Podcasts about new yorker radio hour

When Elissa Slotkin narrowly won her Senate seat in Michigan last fall, she was one of only four Democratic senators to claim victory in a state that voted for Donald Trump. It made other Democrats take note: since then, the Party has turned to her as someone who can bridge the red state–blue state divide. In March, Slotkin delivered the Democrats' rebuttal to Trump's speech before Congress, and she's been making headlines for criticizing her own party's attempts to rein in the President and the Republican Party. She thinks Democrats need to start projecting “alpha energy,” that identity politics “needs to go the way of the dodo,” and that Democrats should drop the word “oligarchy” from their vocabulary entirely.Slotkin prides herself on her bipartisanship, and she believes that Democrats must use old-school collegial collaboration in Congress. And, as different Democratic leaders have appeared on The New Yorker Radio Hour in the past few months, discussing what the next four years might have in store, Slotkin tells David Remnick about a different path forward.

David Remnick, editor of The New Yorker and the host of The New Yorker Radio Hour, offers his assessment of the first 100 days of President Trump's second term, and the opposition that is beginning to form.

After 100 days of Trump's second term, questions have arisen about birthright citizenship, the arrests of judges and deportations without due process.On Today's Show:David Remnick, editor of The New Yorker and the host of The New Yorker Radio Hour, offers his assessment of Trump's second term so far, and the opposition that is beginning to form.

Since 1998, David Remnick has been the editor of The New Yorker and has written hundreds of pieces for the magazine, including reporting from Russia, the Middle East, and Europe and Profiles of Barack Obama, Bill Clinton, Katharine Graham, Mike Tyson, Bruce Springsteen and more. He also hosts the magazine's national radio program and podcast, “The New Yorker Radio Hour.” He joins live at the On Air Fest to talk about his legendary life and career. Hosted on Acast. See acast.com/privacy for more information.

In the past few years, the comedian Nikki Glaser has breathed new life into the well-worn comedic form of the roast. Last year, she performed a roast of the football legend Tom Brady for a Netflix special, to much acclaim—with Conan O'Brien opining that “no one is going to do a better roast set than that.” Glaser has been on a hot streak since then, hosting the Golden Globes in January and touring the country with a new show. But rising to the top of the comedy world, Glaser tells David Remnick, hasn't settled her insecurities, or her impostor syndrome. “It just never goes away— that feeling of not being worthy, or being thought of as less than,” Glaser says. It's why, as Remnick notes, she insists on leading her set with a joke right out of the gate. “Part of it is I just know that people think women aren't as funny, so I have to prove it right away . . . and then, ‘Can we all just relax and you can trust me?' ”New episodes of The New Yorker Radio Hour drop every Tuesday and Friday. Follow the show wherever you get your podcasts.

Elon Musk, who's chainsawing the federal government, is not merely a chaos agent, as he is sometimes described. Jill Lepore, the best-selling author of “These Truths” and other books, says that Musk is animated by obsessions and a sense of mission he acquired through reading, and misreading, science fiction. “When he keeps saying, you know, ‘We're at a fork in the road. The future of human civilization depends on this election,' he means SpaceX,” she tells David Remnick. “He means . . . ‘I need to take these rockets to colonize Mars and that's only going to happen through Trump.' ” The massive-scale reduction in social services he is enacting through DOGE, Lepore thinks, is tied to this objective. “Although there may be billions of [people] suffering here on planet Earth today, those are miniscule compared to the calculation of the needs of the billions of humans that will one day ever live if we can gain escape velocity from planet Earth. . . . That is, in fact, the math that lies behind DOGE.” Lepore's BBC radio series on the SpaceX C.E.O. is called “X-Man: The Elon Musk Origin Story.” Plus, an organizer of the grassroots anti-Musk effort TeslaTakedown speaks with the Radio Hour about how she got involved, and the risks  involved in doing so. that poses. “It's a scary place we all find ourselves in,” Patty Hoyt tells the New Yorker Radio Hour producer Adam Howard. “And I won't stop. But I am afraid.”

This week we're bringing you an interview from our friends at the New Yorker Radio Hour. It's a conversation between host David Remnick and Democratic congressman Chris Murphy. Murphy is the junior senator from Connecticut and a vehement critic of leaders in his party who've taken a “business as usual” approach in dealing with the Trump administration. He opposed Chuck Schumer's negotiation to pass the Republican budget and keep the government running and Murphy advocated for the democrats to skip the president's joint address to congress en masse. He believes that his party has a winning formula if they stick to a populist anti-big-money agenda and he despairs that some in his party aren't responding appropriately to what he sees as a crisis. On the Media is supported by listeners like you. Support OTM by donating today (https://pledge.wnyc.org/support/otm). Follow our show on Instagram, Twitter and Facebook @onthemedia, and share your thoughts with us by emailing onthemedia@wnyc.org.

The microchip maker Nvidia is a Silicon Valley colossus. After years as a runner-up to Intel and Qualcomm, Nvidia has all but cornered the market on the parallel processors essential for artificial-intelligence programs like ChatGPT. “Nvidia was there at the beginning of A.I.,” the tech journalist Stephen Witt tells David Remnick. “They really kind of made these systems work for the first time. We think of A.I. as a software revolution, something called neural nets, but A.I. is also a hardware revolution.” In The New Yorker, Stephen Witt profiled Jensen Huang, Nvidia's brilliant and idiosyncratic co-founder and C.E.O. His new book is “The Thinking Machine: Jensen Huang, Nvidia, and the World's Most Coveted Microchip.” Until recently, Nvidia was the most valuable company in the world, but its stock price has been volatile, posting the largest single-day loss in history in January. But the company's story is only partially a business story; it's also one about global superpowers, and who will decide the future. If China takes military action against Taiwan, as it has indicated it might, the move could wrest control of the manufacturing of Nvidia microchips from a Taiwanese firm, which is now investing in a massive production facility in the U.S. “Maybe what's happening,” Witt speculates, is that “this kind of labor advantage that Asia had over the United States for a long time, maybe in the age of robots that labor advantage is going to go away. And then it doesn't matter where we put the factory. The only thing that matters is, you know, is there enough power to supply it?” Plus, the staff writer Joshua Rothman has long been fascinated with A.I.—he even interviewed its “godfather,” Geoffrey Hinton, for The New Yorker Radio Hour. But Rothman has become increasingly concerned about a lack of public and political debate over A.I.—and about how thoroughly it may transform our lives. “Often, if you talk to people who are really close to the technology, the timelines they quote for really reaching transformative levels of intelligence are, like, shockingly soon,” he tells Remnick. “If we're worried about the incompetence of government, on whatever side of that you situate yourself, we should worry about automated government. For example, an A.I. decides the length of a sentence in a criminal conviction, or an A.I. decides whether you qualify for Medicaid. Basically, we'll have less of a say in how things go and computers will have more of a say.” Rothman's essay “Are We Taking A.I. Seriously Enough?” appears in his weekly column, Open Questions. Learn about your ad choices: dovetail.prx.org/ad-choices

