POPULARITY
90 episodes with see hear
152 episodes with see hear
15 episodes with see hear
10 episodes with see hear
11 episodes with see hear
6 episodes with see hear
2 episodes with see hear
3 episodes with see hear
2 episodes with see hear
So many biopics feature the story of an artist from cradle to grave....all in 2 hours. Those of you who know me or have listened to the show before know I'm....uh....not a fan of these types of pods. They're often a cherry picked list of moments in the artist's life until the moment of triumph – artistically and in overcoming personal obstacles. Springsteen: Deliver Me From Nowhere does it backwards. Welcome to episode 131 of See Hear Podcast. In Springsteen: Deliver Me From Nowhere, we find Bruce at an artistically satisfying place and being hugely popular (though not as popular as he would get). What does an ambitious artist do following a number 1 record with one of the greatest working bands in America? He goes into a bedroom with a 4 track recorded (new technology for the day), records a bunch of dark personal songs about troubled people....and insists on putting these songs (FROM A CASSETTE) out as his new LP. The film follows the book by Warren Zanes “Deliver Me From Nowhere” which covers the period in exquisite detail. It covers Springsteen's fascination with a serial killer and classic cinema, and how they helped influence his songwriting of the period. The story behind Nebraska is not what you'd expect from a Hollywood film...not about the man who was simultaneously recording the biggest album of his career while he was recording the most personal. The film starts with a superstar who has mental health issues, and needs to deliver something small. If we were doing bonus / Patreon shows, this would most likely be classified as one of those. Instead of badgering my partners Kerry and Tim into seeing this new Springsteen biopic, I went with 4 willing folks to a local cinema, then adjourned to a nearby cafe'. Loaded up with coffee and cake, I plugged in an external microphone into my phone, turned on the voice recorder software, then had a conversation about with my wife Joanne, and our friends Kate and Geoff about the film we had just watched – no time to fashion our thoughts....just an instant gut reaction. Sadly, Joanne couldn't be picked up on the mic with the constant background noises one hears in a busy cafe, so she's been edited out. This episode is short, and we surely missed out salient points that further contemplation might have bought – that doesn't matter. This is an honest reaction. Next month, Kerry, Tim and I will return to the style of show you're familiar with. If you've been enjoying the show, please consider giving us a favourable review on iTunes and let your friends know that our show exists. If you don't enjoy the show, tell your adversaries to tune in. We don't care who listens..... See Hear is proudly part of the Pantheon Network of music podcasts. Check out all the other wonderful shows at http://pantheonpodcasts.com Send us feedback via email at seehearpodcast@gmail.com Join the Facebook group at http://facebook.com/groups/seehearpodcast You can download the show by searching for See Hear on whatever podcast app you favour (except Spotify). Learn more about your ad choices. Visit megaphone.fm/adchoices
So many biopics feature the story of an artist from cradle to grave....all in 2 hours. Those of you who know me or have listened to the show before know I'm....uh....not a fan of these types of pods. They're often a cherry picked list of moments in the artist's life until the moment of triumph – artistically and in overcoming personal obstacles. Springsteen: Deliver Me From Nowhere does it backwards. Welcome to episode 131 of See Hear Podcast. In Springsteen: Deliver Me From Nowhere, we find Bruce at an artistically satisfying place and being hugely popular (though not as popular as he would get). What does an ambitious artist do following a number 1 record with one of the greatest working bands in America? He goes into a bedroom with a 4 track recorded (new technology for the day), records a bunch of dark personal songs about troubled people....and insists on putting these songs (FROM A CASSETTE) out as his new LP. The film follows the book by Warren Zanes “Deliver Me From Nowhere” which covers the period in exquisite detail. It covers Springsteen's fascination with a serial killer and classic cinema, and how they helped influence his songwriting of the period. The story behind Nebraska is not what you'd expect from a Hollywood film...not about the man who was simultaneously recording the biggest album of his career while he was recording the most personal. The film starts with a superstar who has mental health issues, and needs to deliver something small. If we were doing bonus / Patreon shows, this would most likely be classified as one of those. Instead of badgering my partners Kerry and Tim into seeing this new Springsteen biopic, I went with 4 willing folks to a local cinema, then adjourned to a nearby cafe'. Loaded up with coffee and cake, I plugged in an external microphone into my phone, turned on the voice recorder software, then had a conversation about with my wife Joanne, and our friends Kate and Geoff about the film we had just watched – no time to fashion our thoughts....just an instant gut reaction. Sadly, Joanne couldn't be picked up on the mic with the constant background noises one hears in a busy cafe, so she's been edited out. This episode is short, and we surely missed out salient points that further contemplation might have bought – that doesn't matter. This is an honest reaction. Next month, Kerry, Tim and I will return to the style of show you're familiar with. If you've been enjoying the show, please consider giving us a favourable review on iTunes and let your friends know that our show exists. If you don't enjoy the show, tell your adversaries to tune in. We don't care who listens..... See Hear is proudly part of the Pantheon Network of music podcasts. Check out all the other wonderful shows at http://pantheonpodcasts.com Send us feedback via email at seehearpodcast@gmail.com Join the Facebook group at http://facebook.com/groups/seehearpodcast You can download the show by searching for See Hear on whatever podcast app you favour (except Spotify). Learn more about your ad choices. Visit megaphone.fm/adchoices
Just wanted to hop on and do a shorter episode talking about some travel observations I've made recently + a discussion around priorities, environment and how gambling relates to health/fitness lol I promise I'll connect everything together. Where to find me:IG: @lukesmithrdCheck out my website HEREFill out a 1:1 coaching application HERETIA for listening!!
History is full of famous tales that are told from one perspective. As we all know, everyone has their own version of how something went down....even if it doesn't contradict the popular narrative, there's always something that happened in the background whose importance is diluted or not told at all. Welcome to episode 130 of See Hear Podcast. In 1974, a German teenage jazz fan named Vera Brandes was inspired to book jazz pianist Keith Jarrett to perform at the Koln Opera House. This seemed like a gigantic task however you look at it. Vera had gained a little experience in helping touring musicians perform around Germany (already a big task) but getting one of the then new leading lights in jazz to perform a large venue like the Koln Opera House at the age of 18???? Adding to the degree of difficulty, Jarrett arrived in Koln to discover that there was only an out of tune, broken pedal baby grand with stuck keys. Things happened, the concert was recorded, and the resulting album sold more than any other solo piano jazz album in history. The thing is....everyone talks about Jarrett's ability to improvise on a (partly repaired) piano for an hour and create wonderful art. The part that is often missing or diluted from the story is how Vera Brandes made this happen at all. If she hadn't been so inspired to promote this show, the biggest selling piano jazz album ever, belongs to someone else. Director and writer Ido Fluk was so inspired by this story, he decided to make a film to tell it from Vera's side of the tale. Sure, Jarrett is a strong part of the filmed version of events, but make no mistake – this is Vera's story. She went on to be a successful album producer and music promoter, but this is the tale she wanted told. As the analogy is made in the film, sometimes you have to tell the story of the scaffolding to appreciate the story of painting the Sistine Chapel ceiling. On the latest episode of See Hear, Tim, Kerry and I were thrilled to chat with Ido about what the definition of success is, how making great art is not always about the artist solely, and how his own journey to write the tale in some ways reflected Keith's approach to improvisational music composition. Mala Emde as Vera and John Margaro as Keith are real revelations. Both actors reveal their characters as 3 dimensional in a way that may not have been in lesser hands. Ido is an incredible director who really knows how to tell a story and how to get the best out of his cast. The film has already had festival screenings in Europe and the US, and is about to get a wider cinema release there. Hopefully, it gets wider worldwide release, before landing on streaming or physical media in the not too distant future. Trust me – you can listen and enjoy this conversation independently of seeing the film....but rush to it first chance you get. Our huge thanks to Ido for his generosity of time and conversation, and to publicist Sasha Berman for making it happen. If you've been enjoying the show, please consider giving us a favourable review on iTunes and let your friends know that our show exists. If you don't enjoy the show, tell your adversaries to tune in. We don't care who listens..... See Hear is proudly part of the Pantheon Network of music podcasts. Check out all the other wonderful shows at http://pantheonpodcasts.com Send us feedback via email at seehearpodcast@gmail.com Join the Facebook group at http://facebook.com/groups/seehearpodcast You can download the show by searching for See Hear on whatever podcast app you favour (except Spotify). Learn more about your ad choices. Visit megaphone.fm/adchoices
