Podcast appearances and mentions of matthias bossi

On today's show, we look at how art can highlight the struggles of incarcerated women, build solidarity with them across prison walls, and fight against the erasure and censorship inherent to incarceration.  First, we'll hear about a dance performance called "If I Give You My Sorrows" that's built around the complex ways that incarcerated women relate to their beds. Then, we'll learn about an art exhibition, "The Only Door I Can Open," that's curated and created by incarcerated artists, writers and poets inside Central California Women's Facility. Featuring Jo Kreiter, artistic director of Flyaway Productions and creative director of If I Give You My Sorrows Betty McKay, formerly incarcerated advocate and organizer Tomiekia Johnson, incarcerated writer and co-curator of The Only Door I Can Open Chantell-Jeannette Black, incarcerated artist and co-curator of The Only Door I Can Open Rahsaan “New York” Thomas, executive director of Empowerment Avenue Credits Making Contact Team Episode Host: Lucy Kang Producers: Anita Johnson, Salima Hamirani, Amy Gastelum, and Lucy Kang Executive Director: Jina Chung Editor: Adwoa Gyimah-Brempong Engineer: Jeff Emtman  Digital Media Marketing: Lissa Deonarain Special thanks to Christine Lashaw from Empowerment Avenue for recording interviews with Tomiekia and Chantell that were part of this show. Music The music in this episode was excerpted from compositions for If You Give Me Your Sorrows. “Skewed” Carla Kihlstedt – voice, music box, field recordings Elijah Oberman – voice, synths Music/sound design – Carla Kihlstedt & Eli Oberman “Where Betty Can Go Find Betty”  Pamela Z – voice, processing, MIDI instruments Vocal samples excerpted from an interview with Betty McKay Music by Pamela Z “Closure” Cole Kamen-Greene – trumpet Carla Kihlstedt – voice, violin Devin Ray Hoff – bass Matthias Bossi – percussion Music by Carla Kihlstedt (with structural advice from Elijah Oberman) “Prayer” Carla Kihlstedt – voice Music by Carla Kihlstedt “Salve” Kalyn Harewood – spoken voice (excerpted from an interview with Tomiekia Johnson) Carla Kihlstedt – violin, nyckelharpa, marxophone, voice Elijah Oberman – violin, sound design Jeremy Flower – synth programming Jon Evans – bass, guitar Matthias Bossi – percussion Music by Carla Kihlstedt   The Only Door I Can Open and If I Give You My Sorrows presented by Yerba Buena Center for the Arts in 2025: www.ybca.org/event/the-only-door-i-can-open and www.ybca.org/event/if-i-give-you-my-sorrows The Only Door I Can Open virtual exhibition hosted by MoAD: www.moadsf.org/virtual-exhibition Empowerment Avenue website: www.empowermentave.org Flyaway Productions: www.flyawayproductions.com Museum of the African Diaspora: www.moadsf.org The music featured in If I Give You My Sorrows is available for purchase: http://ifigiveyoumysorrows.bandcamp.com Petition for Tomiekia Johnson's request for commutation https://www.change.org/p/gavin-newsom-grant-commutation-for-incarcerated-survivor-tomiekia-johnson Making Contact is an award-winning, nationally syndicated radio show and podcast featuring narrative storytelling and thought-provoking interviews. We cover the most urgent issues of our time and the people on the ground building a more just world.

On today's show, we look at how art can highlight the struggles of incarcerated women, build solidarity with them across prison walls, and fight against the erasure and censorship inherent to incarceration.  First, we'll hear about a dance performance called _If I Give You My Sorrows _that's built around the complex ways that incarcerated women relate to their beds. Then, we'll learn about an art exhibition, _The Only Door I Can Open, _that's_ _curated and created by incarcerated artists, writers and poets inside Central California Women's Facility. Featuring: Jo Kreiter, artistic director of Flyaway Productions and creative director of _If I Give You My Sorrows_ Betty McKay, formerly incarcerated advocate and organizer Tomiekia Johnson, incarcerated writer and co-curator of _The Only Door I Can Open_ Chantell-Jeannette Black, incarcerated artist and co-curator of _The Only Door I Can Open_ Rahsaan “New York” Thomas, executive director of Empowerment Avenue **Making Contact Team:** Episode Host: Lucy Kang Producers: Anita Johnson, Salima Hamirani, Amy Gastelum, and Lucy Kang Executive Director: Jina Chung Editor: Adwoa Gyimah-Brempong Engineer: [Jeff Emtman](http://www.jeffemtman.com/)  Digital Media Marketing: Lissa Deonarain **Music credits: ** The music in this episode was excerpted from compositions for _If You Give Me Your Sorrows._ "Skewed" Carla Kihlstedt – voice, music box, field recordings Elijah Oberman – voice, synths Music/sound design – Carla Kihlstedt & Eli Oberman "Where Betty Can Go Find Betty"  Pamela Z – voice, processing, MIDI instruments Vocal samples excerpted from an interview with Betty McKay Music by Pamela Z "Closure" Cole Kamen-Greene – trumpet Carla Kihlstedt – voice, violin Devin Ray Hoff – bass Matthias Bossi – percussion Music by Carla Kihlstedt (with structural advice from Elijah Oberman) "Prayer" Carla Kihlstedt – voice Music by Carla Kihlstedt "Salve" Kalyn Harewood – spoken voice (excerpted from an interview with Tomiekia Johnson) Carla Kihlstedt – violin, nyckelharpa, marxophone, voice Elijah Oberman – violin, sound design Jeremy Flower – synth programming Jon Evans – bass, guitar Matthias Bossi – percussion Music by Carla Kihlstedt   Learn More:  Making Contact:  The Only Door I Can Open and, If I Give You My Sorrows_ presented by Yerba Buena Center for the Arts in 2025 The Only Door I Can Open_ virtual exhibition hosted by MoAD:  Empowerment Avenue website Flyaway Productions:  Museum of the African Diaspora: [www.moadsf.org](www.moadsf.org) The music featured in _If I Give You My Sorrows_ is available for purchase here:  Petition for Tomiekia Johnson's request for commutation: Making Contact is an award-winning, nationally syndicated radio show and podcast featuring narrative storytelling and thought-provoking interviews. We cover the most urgent issues of our time and the people on the ground building a more just world.

