Podcast appearances and mentions of Dustin Hoffman

All kidding aside, it's a bummer that a movie like DOGFIGHT is not better known and, once we get over our annoyance at younger reviewers engaging with the film on a superficial level, we do our best to celebrate Nancy Savoca's bittersweet love story. So no point in even trying to be suspenseful about it: expect lots of appreciation for River Phoenix and Lily Taylor's performances in this Real Talk segment… and a commitment to owning the Criterion release!TIMELINE00:01:26 Feel like walking?00:02:11 Real Talk00:49:36 The Future & Patreon Stuff- Interested in more Contrarians goodness? Join THE CONTRARIANS SUPPLEMENTS on our Patreon Page! Deleted clips, extended plugs, bonus episodes free from the Tomatometer shackles… It's everything a Contrarians devotee would want!- Our YouTube page is live! Get some visual Contrarians delight with our Contrarians Warm-Ups and other fun videos!- Contrarians Merch is finally here! Check out our RED BUBBLE MERCH PAGE and buy yourself something nice that's emblazoned with one of our four different designs!- THE FESTIVE YEARS have been letting us use their music for years now and they are amazing. You can check out their work on Spotify, on Facebook or on their very own website.- Our buddy Cory Ahre is being kind enough to lend a hand with the editing of some of our videos. If you like his style, wait until you see what he does over on his YouTube Channel.- THE LATE NIGHT GRIN isn't just a show about wrestling: it's a brand, a lifestyle. And they're very supportive of our Contrarian endeavors, so we'd like to return the favor. Check out their YouTube Channel! You might even spot Alex there from time to time.- Hans Rothgiesser, the man behind our logo, can be reached at @mildemoniospe on Instagram or you can email him at mildemonios@hotmail.com in case you ever need a logo (or comics) produced. And you can listen to him talk about economy on his new TV show, VALOR AGREGADO. Aaaaand you can also check out all the stuff he's written on his own website. He has a new book: a sort of Economics For Dummies called MARGINAL. Ask him about it!Up next, we dive into 70s paranoia as we tackle the Dustin Hoffman thriller MARATHON MAN! In the meantime, let us know what you thought of Dogfight: did you buy the sudden one-night romance? Were do you rank it among River Phoenix and Lily Taylor's filmographies? Did you jump to pre-order the Criterion as soon as it was announced? E-mail us at wearethecontrarians@gmail.com or share your thoughts with us on Threads or BlueSky!

Ваш любимый канал «ВОТ ЭТО английский» — теперь в аудиоформате!Попробуйте и научитесь понимать английский на слух с удовольствием

Robert Duvall Passed Away at 95, and it Seems too Soon This week on the podcast, Brian and Darryl honor the legendary Robert Duvall, break down the latest Warner Bros. Discovery and Skydance merger talks, and review the penultimate episode of HBO's A Knight of the Seven Kingdoms. Corporate power plays and Westerosi lances collide. Episode Index Intro: 0:07 Robert Duvall: 3:51 Warner Bros/Skydance: 9:07 A Knight of the Seven Kingdoms: 23:43 Robert Duvall January 5, 1931 – February 15, 2026 Robert Duvall was one of the defining American actors of the modern era. A founding member of the American Film Theatre movement and a classmate of Dustin Hoffman and Gene Hackman at the Neighborhood Playhouse, Duvall built a career on discipline, restraint, and volcanic presence. Career Highlights: Tom Hagen in The Godfather (1972) and The Godfather Part II (1974) – The calm consigliere in a world of chaos. Controlled, intellectual menace. Lt. Colonel Bill Kilgore in Apocalypse Now (1979) – “I love the smell of napalm in the morning.” One of cinema's most iconic performances. Oscar Winner for Tender Mercies (1983) – Best Actor for his deeply human portrayal of a broken country singer. The Great Santini (1979) – A towering, volatile performance that earned him an Academy Award nomination. Lonesome Dove (1989) – Cemented his legacy in the Western genre. Later career standouts: The Apostle (which he also wrote and directed), Open Range, The Judge. Duvall's strength was subtle authority. He never chased flash. He built characters from the inside out. In an industry obsessed with volume, he mastered quiet. Hollywood didn't just lose a legend. It lost a craftsman. https://variety.com/2026/film/news/paramount-skydance-response-warner-bros-discovery-deal-talks-1236665757/ Warner Bros./Skydance Will They/Won’t They Warner Bros. Discovery has reportedly reopened acquisition discussions with Skydance and Paramount, injecting fresh volatility into an already chaotic media landscape. Paramount previously floated a $30 per share offer, potentially rising to $31. Meanwhile, shareholder votes and competing interests continue to complicate the picture. This is consolidation round… what, 47? The real question is what this means for IP control, franchise strategy, and the long-term survival of mid-budget filmmaking. Every merger promises “synergy.” Historically, synergy often translates to layoffs, canceled projects, and fewer creative risks. We break down what this could mean for DC Studios, HBO prestige content, and the streaming wars at large. A Knight of the Seven Kingdoms (HBO Max) Season 1, Episode 5 (Penultimate Episode) Episode Title: “In the Name of the Mother” Directed by: Owen Harris Written by: Hiram Martinez & Ti Mikkel and Ira Parker Summary: The trial of seven begins. In the first charge, Aerion knocks Dunk off his horse. In a series of flashbacks to Dunk’s childhood, he and his friend Rafe scavenge from a battlefield. They return to Flea Bottom in King’s Landing and pickpocket from Alester, a City Watchman. Dunk and Rafe attempt to buy passage to the Free Cities in Essos, but cannot afford it. Alester corners them and takes their money. Rafe steals Alester’s dagger, but he notices and slits her throat. Arlan emerges from a tavern and kills Alester, saving Dunk, who then follows Arlan on his travels. In the present, Dunk duels Aerion on foot until both men collapse from injury. After Dunk falls unconscious, Aerion declares him dead. Egg begs Dunk to get up, and the crowd chants for Dunk as he stands. Dunk and Aerion resume their duel until Dunk gets the upper hand. Aerion yields and withdraws his accusation. In the aftermath, Beesbury and Hardyng are confirmed as killed. Dunk pledges fealty to Baelor. Raymun and Pate help Baelor remove his helmet, which Maekar struck with his mace during the trial, revealing a fatal wound. Baelor collapses from his injury and dies in Dunk’s arms. The jousting sequences are shot with brutal realism. Armor feels heavy. Impacts feel dangerous. The episode underscores a central thesis of Martin's work: nobility is aspirational, not guaranteed. Key Cast: Peter Claffey as Ser Duncan the Tall Dexter Sol Ansell as Prince Aegon “Egg” Targaryen Finn Bennett as Aerion Targaryen Bertie Carvel as Baelor Targaryen Sam Spruell as Maekar Targaryen Production Notes: The series distinguishes itself from House of the Dragon by focusing on intimate political storytelling rather than large-scale spectacle. The penultimate episode prioritizes character psychology, legacy, and the myth of knighthood over spectacle-driven chaos. Rating: Out of 5 Brotherly Blows to the Back of the Head Brian: 4.99/5 Darryl: **/5 Contact Us The Infamous Podcast can be found wherever podcasts are found on the Interwebs, feel free to subscribe and follow along on social media. And don't be shy about helping out the show with a 5-star review on Apple Podcasts to help us move up in the ratings. @infamouspodcast facebook/infamouspodcast instagram/infamouspodcast stitcher Apple Podcasts Spotify Google Play iHeart Radio contact@infamouspodcast.com Our theme music is ‘Skate Beat’ provided by Michael Henry, with additional music provided by Michael Henry. Find more at MeetMichaelHenry.com. The Infamous Podcast is hosted by Brian Tudor and Darryl Jasper, is recorded in Cincinnati, Ohio. The show is produced and edited by Brian Tudor. Subscribe today!

