Podcasts about Secret Cinema

A vintage set I've been meaning to publish for ages! Recorded live at AKA Bar, the upstairs room / bar at legendary club The End. This was the only time I got to play there at one of their nights where all three rooms were open together and it always stuck with me as a set I really loved. Deeper times! Music from DJ Mehdi, Masters At Work, Danny Tenaglia, Loco Dice, Phonique, Jerome Sydenham, Peace Division, Secret Cinema, Omid 16b… Follow me on Instagram Next dates: April 2 - Tokyo Music Bar, Mexico City | April 4 - Terraza Catedral, Mexico City | April 12 - Balearic London Free Party @ Altar_Native, London Turned On is supported by my Patreon followers. If you want to show your love for my podcast and what I do, you can subscribe to my Patreon for less than 50p per episode to support me and in return you can enjoy perks like guestlist benefits for my gigs, free downloads of my edits before anyone else, full tracklists for live recordings, exclusive previews of my tracks and feedback on your tracks if you're a producer. Or turn a friend on to Turned On by giving this podcast a 5-star review, reposting it on Mixcloud or SoundCloud or sending it to a friend. Follow me on Songkick to receive alerts when I'm playing near you  Bookings: info@bengomori.com Discover more new music + exclusive premieres on our SoundCloud  Follow the Turned On Spotify playlist, with 1000s of tracks played on this show and in my sets. Turned On is powered by Inflyte – the world's fastest growing music promo platform.

In this episode, we're honored to host Jeroen Verheij, better known as Secret Cinema, a pioneering force in the Dutch techno scene since 1991. From his early hit "Sonar System" under the alias Meng Syndicate to timeless tracks like "Timeless Altitude" and "Mary Go Wild," Secret Cinema has continually shaped the electronic music landscape.ADEJoin us as we explore:  His journey from the early rave days to international acclaim  The evolution of his sound and live performances  Insights into the global techno community and its futureDiscover how Secret Cinema's innovative approach and dedication have influenced generations of artists and fans alike. Don't miss this deep dive into the mind of a true techno maestro. Subscribe and hit the bell icon to stay updated on more inspiring stories from Bridges Academy.#SecretCinema #BridgesAcademy #Techno #MusicIndustry #Podcast #ElectronicMusic

In a city which has played such an important role in dance music's history, Markus Schulz was privileged to continue his special affinity towards the annual Amsterdam Dance Event through his anticipated open to close solo set experience at Melkweg - a staging with a sold out attendance for an eighth successive outing. The World Tour features a 2 hour portion of highlights from the night for those who couldn't be there, and provides an opportunity for those who were to relive the magic again.   Markus' upcoming X single with William Schneider, Let Your Mind Be Free, will be available to stream from Friday November 15.   Tracklist:   Markus Schulz (Recorded live from ADE 2024 at Melkweg in Amsterdam - October 18 2024) 01. Heerhorst & Peter Pahn & Slin Bourgh - Watch Me 02. Wehbba - Awaken 03. Danny Avila, Sam Wolfe & HNTR featuring Rome Fortune - Yes Bitch 04. Wehbba vs. Drake - God's Nitro Plan (Markus Schulz Mashup) 05. Reinier Zonneveld & Space 92 - Ravarp 06. Markus Schulz presents Dakota - Manray 07. Niels van Gogh - Pulverturm (ANNA Rework) 08. Kos:mo vs. Hel:sløwed & Amber Revival - If You Only Knew Trust (Markus Schulz Mashup) 09. Bart Claessen & Raz Nitzan presents Who.Is - We Are (Markus Schulz In Search of Sunrise Remix) 10. ID vs. Keyshia Cole - Last Night's Domino (Markus Schulz Mashup) 11. Dok & Martin - Feeling of Glory 12. Maddix - Ce Soir 13. LUSU vs. Cosmic Gate - Ready 4 the Fire Wire (Markus Schulz Mashup) 14. ALAT - Theurgia Page 110 15. MORTEN - Control (ID Remix) 16. Frankyeffe - Kill Me 17. Cosmic Boys & Demon Noise - Multiverse 18. Lilly Palmer - Hare Ram 19. Mike EFEX - Down Down 20. Binary Finary - 1998 (Victor Ruiz Remix) 21. Dok & Martin - Few Times 22. Svenson & Gielen - Twisted (ALAT Remix) 23. Eli Brown x Joyhauser - Drop it Down 24. Armani & Ghost - Hit Hard Baby (WTF) 25. Tiesto vs. Traversable Wormhole - Lethal Traversing (Markus Schulz Mashup) 26. NOMADsignal vs. - Make Me Crazy Bad Memories (Markus Schulz Mashup) 27. Secret Cinema & Egbert - Elementen 28. Adam Beyer, Vintage Culture & Kyozo - Lift Me Up 29. ALAT & Cez Are Kane - Zero 30. Weska - Levine 31. Mike EFEX - Hands on Me 32. Dosem - Chase the Link 33. Kevin de Vries - Dance with Me  

This week we explore how systems of care for performers, backstage workers and audiences can be integrated into both the rehearsal process and live aspects of immersive experiences. We discuss the challenges and developments in creating cultures of care as well as the methodologies and mechanics used to keep everyone involved safe both in the making and delivery of live work.. Our Guests Dan Burman has been an immersive performer, fight director and maker for over a decade. From larger scale maximalist projects such as Secret Cinema and Boomtown Fair, to smaller and more intimate happenings he has honed his craft to integrate systems of care within the chaotic play space of the immersive sphere, both for those who inhabit and make the world, and those who come to play in it. Find Dan @dan_burman on insta and twitterRuth Parry is a Freelance Consultant In Production Stage Management and Producing. Previous projects include Rumble In The Jungle, The Gunpowder Plot and The Greatest Night Of The Jazz Age. Find Ruth on LinkedInNatalie Scott is a Director and Creative Producer of immersive experiences and Interactive Performance. She is an Artistic Director of The Lab Collective and since 2010 has been creating work in abandoned office blocks, greenfield festival sites, studio spaces and site specific locations in both the third and commercial sectors. https://www.natalie-scott.co.uk find Natalie on LinkedInHosted by Dr Joanna Bucknall and produced by Natalie Scott for the Immersive Experience Network's, Knowledge Bank. Funded by Arts Council England.Linkedin: https://www.linkedin.com/company/immersive-experience-network/ Instagram @immersiveexperiencenetMailing List https://immersiveexperience.network/sign-upThe IEN is made possible by the support of our industry partners. Illusion Design & Construction, Mance Communications, White Light, Unlocked Vision, Clockwork Dog, d&b audiotechnik, Scene2, Little Lion Entertainment , Entourage, and Vista Insurance. Hosted on Acast. See acast.com/privacy for more information.

