American actor and tenor singer
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Based upon the comic strip created in 1931 by Chester Gould, this eye-popping live-action adaptation was long planned by Oscar-winning director Warren Beatty (Reds, Heaven Can Wait) who also elected to star as the titular square-jawwed crime fighter sporting a bright yellow jacket. Finally green-lit and released by Disney in the wake of the breakout success the prior year of Tim Burton's Batman, the studio was hoping that it could duplicate the mega-blockbuster success of that comic book adaptation, backing its release with loads of marketing hype AND three different soundtrack albums including an assortment of original songs written by Tony-winning songwriting stage legend Stephen Sondheim (West Side Story, Into the Woods) and performed one of its co-stars....that would be Madonna who played Breathtless Mahoney, who is also a key femme fatale for the story. She is joined by completely STACKED cast by Paul Sorvino, Mandy Patinkin, Glenne Headley, Charlie Korsmo, Charles Durning, James Caan, Dustin Hoffman, AND Al Pacino who plays the film's main villain Big Boy Caprice. Alas the film did solid box office but did not live up to the Batman-level hype...though it DID set a record for most Oscars won by a comic book adaptation with three for Best Makeup, Best Original Song, and Best Art Direction. This record of three Oscars would not be matched for another 28 years until it was eventually tied by another Disney comic book release, Black Panther. Host & Editor: Geoff GershonProducer: Marlene GershonSend us a texthttps://livingforthecinema.com/Facebook:https://www.facebook.com/Living-for-the-Cinema-Podcast-101167838847578Instagram:https://www.instagram.com/livingforthecinema/Letterboxd:https://letterboxd.com/Living4Cinema/
HEDWIG AND THE ANGRY INCH | Text by John Cameron Mitchell | Music & Lyrics by Stephen Trask Works Consulted & Reference :Hedwig and the Angry Inch (Original Libretto) by John Cameron Mitchell & Stephen TraskHedwig and the Angry Inch (Broadway Libretto) by John Cameron Mitchell & Stephen Trask, Directed by Michael Mayer"John Cameron Mitchell reflects on 'Hedwig and the Angry Inch' - Q with Tom Power" Podcast InterviewNew York TimesTalks Interview of Neil Patrick Harris, John Cameron Mitchell, & Stephen Trask" 'Midnight Radio' with John Cameron Mitchell | Queer the Music with Jake Shears Ep. 14" Podcast InterviewMusic Credits:"Overture" from Dear World (Original Broadway Cast Recording) | Music by Jerry Herman | Performed by Dear World Orchestra & Donald Pippin"The Speed Test" from Thoroughly Modern Millie (Original Broadway Cast Recording) | Music by Jeanine Tesori, Lyrics by Dick Scanlan | Performed by Marc Kudisch, Sutton Foster, Anne L. Nathan & Ensemble"Why God Why" from Miss Saigon: The Definitive Live Recording (Original Cast Recording / Deluxe) | Music by Claude-Michel Schönberg, Lyrics by Alain Boublil & Richard Maltby Jr. | Performed by Alistair Brammer"Back to Before" from Ragtime: The Musical (Original Broadway Cast Recording) | Music by Stephen Flaherty, Lyrics by Lynn Ahrens | Performed by Marin Mazzie"Chromolume #7 / Putting It Together" from Sunday in the Park with George (Original Broadway Cast Recording) | Music & Lyrics by Stephen Sondheim | Performed by Mandy Patinkin, Bernadette Peters, Judith Moore, Cris Groenendaal, Charles Kimbrough, William Parry, Nancy Opel, Robert Westenberg, Dana Ivey, Kurt Knudson, Barbara Bryne"What's Inside" from Waitress (Original Broadway Cast Recording) | Music & Lyrics by Sara Bareilles | Performed by Jessie Mueller & Ensemble"Wicked Little Town" from Hedwig and the Angry Inch (Original Cast Recording) | Music & Lyrics by Stephen Schwartz | Performed by John Cameron Mitchell "Maria" from The Sound of Music (Original Soundtrack Recording) | Music by Richard Rodgers, Lyrics by Oscar Hammerstein II | Performed by Evadne Baker, Anna Lee, Portia Nelson, Marni Nixon"My Favorite Things" from The Sound of Music (Original Soundtrack Recording) | Music by Richard Rodgers, Lyrics by Oscar Hammerstein II | Performed by Julie Andrews"Corner of the Sky" from Pippin (New Broadway Cast Recording) | Music & Lyrics by Stephen Schwartz | Performed by Matthew James Thomas“What Comes Next?” from Hamilton (Original Broadway Cast Recording) | Music & Lyrics by Lin-Manuel Miranda | Performed by Jonathan Groff
This week, the Dames are talking about love, true love as we discuss the beloved 1987 fairy tale classic, The Princess Bride. William Goldman adapted the script from his own novel. Rob Reiner directs the film which stars Cary Elwes, Robin Wright, Mandy Patinkin, Andre the Giant, Chris Sarandon, Christopher Guest, Wallace Shawn and so many more. Be sure to come back next week when we finish out our 1987 romantic movie series with Steve Martin and Daryl Hannah in Roxanne.
This week, we're busting out the slammer and potentially wishing we were back in it depending on who you ask, as we team up with the canary-clad copper to take down a star-studded mob in a wildly stylish and outlandishly conceived blockbuster starring a charming old man incapable of doing action scenes, that's been seemingly buried in the Disney vault in the years since. It's 1990's Dick Tracy, directed and produced by Warren Beatty, and starring Beatty, Madonna, Al Pacino, Glenne Headly, Charlie Korsmo, Mandy Patinkin, Dustin Hoffman, Seymour Cassel, William Forsythe, Charles Durning, Dick Van Dyke, Paul Sorvino, James Caan, Kathy Bates and Catherine O'Hara. Most of these stars are unrecognizeable under the monstrous makeup required to make them look like their vintage crime comic strip counterparts, but Pacino made enough of an impression with a wildly comedic take on his typical mobster persona that he netted an Oscar nom for Best Supporting Actor, losing to Joe Pesci for GoodFellas. While Beatty is at least a decade too old to be proper fit as the movie's lead, it's his ambition behind the camera that makes the movie such a curiosity all these years later, as the film is either an enchanting dreamscape filled with unsolvable How Did They Do That movie magic puzzles, or a steaming pile of neon-drenched puke depending on which of our two hosts you ask. But that's okay, as we have some heated disagreement this week that is maybe the closest we've yet come to vintage Siskel & Ebert kinda stuff. Plus: We've both been to the theater and are happy to sound off on Ryan Coogler's latest as JMo and Hayley both greatly enjoyed Sinners in the cinema, and Justin's got a bonus theatrical field report on Drop, the latest from Happy Death Day director Christopher Landon. If you'd like to watch Dick Tracy before listening along to our conversation, good luck finding a physical copy, and Disney will seemingly never stream this thing on Disney+ -- possibly for rights reasons to avoid paying anything more to Warren Beatty, or possibly because they are cowards who are ashamed of the fun movie they made. Either way, it's tough to find outside of renting it on YouTube. Other works discussed in this episode include Creed, Fruitvale Station, Black Panther: Wakanda Forever, Bram Stoker's Dracula, Puss In Boots: The Last Wish, Mad Max: Fury Road, Loki, The Accountant, The Perfect Storm, Bridge of Spies, War Horse, The Adventures of Tintin, Red Eye, Trap, Reign of Fire, Surrogates, The Expendables 2, The Last Boy Scout, Princess Mononoke, Hook, This Is The Tom Green Documentary, Cutthroat Island, Pirates of the Caribbean: Curse of the Black Pearl, G20, The Silence of the Lambs, Longlegs, Resident Orca, Avatar: The Way of Water, Blackfish, Batman ('89), Batman Returns, Batman Forever, Batman & Robin, Who Framed Roger Rabbit?, X-Men, Blade, The Shadow, The Phantom, The Rocketeer, Darkman, Speed Racer, Furiosa, Challengers and Sin City, among others. We'll be back (more than likely) next week, with another special in-theaters spectacular, as 100+ episodes after we covered the original film, it is tax season once again and we're back for more Ben Affleck and Jon Bernthal in The Accountant 2. So look for that next Friday, and until then we'll see you at the movies!!
As we prepare our fifth season of Exile, we're looking back at our favorite episodes from seasons 1-4. Each re-release brings back a unique, fascinating, and often heart-wrenching story from the Leo Baeck Institute Archives. Robert Bachrach is a buttoned-up doctor and dedicated researcher. Leo Hochner is a bon-vivant and art connoisseur who breeds small dogs. Both bachelors, they are part of a close network of friends from Vienna who are scattered across the globe after the Nazis take power in Austria. When Robert takes his life in New York after a humiliating arrest under New York's anti-gay laws, he directs his final words to Leo, who was still trapped in Nazi-occupied Budapest. We follow the traces they left in the LBI archives to uncover an incredible story of heartbreak and heroism. For Robert, escaping the Nazis didn't mean an end to discrimination, persecution, or fear. Learn more www.lbi.org/bachrach-hochner. Exile is a production of the Leo Baeck Institute, New York and Antica Productions. It's narrated by Mandy Patinkin. This episode was produced by Nadia Medhi. Our executive Producers are Laura Regehr, Rami Tzabar, Stuart Coxe, and Bernie Blum. Our associate producer is Emily Morantz. Research and translation by Isabella Kempf. Voice acting by Isabella Kempf, Cyrus Lane, and Manuel Mairhofer. Sound design and audio mix by Philip Wilson. Theme music by Oliver Wickham. Special thanks to Anna Lvovsky, Brian Ferree, Hannes Sulzenbacher, Clarissa Hochner, and Diana Bulman. Thanks also to Victor Sattler, who wrote about Robert and LAY-oh as part of the LBI's literary project, “Stolpertexte”, and whose essay lent our episode its title and opening scene. This episode of Exile is made possible in part by a grant from the Conference on Jewish Material Claims Against Germany, which is supported by the German Federal Ministry of Finance and the Foundation Remembrance, Responsibility and Future.