The microchip maker Nvidia is a Silicon Valley colossus. After years as a runner-up to Intel and Qualcomm, Nvidia has all but cornered the market on the parallel processors essential for artificial-intelligence programs like ChatGPT. “Nvidia was there at the beginning of A.I.,” the tech journalist Stephen Witt tells David Remnick. “They really kind of made these systems work for the first time. We think of A.I. as a software revolution, something called neural nets, but A.I. is also a hardware revolution.” In The New Yorker, Stephen Witt profiled Jensen Huang, Nvidia's brilliant and idiosyncratic co-founder and C.E.O. His new book is “The Thinking Machine: Jensen Huang, Nvidia, and the World's Most Coveted Microchip.” Until recently, Nvidia was the most valuable company in the world, but its stock price has been volatile, posting the largest single-day loss in history in January. But the company's story is only partially a business story; it's also one about global superpowers, and who will decide the future. If China takes military action against Taiwan, as it has indicated it might, the move could wrest control of the manufacturing of Nvidia microchips from a Taiwanese firm, which is now investing in a massive production facility in the U.S. “Maybe what's happening,” Witt speculates, is that “this kind of labor advantage that Asia had over the United States for a long time, maybe in the age of robots that labor advantage is going to go away. And then it doesn't matter where we put the factory. The only thing that matters is, you know, is there enough power to supply it?” Plus, the staff writer Joshua Rothman has long been fascinated with A.I.—he even interviewed its “godfather,” Geoffrey Hinton, for The New Yorker Radio Hour. But Rothman has become increasingly concerned about a lack of public and political debate over A.I.—and about how thoroughly it may transform our lives. “Often, if you talk to people who are really close to the technology, the timelines they quote for really reaching transformative levels of intelligence are, like, shockingly soon,” he tells Remnick. “If we're worried about the incompetence of government, on whatever side of that you situate yourself, we should worry about automated government. For example, an A.I. decides the length of a sentence in a criminal conviction, or an A.I. decides whether you qualify for Medicaid. Basically, we'll have less of a say in how things go and computers will have more of a say.”Rothman's essay “Are We Taking A.I. Seriously Enough?” appears in his weekly column, Open Questions.

Few observers are more insightful than the critic William Deresiewicz at identifying the changing landscape of American culture. In my latest conversation with Deresiewicz, best known for his book Excellent Sheep, we explore how young American men are increasingly drawn to right-wing politics while feeling socially devalued and alienated by progressive rhetoric. Deresiewicz critiques universities for embracing a censorious left-wing ideology that has become intellectually stagnant. He contrasts this with the creative ferment happening on the right, while at the same time rejecting Trump's authoritarian tactics against universities. Deresiewicz argues that art has lost its cultural significance as consumption has become disposable, and notes that a new counter-elite is attempting to destroy the established liberal elite rather than join its exclusive club.Here are the 5 KEEN ON AMERICA takeaways in our conversation with Deresiewicz: * Young men, particularly those without elite educations, are increasingly drawn to right-wing politics partly due to economic changes, dating app dynamics, and what Deresiewicz perceives as dismissive rhetoric from the progressive left.* Universities have embraced a "far left progressive ideology" that has been repeatedly rejected by voters even in traditionally liberal areas, yet Deresiewicz condemns Trump's authoritarian tactics against these institutions.* The political left has become intellectually stagnant, with creative energy now more visible on the right, while progressive spaces have become censorious and intolerant of debate.* Art has lost its cultural significance as streaming platforms and internet culture have turned creative works into disposable "content," diminishing both audience engagement and artistic seriousness.* A new counter-elite (represented by figures like Trump and Musk) isn't seeking admission to established power structures but rather aims to destroy them entirely, representing a significant shift in elite dynamics.William Deresiewicz is an award-winning essayist and critic, a frequent speaker at colleges, high schools, and other venues, and the author of five books including the New York Times bestseller Excellent Sheep: The Miseducation of the American Elite and the Way to a Meaningful Life. His most recent book is The End of Solitude: Selected Essays on Culture and Society. His current project is a historically informed memoir about being Jewish. Bill has published over 300 essays and reviews. He has won the Hiett Prize in the Humanities, the National Book Critics Circle's Nona Balakian Citation for Excellence in Reviewing, and a Sydney Award; he is also a three-time National Magazine Award nominee. His work, which has appeared in The New York Times, The Atlantic, Harper's, The London Review of Books, and many other publications, has been translated into 19 languages and included in over 40 college readers and other anthologies. Bill taught English at Yale and Columbia before becoming a full-time writer. He has appeared on The Colbert Report, Here & Now, The New Yorker Radio Hour, and many other outlets and has held visiting positions at Bard, Scripps, and Claremont McKenna Colleges as well as at American Jewish University and the University of San Diego. His previous books are The Death of the Artist: How Creators are Struggling to Survive in the Age of Billionaires and Big Tech, A Jane Austen Education, and Jane Austen and the Romantic Poets. Bill is a member of the board (directorial, editorial, or advisory) of The Matthew Strother Center for the Examined Life, a retreat and study program in Catskill, NY; The Metropolitan Review, a new literary journal; Tivnu: Building Justice, which runs a Jewish service-learning gap year and other programs in Portland, OR; the Prohuman Foundation, which promotes the ideals of individual identity and shared humanity; Circle, a group coaching and purpose-finding program for college and graduate students; and Clio's, a selectively curated, chronologically organized bookstore in Oakland.Named as one of the "100 most connected men" by GQ magazine, Andrew Keen is amongst the world's best known broadcasters and commentators. In addition to presenting the daily KEEN ON show, he is the host of the long-running How To Fix Democracy interview series. He is also the author of four prescient books about digital technology: CULT OF THE AMATEUR, DIGITAL VERTIGO, THE INTERNET IS NOT THE ANSWER and HOW TO FIX THE FUTURE. Andrew lives in San Francisco, is married to Cassandra Knight, Google's VP of Litigation & Discovery, and has two grown children.Keen On America is a reader-supported publication. To receive new posts and support my work, consider becoming a free or paid subscriber. This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit keenon.substack.com/subscribe

Alice Munro, a winner of the Nobel Prize in Literature, was perhaps the most acclaimed short-story writer of our time. After her death, last year, her youngest daughter, Andrea Skinner, revealed that Munro's partner, Gerald Fremlin, had sexually abused her starting when she was nine years old. The abuse was known in the family, but, even after Fremlin was convicted, Munro stood by him, at the expense of her relationship with her daughter. In this episode, the New Yorker staff writer Rachel Aviv joins the magazine's editor, David Remnick, to talk about how and why a writer known for such astonishing powers of empathy could betray her own child, and how Munro touched on this family trauma in fiction. “Her writing makes you think about art at what expense,” Aviv tells Remnick. “That's probably a question that is relevant for many artists, but Alice Munro makes it visible on the page. It felt so literal—like trading your daughter for art.”Follow The New Yorker Radio Hour wherever you get your podcasts. Learn about your ad choices: dovetail.prx.org/ad-choices