Were joined by Carl Dolamore, Oliver Lansley and Megan Stewart for a dynamic discussion which takes us deep into the creative processes and complex methodologies involved in casting and rehearsing for immersive experiences and the key differences in practice between these and traditional theatre making practices.Our Guests:Carl Dolamore is an actor and voice artist, currently studying on the MA Voice Studies course at Royal Central School of Speech and Drama. He has worked in live and immersive theatre for about a decade and has recently started teaching and coaching actors as well. Carl has worked on Secret Cinema's Stranger Things & Rocket Raccoon in Secret Cinema's Guardians of Galaxy, Manuel Faulty Towers Dining Experience, Maze Master for The Crystal Maze, Money Heist Live Experience Show and Boomtown Fair.Oliver Lansley is a British, Neuro-divergent writer, director and performer who works across stage and screen. Lansley is Artistic Director of the multi award-winning and pioneering theatre company Les Enfants Terribles. The company has created many ground-breaking productions, including the Olivier Award nominated Alice's Adventures Underground - which has enjoyed sell out runs in London and Shanghai; The Game's Afoot for Madame Tussauds; Inside Pussy Riot, and recently The House with Chicken Legs (based on the best selling book by Sophie Anderson) - which has also just been nominated for an Olivier Award. The Company will be opening their own permanent immersive theatre venue - 'Labyrinth' in Waterloo in 2024 with the return of Alice's Adventures Underground.Megan Stewart is a Scottish Writer, Senior Creative and Director. Her writing specialties are adaptations of existing IP; dialogue writing; character writing; game writing; and blended medium writing for the immersive theatre format. Her directing specialties include close- proximity immersive; personalised storylines within roaming group adventures; and crafting authentic audience experiences. Her performance direction is centred around building the ensemble and discovery through structured improvisation. Megan additionally consults for immersive theatre, advising in script development, actor safety, show flow, audience flow and operations. She is currently the Associate Director at multi-award winning immersive theatre company, Layered Reality in London; and Associate Creative Director & Writer at Sarner. Megan has worked on The War of the Worlds (Layered Reality), The Gunpowder Plot (Layered Reality), Money Heist (Bearded Kitten, Fever & Netflix) and further shows with Luna Cinema, Bompas & Parr & Path Group.Hosted by Dr Joanna Bucknall and produced by Natalie Scott for the Immersive Experience Network's, Knowledge Bank. Funded by Arts Council England.Linkedin: https://www.linkedin.com/company/immersive-experience-network/ Instagram @immersiveexperiencenetMailing List https://immersiveexperience.network/sign-up Hosted on Acast. See acast.com/privacy for more information.

Ángela es una DJ - Productora emergente de la ciudad de Popayán-Cauca. A mediados del año 2021 inicia su actividad dentro de la escena electrónica y su pasión por la música comienza a profesionalizarse. Se destaca por una profunda investigación musical y por tener una gran habilidad para desenvolverse en cualquier horario de presentación sin dejar de lado su concepto. Actualmente pertenece a labels de Colombia, Argentina y España como: Default Series, TNR Media, Habitat Musical y Cinetica Inerte. Su linea musical está llena de Hardgroove, techno, ebm e industrial. Ha compartido booth con artistas internacionales como: Cleric, SNTS, Marika Rossa, Electric Índigo, Amantra, Alarico, Temudo, Klaudia Gawlas, Takaaki Itoh, Exos, Gotshell, Secret Cinema, Samuel L Session, Clara Cuve, Lacchesi, Maco Bailey, Cassie Raptor, Paul Ritch, Antigone, Jeroen Search. Además ha desarrollado su trabajo como DJ en distintos clubes de diferentes ciudades y departamentos de Colombia como Medellín, Manizales, Ibague, Buga, Cali, Pasto, Popayán, Putumayo, Guacarí , entre otros. incluyendo su participación en Festivales como BlackDance/MedellinStyle y Freedom. ARTISTS Links: ANGELA GRIJALBA: SC: @angela-grijalba-157243199 FB: https://www.facebook.com/angela.grijalba3 IG: https://www.instagram.com/__angelagrijalba/ MEDELLINSTYLE SC : @medellinstyledj FB: www.facebook.com/culturaelectronica IG: www.instagram.com/medellinstyle/?hl=es-la

In this episode of How I Grew This, Brian Fenty, CEO, Chairman, and Co-Founder of TodayTix Group, joins Mada Seghete to explore how the company disrupted the ticket-buying experience with their mobile-first platform. Brian also shares the importance of listening to their audience, constantly innovating, and his personal journey and love for theater. Brian stands at the forefront of integrating technology, commerce, and culture with a decade of expertise. As the visionary behind a suite of brands and platforms, he leads a global audience toward premier live entertainment experiences offered by TodayTix, Secret Cinema, and Goldstar, among others. Brian's contributions haven't gone unnoticed as he has earned a spot on Crain's "30 under 30," graced Variety's "Dealmakers List," has been honored on the Broadway Impact List, and has been further crowned by the Dramatists Guild Fund award. Moreover, under his leadership, TTG secured a place in The Andreessen Horowitz Marketplace 100.

Immersive Experiences often take place in non traditional cultural venues and finding a space that fits can pose a real challenge for makers and producers. In this episode we're talking to Will Ma and Andy Barnes about all things venues, from finding them to making sure they're safe and legal to host a project in. Our Guests:Will Ma is a Location Scout and Manager for Secret Cinema, Disney Star and Netflix, find him here on Linkedin Andy Barnes is a founding member of IEN and Director of Entourage, an event production Consultancy who specialises in delivering large scale ambitious projects for brands, agencies and immersive producers. Find him here on LinkedinHosted by Dr Joanna Bucknall and produced by Natalie Scott for the Immersive Experience Network's, Knowledge Bank. Funded by Arts Council England.Find us on Linkedin: https://www.linkedin.com/company/immersive-experience-network/ Follow us on Instagram @immersiveexperiencenetSign up to our Mailing List https://immersiveexperience.network/sign-upThe Immersive Experience Network is made possible by the support of our industry partners. Illusion Design & Construction, Mance Communications, White Light, Unlocked Vision, Clockwork Dog, d&b audiotechnik, Scene2, Little Lion Entertainment , Entourage, and Vista Insurance. Hosted on Acast. See acast.com/privacy for more information.

Making large scale immersive work can be daunting; in this episode we discuss the creative, operational and financial aspects of scaling up live experiences for larger audiences in a variety of venues. We're talking to industry experts to discover the exciting journey's they've made towards getting a production live as well as what keeps them awake at night as makers and producers. Our Guests:Miguel Hernando Torres Umba Creative Director for Rematch Live, Lest Enfants Terribles, Secret Cinema and performer and practitioner for Gecko. @MiguelHTorresUmba Fiona Porritt: Senior Creative at Les Enfants Terribles for Labyrinth Productions @fionaporritt_ Andrea Salazar: Head of Production at Punchdrunk and Executive Director at Darkfield. Hosted by Dr Joanna Bucknall and produced by Natalie Scott for the Immersive Experience Network's, Knowledge Bank. Funded by Arts Council England.Find us on Linkedin: https://www.linkedin.com/company/immersive-experience-network/ Follow us on Instagram @immersiveexperiencenetSign up to our Mailing List https://immersiveexperience.network/sign-upThe Immersive Experience Network is made possible by the support of our industry partners. Illusion Design & Construction, Mance Communications, White Light, Unlocked Vision, Clockwork Dog, d&b audiotechnik, Scene2, Little Lion Entertainment , Entourage, and Vista Insurance. Hosted on Acast. See acast.com/privacy for more information.

