre-World War II live radio broadcasts are lost. Many were never recorded; few recordings antedate the early 1930s. Beginning then several of the longer-running radio dramas have their archives complete or nearly complete. The earlier the date, the less likely it is that a recording survives. However, a good number of syndicated programs from this period have survived because copies were distributed far and wide. Recordings of live network broadcasts from the World War II years were preserved in the form of pressed vinyl copies issued by the Armed Forces Radio Service (AFRS) and survive in relative abundance. Syndicated programs from World War II and later years have nearly all survived. The survival of network programming from this time frame is more inconsistent; the networks started prerecording their formerly live shows on magnetic tape for subsequent network broadcast, but did not physically distribute copies, and the expensive tapes, unlike electrical transcription ("ET") discs, could be "wiped" and re-used (especially since, in the age of emerging trends such as television and music radio, such recordings were believed to have virtually no rerun or resale value). Thus, while some prime time network radio series from this era exist in full or almost in full, especially the most famous and longest-lived of them, less prominent or shorter-lived series (such as serials) may have only a handful of extant episodes. Airchecks, off-the-air recordings of complete shows made by, or at the behest of, individuals for their own private use, sometimes help to fill in such gaps. The contents of privately made recordings of live broadcasts from the first half of the 1930s can be of particular interest, as little live material from that period survives. Unfortunately, the sound quality of very early private recordings is often very poor, although in some cases this is largely due to the use of an incorrect playback stylus, which can also badly damage some unusual types of discs. Most of the Golden Age programs in circulation among collectors—whether on analogue tape, CD, or in the form of MP3s—originated from analogue 16-inch transcription disc, although some are off-the-air AM recordings. But in many cases, the circulating recordings are corrupted (decreased in quality), because lossless digital recording for the home market did not come until the very end of the twentieth century. Collectors made and shared recordings on analogue magnetic tapes, the only practical, relatively inexpensive medium, first on reels, then cassettes. "Sharing" usually meant making a duplicate tape. They connected two recorders, playing on one and recording on the other. Analog recordings are never perfect, and copying an analogue recording multiplies the imperfections. With the oldest recordings this can even mean it went out the speaker of one machine and in via the microphone of the other. The muffled sound, dropouts, sudden changes in sound quality, unsteady pitch, and other defects heard all too often are almost always accumulated tape copy defects. In addition, magnetic recordings, unless preserved archivally, are gradually damaged by the Earth's magnetic field. The audio quality of the source discs, when they have survived unscathed and are accessed and dubbed anew, is usually found to be reasonably clear and undistorted, sometimes startlingly good, although like all phonograph records they are vulnerable to wear and the effects of scuffs, scratches, and ground-in dust. Many shows from the 1940s have survived only in edited AFRS versions, although some exist in both the original and AFRS forms. As of 2020, the Old Time Radio collection at the Internet Archive contains 5,121 recordings. An active group of collectors makes digitally available, via CD or download, large collections of programs. RadioEchoes.com offers 98,949 episodes in their collection, but not all is old-time radio. Copyright status Unlike film, television, and print items from the era, the copyright status of most recordings from the Golden Age of Radio is unclear. This is because, prior to 1972, the United States delegated the copyrighting of sound recordings to the individual states, many of which offered more generous common law copyright protections than the federal government offered for other media (some offered perpetual copyright, which has since been abolished; under the Music Modernization Act of September 2018, any sound recording 95 years old or older will be thrust into the public domain regardless of state law). The only exceptions are AFRS original productions, which are considered work of the United States government and thus both ineligible for federal copyright and outside the jurisdiction of any state; these programs are firmly in the public domain (this does not apply to programs carried by AFRS but produced by commercial networks). In practice, most old-time radio recordings are treated as orphan works: although there may still be a valid copyright on the program, it is seldom enforced. The copyright on an individual sound recording is distinct from the federal copyright for the underlying material (such as a published script, music, or in the case of adaptations, the original film or television material), and in many cases it is impossible to determine where or when the original recording was made or if the recording was copyrighted in that state. The U.S. Copyright Office states "there are a variety of legal regimes governing protection of pre-1972 sound recordings in the various states, and the scope of protection and of exceptions and limitations to that protection is unclear."[39] For example, New York has issued contradicting rulings on whether or not common law exists in that state; the most recent ruling, 2016's Flo & Eddie, Inc. v. Sirius XM Radio, holds that there is no such copyright in New York in regard to public performance.