Podcast appearances and mentions of Dustin Hoffman

GGACP celebrates the 50th anniversary of the #1 record of 1975, "Love Will Keep Us Together" with this LIVE singalong episode (from Sid Gold's Request Room in New York City) and tribute to songwriter Neil Sedaka (and others). In this episode, Gilbert and Frank are accompanied by pianist extraordinaire Joe McGinty and a roomful of passionate (and knowledgeable!) listeners as they warble memorable tunes from ABBA, The Archies, Jim Croce, Paper Lace and Kermit the Frog. Also, Helen Reddy gets the jump on Bette Midler, Herve Villechaize covers the Captain & Tennille, Gilbert picks a bone with Kenny Rogers and Dustin Hoffman shares the screen with Dr. Hook & the Medicine Show. PLUS: The songs of Shel Silverstein! “The Blind Man in the Bleachers”! And "The Wreck of the Barry Fitzgerald!” Learn more about your ad choices. Visit megaphone.fm/adchoices

We are bringing back the "I've Never Seen" segment from the old days. One of us absolutely loves 2004's 'I Heart Huckabees' and the other two have never even heard of it. A self-described "existential comedy", I Heart Huckabees has an insane cast including Dustin Hoffman, Lily Tomlin, Jude Law, Jason Schwartxman, Mark Wahlberg, Naomi Watts and so many more. Learn more about your ad choices. Visit megaphone.fm/adchoices

Tonight's Triple Feature is a director spotlight on Barry Levinson, a filmmaker whose career is as quietly influential as it is stylistically fluid. We're looking at three of his most potent and thematically rich films: Good Morning, Vietnam (1987), Sleepers (1996), and Wag the Dog (1997). While these movies differ wildly in tone—ranging from manic comedy to grim drama to razor-sharp political satire—they're united by something deeper: a fascination with storytelling as both a tool of survival and a weapon of manipulation.To understand how these films fit together—and what they say about Levinson himself—we need to start with the man behind the camera.Who Is Barry Levinson?Barry Levinson emerged from the 1980s auteur boom with a distinctly humanistic voice. A Baltimore native, Levinson first made his mark as a screenwriter, penning ...And Justice for All (1979) and Diner (1982), the latter of which marked his directorial debut. He quickly carved out a niche making intelligent, character-driven dramas with sharp dialogue and a blend of humor and melancholy.You might call him an American moralist—but a flexible one. His best films don't preach; they interrogate. Levinson doesn't arrive at the story with a hammer and message—he arrives with a question. What is the cost of truth? What happens when institutions fail? What stories do we tell to protect ourselves… or to control others?This puts him in a rare category: a commercial filmmaker who consistently tackles uncomfortable ideas, often smuggled into crowd-pleasing packages.The Aesthetic: Naturalism Meets Narrative ControlVisually, Levinson isn't flashy. He doesn't announce himself with whip-pans or long takes. Instead, his aesthetic is clean, restrained, and deceptively simple—he clears space for character and performance. He's a director who understands the power of a well-cast actor and a lived-in setting.But beneath the grounded surface, Levinson is obsessed with the structure and function of narrative. His films constantly interrogate who gets to tell the story, why they're telling it, and what the consequences are. That meta-awareness—about media, perception, and memory—is central to tonight's triple feature.Good Morning, Vietnam (1987): Humor as SubversionGood Morning, Vietnam is perhaps Levinson's most accessible film, largely thanks to Robin Williams' explosive, genre-defying performance as real-life military radio DJ Adrian Cronauer. On the surface, it's a war comedy—a zany, rapid-fire laugh-fest set against the backdrop of Vietnam. But dig deeper, and it's a biting exploration of truth, censorship, and the psychological cost of telling jokes in a world on fire.Levinson lets Williams run wild, yes—but he also carefully frames Cronauer as a man whose humor is both a coping mechanism and a form of protest. The military brass wants control over the narrative. Cronauer wants to tell the truth, or at least laugh at the lie. And that tension—between comedy and tragedy, propaganda and rebellion—makes the film more than just a showcase for improv. It becomes a study of how humor can be a form of defiance in the face of institutional rot.This is Levinson at his most charming, but also his most subversive. He knows a spoonful of sugar helps the medicine go down—and he laces the sugar with acid.Sleepers (1996): Trauma, Brotherhood, and Justice Outside the SystemNearly a decade later, Levinson delivered Sleepers, a completely different animal. Based on Lorenzo Carcaterra's controversial novel (whose “based on a true story” claim remains disputed), Sleepers is a dark, operatic tale of childhood abuse and adult revenge. The humor of Vietnam is gone. In its place: Catholic guilt, corrupted institutions, and the brutal costs of unresolved trauma.If Good Morning, Vietnam was about resisting propaganda, Sleepers is about rewriting it. The second half of the film becomes an elaborate lie—a staged trial, manufactured witnesses, rigged outcomes—all orchestrated not to deceive the audience, but to achieve justice the legal system refuses to provide.Levinson doesn't ask us to condone this. He asks us to understand it. What happens when the people we trust—priests, guards, judges—become the abusers? And what happens when no one will hold them accountable?This is Levinson's angriest film, and his most emotionally direct. It's also deeply personal. Set in Hell's Kitchen in the 1960s, it's saturated with nostalgia—until that nostalgia curdles. It's the American coming-of-age story turned into a horror film.And once again, we're dealing with a narrator—Jason Patric's character—telling us the story long after the fact. But can we trust him? Should we?Levinson doesn't answer. He just holds the camera steady.Wag the Dog (1997): Manufacturing Reality in Real TimeIf Sleepers is a courtroom drama told through shadows and memory, Wag the Dog is a satire of the same mechanisms—but weaponized in real time. Released just weeks before the Clinton-Lewinsky scandal broke, this film is practically prophetic.A spin doctor (Robert De Niro) and a Hollywood producer (Dustin Hoffman) fabricate a fake war to distract from a presidential sex scandal. It's absurd. It's hilarious. And it feels… inevitable.This is Levinson in full meta mode, stripping the illusion of politics down to its skeleton. But while the premise is cynical, the filmmaking is precise and controlled. The performances are pitch-perfect. The script, by David Mamet and Hilary Henkin, is lean and lethal. And the message is terrifying:If the story is good enough, the facts don't matter.Wag the Dog completes the arc that began with Vietnam. In that film, the media truth-teller is punished. In Wag the Dog, the media manipulator is rewarded. Humor, once a weapon of rebellion, has become a tool of control. The satirical bite here is so sharp it draws blood.What These Films Say About LevinsonTaken together, these three films show a director fascinated by the moral weight of storytelling. Levinson keeps returning to the same idea: that narrative is power. Whether it's used to comfort soldiers, avenge childhood trauma, or distract a nation, stories shape the way we see the world—and they're always being weaponized by someone.He's not flashy. He's not dogmatic. But Barry Levinson understands something fundamental: that the line between truth and fiction is thin, fragile, and often chosen for us by people we'll never meet.And that's what makes him one of the most essential—and underrated—American filmmakers of the last 40 years.Disclaimer: The following may contain offensive language, adult humor, and/or content that some viewers may find offensive – The views and opinions expressed by any one speaker does not explicitly or necessarily reflect or represent those of Mark Radulich or W2M Network.Mark Radulich and his wacky podcast on all the things:https://linktr.ee/markkind76alsohttps://www.teepublic.com/user/radulich-in-broadcasting-networkFB Messenger: Mark Radulich LCSWTiktok: @markradulichtwitter: @MarkRadulichInstagram: markkind76RIBN Album Playlist: https://suno.com/playlist/91d704c9-d1ea-45a0-9ffe-5069497bad59 

