Podcasts about Copacabana

Em bairros cariocas de alta circulação, como Lapa, Glória e Copacabana, as ruas estão em disputa. Bares e restaurantes tomam conta das calçadas. Artistas independentes e blocos de carnaval reivindicam um espaço para ensaios e apresentações. Turistas e a população em geral são atraídos por festas e feiras. Associações de moradores reclamam do barulho e exigem leis mais restritivas. Como equacionar todas essas demandas? Nossa reportagem acompanhou polêmica instaurada em audiência pública e relata o caso.Reportagem: Lara MansurEdição: Vinicius Piedade

Emisión del sábado 22 de noviembre de 2025 de "La Voz del Deporte Antioqueño" de Indeportes Antioquia. Emisión 691.Los temas:1. En Girardota y Copacabana se realizará la edición 48 de los Juegos Deportivos Departamentales "Indeportes Antioquia", Juego de Todos.2. En Girardota y Copacabana en acción, del 24 de noviembre al 5 de diciembre de 2025. Informe de Andrés Esteban Marín Marín. Invitados: Jorge Hugo Vanegas Isaza y María Clara Bustamante Sánchez.3. La Subgerencia de Fomento y Desarrollo Deportivo de Indeportes Antioquia tiene todo listo para la realización de las "Olimpiadas" de Antioquia en Girardota. Informe de Luis Fernando Loaiza Gallego. Invitado Héctor Abad Cuervo Cañola.4. El municipio de Medellín y el municipio de Apartadó, en su orden, fueron primero y segundo, en el tablero general de medallería de la edición 47 de los Juegos Deportivos Departamentales "Indeportes Antioquia" 2024, realizados en Andes y Jardín. Cómo están estas delegaciones para la edición 48 en Girardota y Copacabana. Informe de Luis Fernando Loaiza Gallego. Invitados: Oscar Alveiro Córdoba Mejía delegado de Medellín y Wilder Yein Zapata Velásquez delegado de Apartadó.5. Martín Baltazar Mesino Flórez es árbitro de voleibol y ha estado en los Juegos Deportivos Departamentales "Indeportes Antioquia" desde la edición 2 en 1978 en La Ceja del Tambo. Mesino Flórez nos habla de la evolución de los juegos y del voleibol en esas justas, en particular. Informe de Luis Fernando Loaiza Gallego.6. Los medios de comunicación y los comunicadores son fundamentales para la divulgación de los Juegos Deportivos Departamentales "Indeportes Antioquia". Periodistas de las subregiones opinan del certamen deportivo. Informe de Luis Fernando Loaiza Gallego. Invitados: Juan Carlos Duque periodista de Oriente, Carlos Fidel Vásquez Correa periodista de Norte y Juan Camilo Morales González periodista de Urabá.7. La temática de la apertura de las justas atléticas en Girardota el lunes 24 de noviembre de 2025. Informe de la comunicadora social Beatriz Elena Quiceno Gil.

Zwiedzanie największego kraju Ameryki Południowej zaczęliśmy w Rio de Janeiro, o którym sami Brazylijczycy mawiają, że to „Cudowne Miasto”. Byliśmy na ikonicznych plażach Copacabana i Ipanema, ale też rozkoszowaliśmy się słońcem na plażach Leme i Leblon. Nie zabrakło malowniczej przejażdżki do statuy Chrystusa Odkupiciela, a także podziwiania widoków z wyrastającej z oceanu Głowy Cukru. Wybraliśmy się do słynnych dzielnic nędzy zwanych hawelami. Czekała nas również wyprawa do wodospadów Iguazu, jednego z siedmiu nowych naturalnych cudów świata.Na największych mokradłach świata zwanych Pantanalem obserwowaliśmy jaguary, tapiry, kapibary, kajmany i setki gatunków ptaków. Dzikie zwierzęta można tam spotkać znacznie częściej niż w lasach deszczowych Amazonii. Gościem Jerzego Jopa była Grażyna Woźniczka, współtwórczyni i współwłaścicielka Polka Travel, kulturoznawca, latynoamerykanistka i filolog.

In this episode we go to Rio de Janeiro, Brazil and share where we stayed, all the best things to do in Rio and share a few tips we learned that will make your visit to Rio a success, like using an ⁠airalo e-sim⁠. Highlights of this trip were taking in the views atop Sugarloaf Mountain, riding the cogwheel train to the top of Corcovado Mountain to visit the Christ the Redeemer statue, and walking along the boardwalk of Copacabana beach. Check out all of the tours we think are worth doing in Rio in our ⁠Rio de Janeiro Viator Shop⁠. We stayed right on Copacabana beach at the ⁠Windsor Leme Hotel⁠. The rooftop pool had fantastic views of the beach and the dining area had views of the Christ the Redeemer statue. Another great beach is Ipanema Beach and ⁠Atlantis Copacabana Hotel⁠ straddles both Ipanema and Copacabana beaches. This Rio de Janeiro trip is the start of a Gate1 guided tour that continued on to ⁠Iguazu Falls⁠ and ⁠Buenos Aires, Argentina⁠ so listen to those episodes too!Find a great flight deal to Rio, or anywhere else, by signing up for ⁠Thrifty Traveler Premium⁠ and get flight deals sent straight to your inbox. Use our promo code TSP to get $20 off your first year subscription.-----------------------------------------------------------------Shop:⁠ Trip Itineraries ⁠⁠&⁠ ⁠Amazon Storefront ⁠⁠Connect:⁠ ⁠YouTube⁠⁠,⁠ ⁠TikTok⁠⁠, and⁠ ⁠Instagram⁠⁠⁠⁠ ⁠⁠and contact us at travelsquadpodcast@gmail.com to submit a question of the week or inquire about guest interviews and advertising. Submit a question of the week or inquire about guest interviews and advertising.

Em mais um episódio de alto gabarito, o Doutor analisa o desempenho do dr. Ronaldo ao nível da política internacional e dos seus looks enquanto passeia de sunga em Copacabana, comenta o novo pacote laboral e apresenta uma grande novidade do agrado de todos.Bilhetes para o Mundo está Top em: https://ticketline.sapo.pt/evento/o-mundo-esta-top-10-anos-jcd-99267Com o apoio da cockburn's: https://www.instagram.com/cockburns_port/Segmento extra em: https://www.patreon.com/jcdireitaInstagram: https://www.instagram.com/jovemconservadordedireitaLivros da piça: https://www.instagram.com/livrosdapica

Resumen informativo con las noticias más destacadas de Colombia y el mundo del lunes 17 de noviembre 9:00am.

Resumen informativo con las noticias más destacadas de Colombia y el mundo del lunes 17 de noviembre 9:00am.

Philemon IntroductionThanks to everyone who supports TMBH at patreon.com/thetmbhpodcastYou're the reason we can all do this together!Discuss the episode hereMusic by Jeff Foote

O DUCENTÉSIMO QUADRAGÉSIMO OITAVO EPISÓDIO do Podcast Dar Voz A esQrever

Latin pop superstar Gloria Estefan joins Alan for a beachside chat bursting with laughs, music, and Miami sunshine