As we prepare our fifth season of Exile, we're looking back at our favorite episodes from seasons 1-4. Each re-release brings back a unique, fascinating, and often heart-wrenching story from the Leo Baeck Institute Archives. Leo Fuks is a born performer. So when, in 1936, a vaudeville impresario shows up to recruit him, 10-year-old Leo is more than happy to join his troupe, and his parents reluctantly agree. As Leo, now known as Jackie Gerlich, travels the world and dips his toes into Hollywood, his family is left behind to grapple with the terror of rising antisemitism in Vienna. After years without contact, Leo's mother is shocked to see her son dancing on screen in The Wizard of Oz—and she resolves to do everything she can to get her son back. Learn more at www.lbi.org/gerlich. Exile is a production of the Leo Baeck Institute, New York and Antica Productions. It's narrated by Mandy Patinkin. This episode was produced by Emily Morantz. Our executive Producers are Laura Regehr, Rami Tzabar, Stuart Coxe, and Bernie Blum. Our associate producer is Emily Morantz. Research and translation by Isabella Kempf. Voice acting by Cyrus Lane. Sound design and audio mix by Philip Wilson. Theme music by Oliver Wickham. Special thanks to the Bentley Historical Library and the Syracuse University Special Collections Research Centre. This episode of Exile is made possible in part by a grant from the Conference on Jewish Material Claims Against Germany, which is supported by the German Federal Ministry of Finance and the Foundation Remembrance, Responsibility and Future.
As we prepare our fifth season of Exile, we're looking back at our favorite episodes from seasons 1-4. Each re-release brings back a unique, fascinating, and often heart-wrenching story from the Leo Baeck Institute Archives. Known for her candid talk and blunt advice about sex, Dr. Ruth Westheimer is the world's most renowned psychosexual therapist. But beneath her joyful demeanor is a chaotic story about her youth—a girl named Karola Ruth Siegel left orphaned and stateless. How does she harness all of this uncertainty - and the sexual awakenings of adolescence - to make it in the world? Dr. Ruth shared her diary for the first time with the Leo Baeck Institute – and with all of you – for this episode of Exile. We are grateful for her generosity with her time and her story – and for the decades of sound advice. Learn more at www.lbi.org/westheimer. Exile is a production of the Leo Baeck Institute, New York | Berlin and Antica Productions. It's narrated by Mandy Patinkin. Executive Producers include Katrina Onstad, Stuart Coxe, and Bernie Blum. Senior Producer is Debbie Pacheco. Produced by Brian Rice. Associate Producers are Hailey Choi and Emily Morantz. Research and translation by Isabella Kempf. Sound design and audio mix by Philip Wilson, with help from Cameron McIver. Additional sound by Violet Lucca. Theme music by Oliver Wickham. Voice acting by Lucy Hill. Special thanks to Cliff Rubin, Barbara Schmutzler for translating Dr. Ruth's diaries, Dr. Ruth and Ben Yagoda for All in a Lifetime, and Soundtrack New York.
PIPPIN Music & Lyrics by Stephen Schwartz | Book by Roger O. Hirson | Originally Produced on Broadway by Stuart Ostrow | Directed on the Broadway Stage by Bob Fosse Works Consulted & Reference :Pippin (Original Libretto) by Roger O. Hirson & Stephen SchwartzMagic to Do: Pippin's Fantastic, Fraught Journey to Broadway by Elyssa Gardner Music Credits:"Overture" from Dear World (Original Broadway Cast Recording) | Music by Jerry Herman | Performed by Dear World Orchestra & Donald Pippin"The Speed Test" from Thoroughly Modern Millie (Original Broadway Cast Recording) | Music by Jeanine Tesori, Lyrics by Dick Scanlan | Performed by Marc Kudisch, Sutton Foster, Anne L. Nathan & Ensemble"Why God Why" from Miss Saigon: The Definitive Live Recording (Original Cast Recording / Deluxe) | Music by Claude-Michel Schönberg, Lyrics by Alain Boublil & Richard Maltby Jr. | Performed by Alistair Brammer"Back to Before" from Ragtime: The Musical (Original Broadway Cast Recording) | Music by Stephen Flaherty, Lyrics by Lynn Ahrens | Performed by Marin Mazzie"Chromolume #7 / Putting It Together" from Sunday in the Park with George (Original Broadway Cast Recording) | Music & Lyrics by Stephen Sondheim | Performed by Mandy Patinkin, Bernadette Peters, Judith Moore, Cris Groenendaal, Charles Kimbrough, William Parry, Nancy Opel, Robert Westenberg, Dana Ivey, Kurt Knudson, Barbara Bryne"What's Inside" from Waitress (Original Broadway Cast Recording) | Music & Lyrics by Sara Bareilles | Performed by Jessie Mueller & Ensemble"Corner of the Sky" from Pippin (Original Broadway Cast Recording) | Music & Lyrics by Stephen Schwartz | Performed by John Rubinstein"Maria" from The Sound of Music (Original Soundtrack Recording) | Music by Richard Rodgers, Lyrics by Oscar Hammerstein II | Performed by Evadne Baker, Anna Lee, Portia Nelson, Marni Nixon"My Favorite Things" from The Sound of Music (Original Soundtrack Recording) | Music by Richard Rodgers, Lyrics by Oscar Hammerstein II | Performed by Julie Andrews"Corner of the Sky" from Pippin (New Broadway Cast Recording) | Music & Lyrics by Stephen Schwartz | Performed by Matthew James Thomas“What Comes Next?” from Hamilton (Original Broadway Cast Recording) | Music & Lyrics by Lin-Manuel Miranda | Performed by Jonathan Groff
As we prepare our fifth season of Exile, we're looking back at our favorite episodes from seasons 1-4. Each re-release brings back a unique, fascinating, and often heart-wrenching story from the Leo Baeck Institute Archives. In Nazi-occupied Austria, a young man named Kurt Kleinmann comes up with a plan to escape: write to Americans - strangers - who share his last name and ask for help to get a visa. Just as he begins to lose hope, he gets a response from New Yorker Helen Kleinman. Little does he know, Helen will save his life…and capture his heart. The Kurt and Helen Kleinmann Collection in the Leo Baeck Institute Archives includes Helen and Kurt's entire correspondence - hundreds of letters - from 1938 and 1939, plus telegrams and other material documenting Kurt's emigration. Learn more at www.lbi.org/kleinmann. Exile is a production of the Leo Baeck Institute, New York | Berlin and Antica Productions. It's narrated by Mandy Patinkin. Executive Producers include Katrina Onstad, Stuart Coxe, and Bernie Blum. Senior Producer is Debbie Pacheco. Produced by Emily Morantz. Associate Producer is Hailey Choi. Research and translation by Isabella Kempf. Sound design and audio mix by Philip Wilson, with help from Cameron McIver. Theme music by Oliver Wickham. Voice acting by Heather Hedley and David Walpole. Special thanks to Len and Joanne Deutchman and the whole Kleinman(n) family, and to Soundtrack New York.
We are back to Jacqueline month! And as you wish, the girls talk The Princess Bride. We know, it's inconceivable how long it took to talk about this one in depth but we are really sorry, we mean it. Anybody want a peanut? We're sorry but life is pain and anyone who tells you differently is selling something. Anyway, enjoy episode one of this years Jacq month and have fun storming the castle! Follow LTP on Social Media
As we prepare our fifth season of Exile, we're looking back at our favorite episodes from seasons 1-4. Each re-release brings back a unique, fascinating, and often heart-wrenching story from the Leo Baeck Institute Archives. At the height of his fame, a shirtless, barefooted Albert Einstein escapes the bustle of Berlin for a simpler life. The best thinkers of the time gather at his beloved summer house in Caputh to laze by the water, swap ideas, and gossip. There, he can escape the pressures of global fame, but his summer haven can't keep him safe from the growing Nazi movement bubbling in Germany. The Albert Einstein Collections in the Archives of the Leo Baeck Institute in New York include hundreds of Einstein's personal photographs, many from Caputh, as well as the Guestbook from his summer home. After a few pages bearing the signatures of the friends and international luminaries who visited the Einsteins those short summers before 1933, most of the pages remain blank. You can see the Collections at www.lbi.org/caputh. Exile is a production of the Leo Baeck Institute, New York | Berlin and Antica Productions. It's narrated by Mandy Patinkin. Executive Producers include Katrina Onstad, Stuart Coxe, and Bernie Blum. Senior Producer is Debbie Pacheco. Produced by Emily Morantz. Associate Producer is Hailey Choi. Research and translation by Isabella Kempf. Sound design and audio mix by Philip Wilson with help from Cameron McIver. Additional sound by Kevin Caners. Theme music by Oliver Wickham. Voice acting by Jillian Rees-Brown. Thank you to Outloud Audio; Erika Britzke of the Einstein Forum in Potsdam; Michael Grüning's, “A House for Albert Einstein”; Friedrich Hernick's “Einstein at Home” translated by Josef Eisinger; The Albert Einstein Archives at the Hebrew University of Jerusalem; The New York Times; and the Max Planck Society.