 Back for another week, as July kicks off and Happy 249th Birthday, 'Merica!  This week's episode has nothing to do with July 4th or patriotism, but instead, the Top 10 Summer Series continues!  This week, Miss Independent, Jeremy Burgess, joins Mikey, d$, and #XLessDrEarl take a look at the late 80s, in the year 1988!  It was a year that saw Tim Allen and Annette Bening get their big break... Bill Murray go Christmas... Monty Python win an Oscar... Tom Hanks get seduced by an older lady... Tom Cruise outshine Dustin Hoffman... The Coreys peak... a double dose of Kevin Dillon... space Klowns... and of course, its Die Hard in a building!

Veronica Radaelli is a filmmaker and producer that has made seven feature films in Kentucky. Her most recent projects in the Commonwealth include The Revisionist starring Dustin Hoffman and Alison Brie and Gus Van Sant's biopic of Tony Kiritsis, Dead Man's Wire, starring Bill Skarsgård and Dacre Montgomery. A native of Milan, Italy Veronica splits time between Los Angeles, Las Vegas... and Louisville.Her body of work includes films like Ghost House (2017), Disturbing the Peace (2020), Desperation Road (2023), Saint Clare (2024) and Bride Hard (2025).Veronica's IMDb: https://www.imdb.com/name/nm5253415/?ref_=tt_fm_nameSupport the show

Fran and Babs from Over/underrated podcast return to Flixwatcher to review Fran's choice Chef. Chef (2014) is a comedy drama road trip film, written, directed and starring Jon (Iron Man) Favreau. Also starring Sofía Vergara, John Leguizamo, Scarlett Johansson, Oliver Platt, Bobby Cannavale, Amy Sedaris, Emjay Anthony, and Dustin Hoffman, along with Robert Downey Jr. Miami Chef Carl Casper is the head chef at a popular LA restaurant but clashes with the restaurant owner over the menu. When he receives a negative food review from a prestigious food critic and blogger Ramsey Michel he unintentionally starts a Twitter (hello 2014!) spat. After a failed attempt to serve innovative cuisine to Michel and redeem his status, Casper quits and decides to take his food on the road in a food truck and drag his son along for the ride. Chef is a charming and easy going film, even if it is occasionally a vehicle for Favreau's ego. If you enjoy food and hold nostalgia for a time when Twitter was a fun social media platform then Chef is the film for you. Chef scores highly across all categories apart from repeat viewing to give an overall rating of 3.70. [supsystic-tables id=397]     Thanks to the Episode # 383 crew of Fran (@ and Babs (@flame_me_up) from Over/underrated podcast You can find their website here https://podcasts.apple.com/be/podcast/over-underrated-a-music-podcast-with-fran-and-babs/id1544600726 And at https://www.instagram.com/overunderratedmusicpod/ Please make sure you give them some love   For more info on Chef can visit Chef IMDB page here Chef Rotten Tomatoes page here. If you enjoyed this episode of Flixwatcher Podcast you probably know other people who will like it too! Please share it with your friends and family, review us, and join us across ALL of the Social Media links below. Episode #383 Crew LinksMore about ChefFinal Plug! Subscribe, Share and Review us on iTunes Learn more about your ad choices. Visit megaphone.fm/adchoices

In this episode we talk about the intense and unforgettable scenes from Monster's Ball, focusing on P. Diddy's haunting execution. The conversation takes a turn and dives into the crime drama BILLY BATHGATE, starring Dustin Hoffman as Dutch Shultz. Giannis shares how eerily similar the film's storyline is to his own life.

(00:00-15:00) Is this a passive aggressive shot? Ladies loved James Taylor. Everybody gets nicked on this show. Martin tried to get a Tkachuk on the show. Might have been a copy and paste situation in the group chat. Panthers already bangin' up The Cup. Are there multiple Stanley Cups? Pony in Ft. Lauderdale. Barkov ringing on doors at 5AM with The Cup. Confirmed copy/paste text from Matthew Tkachuk. Mr. Pick. Tuesdays with Tye.(15:08-31:27) Did Wayne's World ruin Bohemian Rhapsody? Favorite Queen song. News in the St. Louis Business Journal. State legislation on stadium renovations and its effect on the Cardinals. Gotta get those bad boys in your Apple Wallet. You can't let your phone die. The 10 year BMI adjustment at Busch. Nationals have dropped 11 in a row. Audio of Bob Carpenter from the Nationals broadcast giving perspective on underperforming teams.(31:37-53:47) The Graduate, The Godfather, and Goodwill Hunting. The owner of Good or Bad ranks Dustin Hoffman movies. Pre revenue or free revenue. Doug's scared to ask what a BBL is. Sometimes a helmet nacho or two can feign a BBL. Hot dogs or legs? Backfat leading to a housing boom in Arnold. Gangs of New York. Ratings down 22% from last year's deciding game in the NBA Finals. Star power in the Finals. June 17th, 1994.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

The Ringer's Bill Simmons and Chris Ryan have one question for you: Is it safe? The guys sit down in the dentist chair to revisit the 1976 crime thriller ‘Marathon Man,' starring Dustin Hoffman, Laurence Olivier, and Roy Scheider. Producers: Craig Horlbeck, Jack Sanders, and Ronak Nair This episode is sponsored by State Farm®. A State Farm agent can help you choose the coverage you need. Like a good neighbor, State Farm is there.® Learn more about your ad choices. Visit podcastchoices.com/adchoices

