Podcasts about Triple Feature

Tonight on Triple Feature, Mark Radulich and Mac Kettner embark on a cinematic journey through the bold, genre-bending filmography of the Wachowski Sisters, tracing their artistic evolution from the noir-tight thriller Bound (1996), through the ambitious, time-hopping epic Cloud Atlas (2012), to the sprawling, space-operatic chaos of Jupiter Ascending (2015).We begin with Bound, their directorial debut—a lean, tightly constructed neo-noir starring Gina Gershon and Jennifer Tilly. While remembered today for its stylized depiction of a lesbian relationship and its feminist reversal of genre tropes, the film also laid the groundwork for the Wachowskis' signature style: sharp visual framing, subversive gender politics, and a meticulous blend of genre tradition and rebellion. Critics at the time praised its confidence and tension, and it's since become a cult classic, often cited for how it queered the crime genre with both sensuality and grit.Fast forward to Cloud Atlas, a deeply ambitious adaptation of David Mitchell's novel. Co-directed with Tom Tykwer, the film features a sprawling ensemble cast—Tom Hanks, Halle Berry, Hugh Grant, Jim Broadbent, Doona Bae—playing multiple interconnected roles across six timelines. Aesthetic maximalism meets spiritual recursion here: past lives, future consequences, and the collapse of individual identity into something larger. The film was divisive, praised for its ambition but criticized for its complex structure and controversial use of makeup. Still, in retrospect, Cloud Atlas is regarded as a turning point—a declaration that the Wachowskis were more interested in ideas than in simple spectacle.Finally, we crash into Jupiter Ascending—a wildly uneven, endlessly fascinating space opera starring Mila Kunis and Channing Tatum. The film throws genetic royalty, flying rollerblades, Eddie Redmayne whisper-shouting, and bureaucratic intergalactic dynasties into a blender. It's messy, no doubt. But it's also unmistakably Wachowskian: rich with metaphor, post-capitalist critique, and gendered power struggles wrapped in ridiculous sci-fi fantasy. It was largely panned upon release, but like much of their work, Jupiter Ascending has developed a loyal fanbase who see past the surface chaos to the emotional and thematic sincerity underneath.Through these three films, we trace the Wachowski Sisters' cinematic transformation: from intimate noir storytellers to high-concept philosophers to unapologetically maximalist dreamers. No matter the box office or Rotten Tomatoes score, their work consistently pushes boundaries—of genre, identity, and cinematic form itself.So buckle in. We're talking legacy, aesthetics, ideas, and all the gloriously weird stuff in between.Disclaimer: The following may contain offensive language, adult humor, and/or content that some viewers may find offensive – The views and opinions expressed by any one speaker does not explicitly or necessarily reflect or represent those of Mark Radulich or W2M Network.Mark Radulich and his wacky podcast on all the things:https://linktr.ee/markkind76alsohttps://www.teepublic.com/user/radulich-in-broadcasting-networkFB Messenger: Mark Radulich LCSWTiktok: @markradulichtwitter: @MarkRadulichInstagram: markkind76RIBN Album Playlist: https://suno.com/playlist/91d704c9-d1ea-45a0-9ffe-5069497bad59 

This Pride Month, Mark Radulich and Sean Comer celebrate the flamboyant, fearless, and fiercely important legacies of three trailblazing films: The Adventures of Priscilla, Queen of the Desert (1994), To Wong Foo, Thanks for Everything! Julie Newmar (1995), and Hedwig and the Angry Inch (2001). While each tells its own unique story—from a desert drag road trip across the Australian outback to a heartfelt exploration of gender identity through glam rock cabaret—they are all interconnected by the historical arc of queer visibility in cinema. These films didn't just showcase LGBTQ+ characters—they centered them, in eras where that was still an act of rebellion.Priscilla broke ground internationally, putting Australian queer cinema on the global map and normalizing drag culture long before RuPaul's Drag Race made it mainstream. Just one year later, To Wong Foo introduced Middle America to drag queens with heart, humor, and dignity—starring mainstream Hollywood actors like Patrick Swayze, Wesley Snipes, and John Leguizamo at the height of their careers. Then came Hedwig, a deeply personal indie musical about gender, trauma, and artistic expression, which has since become a cult favorite and a cornerstone of trans representation in modern film and theater. Together, these films reflect the evolution of queer and trans narratives—from coded subtext to full-throated declarations of identity and humanity.More than just products of their time, these movies pushed culture forward. They asked audiences to look beyond binary norms and embrace love, transformation, and self-expression in all forms. Whether through sequins, ballads, or beat-up buses, these stories assert—loudly and proudly—that queer people, drag performers, and trans individuals deserve joy, complexity, and a place in the cinematic canon. And as we revisit them in 2025, their messages feel just as urgent, defiant, and beautiful as ever.Disclaimer: The following may contain offensive language, adult humor, and/or content that some viewers may find offensive – The views and opinions expressed by any one speaker does not explicitly or necessarily reflect or represent those of Mark Radulich or W2M Network.Mark Radulich and his wacky podcast on all the things:https://linktr.ee/markkind76alsohttps://www.teepublic.com/user/radulich-in-broadcasting-networkFB Messenger: Mark Radulich LCSWTiktok: @markradulichtwitter: @MarkRadulichInstagram: markkind76RIBN Album Playlist: https://suno.com/playlist/91d704c9-d1ea-45a0-9ffe-5069497bad59 

In this Triple Feature jam-packed Review Roundup episode, Doug takes on three of the most talked-about releases. First up is Hurry Up Tomorrow, The Weeknd's latest cinematic swing — bold, stylish, and already stirring up a TON of divisiveness. Then, he dives into the return of a horror franchise staple with Final Destination: Bloodlines, filled with all the chaotic death traps you'd expect. And finally, Doug shares his thoughts on Disney's newest live-action reimagining: the highly anticipated remake of Lilo & Stitch.Are any of these worth the hype? Doug's got you covered — press play and find out!The Genre of Your Life is available on all your favorite podcast platforms and with a new episode every Friday. Don't forget to subscribe and leave a review to never miss an episode!Music by Richard Lewis from Pixabay

Take a drink every time we say, "Naked Greased Up Tom Hardy!"Tonight on a special birthday edition of Triple Feature, Mark Radulich is joined by the other two wise men of The Radulich in Broadcasting Network—Robert Winfree and Jesse Starcher—for a stylish, provocative, and ultra-violent journey through the films of Nicolas Winding Refn (and one by Refn's spiritual cousin, Winding Hardy). In this episode, the trio revisit their creative bond forged in blood during their review of Too Old to Die Young, and now explore three equally intense visual feasts: Drive, Bronson, and The Neon Demon. They discuss how these films portray masculinity, performance, ambition, and destruction through uniquely artistic lenses, and reflect on the surreal legacy Refn and company have carved into modern cinema. Come for the analysis, stay for the birthday mayhem.Disclaimer: The following may contain offensive language, adult humor, and/or content that some viewers may find offensive – The views and opinions expressed by any one speaker does not explicitly or necessarily reflect or represent those of Mark Radulich or W2M Network.Mark Radulich and his wacky podcast on all the things:https://linktr.ee/markkind76alsohttps://www.teepublic.com/user/radulich-in-broadcasting-networkFB Messenger: Mark Radulich LCSWTiktok: @markradulichtwitter: @MarkRadulichInstagram: markkind76RIBN Album Playlist: https://suno.com/playlist/91d704c9-d1ea-45a0-9ffe-5069497bad59 

Bing! Pow! Ka-boom! The hilarious Mike Rainey & Pete Angelo join Zac Amico in turns this week for a Triple Feature of short films! From the demented mind of Ari Aster comes his college thesis short film, The Strange Thing About the Johnsons, covering one of the most deranged family dynamics in fictional cinema history. And if that's not enough to get your juices going, strap in for two fan-made short films tackling comic book superheroes, with Batman: Dead End, and Lobo's Paramilitary Christmas Special, all jam-packed into one delicious, grindhouse style episode of Zac Amico's Midnight Spook Show!Air Date: 05/23/25Subscribe to Zac's BRAND NEW show, Zac Amico's Morning Zoo!https://www.youtube.com/@ZacsMorningZooFor the FULL watch-along experience, visit GaSDigital.com and use promo code ZAC at signup and SAVE $1.50 on your monthly subscription, plus access to all of our video episodes, completely Ad-Free & UNCENSORED!Support Our Sponsors!Fans over the age of 21, visit YoKratom.com for all your Kratom needs. No promo code necessary, just head over to YoKratom.com, home of the $60 kilo!Follow The Show!Mike Rainey:http://onpercs.comhttp://youtube.com/@GetInSomeHeadPodcasthttp://instagram.com/mikerainey82Pete Angelo:http://instagram.com/metalpetecomedyhttp://x.com/bigdoompeteZac Amico:http://youtube.com/@midnightspookshowhttp://instagram.com/zacisnotfunnyhttp://twitter.com/zaspookshowGaS Digital:http://youtube.com/@gasdigitalnetworkhttp://instagram.com/gasdigitalhttp://twitter.com/gasdigitalSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Tonight on Triple Feature, Mark Radulich, Jesse Starcher, and Mik Wanamaker crank up the angst and dive into three cult classics that capture youthful rebellion, anti-establishment rage, and the search for identity: Pump Up the Volume, S.F.W., and SLC Punk.The trio explores how each film reflects a different flavor of disillusioned youth. Pump Up the Volume stars Christian Slater as a pirate radio DJ inspiring suburban teens to speak up and fight back. S.F.W. (So F***ing What) takes media cynicism to the extreme, with Stephen Dorff as a hostage-turned-reluctant celebrity in a media circus. SLC Punk delivers a wild, stylish deep-dive into Salt Lake City's punk scene, where Matthew Lillard's character questions whether rebellion means anything when everyone's faking it.From angry soundtracks to broken systems, the panel discusses what these films say about youth culture, counterculture, and what happens when the system you hate wants to sell you your own voice back.Disclaimer: The following may contain offensive language, adult humor, and/or content that some viewers may find offensive – The views and opinions expressed by any one speaker does not explicitly or necessarily reflect or represent those of Mark Radulich or W2M Network.Mik's Spicy Content: https://onlyfans.com/asirencreatesMark Radulich and his wacky podcast on all the things:https://linktr.ee/markkind76alsohttps://www.teepublic.com/user/radulich-in-broadcasting-networkFB Messenger: Mark Radulich LCSWTiktok: @markradulichtwitter: @MarkRadulichInstagram: markkind76RIBN Album Playlist: https://suno.com/playlist/91d704c9-d1ea-45a0-9ffe-5069497bad59 