 Sonya Chung is the author of the novels The Loved Ones (Relegation Books, 2016) and Long for This World (Scribner, 2010). She is a staff writer for the The Millions and founding editor of Bloom, and is a recipient of a Pushcart Prize nomination, the Charles Johnson Fiction Award, the Bronx Council on the Arts Writers' Residency, a MacDowell Colony Fellowship, a Key West Literary Seminars residency, a Studios of Key West residency, and an Escape to Create residency.  Sonya's stories, reviews, & essays have appeared in The Threepenny Review, Tin House, The Huffington Post, Buzzfeed, The Late American Novel: Writers on the Future of Books, Short: An International Anthology, and This is The Place: Women Writing About Home, among others. Sonya has taught fiction writing at Columbia University, NYU, and Gotham Writers' Workshop. She is the Director of Film Forum. Film ForumFilm Forum began in 1970 as an alternative screening space for independent films, with 50 folding chairs, one projector and a $19,000 annual budget. Karen Cooper became director in 1972 and under her leadership, Film Forum moved downtown to the Vandam Theater in 1975. In 1980, Cooper led the construction of a twin cinema on Watts Street. In 1990, Film Forum's current Houston Street cinema was built at a cost of $3.2 million. In 2018, Film Forum raised $5 million to renovate and expand its Houston Street cinema, upgrading the seating, legroom, and sightlines in all theaters and adding a new, 4th screen. In 2023, Cooper stepped down as Director and was succeeded by Deputy Director Sonya Chung.We present two distinct, complementary film programs – NYC theatrical premieres of American independents and foreign art films, programmed by Cooper (Advisor to the Director as of 2023), Mike Maggiore, and Sonya Chung; and, since 1987, repertory selections including foreign and American classics, genre works, festivals and directors' retrospectives, programmed by Bruce Goldstein. Our third and fourth screens are dedicated to extended runs of popular selections from both programs, as well as new films for longer engagements. Film Forum is open 365 days a year, with as many as 250,000 annual admissions, nearly 500 seats, approximately 60 employees (of which half are full time), 6,500+ members and a $7 million operating budget. Approximately 80% of our budget is spent directly on programs. As a non-profit, we raise approximately 50% of our operating income. Public funders include: The National Endowment for the Arts, The New York State Council for the Arts, and various NYC agencies including the NYC Department of Cultural Affairs. Private donors include individuals, foundations, and corporate entities. Additionally, our members contribute more than $500,000 annually. This allows us to take risks on emerging filmmakers and challenging films. Film Forum has a $6 million endowment, begun in 2000 with a $1.25 million gift from the Ford Foundation.Film Forum is the only autonomous nonprofit cinema in New York City and one of the few in the U.S. The success of our distinctive position is evidenced by our over 50-year tenure, during which our programs and fiscal resources have grown steadily. Sadly, since the 1970s, dozens of NYC art-house theaters (and a great number throughout the U.S.) have closed their doors.As a cinema of ideas, Film Forum is committed to presenting an international array of films that treat diverse social, political, historical and cultural realities. Unlike commercial cinemas that primarily “book” high-grossing, Hollywood films, Film Forum's programs are thoughtfully selected, with attention to unique cinematic qualities, historical importance individually or within a genre and – particularly for documentaries – relevance to today's world.Elizabeth HowardElizabeth Howard is the Host of the Short Fuse Podcast.Arts Fuse The Arts Fuse was established in June, 2007 as a curated, independent online arts magazine dedicated to publishing in-depth criticism, along with high quality previews, interviews, and commentaries. The publication's over 70 freelance critics (many of them with decades of experience) cover dance, film, food, literature, music, television, theater, video games, and visual arts. There is a robust readership for arts coverage that believes that culture matters. 

JON RONSON IS GOING TO DIEJon Ronson is a British-American journalist, author, and filmmaker, known for works such as Them: Adventures with Extremists, The Men Who Stare at Goats, and The Psychopath Test. He's also possessed of an insatiable curiosity and devilish intellect - so what plans has this provocateur made for his own Funeral, and how much thought has he given to who will deliver his eulogy?Jon's two TED talks have been watched more than 30 million times. In the US he is a contributor to This American Life, the New York Times magazine and GQ magazine, and has appeared many times as a guest on shows like The Daily Show with Jon Stewart and The New Yorker Radio Hour.In the UK Jon has written regularly for The Guardian, as a columnist and feature writer. Instagram (IG @jonronson)This episode was recorded at the beautiful Sammy Petersen's studio and we are very grateful.Marieke Hardy Is Going To Die is a podcast made by Marieke Hardy (IG @marieke_hardy).You can follow at IG @GoingToDiePodMusic by Lord Fascinator (IG @lordfascinator)Produced by Darren Scarce (IG @Dazz26)Video edits by Andy Nedelkovski (IG @AndyNeds)Artwork by Lauren Egan (IG @heylaurenegan)Photography by Eamon Leggett (IG @anxietyoptions)With thanks to Amelia Chappelow (IG @ameliachappelow)Camilla McKewen (IG @CamillaLucyLucy)and Rhys Graham (IG @RhysJGraham)Drop an email to mariekehardyisgoingtodie@gmail.comWhilst acknowledging the privilege that comes with having the space to discuss death and mortality, we want to also recognise that discussing these topics can raise some wounds. Should you wish to seek extra support, please consider the following resources:https://www.healthline.com/health/mental-health/online-grief-support-groupshttps://www.grief.org.au/ga/ga/Support/Support_Groups.aspxhttps://www.headspace.com/meditation/griefhttps://www.mindful.org/a-10-minute-guided-meditation-for-working-with-grief/https://griefline.org.au/get-help/ Hosted on Acast. See acast.com/privacy for more information.

As our centennial series continues, David Remnick, editor of The New Yorker and the host of The New Yorker Radio Hour, talks about another centenarian, The New Yorker, which published its first issue on February 21, 1925. 

Introducing Julianne Moore at the New Yorker Festival, in October, the staff writer Michael Schulman recited “only a partial list” of the directors Moore has worked with, including Robert Altman, Louis Malle, Todd Haynes, Paul Thomas Anderson, Lisa Cholodenko, Steven Spielberg, the Coen brothers, and many more legends. It seems almost obvious that Moore co-stars (alongside Tilda Swinton) in Pedro Almodóvar's first feature in English, “The Room Next Door,” which comes out in December. Moore has a particular knack with unremarkable characters. “I don't know that I seek out things in the domestic space, but I do think I'm really drawn to ordinary lives,” she tells Schulman. “I've never been, like, I'm going to play an astronaut next. . . . A lot of these stories [are] domestic stories—well, that's the biggest story of our lives, right? How do we live? Who do we love? . . . Those are the things that we all know about.”New episodes of The New Yorker Radio Hour drop every Tuesday and Friday. Follow the show wherever you get your podcasts.

In 1979, as Christmas approached, the United States Embassy in Tehran held more than fifty American hostages, who had been seized when revolutionaries stormed the embassy. No one from the U.S. had been able to have contact with them. The Reverend M. William Howard, Jr., was the president of the National Council of Churches at the time, and when he received a telegram from the Revolutionary Council, inviting him to perform Christmas services for the hostages, he jumped at the opportunity. In America, “we had a public that was quite riled up,” Reverend Howard reminds his son, The New Yorker Radio Hour's Adam Howard. “Who knows what might have resulted if this issue were not somehow addressed? . . . Might there be an American invasion, an attempt to rescue the hostages in a militaristic way?” Reverend Howard was aware that the gesture had some propaganda value to the Iranian militants, but he saw a chance to lower the tension. Accompanied by another Protestant minister and a Catholic bishop, Howard entered front-page headlines, travelling to Tehran and into the embassy. He gave the captives updates on the N.F.L. playoffs, and they prayed. It was a surreal experience to say the least. “It was in the Iranian hostage crisis that I understood how alone we are, and how powerless we are when other people take control,” Reverend Howard says. “And really it's in that setting that one can develop faith.”This segment originally aired on December 15, 2023.

Willem Dafoe has one of the most distinctive faces and most distinctive voices in movies, deployed to great effect in blockbuster genre movies as well as smaller indie darlings; he's played everyone from Jesus Christ to the Green Goblin. His most recent project is the highly anticipated “Nosferatu,” which opens Christmas Day. Robert Eggers's film is a remake, more than a century later, of one of the oldest existing vampire movies, and Dafoe plays a vampire-hunting professor.  After “Twilight” and hundreds of other vampire stories, “Nosferatu” aims “to make him scary again,” Dafoe told The New Yorker Radio Hour's Adam Howard. It's his third collaboration with the director, after “The Witch” and “The Lighthouse.” “When you do a Robert Eggers movie,” he says, “there's a wealth of detail and it's rooted in history. … So you enter it and the world works on you. And I love that.”