This week we're diving into Outbreak (1995), the viral thriller that turned sneezing into a death sentence. Dustin Hoffman's a scrappy Army virologist, Rene Russo's his ex with better instincts, and Morgan Freeman's somewhere between helpful and horrifying. From monkey smugglers to military cover-ups, we're breaking quarantine to figure out how this ‘90s pandemic panic still infects our brains today. Did you enjoy the episode? Don't forget to hit that subscribe button and join us for more retro movie discussions! Want even more? Get bonus content and connect with us directly by supporting the show on Patreon. For additional episodes and exclusive insights, head to www.30podcast.com. And if you love what you hear, leave us a glowing review on your favorite podcast app—especially Apple Podcasts. Your support keeps the show going! Want the lyrics to our Outbreak song? [Verse 1]  At first, we felt a chill, just a cough, a little sweat  Then came the news from overseas—it ain't over yet  From the jungle to the airwaves, it flew fast and flew unseen  One scratch from Betsy, now this town's a quarantine [Verse 2]  We wore our masks, we sealed our suits  Still the sirens howled, the threat was absolute  They said “Control the panic,” but we knew it wasn't true  When your generals are hiding truths, what's a virologist to do? [Chorus]  We won't die, not today  Though McClintock's bombs are coming, we still found another way  We tracked that monkey through the trees, we hit the skies, we found a cure  Now this town will stand, and science will endure [Verse 3]  Jimbo touched that monkey, which grayed out his anatomy   You can call him McDreamy, but his guts turned creamy   Made out with his girlfriend and his luck ran dry First on the slab, and the first to die  [Bridge]  And Robby held on strong, though her hands began to shake  Her life on the line, with every move she'd make  But with serum in the needle and a second left to spare  She took the cure and breathed again, fresh hope in the air [Chorus]  We won't die, no, not this time  Though fear spread fast and high command tried to cross the line  They said “nuke it from orbit,” we said “That's insane!”  So we flew between the bombs and saved the town from flame Cedar Creek still breathes…  And we—we won't die

Warren Beatty's adaptation of Dick Tracy was a huge success at the box office when it was releases in 1990. It had an all-star cast including Madonna, Dustin Hoffman, James Caan, Catherine O'Hara, Dick Van Dyke and many more. It also went on to win three Oscars including one for best make-up. To celebrate the film's 35th anniversary, Doug Drexler recalls his time working on the film as a make-up artist. He talks about working directly with Al Pacino, why that scared him so much and how, for the first time, he was star-struck.All About Al: The Pacino Podcast is written, produced and presented by Mark Searby. Hosted on Acast. See acast.com/privacy for more information.

The First Part in our Symbols of America Trilogy We debate whether the true symbol of America is laser tag or 1970s pornography. Probably should have stuck with a debate between Dustin Hoffman or Robert Redford but where is the debate in that? Enjoy! Patreon supporters get access to monthly bonus episodes including previous years of Movie Book Club! Bluesky: @trilogyintheory Letterboxd: @projectingfilm & @webistrying Artwork by: @nasketchs Find out more at https://trilogyintheory.pinecast.co This podcast is powered by Pinecast.

Are you ever going to text me?This episode has night mowing.Jason, Jim, and Joseph list some of the best parents on the silver screen.Jason calls "FOUL" on single parenting.Jim destroys a hotel room with his impression of JoBeth Williams.This house is clean.The latest mashup of Dustin Hoffman films: RainDaddyIt even has a time code on it.  And those are difficult to fake.NOOOOOOOOOOOOOOOOOOOO!You would think that having a certain set of skills would include warning your child about the dangers of travelling.Amadeus was a great composer, but a terrible father.Still Magnolia, still dying.Jason Meeker: Genius or neighborhood nuisance? Do you like fried chicken?

You can now text us anonymously to leave feedback, suggest future content or simply hurl abuse at us. We'll read out any texts we receive on the show. Click here to try it out!Welcome back to Bad Dads Film Review! This week, we're sinking into the beautifully awkward and emotionally layered world of The Graduate (1967), a landmark in American cinema that captured the confusion and alienation of a generation—and still resonates today.Directed by Mike Nichols and based on Charles Webb's novel, The Graduate stars a breakout Dustin Hoffman as Benjamin Braddock, a recent college graduate adrift in a sea of expectations, ennui, and passive-aggressive dinner parties. Returning home to California, Ben finds himself stuck in a well-off suburban limbo, unsure of what to do with his future and utterly disconnected from the adults around him.Enter Mrs. Robinson (Anne Bancroft), the wife of his father's business partner and one of the most iconic seductresses in film history. Their affair is sultry, weirdly funny, and shot through with a tragic edge that gives the film its unique tone—equal parts satire, drama, and coming-of-age fable. Complications multiply when Ben falls for Mrs. Robinson's daughter Elaine (Katharine Ross), throwing everyone's lives into romantic chaos and sparking a messy, impulsive pursuit that culminates in one of the most famous closing shots in cinema history.Visually, The Graduate is striking—Nichols' inventive use of framing, reflections, and slow dissolves elevates the emotional subtext, and Simon & Garfunkel's folk-heavy soundtrack ("The Sound of Silence", "Mrs. Robinson") lingers in your head long after the credits roll. The music doesn't just underscore the scenes—it becomes a character in itself, echoing Benjamin's alienation and longing.But what really makes The Graduate endure is its tonal complexity. It's satirical, yes, but also melancholic. Benjamin isn't a traditional hero; he's self-absorbed, indecisive, and often unlikeable. Yet in that uncertainty lies the film's power—it taps into that restless moment between adolescence and adulthood where everything feels hollow, and rebellion can look like love, lust, or simply running away.Is the ending romantic or despairing? Is Benjamin a rebel or just another aimless rich kid? The Graduate leaves space for interpretation, and that ambiguity is what keeps it feeling alive, even decades later.So whether you're watching for the sharp dialogue, the iconic performances, or just to see Dustin Hoffman awkwardly floating in a pool of existential dread—this one's a classic for a reason.

Ever heard of Jurassic Park? Michael Crichton's greatest adaptation! Well get ready for another adaptation that's not Congo, Sphere. A movie about aliens and time travel and Sphere's and nightmares. Starring a young…ish Samuel L Jackson, Dustin Hoffman and Sharon Stone it sank like a bloody stone at the box office due to poor reception and general disinterest in its blend of sci-fi and horror. Thanks for watching our Caravan Of Garbage review!SUBSCRIBE HERE ►► http://goo.gl/pQ39jNVideo Edition ► https://youtu.be/N-9HfQskrGwHelp support the show and get early episodes ► https://bigsandwich.co/Patreon ► https://patreon.com/mrsundaymoviesJames' Twitter ► http://twitter.coQm/mrsundaymoviesMaso's Twitter ► http://twitter.com/wikipediabrownPatreon ► https://patreon.com/mrsundaymoviesT-Shirts/Merch ► https://www.teepublic.com/stores/mr-sunday-movies The Weekly Planet iTunes ► https://itunes.apple.com/us/podcast/the-weekly-planet/id718158767?mt=2&ign-mpt=uo%3D4 The Weekly Planet Direct Download ► https://play.acast.com/s/theweeklyplanetAmazon Affiliate Link ► https://amzn.to/2nc12P4 Hosted on Acast. See acast.com/privacy for more information.

