Podcasts about serato scratch live

In this episode of From The Vault we dig deep in the hard drives and dig up Part 2 of our sit down with InDJnous. In this concluding segment we talk about his first time meeting the legend Tony G, and visiting the G Spot. We also cover taking risks while djing and go over the differences between how InDJnous makes well calculated decisions, and how ADM just throws wet noodles at the wall to see if they stick or not. We'll let you deside which one works better. inDJnous also fills us in on a secret within Serato Scratch Live where you could play PONG with the Control Records. Make sure to follow our guest over on Instagram @inDJnous and across all social media networks because he always has some dope shows going on in OC and in LA. While you do that make sure you are following the show as well @Tables_4_Two andif you'd like to help support the show you can hit us upon Patreon. Where you can watch Behind the Scenes Videos, get Acess to DJ Edit Packs full of dope tracks, and of course our Monthly News Letter.If you enjoyed any of the beats we played durning the show you can cut it up to them by heading over to the TableBeats App and looking up the StuntsOne Looper Vol.2If you need a Web Looper as always check out Tablist.Net heres the direct link...https://www.tablist.net/weblooper/#/looper/2421January 24th inside Vibe Ultra Lounge in Anahiem Lost Tone Pros wil be throwing the 2025 NAMM INVITATIONAL. You do not want to miss this event. Cutters from all around the world will be in attendance as djs battle it out head to head until only one is left standing! Tables4Two will be in the house, and DJ ADM One will be dropping a set, so pull up on us!Lost Tone Pros Our Cuts Are Correct.

Welcome to Eps. 225 Guest Mix! Joining us for the 5th time celebrating the life and the birthday of her late cousin DJ Mo Smoove! Listen to this mixshow live with any of our Syndicated online radio partners in Club Sabroso Radio Network in Punta Cana, Dominican Republic or listen on demand.  BIO: Lucia is an LA based DJ, who loves to DJ with house, open format, Latin vibes and old school hip hop, r&b and EDM remixes. In 2007, she learned fundamentals and began DJing with vinyl for 2 years. In 2009 her cousin Ismael, DJ Mo Smoove taught Lucia how to DJ digitally on Serato Scratch Live, and shortly after this, Lucia took on live gigs and created her sounds and brand as "Divine Light"... Stemming from her love and respect for the spiritual world and Lucia meaning "light" ... She now lights up the vibe and dance floors where ever she plays! https://www.instagram.com/djdivinelight/  

This one took me two goes to record. The first was a mess. However, as it says in the title. I figured it out. I was trying to hard. Or - I was trying to inject too much of myself into the mix and make it more complicated than it really needed to be. It dawned on me, out of a little bit of respect to the music I was playing - which, ironically, I was playing because I liked it in its original form - I didn't need to be in the mix every single moment, showcasing how technically I can work a fader and eq. I just needed to do the minimum to get from one track to the next, and, put a little bit of myself in there as a 'signature' when it seemed appropriate. As a result, I quite like this one! Enjoy! Follow me over on my site - kerry.co.nz - more mixes, thoughts, brain farts. Mixed on a pair of 1200 mk5, with a Rane TTM57SL, Serato Scratch Live and recorded onto a Zoom F4. Generally one take - if it goes truly pair shaped, I just take a step back then start again. #turntables #djmix #housemusic You might also like thebloke.co.nz

About three mixes in I came up with the description for this one. It takes a sharp left turn and I am still not 100% sure how I ended up where I did. It was also one of those odd mixes where I didn't feel 100% in control at most points - tricky mixing, with a tricky direction leading to a sense of being in the mix, but at the same time just watching it unfold in front of me. Follow me over on my site - kerry.co.nz - more mixes, thoughts, brain farts. Mixed on a pair of 1200 mk5, with a Rane TTM57SL, Serato Scratch Live and recorded onto a Zoom F4. Generally one take - if it goes truly pair shaped, I just take a step back then start again. #turntables #djmix #housemusic You might also like thebloke.co.nz