Carla and Matthias are musicians, composers, and co-founders of Rabbit Rabbit Radio, a musical collaboration that has grown to produce five albums. In addition to their work together, Carla is an educator currently on faculty at the New England Conservatory as well as the Vermont College of Fine Arts, while Matthias heads a video game music production company, Ridiculon. In this episode, they redefine the concept of genre, discuss the process behind their latest project, Black Inscription--a critically-acclaimed song cycle about the ocean, and share how they took their creative careers from California to Cape Cod.

Today’s broadcast is C1E45 [PART 2] for Wayback Wednesday, July 3rd, 2019. Today’s Episode is "The Best of 2018 pt 2 - St. John's Picks (an ULTRA MEGA KING KONG-sized episode)   Track# - Track – Game – System – Composer(s) - Episode - Timestamp   (NOTE: Tracks in bold and italics were backup tracks I pulled to fill in the gaps left by the tracks on my list that the listeners claimed for their episode. I may get the last word…but they get the first….and first dibs on any tracks).   01) Intro - 00:00:00 02) A Strange New World – Papa y Yo – multi – Brian D'Oliveira - C1E30 - 00:00:59 03) Mirage – Gran Turismo 5 – PS3 – Kimmei - C1E27 - 00:03:18 04) Track 2 - Operation Wolf – FM Towns (CD) - Unknown - C1E35 - 00:07:25 05) Reckless Running - Sega Rally Championship – Saturn – Naofumi Hataya - C1E24 - 00:11:26 06) Japanese Four Star - Forza 3 – XB360 – Lance Hayes - C1E23 - 00:15:30 07) Colour - N/A ("OM Lounge 6") - N/A (Music CD c 2004) - c: Soulstice a: Atjazz- C1E28 - 00:20:09 08) Main Menu – Sonic Mania – multi – Tee Lopes - C1E36 - 00:26:23 09) Beach – Plok – SNES – Tim and/or Geoff Follin - C1E27 - 00:27:54 10) Beach - N/A - Genesis – c: Tim and/or Geoff Follin a: Savaged Regime - C1E28 - 00:32:50 11) Milky Lake – Wave Race 64 – N64 – Kazumi Totaka - C1E24 - 00:37:54 12) Smog City Sewers - Spark the Electric Jester – PC – Michael Staple – C1E40 (originally contributed to C1E40 by The Diad) - 00:40:04 13) Jazz 3 – Sim Copter – PC (CD) - Jerry Martin - C1E35 - 00:44:09 14) Adult Talk – Lucid 9 - PC/Mac/Linux - Ultra Kitsune - C1E30 - 00:49:11 15) Bulberry Hill – Zool 2 – Amiga – Neil Biggin - C1E24 - 00:51:02 16) Too Deep - Streets of Rage 2 - Genesis – Yuzo Koshiro and Motohiro Kawashima - C1E31 - 00:53:58 17) Level 1-2 – Turrican 3 – C64 – Soren Lund - C1E35 - 00:57:28 18) Terminal Technicality – Ultrartron – multi – Allicorn - C1E30 - 01:01:00 19) Spin on the Bridge – Streets of Rage 2 - Genesis – Yuzo Koshiro and Motohiro Kawashima - C1E31 - 01:05:35 20) Dialed-In – Forza 3 – XB360 – Lance Hayes - C1E23 - 01:09:55 21) Dual Moon – Metal Black – Arcade – Yasuhisa Watanabe – C1E40 (originally contributed to C1E40 by Electric Boogaloo) - 01:15:30 22) Prophet Fire – Salamander – MSX (SCC) - Konami Kukeiha Club - C1E35 - 01:18:09 23) The Rotating Dungeon (4-2) - Super Castlevania IV – SNES - Masanori Adachi and/or Taro Kudo - C1E37 - 01:19:31 24) Unit - N/A ("Logic") - N/A (Music CD c 1981) - Logic System - C1E28 - 01:20:53 25) Level 4 – Wolfchild – Amiga – Martin Iveson - C1E35 - 01:25:38 26) Visual Installation – Forza 3 – XB360 – Lance Hayes - C1E23 - 01:28:38 27) Process of Elimination – Lucid 9 - PC/Mac/Linux - Blue Wolfie - C1E27 - 01:34:11 28) Arkham Asylum – Batman Forever – Genesis – c: Tim and/or Geoff Follin a: Unknown - C1E33 - 01:38:08 29) The Room of Close Associates – Super Castlevania IV – SNES - Masanori Adachi and/or Taro Kudo - C1E37 - 01:42:21 30) Mystic Invasion - Secret of Mana - SNES – Hiroki Kikuta - C1E21 - 01:44:56 31) Bases 1 & 2 – Contra – NES – c: Kazuki Muaoka a: Hidenori Maezawa and/or Kiyohiro Sada - C1E34 - 01:46:06 32) Aisuru Hito Yo - N/A ("Ai Ga Nakucha Ne") - N/A  (Music CD c 1982) - Akiko Yano - C1E28 - 01:47:40 33) City of Flickering Destruction – Legend of Mana – PS1 – Yoko Shimomura – C1E40 (originally contributed to C1E40 by Amber Peary) - 