In 1990, Disney released the movie Dick Tracy under the Touchstone Pictures umbrella.  Initially, the theme parks were full of Dick Tracy references, but that died down quickly, and you can hardly find any traces of this movie in the parks.  On today's show, Rick and Maz talk about the film after rewatching it for the first time in decades.

Episode 84 - This is our last week in captivity until we are set free. And much like the titular character in this week's film, Papillon (1973), we will be... floating out of captivity in a sack of coconuts? This week we dive into a classic film starring Steve McQueen and Dustin Hoffman. Papillon is a semi-fictional account of the semi-fictional autobiography of Papillon (Steve McQueen) who befriends the character of Degas (Dustin Hoffman), in order escape an island prison. This is an epic conversation around an epic film, which clearly deserves your epic attention. We hope you enjoy.And we hope you tune in next week for "A Korean-style Wedding Buffet of Korean Genre Film.' If anything you should tune in to find out what that means. Email us at mracfilmclub@gmail.com

Paul joins the boys to take on 1978's masterful crime / character study / social commentary of a film in "Straight Time," starring Dustin Hoffman, Theresa Russell, M. Emmett Walsh, Harry Dean Stanton, and Gary Busey. You may not have heard of this one, but its a classic, and you will enjoy it. Trust us.E-mail Prime Cut Podcast at theprimecutpodcast@gmail.comPrime Cut is on TikTok @PrimeCutPodcastFollow and Subscribe to the Prime Cut Podcast on YouTube at - https://www.youtube.com/@ThePrimeCutPodcastFollow us on Instagram at https://www.instagram.com/prime_cut_podcast/

Welcome back to the Woody Allen Retrospective Podcast – it's Adjacent time once again!   In this episode, Don and James tackle Stranger Than Fiction (2006), a film that finds Will Ferrell dialing things down and getting existential. None of the usual Ferrell cowbells, screaming or streaking here. Just wristwatches, looming death, and tasty baked goods ahead.   Expect a few Woody comparisons from our witty assistant, some literary musing, and hopefully more laughs than Harold Crick gets in a week.   ALSO, James stumbles across a gem of a find for all the Woody Allen defence supporters!   Hope you enjoy this one – and remember, it's all in the wristwatch. :P   Please check out the links below for the full cast, user reviews, ratings and info you may find interesting   Wikipedia: https://en.wikipedia.org/wiki/Stranger_than_Fiction_(2006_film)   IMDb: https://www.imdb.com/title/tt0420223/?ref_=ttnw_ov_i   Rotten Tomatoes: https://www.rottentomatoes.com/m/stranger_than_fiction   ____________________   Other video discussed in this episode:   Proving Woody Allen is INNOCENT (New Investigation)   https://youtu.be/2UwB5Bh5pqE?si=kbqGfhrN_wrpcMfW   ____________________   We now have a Ko-Fi Page where you can make a ONE TIME Donation / Tip, we as always, highly appreciate your consideration and support - click here:  https://ko-fi.com/woodyretro   _____________________   A VERY Special Thanks to The Woody Allen Pages Website & The Woody Allen Subreddit for the continued support and info – check them out for the latest from the Woody Allen Fan Community!   https://www.woodyallenpages.com     &    https://www.reddit.com/r/woodyallen   PLEASE LEAVE A COMMENT TO THIS OR ANY OTHER EPISODE USING OUR COMMENT SECTION VIDEO LINK HERE   >>>>>>>  https://bit.ly/warpcom   IF YOU LIKE THE SHOW, PLEASE CONSIDER BUYING US A COFFEE / GIVING US A TIP VIA OUR PATREON CAMPAIGN  >>> https://www.patreon.com/woodyretro   Thanks for listening as always - we would also LOVE a review on iTunes or a 5 star rating via Spotify or whichever podcast platform you are listening on - please find all our connected links below.   >>>   https://linktr.ee/woodyretro

Based upon the comic strip created in 1931 by Chester Gould, this eye-popping live-action adaptation was long planned by Oscar-winning director Warren Beatty (Reds, Heaven Can Wait) who also elected to star as the titular square-jawwed crime fighter sporting a bright yellow jacket.  Finally green-lit and released by Disney in the wake of the breakout success the prior year of Tim Burton's Batman, the studio was hoping that it could duplicate the mega-blockbuster success of that comic book adaptation, backing its release with loads of marketing hype AND three different soundtrack albums including an assortment of original songs written by Tony-winning songwriting stage legend Stephen Sondheim (West Side Story, Into the Woods) and performed one of its co-stars....that would be Madonna who played Breathtless Mahoney, who is also a key femme fatale for the story.  She is joined by completely STACKED cast by Paul Sorvino, Mandy Patinkin, Glenne Headley, Charlie Korsmo, Charles Durning, James Caan, Dustin Hoffman, AND Al Pacino who plays the film's main villain Big Boy Caprice. Alas the film did solid box office but did not live up to the Batman-level hype...though it DID set a record for most Oscars won by a comic book adaptation with three for Best Makeup, Best Original Song, and Best Art Direction.  This record of three Oscars would not be matched for another 28 years until it was eventually tied by another Disney comic book release, Black Panther. Host & Editor: Geoff GershonProducer: Marlene GershonSend us a texthttps://livingforthecinema.com/Facebook:https://www.facebook.com/Living-for-the-Cinema-Podcast-101167838847578Instagram:https://www.instagram.com/livingforthecinema/Letterboxd:https://letterboxd.com/Living4Cinema/

Is it safe? Alex and Nick break down one of the best paranoid thrillers ever, “Marathon Man.” Stray topics include the remarkable careers of Dustin Hoffman, Roy Scheider, Laurence Olivier, and William Devane, 1976 in film, John Schlesinger's best movies, William Goldman's brilliant source novel, watching “Jaws” for the first time, and debunking the infamous “Why don't you try acting, darling?” story.Part 2 of the WAYW New Hollywood Film Project.Follow @WAYW_Podcast on Twitter and Instagram and Letterboxd.Send mailbag questions to whatareyouwatchingpodcast@gmail.com

Today on The Social, we react to growing separatist discourse in Alberta. Then, Tom Cruise says he landed his role in “Rain Man” after his sister pushed him to talk to Dustin Hoffman. Do you need to be pushy to get what you want? And, is it valid to complain about kids being noisy on a playground? Then, do you leave the toilet lid up or down? Plus, should we normalize quitting things we don’t like?