'Not bad' was my thought about halfway through this mix. It started off wrong - about a mix in I canned the recording, took a step back and started again. I guess I was trying too hard. I was trying to shoehorn something together that was 'intellectually smart' but musically just not going to work. I started again. Let the first track decide what the second track needed to be, and went from there. I am focusing more and more on getting out of the headphones and doing as much work as possible in the monitors. Remembering that I am still manually beatmatching - so it's sometimes a case of some rather aggressive pitch fader riding to get things in quickly and keep them there. It's interesting, but noticeable, that once you get into the monitors, listening, not looking at waveforms, not overthinking 'how' things should sound - that they often sound better. Our human senses do seem to work better than digital replacements sometimes. It might not be as 'digitally perfect' but its more pleasing, at least to my sensibility. I am aware that there must be a generation of DJs out there, and likely listeners that would pull a sour face at the first sign of a mix going out of time/step. But to me, that's still the human element of mixing. All the great mixes I still listen to, have an aspect of hearing the actual person behind the decks/mixer/system. Otherwise, it might as well just have been crafted in Ableton, perfect in every way. I like to hear a unique performance. Otherwise, I might as well do it myself. Follow me over on my site - kerry.co.nz - more mixes, thoughts, brain farts. Mixed on a pair of 1200 mk5, with a Rane TTM57SL, Serato Scratch Live and recorded onto a Zoom F4. Generally one take - if it goes truly pair shaped, I just take a step back then start again. #turntables #djmix #housemusic You might also like thebloke.co.nz

So. I turned 42 yesterday. Not sure what to make of that. To be blunt, it's been a bit of a shit year, and last year wasn't a whole lot better. It's been a bit of a struggle in regards to finances, work, not-work, relationships and a multitude of things coming together, resulting in a general state of stress and lack of sleep. Still figuring what to do now, to be honest. However, I also recently picked up a set of decks and have been enjoying getting back into mixing. SHORT VERSION OF THE STORY I had applied for the dream job - international demonstrator/educator for Native Instruments Traktor - was in the top three for the role. Now, if you know the DJ work, if you know a little bit of me, you might have a bit of an inkling how big that was to me. I was in Germany in the time, so perfect to pop into the NI offices for a chat and opportunity to present myself. Some truly average planning on the part of the person doing the hiring at their end meant that, despite the unique opportunity of me being the country, down the road (relatively) from the offices, they couldn't organise for me to come in and say hello. It went downhill from there. Needless to say, it left me frustrated, a bit bitter, and somewhat cynical of the industry on the whole. It kind of also signalled my departure from the DJ/Producer world - as I had managed to turn my hobby/passion into a job (of sorts) and then been cut off at the legs just at that final step. DÉJÀ VU Yup. Different details, similar feeling right at the moment. ANYHOW, THE MIX. Yes, I am aware it's basically a Skeptical / Alix Perez (who is/was living in NZ I believe?) Mega-Mix. I basically am going to grab a couple of new tunes every week off Beatport, so these mixes are likely to be my first mix of new tunes, and will likely all follow a certain trend. Maybe. THE TRACKS Are, I think, called dark rollers - clipped buzy and harmonic; "damaging yet delicate tracks". I trace my main interest in Drum & Bass, preference in sound-wise, to Ed Rush & Optical's Wormhole - I had kinda nicked the Vinyl Album off my then partner, DJ B-Line, and would basically mix back and forth through the tracks on there. Quick development in the sound (Tech-Step/NeuroFunk?) would lead into it become a bit of a caricature of itself in the form of Noisia and of course, Pendulum, which sort of co-insided (to me) with the development of Electro-House (not Electro) and making things bigger and bigger, more and more obvious. However, at the same time, Skeptical and the like were pulling things back into what I guess/think was called Drum-Step? I don't know... it all got a bit confusing. I am sure I have just butchered several genres and offended purists—whatever, not likely reading this anyhow. THE KIT So - Rane 57 - Serato Scratch Live, running out the analogue into a Zoom F4. The resulting file was rather harsh and digital in the top end, so I did a quick master (via Resolve of all things) and ran it through a Tape Saturation Plugin and worked on rolling the top end off a bit. Something in the chain is imparting a rather harsh digital sound to the recording - still - 100% better than the previous mix that was via Serato's internal recording. THE MIXING Mostly happy with it. 2/3 in the track comes in rather large and loud - not sure if I had adjusted the booth output just before, but regardless, the gain was a little high. Remembering that Serato Scratch Live is the old version of the software - so grid-matching, beat-sync etc doesn't exist. It's the good old fashioned vinyl beat matching here. The final mix is a bit of a stretch - but - the drum patterning is a bit complex - so the syncopation that does happen is more jarring than I would have liked. However, the drum programming is very cool in the track itself! Want more of me? kerry.co.nz