[40] Further complicating matters is that certain examples in case law have implied that radio broadcasts (and faithful reproductions thereof), because they were distributed freely to the public over the air, may not be eligible for copyright in and of themselves. The Internet Archive and other organizations that distribute public domain and open-source audio recordings maintain extensive archives of old-time radio programs. Legacy United States Some old-time radio shows continued on the air, although in ever-dwindling numbers, throughout the 1950s, even after their television equivalents had conquered the general public. One factor which helped to kill off old-time radio entirely was the evolution of popular music (including the development of rock and roll), which led to the birth of the top 40 radio format. A top 40 show could be produced in a small studio in a local station with minimal staff. This displaced full-service network radio and hastened the end of the golden-age era of radio drama by 1962. (Radio as a broadcast medium would survive, thanks in part to the proliferation of the transistor radio, and permanent installation in vehicles, making the medium far more portable than television). Full-service stations that did not adopt either top 40 or the mellower beautiful music or MOR formats eventually developed all-news radio in the mid-1960s. Scripted radio comedy and drama in the vein of old-time radio has a limited presence on U.S. radio. Several radio theatre series are still in production in the United States, usually airing on Sunday nights. These include original series such as Imagination Theatre and a radio adaptation of The Twilight Zone TV series, as well as rerun compilations such as the popular daily series When Radio Was and USA Radio Network's Golden Age of Radio Theatre, and weekly programs such as The Big Broadcast on WAMU, hosted by Murray Horwitz. These shows usually air in late nights and/or on weekends on small AM stations. Carl Amari's nationally syndicated radio show Hollywood 360 features 5 old-time radio episodes each week during his 5-hour broadcast. Amari's show is heard on 100+ radio stations coast-to-coast and in 168 countries on American Forces Radio. Local rerun compilations are also heard, primarily on public radio stations. Sirius XM Radio maintains a full-time Radio Classics channel devoted to rebroadcasts of vintage radio shows. Starting in 1974, Garrison Keillor, through his syndicated two-hour-long program A Prairie Home Companion, has provided a living museum of the production, tone and listener's experience of this era of radio for several generations after its demise. Produced live in theaters throughout the country, using the same sound effects and techniques of the era, it ran through 2016 with Keillor as host. The program included segments that were close renditions (in the form of parody) of specific genres of this era, including Westerns ("Dusty and Lefty, The Lives of the Cowboys"), detective procedurals ("Guy Noir, Private Eye") and even advertising through fictional commercials. Keillor also wrote a novel, WLT: A Radio Romance based on a radio station of this era—including a personally narrated version for the ultimate in verisimilitude. Upon Keillor's retirement, replacement host Chris Thile chose to reboot the show (since renamed Live from Here after the syndicator cut ties with Keillor) and eliminate much of the old-time radio trappings of the format; the show was ultimately canceled in 2020 due to financial and logistics problems. Vintage shows and new audio productions in America are accessible more widely from recordings or by satellite and web broadcasters, rather than over conventional AM and FM radio. The National Audio Theatre Festival is a national organization and yearly conference keeping the audio arts—especially audio drama—alive, and continues to involve long-time voice actors and OTR veterans in its ranks. Its predecessor, the Midwest Radio Theatre Workshop, was first hosted by Jim Jordan, of Fibber McGee and Molly fame, and Norman Corwin advised the organization. One of the longest running radio programs celebrating this era is The Golden Days of Radio, which was hosted on the Armed Forces Radio Service for more than 20 years and overall for more than 50 years by Frank Bresee, who also played "Little Beaver" on the Red Ryder program as a child actor. One of the very few still-running shows from the earlier era of radio is a Christian program entitled Unshackled! The weekly half-hour show, produced in Chicago by Pacific Garden Mission, has been continuously broadcast since 1950. The shows are created using techniques from the 1950s (including home-made sound effects) and are broadcast across the U.S. and around the world by thousands of radio stations. Today, radio performers of the past appear at conventions that feature re-creations of classic shows, as well as music, memorabilia and historical panels. The largest of these events was the Friends of Old Time Radio Convention, held in Newark, New Jersey, which held its final convention in October 2011 after 36 years. Others include REPS in Seattle (June), SPERDVAC in California, the Cincinnati OTR & Nostalgia Convention (April), and the Mid-Atlantic Nostalgia Convention (September). Veterans of the Friends of Old Time Radio Convention, including Chairperson Steven M. Lewis of The Gotham Radio Players, Maggie Thompson, publisher of the Comic Book Buyer's Guide, Craig Wichman of audio drama troupe Quicksilver Audio Theater and long-time FOTR Publicist Sean Dougherty have launched a successor event, Celebrating Audio Theater – Old & New, scheduled for October 12–13, 2012. Radio dramas from the golden age are sometimes recreated as live stage performances at such events. One such group, led by director Daniel Smith, has been performing re-creations of old-time radio dramas at Fairfield University's Regina A. Quick Center for the Arts since the year 2000. The 40th anniversary of what is widely considered the end of the old time radio era (the final broadcasts of Yours Truly, Johnny Dollar and Suspense on September 30, 1962) was marked with a commentary on NPR's All Things Considered. A handful of radio programs from the old-time era remain in production, all from the genres of news, music, or religious broadcasting: the Grand Ole Opry (1925), Music and the Spoken Word (1929), The Lutheran Hour (1930), the CBS World News Roundup (1938), King Biscuit Time (1941) and the Renfro Valley Gatherin' (1943). Of those, all but the Opry maintain their original short-form length of 30 minutes or less. The Wheeling Jamboree counts an earlier program on a competing station as part of its history, tracing its lineage back to 1933. Western revival/comedy act Riders in the Sky produced a radio serial Riders Radio Theatre in the 1980s and 1990s and continues to provide sketch comedy on existing radio programs including the Grand Ole Opry, Midnite Jamboree and WoodSongs Old-Time Radio Hour. Elsewhere Regular broadcasts of radio plays are also heard in—among other countries—Australia, Croatia, Estonia,[46] France, Germany, Ireland, Japan, New Zealand, Norway, Romania, and Sweden. In the United Kingdom, such scripted radio drama continues on BBC Radio 3 and (principally) BBC Radio 4, the second-most popular radio station in the country, as well as on the rerun channel BBC Radio 4 Extra, which is the seventh-most popular station there.   #starradio #totalstar #star1075 #heart #heartradio #lbc #bbc #bbcradio #bbcradio1 #bbcradio2 #bbcradio3 #bbcradio4 #radio4extra #absoluteradio #absolute #capital #capitalradio #greatesthitsradio #hitsradio #radio #adultcontemporary #spain #bristol #frenchay #colyton #lymeregis #seaton #beer #devon #eastdevon #brettorchard #brettsoldtimeradioshow fe2f4df62ffeeb8c30c04d3d3454779ca91a4871