The 1970s Edition of Big Movie May rolls on with yet another selection from 1976. This one stars Dustin Hoffman in only his 2nd appearance on this show in a role that kind of defies description, so you'll just have to listen to the show. Enjoy Marathon Man. More Content: https://www.patreon.com/neverseenitpodEmail: neverseenitpod@gmail.comTwitter: https://twitter.com/neverseenit_podBluesky: https://bsky.app/profile/neverseenit.bsky.socialInstagram: https://www.instagram.com/neverseenitpod1Facebook: https://www.facebook.com/neverseenitpod1Movie info: https://www.imdb.com/title/tt0074860/

In this episode, I dig into a question that's always lurking in the back of a portrait photographer's mind – what really makes light flattering? It's a term we all use, but what does it actually mean? Is it just about soft shadows and low contrast, or is it more about the connection between the subject and the photographer? I talk through this while reflecting on a busy week – from a stunning wedding at Head Saw House to a corporate shoot for Barclays, and a spontaneous portrait session that reminded me why I love this job. I also share some thoughts on the updated Mastering Portrait Photography book, which hits shelves in September, complete with fresh images and a whole new chapter on AI post-production. If you've ever wondered what makes a light truly flattering – and why it's about more than just the gear – this episode is for you. And as always, wherever you are and whatever you're doing, be kind to yourself. Cheers P. If you enjoy this podcast, please head over to Mastering Portrait Photography, for more articles and videos about this beautiful industry. You can also read a full transcript of this episode. PLEASE also subscribe and leave us a review - we'd love to hear what you think! If there are any topics, you would like to hear, have questions we could answer or would like to come and be interviewed on the podcast, please contact me at paul@paulwilkinsonphotography.co.uk.    Transcript  ​  Well, as I sit here in the studio, the sun is shining in through the windows and it's been a beautiful, beautiful week. I started it with a trip down to Devon with the in-laws. One great thing about being married to Sarah, whose family are from Plymouth, there are many great things about being married to Sarah. But one of the ones, in terms of geography, at least, is her family still lived down in Plymouth, in Devon, by the sea. So it was absolutely glorious to spend a couple of days down there walking the dog, drinking a beer, enjoying the sunshine, and the sun is still shining here right now. And on that happy note, I'm Paul. I'm very much looking forward to a barbecue, and this is the Mastering Portrait  

A pet raccoon hits the pipe, Dave Portnoy v. the anti-Semitic sign maker, loudmouth slob on a cop cam, Kate Cassidy's new TikToks, Tom Cruise has no bad films, the newest Radio Hall of Fame nominees, and Forrest Gump's Jenny had AIDS. Dave Portnoy responds to Mo Khan. The Temple University student defended the antisemitic incident at Barstool's bar Khan has several GiveSendGo fundraisers. Shiloh Hendrix is making that dollar after calling a 5-year-old the n-word. Jennifer Aniston is safe from that creeper, but still slightly shaken. 3 Doors Down's Brad Arnold is diagnosed with stage 4 cancer. The Crackoon is the greatest thing to hit the internet in a while. No Pope for us today. The Radio Hall of Fame nominees are out. Some people are saying there was a snub… again. The Golden Globes will give out a Podcasting award. Smokey Robinson is appalled at his own actions. #MeToo has nothing on Dustin Hoffman. The Naked Gun is coming out soon. Sydney Sweeney has a good (and excitable) dog. The Met Gala remains an event that no normal person cares about. Ben Affleck has sympathy for Britney Spears… since they hooked up once. Janelle Evans is celebrating her divorce in the trashiest way possible. The lady who pooped on that minivan is an OnlyFans foot star. Kristin Cavallari made a news story out of her own advertisement because she's hot. The Pittsburgh Pirates fan that fell has an actual need for a GoFundMe. Here he is losing his shoes as a new angle of the fall was released. Ranking Tom Cruise movies. Drew learns Jenny from Forrest Gump had AIDS. Vote for yourself. Joe Biden spoke and coughed with the BBC. Drew's neighbor swam nude too. Kate Cassidy is back to posting her videos online. Liam Payne left no will, so his baby mama takes control. Jorts are SO BACK! Tim Tebow is gonna be pumped. Jordon Hudson is on the offensive about her relationship with Bill Belichick. RG3 calls out the coach and his eye candy. Somebody save Bill's brand. Diddy's lawyer got yelled at. Ha ha. NYT editors mean business. Cop Cam: Car load of losers including a very loud slob. If you'd like to help support the show… consider subscribing to our YouTube Channel, Facebook, Instagram and Twitter (The Drew Lane Show, Marc Fellhauer, Trudi Daniels, Jim Bentley and BranDon).

GGACP celebrates May's National Dental Care Month by revisiting this discussion of a favorite Gilbert and Frank movie, the classic 1976 thriller "Marathon Man." In this mini-episode: Roy Scheider finds trouble, Dustin Hoffman relies on "the Method," Laurence Olivier attracts a crowd and Danny Kaye comes aboard as a "special consultant"?? PLUS: Frank introduces Gil to "Road to Perdition"! Learn more about your ad choices. Visit megaphone.fm/adchoices

In der zweiten Staffel der Rennsport-Reihe „Full Speed“ geht es um die spannenden Playoffs der NASCAR Cup Serie, in „The Walking Dead: Dead City“ steht — neben den Zombies — ein Mutter-Sohn-Konflikt im Zentrum und in „Little Big Man“ brilliert Dustin Hoffman in der Rolle des Jack Crabb. Hier entlang geht's zu den Links unserer Werbepartner: https://detektor.fm/werbepartner/was-laeuft-heute >> Artikel zum Nachlesen: https://detektor.fm/kultur/was-laeuft-heute-full-speed-staffel-2-the-walking-dead-dead-city-staffel-2-little-big-man

In this deep dive into cinematic curiosities, Johnny Spoiler and the Binge-Watchers crew unpack the mysteries of The Sphere. Join us as we explore alien artifacts, legendary sea creatures, and a powerhouse cast featuring Dustin Hoffman, Sharon Stone, and Samuel L. Jackson.