As we prepare our fifth season of Exile, we're looking back at our favorite episodes from seasons 1-4. Each re-release brings back a unique, fascinating, and often heart-wrenching story from the Leo Baeck Institute Archives. A young, Jewish librarian in New York named Florence Mendheim risks her life to spy on the growing Nazi movement in America. She passes herself off as a Nazi sympathizer, documenting the movement's nefarious activities. Everything is on the line—her family, her work and her life—to try to halt hate in its tracks. As Nazism becomes a gathering storm, will she get out of the spy game before she's caught? The Florence Mendheim Collection in the Archives of the Leo Baeck Institute in New York contains: her reports and correspondence with the Stephen Wise Free Synagogue and the American Jewish Congress, American pro-Nazi and white supremacist propaganda she collected during her spy work, her personal letters, and some of Florence's unpublished novels. Go to www.lbi.org/mendheim. Exile is a production of the Leo Baeck Institute, New York | Berlin and Antica Productions. It's narrated by Mandy Patinkin. Executive Producers include Katrina Onstad, Stuart Coxe, and Bernie Blum. Senior Producer is Debbie Pacheco. Produced by Lisa Gabriele. Associate Producers are Hailey Choi, Jacob Lewis, and Emily Morantz. Research and translation by Isabella Kempf. Sound design and audio mix by Philip Wilson. Theme music by Oliver Wickham. Voice acting by Isabel Kanaan. Thank you to Outloud Audio, WNYC Archives, the Jacob Rader Marcus Center of the American Jewish Archives at Hebrew Union College, UCLA Film & Television Archive, the New York Times, and eFootage.
Join Matt and me as we dive headfirst into Follies in Concert (1985)—the most glamorous, chaotic, star-packed night Broadway never quite recovered from. Imagine Elaine Stritch growling, Barbara Cook soaring, Carol Burnett emoting, and Mandy Patinkin… well, Mandy Patinkining all over the place. It was supposed to be a one-night concert, but someone said, “Hey, what if we film this fever dream?” And thank goodness they did.There's drama. There's divas. There's a chorus that's definitely not ready. It's Sondheim with a side of backstage panic, and we're here for every second.Watch before we talk about it—you'll want to know what we're screaming about.Support The Conner & Smith Show on Patreon: https://www.patreon.com/ConnerandSmith
Ben and Rob dive in to the inconceivably good ‘Princess Bride', Rob Reiner's classic 1987 fantasy comedy starring Cary Elwes, Robin Wright, Mandy Patinkin, Chris Sarandon, Christopher Guest, Wallace Shawn and André the Giant. Buttercup is madly in love with farm boy Westley; unfortunately, things take a turn in their lives when Westley goes out in search of employment and gets attacked by a pirate.But as a lifelong hater of fantasy, can Ben get in to the wholesome vibes on offer? Who was Andre The Giant when the cameras stopped rolling? What's with Cary Elwes' intermittent limp? And what does a human thigh flute sound like?!CONSUUUME to find out all of this and much, much more!PLUS! We have a Patreon with EXCLUSIVE content just for you starting at just ONE POUND a month - click the link below!Find us on your socials of choice or WATCH this episode at www.linktr.ee/everymovieeverpodcast
We couldn't be more thrilled for this long-awaited family reunion! Join us in welcoming fan-favorite Charles Bloom, known to Little House on the Prairie fans as Perley Dey Wilder.Charles Bloom has built an impressive career spanning acting and musical composition. As a composer and lyricist, he has made significant contributions to musical theater, writing the book, music, and lyrics for productions such as Pablo—a deep dive into the early life of Picasso—Insomnia, and Heaven Knows. His compositions have been performed by Broadway legends like Patti LuPone, Mandy Patinkin, and Michael Feinstein and are studied in over 30 university musical theater programs worldwide. His album, Music and Lyrics by Charles Bloom: IN HERE, features a live 20-piece orchestra and showcases top Broadway talent.In this episode, Charles shares fascinating behind-the-scenes stories, including his original audition for Little House on the Prairie, where he was initially considered for the role of Almanzo! He reflects on his time filming the episode and is still amazed by the enduring love from Bonnetheads worldwide. Though Perley Dey appeared in just one episode, it was a memorable one—his performance left a lasting impression on generations of fans.This episode has it all: romance, drama, love triangles, and Laura Ingalls in peak awkward-era mode (the iconic "I'm a woman" declaration happens multiple times—braids and all—cringe!). Expect intense tension between the alpha males, high comedy, and Andy Garvey delivering some serious feels… for better or worse.And for an exclusive treat—join us on Patreon! Dean opens up about a haunting on-set memory involving Michael Landon and Charles that has stuck with him for nearly 45 years. Plus, Charles spills the details on a date he once set up for Melissa Gilbert…and trust us, you'll never guess who it was with!To check out Charles Bloom's music, his link and facebook page are in the show notes.Don't forget to subscribe, comment, leave a review, and share this episode with fellow Bonnetheads.Links and Resources:Haven't signed up for Patreon yet? Link is below!PATREON: https://www.patreon.com/LittleHousePodcast***We send our love and support to L.A. and all of those affected by the Wild Fires. Especially our friend, Matthew Labyorteaux, (Albert Ingalls) and his family who have been devastated by the fires. If you would like to contribute to his GoFund Me, please visit:https://www.gofundme.com/f/help-leslie-matt-rebuild-after-devastating-fire-losswww.LittleHouse50Podcast.com to connect with our hosts and link to their websites.The merch shop is under renovation - we will keep you posted on the status!www.LivinOnaPrairieTV.com Check out the award-winning series created by Pamela Bob, with special guest stars Alison Arngrim and Charlotte Stewart.Little House 50th Anniversary Bus Tours - www.SimiValleyChamber.org select Little House 50th Anniversary and then Bus TicketsFacebook/Instagram/TikTok:Dean Butler @officialdeanbutlerAlison Arngrim @alisonarngrimPamela Bob @thepamelabob, @prairietvCharles Bloom: https://www.charlesbloomusic.com/https://www.facebook.com/bloomusicSocial Media Team: Joy Correa and Christine Nunez https://www.paclanticcreative.com/
At the dawn of the 1930s, Germany is a physics powerhouse, where great minds like Albert Einstein and Max Planck have revolutionized the scientific landscape. But a talented young physicist named Trude Goldhaber struggles to make her voice heard in a male-dominated field. Trude perseveres, despite the pressures of antisemitism and misogyny all around her. Forced to work in the shadow of her scientist husband, she contributes to research and discoveries that help create the most dangerous weapon known to mankind. Later, when Trude finally makes a name for herself, she does everything in her power to lift up the young women following in her footsteps. Thanks to a grant from the American Institute of Physics and funds from the German Foreign Office, LBI processed and digitized the approximately 19 linear feet of Trude's papers, which consist of notes, graphs and diagrams, original data, and correspondence related to her research between 1930 and 2000. Maurice Goldhaber's papers are awaiting processing. Learn more at lbi.org/goldhaber. Exile is a production of the Leo Baeck Institute, New York and Antica Productions. It's narrated by Mandy Patinkin. This episode was written by Clem Hitchcock and Rami Tzabar. Our executive producers are Laura Regehr, Rami Tzabar and Stuart Coxe, and Bernie Blum. Our producer is Emily Morantz. Research and translation by Isabella Kempf. Voice acting by Hannah Gelman. Sound design and audio mix by Philip Wilson. Theme music by Oliver Wickham. Special thanks to the Physics World Weekly podcast, and to David Olson from the Oral History Archives at Columbia University. Please consider supporting the work of the Leo Baeck Institute with a tax-deductible contribution by visiting lbi.org/exile2025. This episode of Exile is made possible in part by a grant from the Conference on Jewish Material Claims Against Germany, which is supported by the German Federal Ministry of Finance and the Foundation Remembrance, Responsibility and Future.
For Karl Adler, there is nothing more powerful than music. While recovering from an injury sustained as a soldier in World War I, Karl pursues his goal of changing the way music is taught in Germany. And for a while, he's successful – until a former student (and member of Hitler's Brownshirts) falsely reports him for sexual harassment. Forced to start over, Karl devotes himself to creating a new cultural association for German Jews. As antisemitic laws take hold and Jews begin to flee Germany en masse, Karl continues to connect people through music – even as the world falls apart around him. The Karl Adler collection at LBI documents his entire career, including his engagement at the Royal Court Opera of Wurttemberg, his WWI service, and his work with the Conservatory and the Jewish Culture League in Stuttgart. Records of the Jüdische Mittelstelle show Adler intervening with the Gestapo on behalf of Jewish families seeking news of their husbands and fathers who had disappeared or been arrested. A folder of materials he collected about the Jewish history of Buttenhausen includes a photograph of Adler, his voice raised in song, at the dedication of his native town's Holocaust memorial in 1961. Learn more at lbi.org/adler. Exile is a production of the Leo Baeck Institute, New York and Antica Productions. It's narrated by Mandy Patinkin. This episode was written by Nadia Mehdi. Our executive producers are Laura Regehr, Rami Tzabar, Stuart Coxe, and Bernie Blum. Our producer is Emily Morantz. Research and translation by Isabella Kempf. Voice acting by Cyrus Lane and David Walpole. Sound design and audio mix by Philip Wilson. Theme music by Oliver Wickham. Please consider supporting the work of the Leo Baeck Institute with a tax-deductible contribution by visiting lbi.org/exile2025. This episode of Exile is made possible in part by a grant from the Conference on Jewish Material Claims Against Germany, which is supported by the German Federal Ministry of Finance and the Foundation Remembrance, Responsibility and Future.
