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Dmitri Mugianis is a psychedelic practitioner, musician, and space creator. In this episode, we explore addiction, psychedelics, music, culture, modernity, space, healing, community, and religion, topped off with some coffee, cigars, and Harlem fried chicken. Connect and Learn MoreWebsites: dimitrimugianis.com · cardea.netInstagram: @dimitrimugianisResourcesBooks: How to Change Your Mind, Virtue HoardersPeople: Allen Ginsberg, Alexandre Tannous, Andrew Huberman, Catherine Liu, Deacon Seraphim, Federico Fellini, Glenn Johnson, Herbert Hunkie, Joe Rogan, Ingmar Bergman, John Sinclair, Lou Reed, Martin Buber, Martin Luther King Jr., Michael Pollan, Michel Foucault, Michel Negroponte, Peter Attia, Pier Pablo Pasolini, Ralph Waldo Emerson, Randy Polumbo, Richie Ogulnick, Robert F. Kennedy, Ross Ellenhorn, Sara Glatt, Walter CronkiteFilms: Frostbiter, I'm Dangerous with LoveMusicians: Fela Kuti, Leisure Class, MC5, Sun Ra, The Stooges , The Velvet UndergroundPodcasts: Huberman Lab, This American Life, The Peter Attia Drive, The Joe Rogan Experience, The Symbolic World
Hoy en La Gran Travesía viajamos hasta el año 1969 con lo mejor del año en un podcast donde podréis escuchar a Sly and The Family Stone, Led Zeppelin, Frank Zappa, John Lennon, The Byrds, The Kinks, Bob Dylan, Rare Earth, Joe Cocker, BB King, The Doors, CCR, The Band, Stooges, MC5, Elvis Presley, Beatles, Rolling Stones... ▶️ Y ya sabéis, si os gusta el programa y os apetece, podéis apoyarnos y colaborar con nosotros por el simple precio de una cerveza al mes, desde el botón azul de iVoox, y así, además podéis acceder a todo el archivo histórico exclusivo. Muchas gracias también a todos los mecenas y patrocinadores por vuestro apoyo: Alul, Piri, JBsabe, Juan Antonio Méndez Benítez, Antonio Vicente Álvarez, Aida Borrallo, Eduardo Gutiérrez, Rafa Navarro, José Carlos Lozano, Ikatza, Cabe1961, Guillermo Esteban, Diego Román, Raquel, Sergio Rodríguez Rojas, Jose Antonio Moral, Juanito, Octavio Oliva, Igor Gómez Tomás, Matías Ruiz Molina, Eduardo Villaverde Vidal, Víctor Fernández Martínez, Rami, Leo Giménez, Alberto Velasco, Francisco Quintana, Con, Tete García, Marco Landeta Vacas, Oscar García Muñoz, Raquel Parrondo, Nacho, Alberto, Moy, Dani Pérez, Santi Oliva, Vicente DC, Leticia, Melomanic, Arturo Soriano, Gemma Codina, Raquel Jiménez, Pedro, SGD, Raul Andres, Tomás Pérez, Pablo Pineda, Quim Goday, Enfermerator, Joaquín, Horns Up, Victor Bravo, Francisco González, Marcos Paris, Daniel A, Redneckman, Elliott SF, Miguel Angel Torres, Suibne, Noyatan, Iván Menéndez, Niksisley y a los mecenas anónimos.
Ramones. Blondie. Television. Talking Heads. Patti Smith. New York Dolls. Everyone knows the big names that made New York City THE epicenter of American punk rock in the 1970s. But that's only a part of the story... For every band that "made it" in some way, there were hundreds of bands who either faded into obscurity or never got the break they deserved. They shared the same stages at legendary clubs like CBGB and Max's Kansas City. And their stories are essential to the NYC punk revolution of the era. One of those bands was Manhattan's The Rousers, whose drummer, Jerid O'Connell, joins us as Third Lad today! Rousers 1979 Sire Session is out now on Left For Dead Records on both black and translucent white individually numbered 12” LP vinyl and 2 x CD set (with bonus tracks). Inspired by the New York Dolls, Ramones and such immortal ‘50s rockers as twangy guitar hero Duane Eddy, the Rousers were woefully under-documented in their prime. A few major labels sniffed around, including RCA and Warner Bros. subdivision Sire. But no one committed them to vinyl until their single “Party Boy” b/w “Don't Let The Band Stop Playing” 45 (produced by Wayne Kramer of the MC5) via Jimboco in 1981. This oversight is corrected with the release of the demos that the original Rousers lineup cut for Sire in the label's basement studio on New York's Upper West Side in 1979. Never before released, the tapes sat shelved in the Rock & Roll Hall of Fame's Sire archives for decades, digitized and restored in 2024. This is not a footnote. It's a rescue mission. Tracked to tape under the sharp ear of Ed Stasium, hot off sessions with the Ramones and Talking Heads, the 1979 Sire demos are raw, radiant, and long overdue for release. They captured the Rousers in full dragstrip ignition mode: dueling Gibson guitars plugged into Fender amps for maximum punk twang, hiccupping Elvis/Buddy Holly vocal inflections, and a rhythm section built for backseat makeouts and beer-splashed dance floors. We celebrate the true underground of NYC punk this week, including Jerid's incredible stories ranging from hanging out with Sid Vicious the week before his death to the Rousers' neighbor Madonna opening for them. Learn more about your ad choices. Visit megaphone.fm/adchoices
En nuestro centésimo vigésimo cuarto programa traemos a uno de los grandes directores de cine contemporáneos y analizamos tres de sus películas conectadas con la Ciencia Ficción. - Biografía. Primeros años. (0:06:00) - Encuentros en la Tercera Fase. (1:11:15) - Spielberg y el Nuevo Hollywood. (2:40:15) - De "Night Skies" a "E.T." (2:52:15) - E.T. el Extraterrestre. (3:30:15) - Inteligencia Artificial. (4:45:30) - Comentarios de los oyentes y despedida. (6:20:45) De fondo nos acompaña el álbum digital "Transmission Dream" de Kosmische Wellen y despedimos con la versión del "Back in the U.S.A." de los MC5. La sintonía, como de costumbre, es el "Spectre Detector" de los Tiki Tones. Síguenos y contacta con nosotros a través de Facebook (www.facebook.com/retronautas), Twitter (@losretronautas), Bluesky (@losretronautas.bsky.social) o escríbenos a nuestro correo electrónico: losretronautas@gmx.com Puedes también unirte a nuestro canal de Telegram. Contacta con nosotros para facilitarte el enlace. Si te ha gustado este programa y quieres invitarnos a un café, puedes hacerlo a través de: https://ko-fi.com/retronautas Y si estás comprometido con la C-F viejuna puedes unirte a la infantería móvil retronaútica en: https://www.patreon.com/losretronautas o aquí mismo, en Ivoox. Como patrocinador, serás informado de nuestros planes de vuelo, y tendrás acceso exclusivo a los podcast "Micronautas". Saludos desde los días del futuro pasado.
This week, we take you to church and exorcise some demons by testifying to the New Wave Of Classic Rock! Listen in as we cleanse your soul with classic, blues-influenced hard rock that reminds us of the days when FM radio rocked! Robert called the newer bands out on a recent episode, and indeed, rock n' roll is not dead. It is in the very capable hands of these killer younger bands! What is it we do here at InObscuria? Every show, Kevin opens the crypt to exhume and dissect from his personal collection: an artist, album, or collection of tunes from the broad spectrum of rock, punk, and metal. The younger generation is picking up guitars and playing that classic blues-inspired hard rock again! Our hope is that we turn you on to something new. Songs this week include: LEADFEATHER – “Shoot For The Stars” from Roll The Dice - EP (2025) THE BAND FEEL - “Icarus” from Into The Sun - EP(2025) Time Rift - “Coyote Queen” from In Flight (2025) Canyon Lights - “Breathe Easy” from Seventh Son - Single (2025) The Velvet Daydream - “Love” from Love - Single (2025) Ace Monroe - “If You're Gonna Swing” from If You're Gonna Swing - EP (2024) Dirty Honey - “Rock Steady w/Bad Company” from Can't Get Enough: A Tribute To Bad Company (2025) AK & The Red Kites - “Stronger” from Proverbial Storm (2024) Please subscribe everywhere that you listen to podcasts! Visit us: https://inobscuria.com/ https://www.facebook.com/InObscuria https://twitter.com/inobscuria https://www.instagram.com/inobscuria/ Buy cool stuff with our logo on it: InObscuria Store If you'd like to check out Kevin's band THE SWEAR, take a listen on all streaming services or pick up a digital copy of their latest release here: https://theswear.bandcamp.com/ If you want to hear Robert and Kevin's band from the late 90s – early 00s BIG JACK PNEUMATIC, check it out here: https://bigjackpnuematic.bandcamp.com/ Check out Robert's amazing fire sculptures and metal workings here: http://flamewerx.com/
In a rare interview, Greg Ginn opens up about the latest Black Flag lineup, the SST catalogue, the possibility of long-overdue reissues and the legacy of one of punk's most beloved bands. Tickets for Black Flag's 2026 Australian Tour Topics Include: Greg Ginn is based in Texas but currently in Long Beach after a tour. Black Flag is heading to Hong Kong and then Australia next. This will be Black Flag's third tour of Australia. Rumors of new recordings remain unconfirmed — Ginn stays tight-lipped. The current lineup has been together for about a year. Band plays nearly two hours a night across two full sets. Proximity of bandmates in Texas keeps the band constantly tight. Ginn discovered punk through the Stooges, MC5, and New York bands. Television, Ramones, Blondie, and The Damned were early major influences. Ginn identifies more with open, varied 70s punk than 80s hardcore. He never planned to be in a band — guitar was a personal outlet. Finding like-minded people in the mid-70s was genuinely rare and meaningful. Ginn started a business at 12 selling ham radio equipment he built. He published his own amateur radio magazine as a teenager. Black Flag's first EP was recorded as a demo, not a label release. Nobody wanted to sign them, so starting SST was a reluctant default. Ginn has applied the same DIY experimentation to an organic fertilizer brand. He gets bored easily and improvisation is central to keeping music alive. Ginn stays connected to a song's emotional meaning, not just its notes. Seven band members once lived in a single room during Black Flag's peak. Lineup changes were mostly practical — commitment and lifestyle demands were extreme. Ginn isn't interested in nostalgia-driven reunions; best music matters most now. Fans frequently thank him personally for helping them through difficult life periods. He avoids fiction, movies, and video games — prefers reality and constant learning. SST vaults are mostly bare — nearly everything recorded was officially released. Ginn is open to remastering but skeptical of padding albums with leftover cuts. He notes Dead Kennedys recently remixed Fresh Fruit — and wants to hear it. Ginn doesn't own a working turntable; portability matters more to him than format. SST catalog reissues — including Stains, Dicks, Overkill — are a genuine possibility. Ginn believes Black Flag's songs remain timeless, attracting both parents and their kids. High resolution version of this podcast is available at: www.Patreon.com/VinylGuide Picts by Edward Colver Apple: https://tinyurl.com/tvg-ios Spotify: https://tinyurl.com/tvg-spot Amazon Music: https://tinyurl.com/tvg-amazon Support the show at Patreon.com/VinylGuide
On April 23, 1976, four friends from Queens, New York released an album that helped trigger a whole new rock movement called "punk." It only took them four days to record with songs inspired by such diverse influences as The Beatles, MC5 and the Bay City Rollers. Randy Renaud celebrates the 50th anniversary of The Ramones debut album, on the Chronicles of Rock.
