The Verb

Ian McMillan's guests celebrate hedges, with poetry from Alison Brackenbury and Testament, singing from Sam Lee, Michael Symmons Roberts explores a poem with a nightingale at its centre, and hedgelayer Paul Lamb records himself walking a hedgerow that's rich in wildlife.This hedge-themed special features a haunted hedge from poet Alison Brackenbury, part of the anthology 'Lincolnshire Folk Tales Reimagined' (ed, Anna Milon and Rory Waterman). Alison's hedge started off life as a talking hedge in her non-fiction book 'Village' which is all about her childhood home in Lincolnshire (to be published online in July)Testament, a world record-breaking beatboxer, rapper and poet, performs a poem called 'The Lig', based on his experiences observing three generations of farmer hedge-layers in Cumbria. Testament is a member of the Hot Poets Collective which explores climate change through spoken word poetry.Sam Lee's most recent album is 'Songdreaming' - and he sings, not only in front of human audiences, but also with and alongside nightingales. Sam takes musicians and small groups of people into woodland for annual 'Singing With Nightingales' events - events which celebrate this vulnerable bird and our creative connection with it. Sam sings 'Bushes and Briars' on the show and explores the poetry of 19th century poet John Clare.Poet and professor Michael Symmons Roberts chooses a 'neon line' for The Verb's ongoing series about stand-out lines in poems . His choice is from a poem that features a 'deconstructed hedge' and a singing blackbird. Michael listened carefully to the blackbirds in his garden whilst writing his new book 'Quartet for the End of Time: On Music, Grief and Birdsong', - inspired by his relationship with the music of the composer Olivier Messaien.Ian also dips in and out of a very long hedge with the help of Paul Lamb, a hedge-layer who walks the Gower Peninsula to bring us hedge language. Paul's new memoir is called 'Of Thorn and Briar - A Year with the West Country Hedgelayer'

Ian McMillan's guests are the Scottish Makar Peter Mackay, Jamaican poet Lorna Goodison, as well as Indian dancer and poet Tishani Doshi, and the musician Scanner.Scanner lets us into the baffling and mysterious 'poetry' of album titles by Autechre, Aphex Twin and other electronic music artists. Scanner has worked with Laurie Anderson, and Pauline Oliveros amongst other artists, as well as creating sound design for installations at museums, at an airport and for dancers at the London Olympics. For this week's Verb Scanner has created sound design for poems by Peter Mackay, inflected with uncertainty and nostalgiaWe hear new poetry by Peter Mackay, in Gaelic and English, written in response to 'O Wert Thou in the Cauld Blast' by Robert Burns. Peter explains why Burns is a great poet for uncertain times, and why the Gaelic word 'ta' is so useful. His poems can be also heard at the Poetry Jukebox, at the Linenhall Library in Belfast (part of a set of curated poems by ten different writers responding to work in the 'Fragments of Scottish Poetry Project').Queen's Gold Medal winning poet, and former Poetry Laureate of Jamaica Lorna Goodison explains why Miss Lou, (the ground-breaking champion of nation language in Jamaica, and a good friend to Lorna) is a key character in her new version of Dante's Inferno (Carcanet).Indian Poet and dancer Tishani Doshi presents the next in our recurring series 'The Neon Line' - where we celebrate a stand-out line from a poem, and work out why it's powerful, beautiful, or memorable. Tishani also shares new poetry that explores the connection between human emotions and the natural world.https://scannerdot.com/ https://www.tishanidoshi.com/ https://linenhall.com/event/launch-of-the-mcadam-poetry-jukebox/

Rebecca Watts has just published her third poetry collection - The Face In The Well. She discusses writing poems that engage with the work of an earlier generation of poets, turning a cherished childhood memory into poetry, and Emily Brontë's love of ironing. Poet and writer Brian Bilston is as much a fan of the American writer, artist, and designer Edward Gorey as The Verb. He accepted our commission to create an updated version of one of Gorey's most celebrated poems - The Gashlycrumb Tinies. He premieres his approach to Gorey's alphabetical and flatly macabre list of children's final fates - The Garbledoom Tiddlers.Cristina Rivera Garza is a Pulitzer Prize-winning Mexican writer, poet and professor. Her new book, Death Takes Me, fuses crime fiction, literary theory, and the poems of Argentinian poet Alejandra Pizarnik. She discusses the power of language to reflect, proscribe, and change society.Deryn Rees-Jones is a poet, a professor, and editor at Pavilion Poetry. She talk to Ian about the art of creating a poetry collection and how deciding on the order of the poems in a new collection can be a surprisingly physical activity.Presenter: Ian McMillan Producer: Ekene Akalawu