In this special episode, Lesley Logan sits down with Pilates icons Brooke Siler and Maria Earle for a deeply personal conversation that goes far beyond the reformer. As they celebrate the 25th anniversary of The Pilates Body, they reflect on career evolution, friendships formed during lockdown, and the courage it takes to become more embodied as our bodies change. From life as expats to the intentional decision to redefine a global Pilates classic, this episode is a reminder that strength, trust, and confidence are built from the inside out. If you have any questions about this episode or want to get some of the resources we mentioned, head over to LesleyLogan.co/podcast https://lesleylogan.co/podcast/. If you have any comments or questions about the Be It pod shoot us a message at beit@lesleylogan.co mailto:beit@lesleylogan.co. And as always, if you're enjoying the show please share it with someone who you think would enjoy it as well. It is your continued support that will help us continue to help others. Thank you so much! Never miss another show by subscribing at LesleyLogan.co/subscribe https://lesleylogan.co/podcast/#follow-subscribe-free.In this episode you will learn about:How Maria and Brooke's friendship deepened during global lockdown.Why the Pilates Body aesthetic needed to be questioned and reframed.What a Pilates body truly means beyond appearance and performance.Rediscovering Joe Pilates' original archival work to guide embodied movement.Owning grit and sustained effort instead of attributing success to luck.Episode References/Links:The Pilates Body Book, Revised and Expanded Edition by Brooke Siler - https://beitpod.com/pilatesbodyrevisedBrooke Siler's Website - https://www.brookesilerpilates.comBrooke Siler's Instagram - https://www.instagram.com/brookesilerpilatesMaria Earle's Website - https://www.mariaearle.comMaria Earle's Instagram - https://www.instagram.com/maria_earleLocal Bookstores - https://bookshop.orgReturn to Life Through Contrology by Joseph Pilates - https://a.co/d/0eqSRfGNGuest Bio:Brooke Siler began her Pilates training in 1994 under Joseph Pilates' protégée Romana Kryzanowska at Drago's Gym in New York City where she spent a decade studying under Romana's masterful tutelage. She opened her award-winning Manhattan studio, re:AB Pilates, in 1997 and was quickly embraced by Hollywood's A-list from Madonna to Dustin Hoffman, but Brooke is probably best known for penning the New York Times' best-seller The Pilates Body. The Pilates Body has become the highest grossing Pilates book of all time and she has followed it with titles: Your Ultimate Pilates. Body Challenge, The Pilates Body Kit, The Women's Health Big Book of Pilates and the Pilates Weight Loss for Beginners dvd. In 2021 Brooke launched her long-awaited, passion-product, The Tensatoner™! Brooke has studied anatomy, physiology, kinesiology, fascial networks and cadaver dissection with teachers: Tom Myers (Anatomy Trains), chiropractic physician Dr. Joe Muscolino (Know The Body), Leslie Kaminoff & Amy Matthews (Yoga Anatomy) and podiatristMaria Earle is an internationally recognized Pilates educator known for her warm, charismatic teaching style and deeply embodied approach to movement. With more than 27 years of experience in Pilates and wellness, she draws from decades of hands-on teaching, studio ownership, and advanced education to guide practitioners toward sensation-led, authentic practice. Based in Barcelona, Maria leads postgraduate teacher trainings and online education through her Digital Studio, supporting movers at every stage of life. If you enjoyed this episode, make sure and give us a five star rating and leave us a review on iTunes, Podcast Addict, Podchaser or Castbox. https://lovethepodcast.com/BITYSIDEALS! DEALS! DEALS! DEALS! https://onlinepilatesclasses.com/memberships/perks/#equipmentCheck out all our Preferred Vendors & Special Deals from Clair Sparrow, Sensate, Lyfefuel BeeKeeper's Naturals, Sauna Space, HigherDose, AG1 and ToeSox https://onlinepilatesclasses.com/memberships/perks/#equipmentBe in the know with all the workshops at OPC https://workshops.onlinepilatesclasses.com/lp-workshop-waitlistBe It Till You See It Podcast Survey https://pod.lesleylogan.co/be-it-podcasts-surveyBe a part of Lesley's Pilates Mentorship https://lesleylogan.co/elevate/FREE Ditching Busy Webinar https://ditchingbusy.com/Resources:Watch the Be It Till You See It podcast on YouTube! https://www.youtube.com/channel/UCq08HES7xLMvVa3Fy5DR8-gLesley Logan website https://lesleylogan.co/Be It Till You See It Podcast https://lesleylogan.co/podcast/Online Pilates Classes by Lesley Logan https://onlinepilatesclasses.com/Online Pilates Classes by Lesley Logan on YouTube https://www.youtube.com/channel/UCjogqXLnfyhS5VlU4rdzlnQProfitable Pilates https://profitablepilates.com/about/Follow Us on Social Media:Instagram https://www.instagram.com/lesley.logan/The Be It Till You See It Podcast YouTube channel https://www.youtube.com/channel/UCq08HES7xLMvVa3Fy5DR8-gFacebook https://www.facebook.com/llogan.pilatesLinkedIn https://www.linkedin.com/in/lesley-logan/The OPC YouTube Channel https://www.youtube.com/@OnlinePilatesClasses Episode Transcript:Maria Earle 0:00  It feels great to be a part of something that is, it's bigger than me, it's bigger than the book, it's bigger than us together, it's bigger than all of it. It's about this reframing what it is to be in our bodies and to embodied and to celebrate all the different phases. I mean, my size has never defined me.Lesley Logan 0:27  Welcome to the Be It Till You See It podcast where we talk about taking messy action, knowing that perfect is boring. I'm Lesley Logan, Pilates instructor and fitness business coach. I've trained thousands of people around the world and the number one thing I see stopping people from achieving anything is self-doubt. My friends, action brings clarity and it's the antidote to fear. Each week, my guest will bring bold, executable, intrinsic and targeted steps that you can use to put yourself first and Be It Till You See It. It's a practice, not a perfect. Let's get started.Lesley Logan 1:10  All right, Be It babe, this is magical. If you had told me when I saw this podcast, I would have in this conversation, I would have like, no, what are you talking about? So while we normally don't talk a lot about Pilates on this podcast, everything is kind of Pilates to me. I have two incredible, humongously wonderful, brilliant, the biggest hearts of the entire world teachers on today's podcast, and we are going to talk about friendships and life and having brave conversations and and how do you accept an invitation to make an impact about something that is bigger than you? And this is really wonderful conversation. And so Maria Earle and Brooke Siler are our guests today, and we were talking about The Pilates Body book. And I'm honored. I can't believe I'm pinching myself that just fucking happened. I can't believe it. I can't believe I just got off like, two-hour chat with these wonderful women. What is my life? So anyways, I can't wait for you to hear this, and I do think it is a honest conversation about bodies and women and the things we go through. And I hope you love it and that you send it to a friend who needs to hear it, and you know, you tell us all about your favorite parts of it. Here they are. Lesley Logan 2:23  All right, Be It babe, we have like a dynamic duo. I'm not gonna lie, I also totally screwed something up when hitting getting everything ready, because I was so nervous and so excited, because I'm obsessed with both these women, I get to fan girl over them to their faces, which is very fun for me. So Maria and I got to officially meet in in Seoul Korea, but I had been following Maria Earle for a long time, and just watching she's just like, so graceful and so amazing and just wonderful everything she does. And I'm just like, I'm not graceful at all, but I just absolutely adored her. And I love like, I've spent time with her in Seoul, Korea, and so I feel like we'll always have a night in Seoul together. And then Brooke Siler, okay, so I went to, and you might not know this about me, Brooke, but I actually went to Pilates class, kind of kicking and screaming. I thought of that class was like a bunch of BS workout. I told the girl, it's an infomercial workout. It can't do what it claims, but I needed a friend. So I went to the class. And I was obsessed. Became obsessed with this class. I was like, oh, it was the most amazing thing I've ever done in my entire life. And I worked at South Coast Plaza, and I went to the bookstore, and I went to the fitness section, and I bought the Pilates book that was there, it was your book, I took it home, and I did every exercise like in the book. I started going to Pilates every single day. And you had a second book, and I bought that one. I was on the treadmill, like walking, like I was lifted, like I was obsessed. And then some, I moved to L.A., and someone's, like, can you be my Pilates instructor and like, kind of, you know, the internet and social media wasn't really a thing then. And then, fast forward to, I believe it was January of 2020, you were in L.A., and I was like, I have to go to this workshop. She doesn't know I'm so obsessed with her. And I went to the workshop and you taught an exercise a certain way that I had been teaching it that way, and I had no one had taught it to me like that, but I had just figured out like, and I pull straps I want my inner thighs up because it helps me get my butt on, helps me all these things. And you said it, and I was like, oh my God, I'm so validated right now. So anyways, I just had to tell you that, because, like, I you, like, even though I knew it was great, I just, like, needed someone like you to say it. I was like, this is amazing. So. Brooke Siler 4:31  Your little backup. Lesley Logan 4:32  Yeah, a little backup. So anyways, you've been part of my, like, be it till I see it as a Pilates person my whole life, and you and, like, for at least 20 years, and you didn't know it. But now I get to have the two of you on the Be It Till You See It podcast. So we'll start with Brooke. Brooke, can you tell everyone who you are and what you rock at? Brooke Siler 4:48  Yes. Well, first of all, thank you so much for having us. Me, us both. I, yeah, really excited to even have a conversation. I love being in a room with smart women. There's nothing better, really. So my name is Brooke Siler, as Lesley has already told you, I am an author. I'm a teacher. I started teaching in 1994 and then in 2000 I wrote the Pilates body, and it's been that fantastic 15 minutes of fame that has just gone on and on and on for me. I just am super blessed, super grateful. And yeah, I think that's who I am.Lesley Logan 5:25  Oh, my God, yeah, yeah. Then there's, I mean, like, when you have to, like, distill yourself down into a nutshell life, but it is, absolutely, we'll have to get into the 15 minutes of fame that keeps on giving you know for decades. Maria Earle, what do you rock at babe? Maria Earle 5:40  Hi. Also, thank you for putting this together. It's fun to be here with you two. So my name is Maria Earle, and I am a Pilates educator, and have been teaching Pilates since 1997 walked into the first Pilates studio a few years before that, and just never stopped. Anyway, I I'm based in Barcelona, Spain, and prior to that, I lived in New York City and had a Pilates studio for about eight years on the Upper East Side of Manhattan, and took a big leap of faith and moved abroad about 15 years ago, which it's funny when you put a number to it, but, yeah.Lesley Logan 6:29  I know, I know I feel really young until I realize how long I've been doing something. I'm like, oh, I mean, I'm still young, but also we aged in there.Maria Earle 6:38  So yeah, I have a Pilates studio here, and I run post graduate teacher training courses and online things. And, you know, trying to live my best life, basically.Lesley Logan 6:52  Yeah, do the best you can. Like, do the whole balance thing they all tell us to do. You're like, balance gotta work, the balance of work and life. And, you know, you have kids too, right, Maria? Maria Earle 7:01  I have one, though it feels like multiples, but there is only one. I'm like, yeah, yeah, there's one. Lesley Logan 7:10  Yeah, oh my gosh, okay, well, so I guess we can go, you know, we can go anywhere we want, but I actually would love to hear how the two of you got connected, because part of me goes like, did you know each other in New York? And the other part of me is like, so jealous when I hear that you've been doing Pilates since the 90s, like, I would wonder what my life would have been like had I learned it sooner. I'm always so jealous of people who did it in the 90s.Maria Earle 7:36  Yeah. You call that Golden Age.Brooke Siler 7:38  It really was. It really was a golden, I feel like it was, yeah, it was a Golden Age. Pilates. (inaudible) I feel like Maria and I maybe have orbited each other, because we seem to have been in a lot of the same places at the same times, but we didn't actually meet each other, until just 20, what did we determine it was? 2018?Maria Earle 8:01  2019Brooke Siler 8:02  2019 in Barcelona. I came over to teach a workshop at a studio there, and Maria was there, and she was Maria (inaudible) and it was her birthday, and I was like, oh, loud American, oh my gosh, in Spain, in this little studio. And, yeah, we, I, we just kind of got to chatting, but we didn't do much after that, did we? For a while.Maria Earle 8:28  We talked, I think we talked a few times, because we know are we allowed to say this about you living abroad already. Brooke Siler 8:36  I mean, I live abroad. Maria Earle 8:37  That's not a that's not a .Brooke Siler 8:39  No, it's not a secret. No, I live in the U.K.Maria Earle 8:42  So yeah, I think. Lesley Logan 8:44  What if Brooke is like, don't tell anyone I live in the U.K.Brooke Siler 8:50  I'm the witness protection program. But other than that.Maria Earle 8:53  Witness protection program, I was like, I don't know. You know, I'm not gonna. Anyway, so yeah, (inaudible) exactly. I think we connected. I mean, not only do we connect over, you know, Pilates or whatnot, but I think there was, like a real like, wait, you live in the U.K.? And you were like, wait, you live here now? We were both kind of like, well, what are you doing? What? And so there was, I think, you know, I remember a number of phone calls where we were talking about, you know, the, the challenge of, you know, uprooting your life. And in later years, you know, I mean, I didn't move here with children, but Brooke moved with children, and basically. Brooke Siler 9:41  Yeah, mine were nine and 11 when we moved. Maria Earle 9:43  You know, she needed to start running, like, from the get go. She needed to have all the things together, right? I, I moved here as a single person going, lalala. This is great. This is fun. And then, you know, sort of built my life deciding like, oh, I'm really going to stop. Here, and I'm going to make a life here for myself. And, you know, I've never looked back.Lesley Logan 10:07  Yeah, I think that's so I think this is so interesting, like, because we have a lot of people write in, like, how do you make friends when you're older? Like, I've moved and I think, like, that was obviously shared experiences. Like, you go somewhere, like everyone did you hear they went to a thing that they both are interested in, but then you you connect on another level. Like, I think that's the important part of like, having a friendship. Like, you have to, can't just be like, oh, we just go to Pilates class together. Like, there has to be this other shared thing. And it's like, oh, we're both expats, and we both had to, like, start a whole new life somewhere. And I'd imagine Brooke that it's quite challenging to do that with two kids, like, I imagine, like, because you had already written the book by then, the original Pilates Body Book, and then you move. And so then you're like, you have a whole life. You're a best selling author, and then you're like, a mom trying to get two kids into school.Brooke Siler 10:54  Actually, that was the whole point was I had been kind of this, the Pilates Body author, since 29 years old, 30 years old, right? So I was like, Who? And I started Pilates at 26 years old. So here I was 46 or something. I was like, who am I without this? Like, half my life has been this. Can I just be a mom? So when I moved here, I came with my husband's name, like, I was like, I'm not gonna say Siler, I'm not going to tell anyone I do Pilates. My stuff was in the garage. Like I am to be mom, and that's what I can't or mom, my kids totally do not have English accents, but so, yeah, that's what I was going to do. So I joined the PTA because I'm that person, and I, yeah, I made like, you know, we went to the pub and did the pub quizzes and did all that stuff while the kids were in school. I was mama, and of course, then what did I end up doing, teaching the teachers Pilates for free. I was like, hey, let me come and give you guys Pilates because you I like, how do you do this with kids that's so challenging. Let me do something for you. So I came and started teaching every Friday, giving them Pilates session, you, I can't get away. You can't get away from it like it's who you are. If you're a teacher, you're a teacher, and if your art is is Pilates. Like, you know, I feel like my, my vocation is teacher, and my, my medium is Pilates, you know.Lesley Logan 12:15  I understand that. I think like I, you were all going to teach something that happened, that we, you know, someone probably told all of us that we should become a teacher, and we're like, okay, I'll do that thing. Yeah, yeah.Brooke Siler 12:29  Pulled me back in. And it wasn't till lockdown. That's when Maria and I really came together, and that's when, yeah, my whole Pilates World opened right back up again.Lesley Logan 12:40  Interesting. So, like, did you guys? Because, I mean, obviously we've heard, like, I think it was Esther Peral was, like, the Covid was, like, the great accelerator, like, if you were gonna do something, it was gonna, you were gonna do it, and it's gonna do it faster. So you're either gonna, like, if you're gonna break up with someone, you broke up with them faster. If you were, like, Brad and I, we picked up our life and moved as well, and I did it three years earlier than we thought we ever could. And, and, and so, like, was that the great accelerator for your friendship? Was it a way that you guys got deeper because there was not as many distractions? How did that go?Brooke Siler 13:09  Yeah, what do you think Maria?Maria Earle 13:11  I think so. I mean, I so agree with the great accelerator. I mean, I always think about, I mean, for our friendship, for sure, but also, you know, stepping into, stepping into newness, in terms of professionally, stepping into things that, otherwise, you know, it was the kind of the kick in the ass that I needed for a number of things that I'm totally happy to talk about. Lesley Logan 13:36  Yeah.Brooke Siler 13:38  (inaudible) About it because we were, like a little women's group. There was four of us.Lesley Logan 13:42  Yeah, okay, if I obviously, what happens in a women's group stays in women's group. But like, if there's something we can talk about from women's group, I would love to because I think this is where, this is where a lot of women I find our listeners are, they can get really lonely, or they they want community, and they seek community, but then, you know, someone doesn't show up to something, and it gets easy to take it personally. Like, how did you guys have a women's group, and what did you just talk about?Brooke Siler 14:07  It was, it was a movement. I mean, we were working out together, is what it was. So, like, two, three times a week, we were working out together and.Maria Earle 14:15  And then doing a lot of chatting afterwards. (inaudible) Talk about, like, set your morning aside. I mean, like, don't book any clients until after 12. There is just, there's just too much that needs to pass.Brooke Siler 14:33  Everything, you know, everything that was happening in Covid that was so amplified was happening around us. And so we would sometimes, you know, we'd get on the we'd go to work out, but someone had had a morning, something had happened, someone had seen something and and we would, you know, tears and sharing, and yeah, we yeah, all the things happened, yeah, yeah. But it was an unlikely like, none of us really knew each other knew each other before. And, yeah, we're an interesting foursome, actually.Lesley Logan 15:03  I love but I love it because it's like, I think, you know, you said side of the time, and it just evolved naturally. But also, like, when