Podcast appearances and mentions of Bob Crewe

On this week's episode of You Are What You Read, we are joined by quintessential music maker and founding member of The Four Seasons, Bob Gaudio. Bob's career in music started at a young age. At the age of 15, he co-wrote his first hit, "Who Wears Short Shorts," for a group he started, The Royal Teens. His song, "Sherry," in the early '60s, launched The Four Seasons' incredible string of hits. At the time, he also began a productive and creative relationship with Bob Crewe, a teaming that produced an amazing run of hits for The Four Seasons, including "Big Girls Don't Cry," "Rag Doll," "Walk Like a Man," "Bye Bye Baby," "Silence Is Golden," and in 1967, Frankie Valli's classic, "Can't Take My Eyes Off of You." Gaudio also produced and co-wrote with his wife, Judy Parker, "Who Loves You," for The Four Seasons and Billboard Magazine's longest-charting single (54 weeks), "December '63 (Oh, What a Night)." Bob has collaborated with Neil Diamond, Barbra Streisand and Frank Sinatra, and has produced albums for Michael Jackson, Diana Ross, Marvin Gaye, Roberta Flack, Barry Manilow, Peabo Bryson and The Beach Boys, to cite just a few. This is a conversation about Bob's greatest hits- the songs we will be tuning up this summer!  Learn more about your ad choices. Visit megaphone.fm/adchoices

What happens when Frankie Valli and his buddies go up against a Bob Crewe certified copy, and another, completely separate duplicate? Tune in and find out! More Trini. More Brenda. More Peter Paul and Mary, and Kit and I get into a knock-down drag-out over Jewel Aiken. We then make up and I acknowledge She's a Woman, and I Feel Fine! Support this podcast at the $6/month level on patreon to get extra content! Create your podcast today! #madeonzencastr . If you are looking for Beatles summer fun, join our friends at the Magical Mystery Camp!

586. Part 2 of our most recent conversation with Ed Branley, also known as the NOLA History Guy. "The clanging of a streetcar's bell conjures images of a time when street railways were a normal part of life in the city. Historic Canal Street represents the common ground between old and new with buses driving alongside steel rails and electric wires that once guided streetcars.  New Orleans was one of the first cities to embrace street railways, and the city's love affair with streetcars has never ceased. New Orleans: The Canal Streetcar Line showcases photographs, diagrams, and maps that detail the rail line from its origin and golden years, its decline and disappearance for almost 40 years, and its return to operation. From the French Quarter to the cemeteries, the Canal Line ran through the heart of the city and linked the Creole Faubourgs with the new neighborhoods that stretched to Lake Pontchartrain" (Hickory Stick Bookshop). Now available: Liberty in Louisiana: A Comedy. The oldest play about Louisiana, author James Workman wrote it as a celebration of the Louisiana Purchase. Now it is back in print for the first time in 220 years. Order your copy today!  This week in Louisiana history. August 10, 1936. Highest temperature ever recorded in Louisiana, Plain Dealing, 114 degrees. This week in New Orleans history. August 3, 1974. "Lady Marmalade" by the group Labelle was written by Bob Crewe and Kenny Nolan, and produced by Allen Toussaint and Vicki Wickham. It was released on August 3, 1974 as the first single from the album Nightbirds. This week in Louisiana. Poverty Point Reservoir State Park 1500 Poverty Point Parkway Delhi, LA 71232 United States 318-878-7536 1-800-474-0392 Email: povertypointres@crt.la.gov Hours of Operation 6 a.m. — 10 p.m. Admission/Entrance Fees $3 per person Free for seniors (62 & older) Free for children (3 & under) Postcards from Louisiana. Dirty Rotten Vipers at French Quarter Fest. Listen on Apple Podcasts. Listen on audible. Listen on Spotify. Listen on TuneIn. Listen on iHeartRadio. The Louisiana Anthology Home Page. Like us on Facebook. 

«Hamlet» en clau de culebrot. Crítica teatral de l'obra «Hamlet. En els plecs del temps». A partir de l’obra de Shakespeare. Adaptació i decorats: Christiane Jatahy. Intèrprets: Isabel Abreu, Tom Adjibi, Servane Ducorps, Clotilde Hesme, David Houri, Tonan Quito, Matthieu Sampeur. Actuacions en el film: Loïc Corbery, Jérémy Lopez, Cedric Eeckhout, Jorge Lorca, Julie Duclos i també Kes Bakker, Aurélie Barrin, Fernanda Barth, Azelyne Cartigny, Léo Grimard, Jamsy, Martin Jodra, Laurence Kélépikis, Yannick Lingat, Yannick Morzelle, Océane Peillon, Juliette Poissonnier, Maëlle Puéchoultres, Yara Qtaish, Alix Riemer, Andrea Romano, Gabriel Touzelin. Veus en off: Zakariya Gouran, Jauris Casanova. Col·laboració artística, decorats i il·luminació: Thomas Walgrave. Direcció de fotografia i càmera: Paulo Camacho. Vestuari: Fauve Ryckebusch. Desenvolupament del sistema de vídeo: Julio Parente. Música original: Vitor Araújo. Disseny del so: Pedro Vituri. Traducció: Dorothée Zumstein. Col·laboració en el desenvolupament tècnic de l’escenografia: Marcelo Lipiani. Consultoria en dramatúrgia: Marcia Tiburi, Christophe Triau. Direcció de producció i management en gira: Henrique Mariano. Assistència en el vestuari: Delphine Capossela. Direcció en pràctiques: Maëlle Puéchoultres. Il·luminació i escenografia en pràctiques: Kes Bakker. Administració de la companyia: Claudia Petagna. Ajudantia de comunicació: Aurélie Barrin. Una producció de l’Odéon - Théâtre de l’Europe amb la participació de Cie. Vértice - Axis Productions. Coproduït per Wiener Festwochen (Viena), Les Nuits de Fourvière - Festival International de la Métropole de Lyon, Holland Festival (Amsterdam), Le Quartz - Scène Nationale de Brest, La Comédie de Clermont-Ferrand Scène Nationale, i De Singel (Anvers). Aquest espectacle ha tingut el suport del Cercle de l’Odéon. Cie. Vértice té el suport de la Direction Régionale des Affaires Culturelles d’Île-de-France, Ministère de la Culture. Agraïments a La Ferme du Buisson - Scène Nationale de Noisiel. Ajudantia de direcció: Laurence Kélépikis. Direcció: Christiane Jatahy. Festival Grec 2024. Sala Fabià Puigserver, Teatre Lliure Montjuïc, Barcelona, 24 i 25 juliol 2024. Veu: Andreu Sotorra. Música: Can't take my Eyes off You. Interpretació: Frankie Walli. Composició: Bob Crewe i Bob Gaudio. Àlbum: The very best of Frankie Walli amb The Four Seasons, 2003.

Kenny Nolan's Debut Album Now Available for Streaming for the First Time Ever - Includes His Iconic Love Songs "I Like Dreamin'" and "Love's Grown Deep" The album that romanced millions of fans around the world during the 1970s will finally be available for streaming today with the release of Kenny Nolan: I Like Dreamin' to all major platforms via StarVista Music. After writing a string of hits for other artists, the prolific songwriter decided to record his own songs, resulting in his debut album that delivered the Number 3 hit "I Like Dreamin'," followed by the Top 20 ballad "Love's Grown Deep." "Kenny Nolan: I Like Dreamin' was originally released in 1977. Nolan's musical journey has left an indelible mark on popular culture, with hits that have resonated across generations and musical genres. His unparalleled talent led to success not only as a solo artist but also as the songwriter for songs that have defined eras. His repertoire includes unforgettable hits such as "Masterpiece" by Atlantic Starr, "Shoot 'em Up Movies" by The Deele and "Penny for Your Thoughts" by Tavares, as well as "My Eyes Adored You" for Frankie Valli and "Get Dancin'" for Disco-Tex and the Sex-O-Lettes (the last two with writing partner Bob Crewe, just to name just a few. One of Nolan's most iconic compositions, "Lady Marmalade," holds a special place in music history, evolving from a moment of inspiration during a Rolling Stones tour to becoming a chart-topping sensation recorded three separate times - by Labelle, Christina Aguilera/Lil' Kim/Mya/P!nk and All Saints - each achieving number one success. Nolan's talent extends beyond writing, as evidenced by his own hits such as "I Like Dreamin'" and "Love's Grown Deep," which earned him accolades including Billboard's Best Single Artist of the Year. Reflecting on his journey, Nolan shares, "I've always believed that music should transcend genres and eras. This album represents a chapter of my life, filled with stories and emotions that have resonated with listeners across the globe for so long. Making it available for streaming allows fans old and new to rediscover the magic of music, from a time when songs were created out of our heart and soul." Become a supporter of this podcast: https://www.spreaker.com/podcast/arroe-collins-unplugged-totally-uncut--994165/support.