History is full of famous tales that are told from one perspective. As we all know, everyone has their own version of how something went down....even if it doesn't contradict the popular narrative, there's always something that happened in the background whose importance is diluted or not told at all. Welcome to episode 130 of See Hear Podcast. In 1974, a German teenage jazz fan named Vera Brandes was inspired to book jazz pianist Keith Jarrett to perform at the Koln Opera House. This seemed like a gigantic task however you look at it. Vera had gained a little experience in helping touring musicians perform around Germany (already a big task) but getting one of the then new leading lights in jazz to perform a large venue like the Koln Opera House at the age of 18???? Adding to the degree of difficulty, Jarrett arrived in Koln to discover that there was only an out of tune, broken pedal baby grand with stuck keys. Things happened, the concert was recorded, and the resulting album sold more than any other solo piano jazz album in history. The thing is....everyone talks about Jarrett's ability to improvise on a (partly repaired) piano for an hour and create wonderful art. The part that is often missing or diluted from the story is how Vera Brandes made this happen at all. If she hadn't been so inspired to promote this show, the biggest selling piano jazz album ever, belongs to someone else. Director and writer Ido Fluk was so inspired by this story, he decided to make a film to tell it from Vera's side of the tale. Sure, Jarrett is a strong part of the filmed version of events, but make no mistake – this is Vera's story. She went on to be a successful album producer and music promoter, but this is the tale she wanted told. As the analogy is made in the film, sometimes you have to tell the story of the scaffolding to appreciate the story of painting the Sistine Chapel ceiling. On the latest episode of See Hear, Tim, Kerry and I were thrilled to chat with Ido about what the definition of success is, how making great art is not always about the artist solely, and how his own journey to write the tale in some ways reflected Keith's approach to improvisational music composition. Mala Emde as Vera and John Margaro as Keith are real revelations. Both actors reveal their characters as 3 dimensional in a way that may not have been in lesser hands. Ido is an incredible director who really knows how to tell a story and how to get the best out of his cast. The film has already had festival screenings in Europe and the US, and is about to get a wider cinema release there. Hopefully, it gets wider worldwide release, before landing on streaming or physical media in the not too distant future. Trust me – you can listen and enjoy this conversation independently of seeing the film....but rush to it first chance you get. Our huge thanks to Ido for his generosity of time and conversation, and to publicist Sasha Berman for making it happen. If you've been enjoying the show, please consider giving us a favourable review on iTunes and let your friends know that our show exists. If you don't enjoy the show, tell your adversaries to tune in. We don't care who listens..... See Hear is proudly part of the Pantheon Network of music podcasts. Check out all the other wonderful shows at http://pantheonpodcasts.com Send us feedback via email at seehearpodcast@gmail.com Join the Facebook group at http://facebook.com/groups/seehearpodcast You can download the show by searching for See Hear on whatever podcast app you favour (except Spotify). Learn more about your ad choices. Visit megaphone.fm/adchoices
Have you ever heard someone say "I'm spiritual but not religious" or "everything happens for a reason"? These well-meaning phrases attempt to bring comfort and order to life's chaos, but they often represent a blurred vision of Christianity—one that promises easy answers instead of genuine transformation.Pastor Stephen challenges us to consider whether we've reduced Jesus to a vague spiritual concept that makes us feel better without demanding anything from us. Drawing powerful parallels between ancient Gnosticism and modern spirituality, he reveals how both distance us from the real, flesh-and-blood Jesus who transforms lives. The apostle John confronted this distortion by emphasizing he had personally seen, heard, and touched Jesus—a defense against those who would turn Christ into merely an idea rather than a person.When we blur Jesus into a comfortable spiritual concept, we create a faith that works fine when life is easy but crumbles when facing real challenges. The diagnosis we didn't want, the strained marriage despite our best efforts, the dream job that becomes a nightmare—these realities require more than spiritual platitudes. They demand a real Savior who entered our messy world and walks with us through pain rather than simply explaining it away."A blurred faith thrives in isolation, but clarity grows in community," Pastor Stephen reminds us. He challenges everyone to identify areas where they've made faith more about comfort than Christ and to invite Jesus into concrete aspects of their lives—eating habits, relationships, work ethics—while sharing struggles with trusted companions. This embodied discipleship transforms not just individuals but entire communities.Ready to move beyond vague spirituality to experience the real Jesus who can carry you through life's hardest moments? Join us next week as we continue exploring how Scripture's view of the body differs radically from our culture's perspectives of either escape or perfection.Support the showIf you enjoyed this episode, consider subscribing to Madison Church on your favorite podcast platform. Your feedback means the world to us, so please take a moment to leave a review and share the podcast with your friends and family.For inquiries, suggestions, or collaboration opportunities, please reach out to us at help@madisonchurch.com. For the latest updates and behind-the-scenes content, follow us on social media: Facebook Instagram YouTube New episodes are released every Monday, so mark your calendars and join us weekly! If you'd like to support the show, you can make a donation here. Your generosity helps us continue to bring you meaningful content. This podcast is intended for general informational purposes only. The views expressed by the hosts or guests are their own and do not necessarily reflect the opinions of Madison Church. Any reliance you place on such information is strictly at your own risk. For detailed information regarding our terms of use and privacy policy, please visit our website.Thank you for being part of the Madison Church community! We appreciate your support.
Punk music branched out in the late 70s / early 80s into a harder, faster, thrashier style than its earlier predecessor. If (as is often claimed) the original wave of punk was a reaction to the complexity of prog and the lack of danger in other forms of popular music, then hardcore was the next phase of that during the era of post-punk. It was about catharsis and screaming out about injustice. Then there was Bad Brains. Welcome to episode 129 of See Hear Podcast. Tim has selected the 2012 documentary Bad Brains: A Band In DC for round table discussion. Bad Brains brought something different to the table for their time. In America in the early eighties, punk bands generally weren't playing reggae music as a regular part of their sets. Certain British bands were combining punk energy with a reggae outlook in their music. Bad Brains had gone from being influenced by the jazz fusion stylings of Return To Forever to being converted to punk via the Sex Pistols (already making them unique). Seeing Bob Marley perform made them convert to Rastafarianism and incorporate reggae as well as hardcore punk into their music – not a hybrid, but two sides of the same coin. The documentary goes back and forth between current day events (at the time of filming) and archival footage of the band to tell their story. We get a worrisome start with a “how-did-we-get-here?” approach to the rest of the film.....a trope I'm quite fond of. In a way, the Bad Brains tale could be the story of millions of bands, but they're seen as hugely exciting pioneers of what they do. Many important bands that followed sang their praises as an influence (Beastie Boys, Nirvana....) HR, their “lead throat” gradually became more and more unstable in his behaviour, and in a time where no one was using the expression “mental health”, his behaviour was probably explained away as “that's just HR”, rather than investigating if there was something wrong. Sadly, Kerry wasn't available, but Tim and I discussed positive mental attitudes, wearing motorcycle helmets on stage, not showing up to gigs, punk that wasn't nihilistic, and much more. The film may be found online at: https://www.dailymotion.com/video/x6e5wnw If you've been enjoying the show, please consider giving us a favourable review on iTunes and let your friends know that our show exists. If you don't enjoy the show, tell your adversaries to tune in. We don't care who listens..... See Hear is proudly part of the Pantheon Network of music podcasts. Check out all the other wonderful shows at http://pantheonpodcasts.com Send us feedback via email at seehearpodcast@gmail.com Join the Facebook group at http://facebook.com/groups/seehearpodcast You can download the show by searching for See Hear on whatever podcast app you favour (except Spotify). Learn more about your ad choices. Visit megaphone.fm/adchoices
Punk music branched out in the late 70s / early 80s into a harder, faster, thrashier style than its earlier predecessor. If (as is often claimed) the original wave of punk was a reaction to the complexity of prog and the lack of danger in other forms of popular music, then hardcore was the next phase of that during the era of post-punk. It was about catharsis and screaming out about injustice. Then there was Bad Brains. Welcome to episode 129 of See Hear Podcast. Tim has selected the 2012 documentary Bad Brains: A Band In DC for round table discussion. Bad Brains brought something different to the table for their time. In America in the early eighties, punk bands generally weren't playing reggae music as a regular part of their sets. Certain British bands were combining punk energy with a reggae outlook in their music. Bad Brains had gone from being influenced by the jazz fusion stylings of Return To Forever to being converted to punk via the Sex Pistols (already making them unique). Seeing Bob Marley perform made them convert to Rastafarianism and incorporate reggae as well as hardcore punk into their music – not a hybrid, but two sides of the same coin. The documentary goes back and forth between current day events (at the time of filming) and archival footage of the band to tell their story. We get a worrisome start with a “how-did-we-get-here?” approach to the rest of the film.....a trope I'm quite fond of. In a way, the Bad Brains tale could be the story of millions of bands, but they're seen as hugely exciting pioneers of what they do. Many important bands that followed sang their praises as an influence (Beastie Boys, Nirvana, Black Flag....) HR, their “lead throat” gradually became more and more unstable in his behaviour, and in a time where no one was using the expression “mental health”, his behaviour was probably explained away as “that's just HR”, rather than investigating if there was something wrong. Sadly, Kerry wasn't available, but Tim and I discussed positive mental attitudes, wearing motorcycle helmets on stage, not showing up to gigs, punk that wasn't nihilistic, and much more. The film may be found online at: https://www.dailymotion.com/video/x6e5wnw If you've been enjoying the show, please consider giving us a favourable review on iTunes and let your friends know that our show exists. If you don't enjoy the show, tell your adversaries to tune in. We don't care who listens..... See Hear is proudly part of the Pantheon Network of music podcasts. Check out all the other wonderful shows at http://pantheonpodcasts.com Send us feedback via email at seehearpodcast@gmail.com Join the Facebook group at http://facebook.com/groups/seehearpodcast You can download the show by searching for See Hear on whatever podcast app you favour (except Spotify). Learn more about your ad choices. Visit megaphone.fm/adchoices
Rogers for America with Lt. Steve Rogers – We've lost control of our country, including the media, educational systems, law enforcement, and foreign policy. Are we in control of anything anymore? We're even losing control of ourselves, letting various forces dictate our lives. The media plays a major role in this. Every day, we consume news that depresses and sickens us, setting a negative tone for the day within...