Photo Bridge é um novo projeto dedicado à fotografia na capital francesa, onde as imagens nos convidam a atravessar fronteiras físicas, simbólicas e culturais. De 7 a 9 de novembro, na Halle des Blancs-Manteaux, no Marais, a primeira edição tem como convidada Françoise Schein — artista franco-belga que transforma alteridade, urbanismo e democracia em arte pública. Ao lado de Glaucia Nogueira, da associação Iandé, e de Charlotte Flossaut, da PhotoDoc, a fotógrafa constrói pontes entre territórios e direitos humanos. A proposta curatorial da primeira edição da Photo Bridge em Paris parte de um gesto coletivo. “Pensamos em conjunto em um momento, um evento, um encontro que permitirá que diferentes regiões do mundo se reúnam através da fotografia. Daí o nome ‘Photo Bridge'”, explica Charlotte Flossaut, da associação Photo Doc. “Não se trata de fotografias feitas no Brasil ou sob o olhar francês, mas de colocar em diálogo a energia que nos conecta.” Glaucia Nogueira, da associação Iandé, reforça: “Essa visibilidade que a gente tenta há 10 anos dar pra fotografia brasileira, que é muito rica, finalmente acontece. Nesse evento, são fotógrafos engajados com comunidades, com pertencimento, com território. Por isso a escolha da Françoise [Schein].” A relação de Schein com o Brasil nasceu de um desejo íntimo: adotar uma criança. “Durante os anos da adoção da minha filha, eu queria conhecer o país da minha filha, conhecer as raízes da minha filha, de onde ela vem, que tipo de pessoas moram lá”, conta. Foi esse impulso que a levou a propor, para o Photo Bridge, uma instalação chamada A Cascata: “uma cachoeira gigante de moradias, as pequeninas casinhas feitas de tijolos da favela, de várias favelas onde trabalhei e que eu fotografei”. A obra monumental de Françoise Schein reúne 27 fotógrafos que representam uma parte essencial da fotografia brasileira engajada. Para a artista franco-belga, o Brasil real está nas comunidades e nos territórios populares. “Vamos dizer, [quis trazer] uma apresentação desse olhar de hoje em dia super engajado sobre as questões da ecologia, do humanismo, da relação com a Terra — que é muito importante — dos indígenas, das origens da história, mas também da população da periferia da cidade, da questão das favelas e da força da população.” Ela vê nas construções informais uma arquitetura viva. “As comunidades agora são consideradas como uma tipologia de construção vernacular muito interessante e muito parecida com a dos nossos europeus. É só esperar mais tempo, mais um século, mais dois séculos, e você vai ver que a Rocinha vai ser um lugar genial, porque as casas vão ser melhoradas pelos moradores, e vai se tornar um lugar turistico — já é, mas por razões diferentes hoje.” Democracia entre azulejos e mapas  A artista chegou ao Brasil em 1999 e, logo ao desembarcar, foi a São Paulo. “Bati à porta do Metrô Metropolitano de São Paulo e apresentei o meu trabalho que eu fiz em Portugal, em Lisboa”, lembra. O projeto foi aceito, e ela passou a trabalhar na Estação da Luz, no centro da cidade. “A Luz, como você sabe, é um bairro muito importante no centro da cidade que tem, de um lado, muitos museus super importantes: a Pinacoteca, o Museu da Língua Portuguesa. Também é um bairro muito pobre; só tem riqueza e pobreza junto nesse bairro. Adorei essa situação. Eu fiz essa ação durante 10 anos.” No Rio de Janeiro, integrou o programa Favela-Bairro e criou uma ágora e um mapa pintado na entrada da comunidade. “Tem um mapa enorme pintado na entrada da favela, porque quando você chega no Rio não há mapa de nenhuma favela. Os únicos mapas que existem estão nos computadores da cidade.” Em Copacabana, realizou uma obra sobre democracia na estação Siqueira Campos, pouco antes das eleições de Lula. “Foi um trabalho bem interessante, porque tive que fazer isso antes das eleições de Lula. O projeto até foi uma ação política, pois o presidente do metrô na época era uma pessoa negra, e ele viu imediatamente o interesse para a comunidade negra de ter um projeto sobre os direitos humanos no coração de Copacabana, que é o coração da cidade.” Uma artista entre subterrâneos e revoluções A trajetória de Françoise Schein é marcada por uma obsessão: inscrever os direitos humanos no cotidiano urbano. “Na época, eu vivia em Nova York. Eu era uma jovem arquiteta, estudando Urban Design na Columbia University e eu decidi que tive que analisar os mapas da cidade de Nova York, mas também de outras cidades: Buenos Aires, Paris, Bruxelas, outras cidades no mundo, porque eu acho que os mapas da cidade falam da cidade.” Foi ao analisar o mapa de Paris que ela percebeu a centralidade do Sena, dos museus, da história gravada no solo. “Isso fala de quê? Fala da realeza. E que também, contra essa realeza, veio a Revolução Francesa. E com a Revolução Francesa vem o primeiro texto da Declaração Universal dos Direitos do Homem e do Cidadão, feito em 1789.” A partir dessa constatação, nasceu sua obra mais emblemática: a intervenção na estação Concorde, inaugurada em 1991. Lá, Schein revestiu completamente as paredes do túnel com cerâmica branca, sobre a qual estão inscritas, em letras azuis, todas as palavras da Declaração de 1789. Cada azulejo traz uma letra, e as palavras se sucedem sem espaços, como um texto contínuo, onde apenas as pontuações marcam pausas visuais. O resultado é um mosaico textual monumental — cerca de 45 mil peças — que convida o passageiro a um contato cotidiano com os princípios fundadores da República Francesa: liberdade, igualdade e fraternidade. A escolha do local também carrega peso histórico. A Place de la Concorde, sob a qual passa a estação, foi palco de execuções durante a Revolução Francesa e é hoje símbolo da reconciliação nacional. Schein quis, com essa instalação, reintroduzir no coração do espaço público uma memória política e ética, reafirmando a importância dos direitos humanos num ambiente onde circulam milhões de pessoas todos os dias. “Eu preciso construir o texto embaixo da cidade, no subterrâneo da cidade”, disse, ao lembrar como a Revolução Francesa e a realeza se misturaram em sua mente com o metrô, a democracia e a arquitetura. A primeira edição da Photo Bridge, que faz parte do calendário cultural da temporada cruzada Brasil-França; fica em cartaz até 9 de novembro em Paris.

In Brazil, William leans into sport and climate, from Copacabana volleys to Earthshot's halfway-point message of “urgent optimism.” Back home, the Wales family shifts to Forest Lodge after a difficult run at Adelaide Cottage, we explain how the Crown Estate actually works, note Harry's curiously timed overlapping Toronto schedule, and wrap with Sir David Beckham's proud day at Windsor Castle.Hear our new show "Crown and Controversy: Prince Andrew" here.Check out "Palace Intrigue Presents: King WIlliam" here.

I share my impressions from three weeks in Bolivia — from Copacabana and Sucre to the famous Salar de Uyuni. Life at 4,000 meters, friendly people, and unique adventures.Transkript | GWS Club | Substack NewsletterBuch "Die Hexe von Bamberg": PDF eBook | AmazonReading Challenge-Gruppen: WhatsApp | Telegram

Le Bar Pro ce n'est pas seulement cet endroit, objet de fantasme, où les professionnels de la musique montent des deals secrets en buvant des coups. Depuis 2 saisons, c'est une heure de critique musicale sur Tsugi Radio. À une époque où l'on donne son avis en ligne sur tout et n'importe quoi comme on se ressert un café, où les grandes stars internationales peuvent se permettre de sortir des albums quasi sans annonce préalable et parfois sans tenir au courant leurs maisons de disques réduites à parfois au rôle de simples distributeurs. À une époque où les dites maisons de disque considèrent trop souvent la presse spécialisée comme une agence de com, sur Tsugi Radio, nous avons plus que jamais envie de mettre en lumière le travail des journalistes musicaux qui de festivals, en écoutes privées, de salles de concerts, en dancefloor, sont sur tous les fronts pour prendre le pouls de la création musicale contemporaine. Aujourd'hui dans ce nouvel épisode du Bar Pro, un Australien qui joue au vampire, un Français perdu à Copa Cabana, un maître chanteur Italien et un Anglais qui rêve de guitares sur un dancefloor. Autour de moi, 3 journalistes, d'abord Coralie Lacôte du média en ligne La Vague Parallèle. Yann Bertrand, chef du service culture de France Info et Odile de Plas, cheffe du service musique de Télérama.