Tonight on Triple Feature, Mark Radulich and Mik Wanamaker dig into three new streaming releases that explore the tension, trauma, and absurdity of family dynamics: The Parenting (Max), Holland (Amazon Prime), and Control Freak (Hulu).First up is The Parenting, a horror-comedy where a young couple's weekend getaway with their parents takes a supernatural turn. Then it's on to Holland, a slow-burn thriller about secrets, suburbia, and what really lies beneath the surface of a quiet marriage. Finally, they review Control Freak, a darkly funny psychological drama that dives into codependency, manipulation, and unraveling relationships.From dysfunctional families to deadly secrets, Mark and Mik explore what these films say about control, trust, and the chaos behind closed doors.Disclaimer: The following may contain offensive language, adult humor, and/or content that some viewers may find offensive – The views and opinions expressed by any one speaker does not explicitly or necessarily reflect or represent those of Mark Radulich or W2M Network.Mik's Spicy Content: https://onlyfans.com/asirencreatesMark Radulich and his wacky podcast on all the things:https://linktr.ee/markkind76alsohttps://www.teepublic.com/user/radulich-in-broadcasting-networkFB Messenger: Mark Radulich LCSWTiktok: @markradulichtwitter: @MarkRadulichInstagram: markkind76RIBN Album Playlist: https://suno.com/playlist/91d704c9-d1ea-45a0-9ffe-5069497bad59 

Tonight on Triple Feature, Mark Radulich, Mik Wanamaker, and Mac Kettner gather ‘round the digital table to review three recent streaming dramedies that blend nostalgia, emotional growth, and a dash of chaos: Nonnas (Netflix), Summer of 69 (Hulu), and One of Them Days (now streaming after its January theatrical release).Nonnas tells the heartwarming story of a brash young MTA worker who reinvents his life—and his restaurant—by hiring a group of feisty Italian grandmothers. Summer of 69 takes us on a bittersweet coming-of-age journey set during a summer of rebellion, music, and first heartbreak, capturing the wild spirit of a generation in flux. Finally, One of Them Days leans into cosmic absurdity, following 2 women whose already terrible day escalates into full-blown mayhem with unexpected twists and philosophical undertones.The crew digs into how each film handles tone, structure, and character development—while debating which one hits hardest emotionally, and which one left them scratching their heads. From comfort food vibes to existential slapstick, this episode's got something for everyone.Disclaimer: The following may contain offensive language, adult humor, and/or content that some viewers may find offensive – The views and opinions expressed by any one speaker does not explicitly or necessarily reflect or represent those of Mark Radulich or W2M Network.Mark Radulich and his wacky podcast on all the things:https://linktr.ee/markkind76alsohttps://www.teepublic.com/user/radulich-in-broadcasting-networkFB Messenger: Mark Radulich LCSWTiktok: @markradulichtwitter: @MarkRadulichInstagram: markkind76RIBN Album Playlist: https://suno.com/playlist/91d704c9-d1ea-45a0-9ffe-5069497bad59 

We present our review of The Substitute/The Principal/187!The genre of "high schools in trouble" movies evolved significantly from the late 1980s into the mid-1990s, beginning with a foundation of inspirational redemption dramas and mutating into gritty action thrillers.It began earnestly with films like Lean on Me (1989), Stand and Deliver (1988), and Dangerous Minds (1995). These movies centered on teachers and administrators fighting to reclaim failing schools, emphasizing personal transformation, student empowerment, and systemic reform. The stakes were social and emotional — saving lives through education, not violence.However, as the '90s progressed — and as American cultural anxiety about crime, urban decay, and "out-of-control youth" intensified — the "high schools in trouble" narrative hardened. Instead of inspirational teachers winning hearts and minds, later films portrayed literal battles for survival against criminal elements within the schools.Movies like The Principal (1987), The Substitute (1996), and One Eight Seven (187) (1997) transformed the setting from a battlefield of ideas to an actual battlefield. Authority figures were no longer educators first — they became enforcers. Characters like James Belushi's Principal Latimer, Tom Berenger's mercenary-turned-substitute Shale, and Samuel L. Jackson's haunted teacher Trevor Garfield had to physically fight gangs, drug dealers, and violent students. Education was almost incidental — survival and order became the goal.Thus, the genre evolved:From teachers trying to save troubled studentsTo teachers trying to survive troubled studentsThis transition also reflects the broader cultural fears of the 1990s: urban schools were increasingly depicted as hopeless, violent zones where idealism wasn't enough — only strength and retaliation would do.By the end of the '90s, this cycle largely burned out. The action-heavy "high schools in trouble" subgenre gave way to other approaches, like the more psychological horror of The Faculty (1998) or the satirical dark comedy of Teaching Mrs. Tingle (1999). The idea of schools as battlegrounds didn't disappear, but the way Hollywood depicted them shifted with the times.Disclaimer: The following may contain offensive language, adult humor, and/or content that some viewers may find offensive – The views and opinions expressed by any one speaker does not explicitly or necessarily reflect or represent those of Mark Radulich or W2M Network.Mark Radulich and his wacky podcast on all the things:https://linktr.ee/markkind76alsohttps://www.teepublic.com/user/radulich-in-broadcasting-networkFB Messenger: Mark Radulich LCSWTiktok: @markradulichtwitter: @MarkRadulichInstagram: markkind76RIBN Album Playlist: https://suno.com/playlist/91d704c9-d1ea-45a0-9ffe-5069497bad59 

Tonight on the show, we're diving into a trio of cult-favorite musicals that blur the lines between horror, comedy, camp, and tragedy: The Rocky Horror Picture Show (1975, starring Tim Curry), Little Shop of Horrors (1986, starring Rick Moranis), and the 2001 filmed stage production of Jekyll and Hyde: The Musical, featuring David Hasselhoff in a career-defining dual performance.At first glance, these might seem like wildly different productions—ranging from glam-rock alien chaos to doo-wop-infused plant horror, to a dark, gothic tale of split identity—but together they tell a broader story about how musical theater has embraced monstrosity as metaphor. Each of these works asks: What happens when the line between man and monster blurs? What desires are we really afraid of? And can we sing our way through the madness?Tim Curry's Frank-N-Furter is a force of nature—part scientist, part seducer, part destroyer. Rocky Horror was a revolution in form and content, upending gender norms, mocking genre tropes, and creating an interactive cult ritual that has endured for nearly 50 years. It's a cultural milestone not just because of what it is, but because of what it unleashed—a safe space for the weird, the queer, and the outsider.Rick Moranis' Seymour in Little Shop of Horrors gives us a very different kind of mad scientist: a nebbish pushover corrupted by power, ambition, and a bloodthirsty plant. The film (based on the Howard Ashman and Alan Menken stage musical) blends 1960s Motown stylings with Faustian tragedy, capturing the dark side of the American dream—and warning us what happens when we feed the things that promise us love and success.And then there's Jekyll and Hyde, the most classical of the three, but perhaps the most psychologically intense. Hasselhoff's performance—often memed, but undeniably committed—gives us a musical take on Robert Louis Stevenson's timeless story of duality. It's a sweeping, gothic powerhouse of repression, temptation, and the dangers of scientific hubris—a thematic cousin to both Frank-N-Furter and Seymour in ambition and eventual ruin.Reviewing these three together allows us to trace how musicals have uniquely adapted horror and moral ambiguity to the stage and screen. From parody to tragedy to grand melodrama, these stories use music to heighten emotion, build absurdity, and expose the deep fears and fantasies lurking behind every monstrous transformation.So grab your fishnets, your gardening shears, or your top hat and cane—we're about to explore the darker, stranger side of musical theater, where the monsters are often the ones singing the loudest.Disclaimer: The following may contain offensive language, adult humor, and/or content that some viewers may find offensive – The views and opinions expressed by any one speaker does not explicitly or necessarily reflect or represent those of Mark Radulich or W2M Network.Mark Radulich and his wacky podcast on all the things:https://linktr.ee/markkind76alsohttps://www.teepublic.com/user/radulich-in-broadcasting-networkFB Messenger: Mark Radulich LCSWTiktok: @markradulichtwitter: @MarkRadulichInstagram: markkind76RIBN Album Playlist: https://suno.com/playlist/91d704c9-d1ea-45a0-9ffe-5069497bad59 

We present our Cleaner/Alarum/G20 review!Cleaner is a 2025 British action thriller film directed by Martin Campbell, written by Simon Uttley, Paul Andrew Williams, and Matthew Orton, and starring Daisy Ridley, Taz Skylar and Clive Owen. The film was released in theatres in the United States on 21 February 2025, and is set to be released in the United Kingdom on Sky Cinema in April 2025. Alarum is a 2025 American action crime thriller film directed by Michael Polish and starring Scott Eastwood, Sylvester Stallone, Mike Colter, Willa Fitzgerald, Ísis Valverde, and D. W. Moffett. G20 is a 2025 American action thriller film directed by Patricia Riggen and written by Caitlin Parrish, Erica Weiss, and Logan and Noah Miller. The film stars Viola Davis as a president who must use her military skills to fight off terrorists who have taken over a G20 conference venue, with Anthony Anderson, Marsai Martin, Ramón Rodríguez, Douglas Hodge, Elizabeth Marvel, Sabrina Impacciatore, Clark Gregg, and Antony Starr. G20 was released worldwide by Amazon MGM Studios via Prime Video on April 10, 2025. The film received generally mixed reviews from critics.Disclaimer: The following may contain offensive language, adult humor, and/or content that some viewers may find offensive – The views and opinions expressed by any one speaker does not explicitly or necessarily reflect or represent those of Mark Radulich or W2M Network.Mark Radulich and his wacky podcast on all the things:https://linktr.ee/markkind76alsohttps://www.teepublic.com/user/radulich-in-broadcasting-networkFB Messenger: Mark Radulich LCSWTiktok: @markradulichtwitter: @MarkRadulichInstagram: markkind76RIBN Album Playlist: https://suno.com/playlist/91d704c9-d1ea-45a0-9ffe-5069497bad59 

Tonight on Triple Feature, Mark Radulich, Dorian Price, and Mac Kettner dive into the world of modern romance with three recent streaming releases that explore love, self-discovery, and second chances: Bridget Jones's Diary: Mad About the Boy, The Life List, and La Dolce Villa. This episode unpacks how these films balance humor, heart, and emotional honesty within the romantic comedy and drama genres.The discussion begins with Bridget Jones's Diary: Mad About the Boy, the latest chapter in the life of everyone's favorite lovably awkward singleton, as Bridget navigates motherhood and the dating world in her 50s. Then the crew tackles The Life List, a heartfelt rom-com about a woman checking off her late best friend's bucket list, only to find her own path to happiness in the process. Finally, they explore La Dolce Villa, a breezy escapist rom-com set in the Italian countryside, where a workaholic real estate agent learns to slow down and embrace life—and love—while on assignment abroad.Together, Mark, Dorian, and Mac examine common rom-com tropes, the portrayal of aging and romance, and whether these films bring anything fresh to the genre. From heartwarming moments to predictable pitfalls, this episode covers it all with a mix of critical insight and playful banter.Disclaimer: The following may contain offensive language, adult humor, and/or content that some viewers may find offensive – The views and opinions expressed by any one speaker does not explicitly or necessarily reflect or represent those of Mark Radulich or W2M Network.Mark Radulich and his wacky podcast on all the things:https://linktr.ee/markkind76alsohttps://www.teepublic.com/user/radulich-in-broadcasting-networkFB Messenger: Mark Radulich LCSWTiktok: @markradulichtwitter: @MarkRadulichInstagram: markkind76RIBN Album Playlist: https://suno.com/playlist/91d704c9-d1ea-45a0-9ffe-5069497bad59 