The Kingdom of God is worth more than your everything!
The disciple of Christ will grow and mature until the end of age!
Our heart posture is key to receiving the understanding we crave from His words!
God is unwilling to reveal His works to the prideful who are unwilling to recognize Him!
We can either harden our hears towards Christ, or change our minds and join His mission!
There's a moment in Mel Brooks' “History of the World Part 1” where we're told that shortly after the first artists came the first art critics…..I'll leave you to determine what happens…. The music world is certainly not short of people with opinions in regards to others' ability to perform and provide nuance to the work they present for us as music lovers to listen to. In the classical world, interpretation of the canon of baroque, classical, romantic and modernist music can be a mystery to some of us who are not classically trained musicians. There's no shortage of classical soloists who've captured the wider public's imagination, yet have their critics as well. Welcome to episode 128 of See Hear Podcast. Glenn Gould is regarded as one of the great pianists of the 20th century, known in particular for his love of and heavy focus on the composition of J.S. Bach. However, he wasn't unanimously revered. Pianist Alfred Brendel was vocally not a fan. Even Leonard Bernstein who did love Gould's approach covered himself before a TV broadcast of a Brahms piano concerto by saying Gould's approach was not going to be for everybody. Therein lies the heart of the matter – when you depart from an accepted orthodox style of playing of the canon, you're going to upset people. Glenn Gould upset some people. BUT….the reason he is still being talked about was for what he DID, not what he didn't do. He's most famous for his first and last released recordings, Bach's Goldberg Variations (1955 and 1981). Even there his recordings are wildly different, and the latter upset some who championed the earlier recording. He's also remembered for his intellect and could discuss may other issues outside of music – something he did on radio and TV specials. In 1993, film director Francois Girard released a brilliant biopic / documentary called “Thirty Two Short Films About Glenn Gould”. Like its subject, the film takes a wildly different approach from the accepted norm of musician biopic. As the name implies, the film comprises of 32 shorts featuring narratives, interviews, performance and experimentation that provide a strong sense of Gould's character. There is a 3 act structure, but not in the usual way that you get in a conventional musician biography. June 2025 sees the reissue of the film by Criterion, and I was thrilled to welcome Francois to the podcast to talk about this film and Gould in general. Unfortunately, we couldn't coordinate the timing to have Tim or Kerry available, but I still had a fascinating conversation with Francois that I hope you find illuminating. If you've been enjoying the show, please consider giving us a favourable review on iTunes and let your friends know that our show exists. If you don't enjoy the show, tell your adversaries to tune in. We don't care who listens..... See Hear is proudly part of the Pantheon Network of music podcasts. Check out all the other wonderful shows at http://pantheonpodcasts.com Send us feedback via email at seehearpodcast@gmail.com Join the Facebook group at http://facebook.com/groups/seehearpodcast You can download the show by searching for See Hear on whatever podcast app you favour (except Spotify). Learn more about your ad choices. Visit megaphone.fm/adchoices
There's a moment in Mel Brooks' “History of the World Part 1” where we're told that shortly after the first artists came the first art critics…..I'll leave you to determine what happens…. The music world is certainly not short of people with opinions in regards to others' ability to perform and provide nuance to the work they present for us as music lovers to listen to. In the classical world, interpretation of the canon of baroque, classical, romantic and modernist music can be a mystery to some of us who are not classically trained musicians. There's no shortage of classical soloists who've captured the wider public's imagination, yet have their critics as well. Welcome to episode 128 of See Hear Podcast. Glenn Gould is regarded as one of the great pianists of the 20th century, known in particular for his love of and heavy focus on the composition of J.S. Bach. However, he wasn't unanimously revered. Pianist Alfred Brendel was vocally not a fan. Even Leonard Bernstein who did love Gould's approach covered himself before a TV broadcast of a Brahms piano concerto by saying Gould's approach was not going to be for everybody. Therein lies the heart of the matter – when you depart from an accepted orthodox style of playing of the canon, you're going to upset people. Glenn Gould upset some people. BUT….the reason he is still being talked about was for what he DID, not what he didn't do. He's most famous for his first and last released recordings, Bach's Goldberg Variations (1955 and 1981). Even there his recordings are wildly different, and the latter upset some who championed the earlier recording. He's also remembered for his intellect and could discuss may other issues outside of music – something he did on radio and TV specials. In 1993, film director Francois Girard released a brilliant biopic / documentary called “Thirty Two Short Films About Glenn Gould”. Like its subject, the film takes a wildly different approach from the accepted norm of musician biopic. As the name implies, the film comprises of 32 shorts featuring narratives, interviews, performance and experimentation that provide a strong sense of Gould's character. There is a 3 act structure, but not in the usual way that you get in a conventional musician biography. June 2025 sees the reissue of the film by Criterion, and I was thrilled to welcome Francois to the podcast to talk about this film and Gould in general. Unfortunately, we couldn't coordinate the timing to have Tim or Kerry available, but I still had a fascinating conversation with Francois that I hope you find illuminating. If you've been enjoying the show, please consider giving us a favourable review on iTunes and let your friends know that our show exists. If you don't enjoy the show, tell your adversaries to tune in. We don't care who listens..... See Hear is proudly part of the Pantheon Network of music podcasts. Check out all the other wonderful shows at http://pantheonpodcasts.com Send us feedback via email at seehearpodcast@gmail.com Join the Facebook group at http://facebook.com/groups/seehearpodcast You can download the show by searching for See Hear on whatever podcast app you favour (except Spotify). Learn more about your ad choices. Visit megaphone.fm/adchoices
God's people are a merciful people…not merciless!
As part of an ongoing series of short enlightenment practices, this meditation focuses on awakening your spiritual heart, and mixing it with your senses, (touch, sight, hearing, smelling, tasting). The spiritual heart is your perceptual center. It lies dormant in most human beings, but wants to be stirred awake. This practice can be used in the morning, at bedtime, or on the spot in the course of your day. The practices build on each other, so you can listen consecutively, but if there is one in particular that speaks to you, feel free to stick with it. Based on the teachings of Adyashanti, they can be used alone or as a companion to his audio series, The 30-Day Wake Up Challenge, or his book, The Direct Way: 30 Practices to Evoke Awakening. In some cases, the meditations are also loosely inspired by the teachings of Andrew Holecek, Pema Chodron, and Eckhart Tolle. I hope you enjoy.Music and audio by Eric Fischer.Support the showHost: Tess CallahanSubstack: Writers at the WellInterview Podcast: Writers at the WellMeditations on Insight TimerMeditations on YouTubeTess's novels: https://tesscallahan.com/Music: Christopher Lloyd Clarke.Audio Editing: Eric Fischer of Audi-Refined.com By tapping "like" and "follow" you help others find the show. Thank you for listening!DISCLAIMER: Meditation is not a substitute for professional psychological or medical healthcare or therapy. We do not accept any liability for any loss or damage incurred by you acting or not acting as a result of listening to this recording. Use the material provided at your own risk. Do not drive or operate dangerous equipment while listening. The views expressed in this podcast may not be those of the host or the management.
A new MP3 sermon from Sovereign Grace Baptist Church is now available on SermonAudio with the following details: Title: See, Hear, Learn! Speaker: Norm Wells Broadcaster: Sovereign Grace Baptist Church Event: Funeral Service Date: 6/14/2025 Bible: Revelation 7:9-17 Length: 20 min.
His works and ways are life transforming to those with discerning eyes and ears!
Frank Zappa is an odd duck. His massive back catalogue of albums attracts both reverence and ambivalence from music fans. Stylistically, he covered so much ground covering doo wop, blues, psych, jazz fusion and dissonant orchestral music. Unlike many of his rock and roll contemporaries, he always believed in infusing a sense of humour into his music – both compositionally and lyrically….though since what strikes some as funny is so subjective, it couldn't appeal to everyone. He wrote about commercialism in America, the hypocrisy of conservatives and liberals in American society, and….umm….body parts. Welcome to episode 127 of See Hear Podcast. Tim, Kerry and I pontificate about the work of Frank Zappa with an eye towards his 1972 film, 200 Motels. It's a surreal work that's supposed to be his take on what life on the road is like for a working band – encountering rednecks and groupies, band egos and paranoia (the latter for good reason in this instance), and drug use. The film is vignette based with music provided by the 2nd incarnation of the Mothers of Invention and the London Philharmonic Orchestra. Zappa spent 4 years composing and arranging the music, and much less time writing a script. That works out as well as expected. As well as discussing 200 Motels, we put the background towards its creation in context, thanks to an excellent documentary called “Frank Zappa – Free Jazz, Movie Madness & Another Mothers”(available on Tubi). Many thanks to Tom Stein for making us aware of that film's existence. If our discussion goes all over the place, maybe it's a tribute to the structure of 200 Motels. Tune in and hear where we stand on this surreal piece of cinema. Is it Luis Bunuel? Well….would Luis Bunuel have dressed Ringo Starr up as a tall dwarf with a desire to do something with a genie lamp to Keith Moon dressed as a nun? The answer is probably “When will we get paid….” If you've been enjoying the show, please consider giving us a favourable review on iTunes and let your friends know that our show exists. If you don't enjoy the show, tell your adversaries to tune in. We don't care who listens..... See Hear is proudly part of the Pantheon Network of music podcasts. Check out all the other wonderful shows at http://pantheonpodcasts.com Send us feedback via email at seehearpodcast@gmail.com Join the Facebook group at http://facebook.com/groups/seehearpodcast You can download the show by searching for See Hear on whatever podcast app you favour (except Spotify). Learn more about your ad choices. Visit megaphone.fm/adchoices
Mike Johnson, Beau Morgan, and Ali Mac let listeners call in and critique Beau's top five list of rock songs he wants to see performed live, talk about the songs they want to see performed live, talk about if David Onyemata and Matthew Bergeron fighting in OTAs is a good thing for the Atlanta Falcons or not, and if they're satisfied that Fredi González is the Atlanta Braves' new third base coach in the Wake Up Call!