Hi everyone! For today's episode, I got to talk with one of my absolute best friends in the world. You guys, it's Adam Bartley! Adam and I first met on Longmire, where he played The Ferg. We have stayed super-close over the years— he even lived in my backyard for awhile, but that's another story! Adam is such a talented actor and a beautiful human being. We talk about his recent experience playing Byron in Night Sky, as well as his theatre background, including being mentored by Mandy Patinkin. We talk about how the cast of Longmire became a family and no spoilers, but our interview even gets interrupted by a certain mutual friend! Be sure to stick around for the hindsight, where we have another surprise guest for you— friend of the show Paul Sun-Hyung Lee is back to unbox his new action figure. It's a packed episode— you won't want to miss this one! Send me an email thesackhoffshow@gmail.com Produced by Rabbit Grin Productions Mail Sack Song by Nicolas @producer_sniffles
The Simson family business has been manufacturing everything from firearms to vehicles for decades. But when the Nazis take over, they're not happy to learn that a Jewish family is supplying weapons to the German army. After a new law forces the Simsons to relinquish their company to the Nazis, the family flees to the United States. Fifty years later, a Simson descendent makes his way back to Germany – and finds out what became of the business empire his family once led. The LBI Archives hold much of the extensive documentation Ulrike Schulz used to create her history of the Simson company, which was published in German in 2013. Among the records available digitally at LBI are Arthur Simson's statement to the Zurich police after fleeing there in 1936 and a folder of clippings about the expropriation of the company. Learn more at lbi.org/simson. Exile is a production of the Leo Baeck Institute, New York and Antica Productions. It's narrated by Mandy Patinkin. This episode was written by Hana Walker-Brown. Our executive producers are Laura Regehr, Rami Tzabar, Stuart Coxe, and Bernie Blum. Our producer is Emily Morantz. Research and translation by Isabella Kempf and David Brown. Voice acting by Manuel Mairhofer. Sound design and audio mix by Philip Wilson. Theme music by Oliver Wickham. Special thanks to Jens Arndt for the use of the film The Simson Suhl Vehicle Works. Please consider supporting the work of the Leo Baeck Institute with a tax-deductible contribution by visiting lbi.org/exile2025. This episode of Exile is made possible in part by a grant from the Conference on Jewish Material Claims Against Germany, which is supported by the German Federal Ministry of Finance and the Foundation Remembrance, Responsibility and Future.
The Game Changers podcast celebrates those true pioneers in education who are building schools for tomorrow. In episode 195 (Part 3) of Game Changers, Phil Cummins joins in conversation with Homa Sabet Tavangar Born in Iran, raised in the U.S., and having lived in South America and Africa, Homa Sabet Tavangar's life and work have led her on a journey exploring the roots of purpose, innovation and belonging. Homa connects timely topics with the timeless desire to work with intention and make a difference — whatever one's circumstances. As co-founder of BigQuestions.Institute and OnenessLab.com, she partners with thought leaders dedicated to re-imagining learning and work while centering equity, inquiry and innovation. Homa's innovative approach has led schools and companies from crisis to global citizenship and competence in ways that create belonging across perspectives. Her approach fosters empathy, collaboration, diversity, inclusion, leadership, futures thinking, and creative problem-solving in complex, multicultural settings, — and re-imagines academic institutions and workplaces for the 21st Century. Homa is the author of widely-acclaimed books, including Growing Up Global: Raising Children to Be At Home in the World (Random House, 2009), Global Kids: 50+ Games, Crafts, Recipes & More from Around the World (Barefoot Books, 2019), The Global Education Toolkit for Elementary Learners (Sage/Corwin, 2014), co-author of a 3-book series with Professor Yong Zhao on educating creative, entrepreneurial World Class Learners (Corwin, 2016), and contributor to Mastering Global Literacy, by Heidi Hayes-Jacobs, ed. (Solution Tree, 2013). Most recently she co-authored 9 BIG Questions Schools Must Answer to Avoid Going “Back to Normal” (*Because “Normal” Wasn't That Great to Begin With). Her work has been hailed by international education and business leaders and media — from Dr. Jane Goodall to the BBC, NPR, NBC, ABC, Washington Post.com, Chicago Tribune and Sun-Times, Boston Globe, PBS, Scholastic, Parents Magazine, Rodale, and many more. Growing Up Global has been a best-seller in Parenting, Education, and Globalization categories, and introduced the possibilities of raising and educating global citizens to a wide audience. Her article on Empathy was Edutopia's most shared piece for four continuous years. Global Kids is the winner of the 2021 Tilliwig Best Children's Products award. Homa translates culture, diversity, innovation and globalization trends and breakthroughs into academic and social-emotional learning in ways that empower CEOs, teachers, parents and learners from Kindergarten to graduate students thrive in a global context — and have fun along the way. She advises entertainment pioneers Disney Channel and Empatico.org on cultural bias, and NBC's Sprout TV on script development and cultural elements in the ambitious, young children's animated series “Nina's World,” based in part on Growing Up Global, and starring Rita Moreno and Mandy Patinkin. The Game Changers podcast is produced by Evan Phillips supported by a School for tomorrow (aschoolfortomorrow.com), and powered by CIRCLE. The podcast is hosted on SoundCloud and distributed through Spotify, Google Podcasts, and Apple Podcasts. Please subscribe and tell your friends you like what you are hearing. You can contact us at gamechangers@circle.education, on Twitter and Instagram via @GameChangersPC, and you can also connect with Phil and Adriano via LinkedIn and Twitter. Let's go!
Hilde Mosse comes from one of the wealthiest families in Berlin and stands to inherit an enormous fortune. But she longs for something more meaningful than the luxurious lifestyle her family provides. So Hilde decides to pursue her dream of becoming a doctor. As the Nazis take power in Germany and the Mosse family is forced to flee, Dr. Hilde Mosse lands in New York having nearly lost everything.. She finds her calling treating the mental health of Black youth – and the symptoms of a racist system. In addition to photographs, school records, and correspondence spanning Hilde Mosse's entire lifetime, the Mosse Family Collection in the LBI Archives includes the diaries she kept between 1928 and 1934, from the ages of 16-22. Hilde's papers are just part of the extensive holdings related to the Mosse Family at LBI. Learn more at lbi.org/hilde. Exile is a production of the Leo Baeck Institute, New York and Antica Productions. It's narrated by Mandy Patinkin. This episode was written by Lauren Armstrong-Carter. Our executive producers are Laura Regehr, Rami Tzabar, Stuart Coxe, and Bernie Blum. Our producer is Emily Morantz. Research and translation by Isabella Kempf. Voice acting by Hannah Gelman. Sound design and audio mix by Philip Wilson. Theme music by Oliver Wickham. Please consider supporting the work of the Leo Baeck Institute with a tax-deductible contribution by visiting lbi.org/exile2025. The entire team at Antica Productions and Leo Baeck Institute is deeply saddened by the passing of our Executive Producer, Bernie Blum. We would not have been able to tell these stories without Bernie's generous support. Bernie was also President Emeritus of LBI and Exile would not exist without his energetic and visionary leadership. We extend our condolences to his entire family. May his memory be a blessing. This episode of Exile is made possible in part by a grant from the Conference on Jewish Material Claims Against Germany, which is supported by the German Federal Ministry of Finance and the Foundation Remembrance, Responsibility and Future.
The Game Changers podcast celebrates those true pioneers in education who are building schools for tomorrow. In episode 195 (Part 2) of Game Changers, Phil Cummins joins in conversation with Homa Sabet Tavangar Born in Iran, raised in the U.S., and having lived in South America and Africa, Homa Sabet Tavangar's life and work have led her on a journey exploring the roots of purpose, innovation and belonging. Homa connects timely topics with the timeless desire to work with intention and make a difference — whatever one's circumstances. As co-founder of BigQuestions.Institute and OnenessLab.com, she partners with thought leaders dedicated to re-imagining learning and work while centering equity, inquiry and innovation. Homa's innovative approach has led schools and companies from crisis to global citizenship and competence in ways that create belonging across perspectives. Her approach fosters empathy, collaboration, diversity, inclusion, leadership, futures thinking, and creative problem-solving in complex, multicultural settings, — and re-imagines academic institutions and workplaces for the 21st Century. Homa is the author of widely-acclaimed books, including Growing Up Global: Raising Children to Be At Home in the World (Random House, 2009), Global Kids: 50+ Games, Crafts, Recipes & More from Around the World (Barefoot Books, 2019), The Global Education Toolkit for Elementary Learners (Sage/Corwin, 2014), co-author of a 3-book series with Professor Yong Zhao on educating creative, entrepreneurial World Class Learners (Corwin, 2016), and contributor to Mastering Global Literacy, by Heidi Hayes-Jacobs, ed. (Solution Tree, 2013). Most recently she co-authored 9 BIG Questions Schools Must Answer to Avoid Going “Back to Normal” (*Because “Normal” Wasn't That Great to Begin With). Her work has been hailed by international education and business leaders and media — from Dr. Jane Goodall to the BBC, NPR, NBC, ABC, Washington Post.com, Chicago Tribune and Sun-Times, Boston Globe, PBS, Scholastic, Parents Magazine, Rodale, and many more. Growing Up Global has been a best-seller in Parenting, Education, and Globalization categories, and introduced the possibilities of raising and educating global citizens to a wide audience. Her article on Empathy was Edutopia's most shared piece for four continuous years. Global Kids is the winner of the 2021 Tilliwig Best Children's Products award. Homa translates culture, diversity, innovation and globalization trends and breakthroughs into academic and social-emotional learning in ways that empower CEOs, teachers, parents and learners from Kindergarten to graduate students thrive in a global context — and have fun along the way. She advises entertainment pioneers Disney Channel and Empatico.org on cultural bias, and NBC's Sprout TV on script development and cultural elements in the ambitious, young children's animated series “Nina's World,” based in part on Growing Up Global, and starring Rita Moreno and Mandy Patinkin. The Game Changers podcast is produced by Evan Phillips supported by a School for tomorrow (aschoolfortomorrow.com), and powered by CIRCLE. The podcast is hosted on SoundCloud and distributed through Spotify, Google Podcasts, and Apple Podcasts. Please subscribe and tell your friends you like what you are hearing. You can contact us at gamechangers@circle.education, on Twitter and Instagram via @GameChangersPC, and you can also connect with Phil and Adriano via LinkedIn and Twitter. Let's go!