Welcome to our bi-monthly ENCORE PRESENTATION of classic REVOLUTIONS PER MOVIE episodes from the vault! Aw....this early Revolutions Per Movie recording, with my fantastic guest KLIPH SCUROLOCK (drummer/multi-instrumentalist for The Flaming Lips, Gruff Rhys of Super Furry Animals), brought out all the excitement as we bonded and talked about one of the greatest unreleased music documentaries ever made about one of the greatest bands ever to walk the Earth: MC5-A True Testimonial. Enjoy!(Episode 13 originally aired on Dec. 9th 2023).ORIGINAL SHOW NOTES:This week, we talked to Kliph Scurlock (drummer/multi-instrumentalist for The Flaming Lips, Gruff Rhys of Super Furry Animals) about the greatest unreleased music documentary of all-time, MC5: A True Testimonial! We also discuss the by-gone era of famous rock managers, the physicality and sonic push of the MC5, bad band decisions, FBI footage of the band & how bands end.Kliph Scurlock:https://www.instagram.com/kliphscurlockMC5 live footage:https://www.youtube.com/watch?v=dfDoUIh23WgHost Chris Slusarenko (Eyelids, Guided By Voices, owner of Clinton Street Video rental store) is joined by actors, musicians, comedians, writers & directors who each week pick out their favorite music documentary, musical, music-themed fiction film, or music videos to discuss. Fun, weird, and insightful, Revolutions Per Movie is your deep dive into our life-long obsessions where music and film collide.Revolutions Per Movie releases new episodes every Thursday on any podcast app, and additional, exclusive bonus episodes every Sunday on our Patreon. If you like the show, please consider subscribing, rating, and reviewing it on your favorite podcast app. Thanks!PATREON:The show is also a completely independent affair, so the best way to support it at patreon.com/revolutionspermovie. By joining, you can get weekly bonus episodes and series such as A Very Opinionated Look At Urgh! A Music War & What Makes The Midnight So Special?, physical goods such as a limited edition 7" Flexidisc, and other exclusive goods that I send out to you for supporting the show. It helps the show to keep going and is greatly appreciated!TIP JAR:ko-fi.com/revolutionspermovieSOCIALS:@revolutionspermovieBlueSky: @revpermovieTHEME by Eyelids 'My Caved In Mind'www.musicofeyelids.bandcamp.com ARTWORK by Jeff T. Owenshttps://linktr.ee/mymetalhand Hosted on Acast. See acast.com/privacy for more information.
Hoy en La Gran Travesía podéis escuchar a Midnight Oil, Hellacopters, Status Quo, Mc5, Fugazi, Tom Waits, Rolling Stones.... ▶️ Y ya sabéis, si os gusta el programa y os apetece, podéis apoyarnos y colaborar con nosotros por el simple precio de una cerveza al mes, desde el botón azul de iVoox, y así, además podéis acceder a todo el archivo histórico exclusivo. Muchas gracias también a todos los mecenas y patrocinadores por vuestro apoyo: Juan Antonio Méndez Benítez, Antonio Vicente Álvarez, Aida Borrallo, Eduardo Gutiérrez, Rafa Navarro, José Carlos Lozano, Ikatza, Cabe1961, Guillermo Esteban, Diego Román, Raquel, Sergio Rodríguez Rojas, Javier, Jose Antonio Moral, Juanito, Octavio Oliva, Andreea Deea, Igor Gómez Tomás, Matías Ruiz Molina, Eduardo Villaverde Vidal, Víctor Fernández Martínez, Rami, Leo Giménez, Alberto Velasco, Poncho C, Francisco Quintana, Con, Tete García, Marco Landeta Vacas, Oscar García Muñoz, Raquel Parrondo, Nacho, Javito, Alberto, Moy, Dani Pérez, Santi Oliva, Vicente DC, Leticia, Melomanic, Arturo Soriano, Gemma Codina, Raquel Jiménez, Pedro, SGD, Raul Andres, Tomás Pérez, Pablo Pineda, Quim Goday, Enfermerator, Joaquín, Horns Up, Victor Bravo, Fonune, Francisco González, Marcos Paris, Daniel A, Redneckman, Elliott SF, Sementalex, Miguel Angel Torres, Suibne, Noyatan, Iván Menéndez, Niksisley y a los mecenas anónimos.
Hoy en La Gran Travesía os dejamos un programa dedicado al rock y a la censura. Canciones, portadas de discos, videos musicales... todos en algún momento sufrieron los recortes de las tijeras de las autoridades. Hoy vamos a poneros unos cuantos temas de los que más nos llamaron la atención, y que en muchos casos son canciones absolutamente históricas. Sex Pistols, QOTSA, Nirvana, Dead Kennedys, Soundgarden, MC5, Beatles, The Kinks, Pink Floyd, Rage Against the Machine...y muchos más. ▶️ Y ya sabéis, si os gusta el programa y os apetece, podéis apoyarnos y colaborar con nosotros por el simple precio de una cerveza al mes, desde el botón azul de iVoox, y así, además podéis acceder a todo el archivo histórico exclusivo. Muchas gracias también a todos los mecenas y patrocinadores por vuestro apoyo: Juan Antonio Méndez Benítez, Antonio Vicente Álvarez, Aida Borrallo, Eduardo Gutiérrez, Rafa Navarro, José Carlos Lozano, Ikatza, Cabe1961, Guillermo Esteban, Diego Román, Raquel, Poncho C, Sergio Rodríguez Rojas, Javier, Jose Antonio Moral, Juanito, Octavio Oliva, Andreea Deea, Igor Gómez Tomás, Matías Ruiz Molina, Eduardo Villaverde Vidal, Víctor Fernández Martínez, Rami, Leo Giménez, Alberto Velasco, Poncho C, Francisco Quintana, Con, Tete García, Marco Landeta Vacas, Oscar García Muñoz, Raquel Parrondo, Nacho, Javito, Alberto, Moy, Dani Pérez, Santi Oliva, Vicente DC, Leticia, Melomanic, Arturo Soriano, Gemma Codina, Raquel Jiménez, Pedro, SGD, Raul Andres, Tomás Pérez, Pablo Pineda, Quim Goday, Enfermerator, Joaquín, Horns Up, Victor Bravo, Fonune, Francisco González, Marcos Paris, Daniel A, Redneckman, Elliott SF, Sementalex, Miguel Angel Torres, Suibne, Noyatan, Iván Menéndez, Niksisley y a los mecenas anónimos.
