Podcast appearances and mentions of terry frost

We're kicking into high gear on this week's

Nigel Moores talks to Tim Saunders about abstract art and how inspirational meetings with Terry Frost and Howard Hodgkin helped shape his work http://www.creativecoverage.co.uk/artists-page/item/1269-nigel-moores

Lee H. Katzin's The Phynx (1970) is a story of espionage, intrigue, rock and roll, and the generational divide. It's about a fake rock band, the titular Phynx, who are sent on the road to infiltrate Albania whose evil government has been kidnapping America's elderly celebrities.Mike Sullivan and Terry Frost join Mike to discuss the film as well as other generation gap movies like Skidoo, Sextette, and more. Interviews include writer/producer Bob Booker and actors Lou Antonio and Larry Hankin.Learn more about your ad choices. Visit megaphone.fm/adchoices

Lee H. Katzin's The Phynx (1970) is a story of espionage, intrigue, rock and roll, and the generational divide. It's about a fake rock band, the titular Phynx, who are sent on the road to infiltrate Albania whose evil government has been kidnapping America's elderly celebrities.Mike Sullivan and Terry Frost join Mike to discuss the film as well as other generation gap movies like Skidoo, Sextette, and more. Interviews include writer/producer Bob Booker and actors Lou Antonio and Larry Hankin.

#Noirvember 2020 kicks off with a look at John Farrow's The Big Clock (1947). Based on the 1946 novel by Kenneth Fearing, it's the story of George Stroud (Ray Milland) an editor at Crimeways magazine and employee of Earl Janoth (Charles Laughton). When a woman that both Stroud and Janoth have been sleeping with is murdered, Stroud is put on the case to find out who was last seen with the victim. And, of course, that last person looks a lot like him.Terry Frost and Tim Luz join Mike to discuss the film as well as it's official... and unofficial remakes.

#Noirvember 2020 kicks off with a look at John Farrow's The Big Clock (1947). Based on the 1946 novel by Kenneth Fearing, it's the story of George Stroud (Ray Milland) an editor at Crimeways magazine and employee of Earl Janoth (Charles Laughton). When a woman that both Stroud and Janoth have been sleeping with is murdered, Stroud is put on the case to find out who was last seen with the victim. And, of course, that last person looks a lot like him.Terry Frost and Tim Luz join Mike to discuss the film as well as it's official... and unofficial remakes.Learn more about your ad choices. Visit megaphone.fm/adchoices

Back in late 2015 for episode 84 of LTA, I was joined by my friend and fellow jazzhead, Terry Frost to discuss 6 jazz albums we dug (I did it again for episode 95 in 2016 by myself – not as much fun).  Episode 131 is now available to groove on. Terry joins me again as we stroke our goatees, snap our fingers and say things like “groovy daddy-o”……well, at least the part that's true is that Terry joins me again on the podcast to talk about some more jazz albums we love. Bear in mind, we talk about this purely as lovers of the broad umbrella that the label “jazz” gives shelter to. We are not purists, nor graduates of Berklee College Of Music….but that’s the point. You can love and articulate the artform without having to be an “expert”. Tune in and be convinced.  Like last time, Terry and I talk decided to Take Six platters that matter (with apologies to Dave Brubeck). We each picked three albums to have a conversation about…..both iconic and little known gems (at least to us). We had a great time and hope you will enjoy. You’ll have to tune in to hear our choices. I won’t reveal them here, but you won’t be moanin’ about our selections……  You can download the episode from Spotify, Stitcher or iTunes (search for “Love That Album podcast”) or from the website https://cms.megaphone.fm/channel/lovethatalbum  My huge thanks to Terry, who was an inspiration to me to start podcasting in the first place back in 2011. Trust me – he KNOWS his cinema history (as well as jazz music). You can hear him on his podcasts Paleo Cinema (https://paleocinema.podbean.com/) and  Martian Drive In Podcast (https://martiandrivein.podbean.com/), watch his Youtube Channel Terry Talks Movies (https://www.youtube.com/user/kultgooroo) or catch him every Wednesday evening on ABC Radio Darwin discussing….you guessed it…..films. Love That Album is proudly part of the Pantheon Podcast network. Go to http://www.rocknrollarchaeology.com/ to check out all the great shows in the Pantheon family. Send the show feedback at rrrkitchen@yahoo.com.au (written or mp3 voicemail) or join the Facebook group at http://www.facebook.com/groups/lovethatalbum. If you’d consider writing an iTunes review we’d be immensely grateful. However, it’d be even better if you told a friend about the podcast and Pantheon – at a barbecue, over coffee, while hitting a six, on social media….whatever way you choose, consider me grateful.  If you enjoy what you hear, please tell a friend or ten to tune in.