Ian McMillan's guests are George Szirtes, Cecilia Knapp, Lisa Knapp, Gerry Diver and Rishi Dastidar.The beauty of a swimming pool seen from the air, banks that fly up and out of small towns never to return, the poetry of single objects seen from a train window, and the miniature brilliance of poetry pamphlets - all in this week's edition of The Verb. It can be a shock when banks leave our high streets - poet George Szirtes presents a brand new commission for The Verb inspired by that experience, and reads work from his 2004 collection 'Reel' which won the TS Eliot Prize. George has just been awarded the 'King's Gold Medal' for excellence in poetry.Cecilia Knapp finds surprising images for memories of being a teenager in new poetry on this week's show. Cecilia's first collection is 'Peach Pig' - she has published a novel called 'Little Boxes', and is Poet-in-Residence for London's City Bridge Foundation. We look out of train windows, in a new song by Lisa Knapp and Gerry Diver ( from a new album called 'Hinterland'). Gerry has arranged music for films – and in his ground-breaking album 'The Speech Project' he created scores for the remarkable speakers including Christy Moore, the boxer Barry McGuigan and the singer Charlotte Church. Lisa Knapp has been nominated for the BBC folk awards multiple times - her recent performances on the 'Hack Poets Guild' album 'Blackletter Garland' were described as 'expert' and 'ethereal'. Gerry, Lisa and their daughter Bonnie Diver perform live in the studio.Rishi Dastidar shares the joy of small collections - as he celebrates poetry pamphlets with Ian - exploring their appeal and their potential. Rishi is a poet, critic and copywriter. His latest collection is 'Neptune's Projects' described by one reviewer as 'add(ing) wit, postmodern panache and mythic irony to the tradition of the open sea'

The beauty of flower names, time-thieving hedgehogs, the poetry of fertile earth, and the absurdity of English spelling - all appear in The Verb this week. Ian McMillan's guests are the poets Don Paterson, Zena Edwards, and John McAuliffe who's celebrating fellow poet Michael Longley - and we also hear a new 'eartoon' on the origin of words for numbers, by Stagedoor Johnny ( Richard Poynton).Don Paterson shares a brand new poem in which the speaker is a hedgehog who knows 'one big thing' - a big thing that challenges the way we might think about time. Don is also a musician, and a memoirist - his most recent book is 'Toy Fights' - described by the writer Geoff Dyer as 'devastatingly funny'. His award winning collections include 'Rain', 'Landing Light' and 'God's Gift to Women'.Zena Edwards is a poet and theatre maker who has collaborated with many different artists. Her passion for the natural world shines out in her poem 'Tincture' which she shares on the show, and which came about because of a project called We Feed the UK – which brings together spoken word poets from the climate science and poetry organisation Hotpoets, and regenerative farmers – coordinated by the Gaia Foundation. John McAuliffe is poet, and a director of the Centre for New Writing at the University of Manchester. He has published six poetry collections - and his latest - 'National Theatre' (Gallery) is out now. John celebrates the 'miniature but not minor' poem 'Thaw' by the Belfast born poet Michael Longley who died in January.And we hear another installment of a satirical history of the English language by Stagedoor Johnny - in which the letter 'U' has a crisis of confidence.

Flames and poetry - what poetry tell us about the Los Angeles fires, the pleasure the poet John Keats took in reading - a poem-letter to an imaginary estate agent, and magical language. To explore all this McMillan is joined by poetry writers and poetry lovers.Ian's guests: BBC newsreader and journalist Reeta Chakrabarti is a trustee of the Keats-Shelley Memorial Association. She shares her passion for John Keats' poem 'On First Looking into Chapman's Homer' - with its 'realms of gold' and a planet that 'swims'.Fred D'Aguiar is a British-Guyanese poet who lives and teaches in Los Angeles - he shares a powerful new commission which bears witness to the Los Angeles fires, and asks how we might depict and talk about fire in an age of rising temperatures.What does it mean to be a tenant, or an artist in residence in someone else's house - at a time when it is harder to buy houses than in the past? The poet Ella Frears has written a book-length poem exploring rented and borrowed spaces - addressed to an imaginary estate agent - full of tender and frank observations about modern life.Edward Wilson-Lee's new book 'The Grammar of Angels - A Search for the Magical Powers of Language' explores the attraction (and the rejection) of language that has a powerful effect, or casts a spell on us - including the speech of angels and inscriptions on amulets. The book invites us to consider when sound is more powerful than sense, and why that might have concerned our ancestors.