Frank Zappa is an odd duck. His massive back catalogue of albums attracts both reverence and ambivalence from music fans. Stylistically, he covered so much ground covering doo wop, blues, psych, jazz fusion and dissonant orchestral music. Unlike many of his rock and roll contemporaries, he always believed in infusing a sense of humour into his music – both compositionally and lyrically….though since what strikes some as funny is so subjective, it couldn't appeal to everyone. He wrote about commercialism in America, the hypocrisy of conservatives and liberals in American society, and….umm….body parts. Welcome to episode 127 of See Hear Podcast. Tim, Kerry and I pontificate about the work of Frank Zappa with an eye towards his 1971 film, 200 Motels. It's a surreal work that's supposed to be his take on what life on the road is like for a working band – encountering rednecks and groupies, band egos and paranoia (the latter for good reason in this instance), and drug use. The film is vignette based with music provided by the 2nd incarnation of the Mothers of Invention and the London Philharmonic Orchestra. Zappa spent 4 years composing and arranging the music, and much less time writing a script. That works out as well as expected. As well as discussing 200 Motels, we put the background towards its creation in context, thanks to an excellent documentary called “Frank Zappa – Free Jazz, Movie Madness & Another Mothers”(available on Tubi). Many thanks to Tom Stein for making us aware of that film's existence. If our discussion goes all over the place, maybe it's a tribute to the structure of 200 Motels. Tune in and hear where we stand on this surreal piece of cinema. Is it Luis Bunuel? Well….would Luis Bunuel have dressed Ringo Starr up as a tall dwarf with a desire to do something with a genie lamp to Keith Moon dressed as a nun? The answer is probably “When will we get paid….” If you've been enjoying the show, please consider giving us a favourable review on iTunes and let your friends know that our show exists. If you don't enjoy the show, tell your adversaries to tune in. We don't care who listens..... See Hear is proudly part of the Pantheon Network of music podcasts. Check out all the other wonderful shows at http://pantheonpodcasts.com Send us feedback via email at seehearpodcast@gmail.com Join the Facebook group at http://facebook.com/groups/seehearpodcast You can download the show by searching for See Hear on whatever podcast app you favour (except Spotify). Learn more about your ad choices. Visit megaphone.fm/adchoices
Doubt may come when we are shaken, but His Word makes us unshakable!
It's not too often that a story will make a connection between Linda McCartney, The Beastie Boys and The Clash, but this month's film does just that. Welcome to episode 126 of See Hear Podcast. When the average person is asked to name a single important figure in reggae music, they'll most likely say Bob Marley. Without taking away from his importance, reggae's production giant, who helped Marley in his early years, was Lee “Scratch” Perry. For this episode, we look at a 2008 documentary called The Upsetter: The Life and Music of Lee Scratch Perry. He was born in a rural area of Jamaica, but after working on a job to build a road in the western region of the island, he claimed to have found a connection between the sound of the rocks he helped move and the sound of music – sure beats the usual musician story of stealing their sibling's record collection. The film certainly tells a story, but is also more of a character study about Perry. He was a musical innovator being an early innovator in dub reggae. He'd recorded and produced music that was ska and rocksteady reggae, but it's his experiments in dub he's most remembered for. He's also remembered for burning down his beloved music studio because a rubber ball placed on his console had been moved – okay, the story's a little more complex than that. Was he eccentric? Was he a charlatan? Was he really named Pipecock Jackson, and looking to become American president? The film only looks to Perry for discussion, so without other talking heads, we ask if he's a reliable narrator. Kerry, Tim and I discuss Rastafarianism, the link to Sun Ra, sound systems, our connections to reggae music, and the scary connection to Dennis Wilson. Please join us for a fun conversation. You can find the film on Kanopy, but our conversation can be listened to independent of the film. If you've been enjoying the show, please consider giving us a favourable review on iTunes and let your friends know that our show exists. If you don't enjoy the show, tell your adversaries to tune in. We don't care who listens..... See Hear is proudly part of the Pantheon Network of music podcasts. Check out all the other wonderful shows at http://pantheonpodcasts.com Send us feedback via email at seehearpodcast@gmail.com Join the Facebook group at http://facebook.com/groups/seehearpodcast You can download the show by searching for See Hear on whatever podcast app you favour (except Spotify). Learn more about your ad choices. Visit megaphone.fm/adchoices
It's not too often that a story will make a connection between Linda McCartney, The Beastie Boys and The Clash, but this month's film does just that. Welcome to episode 126 of See Hear Podcast. When the average person is asked to name a single important figure in reggae music, they'll most likely say Bob Marley. Without taking away from his importance, reggae's production giant, who helped Marley in his early years, was Lee “Scratch” Perry. For this episode, we look at a 2008 documentary called The Upsetter: The Life and Music of Lee Scratch Perry. He was born in a rural area of Jamaica, but after working on a job to build a road in the western region of the island, he claimed to have found a connection between the sound of the rocks he helped move and the sound of music – sure beats the usual musician story of stealing their sibling's record collection. The film certainly tells a story, but is also more of a character study about Perry. He was a musical innovator being an early innovator in dub reggae. He'd recorded and produced music that was ska and rocksteady reggae, but it's his experiments in dub he's most remembered for. He's also remembered for burning down his beloved music studio because a rubber ball placed on his console had been moved – okay, the story's a little more complex than that. Was he eccentric? Was he a charlatan? Was he really named Pipecock Jackson, and looking to become American president? The film only looks to Perry for discussion, so without other talking heads, we ask if he's a reliable narrator. Kerry, Tim and I discuss Rastafarianism, the link to Sun Ra, sound systems, our connections to reggae music, and the scary connection to Dennis Wilson. Please join us for a fun conversation. You can find the film on Kanopy, but our conversation can be listened to independent of the film. If you've been enjoying the show, please consider giving us a favourable review on iTunes and let your friends know that our show exists. If you don't enjoy the show, tell your adversaries to tune in. We don't care who listens..... See Hear is proudly part of the Pantheon Network of music podcasts. Check out all the other wonderful shows at http://pantheonpodcasts.com Send us feedback via email at seehearpodcast@gmail.com Join the Facebook group at http://facebook.com/groups/seehearpodcast You can download the show by searching for See Hear on whatever podcast app you favour (except Spotify). Learn more about your ad choices. Visit megaphone.fm/adchoices
No guest? No problem! It's time for another impromptu monologue episode: this time, Gil sorts through family legacies of the genetic and Larkinesque variety, as occasioned by taking his dad for cataract surgery and getting a call from an old & previously deceased friend! Follow Gil on Bluesky and Instagram • More info at our site • Support The Virtual Memories Show via Stripe, Patreon, or Paypal, and subscribe to our e-newsletter
The use of non-diagetic songs in cinema is often designed to provoke a type of nostalgia, or at least an understanding of the era the film is set in. Apocalypse Now opens very effectively to the sounds of The End by The Doors. Goodfellas keeps updating the jukebox as the story travels over the years (Scorsese is a master of that). So, if you watch a film set in the 50s like American Graffiti or That'll Be The Day, the jukebox soundtracks to these films are like characters constantly reminding the viewers where they are timewise. The romantic (and sometimes lascivious) songs of the doo wop era paint a picture of American life in the 50s somewhat removed from the turmoils of segregation, a conflict in Korea, and McCarthyism….they paint the picture that many films are trying to portray. Welcome to episode 125 of See Hear Podcast. One of the singers in the latter part of the original doo wop era was Kenny Vance, a member of beloved group, Jay & The Americans. His experience as a young man singing with the group brought him into contact with so many other doo wop groups and eventually figures in the soul and pop world (he supported The Beatles on an American tour). He went on to be a musical director consultant for many films focusing on the 50s era. Eventually, he decided to become a director and document the original doo wop scene as he and some of his colleagues recalled it, what they went on to do, and how their pioneering sound influenced many others who don't even realise the gigantic shoulders they're standing on. The film he directed is called “Heart & Soul: A Love Story”, and it is a thing of beauty. Tim and I were joined by Melbourne doo wop guru Peter Merrett (of the Malt Shop Hop radio show) to chat with Kenny not only about his film, but a vast number of topics all related to his time in doo wop, the