Suzi Quatro has been rocking out live for 7 decades. Since she was a teenager with her sisters in The Pleasure Seekers in the mid-60's she has been on stage, singing, playing her bass and proving that she rocks hard, no matter what box you may try to put her in. Suzi's new album Freedom is available for purchase and download and it's a rocker from start to finish. The title track is the lead single and she discusses how she and her son wrote that one and how she immediately knew it was a new anthem for her. They bring back that old Detroit raunchy-rock riffing with Suzi's unique voice on songs like Here's Ya Boots, Nobody Held My Hand and Shakedown and she even teams up with fellow Detroiter Alice Cooper on the MC5 classic Kick Out The Jams (and yes, Suzi says the expletive after Kick Out The Jams). Hear not only about how she made this record, one of her best in years, but about her long career, about moving to England in 1971 alone, touring the world, making fun of nerdy interviewers, being a mom and being her unstoppable, determined self. Of course we ask a Happy Days question but are so glad she didn't keep reprising Leather Tuscadero so we could get more of the real Suzi Quatro over the last 50 years. Learn more about Freedom and Suzi's tour dates here: suziquatro.com Check out our new website: Ugly American Werewolf in London Website Visit our sponsor RareVinyl.com and use code UGLY to save 10% off one ENTIRE ORDER! bit.ly/UAWILRocks Twitter Threads Instagram YouTube LInkTree www.pantheonpodcasts.com Learn more about your ad choices. Visit megaphone.fm/adchoices
Suzi Quatro has been rocking out live for 7 decades. Since she was a teenager with her sisters in The Pleasure Seekers in the mid-60's she has been on stage, singing, playing her bass and proving that she rocks hard, no matter what box you may try to put her in. Suzi's new album Freedom is available for purchase and download and it's a rocker from start to finish. The title track is the lead single and she discusses how she and her son wrote that one and how she immediately knew it was a new anthem for her. They bring back that old Detroit raunchy-rock riffing with Suzi's unique voice on songs like Here's Ya Boots, Nobody Held My Hand and Shakedown and she even teams up with fellow Detroiter Alice Cooper on the MC5 classic Kick Out The Jams (and yes, Suzi says the expletive after Kick Out The Jams). Hear not only about how she made this record, one of her best in years, but about her long career, about moving to England in 1971 alone, touring the world, making fun of nerdy interviewers, being a mom and being her unstoppable, determined self. Of course we ask a Happy Days question but are so glad she didn't keep reprising Leather Tuscadero so we could get more of the real Suzi Quatro over the last 50 years. Learn more about Freedom and Suzi's tour dates here: suziquatro.com Check out our new website: Ugly American Werewolf in London Website Visit our sponsor RareVinyl.com and use code UGLY to save 10% off one ENTIRE ORDER! bit.ly/UAWILRocks Twitter Threads Instagram YouTube LInkTree www.pantheonpodcasts.com Learn more about your ad choices. Visit megaphone.fm/adchoices
Swami John Reis of Rocket from the Crypt and Drive Like Jehu digs deep on record collecting, the thrill of the hunt, running Swami Records, and why the next release always matters most. Get yer tix to the Punk Rock Museum's 3rd Anniversary Show here Topics Include: Swami John Reis joins to talk record collecting and Punk Rock Museum. His collection is evolving — trading old hardcore for more desired records. Collection is 95% 45s, driven by a lifelong musical pursuit. Early punk led him to hunt for MC5, Stooges, Velvet Underground. The thrill: records still exist that nobody knows about yet. Digging through boxes feels calming, healthy, and satisfying every time. Hawaii vintage shop surprise — radio station collection hidden outside for decades. Detroit and Pittsburgh are his highest strike-rate cities for finds. Always ask the clerk — the best stuff is never on the floor. Styrene vs vinyl: the label sticker is the definitive tell. Making records informed his collecting — plain white sleeves, big hole 45s. Pressing plant relationships are everything; affordability is the biggest challenge. Customs delays under the current administration are wrecking release schedules badly. Major labels scrapped their own pressing plants — now everyone competes for time. Marketing records stopped making sense; the artist always drives interest anyway. Every record is essentially limited and out of print from day one. Smaller runs mean no unsold closet stock and more collector value later. Hot Snakes packaging and Rick Griffin's creativity still inspire him deeply. Upcoming: Sultans reissue, Mrs. Magician LP, new Swami John Reis record. Schizophonics collaboration in the works — the next thing is always the thing. High resolution version of this podcast is available at: www.Patreon.com/VinylGuide Apple: https://tinyurl.com/tvg-ios Spotify: https://tinyurl.com/tvg-spot Amazon Music: https://tinyurl.com/tvg-amazon Support the show at Patreon.com/VinylGuide
¿Listo para descubrir cómo Nova Twins fusiona punk, hip-hop y electrónica en Parasites & Butterflies? ¡Escucha y déjanos tu opinión! Seguimos con el segundo de los podcasts dedicados a mujeres en la música, ya que estamos en el mes de marzo. Si en el anterior programa hablamos de las españolas Lady Banana, en esta ocasión lo haremos del dúo británico Nova Twins, una banda formada en 2014 en Londres. En la misma militan la vocalista y guitarrista Amy Love y la bajista (que también hace coros), Georgia South. Por lo tanto, una banda de reciente creación con sólo 12 años de vida (aunque su álbum Parasites & Butterflies salió en agosto de 2025). Ambas son amigas desde la niñez. Love es de descendencia iraní y nigeriana, mientras que South es de padres jamaicanos y australianos. Una buena mezcla. El padre de South, de nombre William, también es músico. Amy estudió Artist Development en Access Creative College (ACC) London y se inspiró inicialmente en Destiny's Child, evolucionando hacia bandas como MC5, New York Dolls, Kiss, Sweet y Led Zeppelin, priorizando directos enérgicos; conoció a Georgia de adolescente vía el hermano de esta, compartiendo incluso habitación familiar. Georgia, por su parte, cita influencias como Skrillex, N.E.R.D. y Timbaland por su uso innovador de procesamientos electrónicos. Georgia South crea sonidos de bajo únicos con pedales de efectos que imitan guitarras o sintetizadores, sin batería fija en el dúo
Esta semana, en nuestras Islas de Noche, volvemos a nuestro rincón favorito de los primeros 70, con una colosal descarga de canciones salvajes y mugrientas. Esta noche, nos sacudimos el polvo a base de estacazos eléctricos. A piñón fijo. Sesión no apta para coger el sueño. Suenan: BLUE CHEER - "Good Times Are So Hard to Find" ("THE ORIGINAL HUMAN BEING", 1970) / PINK FAIRIES - "The Snake" (1971) / PRETTY THINGS - "Cold Stone" (1970)/ FRIJID PINK - "Sing A Song For Freedom" ("DEFROSTED", 1970) / MC5 - "Gotta Keep Movin'" (HIGH TIME", 1971) / FUNKADELIC - "Super Stupid" ("MAGGOT BRAIN", 1971) / GRAND FUNK RAILROAD - "No Lies" ("E PLURIBUS FUNK", 1971) / BLACK SABBATH - "The Wizard" ("BLACK SABBATH", 1970) / GROUNDHOGS - "Eccentric Man" ("THANK CHRIST FOR THE BOMB", 1970) / THIRD WORLD WAR - "Ascension Day" ("THIRD WORLD WAR", 1971) / FLAMIN GROOVIES - "Teenage Head" ("TEENAGE HEAD", 1971) /THE STOOGES - "Down on the Street" ("FUN HOUSE", 1970)Escuchar audio
Retour aux origines de Funkadelic, avec quelques camarades de jeu comme MC5, Amboy Dukes, Vanilla Fudge, Stooges. On y ajoute les Supremes (qui sont reprises par Vanilla Fudge après tout), Black Merda, Ruth Copeland, Temptations, 420 Funk Mob, Funkadelic, Eddie Hazel en solo… Retrouve le podcast juste ici: L'article Maggot Brain – He Helped Them Testify Part. 2 est apparu en premier sur Radio Campus Tours - 99.5 FM.