Kenny Nolan's Debut Album Now Available for Streaming for the First Time Ever - Includes His Iconic Love Songs "I Like Dreamin'" and "Love's Grown Deep" The album that romanced millions of fans around the world during the 1970s will finally be available for streaming today with the release of Kenny Nolan: I Like Dreamin' to all major platforms via StarVista Music. After writing a string of hits for other artists, the prolific songwriter decided to record his own songs, resulting in his debut album that delivered the Number 3 hit "I Like Dreamin'," followed by the Top 20 ballad "Love's Grown Deep." "Kenny Nolan: I Like Dreamin' was originally released in 1977. Nolan's musical journey has left an indelible mark on popular culture, with hits that have resonated across generations and musical genres. His unparalleled talent led to success not only as a solo artist but also as the songwriter for songs that have defined eras. His repertoire includes unforgettable hits such as "Masterpiece" by Atlantic Starr, "Shoot 'em Up Movies" by The Deele and "Penny for Your Thoughts" by Tavares, as well as "My Eyes Adored You" for Frankie Valli and "Get Dancin'" for Disco-Tex and the Sex-O-Lettes (the last two with writing partner Bob Crewe, just to name just a few. One of Nolan's most iconic compositions, "Lady Marmalade," holds a special place in music history, evolving from a moment of inspiration during a Rolling Stones tour to becoming a chart-topping sensation recorded three separate times - by Labelle, Christina Aguilera/Lil' Kim/Mya/P!nk and All Saints - each achieving number one success. Nolan's talent extends beyond writing, as evidenced by his own hits such as "I Like Dreamin'" and "Love's Grown Deep," which earned him accolades including Billboard's Best Single Artist of the Year. Reflecting on his journey, Nolan shares, "I've always believed that music should transcend genres and eras. This album represents a chapter of my life, filled with stories and emotions that have resonated with listeners across the globe for so long. Making it available for streaming allows fans old and new to rediscover the magic of music, from a time when songs were created out of our heart and soul."Become a supporter of this podcast: https://www.spreaker.com/podcast/arroe-collins-like-it-s-live--4113802/support.

Reciban un cordial saludo. Desde Cali (Colombia), les habla Sergio Luis López, compartiéndoles un nuevo episodio de "Así la escuché yo..." Uno de los álbumes más exitosos de 1968 llegó en la voz del cantante británico Matt Monro, quien presentó el álbum “Matt Monro canta en español”, del cual llegó a los primeros lugares de popularidad la canción “No puedo quitar mis ojos de ti”. Así la escuché yo… Este éxito de Matt Monro es en realidad una versión al castellano de la canción compuesta por los estadounidenses Bob Crewe y Bob Gaudio, grabada originalmente en inglés en 1967 por el artista Frankie Valli junto al grupo The 4 Seasons con el título “Can't take my eyes off you” (No puedo quitar mis ojos de ti). ¿Y tú, conocías la canción original de Frankie Valli Autores: Bob Crewe (nombre real Robert Stanley Crewe, estadounidense) & Bob Gaudio (nombre real Robert John Gaudio) No puedo quitar mis ojos de ti - Matt Monro (1968) "Matt Monro canta en castellano - Todo pasará/Aquellos fueron los días/Lo que quedó/No puedo quitar mis ojos de ti" mini-álbum (1968) Matt Monro (nombre real Terence Edward Parsons, británico) Can't take my eyes off you - Frankie Valli and The 4 Seasons (1967) “The 4 Seasons present Frankie Valli and The 4 Seasons” álbum (1967) Frankie Valli (nombre real Francesco Stephen Castelluccio, estadounidense) ___________________ “Así la escuché yo…” Temporada: 8 Episodio: 47 Sergio Productions Cali – Colombia Sergio Luis López Mora

Reciban un cordial saludo. Desde Cali (Colombia), les habla Sergio Luis López, compartiéndoles un nuevo episodio de "Así la escuché yo..." En 2001 se estrenó la película “Moulin rouge!”, (basada en el famoso cabaré parisino), cuya banda sonora contó con la presencia de las artistas estadounidenses Christina Aguilera, Lil' Kim, Mýa y Pink, quienes en conjunto grabaron la canción “Lady Marmalade”. La canción ya había sido éxito en 1974 cuando fue publicada en el álbum “Nightbirds” de la agrupación estadounidense Labelle; grabada bajo el título “Lady Marmalade”. Así la escuché yo… Los anteriores temas musicales son nuevas versiones de la canción “Lady Marmalade” (Señorita Mermelada), grabada originalmente en 1974 por la agrupación estadounidense Eleventh Hour, coescrita por Bob Crewe y Kenny Nolan, quien en ese momento era miembro del grupo. ¿Y tú, conocías la canción original de Eleventh Hour Autores: Bob Crewe and Kenny Nolan (estadounidenses) Bob Crewe (nombre real Robert Stanley Crewe, estadounidense) Kenny Nolan (nombre real Kenneth Nolan, estadounidense)   Lady Marmalade - Christina Aguilera & Lil' Kim & Mýa & Pink (2001) “Moulin rouge!” Movie Soundtrack álbum (2001) Christina Aguilera nombre real Christina María Aguilera, estadounidense Lil' Kim (nombre real Kimberly Denise Jones, estadounidense) Mýa (nombre real Mya Marie Harrison, estadounidense) Pink (nombre real Alecia Beth Moore, estadounidense) Lady Marmalade - Labelle (1974) "Nightbirds" álbum (1974) Labelle (banda estadounidense conformada por Patti LaBelle, Nona Hendryx y Sarah Dash) Lady Marmalade - Eleventh Hour (1974) "Greatest hits 1974 AD" álbum (1974) Eleventh Hour (banda estadounidense) ___________________ “Así la escuché yo…” Temporada: 8 Episodio: 17 Sergio Productions Cali – Colombia Sergio Luis López Mora

Another two ours of Andy's Groove for you to do whatever you love to do! A tribute to the songwriting talent of Don Covay and the production skills of Bob Crewe; a funky new jazz piece from Dave Guy; three belting Northern Soul stonkers and classics from Millie Jackson, Barbara Lynn, Little Richard, Tom Jones and The Pointer Sisters;Tune into new broadcasts of Groovy Soul, LIVE, Sunday 12 - 2 PM EST / 5 - 7 PM GMT.For more info and tracklisting, visit :https://thefaceradio.com/groovy-soul//Dig this show? Please consider supporting The Face Radio: http://support.thefaceradio.com Support The Face Radio with PatreonSupport this show http://supporter.acast.com/thefaceradio. Join the family at https://plus.acast.com/s/thefaceradio. Hosted on Acast. See acast.com/privacy for more information.