people who ran the labels, the session musicians, and the singers he worked with. WE get stories about Little Anthony & The Imperials, The Flamingos, The Chantels and so much more. I have to say that Kenny's memory is sharp and he regaled us with many incredible stories from a life in music. He's a true mentsch….and he even sang for us!!!! We've done our share of episodes, but this is one I will be remembering for a long time. If you haven't tuned into an episode in a while (or never have), start here….you don't need to have seen the film to appreciate this wonderful conversation, but we would certainly encourage watching it first chance you get. Our thanks not only go to Kenny for hanging out with us, but also to executive producer Liz Nickles who put us in contact with him. Tim and I also are grateful to Peter Merrett for bringing his expertise to the conversation. For details about screenings, go to https://www.heartandsoulthemovie.com/ If you've been enjoying the show, please consider giving us a favourable review on iTunes and let your friends know that our show exists. If you don't enjoy the show, tell your adversaries to tune in. We don't care who listens..... See Hear is proudly part of the Pantheon Network of music podcasts. Check out all the other wonderful shows at http://pantheonpodcasts.com . Send us feedback via email at seehearpodcast@gmail.com Join the Facebook group at http://facebook.com/groups/seehearpodcast You can download the show by searching for See Hear on whatever podcast app you favour (except Spotify). You can also download the episode from the website at https://seehearpodcast.blogspot.com/2025/03/see-hear-125-interview-with-kenny-vance.html Proudly Pantheon. Learn more about your ad choices. Visit megaphone.fm/adchoices
The use of non-diagetic songs in cinema is often designed to provoke a type of nostalgia, or at least an understanding of the era the film is set in. Apocalypse Now opens very effectively to the sounds of The End by The Doors. Goodfellas keeps updating the jukebox as the story travels over the years (Scorsese is a master of that). So, if you watch a film set in the 50s like American Graffiti or That'll Be The Day, the jukebox soundtracks to these films are like characters constantly reminding the viewers where they are timewise. The romantic (and sometimes lascivious) songs of the doo wop era paint a picture of American life in the 50s somewhat removed from the turmoils of segregation, a conflict in Korea, and McCarthyism….they paint the picture that many films are trying to portray. Welcome to episode 125 of See Hear Podcast. One of the singers in the latter part of the original doo wop era was Kenny Vance, a member of beloved group, Jay & The Americans. His experience as a young man singing with the group brought him into contact with so many other doo wop groups and eventually figures in the soul and pop world (he supported The Beatles on an American tour). He went on to be a musical director consultant for many films focusing on the 50s era. Eventually, he decided to become a director and document the original doo wop scene as he and some of his colleagues recalled it, what they went on to do, and how their pioneering sound influenced many others who don't even realise the gigantic shoulders they're standing on. The film he directed is called “Heart & Soul: A Love Story”, and it is a thing of beauty. Tim and I were joined by Melbourne doo wop guru Peter Merrett (of the Malt Shop Hop radio show) to chat with Kenny not only about his film, but a vast number of topics all related to his time in doo wop, the people who ran the labels, the session musicians, and the singers he worked with. WE get stories about Little Anthony & The Imperials, The Flamingos, The Chantels and so much more. I have to say that Kenny's memory is sharp and he regaled us with many incredible stories from a life in music. He's a true mentsch….and he even sang for us!!!! We've done our share of episodes, but this is one I will be remembering for a long time. If you haven't tuned into an episode in a while (or never have), start here….you don't need to have seen the film to appreciate this wonderful conversation, but we would certainly encourage watching it first chance you get. Our thanks not only go to Kenny for hanging out with us, but also to executive producer Liz Nickles who put us in contact with him. Tim and I also are grateful to Peter Merrett for bringing his expertise to the conversation. For details about screenings, go to https://www.heartandsoulthemovie.com/ If you've been enjoying the show, please consider giving us a favourable review on iTunes and let your friends know that our show exists. If you don't enjoy the show, tell your adversaries to tune in. We don't care who listens..... See Hear is proudly part of the Pantheon Network of music podcasts. Check out all the other wonderful shows at http://pantheonpodcasts.com . Send us feedback via email at seehearpodcast@gmail.com Join the Facebook group at http://facebook.com/groups/seehearpodcast You can download the show by searching for See Hear on whatever podcast app you favour (except Spotify). Learn more about your ad choices. Visit megaphone.fm/adchoices
For those who haven't caught up with episode 183 of LTA, I came up with the idea of speaking with a range of previous guests from the show (musicians, podcasters, TV and radio broadcasters) to talk with me about their earliest recollections of walking into the sacred temple that is a record / CD store. I wanted to know what drew them to the stores they went to, what the guys / gals behind the counter were like, hijinks that went on in the stores, how their musical tastes were influenced by LPs they discovered for the first time in said stores. Welcome to episode 184 of Love That Album. I had 10 conversations with 11 people (was hoping for a 12th, but.......life happens). Too many for one episode, so I divided the conversations into two parts. For this second part of the recollections of record stores, I speak with the following magnificent bastards: Eric “Reanimator” Peterson – ex-host of Love That Album: The Compilation Edition Ben Eisen and Shannon Hurley – Host and Numbers Girl of All Time Top Ten podcast and partners in the duo Lovers And Poets Mike White – Host of The Projection Booth and a ton of other great shows at Weirding Way Media Michael Pursche – Host of Sitting In a Bar In Adelaide on Lofty 88.9 Radio in the Adelaide Hills Tim Merrill – My co host at See Hear and all-round wonderful human being. I had a marvellous time finding out a ton of things about their record stores, really a wonderful part of their personal history, and their towns' history. My thanks to all of them for being so willing to hang out with me for these conversations. If you haven't yet checked out episode 183 to here more of these conversations, do that as well.....not at all required to appreciate 184, though, so listen in whatever order you please. You can send me feedback at rrrkitchen@yahoo.com.au (written or mp3 voicemail) or join the Facebook group at http://www.facebook.com/groups/lovethatalbum Love That Album is proudly part of the Pantheon Podcast network. Go to https://pantheonpodcasts.com to check out all their great shows. Download this episode of LTA from your podcast app of choice (not Spotify). The episode can also be found at https://lovethatalbumpodcast.blogspot.com/2025/03/love-that-album-episode-183-record.html Learn more about your ad choices. Visit megaphone.fm/adchoices
For those who haven't caught up with episode 183 of LTA, I came up with the idea of speaking with a range of previous guests from the show (musicians, podcasters, TV and radio broadcasters) to talk with me about their earliest recollections of walking into the sacred temple that is a record / CD store. I wanted to know what drew them to the stores they went to, what the guys / gals behind the counter were like, hijinks that went on in the stores, how their musical tastes were influenced by LPs they discovered for the first time in said stores. Welcome to episode 184 of Love That Album. Overall, I had 10 conversations with 11 people (was hoping for a 12th, but.......life happens). Too many for one episode, so I divided the conversations into two parts. For this second part of the recollections of record stores, I speak with the following magnificent bastards: Eric “Reanimator” Peterson – ex-host of Love That Album: The Compilation Edition Ben Eisen and Shannon Hurley – Host and Numbers Girl of All Time Top Ten podcast and partners in the duo Lovers And Poets Mike White – Host of The Projection Booth and a ton of other great shows at Weirding Way Media Michael Pursche – Host of Sitting In a Bar In Adelaide on Lofty 88.9 Radio in the Adelaide Hills Tim Merrill – My co host at See Hear and all-round wonderful human being. I had a marvellous time finding out a ton of things about their record stores, really a wonderful part of their personal history, and their towns' history. My thanks to all of them for being so willing to hang out with me for these conversations. If you haven't yet checked out episode 183 to here more of these conversations, do that as well.....not at all required to appreciate 184, though, so listen in whatever order you please. You can send me feedback at rrrkitchen@yahoo.com.au (written or mp3 voicemail) or join the Facebook group at http://www.facebook.com/groups/lovethatalbum Love That Album is proudly part of the Pantheon Podcast network. Go to https://pantheonpodcasts.com to check out all their great shows. Download this episode of LTA from your podcast app of choice (not Spotify). or from the website at https://lovethatalbumpodcast.blogspot.com/. Learn more about your ad choices. Visit megaphone.fm/adchoices