women do get together and they're and they share that, and they can be vulnerable, you know, they say, like, you know, movement is how, like, we like, trauma can leave the body. We can heal the body. Like, it's so important. I have a yoga class that I go to, and the first few minutes are kind of somebody bitching about something, and then we get into the yoga and then by the time the yoga is over, whatever that was like, moved out of all of us. And then, and then you can wrap up the conversation, if somebody needs to. And I sometimes kind of wish it went an hour longer, you know, I can imagine what a wonderful way to, like, very therapeutic.Brooke Siler 15:44  There's the physical workout and the emotional workout. They both kind of conjoined. Maria Earle 15:50  Yeah and when you just, when you just commit to it, you just lock into it, and that just becomes your non negotiable. Like, that's just, that's just what I do on Tuesdays and Thursday mornings, like, you know, sometimes things would come up, but we.Brooke Siler 16:07  We're committed to one another, to ourselves and to one another. Lesley Logan 16:10  Yeah. And that's like, so, okay, this is the hard part, right? Because, like, we're all teachers here. And like, we have the clients who, like, you know, they want to come three times a week, and then they and then they book, you know, this coffee date and this thing. And then we have the teachers who also say they want these things, or the women who are like, not necessarily teachers, because this is not most of the people don't even do Pilates listeners. But like the people, like they're they want this, but it is a commitment, like it is an actual like, you are not just coming Tuesdays and Thursday mornings until noon, but you're making sure everyone in your life knows about it so that it's things do come up, but they're kind of rare, because there's rarely, like, an actual emergency that can't be done on another day, like, there's, you know. So how did you guys, like, how did did you tell, like, Maria you have a kid, did you tell your one kid and Brooke, I'm assuming your kids are a little older now, but like, were they aware that, like, hey, leave me alone. This is my private time. How did you get the commitment to be something you could come to without the pressures of, like, all the guilt of all being a mom?Maria Earle 17:07  I don't know. I blocked it out. Brooke Siler 17:09  Yeah, me too. What guilt? That was our time?Maria Earle 17:15  No, I don't know. It's funny because I actually, I.Brooke Siler 17:20  Also we have boys, I feel like that needs to be said (inaudible).Maria Earle 17:25  Yeah, maybe, I mean, you know, it could have been messy, like, I don't know, but I know that it was time, not only well spent, obviously, But it was time that was so important to me that I just, I figured out how to make it work. And, you know, maybe sometimes I could only log in for a little while, or, you know, sometimes I'd say, like, I gotta, I gotta go. I gotta go, you know, I I just, I want to, I want to check in. I want to say that I love you, and like, hi, but like, I have all this going on. I, that's it. That's all I got for you. They'd be like, you know, bye, we need just that little bit of like, you got this, you know. Lesley Logan 18:16  Well and it also it sounds so it sounds a little bit like one, you know, you needed it for yourselves, and like, you did that, and they were, like, unapologetic about that. And then two, you found the right people that would understand if you couldn't, and they wouldn't take it personally, and they wouldn't hold it against you. And I think that's where a lot of people have screwed up in their groups, of their friendships. It's like they kind of have kept people from a long time, and you know, like, aren't good at voicing what they need or or even knowing what they need. So then it, it gets muddled, and it becomes an uncomfortable situation.Brooke Siler 18:48  I'm I'm wondering now if maybe what worked in our favor was that we weren't friends beforehand, really. We kind of we, we solidified the friendship, but actually we grew the friendship in lockdown. So we were learning about each other. So it was not only the interest in showing up to move, but we were also interested, I think, you know, in each other and one another, and each one of us had so many amazing things happen to us. You know, Alicia started a podcast, and Karen, like, set up her studio. And, you know.Brooke Siler 19:18  Maria bought. Maria Earle 19:20  Oh yeah, I bought my studio (inaudible). Brooke Siler 19:23  We were there for for all these things, you know. And we could share, like, hey, what do you guys think? And each one of us so has a different kind of forte, and we just feel like the universe just kind of made that all happen. So, without too esoteric, it really was yeah meant to be we and we yeah I think it became that, like.Maria Earle 19:45  It became a rock.Brooke Siler 19:46  You do, yeah.Lesley Logan 19:48  Yeah, and then and, I mean, like, life the world is open. Have you been able to keep the Tuesday and Thursdays together, like you guys still hanging out? Brooke Siler 19:57  It became different. It's shape shifted. It's. Not the same. It's more like, you know, yes, the world is open. There's so many other things going on. I mean, listen, I had to write a book just to see Maria again. I mean, that there was that moment of like, yeah, after having written the book, I was then like, oh, someone actually has to be the model in this. Who and I just, it was immediate. It wasn't even, like, a second I didn't even have a second choice. Like, had she said, no, I was screwed.Lesley Logan 20:31  So, so, so we're, I mean, of course, everyone's like, hold on. We have so many questions about this. Like, women's group, but we're gonna move on, guys, because we only have so much time. But like, if you, if you Brooke Siler's name does not ring a bell from The Pilates Body book, but, but that we, you know, I've literally moved with every apartment. It ever moved with me and into this house, and it didn't even go into a closet, like it's on the shelf. You know, because I think it represents, like the time when I was, like, I was, I believe so much that people can have an independent Pilates practice. And because I was like, but this book gave me that, like, I was able to have an independent Pilates practice. And I I think that, like, that's so necessary for the world we all live in today, to have, you know, to have enough Pilates in our life, whether you're a teacher or not, you need to have some way of doing it. So I was trying to look it up before we started talking, when did you write this book the first time?Brooke Siler 21:24  I started writing it in 1999 and it was published in 2000. Lesley Logan 21:28  Okay, so that's wow, so it's been 25 years. So then you had so then you're like, I'm gonna write it again. I guess.Brooke Siler 21:36  I was like, we should celebrate. It's 25 years, and I still have people coming and saying, oh, my God, my career started because of Pilates, because of The Pilates Body, and that was the first book I ever had, and I've heard that for 25 years, and it felt like, definitely, you know, the, Pilates is bigger now than ever. And I was like, how amazing would it be if we if we did a 25th anniversary, and I brought my literary agent, and she was like, yes, love the idea. And then we brought it to an editor, and they were like, yes, love the idea. And they were like, but, and I just thought, actually, I could, you know, there's that one copy of the Joe Pilates book where it's two of his books together. I thought it was going to get off really easy and just combine the first two books. And so I said to the editor, can't we just put the two together and make it.Lesley Logan 22:21  This one too. Brooke Siler 22:22  Yes, exactly. Wouldn't that be perfect? And then I don't have to do anything. And they were like, No, you have to put new material in there. And I was like, oh, okay. So I hear the things that are of interest to me at this time, like I'm doing a lot of deep work on breathing. I'm doing a lot of deep work on this (inaudible) and that's a whole nother topic, but they chose one, and that was what I went with. And so when I started doing the deep digging, it was, I mean, I had already done the deep digging, I should say, but then starting to try to put it into terms that could be easily understood, and how to make it blend deeper with Pilates. And it was stuff that I was doing that we were doing in our Tuesdays, Thursdays, you know, I always come with ideas. I'm like, hey guys, let's try this thing I've been playing with. And there they were just always game. They were very generous with me and allowing me to test out all of my crazy ideas on them. And yeah, so this one just kept sticking. And then I was teaching online classes, and people were like, writing me afterwards, going, Oh my God, I feel amazing. I can't believe, like, what this feels like. And I was like, okay, cool. So I not only wrote it, but I was like, listen, it's 25 years. I'm going to rewrite all the they didn't give me a budget to do all the photos again. So the photos are the same as they were, and the layout is the same, but I pretty much rewrote everything, like, I updated the language and put in new variations and a lot of archival, you know, just bringing Joe into it, because lockdown, I dug deep, deep in Joe's, you know, treasure trove, and put, like, instead of looking outside of Pilates, I just went back in. I feel like it's that when you go to the dentist, and they used to have the treasure chest and you could pick a toy, it's like, I just went, I did a deep dive into the, Maria, I did a deep dive in and found all. Lesley Logan 24:11  Maria, your dentist didn't have a treasure chest because mine did. And an aquarium, okay? And I would watch the rocket fish go across like I was my favorite.Brooke Siler 24:20  Yes, exactly, yes. So I just yeah, I think, you know, I was pulling stuff out and trying stuff, and they were loving it. And that's the way my mind works. I feel like lockdown for me was an incredible like, everything shut down, out, out, and my brain just went absolutely mad creative. Like I just couldn't stop creating. It was, it was amazing. Lesley Logan 24:44  So you're listening to this everyone. The book is already out, like we're talking about this before I've had my hands on a copy. And of course, I'm like, now (inaudible) even more than I was when you first told me about it, but like I do so and I'm excited to hear what Maria's response was like. Like to also You were telling her, I'm gonna redo this. Like, there is something about, like, Okay, I think we should celebrate. It's gonna be easy. But then it's like, okay, great. Now I've get to redo it. The in the redoing, it's like, you there's things that you can change, because you've had 25 years of teaching on top of it, 25 years of testimonial, 25 years of hearing people say they love this, or have questions about this, like, not many people get a redo and in life, you know, so. So Maria, when she came to you and said she was redoing this, is there anything that like you were the most excited about, that you were like, like, what? What part did you get to explore with her, that you were excited to be in the book?Maria Earle 25:38  Well, my, my role is a very tiny, tiny little role.Lesley Logan 25:43  No way, no way, no.Brooke Siler 25:47  Let's just call bullshit on that. I mean, it's not.Maria Earle 25:50  That is not true. What I mean to say is that, basically, as Brooke said, right, she had been developing these ideas and had an opportunity to basically add a new section to the book. And needed, and needed wanted to have somebody to to be the model for that new chapter. And I got to be someone who sort of got to be in the behind the scenes, like I got to sort of be in her brain a little bit while she was, you know, having this explosive sort of creativity moment, you know, I got to, I got to experience firsthand, you know, her process. And that was amazing. And, you know, I mean, I guess we could joke a little bit about this Brooke, because she she said she sort of hinted to it earlier when she said that, you know, she wanted me to do the book, but you know, she was like, if she said, no, you know, what was I going to do, right? You know, so I think so it took her a little while because she knew that I might like run for the hills when she's asking me to be the, you know, the model.Brooke Siler 27:05  The Pilates Body to be out there. Yeah. Maria Earle 27:08  I was like, Brooke, are you crazy? You know, is like my first reaction, you know. So, you know, do you want to do this? You know, before I'm 50 or after I'm 50, you know, I do you? You know who you're talking to, right? You know I was like, so is this, like a wedding boot camp kind of thing that I need to, like, get myself, like, totally, like, in shape or whatever.Lesley Logan 27:49  Whatever that means, yeah, yeah, yeah.Maria Earle 27:51  And she was like, No, I want you to just be you and talk about leap of faith. Talk about, like, stepping into, like, the scary bits and saying, Okay, I I trust you, yeah, and I believe in your vision, and I want to step into that space 100% because it is what I believe. Like, let's celebrate, let's celebrate the body as it is, like, let's, let's give it a whole another dimension here, you know, let's cut through the bullshit of what it means to have a Pilates body, and let's reframe that dialog. And no, I'm not going to get photoshopped as much as I, you know that little my head is like, well, could. Brooke Siler 29:04  We had a lot of conversations. Maria Earle 29:05  Couldn't they just a little, no, right? So it's like this, like inner dialog of over months and months, you know? And that is powerful and beautiful. And I, I could not have asked for am better partner to to do that with, and, you know, a safe space to like, be, no, I'm going to step into this, and I'm going to do it big, and it's going to be, it's going to be yeah and and, yeah. It feels great to be a part of something that is, it's bigger than me. It's bigger it's bigger than the book. It's bigger than us together. It's bigger than all of it. It's, it's, it's, it's about this reframing what what it is to be in our bodies. And to embodied and to and to celebrate all the different phases. I mean, my size has never defined me, and I have been, you know, I am not the size I was when I was 25.Lesley Logan 30:18  Nor I and probably not, right? I I love that we're going here, because I just have to say, like, we're recording this two weeks after so my youtube channel hit 40,000 subscribers, which I'm at the time, this is where, and I was so freaking stoked, because, like, I did it without, like, putting I did it without, like, doing a, you know, tits and ass workout, without, like, you know, the fake Pilates, like, we'll call it Pilates, but it's just, mostly just sit ups, like, I did it without, like, put on, I did it with, like, just educational support. And I'm so proud of what we did. And on the day that we hit 40,000 somebody wrote, your stuff is really great, but you used to be thinner, and it was really, the videos are really great when you were thinner. What happened? Of course, other subscribers are like, this is not helpful. This is why teachers and trainers are afraid to gain weight. Like, wonderful, supportive stuff and to and like, my response to this per and the person doubled down. So in case we're wondering, like, maybe it's a cultural thing, like, we have a house in Cambodia, and people will inquire, like, oh, you're bigger. Why? Because maybe you're rich. They want it like, like, you know, like, that's kind of different cultures. Have different experiences. So, so I was trying to like, so in case we thought maybe it's a cultural translation thing. No, they doubled down. They said it's a calories in, calories out. She could have better discipline. Oh, and to which I got pissed off, because I don't, I don't have the body I had at you know, when I discovered, when I when Pilates discovered me at 22 like I am, first of all, I am no longer sick. I no longer have digestive issues. I now absorb nutrition. I also like happen to look a lot better with curves. Thank you very much. But I, for the record, like I told I went online and told people, yeah, I've gained 40 pounds. I am the most disciplined person I know. I probably do Pilates more than people other people do who have different bodies than me. You cannot have fat phobic comments on my channel. This is wrong for so many reasons. I hope you have space and grace for yourself and others when your body's changed, because they will and it's and I really appreciate you sharing that journey, Maria, about your body too. It's like, I think so many teachers and so many women are afraid to put themselves out there, whatever their thing is. We can even switch Pilates to being an author, being a speaker or being a doctor, like every woman is so afraid. Well, I don't look like whatever x is supposed to look like. And so people are going to judge me. And then, because they don't put themselves out there, because they're afraid they'll be judged, then the only people that are out there are 22 year olds in their super cute outfits that have never looked good on me. And so, of course, like so then people think that's what it is. And so then we have this whole misunderstanding. Brooke Siler 33:05  It's really, it's a, it's, yeah, it is dysmorphia, and it's a really sad commentary, and it's, and, you know, I'm, don't let me get started on a patriarchy, because I will. Lesley Logan 33:16  We can, but yeah. Brooke Siler 33:19  You know, it's, it's this. It's not only an unrealistic ideal, but like, who's even the one coming up with that shit? It's just ridiculous. And the thing is, we've all bought into it at some stage in our lives. And certainly it's something that, you know, it can be on so many different levels. But Maria and I were talking about this too. There was plenty of times, like, even, you know, you'd want to Photoshop this, or there's the cellulite there, and there's the whole thing, and in the end of the day, we're wiser than we've ever been in our lives. We are more powerful in our own ways than we've ever been in our lives. We can move beautifully in at our this age in our lives. I started taking tennis last year. I go three times a week. One, I've never in my life played tennis. I started at 56 you have to love that and like, fuck it. I don't care if my thighs are thicker. I'm like, really enjoying what I can do in this body. And that's what a Pilates body always was. I did even look back in 2000 when I wrote the book, the if you go through the three models at the beginning, there is a passage at the Afterword that says, I chose these three models because of their they were teaching because they're teachers. Their ability to do the actual movements and endure the long photo shoots of the day, they happen to work for me. So that was very easy. They were there. I didn't do like a whatever they call that, a model call, you know, they they worked for me, so it was perfect. They were amazing teachers who were had modern dance backgrounds, so they were strong as shit, and they were beautiful. And I wrote, I hope in earnest, that they that they inspire and don't intimidate. And I wrote that in 2000 because for me, I already knew it's not about having a skinny you know, body, a particular type of body. It was just they were there to model the work, and I knew they could do it. And these are longer days of shooting. So with Maria, I knew her. I knew her work, because we've been working out together for years, and I could see her power and what she could do with her body. And I thought actually in the way she moved, coming from Kathy Grant, but she has this beautiful way of moving different than what I experienced from Ramana. So I loved it, and I thought it fit so perfectly. And it was very much about, you know, it's got a lot of Maria in it too, which is this beautiful, you know, soul. It's about sensing internally. And so it's, it's a kind of, it's a really nice, I think, flip. It's not that the work. I mean, she killed it, I will say, and I'm just going to admit this, I knew she was going to do an amazing job. I really, I can't actually believe how incredible she was, really. And she knows I say this all the time to her, because she, she killed it. She was a superstar rock star, like, if she couldn't get the thing, she was like, save it. We'll do it again at the end. Like she just, there was determination, like, nothing I've ever seen. It was a very long day of shooting, and I it was like, yeah. I was like, wow, that was really the right choice. I mean, I knew it was the