Grandes cantantes estadounidenses con clásicos brasileños: Shirley Horn ('Love dance', 'The island'/'Começar de novo'), Sarah Vaughan ('Bonita', 'Copacabana', 'Dreamer'/'Vivo sonhando'), Carmen McRae ('Dindi', 'Like a lover'/'O cantador'), Ella Fitzgerald ('Fotograph'/'Fotografia', 'Wave', 'Triste') y Helen Merrill ('So many stars', 'Vera Cruz'). Escuchar audio

Em 1958, no Rio de Janeiro, uma jovem mulher foi arremessada de um prédio em plena Copacabana após lutar muito por sua vida. Venha ouvir com a gente e passar muita raiva, sabendo que os feminicídios sempre estiveram por aí.Patrocinadores: drinko.com.br e lista secreta

En este episodio, con Mario Mengoni ingresamos en una historia que late desde la Chicago de principios de los ´90: HONEY DIJON, la DJ que convirtió el house en un acto de amor, libertad e identidad. Además, nuevas producciones con RALPHI ROSARIO & ERIC KUPPER, WALTERINO, ORCHESTRAL FOR LIFE y MARTINE WOLFE. Viajamos a una utópica Copacabana cantada por JUNIOR MENDES. Un “discollage” explosivo con S-TONE INC, Z Factor (el otro alias de DAVE LEE) y L'EQUIPE DU SON: 15 minutos sin pausa al mando de Diego Hidalgo. Y el cierre por MARTINE WOLFE, punk disco con perfume francés. IMPORTANTE: La música en este programa es propiedad de sus respectivos artistas y sellos. Se utiliza solo con fines de difusión y sin intención de lucro. Apoyá a los músicos en sus plataformas oficiales. Conducción, musicalización y producción general: Mario Mengoni. Asistente de Producción: Diego Hidalgo. Locutores: Leandro Brumatti y Raúl Proenza. Operador Técnico: Carlos Rodríguez Sitio oficial: www.discorama.net Seguinos en nuestras redes y dejanos tu comentario: https://www.instagram.com/discoramabymario https://www.facebook.com/discoramabymario https://x.com/DiscoramaAR

After overcoming technical difficulties, the boys are locked, loaded, and ready to spit some fire. Saif introduces us to Sweet T's latest 4-legged addition to the family as they introduce how this week's topic is not a new one, but is somehow still relevant (1:12). Speech is being privatized and they wonder if Habermas' public square exists anymore (13:19). The first amendment matters (36:10) and the boys put a bow on it (41:53).Thank you for tuning in and giving us your continued support. Please follow Catch The Sky Podcast on ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Facebook⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠, ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Instagram⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠, ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠YouTube⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠, or ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@CTSTerry⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ on Twitter to interact with us on social media or subscribe wherever you listen to podcasts.Music by ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Emby Alexander⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Recorded September 20, 2025#CatchTheSky #Podcast #Sweet #T #Lola #TheKinks #RKelly #BarryManilow #Trump #Private #Media #SocialMedia #FirstAmendment #Free #Speech #Cancel #Culture #SouthPark #Public #Habermas #AltAZ #Journalism #Rabbit #AlwaysBeComing #TrashRocket #EmbyAlexander

I denne episode af Radiovagabond tager jeg dig med til Rio de Janeiro – en by fyldt med rytme, farver og kontraster. Her møder du både den postkort-smukke side af byen med Copacabana og de pulserende sambarytmer, men også den mere rå virkelighed, hvor tingene hurtigt kan tage en uventet drejning. Det blev en oplevelse fyldt med både ærefrygt, adrenalin og en nat, jeg sent vil glemme. Lyt med – og hvis du vil se billederne og læse mere om turen, finder du det her: https://www.radiovagabond.dk/262-rio-de-janeiro/

In this flashback episode, I'm in Rio de Janeiro – a city bursting with life, rhythm, and contradictions. From the stunning beaches of Copacabana to the chaotic streets where danger can lurk in the shadows, Rio is a place that never lets you relax completely. Join me as I dive into the culture, meet the locals, and experience both the breathtaking beauty and the raw edges of this remarkable city. It's a story of awe, adrenaline, and one unforgettable night. Listen to the episode, and if you want to see the photos and read more about this trip, visit: https://www.theradiovagabond.com/215-rio-de-janeiro/

Crise climática pode fazer desaparecer de cidades até países inteiros. O aumento do nível do mar ameaça cidades costeiras e nações insulares do mundo todo. O país de Tuvalu – por exemplo - é formado por nove ilhas, no meio do Pacífico, e tem uma população menor do que muitos bairros brasileiros: não chega a 12 mil habitantes, que estão na linha de frente da crise climática. Esse arquipélago, formado ao longo de milhões de anos por corais e erupções vulcânicas, está, em média, a menos de 2 metros acima do nível do mar. É um lugar que pode sumir se o mundo não reduzir as emissões de gases de efeito estufa, fazendo com que o nível do mar aumente e as previsões mais catastróficas dos cientistas se concretizem. O país está sofrendo com as mudanças climáticas agora mesmo, todos os dias. Todos os dias nós vemos o avanço do nível do mar que chega por baixo da terra. Além da erosão nas praias, que vão fazendo as ilhas ficarem cada vez menores, o oceano também invade a terra firme pelo subsolo. Isso causa enchentes e apodrece plantações, que não resistem à água salgada. Com uma economia baseada na pesca e na agricultura de subsistência, as ondas também podem levar o modo de vida dessas pessoas. Tuvalu não é a única vítima em potencial do avanço dos oceanos. Existem muitos países insulares —principalmente no Pacífico, mas também no Caribe— onde um aumento do nível do mar de, digamos, 1,7 a 2 metros pode fazer ou que o país desapareça por completo, porque são ilhas relativamente rasas e pequenas, ou com que a vida se torne absolutamente inviável, basicamente fazendo desaparecer uma nação por completo. [...] Esse não é o único efeito da crise climática que já atinge várias ilhas paradisíacas. Os peixes também estão diminuindo em tamanho e quantidade, o que impacta mais um setor econômico importante, a indústria pesqueira. Um futuro sem redução nas emissões de gases de efeito estufa e que o planeta aqueça 4°C, o nível do mar pode aumentar 15 metros até o ano 2300. Então, você imagina praias como Copacabana e Ipanema com o nível do mar no segundo andar dos prédios. Esse é o cenário que nós temos que evitar a qualquer custo. Fonte (texto - créditos): https://www1.folha.uol.com.br/ambiente/2022/01/crise-climatica-pode-fazer-desaparecer-de-cidades-ate-paises-inteiros.shtml?utm_source=sharenativo&utm_medium=social&utm_campaign=sharenativo&origin=folha Imagem (créditos): Simon Kofe, ministro da Justiça, Comunicação e Assuntos Internacionais (Tuvalu) - faz seu discurso dentro do mar que foi exibido na COP26. O país corre o risco de desaparecer por causa da crise climática - Foto: Reuters. Trilha sonora (créditos): https://www.youtube.com/watch?v=YF2ah8aRUao. Adele - Set Fire To The Rain (Official Instrumental).

This week, we catch up with Billy, as he is forced back into the Army, missing an entire season of Yankee baseball. He is also labeled as a "troublemaker", and a "bad influence" on teammates like Mickey Mantle, just because they go out drinking, every night, and a major brawl happened to beak out at the Copacabana, at Billy's birthday party! He fights, he scraps, and he gets traded, all over the league!   Watch the Yankees play a whole season, while you're in the Army, fight with your team'sa general manager, and be a bad influence on all of your friends with Billy Martin - Part 3!!   Check us out, every Tuesday! We will continue to bring you the biggest idiots in sports history!!   Hosted by James Pietragallo & Jimmie Whisman   Donate at... patreon.com/crimeinsports or with paypal.com using our email: crimeinsports@gmail.com Get all the CIS, STM & YSO merch at crimeinsports.threadless.com   Go to shutupandgivememurder.com for all things CIS, STM & YSO!!   Contact us on... instagram.com/smalltownmurder facebook.com/crimeinsports crimeinsports@gmail.com

Confira nesta edição do JR 24 Horas: Uma mulher de 30 anos que teve intoxicação por metanol confirmada foi enterrada nesta terça-feira (7), em Santo André, no ABC Paulista. Familiares e amigos acompanharam o velório e enterro, mas não permitiram a entrada da imprensa. Bruna Araújo teve a morte cerebral confirmada no domingo (5) e morreu na noite de segunda-feira (6). E ainda: Bombeiros resgatam grupo que praticava stand-up paddle na praia de Copacabana, no RJ.

O bolsonarismo volta às ruas nesta terça-feira, 7, para defender o perdão ao ex-presidente Jair Bolsonaro, mas em um ato considerado modesto. A escolha foi por uma caminhada em Brasília, em dia útil e sem protestos na Avenida Paulista, em São Paulo, e em Copacabana, no Rio. O motivo foi que o tamanho das manifestações contra a PEC da Blindagem e a anistia em setembro pegou de surpresa a oposição, que agora evita comparações para não passar a imagem de que reúne menos gente que a esquerda. "Essa manifestação vai confirmar como o bolsonarismo está definhando. Silas Malafaia, o pastor que está menos cuidando da suas ovelhas que cuidando de salvar a pele de Bolsonaro, é o organizador e já mudou a expressão, o que mostra que estão sem força de mobilização. Acho que nem o ex-presidente acredita mais em anistia", diz Eliane.See omnystudio.com/listener for privacy information.