Back in late 2015 for episode 84 of LTA, I was joined by my friend and fellow jazzhead, Terry Frost to discuss 6 jazz albums we dug (I did it again for episode 95 in 2016 by myself – not as much fun). Episode 131 is now available to groove on. Terry joins me again as we stroke our goatees, snap our fingers and say things like “groovy daddy-o”……well, at least the part that's true is that Terry joins me again on the podcast to talk about some more jazz albums we love.Bear in mind, we talk about this purely as lovers of the broad umbrella that the label “jazz” gives shelter to. We are not purists, nor graduates of Berklee College Of Music….but that's the point. You can love and articulate the artform without having to be an “expert”. Tune in and be convinced. Like last time, Terry and I talk decided to Take Six platters that matter (with apologies to Dave Brubeck). We each picked three albums to have a conversation about…..both iconic and little known gems (at least to us). We had a great time and hope you will enjoy. You'll have to tune in to hear our choices. I won't reveal them here, but you won't be moanin' about our selections…… You can download the episode from Spotify, Stitcher or iTunes (search for “Love That Album podcast”) or from the website https://cms.megaphone.fm/channel/lovethatalbum My huge thanks to Terry, who was an inspiration to me to start podcasting in the first place back in 2011. Trust me – he KNOWS his cinema history (as well as jazz music). You can hear him on his podcasts Paleo Cinema (https://paleocinema.podbean.com/) and  Martian Drive In Podcast (https://martiandrivein.podbean.com/), watch his Youtube Channel Terry Talks Movies (https://www.youtube.com/user/kultgooroo) or catch him every Wednesday evening on ABC Radio Darwin discussing….you guessed it…..films.Love That Album is proudly part of the Pantheon Podcast network. Go to http://www.rocknrollarchaeology.com/ to check out all the great shows in the Pantheon family.Send the show feedback at rrrkitchen@yahoo.com.au (written or mp3 voicemail) or join the Facebook group at http://www.facebook.com/groups/lovethatalbum.If you'd consider writing an iTunes review we'd be immensely grateful. However, it'd be even better if you told a friend about the podcast and Pantheon – at a barbecue, over coffee, while hitting a six, on social media….whatever way you choose, consider me grateful. If you enjoy what you hear, please tell a friend or ten to tune in.

Back in late 2015 for episode 84 of LTA, I was joined by my friend and fellow jazzhead, Terry Frost to discuss 6 jazz albums we dug (I did it again for episode 95 in 2016 by myself – not as much fun). Episode 131 is now available to groove on. Terry joins me again as we stroke our goatees, snap our fingers and say things like “groovy daddy-o”……well, at least the part that's true is that Terry joins me again on the podcast to talk about some more jazz albums we love. Bear in mind, we talk about this purely as lovers of the broad umbrella that the label “jazz” gives shelter to. We are not purists, nor graduates of Berklee College Of Music….but that's the point. You can love and articulate the artform without having to be an “expert”. Tune in and be convinced. Like last time, Terry and I talk decided to Take Six platters that matter (with apologies to Dave Brubeck). We each picked three albums to have a conversation about…..both iconic and little known gems (at least to us). We had a great time and hope you will enjoy. You'll have to tune in to hear our choices. I won't reveal them here, but you won't be moanin' about our selections…… You can download the episode from Spotify, Stitcher or iTunes (search for “Love That Album podcast”) or from the website https://cms.megaphone.fm/channel/lovethatalbum  My huge thanks to Terry, who was an inspiration to me to start podcasting in the first place back in 2011. Trust me – he KNOWS his cinema history (as well as jazz music). You can hear him on his podcasts Paleo Cinema (https://paleocinema.podbean.com/) and  Martian Drive In Podcast (https://martiandrivein.podbean.com/), watch his Youtube Channel Terry Talks Movies (https://www.youtube.com/user/kultgooroo) or catch him every Wednesday evening on ABC Radio Darwin discussing….you guessed it…..films. Love That Album is proudly part of the Pantheon Podcast network. Go to http://www.rocknrollarchaeology.com/ to check out all the great shows in the Pantheon family. Send the show feedback at rrrkitchen@yahoo.com.au (written or mp3 voicemail) or join the Facebook group at http://www.facebook.com/groups/lovethatalbum. If you'd consider writing an iTunes review we'd be immensely grateful. However, it'd be even better if you told a friend about the podcast and Pantheon – at a barbecue, over coffee, while hitting a six, on social media….whatever way you choose, consider me grateful.  If you enjoy what you hear, please tell a friend or ten to tune in.