Interview with Jerid O'Connell of The Rousers. The Rousers were formed in 1977 in New York CIty by Jeff Buckland (vocals), Bill Dickson (rhythm guitar), John Hannah (bass), Tom Milmore (lead guitar) and Jerid O'Connell (drums). They auditioned at CBGB, where they were noticed by famed Max's Kansas City booker Peter Crowley. The Rousers genial "Rhythm and Twang" sound soon earned them a following, and the band performed all around the New York area, Washington D.C., Philadelphia and Boston. The Rousers released a single in 1981 on Jimboco Records of "Party Boy" and "Don't Let the Band Stop Playing" produced by MC5 legend Wayne Kramer. (An early limited edition included a red FlexiDisc of "Christmas Party".) In 1982 Sal Capozucca and Brett Wilder respectively took over on drums and bass. This lineup continued until 1984. Jeff Buckland left music and went on to a successful career in animation. The other members went on to various other bands (Bill and Brett joined The Backbones, Tom and Sal to Syntax Error, Treasure Head, etc.) and continued to play and record in the New York area. Around 1986, the Praise Jockeys were formed with Bill, Brett, Tom and Sal. The band featured a heavier, riff happy sound. Their "Look at My Face" CD was released in 2021. Bill, Tom and Sal next formed The Mockingbirds with keyboard player Chris Pondish. The Mockingbirds released the CD "Broken Times" in 2021. That band transformed into The Shambles (Bill, Tom, Sal and Rob Noname). Brett continued to play in several bands, including The Vacant Lot. Around 1995 The Rousers began playing as a quartet with Bill on vocals and guitar, Brett on bass, Tom on guitar and Sal on drums. This lineup recorded several songs at Purple Light Studio in Brooklyn which was released as "All the King's Men" in 2021. Brett left to pursue his musical muse, sometimes rejoining The Rousers, but mainly going his own way. The Rousers continued with Bill now on bass and vocals. Henry Kandel was added on saxophone from about 2000-2002. After that, the Rousers recorded and performed as a trio. The band released a CD ("Playing the Rock and Roll For You") in 2012, and an EP in 2018 ("Kickin'"). Drummer Sal Capozucca died of Covid May 13,2020. Pick up a copy for The 1979 Sire Session here : https://www.leftfordeadrecords.com/ 1979-sire-session
Hey! Ho! Let's Go! Welcome to our bi-monthly ENCORE PRESENTATION of classic REVOLUTIONS PER MOVIE episodes from the vault! The incredible Craig Finn on the amazing Ramones' cult film Rock 'N' Roll High School...what more can I say, Principal Togar...this episode rules...enjoy!(Episode 51 originally aired on August 24th, 2024).Original Show Notes:This week, we talk to CRAIG FINN of THE HOLD STEADY & 'That's How I Remember It' podcast about the legendary cult classic ROCK 'N' ROLL HIGH SCHOOL! We discuss how discovering THE RAMONES is a young person's game, reading THRASHER magazine in the school library, not knowing what bands sounded like, KTEL record complitaions and ROCK 80 LP, the Summer of 1980 AM Rock Radio, Craig seeing STYX's KILROY WAS HERE tour, vomiting at a DEVO show, $1.92 new wave shows, fantasing about where bands are getting coffee in your hometown when they come through on tour, the VHS release of the film, ROAD TO RUIN LP, Craig getting guitar lessons from punk legend Chris Osgood of The Suicide Commandoes, the singleminded yet 4 headed songwriting beast that was THE RAMONES & the cultish nature of the band, Joe Dante's script, how producer ROGER CORMAN wanted to cut out the middle of The Ramones songs, DISCO HIGH, teaching the Ramones to walk in the film, staying overnight to get concert tickets, getting punished by your parents by them forcing you to go see a LAURIE ANDERSON concert, our big Ramones regrets, the trouble with filmming the Ramones' live footage and how it almost started a riot, learning about Chicken Vindaloo through the band's song lyrics, getting the courage to go to a punk rock show, Violent Femmes, our first punk/new wave show we went too, clove cigarettes, The Replacements, ticket prices vs. record prices, under attended hardcore matinee shows, Clint Howard, PJ Soles & Vince Van Patton, does the movie hold up as a cult film, High School permanent records, how the soundtrack turned us on to the MC5 and ENO and the search for those records, Mudhoney & Tad, how the film smartly adds more and more Ramones to the film as it goes on, the Americana side of the Ramones, what Ramones lyric would Craig wished he had written and what lyric of his is the most Ramones, what would a Roger Corman produced Hold Steady movie consist of and what role Clint Howard would play in it and so much more!!!So, let's tear up our permanent records on this episode of Revolutions Per Movie!!!CRAIG FINN:https://craigfinn.net/https://theholdsteady.net/REVOLUTIONS PER MOVIE:Host Chris Slusarenko (Eyelids, Guided By Voices, owner of Clinton Street Video rental store) is joined by actors, musicians, comedians, writers & directors who each week pick out their favorite music documentary, musical, music-themed fiction film or music videos to discuss. Fun, weird, and insightful, Revolutions Per Movie is your deep dive into our life-long obsessions where music and film collide.The show is also a completely independent affair, so the best way to support it is through our Patreon at patreon.com/revolutionspermovie. By joining, you can get weekly bonus episodes, physical goods such as Flexidiscs, and other exclusive goods.Revolutions Per Movie releases new episodes every Thursday on any podcast app, and additional, exclusive bonus episodes every Sunday on our Patreon. If you like the show, please consider subscribing, rating, and reviewing it on your favorite podcast app. Thanks!TIP JAR:ko-fi.com/revolutionspermovieSOCIALS:@revolutionspermovieBlueSky: @revpermovieTHEME by Eyelids 'My Caved In Mind'www.musicofeyelids.bandcamp.com ARTWORK by Jeff T. Owenshttps://linktr.ee/mymetalhand Hosted on Acast. See acast.com/privacy for more information.
Las canciones que abren discos icónicos de 1971 protagonizan este episodio de clásicos atemporales.Playlist;THE WHO “Baba O’Riley” (Who’s next)THE ROLLING STONES “Brown sugar” (Sticky fingers)THE FLAMIN’ GROOVIES “High flyin’ baby” (Teenage head)THE FACES “Miss Judy’s farm” (A nod is as good as a wink… to a blind horse)THE DOORS “The changeling” (L.A. Woman)MC5 “Sister Anne” (High time)DAVID BOWIE “Changes” (Hunky Dory)T-REX “Mambo sun” (Electric warrior)THE MOVE “Message from the country” (Message from the country)THE KINKS “20th Century man” (Muswell Hillbillies)THE BAND “Life is a carnival” (Cahoots)GRATEFUL DEAD “Bertha” (ST aka Skull and Roses)Escuchar audio
MC5 embodied revolution in a way most bands only pay lip service to. The Detroit cops sent riot squads and even a tank to break up their shows, and even raided their house. They were the only band to play at the infamous protest outside the 1968 Democratic National Convention. Their radical manager, John Sinclair, wrote manifestos allying with the Black Panthers and declaring rock ‘n' roll THE vehicle for revolution. But by the 1970s, all that idealism curdled into the classic story of broken record deals, drugs, crime, and jail, with redemption only possible through personal, not political, revolution. To view the full list of contributors, see the show notes at www.disgracelandpod.com. This episode was originally published on April 11, 2023. To listen to Disgraceland ad free and get access to weekly bonus content and more, become a Disgraceland All Access member at disgracelandpod.com/membership. Sign up for our newsletter and get the inside dirt on events, merch and other awesomeness - GET THE NEWSLETTER Follow Jake and DISGRACELAND: Instagram YouTube X (formerly Twitter) Facebook Fan Group TikTok To learn more about listener data and our privacy practices visit: https://www.audacyinc.com/privacy-policy Learn more about your ad choices. Visit https://podcastchoices.com/adchoices
When you tell friends you're going to see a movie at The Roxie, there's an almost palpable envy that sets in for them. In this episode, meet Lex Sloan and Henry S. Rosenthal. Lex is The Roxie's executive director and Henry is on its Board of Directors and the chair of the theater's capital campaign, which we'll get to. In the meantime, if you'd like to help keep a bona fide San Francisco landmark in its rightful home until the end of time (they'd sure love you to, and so would I), donate to the Forever Roxie fund here. We start with Henry, who lets us know that the "S" in his name stands for Sigmund. Henry was born in Cincinnati and had what he describes as an "idyllic childhood" there. He started going to music shows when he was 13, seeing bands like Iggy and the Stooges and MC5. After graduating from high school, he moved to San Francisco in 1973 to attend school at The New College of California. He was an early subscriber to Rolling Stone magazine, where he had seen a New College ad. That ad captivated young Henry's imagination. He visited the campus, which was in Sausalito at the time, after a road trip from Ohio to the West Coast. The school tried to get him to enroll right then, but Henry decided to go back home and finish high school first. Henry produced cable TV shows while in college. In a sense, it's what he's been doing ever since. When Henry moved to San Francisco, there were still operating movie palaces on Market. Before really making friends here, he'd spend a lot of time inside those theaters. It was the era of movies like The Texas Chainsaw Massacre and Enter the Dragon. He says it's difficult to put into words (it is), but San Francisco just grabbed him and never let go. Then we turn to Lex Sloan. Lex went to college in Bellingham, Washington, at the type of school that allows you to design your own degree, which she did. Lex got a bachelor's in "social change media," which is so on the nose, it tickles. Post-graduation, she went to what she calls "the middle of nowhere, Arizona," but that lasted all of seven or eight months. Looking for where to land next and being a spreadsheet nerd (like me), Lex made a list. And lo and behold, San Francisco checked the most boxes. She got a job in Redwood City, not knowing that that Peninsula town wasn't exactly The City. No matter—she landed. The job involved teaching video production at a community center. At first, she stayed in a hostel on Mission Street before finding a place all her own on Craigslist. That was 2005, and Lex hasn't looked back. We go back to Henry to hear the story of how The Roxie drew him in. Perhaps jokingly, he says he laments not visiting when The Roxie was a porn theater. Henry doesn't recall his actual first visit, but says he's been a regular since first learning about the place. He knew Bill Banning, who created Roxie Releases, the organization's distribution operation. (Rivers and Tides, the documentary about artist Andy Goldsworthy, is among their releases.) Banning and he were friends for a while. Their kids went to school together. Their lives kept intertwining, including at film festivals. When The Roxie transitioned to a nonprofit and created a board, folks like Bill invited Henry to join it. He politely refused … until the theater was on firmer ground financially. And once it was, he was in. Henry's goal in joining The Roxie board was singular, he says: To help the organization buy the building where the theater sits. Lex does remember her first time at The Roxie. After she landed in The City, she sought work on local film crews. She found a crew and their film (Getting Off) premiered at The Roxie during Frameline. Because she was "only" a production assistant, she wasn't comped a ticket. Lex remembers showing up and seeing a rather long and daunting line to get in. But! That line was filled with her people. She calls that screening "magical" and "electrifying." Over the years, she came back time and again, for one-off movies as well as for film festivals. When Lex worked for Frameline, one of her jobs was carrying film prints into the projection booth at The Roxie and other theaters. Fast-forward to 10 years or so ago, when Lex became operations director at The Roxie. We then turn to the history of The Roxie, with Lex as our tour guide. The space where the theater sits today was built to be just that—a movie theater. It wasn't converted at any point from something else to become a place where folks watch movies. The folks who run the theater today have discovered and held onto the original blueprints from 1913. Its first name was The Poppy Theater. Then it was The 16th Street. Then The New 16th Street, The Gaiety, The Rex, and finally, in the early 1930s, The Roxie. That oh-so-recognizable marquee came to The Mission from an auto dealership in Oakland aboard a barge that traveled across The Bay. A lot of the history of The Roxie before the Seventies is not well-known. But, after becoming The Roxie, it was first a German-language cinema (concessions at the time were German candies). Thanks to some projectionist's notes they've found, they know that in the Fifties, it became a variety space of sorts. In the late Sixties/early Seventies, it was an XXX theater, as mentioned in Henry's story earlier. In those days, a turnstile out front kept underage folks and those who didn't pay out (or did it?). In 1976 or '77, a group of local artists took over. That group changed a lot of things. It became more of an arthouse cinema, as it remains to this day. The folks who ran the place put people before profits. Midnight movies became a thing The Roxie was known for. Check back Thursday for Part 2 with Lex and Henry. We recorded this podcast at The Roxie in The Mission in October 2025. Photography by Jeff Hunt
What's the word ‘punk' come to mean 50 years later? It's been adopted by the very people it sought to unsettle. Chris Sullivan – DJ, club runner, lecturer, former band-leader – arrived in London just as it kicked off and looks back at a time when everything was a challenge, no-one apologised, outsiders linked up and fought for recognition, and pop culture could change overnight. We talk to him here about ‘Punk: the Last Word' which traces its roots from Socrates to Soho, touching on… … does ‘punk' now mean conformity? … is pop music still allowed to be outrageous? … Socrates, Rimbaud, Lee Miller, the Warhol superstars: 2,000 years of people who embody the punk philosophy … how the clothes often precede the music … the 1975 pre-Pistols world – “people dressing as teddy boys, Marilyn Monroe, Cary Grant, records by Patti Smith, the Velvets, MC5” … the days when you were attacked for dressing up, in his case by the Newport Rugby team and a guy with a starting handle at a service station ... new punk equivalents emerging in 2025 … how the spirit of punk gave people a drive and identity – Tracey Emin, Damien Hirst, Jonathan Ross, John Galliano … “I threw a policeman through a plate-glass window” Order ‘Punk: the Last Word' here: https://www.waterstones.com/book/punk/stephen-colegrave/chris-sullivan/9781915841254Help us to keep The Longest Conversation In Rock going: https://www.patreon.com/wordinyourear Hosted on Acast. See acast.com/privacy for more information.