How does it feel to be adopted? How does naming things affect experience? Why does a mysterious sound make Ian want to get out of the studio in Salford? Is it ever a good idea to pretend to have a particular accent? Poems, questions and much more - on this week's Verb.Ian McMillan is joined by poets Joelle Taylor, Anthony Joseph, Luke Wright, and sociolinguist Rob Drummond.Joelle Taylor brings us a brand new commission inspired by the 50th anniversary of the BBC television series 'The Changes' - with its mysterious sound that transforms and challenges modern life. Does it still have resonance today? Joelle won the TS Eliot Prize for poetry in 2022, and her most recent book is a novel - 'The Night Alphabet', which has been described as 'relentlessly inventive.'Anthony Joseph is a poet, musician and academic. He shares poetry of intimacy and intimacy with language - in work from his selected poems 'Precious and Impossible'. Anthony won the TS Eliot prize in 2023 with his 'luminous' collection 'Sonnets for Albert'.Luke Wright is a ground-breaking performer and poet - currently touring with his show 'Joy'. He reads new poems which look at the power of early experiences: a book that helped him understand the experience of being adopted, and a poem which celebrates the beauty of the view from his window in Suffolk.Did the contestant who faked a Welsh accent on 'The Traitors' TV series make a good decision? And what poetry was there to be found in the series? Ian talks to Rob Drummond, Professor of Sociolinguistics at Manchester Metropolitan University.

Ian McMillan presents highlights from the TS Eliot Prize Readings - extraordinary poetry from 2024.Poetry books featured :Raymond Antrobus 'Signs, Music' (Picador Poetry) Hannah Copley 'Lapwing' (Pavilion Poetry) Helen Farish 'The Penny Dropping' (Bloodaxe Books) Peter Gizzi 'Fierce Elegy' (Penguin Poetry) Gustav Parker Hibbett 'High Jump as Icarus Story' (Banshee Press) Rachel Mann 'Eleanor Among the Saints' (Carcanet Press) Gboyega Odubanjo 'Adam' (Faber & Faber) Carl Phillips 'Scattered Snows, to the North' (Carcanet Press) Katrina Porteous 'Rhizodont' (Bloodaxe Books) Karen McCarthy Woolf 'Top Doll' (Dialogue Books)

Evolutionary biologist Richard Dawkins tells Ian McMillan about the influence of poetry on his writing, and shares poems written by his own mother. Ian also explores the influence of a very competitive mother on the life and poetry of former National Poet of Wales Gwyneth Lewis. And as it's the first Verb of the year, stand-up poet Kate Fox suggests new names for all the calendar months, whilst Stagedoor Johnny brings a new 'eartoon' (which explains why the names of baby animals can be so confusing).Richard Dawkins' new book is 'The Genetic Book of the Dead' Gwyneth Lewis' memoir is 'Nightshade Mother' Kate Fox's latest book is 'On Sycamore Gap'

The Morecambe Poetry festival hosts Ian McMillan and the Verb at the Morecambe Winter Gardens, for a special recording with poets Pam Ayres, Raymond Antrobus and Henry Normal, three performers much- loved by audiences.Pam Ayres takes us back to the beginning of her career with the first poem she ever performed live whilst working for the Royal Air Force. This preceded her memorable winning appearance on the TV talent show Opportunity Knocks. Raymond Antrobus reads from a long sequence of poems written after he learned he was going to be a father. One of his poems describes the sign language his hearing son - born in 2021 - communicated with before he could speak. Raymond's own deafness was diagnosed when he was six.Henry Normal has a long association with the Morecambe Poetry festival. He was involved in its creation and is almost its resident poet. He reads poems inspired by libraries saying he would not have become a writer were it not for free access to the wide world through the pages of books. Produced by Susan Roberts

A special recording of The AdVerb at The Hackney Empire . Ian McMillan introduces six unique collaborations - new commissions between poets composers and musicians in collaboration with BBC Contains Strong Language and the BBC Symphony Orchestra Poets from the East End of London team up with composers to make new pieces that tell stories of this part of the capital city in all its astonishing diversity .1. Keith Jarrett with his new poem 'E Note' set to music by Iain Farrington 2. Hannah Silva performs 'The Empire Memorial Sailor's Hostel ' with music by Evan Jolly. 3. Christian Foley's Learning to Swim, performed by the poet with music by Calum Au. 4. Livia Kojo Alour and composer Charlie Bates present a new arrangement of Livia's piece Soul Death 5. Yome Sode and composer James B Wilson present their collaboration Roots. 6. Kat Francois and composer Lee Reynolds present Roots Presented by Ian McMillan with the BBC Symphony Orchestra conducted by Lee ReynoldsProduced by Susan Roberts

Ian McMillan is joined by four guests for more poetry and performance . After a year characterised by wet weather, Alan Connor constructs a poem from 188 Words for Rain collected on travels around the country for his new book with that title. Comedian and writer Isy Suttie treats us to a new song written with the approaching Bonfire Night in mind, but the fireworks in the studio don't only come from her guitar. The other guests get a chance to join in too. Poet Pascale Petit opens up her first novel which took 17 years to write, examining the differences and similarities between poetry and prose and Deryn Rees Jones reads from her own work and takes on this week's neon line, "all the worse things come stalking in". Produced by Cecile Wright Editor Susan Roberts