We've got mail! Jonathan and Honey answer your questions about cinema, films, family and everything in between. It's time to discuss the family trip to Secret Cinema which involved corsets, Absinthe, bird skulls and fainting. Plus one listener asks which Studio Ghibli characters are most like Honey and Jonathan.Remember, if you want to get involved you can email us at reeltalk@global.comThanks for listening. Listen and subscribe to Reel Talk on Global Player or wherever you get your podcasts.

Welcome to STIMY Ep 134!Today, you have the pleasure of hanging out with me.

In this episode of How I Grew This, Brian Fenty, CEO, Chairman, and Co-Founder of TodayTix Group, joins Mada Seghete to explore how the company disrupted the ticket-buying experience with their mobile-first platform. Brian also shares the importance of listening to their audience, constantly innovating, and his personal journey and love for theater. Brian stands at the forefront of integrating technology, commerce, and culture with a decade of expertise. As the visionary behind a suite of brands and platforms, he leads a global audience toward premier live entertainment experiences offered by TodayTix, Secret Cinema, and Goldstar, among others. Brian's contributions haven't gone unnoticed as he has earned a spot on Crain's "30 under 30," graced Variety's "Dealmakers List," has been honored on the Broadway Impact List, and has been further crowned by the Dramatists Guild Fund award. Moreover, under his leadership, TTG secured a place in The Andreessen Horowitz Marketplace 100.

This is the full set of SECRET CINEMA (@secretcinema) at LOVELAND FESTIVAL WEEKEND which took place 12 + 13 August 2023 in Sloterpark, Amsterdam. You can find the video recording of this set on our Youtube channel | www.youtube.com/lovelandfestival Loveland Festival returns in 2024! Pre-register to stay in the loop when ticket and lineup news … Continue reading "SECRET CINEMA | Loveland Festival 2023 | LL229"

What does it take to bring a movie to life & have the general public participant as actual characters in said movie?!You need only ask Fabien Riggall - founder of Future Shots and Secret Cinema.Fabien has always loved films and began his career working as a runner before becoming an assistant producer of short films.In 2003, he set up Future Shorts: A series of mini pop-up film festivals that took off in 2003.That eventually evolved into the creation of a skate park under London Bridge, where around 400 strangers showed up to become part of the skating community & be part of the murder mystery story!Secret Cinema is premised on the idea that films can be turned into large-scale real life, cultural experiences in abandoned spaces.The location and details of each World are never reveled and the film title is often kept secret (the reason for this was that it was entirely by accident!).Secret Cinema grew into such a phenomenon that it eventually sold to TodayTix in 2022 for £89 million!And some of its most famous works include: The Great Gatsby, Star Wars The Empire Strikes Back, Blade Runner and Moulin Rouge.If you're curious in learning what it takes to build a whole movement & transform the way people see and use abandoned spaces while bring film to life on an epic scale, then this is certainly the episode for you!Highlights:4:31 Morocco6:41 Becoming a farmer and an actor?!7:43 I don't want permission!11:23 Running festivals12:13 Soul-destroying work15:45 Leveraging the internet16:57 Selling out a murder mystery event at a secret skate park under London Bridge19:47 Finding the right people23:45 Pushing the boundaries30:14 Building trust via newsletters?!32:59 A limit to provocation36:54 Maintaining your voice39:28 Biggest battles waged & won43:32 Stepping away from Secret Cinema?!47:01 Achieving everything that Fabien wanted?

Berlin is the centre of the European dance scene. It's changed almost beyond recognition in the past two decades but its influence has steadily grown in that time, and while those two things mean that some people will inevitably be sniffy about it, the reality is that it's still the place to be. Paul Hanford literally wrote the book on coming to Berlin as an outsider, and even though the path is extremely well-trodden at this point, the experiences continue to develop. The stories in his book are similar to my own experiences of moving over from London in 2007, but there are points of culture and geopolitics which distinguish the narratives entirely. Paul is also the host of the Lost And Sound podcast, a musician with major label releases to his name, the former head of music at Secret Cinema, and a lecturer the BIMM Institute. So additionally to the book and Berlin, we discuss a range of topics including alternative media, cancel culture, and politics and populism in modern culture. This is a good one, you're gonna enjoy it. A reminder that the vinyl-only release of Hardcore Heaven II is imminent - grab a copy here. And here's some more info about my forthcoming mixtape 'Digital Underground'. Grab a preorder of Digital Underground here. (will be live shortly)If you're into what we're doing here on the pod then you can support the show on Patreon! There are two tiers - "Solidarity" for $4 a month, which features regular bonus podcasts and extra content. And "Musicality" which for a mere $10 a month gets you all the music we release on Hotflush and affiliate labels AND other music too, some of which never comes out anywhere else. Plus there's also a private area for Patreon supporters in the Hotflush Discord Server... but anyone can join the conversation there in the public channels, so please do! Listen to all (most of) the music discussed on the show via the Not A Diving Podcast Spotify playlistFollow Scuba: twitter instagram bandcamp spotify apple music beatport

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>>> Plein-Air-Festival-2023-DjHS-Metropolys >>> >>> 22h00/23h00 01/RISING HIGHT COLLECTIVE fever called 02/TOCADISCO streetgirls 03/RAMSON my dance 04/JAYDEE plastic dreams 05/FRANK O MORAGHI feel your body 06/D.H.S. the house of god 07/MIXMASTERS in the mix 08/PEYOTE alcatraz 09/P.O.V. & DJ GEORGE'S sanctuary 10/EMMANUEL TOP acid phase 11/AGE OF LOVE age of love (Charlotte de Witte Remix) 12/PUNCHER the wall 13/CELVINE ROTANE i believe >>> 23h00/00h00 01/MOBY go (Remix) 02/ADAM BEYER your mind 03/SAUCERMAN aquarius 04/THE SUNDS kiss my trance 05/BOB KENTON enjoy the silence thier men 06/DAFT PUNK alive 07/AT THE VILLA PEOPLE open your eyes 08/JENS LISSAT energy flow (Dj E-Max Remix) 09/PUSH universal nation (Miss Roxx Remix) 10/MANU KENTON awakening 11/JOHNNY VICIOUS lula (Miss Roxx Remix) 12/BOB MARLEY could you be loved (Bootleg) 13/SECRET CINEMA timeless attitude 14/B.B.E. flash >>> DjPod Dj HS >>> Soundcloud Dj HS >>> I-Tunes >>> Facebook "Dj HS" >>> Youtube "Dj HS"

Due to its success ‘Secret Cinema' isn't so secret anymore. The London-based entertainment company that specialises in immersive film events now has fans throughout Europe and has recently launched in the US. The magic of the immersive performances has led to a cult following. But how much of the following is driven by PR and marketing and how do they retain and grow that audience? Stella Bayles interviews Simon le Grice the new VP of Marketing at Secret Cinema to find out! Having originally come from a performance marketing background Simon is very results driven and although he has been in the Secret Cinema role for just four months (at the time of interview) he is already making an impact. He is building a team and is on the search for strategic agency partners both in the UK and US. Simon shares his vision for a successful growth and retention marketing strategy. He tells me how he sees the best ways for owned, earned and paid to work together and the very important role for PR. Because of Simon's focus on audience growth he shares how he doesn't appreciate ‘meaningless data' in reports from agencies such as ‘reach'. He discusses how highly he values PR, not just because of the brand awareness it delivers but because of huge the impact it can have on SEO traffic. He has a message for comms agencies not reporting on SEO and a more positive one for agencies that specialise in events in the US…;) This episode is full of insight from the client we all want! This one is not to be missed….here's Simon! If you're inspired by Simon's marketing approach and would like to try adapting your PR reports to include meaningful data such as estimated views and SEO metrics try https://coveragebook.com/ Special Guest: Simon le Grice.