O bolsonarismo volta às ruas nesta terça-feira, 7, para defender o perdão ao ex-presidente Jair Bolsonaro, mas em um ato considerado modesto. A escolha foi por uma caminhada em Brasília, em dia útil e sem protestos na Avenida Paulista, em São Paulo, e em Copacabana, no Rio. O motivo foi que o tamanho das manifestações contra a PEC da Blindagem e a anistia em setembro pegou de surpresa a oposição, que agora evita comparações para não passar a imagem de que reúne menos gente que a esquerda. "Essa manifestação vai confirmar como o bolsonarismo está definhando. Silas Malafaia, o pastor que está menos cuidando da suas ovelhas que cuidando de salvar a pele de Bolsonaro, é o organizador e já mudou a expressão, o que mostra que estão sem força de mobilização. Acho que nem o ex-presidente acredita mais em anistia", diz Eliane.See omnystudio.com/listener for privacy information.

Milton Teixeira relembra como nasceu a famosa Avenida Atlântica, em Copacabana.

@sallve chegou na nossa fofoca com cupom exclusivo!

Les électeurs de la province de Buenos Aires, la plus peuplée du pays, étaient appelés aux urnes dimanche (7 septembre 2025) pour une élection locale. Avec 33,7% des voix, le parti du président argentin a été largement devancé par l'opposition péroniste, qui a recueilli plus de 47% des suffrages. Une défaite sans appel dans un scrutin local qui avait valeur de test à moins de deux mois des élections législatives nationales de mi-mandat.  «Une défaite lourde et retentissante pour Javier Milei», selon le quotidien libéral La Nación. Pagina 12, un média progressiste, titre lui sur le déluge de voix pour l'union de gauche. Cette déroute du camp du président ultralibéral signale pour Pagina 12 le rejet massif de son programme qui «nourrit la faim et la destruction nationale.» Cette élection provinciale, c'était le premier test électoral pour Javier Milei depuis son arrivée à la tête du pays. Un test important, car la province de Buenos Aires concentre 37% de la population du pays. Un test difficile aussi, car il s'agit d'un bastion péroniste, mais en définitive un test raté. Les précisions de Théo Conscience, notre correspondant à Buenos Aires.  Au Brésil, les pro-Bolsonaro dans la rue pour la fête nationale  Le 7 septembre, c'est la fête nationale brésilienne. En marge du traditionnel défilé militaire, des manifestations en soutien à l'ancien président étaient organisées dans les grandes villes du pays. Jair Bolsonaro et sept coaccusés pourraient être condamnés pour tentative de coup d'État à l'issue du procès qui se tient à la Cour suprême jusqu'au 12 septembre. Le reportage de notre correspondante Sarah Cozzolino dans la manifestation de Rio de Janeiro, sur la plage de Copacabana.  Manifestations mouvementées en souvenir des victimes de la dictature au Chili Comme chaque année, un marché était organisé en souvenir des victimes de la dictature Pinochet qui a duré de 1973 à 1990. En marge des marches, il y a eu des affrontements avec la police, jets de pierre contre gaz lacrymogènes et canons à eau. Au moins 17 personnes ont été arrêtées. Le mensuel El Ciudadano rappelle que 35 ans après la fin de la dictature de Pinochet, près de 1 000 familles sont toujours sans nouvelle de leurs proches disparus. La radio Cooperativa a diffusé le témoignage d'un homme dont des proches ont disparu pendant la dictature. Il déplore les violences de dimanche (7 septembre 2025) et rappelle le sens de cette journée pour lui : «c'est un hommage aux personnes décédées pendant la dictature, celles toujours portées disparues.» Le quotidien El Mostrador revient longuement sur la détérioration de la situation économique des victimes de la dictature toujours en vie. Depuis le début des années 2000, elles sont petit à petit dépourvues des prestations sociales autres que ce que l'État leur verse comme réparation. «En recevant cette « réparation », les victimes devaient être reconnaissantes et perdre le droit de formuler des réclamations contre l'État.» Alors que ce jeudi 11 septembre marquera le 52è anniversaire du coup d'État, El Mostrador rappelle que «la dette de l'État envers les victimes est immense».  Les conséquences de la guerre de Trump contre les migrants  Aux États-Unis, 450 personnes ont été arrêtées samedi (6 septembre 2025), lors d'un raid de l'ICE, le Service de l'immigration et des douanes américain, sur un site commun aux entreprises Hyundai et LG dans l'État de Géorgie. L'ICE a également lancé une campagne de répression contre l'immigration dans le Massachusetts. L'administration Trump poursuit sa chasse aux migrants. Et le quotidien USA Today revient sur une conséquence de cette politique anti-immigration : l'absentéisme dans les écoles américaines. À l'automne 2024, le taux d'absence scolaire est enfin revenu à la normale après les épisodes de confinement. Mais depuis janvier 2025 et le retour de Donald Trump à la Maison Blanche, les absences d'élèves dans la vallée centrale de Californie, une région où la communauté hispanique est très présente, ont augmenté de 22%. Une tendance observable à l'échelle nationale, due à la peur de l'expulsion. USA Today publie le témoignage du directeur d'un lycée de Détroit, au Michigan. «Les craintes d'expulsion ont entraîné une baisse considérable de la fréquentation scolaire au printemps, lorsqu'un élève de la communauté hispanique a été arrêté hors du campus et expulsé», déclare-t-il dans les colonnes du journal. El Diario, un quotidien hispanophone de New York, souligne une autre conséquence de cette accélération des expulsions. À cause de la peur générée par l'administration Trump parmi les migrants, moins de New-Yorkais victimes de délits et d'actes violents dénoncent ces crimes à la police. Visa d'or pour des photographes en Haïti Le photographe belge Gaël Turine a été récompensé, avec deux de ses confrères haïtiens, Johnson Sabin et Milo Milfort, ainsi que le fixeur Mendel Jean, ce dimanche (7 septembre 2025) au festival de photojournalisme Visa pour l'image de Perpignan. Ensemble, ils ont publié une série d'articles ainsi qu'un film pour la Libre Belgique. Gaël Turine était l'invité d'Anne Cantener ce lundi (8 septembre 2025).  La 1ère Les députés des Antilles voteront-ils pour ou contre la confiance au gouvernement ce lundi ?

Confira os destaques do Jornal da Manhã deste domingo (07): A Jovem Pan acompanhou os desfiles em comemoração ao feriado da Independência do Brasil, em Brasília. A celebração começou às 9h e contou com a participação do presidente Lula, além de presenças como Geraldo Alckmin, Hugo Motta, Rui Costa, Ricardo Lewandowski e Marina Silva. O tema central da cerimônia de 2025 foi “Brasil Soberano”. Reportagem: Victória Abel. Comentários: Deysi Cioccari e José Maria Trindade. Em São Paulo, as comemorações tiveram início com a apresentação da banda da Polícia Militar e a participação de crianças de uma escola municipal. O evento reuniu mais de 5 mil pessoas neste domingo. Reportagem de Misael Mainetti e Laylla Fiore. Em Minas Gerais, o governador Romeu Zema participou do desfile em Belo Horizonte e, em seguida, seguiu viagem para São Paulo. Já no Rio de Janeiro, o centro da cidade foi palco de uma tradicional cerimônia cívico-militar, enquanto em Copacabana ocorreu um ato de solidariedade ao ex-presidente Jair Bolsonaro. Reportagem de Rodrigo Costa e Rodrigo Viga. Essas e outras notícias você acompanha nesta edição do Jornal da Manhã. Learn more about your ad choices. Visit megaphone.fm/adchoices

Você sabia? Alienígenas não só teriam pousado em Copacabana como também manteriam uma base secreta dentro da Pedra da Gávea!