What's the word ‘punk' come to mean 50 years later? It's been adopted by the very people it sought to unsettle. Chris Sullivan – DJ, club runner, lecturer, former band-leader – arrived in London just as it kicked off and looks back at a time when everything was a challenge, no-one apologised, outsiders linked up and fought for recognition, and pop culture could change overnight. We talk to him here about ‘Punk: the Last Word' which traces its roots from Socrates to Soho, touching on… … does ‘punk' now mean conformity? … is pop music still allowed to be outrageous? … Socrates, Rimbaud, Lee Miller, the Warhol superstars: 2,000 years of people who embody the punk philosophy … how the clothes often precede the music … the 1975 pre-Pistols world – “people dressing as teddy boys, Marilyn Monroe, Cary Grant, records by Patti Smith, the Velvets, MC5” … the days when you were attacked for dressing up, in his case by the Newport Rugby team and a guy with a starting handle at a service station ... new punk equivalents emerging in 2025 … how the spirit of punk gave people a drive and identity – Tracey Emin, Damien Hirst, Jonathan Ross, John Galliano … “I threw a policeman through a plate-glass window” Order ‘Punk: the Last Word' here: https://www.waterstones.com/book/punk/stephen-colegrave/chris-sullivan/9781915841254Help us to keep The Longest Conversation In Rock going: https://www.patreon.com/wordinyourear Hosted on Acast. See acast.com/privacy for more information.
What's the word ‘punk' come to mean 50 years later? It's been adopted by the very people it sought to unsettle. Chris Sullivan – DJ, club runner, lecturer, former band-leader – arrived in London just as it kicked off and looks back at a time when everything was a challenge, no-one apologised, outsiders linked up and fought for recognition, and pop culture could change overnight. We talk to him here about ‘Punk: the Last Word' which traces its roots from Socrates to Soho, touching on… … does ‘punk' now mean conformity? … is pop music still allowed to be outrageous? … Socrates, Rimbaud, Lee Miller, the Warhol superstars: 2,000 years of people who embody the punk philosophy … how the clothes often precede the music … the 1975 pre-Pistols world – “people dressing as teddy boys, Marilyn Monroe, Cary Grant, records by Patti Smith, the Velvets, MC5” … the days when you were attacked for dressing up, in his case by the Newport Rugby team and a guy with a starting handle at a service station ... new punk equivalents emerging in 2025 … how the spirit of punk gave people a drive and identity – Tracey Emin, Damien Hirst, Jonathan Ross, John Galliano … “I threw a policeman through a plate-glass window” Order ‘Punk: the Last Word' here: https://www.waterstones.com/book/punk/stephen-colegrave/chris-sullivan/9781915841254Help us to keep The Longest Conversation In Rock going: https://www.patreon.com/wordinyourear Hosted on Acast. See acast.com/privacy for more information.
The Hackney brothers (David, Bobby, and Dannis) started out as a funk band, but upon being introduced to acts like Alice Cooper, MC5 and the Stooges, they turned to hard rock. Often described as "proto-punk," Death preceded the Ramones and has a legitimate claim as the world's first punk band.
DJ Jesse Luscious spotlights guitarist & singer Sarah Kirsch 13 years after her death with tunes from Fuel & Pinhead Gunpowder, showcases 2 new Damaged Goods Records X-mas tunes from Thee Headcoatees & Indignation Meeting, plays new tunes from Spanish Love Songs, Triers, Rich Hope, God Bullies, Beta Void, & Pale Horse Ritual, spins classic tunes from Kremlin Korps, Slayer, Flipper, More Fiends, Billy No Mates (Snuff side band), The Pathogens, The Nuns, The Dead Milkmen, Snuff, MC5, Sweet Baby, Charger, Metallica, 偏執症者 (PARANOID), Motörhead, The Explosion, Flipper, Dayglo Abortions, & Fishbone, & reveals the Luscious Listener's Choice! Kremlin Korps- Holier Than Thou More Fiends- Time-Warp Bio-Feedback Amphetamine Nightmare Pinhead Gunpowder- Freedom Is… Fuel- The Name Is (Edit) Beta Void- M-O-T-H-E-R Billy No Mates- Slaptop Snuff- The Bells Of Hell Triers- Home Fishbone- Hellhounds On My Trail Explosion- Sick Of Modern Art Spanish Love Songs- Lifers Too (feat. Wonder Years) Sweet Baby- This Talk About The Girl Rich Hope- The Ballad Of Black Eyed Suzy Dash Rip Rock- Chariots Of Hell Fire (with Mojo Nixon) (Edit) Dead Milkmen- Punk Rock Girl MC5- Shakin' Street Indignation Meeting- Murder On The Santa Express Thee Headcoatees- Santa Claus Charger- Running Out Of Time Motorhead- Built For Speed Metallica- Disposable Heroes Slayer- Altar Of Sacrifice Dayglo Abortions- Stupid Songs Paranoid 偏執症者- Sensou Nanimo Oshimazu Pathogens- Polk And Hemlock Nuns- Media Control Flipper- Nothing God Bullies- How Many Times Pale Horse Ritual- A Beautiful End
On this episode of Reelin' In The Years, the Featured Five Theme is songs that have fallen victim to an urban legend... Also, a Top 40 Hit from '68 by Status Quo that was written while sitting on the toilet!... How the band MC5 retaliated when a local dept. store refused to stock their record... Music from an artist whose career was tragically cut short due to a battle with cancer... A song by The Who about FM radio stations wanting similar sounding hit songs... Ah! böwakawa poussé, poussé - what does that mean?... New music from The Autumn Defense, The Who, and Sam Fender featuring Elton John... Deep cuts from Roger Hodgson, Leslie West, Jeff Lynne, and more! For more info on the show, visit reelinwithryan.com
Tal vez sea poner la venda antes de la herida, pero debo adelantar que este versus nos ha salido muy injusto con uno de estos dos tebeos. Quede por delante que siempre que jugamos a esto del versus hay unas reglas y que las reglas a veces hacen que el conteo final no se ajuste a la realidad, pero al fin y al cabo, venimos a jugar y esperamos que vosotros también. Se trata, de cualquier modo, de hablar de dos tebeos monumentales, dos obras clave para entender la historia de los cómics, dos auténticos puntos de inflexión que nos van a servir para hablar de montones de cosas, de su época,de su momento editorial, de sus autores, de los mil y un temas que encontramos en sus páginas… y es es que con Predicador y Transmetropolitan no puede ser de otra manera. Predicador, de Garth Ennis y Steve Dillon, 66 números regulares y varios especiales, publicados entre 1995 y 2000, en un lado. Al otro, Transmetropolitan, de Warren Ellis y Darick Robertson, 60 números entre 1997 y 2002. A los dos lados, mala leche a raudales que nos van a dar un ratito de charla de la que nos gusta. La noche es caliente como el infierno. Todo se te pega. Una asquerosa habitación de un asqueroso barrio de una asquerosa ciudad. El aparato de aire acondicionado es un pedazo de chatarra que no podría enfriar ni una bebida aunque la metieras dentro. Parece el sitio perfecto para escuchar el podcast 394 de ELHDLT Selección musical: 🎶 Kick Out The Jams, de MC5 🎶 Red Right Hand , de Nick Cave & The Seeds
In 1968, Huey P. Newton told an interviewer that whites who wanted to support the Black Panthers should create the White Panther Party. Later that year, a trio of Michigan radical artists (John Sinclair, Leni Sinclair, and Plum Plamondon) did just that. Gaining notoriety from their campaigns to legalize marijuana, support political prisoners, and the popularity of revolutionary rockers the MC5, the White Panthers formed chapters around the country, and continued their activity through the seventies, long after other New Left formations dissolved.Among them was our guest today, Larry Weissman, aka DJ PreSkool. He joined the party in 1971 until he was jailed during a public dispute over gun rights against mayor Dianne Feinstein. We talk about the history of WPP, their political line, their alliances and disagreements with other New Left groups, the importance of weed and rock n' roll to their program, and how he continues that spirit today as house DJ in Williamsburg, Brooklyn.Check out PreSkool's Underground Syllabus Friday at Casette in Ridgewood, Queens: https://dice.fm/event/eoanp6-dj-preskools-underground-syllabus-14th-nov-cassette-new-york-city-ticketsDJ PreSkool's BandcampRead Guitar Army by John SinclairMore on WPP food program: https://www.foundsf.org/Hard-Left_Politics_Enters_the_People%E2%80%99s_Food_SystemMore on WPP wiretaps and entrapment: https://www.necessarystorms.com/home/watergate-wiretaps-and-the-white-panther-partyhttps://fifthestate.anarchistlibraries.net/library/101-march-19-april-1-1970-the-history-of-president-pigCheck out the rest of the Armed Love Series: https://www.patreon.com/collection/87680?view=expandedSong: Henry Rollins & Bad Brains - Kick Out the Jams
Bill Dickson in conversation with David Eastaugh https://rousers.bandcamp.com/album/1979-sire-session Inspired by the New York Dolls, Ramones and such immortal ‘50s rockers as twangy guitar hero Duane Eddy, the Rousers were woefully under-documented in their prime. A few major labels sniffed around, including RCA and Warner Bros. subdivision Sire. But no one committed them to vinyl until Reynolds issued their “Party Boy” b/w “Don't Let The Band Stop Playing” 45 (produced by Wayne Kramer of the MC5) via Jimboco in 1981. Reynolds corrects this oversight today with the release of the demos that the original Rousers lineup—vocalist Jeff Buckland, rhythm guitarist Bill Dickson, bassist John Hannah, lead guitarist Tom Milmore, and drummer Jerid O'Connell—cut for Sire in the label's basement studio on New York's Upper West Side in 1979. Tracked to tape under the sharp ear of Ed Stasium, hot off sessions with the Ramones and Talking Heads, the 1979 Sire demos are raw, radiant, and long overdue for release. They captured the Rousers in full dragstrip ignition mode: dueling Gibson guitars plugged into Fender amps for maximum punk twang, hiccupping Elvis/Buddy Holly vocal inflections, and a rhythm section built for backseat makeouts and beer-splashed dance floors. With nods to Duane Eddy (“Ram Rod,” “Movin' N Groovin'”), the sweat-soaked charm of originals like “Be My Girl” and “Product of the USA,” and a rip-it-up cover of Wilson Pickett's “If You Need Me,” Rousers 1979 Sire Session is the missing chapter of NYC punk's golden age, finally pressed to wax. Never before released, the tapes sat shelved in the Rock & Roll Hall of Fame's Sire archives for decades, digitized and restored in 2024. Mixing duties were split between Bob Stander (Parchessi Studio) and Ed Stasium himself, ensuring period-authentic crunch meets modern punch. The result is 13 tracks of grease-slicked melody and garage-pop swing, crowned by the kinetic rave-up “Bumblebee Rock” and the shoulda-been-hits “Lonely Summer” and “Be My Girl”—a song that splits the difference between Tommy James stomp and Marshall Crenshaw shimmer.