right choice from the beginning. It was, it was a no choice choice. She was a no choice choice. It was just gonna be Maria or it was gonna be no one, and thank God, she took a day, I think, like a day, right when I asked you, and then, like, the next day, she was like, right, I'm good. Because I remember saying to my husband, like, what if she didn't do it? Like, I needed to be her. It's just her. It just was her. It was like, meant to be you. So. Lesley Logan 36:40  Oh yeah, but I, and I, Maria, first of all, like, I don't, I you, there's something about you that's just so magical that you could even, I don't even know, I don't know if I could take the day, I probably would have been like, I'm fucking scared. And, you know, but you know, like, I don't what, what did you think about? What did you? Did you journal? Like, what did you, what? How did you how did you contemplate the decision? Because you're correct, it's hard to find the words for it. It is going to be bigger than this book is any bigger because, because the book was already bigger than Brooke already, and so and so. And also I just want to say, like, I love that there. I love that the height of Pilates being so popular. This book is coming out again, because I do think it brings some authenticity to the work that we're doing. So what did you do during the day to, like, come to the decision we all want to know how you contemplated?Maria Earle 37:30  Well, I think, I think definitely it was a process. It was a number of conversations, you know, and and I knew in my heart that I that I had to say yes, I knew that it would be a major regret if I let fear and you know, like the little the little naysayers, you know you shouldn't be doing that, or what business do you have? You know nobody wants to see you know you. I knew that all those little voices that I ultimately would regret letting them win. So I knew that I had to say yes, and then basically I had to work backwards from the yes to convince myself that I was okay and that, that, you know, and luckily, luckily, I got good people on my corner, so, so whenever I felt like I needed to, oh God, oh God, what have I done? I'm not ready for that. Wait. I need that boot camp, you know, I maybe, if I did lose, you know, the 20 pounds that I've gained, you know, in the past 10 years, perimenopause is kicking my ass, you know, what if I, maybe I could, oh, God, like whenever I would sort of hit those high rev panic moments, you know, I just have to go to Brooke and whoever else was, were my rocks, you know. And you know, while I'm like, circling and, you know, and I can't land right, and they would be like, it's okay, we got you. This is going to be amazing. This is this and that, and.Brooke Siler 39:20  (inaudible) believing the people that see you like you almost have to see yourself through others' eyes like it was no doubt in my mind that you were perfect, perfect, but I just that's you know, you had to go through your process to get there, and I had to respect that. But yes, I was going to tell you how amazing and beautiful and stay as you are and like, think about how many people get to look and say, Oh, I feel that's me. I'm there. I'm being represented. It's, yeah.Maria Earle 39:52  I mean, because it's important. It's about, it's about really stepping into, stepping into that space, and that stepping into that space is really scary, but I show up that way from my clients every day, yeah, but I don't necessarily show up for myself in that way, and that is something that I don't like to admit. So I am admitting it here, and I'm admitting it now, but you won't ever hear me say it again. No, I'm joking. (inaudible) Maybe now I'll be able to say it more often, which is, like, I, you know, I fall into the same body traps, you know, even though I, I will with my clients and with the teachers who I work with, and, you know, my friends, I like show up with body positivity, and you are beautiful and you are powerful. And I don't, let's not worry about the, you know, the extra little curvy there, like, let's get strong. Let's get moving. Because it's about the moving, and it's about feeling strong, feeling great in your body. It's not about how your body looks. I do that for people all day long. And then when it comes to myself, it's like, right? Until it's like eating you up inside. And so and so the process, the process is not overnight. It's like a long term, term thing. And you know, the book's gonna come out, and I'm probably gonna hide under my covers for every day. Lesley Logan 41:17  For a few minutes, and then we're all gonna drag you out.Brooke Siler 41:21  We're coming in after you for sure (inaudible0.Lesley Logan 41:25  I'm gonna text you the day after it comes out to make sure that you're like, I I appreciate and that you said those things, because it's true. Like, I think we all hear like we're all that for our clients, like they body shame themselves, like, hold on, we're reframing that. And in the process of loving the body that I'm growing into. And, you know, there is all the things, because we were raised in, as our brain was developing, we were raised with the five minutes of tone here, the this here, like I was in modeling, and, of course, like I was like, working out all the time. And you guys went at a commercial agent and a modeling agent, and on the same day, the modeling agent said you're not thin enough, and my commercial agent said you're getting too skinny. And I was like, oh, I don't actually know what to do today. Like, I don't know what to do today because I'm now not hireable in commercials, according to you, but I'm not hireable enough because the modeling agency want to be a fitness model, but I wasn't toned enough to be a fitness model, but I wasn't skinny enough to be a model, model, and so, like you so and so here's, here's what I did. You guys, my agents were across the street from a fonuts, which is, if you've ever been to L.A., it's a non fried, gluten free donut shop. Okay, so the donuts are not fried. It's only gonna happen in L.A. and I I fucking went to the donut shop. I was like, fuck it. I don't even know what to do, and I consciously eating my feelings. Right now, I am an adult enough to understand. I do not, I have a therapy session around this, but I was just like, no one is going to be happy. And that is what I like sat on this bus stop with my donut, and I remember, like, no one's happy, and I told my husband, I said, I think I'm gonna let go of the agents. And I don't know what that means, because I don't I wasn't like wasn't like, wasn't like, I was I wasn't a dream of mine, but I was also like, I can't like, I can't handle these people and my own thoughts, like my own reaction, like, I can't my own thoughts of like my body changing and who I'm becoming, and trying to get healthier and absorb B vitamins, you know, anything to live on this planet like, and also have outside people tell me things like, so I that was, that was when I actually let go of but I will say, like, because we all go through that we can be very body positive and still have these things about ourselves. And I, I think it's hard to admit, but it's also like, it's, it's just honest, and it's a process, because I do think that in people falling in love with their bodies and seeing different bodies doing these strong exercises, they're still going to have their own thoughts to themselves. I can't do that. That's not what my body like all the and we have to go, you're going to have all those thoughts, and you're still invited to this party, because, like, we should have always been moving for the health of it and not for the shape of it. And I don't know when we stop working out for the shape. I don't know when that stops, but I do appreciate your honesty there, Maria. And I think it's I'm excited for what people are going to say and see and do.Maria Earle 44:37  Yeah, and also I would say, I would say something about to sort of bring a couple threads through that in that deep dive that Brooke did, like really looking into the archival work and looking at, you know, the pictures that Joe took doing his mat work, like we we sat with the book, you know, during the photo shoot, like we sat with the book and we were like, how is he doing this? As opposed to, and no, no zero shade, but different than looking at a manual or the gorgeous models that were in book one, right, that were all contemporary or ballet dancers who were making shapes, beautiful shapes, that were in very much influenced by the an esthetic that comes from dance. So you know, Mr. Pilates' swan is not a full extension with fingertips facing the ceiling, right? But we have that in our manual as like, that's what the swan dive is supposed to look like, right? And so we bought into an esthetic that doesn't necessarily, really, it's not, it's an it's an it's just that, it's just the esthetic, period, right.Brooke Siler 46:09  It doesn't even serve the body in the same way that when you realize what Joe was asking, and I always kind of joke about this, how many times I looked at those pictures in the book before lockdown, you know, for years before, because Romana had them on her walls and all of that. And in my mind, he was not in great form, not matching what I was being told. So, like, he needs to do this, he needs to soften his knees. He needs to and then when I started, really, and I've read those books a lot of times. I mean, honestly, before lockdown, I had already they were dog eared and highlighted in every color anyway. But then I went back in and, you know, every time you reread something, you read it with new eyes you because it's where you are. You need it. It meets you where you are in that moment, and it met in this place that was so perfect, because I really read it, I really I heard it, I saw it, and I thought, let me try what he's actually saying, because I had not, not done that. I just, blind faith, went with what I knew from my teacher, of course, who you know again, no shade there, either. Like, fantastic. It got me so far. But then being able to take Joe's words and his vision and his you know, he wanted to help us really be in our bodies and move better during the day. So when we did it that way, when we really got into the nitty gritty of what he was asking, and then the feeling like Maria was saying after the photo shoot, that she was like, Oh my God, I feel incredible. Like, not exhausted, and, I mean, maybe exhausted from the energy of it, but like, the feeling in the body is a good feeling, as opposed to.Maria Earle 47:53  Not fighting the body I was not, I was not fighting myself doing the exercises. I think that's, I think that's really, I think there's really something to that, you know, that you're not in a battle against you and the exercise, or you and the shape, and you trying to get into the shape, be the shape and and, you know, you'll see, you'll see the pictures. It's, it's not rocket science. It's not anything incredibly incredible. It's actually pared down. It's actually not performative, and therefore it's, it's, it's gonna resonate at a different level. And for some people, they're gonna be, like, it's just that.Brooke Siler 48:42  I said there's gonna be people who just rip the new chapter off and throw it away.Maria Earle 48:46  Like, well, what is this? You know. But if you're ready for it and you're in, you're willing to, like, excavate, and do the, do the work, as they say, right, then you're going to be like, Oh, this is this. This there. This is different. This feels different. This is, this is me being in my body in a different way. It's in my body in my way, as opposed to in somebody else's way, where I'm trying to, you know, do that, yeah, that what's happening down there at the end of the line.Brooke Siler 49:34  Very internal chapter in its own way. You can, you can enjoy it for the beautiful photos. But really, what's happening inside Maria in it is what's really, it's about and, and it's, you know, it will, it will be a new thing that people can take or leave. But it's really, I dug deep, and then I combined it with this natural thing called pandiculation. Which is what dogs, our pets, do all the time. You know, this, this lengthening and it's and then when I looked at the archival footage, pictures of Joe and the videos, I was like, Wait, that's what he's doing. And that's what he was saying, natural law of nature, how we move. Watch the animals. I was like, you know it was. And so, yeah.Lesley Logan 50:23  Yeah, yeah. I, I'm, thank you for saying what pandiculation was because I was like, I'm gonna have to look that up.Brooke Siler 50:28  And by the time you're, you know, this comes out, you will.Lesley Logan 50:32  but I can't wait for that. But I it's true. Like, my, my dog gets out of bed every morning, and he does both stretches, right? And I like, look at that. I'm like, I don't, I don't get out of bed and go. Lesley Logan 50:41  But he, you know when he does it 30 or 40 times a day. And they do it every time they move, because we don't like if you try to stretch your dog, they don't like stretch. If you try to pull your dog's leg, they don't like that. What dogs are doing? Pandiculation was fascinating. And when we do it, when we it's basically the word for yawn and stretch. It was developed in the 70s, whatever. Anyway, when you yawn and stretch, we think we're stretching, but we're actually contracting. So when you do this, you're not actually stretching the front. You're contracting the back of you and then releasing. And it becomes a signal that's sent to the brain so you actually learn how to regulate your muscle tension. It's phenomenal. Joe didn't say the word pandiculation, but he absolutely asked us to do what the animals do, and that's what the animals do, because it circulates your blood. It's so freaking cool. I just can't wait. I honestly, you know. Lesley Logan 51:37  I keep watching. I sent Brooke a little gif of, like, someone like, watching the mailbox. I'm watching the mailbox. I'm like, she's like, Lesley, I don't have my copy yet. And I'm like. Brooke Siler 51:47  My copy, yeah, no, I can't wait. Lesley Logan 51:49  I I'm really, I'm really stoked for this. I think, I think also, we're ready. I think there's a huge part of the community that's ready for our conversation about this. I think women who are, like, seeking actual Pilates class, are seeking this conversation, and I think you're giving people permission to do it at home, which has always been something that, like, I'm a huge fan of like, I just think that, like, we keep saying we want Pilates to be accessible, but it's not necessarily like about the price of classes, y'all. It's like making sure they have the ability to do it independently, on their own, because I truly believe that that is where confidence is built. It's like creating this agency within themselves. Like, I can do this, you know, I can look at me, I can do these. I can do this move. I can I can feel this in my body, and then go on the day. Like, I think women especially need that internal strength and agency that, yes, it's great to have a teacher like any one of us, to have eyes on you and like to give you some actual corrections. But also, I think sometimes we are always outsourcing. People are like, what are we? Am I good enough to somebody else's opinion and and really, I just want women to have that. So when you Brooke told me about this, I was like, fuck yeah, I'm in whatever it is you're doing I'm in,Brooke Siler 53:06  Developing that sense of internal trust, instead of always asking for the approval to come from the outside. Way to get to start approving of ourselves, feeling that we can trust what we feel, what we know. I don't care if you're I always tell my class it doesn't matter what I say. Literally, if I come over and I'm in your face saying, lift your leg. Lift your if it is not right for you, do not do it. Do not listen to me. Please. You have full permission not to listen to me. Listen to you. Only you are in your body. Only you know what you're feeling. So it has to be a joint you know, conversation that's happening, it can't just come from one side, so I am also really here for the conversations that will come from this and, yeah.Lesley Logan 53:53  Okay, we, I think the three of us could talk for hours, and we're, I'm already, I sorry, I looked at the clock. Hope you have a few more minutes. We're gonna take a brief break, and then find out where people can find you, follow you, work with you and your Be It Action Items. Lesley Logan 54:08  All right, ladies, we'll go. So what Maria? Where do you hang out? Where's your favorite place? She's gonna drink her tea. Where's your favorite place for people to connect with you? How can they work with you? What do you got?Maria Earle 54:23  So people can look me up, find me, contact me through my website mariaearle.com I also have an IG handle that is my name, Maria Earle, and yeah, I would say those are the two best ways to connect with me.Lesley Logan 54:41  Perfect, Brooke, what about you? And where can they buy this book? If they haven't gotten it already?Brooke Siler 54:47  It will be at all your favorite booksellers. I hope, I mean it's, you know, Amazon, Barnes & Noble, all those kinds of great places. And hopefully we'll get it into, you know, small bookstores too. I love the old (inaudible) bookshops.Lesley Logan 54:59  But also, they don't sponsor the show, but I heard, I heard it's bookshop.org, y'all, if you want to support small business, small bookstops, you can look there and see if it's there. When you buy it there, then they send money to a local bookstore. I don't know how that works, but that's what the commercials say. And do you do you hang on Instagram? What's your website? Where can they find you for more?Brooke Siler 55:17  I think it's pretty simple. So it's BrookeSilerPilates, all one word, and that's the website. That's my Instagram handle, that's my Gmail account, BrookeSilerPilates@Gmail. (inaudible) It's a one-stop shop. Yeah, so you can and I'm very I do like, I am social. I do like sharing and hearing back from people. I feel like it's really funny on Instagram. I'll put something up and be like, tell me what you think. And everyone's like, this is great, but nobody answers like, the question, yeah. I'm like, no, no. I really mean it, like I actually want to be in a conversation with you, but.Lesley Logan 55:52  Yeah, no, I feel the same. Brooke, they don't, they don't do it for this year. Brooke Siler 55:55  Yeah. I don't need the flattery, like, thank you, but I don't need that. I just really, actually want to know what do you think and what do you what are you doing? And, yeah.Lesley Logan 56:04  Yeah, yeah. Well, you know what, that'll be our next that'll be our next thing is like, how do we get women to share what they're actually thinking without thinking what they're thinking is wrong, you know? But that's, that's another in the next 25 years. Okay, I feel like I have tons of takeaways, but I still we have to in the show how we always end it with our Be It Action Items, so bold, executable, intrinsic or targeted, steps people can take to be it till they see it. What do you have for us? Well, whoever wants to go first?Brooke Siler 56:34  I mean, yeah. I mean, so, you know, I listened to another podcast you did where that came up, and I realized that it was the orthodontist. She was wonderful, and yeah, and I was thinking I felt quite similarly. I just kind of never believed that I couldn't, that I can't. I just do I don't, I don't sit. And there are things that I sit in question for sure, I think I have, like many women, you know, the fear of being judged. Who the hell wants that? There's nothing nice about that. So there are times that, like putting myself out there can definitely, I can feel stopped, but I'm, I believe very much in pushing through that. And I, I have had a Buddhist mentor since for like, 18 years now and so. And she's always like, you know, the only way out is through. So you just, you push through. You go through that. So I push through fear. Like, if I see fear, I'm gonna head toward it. It may take me a while, but I'm going toward that number one and number two. I don't know if it's just some innate sense of confidence. I just when I have an idea, I want to share it. And when you, when I think of it as being something that I'm sharing, it doesn't feel like it's a scary thing. I'm like, I love it. You said you love it. Let's just do it, it. It's just like that. So I think, for me, when I think of it as sharing, rather than me doing something for you, then to react to it's much it just makes it much more palatable to move forward, because I love sharing. I'm a group, I'm a group, I'm a, I'm a. I like my independence. I like to be on my own. I do a lot of stu