À travers les films, les musiques ou les photographies, les favelas sont un symbole du Brésil. Ces quartiers pauvres et très densément peuplés sont aussi devenus des attractions touristiques. En 2023, les favelas de Rocinha et Vidigal étaient même plus visitées que le Pain de sucre et le Corcovado. En grande majorité, les touristes sont étrangers. Reportage dans la plus grande favela du Brésil, Rocinha, à Rio de Janeiro, où vivent près de 100 000 personnes.  De notre correspondante à Rio de Janeiro, Le tour de la favela de Rocinha commence au sommet, après avoir grimpé la rue principale accrochée à un chauffeur de moto taxi. La douzaine de touristes européens admire la vue de Rio, sa baie, ses montagnes et ses contrastes sociaux. Au loin, la favela de Dona Marta, où Michael Jackson a tourné un clip, et à nos pieds, le très sélect Jockey Club. Nathalie, touriste venue de Pologne, tenait à visiter une favela au Brésil : « On voulait voir la réalité de la ville. Pas seulement passer nos vacances sur les plages de Copacabana ou Ipanema, mais aussi découvrir la vraie vie. Et on était assez curieux de la violence. Mais le fait d'avoir des guides locaux fait toute la différence. »  Elle a choisi l'agence Trip in Rio. À sa tête, Milena Fernandes, qui a grandi à Rocinha. Plutôt que des photos « instagrammables », elle veut privilégier l'expérience de ses touristes. « J'aimerais que, dans leur avion de retour, les touristes se souviennent de cette jeune qui a discuté avec eux et qui leur a fait voir un autre côté de la ville de Rio. Parce que tous les symboles de Rio, comme la samba, ça a commencé ici. Donc, la meilleure façon de visiter la ville, c'est en immersion dans une favela », affirme Milena Fernandes.  « Notre but, c'est de montrer la culture d'ici » La croissance du tourisme dans les favelas créé des emplois locaux. Une application a été mise en place pour tenter d'encadrer et mesurer l'ampleur du phénomène. Partenaire de Milena, Taina de Sousa parle de tourisme « conscient » : « Notre but, c'est de montrer la culture d'ici, qu'il existe des projets sociaux dans la favela et que c'est quelque chose qui change vraiment la vie des gens. On va aller voir une démonstration de capoeira. Les élèves de cette école participent à des tournois à l'étranger. »  On emprunte un escalier étroit pour arriver sur cette terrasse où les groupes de touristes se succèdent. Un jeune homme prend la parole pour remercier l'assemblée et faire un appel aux dons. Beaucoup de jeunes des favelas voient désormais l'apprentissage de l'anglais comme une priorité. Rafael Santana est venu d'une favela du nord de Rio pour guider ce tour, et donner une vision alternative à celle des médias : « ​​​​​J'apprécie cette opportunité de pouvoir raconter comment c'est de vivre dans une favela. Comment c'est de grandir, quelles sont les difficultés, mais aussi les avantages. Parce qu'en grandissant dans une favela, on apprend très jeune à s'adapter à certains types de situations qui nous font devenir adulte un peu plus vite. ​​​​​​» Ce type de visites se concentre dans la zone sud, où se trouvent les principales attractions touristiques. Mais Rafael espère un jour attirer des touristes dans les quartiers au nord de la ville. À lire aussiBrésil, deux ans après les émeutes de 2023 : «Une blessure ouverte qui prendra du temps à cicatriser»

En lo que va del siglo XXI, la actividad fílmica de Martín Rejtman lo ha levado por caminos muy diversos; desde el ensayo documental en Copacabana (2009), al telefilme experimental (la brillante Entrenamiento elemental para actores, de 2009) y el regreso al cortometraje, con Shakti, en 2019. Sin embargo, la pieza central de esta etapa aún es Dos disparos (2014), una austera y severa comedia en la que regresan muchos de sus temas clásicos (el absurdo, la juventud, la soledad, la súbita creación e una familia) se intersectan con preocupaciones nuevas como la vida adulta y el efecto de eco que los actos de unos tienen sobre el sentir de otros (sobre todo desconocidos). Al filme de ficción más ambicioso de su carrera, Rejtman responde casi nueve años más tarde con un relato de tinte autobiográfico, La práctica. La historia de un profesor, su taller de yoga, los retiros a los que acude, los alumnos y ex alumnos que le rodean, y sobre todo la interminable serie de lesiones que van aquejándole, marca evidente de otra constante en el cine del realizador: la herida que cada uno va cargando dentro. De eso y más se habla en este podcast.

Milton Teixeira fala sobre a morte do poeta mineiro Carlos Drummond de Andrade, um dos maiores nomes da literatura brasileira e voz do modernismo, eternizado também em estátua em Copacabana.

Confira na edição do Jornal da Record desta quarta (20): Turistas alemães são assaltados na praia de Copacabana. Criminosos levam pertences e até as roupas das vítimas. Em Brasília, oposição surpreende e conquista a presidência e a relatoria da CPI do INSS. Exportadores brasileiros correm contra o tempo para ampliar países compradores e evitar o aumento da crise. Navios americanos se aproximam da costa venezuelana. Casa Branca justifica ação militar para combater cartéis de drogas. Avião usado pela agência de inteligência dos Estados Unidos pousa em aeroporto brasileiro. Câmara dos Deputados discute projeto de lei que aumenta a proteção de menores de idade nas redes sociais. Pesquisa revela que mais de 10% dos estudantes admitem que praticam bullying contra colegas de classe.

Lee Shapiro's story is one of those great Jersey tales — a local kid with a gift for music who ends up on the world stage, shaping the soundtrack of an era. Born in 1953, Lee was a piano prodigy from the start. By the time he was a teenager, he wasn't just playing other people's songs — he was arranging, orchestrating, and leading his own big band. That early love for music, especially jazz and swing, gave him a strong foundation that would later carry him into pop history.The turning point came in '73, when Lee was only 19. The Four Seasons were looking for a new keyboard player. Bob Gaudio, the original keyboardist and songwriter for the band, was stepping away from performing. Lee auditioned, armed with raw talent and a fearless energy. Frankie Valli was impressed, and just like that, this Jersey kid found himself as the new keyboardist and musical director for one of America's most iconic groups.It was a dream come true. Lee had actually seen The Four Seasons years earlier on The Ed Sullivan Show and thought to himself, “They've got a piano player. That could be me.” And suddenly, it was.Joining Frankie Valli and The Four Seasons in the '70s meant stepping into a band that was ready for a reinvention. Rock and pop were changing fast, and the group needed a fresh sound to connect with younger audiences. Lee brought that spark. He wasn't just playing keys — he was arranging, conducting, and helping shape the new sound of the Seasons.His fingerprints are all over some of the band's most beloved hits of the decade. From “Who Loves You.” or “December, 1963 (Oh, What a Night).” For seven years, Lee toured the world with Frankie Valli, playing to sold-out crowds, recording in top studios, and keeping the band's sound tight as their musical director. He was living the dream.But Lee's story doesn't end with the Four Seasons. In '81, he stepped off the road to focus on other creative ventures. He wrote songs with some of the industry's best. He orchestrated for Barry Manilow's Copacabana, The Musical in '91. In the late '90s, Lee co-created the Rock 'n' Roll Elmo doll for Fisher-Price. The toy became a runaway hit, selling millions and proving that Lee's creativity extended far beyond the stage and the studio.But music always called him back. In 2010, with Jersey Boys shining a fresh spotlight on the Four Seasons' legacy, Lee put together a new project: The Hit Men. This was a supergroup made up of musicians who had actually played with some of the biggest names in music. Alongside former Four Seasons bandmates, Lee and The Hit Men performed the songs they had lived and breathed. Audiences loved it.In 2014 Lee was diagnosed with multiple sclerosis but kept going. He performed for years after his diagnosis. Eventually, when performing became more difficult, he shifted into managing the band, ensuring that The Hit Men could keep bringing classic rock and pop to audiences across the country.In 2018, Lee released a special project close to his heart — a solo piano tribute album called Lee Shapiro Plays the Greatest Hits of Frankie Valli. It was his way of revisiting the music that had shaped his life, this time in a more intimate, cocktail-style format.Over the years, Lee and The Hit Men earned recognition from the music world too. In 2019, they received an award from the Musicians Hall of Fame in Nashville, and in 2020, Lee was nominated as a Legend Musician by the East Coast Music Hall of Fame.Looking back, Lee Shapiro's career feels like a tapestry woven from different threads of creativity — the Jersey boy with a big band, the young keyboardist who helped shape the sound of the Four Seasons, the songwriter and arranger who explored Broadway and commercials, the inventor who made kids smile with Elmo, and the bandleader who kept the music alive with The Hit Men.Lee joins us as our special guest this week to recount his incredible story. I'd love your feedback https://www.abreathoffreshair.com.au