Space Power: War-Gamers Say We're “Behind the Eight Ball” What should the new U.S. vice president and the National Space Council do if China achieved a Sputnik-like moment? According to this week's guests, we're “Behind the Eight Ball”, which is the title of their first report on a series of recent wargames that included former NASA and Department of Defense political appointees, representing both major U.S. political parties. Laura Winter speaks with Peter Garretson, a Senior Fellow at the American Foreign Policy Council (AFPC) who also co-authored the book “The Next Space Race: A Blueprint for American Primacy” with the second guest; Richard Harrison, AFPC's Vice President of Operations and Director of the Defense Technology Program.

Thanks to today's podcast sponsor, PHH Mortgage. For over 35 years, PHH Mortgage has provided industry-leading mortgage services. They are one of the largest servicers of residential mortgages in the United States and offer a variety of solutions for the entire mortgage lifecycle. If you are looking for a Correspondent Lending partner or an experienced, award-winning Subservicer who can manage your forward and reverse, residential and commercial, and performing and non-performing loans look no further than PHH. Learn more at business.phhmortgage.com.

Welcome back to "I Only Listen to 90s Music," where this episode is packed with engaging discussions and nostalgic throwbacks. We kick things off with a lively debate about the Olympics, touching on everything from Sha'Carri Richardson's anticipated races to the impact of hosting the Olympics on various cities. The conversation takes intriguing turns as we discuss the iconic figures like Usain Bolt and Simone Biles, and even delve into the upcoming inclusion of flag football in the 2028 Olympics. We then shift gears to the vibrant and sometimes controversial world of music. From Chris Brown's latest headlines to the fascinating story of Luther Vandross' tour with En Vogue, no stone is left unturned. The episode also explores potential reboots of classic TV shows like "A Different World" and "Facts of Life," pondering which characters and storylines could make a triumphant return. In a special segment, we revisit Warren G's seminal album "Regulate... G Funk Era," reflecting on its impact and timeless tracks. The episode wraps up with an engaging listener email that sparks a debate on the best debut R&B albums of all time, featuring heavyweights like Tony Braxton, D'Angelo, and Mariah Carey. 1:10 The Paris Olympics Are Super Black 14:09 Eightball and MJG movie "Comin Out Hard" 22:15 Chris Brown Fighting Again? Is It Him or does trouble just follow him? 41:44 Michael Jackson did that Pepsi deal for his brothers 55:49 Whitney Houston Mother Conspiracy 59:38 Facts of Life Reboot called off and what would a Different World Reboot look like 1:19:34 Luther Vandross treatment of En Vogue on Tour 1:36:11 Best R&B Debut albums of all time 1:57:04 Revisiting Warren G's G Funk Era album Join the I Only Listen to 90s Music Facebook Group http://bit.ly/3k0UEDe        Follow I Only Listen to 90s Music on IG https://bit.ly/3sbCphv       Follow SOLC Network online Instagram: https://bit.ly/39VL542                          Twitter: https://bit.ly/39aL395                          Facebook: https://bit.ly/3sQn7je                To Listen to the podcast Podbean https://bit.ly/3t7SDJH                      YouTube http://bit.ly/3ouZqJU                      Spotify http://spoti.fi/3pwZZnJ                     Apple http://apple.co/39rwjD1   

In this episode, Alan and Alex are joined on the show by Sean Irby, a northwest pinball neighbor from Seattle to discuss the making and development of homebrew pinball machines, AKA making your own pinball machine.Over the last 5 years, the homebrew pinball community has exploded thanks to the availability of boards, mission pinball framework, and the online community surrounding these tools.Sean built his own pinball machine, Eight Ball Beyond, a spiritual successor to the trilogy of Eight Ball games made by Bally, and he talks with us about his process, offering advice for players looking to follow in his footsteps and build their own game too.Anyone in Portland, or the surrounding areas can play this awesome game at Wedgehead for the entire month of August 2024, as Sean is bringing it down and dropping it off for the community to play and enjoy!For everyone else, check out this pinside thread that he created, documenting more of the process: https://pinside.com/pinball/forum/topic/eight-ball-beyondAs always though, we use some adult language throughout the show.

https://scp-wiki.wikidot.com/scp-8888 Written by: Billith, Doctor Cimmerian, HarryBlank, Placeholder McD Support the Patreon to see Exploring videos early and vote on new ones!: http://bit.ly/1U9QkPh Join the Discord!: https://discord.gg/beRYZgbbgP Support the Series with official Merch!: https://t.co/aH0HApXp7v Follow me on Twitter for updates!: https://twitter.com/TES_Mangg Listen on Podcasts: https://anchor.fm/theexploringseries Exploring SCP Foundation Playlist: https://bit.ly/2whu8NA Exploring Dungeons and Dragons Playlist: https://bit.ly/348IZZu Exploring Warhammer 40k Playlist: https://bit.ly/2DoFZgu Exploring Celtic Mythology Playlist: https://bit.ly/2rTuHLm Exploring Norse Mythology Playlist: http://bit.ly/2EAHTda Exploring Elder Scrolls Playlist: http://bit.ly/2fgqQoY Exploring Star Wars Playlist: http://bit.ly/2lNtlN0 Exploring Middle-Earth Playlist: http://bit.ly/2cGNcty Exploring the Cthulhu Mythos Playlist: http://bit.ly/25OI9jY Exploring History Playlist: https://bit.ly/2w7XMqM Video Game Stories Playlist: https://bit.ly/3hhgbqK My Gaming Channel: youtube.com/user/ManggsLPs Music: https://www.youtube.com/watch?v=ZVm52MbXb7s Content relating to the SCP Foundation, including the SCP Foundation logo, is licensed under Creative Commons Sharealike 3.0 and all concepts originate from http://www.scp-wiki.net and its authors. This video, being derived from this content, is hereby also released under Creative Commons Sharealike 3.0. --- Support this podcast: https://podcasters.spotify.com/pod/show/theexploringseries/support