Back in late 2015 for episode 84 of LTA, I was joined by my friend and fellow jazzhead, Terry Frost to discuss 6 jazz albums we dug (I did it again for episode 95 in 2016 by myself – not as much fun).   Episode 131 is now available to groove on. Terry joins me again as we stroke our goatees, snap our fingers and say things like “groovy daddy-o”……well, at least the part that's true is that Terry joins me again on the podcast to talk about some more jazz albums we love.   Bear in mind, we talk about this purely as lovers of the broad umbrella that the label “jazz” gives shelter to. We are not purists, nor graduates of Berklee College Of Music….but that’s the point. You can love and articulate the artform without having to be an “expert”. Tune in and be convinced.   Like last time, Terry and I talk decided to Take Six platters that matter (with apologies to Dave Brubeck). We each picked three albums to have a conversation about…..both iconic and little known gems (at least to us). We had a great time and hope you will enjoy. You’ll have to tune in to hear our choices. I won’t reveal them here, but you won’t be moanin’ about our selections……   You can download the episode from Spotify, Stitcher or iTunes (search for “Love That Album podcast”) or from the website https://cms.megaphone.fm/channel/lovethatalbum   My huge thanks to Terry, who was an inspiration to me to start podcasting in the first place back in 2011. Trust me – he KNOWS his cinema history (as well as jazz music). You can hear him on his podcasts Paleo Cinema (https://paleocinema.podbean.com/) and  Martian Drive In Podcast (https://martiandrivein.podbean.com/), watch his Youtube Channel Terry Talks Movies (https://www.youtube.com/user/kultgooroo) or catch him every Wednesday evening on ABC Radio Darwin discussing….you guessed it…..films.   Love That Album is proudly part of the Pantheon Podcast network. Go to http://www.rocknrollarchaeology.com/ to check out all the great shows in the Pantheon family.   Send the show feedback at rrrkitchen@yahoo.com.au (written or mp3 voicemail) or join the Facebook group at http://www.facebook.com/groups/lovethatalbum.   If you’d consider writing an iTunes review we’d be immensely grateful. However, it’d be even better if you told a friend about the podcast and Pantheon – at a barbecue, over coffee, while hitting a six, on social media….whatever way you choose, consider me grateful.     If you enjoy what you hear, please tell a friend or ten to tune in.

SF Fandom in first half of the 1970s Leigh Edmonds introduces the topic, SF Fandom in the first half of the 1970s, and panel: Rob Gerrand, Robin Johnson and Bruce Gillespie.  The Panel: Robin, Bruce, Rob and Leigh (Photo: Cath Ortlieb)  Leigh started by asking about the development of professional SF writing in Australia (2:25): Rob talked on the Easter 1974 writer’s workshop and the 1975 LeGuin Workshop; Robin on the need for a workshop to lure LeGuin (4:58); Bruce on LeGuin’s requirements and who turned up… (7:06)and Rob on the Workshop itself (8:31) . There was a discussion about the lack of a publishing industry in Australia by Bruce & Rob (9:35);Rob talked about end of ASFR and material handed on to Bruce (11:00), Norstrilia Press & The Altered Eye (12:00) Robin spoke on New Year’s Con 1970 in Sydney, John Ryan and Panel by Panel (12:30) and The Syncon 70 discussion about world con (14:17). Discussion about the Antifan Strikes Back movie by Rob and Robin (15:15)Bruce on why we were bidding for the world con (17:00);Leigh on the slan shack (17:25),Publishing fanzines to plug the world con - Bruce (19:05)John Bangsund’s importance discussed by Leigh (21:00).Leigh asked about new fan groups outside Melbourne (21:45),Fans in Adelaide mentioned by Marc Ortlieb from the audience (23:40). An appreciative audience: Terry Frost, Janice Murray, Jenny Brice, Roman Orszanski and Marc Ortlieb.Thanks to Cath Ortlieb for her kind permission to use the photo. SpaceAge opening:Bruce on importance of SpaceAge (25:30);Rob on the role of Merv Binns (27:29)and the Fantasy Film Society (28:27),and the beginning of media fandom in Aus (29:30). Leigh noted the appearance of women! at SF conventions (30:00),Talk moved to the critical side of SF — Leigh, Bruce (32:05);Lem, Foyster and Exploding Madonna (33:50),and the influence of George Turner (35:27). Leigh asked about DUFF and fan funds (36:55),then discussion of slan shacks, Magic Pudding’ Club — Robin & Bruce (36:55); Bruce noted the importance of Jack Chalker & the Anti fan film (40:30). Discussion about the delegation to the TORCON bidding (41:15) by Bruce. Finally, Leigh invited the panel to talk about their favourite memories from this time (43:33).

