Podcast appearances and mentions of Elliott Gould

The Decade Project is an ongoing One Heat Minute Productions Patreon exclusive podcast looking back at the films released ten years ago to reflect on what continues to resonate and what's ripe for rediscovery. The third year being released on the main podcast feed is the films of 2015. To hear a fantastic chorus of guests and I unpack the films of 2016 in 2026, subscribe to our Patreon here for as little as $1 a month. In a very special peek inside the 2016 Decade Project, I catch up with my dear friend, the host of INCREMENT VICE, Travis Woods, to declare Ezra Edelman's O.J.: Made in America, the greatest American film of this century.Travis Woods (Host of INCREMENT VICE)Travis Woods is a Contributing Editor at Bright Wall/Dark Room, as well as a writer for The New Beverly Cinema and Cinephilia & Beyond.He lives and writes in Los Angeles. He has a dog and a tattoo of Elliott Gould smoking. Bob Dylan once clapped him on the back and whispered something incomprehensible. These are the only interesting things about him.One Heat Minute ProductionsWEBSITE: oneheatminute.comTWITTER: @OneBlakeMinute & @OHMPodsMERCH: https://www.teepublic.com/en-au/stores/one-heat-minute-productionsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

A new era has arrived for Saturday Night Live! A brand new cast, new writers, and Jean Doumanian is the new Executive Producer. For the Season 6 premiere, they have an all-time host coming back—Mr. Elliott Gould! Find out how this new era truly began and if they deserve the knocks they have been getting over the years! Join Thomas Sena and Deremy Dove as they go over this season premiere and give their thoughts!---------------------------------Subscribe & Follow today!And follow us on social media: Twitter: @NR4PTProject Instagram: @nr4ptprojectBluesky: @nr4ptproject.bsky.socialFacebook: The Not Ready for Prime Time ProjectContact Us: Website: https://www.nr4project.comEmail: nr4ptproject@gmail.com

To help kick off our look back at Season 6 of Saturday Night Live, we talk to one of the cast members from that season—Denny Dillon. In addition to being the very first "new" cast member to say "Live from New York," Denny is also one of the few performers to work with all three Executive Producers of the show—Lorne Michaels, Jean Doumanian, and Dick Ebersol.But Denny's connection to SNL goes back well before that infamous 1980-81 season. She talks about meeting Gilda Radner before the show even premiered and shares her experiences as a special guest on the third ever episode back in 1975. In addition, we discuss her contribution to Anne Beatts' book "Titters" as well as returning to Studio 8H to be on a children's show prior to starring on SNL.Denny recounts the extensive audition process she went through at Saturday Night Live, being selected as the last female cast member (beating out a future Oscar winner), and discusses the highs (and lows) of that difficult season. She recounts the uphill battle everyone faced with both the fans and the press while experiencing the thrill of live television and forming bonds that would last for decades.Denny recounts many highlights from the season including some favorite hosts, musical guests, and sketches. She discusses her tight relationships with fellow cast members, working alongside hosts such as Elliott Gould, Ellen Burstyn, and acting in her favorite sketch of the season with Bill Murray. She also gives a behind-the-scenes look at what things were like when Jean Doumanian left the show and Dick Ebersol (and Michael O'Donoghue) took over.---------------------------------Subscribe & Follow today!And follow us on social media: Twitter: @NR4PTProject Instagram: @nr4ptprojectBluesky: @nr4ptproject.bsky.socialFacebook: The Not Ready for Prime Time ProjectContact Us: Website: https://www.nr4project.comEmail: nr4ptproject@gmail.com

In this episode, Austin and Tim Travel back in time once again to 1975, this time in the Fall to see 6 movies. Clint Eastwood in The Eiger Sanction, Robert Altman's Nashville, Elliott Gould in the Sci-Fi oddity Who?, a holdover from 1972 John Boorman's Deliverance, the blaxploitation film Bucktown, and the sexploitation comedy(?) The Swinging Cheerleaders.

Boy, war is hell, all bloody and dirty and whatnot. But it isn't all glum, chum! No, the boys and girls of the 4077th MASH unit find plenty of time to play grab-ass and and cause all kinds of chaos. Surely, you didn't think the war ended at the front line! These nurses and doctors are fighting the only way they know how - surgery, sex and awful misogynist attacks disguised as pranks! There's a reason folks are always referring to Korea as "the fun war!" Next week: back to the list... in Korea! Questions? Comments? Suggestions? You can always shoot us an e-mail at ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠forscreenandcountry@gmail.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠   Full List: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.pastemagazine.com/movies/war-movies/the-100-greatest-war-movies-of-all-time⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Facebook: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.facebook.com/forscreenandcountry⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Twitter: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.twitter.com/fsacpo⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠d⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Our logo was designed by the wonderful Mariah Lirette (⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://instagram.com/its.mariah.xo⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠) M*A*S*H stars Donald Sutherland, Elliott Gould, Sally Kellerman, Tom Skerritt, Robert Duvall, René Auberjonois, Gary Burghoff, Bud Cort and Fred Williamson; directed by Robert Altman. Learn more about your ad choices. Visit megaphone.fm/adchoices

This week the society continues its journey through the perilous seas of the Ron Miller era as they tackle 1980's The Last Flight of Noah's Ark, directed by Charles Jarrott and starring Elliott Gould, Geneviève Bujold, and Ricky Schroder. Join us as we hit the high seas and prepare for a lot of World War II aviation history and... CHEMISTRY!

Paul Gallico's 1970 novel Matilda told of a male boxing kangaroo who becomes an unlikely heavyweight contender, upending the worlds of sports promotion and organized crime. Producer Albert S. Ruddy, fresh from his Oscar-winning triumph with The Godfather, acquired the rights and brought the story to the screen in 1978, co-writing with Timothy Galfas. The resulting G-rated family comedy stars Elliott Gould as Bernie Bonnelli, a small-time talent agent who discovers the boxing kangaroo and sees his ticket out of obscurity. Clive Revill plays Billy Baker, Matilda's devoted owner and former British boxer, while Robert Mitchum turns up as Duke Parkhurst, a manipulative sportswriter, and Harry Guardino heads the mob contingent scheming to control the outcome of Matilda's fights. The kangaroo himself was portrayed by Gary Morgan in a Rick Baker $30,000 suit.Mike talks with co-hosts Cullen Gallagher and Mike Sullivan about the film, then brings in interviews with actors Gary Morgan and Elliott Gould along with two posthumously-released interviews with producer Albert S. Ruddy and screenwriter Timothy Galfas, Become a supporter of this podcast: https://www.spreaker.com/podcast/the-projection-booth-podcast--5513239/support.Become a supporter of The Projection Booth at http://www.patreon.com/projectionbooth 