"Jersey Boys: The Story of Frankie Valli and the Four Seasons" is coming to the St. John's Arts and Culture Centre in March. The guy who (co)wrote some of their biggest hits such as "Big Girls Don't Cry," "Sherry" and "Walk Like A Man... His name was Bob Crewe - and his parents were from the island: his dad from Dawson's Cove, his mom from Heart's Delight. We meet the actor who plays this Jersey B'y in a production by TaDa! Events. (Anthony Germain with Dan Lasby)

Desmond Child joins Ralph Sutton and James Mattern and they discuss Desmond Child's 6 decades in the music industry, finding out about his Cuban heritage, Paul Stanley and George Harrison attending a show, composing music at the age of 5, meeting Bob Crewe, starting a song with a great title, the origin of the lyrics of Dude Looks Like A Lady, the truth behind Sisqo using lyrics from Living La Vida Loca, who Tommy and Gina were from You Give Love A Bad Name, Desmond Child wanting to play Marlon Brando in The Offer, writing with Cher, homophobia in the 80s, the documentary Two: The Story of Roman and Nyro, the book Livin' On A Prayer: Big Songs, Big Life, his skincare line Vida Loca, Desmond Child's first concert, first drug and first sexual experience and so much more!(Air Date: January 20th, 2024)Support our sponsors!YoKratom.com - Check out Yo Kratom (the home of the $60 kilo) for all your kratom needs!To advertise your product or service on GaS Digital podcasts please go to TheADSide.comand click on "Advertisers" for more information!The SDR Show merchandise is available at https://podcastmerch.com/collections/the-sdr-showYou can watch The SDR Show LIVE for FREE every Wednesday and Saturday at 9pm ET at GaSDigitalNetwork.com/LIVEOnce you're there you can sign up at GaSDigitalNetwork.com with promo code: SDR for a 7-day FREE trial with access to every SDR show ever recorded! On top of that you'll also have the same access to ALL the shows that GaS Digital Network has to offer!Follow the whole show on social media!Desmond ChildTwitter: https://twitter.com/DesmondChildInstagram: https://instagram.com/Desmond.ChildJames L. MatternTwitter: https://twitter.com/jameslmatternInstagram: https://instagram.com/thejamesmatternRalph SuttonTwitter: https://twitter.com/iamralphsuttonInstagram: https://www.instagram.com/iamralphsutton/The SDR ShowTwitter: https://twitter.com/theSDRshowInstagram: https://www.instagram.com/thesdrshow/GaS Digital NetworkTwitter: https://twitter.com/gasdigitalInstagram: https://www.instagram.com/gasdigital/See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Bob Crewe1930- 2014Inducted Into The Songwriters Hall Of Fame In 1995.While songwriter/producer/recording star, Bob Crewe, is perhaps best remembered for the notable parade of hits penned with co-writer Bob Gaudio for Frankie Valli and the Four Seasons, his songwriting credits began considerably earlier.In the early '50s, New Jersey-born Crewe first tasted success on the music charts with writing teammate Frank Slay with a batch of hits for a variety of artists. Among the best known were "Silhouettes" and "Daddy Cool" for The Rays; "Lah Dee Dah" and "Lucky Ladybug" for Billy and Lillie; and Freddy Cannon's "Tallahassee Lassie" and "Okefenokee."In 1961, Crewe also blossomed as a recording artist himself, with a pair of solo albums on Warwick Records. Kicks, featuring "The Whiffenpoof Song," and Crazy in the Heart, both produced by one of the more colorful producers of that time.Following these successes as a solo recording act, Crewe joined forces with songwriter Bob Gaudio, and good fortune struck almost immediately for the pair with the smash hit, "Sherry," for Frankie Valli and the Four Seasons. Thus began a years-long association with an uninterrupted string of chart successes including "Big Girls Don't Cry," "Rag Doll," "Ronnie," "Walk Like a Man," "Bye Bye Baby" and "Connie 0," as well as the monumental Frankie Valli hit, "Can't Take My Eyes Off of You."Other Crewe and Gaudio successes include "The Sun Ain't Gonna Shine," for The Walker Brothers and "Silence Is Golden" by The Tremeloes. Following this phase, Crewe moved out again on his own to form The Bob Crewe Generation ("Music to Watch Girls By"), utilizing studio musicians and original material for instrumental music collections. Bob Crewe later teamed with writer, Charles Fox, in penning the soundtrack for Dino De Laurentis' film, "Barbarella."During the mid-sixties, Bob Crewe turned discoverer, locating a band known as Billy Lee and The Rivieras, which he later re-named, Mitch Ryder and The Detroit Wheels, a major success on the charts with such Crewe-arranged smashes as "Jenny Take a Ride," "Devil With the Blue Dress On" and "Sock It to Me Baby."As the '60s were coming to a close, Crewe had also established his own recording firm, Crewe Records, which owned hits by Oliver and Lesley Gore, among others. Later, Crewe wrote and produced the song, "Eternity," which became an international hit for Vicki Carr. Following a short stay with Motown Records, when he produced what turned out to be Bobby Darin's final album, Crewe rejoined forces with Bob Gaudio and Frankie Valli, and bought back from Motown the tape master for Valli's "My Eyes Adored You," a song co-written with Kenny Nolan, which became a huge new hit for Valli on Private Stock Records. The song "Lady Marmalade," another joint effort for Crewe and Nolan, went on to reach hit status and also helped re-establish Patti LaBelle as an artist of major stature.Still later, Crewe and Gaudio teamed with another writer, Jerry Corbetta, in penning the hit song "You're Looking Like Love to Me," for Roberta Flack and Peabo Bryson. Crewe also collaborated with Corbetta and the writer, Ellie Greenwich, in producing the original cast album for Greenwich's Broadway musical, "Leader of the Pack."In addition to his music, Crewe also owned impressive credentials in the art world. He has designed numerous album covers and has been featured in several one-man gallery showings, including The Earl McGrath Gallery and Thomas Solomon's Garage in Los Angeles.

Andy reaches the 250 mark of shows for The Face Radio! There's a brief delve in to the work of Bob Crewe, new tunes from Lack of Afro, Smoove and Turrell and Pete Molinari. The three Northern Soul stonkers are all from 1967 and we learn that at 58 it helps to have a good moan!Tune into new broadcasts of Groovy Soul, LIVE, Sunday 12 - 2 PM EST / 5 - 7 PM GMT.For more info and tracklisting, visit :https://thefaceradio.com/groovy-soul//Dig this show? Please consider supporting The Face Radio: http://support.thefaceradio.com Support The Face Radio with PatreonSupport this show http://supporter.acast.com/thefaceradio. Join the family at https://plus.acast.com/s/thefaceradio. Hosted on Acast. See acast.com/privacy for more information.

Frankie Valli, Bob Crewe, Kenny Nolan, and me.

'Jersey Boys' will be the talk of the summer when Stage West launches their production this June - but the story before opening night is that Peter Gregus (original cast member - Bob Crewe) lends a hand...and some dance steps, to the West Fargo show. Do not miss this show!See omnystudio.com/listener for privacy information.