The Washington roundtable is joined by David Remnick, the editor of The New Yorker, to discuss how Donald Trump, a convicted felon and sexual abuser, won both the Electoral College and the popular vote—a first for a Republican President since 2004. Democrats lost almost every swing state, even as abortion-rights ballot measures found favor in some conservative states. On this crossover episode with The New Yorker Radio Hour, they discuss Kamala Harris's campaign, Trump's overtly authoritarian rhetoric, and the American electorate's rightward trajectory. This week's reading: “Donald Trump's Revenge,” by Susan B. Glasser “2016 and 2024,” by Jelani Cobb “How Donald Trump, the Leader of White Grievance, Gained Among Hispanic Voters,” by Kelefa Sanneh “The Reckoning of the Democratic Party,” by Jay Caspian Kang “How America Embraced Gender War,” by Jia Tolentino “Donald Trump's Second Term Is Joe Biden's Real Legacy,” by Isaac Chotiner To discover more podcasts from The New Yorker, visit newyorker.com/podcasts. To send in feedback on this episode, write to themail@newyorker.com with “The Political Scene” in the subject line.

David Remnick, editor of The New Yorker and the host of The New Yorker Radio Hour, talks about this year's New Yorker Festival, and the election.

Introducing Brian Jordan Alvarez on “English Teacher” from The New Yorker Radio Hour.Follow the show: The New Yorker Radio HourBetween book bans, the movement for parental rights, the fight over cellphones, and budgets being slashed, life in a public school is stressful—and a fertile ground for comedy. Brian Jordan Alvarez created and stars in “English Teacher,” débuting this season on FX. Alvarez has been an actor for many years, with a role on the reboot of “Will & Grace,” among many others, but he burst into viral fame on TikTok with a goofy song about the virtues of sitting, sung in a strange accent. Suddenly everybody was talking about him—including the staff writer Vinson Cunningham, who spoke with Alvarez recently. The new show is a much more conventional kind of social comedy, focussed on a gay Latino English teacher in Texas. “Evan wants to be, and is, in so many ways, essentially an out, proud gay guy,” Alvarez explained to Cunningham. “But how does that feel in this school with all these different forces coming at him?” DISCLAIMER: Please note, this is an independent podcast episode not affiliated with, endorsed by, or produced in conjunction with the host podcast feed or any of its media entities. The views and opinions expressed in this episode are solely those of the creators and guests. For any concerns, please reach out to team@podroll.fm.

Since the war in Ukraine began, the historian Timothy Snyder has made several trips to Ukraine, and it was there that he wrote parts of his newest book, “On Freedom.” The author of “Bloodlands” and “On Tyranny,” Snyder spoke in Ukrainian with soldiers, farmers, journalists, and politicians, including President Volodymyr Zelensky.  He talks with David Remnick about the Ukrainian conviction that they can win the war, and the historical trends that support that conviction.  But the thrust of Snyder's new book is to apply what he learned from them to larger principles that apply to our own country.  In areas taken back from Russian control, Ukrainians would tell Snyder they were “de-occupied,” rather than liberated; “freedom,” he writes, “is not just an absence of evil but a presence of good.”“If you think that freedom is just negative,” Snyder told David Remnick, “if you think that freedom is just an absence of [evil] things, I think you then argue yourself into a position where given the absence, stuff is going to work out. … The market is going to deliver you freedom, or the founding fathers … something else is going to deliver you freedom. And that of course is wrong. It's an essentially authoritarian conviction. Because if anyone's going to deliver you freedom, it's going to be you, in some way.”  Share your thoughts on The New Yorker Radio Hour. As a token of our appreciation, you will be eligible to enter a prize drawing up to $1,000 after you complete the survey.https://selfserve.decipherinc.com/survey/selfserve/222b/76152?pin=1&uBRANDLINK=4&uCHANNELLINK=2

Introducing Can Trump Voters Still Change Their Minds? from The New Yorker Radio Hour.Follow the show: The New Yorker Radio HourThe political strategist Sarah Longwell has dedicated the last seven years to understanding why so many Republicans find Donald Trump irresistible, and how they might be persuaded to vote for someone else. Longwell is a lifelong Republican who became a leader of the Never Trump wing of the G.O.P., and her communications firm, Longwell Partners, has been running weekly focus groups including swing-state voters, undecided voters, and discontented Trump supporters. These are the people who might determine the winner of the 2024 election. “I think that Donald Trump has done more damage to himself with a lot of these people who held their nose and voted for him the second time; [after] January 6th, a lot of them are going to leave it blank,” Longwell told David Remnick. “At the end of the day, what this election will come down to is the Republicans who get there on Kamala Harris, and the ones who just refuse to get there on Trump.” Longwell publishes the political news site the Bulwark, and was also the first female national board chair of the Log Cabin Republicans, which represents L.G.B.T.Q. conservatives. Share your thoughts on The New Yorker Radio Hour. As a token of our appreciation, you will be eligible to enter a prize drawing up to $1,000 after you complete the survey.https://selfserve.decipherinc.com/survey/selfserve/222b/76152?pin=1&uBRANDLINK=4&uCHANNELLINK=2 DISCLAIMER: Please note, this is an independent podcast episode not affiliated with, endorsed by, or produced in conjunction with the host podcast feed or any of its media entities. The views and opinions expressed in this episode are solely those of the creators and guests. For any concerns, please reach out to team@podroll.fm.

The political strategist Sarah Longwell has dedicated the last seven years to understanding why so many Republicans find Donald Trump irresistible, and how they might be persuaded to vote for someone else. Longwell is a lifelong Republican who became a leader of the Never Trump wing of the G.O.P., and her communications firm, Longwell Partners, has been running weekly focus groups including swing-state voters, undecided voters, and discontented Trump supporters. These are the people who might determine the winner of the 2024 election. “I think that Donald Trump has done more damage to himself with a lot of these people who held their nose and voted for him the second time; [after] January 6th, a lot of them are going to leave it blank,” Longwell told David Remnick. “At the end of the day, what this election will come down to is the Republicans who get there on Kamala Harris, and the ones who just refuse to get there on Trump.” Longwell publishes the political news site the Bulwark, and was also the first female national board chair of the Log Cabin Republicans, which represents L.G.B.T.Q. conservatives. Share your thoughts on The New Yorker Radio Hour. As a token of our appreciation, you will be eligible to enter a prize drawing up to $1,000 after you complete the survey.https://selfserve.decipherinc.com/survey/selfserve/222b/76152?pin=1&uBRANDLINK=4&uCHANNELLINK=2

Lake Street Dive recorded their first album with money that their bassist won in a songwriting contest. They built a following the old-fashioned way, touring small venues for years and building a loyal following of fans—including David Remnick—who thought of them as an under-the-radar secret. Almost twenty years later, the band finds themselves onstage at Madison Square Garden. “My main inspiration for playing M.S.G. is Billy Joel,” the bassist Bridget Kearney said. “It feels like the club when he's playing there, because he's so comfortable there. . . . Like, ‘Welcome to my monthly gig, here again at Madison Square Garden.' It won't be quite like that for us . . . but I'd love it if we could in some ways make it feel intimate, make it feel like it's a gigantic dive bar.”They joined David Remnick in the studio at WNYC to perform “Good Together”and “Set Sail (Prometheus & Eros),” from their new album, and “Shame, Shame, Shame,” an older song about a Donald Trump-like “big man” who doesn't “know how to be a good man.” Share your thoughts on The New Yorker Radio Hour. As a token of our appreciation, you will be eligible to enter a prize drawing up to $1,000 after you complete the survey.https://selfserve.decipherinc.com/survey/selfserve/222b/76152?pin=1&uBRANDLINK=4&uCHANNELLINK=2