Three times the NosThree times the feratuWe got a spooky triple feature that stretches across film history

This episode features three tales about what can happen after the sun goes down. Lightless City Written by KI Simpson Born in the Fog Written by friendlycynic Midnight Salesman Written by RedNovaTyrant These stories can be found on Creepypasta.fandom.com and are protected by creative commons license. Follow me on most social networking sites at poigamestudio  

We present our Hardbodies/10/Spring Break Review!When people think of iconic American cinema, they rarely jump straight to beachside hijinks, topless party montages, and clueless middle-aged men trying to reclaim their youth—but perhaps they should. Films like 10 (1979), Hardbodies (1984), and Spring Break (1983) are part of a uniquely 1980s phenomenon: the sex comedy boom, where the combination of sun, skin, and slapstick served as both low-budget goldmines and cultural time capsules. Though 10, starring Dudley Moore and Bo Derek, predates the others and leaned more into adult romantic fantasy than outright teen farce, it planted the seeds for the genre's obsession with unattainable beauty, aging masculinity, and self-aware hedonism. But it was Hardbodies that truly shifted the tone, ushering in the rise of the raunchy, youth-driven beach comedy that would define a generation of VHS rentals and late-night cable rewatches.Hardbodies wasn't the first to feature babes and bros on the sand, but it was the blueprint that codified the formula: old dudes hire a young ladies' man to teach them how to pick up women in Malibu, resulting in a series of increasingly absurd, sexualized, and tone-deaf adventures. It's pure wish fulfillment, soaked in neon tans and synth-heavy soundtracks, but it also became the prototype for films like Spring Break, Private Resort, and Hot Dog… The Movie. Its unapologetic objectification and throwaway plotting weren't accidental—they were the selling point. And for better or worse, Hardbodies helped shift sex comedy from teen coming-of-age (Porky's, Fast Times) to pure, exploitative fantasy. That shift matters, because it marked the moment when these films stopped pretending to be about growing up and started reveling in never growing up at all. The film legacy of Hardbodies isn't about quality or prestige—it's about influence, formula, and the way it captured a certain type of American escapism that filmmakers are still riffing on (or reacting against) today.Disclaimer: The following may contain offensive language, adult humor, and/or content that some viewers may find offensive – The views and opinions expressed by any one speaker does not explicitly or necessarily reflect or represent those of Mark Radulich or W2M Network.Mark Radulich and his wacky podcast on all the things:https://linktr.ee/markkind76alsohttps://www.teepublic.com/user/radulich-in-broadcasting-networkFB Messenger: Mark Radulich LCSWTiktok: @markradulichtwitter: @MarkRadulichInstagram: markkind76RIBN Album Playlist: https://suno.com/playlist/91d704c9-d1ea-45a0-9ffe-5069497bad59

We present our Mean Girls (2024)/Waitress the Musical (2023, MAX)/Legally Blonde The Musical (2007) review!Mean Girls is a 2024 American teen musical comedy film directed by Samantha Jayne and Arturo Perez Jr. from a screenplay written by Tina Fey. It is based on the stage musical of the same name, which in turn was based on the 2004 film (both also written by Fey), itself inspired by Rosalind Wiseman's 2002 book Queen Bees and Wannabes. It stars Angourie Rice, Reneé Rapp, Auliʻi Cravalho, and Christopher Briney. Fey and Tim Meadows reprise their roles from the original film.Mean Girls premiered at the AMC Lincoln Square in New York City on January 8, 2024, and was released in the United States by Paramount Pictures on January 12. The film grossed over $104 million worldwide on a $36 million budget and received mixed reviews.Waitress (also known by its promotional title Waitress: The Musical) is a 2023 American musical comedy drama film consisting of a live stage recording of Sara Bareilles and Jessie Nelson's 2015 musical based on the 2007 film by Adrienne Shelly.It premiered at the Tribeca Film Festival on June 12, 2023 and was theatrically released in the United States on December 7, 2023 by Bleecker Street in collaboration with Fathom Events. It received positive reviews from critics.Legally Blonde is a 2007 musical with music and lyrics by Laurence O'Keefe and Nell Benjamin and a book by Heather Hach. It is based on the novel Legally Blonde by Amanda Brown and the 2001 film of the same name.The musical was recorded in September 2007 and aired on MTV in October 2007. Following this, a reality television program aired showing the audition process for the next person to play Elle Woods on Broadway. The winner was Bailey Hanks, who played the role from July 23, 2008, until the production closed on October 19, 2008.Disclaimer: The following may contain offensive language, adult humor, and/or content that some viewers may find offensive – The views and opinions expressed by any one speaker does not explicitly or necessarily reflect or represent those of Mark Radulich or W2M Network.Mark Radulich and his wacky podcast on all the things:https://linktr.ee/markkind76alsohttps://www.teepublic.com/user/radulich-in-broadcasting-networkFB Messenger: Mark Radulich LCSWTiktok: @markradulichtwitter: @MarkRadulichInstagram: markkind76RIBN Album Playlist: https://suno.com/playlist/91d704c9-d1ea-45a0-9ffe-5069497bad59

On this week's New Flesh, it's the all-too-rare new release horror movie triple feature, including a new film from Flying Lotus, a Sam Raimi-produced movie, and a foreign film that's worth your time. It's ASH, LOCKED and HOOD WITCH time! Before that, plenty of horror news of the week, including an important update regarding the Texas Chainsaw Massacre franchise

We present our Back in Action/You're Cordially Invited/Kinda Pregnant review!Back in Action is a 2025 American action comedy film directed by Seth Gordon from a script he co-wrote with Brendan O'Brien. The film stars Jamie Foxx, Cameron Diaz, Andrew Scott, Jamie Demetriou, Kyle Chandler, and Glenn Close. The film was released by Netflix on January 17, 2025. It received generally negative reviews from critics.Back in Action was released by Netflix on January 17, 2025. It was originally set to be released on November 15, 2024, before being pushed to its current release date.The film amassed 46.8 million views in its first three days, giving it the biggest opening weekend for an English-language Netflix film since The Adam Project.You're Cordially Invited is a 2025 American romantic comedy film written and directed by Nicholas Stoller for Amazon MGM Studios. It stars Will Ferrell and Reese Witherspoon.When the weddings of widowed father Jim's daughter Jenni and Margot's sister Neve are double-booked at the same small island venue, they both try to preserve the wedding weekend.The film was released on Amazon Prime Video on January 30, 2025 to mixed reviews from critics.Kinda Pregnant is a 2025 American comedy film directed by Tyler Spindel, written by Julie Paiva and Amy Schumer, and starring Schumer alongside Jillian Bell, Brianne Howey, and Will Forte. It tells the story of 40-something school teacher Lainy who gets envious when her life-long best friend and colleague Kate and another co-worker are both pregnant leading her to steal a fake pregnancy belly to pretend to be pregnant.The film was released on February 5, 2025 by Netflix, and received generally negative reviews from critics.Disclaimer: The following may contain offensive language, adult humor, and/or content that some viewers may find offensive – The views and opinions expressed by any one speaker does not explicitly or necessarily reflect or represent those of Mark Radulich or W2M Network.Mark Radulich and his wacky podcast on all the things:https://linktr.ee/markkind76alsohttps://www.teepublic.com/user/radulich-in-broadcasting-networkFB Messenger: Mark Radulich LCSWTiktok: @markradulichtwitter: @MarkRadulichInstagram: markkind76RIBN Album Playlist: https://suno.com/playlist/91d704c9-d1ea-45a0-9ffe-5069497bad59

On this episode of They Live By Film, Adam, Chris, and Zach discuss three version of Nosferatu directed by F.W. Murnau, Werner Herzog, and Robert Eggers. Youtube: https://www.youtube.com/@theylivebyfilmThe Radiance Films Podcast: https://podfollow.com/1762070615Punk Vacation: An Unofficial Vinegar Syndrome Podcast: https://podfollow.com/1760290937Wild Side: The Official Monda Macabro Podcast: https://podfollow.com/1762695719Adam's Letterboxd: https://letterboxd.com/TheOwls23/Adam's Bluesky: https://bsky.app/profile/adamlundy.bsky.socialZach's Letterboxd: https://letterboxd.com/dharmabombs/Chris' subreddit: https://www.reddit.com/r/personalhistoryoffilm

We present our conclusion to Black History Month with actor focus; this time we celebrate the career of Samuel L. Jackson!  We're looking 3 of his starring vehicles Snakes on a Plane, then The Great White Hype and finally Soul Men, also starring the late, great Bernie Mac!Samuel L. Jackson is one of the most iconic, prolific, and versatile actors in modern cinematic history. With a career spanning over five decades, Jackson has appeared in more than 150 films, cementing his status as a cultural icon and a box office powerhouse. His breakthrough role came in Spike Lee's Jungle Fever (1991), but it was his unforgettable performance as Jules Winnfield in Quentin Tarantino's Pulp Fiction (1994) that propelled him to global stardom. That role earned him an Academy Award nomination for Best Supporting Actor and introduced audiences to his signature blend of charisma, intensity, and humor — all delivered with that unmistakable commanding voice.Throughout his career, Jackson has balanced blockbuster success with critically acclaimed performances. He's a staple in Tarantino's films, appearing in Jackie Brown, Django Unchained, and The Hateful Eight, showcasing his ability to deliver complex, morally ambiguous characters with unmatched flair. His work in the Marvel Cinematic Universe as Nick Fury has made him a cornerstone of one of the most successful film franchises in history, introducing him to a new generation of fans.Despite his widespread popularity, Samuel L. Jackson's awards recognition has often lagged behind his cultural impact. In addition to his Oscar nomination for Pulp Fiction, Jackson has received numerous honors, including a BAFTA Award, Golden Globe nominations, and an Honorary Academy Award in 2022, recognizing his lifetime achievements and contributions to cinema.Jackson's legacy is defined not only by his memorable performances but also by his ability to elevate even the most minor roles into something unforgettable. Whether in gritty dramas, high-octane action films, or sharp comedies, his presence demands attention, often turning supporting parts into scene-stealing moments. Beyond acting, Jackson's influence extends to his advocacy for diversity in Hollywood, his mentorship of younger actors, and his efforts to champion independent filmmakers.With a career that seamlessly spans indie gems, blockbusters, and prestige films, Samuel L. Jackson stands as a living legend whose legacy is defined by his versatility, consistency, and undeniable cultural presence — a true icon whose impact will resonate for generations to come.Snakes on a Plane is a 2006 American action thriller[3] film directed by David R. Ellis and starring Samuel L. Jackson. It was released by New Line Cinema on August 18, 2006, in North America and the UK. The film was written by David Dalessandro, John Heffernan, and Sebastian Gutierrez and follows the events of dozens of venomous snakes being released on a passenger plane in an attempt to kill a trial witness.The Great White Hype is a 1996 American sports comedy film directed by Reginald Hudlin. It stars Samuel L. Jackson, Peter Berg, Damon Wayans, Jeff Goldblum, Jon Lovitz, Cheech Marin, John Rhys-Davies, Salli Richardson and Jamie Foxx.The film satirizes racial preferences in boxing, and was inspired by Larry Holmes's 1982 fight with Gerry Cooney (who was known as "The Great White Hope") and Mike Tyson's 1995 return fight vs. Peter McNeeley. Entertainment Weekly called Rev. Fred Sultan (Samuel L. Jackson) a "Don King-clone."Soul Men is a 2008 American musical comedy film directed by Malcolm D. Lee, and starring Samuel L. Jackson, Bernie Mac, Sharon Leal and Sean Hayes, released on November 7, 2008. It was one of three Mac's films that were released after his death (and was actually released on the same date as another posthumous film, Madagascar: Escape 2 Africa).Mac and Isaac Hayes died on August 9 and 10, 2008, respectively. Director Lee said the film was heavily re-edited to soften the tone of the film, as a tribute to the two actors.Disclaimer: The following may contain offensive language, adult humor, and/or content that some viewers may find offensive – The views and opinions expressed by any one speaker does not explicitly or necessarily reflect or represent those of Mark Radulich or W2M Network.Mark Radulich and his wacky podcast on all the things:https://linktr.ee/markkind76alsohttps://www.teepublic.com/user/radulich-in-broadcasting-networkFB Messenger: Mark Radulich LCSWTiktok: @markradulichtwitter: @MarkRadulichInstagram: markkind76RIBN Album Playlist: https://suno.com/playlist/91d704c9-d1ea-45a0-9ffe-5069497bad59