On this week's edition of The Verb, Ian McMillan gathers together - Wendy Cope - the poet whose 1986 debut collection "Making Cocoa For Kingsley Amis" became that rare thing - a poetry best seller. As her first collected poems are published she reflects on poetry forms and why some of her old poems are making their first public appearance in her new book.Ira Lightman, poet and artist, reflects on the nature of the epic. A marathon endeavour for poets and readers, it's usually seen as an ancient style but it is a form of poetry that contemporary poets continue to embrace including Ira himself.Susie Dent, known for her ability to find just the right word, discusses her new novel, Guilty By Definition in which a group of lexicographers use their dictionary-making skills to solve a mystery.Theresa Lola, former Young People's Laureate for London reads from her new collection, Ceremony for the Nameless, a poetry disquisition on the subject of naming. Presenter: Ian McMillan Producer: Ekene Akalawu

This week on The Verb Ian McMillan is joined by Paul Farley, author of the bird-centred 2019 poetry collection 'The Mizzy'. Especially for The Verb he's written us a brand new poem that considers birds on our workplace, inspired by new 'Nature Postive' building regulations.Malika Booker is tackling this week's 'Neon Line' poem. Booker won the Forward Prize for 'Best Single Poem' in 2023 and she takes us through the 2024 winners, who have recently been announced. Linguist and author of 'You're All Talk', Rob Drummond brings us up to speed on langauge change.And there's a brand new comission from Kate Fox on Strictly Season as well as a reading from her new book 'On Sycamore Gap' - inspired by the famous tree near Hadrian's Wall that was felled last yearPresenter: Ian McMillan Producer: Jessica Treen

Ian McMillan talks to Margaret Atwood and Alice Oswald about how we write poetry, and their own process, the natural world, time, and the possibilities of myth.

BBC Contains Strong Language 2024 took place in Sydney Australia in partnership with Red Room Poetry and ABC Australia . This special edition of The Verb was recorded in State Library of New South Wales n front of a audience as part of the festival. With guests Eileen Chong the first Asian Australian poet to be on the school syllabus, who came to Australia from Singapore in 2007. Singer songwriter Paul Kelly - described as the Laureate of Australia - whose latest project sets the work of poets as varied as Shakespeare and Les Murray to music . Omar Sakr - the son of Turkish and Lebanesemigrants whose collection The Lost Arabs won the prestigious Prime Ministers Literary Award . Ali Cobby Eckermann - a First Nation poet who only met her birth mother as an adult. She, her mother and grandmother were all stolen , tricked or adopted away from their families . Her poetry talks powerfully about this personal and national story .Recorded with an acknowledgement of the Gadigal people the traditional custodians of the land where this edition of The Verb took place Produced by Susan Roberts

Gardens, balloons, parties and whales feature in this week's cabaret of the word. Ian's guests include Toby Litt, Roger Robinson, Hannah Silva and Caleb Femi.Novelist, poet and librettist Toby Litt has wrestled Ian, written stories backwards, and been limited to a single verb, in previous Verb commissions. This week he has to write something surreal for us, and then write something even more surreal by the end of the show - whilst blowing up two balloons. Toby is also mine of writing advice and genre-challenging playfulness in his novels, in his book 'A Writer's Diary' and in his substack.Roger Robinson's 'A Portable Paradise' won the T.S.Eliot Prize and there's no one better placed to unpick a poem and explain its most extraordinary lines for The Verb. He shows us how language really works on this week's show, as he does in his books 'On Poetry' and 'On Creativity'. Caleb Femi is an award-winning poet and film-maker. He has said he wants to be a merchant of joy, and there's lots of joy in his celebration of the true meaning of parties in his new collection 'The Wickedest'. Caleb shares new poems with Ian.Hannah Silva is a poet who truly understands how sound can let us into meaning. She performs a brand new commission for The Verb on the balloon - and asks Ian and his guests to play keepy-uppy during the show. Her latest book is 'My Child, the Algorithm' .

Ian McMillan presents a cabaret of the word - the best poetry and performance - with guests Daljit Nagra, Karen McCarthy Woolf, Brian Bilston and the voice of Stagedoor Johnny.Brian Bilston, internet poetry sensation - and the poet behind 'Days like there' and 'Alexa, what is there to know about love?' shares poems in both human and animal languages from his new book 'Let Sleeping Cats Lie'.Karen McCarthy Woolf writes us a brand new poem in response to AA Milne's classic book - now reaching its centenary, 'When we were very young', featuring mice, Christopher Robin and Buckingham Palace. Karen's latest book is a verse novel called 'Top Doll' - Karen gives voice to the dolls that were owned by reclusive New York billionaire Huguette Clark. Daljit Nagra lets us into a classic poem for our Neon Line series - and helps us enjoy and understand how a great line works in a great poem. He also shares poetry from his new book 'Indiom' which evokes English as a chatty and ancient forest.Stagedoor Johnny is back with another Eartoon that explains the history of various language quirks - this time revelling in words that contain 'ear',