Paul Gallico's 1970 novel Matilda told of a male boxing kangaroo who becomes an unlikely heavyweight contender, upending the worlds of sports promotion and organized crime. Producer Albert S. Ruddy, fresh from his Oscar-winning triumph with The Godfather, acquired the rights and brought the story to the screen in 1978, co-writing with Timothy Galfas. The resulting G-rated family comedy stars Elliott Gould as Bernie Bonnelli, a small-time talent agent who discovers the boxing kangaroo and sees his ticket out of obscurity. Clive Revill plays Billy Baker, Matilda's devoted owner and former British boxer, while Robert Mitchum turns up as Duke Parkhurst, a manipulative sportswriter, and Harry Guardino heads the mob contingent scheming to control the outcome of Matilda's fights. The kangaroo himself was portrayed by Gary Morgan in a Rick Baker $30,000 suit.Mike talks with co-hosts Cullen Gallagher and Mike Sullivan about the film, then brings in interviews with actors Gary Morgan and Elliott Gould along with two posthumously-released interviews with producer Albert S. Ruddy and screenwriter Timothy Galfas, Become a supporter of this podcast: https://www.spreaker.com/podcast/the-projection-booth-podcast--5513239/support.Become a supporter of The Projection Booth at http://www.patreon.com/projectionbooth 

Cʹest un casse, brillant, aussi brillant que les lumières de Las Vegas Oceanʹs Eleven, un film de Steven Soderbergh sorti en 2001. Remake de lʹInconnu de Las Vegas (Oceanʹs Eleven), sorti en 1960 de Lewis Milestone avec Frank Sinatra, notre film du jour raconte lʹhistoire de Danny Ocean qui veut reconquérir sa femme, ruiner lʹamant de celle-ci en procédant au plus grand casse quʹà connu Las Vegas en volant, la même nuit, trois des plus grands casinos de la ville. Pour ce faire, il sʹentoure dʹune équipe soudée et sʹen vont faire des misères au propriétaire des casinos. Le film brille par son casting exceptionnel : ils sont toutes et tous là : Georges Clooney, Brad Pitt, Matt Damon, Bernie Mac, Don Cheadle, Andy García, Julia Roberts, Elliott Gould et Carl Reiner. Pur divertissement, il est emmené à bon rythme entre le film de gangster, le film dʹarnaque et le film dʹamour, avec brio, efficacité et séduction. Steven Soderbergh, réalisateur aux doigts dʹor, change complètement dʹunivers après Erin Brockovich et Traffic et propose une resucée énergique dʹun classique du cinéma de genre, cʹest-à-dire quelque chose entre lʹarnaque et le film de bande de potes. Oceanʹs Eleven est bien accueilli à sa sortie. Forcément, Soderbergh, le réalisateur, est en odeur de sainteté, et puis surtout, il y a la fine fleur dʹHollywood qui joue dedans et qui à lʹair de bien sʹamuser. Et tout le monde veut voir ça. Le film rapporte plus de 450 millions de dollars au box-office mondial. Il y aura des suites, Ocean's Twelve en 2004 et Ocean's Thirteen en 2007 où les acteurs reprennent tous plus ou moins leur rôle. REFERENCES David Holmes - Ocean's Thirteen Interview (Video): https://www.youtube.com/watch?v=pejOtxuczJQ Ocean's Eleven - The Making of : https://www.youtube.com/watch?v=sx2j-EmOfeU George Clooney on ʹOcean's Elevenʹ : https://www.youtube.com/watch?v=JQIDD6BKSCQ "Ocean's Eleven" Turns 19: Rewind | E! News : https://www.youtube.com/watch?v=i9gNwZRgGPA The Dialogue: Ted Griffin Interview Part 1: https://www.youtube.com/watch?v=Dtx19QVUNy8 Behind the scenes Ocean's eleven: https://www.youtube.com/watch?v=2t9-bWER558 Steven Soderbergh dans lʹHeure Bleue https://www.radiofrance.fr/franceinter/podcasts/l-heure-bleue/le-casse-de-steven-soderbergh-1568210

Nick is joined by food writer and horror fan Marnie Shure to talk food, movies, and a few unexpected topics along the way. Marnie kicks things off with her monthly Horror Report, where she and Nick get into Send Help and Undertone. From there, she shares some insight into what makes Kikkoman's soy sauce work, offers tips on saving money on produce, and talks about the upcoming Mortified show in April, which will benefit the Minnesota Immigrant Rights Action Committee. Later, Esmeralda Leon joins Nick to revisit a couple of overlooked films, including Things Change with Don Ameche and Capricorn One starring James Brolin. That conversation somehow turns into a deep dive on some of the more unconventional sex symbols of the 70s, with Elliott Gould, Donald Sutherland, and a whole era of shaggy, cigarette-smoking leading men getting their moment. [Ep 442]

RSS/iTunes/Spotify Check out the Praising Kane archive right here. We like to have fun here on PRAISING KANE, the world’s finest chronological Carol Kane-themed podcast, but occasionally – rarely – even Carol Kane’s charms are not enough to lift up a film, and that’s certainly the case with Joyce Chopra’s misguided misfire THE LEMON SISTERS from 1989 (though held back from release until 1990). Despite a dynamite supporting cast (including Elliott Gould, Aidan Quinn, a young Nathan Lane, and Ruben Blades) and the talented trio of Diane Keaton, Kathryn Grody and Kane herself as the titular Lemon Sister (friends who grew up together on the Atlantic City boardwalk who sing standards in a nightclub.. sorta), it’s just a disaster. Bad music, incomprehensible plot elements, and a lack of chemistry just dooms the whole thing. But is there ANYTHING to recommend it? Listen and find out! The post Episode 318 – Praising Kane – The Lemon Sisters (1989) first appeared on Cinema Smorgasbord.

Join Dom, ILL, and Q as Say Whats Reel dives into the 1994 crime drama The Glass Shield, written and directed by Charles Burnett. Starring Michael Boatman, Ice Cube, Lori Petty, and Elliott Gould, this tense thriller follows rookie deputy J.J. Johnson as he discovers corruption running through the sheriff's department—and how deep the “blue wall of silence” really goes.We break down: The film's themes of racism, abuse of power, and institutional corruption Ice Cube's role and how it fits into his early acting era Why Charles Burnett doesn't get enough credit The film's impact, realism, and whether it still holds up today Drop your thoughts in the comments—underrated classic or forgotten '90s gem00:00:00 In this video00:02:43 Non glass shield related00:14:29 The glass shield review01:04:43 Wrap up notes01:05:04 facts about glass shield

SNL looks to pick up the pieces as it turns into the back half of Season 5 as old standby Elliott Gould returns to become the third host in show history to do it a fifth time (a feat that wouldn't be repeated for over six years).  Gould clearly knows his way around the show, as evidenced by his “laissez-faire” approach to this episode, yet he isn't given much material to work with.It's not a good sign when the only bit the man notorious for always kicking off his Saturday Night Live appearances with a song and dance is reduced to simply eating a carrot stick for his monologue. He's forced to wait until he dresses up as a bear for an uncopyrighted Canadian retelling of “The Wizard of Oz” sketch to do both.  But, the episode does kick off with a fun cold open that turns into a runner – something we have not seen for quite awhile – and Harry Shearer continues to shine when he's given the spotlight. And, the show continues to showcase new and interesting musical acts with Gary Numan as this week's musical guest.---------------------------------Subscribe today! Follow us on social media: Twitter: @NR4PTProject Instagram: @nr4ptproject Bluesky: @nr4ptproject.bsky.social Facebook: The Not Ready for Prime Time Project Contact Us: Website: https://www.nr4project.comEmail: nr4ptproject@gmail.com

Nathan and Ryan blast off into Capricorn One (1977), the paranoid sci-fi thriller where NASA stages a fake Mars landing and everything immediately goes off the rails. The hosts dig into why this all-star conspiracy romp—featuring Elliott Gould, James Brolin, Hal Holbrook, and even O.J. Simpson—became a cult favorite despite its serious subject matter. From government mistrust to desert chases to killer crop-dusters, they explore how Capricorn One blends B-movie energy with '70s political anxiety in the most entertaining way possible.