We continue to celebrate afro-centric films during Black History with a director focus on John Singleton films; Poetic Justice/Higher Learning/Baby Boy!Poetic Justice is a 1993 American romantic drama film written and directed by John Singleton, and starring Janet Jackson, Tupac Shakur, Regina King, and Joe Torry. It follows a poet (Jackson) mourning the loss of her boyfriend from gun violence. She goes on a road trip from South Los Angeles to Oakland on a mail truck, along with her friend (King) and a postal worker (Shakur), in order to deal with depression.Following the success of his debut film, Boyz n the Hood, Singleton wanted to make a film that would give a voice to young African-American women. Jada Pinkett, Lisa Bonet, Monica Calhoun, and many other popular actresses auditioned for the role of Justice, though Singleton knew from the script's draft that the role was solely intended for Jackson. Filming took place from April 11 to July 4, 1992.Poetic Justice was released in the United States on July 23, 1993. The film received mixed reviews from critics, who criticized the screenplay though praised Jackson and Shakur's performances and chemistry. It reached No. 1 in the box office its opening weekend, grossing $11,728,455. It eventually grossed a total of $27,515,786. Jackson received Academy Award and Golden Globe nominations for Best Original Song for "Again", which also reached number one on the Billboard Hot 100. Janet won 2 MTV Movie awards for her role in the film, including Most Desirable Female. The film has developed a cult following, especially for the chemistry between Jackson and Shakur.Higher Learning is a 1995 American crime drama film written and directed by John Singleton and starring an ensemble cast. The film follows the changing lives of three incoming freshmen at the fictional Columbus University: Malik Williams (Omar Epps), a track star who struggles with academics; Kristen Connor (Kristy Swanson), a shy and naive girl; and Remy (Michael Rapaport), a lonely and confused man seemingly out of place in his new environment.The film also featured Tyra Banks' first performance in a theatrical film. Laurence Fishburne won an NAACP Image Award for "Outstanding Supporting Actor in a Motion Picture"; Ice Cube was also nominated for the award. This was the last film appearance of Dedrick D. Gobert, who was shot dead in 1994 prior to the film's release.The exterior shots and outdoor scenes were shot on the campus of University of California, Los Angeles (UCLA) while the interiors were shot at Sony Pictures Studios.aby Boy is a 2001 American coming-of-age hood drama film directed, written and produced by John Singleton, and starring Tyrese Gibson, Snoop Dogg, Ving Rhames, Omar Gooding, A.J. Johnson and Taraji P. Henson.[5] The film follows Joseph "Jody" Summers (Gibson), a 20-year-old bike mechanic as he lives and learns in his everyday life in the hood of Los Angeles.The film was originally written with rapper-actor Tupac Shakur in mind to play Jody; Shakur had previously worked with Singleton on Poetic Justice. However, following Shakur's murder in 1996, Singleton decided to replace Shakur with R&B artist Tyrese Gibson. Additionally, the role of Rodney was originally written for Ice Cube, who had worked with Singleton on Boyz n the Hood and Higher Learning. The film marked the feature acting debut of Gibson and provided Henson with her first prominent role.Released in the United States on June 27, 2001, the film received predominantly positive reviews from critics and audiences, with many deeming it as Singleton's best film since Boyz n the Hood. The film is also the final feature film written by Singleton as he did not write any of his later feature-length directorial projects before his death in April 2019.Disclaimer: The following may contain offensive language, adult humor, and/or content that some viewers may find offensive – The views and opinions expressed by any one speaker does not explicitly or necessarily reflect or represent those of Mark Radulich or W2M Network.Mark Radulich and his wacky podcast on all the things:https://linktr.ee/markkind76alsohttps://www.teepublic.com/user/radulich-in-broadcasting-networkFB Messenger: Mark Radulich LCSWTiktok: @markradulichtwitter: @MarkRadulichInstagram: markkind76RIBN Album Playlist: https://suno.com/playlist/91d704c9-d1ea-45a0-9ffe-5069497bad59

In which Jorge and JT switch on the breakers and power up some killer robots for Podferatu's first ever triple feature: The Banana Splits Movie, Willy's Wonderland, and of course, Five Nights At Freddy's!NEXT WEEKCults, Cults, And More CultsLINKSFind us on Letterboxd!Skull logo by Erik Leach @erikleach_art (Instagram)Theme:  Netherworld Shanty, Kevin MacLeod (incompetech.com)Licensed under Creative Commons: By Attribution 3.0 LicenseWe'd love to hear from you!

Jason Teasley and Mark Radulich review movies currently on streaming services: Above the Rim/Coach Carter/He Got Game Movie Review! First up is Above the Rim (1994). Then we move on to Coach Carter (2005). Finally we review He Got Game (1998).Above the Rim is a 1994 American sports drama film co-written and directed by Jeff Pollack in his directorial debut. The screenplay was written by Barry Michael Cooper, adapted from a story by Benny Medina.The film stars Duane Martin, Tupac Shakur, Marlon Wayans, and Leon. Considered the conclusion to Cooper's "Harlem Trilogy" (the preceding films being New Jack City (1991) and Sugar Hill (1994), the film tells the story about a promising New York City high school basketball star, and his relationships with a drug dealer and a former basketball star, now employed as a security guard at the high school he was a promising young star for the past years.The film was shot in Harlem, with various scenes filmed at the Manhattan Center for Science and Mathematics in East Harlem. Some of the basketball scenes were filmed at Samuel J. Tilden High School in Brooklyn, New York.Coach Carter is a 2005 American biographical sports drama film starring Samuel L. Jackson and directed by Thomas Carter. It is based on the true story of Richmond High School basketball coach Ken Carter, who made headlines in 1999 for suspending his undefeated high school basketball team due to poor academic results. The screenplay was co-written by John Gatins and Mark Schwahn. The cast features Rob Brown, Channing Tatum (in his film debut), Debbi Morgan, Robert Ri'chard, and the singer Ashanti.The film was a co-production between MTV Films and Tollin/Robbins Productions. It was commercially distributed by Paramount Pictures for theatrical release and home video rental. The film explores professional ethics, academics, and athletics. The sports action in the film was coordinated by Mark Ellis. On January 11, the film's soundtrack was released by Capitol Records, and the film's score was composed and orchestrated by musician Trevor Rabin.Coach Carter was released in the United States on January 14, 2005, and earned $77 million. It received a varied reception from critics.He Got Game is a 1998 American sports drama film written, produced and directed by Spike Lee and starring Denzel Washington and Ray Allen. The film revolves around Jake Shuttlesworth (Denzel Washington), father of the top-ranked basketball prospect in the country, Jesus Shuttlesworth (Ray Allen). Jake, in prison for killing his wife, is released on parole for a week by the state's governor to persuade his son to play for the governor's alma mater in exchange for a reduced prison sentence.Disclaimer: The following may contain offensive language, adult humor, and/or content that some viewers may find offensive – The views and opinions expressed by any one speaker does not explicitly or necessarily reflect or represent those of Mark Radulich or W2M Network.Mark Radulich and his wacky podcast on all the things:https://linktr.ee/markkind76alsohttps://www.teepublic.com/user/radulich-in-broadcasting-networkFB Messenger: Mark Radulich LCSWTiktok: @markradulichtwitter: @MarkRadulichInstagram: markkind76RIBN Album Playlist: https://suno.com/playlist/91d704c9-d1ea-45a0-9ffe-5069497bad59

We're covering a “Movie Palace” for the first time on the pod and it's one of the five legendary Loew's Wonder Theatres still standing and operating as a cinema today — THE UNITED PALACE in Washington Heights! Our guest on this episode is their Movie Program Director, GREG IPPOLITO, and he shares how they're celebrating the United Palace's 95th anniversary by kicking off with a STAR WARS TRIPLE FEATURE event that will include a live lightsaber duel, a costume parade, and more.✨FollowThe United Palace on InstagramHERE