Matteo Ceschi"Un'altra musica"L'America nelle canzoni di protestaMimesis Edizioniwww.mimesisedizioni.itCome si definisce una canzone di protesta? A partire da questo interrogativo, Matteo Ceschi decostruisce tre brani leggendari – This Land Is Your Land di Woody Guthrie, Blowin' in the Wind di Bob Dylan e Kick Out the Jams degli MC5 – per comprendere i processi che tramutano una canzone in inno generazionale e le dinamiche attraverso cui, nel corso dei decenni, diversi tipi di pubblico si appropriano di un brano per portare avanti le loro cause. Ad arricchire il testo, numerose interviste realizzate per l'occasione con alcuni autori e interpreti tra cui: Wayne Kramer (chitarrista e fondatore degli MC5), Jimmy Collier (folk singer allievo di Pete Seeger e Martin Luther King) e Joe McDonald (musicista country protagonista a Woodstock).Matteo Ceschi, storico, saggista e fotografo milanese. Collabora da anni con diverse riviste musicali. Ha pubblicato numerosi saggi dedicati alla controcultura statunitense. Come membro del f/50 The International Photography Collective unisce la sua passione per la storia con un'esplicita fotografia documentaristica in rigoroso bianco e nero.Diventa un supporter di questo podcast: https://www.spreaker.com/podcast/il-posto-delle-parole--1487855/support.IL POSTO DELLE PAROLEascoltare fa pensarehttps://ilpostodelleparole.it/
Mensclub emerged from San Francisco's anti-indie scene in the early 1990s. They dubbed themselves “the hardest rocking band in the Bay Area,” and they lived up to it—delivering full-throttle, no-frills hard rock that channeled the raw energy of the Midwestern trifecta of the MC5, Grand Funk Railroad, and The Stooges. Mensclub became an underground staple through frequent West Coast tours, their music brimming with tongue-in-cheek swagger, heavy riffs, and a punch-to-the-gut rock attitude. LINKS Mensclub on Spotify Bar None Records “Fly” Official Video SF Weekly from 2009 Fresh Start (the first single) Let's Take Turns Blowin' Ourselves Away (the second single) RON'S CURRENT BANDS Haardvark Haardvark Welt Bomb EP Hot Lunch Self Titled Seconds
Long ago and far away, around 1970, there was a smoldering rage that permeated through every strata of American society. Following a flurry of assassinations in the mid sixties, the Manson murders in ‘69, riots in Detroit, the Motor City in '67, and in Chicago at the 1968 Democratic Convention, at Kent State in ‘70 with the murder of four protesting students - it seemed that the whole fabric of society was coming apart due to the country being mired in the Viet Nam war and the never ending specter of racism. Step up to the mic Gil Scott-Heron and the MC5. In “The Revolution Will Not Be Televised,” Mr. Scott-Heron, in a performance that has earned him the title “The Godfather of Rap” in some quarters - eviscerates those couch potatoes who are watching it all unfold on tv, and that expect things to right themselves between commercial interruptions. And he does it with jazzy flair that made the absurdity of the whole situation crystal clear.. And, then there was the Motor City 5, those scruffy provocateurs whose manager, John Sinclair was jailed for two joints, who fought the good fight the only way they knew how: by “Kicking out the Jams, Motherfucker!”GIL SCOTT-HERONScott-Heron's combination of spoken word poetry with soul-jazz is a style which has made him influential throughout the decades. So much so that he was inducted as an influence in the Rock and roll Hall of Fame. In “The Revolution Will Not Be Televised” he melds the two strains - one melodic, one verbal - together to deliver an unassailable message: there will be no change without intentional activism. It's word play may be humorous, but it's deadly serious. Now we have the internet and social media and people are less inclined to believe what they see, or even commit to any action because their attention is being relentlessly consumed. In 1970, despite the horrendous condition of the political scene, Gil Scott-Heron still believed that societal change was possible.MC5The same optimism resounds in Kick out the Jams by the MC5. These were kids who saw the wrong headed direction of their government, and tried, by assuming the outlaw stance of revolutionaries, to influence the youth. However, the enterprise was hobbled from the start by drugs, their association with White Panther Party founder, John Sinclair, - and, the radio censorship by their label of their most famous song because of the introduction's unacceptable word “motherfucker!” They were a great live band of proto-punks, home-town heroes in Detroit, who never achieved the national prominence they deserved. It's not the lyrics of Kick out the jams that are dangerous - it's the exuberant energy of the offending word - that, ironically, created history.
Eric Gardner has been on the LA scene for 25 years touring and recording with a wide variety of bands and artists over that time. These days, two in particular represent most of his activity - Melissa Etheridge and Tom Morello. He is a graduate of Steve Rucker's program at the University of Miami and has performed with Garbage, Iggy Pop, Cypress Hill, Iggy Pop, Morrisey, Steve Vai, MC5, Slash, Beck, and many others. In this episode, Eric talks about: Getting the Melissa Etheridge gig from a single recommendation, sight unseen Learning to be sensitive to an artist's anxiety and need for control, and act accordingly What it means to “find an artist's language” His long musical and personal relationship with Tom Morello How “going out to network” should look more like “going to see your friends play” His first few years in LA and how his relationship with the scene has evolved over 25 years Studying with Steve Rucker at University of Miami Here's our Patreon Here's our Youtube Here's our Homepage
Nos movemos por el árbol genealógico del high energy rock’n’roll. Desde los pioneros de Detroit a los herederos australianos, moviéndonos por las ramificaciones que conectaron a unos y otros a lo largo de los años.Playlist;(sintonía) THE RATIONALS “Leavin here” (1967)MC5 “Rocket reducer n 62 (rama lama fa fa fa)” (1969)THE STOOGES “TV Eye” (1970)RADIO BIRDMAN “New race” (1977)NEW RACE “November 22, 1963” (1981)THE VISITORS “Journey by sledge” (1980)DENIZ TEK “Is it good enough” (1992)DODGE MAIN “I got a right” (1996)THE HITMEN “I don’t mind” (1981)THE NEW CHRISTS “Like a curse” (1984)SONIC’S RENDEZVOUS BAND “City slang” (1978)THE UP “Just like an aborigene” (1970)DENIZ TEK and JAMES WILLIAMSONS “I need somebody” (2017)Escuchar audio
This episode, we look at the song “Kick Out the Jams” by the MC5, and the brief career of the most revolutionary guitar band of the sixties. Click the full post to read liner notes, links to more information, and a transcript of the episode. As explained in the episode itself, it would be impossible to do this episode without using one particular Oedipal epithet, but use of that term would lose this podcast its clean rating. Therefore this is a censored version of the episode, with the many, many, many uses of that word replaced. Patreon backers have access to an uncensored version, if you want to hear me say a lot of swear words. Patreon backers also have a twenty-four-minute bonus episode available, on “Get Together” by the Youngbloods. Tilt Araiza has assisted invaluably by editing, and will hopefully be doing so from now on. Check out Tilt's irregular podcasts at http://www.podnose.com/jaffa-cakes-for-proust and http://sitcomclub.com/ . Also, thanks to Mia Murch for checking the final version and making sure no expletives were left in. (more…)
Roger Clark Miller is here to discuss Curiosity for Solo Electric Guitar Ensemble, life in Vermont, our warm feelings about the Steve Albini memorial we first met at, the tinnitus that initially led Mission of Burma to disband and their current status, studying music as a child, formative influences like Béla Bartók and the Beatles, seeing early shows by the Doors, the Stooges, and MC5, digital delays, surrealism, tripping, and documenting dreams, upcoming releases, tour, other future plans, and much more.EVERY OTHER COMPLETE KREATIVE KONTROL EPISODE IS ONLY ACCESSIBLE TO MONTHLY $6 USD PATREON SUPPORTERS. This one is fine, but please subscribe now on Patreon so you never miss full episodes. Thanks!Thanks to the Bookshelf, Planet Bean Coffee, and Grandad's Donuts. Support Y.E.S.S., Pride Centre of Edmonton, and Letters Charity. Follow vish online. Related episodes/links:Ep. #964: Daryl HallEp. #927: Papa MEp. #869: Steve AlbiniEp. #826: Steve Albini and Fred ArmisenEp. #692: WilcoEp. #609: Gang of FourEp. #496: Iggy PopEp. #26: James Williamson of Iggy and the StoogesSupport this show http://supporter.acast.com/kreative-kontrol. Hosted on Acast. See acast.com/privacy for more information.