Hey CEO- Wish you could spend LESS TIME marketing your business on social? You can when you UN-Market your business by asking 3 key marketing questions. Sound contradictory? It's NOT. Because when you know these answers, you'll STOP wasting time on social posting, praying and paying the algorithm to work in your favorNO longer experience undesirable side-effects of doing the wrong things to market your business NOT look up and find you're actually further from where you want to be. Today I've invited my UN sister, Carol Dunlop (she's the UN-Marketing Expert and I'm the UN-Time Management Strategist) to help us stop wasting time on social and instead know exactly where to meet your best client in a way she'll SEE + HEAR you. And afterwards, I'm inviting you to join us over inside the REDEEM Her Time Community where we'll be talking about how knowing the WHO, the WHAT and the HOW helps you know where to focus your TIME to market your business in less time with better results, so be sure to come join us at redeemhertime.com/community.Let's UN-Market your Biz together.Come join the conversation over inside the REDEEM Her Time Communityhttps://redeemhertime.com/communityWe pray this blesses, challenges and moves you to action!YOU. HAVE. TIME. Lissa + CarolP.S. Grab the REDEEM Her Time Planner + Digital Course to shift EVERYTHING about how you approach TIME in both Life + Biz https://redeemhertime.com/plannerGrab the WOW Website Planner at csicorporation.com/planner
Hey CEO- Wish you could spend LESS TIME marketing your business on social? You can when you UN-Market your business by asking 3 key marketing questions. Sound contradictory? It's NOT. Because when you know these answers, you'll STOP wasting time on social posting, praying and paying the algorithm to work in your favorNO longer experience undesirable side-effects of doing the wrong things to market your business NOT look up and find you're actually further from where you want to be. Today I've invited my UN sister, Carol Dunlop (she's the UN-Marketing Expert and I'm the UN-Time Management Strategist) to help us stop wasting time on social and instead know exactly where to meet your best client in a way she'll SEE + HEAR you. And afterwards, I'm inviting you to join us over inside the REDEEM Her Time Community where we'll be talking about how knowing the WHO, the WHAT and the HOW helps you know where to focus your TIME to market your business in less time with better results, so be sure to come join us at redeemhertime.com/community.Let's UN-Market your Biz together.Come join the conversation over inside the REDEEM Her Time Communityhttps://redeemhertime.com/communityWe pray this blesses, challenges and moves you to action!YOU. HAVE. TIME. Lissa + CarolP.S. Grab the REDEEM Her Time Planner + Digital Course to shift EVERYTHING about how you approach TIME in both Life + Biz https://redeemhertime.com/plannerGrab the WOW Website Planner at csicorporation.com/planner
We've recently lost one of the great directors over the last few decades in David Lynch who was known for showing the dreamy and nightmarish side of America (and we need you now, David). The other great tellers of American stories over the same period have been Joel and Ethan Coen. They have protagonists who start out in precarious positions in life....then things go downhill. Welcome to episode 124 of See Hear Podcast. There's definitely a rhythm to the Coen Brothers' films....even if their films are not ABOUT music or musicians, they feel musical (and having Carter Burwell score many of their films doesn't hurt in that regard). Two films, however, stick out as music films in their catalogue – O Brother, Where Art Thou and Inside Llewyn Davis – it's the latter that is the focus of this episode. Sadly, neither Kerry nor Tim were available to record this show, but I welcome back film professor, author, and fellow podcaster Neil Fox back to the show. He selected Inside Llewyn Davis for our discussion, and I couldn't have been happier to revisit this 2013 film that has seemingly divided people on its merits (spoiler alert – we both love it). The film starts off in Greenwich Village in 1961, and is about a few days in the life of folk musician Llewyn Davis (Oscar Isaac) as he moves from couch to couch, gig to gig, kindness to kindness....and he responds poorly despite being the recipient of others' good nature towards him. Is he an awful human being, or is he lashing out due to a terrible event regarding a former musical partner? Neil and I had a great conversation about this film and a variety of related issues. Since the film is Bob Dylan adjacent, we had to bring in our thoughts about the recently released Dylan biopic focusing on his early years, A Complete Unknown and see how its tone contrasts with the Coens outlook. I am grateful for Neil giving over his time to chat with me. He brings a perspective I was fascinated to hear. If you wish to hear more of Neil, you should tune into his show The Cinematologists hosted with Dario Llinares. Info at https://cinematologists.com/ Also, look into his great book “Music Films: Documentaries, Concert Films and Other Cinematic Representations of Popular Music”. If you've been enjoying the show, please consider giving us a favourable review on iTunes and let your friends know that our show exists. If you don't enjoy the show, tell your adversaries to tune in. We don't care who listens..... See Hear is proudly part of the Pantheon Network of music podcasts. Check out all the other wonderful shows at http://pantheonpodcasts.com . Send us feedback via email at seehearpodcast@gmail.com Join the Facebook group at http://facebook.com/groups/seehearpodcast You can download the show by searching for See Hear on whatever podcast app you favour (except Spotify) or you can also download it from the website at https://seehearpodcast.blogspot.com/2025/02/see-hear-episode-124-inside-llewyn-davis.html Proudly Pantheon Learn more about your ad choices. Visit megaphone.fm/adchoices
We've recently lost one of the great directors over the last few decades in David Lynch who was known for showing the dreamy and nightmarish side of America (and we need you now, David). The other great tellers of American stories over the same period have been Joel and Ethan Coen. They have protagonists who start out in precarious positions in life....then things go downhill. Welcome to episode 124 of See Hear Podcast. There's definitely a rhythm to the Coen Brothers' films....even if their films are not ABOUT music or musicians, they feel musical (and having Carter Burwell score many of their films doesn't hurt in that regard). Two films, however, stick out as music films in their catalogue – O Brother, Where Art Thou and Inside Llewyn Davis – it's the latter that is the focus of this episode. Sadly, neither Kerry nor Tim were available to record this show, but I welcome back film professor, author, and fellow podcaster Neil Fox back to the show. He selected Inside Llewyn Davis for our discussion, and I couldn't have been happier to revisit this 2013 film that has seemingly divided people on its merits (spoiler alert – we both love it). The film starts off in Greenwich Village in 1961, and is about a few days in the life of folk musician Llewyn Davis (Oscar Isaac) as he moves from couch to couch, gig to gig, kindness to kindness....and he responds poorly despite being the recipient of others' good nature towards him. Is he an awful human being, or is he lashing out due to a terrible event regarding a former musical partner? Neil and I had a great conversation about this film and a variety of related issues. Since the film is Bob Dylan adjacent, we had to bring in our thoughts about the recently released Dylan biopic focusing on his early years, A Complete Unknown and see how its tone contrasts with the Coens outlook. I am grateful for Neil giving over his time to chat with me. He brings a perspective I was fascinated to hear. If you wish to hear more of Neil, you should tune into his show The Cinematologists hosted with Dario Llinares. Info at https://cinematologists.com/ Also, look into his great book “Music Films: Documentaries, Concert Films and Other Cinematic Representations of Popular Music”. If you've been enjoying the show, please consider giving us a favourable review on iTunes and let your friends know that our show exists. If you don't enjoy the show, tell your adversaries to tune in. We don't care who listens..... See Hear is proudly part of the Pantheon Network of music podcasts. Check out all the other wonderful shows at http://pantheonpodcasts.com . Send us feedback via email at seehearpodcast@gmail.com Join the Facebook group at http://facebook.com/groups/seehearpodcast You can download the show by searching for See Hear on whatever podcast app you favour (except Spotify). You can also download from the website at https://seehearpodcast.blogspot.com. Learn more about your ad choices. Visit megaphone.fm/adchoices
Happy Valentine's Day 2025! Matthew Halteman and I discuss his book Hungry Beautiful Animals. Professor Halteman mentions NutritionFacts.org. See/Hear all four episodes with Matthew Halteman. More info You can post comments, ask questions, and sign up for my newsletter at http://wanderlearn.com. If you like this podcast, subscribe and share! On social media, my username is always FTapon. Connect with me on: Facebook Twitter YouTube Instagram TikTok LinkedIn Pinterest Tumblr My Patrons sponsored this show! Claim your monthly reward by becoming a patron at http://Patreon.com/FTapon Rewards start at just $2/month! Affiliate links Get 25% off when you sign up to Trusted Housesitters, a site that helps you find sitters or homes to sit in. Start your podcast with my company, Podbean, and get one month free! In the USA, I recommend trading crypto with Kraken. Outside the USA, trade crypto with Binance and get 5% off your trading fees! For backpacking gear, buy from Gossamer Gear.