Jason Teasley and Mark Radulich review movies currently on streaming services: Wildcats/Draft Day/Any Given Sunday Movie Review! First up is Wildcats (1986). Then we move on to Draft Day (2014). Finally we review Any Given Sunday (1999).Wildcats is a 1986 American sports comedy film directed by Michael Ritchie and starring Goldie Hawn, James Keach and Swoosie Kurtz. It is the film debut of Wesley Snipes and Woody Harrelson.Draft Day is a 2014 American sports drama film directed by Ivan Reitman, and starring Kevin Costner and Jennifer Garner. The premise revolves around the fictional general manager of the Cleveland Browns (Costner) deciding what to do after his team acquires the number one draft pick in the upcoming National Football League Draft.The film premiered in Los Angeles on April 7, 2014 and was released in the United States on April 11, 2014. It received mixed reviews from critics and was a box office failure grossing only $29 million against its $25 million budget. The film was Reitman's final directorial effort and Jim Brown's final acting role before their deaths in 2022 and 2023 respectively.Any Given Sunday is a 1999 American sports drama film directed by Oliver Stone depicting a fictional professional American football team. The film features an ensemble cast that includes Al Pacino, Cameron Diaz, Dennis Quaid, Jamie Foxx, James Woods, LL Cool J, Ann-Margret, Lauren Holly, Matthew Modine, John C. McGinley, Charlton Heston, Bill Bellamy, Lela Rochon, Aaron Eckhart, Elizabeth Berkley, and NFL players Jim Brown and Lawrence Taylor.It is partly based on the 1984 novel On Any Given Sunday by NFL defensive end Pat Toomay; the title is derived from a line in the book (also used in the film), that a team can win or lose on "any given Sunday", said by the fictitious coach Tony D'Amato. The quote was originally derived from a statement made in 1952 by then-NFL commissioner Bert Bell, about the league's devotion to financial and competitive parity.Cameo roles also feature many former American football players, including Dick Butkus, Y. A. Tittle, Pat Toomay, Warren Moon, Johnny Unitas, Ricky Watters, Emmitt Smith and Terrell Owens, as well as coach Barry Switzer.Disclaimer: The following may contain offensive language, adult humor, and/or content that some viewers may find offensive – The views and opinions expressed by any one speaker does not explicitly or necessarily reflect or represent those of Mark Radulich or W2M Network.Mark Radulich and his wacky podcast on all the things:https://linktr.ee/markkind76alsohttps://www.teepublic.com/user/radulich-in-broadcasting-networkFB Messenger: Mark Radulich LCSWTiktok: @markradulichtwitter: @MarkRadulichInstagram: markkind76RIBN Album Playlist: https://suno.com/playlist/91d704c9-d1ea-45a0-9ffe-5069497bad59

Jason Teasley, Chae Tate and Mark Radulich review movies currently on streaming services: The Wiz/Purple Rain/DreamGirls Movie Review! First up is The Wiz (1978). Then we move on to Purple Rain (1984). Finally we review Dreamgirls (2006).The Wiz is a 1978 American musical fantasy adventure film directed by Sidney Lumet. Adapted from the 1974 Broadway musical, the film reimagines the classic children's novel The Wonderful Wizard of Oz by L. Frank Baum with an African American cast. Dorothy, a 24-year-old teacher from Harlem, is magically transported to the urban-fantasy Land of Oz. On her travels seeking help from the mysterious Wiz, Dorothy befriends a Scarecrow, a robot called Tin Man, and a Cowardly Lion.The Wiz was theatrically released the following year on October 24, 1978, to critical and commercial failure. The film received generally negative reviews from critics, with many unfavorably comparing the film to its source material. Some critics criticized the casting of Ross as Dorothy, while others criticized the direction of Lumet, who was considered a poor choice for directing a musical. Despite its initial failure, critics have become more favorable in recent years, and it has become a cult classic among audiences, Ross's fanbase, Jackson's fanbase and Oz enthusiasts.Purple Rain is a 1984 American romantic rock musical drama film scored by and starring Prince in his acting debut. Developed to showcase his talents, it contains several concert sequences, featuring Prince and his band The Revolution. The film is directed by Albert Magnoli, who later became Prince's manager, from a screenplay by Magnoli and William Blinn. The cast also features Apollonia Kotero, Morris Day, Olga Karlatos and Clarence Williams III.It grossed $70.3 million worldwide, against its $7.2 million budget. The film won an Academy Award for Best Original Song Score. Publications and critics have regarded Purple Rain as one of the greatest musical films. In 2019, the film was selected by the Library of Congress for preservation in the United States National Film Registry for being "culturally, historically, or aesthetically significant".Dreamgirls is a 2006 American musical drama film written and directed by Bill Condon and jointly produced and released by DreamWorks Pictures and Paramount Pictures. Adapted from the 1981 Broadway musical of the same name, Dreamgirls is a film à clef, a work of fiction taking strong inspiration from the history of the Motown record label and its superstar act the Supremes. The story follows the history and evolution of American R&B music during the 1960s and 1970s through the eyes of a Detroit girl group known as "The Dreams" and their manipulative record executive.The film adaptation features an ensemble cast, starring Jamie Foxx, Beyoncé Knowles and Eddie Murphy with Jennifer Hudson, Danny Glover, Anika Noni Rose and Keith Robinson in supporting roles. In addition to the original compositions by composer Henry Krieger and lyricist Tom Eyen, four new songs, composed by Krieger with various lyricists, were added for the film. The film marks the acting debut of Hudson, a former American Idol contestant.Dreamgirls debuted in four special road show engagements starting on December 4, 2006, before its nationwide release on December 15, 2006. With a production budget of $80 million, Dreamgirls is one of the most expensive films to feature a predominant African-American starring cast in American film history. The film received positive reviews from critics, who particularly praised Condon's direction, the soundtrack, costume and production design, and performances of the cast, in particular Hudson and Murphy, and was also a commercial success, grossing $155.4 million worldwide.[4] At the 79th Academy Awards, the film received a leading eight nominations, winning Best Supporting Actress (for Hudson), and Best Sound Mixing. At the 64th Golden Globe Awards, it won three awards, including for the Best Motion Picture – Musical or Comedy.Disclaimer: The following may contain offensive language, adult humor, and/or content that some viewers may find offensive – The views and opinions expressed by any one speaker does not explicitly or necessarily reflect or represent those of Mark Radulich or W2M Network.Mark Radulich and his wacky podcast on all the things:https://linktr.ee/markkind76alsohttps://www.teepublic.com/user/radulich-in-broadcasting-networkFB Messenger: Mark Radulich LCSWTiktok: @markradulichtwitter: @MarkRadulichInstagram: markkind76RIBN Album Playlist: https://suno.com/playlist/91d704c9-d1ea-45a0-9ffe-5069497bad59

Robert Winfree and Mark Radulich review movies currently on streaming services and in theaters: Conclave/A Complete Unknown/The Brutalist Movie Review! First up is Conclave (2024). Then we move on to A Complete Unknown (2024). Finally we review The Brutalist (2024).Conclave is a 2024 political thriller film directed by Edward Berger and written by Peter Straughan, based on the 2016 novel by Robert Harris. The film stars Ralph Fiennes, Stanley Tucci, John Lithgow, Sergio Castellitto, and Isabella Rossellini. In the film, Cardinal Thomas Lawrence (Fiennes) organises a conclave to elect the next Pope and finds himself investigating secrets and scandals about the major candidates.Conclave premiered at the 51st Telluride Film Festival on 30 August 2024, was released in theatres in the United States by Focus Features on 25 October 2024 and in the United Kingdom by Black Bear UK on 29 November. The film received positive reviews from critics, with praise for the performances, directing, screenplay and cinematography, and grossed $82.4 million worldwide. It was named one of the top 10 films of 2024 by the National Board of Review and the American Film Institute. Among other accolades, it received eight nominations at the 97th Academy Awards (including Best Picture), six at the Golden Globe Awards (winning Best Screenplay), and tied Wicked with a leading 11 nominations at the 30th Critics' Choice Awards (including Best Picture).A Complete Unknown is a 2024 American biographical musical drama film directed by James Mangold, who co-wrote the screenplay with Jay Cocks, about American singer-songwriter Bob Dylan. Based on the 2015 book Dylan Goes Electric! by Elijah Wald, the film portrays Dylan through his earliest folk music success until the momentous controversy over his use of electric instruments at the 1965 Newport Folk Festival. Timothée Chalamet (who also produces) stars as Dylan, with Edward Norton, Elle Fanning, Monica Barbaro, Boyd Holbrook, Dan Fogler, Norbert Leo Butz, Eriko Hatsune, Big Bill Morganfield, Will Harrison, and Scoot McNairy in supporting roles. The film's title is derived from the chorus of Dylan's 1965 single "Like a Rolling Stone".A Complete Unknown premiered at the Dolby Theatre in Los Angeles on December 10, 2024, and was released in the United States by Searchlight Pictures on December 25, 2024. The film has grossed $74.2 million worldwide and received generally positive reviews from critics. It was named one of the top ten films of 2024 by the American Film Institute and the National Board of Review, the latter of which also awarded Fanning Best Supporting Actress.The film earned eight nominations at the 97th Academy Awards, including Best Picture, Best Director, Best Actor (Chalamet), Best Supporting Actor (Norton), and Best Supporting Actress (Barbaro). It also received three nominations at the 82nd Golden Globe Awards (including Best Motion Picture – Drama), three at the Critics Choice Awards (including Best Picture), four at the 31st Screen Actors Guild Awards (including Outstanding Performance by a Cast in a Motion Picture) and six at the British Academy Film Awards (including Best Film).The Brutalist is a 2024 epic period drama film directed and produced by Brady Corbet from a script he co-wrote with Mona Fastvold. A co-production between the United States, United Kingdom, and Hungary, it stars Adrien Brody as a Hungarian-born Jewish Holocaust survivor who immigrates to the United States, where he struggles to achieve the American Dream until a wealthy client changes his life. The cast also features Felicity Jones, Guy Pearce, Joe Alwyn, Raffey Cassidy, Stacy Martin, Emma Laird, Isaach de Bankolé, and Alessandro Nivola.The Brutalist premiered at the 81st Venice International Film Festival on September 1, 2024, where Corbet was awarded the Silver Lion for Best Direction, and was named one of the top ten films of 2024 by the American Film Institute. The film earned 10 nominations at the 97th Academy Awards (including Best Picture, Best Director, Best Actor for Brody, Best Supporting Actress for Jones, and Best Supporting Actor for Pearce), and at the 82nd Golden Globe Awards won three awards, including Best Motion Picture – Drama.[7][8] It was released in the United States by A24 on December 20, 2024, and in the United Kingdom by Universal Pictures and Focus Features on January 24, 2025.Disclaimer: The following may contain offensive language, adult humor, and/or content that some viewers may find offensive – The views and opinions expressed by any one speaker does not explicitly or necessarily reflect or represent those of Mark Radulich or W2M Network.Mark Radulich and his wacky podcast on all the things:https://linktr.ee/markkind76alsohttps://www.teepublic.com/user/radulich-in-broadcasting-networkFB Messenger: Mark Radulich LCSWTiktok: @markradulichtwitter: @MarkRadulichInstagram: markkind76RIBN Album Playlist: https://suno.com/playlist/91d704c9-d1ea-45a0-9ffe-5069497bad59