"Strange Kind Of Paradise" Formed in Leeds at the dawn of the '80s, Red Lorry Yellow Lorry were weaned on the MC5 and Wire, but their brooding melodies and dark and churning instrumentation got them lumped in with the Goth scene. Their 1985 debut Talk About The Weather went to #3 on the NME indie chart and to this day remains an undisputed classic. With John Peel a huge fan and their own fans affectionately referring to them as the Lorries, they quickly followed that up with fabulous albums like Paint Your Wagon, Nothing Wrong, Blow and Blasting Off. Ironically, 1992's Blasting Off sounded like a band taking flight, but at that point they were a band breaking up. Well, not really breaking up, but heading into a deep hiatus. The band's braintrust Chris Reed surfaced in 2004 with a few new tracks and the Lorries did tour that year and into 2005. But aside from the Thunder In A Black Cave live DVD and Reed's acoustic record Minimal Animal, the Lorries were silent for more than twenty more years. Until now. Long considered to be a holy grail of sorts for Lorries fans, Strange Kind Of Paradise is the band's sixth and final album. Brewing for two decades, the band completed work on the album and it'll be the last word for the Lorries. A wicked blast of angular beauty, dark melodicism and grinding intensity, Strange Kind Of Paradise is a brilliant final chapter that ends with an artful and deeply satisfying crescendo. I hope you'll feel the same way about this chat--it's a good one. https://www.red-lorry-yellow-lorry.com https://redlorryyellowlorry.bandcamp.com/album/strange-kind-of-paradise www.stereoembersmagazine.com (http://www.stereoembersmagazine.com) www.bombshellradio.com www.alexgreenbooks.com (http://www.alexgreenbooks.com) Stereo Embers The Podcast BLUESKY + IG: @emberspodcast Email: editor@stereoembersmagazine.com
July 2nd, 2025. Tommy Unit LIVE!! #633 – Tonight we celebrate ‘Merica….I got my bible….and I got my handgun. Turn it up! We go LIVE!! every Wednesday night at 10pm ET / 7:00pm PT on REAL PUNK RADIO – Radio Done Right! https://realpunkradio.com/podcast/tommyunitlive/tommyunitlive633.mp3 Irving Berlin – God Bless ‘Merica The Clash – I’m So Bored … Continue reading Tommy Unit LIVE!! #633 →
This week we travel back in time to just after the dawn of PUNK ROCK (1978-1981)! We discuss bands influenced by the 1st wave who then took punk into various sub-genres. If you don't think Punk is for you based on secondhand information, we ask that you listen with an open mind and prepare to get out some aggression.This episode features songs with the shortest track length that we've ever played; it's PUNK ROCK people! Punk is where Kevin started down his path of music fanaticism. Although, that was more based around the hardcore Punk scenes. This is the lead-up to hardcore, and what would establish punk as a lasting genre full of variety and originality. Hope you dig the 2nd wave!Songs this week include:The Dictators – “Faster And Louder” from Blood Brothers (1978)Magazine – “Shot By Both Sides” from Real Life (1978)Chelsea – “I'm On Fire” from Chelsea (1979)The Stranglers – “Dead Loss Angeles” from The Raven (1979)GG Allin – “One Man Army” from Always Was, Is, And Always Shall Be (1980)Zounds – “Can't Cheat Karma” from Curse Of The Zounds (1980)Soggy – “Waiting For The War” from Soggy (1981)The Cheifs – “Liberty” from Holly-West Crisis (1981)Please subscribe everywhere that you listen to podcasts!Visit us: https://inobscuria.com/https://www.facebook.com/InObscuriahttps://x.com/inobscuriahttps://www.instagram.com/inobscuria/Buy cool stuff with our logo on it: InObscuria Store
In this Album Dive episode, I'm joined by Chris Ballew of The Presidents of The United States of America as we celebrate the 30th anniversary of the band's self-titled debut—an album that helped define what ‘90s alternative rock felt like. Chris and I get into everything: his run performing with Beck's live band, the origins (and wonderfully weird design) of the basitar and guitbass, and how the Presidents carved out their own lane as “the alternative to the alternative.”We dig into the stories behind the hits—“Lump,” “Kitty,” “Feather Pluckin',” “Peaches”—and the unexpected chain of events that led to Weird Al Yankovic's parody “Gump.” Chris also shares why Wayne Kramer of MC5 initially shut down their “Kick Out the Jams” cover, how their version of “Video Killed the Radio Star” came to be, and the wild nu-metal detour that was Subset, his project with Sir Mix-A-Lot. And of course, we talk about his solo adventures, from Casper Babypants to the twice-a-year solo albums he continues to release.From behind-the-scenes moments to genuine musical innovation, this episode is packed with the stories and spirit that made The Presidents so memorable. If you love ‘90s alt-rock, deep cuts, or just a great origin story, you're in for a good one.
In this Album Dive episode, I'm joined by Chris Ballew of The Presidents of The United States of America to celebrate the 30th anniversary of the band's self-titled debut album. We take a deep dive into the history, impact, and unforgettable tracks that made this record a defining moment in ‘90s alternative rock. Tune in as we explore: - Chris Ballew's time performing with Beck's live band - The origins and quirky design of the “basitar” and “guitbass” - How the band became the “alternative to the alternative” - The stories behind hit songs like “Lump”, “Kitty”, “Feather Pluckin'”, and “Peaches” - The tale behind Weird Al Yankovic's “Gump” parody - Why Wayne Kramer of MC5 initially denied their “Kick Out the Jams” cover - Their cover of The Buggles' “Video Killed the Radio Star” - The nu-metal side project Subset with Sir Mix-A-Lot - Chris' solo projects including Casper Babypants and his biannual solo album releases From behind-the-scenes stories to musical innovation, this episode is a must-listen for fans of ‘90s alt-rock, deep cuts, and (of course!) The Presidents. Be sure to visit MyWeeklyMixtape.com to hear all of the songs we discussed in this episode! Theme music is "Unveiled" by The 4th. You can find the album on Spotify, Apple Music, Amazon Music, Pandora, YouTube, Bandcamp & more! FOR MORE ON MY WEEKLY MIXTAPE Website: http://www.myweeklymixtape.com Patreon: https://www.patreon.com/myweeklymixtape Facebook: http://www.facebook.com/myweeklymixtape X: https://x.com/myweeklymixtape Instagram: https://www.instagram.com/myweeklymixtape Threads: https://www.threads.net/@myweeklymixtape Blusky: https://bsky.app/profile/myweeklymixtape.bsky.social TikTok: https://www.tiktok.com/@myweeklymixtape Learn more about your ad choices. Visit megaphone.fm/adchoices
In Episode 301 of History in Five Songs with Martin Popoff, Martin argues that there's no such thing as proto-punk, exploring how bands like The Saints, MC5, and The Stooges challenged the conventional labels by suggesting that many so-called proto-punk acts are better understood as neo-garage or heavy rock bands, rather than direct precursors to punk. The Saints – “No Time” MC5 – “Call Me Animal” The Stooges – “Your Pretty Face Is Going to Hell” New York Dolls – “Jet Boy” The Dictators – “Weekend” Learn more about your ad choices. Visit megaphone.fm/adchoices
Baxie talks to Detroit rock legend Loren Molinare from The Dogs! The Dogs were a band that were contemporaries of The Stooges and the MC5 but were unfortunately blackballed for playing too loudly—louder than Iggy and the Stooges!!!! Loren has great stories that include opening for Bob Seger, meeting Kiss on their first day in New York, and sharing management with Van Halen! Loren's latest project is with the band The Slamdinistas. Their latest album, “Wild and Restless”, will be released on April 25th. It's an absolute blast! Just an amazing guest! Listen on Apple, Spotify, YouTube, and on the Rock102 app! Brought to you by Metro Chrysler Dodge Jeep Ram of Chicopee
In Episode 301 of History in Five Songs with Martin Popoff, Martin argues that there's no such thing as proto-punk, exploring how bands like The Saints, MC5, and The Stooges challenged the conventional labels by suggesting that many so-called proto-punk acts are better understood as neo-garage or heavy rock bands, rather than direct precursors to punk. The Saints – “No Time” MC5 – “Call Me Animal” The Stooges – “Your Pretty Face Is Going to Hell” New York Dolls – “Jet Boy” The Dictators – “Weekend” Learn more about your ad choices. Visit megaphone.fm/adchoices
Fr. Timothy Gallagher explores the distinction between meditation and contemplation in the Ignatian tradition, and how both forms of prayer deepen one's relationship with God. The post MC5 – God's Presence in Silence – Meditation and Contemplation with Fr. Timothy Gallagher – Discerning Hearts Podcast appeared first on Discerning Hearts Catholic Podcasts.