01:52:05 34) Razor Girl – Downwell – multi – Eirik Suhrke - C1E30 - 01:55:21 35) A Wish - Secret of Mana - SNES – Hiroki Kikuta - C1E21 - 02:00:47 36) Level 0 – Tetris – CD-I – Jim Andron - C1E32 - 02:01:43 37) Dark Forest 1 – So Many Me – multi – Christopher Gechan and/or Daniel Byrne-McCullough - C1E24 - 02:03:59 38) Norfair – N/A - N/A - c: Hirokazu "Hip" Tanaka a: Luminist - C1E29 - 02:08:37 39) The Tundra Beast – Chakan – Genesis - Mark Steven Miller and/or Jason Scher - C1E38  - 02:09:59 40) Final Mission – Cyber Knight – PC Engine – Michiharu Hasuya, Osamu Kasai, and/or Junko Yokoyama – C1E39 - 02:11:32 41) Kraid's Lair - N/A - N/A - c: Hirokazu "Hip" Tanaka a: Luminist - C1E29 - 02:12:27 42) Rikuo – Night Warriors: Darkstalker's Revenge – multi – Takayuki Iwai, Akari Kaida, and/or Hideki Okugawa - C1E27 - 02:14:18 43) Stage 2 – Double Dragon 2 – Mega Drive – Kazunaka Yamane - C1E33 - 02:16:08 44) The Mall - Skate or Die 2 – NES – Rob Hubbard - C1E22 - 02:18:36 45) BGM# 20 – Ginga Ojousama Densetsu Yuna FX: Kanashimi no Siren – PCFX – Takanori Arisawa and/or Aya Tanaka – C1E40 (originally contributed to C1E40 by KeyGlyph) - 02:21:41 46) Copacabana '93 – N/A - SNES – c: Barry Manilow a: Machine Gaming - C1E26a - 02:23:08 47) Pleadians – N/A - Amiga – Beek - C1E28 - 02:27:09 48) Believe in Motivation – Advanced Power Dolls 2 – PC98 (OPN) - Hiroto Saitoh - C1E35 - 02:29:14 49) Little Money Ave – Streets of Rage 2 - Genesis – Yuzo Koshiro and Motohiro Kawashima - C1E31 - 02:31:39 50) Bearhattan Transfur – Fist of Awesome – multi – Brendan Ratliff - C1E30 - 02:34:35 51) Segadore Genesid 64 - N/A - Genesis – Mr Sonic699 - C1E28 - 02:38:00 52) Squash - N/A - Famicom (w/ VRC7 + N163) - TQ_Jam - C1E28 - 02:40:03 53) Dreamer - Streets of Rage 2 - Genesis – Yuzo Koshiro and Motohiro Kawashima - C1E31 - 02:43:05 54) Chill Penguin – Mega Man X – SNES – Setsuo Yamamoto, Makoto Tomozawa, Yuki Iwai, Yuko Takhara and/or Toshihiko Horiyama - C1E26 - 02:45:09 55) Elapsed Time – Forza 3 – XB360 – Lance Hayes - C1E23 - 02:46:36 56) Uranus – Spindizzy II – X68000 – Toshiya Yamanaka - C1E35 - 02:51:53 57) I Cannot Trust Any of Them – Star Cruiser II – PC98 (OPN) - Kenichi Yaguhi - C1E35 - 02:53:48 58) Federal Patrol Office – Star Cruiser – Mega Drive – Toshiya Yamanaka - C1E24 - 02:55:53 59) Level 3 – Tetris – CD-I – Jim Andron - C1E36 - 02:57:06 60) Old Man's Prayer – Ogre Battle – SNES – Masahru Iwata, Hiroshi Sakimoto, Hayato Matsuo - C1E22 - 02:59:33 61) Phantom and a Rose – Secret of Mana - SNES – Hiroki Kikuta - C1E21 - 03:00:48 62) Chrono Castle - So Many Me – multi – Christopher Gechan and/or Daniel Byrne-McCullough - C1E24 - 03:02:11 63) Main Theme – Microsoft Interactive Sampler 1996 – Windows 95 - Unknown - C1E28 - 03:06:18 64) That Bit of Hope – Prune – iOS/Android/Windows - Kyle Preston - C1E30 - 03:07:19 65) Macalania Woods – Final Fantasy  X – PS2 – Masashi Hamauzu - C1E36 - 03:10:06 66) Northwall - N/A ("Symphonic Actraiser") - N/A (Music CD c 1991) - c: Yuzo Koshiro a: Tokyo Symphony Orchestra - C1E28 - 03:12:40 67) The Descent – Monument Valley - iOS/Android - Stafford Bawler - C1E30 - 03:15:43 68) Ceremony – Secret of Mana - SNES – Hiroki Kikuta - C1E21 - 03:18:34 69) Different World 1 – Yu-No – PC98 (OPNA) - Ryu Umemoto - C1E35 - 03:19:54 70) Unknown City – Doxa (Unreleased) - PS4 – Daniel Capo – C1E22 - 03:25:07 71) Hanging Waters – Ecco: Defender of the Future – Dreamcast – Tim Follin – C1E40 (originally contributed to C1E40 by Electric Boogaloo) - 03:26:15 72) Outskirts – So Many Me – multi – Christopher Gechan and/or Daniel Byrne McCullough - C1E30 - 03:28:41 73) Lullaby - N/A - Genesis – Freezedream - C1E28 - 03:34:29 74) Menu 2 – Shenmue – Dreamcast – Ryuiji Iuchi, Yuzo Koshiro, Takenobu Mitsutoshi, Osamu Murata, and/or Takeshi Yanagawa - C1E38 - 03:36:39 75) Ending – Super Castlevania IV – SNES - Masanori Adachi and/or Taro Kudo - C1E37 - 03:38:03 76) One More Dash – One More Dash - iOS/Android/Windows -  Batterie - C1E30 - 03:42:15 77) Outro - 03:45:46   Music Block Runtime: 03:45:00, Total Episode Runtime: 03:46:28   SPECIAL NOTES ABOUT THIS "THE BEST OF 2018" PROJECT (this is a near exact repeat of the notes from part 1 if you read those): This is a once-a-year project that appears in two parts: a listener-picked part 1, which is more or less a standard episode, other than that the tracks are all pulled from episodes we released in the previous calendar year, and that those tracks were selected by the listeners, rather than myself. You heard that episode last week. This one, part 2, is all my picks, and is a MONSTER! 75 tracks, 3hr 45min! There are several reasons that we only resort to that kind of length just once a year. In part, to make it special and an event when it does happen, in part to not overwhelm the listeners and chase them off with it, and lastly…because it's a TON of work! :-D   One thing I like about the format of this once-a-year project is that it favors both the listeners and your host in differing ways. The listeners get the first word, with their episode releasing first. The listeners also get first dibs on any tracks, so if we both want the same track(s), they get them, and I don't. In this case, that happened with 16 tracks. In all those ways, this project favors the listeners. But then, where I come out on top is that I get the last word. Whereas the listeners only get 30-50 tracks to split amongst however many contributors we have (in this case, five), I come along afterwards, with an unreasonably gigantic allowance of 75 tracks….that I get all to myself.   Also, while the regular episodes are me trying to balance tracks I love with tracks that I think the listeners will like (which admittedly has something of a me-centric slant already), this 75 track outing is my one and only time a year where I don't have to worry about that balance at all, but is my lone shot of the year for complete, wanton, reckless hedonism. This one is all about me, baby! It's Papa's birthday! :-D But, if you ever wanted to get the clearest possible glance at where your intrepid host's own personal musical heartbeat lies…the 7X track John's Picks Best of 20XX episodes will be the best place to look, as all the filters are off…   ...well, save one: I make it a personal rule to include at least one track from every episode in my collection, even if that episode didn't have anything that would've otherwise made the list. Taris Apartments from C1E9 likely wouldn't have made my Best of 2017 outing last year, and neither Copacabana '93 from the April Fool's Episode (C1E26a), or maybe even Chill Penguin from C1E26, or Base 1 & 2 from C1E34 would've been likely to make my list this year either had it not been for my hard and fast rule to include at least one track from every episode. On the other hand, Taris Apartments, Copacabana '93, Chill Penguin, and Base 1 & 2 are all at least my actual favorite tracks from their given episodes.   Before I ever even approach any of the listeners for tracks, I already have a list of my own made up with a shorter auxiliary list of backups, and even a third list of backups to the backups, so that even if every single track the listeners pick is on my list, I still have enough in reserve to make my full 75. I get my 75 no matter what, but I can also stay completely out of the listener's way in picking tracks, and let them have everything they want. A win win for the both of us!   One last note about the Best of 20XX series (and this is true of both installments):   While it’s totally a labor of love, not only for myself, but also for the contributing listeners, it is also quite an undertaking for me - and in ways deeper than simply putting 105-125 tracks together! What it amounts to, metaphorically speaking, is my lining up all the statues I’ve sculpted over the previous year, and slicing little chunks out of them to use as building blocks to create an all new statue with the goal of making the new statues resemble the previous statues as little as possible.   