Join host Michael Jaco and a panel of distinguished experts, including Dr. Brian Artis, Dr. Lee Merritt, and Dr. Christiane Northrup, as they dive into the shadowy world of Lyme disease in "The Lyme Crimes - A Roundtable Discussion About the Hidden Bioweapon." This gripping podcast series uncovers startling revelations and controversial claims that challenge everything you thought you knew about this debilitating illness. Explore the chilling theory that Lyme disease originated from a US bioweapon lab on Plum Island, involving Nazi bioweapon expert Eric Traub, brought to the US under Operation Paperclip, and the unethical experiments conducted under the radar. Unveil the alleged cover-up efforts by the US government to hide the true origins of Lyme disease as Kevin shares insights into these clandestine operations, urging listeners to investigate and uncover the truth for themselves. Delve into the sinister experiments on ticks and their potential connection to outbreaks like West Nile virus. Understand the implications of bioweapons and the role of ticks in spreading deadly diseases. Hear firsthand accounts of the struggles in diagnosing and treating Lyme disease, including the reluctance of medical professionals, the stigma attached to the disease, and the wide range of symptoms that complicate effective treatment. Discover the famous figures who have battled Lyme disease and explore the potential hidden agendas behind the spread of this illness. Discuss the influence of intelligence services on scientific narratives and the need for independent research. Explore alternative health solutions, from anti-parasitic regimens to promising plant extracts like artemisia, and learn about new discoveries that offer hope for eradicating the Borrelia bacteria responsible for Lyme disease. Dive into the broader implications of Lyme disease as part of a larger agenda to harm humanity. From bioweapons to chemtrails and environmental toxins, uncover the web of conspiracy theories that intertwine with the Lyme narrative. Each episode concludes with a powerful call to action, urging listeners to stay informed, question established narratives, and take proactive steps to protect their health and well-being. "The Lyme Crimes - A Roundtable Discussion About the Hidden Bioweapon" isn't just a podcast; it's a movement. A journey into the darkest corners of medical history, bioweapon research, and the relentless pursuit of truth. Tune in, stay informed, and become part of the solution in the fight against Lyme disease and its hidden horrors. Subscribe now and join the revolution. The truth is out there, and it's time to uncover it. Join host Michael Jaco, Ex-Navy Seal, who teaches you how to tap into your Intuition and Unleash the Power within, so you can become the Master of your Reality. Connect with Michael Jaco at his website - michaelkjaco.com   Dr. Christiane Northrup https://www.drnorthrup.com Dr Lee Merritt https://drleemerritt.com Dr. Brian Ardis https://thedrardisshow.com https://youtu.be/_Jh47toFzvA?si=kgcHlrxgF-6O5aDA Why are doctors reluctant to treat Lyme disease? - Daniel Cameron, MD, MPH https://danielcameronmd.com/why-doctors-reluctant-treat-lyme-disease/ https://youtu.be/_Jh47toFzvA?si=2yxI49AHkZdkWYuD Access to Care in Lyme Disease: Clinician Barriers to Providing Care - PMC https://www.ncbi.nlm.nih.gov/pmc/articles/PMC9601439/ https://youtu.be/r8tESJVvM88?si=vLk59otKFM6G06-f https://youtu.be/I4wmG_vxDtw?si=ReJtfGu9sJ0ZwWZm https://youtu.be/Ja9iflckw-Y?si=jOhRFzKUPOtK-5OO https://youtu.be/uSsnMQHIJZk?si=7rAcs6eiJPEtETDu Under the Eightball (2009) - IMDb https://m.imdb.com/title/tt1652376/ nutranews https://www.samento.com.ec/nutranews/story002.html https://youtu.be/TOVwDMzX1yI?si=2LnBwySAHripRvXc https://youtu.be/z_LJ0cLDyKM?si=VEv-DtuefTgTFpDR https://youtu.be/oEI8cqVbDbo?si=SeBxeDaUeZl9bIdU Bitten: The Secret History of Lyme Disease and Biological Weapons: Newby, Kris: 9780062896278: Amazon.com: Books https://www.amazon.com/Bitten-History-Disease-Biological-Weapons/dp/006289627X https://youtu.be/vmnzXfXPrR8?si=VGu-J7poFK_VqjZ6 https://youtu.be/lKE1k_POGVQ?si=o_IOHM8F0FuYdfyS 2018 ILADS Webinar - Kenneth Liegner, MD on Vimeo https://vimeo.com/301641010 Watch all the docs in those series search ilads.org https://images.search.yahoo.com/yhs/search;_ylt=AwrFcO0ZC2BmjiQAJAcPxQt.;_ylu=Y29sbwNiZjEEcG9zAzEEdnRpZAMEc2VjA3BpdnM-?p=famous+people+with+lyme+disease&type=A1-brwsr-%7E2022-9%7E¶m1=20220225¶m2=23894748-3348-48c4-967b-cf1b6f5d5ff9¶m3=wav%7EUS%7Eappfocus1%7E¶m4=d-cp12919082543-lp5-hh6-obem-wav-vuentp%3Aon-igeffpcWxSIDpeIDtCg-ab36-w64-brwsr-ntb-ntp%7EChrome%7Efamous+people+with+lyme+disease%7EB2D7D7656EB4E5153688637C8FBF7B49%7EWin10&hsimp=yhs-browser_wavebrowser&hspart=pty&grd=1&ei=UTF-8&fr=yhs-pty-browser_wavebrowser https://youtu.be/bxmjGYKwOSo?si=RxXnuWJU_l5KMT4o https://youtu.be/zD1rJjwMBMs?si=g0o8V-uoTo2PtCY- https://youtu.be/ow53uy1qElI?si=ruBFEvohSDZzvfZx KEVIN HOYT Who is ready to be a Grass Roots WARRIOR? If YOU would like to join the colony and support our effort, here's how you can help- SHARES HELP too! https://donorbox.org/become-a-truth-warrior-supporter or find us on Give Send Go: https://www.givesendgo.com/GrassRootsWarriorNetwork If You found us on another platform; please find us, like, follow and subscribe all for free on Rumble: https://rumble.com/c/GrassRootsWarriorNetwork Wav Watch: new frequency heal technologies: AMAZING Save $100 off each watch with promo Code Kevin100 https://www.wavwatch.com/ COLD & FLU STOP: natural, SAFE and effective medicine; BIG PHARMA alternative: For more info, lab tests, witness testimony or to order Cold & Flu stop please visit: https://www.coldandflustop.com/ PROMO CODE "KEVIN" for more savings! Modern Spartan Systems: Healthy, safe, natural and non-toxic products that WORK BETTER. Helping people and the planet - https://modernspartansystems.com/ PROMO CODE: Kevin10 saves you 10% SMALL BUSINESS ERC REFUND link: https://www.gov2bizrefunds.com/ Kevin's information & Monetary donations: DONATIONS APPRECIATED! https://cash.app/$GovernorKevin Follow Kevin on: Rumble - https://rumble.com/user/KevinHoytVT Facebook - https://www.facebook.com/kevin.hoyt.79?mibextid=ZbWKwL Telegram - https://t.me/kevinhoytchat TruthSocial - https://truthsocial.com/@KevinHoyt Michael Jaco WAVWATCH - The revolutionary selfcare watch that's designed to support the health of your mind AND body! This one-of-a-kind watch provides anxiety relief, pain support, productivity boost, immune system enhancement, and more!

https://scp-wiki.wikidot.com/scp-8888 Written by: Billith, Doctor Cimmerian, HarryBlank, Placeholder McD Support the Patreon to see Exploring videos early and vote on new ones!: http://bit.ly/1U9QkPh Join the Discord!: https://discord.gg/beRYZgbbgP Support the Series with official Merch!: https://t.co/aH0HApXp7v Follow me on Twitter for updates!: https://twitter.com/TES_Mangg Listen on Podcasts: https://anchor.fm/theexploringseries Exploring SCP Foundation Playlist: https://bit.ly/2whu8NA Exploring Dungeons and Dragons Playlist: https://bit.ly/348IZZu Exploring Warhammer 40k Playlist: https://bit.ly/2DoFZgu Exploring Celtic Mythology Playlist: https://bit.ly/2rTuHLm Exploring Norse Mythology Playlist: http://bit.ly/2EAHTda Exploring Elder Scrolls Playlist: http://bit.ly/2fgqQoY Exploring Star Wars Playlist: http://bit.ly/2lNtlN0 Exploring Middle-Earth Playlist: http://bit.ly/2cGNcty Exploring the Cthulhu Mythos Playlist: http://bit.ly/25OI9jY Exploring History Playlist: https://bit.ly/2w7XMqM Video Game Stories Playlist: https://bit.ly/3hhgbqK My Gaming Channel: youtube.com/user/ManggsLPs Music: https://www.youtube.com/watch?v=O6It2y6sgUA Content relating to the SCP Foundation, including the SCP Foundation logo, is licensed under Creative Commons Sharealike 3.0 and all concepts originate from http://www.scp-wiki.net and its authors. This video, being derived from this content, is hereby also released under Creative Commons Sharealike 3.0. --- Support this podcast: https://podcasters.spotify.com/pod/show/theexploringseries/support