Bringing you the best in Australian spoken word poetry . A special edition of Adverb, recorded at the Riverside Theatres in Parramatta the creative edgy hub of West Sydney. Featuring the founder of the exciting Bankstown series of poetry slams Sara Mansour along with many of the poets who have performed there in slams that attract huge audiences to poetry . The Dharug people are the traditional custodians of the land upon which this performance was recorded in front of an audience. Here 7 of the best perform their work.Presented by Ian McMillan with L-Fresh the Lion Yleia Mariano Sara Mansour Adrian Mouhajer Hani Abdile Mohammed Awad and Dobby

Inspiring words that connect us in difficult times; three outstanding poets take to the stage at Outspoken, one of the most exciting and innovative poetry nights in the world.Imtiaz Dharker, poet, film-maker and national treasure is on first. She is a recipient of the Queen's Gold Medal and reads new poems from her collection 'Shadow Reader' - some of which explore the uncanny experience of having her 'shadow' read in order to predict her life-span.Rachael Allen is a legendary poetry editor as well as a poet; she shares poems of scrupulous attention to a relationship breaking down. Her readings come from the narrative poem in her new book 'God Complex'.Salena Godden's new book 'With Love Grief and Fury' is full of love poems for people and for the planet. She is a poet, memoirist and fiction writer. Her debut novel 'Mrs Death Misses Death' won the Indie Book Award for Fiction and the People's Book Prize.We have selected poetry highlights - but Outspoken is also a music night, and was recorded at Southbank in London.Thanks to the Outspoken team for welcoming Radio 4:Joelle Taylor Anthony Anaxagorou Tom MacAndrew Karim Kamar Sam Junior Bromfield

Ian McMillan presents poets in performance from the Hay Festival for The Verb's performance wing - The Adverb. This week's guests include the Poet Laureate Simon Armitage, the National Poet of Wales Hanan Issa, former Children's Poet Laureate Joseph Coelho, Professor of Creativity Owen Sheers - and Jazz Money, an Australian poet of Wiradjuri heritage. They share poetry of nail varnish, snow, rivers, labyrinths and the heart.

Recorded live at the sunny Latitude Festival Ian McMillan has gathered three top poets for The Adverb - The Verb's showcase of the best live poetry and readings. Dr John Cooper Clarke is a legend of the punk poetry scene and gets us into gear with a poem about the thrilling allure of the hire car. The best art can come out of limitations and Luke Wright shows his amazing lyrical dexterity with a poem entirely based on the assonance of the letter A.And TS Eliot prize winner Joelle Taylor spellbinds the crowd with an autobiographical poem about growing up as a butch lesbian, touching on her early life in Accrington.Along the way, the Barnsley Bard Ian McMillan offers us some of his own work, including a no-holds-barred anaylysis of the perils of drinks machines. Presented by Ian McMillan Produced by Kevin Core

Why does 'mean' have so many meanings? Why do poets take metaphor so seriously? Why do objects like pink ghetto blasters make poems live? And why are the filaments of our eyes in the edges of the snow? To answer these surreal, and not so surreal questions - Ian McMillan is joined by Alistair McGowan, Caroline Bird, and Toria Garbutt, and presents an 'eartoon' - a cartoon for the ear, from Richard Poynton (otherwise known as Stagedoor Johnny).Alistair McGowan is an impressionist, actor, writer, pianist, and now - poet. He joins Ian McMillan in a pun-off - the first time such an event has ever been staged on national radio (probably). Alistair's collection of poems is called 'Not what we were expecting' (Flapjack Press).Toria Garbutt is a spoken word artist, poet and educator from Knottingley. She shares tender, funny poems from 'The Universe and Me' (Wrecking Ball Press) many of which take us into her relationship with her sister when they were young, and reveal how much poetry there is in the objects of childhood. Caroline Bird's new poetry collection is called 'Ambush at Still Lake' (Carcanet). She reads poems of motherhood which are like 'upside down jokes' and take 'toddler logic' (like the idea that imaginary carrots have completely run out) to surreal and sinister conclusions. Caroline also presents us with our neon line, a stand-out line from a classic poem, and explores why it works so well. It's this mystery poem which proposes that there are 'filaments of our eyes' in the 'edges of the snow'.Richard Poynton is a writer and performer (also known as Stagedoor Johnny). He stars in his own invention, a backstory for the origin of the English language, which explains why it has so many words with multiple meanings. In this week's Eartoon Richard introduces us to a 'mean' lasagne. (you won't want to meet it down a dark alley).