This week, I have a special treat, inspired by my house guest, Elliott the cat. Elliott has been with me for ten days, so in honor of his short stay, I am going to talk about The Long Goodbye starring Elliott Gould and his orange cat. The book on which it is based was first published in 1953 and was the 6th in Raymond Chandler's detective series featuring Philip Marlowe. It was adapted for the screen in 1973 by famed female fiction and screenwriter Leigh Brackett, whose credits also include the 1946 film noir The Big Sleep. Directed by Robert Altman and with cinematography by Vilmos Zsigmond, whose work is credited with crafting the look of the 1970s in film. The Long Goodbye was the height of Neo-noir and part of what I consider to be one of the best periods in American film. It is also a quintessentially Los Angeles story, primarily filmed in the city at landmark locations with symbolism aligned with the very heart of this town.

Nathan and Ryan ante up for Robert Altman's California Split, a drifting, character-driven dive into gambling addiction starring Elliott Gould and George Segal at their loosened-collar best. The hosts unpack Altman's signature overlapping dialogue, the film's lived-in hangout energy, and the bittersweet portrait of two men chasing wins they can never hold onto. From poker rooms to racetracks to late-night degenerate chaos, this episode explores why California Split stands apart as one of the great '70s character studies—and how its deceptively loose vibe hides a knockout emotional punch.

Hang onto your slipcases because Blake Howard (One Heat Minute Productions) teams up with host of INCREMENT VICE, Travis Woods, to unbox, unpack and unveil the IMPRINT FILMS physical media release of CARRIE.In this episode, we discuss:Carrie (1976) – 4K UHD + Blu-ray Limited Edition Lenticular Hardcase – Imprint Collection #494Support: JOIN THE ONE HEAT MINUTE PATREON FOR AS LITTLE AS $1 A MONTHFollow the hosts:Blake Howard - Twitter & One Heat Minute Website Travis Woods is a Contributing Editor at Bright Wall/Dark Room, as well as a writer for The New Beverly Cinema and Cinephilia & Beyond.He lives and writes in Los Angeles. He has a dog and a tattoo of Elliott Gould smoking. Bob Dylan once clapped him on the back and whispered something incomprehensible. These are the only interesting things about him.FOLLOW TRAVIS ON TWITTER HERE.Support this podcast at — https://redcircle.com/one-heat-minute-productions/exclusive-contentAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

We're going back to Vegas for one more job...it's the thrilling conclusion to the trilogy, OCEAN'S THIRTEEN! Well, maybe "thrilling" is arguable. But the episode sure is! We're talking Oprah, Steve Wynn, Mexican labor action, Five Diamond status - it's all here, folks. Further Reading: "Steve Wynn's Biggest Gamble" by Nina Munk Meet The AAA Diamond Rating Experts Further Viewing: DOWN BY LAW (Jarmusch, 1986) SEA OF LOVE (Becker, 1989) HARD EIGHT (Anderson, 1996) SHREK THE THIRD (Miller, 2007) THE TURIN HORSE (Tarr & Hranitzky, 2011) MANK (Fincher, 2020) BLOODY NOSE, EMPTY POCKETS (Ross brothers, 2020) Steve Wynn's 1983 Golden Nugget commercial   Follow Pod Casty For Me: https://www.podcastyforme.com/ https://twitter.com/podcastyforme https://www.instagram.com/podcastyforme/ https://www.youtube.com/@podcastyforme Support us on Patreon: https://www.patreon.com/PodCastyForMe Artwork by Jeremy Allison: https://www.instagram.com/jeremyallisonart  

This is our new NEW RELEASE review podcast, ONE HOT TAKE.Synopsis:When a titan music mogul is targeted with a ransom plot, he is jammed up in a life-or-death moral dilemma.Travis Woods (Host of INCREMENT VICE)Travis Woods is a Contributing Editor at Bright Wall/Dark Room, as well as a writer for The New Beverly Cinema and Cinephilia & Beyond.He lives and writes in Los Angeles. He has a dog and a tattoo of Elliott Gould smoking. Bob Dylan once clapped him on the back and whispered something incomprehensible. These are the only interesting things about him.Support this podcast at — https://redcircle.com/one-heat-minute-productions/exclusive-contentAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

We review The Long Goodbye (1973) on movie podcast The Collector's Cut. The Long Goodbye is directed Robert Altman and stars Elliott Gould, Nina van Pallandt, Sterling Hayden patreon: https://www.patreon.com/mildfuzztv twitter: https://twitter.com/ScreamsMidnight all links: https://linktr.ee/mildfuzz Audio version: https://the-collectors-cut.pinecast.co/

(2024)  National chop suey day. Entertainment from 1989. Ishi meets civilization, The Fugitive finale, Soviet Union detonates nuclear bomb. Todays birthdays - Jean Lafitte, Ingrid Bergman, Isabel Sanford, Richard Attenborough, Elliott Gould, Michael Jackson, Rebecca De Mornay. Ed Asner died.Intro - Pour some sugar on me - Def Leppard http://defleppard.com/Chop Suey movie sound trackRight here waiting - Richard MarxI'm still crazy - Vern GosdinBirthdays - In da club - 50 Cent http://50cent.com/The Jeffersons TV theme songABC - Jackson 5Exit - It's not love - Dokken http://dokken.net/History & Factoids webpage

Lukester: The eternal Familiar Stranger. No one drinks at 8pm here. Liam Neeson and Pameler Anderson are apparently an item, and I have thoughts about it. Fantastic Four had a massive audience drop off in its second week, and I'd be lying if I didn't say it made me “low key” happy. (As the kids say) I saw the Robert Altman movie “Nashville,” and really wished I hadn't.