Join us on this side-tangent where other BLADE RUNNER/TOTAL RECALL inspired movies get a highlight.    That night, we dive into 3 key Keanu Reeves cyberpunk adventures feature bots, computer hacking & corporate espionage.   MOVIES DISCUSSED: Johnny Mnemonic (uncut international version) A Scanner Darkly (by Philip K. Dick) Replicas     MUSIC USED:  "Blade Runner Love Theme Cover" by LUX- Ambient Music                 MAIN LINKS:  LinkTree: https://linktr.ee/JURSPodcast Facebook Page: https://www.facebook.com/JackedUpReviewShow/ Facebook Group: https://www.facebook.com/groups/2452329545040913 Twitter: https://twitter.com/JackedUpReview  Instagram: https://www.instagram.com/jacked_up_podcast/  Blind Knowledge Podcast Network: https://www.blindknowledge.com/       SHOW LINKS: YouTube: https://m.youtube.com/channel/UCIyMawFPgvOpOUhKcQo4eQQ   iHeartRadio: https://www.iheart.com/podcast/269-the-jacked-up-review-show-59422651/   Podbean: https://jackedupreviewshow.podbean.com   Spotify: https://open.spotify.com/show/7Eg8w0DNympD6SQXSj1X3M   Apple Podcasts: https://podcasts.apple.com/us/podcast/the-jacked-up-review-show-podcast/id1494236218   RadioPublic: https://radiopublic.com/the-jacked-up-review-show-We4VjE   Overcast: https://overcast.fm/itunes1494236218/the-jacked-up-review-show-podcast   Google Podcasts: https://podcasts.google.com/?feed=aHR0cHM6Ly9hbmNob3IuZm0vcy9hNDYyOTdjL3BvZGNhc3QvcnNz   Anchor:  https://anchor.fm/s/a46297c/podcast/rss   PocketCasts: https://pca.st/0ncd5qp4   CastBox:  https://castbox.fm/channel/The-Jacked-Up-Review-Show-Podcast-id2591222   Discord:  https://discord.com/channels/796154005914779678/796154006358851586         #MovieReview #FilmTwitter #PodFamily #PodcastersOfInstagram #Movies #Film #Cinema #Music #Reviews #Retrospect #Podcasts #MutantFam #MutantFamily #actionmystery #bmovies #scifihorror #truecrime #historydramas #warmovies #podcastcollabs #hottakes #edgy #cultmovies #nsfw #HorrorFam #badass   

Robert Winfree and Mark Radulich review movies currently on streaming services and in theaters: The Last Showgirl/Anora/Emilia Perez Movie Review! First up is The Last Showgirl (2024). Then we move on to Anora (2024). Finally we review Emilia Perez (2024).The Last Showgirl is a 2024 American drama film directed by Gia Coppola and written by Kate Gersten. It stars Pamela Anderson, Jamie Lee Curtis, Billie Lourd, Dave Bautista, Brenda Song, and Kiernan Shipka. Its plot focuses on a middle-aged Las Vegas showgirl who is faced with an uncertain future after learning that the revue she has performed in for three decades is scheduled to close. The screenplay was adapted by Gersten from her own play, Body of Work, which she based on her visits to the Jubilee! show shortly before its closure in 2016.The film had its world premiere at the Toronto International Film Festival on September 6, 2024, and was released in the United States on January 10, 2025. It received generally positive reviews from critics, with Anderson's performance garnering critical praise. The film received two nominations at the 82nd Golden Globe Awards for Best Actress in a Motion Picture – Drama for Anderson and Best Original Song for "Beautiful That Way". It also received two nominations at the 31st Screen Actors Guild Awards for Outstanding Performance by a Female Actor in a Leading Role for Anderson and Outstanding Performance by a Female Actor in a Supporting Role for Curtis.Anora is a 2024 American comedy-drama film written, directed, and edited by Sean Baker. It follows the beleaguered marriage between Anora (Mikey Madison), a young sex worker, and Vanya Zakharov (Mark Eydelshteyn), the son of a Russian oligarch. The supporting cast includes Yura Borisov, Karren Karagulian, Vache Tovmasyan, and Aleksei Serebryakov.Anora premiered on May 21, 2024, at the 77th Cannes Film Festival, where it won the Palme d'Or and received critical acclaim. It was released theatrically on October 18 by Neon. It was named one of the top 10 films of 2024 by the National Board of Review and the American Film Institute, and received five nominations at the 82nd Golden Globe Awards, including Best Motion Picture – Comedy or Musical, Best Actress for Madison and Best Director. It grossed $32.5 million worldwide on a $6 million budget, becoming Baker's highest-grossing film.Emilia Pérez is a 2024 Spanish-language musical comedy crime film written and directed by Jacques Audiard. A French production adapted from Audiard's opera libretto, which was loosely based on Boris Razon's 2018 novel Écoute, the film stars Zoe Saldaña, Karla Sofía Gascón, Selena Gomez, Adriana Paz, Mark Ivanir, and Édgar Ramírez. The story follows a Mexican cartel leader (Gascón) who enlists a lawyer (Saldaña) to help facilitate their transition into a woman to escape their criminal life. Featuring original songs by Camille, a score by Clément Ducol, and choreography by Damien Jalet, the film was shot in Île-de-France from May to July 2023.Premiering at the 2024 Cannes Film Festival, Emilia Pérez received international acclaim for its lead performances, direction, themes, and musical score, winning the Jury Prize and Best Actress award for its female ensemble. However, the film polarized audiences, with criticism in Mexico for cultural misrepresentation, stereotypes, and poorly executed Spanish dialogue, while some LGBTQ groups objected to its portrayal of gender transition. Despite this, it made history at the Golden Globes, winning four awards, including Best Motion Picture – Musical or Comedy, and earning Karla Sofía Gascón a nomination as the first trans woman in the Best Actress category. Selected as France's submission for Best International Feature Film at the Academy Awards, it was also named one of the American Film Institute's top 10 films of 2024, cementing its status as a groundbreaking yet controversial cinematic work.Disclaimer: The following may contain offensive language, adult humor, and/or content that some viewers may find offensive – The views and opinions expressed by any one speaker does not explicitly or necessarily reflect or represent those of Mark Radulich or W2M Network.Mark Radulich and his wacky podcast on all the things:https://linktr.ee/markkind76alsohttps://www.teepublic.com/user/radulich-in-broadcasting-networkFB Messenger: Mark Radulich LCSWTiktok: @markradulichtwitter: @MarkRadulichInstagram: markkind76RIBN Album Playlist: https://suno.com/playlist/91d704c9-d1ea-45a0-9ffe-5069497bad59

It's our first ever triple feature episode! We decided that instead of discussing one movie, we would check out three starring one of our favorite actors - Kurt Russell! We picked three films that couldn't be more different from one another. They are: The Best of Times (1986), Escape from LA (1996), and Breakdown (1997). But we didn't stop there as on Patreon we decided to talk about even more Kurt Russell movies: Tango and Cash (1989), 3000 Miles to Graceland (2001), and Bone Tomahawk (2015). That bonus episode is available, along with dozens more, exclusively on our Patreon at: www.patreon.com/almostcultclassics.  Timecodes: Intro - 00:00:00 The Best of Times (1986) - 00:09:49 Escape from LA (1996) - 00:27:51 Breakdown (1997) - 00:55:15 You can also find us on Twitter: Joe: https://twitter.com/joeramoni Ryan: https://twitter.com/ryanlancello And don't forget to check out our website and merch store: https://www.almostcultclassics.com

The Blair Witch Project machte im Jahr 1999 das Fond-Footage-Genre schlagartig weltberühmt. Die einen lieben es, die anderen hassen es – wo stehen die HorrOhr-Boys? Das erfahrt ihr in diesem Triple-Feature, denn als Bonus reden wir auch über die seltsamen Sequels Book of Shadows: Blair Witch 2 und Blair Witch von 2016. Viel Spaß beim Gruseln – und verirrt euch nicht im Wald...

Send Superchats at any time here: https://streamlabs.com/jaydyer/tip Get started with Bitcoin here: https://www.swanbitcoin.com/jaydyer/ The New Philosophy Course is here: https://marketplace.autonomyagora.com/philosophy101 Set up recurring Choq subscription with the discount code JAY44LIFE for 44% off now https://choq.com Lore coffee is here: https://www.patristicfaith.com/coffee/ Orders for the Red Book are here: https://jaysanalysis.com/product/the-red-book-essays-on-theology-philosophy-new-jay-dyer-book/ Subscribe to my site here: https://jaysanalysis.com/membership-account/membership-levels/ Follow me on R0kfin here: https://rokfin.com/jaydyernism, evangelicalism, Arianism, cults, Hebrew roots, JWs, etc. Subscribe to my site here: https://jaysanalysis.com/membership-account/membership-levels/ Follow me on R0kfin here: https://rokfin.com/jaydyerBecome a supporter of this podcast: https://www.spreaker.com/podcast/jay-sanalysis--1423846/support.

Jesse Starcher, Mik Wanamaker and Mark Radulich review movies currently on streaming services and in theaters: Hot Frosty/Our Little Secret/Dear Santa Movie Review! First up is Hot Frosty (2024). Then we move on to Our Little Secret (2024). Finally we review Dear Santa (2024).Hot Frosty is a 2024 American Christmas romantic comedy film directed by Jerry Ciccoritti, written by Russell Hainline, and starring Lacey Chabert, Dustin Milligan, Katy Mixon Greer, Lauren Holly, Chrishell Stause, Joe Lo Truglio, and Craig Robinson. Chabert plays Kathy, a widow who counters her loneliness with a magical snowman brought to life (portrayed by Milligan).The film was released on Netflix on November 13, 2024.Our Little Secret is a 2024 American romantic comedy film directed by Stephen Herek and written by Hailey DeDominicis. It stars Lindsay Lohan, alongside an ensemble cast featuring Ian Harding, Tim Meadows, Jon Rudnitsky, Judy Reyes, Henry Czerny, Chris Parnell, and Kristin Chenoweth. The film was a part of Lohan's creative partnership with Netflix, under which she also executive produced the project.Our Little Secret follows Avery (Lohan), who is spending her first Christmas with her boyfriend's family but discovers her ex is also part of the holiday festivities and decides to hide their romantic history. Production began in Atlanta, in January 2024, and concluded late in the following month. It was released on the streaming service, on November 27, 2024. The film received mixed reviews.Dear Santa is a 2024 American Christmas comedy film directed by Bobby Farrelly, written by Ricky Blitt, Jack Black, and Peter Farrelly from a story by Ricky Blitt, Peter Farrelly, and Dan Ewen, and starring Jack Black, Keegan-Michael Key, Robert Timothy Smith, Brianne Howey, Hayes MacArthur, Austin Post, and P. J. Byrne. It tells the story of dyslexic and meek six-grader who writes a Christmas list to Santa Claus to help with his problems only for his misspelling to lead to him meeting Satan who helps him out.The film was released on Paramount+ and digital platforms on November 25, 2024, by Paramount Pictures. It was met with mixed reviews.Disclaimer: The following may contain offensive language, adult humor, and/or content that some viewers may find offensive – The views and opinions expressed by any one speaker does not explicitly or necessarily reflect or represent those of Mark Radulich or W2M Network.Mark Radulich and his wacky podcast on all the things:https://linktr.ee/markkind76alsohttps://www.teepublic.com/user/radulich-in-broadcasting-networkFB Messenger: Mark Radulich LCSWTiktok: @markradulichtwitter: @MarkRadulichInstagram: markkind76RIBN Album Playlist: https://suno.com/playlist/91d704c9-d1ea-45a0-9ffe-5069497bad59