In this episode, Cardon Ellis hosts Hayden Holm in a lively and insightful discussion about the 1991 movie “Hook,” starring Robin Williams and Dustin Hoffman. The central theme of the conversation is how “Hook” contains powerful, “hidden lessons” for fathers—especially within the context of the Church of Jesus Christ of Latter-day Saints, but also relevant to any father or leader of young men.Hayden Holm lays out a creative framework for fatherhood, inspired by three main duties Peter Pan must relearn in the film: how to fly, fight, and crow.

Cindy Adams presents a lively mix of celebrity reflections on aging and an intimate interview with Cardinal Timothy Dolan. The broadcast opens with a series of bold, often irreverent anecdotes from public figures like Dustin Hoffman and Jane Fonda, using Valentine's Day as a thematic bridge to explore romance and personal history across the lifespan. The narrative heart of the show is a warm conversation between Adams and Dolan, where the high-ranking cleric discusses his transition into retirement, his upbringing in Missouri, and the enduring vitality of the Catholic Church.  Learn more about your ad choices. Visit megaphone.fm/adchoices

Are you wondering whether Wonder Man is worth your time? In this episode, we break down Marvel's latest Disney+ series, give you the essential background on the character, and explain what you actually need to know before diving in. From Simon Williams' comic book origins to his surprising connections with Vision, Scarlet Witch, and the Avengers, we cover the fun facts, controversies, and powers that shaped Wonder Man long before his MCU debut. We also dig into how Wonder Man fits into the MCU under the Marvel Spotlight banner—designed to be more grounded, character-driven, and accessible without deep MCU homework. Starring Yahya Abdul-Mateen II as a struggling actor hiding dangerous superpowers, and Ben Kingsley returning as Trevor Slattery, the series leans hard into Hollywood satire, mentorship, and the bizarre "Doorman Clause" that bans super-powered people from acting. Our reactions are… mixed. While the show shines as a personal story about ambition, insecurity, and creative survival—anchored by a standout performance from Ben Kingsley—it struggles with tone, realism, and the weight of its MCU identity. We talk about what works, what doesn't, and whether Wonder Man feels like a forgotten experiment or a meaningful setup for something bigger down the road. Watch the YouTube version here for the best experience. Listen to the podcast episode here: Written WONDER MAN Review Wonder Man is the 19th television series in the Marvel Cinematic Universe (including both live-action and animated projects) and arrives as part of Phase 6. The series was created by Destin Daniel Cretton (Shang-Chi and the Legend of the Ten Rings) and Andrew Guest (Hawkeye, Community, Brooklyn Nine-Nine). Yahya Abdul-Mateen II, crossing superhero franchises after playing Black Manta in DC's Aquaman films, stars as Simon Williams, a struggling actor auditioning for the lead in a remake of Wonder Man, a low-budget 1980s action film that Simon once bonded over with his father. Simon carries a dangerous secret: he has explosive superpowers that he can't fully control. Worse, he must keep those powers hidden if he wants any chance at an acting career thanks to the Doorman Clause, a rule that bars super-powered individuals from working as actors. One episode dives into the origins of this clause, and it's easily among the series' most entertaining and imaginative chapters. Ben Kingsley returns as Trevor Slattery, the infamous actor hired to portray the Mandarin in Iron Man 3. Since then, the character has appeared in the Marvel short All Hail the King and film Shang-Chi and the Legend of the Ten Rings. Here, Trevor is once again chasing relevance—and is also auditioning for a role in the Wonder Man remake. Interestingly, the series never clearly states where it fits into the MCU timeline. There are only light references—photos on walls, casual mentions of "shield throwing." Frankly, that restraint is welcome. It's firmly set in the present day on the main MCU Earth, and that's more than enough. Had this been set on another timeline or Earth, this review probably wouldn't exist. Character Over Capes At its core, this is a strong, personal story about two people supporting each other in a brutal industry. Simon approaches acting with intense seriousness—reminiscent of Dustin Hoffman's character in Tootsie—while Trevor, as a mentor figure, pushes him to loosen up and trust the words on the page. Wonder Man is far more interested in the relationship between Simon Williams and Trevor Slattery than in building a new costumed icon. Through their conversations, the series thoughtfully explores what it actually means to be an actor. Abdul-Mateen II and Kingsley make for an engaging, surprisingly balanced duo. The show wisely avoids leaning into easy odd-couple clichés, which elevates their dynamic. If you enjoyed the behind-the-scenes look at show business in The Studio or Hacks, there's a lot here to like. Wonder Man ups the stakes by adding uncontrollable superpowers into an already stressful industry where almost nothing goes your way. Tone & Reality Gaps Tonally, Wonder Man struggles. It can't always decide whether it wants to be serious and emotional or silly and farcical. It oscillates between the two. The dialogue is often grounded and well-written, but the situations frequently feel forced—bent to serve the script rather than emerging naturally from reality. Living in Los Angeles, where the series is set, makes some of these moments especially hard to ignore. Being under a tight deadline to submit an audition tape and deciding to drive from Hollywood to Malibu and back—congratulations, you've just wasted three hours. These issues extend to the on-set scenes. Having worked in the film industry, many of these moments rang false. A day player wouldn't halt production because they have extensive notes. There are numerous story hiccups where disbelief must be suspended simply to keep the plot moving. A test audience likely would have flagged many of these. Performances & Standout Moments Any time Ben Kingsley is on screen, he's impossible not to root for. Simon, by contrast, is difficult to like until the final two episodes. That's clearly intentional—he's closed off and emotionally blocked—but watching someone repeatedly sabotage themselves is frustrating, even if it's thematically justified. One unquestionable highlight is the episode centered on the Doorman Clause, "Doorman". Josh Gad's appearance, along with his reworked version of "In Summer," is delightful and injects much-needed energy and creativity into the series. Release Strategy & Final Verdict Marvel continues to undermine its TV output with its release strategy. Ironheart dropped its six episodes across two days. Echo released all five at once. Wonder Man follows suit with all eight episodes dropping in a single day. The result? These shows are consumed quickly and forgotten just as fast. By the time Daredevil Season 2 arrives in March, this will likely be one of those "Oh yeah… what happened on Wonder Man again?" series.I went in with an open mind and high expectations—this is Marvel, after all. In the end, I liked Wonder Man, but too much got in the way of loving it. SPONSORS Small World Vacations is an official sponsor of Skywalking Through Neverland. Contact them for a no obligation price quote at www.smallworldvacations.com. Tell them Skywalking Through Neverland sent you.