We present our Ocean's Trilogy review!Ocean's is a series of heist films. Beginning with the 1960 Rat Pack film Ocean's 11, the series has seen mixed to favorable critical reception and substantial commercial success. After the 1960 film, a reboot trilogy was released from 2001 to 2007, often cited as defining its genre and leading to a proliferation and commercialization of heist films throughout the world. The most commercially successful was the first film, Ocean's Eleven (2001). It established the ensemble cast of George Clooney as Danny Ocean, Matt Damon as Linus Caldwell, and Brad Pitt as Rusty Ryan. A long list of supporting cast members maintain the trilogy. The first sequel, Ocean's Twelve, was released in 2004, with the final film, Ocean's Thirteen, following in 2007. An all-female spin-off titled Ocean's 8 was released in 2018.Ocean's Eleven is a 2001 American heist comedy film directed by Steven Soderbergh and written by Ted Griffin. A remake of the 1960 film of the same name, it serves as the first installment in the Ocean's franchise. The film features an ensemble cast including George Clooney, Matt Damon, Andy García, Brad Pitt, Julia Roberts, Casey Affleck, Don Cheadle, Scott Caan, Elliott Gould, Bernie Mac, and Carl Reiner. Its plot follows Danny Ocean, a recently paroled con artist who orchestrates a complex scheme to simultaneously rob the vaults of three major Las Vegas casinos owned by Terry Benedict, the current partner of Ocean's ex-wife, Tess.Ocean's Twelve is a 2004 American heist comedy film directed by Steven Soderbergh and written by George Nolfi. Serving as the second installment in the Ocean's film trilogy, it is a direct sequel to Ocean's Eleven (2001). The film features an ensemble cast including George Clooney, Brad Pitt, Matt Damon, Catherine Zeta-Jones, Andy García, Don Cheadle, Bernie Mac, Julia Roberts, Casey Affleck, Scott Caan, Vincent Cassel, Eddie Jemison, Carl Reiner, and Elliott Gould. Its plot follows Danny Ocean and his crew as they are forced to regroup for a series of elaborate heists across Europe after being targeted by Terry Benedict and a mysterious rival thief known as the Night Fox.Ocean's Thirteen is a 2007 American heist comedy film directed by Steven Soderbergh and written by Brian Koppelman and David Levien. It is the third in the Ocean's film trilogy and features an ensemble cast including George Clooney, Brad Pitt, Matt Damon, Andy García, Don Cheadle, Bernie Mac, Ellen Barkin and Al Pacino. Its plot centers on Danny Ocean and his team as they seek revenge against ruthless casino owner Willy Bank after he double-crosses one of their own.Disclaimer: The following may contain offensive language, adult humor, and/or content that some viewers may find offensive – The views and opinions expressed by any one speaker does not explicitly or necessarily reflect or represent those of Mark Radulich or W2M Network.Mark Radulich and his wacky podcast on all the things:https://linktr.ee/markkind76alsohttps://www.teepublic.com/user/radulich-in-broadcasting-networkFB Messenger: Mark Radulich LCSWTiktok: @markradulichtwitter: @MarkRadulichInstagram: markkind76RIBN Album Playlist: https://suno.com/playlist/91d704c9-d1ea-45a0-9ffe-5069497bad59 

Screen icon Elliott Gould joins the guys for a heartwarming and at times profound conversation about his friendship with Groucho. From deli lunches to hospital antics to reflections on Mae West, Erin Fleming, and the meaning of legacy, Elliott offers deeply personal stories with warmth and wit. You'll even learn what Groucho considered Elliott's greatest performance.

Mike White is joined by Mike Sullivan and Emily Intravia to take a long-overdue look at Move (1970), the surreal, seldom-seen New York comedy directed by Stuart Rosenberg. Fresh off his success in MASH Elliott Gould stars as Hiram Jaffe, a would-be playwright stuck writing porn and walking dogs while waiting for the movers who never arrive. As his mundane reality refuses to budge, Hiram plunges into a chaotic interior world filled with absurd fantasies, sexual misadventures, and psychological spirals.Adapted from Joel Lieber's novel (and screenplay), Move attempts to blend urban anxiety, dream logic, and dark comedy—resulting in a disjointed but oddly fascinating time capsule of early '70s male neurosis. Paula Prentiss co-stars as Hiram's patient wife, while Geneviève Waïte plays a mysterious blonde who may or may not exist. The film mixes scenes of everyday tedium with dreamlike sequences involving rogue movers, hallucinated frogs, and even a fantasy duel, never quite committing to whether it's satirizing New York life or the fragile male ego.Our hosts dive into the film's tonal shifts, its place in Gould's post-MASH career arc, and why it remains overlooked despite its stacked cast and studio pedigree. The episode also features brand-new interviews with stars Elliott Gould and Paula Prentiss, who reflect on the film's production, reception, and what it means to them in hindsight.Become a supporter of this podcast: https://www.spreaker.com/podcast/the-projection-booth-podcast--5513239/support.

Mike White is joined by Mike Sullivan and Emily Intravia to take a long-overdue look at Move (1970), the surreal, seldom-seen New York comedy directed by Stuart Rosenberg. Fresh off his success in MASH Elliott Gould stars as Hiram Jaffe, a would-be playwright stuck writing porn and walking dogs while waiting for the movers who never arrive. As his mundane reality refuses to budge, Hiram plunges into a chaotic interior world filled with absurd fantasies, sexual misadventures, and psychological spirals.Adapted from Joel Lieber's novel (and screenplay), Move attempts to blend urban anxiety, dream logic, and dark comedy—resulting in a disjointed but oddly fascinating time capsule of early '70s male neurosis. Paula Prentiss co-stars as Hiram's patient wife, while Geneviève Waïte plays a mysterious blonde who may or may not exist. The film mixes scenes of everyday tedium with dreamlike sequences involving rogue movers, hallucinated frogs, and even a fantasy duel, never quite committing to whether it's satirizing New York life or the fragile male ego.Our hosts dive into the film's tonal shifts, its place in Gould's post-MASH career arc, and why it remains overlooked despite its stacked cast and studio pedigree. The episode also features brand-new interviews with stars Elliott Gould and Paula Prentiss, who reflect on the film's production, reception, and what it means to them in hindsight.Become a supporter of this podcast: https://www.spreaker.com/podcast/the-projection-booth-podcast--5513239/support.

It's the end of our eighth season of the podcast and so we're celebrating by going all the back to the season finale of the very first season (well, if you don't count those summer episodes as being part of the season). Anyway, our ol' pal Jon Schneider is back with us again to discuss Elliott Gould's second hosting gig and what be the first of many for musical guest Leon Redbone. This episode is mostly known for Micheal O'Donoghue's lengthy Star Trek sketch and generally not much else and truth to be told, I had vague memories of it just kinda being a gassed out finale with a mini-epic tossed in the middle. But no! Turns out there's more here than meets the eye, including the first of the show's two moments of female nudity, Collins & Everson performing a song that would never be officially released, and a strange 1930s-ish theming to the whole thing. So join us as we close out our season the only way we know how: by talking WAY too long about vintage comedy. Who loves ya, baby? 

In this episode, we take a deep dive into The Long Goodbye, Robert Altman's sun-drenched, offbeat adaptation of Raymond Chandler's classic detective novel. Join us as we unpack Elliott Gould's mumbling, chain-smoking take on Philip Marlowe, explore how the film subverts traditional noir tropes, and examine its place in 1970s counterculture cinema.https://linktr.ee/silverscreenvideoThanks for stopping by. Feel free to email at silverscreenvideopodcast@gmail.com with any comments or thoughts. Also be sure to follow us on Instagram @silverscreenvideopodcast, Twitter @SilverVideo, and TikTok silver.screen.vid.