What is the future of media? In Secret Cinema and the Immersive Experience Industry (Manchester UP, 2022), Sarah Atkinson, a Professor of Screen Media at Kings College London, and Helen W Kennedy, Professor of Creative and Cultural Industries, at the University of Nottingham, explore the rise of immersive experiences using the detailed case study of Secret Cinema. The book offers both a rich and extensive history of Secret Cinema, as well as analysis of the evolution of key trends in media production and consumption more generally. The book covers the key performances, including mainstream hits such as Back To The Future, Casino Royale, and Stranger Things, as well as the companies evolution and smaller projects. As live experiences and media industries evolve in the post-pandemic era, the book will be essential reading across media and cultural studies, as well as across humanities and social sciences, and for anyone interested in the future of media and live performance industries. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

What is the future of media? In Secret Cinema and the Immersive Experience Industry (Manchester UP, 2022), Sarah Atkinson, a Professor of Screen Media at Kings College London, and Helen W Kennedy, Professor of Creative and Cultural Industries, at the University of Nottingham, explore the rise of immersive experiences using the detailed case study of Secret Cinema. The book offers both a rich and extensive history of Secret Cinema, as well as analysis of the evolution of key trends in media production and consumption more generally. The book covers the key performances, including mainstream hits such as Back To The Future, Casino Royale, and Stranger Things, as well as the companies evolution and smaller projects. As live experiences and media industries evolve in the post-pandemic era, the book will be essential reading across media and cultural studies, as well as across humanities and social sciences, and for anyone interested in the future of media and live performance industries. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/film

What is the future of media? In Secret Cinema and the Immersive Experience Industry (Manchester UP, 2022), Sarah Atkinson, a Professor of Screen Media at Kings College London, and Helen W Kennedy, Professor of Creative and Cultural Industries, at the University of Nottingham, explore the rise of immersive experiences using the detailed case study of Secret Cinema. The book offers both a rich and extensive history of Secret Cinema, as well as analysis of the evolution of key trends in media production and consumption more generally. The book covers the key performances, including mainstream hits such as Back To The Future, Casino Royale, and Stranger Things, as well as the companies evolution and smaller projects. As live experiences and media industries evolve in the post-pandemic era, the book will be essential reading across media and cultural studies, as well as across humanities and social sciences, and for anyone interested in the future of media and live performance industries. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory

What is the future of media? In Secret Cinema and the Immersive Experience Industry (Manchester UP, 2022), Sarah Atkinson, a Professor of Screen Media at Kings College London, and Helen W Kennedy, Professor of Creative and Cultural Industries, at the University of Nottingham, explore the rise of immersive experiences using the detailed case study of Secret Cinema. The book offers both a rich and extensive history of Secret Cinema, as well as analysis of the evolution of key trends in media production and consumption more generally. The book covers the key performances, including mainstream hits such as Back To The Future, Casino Royale, and Stranger Things, as well as the companies evolution and smaller projects. As live experiences and media industries evolve in the post-pandemic era, the book will be essential reading across media and cultural studies, as well as across humanities and social sciences, and for anyone interested in the future of media and live performance industries. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/communications

What is the future of media? In Secret Cinema and the Immersive Experience Industry (Manchester UP, 2022), Sarah Atkinson, a Professor of Screen Media at Kings College London, and Helen W Kennedy, Professor of Creative and Cultural Industries, at the University of Nottingham, explore the rise of immersive experiences using the detailed case study of Secret Cinema. The book offers both a rich and extensive history of Secret Cinema, as well as analysis of the evolution of key trends in media production and consumption more generally. The book covers the key performances, including mainstream hits such as Back To The Future, Casino Royale, and Stranger Things, as well as the companies evolution and smaller projects. As live experiences and media industries evolve in the post-pandemic era, the book will be essential reading across media and cultural studies, as well as across humanities and social sciences, and for anyone interested in the future of media and live performance industries. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/science-technology-and-society

Dublin-born, London-based artist Niall Jackson aka Swimmers Jackson releases his second album Now Is All via his own Wonky Karousel Records label this Friday, April 7. Made between March 2020 and March 2022, it's a journey of sorts through the pandemic. He released his debut album Murmuration in May 2020, but with no opportunity to tour, Jackson took to writing as many songs as possible to document the feelings of that time before heading back into a studio in Limerick over Christmas 2021 and St Patrick's Day 2022. Armed with a handful of songs about loss of identity, an uncertain future, concerns with society's direction, and getting older against your will, the resulting album Now Is All is both hard fought and hard won. We talk about life in London, his creative process, getting radio play from Steve Lamacq, and go through some of the tracks on the album. You can buy it at: https://swimmersjackson.bandcamp.com/album/now-is-all Swimmers Jackson tour dates: April 6: Islington Assembly Hall, London (supporting Kila) April 7: Norton's Digbeth, Birmingham (supporting Kila) April 8: Secret Cinema, Crystal Palace April 14: Betsey Trotwood, London April 20: Roisin Dubh, Galway (supporting David Kitt) April 23: Spirit Store, Dundalk (supporting David Kitt) April 28: Pharmacia, Limerick (supporting Jinx Lennon) May 24: Maureen's Bar, Cork City May 26: Prim's Bookshop, Kinsale May 27: Levis' of Ballydehob May 28: Workman's Cellar, Dublin

01. HI-LO - Kronos (Intro Edit) [OCTOPUS] w/ The Prodigy - Smack My Bitch Up (Acappella) [XL] 02. HI-LO - ID w/ Age Of Love - The Age Of Love (Acappella) [DIKI] 03. Weska - Alter Ego [WESKA] 04. HI-LO - Hypnos [DRUMCODE] w/ Daft Punk - Technologic (Acappella) [VIRGIN] w/ Fatboy Slim - Star 69 (Acappella) [SKINT] 05. Modig - Object 0982 (Flug Remix) [SUARA] 06. ID - ID 07. Thomas Schumacher - When I Rock [BUSH] w/ ID - ID 08. HI-LO - ID w/ Sergio Mendes - Mas Que Nada (Acappella) [A&M] 09. NoNameLeft - The Second Law Of Thermodynamics [SUBVISION] 10. HI-LO & Space 92 - Mercury [FILTH ON ACID] w/ Creeds - Push Up [RAVE ALERT] 11. Pfirter - Mostly 134 [PARALELO] 12. HI-LO & DJ Deeon - Wanna Go Bang [DRUMCODE] w/ Marcal - Biohazard [JAM] 13. Wehbba - Mind Awake [DRUMCODE] 14. Secret Cinema & Egbert - Elementen [GEM] w/ No Mana - Laser Beam [MAU5TRAP] 15. HI-LO - PURA VIDA (Wehbba Remix) [HILOMATIK] 16. Charlotte de Witte - Kuda [NOVAMUTE] 17. ID - ID 18. FJAAK - PAL [SELF RELEASED] 19. Tayyar - Freya [SPACE KRAFT] w/ deadmau5 - Sometimes Things Get, Whatever (Acappella) [MAU5TRAP] 20. Tiesto - Adagio For Strings [MAGIK MUZIK]