Are you wondering whether Wonder Man is worth your time? In this episode, we break down Marvel's latest Disney+ series, give you the essential background on the character, and explain what you actually need to know before diving in. From Simon Williams' comic book origins to his surprising connections with Vision, Scarlet Witch, and the Avengers, we cover the fun facts, controversies, and powers that shaped Wonder Man long before his MCU debut. We also dig into how Wonder Man fits into the MCU under the Marvel Spotlight banner—designed to be more grounded, character-driven, and accessible without deep MCU homework. Starring Yahya Abdul-Mateen II as a struggling actor hiding dangerous superpowers, and Ben Kingsley returning as Trevor Slattery, the series leans hard into Hollywood satire, mentorship, and the bizarre "Doorman Clause" that bans super-powered people from acting. Our reactions are… mixed. While the show shines as a personal story about ambition, insecurity, and creative survival—anchored by a standout performance from Ben Kingsley—it struggles with tone, realism, and the weight of its MCU identity. We talk about what works, what doesn't, and whether Wonder Man feels like a forgotten experiment or a meaningful setup for something bigger down the road. Watch the YouTube version here for the best experience. Listen to the podcast episode here: Written WONDER MAN Review Wonder Man is the 19th television series in the Marvel Cinematic Universe (including both live-action and animated projects) and arrives as part of Phase 6. The series was created by Destin Daniel Cretton (Shang-Chi and the Legend of the Ten Rings) and Andrew Guest (Hawkeye, Community, Brooklyn Nine-Nine). Yahya Abdul-Mateen II, crossing superhero franchises after playing Black Manta in DC's Aquaman films, stars as Simon Williams, a struggling actor auditioning for the lead in a remake of Wonder Man, a low-budget 1980s action film that Simon once bonded over with his father. Simon carries a dangerous secret: he has explosive superpowers that he can't fully control. Worse, he must keep those powers hidden if he wants any chance at an acting career thanks to the Doorman Clause, a rule that bars super-powered individuals from working as actors. One episode dives into the origins of this clause, and it's easily among the series' most entertaining and imaginative chapters. Ben Kingsley returns as Trevor Slattery, the infamous actor hired to portray the Mandarin in Iron Man 3. Since then, the character has appeared in the Marvel short All Hail the King and film Shang-Chi and the Legend of the Ten Rings. Here, Trevor is once again chasing relevance—and is also auditioning for a role in the Wonder Man remake. Interestingly, the series never clearly states where it fits into the MCU timeline. There are only light references—photos on walls, casual mentions of "shield throwing." Frankly, that restraint is welcome. It's firmly set in the present day on the main MCU Earth, and that's more than enough. Had this been set on another timeline or Earth, this review probably wouldn't exist. Character Over Capes At its core, this is a strong, personal story about two people supporting each other in a brutal industry. Simon approaches acting with intense seriousness—reminiscent of Dustin Hoffman's character in Tootsie—while Trevor, as a mentor figure, pushes him to loosen up and trust the words on the page. Wonder Man is far more interested in the relationship between Simon Williams and Trevor Slattery than in building a new costumed icon. Through their conversations, the series thoughtfully explores what it actually means to be an actor. Abdul-Mateen II and Kingsley make for an engaging, surprisingly balanced duo. The show wisely avoids leaning into easy odd-couple clichés, which elevates their dynamic. If you enjoyed the behind-the-scenes look at show business in The Studio or Hacks, there's a lot here to like. Wonder Man ups the stakes by adding uncontrollable superpowers into an already stressful industry where almost nothing goes your way. Tone & Reality Gaps Tonally, Wonder Man struggles. It can't always decide whether it wants to be serious and emotional or silly and farcical. It oscillates between the two. The dialogue is often grounded and well-written, but the situations frequently feel forced—bent to serve the script rather than emerging naturally from reality. Living in Los Angeles, where the series is set, makes some of these moments especially hard to ignore. Being under a tight deadline to submit an audition tape and deciding to drive from Hollywood to Malibu and back—congratulations, you've just wasted three hours. These issues extend to the on-set scenes. Having worked in the film industry, many of these moments rang false. A day player wouldn't halt production because they have extensive notes. There are numerous story hiccups where disbelief must be suspended simply to keep the plot moving. A test audience likely would have flagged many of these. Performances & Standout Moments Any time Ben Kingsley is on screen, he's impossible not to root for. Simon, by contrast, is difficult to like until the final two episodes. That's clearly intentional—he's closed off and emotionally blocked—but watching someone repeatedly sabotage themselves is frustrating, even if it's thematically justified. One unquestionable highlight is the episode centered on the Doorman Clause, "Doorman". Josh Gad's appearance, along with his reworked version of "In Summer," is delightful and injects much-needed energy and creativity into the series. Release Strategy & Final Verdict Marvel continues to undermine its TV output with its release strategy. Ironheart dropped its six episodes across two days. Echo released all five at once. Wonder Man follows suit with all eight episodes dropping in a single day. The result? These shows are consumed quickly and forgotten just as fast. By the time Daredevil Season 2 arrives in March, this will likely be one of those "Oh yeah… what happened on Wonder Man again?" series.I went in with an open mind and high expectations—this is Marvel, after all. In the end, I liked Wonder Man, but too much got in the way of loving it. SPONSORS Small World Vacations is an official sponsor of Skywalking Through Neverland. Contact them for a no obligation price quote at www.smallworldvacations.com. Tell them Skywalking Through Neverland sent you.

Todos los hombres del presidente. El gran clásico cumple 50 En 1976 Estados Unidos estaba de mal humor en lo político y en lo social. Era muy poco probable que una película como Todos los hombres del presidente llamara la atención. La cinta, escrita por William Goldman, dirigida por Alan Pakula y protagonizada por Robert Redford y Dustin Hoffman, recreaba la investigación periodística que desenmascaró el hoy famoso caso Watergate, una historia de espionaje y corrupción que obligó al nada inocente Richard Nixon a renunciar a la presidencia de los Estados Unidos en 1974. Con las cosas como estaban, la película era una apuesta arriesgada. Sin embargo, tras su estreno en la primavera de ese año, crítica y público se volcaron a favor de la cinta y hoy, cincuenta años después, tenemos un clásico gigantesco tanto del cine policiaco cono del que se vincula al trabajo periodístico, un drama político tanto como una clase magistral de cinematografía de alto calibre. Vamos a celebrar el 50 aniversario de la película con la participación de Axel Muñoz Barba: director, sonidista, amante del buen cine y amigo de Cinegarage. Learn more about your ad choices. Visit megaphone.fm/adchoices

Lee and Daniel are joined this episode by returning guest Wick to cover a film he wanted to talk about, Sydney Pollack's "Tootsie" (1982), starring Dustin Hoffman. A lot of the conversation revolves around just how well this film plays in 2026, and if it's really fair to be too critical of it given when it was made and what it actually is trying to talk about. It turns out to be one of the more spirited discussions we've had on the show. The hosts also talk about what they've watched as of late. Put on your best dress, high heels, and wig, and give us a listen. "Tootsie" IMDB  Catch Wick and his fantastic art here.  Lee on Bluesky, Instagram, and Letterboxd.    Listen to Daniel punch Nazis on the I Don't Speak German podcast. Catch Daniel on Bluesky and support his Patreon.    Featured Music: "You Think You're a Man" & "Walk Like a Man" by Divine.

1988 was a transformative year for Tom Cruise. In July he headlined the forgettable guilty pleasure that is “Cocktail,” and at year's end he co-starred with Dustin Hoffman in Barry Levinson's critically-acclaimed “Rain Man.” The highest grossing film of the year, winning the Academy Award for Best Picture (among others), “Rain Man” catapulted Cruise's career to the next level and the paradigm-shifting movie star never looked back. Riding shotgun in the Buick Roadmaster, David O'Sullivan joins Dennis to argue that underwear is underwear wherever you buy it, whether in Cincinnati or wherever. Dedicated to Jim Camlek. Hosted on Acast. See acast.com/privacy for more information.

Con il nostro Boris Sollazzo parliamo di "Sentimental Value" diretto da Joachim Trier (nella foto a sinistra), con Renate Reinsve, Elle Fanning e Stellan Skarsgård e di "Marty Supreme" diretto da Josh Safdie (nella foto a destra), con Timothée Chalamet, Gwyneth Paltrow e Fran Drescher.Edoardo Leo presenta "2 Cuori e 2 Capanne" diretto da Massimiliano Bruno, con Claudia Pandolfi e Giorgio Colangeli."Return to Silent Hill" è un horror diretto da Christophe Gans, con Jeremy Irvine, Hannah Emily Anderson e Robert Strange. Ce lo racconta l'esperto di genere Emanuele Di Nicola.Torna in scena il musical firmato da Massimo Romeo Piparo e tratto dal film di Sidney Pollack con Dustin Hoffman "Tootsie". Intervista a Paolo Conticini che interpreta il doppio ruolo Michael Dorsey-Dorothy Michaels.