ELLIE GREENWICH -SONGWRITER HALL OF FAME INDUCTEE- 1991Ellie Greenwich is one of the most successful songwriters of the modern pop music era. She was one of the major influences on the 60's rock and roll, a music that continues alive and well today. Her songs, which have sold in the tens of millions, have earned her 25 gold and platinum records.Born in Brooklyn, her young life was filled with singing and dancing recitals and winning first prize in a local newspaper's poetry contest. At 11, she moved to Levittown, Long Island, and her musical career became serious when she took up the accordion and by 13, was writing songs. Along with two high school friends, she formed her first "girls group," The Jivettes, and the trio performed original songs at hospitals, schools and charity benefits throughout Long Island.About this time, Greenwich's mother arranged a meeting for Ellie with Cadence Records president Archie Bleyer (of Everly Brothers and Chordettes fame). His advice to "keep writing but finish school... the music business will always be there," stuck in the young writer's head and she did just that. She attended Hofstra University, was its Spring Queen and graduated with top honors with a BA degree in English, and a listing in "Who's Who in American Colleges and Universities."During her latter years in college, she met Jeff Barry at a family gathering and the two became good friends almost immediately. "He was the first male I could actually harmonize with," she recalls. Eventually, the couple married and went on to become co-writers of some of the most memorable classic rock hits.After graduation in 1962 and following a High School English teaching career which lasted three and one half weeks, she began free-lancing and working out of the offices of Jerry Leiber and Mike Stoller, a pair of hot songwriters in their own right, in Broadway's Brill Building, one of the music business headquarters of that time. She wrote songs with Doc Pomus and Tony Powers and enjoyed her first chart successes with "This Is It," by Jay and the Americans, and "He's Got the Power," by the Exciters. She and Barry formed The Raindrops, who skimmed the top 16 with "What a Guy" and "The Kind of Boy You Can't Forget."Teaming with Phil Spector, the two managed number one hits with "Be My Baby," "Da Doo Ron Ron," "And Then He Kissed Me," "Chapel of Love" and "River Deep, Mountain High." Greenwich and Barry also continued their successes with such number one smashes as "Hanky Panky," and co-written with Shadow Morton, the epic, "Leader of the Pack." During these years, too, Greenwich reigned as one of New York's top demo singers and session vocal arrangers/singers, working with artists ranging from Dusty Springfield and Lesley Gore to Ella Fitzgerald, Bobby Darin and Frank Sinatra. During one of the many demo sessions in which she was involved, Greenwich met and "discovered" Neil Diamond and went on to co-produce such early Diamond hits as "Cherry Cherry" and "Kentucky Woman," doing background vocals as well.During the latter part of the 60's, Greenwich found continued success in collaborations with Bob Crewe, in writing for The Hardy Boys TV series, and in singing on popular commercials for Cheerios

Mitch Ryder, one of the most distinctive and soulful voices to come out of Detroit's 1960s rock music scene, will be inducted into the Rhythm and Blues Hall of Fame June 11, at the Music Hall in Detroit.This year's crop of inductees also includes Patti LaBelle, Gladys Knight & the Pips, the Impressions, Larry Williams, and posthumous inductees James Brown, Isaac Hayes and Mary Wells.Ryder may have fronted a rock band, but make no mistake, his soul props are solid. As a suburban teenager, he made the trek from Warren to hang out at the Village club just off Woodward, to catch sets by the likes of Nathaniel Mayer. By the time he was 17, Ryder sang (and recorded) with a soul group, the Peps.Later he fronted his own rock band, Billy Lee and the Rivieras, which was renamed Mitch Ryder and the Detroit Wheels. The group had an explosive sound that combined the drive of garage rock with Ryder's raw, emotional vocals. That sound drove Bob Crewe-produced hits that included “Devil with a Blue Dress,” “Jenny Take A Ride,” “Sock it to Me, Baby” and “Little Latin Lupe Lu.”Ryder was pleased to hear of his induction alongside some of his soul idols. “I looked at the names of some of those who came before me and it became a celebration of joy for me,” Ryder said in a statement released by his publicist, Cary Baker. “I mean, Aretha Franklin, David Ruffin, Marvin Gaye, Otis Redding, Jackie Wilson, Sam Cooke and so many other voices that brought me great pleasure throughout my life and career. It is still thrilling me, and I'm afraid to wake up from the dream!”After the Wheels split up, Ryder teamed up with Booker T. and the MGs for the acclaimed album “The Detroit-Memphis Experiment.” Later, he joined back up with Wheels drummer Johnny Badanjek in a group they dubbed Detroit, which was managed by Creem magazine publisher Barry Kramer. Detroit recorded a memorable cover of Lou Reed's “Rock and Roll,” which many felt surpassed the original. Later, John Mellencamp produced Ryder's solo album “Never Kick a Sleeping Dog,” which featured his superb rendition of Prince's “When You Were Mine.”Ryder is on the short list of artists who have been unjustly overlooked by the Rock and Roll Hall of Fame, but in a sense, the Rhythm and Blues Hall of Fame is the more fitting place for him.For his part, Ryder says his induction is “an honor which will stay cherished by me for the rest of my life.”The 5th annual Black Tie Rhythm and Blues Hall of Fame Induction Ceremony and Concert will take place at 6 p.m. Sunday June 11 at the Music Hall, 350 Madison, in Detroit. The event will serve as a fundraiser to secure a permanent building for the Rhythm and Blues Hall of Fame. 

Words and Music by Bob Crewe and Bob Gaudio 1967Frankie Valli 2022 Tourhttps://www.youtube.com/results?searc...Frankie Valli Official YouTube Channel https://www.youtube.com/channel/UC0al...Photo July 2014 U.S. CapitolCover by Franco Cianflone at GS studios Hosted on Acast. See acast.com/privacy for more information.

Mi viene un sospetto La clip iniziale è un estratto della canzone “Lady Marmalade” cantata dai LaBelle (autori Bob Crewe e Kenny Nolan-etichetta Epic Records-1974 all rights reserved). La seconda clip, e l'immagine, sono tratte dal video della Regina Elisabetta che prende il the con l'orsetto Paddington in occasione del suo giubileo di platino (produzione BBC all rights reserved)

Episode 53 w/ KING part 1!! Please welcome Antonio Leroy King, aka "King!" King currently plays Barry Belson, Hal Miller (and others) AND understudies Bob Crewe on the current National Tour of Jersey Boys! King is the first Black man to play Bob Crewe on the National Tour. We believe King is the first Black man to play Bob Crewe in a Dodgers production in United States ever! This episode was so amazing that we needed to make it a two-parter! In part 1, follow us as we deep-dive into: -How he got the name King! -How his relationship with God strengthened him during the pandemic -How his college experience shaped him into the man and performer he is today -How educators can teach about Black influence in the arts to the future generations And much, much more! A' Salud♥️

Episode 53 w/ KING part 2!! Please welcome Antonio Leroy King, aka "King!" King currently plays Barry Belson, Hal Miller (and others) AND understudies Bob Crewe on the current National Tour of Jersey Boys! King is the first Black man to play Bob Crewe on the National Tour. We believe King is the first Black man to play Bob Crewe in a Dodgers production in United States ever! This episode was so amazing that we needed to make it a two-parter! In part 2 follow us as we deep-dive into: -How his first performance as Bob Crewe went! -How hiring dressers works on a tour (Did you know there are different dressers at every theatre?) -How he advocated for his own wig for JERSEY BOYS -How he shoulders the pride and responsibility he feels as the only Black person in the cast And much, much more! A' Salud♥️

In the not -too- distant future, remnants of humanity shelter in Locryn Castle trying desperately to survive the endless night. Little do they know, everything they've built is about to be threatened by forces against which they are unmatched.Starring Holliday Grainger as Darcy, Esme Creed-Miles as Hope, Himesh Patel as Felix, and Liam Cunningham as Jepson Belgrave. Caroline Ford as Penelope Chambers, Chloe Pirrie as Dr. Gussie Blackwood, Freddy Carter as Jory Hobbes, Owain Rhys Davies as Anton Devere and James E. Kenward as the emergency broadcaster.Written and directed by Travis Beacham. Words and music for "The Sun Ain't Gonna Shine Anymore" were composed by Robert Gaudio and Bob Crewe and performed by the Cults, by arrangement with Universal Music Publishing Group and Sony Music Publishing