This week, we're busting out the slammer and potentially wishing we were back in it depending on who you ask, as we team up with the canary-clad copper to take down a star-studded mob in a wildly stylish and outlandishly conceived blockbuster starring a charming old man incapable of doing action scenes, that's been seemingly buried in the Disney vault in the years since. It's 1990's Dick Tracy, directed and produced by Warren Beatty, and starring Beatty, Madonna, Al Pacino, Glenne Headly, Charlie Korsmo, Mandy Patinkin, Dustin Hoffman, Seymour Cassel, William Forsythe, Charles Durning, Dick Van Dyke, Paul Sorvino, James Caan, Kathy Bates and Catherine O'Hara. Most of these stars are unrecognizeable under the monstrous makeup required to make them look like their vintage crime comic strip counterparts, but Pacino made enough of an impression with a wildly comedic take on his typical mobster persona that he netted an Oscar nom for Best Supporting Actor, losing to Joe Pesci for GoodFellas. While Beatty is at least a decade too old to be proper fit as the movie's lead, it's his ambition behind the camera that makes the movie such a curiosity all these years later, as the film is either an enchanting dreamscape filled with unsolvable How Did They Do That movie magic puzzles, or a steaming pile of neon-drenched puke depending on which of our two hosts you ask. But that's okay, as we have some heated disagreement this week that is maybe the closest we've yet come to vintage Siskel & Ebert kinda stuff. Plus: We've both been to the theater and are happy to sound off on Ryan Coogler's latest as JMo and Hayley both greatly enjoyed Sinners in the cinema, and Justin's got a bonus theatrical field report on Drop, the latest from Happy Death Day director Christopher Landon. If you'd like to watch Dick Tracy before listening along to our conversation, good luck finding a physical copy, and Disney will seemingly never stream this thing on Disney+ -- possibly for rights reasons to avoid paying anything more to Warren Beatty, or possibly because they are cowards who are ashamed of the fun movie they made. Either way, it's tough to find outside of renting it on YouTube. Other works discussed in this episode include Creed, Fruitvale Station, Black Panther: Wakanda Forever, Bram Stoker's Dracula, Puss In Boots: The Last Wish, Mad Max: Fury Road, Loki, The Accountant, The Perfect Storm, Bridge of Spies, War Horse, The Adventures of Tintin, Red Eye, Trap, Reign of Fire, Surrogates, The Expendables 2, The Last Boy Scout, Princess Mononoke, Hook, This Is The Tom Green Documentary, Cutthroat Island, Pirates of the Caribbean: Curse of the Black Pearl, G20, The Silence of the Lambs, Longlegs, Resident Orca, Avatar: The Way of Water, Blackfish, Batman ('89), Batman Returns, Batman Forever, Batman & Robin, Who Framed Roger Rabbit?, X-Men, Blade, The Shadow, The Phantom, The Rocketeer, Darkman, Speed Racer, Furiosa, Challengers and Sin City, among others. We'll be back (more than likely) next week, with another special in-theaters spectacular, as 100+ episodes after we covered the original film, it is tax season once again and we're back for more Ben Affleck and Jon Bernthal in The Accountant 2. So look for that next Friday, and until then we'll see you at the movies!!

Legendary movie star Dustin Hoffman (Jeff Richards) and Radio Hall of fame and pioneer Phil Hendrie get to the bottom of many things and have a fun conversation, about the inner life of Phil and the understanding sole of Dustin is a must listen for the ages!!! 

U2 released a part-live, part studio album in October 1988 called Rattle and Hum.  This album accompanied a filmed “Rockumentary” of the band which was filmed in Denver and Arizona.  Originally intended to be entitled  “U2 in the Americas,” the album and film instead take their name from lyrics in the song “Bullet the Blue Sky' from their album “The Joshua Tree.” Studio sessions for Rattle and Hum included time at Sun Studio in Memphis, and include collaborations with other musicians including Bob Dylan and B.B. King.  The intent of Rattle and Hum was to explore more American blues rock, and folk, and roots music of the 50's and 60's, and includes both original and cover songs.  Critics were divided on the album at the time of its release.  Some felt that U2 was not celebrating blues rock and artists as much as they were attempting to insert themselves into higher echelons of rock celebrity.  Over time the criticisms of egotism would fade, as U2 has indeed proven to be a major force in the Rock pantheon.  In retrospect, both Bono and The Edge have found Rattle and Hum to be a bit of a side excursion for the band, more of a “scrapbook” than a true direction.  The new direction of U2 would be set beginning with their next studio album, “Achtung Baby” in 1991.  Regardless, Rattle and Hum is a great album, well worth a listen.  The collaboration with other artists is worth special attention, as is its examination of the way that modern rock finds its roots in the delta blues.Friend of the show Greg Lyon sits in for Wayne, while Rob brings us this hybrid album for today's podcast.Angel of HarlemThe second single from the album is an original studio release which was written as an homage to Billie Holiday.  Songwriting took place during the tour for ”The Joshua Tree,” and the lyrics take inspiration form various landmarks around New York City.  The track reached number 14 on the Billboard Hot 100 and number 9 on the UK Singles chart.  When Love Comes to TownRecorded in Sun Studios, this U2 original song features collaboration with blues guitarist B.B. King. Live performances included B.B. King and his band during the “Lovetown Tour” in 1989.  U2 would discontinue playing the song in concert over time, but revived it in 2015 as a tribute to B.B. King after his death.  King plays lead on this song written by The Edge, who takes on rhythm guitar for this track.All Along the WatchtowerThis live cover is of a song written by Bob Dylan and made famous by Jimi Hendrix.  The lyrics are of a conversation between a joker and a thief, and several lines echo lines of scripture from the book of Isaiah in the Bible.  U2 performed this live cover in San Francisco at the “Save The Yuppie Free Concert.”  Some of the lyrics were altered, which irritated Dylan. Pride (In the Name of Love)A live version of the studio song from the 1984 album The Unforgettable Fire, this was recorded in Denver.  The popularity of this song can be heard in the audience call-and-response.  The lyrics were inspired by elements of the civil rights movement, particularly the assassination of Martin Luther King, Jr. ENTERTAINMENT TRACK:Iko Iko by The Belle Stars (from the motion picture “Rain Man”)Tom Cruise and Dustin Hoffman turned in stellar performances in this dramatic film exploring autism. STAFF PICKS:Kiss by Art of Noise featuring Tom JonesBruce leads off the staff picks with a cover of a Prince song performed by an unusual pairing of art rock group the Art of Noise with Vegas crooner Tom Jones.  This became the biggest hit for the Art of Noise to that point, reaching number 5 on the UK charts and number 31 on the Billboard Hot 100.  She Drives Me Crazy by Fine Young CannibalsLynch brings us the most successful single from the British pop trio, off their second and final album, “The Raw & the Cooked.” The band formed from two previous bands, one Ska, and one Punk.  The track was composed at Prince's Paisley Park Studios in Minneapolis.Once Bitten, Twice Shy by Great WhiteGreg features a rocker.  Great White covered a song originally written and performed by Ian Hunter in 1975.  This song went to number 5 on the Billboard Hot 100.  Great White had a more blues-oriented sound than many of the hair metal bands of the late 80's.  Lead singer Jack Russell passed after a battle with Lewy body dementia in August 2024.What I Am by Edie Brickell & New BohemiansRob closes out the staff picks with the signature song off Edie Brickell & New Bohemians' debut album, "Shooting Rubberbands at the Stars."  The inspiration for the song was Brickell's frustration with the dogma exhibited in a world religions class in college.  Brickell would meet her husband and fellow musician, Paul Simon, when she performed this song on Saturday Night Live. INSTRUMENTAL TRACK:Sunset Road by Bela Fleck & the FlecktonesThis jazz fusion piece with an unusual banjo lead was on the group's debut album, and takes us out for this episode. Thanks for listening to “What the Riff?!?” NOTE: To adjust the loudness of the music or voices, you may adjust the balance on your device. VOICES are stronger in the LEFT channel, and MUSIC is stronger on the RIGHT channel.Please follow us on Facebook https://www.facebook.com/whattheriffpodcast/, and message or email us with what you'd like to hear, what you think of the show, and any rock-worthy memes we can share.Of course we'd love for you to rate the show in your podcast platform!**NOTE: What the Riff?!? does not own the rights to any of these songs and we neither sell, nor profit from them. We share them so you can learn about them and purchase them for your own collections.