When we think immersive, we think about Disney theme parks, Avatar, the movie, ABBA and Van Gogh experiences and more. The more evolved also talk about  29 Rooms and Secret Cinema.  But what are immersive experiences really about? At its heart, it is about making the world a better place through empathy, feeling what the other person is going through, seeing what they are seeing, and being in their shoes. Would the Russian people support the invasion of Ukraine if they could experience what the Ukrainians are going through? How about an immersive experience as a punishment for the rapist instead of the death penalty - what would be worse? If you have anything interesting to share, write to us at 3TB@unblox.com.

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Nightclubs, Secret Cinema, Live Creativity and Jewish Theatre - its all in this fascinating chat with Creative Director Kieron Chissik. We talk about his journey into live cinema and how his creative process is shaped by both the project and the personnel. And we discover how Kieron's Great Grandmother was an early member of the Yiddish Theatre working with Franz Kafka in Europe before coming to the UK as a refugee. And how does a mixed Jewish and Scottish heritage inform and influence Kieron's creativity today?This is a fascinating story and an indepth look into an incredibly visionary creative mindKieron is Creative Director of The Cabinet of Living Cinema. To find out more about his work and touring shows use this link: https://thecabinetoflivingcinema.org.uk/ ENCHANTED CINEMA TOUR TICKETS PLEASE NOTE: There is some unavoidable static on parts of this audio track and I hope this will not lessen your enjoyment of the episodeYou can follow me on:Instagram: @jasonwardcreativeTikTok: @jasoncreativedirectorContact me for support or speaking engagements: jasonwardcreative@gmail.com   Get full access to The Jason Ward Creative Substack at jasonwardcreative.substack.com/subscribe

Welcome to the first STIMY episode of 2023!For the 105th episode, we're doing a little sneak peek into some of the upcoming episodes and as always, they're varied, but interesting.With tons of insights to apply into our own lives.We've got:Xav Desmet: Head of Digital Natives, Startups & Unicorn for Asia at ZoomFabien Riggall: Founder & Chief Creative Officer of Secret Cinema (he took movies like Star Wars & Moulin Rouge, brought them to live & allowed the public to experience it like they were one of the characters!)Gerald Sebastian: One of the biggest Indonesian YouTubers with over 4.23 million subscribersMichelle Toh: Writer/Report at CNNIan Lee: co-founder of Syndicate & the former Head of Crypto at CitibankAlvin Chiong: Former secret society member & heroin addictEnara Nazarova: VP of Metaverse at HypeDr Giovanna Graziosi Casimiro: Head of Metaverse Fashion Week at DecentralandAnd so much more.I hope this gets you excited for what we have in store for 2023!And if you've been enjoying So This Is My Why, please do leave a review. It really helps the podcast reach more people.

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@secretcinema b2b @arthurrobert recorded at 909 x Loveland ADE 2022 at Mediahaven, Amsterdam on Friday 21 October 2022 UPCOMING LOVELAND EVENTS • Loveland van Oranje 2023: loveland.nl/van-oranje/pre-register • 909 Festival 2023: 909.nl/pre-register • Loveland Festival 2023: loveland.nl/festival/pre-register

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@secretcinema b2b @discoveregbert recorded at Loveland Festival in Sloterpark, Amsterdam on Sunday 14 August 2022 UPCOMING LOVELAND EVENTS • Loveland ADE: loveland.nl/ade/program • Loveland van Oranje 2023: more info soon • 909 Festival 2023: more info soon • Loveland Festival 2023: more info soon

Secret Cinema will go bigger and Final Destination's new directors nailed the job interview! Get it with today's #MikeJonesMinuteCon.

Why Iranian citizens are facing a massive internet blackout amid widespread protests, and what's next for immersive entertainment company Secret Cinema following a big acquisition. Plus: the British pound drops, Biden proposes airline wifi refund, Netflix announces a new internal games studio, and more. Join our host Juliet Bennett Rylah as she takes you through our most interesting stories of the day. Thank You For Listening to The Hustle Daily Show. Don't forget to hit Subscribe or Follow us on Apple Podcasts so you never miss an episode! If you want this news delivered to your inbox, join millions of others and sign up for The Hustle Daily newsletter, here: https://thehustle.co/?utm_source=hustle-daily-podcast&utm_medium=referral&utm_campaign=show-notes Plus! Your engagement matters to us. If you are a fan of the show, be sure to leave us a 5-Star Review on Apple Podcasts https://podcasts.apple.com/us/podcast/the-hustle-daily-show/id1606449047 (and share your favorite episodes with your friends, clients, and colleagues). The Hustle Daily Show is brought to you by The Hustle in partnership with HubSpot Podcasts.

This week's episode is a compilation of different conversations we had over the last couple of weeks. Including George's experience going to see Dirty Dancing at Secret Cinema, rewatching Whiplash, a full analysis of Alex Garland's MEN, Chicago, as well as answering all your emails and playing a round of guess the film quote. Just in case you notice our shirts changing colour, it's not a bad magic trick.   00:00:11 - Dirty Dancing Secret Cinema  00:06:31 - Whiplash  00:16:50 - MEN Analysis  00:35:32 - Chicago  00:39:32 - Answering your emails!  00:54:41 - Game   We would love to hear your thoughts! Send us your questions to hello@pulpkitchenpodcast.com and be a part of the show!   Enjoy new episodes of PULP KITCHEN every Wednesday.

Weekly Podcast Guest mix from Cosmic Boys1. Michael Jackson - Thriller (Cosmic Boys Remix)2. Flug, Klaudia Gawlas - Revolution March (Original Mix)3. Cosmic Boys, T78 - Little Hero (Original Mix)4. Eli Brown - Believe (Original Mix)5. Fergie - Take U There (Original Mix)6. Cosmic Boys - Take My Mind (Original Mix)7. Psycho Boys Club - Rolling Thunder (Original Mix)8. Veerus - Yard (Original Mix)9. Martin Books - Maximus (Night Mix)10. Plastikman - Spastik (Original Mix)11. AKKI & MOTVS - Close Your Eyes (Original Mix)12. Luigi Madonna, Roberto Capuano - System Alert (Original Mix)13. Secret Cinema, Egbert - Maximaal (Original Mix)14. Belocca - Persistence (Original Mix)

Tommy G Talks - Episode 134: Are we addicted to our phones? (5 Things Learned From NO PHONES ALLOWED Secret Cinema!)   Last night I went to "Secret Cinema" and as part of the experience, they take your phone away from you, lock it in a bag and then give the locked bag back to you...But you can't open it, touch or use your phone.   At first, I had a mild panic, but eventually, I started to realise some really cool things. 5 of which I share in this episode.   What do you think?   Share your opinion with me on social   www.twitter.com/tommygentleman www.instagram.com/tommygentleman   Tommy G