It's hard to embarrass me. But when I tagged along with some friends to the theater to see Rocky Horror Picture Show, with the toast and the actors in front of the screen acting out the scenes as they played on the screen, I finally felt true embarrassment. True, inescapable discomfort. This would be...1994? Before I was even born. It wasn't Tim Curry. He was excellent. It was the feeling that people, all these young people, will do ANYTHING to belong to something bigger than themselves. We go from one thing to another.  Tim Curry - Paradise Garage (1979)  Co-written with DIck Wagner, who wrote or co-wrote Alice Cooper's ballad-ish hits "Only Women Bleed", "I Never Cry", "You And Me" and "How You Gonna See Me Now".   Tim Curry - Working On My Tan (1981)  Tim Curry - Brontosaurus (1978) Written by Roy Wood for the album Looking On, the first Move album with Jeff Lynne. Pretty lethargic, but the original wasn't that peppy either.  Tim Curry - We Went As Far As We Felt Like Going Single (1975) Written by Bob Crewe and Kenny Nolan, who also wrote "My Eyes Adored You" and Labelle's "Lady Marmalade" (both 1974). Sounds pretty familiar, doesn't it? Like a cross between "Evil Ways" by Santana and the Labelle song. Maybe they thought no one would be listening in 2022. But they couldn't imagine you and me, could they? 5th Avenue Buses - Fantastic Voyage (1967) From the album Trip to Gotham City.  I might buy this one somewhere down the road. The titles all have something in common. It was 1966. It was a fad, but these records were intended to tweak the guilt of parents.  A Letter Home - Child in Question (1975)   From the record company: What do you get when you mix about a dozen musicians (including members of The Animals & The Police) with a lot of drugs? An acid psych opus! What do you get when you package it in a prefab jacket with stock Christmas art and a festive title? Total confusion! We hypothesize that if you take enough drugs you may think this private press treasure is a holiday album...but we're not so sure.  One of the artists was Andy Summers, later of The Police, but he doesn't play on this song. The album cover was just lying around the studio, I guess. They put no thought into it at all, again, thinking no one in 2022 would be listening.  Rubber Duckie - A Teenager In Love (1973) 10cc in their nascent stages.  Billy Page - Its Pop (1965) Another rip-off attempt. Boy, this comes off as disdain. In fact, there was a whole industry pushing to keep "hippie" culture irrelevant. Soon, the industry would just subsume the entire thing in TV, music, etc. This might be the same guy that created the above 5th Avenue Buses rip-off. This label also featured Don Randi, who played sessions for more artists than you can shake a stick at.  Bobby Lyle - Shaft (1975)   From Yamaha: Conceived for theaters and similar use, the GX-1 set the electronic keyboard industry on its ear. The first polyphonic synthesizer instrument of its kind, it bridged the gap between organ and synthesizer. The velocity-sensitive keyboards allowed true expression of the voices, a concept never before imagined in electronic organs. The smaller solo keyboard was pressure-sensitive. It weighed over 700 pounds.  From Wikipedia: GX-1 voices were "programmed" onto matchbox-sized cartridges. Each cartridge had 26 screw-sized dials on them to change the VCO, VCF, VCA, and envelope of the voice. 70 cartridges in total were loaded into racks that emerged from the top of the console. From me: This keyboard featured prominently on Led Zeppelin's In Through The Out Door album. And I don't like it. Also, Stevie Wonder's Songs In The Key of Life. For example, the string-ish intro to "Village Ghetto Land." I mean, I know what he was TRYING to do. The juxtaposition and all that.  Bus Boys - Heart And Soul (1982) For a very brief time, due almost entirely to the ascendence of (and relationship with) Eddie Murphy, The Bus Boys were all over the place in the early '80s. Their schtick was working class, inoffensive, smiling, patriotic, black Rock and Roll. Nothing subversive, nothing offensive. But they were good. This album was their second, and there was just no way to keep this edifice fresh, but I like this version more than the others (Huey Lewis and the News and Exile) but it wasn't enough. Search for their videos on YouTube. They're still around.  Gayle Moran - Magic Spell (1980)  Grupo Solo - A Real Mother For You (1977)  Harry Gullett And The Wheels - The Wondering Man (197?) Jennie Darren & The Second City Sound - River Deep Mountain High (1969) Jenny Darren would record the original version of Pat Benetar's hit "Heartbreaker". A little more convincingly, if you can believe that. Hear for yourself, ya greedy so-and-so.  Lance Rentzel - Beyond Love (1971) Lance Rentzel - Lookin' Like Somethin' That it Ain't (1971) On Columbia, no less. A label of prestige and fine taste. And they must have been embarrassed when:  From Wikipedia: Rentzel was leading the [Dallas Cowboys] in receiving yards, when he was arrested for exposing himself to a 10-year-old girl. At the time the accusation was made, the press revealed a nearly forgotten incident that happened when, as a Minnesota Viking in September 1966, he was charged with exposing himself to two young girls in St. Paul, and pled guilty to the reduced charge of disorderly conduct. He was not sentenced to jail, but merely ordered to seek psychiatric care. Because of the nationwide reaction and publicity from the scandal, his wife, singer and actress Joey Heatherton, divorced him shortly thereafter. Rentzel asked the Cowboys to place him on the inactive list so he could devote his time to settling his personal affairs.[14] He would miss the last three games of the regular season, including the Cowboys' playoff drive to its narrow Super Bowl V loss to the Baltimore Colts. Rentzel finished with 28 receptions (second on the team) for 556 yards (second on the team) with a 19.9-yard average and five touchdowns. Joey Heatherton was smoking hot. She's on the left. Marty Allen is on the far right. I've played a record of HIS on my show as well.  Lark - Rubber Duckie (1973) Louie Pascua - Rama's Song - CCP Dance Company Rama Hari Prod_ Ryan Cayabyab Prince Blackman - Rockers Delight (1980)  Return to Forever  - Do You Ever (1977) Hard to fathom: An album like this reached Top 30 status on the album chart. It was a different time.  Rex Griffin - Everybody's Trying To Be My Baby (1935 - 1946) I bet you didn't know that Carl Perkins didn't write this.  From Wikipedia: "Everybody's Tryin' to Be My Baby" was written and recorded in 1936 by Decca artist Rex Griffin. On March 2, 1936 at the Roosevelt Hotel in New Orleans, Louisiana, it was among ten self-penned tracks recorded that day by the recently-signed artist, accompanied only by his guitar. It was released on Decca 5294 in November 1936 to little notice. Griffin copyrighted it on January 22, 1944.[4] In March 1956, Carl Lee Perkins, who had released "Blue Suede Shoes" the previous December, was working on follow up material at Sun Studios in Memphis, Tennessee, and brought in a song called "Everybody's Trying to Be My Baby", that he had written. Shortly after it was recorded, Perkins and his brother were in a serious auto accident, and the song and album were not released until May 1957. Perkins was listed as the sole writer when Knox Music, Inc. published it on November 12, 1957. It is unknown, but doubtful, that Griffin ever confronted Perkins, or even learned of the matter, since he died two years later, while the 1950s non-album oriented radio environment prevailed. In retrospect, Perkins contributed a modern arrangement, along with some minor lyric changes.

Join us on a trip across the pond with our first guest from Jersey BOYS UK! Meet Jacob McIntosh who plays Barry Belson at the Trafalgar Theatre. Jacob is no stranger to jukebox musicals and iconic red costumes — He was a swing in the UK tours of BEAUTIFUL: THE CAROLE KING MUSICAL and KINKY BOOTS. He has an effortless stage presence and can belt like nobody's business. Did you know that Barry Belson does the famous “Oh, What a Night” riff not once but TWICE in the West End production? Last October, Jacob made history as one of the few Black actors to play Bob Crewe onstage in JERSEY BOYS UK. Tommie Earl Jenkins also covered Bob Crewe in JERSEY BOYS UK from 2010-2013. In this episode, you'll learn about: -The Jersey Boys UK Barry Belson riff addition -The Jersey Boys UK definition of “Superswing,” “High Swing” and “Low Swing” -How swings are perceived in the West End -His view on diversity in West End casting A' Salud ♥️