Sorry, not shooting content - this one is a mix! It’s been a while. Like, over a decade since I recorded a mix. And, yes. It is something I have missed. Mixing was always a duality for me – it was relaxing, in a mindfulness, meditative way – focusing on beatmatching (keeping two tracks in sync both on tempo and structure) is a concentration exercise that I found helped centre me sometimes in the now. At the same time, it was a frustration – as, like I suppose many DJ’s – hear the moment a mix goes out – even though others might not. My particular style of DJing likely doesn’t help either – I have always been very big about ‘sorting it in the mix’ – putting the upfaders up and forcing myself to be very public about the mix – letting people hear what is going on. This is a result, I guess of listening to the DJ’s I did – Jeff Mills (check this out for the best instructive DJ video of all time IMHO) and Derrick May being key examples, where they let you hear the ‘workings’ – not every mix is perfect and you get to go along with them in the process. It’s the process of DJing that always really appealed to me – hearing what was going on behind the decks and mixer, the ‘third track’ as many of us would refer to it as. As such, and because this is the first time I have touched decks in over ten years – there is a few clangers. Pots and Pans, a term used for Drum and Bass because of the amount of hi-hats and snares – if a mix goes out, it becomes fairly obvious quickly. Anyhow – just a short mix – and I will be trying to put a few more up and sharing them here. This was mixed on Serato – I picked up a second hand 57 (mk I) which limits me to Serato Scratch Live – the old software – but that is fine by me. I am going to have a play with recording setup – as the resulting mix does sound a bit shit. I am not sure if it’s the old MP3s I was playing (maybe the conversion has gotten better over the years) or it’s the internal recording in Live, or it’s the AIFF to MP3 conversion I did – regardless, I hear it, I will work on improving it! This mix is simply some random tunes I picked out of the old tunes I have – I was intentionally playing with moving up and down in the ‘energy’ side of things – NuroFunk/Tech-Step sorta things. Enjoy!

Artist: Schnurrsen https://soundcloud.com/schnurrsen Interview: https://www.minmon.de/minmon-podcast-46-by-schnurrsen/ Crew: Super Fresh Kids Stil: Meistens verspielter & bummeliger House oder melodischer Techno. Manchmal wird's aber auch härter :) Born: 86 On air since: 2003 Living: Potsdam Playtime: anytime Setup: früher Serato Scratch Live. Jetzt CDJs Favoriten: Todd Terje, Lauer ,Rodriguez Jr., Tim Engelhardt, Innellea, Jonas Saalbach, Guy Mantzur, Khen, D-Nox & Beckers, Frankey & Sandrino u.v.m. Drink: Tanqueray Tonic Superpower: Siehe Drink! Support us @ https://www.instagram.com/minmonkollektiv/ PODCAST Feed: www.minmon.de/category/podcast/feed/ iTunes: itunes.apple.com/de/podcast/minmo…ktiv/id694851128 SoundCloud: soundcloud.com/minmon_kollektiv/sets/minmon-podcast