1981.....music and film fans could only guess as to what the coming decade held – both in art and in the real world. If art reflects the real world, then a portmanteau film centred around a force that contains the sum of all evils seemed like a reflection of the environment the film was born into. Welcome to episode 123 of See Hear. In 1981, following on from the magazine it aligned itself with, Canadian animated film Heavy Metal was sent out into the world. Ralph Bakshi may have paved the way for this to be possible – make no mistake, this was no Disney cartoon. The stories here were filled with gore, naked flesh, fantasy and music (only some of it was heavy metal)....in other words, it was exactly what 14 year old teenage boys were clambering to watch. Usually, See Hear focuses on films that are ABOUT music or musical culture. Despite its name, Heavy Metal isn't such a film, but Kerry, Tim, our friend Paul and myself discuss why we think it is a See Hear film nevertheless. Our conversation incorporates film noir, Looney Tunes, 2001: A Space Odyssey, how a ball of green goo can influence mankind to evil, and....of course....the soundtrack....and a lot more. Not many other films feature the music of Black Sabbath, Devo, Stevie Nicks and Prendecki. Huge thanks to Paul for joining us and for his great insight and historical knowledge. If you've been enjoying the show, please consider giving us a favourable review on iTunes and let your friends know that our show exists. If you don't enjoy the show, tell your adversaries to tune in. We don't care who listens..... See Hear is proudly part of the Pantheon Network of music podcasts. Check out all the other wonderful shows at http://pantheonpodcasts.com. Send us feedback via email at seehearpodcast@gmail.com Join the Facebook group at http://facebook.com/groups/seehearpodcast You can download the show by searching for See Hear on whatever podcast app you favour (except Spotify). You can also download from the website at https://seehearpodcast.blogspot.com. Learn more about your ad choices. Visit megaphone.fm/adchoices
didn't make it through the first 48 but it's been long enough
IHP YouTube video podcast episode made available to our other IHP podcast platforms. IHP content is for people who are interested in topics, stories, & guidance for spiritual, self-help, personal development, spirituality journey, the 5D mystic path, & enlightenment the human way. The content resonates with the human love narrative, not the human suffering narrative. Don't tune in if you don't love life & humanity because this won't be for you. Don't tune in if you still believe in evil or the devil. Topic not ideal for ego-sensitive or emotionally sensitive people. Please don't tune in. Thank you! All IHP content resonates with people who are or want to be emotionally aware, accountable, & self-regulate. The 5D Mystic Enlightenment Functional Adult Expanding Consciousness - Channeled Guidance and/or Tarot-Oracle Reading Messages and/or the IHP Channeled Guidance and/or Tarot-Oracle Reading Messages are for people who interested in topics, stories, & guidance for personal development, self-help, spirituality journey, the 5D mystic path, & enlightenment the human way. The episodes are for people who know relationships are important to our humanity and to help people who take their humanity and childhood trauma seriously and are healing and/or healed from it; as well as for navigating the 5D Ascension Energies and/or Personal Development Expansion of Consciousness, your Inner Growth journey. The IHP content resonates with the human love narrative, not the human suffering narrative. Don't tune in if you don't love life & humanity because this won't be for you. Don't tune in if you still believe in evil or the devil. Topic not ideal for ego-sensitive or emotionally sensitive people. Please don't tune in. Thank you! All IHP content resonates with people who are or want to be emotionally aware, accountable, & self-regulate. The content is for people who are or want to be self-aware, accountable & want to establish functional adult secure attachment emotionally mature behaviors & relationships in life. Your humanity is living a life of meaning & connection beyond the solo-self, as is the true spirituality life. We welcome all people of all walks of life to reclaim their inner child & live their inner child adult, to pursue integration of the brain & restorative embodied self-aware life in time & through healthy self-worth functional adult secure attachment 5D relationships. IHP podcast host Maria Florio shares voices, stories & perspectives from her 5D mystic enlightenment functional adult life to give examples of what it's like to know emotional self-regulation skills, experience secure attachment, have functional adult conversations & experiences & 5D relationships. This and more is what the IHP content and community is all about. Welcome and thanks for tuning in! Love, Maria your 5D mystic enlightenment functional adult woo-woo pseudoscience lady IHP podcast host talking about the amazing journey of human evolution & consciousness ♾️
When you attended high school, did you have a music program? If so, were you enthusiastic about playing what was selected for you? In the early days of music tuition, chances are you had to play dull tunes that were in line with your limited abilities...on a recorder. Within 3 or so months of picking up an instrument, could you play tunes made famous by, say, Glenn Miller and Benny Goodman? No? The girls (and a boy) at Yamakawa High School did. Welcome to episode 122 of See Hear Podcast. Kerry was unavailable, but Tim and myself carried on to discuss the 2004 film “Swing Girls”, directed by Shinobu Yaguchi. Beat for beat, this is the same film as Yaguchi's 2001 film “Waterboys”, but replacing a group of inept boys learning synchronised swimming with a group of inept girls learning to play jazz and form a swing band. A jazz version of School of Rock? It seems similar on the surface, but these kids are motivated differently to learn their music.....their only drive IS the music, not to win a competition. They learn to love swing jazz (essentially, it's pop music) and realise it's not – as they first surmise – for “brandy snifters”. Cards out on the table – we adore this film. We look at its universality (Japanese school kids playing a distinctly American art form), how a film with no villains or conflict can still be compelling, and mostly we celebrate a love of music. Tim rightly compares this film to an earlier one we discussed about a love of music for its own sake but the style was vastly different – home is here your musical interests lie.....the rest is detail. Swing Girls is available in full to watch on Youtube at: https://www.youtube.com/watch?v=aEz_TNtkCRc&t=381s If you've been enjoying the show, please consider giving us a favourable review on iTunes and let your friends know that our show exists. If you don't enjoy the show, tell your adversaries to tune in. We don't care who listens..... See Hear is proudly part of the Pantheon Network of music podcasts. Check out all the other wonderful shows at http://pantheonpodcasts.com. Send us feedback via email at seehearpodcast@gmail.com Join the Facebook group at http://facebook.com/groups/seehearpodcast You can download the show by searching for See Hear on whatever podcast app you favour (except Spotify). You can also download from the website at https://seehearpodcast.blogspot.com. Learn more about your ad choices. Visit megaphone.fm/adchoices
Time to get your surfboards waxed, get into your togs,and head to the beach.....if you're in the Southern Hemisphere. While you're splashing in the southern waves, you might want to soundtrack your time with music from the band most identified with Northern Hemisphere beaches....except we're not discussing any beach songs. Huh? Welcome to episode 180 of Love That Album. It had been a while since I had my beloved team of Shane Pacey and Kerry Fristoe on the show, so I invited them to join and gave Kerry the pick of album to discuss. She selected the 1971 Beach Boys release, Surf's Up. I added their 1970 album – the debut album on the Brother Records label – Sunflower to the mix. I felt that the albums are tied together in some ways (and given the recent box set of these sessions, Feel Flows, so do the Beach Boys). They're also quite different in many ways. We're here to contrast these albums from each other, and what came before it. But wait.....we have another wonderful guest. Joining the show for a second time is Lisa Torem. She's about to publish a book in early 2025 called “Beach Boys 1965-1979: (On Track)”. She knows her BB, that's for sure. The conversation goes to interesting places as we discuss the group's relation to ecology, politics, 1950s wistfulness, lust, harmonies (not fraternal....the other kind), musical sincerity, and much more. We look into the merits of each BB as songwriter, and why it seemed their popularity declined in the US before rising slightly with the release of these albums. Shane and I crack bad puns....I get taken over the coals for reading too deeply into something (isn't that what this show is about????) In other words.....it's a typical LTA. There's a specialist podcast about the Beach Boys I recommend called “Sail On”...so check them out (AFTER you listen to us, of course). Check out Lisa's website at https://www.lisatorem.com/ to see what she's up to, and how to get a hold of her books. We discussed Suzanne Vega last year, but she's written about other musicians as well. Turns out Lisa herself is a musician / songwriter as is her daughter Madi Torem. Madi has just released a single called Look Both Ways Before You Cross My Heart written by Lisa. Give a watch of the music video...great song...Madi has a touch of Stevie Nicks to my ears. https://www.youtube.com/watch?v=3Wk2KjbTkso You can look around Shane's work at either https://shanepaceytrio.com.au/ or at https://bondicigars.com/ There's a terrific live gig with the Trio at https://www.youtube.com/watch?v=Q1iDpLOMQTw You can read Kerry's terrific film essays at https://prowlerneedsajump.wordpress.com/ and tune into her every month on See Hear podcast. Download this episode of LTA from your podcast app of choice (not Spotify) or you can download from the website at https://lovethatalbumpodcast.blogspot.com/2024/11/love-that-album-episode-180-beach-boys.html Love That Album is proudly part of the Pantheon Podcast network. Go to https://pantheonpodcasts.com to check out all their great shows. You can send me feedback at rrrkitchen@yahoo.com.au (written or mp3 voicemail) or join the Facebook group at http://www.facebook.com/groups/lovethatalbum Learn more about your ad choices. Visit megaphone.fm/adchoices