New year, New #JerseyBoys perspectives! Check out our first episode with a JB creative from Australia. Meet Thomas Armstrong-Robley who is not only playing #TommyDeVito in JerseyBoys at the Star Gold Coast in Australia, but he is also DIRECTING the show! Thomas is an award-winning visionary actor/director with the guts to create a new Australian production of Jersey Boys while respecting the original. The show ran from Jan. 6th-16th at the Star Gold Coast in Queensland. We wish Tom and the team all the broken legs! Find out how Tom: -Learned the show and the Four Seasons catalog back and front after seeing JB in London with John Lloyd Young -Nailed his most taxing role as Dewey in a production of #SchoolOfRock (Major niche music convo here!) -Made himself more employable with his international concerts, including “Live at Frankie's: The Songs of Valli and Sinatra” -Helped create 40+ full-time jobs after a year and a half of no work for Australian artists -Informed his new portrayal of Tommy DeVito from the director's chair *Listen to this episode for the top 5 changes in professional production. Get an EXCLUSIVE look at their early artwork!* Key Thomas quotes: “It's not how many hours you warm up. It's getting out of your head.” “Put everything you have into everything you do...because you never know who's watching. A small project [of JB] turned into a full-time job.” (Paraphrased) EXTRA FANDOM ALERT: Listen for our thoughts on in-between moments in Jersey Boys. For example, when Bob Crewe ends up acquiring the money for the Four Seasons demo, what does Tommy do with his money? Is this when he buys apartments to keep his girlfriends in? Is that moment when Tommy starts to break? Please weigh in with us in the comments! A' Salud! Recorded Dec. 19, 2021

Silhouette è stato il singolo di debutto della coppia di songwriters americani Frank Slay e Bob Crewe. Insieme più tardi scrissero molti dei successi di The Four Seasons, il gruppo capitanato da Frankie Valli, conosciuto dalle generazioni successive per avere cantato la sigla di Grease.Per ascoltare la plylist di oggi su Spotify clicca qui! https://rbe.it/?p=70221

Happy birthday, Freddy Cannon! Freddy's music was a rock'n'roll radio staple in the late 50's and early 60's. His first hit "Tallahassee Lassie" was written by Freddy and producers Bob Crewe and Frank Slay. As Freddy tells me in the interview, the idea for the song came from his mother! Dick Clark (who co-owned Freddy's label Swan Records) suggested the record be edited to highlight the pounding bass drum, and Freddy became known as Freddy "Boom Boom" Cannon for the thumping power of his music. "Tallahassee Lassie" hit the Top Ten in July 1959, and was awarded a gold disc by the RIAA. His next record, "Way Down Yonder In New Orleans", rocketed up the charts in January 1960. It was his biggest hit and also sold a million. One of Freddy's biggest hits came in June 1962 with "Palisades Park", written by Chuck Barris. The song was originally written for Dion and it was called "Amusement Park" but producers Crewe and Slay changed the title. Another Top 10 million seller! Freddy came to Vancouver in 1963 for a show with Gene Pitney, The Chiffons, and Bobby Vinton. He signed with Warner Brothers that same year and he recorded his last two hits "Abigail Beecher" in 1964 and "Action" (the theme song to the TV series "Where the Action Is", a spin-off of American Bandstand) in 1965. Both failed to crack the Top 10. After leaving WB in 1967, he continued to work with Dick Clark at his Bandstand reunion concerts and to tour all over the world. Did you know Freddy appeared on "Bandstand" more than 100 times? Freddy returned to Vancouver in 1985 for The Legends Of Rock'n'Roll preview show. That's where we recorded this interview. Freddy lives in sunny Oxnard, CA today and you can keep in touch at freddycannon.com

Urodzeni: Alan Bergman, Julie Covington [FOTO], Mick Talbot (Style Council, Dexy's Midnight Runner), "Love Me Do", "Great White Wonder”, Moby, Richard Ashcroft (Verve).Zmarli: Peter Tosh, Lorne Green, Bob Crewe.Nagranie z roku 2021.

"Jersey Boy Bob Crewe: From Gay Punchline to Respected Artist":://variety.com/2021/music/artists/jersey-boy-bob-crewe-1234947515/ "MITCH":https://theseconddisc.com/2020/02/20/shake-a-tail-feather-rpm-collects-complete-mitch-ryder-and-the-detroit-

Comment Brigitte Bardot a inspiré la première bande-dessinée érotique française ? Et de quelle manière l'adaptation cinématographique de 1968 a transformé l'actrice Jane Fonda en véritable sex-symbol ?Mina et Jade s'intéressent au film de science-fiction « Barbarella » réalisé par Roger Vadim, où il sera question d'une naïve aventurière de l'espace sexy, d'un méchant pervers et d'un ange aux mains baladeuses...Pour plus de contenu exclusif et chaud comme la braise, viens suivre le N'importe cul sur Instagram Si tu es curieuse·x...Attention ! Certaines de ces pages internet hébergent des contenus non adaptés à un public de -18 ans Extrait : Scène d'introduction sur la musique « Barbarella » de Bob Crewe et Charles Fox Fiche Allociné de Barbarella de Roger VadimLa bande dessinée Barbarella de Jean-Claude ForestFiche Allociné du Le Cinquième Élément de Luc BessonLa clip "Electric Barbarella" du groupe Duran DuranLe clip "Break Free" d'Ariana GrandeLe reportage de l'INA sur le tournage de BarbarellaLa scène culte du Chestburster dans Alien, le huitième passager de Ridley ScottLa vidéo du Fossoyeur de Films sur BarbarellaCréditsCréé et animé par Mina et Jade. Produit par Mauvaises Ondes. Générique par Maxence Moogin. Musique de Stefano Mastronardi. Illustration d'Amandine Jonniaux. Hébergé par Acast. Visitez acast.com/privacy pour plus d'informations.

[audio mp3=“https://talkaboutlasvegas.com/wp-content/uploads/2021/04/Charles_Calello_041921.mp3"][/audio] This week, Ira spoke with singer, composer, conductor, arranger, and record producer Charles Calello. In this 30-minute episode of Talk About Las Vegas, Calello talks about working with Frankie Valli and The Four Seasons; why he first took direction when he began his career from Bob Crewe and Bob Gaudio; what keeps the creative process going; his long history of writing arrangements (starting when he was 16 and continuing into his 83rd year); his experience working with Sinatra; how recording styles have changed; why the creative process is both laborious and heart warming; why writers should “speak” from the heart and get joy from it; and his first time in Las Vegas (calling home for more money!)

It's out fifteenth episode and we hope you got your stimulus checks. Digo talked about his close encounter with the Colonial Parkway murder mystery, and Caleb talked about the famous all-female vocal group Labelle and their glam rock classic "Lady Marmalade" written by Bob Crewe and Kenny Nolan.

It was a pleasure to speak with this warm, modest, and talented performer who shared his passion for several years on tour as Bob Crewe in The Jersey Boys. Though musical theatre is on hold, he remains devoted to the art of storytelling. Listen to his story, and you will get to know his kind and gentle soul.

This podcast is unpaid and survives on donations. You can donate here via paypal www.stephenmbland.com/olas-kool-kitchen Ola's Kool Kitchen is a show on KCLA 99.3 FM in Los Angeles, 107.5 andhow.FM, Rock Velvet Radio, Maximum Threshold Radio, Rock Radio UK, Sword Radio UK, Jammerstream One, Kor Radio, Bombshell Radio, Firebrand Radio, Pop Radio UK, Radio Wigwam and Rock XS Radio and you can hear more shows here www.mixcloud.com/olaskoolkitchen/ Show 425 1. Real(s)-Stop Freaking Out-D.S.L.B.- Music As Insurgent Art Records 2. Gorillaz Feat Beck-The Valley of The Pagans-Song Machine: Season One - Strange Timez-Parlophone 3. Boy With Apple-Iceage-Single-Varo Records 4. Holy Motors-Life Valley (So Many Miles Away)- Horse-Wharf Cat Records 5. Swiss Portrait-Find My Way-single-Willow Records 6. Kolaus- Diili saatanan kaa- Pää Edellä Pallogrilliin-Dödstil 7. Total Rubbish-What’s Your Damage-Triple Negative-Born Losers Records 8. Ela Minus - el cielo no es de nadie-Acts of Rebellion-Domino 9. White Ring- ixc999- Black Earth That Made Me- Disaro 10. Spencer Davis Group-I’m a Man-I’m a Man- United Artists Records 11. Dee Dee Warwick - You're No Good-single-Jubilee 12. Bob Crewe & Charles Fox - The Black Queen's Beads- Barbarella-Varèse Sarabande 13. Kevin Morby – Sundowner-Sundowner-Dead Oceans 14. Japanese Television-Beecage- EP III- Tip Top Recordings