The Verb celebrates the centenary of the poet W.S. Graham - exploring his language and his relationship with Cornwall. Ian McMillan presents new poetry inspired by Graham from Rachael Boast and Penelope Shuttle, songs inspired by the Cornish landscape from Gwenno, specially commissioned work from Gerry Diver ('The Speech Project') and a collaboration between Bob Devereux and Adrian O'Reilly. Writer's block, the silence of the blank page, words for the Cornish landscape, the Welsh concept of 'inspiration', 'the sea as metaphor of the sea' - hear about all of this and more in our W.S.Graham special. The Verb is in St Ives to celebrate W.S.Graham (known as Sydney), a poet fascinated by language, its possibilities and difficulties, who also wrote about 'love imagined into words' . In honour of Graham's centenary year, we hear unpublished poems (broadcast for first time), new commissions inspired by him ( written especially for The Verb), and we also present innovative performances of Graham's work. All this takes place in a remarkable venue called the 'St Ives Arts Club' in front of a poetry and art-loving audience. Graham grew up in Greenock in Scotland, but moved to Cornwall in the 1940s and spent the best part of his life there, in the midst of a flourishing community of artists (including Peter Lanyon, Roger Hilton, and Terry Frost ). T.S. Eliot was Graham's editor at Faber and Faber - he argued that Graham wrote some of the most important poems of the 20th century. His long poem 'The Nightfishing', with lines like 'sea as a metaphor of the sea' and ' the iron sea engraved to our faintest breaths', is one of Graham's greatest achievements, but as The Verb discovers he was also a remarkable poet of place, and of intimacy and thwarted intimacy. Above all he was preoccupied by language as his medium and subject. Presenter: Ian McMillan Producer: Faith Lawrence.

We wrap up #Noirvember and our Philip Marlowe journey for the year with Robert Altman's The Long Goodbye (1973). Adapted by Leigh Brackett, one of the two main writers from Howard Hawks’s The Big Sleep, the film stars Elliott Gould as Philip Marlowe, a man now out of time with the world. Eric Cohen and Terry Frost join Mike to discuss Philip Marlowe's place in the now and the Japanese mini-series of The Long Goodbye.

We wrap up #Noirvember and our Philip Marlowe journey for the year with Robert Altman's The Long Goodbye (1973). Adapted by Leigh Brackett, one of the two main writers from Howard Hawks’s The Big Sleep, the film stars Elliott Gould as Philip Marlowe, a man now out of time with the world. Eric Cohen and Terry Frost join Mike to discuss Philip Marlowe's place in the now and the Japanese mini-series of The Long Goodbye.

We continue our #Noirvember coverage with a discussion of The Big Sleep. The first proper Philip Marlowe book by Raymond Chandler, it was the second appearance of Marlowe on screen, this time portrayed by Humphrey Bogart.Terry Frost and Eric Cohen join Mike to discuss the pre-release version of Howard Hawks's film, how Bogart portrayed Marlowe, and the 1978 re-interpretation of the source material by Michael Winner.Dahlia Schweitzer returns to The Projection Booth to discuss her upcoming book, L.A. Private Eyes.Learn more about your ad choices. Visit megaphone.fm/adchoices

We continue our #Noirvember coverage with a discussion of The Big Sleep. The first proper Philip Marlowe book by Raymond Chandler, it was the second appearance of Marlowe on screen, this time portrayed by Humphrey Bogart.Terry Frost and Eric Cohen join Mike to discuss the pre-release version of Howard Hawks's film, how Bogart portrayed Marlowe, and the 1978 re-interpretation of the source material by Michael Winner. Dahlia Schweitzer returns to The Projection Booth to discuss her upcoming book, L.A. Private Eyes.