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Welcome to Director Watch! On this AwardsWatch podcast, co-hosts Ryan McQuade and Jay Ledbetter attempt to breakdown, analyze, and ultimately, get inside the mind of some of cinema's greatest auteurs. In doing so, they will look at their filmographies, explore what drives them artistically and what makes their decision-making process so fascinating. Add in a few silly tangents and a fun game at the end of the episode and you've got yourself a podcast we truly hope you love. On episode 95 of the Director Watch Podcast, the boys discuss the final film in their Elaine May series, Ishtar (1987). It had been a few years since Elaine May had been behind the camera, and her return to the big screen was likely her most talked about film, as Ishtar was considered by many at the time to be one of the worst films of all time, and a financial calamity. Following two down on their luck singers who take a gig in the Middle East and get caught up in international espionage, on paper, these films had two big movie stars in a what could be comedy gold. But the behind-the-scenes turmoil mixed with studio interference caused the film to be a disaster, and thus became the final film the director has ever directed. But is it as bad as history made it out to be? Ryan and Jay give their thoughts on the film, the music sung throughout the runtime, Dustin Hoffman and Warren Beatty's careers, why May hasn't been able to make another film, and give out their rankings of her films within the series and how they rank against her pal, Mike Nichols. You can listen to the Director Watch Podcast wherever you stream podcasts, from iTunes, iHeartRadio, Soundcloud, Stitcher, Spotify, Audible, Amazon Music and more. This podcast runs 2h. The guys will be back next week to begin their series on the films of Peter Jackson with a review of his film, Braindead. You can rent it via YouTube in preparation for the next episode of Director Watch. Till then, let's get into it. Music: MUSICALIFE, from Pond5 (intro) and “B-3” from BoxCat Games Nameless: The Hackers RPG Soundtrack (outro).

Send us a Question!MOVIE DISCUSSION: Kathryn joins Melvin to discuss Jon Favreau's grounded indie-style flick, Chef! The two explore themes of maturing and parenthood, the relationship between the artist and the observer, and the importance of passion in everyday life. Topics:(PATREON EXCLUSIVE) 25-minutes talking about those insane A Minecraft Movie screenings where people are throwing their popcorn and bringing live chickens, and how that's wildly different to otherwise incredibly engaging fan screenings of The Room or Rocky Horror Picture Show. (PATREON EXCLUSIVE)Kathryn shares what it is about Chef that she really enjoys.Melvin compares Chef to Parks & Recreation, saying how it's a movie with conflict but ultimately everyone still kinda likes each other.It's fairly clear that Chef is somewhat an artistic response to John Favreau's experience with Marvel, Iron Man 2, and the subsequent critical response to it.Which food in the movie got us the most hungry.The movie explores the dynamics of the artist and the observer (or, critic), and Melvin spends some time categorizing what he thinks are variations of these archetypes.Chef depicts professionalism and the pursuit of maturity well.Sometimes eating food is like time travel.Seeking to live a life by design, not by default.Recommendations:Salt, Fat, Acid, Heat: Mastering the Elements of Good Cooking (2017) (Cookbook)Salt Fat Acid Heat (2018) (Cooking Show)Try new and exotic foods, and be adventurous with what you eat! Support the showSupport on Patreon for Unique Perks! Early access to uncut episodes Vote on a movie/show we review One-time reward of two Cinematic Doctrine Stickers & Pins Social Links: Threads Website Substack Instagram Facebook Group

Actor/TV Guide collector Patrick Fischler joins Matt and Tim to discuss the 1977 Alan J. Pakula film, All The President's Men starring Dustin Hoffman and Robert Redford. Richard Nixon is the President in archival footage. There's also some great David Lynch talk. For the rest of this conversation, go to ⁠⁠https://patreon.com/secondincommand⁠⁠ and become a patron! Matt Walsh ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.instagram.com/mrmattwalsh⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Timothy Simons ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.instagram.com/timothycsimons⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Patrick Fischler https://instagram.com/pfischler Second In Command ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://instagram.com/secondincommandpodcast⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Email questions to: secondincommandatc@gmail.com

Actor/TV Guide collector Patrick Fischler joins Matt and Tim to discuss the 1977 Alan J. Pakula film, All The President's Men starring Dustin Hoffman and Robert Redford. Richard Nixon is the President in archival footage. There's also some great David Lynch talk. For the rest of this conversation, go to ⁠⁠https://patreon.com/secondincommand⁠⁠ and become a patron! Matt Walsh ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.instagram.com/mrmattwalsh⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Timothy Simons ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.instagram.com/timothycsimons⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Patrick Fischler https://instagram.com/pfischler Second In Command ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://instagram.com/secondincommandpodcast⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Email questions to: secondincommandatc@gmail.com

March 7-13: That movie you watched in 2020, Siskel and Ebert give The Critic thumbs down, Wonder Shozen confuses kids, one of the best episodes of ER, Bruce Willis and Liam Neeson are adequate, Adam Sandler and his stupid shoes, the forgotten live-action Disney and slow horror. All that and more from 30, 20, and 10 years ago!

Chris, Jack, and Matt talk Reacher, Shoresy, The Residence, The Flash, Extraction, 1923, 70's movies, smelling toxic chemicals, steaks, butter, Mr. Jackson, and Outbreak vs Contagion. Please leave a review on iTunesBecome a Patron at JayandJack.comWrite us an email at RCADCast@gmail.comFollow us on Instagram at RCADCast

Chris, Jack, and Matt talk Reacher, Shoresy, The Residence, The Flash, Extraction, 1923, 70’s movies, smelling toxic chemicals, steaks, butter, Mr. Jackson, and Outbreak vs Contagion. Please leave a review on iTunes Become a Patron at JayandJack.com Write us an email at RCADCast@gmail.com Follow us on Instagram at RCADCast Listen to “Ep. 288 “Dustin Hoffman's […]

Chris, Jack, and Matt talk Reacher, Shoresy, The Residence, The Flash, Extraction, 1923, 70's movies, smelling toxic chemicals, steaks, butter, Mr. Jackson, and Outbreak vs Contagion. Please leave a review on iTunesBecome a Patron at JayandJack.comWrite us an email at RCADCast@gmail.comFollow us on Instagram at RCADCast