In preparation for this week's Secret Cinema at the Maple Theater, Chris and Perry talk about their favorite movie surprises. Also, discussion about The Fly and The Brave Little Toaster.    Reminder for our Detroit-area listeners: Chris and Perry will co-host Secret Cinema at the Maple Theater THIS THURSDAY, JULY 21, at 7:30 p.m. Show up for a surprise movie and a Q/A afterward!  We're Watching Here” Facebook page “We're Watching Here” Twitter Perry Seibert on Twitter Chris Williams on Twitter Chris' Newsletter

Chris and Perry are back together, and they're talking the music, the performances and the politics of Robert Altman's iconic Nashville. Which performance out of the 25 major ones is their favorite? How have the films politics and depiction of American culture aged in the nearly 50 years since its release? Is this Altman's best movie?  Also, talk about Top Gun: Maverick, Crimes of the Future and Good Luck to You, Leo Grande!  Reminder for our Detroit-area listeners: Chris and Perry will co-host Secret Cinema at the Maple Theater on Thursday, July 21, at 7:30 p.m. Show up for a surprise movie and a Q/A afterward!    We're Watching Here” Facebook page “We're Watching Here” Twitter Perry Seibert on Twitter Chris Williams on Twitter Chris' Newsletter  

Now what happens when I write this? Well, maybe nothing. At the very least nothing, and then when you die all these flash drives and SD cards will just, die with you, I guess? I don't think thats how this goes. How does this go? Well. I had been duped; My own world has turned against me, And I was set again to escape against the backdrop of A never-ending desert— Mmm. sandwiches. Pause. Aww. What is this? The Legend of Supacree From comic strip? . A severed connection; Regrets and regressions, Expressed, the reflection left of Contempt and neglect– And it was special once, But this is now, and that was then She doesn't really need a friend, She just seeks peace, a means to an end Goddamn it, who IS this Oh my GOD. WHAT? SHUT UP. _____ Brainwash >> A Portal Opens– SUPACREE enters a clothing store downtown, following leads for a way to make money. Hey– Ya'll are cute. We're not together. Your outfits match. We dated for seven years. And it shows. {SUPACREE VIBE CHECKS] PAUSE See. I told you some of my stories were in there. How did he– Wait– Me. Back to the story: What fucking story?! This literally happened a couple days ago. This is thousands of documents; By the next time you read this, it will have happened ONE YEAR AGO really? Goddamit it. Three suicides later. ARE YOU SERIOUS. Ahem. Three Suicides Ago: You like coffee? You drink coffee. I am coffee. Goddamit it, she's good. Level unlocked What the fuck. She got it? She's inzo. You know what that means, bud 01. deadmau5 - ent_Hope_clk_thme 0:00:00 02. Tripmastaz - Pende 0:00:44 03. Sian - Shame Cube 0:05:52 w/ Kenji Kawai - Ghost City (Ghost In The Shell OST) 04. Confidential Recipe - Toolkit 2 0:12:17 05. Rene Wise - Pleasure Note 0:19:06 06. Albert Alvatierra - Sirvilli 0:21:21 07. Marcal - Rolling Sway 0:24:58 w/ deadmau5 - Sometimes Things Get, Whatever (Acappella) 08. Chris Lo - Stella (Dandi & Ugo Remix) 0:29:22 09. Ivan Longo - Escape 0:29:36 10. Darmec - Event Horizon 0:35:58 11. Secret Cinema & Egbert - Elementen 0:39:58 w/ No Mana - Laser Beam 12. TWR72 - Mouth 0:45:04 13. Kx5 ft. Hayla - Escape (Spencer Brown Remix) 0:48:42 14. Zimmz - Ancient Dream 0:54:42 15. deadmau5 - XYZ (testpilot Remix) 1:01:42 16. Amotik - Ikyavan 1:09:35 w/ deadmau5 - ASEED 17. deadmau5 - ID 1:12:35 18. Jay Lumen - Departures 1:17:58 19. NoNameLeft - Dyson Sphere 1:20:59 20. Tayyar - Freya 1:26:59 21. Charlotte de Witte - Kuda 1:32:44 w/ deadmau5 - Cthulhu Sleeps 22. Rrose - Waterfall (Lucy Remix) 1:37:29 23. Lucy - Cannon Fodder 1:42:13 24. deadmau5 - Word Problems 1:45:25 25. Lucy - Sticks And Stones 1:49:40 26. Vladimir Dubyshkin - Rural Woman 1:53:47 27. Blenk - Forward 1:56:34 w/ Axel Karakasis - Secular Factual 28. Patrick Branch - Test (Sopik & Sasha Romaniuk Remix) 2:04:17 29. Thomas Hoffknecht - Relax 2:06:10 30. Truncate - Swerve 2:09:57 31. Architectural - A Girl With No Friends 2:13:25 32. YYYY - Regain (Lucy Remix) 2:16:38 w/ deadmau5 ft. Kiesza - Bridged By A Lightwave (Acapella) 33. Donato Dozzy - Aquatica 2:22:45 34. deadmau5 - ID 2:27:17 35. deadmau5 - ID 2:33:35 Whatever you did worked, Now I'm in the labyrinth; A lab rat, an experiment __ LO {Watching DIllon Francis instagram} What is happening. Lol Oh My God. lol Whose dad is this. At least he grew his face back. What's wrong with me? Perhaps it was the Peanut Butter Banana and Coffee”Protein” smoothie I had quickly blende amidst the morning rush of the now-becoming familiar hostel, however never quite truly comfortable, as I had learned at this point never to become settled or comfortable anywhere, at least without also being ready at any moment to uproot and move along once again–I hated the nomadic lifestyle and wanted nothing more than a home and family, though the moreI pondered on those very things, the further away and more unrealistic they seemed. I felt I had been roped back into slavery after a narrow escape, and though my lif in the southern state of Oacaca mexico had been turbulent, sometimes with storybook-worthy happenings and otherworldly experiences one might call a writer's wet dream, poverty had continued to ensure that anything even bordering paradisical quickly became empty, if not in the very least entertaining and inspiring in some way, and of course traumatic enough to cement itself into my being, parallelling tragedy and creating lessons thoroughly learned. Though my smoothie, a modest 3-ingredient low-quality blend was overall somewhat disappointing, my morning had been jump started over-and-over again, with back to back failures; After another night of disastrously restless sleep, again, kept from true rest by a selfish hostel-dweller, inflicting their horrid an disgusting snoring on otherwise silent sleepers, I had spent another series of dream sequences within the realm of music, only slightly disgruntled, as I loathed the feeling of sleeping in my headphones, and the resulting wear-and-tear it caused the only DJ equipment I had left; Still, I wondered if I truly ever was destined to be a DJ, or had only allowed my short escape from corporate slavery to dillude my judgement into thinging it, after successfully performing–again, for a short time, and under unideal conditions–the broke mixer I had been provided of course caused more anxiety than comfort, but at the very least had been able to pay itself off, and provide me with a couple meals, some exposure, and a portion of the rent I owed, for the apartment I now missed, but wondered the condition of– as, though I had no reason to trust anyone or anything anymore, I had been told that my arrival to the states had just taken me out of the path of the hurricane, by only days. Still unable to believe my eyes or ears, but especially eyes–as though my true genius, sometimes unearthed by God itself and with the help of these beings I had begun now to call ‘Anadars', had somehow been discovered, I was in one sense or another still more prone to self-deprecation than any assemblance of respect or adornment, as I hadn't been adequately paid enough to just ‘fuck-off' in quite a while. If it had been up to me, I'm sure by now I would have gone even further ‘off-the-grid', as, though passionate still about music and sound in totality, struggled monstrously with the competitive nature of all things internet; Though now I was rather skinny, I still had no business in a bathing suit or bikini, and was just beginning to sport such fashionable items as crop tops, allowing for high waisted apparel to create the illusion that I possessed a normal body of some sort–still however, justifying my own celibacy with the proven assumption that even at a glance of the sagging skin or grotesque belly, or rather what was left of it in the aftermath of my massive somewhat secret achievement–any man would become disappointed in the imperfection, opting rather for someone with ugly or plain facial features, but none-the-less an attractive physique that made up for it–or, as I thought, ‘what usually happens'. Quite feeling like I had in