We continue our #Noirvember coverage with a discussion of The Big Sleep. The first proper Philip Marlowe book by Raymond Chandler, it was the second appearance of Marlowe on screen, this time portrayed by Humphrey Bogart.Terry Frost and Eric Cohen join Mike to discuss the pre-release version of Howard Hawks's film, how Bogart portrayed Marlowe, and the 1978 re-interpretation of the source material by Michael Winner. Dahlia Schweitzer returns to The Projection Booth to discuss her upcoming book, L.A. Private Eyes.

We continue our #Noirvember2018 coverage with the first in a trio of Raymond Chandler adaptations -- Edward Dymytrk’s Murder My Sweet. Based on the second of Chandler's Philip Marlowe novels, Farewell My Lovely, the film stars Dick Powell "as you've never seen him before." Terry Frost and Eric Cohen join Mike to discuss the 1944 film and the 1976 adaptation. Tom Williams, the author of A Mysterious Something in the Light; the Life of Raymond Chandler, provides insight on Chandler's career in and out of Hollywood.

We continue our #Noirvember2018 coverage with the first in a trio of Raymond Chandler adaptations -- Edward Dymytrk’s Murder My Sweet. Based on the second of Chandler's Philip Marlowe novels, Farewell My Lovely, the film stars Dick Powell "as you've never seen him before." Terry Frost and Eric Cohen join Mike to discuss the 1944 film and the 1976 adaptation. Tom Williams, the author of A Mysterious Something in the Light; the Life of Raymond Chandler, provides insight on Chandler's career in and out of Hollywood.

We continue our #Noirvember2018 coverage with the first in a trio of Raymond Chandler adaptations -- Edward Dymytrk's Murder My Sweet. Based on the second of Chandler's Philip Marlowe novels, Farewell My Lovely, the film stars Dick Powell "as you've never seen him before."Terry Frost and Eric Cohen join Mike to discuss the 1944 film and the 1976 adaptation. Tom Williams, the author of A Mysterious Something in the Light; the Life of Raymond Chandler, provides insight on Chandler's career in and out of Hollywood.Learn more about your ad choices. Visit megaphone.fm/adchoices

    Eric Reanimator is taking a podcasting break, but we at LTA HQ don't want the listenership to miss out on their fix of Love That Album: The Compilation Edition.....nosiree Bob. Terry Frost is the Head honcho at Paleo Cinema and Martian Drive In Podcast. He REALLY knows his cinema history and is great at putting it into social context. Terry is also a fan of great film scores, and on this episode, he has decided to talk about two of them. The first is the score for Barbarella composed by Bob Crewe (a hit song writer for The Four Seasons among many others). Terry then turns his attention to the Isaac Hayes score for Shaft. Hayes had long been a hit songwriter at Stax Records, most notably for Sam And Dave (Soul Man, When Something Is Wrong With My Baby). He became a huge artist in his own right, and the theme from Shaft is arguably his most famous composition. From the moment you hear those closed hi hats (played by Willie "Too Big" Hall later of The Blues Brothers) and the track builds,you know that the music isan important part of the Blaxploitation film experience. You can download the show from iTunes (search for “Love That Album podcast”) or from the website at http://lovethatalbum.blogspot.com My gratitude to Terry for subbing for Eric this month. You can  download his wonderful podcasts at either https://paleocinema.podbean.com/ (for his thoughts on a wide variety of films older than 20 years) or from The Martian Drive In Podcast at https://martiandrivein.podbean.com/ (for any genre related cinema regardless of age). Send the show feedback at rrrkitchen@yahoo.com.au (written or mp3 voicemail) or join the Facebook group at http://www.facebook.com/groups/lovethatalbum. If you’d consider writing an iTunes review or recommending the show to a friend, we’d be immensely grateful. If you enjoy what you hear, please tell a friend or ten to tune in.  

Jay Bauman and Terry Frost join Mike to look at the 1989 film from director Brian Yuzna, Society. The film stars Billy Warlock as Bill Whitney, a suburban teen who feels that things are amiss in his life.

Jay Bauman and Terry Frost join Mike to look at the 1989 film from director Brian Yuzna, Society. The film stars Billy Warlock as Bill Whitney, a suburban teen who feels that things are amiss in his life.Learn more about your ad choices. Visit megaphone.fm/adchoices

Jay Bauman and Terry Frost join Mike to look at the 1989 film from director Brian Yuzna, Society. The film stars Billy Warlock as Bill Whitney, a suburban teen who feels that things are amiss in his life.