Welcome to the first Sound of History of episode! This is a music history podcast where Nick, an amateur music history nerd, attempts to teach music history to his wife Mika, who doesn't know or care all that much about music history.  In this episode, we don't actually talk about music history, but we run through how the show will work, our origin story, and then play a fun game.  Follow us! Facebook: @SoundofHistory   Twitter: @SoundofHistory_ ###################   Music Used:  "Midnight Train to Georgia" written by Jim Weatherly and performed by Gladys Knight and the Pips for Buddah Records. Universal - Polygram International Inc. Publishing "Great Balls of Fire" written by Otis Blackwell and Jack Hammer. Performed by Jerry Lee Lewis for Sun Records in 1957. Published by Sony/ATV and Chappel and Co.  "Gimme Shelter" written and by Kieth Richards and Mick Jagger. Performed by The Rolling Stones for Decca and ABCKO. Published by ABCKO music.  "Crocodile Rock" written by Elton John and Bernie Taupin. Performed by Elton John for MCA (U.S.) and DJM (UK). Published by Universal - Songs of Polygram Music Inc.  "Bohemian Rhapsody" written by Freddie Mercury and performed by Queen for Elektra (U.S.) and EMI (U.K.). Published by EMI Blackwood Music Inc.  "All Along the Watchtower" written by Bob Dylan and performed by Jimi Hendrix for Olympic Records. Published by Bob Dylan Music OBO Dwarf Music "Walk Like a Man" written by Bob Crewe and Bob Gaudio. Performed by The Four Seasons for Vee-Jay. Published by Kobalt Music "Is This Love?" written by Bob Marley and performed by Bob Marley and the Wailers for Tuff Gong/Island Records. Published by Kobalt Music "I Got You Babe" written by Sonny Bono. Performed by Sonny and Cher for ATCO Records. Published by Cotillion Music.  "Son of a Preacher Man" written by John Hurley and Ronnie Wilkins. Performed by Aretha Franklin for Atlantic Records. Published by Sony/ATV Tree Publishing.    All songs used under Fair Use as defined by section 107 of the Copyright Act. All copyrighted material used for nonprofit/educational purposes. 

Desmond Child -- the songwriter behind dozens of Billboard hits -- gives Kyle Meredith a call to discuss his first live album. Child shares the tips and tricks of how he came up with so many chart-toppers, a late-70's mentorship with Bob Crewe, and the details on his upcoming biography. He's also the producer behind an upcoming documentary based on the career of the disgraced (and deceased) boy-band mogul Lou Pearlman, who launched the careers of Backstreet Boys and N'SYNC, and Child gives the update on that project as well. For information regarding your data privacy, visit acast.com/privacy

Die 1964 in Los Angeles gegründeten Walker Brothers erlebten mit diesem Song aus dem Jahr 1966 ihren Durchbruch. Ursprünglich von Bob Gaudio und Bob Crewe geschrieben, wurde der Titel mit dem melancholischen Text in der Version von Scott Walker zur Ikone der Popmusik der 60er Jahre.

    Eric Reanimator is taking a podcasting break, but we at LTA HQ don't want the listenership to miss out on their fix of Love That Album: The Compilation Edition.....nosiree Bob. Terry Frost is the Head honcho at Paleo Cinema and Martian Drive In Podcast. He REALLY knows his cinema history and is great at putting it into social context. Terry is also a fan of great film scores, and on this episode, he has decided to talk about two of them. The first is the score for Barbarella composed by Bob Crewe (a hit song writer for The Four Seasons among many others). Terry then turns his attention to the Isaac Hayes score for Shaft. Hayes had long been a hit songwriter at Stax Records, most notably for Sam And Dave (Soul Man, When Something Is Wrong With My Baby). He became a huge artist in his own right, and the theme from Shaft is arguably his most famous composition. From the moment you hear those closed hi hats (played by Willie "Too Big" Hall later of The Blues Brothers) and the track builds,you know that the music isan important part of the Blaxploitation film experience. You can download the show from iTunes (search for “Love That Album podcast”) or from the website at http://lovethatalbum.blogspot.com My gratitude to Terry for subbing for Eric this month. You can  download his wonderful podcasts at either https://paleocinema.podbean.com/ (for his thoughts on a wide variety of films older than 20 years) or from The Martian Drive In Podcast at https://martiandrivein.podbean.com/ (for any genre related cinema regardless of age). Send the show feedback at rrrkitchen@yahoo.com.au (written or mp3 voicemail) or join the Facebook group at http://www.facebook.com/groups/lovethatalbum. If you’d consider writing an iTunes review or recommending the show to a friend, we’d be immensely grateful. If you enjoy what you hear, please tell a friend or ten to tune in.  

Sir Elton John says of Cidny's show "Somewhere Between - Not an Ordinary Life" "You have to see this! It is an extraordinary story of an exceptional human being. What a story! What a life! What a fantastic show! " Today we are talking to two-time Grammy nominee whose 40-year career in the music business began auspiciously- working with Elton John, Bob Dylan, Rod Stewart, and Pop producer/writer Bob Crewe, singing three lead vocals on the movie soundtrack of Grease, and in 1978 she recorded her own critically acclaimed album Desire Wire, which earned her a Grammy nomination and catapulted Cindy into the international spotlight, we are talking to the incredibly talented Cidny Bullens! CHECK OUT MORE AT cidnybullenssomewherebetween.com!

Sir Elton John says of Cidny's show Somewhere Between "You have to see this! It is an extraordinary story of an exceptional human being. What a story! What a life! What a fantastic show! " Today we are talking to two-time Grammy nominee whose 40-year career in the music business began auspiciously- working with Elton John, Bob Dylan, Rod Stewart, and Pop producer/writer Bob Crewe, singing three lead vocals on the movie soundtrack of Grease, and in 1978 she recorded her own critically acclaimed album Desire Wire, which earned her a Grammy nomination and catapulted Cindy into the international spotlight, we are talking to the incredibly talented Cidny Bullens! CHECK OUT MORE AT cidnybullenssomewherebetween.com!

In the late 50’s Bob Gaudio had been picking up studio work as as keyboardist for producer Bob Crewe. Then Crew started to use the whole Four Seasons band working as session players and singers. One night Crewe decided to take in a four seasons performance at a local New Jersey club. It was that night, on a whim, Frankie Vallei started messing around on stage mimicking Jazz Singer, Rose Murphy’s High falsetto voice.  It was just a goof. Crewe heard it said that’s it: That’s the sound.  