It's Tuesday, August 19th, A.D. 2025. This is The Worldview in 5 Minutes heard on 140 radio stations and at www.TheWorldview.com.  I'm Adam McManus. (Adam@TheWorldview.com) By Kevin Swanson 1,500 Christians hiding in Somalia, Africa International Christian Concern reports that there are still at least 1,500 Christian believers hiding in Somalia, Africa. This country is the second most dangerous place on earth for Christians, according to the World Watch List.  Somali Christians are often killed, on the spot, when their faith is discovered – murdered either by Islamic militants or even their own family. Somalia is also the sixth poorest nation in Africa, and the highest percentage of Muslims of any nation in the world with 99.8% of the population identifying as Muslim. The only possible exception is the population on the island of Maldives, located 470 miles off the coast of India in the Indian Ocean. Citizens there are required to nominally follow Sunni Islam. So, technically it is 100% Muslim.  However, a 2020 census revealed that 0.29% identify as Christian. Socialists lost in Bolivian election The socialists lost ground big time in Bolivia's election over the weekend.  The socialist candidate, Eduardo del Castillo, only took 3% of the vote. The more conservative candidate, Jorge “Tuto” Quiroga, took 30.4%. And the more centrist candidate, Paz Pereira, captured 30.7% of the vote, at last count. A run-off will be in the works. Psalm 75:6-7 is clear that God is sovereign over the nations. “Exaltation comes neither from the east nor from the west nor from the south.  But God is the Judge: He puts down one, and exalts another.” Brazilian Supreme Court put Jair Bolsonaro under house arrest The Brazilian Supreme Court has resumed its campaign to silence Jair Bolsonaro, the previous president and conservative leader of the South American country. The court ordered his house arrest, after Bolsonaro addressed a crowd by cell phone.  His alleged crime was that he said, “Good afternoon, Copacabana. Good afternoon, my Brazil, a hug to everyone. This is for our freedom.” U.S. State Department Deputy Secretary Christopher Landau lambasted Brazilian Supreme Court Justice Alexandre de Moraes.  Landau called the court's actions “unbridled Orwellian impulses … dragging his Court and his country into the uncharted territory of a judicial dictatorship.” Putin wants 20% of Ukrainian territory under Russian control President Donald Trump met with Ukrainian President Volodymyr Zelenskyy yesterday at the White House, in hopes of working a peace deal in the Russian-Ukrainian war, reports The Epoch Times. Zelenskyy was quite reverential, unlike his last visit to the White House, where he angered Vice President Vance and President Trump alike. ZELENSKYY: “Thank you very much for your efforts, personal efforts to stop killings and stop this war. Thank you.” President Trump seemed hopeful, referencing a trilateral agreement between Russia, Ukraine, and the United States. TRUMP: “If everything works out well today, we'll have a trilat. And I think there will be a reasonable chance of ending the war when we do that.” At issue is Russian President Vladimir Putin's insistence that Russia retain 20% of Ukrainian territory now under Russian dominance. Trump has signaled on Truth Social that “Ukraine must be willing to lose some territory to Russia.” Also, Trump is pressing Ukraine to abandon any commitment to join the North Atlantic Treaty Organization or NATO.  Last week, Zelenskyy stated that Ukraine would not be giving up land to the “occupier.”  Isaiah 2:3-4 reminds us “[The God of Jacob] will teach us His ways, and we shall walk in His paths. For out of Zion shall go forth the law, and the word of the Lord from Jerusalem. He shall judge between the nations, and rebuke many people; They shall beat their swords into plowshares, and their spears into pruning hooks; nation shall not lift up sword against nation, neither shall they learn war anymore.” Newsmax ordered to pay $67 million to Dominion voting machines The conservative news organization, Newsmax, has agreed to pay Dominion voting machines $67 million for suggesting the company had rigged the 2020 election in which President Donald Trump lost to then Democrat candidate Joe Biden. Newsmax issued a statement complaining that the Delaware judge presiding over the case had not offered a fair trial. And Newsmax CEO Christopher Ruddy noted that “The actions taken against Newsmax, and earlier against Fox News, represent a direct attack on free speech and a free press.” He also encouraged all businesses to leave Delaware, a liberal bastion in the U.S.   Back in 2023, Fox News was saddled with a $790 million payout in a similar lawsuit.  The almost $1 billion was quite a take for Dominion, a company earning less than $100 million a year, per an estimate from CBS News.  Stock valuation through the roof Stock valuation is way, way high on the S&P stock index.  Price-to-earnings ratios are scraping 30 at 29.88, the highest since 2020 and the 2009 recession. The price-to-earnings ratio is the ratio of a company's share or stock price to the company's earnings per share.  Price-to-earnings ratios averaged about 15 for a hundred years, prior to the stock market craziness of the 2010s and 2020s. The NASDAQ 100 price-to-earnings ratio is 42, the highest in recorded history. Another index, known as the Buffett Indicator, comparing the valuation of the 5,000 largest companies to the Gross Domestic Product is 210.11%, the highest in history. Before the 2009 recession, the Buffett Indicator  hit a high of 109%, and before the dot-com crash, the indicator hit an unprecedented 135%.  270 million babies killed by in vitro fertilization And finally, Life Site News reports that 270 million babies have been aborted by the in vitro fertilization procedure since the idea was conceived in 1978. The calculation is based on the estimation of 16 embryonic children killed for every live child born.  About 17 million children have been produced by the IVF procedure. Those 270 million IVF abortions add to about 65 million legalized abortions since 1973, and millions more by the abortifacient intrauterine device or IUD, and other abortifacients. Close And that's The Worldview on this Tuesday, August 19th, in the year of our Lord 2025. Follow us on X or subscribe for free by Spotify, Amazon Music, or by iTunes or email to our unique Christian newscast at www.TheWorldview.com.  I'm Adam McManus (Adam@TheWorldview.com). Seize the day for Jesus Christ.

In the 1930s, musical Ferdinand “Jelly Roll” Morton identified the influence of Latin American rhythms like the habanera in jazz, as a sonic “tinge” that fundamentally shaped his style as a stride pianist. In the Seventies, disco presented its own Latin tinge. The Latin American and Latino influence on 1970s New York disco extended far beyond the familiar narratives of the Paradise Garage and Studio 54, creating vibrant spaces that celebrated cultural fusion and community. Clubs like the Ipanema Discotheque, Copacabana, and Roseland Ballroom became crucial venues where Latin rhythms, Brazilian beats, and Caribbean sounds mixed with emerging disco to create something entirely new. These spaces, often overlooked in mainstream disco histories, were essential to the genre's evolution—places where the infectious energy of Latin music met the innovative production techniques of American dance music. The DJs who commanded these dance floors brought not just technical skill but cultural knowledge, understanding how to weave together the musical traditions of their homelands with the cutting-edge sounds emerging from New York's studios and clubs. In the fourth episode of Season Two of Soundscapes NYC, hosts Ryan Purcell and Kristie Soares welcome DJs Ronnie Soares and Luis Mario Orellana Rizzo to explore the Latin American contributions to New York's disco revolution. Soares, born in Brazil and arriving in New York as a teenager, became a DJ by accident in 1974 when asked to spin a Brazilian night at the French club Directoire. Though initially a dancer, he quickly became resident DJ at the famed Ipanema Discotheque and went on to create "Midnight Disco" at Roseland Ballroom—the first club in the city to hold 5,000 people. Rizzo began his career at the very inception of club culture in 1969-70, learning from DJ Francis Grasso before working at legendary venues including Cork & Bottle and Copacabana. As the first DJ to tour nationally and internationally, Rizzo helped spread dance music globally while founding Legends of Vinyl, an archival project celebrating the art of DJing. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/latino-studies