Robert Winfree and Mark Radulich review movies currently on streaming services and in theaters: Strange Darling/Cuckoo/The Substance Movie Review! First up is Strange Darling (2023). Then we move on to Cuckoo (2024). Finally we review The Substance (2024).Strange Darling is a 2023 American thriller film written and directed by JT Mollner and starring Willa Fitzgerald, Kyle Gallner, Barbara Hershey, and Ed Begley Jr. Set in rural Oregon, the film focuses on a man and woman who have a one-night stand that devolves into a cat-and-mouse game of murder. It is divided into six chapters in nonlinear order, and presented as a dramatization of the pinnacle of a serial killer's years-long murder spree in the Western United States.Strange Darling was shot on 35 mm film on location in Oregon in the summer of 2022 by Giovanni Ribisi, marking his debut as a cinematographer. It premiered at the 2023 Fantastic Fest in Austin, Texas, and was given a limited theatrical release in the United States on August 23, 2024, by Magenta Light Studios. It received critical acclaim for its direction, writing, suspenseful sequences, and twists; and for the performances of Fitzgerald and Gallner.Cuckoo is a 2024 horror film written and directed by Tilman Singer, and starring Hunter Schafer, Jan Bluthardt, Marton Csokas, Jessica Henwick, and Dan Stevens. A co-production between Germany and the United States, the film follows a teenager (Schafer) who moves to the German Alps to live with her father (Csokas) but becomes disturbed by strange occurrences as her father's boss (Stevens) embroils her family in a sinister plot.Cuckoo had its world premiere at the 74th Berlin International Film Festival on February 16, 2024. The film was released theatrically in the United States on August 9, 2024, and in Germany on August 29, 2024. It received generally positive reviews from critics and grossed $6.7 million.The Substance is a 2024 satirical body horror film written, directed, co-edited, and co-produced by Coralie Fargeat. It follows a fading celebrity (Demi Moore) who, after being fired by her producer (Dennis Quaid) due to her age, uses a black market drug that creates a much younger version of herself (Margaret Qualley) with unexpected side effects.An international co-production between France, the United Kingdom, and the United States, the film had its world premiere on 19 May 2024 at the 77th Cannes Film Festival main competition, where Fargeat won Best Screenplay. It was released theatrically in the United Kingdom and the United States by Mubi on 20 September 2024, and in France by Metropolitan Filmexport on 6 November 2024. The film was a critical and commercial success, grossing $56.5 million on a $17.5 million production budget. It received five nominations at the 82nd Golden Globe Awards, including Best Motion Picture – Comedy or Musical.Disclaimer: The following may contain offensive language, adult humor, and/or content that some viewers may find offensive – The views and opinions expressed by any one speaker does not explicitly or necessarily reflect or represent those of Mark Radulich or W2M Network.Mark Radulich and his wacky podcast on all the things:https://linktr.ee/markkind76alsohttps://www.teepublic.com/user/radulich-in-broadcasting-networkFB Messenger: Mark Radulich LCSWTiktok: @markradulichtwitter: @MarkRadulichInstagram: markkind76RIBN Album Playlist: https://suno.com/playlist/91d704c9-d1ea-45a0-9ffe-5069497bad59

F.W. Murnau's Nosferatu went from unauthorised Dracula adaptation to one of the sacred texts of horror. We look at the 100-year-old masterpiece and the remakes by Werner Herzog and Robert Eggers, investigating the context and themes of each one. Nosferatu's vision of vampirism is as eternal as war, plague, paranoia and death itself.Also includes discussions of Oddity (2024), Black Cab (2024) and Cure (1997).Follow us on Instagram and Facebook.Contact us at crystal@spookybitchgang.com and scott@spookybitchgang.com.

Hello and welcome back to another B Bin Holiday Special! On this week's episode we change things up a little bit and cover three Christmas short films, Treevenge, The Stranger, and Jolly! Treevenge was written and directed by Jason Eisener and stars Jonathan Torrens, Sarah E Dunsworth, Lex Gigeroff and Molly Dunsworth. The Stranger was written by Carolina Garrigo and Katherine Oostman and directed by Katherine Oostman. The Stranger stars Melissa Saint-Amand, Autumn Dial and Ashley LeConte Campbell. Jolly was written by Zak White and Todd Spence, directed by Todd Spence and stars, you guessed it, Todd Spence. On this week's episode Dylan and Fred go over the short films and discuss whether or not they would like to see full length movies made from them. They also think far too deep into Treevenge and compare it to real life events. If you like what you hear please follow us on Instagram and Facebook @bbinhorror. You can also send us emails at bbinhorror@gmail.com and please don't forget to subscribe to B Bin Horror on whatever podcast platform you listen on! *B Bin Horror theme music - "Uprising" by Karl Casey @ White Bat Audio*

Dorian Price, Alexis Hejna, Chae Tate and Mark Radulich review movies currently on streaming services and in theaters: Dick Tracy/The Phantom/The Shadow Movie Review! First up is Dick Tracy (1990). Then we move on to The Phantom (1996). Finally we review The Shadow (1994).Dick Tracy is a 1990 American action crime film based on the 1930s comic strip created by Chester Gould. Warren Beatty produced, directed and starred in the film, whose supporting cast includes Al Pacino, Madonna, Glenne Headly and Charlie Korsmo, with appearances by Dustin Hoffman, James Keane, Charles Durning, William Forsythe, Seymour Cassel, Mandy Patinkin, Catherine O'Hara, Ed O'Ross, James Caan, James Tolkan, R. G. Armstrong and Dick Van Dyke. Dick Tracy depicts the detective's romantic relationships with Breathless Mahoney and Tess Trueheart, as well as his conflicts with crime boss Alphonse "Big Boy" Caprice and his henchmen. Tracy also begins fostering a young street urchin named Kid.The Phantom is a 1996 superhero film directed by Simon Wincer. Based on Lee Falk's comic strip The Phantom by King Features, the film stars Billy Zane as a seemingly immortal crimefighter and his battle against all forms of evil. The Phantom also stars Treat Williams, Kristy Swanson, Catherine Zeta-Jones, James Remar and Patrick McGoohan.The Phantom was released on June 7, 1996, and received mixed reviews from film critics. Despite financial failure in its theatrical release, the film has enjoyed success on VHS, DVD and Blu-ray, and has developed a cult following.The Shadow is a 1994 American superhero film from Universal Pictures, produced by Martin Bregman, Willi Bear, and Michael Scott Bregman, and directed by Russell Mulcahy. It stars Alec Baldwin, supported by John Lone, Penelope Ann Miller, Peter Boyle, Ian McKellen, Jonathan Winters, and Tim Curry. The film is based on the pulp fiction character of the same name created in 1931 by Walter B. Gibson.The film was released to theaters on July 1, 1994, received mixed reviews, and was a commercial failure.Disclaimer: The following may contain offensive language, adult humor, and/or content that some viewers may find offensive – The views and opinions expressed by any one speaker does not explicitly or necessarily reflect or represent those of Mark Radulich or W2M Network.Mark Radulich and his wacky podcast on all the things:https://linktr.ee/markkind76alsohttps://www.teepublic.com/user/radulich-in-broadcasting-networkFB Messenger: Mark Radulich LCSWTiktok: @markradulichtwitter: @MarkRadulichInstagram: markkind76RIBN Album Playlist: https://suno.com/playlist/91d704c9-d1ea-45a0-9ffe-5069497bad59

On today's episode I chat with my pal, actor and musician Bobby Kitchens, about the legendary indie trailblazer Roger Corman. We break down three of his movies and discuss his legacy, philosophy on filmmaking, and the other filmmakers whose careers he helped jumpstart.support Bobby on Bandcamp.follow and subscribe to the show on your favorite platform via the link below:https://linktr.ee/martynstrange Hosted on Acast. See acast.com/privacy for more information.

Happy Halloween, everyone! As a fitting send-off to Spooky Season 2024, we'd like to submit the following fright night offering for your listening pleasure: our playthrough of The Night Clerk, an architectural horror scenario by Ross Payton (RPPR). A disgruntled school administrator, a patent medicine con-man and a gregarious farmer check in to a roadside [...]

Part two of our Halloween triple feature is here for your binging pleasure. Our three hapless travelers find themselves exploring a deeply troubling pocket dimension within the labyrinth, and facing off against one of its monstrous inhabitants. After a narrow escape, they meet up with a fearsome and single-minded Hunter who has sworn revenge against [...]

It's the grand finale to our Halloween Triple Feature! The three travelers attempt a dangerous gambit to win their freedom from the labyrinth once and for all, only to find themselves caught in a deadly confrontation between The Night Clerk and the one who hunts him. Can they survive the onslaught and make their escape, [...]

Dorian Price, Mik Wanamaker, Sean Comer and Mark Radulich review movies currently on streaming services and in theaters: Blame It on Rio/LOL/The Woman in Red Movie Review! First up is Blame It on Rio (1984). Then we move on to LOL (2012). Finally we review The Woman in Red (1984).Blame It on Rio is a 1984 American romantic comedy film directed by Stanley Donen and written by Charlie Peters and Larry Gelbart based on the 1977 French film Un moment d'égarement, starring an ensemble cast, including Michael Caine, Joseph Bologna, Michelle Johnson, Valerie Harper, Demi Moore, and José Lewgoy.LOL is a 2012 American teen romantic comedy-drama film written and directed by Lisa Azuelos. A remake of the 2008 French film of its title (also directed by Azuelos), the film stars Miley Cyrus, Demi Moore, Ashley Greene, and Adam Sevani.The film received a limited release in the United States on May 4, 2012, by Lionsgate, which handicapped it after being reeled back from a broader release, and had an overall negative critical reception. Thus, the film missed its budget by box office gross by only $500,000.The Woman in Red is a 1984 American romantic comedy film directed by and starring Gene Wilder. Wilder also wrote the script, adapting it from the Yves Robert film Pardon Mon Affaire (Sorry My Affair) (Un éléphant ça trompe énormément (An Elephant Can Be Extremely Deceptive)). It co-stars Charles Grodin, Gilda Radner, Joseph Bologna, Judith Ivey, and Kelly LeBrock. The film won an Academy Award for Best Original Song for "I Just Called to Say I Love You", written and performed by Stevie Wonder.The film follows a married man who becomes infatuated with another woman and his amusingly unsuccessful attempts to first meet and then become intimate with her.Disclaimer: The following may contain offensive language, adult humor, and/or content that some viewers may find offensive – The views and opinions expressed by any one speaker does not explicitly or necessarily reflect or represent those of Mark Radulich or W2M Network.Mark Radulich and his wacky podcast on all the things:https://linktr.ee/markkind76alsohttps://www.teepublic.com/user/radulich-in-broadcasting-networkFB Messenger: Mark Radulich LCSWTiktok: @markradulichtwitter: @MarkRadulichInstagram: markkind76RIBN Album Playlist: https://suno.com/playlist/91d704c9-d1ea-45a0-9ffe-5069497bad59