Hey Regular Guys and Gals, we did it again and made it through another week! This week, Kev takes a look at how punk rock used to mean rage… but now? Maybe kindness is the real rebellion. A reflection on how Iggy Pop went from chaos to calm, and why Superman (not Batman) might actually be the hero we need right now. How real success isn't found in likes or headlines, but in Target pretzels, your dad's corner store coffee, and creating something that makes people feel less alone. Why detaching from outcomes often brings better ones, and how letting the old way die sometimes makes space for the truer path. RGF bonus: Dustin Hoffman on what real success actually looks like, Larry Bird's beer-fridge dream, ‘Kev On the Scene' with Karamo Brown skipping the press tour, Bowie's Heroes, and how you can be one too… just for one day! Bye Betches. -- HEAL SQUAD SOCIALS IG: https://www.instagram.com/healsquad/ TikTok: https://www.tiktok.com/@healsquadxmaria HEAL SQUAD RESOURCES: Heal Squad Website:https://www.healsquad.com/ Heal Squad x Patreon: https://www.patreon.com/HealSquad/membership Maria Menounos Website: https://www.mariamenounos.com My Curated Macy's Page: Shop My Macy's Storefront EMR-Tek Red Light: https://emr-tek.com/discount/Maria30 for 30% off Airbnb: https://www.airbnb.com/host AUDIBLE:  https://audible.com/healsquad AG1: drinkag1.com/healsquad  ABOUT MARIA MENOUNOS: Emmy Award-winning journalist, TV personality, actress, 2x NYT best-selling author, former pro-wrestler and brain tumor survivor, Maria Menounos' passion is to see others heal and to get better in all areas of life. ABOUT HEAL SQUAD x MARIA MENOUNOS: A daily digital talk-show that brings you the world's leading healers, experts, and celebrities to share groundbreaking secrets and tips to getting better in all areas of life. DISCLAIMER: This Podcast and all related content (published or distributed by or on behalf of Maria Menounos or http://Mariamenounos.com and http://healsquad.com) is for informational purposes only and may include information that is general in nature and that is not specific to you. Any information or opinions provided by guest experts or hosts featured within website or on Company's Podcast are their own; not those of Maria Menounos or the Company. Accordingly, Maria Menounos and the Company cannot be responsible for any results or consequences or actions you may take based on such information or opinions. This podcast is presented for exploratory purposes only. Published content is not intended to be used for preventing, diagnosing, or treating a specific illness. If you have, or suspect you may have, a health-care emergency, please contact a qualified health care professional for treatment.

On this week's Haven't Scene It, Tim & Tommy head to D.C. to discuss Watergate and All the President's Men! This is both their first time watching the movie.How great was the sound design? Is this expert blocking? How did this play to Dustin Hoffman's strengths? All this and more on this week's Haven't Scene It!Follow us on Social Media:Twitter: @SceneItPodInstagram: @SceneItPodTiktok: @SceneItPodBluesky: ‪@podsceneit.bsky.socialYoutube: @HaventSceneIt- Old Glory (15% Off)

Hook is a wonderfully charming movie about rediscovering the joys of one's youth. That said, critics hated it when it was released in 1991, and its director, Steven Spielberg, isn't all that high on it either. The latter is a little puzzling. Sure, Hook is too long and gets oddly dark at times, but there is still so much to enjoy. Principally, both Dustin Hoffman as Captain Hook and Robin Williams as Pan all grown up are just having a blast. Their performances, coupled with imaginative practical effects and the cadre of endearing Lost Boys, make this a return trip to Neverland well worth taking. Now, sit back, Bangarang with a Free Wave Hazy IPA from Athletic Brewing, and make way for the Thud Ball! The Thunderous Wizard, Chumpzilla, and Bling Blake are trapped in the Boo Box. Help! This Week's Segments: Introduction/Plot Breakdown – To live would be an awfully big adventure! Lingering Questions – How dirty did they do poor Rufio? (40:54) The "Happy Thoughts" Trivia Challenge – Bling Blake challenges the field to trivia about the movie. (59:57) Recommendations – We offer our picks for the week and next up: We continue our Best Director Flops series with an epic MCU misfire, Eternals! (1:14:06) And, as always, hit us up on Threads, X, Facebook, Bluesky, or Instagram to check out all the interesting factoids from this week's episode!

Paulo is very satisfied with Thomas Anders' vacation Reels, and a man called Flexasaurus Rex gives us the MTV we remember — complete with the Bat Dance.Speaking of Prince, we look at the Stranger Things effect on his catalogue and the literal seven figures his estate is in line to receive from Spotify royalties.Paulo had a terrible time watching '80s movies, which means it's time to get into a white van with a mulleted man.Jump To:Thomas Anders' in Atlantis (00:00:16): MTV Shutdown and Fan Rebuild (00:02:34): https://loudwire.com/coder-built-mtv-rewind-videos-app/https://wantmymtv.xyzStranger Things Spoilers and Prince's Music (00:05:19): https://musictalkers.com/latest-news/10069-prince%E2%80%99s-%E2%80%9Cpurple-rain%E2%80%9D-re-enters-uk-charts-following-stranger-things-finalehttps://deadline.com/2026/01/stranger-things-5-finale-songs-spotify-data-1236676497/Consuming Passions (00:13:48): https://www.youtube.com/watch?v=v_EOP6woNPsFamily Business (00:17:21): https://www.youtube.com/watch?v=inWcoU8fdYUTwo Truths and a Lie (00:22:47) #1980s, #pop culture, #music, #Thomas Anders, #exotic vacations, #MTV shutdown, #fan project, #MTV experience, #Stranger Things, #music charts, #Kate Bush, #Tiffany, #Prince, #David Bowie, #cultural significance, #generational music preferences, #streaming statistics, #Gen Z, #“Running Up That Hill,” #“I Think We're Alone Now,” #“When Doves Cry,” #“Purple Rain,” #music revival, #streaming increase, #MTV online, #Flexor Saurus Rex, #music videos, #vintage ads, #80s nostalgia, #British dark comedy, #Monty Python, #Family Business, #Sean Connery, #Dustin Hoffman, #Matthew Broderick, #heist film, #“Disco Take,” #live performances, #music trivia, #“Lady in Red,” #“Splash,” #girls named Madison, #“Gloria,” #Umberto Tozzi, #Laura Branigan.

“Uh oh fart. Uh oh fart.”  This week we are back in the decade we love, Christmas is over and as we start 2026 we take a road trip with Tom Cruise and Dustin Hoffman.  Rain Man has been on our list for a long time, so join us as we delve further into this award winning classic.We have plenty more episodes planned for this year so make sure you are subscribed on your podcasting app of choice so you never miss an episode.Please share with anyone who is a fan of these films and the 80's in general.  You can get in touch with us on the links below.  CheersyFollow 80s Adventure on facebook   facebook.com/80sadventure   Check out the website   80sadventure.com   Email 80s Adventure   podcast@80sadventure.com   Support 80s Adventure on Patreon   patreon.com/80sadventure   Buy the boys a beerko-fi.com/80sadventure  

Throw some invisible food and get ready to never grow up as we fly into 1991's Hook. Why was the media of the 80s and 90s so full of daddy issues? Was Robin Williams going for restrained in this role, or phoning it in? How much of the Millennial generation considers Rufio their first crush? Was there any scenery left unchewed after Dustin Hoffman was done with it? We'll tell you once we find our marbles, 

Hellllllooooo and welcome back to a true-to-concept episode of the Rip Borrow Steal Podcast!Mark and Pat compare Robin Williams's comedic tour de force, Mrs. Doubtfire (1993), with the comedy that likely inspired it—Dustin Hoffman's Tootsie (1982).We'll see you all at San Fran's swankiest restaurant, Bridges, and we assure you… help is on the waaayy!

For more than 30 years, Spencer Garrett has been one of those actors you instantly recognize, even if you can't place exactly where you've seen him. In this episode of Still Here Hollywood, Spencer opens up about the working actor's life, aging in the business, finding purpose, and what it really means to be “that guy from that thing.” Spencer shares the origin story of the Character Actors Dining Society (the CADS) and the famous dinners with Alfred Molina, Stephen Weber, Eric McCormack, Titus Welliver, Kevin Pollak, Richard Kind, Jason Alexander, and more. He also talks about career pivots, breaking out of “prick in a suit” casting, lessons learned from Robert Duvall, Dustin Hoffman, and Glenn Close, and why he still gets excited every time he pulls onto a studio lot. Plus, Spencer tells the story of meeting his partner Dana Bash and how their worlds collide, actor life vs CNN life, with plenty of laughs along the way. If you like deep, thoughtful conversations with actors who have lived the whole Hollywood ride, this one's for you. Support Still Here Hollywood on Patreon (bonus content, early episodes, guest info, and more): patreon.com/stillherehollywood Show Credits Host/Producer: Steve Kmetko All things technical: Justin Zangerle Executive Producer: Jim Lichtenstein Music by: Brian Sanyshyn Transcription:  Mushtaq Hussain   https://stillherehollywood.com http://patreon.com/stillherehollywood Suggest Guests at: stillherehollywood@gmail.com Advertise on Still Here Hollywood: jim@stillherenetwork.com Publicist: Maggie Perlich: maggie@numbertwelvemarketing.com   Hosted by Simplecast, an AdsWizz company. See https://pcm.adswizz.com for information about our collection and use of personal data for advertising.

Actor/TV Guide collector Patrick Fischler joins Matt and Tim to discuss the 1977 Alan J. Pakula film, All The President's Men starring Dustin Hoffman and Robert Redford. Richard Nixon is the President in archival footage. There's also some great David Lynch talk. Presented in full and free for the holidays! Matt Walsh ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.instagram.com/mrmattwalsh⁠⁠⁠Timothy Simons ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.instagram.com/timothycsimons⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Patrick Fischler https://instagram.com/pfischler Second In Command ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://instagram.com/secondincommandpodcast⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Email questions to: secondincommandatc@gmail.com

Actor/TV Guide collector Patrick Fischler joins Matt and Tim to discuss the 1977 Alan J. Pakula film, All The President's Men starring Dustin Hoffman and Robert Redford. Richard Nixon is the President in archival footage. There's also some great David Lynch talk. Presented in full and free for the holidays! Matt Walsh ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.instagram.com/mrmattwalsh⁠⁠⁠Timothy Simons ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.instagram.com/timothycsimons⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Patrick Fischler https://instagram.com/pfischler Second In Command ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://instagram.com/secondincommandpodcast⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Email questions to: secondincommandatc@gmail.com

Detrás del reconocimiento, los aplausos y la popularidad existen historias poco conocidas que revelan el verdadero costo de la fama. En este episodio exploramos distintos casos del espectáculo nacional e internacional donde la ambición, la controversia, el talento y los excesos se cruzaron con decisiones que cambiaron vidas para siempre. Historias humanas, incómodas y reveladoras que muestran el otro lado del cine, la televisión y la industria del entretenimiento. Hosted by Simplecast, an AdsWizz company. See https://pcm.adswizz.com for information about our collection and use of personal data for advertising.

American Exception members on Patreon get first access to new episodes, and paid subscribers enjoy the entire library of the best historical analysis of deep events on the American Exception podcast. Join our Patreon at https://patreon.com/americanexception We are also on youtube at https://www.youtube.com/@americanexception9407 Aaron and Max Arvo discuss All the President's Men—the 1976 film directed by Alan J. Pakula, starring Robert Redford and Dustin Hoffman, and based on a 1974 novel (lol) by Washington Post reporters Robert Woodward and Carl Bernstein. We recommend that people watch the film before listening since we don't attempt to give any organized synopsis, nor do we avoid spoilers. Listen at your own risk! Follow and support Max Arvo on Substack! Music: "Old Movies" by Mock Orange Special thanks to Dana Chavarria for producing the episode!!