In the 1930s, musical Ferdinand “Jelly Roll” Morton identified the influence of Latin American rhythms like the habanera in jazz, as a sonic “tinge” that fundamentally shaped his style as a stride pianist. In the Seventies, disco presented its own Latin tinge. The Latin American and Latino influence on 1970s New York disco extended far beyond the familiar narratives of the Paradise Garage and Studio 54, creating vibrant spaces that celebrated cultural fusion and community. Clubs like the Ipanema Discotheque, Copacabana, and Roseland Ballroom became crucial venues where Latin rhythms, Brazilian beats, and Caribbean sounds mixed with emerging disco to create something entirely new. These spaces, often overlooked in mainstream disco histories, were essential to the genre's evolution—places where the infectious energy of Latin music met the innovative production techniques of American dance music. The DJs who commanded these dance floors brought not just technical skill but cultural knowledge, understanding how to weave together the musical traditions of their homelands with the cutting-edge sounds emerging from New York's studios and clubs. In the fourth episode of Season Two of Soundscapes NYC, hosts Ryan Purcell and Kristie Soares welcome DJs Ronnie Soares and Luis Mario Orellana Rizzo to explore the Latin American contributions to New York's disco revolution. Soares, born in Brazil and arriving in New York as a teenager, became a DJ by accident in 1974 when asked to spin a Brazilian night at the French club Directoire. Though initially a dancer, he quickly became resident DJ at the famed Ipanema Discotheque and went on to create "Midnight Disco" at Roseland Ballroom—the first club in the city to hold 5,000 people. Rizzo began his career at the very inception of club culture in 1969-70, learning from DJ Francis Grasso before working at legendary venues including Cork & Bottle and Copacabana. As the first DJ to tour nationally and internationally, Rizzo helped spread dance music globally while founding Legends of Vinyl, an archival project celebrating the art of DJing. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

In the 1930s, musical Ferdinand “Jelly Roll” Morton identified the influence of Latin American rhythms like the habanera in jazz, as a sonic “tinge” that fundamentally shaped his style as a stride pianist. In the Seventies, disco presented its own Latin tinge. The Latin American and Latino influence on 1970s New York disco extended far beyond the familiar narratives of the Paradise Garage and Studio 54, creating vibrant spaces that celebrated cultural fusion and community. Clubs like the Ipanema Discotheque, Copacabana, and Roseland Ballroom became crucial venues where Latin rhythms, Brazilian beats, and Caribbean sounds mixed with emerging disco to create something entirely new. These spaces, often overlooked in mainstream disco histories, were essential to the genre's evolution—places where the infectious energy of Latin music met the innovative production techniques of American dance music. The DJs who commanded these dance floors brought not just technical skill but cultural knowledge, understanding how to weave together the musical traditions of their homelands with the cutting-edge sounds emerging from New York's studios and clubs. In the fourth episode of Season Two of Soundscapes NYC, hosts Ryan Purcell and Kristie Soares welcome DJs Ronnie Soares and Luis Mario Orellana Rizzo to explore the Latin American contributions to New York's disco revolution. Soares, born in Brazil and arriving in New York as a teenager, became a DJ by accident in 1974 when asked to spin a Brazilian night at the French club Directoire. Though initially a dancer, he quickly became resident DJ at the famed Ipanema Discotheque and went on to create "Midnight Disco" at Roseland Ballroom—the first club in the city to hold 5,000 people. Rizzo began his career at the very inception of club culture in 1969-70, learning from DJ Francis Grasso before working at legendary venues including Cork & Bottle and Copacabana. As the first DJ to tour nationally and internationally, Rizzo helped spread dance music globally while founding Legends of Vinyl, an archival project celebrating the art of DJing. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

In the 1930s, musical Ferdinand “Jelly Roll” Morton identified the influence of Latin American rhythms like the habanera in jazz, as a sonic “tinge” that fundamentally shaped his style as a stride pianist. In the Seventies, disco presented its own Latin tinge. The Latin American and Latino influence on 1970s New York disco extended far beyond the familiar narratives of the Paradise Garage and Studio 54, creating vibrant spaces that celebrated cultural fusion and community. Clubs like the Ipanema Discotheque, Copacabana, and Roseland Ballroom became crucial venues where Latin rhythms, Brazilian beats, and Caribbean sounds mixed with emerging disco to create something entirely new. These spaces, often overlooked in mainstream disco histories, were essential to the genre's evolution—places where the infectious energy of Latin music met the innovative production techniques of American dance music. The DJs who commanded these dance floors brought not just technical skill but cultural knowledge, understanding how to weave together the musical traditions of their homelands with the cutting-edge sounds emerging from New York's studios and clubs. In the fourth episode of Season Two of Soundscapes NYC, hosts Ryan Purcell and Kristie Soares welcome DJs Ronnie Soares and Luis Mario Orellana Rizzo to explore the Latin American contributions to New York's disco revolution. Soares, born in Brazil and arriving in New York as a teenager, became a DJ by accident in 1974 when asked to spin a Brazilian night at the French club Directoire. Though initially a dancer, he quickly became resident DJ at the famed Ipanema Discotheque and went on to create "Midnight Disco" at Roseland Ballroom—the first club in the city to hold 5,000 people. Rizzo began his career at the very inception of club culture in 1969-70, learning from DJ Francis Grasso before working at legendary venues including Cork & Bottle and Copacabana. As the first DJ to tour nationally and internationally, Rizzo helped spread dance music globally while founding Legends of Vinyl, an archival project celebrating the art of DJing. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/latin-american-studies

In the 1930s, musical Ferdinand “Jelly Roll” Morton identified the influence of Latin American rhythms like the habanera in jazz, as a sonic “tinge” that fundamentally shaped his style as a stride pianist. In the Seventies, disco presented its own Latin tinge. The Latin American and Latino influence on 1970s New York disco extended far beyond the familiar narratives of the Paradise Garage and Studio 54, creating vibrant spaces that celebrated cultural fusion and community. Clubs like the Ipanema Discotheque, Copacabana, and Roseland Ballroom became crucial venues where Latin rhythms, Brazilian beats, and Caribbean sounds mixed with emerging disco to create something entirely new. These spaces, often overlooked in mainstream disco histories, were essential to the genre's evolution—places where the infectious energy of Latin music met the innovative production techniques of American dance music. The DJs who commanded these dance floors brought not just technical skill but cultural knowledge, understanding how to weave together the musical traditions of their homelands with the cutting-edge sounds emerging from New York's studios and clubs. In the fourth episode of Season Two of Soundscapes NYC, hosts Ryan Purcell and Kristie Soares welcome DJs Ronnie Soares and Luis Mario Orellana Rizzo to explore the Latin American contributions to New York's disco revolution. Soares, born in Brazil and arriving in New York as a teenager, became a DJ by accident in 1974 when asked to spin a Brazilian night at the French club Directoire. Though initially a dancer, he quickly became resident DJ at the famed Ipanema Discotheque and went on to create "Midnight Disco" at Roseland Ballroom—the first club in the city to hold 5,000 people. Rizzo began his career at the very inception of club culture in 1969-70, learning from DJ Francis Grasso before working at legendary venues including Cork & Bottle and Copacabana. As the first DJ to tour nationally and internationally, Rizzo helped spread dance music globally while founding Legends of Vinyl, an archival project celebrating the art of DJing. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/caribbean-studies

In the 1930s, musical Ferdinand “Jelly Roll” Morton identified the influence of Latin American rhythms like the habanera in jazz, as a sonic “tinge” that fundamentally shaped his style as a stride pianist. In the Seventies, disco presented its own Latin tinge. The Latin American and Latino influence on 1970s New York disco extended far beyond the familiar narratives of the Paradise Garage and Studio 54, creating vibrant spaces that celebrated cultural fusion and community. Clubs like the Ipanema Discotheque, Copacabana, and Roseland Ballroom became crucial venues where Latin rhythms, Brazilian beats, and Caribbean sounds mixed with emerging disco to create something entirely new. These spaces, often overlooked in mainstream disco histories, were essential to the genre's evolution—places where the infectious energy of Latin music met the innovative production techniques of American dance music. The DJs who commanded these dance floors brought not just technical skill but cultural knowledge, understanding how to weave together the musical traditions of their homelands with the cutting-edge sounds emerging from New York's studios and clubs. In the fourth episode of Season Two of Soundscapes NYC, hosts Ryan Purcell and Kristie Soares welcome DJs Ronnie Soares and Luis Mario Orellana Rizzo to explore the Latin American contributions to New York's disco revolution. Soares, born in Brazil and arriving in New York as a teenager, became a DJ by accident in 1974 when asked to spin a Brazilian night at the French club Directoire. Though initially a dancer, he quickly became resident DJ at the famed Ipanema Discotheque and went on to create "Midnight Disco" at Roseland Ballroom—the first club in the city to hold 5,000 people. Rizzo began his career at the very inception of club culture in 1969-70, learning from DJ Francis Grasso before working at legendary venues including Cork & Bottle and Copacabana. As the first DJ to tour nationally and internationally, Rizzo helped spread dance music globally while founding Legends of Vinyl, an archival project celebrating the art of DJing. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/music