In this episode, the random movie machine transports the misfits to 1950's Korea as they review the 1970 comedy MASH. This film was directed by Robert Altman and stars Donald Sutherland, Elliott Gould, Tom Skerritt, Sally Kellerman and Rober Duvall. Ranking: AFI's 100 Years…100 Movies: 56th AFI's 100 Years…100 Movies – 10th Anniversary List: 54th All original content including sound effects, graphics, photos, and music is © Classic Movie Misfits.  Movie audio clips and music are used in accordance with Fair Use, and are property of the film copyright holders. #MASH #RobertAltman #DonaldSutherland #ElliottGould #TomSkerritt #SallyKellerman #RobertDuvall #ClassicMovies #AFI100 #ClassicMovieMisfits

Lawrence Grobel is the author of 32 books. Among his honors are a National Endowment for the Arts Fellowship for his fiction; Special Achievement Awards from PEN for his Conversations with Capote, and Playboy for his interviews with Barbara Streisand, Dolly Parton, Marlon Brando and Al Pacino; and the Prix Litteraire from The Syndicat Francais de la Critique de Cinema for his Al Pacino: In Conversation with Lawrence Grobel. He has been a Contributing Editor for Playboy, Movieline, World (New Zealand), and Trendy (Poland). He served in the Peace Corps, teaching at the Ghana Institute of Journalism; created the M.F.A. IN Professional Writing for Antioch University; and taught in the English and Honors Departments at UCLA. He has served as a jury member at the annual Camerimage Film Festival in Poland and has appeared as himself in the documentary Salinger and Al Pacino's docudrama Wilde Salome. His works have been translated into fourteen languages.

Lawrence Grobel is the author of 32 books. Among his honors are a National Endowment for the Arts Fellowship for his fiction; Special Achievement Awards from PEN for his Conversations with Capote, and Playboy for his interviews with Barbara Streisand, Dolly Parton, Marlon Brando and Al Pacino; and the Prix Litteraire from The Syndicat Francais de la Critique de Cinema for his Al Pacino: In Conversation with Lawrence Grobel. He has been a Contributing Editor for Playboy, Movieline, World (New Zealand), and Trendy (Poland). He served in the Peace Corps, teaching at the Ghana Institute of Journalism; created the M.F.A. IN Professional Writing for Antioch University; and taught in the English and Honors Departments at UCLA. He has served as a jury member at the annual Camerimage Film Festival in Poland and has appeared as himself in the documentary Salinger and Al Pacino's docudrama Wilde Salome. His works have been translated into fourteen languages.

Elliott Gould returns to SNL for the 4th time to handle the hosting duties for S4's Christmas episode. He brings with him Peter Tosh as musical guest (who, in turn, brings along a very famous friend) as well as comedy legends Bob and Ray as special guests showing everyone just how it is done.Gould keeps the show's good vibe going heading into the holiday season hiatus. It is a solid outing as we are treated to some great Christmas themed sketches (including an excellent St. Mickey's Knights of Columbus), the introduction of some new recurring characters, and of course…a song and dance number for his monologue (this time w/ Garrett).  ---------------------------------Subscribe today!Follow us on social media: X (Twitter): NR4PTProjectBluesky: nr4ptproject.bsky.socialInstagram: nr4ptprojectFacebook: The Not Ready for Prime Time ProjectContact Us: Website: https://www.nr4project.comEmail: nr4ptproject@gmail.com

The Chelsea Hotel sits at 222 West 23rd Street in Manhattan…since it was completed in 1884, the place has been a hangout for some very colourful characters…most were New York eccentrics and bohemians who needed a place to live…but it also attracted some famous people. At one point or another, it was home to sci-fi writer Arthur C. Clarke who wrote a big chunk of “2001: A Space Odyssey” in his room…later, Stanley Kubrick, the producer of the movie version of the book would stay there… Other long-term guests included photographer Robert Mapplethorpe stayed there…so did included beat writer Jack Kerouac, playwrights Tennessee Williams, Arthur Miller, and Sam Shepherd, actors Dennis Hopper, Uma Thurman, Elliott Gould, and Jane Fonda…plus, for extra colour, poets William Burroughs and Allen Ginsberg—not to mention Andy Warhol and some of his crew. The Chelsea was also a favourite haunt of musicians…Bob Dylan, Patti Smith, Leonard Cohen, Janis Joplin, Jimi Hendrix, Tom Waits, Jim Morrison, Jeff Beck, Joni Mitchell, Alice Cooper, the guys in Pink Floyd, and many, many others. But the most notorious floor was floor 1…it was designated the “junkie floor,” the place where guests with drug problems were placed so that staff could keep an eye on things… This was where ex-Sex Pistol Sid Vicious and his American girlfriend, Nancy Spungen checked in…they were given room 100. It was in that room Nancy died…it looks like she was murdered...but by whom? ...Sid was charged with killing her, but did he?. This is “Uncharted: Crime and Mayhem in the Music Industry”…and this time, it's the wild story of the death of Nancy Spungen and the questions that still remain decades later…around whether Sid Vicious actually did it. Learn more about your ad choices. Visit megaphone.fm/adchoices

SHELLEY FABARES & MIKE FARRELL answer fan questions & untold stories: Exclusive 3 episode interview! In this first episode of the interview, Shelley Fabares reminisces with John about her films with Elvis Presley, highlighting their unforgettable on-screen chemistry and reflecting on whether he was truly happy during that phase of his career. Shelley discusses her involvement with the Donna Reed Foundation and her bond with Paul Petersen. She shares heartfelt Hollywood memories, including her work on The Brian Keith Show and her special connection to the Donna Reed Foundation and Paul Petersen. Mike Farrell recalls with John a dangerous moment on MASH, working on She Cried Murder with Lynda Day George, his impressions of Telly Savalas, a great story with Elliott Gould his experience working alongside Cheryl Ladd. He also shares stories from Private Sessions, KLUTE, and working with Mike Connors. Both Shelley and Mike discuss the difficulties actors face securing new roles after a hit series, as well as their ongoing involvement in meaningful causes and projects. This is the first episode of the interview with two additional episodes to follow, enjoy! Become a That's Classic! PATREON member including the opportunity to see Exclusive Bonus Footage: patreon.com/thatsclassic That's Classic! Merchandise: http://tee.pub/lic/2R57OwHl2tE Subscribe for free to That's Classic YouTube Channel: https://www.youtube.com/channel/UCBtpVKzLW389x6_nIVHpQcA?sub_confirmation=1 Facebook: facebook.com/thatsclassictv Hosted by John Cato, actor, voiceover artist, and moderator for over 20 years for the television and movie industry. John's background brings a unique insight and passion to the podcast.