Jacob Jacobson dedicates his life to archiving the history of Jews in Germany. For years, nobody pays much attention—until the Nazis take power. Suddenly, Jacobson's meticulous research is being used to destroy the people whose history he wanted to preserve. Unwittingly, Jacobson has also become an invaluable asset to the Nazis. Can he protect himself without betraying his community? One of the most extensive collections in the LBI Archives, the Jacob Jacobson collection includes former holdings of the Gesamtarchiv der Deutschen Juden – birth, death, and marriage records, mohel books, and administrative records from Jewish communities across Germany dating back to 1660. The remaining holdings of the Gesamtarchiv are now divided between the Central Archive of the Jewish People in Jerusalem and Centrum Judaicum in Berlin. Most of what we know about Jacobson's experiences at the Gesamtarchiv under the Gestapo and in Theresienstadt come from a fragmentary memoir in German and survivor testimony published in London in 1946, both in the LBI Archives. Learn more at lbi.org/jacobson. Exile is a production of the Leo Baeck Institute, New York and Antica Productions. It's narrated by Mandy Patinkin. This episode was written by Marijke Peters. Our executive producers are Laura Regehr, Rami Tzabar, Stuart Coxe, and Bernie Blum. Our producer is Emily Morantz. Research and translation by Isabella Kempf. Voice acting by Manuel Mairhofer. Sound design and audio mix by Philip Wilson. Theme music by Oliver Wickham. This episode of Exile is made possible in part by a grant from the Conference on Jewish Material Claims Against Germany, which is supported by the German Federal Ministry of Finance and the Foundation Remembrance, Responsibility and Future.
The Game Changers podcast celebrates those true pioneers in education who are building schools for tomorrow. In episode 195 (Part 1) of Game Changers, Phil Cummins joins in conversation with Homa Sabet Tavangar Born in Iran, raised in the U.S., and having lived in South America and Africa, Homa Sabet Tavangar's life and work have led her on a journey exploring the roots of purpose, innovation and belonging. Homa connects timely topics with the timeless desire to work with intention and make a difference — whatever one's circumstances. As co-founder of BigQuestions.Institute and OnenessLab.com, she partners with thought leaders dedicated to re-imagining learning and work while centering equity, inquiry and innovation. Homa's innovative approach has led schools and companies from crisis to global citizenship and competence in ways that create belonging across perspectives. Her approach fosters empathy, collaboration, diversity, inclusion, leadership, futures thinking, and creative problem-solving in complex, multicultural settings, — and re-imagines academic institutions and workplaces for the 21st Century. Homa is the author of widely-acclaimed books, including Growing Up Global: Raising Children to Be At Home in the World (Random House, 2009), Global Kids: 50+ Games, Crafts, Recipes & More from Around the World (Barefoot Books, 2019), The Global Education Toolkit for Elementary Learners (Sage/Corwin, 2014), co-author of a 3-book series with Professor Yong Zhao on educating creative, entrepreneurial World Class Learners (Corwin, 2016), and contributor to Mastering Global Literacy, by Heidi Hayes-Jacobs, ed. (Solution Tree, 2013). Most recently she co-authored 9 BIG Questions Schools Must Answer to Avoid Going “Back to Normal” (*Because “Normal” Wasn't That Great to Begin With). Her work has been hailed by international education and business leaders and media — from Dr. Jane Goodall to the BBC, NPR, NBC, ABC, Washington Post.com, Chicago Tribune and Sun-Times, Boston Globe, PBS, Scholastic, Parents Magazine, Rodale, and many more. Growing Up Global has been a best-seller in Parenting, Education, and Globalization categories, and introduced the possibilities of raising and educating global citizens to a wide audience. Her article on Empathy was Edutopia's most shared piece for four continuous years. Global Kids is the winner of the 2021 Tilliwig Best Children's Products award. Homa translates culture, diversity, innovation and globalization trends and breakthroughs into academic and social-emotional learning in ways that empower CEOs, teachers, parents and learners from Kindergarten to graduate students thrive in a global context — and have fun along the way. She advises entertainment pioneers Disney Channel and Empatico.org on cultural bias, and NBC's Sprout TV on script development and cultural elements in the ambitious, young children's animated series “Nina's World,” based in part on Growing Up Global, and starring Rita Moreno and Mandy Patinkin. The Game Changers podcast is produced by Evan Phillips supported by a School for tomorrow (aschoolfortomorrow.com), and powered by CIRCLE. The podcast is hosted on SoundCloud and distributed through Spotify, Google Podcasts, and Apple Podcasts. Please subscribe and tell your friends you like what you are hearing. You can contact us at gamechangers@circle.education, on Twitter and Instagram via @GameChangersPC, and you can also connect with Phil and Adriano via LinkedIn and Twitter. Let's go!
EPISODE 72 - “CHATTING CLASSIC CINEMA WITH JOURNALIST MAUREEN LENKER” - 1/27/2024 In this week's episode, Steve and Nan welcome award-winning journalist MAUREEN LENKER. Maureen, who is currently a Senior Writer for Entertainment Weekly, has a deep passion and knowledge of classic cinema and has made 1930s Hollywood the setting for her new novel, “His Girl Hollywood.” Join us as Maureen discusses her career, her passion for cinema, her most inspirational classic films, and all the tea about her new novel. SHOW NOTES: Sources: It Happened One Fight (2023), by Maureen Lee Lenker; His Girl Hollywood (2025), by Maureen Lee Lenker; TCM.com; IMDBPro.com; IBDB.com; Wikipedia.com; Movies Mentioned: Swing Time (1936) - starring Fred Astaire & Ginger Rogers; Gone with the Wind (1939), starring Vivien Leigh, Clark Gable, Olivia de Havilland, Leslie Howard, & Hattie McDaniel; His Girl Friday (1940), starring Rosalind Russell, Cary Grant, Ralph Bellamy, Gene Lockhart, Helen Mack, & John Qualen; The Philadelphia Story (1940), starring Katharine Hepburn, Cary Grant, James Stewart, Ruth Hussey, Virginia Weidler, Mary Nash, John Howard, & Roland Young; Casablanca (1942), starring Humphrey Bogart, Ingrid Bergman, Paul Henreid, Claude Rains, Peter Lorre, Sydney Greenstreet, & Dooley Wilson; The Heiress (1949), starring Olivia de Havilland, Montgomery Clift, Ralph Richardson, & Miriam Hopkins; Outrage (1950). Starring Mala Powers, Tod Andrews, Robert Clarke, Lillian Hamilton, & Rita Lupino; Singing in the Rain (1952), starting Gene Kelly, Debbie Reynolds, Donald O'Connor, Jean Hagan, Rita Moreno, Cyd Charisse, & Millard Mitchell; West Side Story (1952), starring Natalie Wood, Richard Beymer, Rita Moreno, George Chakiras, & Russ Tamblyn; The Quiet Man (1952), starring John Wayne, Maureen O'Hara, Mildred Natwick, Barry Fitzgerald, & Patrick McLaglen; White Christmas (1954), starring Bing Crosby, Danny Kaye, Rosemary Clooney, Vera Ellen, Dean Jagger, Mary Wickes, & Anne Whitfield; It's Always Fair Weather (1955), starring Gene Kelly, Cyd Charisse, Dan Dailey, Michalre Kidd, & Delores Gray; Mary Poppins (1964), starring Julie Andrews, Dick Van Dyke, David Tomlinson, & Glynis Johns; The Sound of Music (1965), starring Julie Andrews, Christopher Plummer, Eleanor Parker, Chairman Carr, Richard Haydn, & Peggy Wood; Then Princess Bride (1987), starring Cary Elwes, Robin Wright, Billy Crystal, Mandy Patinkin, & Wallace Shawn; --------------------------------- http://www.airwavemedia.com Please contact sales@advertisecast.com if you would like to advertise on our podcast. Learn more about your ad choices. Visit megaphone.fm/adchoices
Carola's dream is to be a dancer. In 1935, she moves from Germany to Paris to pursue a career on stage. But as a young, Jewish performer, Carola struggles with a lack of fulfilling work, dwindling funds, and a rising tide of antisemitism. Carola's strong will carries her through the perils of Nazi-occupied France, losing the love of her life, and the long journey to America – where she finds a new passion that becomes her greatest legacy. The Carola Trier Collection in the LBI Archives includes Carola's extensive handwritten and typed notes for her unpublished memoir, publicity photographs for her contortionist on wheels act titled “Miss Carola” – and Pilates manuals. LBI also holds the archival collections of her father, the chemist Eduard Strauss, and her husband, Edgar Trier. Learn more at lbi.org/carola. Exile is a production of the Leo Baeck Institute, New York and Antica Productions. It's narrated by Mandy Patinkin. This episode was written by Emily Morantz. Our executive producers are Laura Regehr, Rami Tzabar, Stuart Coxe, and Bernie Blum. Our producer is Emily Morantz. Research and translation by Isabella Kempf. Voice acting by Hanna Kent. Sound design and audio mix by Philip Wilson. Theme music by Oliver Wickham. This episode of Exile is made possible in part by a grant from the Conference on Jewish Material Claims Against Germany, which is supported by the German Federal Ministry of Finance and the Foundation Remembrance, Responsibility and Future.