Crocodile-like men, fireflies, a soul hitching a ride on a bee, the coolness of Switzerland, anagrams, and a mysterious rhyming poem - all this and more from Ian McMillan's guests this week - as they explore the way a poetic image can change the way we see things,Arji Manuelpillai is a poet and creative facilitator. His poetry collection 'Improvised Explosive Device' (Penned in the Margins) emerged through research and interviews with academics, sociologists, and former members of extremist groups and their families. He also presents a poetry podcast: 'Arji's Pickle Jar'.Mona Arshi is a poet, and was a human rights lawyer. Her poetry collections are 'Small Hands' and 'Dear Big Gods' (Pavilion), and she recently published her first novel 'Somebody Loves You'. Mona's third poetry collection will be published next year. John McAuliffe is a poet, and a director of the Centre for New Writing at the University of Manchester. He has published six poetry collections - and his latest - 'National Theatre' (Gallery) will be out shortly. John unravels our 'neon' line this week ( a stand-out line in a classic poem) and explains why it works so well.Tom Chatfield is a novelist, writer and tech philosopher - and now author of 'Wise Animals: How technology has made us what we are' (Picador). He helps us pit human poets against AI or more precisely - against Large Language Models - to see what human poets can still do best.

Frogs who love rain, the poem that came from a magpie, the poetry of the peleton, and the everyday language of dating apps. Ian McMillan's guests this week (Hollie McNish, Testament, Ira Lightman and Liz Berry) bring all of this to the studio table and much, much more.Hollie McNish's latest book is 'Lobster and other things I'm learning to love' - she shares a pluviophile poem that shows how much joy there can be in realistic love.Ira Lightman is an innovative poet and artist and this week, especially for The Verb, he turns the Salford studio into a poetry version of the Tour de France - including a hot potato.Liz Berry's latest book is 'The Home Child' - she celebrates the poetry of Charlotte Mew, and reads a brand new poem inspired by a frightening but enchanting encounter with a magpie.Testament is a rapper, beatboxer, poet and playwright. His careful attention to the everyday language of people from different political positions, and to the language of dating apps informed his play 'Love in Gravitational Waves' - he shares some of the poetry that its characters write.

Ian McMillan is joined by poets and poetry lovers for this celebration of language recorded at this year's Hay Festival. The actor, Harry Potter star, Dickens virtuoso and national treasure Miriam Margolyes shares one of her favourite poems, the 19th century poet Robert Browning's 'My Last Duchess'. Miriam invites listeners to imagine the Duke, who is the speaker in the poem, as being like 'Hannibal Lecter' from 'The Silence of the Lambs' - a good planner, who has killed his wife.Irish novelist Kevin Barry has written three novels and four collections of short stories - a master of dialogue, and a beloved voice in the New Yorker magazine. He explores the poetry of the language in his most recent novel 'A Heart in Winter'.Gwenno has won awards and acclaim for her haunting and groundbreaking song-writing and performances. Gwenno's albums Le Kov and Tresor are in Cornish (she has a Welsh mother and a Cornish father). She joins Ian to share her love of the Welsh artist and poet Edrica Huws, who achieved fame late in life as a visual artist. Her poem 'Vingt-et-un' has stayed with Gwenno, and she explains why Edrica is a creative inspiration.The poet Owen Sheers explores a poem with a stand-out line (what we call on The Verb the 'Neon Line'). This week the poem explored is 'The Lake Isle of Innisfree' by the Irish poet W.B. Yeats. Is it the 'bee-loud glade' that has caught Owen's attention, or something else? Ian finds out. Owen has an acute ear for language, with writing often inspired by his interviews with real people, for books like 'The Green Hollow'.

The appeal of 'the road less travelled by', Emily Brontë as self-help guru, a new way to look at Little Red Riding Hood and the 'little miracles' we might notice when we care for the elderly; Ian McMillan celebrates poems that explore all of these ideas with his guests, the poets Len Pennie, Malika Booker, Kate Fox, and Michael Symmons Roberts.Michael Symmons Roberts' poetry collections include 'Drysalter', 'Mancunia' and 'Ransom'. This week Michael explores Robert Frost's poem 'The Road not Taken' and sheds light on the strange power of the 'neon' line in the poem (a memorable line that takes the poem to another level) 'I took the road less travelled by'.Kate Fox is a stand up poet, spoken word artist and broadcaster, her latest poetry collection is 'Bigger on the Inside'. Kate has written a new poem for The Verb in which Emily Brontë advises us that most of our thoughts 'are nowt but hill fog' and that problems can be solved by 'a walk or a big dog', or 'a walk with a big dog'.Malika Booker is the only poet to have won The Forward Prize for best single poem twice - she reads one of those winning poems, 'The Little Miracles' for The Verb. Malika founded the groundbreaking poetry workshop 'Malika's Kitchen' with Roger Robinson. Her books include 'Pepper Seed' and her poetry can be found in the 'Penguin Modern Poets' series.Len Pennie's collection 'Poyums' is a best-seller, and explores domestic violence and misogyny with energy, wit and inventive rhyme, It's written in a mixture of Scots and English. Len has a huge following on social media, partly down to her celebration of a 'Scots word of the Day'. For The Verb, she reads a poem about telling the story of a relationship in your own words, and considers the influence of Robert Burns.