Hang onto your slipcases because Blake Howard (One Heat Minute Productions) and special guest Travis Woods (Bright Wall / Dark Room) team up to unbox, unpack and unveil upcoming IMPRINT FILMS physical media releases.In this episode, we discuss: Film Focus: Burt Reynolds (1973 – 1976) – Imprint Collection #374 – 376Quintessential leading man Burt Reynolds stars in three action-packed thrill rides from the 70s!White Lightning (1973)Hustle (1975)Gator (1976)Limited Edition 4-Disc Hardbox, featuring brand NEW Special Features for every film, plus the acclaimed 2020 feature documentary ‘I Am Burt Reynolds'.Travis Woods (Host of INCREMENT VICE)Travis Woods is a Contributing Editor at Bright Wall/Dark Room, as well as a writer for The New Beverly Cinema and Cinephilia & Beyond.He lives and writes in Los Angeles. He has a dog and a tattoo of Elliott Gould smoking. Bob Dylan once clapped him on the back and whispered something incomprehensible. These are the only interesting things about him.Support: JOIN THE ONE HEAT MINUTE PATREON FOR AS LITTLE AS $1 A MONTHFollow the hosts:Blake Howard - Twitter & One Heat Minute Website Alexei Toliopoulos - Twitter & The Last Video StoreSupport this podcast at — https://redcircle.com/one-heat-minute-productions/exclusive-contentAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Dana and Tom with returning guest, Adam Vanderwerff, discuss M*A*S*H (1970): directed by Robert Altman, written by Ring Lardner, Jr., music by Johnny Mandel, starring Donald Sutherland, Elliott Gould, Tom Skerritt, and Robert Duvall.Plot Summary: M*A*S*H is a sharp, irreverent satire that reimagines the war film as a chaotic and darkly comedic theater of absurdity. Set in a mobile army surgical hospital during the Korean War, the film follows the misadventures of surgeons Hawkeye Pierce (Donald Sutherland) and Trapper John McIntyre (Elliott Gould), whose antics clash with the rigid military hierarchy.The film's freewheeling ensemble style captures the camaraderie and anarchy of a unit forced to find humor amidst the horrors of war. With its anti-authoritarian ethos and whip-smart dialogue, the film critiques the machinery of war and conformity without sermonizing. The overlapping conversations, naturalistic performances, and subversive tone make M*A*S*H both a product of its era and a timeless commentary on the absurdities of human conflict.Guest:Adam Vanderwerff (Duncan Disability Law)Previous Episodes: Office Space (1999), Ghostbusters (1984)Chapters:00:00 Introduction to MASH and Its Legacy03:56 Relationship(s) with M*A*S*H08:02 What is M*A*S*H About?12:42 Cultural Impact of M*A*S*H18:57 Impact of First F-Bomb in Cinema History?21:09 Plot Summary for M*A*S*H22:22 Did You Know?24:51 First Break26:22 Best Performance(s)32:50 Best/Favorite/Indelible Scene(s)38:43 Second Break39:53 In Memoriam42:08 Best/Funniest Lines43:47 The Stanley Rubric - Legacy48:19 The Stanley Rubric - Impact/Significance49:01 The Stanley Rubric - Novelty52:57 The Stanley Rubric - Classicness58:57 The Stanley Rubric - Rewatchability01:01:59 The Stanley Rubric - Audience Score and Final Total01:03:12 Remaining Questions for M*A*S*H01:10:45 Thank You to Our Guest and Final Thoughts01:15:42 CreditsYou can also find this episode in full video on YouTube.You can now follow us on Instagram, Twitter, YouTube, or TikTok (@gmoatpodcast).For more on the episode, go to: https://www.ronnyduncanstudios.com/post/m-a-s-h-1970-ft-adam-vanderwerffFor the entire rankings list so far, go to: https://www.ronnyduncanstudios.com/post/greatest-movie-of-all-time-listKeywords:MASH, film analysis, cultural impact, legacy, comedy, war film, character performances, podcast, movie review, Donald Sutherland, Robert Altman, Robert Duvall, Elliot Gould, Tom SkerittRonny Duncan Studios

For the first and only time this season, It Happened One Year is doing a fabled Road Episode - this time the show's first from outside the country! Recorded Christmastime in the Notting Hill area of London, England, Sarah & Joe tackle the coincidentally Chicago-set Sidney Sheldon thriller 1984 adaptation The Naked Face, starring Roger Moore, Rod Steiger, Elliott Gould, Art Carney, Anne Archer, and Navy Pier, baby! Come for the breakdown of the melodramatics - touching quickly on Roger Moore's career and life, with appearances by Scaramanga himself Christopher Lee, Harry & Sally, the local Tesco - and wrap up with some truly mediocre impressions. Look, it was a recorded on a long vacation at the end of a long day, it was bound to be a little odd, even by IHOY standards.

Director:  Robert Altman Producer:  Ingo Preminger Screenplay:  Ring Lardner, Jr. Photography:  Harold E. Stine Music:  Johnny Mandel Cast: Donald Sutherland, Elliott Gould, Tom Skerritt, Sally Kellerman, Robert Duvall Rotten Tomatoes:  Critics: 86%/Audience: 83%

"The cine-grammar of this movie is pure art-deco detective noir in these broad strokes." We have arrived at seeing MANHUNTER, just as Michael Mann has intended, and I have arrived at seeing one of the best to do it - Travis Woods - bringing his truly gifted and immense film mind to bear on MINHUNTER.Travis Woods (Host of INCREMENT VICE)Travis Woods is a Contributing Editor at Bright Wall/Dark Room, as well as a writer for The New Beverly Cinema and Cinephilia & Beyond.He lives and writes in Los Angeles. He has a dog and a tattoo of Elliott Gould smoking. Bob Dylan once clapped him on the back and whispered something incomprehensible. These are the only interesting things about him.FOLLOW TRAVIS ON TWITTER HERE.Join our Patreon for as little as $1 a month to receive an exclusive weekly podcast and access to the OHM Discord here.ONE HEAT MINUTE PRODUCTIONSWEBSITE: ONEHEATMINUTE.COMPATREON: ONE HEAT MINUTE PRODUCTIONS PATREONTWITTER: @ONEBLAKEMINUTE & @KATIEWALSHSTX & @OHMPODSSupport this podcast at — https://redcircle.com/one-heat-minute-productions/exclusive-contentAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

"I feel as though I know you very well." For Episode 342, Brandon and David dive into this year's Christmas genre, and that is the Christmas Action genre. Listen as they discuss the 1978 Canadian thriller THE SILENT PARTNER. Find out which rock star Elliott Gould wanted to be cast in the film, why it was filmed in Canada, the controversy in post-production, and what directors loved the movie.  Also, don't forget to join our Patreon for more exclusive content: Opening Banter - Spotify Wrapped and Denzel -  (00:00:10) Intro of Christmas Action Month (00:09:26) Intro to The Silent Partner (00:16:06) How The Silent Partner Got to Production (00:23:42) Favorite Scenes (00:31:12) On Set Life - (01:07:21) Aftermath: Release and Legacy (01:13:36) What Worked and What Didn't (01:22:04) Film Facts (01:29:58) Awards (01:30:41) Final Questions on the Movie (01:36:15) Wrapping Up the Episode (01:43:39) Contact Us: Facebook: @cinenation Instagram: @cinenationpodcast Twitter/X: @CineNationPod TikTok: @cinenation Letterboxd: CineNation Podcast E-mail: cinenationpodcast@gmail.com

My dear friend, Letterboxd managing editor Mitchell Beaupre returns to the show to discuss the filmography & mystique of one of cinema's coolest counterculture icons, Elliott Gould. Giving a thoughtful overview of the way that his work has evolved over the years, in this engaging conversation, we focus on three of what we consider to be Gould's greatest cinematic staples: THE SILENT PARTNER, THE LONG GOODBYE, & CALIFORNIA SPLIT. Mitchell's Bio:Mitchell Beaupre is the Managing Editor for Letterboxd, whose writing on film has also appeared at Paste Magazine, The AV Club, The Film Stage, Little White Lies, & The Playlist. Originally Posted on Patreon (11/10/24) here: https://www.patreon.com/posts/115729513Theme Music: Solo Acoustic Guitar by Jason Shaw, Free Music Archive Shop Watch With Jen logo Merchandise in Logo Designer Kate Gabrielle's Threadless Shop Donate to the Pod via Ko-fi

RE-VIEW ALERT: Special Guest Episode with Marc Tumminelli – Revisiting Episode 34 of Review That Review

DJ & Matt discuss the trivia behind the 1988 Comedy, Drama "The Telephone" starring Whoopi Goldberg & Elliott Gould, a film by Rip Torn. View our recording sessions on YouTube. Next Time: "Batteries Not Included" to be released 10/18 Write to DJ & Matt at matineeminutiae@gmail.com Leave a comment on our page at matineeminutiae.com Follow the show on Twitter. View our our videos on YouTube. Friend DJ on Facebook This podcast is powered by Pinecast.