some sense lost all my magic, and in another feeling like there was some secret sense of purpose for my existence, still however unbeknownst to me “You go this way, and I'll go that” Said the man in the captain's hat; New before, now a classic A mystery, master of magic A tragic accident, perhaps— A trap, A happenstance of haptic romance, And here we stand in the aftermath, Although it hasn't happened yet The death of an era, The end of an actor, The dream of a madman, The music of shamans, Of drumbeats and witch dances, Laughter and happening captured by Ashes from cannons, A canon, A sermon of sorts, “For a friend I once had, But now haven't” —and that's how it sounded, The answer, though shattered, She happened to ask for the matter of facts, Not by sample, But all at once, And all at once, Or never again— The friend of a possible friend of a frantic announcer, Pronounced at the scene, And renounced, as the Queen of What would be The city of angels, Had demons and devils not screamed with glee as the seas receded, Reciepts of the unholy things we keep to sleep with, Release, then press pause on the press release, Please, disbelieve what the eyes want to see, And the ears want to hear, For a moment, we're here, Or maybe, We will be. —For Johnny Oh, How I love the taste of a drunken man ….Man. what came after that? I did. Lol. Okay, that's–wow. I thought the line was; Oh, How I love the smell of a drunken man. I just love the smell of a man in general– EW– sometimes. Ooh, he's musky. What the fuck. What is this lady? God grants him happiness, I had to, he's handsome My magic retracts, Like fractal dust: imaginary Hasn't happened yet, Fantastical defeat. I'm bleeding Please, have many seats I'm sinking, syncing mediocrity And slinging meteors from Mormon kingdoms We can just ignore these people Don't have freedom I think, therefore l feel—Therefore I'm real, Before a meal But then I eat and “medium” just means To fat too love, or I just make believe I sing with Amy winehouse, when I'm drunk— And when I'm high I dance with Michael Jackson Wish I hadn't, But I'm stuck in someone's fucking magic— Where's my hat? I saw a rabbit in Malibu and panicked I'm too black to be happy This is tragic I'm in and out, at the same time i”m ith, with out, at the same time I'm up and down at the same time At the same time At the same time I don't wanna load it I just wanna smoke it I don't wanna roll it I just wanna smoke it I don't wanna hold it I just wanna smoke it I just wanna smoke it I just wanna smoke it And she stands at the cusp, With her whips drawn up; Yikes. It was almost poetic. “Almost.” Yeah. And all she sees is green, (It stands) For all the things she's seen And painted dollar signs On frosted glass Would you stop writing?! Would I… Stop. I mean I -- ___ Be careful with your Google traffic. Don't worry about it. You should Relax. Nobody can tell what I'm going to do. I don't even know what I'm going to do. How many times have I told you-- I get it, it's--In --An algorithm. Right. Wait. An infinite algorithm. ____ Did you hear? Hear what? Mother Earth and Father Time are getting a Divorce! Oh, My. What about the kids? Uh, you mean humanity? Here's a lesson: Per your request. I never truly believed in a world where a girl like me could end up with a guy like Sonny, so I made a much too honest mistake, which was completely eradicated with a punishment so swift I could hardly understand or comprehend it. And the games we played. And it was, a game. I got sick of having Sonny, or the remnants of, hanging over me in such a way I couldn't see past my own nose; and luckily, with Luis, the nose was no match, and neither the lips, or the eyes—when I rarely caught them— so at least now, in my mind I could individualize him entirely, not that I hadn't already tried. But—his striking tribal vibration called out to me, for at least everything I needed to know and see from him; everything I needed, I got—and everything I wanted was so clearly fabricated in chaos right in front of me, that again nothing mattered, and, as awful as it was, I was actually glad to have reestablished my emotions; I was, though body tarnished, at least a woman—and, though easily shifted, now that I had given what I saw not fit to keep for either Sonny, or Dillon—since I couldn't shake the essence of either of them in the most non-traditional sense, though seeming by now that Sonny Moore was the man who owned the world that I was just simply existing in, and Dillon Francis, who I couldn't bear to call “the second choice”, but who had not chronologically been my first, either—was simply a fragment of a figment of imagination, in my mind and in my heart, as my soul was in a state of omnipotence so whole, that it was every part of me together becoming the whole world at once, for a time—or either, no time at all—because truly, I hadn't believed in such a notion for so long. I offered up my everything I could to the man who was willing to give to me shelter in exchange for work, which I was willing to honestly do; I had never sought to take advantage of any of it, and in fact saw from this project a cascading dream—what could be, and what I might make of it, with the proper energy in place. But, at least for now, my energy was once again in a state of recovery, after what may have been foolishly, or with outright wise intention to reveal what would become of such a bold and brutish choice; Luis kept the same tribal traditions and traits I had become so drawn to, in a sense, much longer than I had any He wanted me to take the keys, but I honestly from the bottom of my soul wanted to see how badly he could hurt me in front of my own eyes—I already wore the insignia to match my Deathwish, and any true globalist would know the shape and form of the OWSLA logo, and the moniker from which it came—and which I still stood for, despite the honest-to-goodness wreckage I had been tumbled through; I had given up on Sonny, at least romantically—and by that, I mean to say that I had altered my perception just so that settling became a more likely probability, than keeping my celibacy in the painful waiting, as my maternal body became overripe with sexlessness. What. Is THIS. It's just—nothing. JOEL recreationally shapeshift s into SUPACREE to get a sneak peak of THE FESTIVAL PROJECT as it's being written. I can't do it– I can't write anymore. Just keep writing. I hate this. What's he look like. Has a tattoo of a sun. LOOKS LIKE– Show me a picture. HE LOOKS LIKE Fuck it. He's on my team, don't worry. You called me. You rang, bitch?! You called ME. I'm out of power. I need love. That's too bad. Love yourself! Lol. That won't happen. (323) [Episode 13] Wat the fuck. *coughs* Ugh. Stop following me. Stop following me. Oh shit. Do I still have instagram on my phone, or something? Quick! Delete it. Ugh, Josh Panhandle and Walter White meet in an nondescript bar in the arctic tundra. I thought he lived on the pan handle. These guys travel. Cause it rhymed? Let's not ramble. Regina 52 442 156 0404 blondie_3312 El_vaguito_alfarero @yolobockman A cry for help, —a call to the moon, For there could not be only one, but two To believe mine eyes, I yet refused; DJ MAGA Very nice work. I–see what you did there. That's so smart! Well, Mexico IS in America. Racists are dumb. I had momentarily almost forgotten for any increment of time that matters that all I ever wanted –since I figured out that's what I had even wanted, was to be a DJ–or music producer, rather, which–I suppose is where I had become lost, in trying to live up to the expertise and genius the others before me had lit the path with; Everybody wants something from me now, and it's pulling me apart, I just don't know how– Build myself right up, from the ground And I should be proud, but I gotta move out. Love, lost; distrust in love, and Blood on the pillowcase, Where I lay my head at night, Where I dreamt, that I may have a friend in the end, But I've been left on read, And left for dead so many, many… Time Is just an equation, a game we made up in Heaven, Or something But I Forgot how Everybody wants something from me now, and it's pulling me apart, I just don't know how– Build myself right up, from the ground And I should be proud, but I gotta move out.