President Biden's farewell address warns of the rising oligarchy. The pro-democracy coalition should focus on economic populism and taxing the wealthy. Bluesky is developing an alternative to Instagram. Russia planned to send bombs to the White House aboard cargo planes. Donald's stupid External Revenue Service plan. The latest from the confirmation hearings. The Israel-Hamas cease fire. AP-NORC poll says very few voters think Donald will lower prices. Who's not going to the inauguration? With Jody Hamilton, David Ferguson, music by Matt Springfield, MC5 with Tom Morello, and more!See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.
MUSIC The 39th annual Rock & Roll Hall of Fame induction ceremony took place Saturday night at the Rocket Mortgage Fieldhouse in Cleveland and aired on Disney+ Among this year's honorees were Ozzy Osbourne, Peter Frampton, Foreigner, Jimmy Buffett, Cher, Dave Matthews Band, Mary J. Blige, Kool & the Gang, A Tribe Called Quest, MC5 and Dionne Warwick. Saturday night's ceremony will be condensed into a three hour highlights show that will air on ABC on New Year's Day. Jelly Roll loves interacting with his fans -- but he won't be doing it on X anymore. Jelly says he's quitting the app formerly known as Twitter, calling it "the most toxic negative app to exist ever — PERIOD." In what presumably will be his final post, he wrote, "It's a safe place for everyone to say mean [crap] to each other with no consequences." This isn't the first time he's ducked out on X. Back in April, his wife Bunnie XO said he'd quit due to excessive heckling over his weight. Ahead of the 20th anniversary edition of American Idiot coming out on Friday, Green Day have shared a previously unreleased live video for "Holiday" filmed at The Warfield in San Francisco on October 13th, 2005. The Struts have shared a new single called "Can't Stop Talking." Liam Gallagher has shot down a report that Apple TV+ wanted to pay big money for a documentary about the Oasis reunion. Gallagher tweeted, "We're not doing one... There's been enough said about this band -- it's time to get Rocking and Rolling, not yapping and scrapping." TV Remember Benjamin Glaze? He was a contestant on "American Idol" back in 2018 who told the judges that he'd never kissed a girl. He was 19 at the time. So Katy Perry called him to the table and made him kiss her on the cheek. But then she made him do it again. The second time, she turned her head and kissed Benjamin right on the lips. Welp . . . Benjamin has just been arrested for possession of CHILD PORNOGRAPHY. A lot of it. More than 700 images and videos were allegedly found on his phone. He was arrested on Friday. Remember Joe Exotic from "Tiger King"? He's been quarantined in prison due to scabies. MOVING ON INTO MOVIE NEWS: Horror sequel Smile 2 is the No. 1 movie in North America this weekend, earning $23 million at the box office. Congrats to Jennifer Lawrence, who is pregnant again! Sylvester Stallone showed off his dance moves on Instagram over the weekend putting on a performance to the Motown classic “More Love” by Smokey Robinson & The Miracles. AND FINALLY Sure, Rob Zombie has directed several terrifying movies and Slash even produced 2013's 'Nothing Left To Fear', but they're not the only rockstars with horror film experience. Plenty of your favorite rockstars have acted in horror movies Learn more about your ad choices. Visit podcastchoices.com/adchoices
MUSICThe 39th annual Rock & Roll Hall of Fame induction ceremony took place Saturday night at the Rocket Mortgage Fieldhouse in Cleveland and aired on Disney+ Among this year's honorees were Ozzy Osbourne, Peter Frampton, Foreigner, Jimmy Buffett, Cher, Dave Matthews Band, Mary J. Blige, Kool & the Gang, A Tribe Called Quest, MC5 and Dionne Warwick. Saturday night's ceremony will be condensed into a three hour highlights show that will air on ABC on New Year's Day. Jelly Roll loves interacting with his fans -- but he won't be doing it on X anymore. Jelly says he's quitting the app formerly known as Twitter, calling it "the most toxic negative app to exist ever — PERIOD." In what presumably will be his final post, he wrote, "It's a safe place for everyone to say mean [crap] to each other with no consequences." This isn't the first time he's ducked out on X. Back in April, his wife Bunnie XO said he'd quit due to excessive heckling over his weight.Ahead of the 20th anniversary edition of American Idiot coming out on Friday, Green Day have shared a previously unreleased live video for "Holiday" filmed at The Warfield in San Francisco on October 13th, 2005.The Struts have shared a new single called "Can't Stop Talking."Liam Gallagher has shot down a report that Apple TV+ wanted to pay big money for a documentary about the Oasis reunion. Gallagher tweeted, "We're not doing one... There's been enough said about this band -- it's time to get Rocking and Rolling, not yapping and scrapping." TVRemember Benjamin Glaze? He was a contestant on "American Idol" back in 2018 who told the judges that he'd never kissed a girl. He was 19 at the time. So Katy Perry called him to the table and made him kiss her on the cheek. But then she made him do it again. The second time, she turned her head and kissed Benjamin right on the lips. Welp . . . Benjamin has just been arrested for possession of CHILD PORNOGRAPHY. A lot of it. More than 700 images and videos were allegedly found on his phone. He was arrested on Friday.Remember Joe Exotic from "Tiger King"? He's been quarantined in prison due to scabies.MOVING ON INTO MOVIE NEWS:Horror sequel Smile 2 is the No. 1 movie in North America this weekend, earning $23 million at the box office. Congrats to Jennifer Lawrence, who is pregnant again! Sylvester Stallone showed off his dance moves on Instagram over the weekend putting on a performance to the Motown classic “More Love” by Smokey Robinson & The Miracles. AND FINALLYSure, Rob Zombie has directed several terrifying movies and Slash even produced 2013's 'Nothing Left To Fear', but they're not the only rockstars with horror film experience. Plenty of your favorite rockstars have acted in horror movies Learn more about your ad choices. Visit podcastchoices.com/adchoicesSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.
The Lions lead the NFC after surviving the Vikings, Rock and Roll Hall of Fame show review, Uber Driver v. Doritos Eater, Rosie O'Donnell prefers the Menendez Bros over her daughter, and Arnold Palmer was hung according to Donald Trump. We're LIVE on YouTube following the Detroit Lions thrilling victory over the Minnesota Vikings. Sports: Eli Zaret drops by to recap the 1st place Detroit Lions, Sam LaPorta is missing and driving fantasy owners nuts, Chris Christie vs Dan Campbell, the Tom Brady NFL ownership conflict of interest, Cleveland Browns QB Deshaun Watson was injured today and it looks pretty bad, Michigan's quarterback carousal continues, the upward trending Michigan State Spartans, Ashton Jeanty might surpass Barry Sanders' greatest season ever, the New York Yankees advance to the World Series, the return of Javier Baez, rant against sports sponsorships… then reads a sponsorship! An Uber drive takes on a Doritos eating passenger. Since no one asked, Corey Feldman weighs in on the Diddy debacle. Rosie O'Donnell's daughter is arrested for child neglect as her baby plays with meth pipes and dirty underwear. Rosie is too busy with the Menendez brothers to help. We get a call for Christine. Politics: Ted Nugent really wants Marc to vote for Donald Trump. Donald Trump “worked” at a McDonald's to dunk of Kamala Harris. Antonio Brown spoke at a Trump rally. We roll through the biggest political donors at this time. Gen Z will dump you if you don't follow their political views. Trump mentioned that Arnold Palmer had a massive hog. RR HOF: The Rock and Roll Hall of Fame went down Saturday night. Zendaya look pretty good. Kool & The Gang rocked it. Peter Frampton and Keith Urban ripped it. No music for the MC5. Demi Lovato showed up for some reason. Sammy Hagar was HOT BLOODED! Kelly Clarkson belted some stuff out and showed up Lou Gramm. Mary J. Blige brought her umbrella holder. Boyd Tinsley was in full-jerk mode and missing. The Footloose soundtrack might be the worst ever. Drew declares Adventureland a better soundtrack. Britney Spears butchered The Rolling Stones' Satisfaction. The Gallagher (Liam & Noel, not Ron & Leo) brothers will be separated during their upcoming tour. Unrecognizable: Susanna Hoffs. Richard Karn and this lady. One Direction's Liam Payne was a menace in his Argentina hotel. Sarah McBride is making Trans history. Check out Field of Greens and use promo code Drew and visit our presenting sponsor Hall Financial – Michigan's highest rated mortgage company. If you'd like to help support the show… consider subscribing to our YouTube Channel, Facebook, Instagram and Twitter (The Drew Lane Show, Marc Fellhauer, Trudi Daniels, Jim Bentley and BranDon).
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