Dorian Price, Robert Winfree and Alexis Hejna review movies currently on streaming services and in theaters: Salems Lot/Mr Crocket/Apartment 7A 2024 Movie Review! First up is Salem's Lot (2024). Then we move on to Mr. Crocket (2024). Finally we review Apartment 7A (2024). 'Salem's Lot is a 2024 American supernatural horror film written and directed by Gary Dauberman, based on the 1975 novel by Stephen King. The film stars Lewis Pullman, Makenzie Leigh, Alfre Woodard, John Benjamin Hickey, Bill Camp, Jordan Preston Carter, Nicholas Crovetti, Spencer Treat Clark, William Sadler, and Pilou Asbæk. It is the first feature film adaptation of the book, preceded by miniseries versions from 1979 and 2004. The plot centers on a writer who returns to his hometown of Jerusalem's Lot in search of inspiration, only to discover the presence of a vampire. The film was announced in 2019 and shot in 2021, with additional photography in 2022. The film's release was delayed multiple times. 'Salem's Lot had its world premiere as the opening film at the Beyond Fest on September 25, 2024, and was released on Max on October 3, 2024. The film received mixed reviews from critics. Mr. Crocket, directed by Brandon Espy, is a horror film that debuted on Hulu on October 11, 2024, as part of its "Huluween" lineup. The movie, set in 1993, follows a mother's terrifying quest to rescue her son from a demonic children's show host, Mr. Crocket, who kidnaps children and brutally murders their parents. Originally developed from a short film created for Hulu's Bite Size Halloween series, the full-length feature was written by Espy and Carl Reid. It taps into 90s nostalgia with its VHS aesthetic and chilling supernatural elements. Apartment 7A is a 2024 American psychological thriller film directed by Natalie Erika James from a screenplay she co-wrote with Christian White and Skylar James. It serves as a prequel to Rosemary's Baby (1968). Julia Garner, Dianne Wiest, Jim Sturgess, and Kevin McNally star. Apartment 7A had its premiere at Fantastic Fest on September 20, 2024, before being released simultaneously on Paramount+ and on digital video on demand on September 27. Disclaimer: The following may contain offensive language, adult humor, and/or content that some viewers may find offensive – The views and opinions expressed by any one speaker does not explicitly or necessarily reflect or represent those of Mark Radulich or W2M Network. Mark Radulich and his wacky podcast on all the things: https://linktr.ee/markkind76 also https://www.teepublic.com/user/radulich-in-broadcasting-network FB Messenger: Mark Radulich LCSW Tiktok: @markradulich twitter: @MarkRadulich Instagram: markkind76 RIBN Album Playlist: https://suno.com/playlist/91d704c9-d1ea-45a0-9ffe-5069497bad59

Ghostbusters (1984) – Three parapsychologists forced out of their university funding set up shop as a ghost removal service in New York City. Casper (1995) – An afterlife therapist and his daughter meet a friendly ghost when they move into a crumbling mansion in order to rid it of wicked spirits. The Others (2001) – Immediately following the end of the second world war, a woman living with her two photosensitive children, begins to think their family estate is haunted. On this week's episode… Join the crew as we discuss three hauntingly good films for our Halloween Extravaganza episode! It's all ghosts, all the time on our “Ghastly Ghouls” TRIPLE FEATURE!    Show Notes: Housekeeping (5:38) Back of the Box/Recommendations (14:10) Spoiler Warning (17:03) Rotten Tomatoes (54:05) Trivia (60:15) Back of the Box/Recommendations (65:45) Spoiler Warning (69:06) Rotten Tomatoes (107:40) Trivia (114:55) Back of the Box/Recommendations (121:20) Spoiler Warning (127:55) Rotten Tomatoes (163:22) Trivia (172:00) Cooter of the Week (177:42)   Connect with us: Support us on Patreon Website Facebook Instagram Twitter YouTube Shop

It's a real spooky Triple Feature as the buddies at The Morgue are here to review the latest in the Terrifier series, Terrifier 3, and two of the big standouts now streaming on Netflix, The Platform 2 and a surprisingly great hidden gem, It's What's Inside Coming Attractions: Companion Trailer, The Penguin Eps 3 and 4, Scream 7 Update Special thanks to Delvirus Tattoos for The Morgue's official logo! Check out his work here! Your Hosts: Arturo Padilla and Nick Valdez Where to Find Corpsefeed Homepage: https://www.corpsefeed.com/ Facebook: https://www.facebook.com/CorpseFeed/ Instagram: https://www.instagram.com/corpsefeed/ Twitter: https://twitter.com/Corpse_Feed Contact: FeedMailBag@gmail.com #moviereview #podcast #movies

Melody Kay on Without Your Head Horror Podcast! Melody known for many film such as 1994's Camp Nowhere recently returned to acting after nearly 20 years! Melody will be seen in the upcoming horror film Adam Newman's Round the Decay! Michael J. Epstein, Jeremy Long and Alex Perez review Severin's Super-Shock Pop-Up Film Festival 2024 Triple Feature! Details on the Arbor Day crowdfunder! Music of the Month Beach Creeper supplying the tunes!  @SeverinFilms  #MelodyKay #RoundTheDecay #Severin #WithoutYourHead #HorrorPodcast #HorrorMovies --- Support this podcast: https://podcasters.spotify.com/pod/show/withoutyourhead/support

McHenry Outdoor Theater - Golden Age Cinemas (1510 N Chapel Hill Rd, McHenry, IL 60051) will host a Halloween Triple Feature, including independent cult favorites “High on the Hog” and “Halloweed” and the sometimes overlooked/always awesome “Halloween 3.”   I recorded this one inside the concession stand at the McHenry Outdoor Theater, and was joined by drive-in owner Scott Dehn, as well as “High on The Hog” creator/writer/owner Kevin Lockhart and editor Ben Lewandowski.    In addition to talking about the Halloween Triple Feature (see you there!), we also talk about the McHenry Outdoor Theater's incredible history, importance and current status in a distressingly small group of drive-ins nationwide.   I literally could have hung out with these guys at that place all day long. And yet, at some point I had to go home and edit this.   Drive-in season lasts until December, and there's a lot of cool stuff planned after Halloween. Let's support our independent venues and creators!   ##   A smart home connects virtually all of the technology in your home.  With an Easy Automation-installed smart home system, you and your family can control nearly every device and system in the house in ways that are easy and fun to use.   Transform your living space with cutting-edge home automation. Experience seamless control over audio/video, lighting, climate, security, and more. Embrace the future of smart living – your home, your rules.   Get a quote by visiting Easy-automation.net, or call Dan at 630.730.3728See omnystudio.com/listener for privacy information.

Sean Comer and Mark Radulich review movies currently on streaming services and in theaters: Stan and Ollie/Chaplin/Judy Movie Review! First up is Stan and Ollie (2018). Then we move on to Chaplin (1992). Finally we review Judy (2019).Stan & Ollie is a 2018 biographical comedy-drama film directed by Jon S. Baird. The script, written by Jeff Pope, was inspired by Laurel and Hardy: The British Tours by A.J. Marriot which chronicled the later years of the comedy double act Laurel and Hardy; the film stars Steve Coogan and John C. Reilly as Stan Laurel and Oliver Hardy. The film focuses on details of the comedy duo's personal relationship while relating how they embarked on a gruelling music hall tour of the United Kingdom and Ireland during 1953 and struggled to get another film made.The film premiered on 21 October 2018 at the closing night gala of the BFI London Film Festival. It was released in the United States on 28 December 2018 and in the United Kingdom on 11 January 2019. At the 76th Golden Globe Awards, Reilly was nominated for Best Actor – Motion Picture Musical or Comedy, and at the 72nd British Academy Film Awards the film earned three nominations, including Best British Film and Best Actor in a Leading Role for Coogan.Chaplin is a 1992 biographical comedy-drama film about the life of English comic actor and filmmaker Charlie Chaplin. It was produced and directed by Richard Attenborough and stars Robert Downey Jr., Marisa Tomei, Dan Aykroyd, Penelope Ann Miller and Kevin Kline. It also features Charlie Chaplin's own daughter, Geraldine Chaplin, in the role of his mother, Hannah Chaplin.The film underperformed at the box office, grossing $12 million against a $31 million budget, and received mixed reviews from critics; Downey's titular performance, however, garnered critical acclaim and won him the BAFTA Award for Best Actor along with nominations for the Academy Award for Best Actor and Golden Globe Award for Best Actor – Motion Picture Drama.Judy is a 2019 biographical drama film based on the life of American entertainer Judy Garland. Directed by Rupert Goold, it is an adaptation of the Olivier- and Tony-nominated West End and Broadway play End of the Rainbow by Peter Quilter. The film stars Renée Zellweger, Jessie Buckley, Finn Wittrock, Rufus Sewell, and Michael Gambon.The film follows Garland's career during the last year of her life, when she relocated her stage career to England, coupled with flashbacks of her childhood, most prominently the shooting of her part as Dorothy Gale in The Wizard of Oz (1939), her most famous film role. After some initial success in a run of sell-out concerts at the Talk of the Town in London, her efforts eventually stop making progress and even start to worsen as her health deteriorates.Judy premiered at the 46th Telluride Film Festival on 30 August 2019, and was released in the United States on 27 September 2019, and in the United Kingdom on 2 October 2019. The film received generally positive reviews, with Zellweger's performance garnering widespread acclaim. For her portrayal of Garland, Zellweger won the Academy Award for Best Actress, as well as the Golden Globe Award, SAG Award, BAFTA Award and Critics' Choice Movie Award.Disclaimer: The following may contain offensive language, adult humor, and/or content that some viewers may find offensive – The views and opinions expressed by any one speaker does not explicitly or necessarily reflect or represent those of Mark Radulich or W2M Network.Mark Radulich and his wacky podcast on all the things:https://linktr.ee/markkind76alsohttps://www.teepublic.com/user/radulich-in-broadcasting-networkFB Messenger: Mark Radulich LCSWTiktok: @markradulichtwitter: @MarkRadulichInstagram: markkind76RIBN Album Playlist: https://suno.com/playlist/91d704c9-d1ea-45a0-9ffe-5069497bad59

Carissa and I are kicking off spooky season with a triple feature of Wes Cravens The Last House on the Left, it's 2009 remake, and The Virgin Spring by Ingmar Bergman. For this episode we break the seal on the brand new Elijah Craig Toasted Rye.

Get ready for triple the fun as we have THREE great guests on the podcast today to help Mike Slater break down what's about to happen at the DNC Convention this week.We begin with Breitbart Reporter, Nick Gilbertson, who is reporting LIVE from the convention itself in Chicago. He gives us analysis of what he's hearing on the ground and what he expects to see in terms of speech content and protests!Following that, Breitbart Economics Editor John Carney comes on-air to talk about Candidate Kamala Harris's wacky fiscal policy proposals and why they'd be a DISASTER for America. Don't miss his economic brilliance as he provides some very informative and entertaining economic analysis.Finally, Tom Del Beccaro,, author and former candidate For Senate From California, calls in and speaks to Mike about his intimate past with Kamala Harris (He ran against her in 2016) and explain why she's been acting the way that she's been acting. You'll 100% want to hear his take on what she'd do if she became President!