A good song flow is more important than any of the following rules (and so any of the following are breakable – and were all broken at points – to make the flow work), but what else is going on besides simple song flow management is that I’m also trying to avoid placing tracks from the same episode too close together, or placing too many of the tracks in the same relative vicinity within the new music block as they were in their old music blocks, and even things like trying (in part 1) to limit the number of times where I feature tracks from the same listener back to back (though this rule was my lowest priority, and was the first to go out the window when there was a conflict).   I’m trying to use pieces of music that already have relational connotations in my mind to other pieces of music by way of the earlier episodes to create all new connotations with them. I will tell you that that’s much harder than it sounds. It adds a lot of cognitive "weight" to the processing load, because it creates reflexes with each piece that you now have to work against, more or less. In fact, each of our music blocks saw one or two scrapped iterations before I finally arrived at a track order that worked. And as is the case with part 2, when you’re staring at a list of 75 tracks, and asking yourself “what the hell am I supposed to do with these?”, it really makes you want to just curl into the fetal position on the floor!   But it’s also a lot of fun, and most of all, it gives me a chance to create all new art from existing art, and all new journeys and experiences from existing journeys and experiences. And so, at the end of the day, it’s all joy for me. I hope it will be for you as well, as the listener, and most of all, I hope that the contributing listeners will feel like I did their picks justice. Each of their contributions, from Jeshua’s three tracks all the way to Purnell’s twenty all mean the world to me. These episodes – both theirs and mine, are my love letter back.   As a bonus, for the curious, here is the list of backup tracks from my list that were not picked, and appear in neither episode (some of them I REALLY wanted, though):   Track, Game, System, Composer, Episode (spaces placed between episodes to better highlight)   1) Whisper and Mantra – Secret of Mana – SNES – Hiroki Kikuta - C1E21 2) Take Back – Fighting Run – PCE – Unknown -  C1E22 3) Aqua and Trees – Tobal No. 1 – PS1 - Yoko Shimomura - C1E22 4) Vs Mode – Fantavision (US) - PS2 – Ashif Hakik - C1E22 5) Superleggera – Forza 3 - XB360 - Lance Hayes - C1E23 6) Van Air – Forza 3 – XB360 – Lance Hayes - C1E23 7) Inside Vah Naboris – LoZ: BotW - WiiU/SWITCH - Manaka Kataoka and/or Yasuaki Iwata C1E24 8) Copacabana - N/A - NES – c: Frank Sinatra a: NES Music - C1E26a 9) Music to Watch Girls By - N/A - NES – c: Andy Williams a: RushJet1 - C1E26a 10) It's Not Unusual - N/A - N/A - c: Tom Jones a: Lullabyte - C1E26a 11) My Way - N/A - N/A - Frank Sinatra a: JackyBoy - C1E26a 12) Sigma Stage 4 – Mega Man X – SNES - Setsuo Yamamoto, Makoto Tomozawa, Yuki Iwai, Yuko Takhara and/or Toshihiko Horiyama - C1E26 13) Password - Mega Man X – SNES - Setsuo Yamamoto, Makoto Tomozawa, Yuki Iwai, Yuko Takhara and/or Toshihiko Horiyama - C1E26 14) Vile - Mega Man X – SNES - Setsuo Yamamoto, Makoto Tomozawa, Yuki Iwai, Yuko Takhara and/or Toshihiko Horiyama - C1E26 15) Challenge – Chu Chu Rocket - Dreamcast – Tomoya Ohtani - C1E27 16) Ice Pyramid – Final Fantasy Mystic Quest – SNES – Ryuji Sasai and/or Yasuhiro Kawakami - C1E27 17) Brinstar -  N/A (Metroid Album) - N/A - c: Hirokazu "Hip" Tanaka a: Luminist - C1E29 18) Ridley's Lair - N/A (Metroid Album) - N/A - c: Hirokazu "Hip" Tanaka a: Luminist - C1E29 19) Ending - N/A (Metroid Album) - N/A - c: Hirokazu "Hip" Tanaka a: Luminist - C1E29 20) Sodden Hollow – Binding of Isaac: Rebirth - Multi  Matthias Bossi and/or Jon Evans - C1E30 21) Hypertension – Super Meat Boy - PS4/Vita (these versions specifically) - Scattle - C1E30 22) Meteor – StarFox - SNES – Hajime Hirasawa - C1E32 23) Load BGM - Wolfchild – Sega CD - Martin Iveson - C1E33 24) Slammin' Sea – Bomberman '94 – PC Engine – Jun Chikuma - C1E33 25) Seaside Front – Aero Blaster – PC Engine – Kunio Komatsu and/or Tsutomu Okuma – C1E33 26) Game Over – Juouuki – PC Engine – Tohru Nakabayashi 27) Under the Feet – Super C – NES – c: Kazuki Muaoka and/or Motoaki Furukawa a: Hidenori Maezawa - C1E34 28) Steel Spider - Super C – NES – c: Kazuki Muaoka and/or Motoaki Furukawa a: Hidenori Maezawa - C1E34 29) Mechanic Factory - Super C – NES – c: Kazuki Muaoka and/or Motoaki Furukawa a: Hidenori Maezawa - C1E34 30) Military Fortress - Super C – NES – c: Kazuki Muaoka and/or Motoaki Furukawa a: Hidenori Maezawa - C1E34 31) Jungle – Contra – NES – c: Kazuki Muaoka a: Hidenori Maezawa and/or Kiyohiro Sada 32) Surface of SR388 – Metroid: Samus Returns – 3DS – c: Ryoji Yoshitomi a: Daisuke Matsuoka - C1E36 33) Faron Woods – Loz: TP - GameCube/Wii - Toru Minegishi and/or Asuka Ohta - C1E36 34) New Donk City – Super Mario Odyssey – SWITCH – Naoto Kubo, Shiho Fujii, and/or Koji Kondo - C1E36 35) The Cave - Super Castlevania IV – SNES - Masanori Adachi and/or Taro Kudo - C1E37 36) The Library - Super Castlevania IV – SNES - Masanori Adachi and/or Taro Kudo - C1E37 37) Prologue - Super Castlevania IV – SNES - Masanori Adachi and/or Taro Kudo - C1E37 38) Menu - Vortex – SNES – Justin Sharvona - C1E38 39) Chapter 5 – Cross Wiber – PC Engine – Hiroto Saitou 40) Chapter 12 – Cross Wiber – PC Engine – Hiroto Saitou 41) Vortex – Vortex – SNES – Justin Sharvona - C1E38 42) Red Road – Astyanax – NES – Kiyoshi Yokoyama - C1E38 43) Space Battle - Cyber Knight – PC Engine – Michiharu Hasuya, Osamu Kasai, and.or Junko Yokoyama - C1E39 44) Planet 3 – Cyber Knight – PC Engine - Michiharu Hasuya, Osamu Kasai, and.or Junko Yokoyama - C1E39 45) Mentana – Cyber Knight – Super Famicom -Michiharu Hasuya, Osamu Kasai, and.or Junko Yokoyama - C1E39 46) Ending 2 – Cyber Knight - PC Engine - Michiharu Hasuya, Osamu Kasai, and.or Junko Yokoyama - C1E39 47) Berserker's Base – Cyber Knight – Super Famicom - Michiharu Hasuya, Osamu Kasai, and.or Junko Yokoyama - C1E39 48) Dead Sea/Ruined Tower – Chrono Cross - PS1 - Yasunori Mitsuda – C1E40 (originally contributed to C1E40 by Amber Peary)   …..alright, and now, for all the regular "housekeeping" stuff. :-)   The "Nerd Noise Radio - RERUNS!" channel can be found here:   https://www.buzzsprout.com/77944/   or here   https://itunes.apple.com/us/podcast/nerd-noise-radios-podcast/id1191400767   You can also find all of our audio episodes on Archive.org   Our YouTube Channel can be found here:   https://www.youtube.com/user/NerdNoiseRadio   Our episodes (and occasionally, other content) can be found on our blog here:   nerdnoiseradio.blogspot.com.   Nerd Noise Radio is also available on The Retro Junkies Network at www.theretrojunkies.com, and is a member of the VGM Podcast Fans community at   https://www.facebook.com/groups/VGMPodcastFans/   Or, if you wish to connect with us directly, we have two groups of our own:   Nerd Noise Radio - Easy Mode: https://www.facebook.com/groups/276843385859797/ for sharing tracks, video game news, or just general videogame fandom.   Nerd Noise Radio - Expert Mode: https://www.facebook.com/groups/381475162016534/ for going deep into video game sound hardware, composer info, and/or music theory.   Lastly, you can also follow us on Twitter at @NerdNoiseRadio.   Thanks for listening! Join us again in July for a VERY SPECIAL Nerd Noise Radio Rerun. And then join us again in August for C1E46 (Channel 1, Episode 46): Face Off Friday - vol. 3 (featuring a very special guest host / curator / vetter) - Delicious VGM on "Noise from the Hearts of Nerds"! And wherever you are - Fly the N!   Cheers!