In 2024, all eyes are on Pennsylvania: its nineteen electoral votes make it the largest swing state, and it's considered a critical battleground for either Donald Trump or Kamala Harris to win the White House. For many years, Pennsylvania trended slightly blue, but the state has become deeply purple—with a divided state House and a series of razor-thin margins in general elections. One notable exception to this was the 2022 Pennsylvania governor's race. The Democrat Josh Shapiro won by almost fifteen points against a Trump-aligned Republican, and his approval ratings in the state remain high. “To win in Pennsylvania, you're not winning with only Democrats,” Shapiro told David Remnick. “You've got to get like-minded Independents and Republicans.” Shapiro was on the shortlist of candidates for Harris's pick for Vice-President—which may be the cause of attacks from Donald Trump, including one calling him an “overrated Jewish governor.” He spoke with Remnick to talk about Harris's choice of Minnesota's governor, Tim Walz, as her running mate, and what it takes for a Democrat to win Pennsylvania. “We're a big state, but we're still a retail state,” Shapiro said, “meaning you got to show up!” Share your thoughts on The New Yorker Radio Hour. As a token of our appreciation, you will be eligible to enter a prize drawing up to $1,000 after you complete the survey.https://selfserve.decipherinc.com/survey/selfserve/222b/76152?pin=1&uBRANDLINK=4&uCHANNELLINK=2

Today, we're joined by one of our favorite writers and thinkers, Vinson Cunningham, to discuss his excellent debut novel, Great Expectations, which tells the story of brilliant-but-unmoored young black man, David Hammond, who finds himself recruited — by fluke, folly, or fate — onto a historic presidential campaign for a certain charismatic Illinois senator. A staff writer at the New Yorker, Vinson also worked for Obama's 2008 campaign in his early twenties. (He bears at least some resemblance to his protagonist.) And his novel provides a wonderful jumping-off point for a deep discussion of political theater, the novel of ideas, race, faith,  the meaning of Barack Obama, and the meaning of Kamala Harris. Also discussed: Christopher Isherwood, Saul Bellow, Garry Wills, Ralph Ellison, Marilynne Robinson, Paul Pierce, and Kobe Bryant! If you can't get enough Vinson, check out his podcast with Naomi Fry and Alexandra Schwartz, Critics at Large.  Sources:Vinson Cunningham, Great Expectations: A Novel (2024)— "The Kamala Show," The New Yorker, Aug 19, 2024— "Searching for the Star of the N.B.A. Finals," The New Yorker, June 21, 2024— "Many and One," Commonweal, Dec 14, 2020.Saul Bellow, Ravelstein  (2001) Garry Wills, Lincoln at Gettysburg (1992)Ralph Ellison, Invisible Man (1952)— Shadow and Act (1964)David Haglund, "Leaving the Morman Church, After Reading a Poem," New Yorker Radio Hour, Mar 25, 2016. Phil Jackson, Sacred Hoops: Spiritual Lessons of a Hardwood Warrior (1995)Glenn Loury, Late Admissions: Confessions of a Black Conservative (2024)Matthew Sitman, "Saving Calvin from Clichés: An Interview with Marilynne Robinson," Commonweal, Oct 5, 2017...and don't forget to subscribe to Know Your Enemy on Patreon so you can listen to all of our premium episodes!

In honor of what is for many people the final days of summer, the New Yorker Radio Hour team presents a conversation that may inspire your end-of-summer reading list: David Remnick talks to Hernan Diaz about his book, Trust, which won a Pulitzer Prize in 2023. The novel's plot focuses on the daughter of eccentric aristocrats after she marries a Wall Street tycoon of dubious ethics during the Roaring Twenties. The novel is told by four people in four different formats, which offer conflicting accounts of the couple's life, the tycoon's misdeeds, and his role in the crash of 1929. “What I was interested in, and this is why I chose finance capital, I wanted a realm of pure abstraction,” he tells David Remnick. Diaz's first book, In The Distance, will be released in hardback for the first time in October.

This program is drawn from a new season of the award-winning investigative podcast In the Dark. On a November day in 2005, in the city of Haditha, Iraq, something terrible happened. “Depending on whose story you believed, the killings were a war crime, a murder,” the lead reporter Madeleine Baran says. “Or they were a legitimate combat action and the victims were collateral damage. Or the killings were a tragic mistake, unintentional—sad, but not criminal. Basically, the only thing that everyone could agree on was that twenty-four people had died, and it was marines who'd killed them.” Season 3 of In the Dark looks at what happened that day in Haditha, and why no one was held accountable for the killings. Baran and her team travelled to twenty-one states and three continents over the course of four years to report on a story that the world had largely forgotten. Episode 1 airs this week on The New Yorker Radio Hour, and you can listen to the rest of the series wherever you get your podcasts.

William Deresiewicz is a leading American writer best known as the author of Excellent Sheep: The Miseducation of the American Elite and the Way to a Meaningful Life. And so, when Bill and I sat down in Portland for a KEEN ON America conversation, we discussed the crisis of a high-end university system that he, as a former professor at Yale, knows all too well. But Bill, a keen conversationalist, also talked about what it means to be both a Jew and an American in a country which simultaneously values personal reinvention and cultural identity. William Deresiewicz is an award-winning essayist and critic, a frequent speaker at colleges, high schools, and other venues, and the author of five books including the New York Times bestseller Excellent Sheep: The Miseducation of the American Elite and the Way to a Meaningful Life, which was published in a 10th-anniversary edition in May 2024. His most recent book is The End of Solitude: Selected Essays on Culture and Society. His current project is a historically informed memoir about being Jewish. Bill has published over 300 essays and reviews. He has won the Hiett Prize in the Humanities, the National Book Critics Circle's Nona Balakian Citation for Excellence in Reviewing, and a Sydney Award; he is also a three-time National Magazine Award nominee. His work, which has appeared in The New York Times, The Atlantic, Harper's, The London Review of Books, and many other publications, has been translated into 19 languages and included in over 40 college readers and other anthologies. Bill taught English at Yale and Columbia before becoming a full-time writer. He has spoken at over 170 educational and other venues and has appeared on The Colbert Report, Here & Now, The New Yorker Radio Hour, and many other outlets. He has held visiting positions at Bard, Scripps, and Claremont McKenna Colleges as well as at the University of San Diego. In 2024, he is serving as an inaugural Public Fellow at American Jewish University. His previous books are The Death of the Artist: How Creators are Struggling to Survive in the Age of Billionaires and Big Tech, A Jane Austen Education, and Jane Austen and the Romantic Poets. Bill is a member of the Board of Directors of Tivnu: Building Justice, which runs a Jewish service-learning gap year and other programs in Portland OR, of the Advisory Board of The Matthew Strother Center for the Examined Life, a live-in study program in Catskill NY, and of the Advisory Council of Project Wayfinder, which runs purpose-learning programs in schools across the US and beyond. And, since you're wondering, it's /də-REH-zə-WITS/.Named as one of the "100 most connected men" by GQ magazine, Andrew Keen is amongst the world's best known broadcasters and commentators. In addition to presenting KEEN ON, he is the host of the long-running How To Fix Democracy show. He is also the author of four prescient books about digital technology: CULT OF THE AMATEUR, DIGITAL VERTIGO, THE INTERNET IS NOT THE ANSWER and HOW TO FIX THE FUTURE. Andrew lives in San Francisco, is married to Cassandra Knight, Google's VP of Litigation & Discovery, and has two grown children.Keen On is a reader-supported publication. To receive new posts and support my work, consider becoming a free or paid subscriber. This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit keenon.substack.com/subscribe

Reality television has generally got a bad rap, but Emily Nussbaum—who received a Pulitzer Prize, in 2016, for her work as The New Yorker's TV critic—sees that the genre has its own history and craft. Nussbaum's new book “Cue the Sun!” is a history of reality TV, and roughly half the book covers the era before “Survivor,” which is often considered the starting point of the genre. She picks three formative examples from the Before Time to discuss with David Remnick: “Candid Camera,” “An American Family,” and “Cops.” She's not trying to get you to like reality TV, but rather, she says, “I'm trying to get you to understand it.” 