HADESTOWN Book, Music, & Lyrics by Anaïs Mitchell | Music by Lucy Simon | Adapted from the novel by Frances Hodgson BurnettWorks Consulted & Reference :Hadestown (Original Libretto) by Anaïs MitchellWorking on A Song: The Lyrics of Hadestown by Anaïs MitchellMusic Credits:"Overture" from Dear World (Original Broadway Cast Recording) | Music by Jerry Herman | Performed by Dear World Orchestra & Donald Pippin"The Speed Test" from Thoroughly Modern Millie (Original Broadway Cast Recording) | Music by Jeanine Tesori, Lyrics by Dick Scanlan | Performed by Marc Kudisch, Sutton Foster, Anne L. Nathan & Ensemble"Why God Why" from Miss Saigon: The Definitive Live Recording (Original Cast Recording / Deluxe) | Music by Claude-Michel Schönberg, Lyrics by Alain Boublil & Richard Maltby Jr. | Performed by Alistair Brammer"Back to Before" from Ragtime: The Musical (Original Broadway Cast Recording) | Music by Stephen Flaherty, Lyrics by Lynn Ahrens | Performed by Marin Mazzie"Chromolume #7 / Putting It Together" from Sunday in the Park with George (Original Broadway Cast Recording) | Music & Lyrics by Stephen Sondheim | Performed by Mandy Patinkin, Bernadette Peters, Judith Moore, Cris Groenendaal, Charles Kimbrough, William Parry, Nancy Opel, Robert Westenberg, Dana Ivey, Kurt Knudson, Barbara Bryne"What's Inside" from Waitress (Original Broadway Cast Recording) | Music & Lyrics by Sara Bareilles | Performed by Jessie Mueller & Ensemble"All I've Ever Known" from Hadestown (Original Broadway Cast Recording) | Music & Lyrics by Anaïs Mitchell | Performed by Eva Noblezada, Reeve Carney, Anaïs Mitchell, Hadestown Original Broadway Company"Maria" from The Sound of Music (Original Soundtrack Recording) | Music by Richard Rodgers, Lyrics by Oscar Hammerstein II | Performed by Evadne Baker, Anna Lee, Portia Nelson, Marni Nixon"My Favorite Things" from The Sound of Music (Original Soundtrack Recording) | Music by Richard Rodgers, Lyrics by Oscar Hammerstein II | Performed by Julie Andrews"Corner of the Sky" from Pippin (New Broadway Cast Recording) | Music & Lyrics by Stephen Schwartz | Performed by Matthew James Thomas“What Comes Next?” from Hamilton (Original Broadway Cast Recording) | Music & Lyrics by Lin-Manuel Miranda | Performed by Jonathan Groff
On Eavesdroppin' comedy podcast this week, Geordie & Michelle look at a rips in the matrix, drones and crop circles...Are aliens time travellers from the future coming back to our present? Are doppelgängers proof of a rip in the matrix? What's going on with all those drones in New Jersey? This week, Michelle looks at all this and more, with some confusing pseudo-science and some unanswered questions.Part two of this episode sees Geordie looking at crop circles and the hoaxers behind them. Are all crop circles man-made? Could some be otherworldly? What is a UFO nest and who saw them in 1966 in rural Australia? Listen now to find out! So pop on your headphones, grab a brown lemonade and join Geordie & Michelle for this week's episode, plus chit-chat about teabags, Mandy Patinkin and more, only on Eavesdroppin' podcast. And remember, wherever you are, whatever you do, just keep Eavesdroppin'! *Disclaimer: We don't claim to have any factual info about anything ever and our opinions are just opinions not fact, sooorrrryyy! Don't sue us! Please rate, review, tell your friends and subscribe in all the usual places – we love it when you do! Support us on Patreon: https://www.patreon.com/eavesdroppinDo write in with your stories at hello@eavesdroppinpodcast.com or send us a Voice Note!Listen: www.eavesdroppinpodcast.com or https://podfollow.com/eavesdroppinYouTube: https://www.youtube.com/channel/UCqcuzv-EXizUo4emmt9PgfwFacebook: https://www.facebook.com/eavesdroppinpodcast#cropcircles #ripinthematrix #doppelgangers #timetravel #aliens #UFOnests #australia #hoaxers #eavesdroppin #eavesdroppinpodcast #eavesdroppincomedypodcast #podcast #comedy Hosted on Acast. See acast.com/privacy for more information.
Special thanks to friend and listener Jodi for submitting “The Princess Bride” episode as her Fan Favorite and providing audio for the new introduction. (Originally aired 2/13/2024) “The Princess Bride” (1987) remains a beloved cult classic nearly 40 years after its release… and after you listen to this fun episode, you'll remember exactly why! Why did author William Goldman and director Rob Reiner have to fight so hard to bring this fractured fairy tale to the silver screen? What sword-fighting mishap landed Cary Elwes in the hospital? Why was the character of Inigo Montoya so personal to Mandy Patinkin, remaining his favorite role to this day? And what famous athlete-turned-actor almost played the role of the lovable Fezzik in Andre the Giant's place? We discuss all this and so much more! So if you're in the mood to revisit a nostalgic film that will have you rooting for true love, a son seeking revenge on his father's killer, and classic tales of romance and adventure, then as you wish. Find (and subscribe to!) the show on your favorite podcast app or the Scandal Water Podcast Youtube channel. How to support the show: Rate, review and subscribe! Send your shoutouts to scandalwaterpodcast@gmail.com. Give a gift through buymeacoffee.com/scandalwaterpod or patreon.com/ScandalWaterPodcast– which will also grant you access to fabulous bonus content! #FanFavorites #January #princessbride #bride #theprincessbride #inigomontoya #asyouwish #weddingdress #wedding #bridetobe #dreadpirateroberts #bridal #princessbuttercup #westley #caryelwes #inconceivable #fezzik #mandypatinkin #robinwright #fireswamp #brides #dress #mariage #love #valentinesday #loveisintheair #podcast #RomCom #RomanticComedy #movie #film
Papa, can you hear us? We eat some unburnt fish and baked apple before discussing the movie Yentl. This musical, with songs sung only by the title character, is an anthem for feminism and women's rights. The stars shine brightly in this film, especially with Mandy Patinkin's full moon out for everyone to see.
Richard Schoch returns to discuss How Sondheim Can Change Your Life, his latest book that offers new insights into the work of Stephen Sondheim, how it was created, how it's affected audiences for over 60 years, and – yes – what life lessons can be gleaned from his shows. Richard reveals some fascinating inside publishing baseball; reasons for the addition of the song “Something Just Broke” in Assassins; academic backup from Mandy Patinkin; how he makes a close reading of the text so personal and readable; and a surprisingly cogent answer to the facile question of whether Sondheim is our modern Shakespeare. (Length 29:49) The post Sondheim Life Lessons appeared first on Reduced Shakespeare Company.
Dorian Price, Alexis Hejna, Chae Tate and Mark Radulich review movies currently on streaming services and in theaters: Dick Tracy/The Phantom/The Shadow Movie Review! First up is Dick Tracy (1990). Then we move on to The Phantom (1996). Finally we review The Shadow (1994).Dick Tracy is a 1990 American action crime film based on the 1930s comic strip created by Chester Gould. Warren Beatty produced, directed and starred in the film, whose supporting cast includes Al Pacino, Madonna, Glenne Headly and Charlie Korsmo, with appearances by Dustin Hoffman, James Keane, Charles Durning, William Forsythe, Seymour Cassel, Mandy Patinkin, Catherine O'Hara, Ed O'Ross, James Caan, James Tolkan, R. G. Armstrong and Dick Van Dyke. Dick Tracy depicts the detective's romantic relationships with Breathless Mahoney and Tess Trueheart, as well as his conflicts with crime boss Alphonse "Big Boy" Caprice and his henchmen. Tracy also begins fostering a young street urchin named Kid.The Phantom is a 1996 superhero film directed by Simon Wincer. Based on Lee Falk's comic strip The Phantom by King Features, the film stars Billy Zane as a seemingly immortal crimefighter and his battle against all forms of evil. The Phantom also stars Treat Williams, Kristy Swanson, Catherine Zeta-Jones, James Remar and Patrick McGoohan.The Phantom was released on June 7, 1996, and received mixed reviews from film critics. Despite financial failure in its theatrical release, the film has enjoyed success on VHS, DVD and Blu-ray, and has developed a cult following.The Shadow is a 1994 American superhero film from Universal Pictures, produced by Martin Bregman, Willi Bear, and Michael Scott Bregman, and directed by Russell Mulcahy. It stars Alec Baldwin, supported by John Lone, Penelope Ann Miller, Peter Boyle, Ian McKellen, Jonathan Winters, and Tim Curry. The film is based on the pulp fiction character of the same name created in 1931 by Walter B. Gibson.The film was released to theaters on July 1, 1994, received mixed reviews, and was a commercial failure.Disclaimer: The following may contain offensive language, adult humor, and/or content that some viewers may find offensive – The views and opinions expressed by any one speaker does not explicitly or necessarily reflect or represent those of Mark Radulich or W2M Network.Mark Radulich and his wacky podcast on all the things:https://linktr.ee/markkind76alsohttps://www.teepublic.com/user/radulich-in-broadcasting-networkFB Messenger: Mark Radulich LCSWTiktok: @markradulichtwitter: @MarkRadulichInstagram: markkind76RIBN Album Playlist: https://suno.com/playlist/91d704c9-d1ea-45a0-9ffe-5069497bad59
The College Essay Guy Podcast: A Practical Guide to College Admissions
In this three-part series, Ethan sits down with his screenwriter friends to do a deep dive into the creative process, the power of storytelling, and how identity plays a role in both. In Episode 3, Ethan is joined by screenwriter Ryan Maldonado, known for his work on AMC's Parish, Hulu's Death and Other Details, Amazon's Hunters, Chicago PD, FBI, and Grey's Anatomy. Ryan and Ethan talk about, among other things: Ryan's origin story, how he identifies, and how he became a storyteller What Ryan's writing process is like and what it's like working on a TV show How Ryan shows up in characters that may seem very different from who he is What he feels Hollywood is doing well in terms of representing diverse voices, and where there's still work to be done Advice to students going through the personal statement writing process And more. Born and raised in Miami, Florida, Ryan Maldonado is a writer and producer who currently serves as Executive Producer and Co-Showrunner of AMC's crime series Parish, starring Giancarlo Esposito. His previous credits include Hulu's upcoming Death and Other Details (starring Mandy Patinkin) and Amazon's Hunters (starring Al Pacino). Before moving to Los Angeles to complete his MFA at USC's School of Cinematic Arts, Ryan worked as a reporter for The Detroit Free Press, St. Petersburg Times and Variety. He currently lives in Los Angeles with his wife and daughter. We hope you enjoy! Play-by-Play: 2:00 - Ryan's origin story and what it was like growing up in Miami in the '80s 11:18 - When did Ryan start writing? 15:10 - How has Ryan's interest in writing shifted over the years? 19:47 - Where does “Ryan” show up in his writing and storytelling? 26:12 - How might personal experiences influence writing, especially in TV dramas? 33:00 - What is Ryan's writing process like? 38:50 - What is it like working on a TV show? 44:56 - What lessons from film school still apply to Ryan's work today? 54:33 - How has representation in Hollywood improved? What still needs work? 59:23 - What are some roles Ryan identifies with and how have these manifested in his life? 1:08:56 - What advice would you give to students working on their personal statements for college? 1:18:49 - Wrap up and closing thoughts Resources: College Essay Guy's Roles and Identities Exercise College Essay Guy's Personal Statement Resources College Essay Guy's College Application Hub
Guest shots guest shots guest shots. This time Ronnie is joined by Daniel Daughhetee (Thrawnderdome) to talk about "Empty Planet", an episode about a serial bomber whose bombings are based on obscure sci-fi literature. Who better to decode this nonsense than sci-fi nerd Daniel Daughhetee? Along the way we recommend some actual good stuff and explain why Daniel prefers Joe Mantegna to Mandy Patinkin.