Lauren "Magic Eight Ball" Rump and Kris "Buttercup" Townsend sit down with Doc to talk about CureSearch and its fundraiser, Ultimate Hike, which raises money for pediatric cancer research. Settle in and buckle up as Eight Ball and Buttercup range far and wide in this episode, including discussions of bathtub spaghetti, Half Dome lies, squirting in the right spot, rival hiking clubs, cheating on the hiking poll, motorcycle hitches, the Baton Memorial Death March, and emotional, goose bump moments while raising money to change lives. Unforgettable. Learn more about your ad choices. Visit megaphone.fm/adchoices

Tuesday's second hour

https://scp-wiki.wikidot.com/scp-8888 Written by: Billith, Doctor Cimmerian, HarryBlank, Placeholder McD Support the Patreon to see Exploring videos early and vote on new ones!: http://bit.ly/1U9QkPh Join the Discord!: https://discord.gg/beRYZgbbgP Support the Series with official Merch!: https://t.co/aH0HApXp7v Follow me on Twitter for updates!: https://twitter.com/TES_Mangg Listen on Podcasts: https://anchor.fm/theexploringseries Exploring SCP Foundation Playlist: https://bit.ly/2whu8NA Exploring Dungeons and Dragons Playlist: https://bit.ly/348IZZu Exploring Warhammer 40k Playlist: https://bit.ly/2DoFZgu Exploring Celtic Mythology Playlist: https://bit.ly/2rTuHLm Exploring Norse Mythology Playlist: http://bit.ly/2EAHTda Exploring Elder Scrolls Playlist: http://bit.ly/2fgqQoY Exploring Star Wars Playlist: http://bit.ly/2lNtlN0 Exploring Middle-Earth Playlist: http://bit.ly/2cGNcty Exploring the Cthulhu Mythos Playlist: http://bit.ly/25OI9jY Exploring History Playlist: https://bit.ly/2w7XMqM Video Game Stories Playlist: https://bit.ly/3hhgbqK My Gaming Channel: youtube.com/user/ManggsLPs Music: https://www.youtube.com/watch?v=YbEX2cpDdPU Content relating to the SCP Foundation, including the SCP Foundation logo, is licensed under Creative Commons Sharealike 3.0 and all concepts originate from http://www.scp-wiki.net and its authors. This video, being derived from this content, is hereby also released under Creative Commons Sharealike 3.0. --- Support this podcast: https://podcasters.spotify.com/pod/show/theexploringseries/support

https://scp-wiki.wikidot.com/scp-8888 Written by: Billith, Doctor Cimmerian, HarryBlank, Placeholder McD Support the Patreon to see Exploring videos early and vote on new ones!: http://bit.ly/1U9QkPh Join the Discord!: https://discord.gg/beRYZgbbgP Support the Series with official Merch!: https://t.co/aH0HApXp7v Follow me on Twitter for updates!: https://twitter.com/TES_Mangg Listen on Podcasts: https://anchor.fm/theexploringseries Exploring SCP Foundation Playlist: https://bit.ly/2whu8NA Exploring Dungeons and Dragons Playlist: https://bit.ly/348IZZu Exploring Warhammer 40k Playlist: https://bit.ly/2DoFZgu Exploring Celtic Mythology Playlist: https://bit.ly/2rTuHLm Exploring Norse Mythology Playlist: http://bit.ly/2EAHTda Exploring Elder Scrolls Playlist: http://bit.ly/2fgqQoY Exploring Star Wars Playlist: http://bit.ly/2lNtlN0 Exploring Middle-Earth Playlist: http://bit.ly/2cGNcty Exploring the Cthulhu Mythos Playlist: http://bit.ly/25OI9jY Exploring History Playlist: https://bit.ly/2w7XMqM Video Game Stories Playlist: https://bit.ly/3hhgbqK My Gaming Channel: youtube.com/user/ManggsLPs Music: https://www.youtube.com/watch?v=YbEX2cpDdPU Content relating to the SCP Foundation, including the SCP Foundation logo, is licensed under Creative Commons Sharealike 3.0 and all concepts originate from http://www.scp-wiki.net and its authors. This video, being derived from this content, is hereby also released under Creative Commons Sharealike 3.0. --- Support this podcast: https://podcasters.spotify.com/pod/show/theexploringseries/support

Covering the latest military flight simulation news for the week of 5 May 2024. Topics include the release of the new Kola map for DCS, a status update on Kola campaigns from Reflected and Baltic Dragon, an OH-6A mod debuts for DCS, a May sale for the entire IL-2 Great Battles series and a ton of community news! Timestamps: 00:00 The Hangar Bay: Episode 15 00:54 The Fly-By The Week's Military Flight Sims News in 60 seconds or less 02:03 Developer News IL-2 Great Battles is having a "May sale" with discounts up to 79% off in honor of the 79th anniversary of V-E day The Kola map for DCS released into Early Access on Friday ($56 USD) with the next update scheduled for June 2024 Baltic Dragon and Reflected Simulations provided updates on their Kola-based campaigns indicating an anticipated release of late summer 2024 Reflected Simulations added "interactive checklists" to his F-14 campaigns (as well as his upcoming F-4 campaign) 16:10 Hardware News RedKite reviewed the Winwing Orion Rudder pedals (https://youtu.be/Xed_mDNFM0s) Virpil is running a 15% off the VPC Constellation Alpha "Rise of the Alpha" sale 18:50 Community News IL-2 Cliffs of Dover Blitz: Manuals and Guides for new/returning players BMS: How to use the DTC (Data Cartridge) by @AviationPlus (https://youtu.be/5XBtdFiFlgw) DCS: OH-6A mod released by Tobsen & Eightball (https://github.com/tobi-be/DCS-OH-6A) DCS: A-4E refresher course by @SportDCS (https://youtu.be/DTkw7BoO_08) DCS: SAM detection, recognition and evasion tutorials by @ShastaSimulations9767 (https://youtu.be/Z5-HFwZrgoA) 29:35 User Content of the Week DCS PSA: You can Navigate the Radio Menu using keys/HOTAS binds DCS: Kola Map Missions from the official user files page 35:33 Simpit Spotlight u/maine2000 on r/hotas https://www.reddit.com/r/hotas/comments/1c2mmdq/my_1st_set_up/#lightbox Episode notes: https://thehangarbay15.notionlinker.com email: feedback@thehangarbaypod.com Show Notes: https://www.thehangarbaypod.com Twitter (X): https://www.twitter.com/thehangarbaypod Instagram: https://www.instagram.com/thehangarbaypod Facebook: https://www.facebook.com/hangarbaypod Spotify: https://podcasters.spotify.com/pod/show/thehangarbaypod --- Send in a voice message: https://podcasters.spotify.com/pod/show/thehangarbaypod/message

Hardsell Episode 2024 (Bonus Episode). Chris of Hardsell joins me for a lengthy conversation about all things current with Hardsell, including upcoming European tour, new album, and new music. This is part 1 of the interview (part 2 will be on POWW next weekend). The episode also includes tracks from bands they will be playing with in Europe: Hardsell, Eightball, Out of Control, Thin Ice, Evil Conduct, On The Job, and Restrisiko. Have a GREAT weekend!