DJ Kutcorners: Matt Perry aka DJ Kutcorners (IG: @ kutcorners) is an talented dj and producer originally from New Zealand. Matt is usually running back and forth from Vancouver to Los Angeles and everywhere in between. Currently he is running artist relations for the digital dj titan Serato. Matt shares his background into music, his collective Live Evil and we also explore this start and future with Serato. Tons of information and tips for professional djs as well as music enthusiasts. Topics Mentioned: — Musical Background — Collective Project "Live Evil" — Start with Serato — How to push your dj performance a little more — Thinking about the future outside of Dj’ing — Start and History of Serato — Misconceptions of Serato — Scratch Live to Serato DJ Transition

"If God was a DJ, he damn sure used Serato! -Fan When it comes to reinventing an industry, AJ Bertenshaw knows his stuff. In 2004, AJ and his partner. Stephen West, launched Serato Scratch Live, a technology that would revolutionize the very industry that provides the brick-and-mortar soundtrack to music enthusiasts and partygoers all over the planet. For DJ'ing this meant, going up against hard core vinyl purists, cd spinners, and their fans. That was 2 million registered users ago-- which includes the likes of Jazzy Jeff, A-Trak, DJ Premier, Z-Trip, and more. Now he's at it again. This year, Serato launched Pyro, the company's first consumer app, which allows anyone to DJ... like a DJ via their mobile device. On Innovation Crush, AJ dishes on the company's early days as an insular tech platform, the unexpected turns as an entrepreneur, and how he took over the world, one turntable at a time. seratopyro.com/

Have a Good Day, this is my new mix. Rec on Serato Scratch Live, NO DROP, free download. If you love it, thanks for your share and don't hesitate to play it on your warm-up. Infos, contact, booking: www.secouetonevenementiel.com 01-Shaggy - It Wasn't Me (Le Boeuf Remix) 02-Dj Jazzy Jeff & The Fresh Prince - The Fresh Prince Of Bel-Air (Le Boeuf Remix) 03-Dj Snake - Middle (Intro) 04-Will Smith - Freakin' It (Paxel Remix) 05-The Jackson 5 - Abc (N2N & Andie Roy Remix) 06-Felix Jaehn Ft Jasmine Thompson - Ain't No Body (Loves Me Better) 07-Javier Penna & Cristian Poow - Illusion (Original Mix) 08-Chester Page - Twist In My Sobriety (Extended Mix) 09-Richard Grey & Gary Caos - Sos (Richard Grey Deep Mix) 10-Slideback & Philippe B. - Dance! 11-Mousse T. Vs Hot 'n' Juicy - Horny (Brace Remix) 12-Yolanda Be Cool & Dcup - Soul Makossa (Money) 13-The Salsa Brothers - Oye Como Va (Jesus Fernandez Remix) 14-Chris Geka, Tecca & Corina Morera - Otra Piel (Original Mix) 15-Congaman - Sax At Work (Original Mix) 16-Ben E. King - Stand By Me (Justin Caruso 2015 Remix)

Recorded Live during House Night at NattSpil pizza disco using Serato Scratch Live with turntables. No edits, no sync. Mixing in 5th progressions while eating a pizza is my superpower.

A mixture of tribal and house beats with some techno elements, recorded on a sunny but cold morning. A mix with an African tribal feel, I recorded this on Cubase5 and mixed with Technics 1210s, a Pioneer DJM700 & Serato Scratch Live.

A Multi-Genre Hard Dance Mix done with zero editing. I use 2 Technics 1200 mk2's and a DJX700 with Serato Scratch Live with VINYL CONTROL. Track list will be updated soon when i get one made, This mix was not set up or planned in any way so I'll have to listen to it and make one. Comments welcome and encouraged and as always if you like what you hear please follow me and introduce me to your friends whom you think may benefit from my page. Hope you enjoy! Oh and bookings.... Call 765-409-9501 or email onesikdj@gmail.com or look me up on Facebook PLUR