Next week it's our 75th episode and to honour this milestone join Mackenzie, Scott, and special guest John Rocha as they breakdown the art of making art as they discuss Sondheim and Lapine musical Sunday in the Park with George. Find out all fun the hidden musical details Sondheim wrote into this piece. Hear why Mandy Patinkin almost left the original Broadway production. Plus, discover the Star Trek connection to this musical. All of this and Chromolume #7 on next Friday's all new episode! Don't forget to leave us a review and share your thoughts on this episode on our social media pages. Follow the links below to reach our pages. Facebook Instagram Twitter
part 1 originally released: January 10, 2018 Dramaturg Lauren Halvorsen is here for the first of our epic, two-part dive into both musical versions of THE WILD PARTY. Here we cover not only Andrew Lippa's off-Broadway take on Queenie, Burrs, Black, et al.; we also talk through Joseph Moncure March's novella-length poem upon which both musicals are based. part 2 originally released: January 17, 2018 The thrilling conclusion to our deep-dive into THE WILD PARTY. We talk the La Chuisa/Wolfe Broadway version, Mandy Patinkin, the philosophy of adaptation, Mandy Patinkin, which we prefer, and Mandy Patinkin in . . . (not a joke, wish it was) blackface. Poem excerpts read and recorded by Lee Liebeskind. Featured recordings: THE WILD PARTY - Original Cast Recording (2000) THE WILD PARTY - A Decca Broadway Original Cast Album (2000) FORBIDDEN BROADWAY - Vol. 5: Forbidden Broadway Cleans Up Its Act! (1999) PATREON! Twitter.com/OriginalCastPod Facebook.com/OriginalCastPod OriginalCastPod@gmail.com
Are you familiar with the classic movie, "The Princess Bride"? If you are, you can probably complete Mandy Patinkin's famous line, "My name is Inigo Montoya..." At the end of the movie, he says this: "I have been in the revenge business so long, now that it's over, I don't know what to do with the rest of my life." While most of us probably haven't shaped our lives around payback as much as Inigo, it is still easy to let revenge (or even the desire to make things right) quietly control our lives. In our society, it's normal to hit back when we are wronged. We may even justify it by remembering this verse: But if there is serious injury, you are to take life for life, eye for eye, tooth for tooth, hand for hand, foot for foot, burn for burn, wound for wound, bruise for bruise. Exodus 21:23–25 NIV Join us as we continue our series, Twisters: When God's Words Get Twisted, with Part 11: An Eye for an Eye, and look at what God wants us to do when we are wronged. The Program and Message Listening Guide (printable format) with fill-in-the-blanks are available for download on our website.
On this week's episode of 'The Sunday Show with Jonathan Capehart': With just 48 hours to go until election day, both Kamala Harris and Donald Trump are driving home their closing message. The final NBC News presidential poll shows Harris and Trump are tied, locked in a dead heat, 49% to 49%. I'll break it all down with NBC News Senior Political Director Mark Murray. I'll also talk to the representatives who are leading the Democratic effort to highlight the threat of Project 2025 if Donald Trump is back in the White House. Rep. Dan Goldman and Rep. Stacey Plaskett are sounding one last alarm on how the right-wing agenda would undermine our government. Plus, Emmy Award-winning actor Mandy Patinkin is working to support VP Harris in her presidential run. He and his wife, Kathryn Grody, join me to discuss their get out the vote efforts. All that and more on “The Sunday Show with Jonathan Capehart.”
Fire up Outlook, pull out your planners and get ready to do some backwards math because this week, we're exploring the ways we (try to) keep our lives organized. Plus: Toaster ovens, thirsty trick-or-treaters, British procedurals, your hotel TV picks, and some love for Mandy Patinkin. TSHE RecommendsThe Princess Bride (a vintage Hillary pick)Connect with the show! This is your show, too. Feel free to drop us a line, send us a voice memo, or fax us a butt to let us know what you think. Facebook group: This Show Has Everything Email: tsheshow@gmail.com
Send us a text"Hugs & Kisses". We see this message emblazoned on chalky candy hearts and sappy cards for Valentine's Day every year. There are racks of novels at libraries and bookstores ready to fill us with tales of this topic. When it comes to film there are countless romances, comedies and dramas that play on this phrase. That's a good thing too because it's our theme for this next round of picks.What better film to kick things off and put us in the mood for romance but the classic 1987 film, The Princess Bride. Based on the 1973 William Goldman novel and brought to us by the wizard of love himself Rob Reiner this film stars Cary Elwes, Robin Wright, Mandy Patinkin, Fred Savage, Andre the Giant and a host of others. It holds a special place in our hearts and we hope you can enjoy it with your own special someone.As usual we veer off on tangents but try to stay on topic and dig into what is a romance movie really. Finally, we respond to the question we know you're burning for us to answer... are we romantic?
Bridger manages to control himself even as Chris Grace (Superstore, Chris Grace as Scarlett Johansson) throws an unsolicited gift in his face. The two discuss Berlin clubs, the illusion of choice, and Mandy Patinkin at home. Don't forget to review the podcast, it's the least you can do. Follow the show on Instagram I Said No Gifts! Merch Send a Question to I Said No Emails! Support this podcast by shopping our latest sponsor deals and promotions at this link: https://bit.ly/3Uw1W4v Learn more about your ad choices. Visit megaphone.fm/adchoices
Veteran theater and film actor James Sutorius has performed for the most prestigious regional and repertory theater companies including The Old Globe, La Jolla Playhouse, Center Theatre Group, South Coast Repertory, and Pasadena Playhouse. He's also performed at Lincoln Center, Yale Repertory, Long Wharf Theatre, Seattle Repertory, and many more. In 2007, he won two San Diego Theatre Critics Awards for his performance as George in "Who's Afraid of Virginia Woolf?" and for his multiple supporting roles in John Strand's play "Lincolnesque." James made his Broadway debut in 1973 in "The Changing Room." In his very first entrance as a member of a rugby team, he had to walk downstage and strip off all his clothes! Instead of finding the experience terrifying, he actually found it liberating. And he played Laertes opposite Sam Waterston's Hamlet at the Vivian Beaumont Theater, alongside a cast of rising stars including Jane Alexander, Mandy Patinkin, George Hearn and John Heard. Most recently James was seen on Broadway in Aaron Sorkin's play "The Farnsworth Invention" that was directed by Des McAnuff and produced by Steven Spielberg. James was the voice for Ragu Spaghetti Sauce for 17 years, spawning the national catchphrase "Now, THAT'S Italian!" He continues to pitch other products for Coca Cola and Wrangler Jeans. He also lends his distinctive voice to audio books and short story anthologies on tape.On TV, James' break came when he starred as investigative reporter Mike Andros in The Andros Targets. He's also appeared on such well-known TV series as Dynasty, Cannon, Kojak, St. Elsewhere, Family Ties, 21 Jump Street, Murder, She Wrote, L.A. Law, The X Files, Judging Amy, and many others. And he was a regular on Bob Crane's short-lived sitcom, The Bob Crane Show. Additionally, he's appeared in such notable TV movies as: A Death in Canaan, A Question of Love, Skokie, Space, and On Wings of Eagles. In feature films, James can be seen in Dancing as Fast as I Can starring Jill Clayburgh and Windy City with John Shea and Kate Capshaw.