What's it like being awake at 4am? How do we feel about toads? Where does the word chortle come from, and when is an anthem truly personal?Ian McMillan gets to the heart of these questions through brand new poetry commissions, exploring the poems and poets we love, and through celebrating language's delights and quirks - all in the company of his guests: the poets Jackie Kay and Helen Mort, the actor Paterson Joseph, and the singer, songwriter and song 'treasurer' Sam Lee.Guests: Helen Mort's latest books are 'The Illustrated Woman' and 'A Line Above the Sky'. She shares a new commission called 'Corners' about the experience of being awake at 4am. Sam Lee joins her for the performance.Jackie Kay is the former Scottish Makar - her new poetry collection is May Day. Jackie discusses a poem by the Scottish poet Norman MacCaig called 'Toad', and reads her own poem 'Cairn'.Sam Lee's new album is Songdreaming. Sam is an arranger, folksong interpreter, passionate conservationist, song collector and creator of live events. He performs 'Banna's Lonely Shore', a song that he heard the Irish Traveller Nan Connors perform, and which he has never heard anywhere else.Paterson Joseph is an award-winning writer and actor, known for his powerful Shakespearian performances as well as his comic roles in television series like 'Green Wing' and 'Peep Show'. Paterson performs Lewis Carroll's 'Jabberwocky'. His novel is called 'The Secret Diaries of Charles Ignatius Sancho'.

The Verb, which for the past 22 years has been bringing linguistic delights to the Radio 3 audience, will be leaving to make its new home on Radio 4. But in a mood of celebration Ian McMillan and his guests put the number 3 in the spotlight as they explore the magic and the power of three in poetry, storytelling and writing; with poet and memoirist Don Paterson to guide us around those poetic forms based on the number three, by long-time Verb favourite Ira Lightman with a brand new commission, storyteller and author Daniel Morden and The Bookshop Band who'll be performing songs inspired by books and by The Verb.

Ian McMillan is leaning into unease this week as he discusses writing and Claustrophobia. His guests are Holly Pester, whose new novel 'The Lodgers' examines the psychological disturbances of precarious housing situations; we meet a woman renting a flat that is more like a sandwich packet than a house, and another who must make her own life extremely small as she lodges with a family.Catherine Coldsteam's new memoir is ‘Cloistered', a book about the twelve years she spent in a Carmelite monastery where she lived the life of a silent contemplative nun.Hannah Sullivan won the T.S. Eliot award for her collection ‘Three Poems'. Her latest book ‘Was it For This' considers a life shrunk small by new motherhood.The last in our series of Verb Dramas is Ghost In The Machine by Karen FeatherstonePresenter: Ian McMillan Producer: Jessica Treen

On International Women's Day Ian McMillan is joined by poets Joelle Taylor, Rommi Smith, Kim Moore and Shirley May to explore how women poets are using poetry and writing to explore and challenge sexism and to empower women through words. There's also music from soul singer, Sarah-Jane Morris, and musician, Tony Remy, from their new album 'Sisterhood'. Rommi Smith reads a poem specially written for The Verb celebrating the colour purple; in 'The Night Alphabet', Joelle Taylor's first novel, one woman's tattoos are each portals to a story of repression and women's resistance, violence and justice; Kim Moore's poetry explores and exposes everyday sexism, gender, class and also performance as a female poet; Shirley May writes from the perspective of the Caribbean diaspora and reflects on stories of the women who came before her, and the young women poets finding their voices now.

Tenor saxophonist Sonny Rollins' practise notebooks, pianist Stephen Hough's account of tackling Tchaikovsky's First Piano Concerto, the voice of Fairport Convention's Sandy Denny in the words of Scottish poet Don Paterson, and E. M. Forster's evocation of Beethoven's 5th Symphony in Howard's End: just some of the texts we'll hear on tonight's celebration of writing about music.Ian's joined by four Radio 3 presenters to discuss the challenges of all sorts of music writing, from concert reviews to programme notes, memoirs, poetry, fiction, and scripts for radio. His guests are Essential Classics Georgia Mann who pored over Oasis reviews in the N.M.E. in her teens, Hannah French from The Early Music Show who once read a biography of Pablo Casals in a day, Composer of the Week's Kate Molleson who started out writing concert reviews at University in Montreal, and Corey Mwamba who presents Freeness and immersed himself in jazz books at Southampton library whilst doing his A-Levels. Producer: Ruth Thomson

The World in Words. The Verb, presented by Ian McMillan, revisits the Contains Strong Language which was held in Leeds in September of last year. It was a gathering of poets from all over the world and featured Felene Cayetano from Belize, Andre Bagoo from Trinidad and Tobago, Ngwatilo Mawiyoo from Kenya, Lebo Mashile from South Africa, Chris Tse, the Poet Laurete of New Zealand, Ramya Jirasinghe from Sri Lanka and Titilope Sonuga.