Rod B. & Alvaro Garfunk bring you the Miami Underground Movement.Minimal & Tech HouseAbout João Paulo  João Paulo had his first contact with eletronic music by the age of 15, at Dr. Smith club. Everyone in town knows for sure the club’s story and its reputation to always bring the main international attractions to Rio de Janeiro. One of the club’s owner was his oldest brother, so, he was familiarized since he was a kid with the dancefloor, which made him become part of that universe. Ten years after, already grown up and comfortable at the set, João Paulo has ended up by owning the pickups and has become a resident at three carioca parties: Bootleg, Mínima and Loading. With nothing but three years of career, the DJ has already participated of the Creamfields Festival in Rio de Janeiro, the Chemical Music Festival, Paz Eletrônica, Xxxperience 100º edition, Tribe, and has already played at the following parties: Burn Energy Music, Nokia Trends Mob Jam, Tim Verão at Ipanema Beach, RBK Tops, Ballantine’s Impress and Ipanema Stereo Beach 2007/2008, representing Bootleg. In 2007, João Paulo has gone beyond the national fronteers and played at We Love Brasil, at the Carlton Hotel and at Bass Walk Records, at the club Pawl Shop, during the Winter Music Conference 2007, in Miami. Right after the conference, the DJ left to the south of Brazil, where he opened the project Life is a Loop at the club Warung, in Santa Catarina. Besides these gigs, during the Skol Beats 2007, he was invited to play at Pacha, at the party We Love Sundays. At this time, João Paulo shared the pickups with great Brazilian names of the electronic music, such as Gui Boratto, Life is a Loop, Mary Zander, Maurício Lopes, Mau Mau, Leo Janeiro, Flow & Zeo, among many others. Remarkable international artists also share the set with him. In this team, DJs like Fat Boy Slim, Booka Shade, Deep Dish, Tiga, Miss Kittin, Laurent Garnier, Josh Wink, Benni Benassi, Christian Smith, Martin Eyerer, Steve Lawler, Serge Santiago, Thomas Schumacher, Format B, Tim Healey, King Unique, Spirit Catcher, Luke Dzierzek, Tobias Lutzenkirchen are together, just to mention some of them. DJ João Paulo’s style varies among techno, tech house and minimal. At the beginning, house and electro were the first influences in his sets, basically due to his brother’s sound and also because of the vocals and mixes at that time. In Winter Music, 2006, the DJ met the minimal deeper and fell in love with this music gender. Artists like Format B, Audio Fly and Trentemoller became therefore his big influences. At the beginning of 2007, he incorporated techno and decided to add those beats in his sets. Nowadays, João Paulo doesn’t like to be considered from a specific style and his case goes from house to minimal. Another big characteristic of the DJ is his big interest in technology, mostly towards to musical universe. João Paulo researches not only music, but also last generation software like Final Scratch, Traktor DJ Studio, Serato Scratch Live and Ableton Live. The result is a vast knowledge of mixing techniques and an increasing number of tools to build songs. And the effect of it, we can see it on the dancefloor. Special Thanks to JP Bookings: REQUEST DJs Office 55 21 3264.3575 Lou Lou 55 21 9376.6938 contato@requestdjs.com.br MySpace URL:    http://www.myspace.com/joaopedroza 