Time to get your surfboards waxed, get into your togs,and head to the beach.....if you're in the Southern Hemisphere. While you're splashing in the southern waves, you might want to soundtrack your time with music from the band most identified with Northern Hemisphere beaches....except we're not discussing any beach songs. Huh? Welcome to episode 180 of Love That Album. It had been a while since I had my beloved team of Shane Pacey and Kerry Fristoe on the show, so I invited them to join and gave Kerry the pick of album to discuss. She selected the 1971 Beach Boys release, Surf's Up. I added their 1970 album – the debut album on the Brother Records label – Sunflower to the mix. I felt that the albums are tied together in some ways (and given the recent box set of these sessions, Feel Flows, so do the Beach Boys). They're also quite different in many ways. We're here to contrast these albums from each other, and what came before it. But wait.....we have another wonderful guest. Joining the show for a second time is Lisa Torem. She's about to publish a book in early 2025 called “Beach Boys 1965-1979: (On Track)”. She knows her BB, that's for sure. The conversation goes to interesting places as we discuss the group's relation to ecology, politics, 1950s wistfulness, lust, harmonies (not fraternal....the other kind), musical sincerity, and much more. We look into the merits of each BB as songwriter, and why it seemed their popularity declined in the US before rising slightly with the release of these albums. Shane and I crack bad puns....I get taken over the coals for reading too deeply into something (isn't that what this show is about????) In other words.....it's a typical LTA. There's a specialist podcast about the Beach Boys I recommend called “Sail On”...so check them out (AFTER you listen to us, of course). Check out Lisa's website at https://www.lisatorem.com/ to see what she's up to, and how to get a hold of her books. We discussed Suzanne Vega last year, but she's written about other musicians as well. Turns out Lisa herself is a musician / songwriter as is her daughter Madi Torem. Madi has just released a single called Look Both Ways Before You Cross My Heart written by Lisa. Give a watch of the music video...great song...Madi has a touch of Stevie Nicks to my ears. https://www.youtube.com/watch?v=3Wk2KjbTkso You can look around Shane's work at either https://shanepaceytrio.com.au/ or at https://bondicigars.com/ There's a terrific live gig with the Trio at https://www.youtube.com/watch?v=Q1iDpLOMQTw You can read Kerry's terrific film essays at https://prowlerneedsajump.wordpress.com/ and tune into her every month on See Hear podcast. Download this episode of LTA from your podcast app of choice (not Spotify). The wider back catalogue of episodes can also be found at https://lovethatalbumpodcast.blogspot.com Love That Album is proudly part of the Pantheon Podcast network. Go to https://pantheonpodcasts.com to check out all their great shows. You can send me feedback at rrrkitchen@yahoo.com.au (written or mp3 voicemail) or join the Facebook group at http://www.facebook.com/groups/lovethatalbum Learn more about your ad choices. Visit megaphone.fm/adchoices
The locusts of Revelation encourage us to change our minds about worshiping things. Dr.Sarah Hall | November 3, 2024 ----------------------------------------------- We're Incarnation Tallahassee! Visit our website! www.incarnationtallahassee.org/ Watch the Livestream youtube.com/live/ZSeuKYY3J2w
Do you like music films? Dumb question, I guess, because if you've deliberately downloaded an episode of See Hear, you know that music films are our niche in the podcast world. For us to discover that there was a new book about the subject that drives this very podcast....well, there was much cheering and jumping for joy. Welcome to episode 121 of See Hear Podcast. We welcome to the show Professor Neil Fox of Falmouth University. He's written a terrific book called “Music Films: Documentaries, Concert Films and Other Cinematic Representations of Popular Music”. He felt that music films were poorly regarded in the wider space of cinematic genres.....which is stupid. As our show has proven, the wider umbrella of music cinema can include discussion of class divides, social structure, civil rights, the cult of celebrity, mental health, and knocking down Stonehenge. Neil's book puts specific films under the microscope and links them thematically.....many made in the 21st Century. He shows that the wider umbrella of music cinema has much to say....regardless of whether you want something deep or something fluffy. It should be celebrated as much as anything out there. You may think you know a thing or two about music films, but Neil's book reveals so many interesting films that deserve a wider audience. You don't even need to be a fan of the music some of these films celebrate.....just an interest in stories well told....and that, dear friends, is what drives this very podcast. Huge thanks to Neil for being such a great conversationalist. Extra thanks go to the host of the Beatles Books podcast, Joe Wisbey for making the connection. If you want to get hold of a copy of the book (and it's highly recommended by Tim, Kerry and myself), you can order it from https://www.bloomsbury.com/au/music-films-9781839023439/ or wherever you get your books. If you've been enjoying the show, please consider giving us a favourable review on iTunes and let your friends know that our show exists. If you don't enjoy the show, tell your adversaries to tune in. We don't care who listens..... See Hear is proudly part of the Pantheon Network of music podcasts. Check out all the other wonderful shows at http://pantheonpodcasts.com. Send us feedback via email at seehearpodcast@gmail.com Join the Facebook group at http://facebook.com/groups/seehearpodcast You can download the show by searching for See Hear on whatever podcast app you favour (except Spotify). You can also download from the website at https://seehearpodcast.blogspot.com/2024/10/see-hear-episode-121-interview-with.html Proudly Pantheon. Learn more about your ad choices. Visit megaphone.fm/adchoices
Movie music – any movie fan will acknowledge that a film score or a soundtrack can make or break how well a film works. The acting and cinematography and production values all count obviously, but imagine putting the 3 Stooges theme in place as “Mother” goes to see how Marion Crane is faring in the shower scene of Psycho. Welcome to episode 120 of See Hear. If you haven't caught up with the previous episode of the show, Tim, Kerry and myself were joined by our great friend Paul Ryan to talk about our favourite film scores, and they were widely diverse stylistically. That's what made the conversation so exciting. We had such a long conversation, I felt it best to split it up into two shows, so what you have downloaded / are about to download is part 2 of that chat. Like last time, we are rapt to also present segments spread throughout the show featuring hosts of some truly excellent podcasts in the Pantheon Network. These hosts enlighten us as to THEIR favourite soundtracks. You will hear from: Brett Vargo (Only Three Lads) Jesse Jackson (Set Lusting Bruce / Perfectly Good Podcast) Jason Whissell ( It's Not That Bad / There Can Only Be One) More film score recommendations than you can poke a pointed stick at. These conversations incorporate what makes the music work in context of the films they represent, and we go off on tangents to discuss similar scores or others by the same composers. Sounds interesting? We look forward to any feedback you may provide about the shows. Please, email us or post in the Facebook group with YOUR favourite soundtracks and scores. If you've been enjoying the show, please consider giving us a favourable review on iTunes and let your friends know that our show exists. If you don't enjoy the show, tell your adversaries to tune in. We don't care who listens..... See Hear is proudly part of the Pantheon Network of music podcasts. Check out all the other wonderful shows at http://pantheonpodcasts.com. Send us feedback via email at seehearpodcast@gmail.com Join the Facebook group at http://facebook.com/groups/seehearpodcast You can download the show by searching for See Hear on whatever podcast app you favour (except Spotify). You can also download from the website at https://seehearpodcast.blogspot.com. Proudly Pantheon. Learn more about your ad choices. Visit megaphone.fm/adchoices
As you know, our mission at See Hear HQ is to discuss, chew on, and pontificate (in that order) about music films. But.....what if we DIDN'T do that for a couple of episodes????? Shock horror!!! Welcome to episode 119 of See Hear Podcast. Don't panic....we're not straddling too far from our mission. This time around, instead of talking about films that are ABOUT music, we'll discuss the music itself from ANY film we jolly well please. Kerry, Tim and myself have invited previous guest and close friend, Paul Ryan to talk about our favourite movie scores and soundtracks. There are some who say that the best movie music is that which can be ignored while we focus on the film's action. We cry “balderdash”......great movie music can be noticed in its film context without distracting our attention from the film. To that end, the four of us picked 5 films each to discuss, chew on, and pontificate. The thing is, we spoke for such a long time, that rather than have you listen to a Ben Hur length episode (a terrific film score by Miklos Rosza, by the way), we're breaking our show up into two parts. The one you've (hopefully) downloaded is episode 119, and we'll put out episode 120 in a few days. We're privileged to have some additional film soundtrack nominations sent to us via some wonderful friends in the Pantheon network as well as a previous film director guest on the show who is something of a soundtrack expert. Marc Shea hosts the Performance Anxiety podcast. Markus Goldman is one half of the Imbalance History of Rock & Roll podcast. (Both shows are regularly in my earholes.....I recommend 'em) Amit Itzcar is the director of the Tel Aviv Soundtrack Festival.....so the subject matter is in his wheelhouse. When episode 120 is released in a few days, we'll continue our conversation, and three more wonderful guests, all from the Pantheon Network will weigh in on this most important subject. If you've been enjoying the show, please consider giving us a favourable review on iTunes and let your friends know that our show exists. If you don't enjoy the show, tell your adversaries to tune in. We don't care who listens..... See Hear is proudly part of the Pantheon Network of music podcasts. Check out all the other wonderful shows at http://pantheonpodcasts.com. Send us feedback via email at seehearpodcast@gmail.com Join the Facebook group at http://facebook.com/groups/seehearpodcast You can download the show by searching for See Hear on whatever podcast app you favour (except Spotify). You can also find the episode at https://seehearpodcast.blogspot.com/2024/09/see-hear-podcast-episode-119-great.html Proudly Pantheon. Learn more about your ad choices. Visit megaphone.fm/adchoices
Every major city with a healthy music scene will have hometown heroes….that band or artist that the locals love and wish the whole world knew about. One of those bands is Toronto's “The Lowest Of The Low”. Welcome to episode 118 of See Hear. The Lowest of the Low started in the early 90s as a follow up to the band punk band, Popular Front. Ron Hawkins had previously written overtly political songs, but for the debut album Shakespeare My Butt (one of the best album names ever), he wrote songs about ordinary people facing everyday pressures – so still political in its way. The history of the band is not an uncommon tale – friends get together based on common musical and ideological points of reference, members have “differences” and they split apart, years after the fact they reunite remembering the spark that got them started. However, their tale is still fascinating because they were true independents and were never going to sell their ideals downstream for a quick buck. Big companies came calling, but LOTL dictated terms all the way. Kerry was away, but Tim and I spoke with musician, tour manager for many Canadian bands, and film director Simon Head about his documentary “Subversives: The History of Lowest Of The Low”. As well as talking about the film, we spend time devoted to discussing the Toronto music scene of the early 90s and where it is now, friendship, Weddings Parties Anything and Billy Bragg, and Toronto as a film character. A huge thanks to Simon for joining us. As I mention in our discussion, I perceive from watching the film that the story of the wider Toronto scene was reflected in the Melbourne scene of the 90s….watch the film or listen to our conversation and see how it reflects your own city's live music environment. The film is now available to stream on Apple TV or you can get a blu ray with a bunch of great extras. If you've been enjoying the show, please consider giving us a favourable review on iTunes and let your friends know that our show exists. If you don't enjoy the show, tell your adversaries to tune in. We don't care who listens..... See Hear is proudly part of the Pantheon Network of music podcasts. Check out all the other wonderful shows at http://pantheonpodcasts.com. Send us feedback via email at seehearpodcast@gmail.com Join the Facebook group at http://facebook.com/groups/seehearpodcast You can download the show by searching for See Hear on whatever podcast app you favour (except Spotify). You can also find the episode at https://seehearpodcast.blogspot.com/2024/08/see-hear-118-interview-with-simon-head.html Proudly Pantheon. Learn more about your ad choices. Visit megaphone.fm/adchoices
© 2020-2025 Ivy Podcast Discovery LLC