Directed by Joseph Cates and written by Arnold Drake and Leon Totayakan, Who Killed Teddy Bear? (1965) stars Sal Mineo as Lawrence Sherman, a waiter at a nightclub and Juliet Prowse as bartender Norma Dain. Someone has an unhealthy obsession with Norma and keeps making obscene phone calls to her.Heather Drain and Terry Frost join Mike to talk about this sleazy thriller.Learn more about your ad choices. Visit megaphone.fm/adchoices

Guest Co-Hosts: Heather Drain, Terry FrostDirected by Joseph Cates and written by Arnold Drake and Leon Totayakan, Who Killed Teddy Bear? (1965) stars Sal Mineo as Lawrence Sherman, a waiter at a nightclub and Juliet Prowse as bartender Norma Dain. Someone has an unhealthy obsession with Norma and keeps making obscene phone calls to her.Heather Drain and Terry Frost join Mike to talk about this sleazy thriller.

Based on the scandalous memoir by Christina Crawford, Frank Perry's Mommie Dearest (1981) gave the world a powerhouse performance by Faye Dunaway as Joan Crawford.On this episode of The Projection Booth, Joshual Grannell and Terry Frost join Mike to discuss the movie and its reception. Guests this episode include actress Rutanya Alda who gives a behind-the-scenes account of the shooting of the film and Justin Bozung who is currently writing a book about director Frank Perry.Learn more about your ad choices. Visit megaphone.fm/adchoices

Special Guests: Rutanya Alda, Justin BozungGuest Co-Hosts: Terry Frost, Joshua GrannellBased on the scandalous memoir by Christina Crawford, Frank Perry's Mommie Dearest (1981) gave the world a powerhouse performance by Faye Dunaway as Joan Crawford.On this episode of The Projection Booth, Joshual Grannell and Terry Frost join Mike to discuss the movie and its reception. Guests this episode include actress Rutanya Alda who gives a behind-the-scenes account of the shooting of the film and Justin Bozung who is currently writing a book about director Frank Perry.Buy Mommie Dearest on DVDBuy The Mommie Dearest Diary: Carol Ann Tells All by Rutanya AldaBuy Mommie Dearest by Christina CrawfordBuy Looking for Gatsby by Faye DunawayVisit the Concluding Chapter of Crawford websiteVisit the official Peaches Christ websiteVisit the Paleo Cinema websiteVisit the Martian Drive-In Podcast

Welcome to episode 95 of Love That Album. To some folks in the podcasting world, we’re in the month of Shocktober. At LTA headquarters, it’s Jazztober and Maurice is celebrating by doing the second Jazz Mystery Box episode (Check out LTA #84 with Terry Frost for the first one). Maurice has picked three jazz albums from his collection he wants to notify the podcast listening world about, and then proceeds to do just that.What are the albums? THAT is the mystery. Download the show and find out. Maurice make no claims to being a jazz expert – there are people who know a ton more than he does, both in the history and the music theory of jazz.All he's doing is using his enthusiasm for these albums to get some recommendations across. Eric Reanimator gets his jazz mojo working with his Album I Love segment to talk about the jazz soundtrack for the 1988 Mike Figgis film, “Stormy Monday”. You truly don’t have to be a jazz fan to dig this episode….but of course if you are, you should still enjoy. You can download the show by searching for Love That Album in the iTunes store or downloading streaming directly from http://lovethatalbum.blogspot.com Send the show feedback at rrrkitchen@yahoo.com.au (written or mp3 voicemail) or join the Facebook group at http://www.facebook.com/groups/lovethatalbum. If you’d consider writing an iTunes review or recommending the show to a friend, we’d be immensely grateful. If you enjoy what you hear, please tell a friend or ten to tune in.