When [Super Meat Boy](https://en.wikipedia.org/wiki/Super_Meat_Boy) hit its fifth anniversary, and saw new ports for fresh consoles, the decision was made to give it a musical respray. After [Danny Baranowsky](https://en.wikipedia.org/wiki/Danny_Baranowsky), who wrote the game's original OST, and [Team Meat](https://twitter.com/SuperMeatBoy) had parted ways, [RIDICULON](https://twitter.com/PlanetRidiculon) became the obvious choice for the job. Along with [David "Scattle" Scatliffe](https://scattle.bandcamp.com/) and [Laura Shigihara](https://laurashigihara.bandcamp.com/), the four composed music that stood on its own and reinterpreted the tone of gameplay. Here, Jon Evans and Matthias Bossi (who together form RIDICULON) join me to discuss Super Meat Boy's 5th Anniversary soundtrack. This episode follows up [last week's](https://audioboom.com/posts/7059571-super-meat-boy-w-danny-baranowsky), which features Danny Baranowsky's perspective on his original SMB score. [Lee Tyrrell on Twitter](https://twitter.com/GreenT128) [RIDICULON on Twitter](https://twitter.com/PlanetRidiculon) [Team Meat on Twitter](https://twitter.com/SuperMeatBoy) Also available on: [iTunes](https://itunes.apple.com/us/podcast/the-sound-test/id1418674203?mt=2) [Spotify](https://open.spotify.com/show/0nt97mhg0PgE3pqUmDXmhC) [YouTube](https://www.youtube.com/watch?v=X7NghyKwwWQ) [T](https://www.twitch.tv/videos/330638784)[witch](https://www.twitch.tv/videos/330638784) [Stitcher](https://www.stitcher.com/podcast/the-sound-test?refid=stpr) …and many more! Pledge to [this Patreon](https://www.patreon.com/_secretcave) to help support The Sound Test, and next year's second series.

This week, [RIDICULON](https://twitter.com/PlanetRidiculon) return to the show to take us all the way back to the 19th century. [The End is Nigh](https://en.wikipedia.org/wiki/The_End_Is_Nigh_(video_game)), a spiritual sequel to [Super Meat Boy](https://en.wikipedia.org/wiki/Super_Meat_Boy), features an OST of iconic classical masterworks, re-arranged and re-imagined by Jon Evans and Matthias Bossi. The results are an aural delight, perfectly marrying the melodic power of revered composers with the patented RIDICULON sound. [Lee Tyrrell on Twitter](https://twitter.com/GreenT128) [RIDICULON on Twitter](https://twitter.com/PlanetRidiculon) Also available on: [iTunes](https://itunes.apple.com/us/podcast/the-sound-test/id1418674203?mt=2) [Spotify](https://open.spotify.com/show/0nt97mhg0PgE3pqUmDXmhC) [YouTube](https://youtu.be/OpYcL3aB3n0) [Twitch](https://www.twitch.tv/videos/315551889##) [Stitcher](https://www.stitcher.com/podcast/the-sound-test?refid=stpr) …and many more! Pledge to [this Patreon](https://www.patreon.com/_secretcave) to help support The Sound Test, and next year's second series.

This second part of The Binding of Isaac's musical story moves into its remake, [Rebirth](https://en.wikipedia.org/wiki/The_Binding_of_Isaac:_Rebirth). This version of the game received a makeover in practically every area, including music. Its new soundtrack by RIDICULON took a different path to [Danny Baranowsky's](https://audioboom.com/posts/6944079-the-binding-of-isaac-w-danny-baranowsky-and-jules-conroy), but hit the nail on the head in brand new ways. Here, both Jon Evans and Matthias Bossi go into detail about their approach. [Lee Tyrrell on Twitter](https://twitter.com/GreenT128) [RIDICULON on Twitter](https://twitter.com/PlanetRidiculon) Also available on: [iTunes](https://itunes.apple.com/us/podcast/the-sound-test/id1418674203?mt=2) [Spotify](https://open.spotify.com/show/0nt97mhg0PgE3pqUmDXmhC) [YouTube](https://youtu.be/V0Lc1OqYghI) [Twitch](https://www.twitch.tv/videos/289685798) [Stitcher](https://www.stitcher.com/podcast/the-sound-test?refid=stpr) …and many more! Pledge to [this Patreon](https://www.patreon.com/_secretcave) to help support The Sound Test, and next year's second series.

“Art More Than Ever” host Erica Heilman interviews songwriter, composer, singer, and violinist Carla Kihlstedt, a faculty member in VCFA’s MFA in Music Composition program. In this fascinating conversation, Carla discusses writing music with her songwriter husband, Matthias Bossi, her most recent song cycle, Black Inscription, and much more.