We review Alien Nation (1988) on The Atomic Cinema Experiment. This is a sci fi movie podcast. Alien Nation is directed by Graham Baker and stars James Caan, Mandy Patinkin, Terence Stamp patreon: https://www.patreon.com/mildfuzztv all links: https://linktr.ee/mildfuzz discord: https://discord.gg/8fbyCehMTy Email: mftvquestions@gmail.com Audio version: https://the-ace-atomic-cinema-experime.pinecast.co
THE SECRET GARDEN Book & Lyrics by Marsha Norman | Music by Lucy Simon | Adapted from the novel by Frances Hodgson BurnettWorks Consulted & Reference :The Secret Garden (Original Libretto) by Marsha NormanCreating THE SECRET GARDEN Produced by Broadway Podcast NetworkMusic Credits:"Overture" from Dear World (Original Broadway Cast Recording) | Music by Jerry Herman | Performed by Dear World Orchestra & Donald Pippin"The Speed Test" from Thoroughly Modern Millie (Original Broadway Cast Recording) | Music by Jeanine Tesori, Lyrics by Dick Scanlan | Performed by Marc Kudisch, Sutton Foster, Anne L. Nathan & Ensemble"Why God Why" from Miss Saigon: The Definitive Live Recording (Original Cast Recording / Deluxe) | Music by Claude-Michel Schönberg, Lyrics by Alain Boublil & Richard Maltby Jr. | Performed by Alistair Brammer"Back to Before" from Ragtime: The Musical (Original Broadway Cast Recording) | Music by Stephen Flaherty, Lyrics by Lynn Ahrens | Performed by Marin Mazzie"Chromolume #7 / Putting It Together" from Sunday in the Park with George (Original Broadway Cast Recording) | Music & Lyrics by Stephen Sondheim | Performed by Mandy Patinkin, Bernadette Peters, Judith Moore, Cris Groenendaal, Charles Kimbrough, William Parry, Nancy Opel, Robert Westenberg, Dana Ivey, Kurt Knudson, Barbara Bryne"What's Inside" from Waitress (Original Broadway Cast Recording) | Music & Lyrics by Sara Bareilles | Performed by Jessie Mueller & Ensemble"Lily's Eyes" from The Secret Garden (Original Broadway Cast Recording) | Music by Lucy Simon, Lyrics by Marsha Norman | Performed by Mandy Patinkin & Robert Westenberg "Maria" from The Sound of Music (Original Soundtrack Recording) | Music by Richard Rodgers, Lyrics by Oscar Hammerstein II | Performed by Evadne Baker, Anna Lee, Portia Nelson, Marni Nixon"My Favorite Things" from The Sound of Music (Original Soundtrack Recording) | Music by Richard Rodgers, Lyrics by Oscar Hammerstein II | Performed by Julie Andrews"Corner of the Sky" from Pippin (New Broadway Cast Recording) | Music & Lyrics by Stephen Schwartz | Performed by Matthew James Thomas“What Comes Next?” from Hamilton (Original Broadway Cast Recording) | Music & Lyrics by Lin-Manuel Miranda | Performed by Jonathan Groff
Send your questions or provocations to Adam or Budi here!In this episode, Adam and Budi sit down with Brian Kulick, the current chair for the theatre programme at Columbia University. Author of Staging the End of the World: Theatre in a Time of Climate Crisis, Brian talks us through his extensive career as a director, author and educator. Kulick is a director, writer, educator, producer, and current Chair of the Theatre Program. He's been the Artistic Director of Classic Stage Company (CSC) where he directed Galileo with F. Murray Abraham, The Tempest with Mandy Patinkin, and The Forest with Dianne Weist. He commissioned and co-directed poet Anne Carson's award-winning An Oresteia, collaborated with composer Duncan Sheik on productions of Brecht's Caucasian Chalk Circle, Man's A Man, and Mother Courage, and produced CSC's much lauded Chekhov Cycle (Ivanov, The Seagull, Uncle Vanya, The Three Sisters, and The Cherry Orchard) with Alan Cumming, Maggie Gyllenhaal, Ethan Hawke, Joley Richardson, Peter Sarsgaard, John Turturro and Dianne Weist. Support the showIf you enjoyed this week´s podcast, please leave a review on Apple Podcasts. To submit a question: Voice- http://www.speakpipe.com/theatreofothers Email- podcast@theatreofothers.com Show Credits Co-Hosts: Adam Marple & Budi MillerProducer: Jack BurmeisterMusic: https://www.purple-planet.comAdditional compositions by @jack_burmeister
For years, Emma Haas and Helene Krämer have been the dedicated stewards of the Neu Isenburg Home, a sanctuary for orphaned Jewish children and vulnerable women. When the devastating events of Kristallnacht leave the home in ruins, Emma and Helene must find a way to protect the people in their care—and to escape the looming Nazi threat themselves. Learn more at www.lbi.org/isenburg. Exile is a production of the Leo Baeck Institute, New York and Antica Productions. It's narrated by Mandy Patinkin. This episode was produced by Joanne O'Sullivan. Our executive producers are Laura Regehr, Rami Tzabar, Stuart Coxe, and Bernie Blum. Our associate producer is Emily Morantz. Research and translation by Isabella Kempf. Voice acting by Hannah Gelman and Hanna Kent. Sound design and audio mix by Philip Wilson. Theme music by Oliver Wickham. Special thanks to Will Coley, Ellen Rolfes, Irit Reinheimer, Julie Langsdorf, and Jessica Van Tijn. Thanks also to Arije deHass from Leo Baeck Institute in Jerusalem for the use of their space and audio assistance. This episode of Exile is made possible in part by a grant from the Conference on Jewish Material Claims Against Germany, which is supported by the German Federal Ministry of Finance and the Foundation Remembrance, Responsibility and Future.
Robert Bachrach is a buttoned-up doctor and dedicated researcher. Leo Hochner is a bon-vivant and art connoisseur who breeds small dogs. Both bachelors, they are part of a close network of friends from Vienna who are scattered across the globe after the Nazis take power in Austria. When Robert takes his life in New York after a humiliating arrest under New York's anti-gay laws, he directs his final words to Leo, who was still trapped in Nazi-occupied Budapest. We follow the traces they left in the LBI archives to uncover an incredible story of heartbreak and heroism. For Robert, escaping the Nazis didn't mean an end to discrimination, persecution, or fear. Learn more www.lbi.org/bachrach-hochner. Exile is a production of the Leo Baeck Institute, New York and Antica Productions. It's narrated by Mandy Patinkin. This episode was produced by Nadia Medhi. Our executive Producers are Laura Regehr, Rami Tzabar, Stuart Coxe, and Bernie Blum. Our associate producer is Emily Morantz. Research and translation by Isabella Kempf. Voice acting by Isabella Kempf, Cyrus Lane, and Manuel Mairhofer. Sound design and audio mix by Philip Wilson. Theme music by Oliver Wickham. Special thanks to Anna Lvovsky, Brian Ferree, Hannes Sulzenbacher, Clarissa Hochner, and Diana Bulman. Thanks also to Victor Sattler, who wrote about Robert and LAY-oh as part of the LBI's literary project, “Stolpertexte”, and whose essay lent our episode its title and opening scene. This episode of Exile is made possible in part by a grant from the Conference on Jewish Material Claims Against Germany, which is supported by the German Federal Ministry of Finance and the Foundation Remembrance, Responsibility and Future.
To Samson Schames, art is everything. When fleeing the Nazis lands him in an English internment camp for enemy aliens, he doesn't let the squalid conditions curb his creativity—in fact, he thrives. Using the debris of destruction as material for his work, Samson cultivates an artistic vision that captures the horrors of war unlike any other. Learn more at www.lbi.org/schames. Exile is a production of the Leo Baeck Institute, New York and Antica Productions. It's narrated by Mandy Patinkin. This episode was produced by Ilan Goodman. Our executive Producers are Laura Regehr, Rami Tzabar, Stuart Coxe, and Bernie Blum. Our associate producer is Emily Morantz. Research and translation by Isabella Kempf. Voice acting by Ilan Goodman. Sound design and audio mix by Philip Wilson. Theme music by Oliver Wickham. Special thanks to the Jewish Museum of Frankfurt. This episode of Exile is made possible in part by a grant from the Conference on Jewish Material Claims Against Germany, which is supported by the German Federal Ministry of Finance and the Foundation Remembrance, Responsibility and Future.
In 1943, 13-year-old Zuzana Justman and her family are sent to Theresienstadt, a transit camp and ghetto in occupied Czechoslovakia. While the Nazis claim Theresienstadt was a model ghetto with a thriving cultural life, Zuzana and her family face starvation, illness, and fear of the mysterious transports that take her loved ones away, never to return. Learn more at www.lbi.org/justman. Exile is a production of the Leo Baeck Institute, New York and Antica Productions. It's narrated by Mandy Patinkin. This episode was produced by Rami Tzabar. Our executive Producers are Laura Regehr, Rami Tzabar, Stuart Coxe, and Bernie Blum. Our associate producer is Emily Morantz. Research and translation by Isabella Kempf. Sound design and audio mix by Philip Wilson. Theme music by Oliver Wickham. Special thanks to the German Federal Archives, the Guardian, Will Coley, The International Festival of Slavic Music for the use of their 2018 performance of Hans Krasa's Brundibar, as well as Zuzana Justman for the use of her film, Voices of the Children. This episode of Exile is made possible in part by a grant from the Conference on Jewish Material Claims Against Germany, which is supported by the German Federal Ministry of Finance and the Foundation Remembrance, Responsibility and Future.
“When we put out our coffee table book of Disgusting Shit Boys, he's the cover…” - Steve on “The Kid” On this week's episode, the Summer Blockbuster Extravaganza continues with a hilarious convo all about one of the more ambitious comic adaptations of all time, Dick Tracy! Should Beatty really have starred as the titular Dick while also directing this thing? How incredible are all the matte paintings, Sondheim songs, and loud-AF costumes? Is there something in the drinking water in this town or what, what is with all the freaks? And how much chili does Tracy consume in this movie? PLUS: One of the worst things to ever exist, Tracy Zooms In, is discussed at length. Dick Tracy stars Warren Beatty, Al Pacino, Glenn Headley, Charlie Korsmo, James Keane, Seymour Cassel, Michael J. Pollard, Charles Durning, Dick Van Dyke, Kathy Bates, Dustin Hoffman, William Forsythe, Ed O'Ross, James Tolkan, Mandy Patinkin, R.G. Armstrong, Henry Silva, Paul Sorvino, James Caan, Catherine O'Hara, Estelle Parsons, and Madonna as Breathless Mahoney; directed by Warren Beatty. This episode is brought to you in part by Rocket Money! Stop wasting money on things you don't use. Cancel your unwanted subscriptions by going to RocketMoney dot com slash WHM. That's RocketMoney dot com slash WHM. RocketMoney dot com slash WHM. Be sure to pick up your tickets for our summer time WORLD WIDE DIGITAL EVENT where we'll be talking all about the action classic SPEED! Early bird tickets are still available for the next couple days, so head over to Moment dot co slash We Hate Movies and get your tickets now— and don't forget to bundle in your ticket for the Q&A After Party that's going down right after the show that night! Can't make it to the live show? No problem! The show will be available for replay for a full TWO WEEKS after air. So you've got 14 days to check out the show after it happens! Make the WHM Merch Store your one-stop shop for all your We Hate Movies merch-related needs! Including new SHEENPRIL, Night Vision & Too Old For This Shit designs! Original cover art by Felipe Sobreiro.
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