Welcome back for another episode of the GGtMC!!! This week Large William is joined by the legendary Terry Frost for coverage of Money Movers (1978)...also joining this review is our good friend Davey Mac...and The Siege of Pinchgut AKA Four Desperate Men (1958). Emails to midnitecinema@gmail.com Adios!!! --- Send in a voice message: https://anchor.fm/ggtmc/message

It’s time for episode 84 of Love That Album podcast and Mystery Box #2. What is the Mystery Box? In March of this year on episode 73, Michael Pursche and David Blom joined me to talk about a number of great Australian albums worthy of your attention, but no one knew up front what albums the others would discuss. For the second Mystery Box episode, I am joined by Paleo Cinema and Martian Drive In Podcast host Terry Frost to talk about bebop, swing, fusion, trad, big band, and free-jazz – in short, we will discuss a number of jazz albums we dig and think you listeners need in your lives if you don’t have them already there. In relation to one of my picks, I also present an interview with incredible Australian jazz drummer, David Jones. A veteran player of both the rock and jazz worlds, David has much to say about his time spent in one of the great Australian jazz fusion bands of the late seventies and early eighties, as well as his passion for the music and making sure audiences come away laughing as well as digging on the music. My huge thanks to Carmen Warrington for arranging this interview with me. Eric Reanimator is back with another Album I Love segment to talk about a couple of albums by beatnik jazz performer Ralph. Who is Ralph? Tune in and find out. Even if you’re not a jazz fan, tune in for the great chats I have with Terry and David and get a feel for the diversity of our selections. Send the show feedback at rrrkitchen@yahoo.com.au (written or mp3 voicemail) or join the Facebook group at http://www.facebook.com/groups/lovethatalbum. If you’d consider writing an iTunes review or recommending the show to a friend, I’d be immensely grateful. If you enjoy what you hear, please tell a friend or ten to tune in.

On this episode of The Writer and the Critic your hosts, Kirstyn McDermott and Ian Mond, kick things off with a debate about cultural cringe, tall poppy syndrome, big girl pants and why all these elements may have contributed to a dearth of Australian content on this podcast of late. Things, they will be a changing. This episode of The Coode Street Podcast focusing on Australian Science Fiction is mentioned, as is Kirstyn's love of The Babadook, an Australian film about which she recently talked at length with Terry Frost on The Martian Drive-In Podcast. The two novels up for dissection this episode are Hild by Nicola Griffith (12:30) and Station Eleven by Emily St. John Mandel (58:30). The reviews, blogs, podcasts and books mentioned during the discussion can be found via the following links: Gemaecca, the ongoing Hild research blog kept by Nicola Griffith (her regular blog lives here) Nicola Griffith talking about Hild on The Coode Street Podcast The Wake by Paul Kingsnorth Straight: The Surprisingly Short History of Heterosexuality by Hanne Blank Review of Hild by T.S. Miller at Strange Horizons Review of Station Eleven at The Skeptical Reader Review of Station Eleven by Sigrid Nunez at The New York Times If you've skipped ahead to avoid spoilers, please come back at 1:35:30 for final remarks. For the next episode, Kirstyn has chosen The Bitterwood Bible by Angela Slatter while Ian is recommending How to be Both by Ali Smith. Read ahead and join in the spoilerific fun!

See Hear Podcast hits double digits. We’re up to episode 10. A small milestone, but one we’re very happy to have arrived at. This time around, Tim has picked Jim Jarmusch’s ensemble cast anthology film of 1989, Mystery Train including Steve Buscemi, Nicoletta Brasschi, and Screaming Jay Hawkins. Three stories, one hotel in the one and only Memphis. We discuss whether this actually qualifies as a music film, Memphis the iconic town versus the ordinary Memphis displayed in this film, Elvis versus Carl Perkins, and the nineties independent film movement. Unfortunately, our beloved Wendi wasn’t available, so those immense shoes were brilliantly filled by Hank Hellman, making his return guest appearance to the show. Tim, Sticky, Hank and myself all had a fun time….but we forgot to sing a rousing chorus of Mystery Train for you. We also make mention that starting next year we will make one in every 3 or 4 shows a listener request. Bernie mentioned one film he will not touch. I say that (in the best Terry Frost style) if we get 20 requests to do it, we will definitely cover it on a future show, AND invite someone who loves the film to come on and tell us off about how snobby we are. What was the film? Listen to episode 10 and find out. If you’ve been enjoying the show, please give us a favourable review on iTunes and let your friends know that our show exists. You can search for See Hear podcast on iTunes or download from http://seehear.podbean.com Send us feedback via email at seehearpodcast@gmail.com. Join the facebook group at http://facebook.com/groups/seehearpodcast