Released in 1977, A Bridge Too Far stands as the last grand-scale WWII film produced by the Hollywood studio system. The film ambitiously sought to bring to life Operation Market-Garden, the bold but ultimately doomed Allied campaign of September 1944, culminating in the failed attempt to capture the Arnhem bridge. Producer Joseph E. Levine gathered an incredible ensemble cast, featuring legends like Anthony Hopkins, Robert Redford, Sean Connery, James Caan, Michael Caine, Elliott Gould, Dirk Bogarde, and Laurence Olivier. The movie was shot on location in Holland, with the town of Deventer doubling as Arnhem to recreate the intense and chaotic battle scenes. In this episode of the WW2 Podcast, I'm joined by Simon Lewis, author of Making 'A Bridge Too Far.'   patreon.com/ww2podcast  

The former senator from Minnesota recounts his early fandom for Tim Walz and how he won an unlikely congressional race in 2006. Plus, Kamala finding her footing, the cowardly Republicans who are shying away from endorsing her, a floundering Trump, and Franken's 70s-era comedy. Al Franken joins Tim Miller. show notes: The 1976 SNL episode featuring Al and Elliott Gould's skit; costs $1.99 to watch

First, Adam welcomes improviser & comedian Leah Knauer to the show as they discuss Leah's teenage crush on Dr. Drew, the versatility of female impressionists versus their male counterparts, how Adam is the “epitome of a Gemini”, and Leah's self-proclamation of being a witch. Next, Adam and Leah continue their conversation going over the news, including a massive drug tunnel found in Tijuana, Salt-N-Pepa's Sandra Denton getting kicked off a Southwest flight, and getting into the lurid details of Kim Kardashian's salmon sperm facial. Lastly, Adam is joined by actor Patrick Fabian (Better Call Saul) as they get into Patrick's time on the SAG board with Elliott Gould, the downfall of Joe Paterno at Penn State, the debilitating rejection of the audition process, their similar paths to taking improv classes, and whether men can actually get by with only one bowl, one spoon, and one cup. For more with Patrick Fabian: ● Watch - ‘The Way We Speak' available on VOD platforms July 23rd ● INSTAGRAM: @MrPatrickFabian ● TWITTER: @PatrickFabian ● WEBSITE: http://patrickfabian.com For more with Leah Knauer: ● INSTAGRAM: @LeahKnauer ● TIKTOK: @LeahKnauer ● WEBSITE: http://leahknauer.com Thank you for supporting our sponsors: ● http://simplisafe.com/Adam ● http://OReillyAuto.com/Adam