Introducing Is Being a Politician the Worst Job in the World? from The New Yorker Radio Hour.Follow the show: The New Yorker Radio HourOn July 4th—while the U.S. celebrates its break from Britain—voters in the United Kingdom will go to the polls and, according to all predictions, oust the current government. The Conservative Party has been in power for fourteen years, presiding over serious economic decline and widespread discontent. The narrow, contentious referendum to break away from the European Union, sixty per cent of Britons now think, was a mistake. Yet the Labour Party shows no inclination to reverse or even mitigate Brexit. If the Conservatives have destroyed their reputation, why won't Labour move boldly to change the direction of the U.K.? Is the U.K. hopeless? David Remnick is joined by Rory Stewart, who spent nine years as a Conservative Member of Parliament, and now co-hosts the podcast “The Rest Is Politics.” He left the government prior to Brexit and wrote his best-selling memoir, “How Not to Be a Politician,” which pulls no punches in describing the soul-crushing sham of serving in office. “It's not impostor syndrome,” Stewart tells Remnick. “You are literally an impostor, and you're literally on television all the time claiming to understand things you don't understand and claiming to control things you don't control.” DISCLAIMER: Please note, this is an independent podcast episode not affiliated with, endorsed by, or produced in conjunction with the host podcast feed or any of its media entities. The views and opinions expressed in this episode are solely those of the creators and guests. For any concerns, please reach out to team@podroll.fm.

Robert F. Kennedy, Jr., who has never held elected office but is related to many people who have, is emerging as a potential threat to Democrats and Republicans in the 2024 Presidential race. “There's nothing in the United States Constitution that says that you have to go to Congress first and, then, Senate second, or be a governor before you're elected to the Presidency,”  he told David Remnick, in July, when he was running as a Democrat. Now, as a third-party Presidential candidate, his numbers have grown in the polls—enough to push votes away from both Biden and Trump in November, especially, it seems, among younger voters. Besides his name, the seventy-year-old environmental lawyer is known as an anti-vaccine activist and a proponent of conspiracy theories. This election season, we're eager to hear from you. What questions do you have? Let us know at: newyorkerradio@wnyc.orgThis interview originally aired on the New Yorker Radio Hour on July 7, 2023.

Upon reading his obituary, Mark Twain reportedly wrote that “the reports of my death are greatly exaggerated.” Whether Twain actually wrote this or not, the reality remains that today the reports of the death of cultivated meat are indeed quite real. Yet Bruce Friedrich, the president of the Good Food Institute, is here to tell you that he believes such reports are not based on science and are indeed greatly exaggerated.  Few people have done more to inspire others to pursue alternative protein—including cultivated meat—as a strategy to ameliorate world problems than Bruce. I've known Bruce since 1996, and one thing that's remained constant during the past three decades is that Bruce's commitment to reducing suffering on the planet is simply enormous. Whether in his role as part of the nonprofit animal advocacy world or the crusade he's been on since co-founding GFI in 2016 to render alternative proteins no longer alternative, Bruce's lodestar has always been: how can he do as much good as possible during his limited time on the planet? In this conversation, Bruce and I focus on the state of the plant-based and cultivated meat industries today, why he believes the critics are misguided, whether China will lead this race, how to respond to the new cultivated meat bans like those newly passed in Florida and Alabama, and critically: what it will take for alt-protein to no longer be alt. Discussed in this episode This episode is the 10th in our ten-part podcast series on cultivated meat. The previous nine episodes include Orbillion Bio, UPSIDE Foods, Avant Meats, BlueNalu, Eat Just, Fork & Good, Mosa Meat, New Harvest, and Aleph Farms. Dr. Elliot Swartz's presentation: The Cost Drivers of Cultivated Meat Production. GFI's Plant-Based Meat Production Volume Modeling 2030 analysis. GFI's numerous additional resources, including The Science of Cultivated Meat, Advancing Solutions for Alternative Protein, The Costs and Environmental Impacts of Cultivated Meat, and The GFI Startup Manual.  You can sign up to receive GFI's many newsletters and to be alerted to their many webinars and other events and resources at gfi.org/newsletters.  Bruce cites numerous laws, including Amara's Law (we tend to overestimate the effect of a technology in the short run and underestimate the effect in the long run), Wright's Law (for every cumulative doubling of units produced, costs will fall by a constant percentage), and even Newton's Third Law (for every action there is an equal and opposite reaction). Good Meat is now selling cultivated chicken at a butchery in Singapore. China's five-year plan for the future of meat. The cultivated meat documentary Meat the Future. Bruce recommends Hannah Ritchie's book, Not The End of the World. You can see Paul's review of it here. Ezra Klein's 2021 NY Times column, Let's Launch a Moonshot for Meatless Meat. Bruce's 2019 TED Talk. The Center for Strategic and International Studies' report: The Future Appetite for Alternative Proteins. Our past episodes with Ryan Bethencourt and Jason Matheny. An upcoming episode with Israel's albumin producer PoLoPo! More about Bruce Friedrich Bruce Friedrich is founder & president of the Good Food Institute, a global network of nonprofit science-focused think tanks, with more than 220 full-time team members across affiliates in the U.S., India, Israel, Brazil, Singapore, and Europe (UK, Germany, & EC). GFI works on alternative protein policy, science, and corporate engagement - to accelerate the production of plant-based and cultivated meat in order to bolster the global protein supply while protecting our environment, promoting global health, and preventing food insecurity. Friedrich is a TED Fellow, Y Combinator alum, 2021 "American Food Hero" (EatingWell Magazine), and popular speaker on food innovation. He has penned op-eds for the Wall Street Journal, Foreign Policy, USA Today, the Los Angeles Times, Nature Food, Wired, and many other publications. He has represented GFI on the TED Radio Hour, New Yorker Radio Hour, the Ezra Klein Show, Making Sense (Sam Harris), and a variety of other podcasts and TV programs. Bruce's 2019 TED talk has been viewed more than 2.4 million times and translated into 30 languages. Friedrich graduated magna cum laude from Georgetown Law and also holds degrees from Johns Hopkins University and the London School of Economics.

Each day during the spring membership drive, The Brian Lehrer Show is inviting listeners to try their hand at quiz questions, this time loosely based on the titles of radio shows that air on WNYC. Today's quiz questions—about New York people, places and things—are inspired by the title "New Yorker Radio Hour." 