Charles Fox was born and raised in New York City, graduated from the High School of Music and Art, and continued his formal musical education and composition studies with Nadia Boulanger in Paris. He studied jazz piano with Lenny Tristano and electronic music with Vladimir Ussachevsky at Columbia University. He began his career playing the piano, composing and arranging for such salsa legends as Ray Barretto, Joe Quijano and Tito Puente, as well as writing theme music and arrangements for Skitch Henderson and the Tonight Show Orchestra.Charles has composed music for hundreds of songs for records, motion pictures and television. Among the many legendary and diverse recording artists who have recorded his songs are Roberta Flack, Sarah Vaughan, Barry Manilow, Jim Croce, Fred Astaire, Luther Vandross, Johnny Cash, Lena Horne, George Shearing, The Boston Pops, Jack Jones, Tito Puente, Goldie Hawn, Carly Simon, Johnny Mathis, Shirley Bassey, Crystal Gayle, Lori Lieberman, Sergio Mendes, Maureen McGovern, Olivia Newton John, Lauryn Hill, and Ice T.Among his works for theater, in collaboration with lyricist Norman Gimbel, are “The Eleventh” and “A Midsummer Night's Dream”. In collaboration with Hal David, he has composed the musicals “The Chosen” and “The Turning Point”.  Other song collaborators include Paul Williams, Bob Crewe, David Zippel, Sammy Cahn, Carly Simon, Carole Bayer Sager and Marilyn and Alan Bergman.He has composed the musical scores for over 100 motion pictures and television films including “Barbarella”, “Nine to Five”, “Goodbye Columbus”, and “Foul Play” for which he received one of his two Academy Award nominations. The other was for the film “The Other Side of the Mountain”. Among his popular songs are "Ready to Take a Chance Again," "I Got a Name," and "Killing Me Softly with His Song," for which he received the Grammy Award for Best Song of the year. His TV shows and theme songs include “The Love Boat”, “Happy Days”, “Laverne and Shirley”, “Wonder Woman”, “The Paper Chase”,  “Wide World of Sports”, “Monday Night Football” and “Love American Style, for which he received two Emmy Awards.In addition to his popular works, Charles has composed music for the concert hall and ballet. In 2009, Charles conducted the Poland National Opera Company Chorus and Orchestra in a performance of his Oratorio, “Lament and Prayer”  based on the words of Pope John Paul II.  In 2010, he conducted the world premiere of his “Fantasie, Homage a Chopin” which he was commissioned to compose by the Polish Government to honor the 200th birthday of Chopin. He has conducted symphony orchestras performing his music worldwide in Budapest, Prague, Poland, Caracas, London, Israel and Tokyo as well as in the US.Charles was inducted into the Songwriter Hall of Fame in 2004.  He was awarded Lifetime Achievement awards from the Society of Composers and Lyricists and BMI and is a Governor of the Academy of Motion Pictures Arts and Sciences.  www.charlesfoxmusic.com www.100voicesmovie.com

Hosts Briana Phipps, Jeff Graham and Mark J Freeman discuss The Rocky Horror Picture Show. Jersey Boys is a 2005 jukebox musical with music by Bob Gaudio, lyrics by Bob Crewe, and book by Marshall Brickman and Rick Elice. It is presented in a documentary-style format that dramatizes the formation, success and eventual break-up of the 1960s rock 'n roll group The Four Seasons. The musical is structured as four "seasons", each narrated by a different member of the band who gives his own perspective on its history and music. Songs include "Big Girls Don't Cry", "Sherry", "December 1963 (Oh, What A Night)", "My Eyes Adored You", "Stay", "Can't Take My Eyes Off You", "Working My Way Back to You" and "Rag Doll", among others. The title refers to the fact that the members of The Four Seasons are from New Jersey. The musical opened on Broadway in 2005 and has since had two North American National Tours and productions in London's West End, Las Vegas, Chicago, Toronto,

Reviews of ((1) YENTL, by Leah Napolin, at the New Jewish Theatre; (2) LA BOHEME, by Giacomo Puccini, at Opera Theatre of St. Louis; (3) THE TWO-CHARACTER PLAY, by Tennessee Williams, at the Midnight Company; (4) A PERFECT ANALYSIS GIVEN BY A PARROT, by Tennessee Williams, at the Tennessee Williams Festival St. Louis; (5) THE ST. LOUIS ROOMING HOUSE PLAYS, by Tennessee Williams, at the Tennessee Williams Festival St. Louis; (6) JERSEY BOYS, by Marshall Brickman & Rick Elice and Bob Gaudio & Bob Crewe, at the Fox Theatre; (7) DEARLY DEPARTED, by David Bottrell & Jessie Jones, at the Alpha Players; and (8) MITZI’S ABORTION, by Elizabeth Heffron, at Tesseract Theatre.

"Lady Marmalade" began life as a sleazy soul anthem by Bob Crewe and Kenny Nolan before being funked up by Labelle, given an R&B twist by Sheila E and overlaid with cheesy rap for the film "Moulin Rouge". Ian McCann charts its evolution. Credit: Epic, 20th Century Records, Fania, Warner Bros., Polydor Associated Labels See acast.com/privacy for privacy and opt-out information.

Scotland - Independent?; Two launch events; Bob Crewe; Gerard Depardieu; Start at the End; It Ain't over ‘til it's over; Twitter or down the pub?; An interview with Frank Furness; Music from Ron Hipp and Carol Statella

Miss Emily Click here to download.We all have at least one boulder in our lives.The people who are where we wish we could be.And these boulders seem to sit right in the middle of our path, blocking our way to success.This week, we interview soul singer and long-time friend (see picture below!) Miss Emily about insecurity, fear, and transforming the people who intimidate us into people who inspire us.Ways you can connect with Miss Emily:On the web: www.MyMissEmily.comTwitter: @mymissemilyMiss Emily's FacebookMiss Emily's YouTube channeliTunes:Miss Emily EP"Sweet Sunlight" singleVideo links:"Miss Emily // An Introduction - "Sweet Sunlight""Enjoy Music: Miss Emily" Music:"Sneaky Snitch" & "Fun in a Bottle" by Kevin McLeod"Lady Marmalade" by Bob Crewe & Kenny NolanPerformed by Miss Emily, Steve Williams, John Schultz, Fernie Garcia, & Bill Moody."Sweet Sunlight" by Miss Emily"Holiness" by Scott Carl Underwood

Bob Wilcox and Gerry Kowarsky interview Bobby Miller and Wayne Salomon after reviewing (1) SHIRLEY VALENTINE, by Willy Russell, at Dramatic License Productions; (2) THE HOUSE OF THE SPIRITS, adapted from Isabel Allende by Caridad Svich, at Webster Univ. Conservatory; (3) JERSEY BOYS, by Marshall Brickman & Rick Elice, Bob Gaudio & Bob Crewe, at the Fox Theatre; (4) MIDDLETOWN, by Will Eno, at Saint Louis Univ.; and (5) YOU CAN'T TAKE IT WITH YOU, by George S. Kaufman & Moss, at Washington Univ.

Voici le cinquante-quatrième opus d'En Cadence, une émission mensuelle consacrée aux grands thèmes éternels de la musique populaire : l'amour, les voyages, les filles, le mariage ou les voitures de sport.Depuis le nouvel an chinois, nous sommes placés sous le signe du serpent : "L'année du Serpent est le plus souvent caractérisée par un calme relatif et par une certaine sagesse collective. On commencera à se rendre vaguement compte de la futilité de l'agitation humaine, et on se sentira plus porté vers la philosophie et la méditation. L'année sera donc avant tout favorable aux études et à la pensée. Inscrivez-vous sans plus tarder à un cours que vous avez toujours eu envie de suivre, que ce soit un cours de musique, de peinture, de poterie, d'histoire ou de langue étrangère. Le Serpent vous aidera à surmonter vos difficultés et à acquérir une nouvelle dimension culturelle."Liste des morceaux :01. Brian Eno - Sombre Reptiles02. Nick Cave, Warren Ellis, Emmylou Harris & Ralph Stanley - Fire in the Blood / Snake Song03. Fern Knight - Awake, Angel Snake04. The Penguin Cafe Orchestra - The Snake & the Lotus05. Rodolphe Burger - Rattlesnake06. Stefan Lakatos - Snaketime Rattle07. The Incredible String Band - The Yellow Snake08. Sohail Rana - Cobra Sway09. Manfred Mann Chapter Three - Snakeskin Garter10. Bob Crewe & Charles Fox - Smoke (Viper Vapor)11. The Doors - Crawling King Snake12. The Pink Fairies - The Snake13. The March Violets - Snake Dance14. PJ Harvey - Snake15. Tokow Boys - Cobra, Cobra16. The Cure - The Snake Pit17. The Gothic Archies - In The Reptile Room (From The Reptile Room)Écouter

This week’s show will be particularly enjoyed by fans of aggregate as we set about mixing up some concrete, from tunes with a cement or concrete theme to some examples of musique concrete by the likes of Pierre Henry, Tod … Continue reading →