Ian McMillan presents Radio 3's cabaret of the word.

This edition of the verb is a celebration of the physical - everything from mountain climbing, human desire, a mother's touch or the act of writing. The poet Helen Mort writes in her head, while running, climbing and she even wrote one whilst in labour. She tells Ian about her new collection The Illustrated Woman - inspired by what she calls a "pain epiphany" while being tattooed - and how her poems "spookily" prefigure her life. The Norfolk born writer Jon Ransom wrote The Whale Tattoo, which won the Polari first book award, on his phone on the bus. His new novel The Gallopers opens in the aftermath of the 1953 North Sea flood where 19-year-old Eli yearns for Jimmy Smart, the handsome older fairground worker his aunt has taken in. And award-winning poet Victoria Kennefick has written on the back of her child's drawings and on shop receipts when an idea urgently strikes. She tells Ian McMillan about her collection Egg/Shell, inspired by a lockdown encounter with a swan whose eggs wouldn't hatch. Produced in Salford by Olive Clancy.

The Verb goes back to the brilliant Contains Strong Language Festival held in September last year in Leeds to consider the poetics of rap, rhyme and flows with a celebration of 50 years of hip hop. Rapper and playwright, and friend of The Verb, Testament led a panel discussion on one of the 20th and 21st century's most powerful and influential literary movement with guests UK rapper Jehst, writer and spoken word performer Michelle Scally Clarke, and hip hop luminary Paul 'Oddball' Edmeade.

Ian McMillan presents a special extended interview with writer and novelist Tessa Hadley. Tessa Hadley's books are admired for the flowing, thoughtful intensity of her prose; and she is a master of capturing the humanity of domestic lives and the quietly devastating drama of the everyday. Hadley is a writer with a keen eye for the telling detail and a gift for bringing everything she has, sees and knows about life to the characters she creates. Her first novel was published when she was 46 and since then she has written short stories as well as novels.Producer: Cecile Wright

Ian McMillan presents a celebration of remarkable poets and poetry readings from one of the major events in the poetry calendar: the TS Eliot Prize Readings at the Royal Festival Hall in London. The prize is awarded annually by the TS Eliot Foundation for the best collection of the year. The winning book Self-Portrait as Othello by Jason Allen-Paisant also won the 2023 Forward Prize.

Ian McMillan is looking at, and listening to, the wonderfully different ways we use language with three poets: Daljit Nagra whose new collection Indiom celebrates language in more than forty different poetic forms; Nasser Hussain whose poems take us deep into individual words often creating patterns so that build something new, and Safiya Kamaria Kinshas; a poet, dancer and choreographer whose work weaves together dance and poetry on the page and stage. And we've also got one of our new Verb Audio Dramas made in collaboration with BBC Writers and the BBC Audio Drama North team: No Smoking In The Ground by Matthew Smith.Producer: Cecile Wright

Ian McMillan ho ho hosts a special Christmas edition of The Verb from the Trades Club in Hebden Bridge, recorded in front of a live audience. With stories and verse and song to bring comfort and joy, from poet Jackie Kay, singer-songwriter Amelia Coburn, international storyteller Danyah Miller and doorstep poet Rowan McCabe who's been knocking on stranger's doors and offering to write them a poem especially for The Verb. So pull up a chair and make yourself comfortable. Are you ready? Then we'll begin...Producer: Cecile Wright

What does a good life mean in 2023 and beyond? The Verb returns to the future for a look at stories for a fast-changing planet. This week we hear from some of the most talented storytellers in the world - who have looked at (both literally and metaphorically) the retreat of the glaciers and asked themselves “what can I do now as a writer to help make a good future?'.Ian McMillan is joined by Ben Rawlence, author of 'The Treeline: the last forest and the future of life on earth' (and co-founder of Black Mountains College), by Icelandic author Andri Snaer Magnason ('On Time and Water'), and by Lisa Merrick-Lawless co-founder of 'Purpose Disrupters' (who has 20 years experience in the language of advertising and communications).Ian also hears from John Marshall in America, who co-founded 'Potential Energy' - a coalition of creative, analytic and media agencies who want to shift the conversation on climate change. John reveals his international research into the language that really makes us think.We also share the best wild poems from our call-out in the summer, and road-test an 'eco' sting for radio broadcasts (inspired by 'EcoAudio' - a new certification for greener, sustainable audio productions that is now available for BBC programme-makers).Producer: Faith Lawrence

Ian McMillan presents a special extended interview with Joyce Carol Oates, one of the most prolific and pre-eminent American writers of the 20th century. Now 85, Oates is the author of 62 novels, 47 short story collections, poetry volumes, plays, essays, and criticism. Her latest book is the unsettling short-story collection 'Zero-Sum'.Producer: Cecile Wright