Two + hours of CrimeFirst a look at this day in History.Then Nick Carter Master Detective starring Lon Clark, originally broadcast April 2, 1946, 78 years ago, Eight Records of Death. A murder is recorded piece by piece on eight phonograph records.  But no one knows who was murdered or who did it. Followed by Let George Do It starring Bob Bailey and Virginia Gregg, originally broadcast April 2, 1951, 73 years ago, The Eight Ball.  The mayor and two other respected citizens of Summer Springs has called for George Valentine. George is offered $1000 to not take the case, then finds a dead body named George Valentine has already arrived!Then The Adventures of Sherlock Holmes starring Basil Rathbone and Nigel Bruce, originally broadcast April 4, 1945, 79 years ago, The Amateur Mendicant Society.   A group of "wealthy eccentrics" who enjoy dressing as beggars, hires Sherlock Holmes to solve the murder of one of the members. As a time bomb ticks, Holmes learns of a plot against the Prime Minister!Followed by Gangbusters, originally broadcast April 2, 1955, 69 years ago, The Case of the Mistreated Lady.  Roger Kensell picks up two hitch-hikers who kill him. They later beat up their girl friend Marie.Finally The Adventures of Superman, originally broadcast April 2, 1941, 83 years ago, Last of the Clipper Ships. Jimmy Olsen discovers a stowaway, fights with him, and both boys fall overboard!.Thanks to Richard for supporting our podcast by using the Buy Me a Coffee function at http://classicradio.streamIf you like what we do here, visit our friend Jay at http://radio.macinmind.com for great old time radio shows 24 hours a day. 

Lords: * Chris * Dev * https://devinbusha.artstation.com/ Topics: * Taking Improv classes has been life changing. * Practicing 3 keyboard layouts at the same time * I bought store brand salt. You wouldn't think this would be a big deal but it turns out to be * I Once Snorted an Eight Ball with Santa, by Richie Zaborowske * https://www.havehashad.com/hadposts/i-once-snorted-an-eight-ball-with-santa * Are all creative ideas very derivative, or is it just my ideas Microtopics: * Pickleball. * Weird shapes the birdie flies in. * The sport that has level design. * Mindful breathing. * You are now breathing mindfully. * Looking forward to being at square one. * Getting the real data once you stop paying attention. * Thespians in High School. * Spinning a wheel to figure out what emotion to feel. * Whether the yes and rule only works for comedy. * Pancakes. Are. Starchy. * Being late to your job that's on fire because you were stuck behind the fire truck. * Celebrating your own failures. * How to play Lemmings in 2024. * Self-esteem. * Immediately vibing with a new sport. * Autotuning except it's completely manual. * A bunch of joysticks that you twiddle with your fingers to do letters. * Colemak vs. Colemak DH. * Keyboards that are laid out in columns. * Splitting up the typing test into QWERTY, Dvorak and Colemak. * Palm Pilot Graffiti. * The Lord's Prayer in Gregg. * Shorthand. (Originally called Briefhand.) * Good ciphers for room escape puzzles. * Are QR codes based on the mazes in Zelda 2? * Flaky sea salt vs. coarse sea salt. * Adding a biting experience to make your food more heterogeneous. * Edible chemistry. * The last time you pinched salt. * Audially-rewarding salt grinders. * Science Youtuber Hank Green. * Warning pregnant women to not eat too much salty licorice. * Supertaster-outing Tic Tacs that regular people love but supertasters immediately vomit. * We've got a level six kaiju supertaster on our hands! * The guy who gets paid too much to taste ice cream. * The kind of person who doesn't salt their food but instead repeatedly licks a salt lick throughout the meal. * Heads swirling around like snow globes. * A poem that doesn't do anything with line breaks but does do something interesting with sentence lengths. * A poem that you might read on a bathroom stall. * Wearing the little hat and pulling on the cord that makes the horn toot. * The ecology that grows around the dumpster. * The crane swinging porta potties around. * An extremely expensive way to have fun * Heading towards the era of having kids. * Asking for payment for software that is not being maintained. * Minesweeper but X. * An idea that is worth doing but not obviously worth doing. * How to make Missile Command fun in a new and interesting way. * A boxing essay with questionable authenticity. * Strategies for enjoying Frog Fractions. * Rangers and the new way they handle animals. * Yes-anding whatever ideas come to you. * Ancient primals that were interlocked in battle. * Someone thinking of an idea. * Constantly listening for cues. * What do inanimate objects do? * Buying a giant bag of googly eyes and putting them on everything. * Not posting on Twitter.

One of the good friends of the show Yung Veli is back and is talking all things his new single "United" featuring Juicy J, Eightball, MJG and more. Also talk about the potential and/or aftermath of the recently passed bill to ban Tiktok, Penny Hardaway's bad ending to the Tiger basketball season and more! We do it all presidentially with an executive mindset. #tiktok #veli #juicyj #theprezex #pennyhardaway Checkout this episode's show on YouTube: https://youtube.com/live/SxDHSm08EwsDon't forget to catch up on past episodes and run downs on our YouTube channel: ​https://www.youtube.com/@ThePrezExTVBe sure to SUBSCRIBE and LIKE the videos!Follow us on Instagram: https://www.instagram.com/theprezexLike us on Facebook: https://www.facebook.com/theprezexSend all requests and business inquiries via Email: theprezex@gmail.com

Join this channel to get access to perks: https://www.youtube.com/channel/UCkHTY1eNYHr9JoTndx_m6kA/join New T-shirts & more are now available! http://tee.pub/lic/BAMG John & Richard answer your comic book collecting questions in Viewer Mail including another massive screw up by CGC - is anyone watching the house? The Old Fart Rule takes us back to a long-running First Comic, and our Underrated Books of the Week showcase a Mark Millar property and the immortal Eightball by Daniel Clowes! Bronze and Modern Gods is the channel dedicated to the Bronze, Copper and Modern Ages of comics and comic book collecting! Follow us on Facebook - https://www.facebook.com/BronzeAndModernGods Follow us on Instagram - https://www.instagram.com/bronzeandmoderngods #comics #comicbooks #comiccollecting --- Support this podcast: https://podcasters.spotify.com/pod/show/bronzeandmoderngods/support