David Remnick talks with Katie Drummond, the global editorial director of Wired magazine, about the TikTok ban that just passed with bipartisan support in Washington. The app will be removed from distribution in U.S. app stores unless ByteDance, the Chinese company that owns TikTok, sells it to an approved buyer. TikTok is suing to block that law. Is this a battle among tech giants for dominance, or a real issue of national security? Drummond sees the ban as a corporate crusade by Silicon Valley to suppress a foreign competitor with a superior product. She finds the claim that TikTok is a national-security threat to be “a vast overreach that is rooted in hypotheticals and that is rooted in hypocrisy, and in … a fundamental refusal to look across the broad spectrum of social-media platforms, and treat all of them from a regulatory point of view with the same level of care and precision.”  For another perspective on the TikTok ban, listen to David Remnick's conversation with the tech executive Jacob Helberg, who lobbied lawmakers to pass it. The segment will publish on the New Yorker Radio Hour feed on Tuesday.

In December, the presidents of three universities were summoned to Congress for hearings about whether a climate of antisemitism exists on campuses. Politicians like Elise Stefanik made headlines, and two of the presidents, including Harvard's Claudine Gay, were soon out of their posts. The Harvard law professor Randall Kennedy wrote an essay for the London Review of Books about the reverberations of those events. “Folks were out to get Claudine Gay from the get-go,” he thinks, “and were going to use any openings with which to do that”—for reasons that had little to do with protecting Jews. Kennedy tells David Remnick about a lawsuit against Harvard that would equate opposition to Zionism with antisemitism, and render a range of thinkers (including many Jews) unteachable. And “this,” Kennedy asserts, “is very dangerous.” This segment is part of the New Yorker Radio Hour's episode devoted to the protests and the speech issues that college campuses have raised.

Dave Rubin of “The Rubin Report” talks about “The New Yorker Radio Hour's” David Remnick being shocked by Jerry Seinfeld's aggressive attack on the Left and PC culture for destroying comedy; the pro-Palestine protests on campuses like VCU getting more violent as protesters clash with police; Jewish students being filmed not being allowed to enter campus by militant pro-Palestine protesters at UCLA; MSNBC's Joe Scarborough abandoning liberal talking points and calling campus protesters pro-Hamas; “The View's” Sunny Hostin and Whoopi Goldberg running cover for the anti-Semitism being reported at campus pro-Palestine protests; the failed inside coup attempt to remove Karine Jean-Pierre from her White House press secretary position by Biden administration officials; Howard Stern's pathetic pandering during his interview with Joe Biden; Donald Trump and Ron DeSantis burying the hatchet; proof that the migrant crisis is severely hurting Democrats, as a new poll reveals a shocking percentage of voters including Democrats now supporting mass deportations; Robert F. Kennedy Jr. telling Ben Shapiro why Donald Trump can't be trusted to push back against government bureaucrats; and much more. WATCH the MEMBER-EXCLUSIVE segment of the show here: https://rubinreport.locals.com/ Check out the NEW RUBIN REPORT MERCH here: https://daverubin.store/ ---------- Today's Sponsors: FastGrowingTrees.com - Don't let your yard look like a plant cemetery. Get your place looking like a resort, easy, with FastGrowingTrees.com. Rubin Report viewers will get 15% off of their first purchase. Go to https://www.fastgrowingtrees.com/RUBIN Use code: RUBIN Moink - Join the Moink movement today! Get grass-fed and grass-finished beef and lamb, pastured pork and chicken, and wild-caught Alaskan salmon, direct to your door. For a limited time Rubin Report listeners and viewers will get TWO FREE STEAKS in your first box! Go to https://www.moinkbox.com/RUBIN Learn more about your ad choices. Visit megaphone.fm/adchoices

Since 1998, David Remnick has been the editor of The New Yorker and has written hundreds of pieces for the magazine, including reporting from Russia, the Middle East, and Europe and Profiles of Barack Obama, Bill Clinton, Katharine Graham, Mike Tyson, Bruce Springsteen and more. He also hosts the magazine's national radio program and podcast, “The New Yorker Radio Hour.” He joins live at the On Air Fest to talk about his legendary life and career.

Lily Gladstone had been in several films, but unknown to most moviegoers, when she got a call for Martin Scorsese's period drama “Killers of a Flower Moon.” The role was challenging. She plays the historical Mollie Burkhart, an Osage woman married to a white man, Ernest (played in the film by Leonardo DiCaprio), who perpetrates a series of murders of Osage people in a scheme to secure lucrative oil rights. Ernest may be poisoning her with a cocktail that includes morphine, and some of the dialogue is in Osage, a language that Gladstone—raised on the Blackfeet reservation in Montana—had to learn. Gladstone is the first Native person nominated for Best Actress in a Leading Role, and is aware of the historical weight the nomination carries.  “We're kicking the door in,” she says. “When you're kicking the door in, you should just kind of put your foot in the door and stand there,” she adds. “Kicking the door and running through it means it's going to shut behind you.” Plus, our film critic Richard Brody returns with his annual movie honors: the Brody Awards. An awards show exclusively for The New Yorker Radio Hour, he'll be handing out imaginary trophies—and trash-talking Oscar favorites like “Oppenheimer”—alongside the staff writer Alexandra Schwartz.

Brontez Purnell is a Renaissance man. He's a musician, a dancer, a filmmaker, and the author of a number of books. His latest is “Ten Bridges I've Burnt,” a departure from the traditional memoir form. It's written in verse, downplays major life events like testing positive for H.I.V.,  explicitly depicts sex in a frank and unromanticized way, and playfully embellishes the truth throughout. “Memoir is fiction—I don't care what anyone says,” Purnell tells The New Yorker Radio Hour's Jeffrey Masters. “You [or] I could both write down our lives as true as we know it. But the second our mom reads it, or one of our siblings reads it, or anybody else peripherally in the book, they can easily say, ‘What are you talking about? That never happened like that.' ” Purnell, who came of age in the underground punk scene in Oakland, California, during the early two-thousands, is no stranger to hard knocks, but that doesn't mean he needs to divulge everything. “If you write about your life, you have to protect the wicked; namely, yourself,” he says. “So there is this game of pulling and punching.”

As host of The New Yorker Radio Hour, David Remnick asks a lot of questions, and recently he had to answer quite a few himself, sitting for a long interview with Sam Fragoso, who hosts the podcast “Talk Easy.”  They spoke in December about David's reporting from Israel at the start of the current war in Gaza; his recent collection of writing about musicians, “Holding the Note”; and more.  We're sharing this episode of “Talk Easy” as a bonus for New Yorker Radio Hour listeners.

In 1979, as Christmas approached, the United States Embassy in Tehran held more than fifty American hostages, who had been seized when revolutionaries stormed the embassy. No one from the U.S. had been able to have contact with them. The Reverend M. William Howard, Jr., was the president of the National Council of Churches at the time, and when he received a telegram from the Revolutionary Council, inviting him to perform Christmas services for the hostages, he jumped at the opportunity. In America, “we had a public that was quite riled up,” Reverend Howard reminds his son, The New Yorker Radio Hour's Adam Howard. “Who knows what might have resulted if this issue were not somehow addressed? . . .Might there be an American invasion, an attempt to rescue the hostages in a militaristic way?” Reverend Howard was aware that the gesture had some propaganda value to the Iranian militants, but he saw a chance to lower the tension. Accompanied by another Protestant minister and a Catholic bishop, Howard entered front-page headlines, travelling to Tehran and into the embassy. He gave the captives updates on the N.F.L. playoffs, and they prayed. It was a surreal experience to say the least. “It was in the Iranian hostage crisis that I understood how alone we are, and how powerless we are when other people take control,” Reverend Howard says. “And really it's in that setting that one can develop faith.”