The Boom Room 414 Broadcast date: June 18th, 2022 For more info and Selected tracklist visit www.facebook.com/theboomroomofficial NEW : The Boom Room NON-STOP. No talking, just music! www.theboomroom.nl

Hey everyone! Chris sits down for an interview with Cody Benjamin, editor of Movies From the Mountaintop: 100+ Films that Express God, Explore Faith and Enlighten Church. Chris and Cody talk about Top Gun: Maverick, discuss Cody's long love of the movies, how film has impacted his faith and his process for pulling together 25 authors (including Chris) for his new book, which you can purchase at Amazon.  Reminder for our Detroit-area listeners: Chris and Perry will co-host Secret Cinema at the Maple Theater on Thursday, July 21, at 7:30 p.m. Show up for a surprise movie and a Q/A afterward!  Perry will be back later this month to continue the Robert Altman series with a discussion of Nashville!  “We're Watching Here” Facebook page “We're Watching Here” Twitter Perry Seibert on Twitter Chris Williams on Twitter Chris' Newsletter

Skullduggery Radio 085 01. Anyma – Consciousness 02. Secret Cinema & Egbert – Maximaal 03. ID – ID 04. Ben Nicky & Greg Downey Feat Christain Burns – Always (Richie Blacker Remix) 05. Alex Di Stefano – Black Flag 06. Charlotte De Witte – Kali 07. Hertz Collision, Gene Richards Jr – Must Do It (Truncate Remix) 08. Valentino – Kanzyani – Nueva York (Zach Zlov Rework) 09. Marco V – Echoes (V.ision Mix) 10. Maxx Rossi – Pump This Stuff 11. Greg Downey & Bo Bruce – Another Sun 12. Mac Monday – Silhouette Of A Girl (UDM Remix) 13. ID - ID Subscribe Youtube: bit.ly/SubscribeGregDowney bit.ly/SubscribeSkullduggery Subscribe Podcast: bit.ly/SKLDPodcast

This week Kevin Gossett hosts a conversation all about the kinds of big branded experiences that are many people's first foray into immersive.Shelley Snyder joins from London to talk Doctor Who: Time Fracture [spoiler warning at 12:00] while LA correspondent Briana Roecks and Arts Editor Laura Hess detail their time at Netflix's Bridgerton ball in LA (which has popped up in Chicago and D.C., but is different from the Secret Cinema one in London. Got it?) [13:45]Plus there's talk about I Know What You Did Last Summer, which JFI put together for Amazon. [37:40] Plus you know we had to mention Arcane. (Another Netflix show. Huh, maybe they should do more of these. Ted. Call me. I have the solution to your stock problems.)  Get bonus content on Patreon See acast.com/privacy for privacy and opt-out information.

Aaron Adams & Jim Hill start off this week's show by sharing what Taika Watiti recently said about whether the production of “Thor: Love and Thunder” has been completed or not. They then talk about who's just been cast in Sony's “Kraven the Hunter” film Learn more about your ad choices. Visit megaphone.fm/adchoices

It's an exciting week for Guardians of the Galaxy fans with not one, but TWO experiences announced… Guardians of the Galaxy: Cosmic Rewind at Walt Disney World's EPCOT and Secret Cinema presents Marvel Studios' Guardians of the Galaxy – The Live Immersive Experience! Ryan and Lorraine also get excited for Spider-Man's 60th anniversary livestream, the upcoming book My Super Hero Is Black, and a TON of new comics from Hulking & Wiccan to Thor.Plus, author Brad Meltzer joins to talk about his newest thriller, The Lighting Rod, and his love of Marvel comics! News – 1:15Interview w/ Brad Meltzer – 18:40Community – 44:21

Aaron Adams & Jim Hill start off this week's show by sharing what Taika Watiti recently said about whether the production of “Thor: Love and Thunder” has been completed or not. They then talk about who's just been cast in Sony's “Kraven the Hunter” film Learn more about your ad choices. Visit megaphone.fm/adchoices

On BARTEL ME SOMETHING GOOD, host Adrianna Gober is looking semi-chronologically at the life and career of director/writer/actor Paul Bartel, along with regular Cinema Smorgasbord hosts Liam and Doug! On this premiere episode we're looking at Bartel's short film THE SECRET CINEMA from 1966, as well as his own remake of the film as an episode of the Steven Spielberg produced TV anthology series AMAZING STORIES. An incredibly prescient work, both versions of the story reflect both the time they were made and - improbably - the rise of social media, reality television, and voyeurism, and we're going to talk about it ALL. Check it out! 

Melbourne's Franco Paulsen provides this week's guest mix: 1.Minitech Project - Zombie (Alex Mine Remix) 2.Ron Costa - Superstition (Original Mix) 3.David Tort, Danielle Simeone - I Wanna Get Lost (Extended Mix) 4.Franco Paulsen - Voices in My Head (Original Mix) 5.Secret Cinema, Egbert - Random 47 (Original Mix) 6.Rebuke - Evolution (Original Mix) 7.Da Fresh, Barbuto - Close Out (Original Mix) 8.MT93 (IT) - Leaving It Behind (Original Mix) 9.Franco Paulsen - Leap of Faith (Original Mix) 10.Mark Reeve - Take You Back (Original Mix) 11.Luca Marchese - Transmit (Teenage Mutants & Heerhorst Remix) 12.Ryan Michael Robbins - Lost Proverbs (Cosmic Boys Remix) 13.Ketno - Khali (Original Mix) 14.Age Of Love - The Age Of Love (Charlotte de Witte & Enrico Sangiuliano Remix) This show is syndicated & distributed exclusively by Syndicast. If you are a radio station interested in airing the show or would like to distribute your podcast / radio show please register here: https://syndicast.co.uk/distribution/registration