When Daniel Clowes was writing and drawing vignettes about two cynical teenage girls in his groundbreaking comic anthology Eightball, he wasn't sure Ghost World would add up to anything in the end, but its balance of bitter ennui and painful self-reflection connected with readers and led to a standalone graphic novel and a 2001 film adaptation. Kicking off our conversation with a discussion of the alternative comics scene, we then struggle to overcome our own inner critics to dig deep into the comic: the zeitgeist of the ‘90s, the vibrant mundanity of its setting, and how our identification with the leads has changed as we've aged. Get ready for a very personal look at a very personal book.

Zackdick the Comic-Fucker and Charlotte Coleslaw are joined this month by Dave Puesing, founder and CEO of Comic Book Herald. On this episode, we’re covering the seminal Eightball by Daniel Clowes. We’re talking issues #1-18 (what’s included in The Complete Eightball collection). Topics discussed: – Can the comic succeed simply by expressing the inner mind […] The post Extra Issues – Fantagraphics #2: Eightball by Daniel Clowes appeared first on Comic Book Herald.

Guest: Trista HarrisTrista Harris joins the team to talk about futurism in philanthropy, how to approach a futurist framework, and discusses upcoming trends for 2024. There's a lot of talk about AI, some rapid fire questions, and a lot of great discussion all around.To learn more about FutureGood, visit wearefuturegood.comTo learn more about Fluxx, visit fluxx.ioTo learn more about Neon One, visit neonone.comEpisodes of Untapped Philanthropy are edited, mixed, and mastered by Rocket Skates Recording.

 One of the greatest living cartoonists, Peter Bagge (Hate, Yeah!, Weirdo) comes on the show this week to talk about an early run by another one of the greatest living cartoonists, Dan Clowes.  This is one of those episodes where I couldn't really believe that I got to have this conversation.  Listen in to learn how one all-time-great cartoonist's work inspired another all-time-great cartoonist.  Plus, some stuff about what it's like to teach college students these days.  And a really exciting update about Hate comics!!! Here's a link to The Runs Comics Podcast on iTunes.  And here's the link to the show on Spotify. Be sure to subscribe, rate and review! And here's a link if you'd like the stream the episode.  

Here we go with the second episode of Season 3 on the Dirty Side of the Track!Last week we took a look back at the history of F1 but this week we switch our attention to the 2024 season.For the first time on the Dirty Side we will commit to early predictions before a wheel has turned in testing.  Then, later in the year, we can either look back and celebrate our predictions or (more likely) ridicule ourselves!Who will win the F1 Drivers title this year?  Which team will win the 2024 constructors title? These important predictions plus which liveries will we love/hate are put forward along with others as we shake our F1 magic eight ball.Episode running order:News & SocialReview of the latest F1 news that caught our eye on the internet and social media channelsBrians Video VaultDirty Side Delves Down the DecadesBuy me a coffee launchhttps://www.buymeacoffee.com/dirtysideofthetrackIf you want to get in touch you can easily via our social channels all of which can be found over at our website https://www.dirtysideofthetrack.comWe would love you to join our Discord server so use this invite link to join us https://discord.gg/XCyemDdzGBIf you would like to sign up for the 100 Seconds of DRS then drop us an email stating your time zone to dirtysideofthetrack@gmail.comAlso please like, follow, and share our content on Threads, X, Facebook, & Instagram, links to which can be found on our website.One last call to arms is that if you do listen along and like  us then first of all thanks, but secondly could we ask that you leave a review and a 5 star rating - please & thanks!If you would like to help the Dirty Side promote the show then we are now on Buy me a coffee where 100% of anything we get will get pumped into advertising the show https://www.buymeacoffee.com/dirtysideofthetrackDirty Side of the Track is hosted on Buzzsprout https://www.buzzsprout.com/Support the show

Beat the Kayfabe Effect at our Patreon: https://patreon.com/cartoonistkayfabe Ed's Links (Order RED ROOM!, Patreon, etc): https://linktr.ee/edpiskor Jim's Links (Patreon, Store, social media): https://linktr.ee/jimrugg ------------------------- E-NEWSLETTER: Keep up with all things Cartoonist Kayfabe through our newsletter! News, appearances, special offers, and more - signup here for free: https://cartoonistkayfabe.substack.com/ --------------------- SNAIL MAIL! Cartoonist Kayfabe, PO Box 3071, Munhall, Pa 15120 --------------------- T-SHIRTS and MERCH: https://shop.spreadshirt.com/cartoonist-kayfabe --------------------- Connect with us: Instagram: https://www.instagram.com/cartoonist.kayfabe/ Twitter: https://twitter.com/CartoonKayfabe Facebook: https://www.facebook.com/Cartoonist.Kayfabe Ed's Contact info: https://Patreon.com/edpiskor https://www.instagram.com/ed_piskor https://www.twitter.com/edpiskor https://www.amazon.com/Ed-Piskor/e/B00LDURW7A/ref=dp_byline_cont_book_1 Jim's contact info: https://www.patreon.com/jimrugg https://www.jimrugg.com/shop https://www.instagram.com/jimruggart https://www.twitter.com/jimruggart https://www.amazon.com/Jim-Rugg/e/B0034Q8PH2/ref=sr_tc_2_0?qid=1543440388&sr=1-2-ent

Talking with the Homies from Eightball Coffee, 50th Episode, New Coffee Shop and The best and worst Regalos Question Segment. Subscribe on YouTube @DeLocoPodcast it's the one with the Papichulo! @delocopodcast @eightballcoffee https://linktr.ee/delocopodcast God Loves you, Dios Te Ama! Jesus is the reason for the season

Daniel Clowes is an award-winning writer and comics artist. He penned the Eight-Ball series and Ghost World, among others. This year, he released a graphic novel inspired by his attempts to learn about the life of his late, largely absent mother. It's called Monica. On Bullseye, he chats about the novel and the time he spent researching his family history. Plus, the things he learned about his mom that he can't unlearn.