Rod B. & Alvaro Garfunk bring you the premiere of "Miami Underground Movement." Marcelo Cicchelli aka Marcelinho CIC, Brazilian from Rio de Janeiro, began his career as a dj at the age of 11, playing in small parties, just like most djs.When he was 15 old years, Marcelinho CIC was invited to play at nightclubs in Rio.At the search of a new musical option he found on Electronic Music his main option, which he dedicates himself today in research and constant keep ups.His sound follows a very groove line with some funky influences, together with bits of scratches and backs, CIC calls up attention at his presentations.He was proeminent at the big party in Rio, Rio Parade, playing for almost 100 thousand people; beig well pointed by great names of both nacional and internacional scenes. Nowadays he is part of the event´s official cast.- Events: XV Pan American Games 2007, Skol Beats, Sp Groove, Acqua Rave 1° Edição, Acqua Rave 2° Edição, Space Live Music 2 ° Edição, Skol Rio, Skol Spirit, Lokal Bier Carnival Geribá, Club U.B, The Influence, Rio Parade, Ballantines GO PLAY, Hertz, Terêfantasy, Armazém Eletrônico, Kremlin World Tour, Ipanema Stereo Beach,Ceará Music, Piauí Pop, Heineken Thirst, Lokal Bier Concept, LG Music Festival, Technodelic, Chemical Music Festival and Tiesto Summer Tour.- Clubs: Oz Club, Bunker 94, Baronetti, Dama de Ferro, Jump Club. Nova, People Lounge, Hard Rock Café, São Thomé, Melt, Fosfobox, OO (Zero), A Loca (SP), Lov.e (SP), BEC (SP), D-EDGE (SP), Floor (MT), Trend Lounge (DF), Nite Club Car Wash (PR) and Privilege (RJ).- Broadcast: Eletropan 102,1. Transtronic 101, 3, Detonando Transamérica (SP) e Se Liga na Pan Jovem Pan (DF), Audio Link (Livesets), Atitude no Telhado (TVE), Tribos (MultiShow) e Viva TV (Hungary).He has played next to artists such as : Tiesto, Christian Smith, M.A.N.D.Y, Valentino Kanzyani, Umek, Marko Nastic, Luke Slater, Misa Salacova,Preach, Marco Bailey, Anthony Rother, Eric Sneo, Tim Taylor, Miss Kittin, The Hacker, Terence Fixmer, Seb Fontaine, Kai Tracid, Secret Cinema, Laurent Garnier, WJ Henze, Hell, Gui Boratto, Murphy, Anderson Noise, Mau Mau, Renato Cohen, Pet Dou among others such as Marky, Patife and Drummagick.Recently, Marcelinho CIC has been dedicating his time to his productions at his home studio, where he has been producing for at least six years. He works with Logic, Ableton Live and Pro Tools (Mac and PC) softwares. He also does his presentations playing with Serato Scratch Live and effects processors. He also gave speaches at DJ LAB .During 2005, reached the International Market, with releases through several famous labels such as G-Force Records with the Hit ¨Grove Só Prá Ver¨ being executed by several national and international artists. As a consequence he was invited to participate in other labels such as: Fuck Babe Records (Alexandre Koning), Native Diffusion (Patrick Skoog), Ego Traxx (Budai e Vic) and others.Remixed the famous Chaka Khan hit ¨I Feel for You¨ wich made him known among the top DJs, being executed in the sets of many artists. All this happening in less than one year, CIC has become known in the International market, showing his work and taking Brazilian reputation throughout the music horizons.He was invited to play on the most famous Reveillon party on Ipanema beach, Rio de Janeiro for more than one million people.His international career began in February 2006,his main presentation was at Mayday Festival and some clubs inside of Europe. There he met many artists such.Marcelinho CIC is the manager and owner of the Brazilian Label "Audio Family Recordings", distributed by Triple Vision. In Brazil, 3Plus Artist Management & Agency represents the artist. Enjoy !» 3Plus Artist Management & Agency (Brazil) Rua Bandeira Paulista, 716 Conjunto 91/92 Itaim Bibi | CEP 04532-002 Sao Paulo, SP - Brasil Pabx.: 00 55 11 3073-1615 Web: www.3plus.art.brArtist Agent: neg@3plus.art.br » Bulldozer Media | Publishing London - UK Phone.: 00 44 (0) 20 7929 3333 Web: www.bulldozermedia.comManager: edo@bulldozermedia.com » Audio Family Recordings | DEMOS Rio de Janeiro, RJ - Brasil Mobile.: 00 55 21 9434-2546 Web: www.audio-family.comDemos: demo@audio-family.com » Public & Press Relations | Brazil Advisor Press Tiago Candiani: tiago@3plus.art.brPabx.: 00 55 11 3073-1615 For questions or to contact Marcelinho CIC directly use: info@marcelinhocic.comMy URL: myspace.com/mummiamiundergroundmovement