Ralph welcomes Columbia University Professor Jeffrey Sachs to discuss what's motivating anti-Palestinian extremism in Israel, how the U.S. has been complicit in Israel's theft of Palestinian territory and genocide against the Palestinian people, and what the United Nations can do to help achieve a lasting peace. Plus, we share Ralph's recent column: "Israeli Leaders' Objective All Along Has Been the Expulsion of Occupied Palestinians and Seizure of Their Remaining Land."Jeffrrey Sachs is the Director of the Center for Sustainable Development at Columbia University, where he holds the rank of University Professor (the university's highest academic rank) and he served as Director of the Earth Institute at Columbia University from 2002 to 2016. Mr. Sachs has also served in numerous positions at the United Nations, including as President of the UN Sustainable Development Solutions Network.The reason that diplomacy is not happening is perfectly obvious. Which is that the core of this government does not want diplomacy, even if it were to deliver security. Their aim is not security through diplomacy. Their aim is “Greater Israel.”Jeffrey SachsI have lived through…watching the U.S. government abandon so many projects, from Southeast Asia through the Americas—these have been terrible projects often—but the U.S. loses interest, it moves on. And Israel needs to actually live in its neighborhood if it's going to survive. And counting on military might to do that is a profound mistake. It's eating away at its own fundamental capacity to act as a society—the idea that you can stand alone in the world community and have no one support you. This is a huge mistake. So I've tried to say to my counterparts in Israel…that this path is not only wrong and immoral, but doomed to fail as well.Jeffrey SachsThe Palestinians have one of the highest literacy rates—97 % — in the world. Under dire conditions, they have accomplished farmers, physicians, scientists, engineers, poets, musicians, novelists, artists, and a deep entrepreneurial tradition carried on by the Palestinian diaspora around the world. It is no accident that Israeli bombers directly target Palestinian cultural and educational institutions in their recurrent assaults on Gaza. Israeli militarists have to degrade all Palestinians… to expel them from their ancestral lands.Ralph NaderIn Case You Haven't Heard with Francesco DeSantisNews 4/10/241. An unsettling story in Business Insider recounts how the Israeli military uses an AI system – chillingly called “Where's Daddy?” – to track Hamas militants to their homes. As one IDF officer put it, “We[‘re] not interested in killing [Hamas] operatives only when they…[are] engaged in a military activity…On the contrary, the IDF bomb[s] them in homes without hesitation, as a first option. It's much easier to bomb a family's home.” This policy of bombing family homes “as a first option” is a major factor in why so many Palestinian families have lost unimaginable numbers of relatives in Israeli strikes. IDF officers added “human input in the target identification process…[is] essentially [to] ‘rubber stamp' the machine's picks after little more than ‘20 seconds' of consideration — which was largely to double-check the target is male.”2. As we know from the recent polling on the issue, only 22.5% of Democrats now support military aid to Israel, while 83% want a permanent ceasefire. More surprising is that only 41% of Republicans want  the U.S. to send military aid to Israel, and 58% want a permanent ceasefire. This poll is now joined by a similar poll from the United Kingdom, showing 56% of the British public – including 74% of Labour Party voters – support their government refusing to sell more weapons to Israel, with only 17% in support of continuing such sales. Pressing on this issue, progressive members of Congress Mark Pocan and Jan Schakowsky have penned a letter to President Biden and Secretary of State Blinken “strongly urg[ing them]…to reconsider [their] recent decision to authorize the transfer of a new arms package to Israel and to withhold this and any future offensive arms transfers until a full investigation into the [World Central Kitchen] airstrike is completed…to continue withholding these transfers until those responsible are held accountable [under U.S. or international law and]…to withhold these transfers if Israel fails to sufficiently mitigate harm to innocent civilians in Gaza, including aid workers, and if it fails to facilitate – or arbitrarily denies or restricts – the transport and delivery of humanitarian aid into Gaza.” This letter was signed by 37 additional Democratic members of Congress – mostly the typical progressives, though with one extremely notable addition: Nancy Pelosi, signifying how mainstream this position has become.3. In yet another sign of the shifting political winds, Delaware Senator Chris Coons – a consummate moderate and perhaps President Biden's closest ally in the Senate – has come out in favor of conditioning military aid to Israel, Axios reports. Coons added “I've never said that before, I've never been here before.”4. Yet even as the Democratic Party shifts., Biden has continued his blind support for Israel – resulting in continued success for the “Uncommitted” electoral protest movement. In Wisconsin, the “uninstructed delegation” option won nearly 50,000 votes statewide – over 8% of the vote – and over 30% of votes in the precincts representing the University of Wisconsin-Madison. And it hasn't stopped with Wisconsin. In Connecticut, “uncommitted” won over 11%; in New York, blank ballots accounted for 12%; and in Rhode Island, “uncommitted” won a whopping 14.5% of primary voters statewide. John Nichols at the Nation tabulates that as of now, over half a million Democratic primary voters have given Biden a clear message: “Save Gaza!”5. The controversy surrounding Oscar-winning Zone of Interest Director Jonathan Glazer's acceptance speech continues to drag on. This week, over 150 major Jewish creatives signed an open letter supporting Glazer, per Variety. These signatories include many household names, such as Joaquin Phoenix, Elliott Gould, Joel Coen, David Cross, Amy Berg, Boots Reilly, Hari Nef, Ilana Glzazer, Wallace Shawn, and many, many more. This letter states “We are Jewish artists, filmmakers, writers and creative professionals who support Jonathan Glazer's statement from the 2024 Oscars. We were alarmed to see some of our colleagues in the industry mischaracterize and denounce his remarks…Their attacks on Glazer are a dangerous distraction from Israel's escalating military campaign which has already killed over 32,000 Palestinians in Gaza and brought hundreds of thousands to the brink of starvation. We grieve for all those who have been killed in Palestine and Israel over too many decades...We honor the Holocaust by saying: Never again for anyone.”6. In some positive news, the National Labor Relations Board reports union election petitions are up 35% in the first half of Fiscal Year 2024, with unfair labor practice charges up 7%. The NLRB is quick to note that this increased caseload coincides with a long-term funding crunch that has seen their offices shrink by 50% over the past 20 years. NLRB General Counsel Jennifer Abruzzo writes “Congress needs to fully fund the NLRB to effectively and efficiently comply with our Congressional mandate when providing quality service to the public in conducting hearings and elections, investigating charges, settling and litigating meritorious cases, and obtaining full and prompt remedies for workers whose rights are violated.”7. In Ecuador, a diplomatic crisis is unfolding with Mexico after Ecuadorian forces stormed the Mexican embassy to arrest former Ecuadorian Vice President Jorge Glas, who had sought – and been granted – asylum at the Mexican embassy. Mexican President Andres Manuel Lopez Obrador, or AMLO, decried this as a “flagrant violation of international law and the sovereignty of Mexico.”  CNN reports this provocation prompted AMLO to suspend diplomatic relations with Ecuador and pursue a case against Ecuador at the International Court of Justice. For its part, the U.S. State Department issued a statement saying “The United States condemns any violation of the Vienna Convention on Diplomatic Relations, and takes very seriously the obligation of host countries under international law to respect the inviolability of diplomatic missions.”8. NBC4 Washington is out with a blockbuster report on gun running within the D.C. Metro police department. Put simply, “For at least seven months in 2020 and 2021, the D.C. area's largest police department was…the only place D.C. residents could legally get a handgun.” Incredible as that may seem, that much was already public knowledge. Now, federal documents have been uncovered showing that a remarkable number of these guns ended up at crime scenes. In fact, “So many guns [were] recovered at crime scenes, in such a brief period, that the Bureau of Alcohol, Tobacco, Firearms and Explosives placed D.C. police into a program designed to give extra scrutiny to dealers with higher levels of so-called crime guns.” In other words, D.C. cops, far from getting guns off the street, were in fact releasing so many guns on to the street that federal firearms regulators had to step in. So much for police improving safety.9. According to CNBC, “Brazilian Supreme Court Justice Alexandre de Moraes initiated an investigation into tech magnate Elon Musk on Sunday…concern[ing] possible obstruction of justice by Musk, who said over the weekend that he would defy the court's orders to restrict or suspend some popular accounts on its platform.” This comes as part of a larger investigation into “so-called digital militias, a term applied to people accused of spreading misinformation online to attack democratic institutions in Brazil.” While the list of accounts flagged by the Brazilian government is not public, Wired reports this list includes “the fugitive far-right influencer Allan dos Santos, a supporter of president Jair Bolsonaro. (Dos Santos fled the country in 2020 to avoid investigation for disseminating disinformation.)… [and] right-wing YouTuber Bruno Aiub, known as Monark, who has over 1 million followers on X and has argued that Brazil should recognize the Nazi party, and Brazilian billionaire and Bolsonaro-supporter Luciano Hang.”10.  Finally, you might have heard that Amazon is shutting down the “Just Walk Out” technology at its grocery stores. This technology supposedly relied on an entirely automated system of cameras and sensors to track what people picked up at the stores and charge that to their Amazon accounts. Yet, Gizmodo reports “Though it seemed completely automated, Just Walk Out relied on more than 1,000 people in India watching and labeling videos to ensure accurate checkouts. The cashiers were simply moved off-site, and they watched you as you shopped.” This genre of story has become all too common – companies trumpeting ‘automation' when in fact all they're doing is outsourcing with extra steps. Just another reminder to remain skeptical of claims by big corporations. Often flashy new tech is just a smokescreen for regular old labor exploitation.This has been Francesco DeSantis, with In Case You Haven't Heard. Get full access to Ralph Nader Radio Hour at www.ralphnaderradiohour.com/subscribe

This week, Danielle and Millie discuss THE LONG GOODBYE (1973) and CALIFORNIA SPLIT (1974), the cursed holiday season, taking a “Stank Day,” and Elliott Gould's “Would Destroy” status.To see a full ISWYD movie list, check out our Letterboxd here:https://letterboxd.com/isawwhatyoudid/films/diary/See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

GGACP celebrates the birthday (September 22) of late comedian and actor (and "magician"!) Art Metrano by revisiting this interview from 2017. In this episode, Art looks back on his 50+ year career in film and television, his friendships with performers like Cornel Wilde, Elliott Gould and Robert Mitchum and his miraculous (and inspirational) recovery from a life-threatening injury. Also, Johnny Carson cracks up, Huntz Hall measures up, Buddy Hackett lays even money and Art parties with Lenny Bruce (and Clint Eastwood). PLUS: Jim Brown! "Night of the Hunter"! Raymond Burr goes it alone! The suavity of Dean Martin! The strangeness of Merv Griffin! And Art remembers the late, great Marvin Kaplan!  Learn more about your ad choices. Visit megaphone.fm/adchoices

1. Seth MacFarlane 9/11 story (2009) 2. Elliott Gould live (2013) 3. 2021 ACE Awards Hosted by Chris Laxamana and Giovanni Giorgio Support the show: Visit SimpliSafe.com/Adam Visit GoodRanchers.com and use code ADAM Visit Keeps.com/Adam Visit Stamps.com, click the microphone and enter ADAM Visit TommyJohn.com/Adam Visit Leafwell.com and use code ADAM Visit Geico.com Request clips: Classics@adamcarolla.com TWITTER: https://twitter.com/chrislaxamana INSTAGRAM: http://instagram.com/chris_laxamana https://instagram.com/giovannigiorgio Website: https://www.podcastone.com/carolla-classics