This holiday weekend, we're presenting a special conversation between actor and director Bradley Cooper and David Remnick of The New Yorker Radio Hour. In this episode, they discuss Cooper's ‘fearless' new film Maestro, his lifelong fascination with music, and how he constructed his intimate portrayal of legendary conductor and composer Leonard Bernstein. To hear David Remnick on Talk Easy, listen here.See omnystudio.com/listener for privacy information.

In 1979, as Christmas approached, the United States Embassy in Tehran held more than fifty American hostages, who had been seized when revolutionaries stormed the embassy. No one from the U.S. had been able to have contact with them. The Reverend M. William Howard, Jr., was the president of the National Council of Churches at the time, and when he received a telegram from the Revolutionary Council, inviting him to perform Christmas services for the hostages, he jumped at the opportunity. In America, “we had a public that was quite riled up,” Reverend Howard reminds his son, The New Yorker Radio Hour's Adam Howard. “Who knows what might have resulted if this issue were not somehow addressed? . . .Might there be an American invasion, an attempt to rescue the hostages in a militaristic way?” Reverend Howard was aware that the gesture had some propaganda value to the Iranian militants, but he saw a chance to lower the tension. Accompanied by another Protestant minister and a Catholic bishop, Howard entered front-page headlines, travelling to Tehran and into the embassy. He gave the captives updates on the N.F.L. playoffs, and they prayed. It was a surreal experience to say the least. “It was in the Iranian hostage crisis that I understood how alone we are, and how powerless we are when other people take control,” Reverend Howard says. “And really it's in that setting that one can develop faith.”

This month marks the anniversary of when most of us first heard about George Santos and his ever-expanding list of lies from a New York Times report published after the midterm election, but a local newspaper called the North Shore Leader was sounding the alarm months before. The New Yorker staff writer Clare Malone took a trip to Long Island to speak with the Leader's publisher, Grant Lally, and its managing editor, Maureen Daly, to find out how the story began. “We heard story after story after story about him doing bizarre things,” Lally told her. “He was so well known, at least in the more active political circles, to be a liar, that by early summer he was already being called George Scamtos.” Lally explains how redistricting drama in New York State turned Santos from a “sacrificial” candidate—to whom no one was paying attention—to a front-runner. At the same time, Malone thinks, “the oddly permissive structure that the Republican Party has created for candidates on a gamut of issues” enabled his penchant for fabrication. “[There's] lots of crazy stuff that's popped up in politics over the past few years. I think maybe Santos thought, Eh, who's gonna check?” This story first ran on the New Yorker Radio Hour in January of this year.   

This month marks the anniversary of when most of us first heard about George Santos and his ever-expanding list of lies from a New York Times report published after the midterm election, but a local newspaper called the North Shore Leader was sounding the alarm months before. The New Yorker staff writer Clare Malone took a trip to Long Island to speak with the Leader's publisher, Grant Lally, and its managing editor, Maureen Daly, to find out how the story began. “We heard story after story after story about him doing bizarre things,” Lally told her. “He was so well known, at least in the more active political circles, to be a liar, that by early summer he was already being called George Scamtos.” Lally explains how redistricting drama in New York State turned Santos from a “sacrificial” candidate—to whom no one was paying attention—to a front-runner. At the same time, Malone thinks, “the oddly permissive structure that the Republican Party has created for candidates on a gamut of issues” enabled his penchant for fabrication. “[There's] lots of crazy stuff that's popped up in politics over the past few years. I think maybe Santos thought, Eh, who's gonna check?” This story first ran on the New Yorker Radio Hour in January of this year.   

The American public's increasing fascination with artificial intelligence—its rapid advancement and ability to reshape the future—has put the computer scientist Geoffrey Hinton in an awkward position. He is known as the godfather of A.I. because of his groundbreaking work in neural networks, a branch of computer science that most researchers had given up on, while Hinton's advances eventually led to a revolution.  But he is now fearful of what it could unleash. “There's a whole bunch of risks that concern me and other people. . . . I'm a kind of latecomer to worrying about the risks, ” Hinton tells The New Yorker's Joshua Rothman. “Because very recently I came to the conclusion that these digital intelligences might already be as good as us. They're able to communicate knowledge between one another much better than we can.” Knowing the technology the way he does, he feels it's not currently possible to limit the intentions and goals of an A.I. that inevitably becomes smarter than humans.  Hinton remains a researcher and no longer has a financial stake in the success of A.I., so he is perhaps franker about the downsides of the A.I. revolution that Sam Altman and other tech moguls.  He agrees that it's “not unreasonable” for a layperson to wish that A.I. would simply go away, “but it's not going to happen. … It's just so useful, so much opportunity to do good.” What should we do? Rothman asks him. “I don't know. Smart young people,” Hinton hopes, “should be thinking about, is it possible to prevent [A.I.] from ever wanting to take over.” Rothman's Profile of Geoffrey Hinton appears in a special issue of The New Yorker about artificial intelligence.  Sam Altman, the C.E.O. of OpenAI (which created ChatGPT), spoke with David Remnick on this episode of The New Yorker Radio Hour. 

As we've discussed on the show at length, most recently with Cory Doctorow in our series The Enshittification of Everything, Amazon has slowly been inserting itself into seemingly every facet of our lives. All the while using its status as a monopoly in the market to squash competition, take advantage of its users and skew prices for everyone. At the end of our series Doctorow described how he has hope in among other people, Lina Khan, the chair of the Federal Trade Commission.  Says Khan; “Amazon has actually quietly been hiking prices for consumers in ways that are not always clearly visible but at the end of the day can result in consumers paying billions of dollars more than they would if there was actually competition in the market.”  In this midweek episode, we are airing a conversation our colleague and host of the New Yorker Radio Hour, David Remnick had with Lina Khan about her plan to sue Amazon for violating antitrust laws.   

As we've discussed on the show at length, most recently with Cory Doctorow in our series The Enshittification of Everything, Amazon has slowly been inserting itself into seemingly every facet of our lives. All the while using its status as a monopoly in the market to squash competition, take advantage of its users and skew prices for everyone. At the end of our series Doctorow described how he has hope in among other people, Lina Khan, the chair of the Federal Trade Commission.  Says Khan; “Amazon has actually quietly been hiking prices for consumers in ways that are not always clearly visible but at the end of the day can result in consumers paying billions of dollars more than they would if there was actually competition in the market.”  In this midweek episode, we are airing a conversation our colleague and host of the New Yorker Radio Hour, David Remnick had with Lina Khan about her plan to sue Amazon for violating antitrust laws.   

Much of the peril and persecution of the McCarthy era is well-trodden territory in historical dramas, but the burden that the Red Scare placed on the L.G.B.T. community is another story. The historian and writer Thomas Mallon published a novel called “Fellow Travelers,” drawing from real-life events, about a gay couple living under the shadow of the McCarthy witch hunts; it has now been adapted into a Showtime miniseries. “The government was really on a tear when it came to dismissing gays from the State Department—but really all over in the early fifties,” Mallon tells David Remnick. “So really any gay romance had to be tremendously clandestine.” Gay Americans targeted by McCarthy and his acolytes were forced to assert not only their patriotism but their humanity, too. “The book is full of people trying to reconcile things which society and the government are telling them are irreconcilable,” Mallon says. “But the people themselves don't see any moral or logical reason why.” Mallon talks about the political climate in nineteen-fifties Washington and about the pioneering L.G.B.T. activist who picketed the White House years before Stonewall.Share your thoughts on The New Yorker Radio Hour  podcast.