In the 1930s, musical Ferdinand “Jelly Roll” Morton identified the influence of Latin American rhythms like the habanera in jazz, as a sonic “tinge” that fundamentally shaped his style as a stride pianist. In the Seventies, disco presented its own Latin tinge. The Latin American and Latino influence on 1970s New York disco extended far beyond the familiar narratives of the Paradise Garage and Studio 54, creating vibrant spaces that celebrated cultural fusion and community. Clubs like the Ipanema Discotheque, Copacabana, and Roseland Ballroom became crucial venues where Latin rhythms, Brazilian beats, and Caribbean sounds mixed with emerging disco to create something entirely new. These spaces, often overlooked in mainstream disco histories, were essential to the genre's evolution—places where the infectious energy of Latin music met the innovative production techniques of American dance music. The DJs who commanded these dance floors brought not just technical skill but cultural knowledge, understanding how to weave together the musical traditions of their homelands with the cutting-edge sounds emerging from New York's studios and clubs. In the fourth episode of Season Two of Soundscapes NYC, hosts Ryan Purcell and Kristie Soares welcome DJs Ronnie Soares and Luis Mario Orellana Rizzo to explore the Latin American contributions to New York's disco revolution. Soares, born in Brazil and arriving in New York as a teenager, became a DJ by accident in 1974 when asked to spin a Brazilian night at the French club Directoire. Though initially a dancer, he quickly became resident DJ at the famed Ipanema Discotheque and went on to create "Midnight Disco" at Roseland Ballroom—the first club in the city to hold 5,000 people. Rizzo began his career at the very inception of club culture in 1969-70, learning from DJ Francis Grasso before working at legendary venues including Cork & Bottle and Copacabana. As the first DJ to tour nationally and internationally, Rizzo helped spread dance music globally while founding Legends of Vinyl, an archival project celebrating the art of DJing. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/sound-studies

durée : 00:54:05 - Le temps d'un bivouac - par : Daniel FIEVET - Le 10 novembre dernier, le jeune athlète paralympique Théo Curin se lançait dans la traversée du Lac Titicaca à la nage en totale autonomie, depuis la baie de Copacabana en Bolivie aux côtés de la vice-championne olympique de natation Malia Metella et de l'éco-aventurier Matthieu Witvoet. - réalisé par : Stéphanie TEXIER Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.

Em 2021, José Raimundo e Vinícius convidaram quatro garotas para curtir dias de sol e festa no Rio de Janeiro. Bancaram tudo: hospedagem, comida, rolês. Mas o clima de ostentação em Copacabana logo deu lugar à desconfiança. A origem do dinheiro virou motivo de discussão e a história acabou no mais puro suco de Brasil: o sequestro e a tortura de uma quadrilha de golpistas.-Aproveite até 15% de desconto na #insiderstore com o cupom CAFECOMCRIME. ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://creators.insiderstore.com.br/CAFECOMCRIME⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠-Apoie o Café Com Crime e ganhe acesso a conteúdos exclusivos: https://apoia.se/cafecomcrime ou https://orelo.cc/cafecomcrime.-Ative as notificações do Spotify para não perder o próximo episódio no dia 20 de agosto de 2025.-Acompanhe novidades e fotos no Instagram @CafeComCrime, Twitter @CafeCCrime, BlueSky @cafecomcrime.bsky.social e Facebook!-Entre em contato cafecomcrime@tagcreator.space-Créditos:Produção, apresentação e roteiro por Stefanie ZorubEdição e desenho de som por Luigi CalistratoRoteiro e pesquisa for Ana Paula Almeida

This week on The WatchTower Film Podcast, we're officially launching The Brow Month—our deep dive into the wild, legendary world of Martin Scorsese. And there's no better place to start than Goodfellas—the mob movie that redefined the genre (and the tracking shot).We break down the film's electric style, unforgettable characters, cocaine-fueled chaos, and why Scorsese's fingerprints are all over modern cinema. From freeze frames to mob betrayals, it's fast, funny, brutal, and endlessly rewatchable.Just don't ask how many takes the Copacabana shot took. We're talkin' here.

En este DexConexión de verano os traigo cuatro historias que demuestran que vivimos tiempos verdaderamente extraños. Primero, el misterio de por qué en la vida real no me encuentro con el nivel de podredumbre mental que inunda las redes sociales. Después viajamos al mítico Copacabana de Nueva York, ese club donde el glamour, la mafia y la violencia bailaron juntos bajo las luces de neón de Manhattan - el escenario real que inspiró la famosa canción de Barry Manilow. También exploramos una teoría fascinante: ¿y si la Tierra fuera un Parque Jurásico invertido donde nosotros somos los dinosaurios del experimento? Además, descubrimos por qué las trabajadoras sexuales predijeron la recesión de 2022 antes que Wall Street, y terminamos destripando las inquietantes inconsistencias de la investigación oficial sobre la muerte de Jeffrey Epstein. Porque si algo nos enseñan estos días extraños es que la verdad suele venir de los lugares más inesperados. Escucha el episodio completo en la app de iVoox, o descubre todo el catálogo de iVoox Originals

This week's podcast has a bit of a mobster flair.  It's a two parter with the first part dedicated to the life of Henry Hill, the subject of the movie Goodfellas and mentioned a bit previously on our podcast about the Lufthansa Heist.  From there we turn our attention to the Copacabana, the NY nightclub famed for some of it's early mob connections and amazingly still open today (if you believe in the Ship of Theseus).

In this episode of Two Strike Noise, Jeff and Mark recount the infamous Brooklyn Yankees brawl at the Copa Cabana in 1957, involving Billy Martin, Mickey Mantle, and other Yankees players. They share anecdotes about the mob-run nightclub and the fallout of the incident on the Yankees' season. The hosts also explore player histories and quirky trivia when unboxing a pack of re-packed wax baseball cards, revealing some gems like…listen to find out who. The episode includes some strange Rockies stories, lightning strikes, and Fernando Tatis, Jr. suing people. 00:00 Welcome to Two Strike Noise 01:23 SABR Convention Highlights 03:09 Player Investment Scams 07:00 Rockies Lawsuit Drama 13:45 All Ryan Meetup at Coors Field 15:33 Baseball Debuts on June 27th 23:47 The Copa Cabana Incident 38:39 Wax Packs Heroes: Unboxing and Discussion 01:02:42 Final Thoughts and Wrap-Up PopFly Pop Shop - https://popflypopshop.com/ Repacked Wax - https://repackedwax.com/ Facebook -https://www.facebook.com/TwoStrikeNoise/ Instagram - @twostrikenoise Bluesky - @twostrikenoise.bsky.social Threads - @twostrikenoise Twitter - @twostrikenoise Two Strike Noise on YouTube - www.youtube.com/@twostrikenoise Twitch - https://www.twitch.tv/twostrikenoise E-mail - twostrikenoise@gmail.com We pull ALOT of commons in Wax Pack Heroes. If you've got those Tom Foley or Ernest Riles cards just sitting around you can donate those commons to charity and maybe spark a child's interest in baseball and collecting. Find out more here: http://commons4kids.org/ #podernfamily #podnation #baseball #mlb #history #podcast #baseballcards

Did you see that first 20 minutes from PSG last night? Bloody Nora. Marcus, Luke, Vish and Jim - fresh from the Emirates - react to PSG's dominant display against Arsenal and their tiny but somehow unstoppable midfield. Can Arsenal turn things around? Not with tifos like that, they can't...Elsewhere, Brazil press their big Carlo Ancelotti button who's primed and ready to join Fizzer in his Speedos on the Copacabana.We also set fire to our reputation in Glasgow... but at least we'll have our new line of artisan Pope smoke bacon to keep us going. See you on May 12th, Glaswegian Ramblers!We're going on tour! Get your tickets now: https://footballramblelive.com.Find us on Bluesky, X, Instagram, TikTok and YouTube, and email us here: show@footballramble.com.Sign up to the Football Ramble Patreon for ad-free shows for just $5 per month: https://www.patreon.com/footballramble.***Please take the time to rate us on your podcast app. It means a great deal to the show and will make it easier for other potential listeners to find us. Thanks!*** Hosted on Acast. See acast.com/privacy for more information.