Music Executive & One Music Festival Founder Moetown Lee talks about his come up in Compton, CA, DJing for 2Pac for 3 weeks, getting a job at Priority Records and moving to the ATL, working with Eightball & MJG, and starting the One Music Festival Follow @bhighatl and @bhightv --- Support this podcast: https://podcasters.spotify.com/pod/show/b-high-atl/support

Book Vs. Movie: Ghost WorldThe 1997 Daniel Clowes Graphic Novel vs. the Terry Zwigoff 2001 Film The Margos are feeling very moody and isolated, discussing the 2001 film Ghost World starring Thora Birch and Scarlett Johansson as best friends Enid and Rebecca, who are perfect early 00's angsty and unimpressed with the world and was catnip for audiences and critics alike. Based on chapter five's “Hubba Hubba” by Daniel Clowes, the original 1997 graphic novel series Eightball, the story of two lonely misfits who interact with other lost souls, made for an unusual adaptation that earned an Academy Award nomination for Clowes and directed by Terry Zwigoff (Crumb, Bad Santa.) We read the source material (which you can find as a compilation of short stories in Adaptations: From Short Story to Big Screen by Stephanie Harrison), watched the film (has it aged well?), and tried to decide which we liked better--the book or the movie?In this ep, the Margos discuss:Daniel Clowes's workThe state of graphic novels and independent films in the 1990sTerry Zwigoff's adaptation that was somehow NOT a Miramax filmThe differences between the graphic novel and movieThe cast of the 2001 film: Thora Birch (Enid,) Scarlett Johannsson (Rebecca,) Steve Buscemi (Seymour,) Brad Renfro (Josh,) Illeana Douglas (Roberta Allsworth,) Bob Balaban (Enid's father,) Stacey Travis (Dana,) Tom McGowan (Joe,) Brian George (convenience store owner,) Pat Healy (John Ellis,) Rini Bell (graduation speaker,) Terri Garr (Maxine,) David Cross (Gerald,) Ezra Buzzington (“Weird Al,”) and Bruce Glover as Feldman.Clips used:Meeting SeymourGhost World (2001 original trailer)High School graduationEnid gets hired and firedThe art class scene introducing the paintingEnid helps Seymour dateSeymour attacks JoshMusic: “Jaan Pehechan Ho” by Mohammed RafiBook Vs. Movie is part of the Frolic Podcast Network. Find more podcasts you will love Frolic.Media/podcasts. Join our Patreon page “Book Vs. Movie podcast”You can find us on Facebook at Book Vs. Movie Podcast GroupFollow us on Twitter @bookversusmovieInstagram: Book Versus Movie https://www.instagram.com/bookversusmovie/Email us at bookversusmoviepodcast@gmail.com Margo D. Twitter @BrooklynMargo Margo D's Blog www.brooklynfitchick.com Margo D's Instagram “Brooklyn Fit Chick”Margo D's TikTok https://www.tiktok.com/@margodonohuebrooklynfitchick@gmail.comYou can buy your copy of Filmed in Brooklyn here! Margo P. Twitter @ShesNachoMamaMargo P's Instagram https://www.instagram.com/shesnachomama/Margo P's Blog https://coloniabook.weebly.com/ Our logo was designed by Madeleine Gainey/Studio 39 Marketing Follow on Instagram @Studio39Marketing & @musicalmadeleine This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/5406542/advertisement

Book Vs. Movie: Ghost WorldThe 1997 Daniel Clowes Graphic Novel vs. the Terry Zwigoff 2001 Film The Margos are feeling very moody and isolated, discussing the 2001 film Ghost World starring Thora Birch and Scarlett Johansson as best friends Enid and Rebecca, who are perfect early 00's angsty and unimpressed with the world and was catnip for audiences and critics alike. Based on chapter five's “Hubba Hubba” by Daniel Clowes, the original 1997 graphic novel series Eightball, the story of two lonely misfits who interact with other lost souls, made for an unusual adaptation that earned an Academy Award nomination for Clowes and directed by Terry Zwigoff (Crumb, Bad Santa.) We read the source material (which you can find as a compilation of short stories in Adaptations: From Short Story to Big Screen by Stephanie Harrison), watched the film (has it aged well?), and tried to decide which we liked better--the book or the movie?In this ep, the Margos discuss:Daniel Clowes's workThe state of graphic novels and independent films in the 1990sTerry Zwigoff's adaptation that was somehow NOT a Miramax filmThe differences between the graphic novel and movieThe cast of the 2001 film: Thora Birch (Enid,) Scarlett Johannsson (Rebecca,) Steve Buscemi (Seymour,) Brad Renfro (Josh,) Illeana Douglas (Roberta Allsworth,) Bob Balaban (Enid's father,) Stacey Travis (Dana,) Tom McGowan (Joe,) Brian George (convenience store owner,) Pat Healy (John Ellis,) Rini Bell (graduation speaker,) Terri Garr (Maxine,) David Cross (Gerald,) Ezra Buzzington (“Weird Al,”) and Bruce Glover as Feldman.Clips used:Meeting SeymourGhost World (2001 original trailer)High School graduationEnid gets hired and firedThe art class scene introducing the paintingEnid helps Seymour dateSeymour attacks JoshMusic: “Jaan Pehechan Ho” by Mohammed RafiBook Vs. Movie is part of the Frolic Podcast Network. Find more podcasts you will love Frolic.Media/podcasts. Join our Patreon page “Book Vs. Movie podcast”You can find us on Facebook at Book Vs. Movie Podcast GroupFollow us on Twitter @bookversusmovieInstagram: Book Versus Movie https://www.instagram.com/bookversusmovie/Email us at bookversusmoviepodcast@gmail.com Margo D. Twitter @BrooklynMargo Margo D's Blog www.brooklynfitchick.com Margo D's Instagram “Brooklyn Fit Chick”Margo D's TikTok https://www.tiktok.com/@margodonohuebrooklynfitchick@gmail.comYou can buy your copy of Filmed in Brooklyn here! Margo P. Twitter @ShesNachoMamaMargo P's Instagram https://www.instagram.com/shesnachomama/Margo P's Blog https://coloniabook.weebly.com/ Our logo was designed by Madeleine Gainey/Studio 39 Marketing Follow on Instagram @Studio39Marketing & @musicalmadeleine

Jeff tells you why the Arizona Cardinals, despite being the favorites to land the 1st and 2nd picks in next year's draft, won't be in the position to draft USC's Caleb Williams. Let's talk some football! Please remember to share this episode with all of the football fans in your life. Connect with the show: Instagram: ⁠@Generally.Managed⁠ Facebook: ⁠Generally Managed with Jeff Adams⁠ Twitter: ⁠@GMJeffAdams⁠ Email: generallymanagedpodcast@gmail.com