Con un catálogo que mira tanto hacia la escena internacional de la improvisación, como a la escena local (francesa en este caso), el sello RogueArt está repleto de referencias bien interesantes. Como ocurre en el caso de sus últimas publicaciones en este otoño de 2017. En HDO 355 suenan D’Accord (RogueArt, 2017), grabación en solitario del violonchelista Didier Petit; Wrecks (RogueArt, 2017) del potente Third Coast Ensemble, dirigido por Rob Mazurek y en el que participan Jeff Parker, Nicole Mitchell, Mazz Swift, Avreearyl Ra, Nicolas Pointard, Tomeka Reid o Alexandre Pierrepont por mencionar a algunos de los músicos involucrados en el proyecto; el doble CD Magnetism(s) (RogueArt, 2017) de Matthew Shipp acompañado por Rob Brown y William Parker; Wild Red Yellow (RogueArt, 2017) del potente Larry Ochs Sax And Drumming Core con el saxofonista -obviamente-, Satoko Fujii, Natsuki Tamura, y el drumming core formado por Scott Amendola, Matthias Bossi y William Winant. Tomajazz: © Pachi Tapiz, 2017 HDO es un podcast editado, presentado y producido por Pachi Tapiz.

A lot of the music This American Life uses to score stories is composed for the program. Producer Jonathan Menjivar and musician Matthias Bossi of Stellwagen Symphonette talk about the music that works and doesn't work for the show.

Emily Reese interviews composer Matthias Bossi about his music for the Super Meat Boy 5th Anniversary Edition, The Binding of Isaac: Rebirth and The Binding of Isaac: Afterbirth. Also, Seth Alter and Marley Magner talk about No Pineapple Left Behind. Support Emily on Patreon.

Guests Carla Kihlstedt and Matthias Bossi of Rabbit Rabbit join the show with Viggo Nelson Bossi in tow to talk about their music and history, Sleepytime Gorilla Museum, and a story behind Bob Dylan’s Lay Lady Lay.

Guests Carla Kihlstedt and Matthias Bossi of Rabbit Rabbit join the show with Viggo Nelson Bossi in tow to talk about their music and history, Sleepytime Gorilla Museum, and a story behind Bob Dylan's Lay Lady Lay.

Music recorded, composed, performed by musicians affiliated with Mills College - thus the "Mills Scene." Papers for the Border #14 ~ The Mills Scene Tracklist (00:00) Intro (00:32) In a Hotel Room ~ Carla Kihlstedt, Matthias Bossi, Shahzad Ismaily ~Causing a Tiger (Victo, 2010) (01:44) announcements (04:49) No Funeral at All ~ Carla Kihlstedt, Matthias Bossi, Shahzad Ismaily ~Causing a Tiger (Victo, 2010) (06:42) A Swish of Nylon ~ Carla Kihlstedt, Matthias Bossi, Shahzad Ismaily ~Causing a Tiger (Victo, 2010) (13:52) Spells and Incantations ~ Carla Kihlstedt, Matthias Bossi, Shahzad Ismaily ~ Causing a Tiger (Victo, 2010) (15:57) Pour Albert ~ Cosa Brava ~ Ragged Atlas (Intakt, 2010) (20:33) The Letter ~ Cosa Brava ~ The Letter (Intakt, 2012) (24:15) Nobody Told Me ~ Cosa Brava ~ The Letter (Intakt, 2012) (28:20) Jitters ~ Cosa Brava ~ The Letter (Intakt, 2012) (33:34) Snake Eating Its Tail ~ Cosa Brava ~ Ragged Atlas (Intakt, 2010) (35:49) A Song About Love ~ Cosa Brava ~ Ragged Atlas (Intakt, 2010) (42:15) Postcard from the Back ~ Fred Frith, Carla Kihlstedt, Stevie Wishart ~The Compass, Log, and Lead (Intakt, 2006) (46:07) For Nothing: I. — ~ Galax Quartet with Karen Clark ~ On Cold Mountain: Songs on Poems of Gary Snyder (Innova, 2011) {composed by Fred Frith} (48:00) For Nothing: II. — ~ Galax Quartet with Karen Clark ~ On Cold Mountain: Songs on Poems of Ga ry Snyder (Innova, 2011) {composed by Fred Frith} (52:24) For Nothing: III. — ~ Galax Quartet with Karen Clark ~ On Cold Mountain: Songs on Poems of Gary Snyder (Innova, 2011) {composed by Fred Frith} (56:51) “Part Two” ~ MMM Quartet ~ Live at the Metz’ Arsenal (Leo Records, 2012) {Fred Frith, Joelle Leandre, Alvin Curran, and Urs Leimgruber} (1:02:20) Scrive ~ Joelle Leandre & Barre Phillips ~ A l’improviste (Kadima Collective, 2008) (1:12:13) Theme ~ Zeena Parkins ~ Double Dupe Down (Tzadik, 2012) (1:17:14) Selina ~ Zeena Parkins ~ Double Dupe Down (Tzadik, 2012) (1:18:23) Anthem ~ Zeena Parkins ~ Double Dupe Down (Tzadik, 2012) (1:21:31) announcements (1:22:17) Still No Funeral At All ~ Carla Kihlstedt, Matthias Bossi, Shahzad Ismaily ~ Causing a Tiger (Victo, 2010)