A late pullout from my guest for episode 63 of LTA, and with no one else available on such short notice meant I had to record it by myself. Not my favourite way of doing a show (good on you, Terry Frost for being able to do it on a weekly basis), but here it is. This time around, I talk about an album that many see as the pinnacle of Stevie Wonder’s career – “Songs In The Key of Life” from 1976. Two years in recording, Berry Gordy of Motown took a real chance in signing up Steveland Morris to a new 30 million dollar contract at the time of recording. He reportedly got very nervous the longer the recording went. He was rewarded both artistically and financially. An apt title for an album that’s hallmarks are its diversity and excellence. Eric Reanimator’s Album I Love segment is a beauty, as always. This time around he discusses The Bellrays’ “Let It Blast”. The common description of this band is Aretha Franklin fronts the MC5. See what you think. You can download the podcast at iTunes by searching for “love that album”. You can also stream or download it at “http://lovethatalbum.blogspot.com”.   Send me any feedback at rrrkitchen@yahoo.com.au (written or mp3 voicemail) or join the Facebook group athttp://www.facebook.com/groups/lovethatalbum  

Here we come…walking down the street….we get the funniest looks from….everyone we meet…. If you can sing the next line of that song, then Love That Album episode 47 is for you. The Monkees TV show theme would have to be one of the most beloved and recognised of its era and beyond. Arguments have gone back and forth about whether the Monkees were really a band, given their start as actors who just happened to be playing the parts of band members for a TV show. Well, like all good Frankensteinian monsters, they decided to take on a life of their own. On LTA 47, I am joined by two co-hosts in separate segments. First of all, I welcome back to the show my friend and fellow Monkee nut, Julian Gillis to discuss two classic albums released in 1967 (a watershed year for rock). First of all, we discuss “Headquarters”, the album that by and large avoids the use of session musicians and features more Monkee-penned compositions. Then we look at the next record they released “Pisces, Aquarius Capricorn & Jones”. They return to the use of outside song writing help and they share the platform with session musicians, but to great effect. Julian and I both discuss the notion about the whether they were a real band, and what their legacy has been. How do these albums stand up against other albums released by the more conventionally assembled bands of the day? We both had fun recording this one and discussing some real pop gems. But wait…there’s more Monkee business at hand. For his first LTA appearance, Terry Frost (of the wonderful “Paleo Cinema” and “Martian Drive In” podcasts) joins me to discuss the 1968 surreal piece of Monkee cinema, “Head”. To say this film has been much maligned is an understatement. Devised by Bob Rafelson, Jack Nicholson and the band while allegedly digesting a bag of fauna, this has no linear narrative to speak of – but does it have something to say? Terry and I have a good time finding out. Eric Reanimator returns with his Album I love segment to discuss the album by Danny and Dusty, “The Lost Weekend”, part of the underground paisley movement of the 80s. I really dig this album, as it reminds me of my beloved Weddings Parties Anything. Another classy segment courtesy of Eric. You can download the podcast at iTunes by searching for “love that album”. You can stream or download it at “http://lovethatalbum.blogspot.com”. The podcast can also be listened to via Stitcher Radio. Download the app from stitcher.com, and listen to any episode streaming over your Android or Apple device after searching for “love that album”.   Send me any feedback at rrrkitchen@yahoo.com.au (written or mp3 voicemail) or join the Facebook group at http://www.facebook.com/groups/lovethatalbum.

Sue Lawley's castaway this week is the abstract artist Sir Terry Frost. He first became interested in art as a prisoner of war, when lack of food and freedom enhanced the beauty of a single leaf. On his return to Britain, nature continued to fascinate him and inform his work; bright circles of colour inspired by the Sun and Moon, or patterns of white-on-white remembered from a snowy landscape. Now 83, he's never been so busy. A good thing, he says, because it keeps the aches and pains away. [Taken from the original programme material for this archive edition of Desert Island Discs] Favourite track: Tea For Two by Max Bygraves Book: Blank sheets to write his thoughts on imagination and memory Luxury: Mirror (for company)

Sue Lawley's castaway this week is the abstract artist Sir Terry Frost.He first became interested in art as a prisoner of war, when lack of food and freedom enhanced the beauty of a single leaf. On his return to Britain, nature continued to fascinate him and inform his work; bright circles of colour inspired by the Sun and Moon, or patterns of white-on-white remembered from a snowy landscape. Now 83, he's never been so busy. A good thing, he says, because it keeps the aches and pains away.[Taken from the original programme material for this archive edition of Desert Island Discs] Favourite track: Tea For Two by Max Bygraves Book: Blank sheets to write his thoughts on imagination and memory Luxury: Mirror (for company)