3/26/25 - Hour 3   Rich weighs in on the pressure under New York Giants HC Brian Daboll to make it work in New York with Russell Wilson and Jameis Winston.   Academy Award-winning director Barry Levinson joins Rich in-studio to discuss his new ‘The Alto Knights' film that features fellow Oscar winner Robert De Niro playing dual roles in which his characters share scenes with each other, and shares some great stories about Mel Brooks, Robert Redford in ‘The Natural,' ‘Diner,' Dustin Hoffman and Tom Cruise in ‘Rain Man,' and Robin Williams in ‘Good Morning Vietnam' in a round of ‘Celebrity True or False.'  Levinson also looks back at his groundbreaking HBO prison drama series ‘Oz.'   Suzy Shuster joins Rich in-studio to discuss the season-ending ACL injury to USC star JuJu Watkins.  Please check out other RES productions: Overreaction Monday: http://apple.co/overreactionmonday  What the Football with Suzy Shuster and Amy Trask: http://apple.co/whatthefootball The Jim Jackson Show: https://podcasts.apple.com/us/podcast/the-jim-jackson-show/id1770609432 No-Contest Wrestling with O'Shea Jackson Jr. and TJ Jefferson: https://podcasts.apple.com/us/podcast/no-contest-wrestling/id1771450708 Learn more about your ad choices. Visit podcastchoices.com/adchoices

The Worthy Boys return with a break down of the divorce-drama, Kramer vs. Kramer. The 1979 Best Picture winner featured harrowing lead performances highlighted by Dustin Hoffman's Best Actor win. Ben and Jon share their thoughts on the film's strong screenplay, simplistic approach and tackling changing social issues allowing the actors shine in the finished film. At the 52nd Academy Awards, Kramer vs. Kramer took home 5 Oscars that night with a powerful speech by Hoffman during his Best Actor win. Tune in to find out what we think about this Best Picture winning film. 

I'm thinking of a movie, Stranger Than Fiction. It came out in 2006 starring Will Ferrell, Emma Thompson, Dustin Hoffman, and Queen Latifah. In it, Will Ferrell plays a mentally unstable IRS auditor who starts hearing an author's voice in his head and as she writes this fictional story, he is the main character and the events literally happen in his life. So he hears her speak of events, such as something happening that causes his death. And he's left talking back, saying, “Hey! Stop doing that! I'm not ok with that story!” I feel it's an incredible depiction that I realize is actually going on in my life, and I'm not taking it seriously. In the last episode I talked with Marianne Renner, whose new book is Self-Talk: 10 Stories You Tell Yourself That Hold You Back…And How to Overcome Them. This is my muse. I invite you to think through this with me…the idea that today you are going along listening to a fairly fictional depiction of your life that if you're not aware of, you'll just agree with. Also, if you'll go to mariannerenner.com/selftalk, you can get the first three chapters of Marianne's book absolutely free.  Sign up for your $1/month trial period at shopify.com/kevin Go to shipstation.com and use code KEVIN to start your free trial. Join millions of Americans reaching their financial goals—starting at just $3/month! Get $25 towards your first stock purchase at get.stash.com/DRIVE. Learn more about your ad choices. Visit megaphone.fm/adchoices

Director/Screenwriter Jimmy Warden (Cocaine Bear, Borderline) joins Matt and Tim to discuss the 1997 Barry Levinson film, Wag The Dog. Michael Belson plays the President but more importantly it's got Robert DeNiro and Dustin Hoffman. For the rest of this conversation, go to https://patreon.com/secondincommand and become a patron! Matt Walsh ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.instagram.com/mrmattwalsh⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Timothy Simons ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.instagram.com/timothycsimons⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Jimmy Warden https://instagram.com/jimmywarden_ Second In Command ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://instagram.com/secondincommandpodcast⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Email questions to: secondincommandatc@gmail.com

Director/Screenwriter Jimmy Warden (Cocaine Bear, Borderline) joins Matt and Tim to discuss the 1997 Barry Levinson film, Wag The Dog. Michael Belson plays the President but more importantly it's got Robert DeNiro and Dustin Hoffman. For the rest of this conversation, go to https://patreon.com/secondincommand and become a patron! Matt Walsh ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.instagram.com/mrmattwalsh⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Timothy Simons ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.instagram.com/timothycsimons⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Jimmy Warden https://instagram.com/jimmywarden_ Second In Command ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://instagram.com/secondincommandpodcast⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Email questions to: secondincommandatc@gmail.com

30 years ago a terrifying virus took over movie theaters; and five years after a terrifying virus took over the world the MovieFilm boys decided to rewatch the action thriller OUTBREAK, directed by the late Wolfgang Petersen and starring Dustin Hoffman, for our latest commentary track! Listen separately or watch along as we talk through the project's convoluted backstory, behind-the-scenes stories, humorous asides and much more!

Thirty years ago this month, acclaimed director Wolfgang Petersen (Das Boot, Air Force One, The Perfect Storm) gave us a terrifying viral thriller which at the time MIGHT have seemed like pure fiction....but WAS it? :o Well regardless it was a big hit and featured a stacked cast featuring Oscar-winners Dustin Hoffman, Morgan Freeman, Kevin Spacey, and Cuba Gooding Jr plus Rene Russo and the late, great Donald Sutherland. (How did those last two never receive Oscar nominations??) A brand new deadly virus has travelled from overseas via an innocent monkey who stowed away on a shipping barge....and that monkey has landed in Southern California....and this virus has started to spread around one truly unfortunate isolated small town.  People are dying as the virus mutates and the only folks who can stop it are a team of Army doctors who have to figure out how to find a cure.  It's all very '90's though very scary nonetheless....and remember to wash your hands!    Host & Editor: Geoff GershonProducer: Marlene GershonSend us a texthttps://livingforthecinema.com/Facebook:https://www.facebook.com/Living-for-the-Cinema-Podcast-101167838847578Instagram:https://www.instagram.com/livingforthecinema/Letterboxd:https://letterboxd.com/Living4Cinema/

Today on Buzzn The Tower, Mo & Max sit down with Charlie Korsmo. You might remember him from such movies as Dick Tracy, What About Bob?, Hook, and Can't Hardly Wait. One of the few child actors who actually survived to tell his story, Charlie will give us an inside look at working with Hollywood's most elite...including but not limited to Warren Beatty, Madonna, Al Pacino, Bill Murray, Richard Dreyfuss, Frank Oz, Dustin Hoffman, Robin Williams, and Steven Spielberg!

Glee has moved to New York full-time! The busy streets, the cramped subways, the attempts at adulting, and, of course, a lot of singing! Kevin breaks down what filming in New York City was like, the scoop on shooting "Don't Sleep in the Subway" on an actual subway, and it's Jenna's first time not appearing on Glee as a series regular, so she's watching as a fan! She shares her honest opinions about the show's new direction.Plus, Kevin reveals how a miscommunication led to a frantic, hectic schedule while shooting Glee and the Dustin Hoffman movie he was filming at the time!See omnystudio.com/listener for privacy information.