Harry and Daniel settle in with a nice luke warm bowl of shark soup and are once again joined by author Shawn Levy to delve into Noah Baumbach's “The Meyerowitz Stories (New and Selected)”, a darkly comic portrait of a fractured Jewish family in New York.With standout performances from Adam Sandler, Ben Stiller, Dustin Hoffman, and Emma Thompson, the film explores themes of sibling rivalry, parental expectations, and the burden of legacy. The hosts unpack Baumbach's signature style, the film's Jewish sensibility, and what it reveals about art, memory, and the bonds of family.Meyerwitz Stories on IMDBMeyerwitz Stories trailer Shawn Levy's LinksGet Shawn's latest book, “Clint”Follow Shawn Levy on instagramListen to the Glitter & Might series about Lew WassermanFind other books by Shawn LevyConnect with Jews on Film online:Jews on Film Merch - https://jews-on-film.printify.me/productsInstagram - https://www.instagram.com/jewsonfilm/Twitter - https://twitter.com/jewsonfilmpodYouTube - https://www.youtube.com/@jewsonfilmTikTok - https://www.tiktok.com/@jewsonfilmpod

The boys head to prison on Devil's Island to discuss 1973's “Papillon”! One of the highest-grossing movies of the year, this true-story account of Steve McQueen's character befriending Dustin Hoffman's character to help keep each other alive and prepare their escape from the no-chance-of-return prison, a world away from their native France. Made by the team behind Oscar-winner “Patton” from 1971, shot very much on location, some call this McQueen's best performance. Before we get into it, John gives us a mini-review of “Hamnet”, the romantic drama film by Chloé Zhao starring Paul Mescal and Jessie Buckley, based on the book based on the play. Grab a beer and join in!  linktr.ee/theloveofcinema - Check out our YouTube page!  Our phone number is 646-484-9298. It accepts texts or voice messages.  0:00 Intro; 9:41 John's “Hamnet” mini-review; 15:08 1973 Year in Review; 41:21 Films of 1973: “Papillon”; 1:24:21 What You Been Watching?; 1:29:08 Next Week's Episode Teaser Hosts: Dave Green, Jeff Ostermueller, John Say Edited & Produced by Dave Green. Beer Sponsor: Carlos Barrozo Music Sponsor: Dasein Dasein on Spotify: https://open.spotify.com/artist/77H3GPgYigeKNlZKGx11KZ 
Dasein on Apple Music: https://music.apple.com/us/artist/dasein/1637517407 Additional Cast & Crew: Chloé Zhao, Maggie O'Farrell, Paul Mescal, Jessie Buckley, Fred J Koenekamp, Henri Charriere, Dalton Trumbo, Lorenzo Semple Jr., William Goldman, Franklin J. Schaffner. Recommendations: Hamnet, Welcome to Derry, The Witcher, Slow Horses, Home Alone, The Righteous Gemstones, Sisu 2, Pluribus, The Exorcist, Enter The Dragon, Live and Let Die, The Sting, American Graffiti, Soylent Green. Additional Tags: French Guyana, Paris, Honduras, Stephen King's It, The Tenant, Rosemary's Baby, The Pianist, Cul-de-Sac, AI, The New York City Marathon, Apartments, Tenants, Rent Prices, Zohran Mamdani, Andrew Cuomo, Curtis Sliwa, Amazon, Robotics, AMC, IMAX Issues, Tron, The Dallas Cowboys, Short-term memory loss, Warner Brothers, Paramount, Netflix, AMC Times Square, Tom Cruise, George Clooney, MGM, Amazon Prime, Marvel, Sony, Conclave, Here, Venom: The Last Dance, Casablanca, The Wizard of Oz, Oscars, Academy Awards, BFI, BAFTA, BAFTAS, British Cinema. England, Vienna, Leopoldstadt, The Golden Globes, Past Lives, Apple Podcasts, West Side Story, Adelaide, Australia, Queensland, New South Wales, Melbourne, The British, England, The SEC, Ronald Reagan, Stock Buybacks, Marvel, MCU, DCEU, Film, Movies, Southeast Asia, The Phillippines, Vietnam, America, The US, Academy Awards, WGA Strike, SAG-AFTRA, SAG Strike, Peter Weir, Jidaigeki, chambara movies, sword fight, samurai, ronin, Meiji Restoration, plague, HBO Max, Amazon Prime, casket maker, Seven Samurai, Roshomon, Sergio Leone, Clint Eastwood, Stellan Skarsgard, the matt and mark movie show.The Southern District's Waratah Championship, Night of a Thousand Stars, The Pan Pacific Grand Prix (The Pan Pacifics), Jeff Bezos, Rupert Murdoch, Larry Ellison, David Ellison, Elon Musk, Mark Zuckerberg.   

Encore! Encore! - This winter we wanted to keep things cool and what better way then to revist the "King of Cool," himself, Steve McQueen! The iconic man's man from the 60's and 70's… broke into a bank while wooing the glam faye dunaway, got locked up with Dustin Hoffman and made the great escape on a classic Triumph motorcycle dressed up as a BMW… only in Hollywood. Join us for Episode 6: "The Manly McQueen."   To find out more about this and past episodes' movies, including trivia and other fun facts, visit our official Cinema Sounds and Secrets website.

Bangarang!  Emilio, Madeline, and Julian fly, fight, and crow their way through this next "Unorthodox Holiday Movie" suggestion, and this is a special one, a movie suggested to them by multiple guests - "Hook", Steven Spielberg's take on the story of Peter Pan, released in 1991 starring Robin Williams, Dustin Hoffman, Julia Roberts and more.  The group welcomes back Tony-nominated performer, teacher, father, and "Hook" enthusiast and suggester Rob McClure to discuss this film from all angles.  How do you square your experiences with the film as a kid versus revisiting it as an adult?  Does Spielberg have good reason to dislike it?  How much Peter Pan background is needed to fully enjoy 'Hook', or does it stand alone?  The group discusses Spielberg's knack for getting great performances from children, Robin Williams' incredible range, Rufio's undeniable appeal, the elaborate sets, John Williams' underrated score, and its messages related to parenthood.  Rob even brings a robust background in the J.M. Barrie's original text (and a collectible trading card) to the conversation, and even pulls out his highlighted copy to try to get to bottom of a pressing question.  It's a great discussion about one of the 1990s most rewatched VHS tapes, and more beloved childhood favorites.        Rob McClure has earned Tony nominations for his roles in the Broadway productions of Mrs. Doubtfire and Chaplin, and has also appeared in Something Rotten!, Mary Poppins, Hello Dolly, Beetlejuice, and many more productions On- and Off-Broadway. You can follow him on Instagram @mcclurerobIf you enjoy our podcast, please rate and review us on your podcast platform of choice.  This really helps us find new listeners and grow!Follow us on IG and TikTok: @sleeplesscinematicpodSend us an email at sleeplesscinematicpod@gmail.comOn Letterboxd? Follow Julian at julian_barthold and Madeline at patronessofcats

In our seventh episode of The Rise of A24 series, we revisit the pitch black thriller Green Room (2016) and its even even darker precedent Straw Dogs (1971).Special Guests: David, comedian and musician from Chicago, check out his band HumdrumGreen Room is perhaps the most divisive film that splits apart your Film Trace cohosts. Chris loves this punk rock thriller, and Dan resolutely despises the film. For nearly a decade now, the two have squared off over this A24 stalwart from Jeremy Saulnier. What starts out as a sort of fun punk rock road movie quickly turns into a nazi funhouse of horrors. Grotesque violence mixes with fascist gang machinations as main characters get wiped out one by one. The film's tone is akin to a street paella: messy with lots of competing tastes and probably some deep and long lasting indigestion. Chris has always been a glutton for punishment. Straw Dogs is somehow even more disturbing and unnerving than Green Room. Dustin Hoffman plays a little runt creative who has to contend with the rural anti-intellectualism of the English countryside. While the setup seems quite put on and rote, the final results are anything but. The tension rises throughout the film until its insane and hyper violent ending. Problematic is the starting point for this film. Where it ends up is entirely up to you as the viewer to determine.

Steven Peterman joined me to discuss a picture taken of him watching TV at 4; going to see Peter Pan in the theater; Milwaukee Braves; growing up and guesting on Happy Days; getting his first onstage laugh in 1966; English teacher him to try Ivy League colleges; getting into Harvard; Hasty Pudding, playing female ingenue and meeting Dustin Hoffman; being on Broadway shortly after graduation in The American Millionaire with Paul Sorvino; being to embarrassed to audition for The Lampoon; wife tells him to audition for The Magic Show; going to LA and guest starring on pilots for 240-Robert and Skag; Peter Gallagher; Ethel is an Elephant pilot in 1980 with Todd Susman and Liberty Godshall; John Astin; Ed Zwick; Gideon's Trumpet and The Paper Chase with John Houseman; Making the Grade; Jay Sandrich; a pilot called Fog; Square Pegs - would've been a regular in season 2; Greatest American Hero; doing Family Ties in a leg cast; trying to write with Nick Wyman, then teaming up with Gary Donzig; writing a spec Family Ties, then Remington Steele; getting hired on Murphy Brown; working with Buck Henry, Jay Thomas, and Colleen Dewhurst; winning an Emmy for "Jingle Hell, Jingle Hell, Jingle all the Way"; episodes inception and impact; writing Emmy nominated "Come Out, Come Out Whoever You Are" and bringing laughs to AIDS patients; doing two years of lead up to Murphy's pregnancy and having Dan Quayle just call it a choice; Murphy Brown v. George H.W. Bush; Rush Limbaugh gets script and reads it aloud; Mr. Casual Sex, SNL's parody; Corky Sherwood Forrest; Cheers was the only sitcom that should go 11 years; fazing out Avery and Robert Pastorelli; Barry Manilow guest starred; Paul Reubens was after, but the Garry Marshall character was created during their reign; Rodney Dangerfield guests onm Suddenly Susan; Harvey Korman, Tim Conway, and Rose Marie guest; Combat Radio

In this week's episode of Born to Watch, the boys dive headfirst into a movie that feels a little too real after the last few years. Our Outbreak 1995 Movie Review isn't just a look back at a blockbuster about a killer virus; it's a full breakdown of a film that somehow became more relevant decades after its release. For Whitey, Gow and Damo, revisiting Wolfgang Petersen's tense, fast-paced viral thriller has stirred up memories of VHS nights, cinema crowds, and that one mate coughing a bit too loudly during COVID. But Outbreak isn't just a virus film. As the boys quickly discover, it's an action romance conspiracy hybrid, depending entirely on which one of them you ask.From the moment Dustin Hoffman strides in as Sam Daniels, the stubborn, brilliant, pigheaded virologist who refuses to let common sense get in the way of his moral compass, the team is hooked. Damo is convinced it's a love story, Gow reckons it's a straight-up action blockbuster, and Whitey is adamant it's a conspiracy movie wrapped in a hazmat suit. One thing they all agree on, though, is that Outbreak pumps along at an absolute clip. Even with the science occasionally held together by duct tape, there's never a dull moment.The boys relive everything from the opening scene in Zaire to the helicopter chase that absolutely no one asked for but everyone secretly loved. The idiocy of certain characters becomes a major talking point. Jimbo, Jim Bob, Hibbo, whoever he is, returns from Africa with a virus, bleeds from multiple orifices, and still wanders around town like he's only got hay fever. His girlfriend passionately kisses him while he looks like he's one hour from the morgue. Then there's the world's worst lab tech, sticking his hand inside a spinning blood machine like he's checking the oil in a 1992 Corolla.Hoffman's performance gets a full deep dive. Gow breaks down his entire career from The Graduate to Rain Man to Wag the Dog. Whitey points out how small Dustin Hoffman really is, particularly when stacked up next to Renee Russo, and how this might be the least believable on-screen couple we've covered since Sharon Stone and anyone. The crew also discuss the real MVP of the movie, the man with the greatest eyebrows in cinema history, Donald Sutherland, delivering pure villainy with the energy of a man who genuinely enjoys ordering towns to be firebombed.Morgan Freeman, as always, earns unanimous praise for bringing gravitas with every line, even when delivering military exposition about viral containment strategies. JT Walsh gets special mention for turning up for one single scene and blowing everyone off the screen with a thundering, no-nonsense speech that still hits hard.From 90s nostalgia to scientific nitpicking, from snorbs reporting chaos to the classic Born to Watch overs-and-unders debate, this episode has everything. The boys even pick their own 1995 sleepers and duds, featuring Clueless, Just Cause, and Get Shorty. And yes, Damo manages to squeeze in a reference to Big Tit Monastery. Of course he does.If you loved Outbreak back in the day, or if watching it post-pandemic makes you question every life decision you've ever made, this is an episode you cannot miss. Dive in for big laughs, big nostalgia, big stupidity, and some of the most questionable hazmat protocols ever put to film.JOIN THE CONVERSATION  Does Outbreak hit different post-COVID? Should a monkey really be the hero of the third act? Was that helicopter chase the most unnecessary scene in '90s cinema?Listen now on Spotify, Apple Podcasts, or BornToWatch.com.au#Outbreak1995 #BornToWatch #MoviePodcast #90sMovies #FilmReview #DustinHoffman #MorganFreeman #ViralThrillers #WolfgangPetersen #PopCulture

L'info du matin Ce matin, Grégory Ascher et Erika Moulet ont parlé du "divorce à l'aéroport", une nouvelle astuce pour voyager sans s'énerver. Le winner du jour - Dans les Highlands écossais, des touristes détruisent un mur vieux de 500 ans. - Un automobiliste percute un pont de plein fouet puis s'enfuit avec la voiture de son "sauveur". Le flashback du jour Avril 1992 : sortie du film de Steven Spielberg "Hook ou la revanche du Capitaine Crochet", avec Robin Williams, Dustin Hoffman et Julia Roberts. Et événement majeur pour les gamers : l'arrivée de la Super Nintendo en Europe. Les savoirs inutiles Un tidsoptimist est une personne persuadée qu'elle a largement le temps... et qui finit toujours en retard. La chanson du jour Ed Sheeran "Sing" 3 choses à savoir sur Bruce Lee Qu'est-ce qu'on demande ? Janis, l'IA Pop Rock du Double Expresso RTL2, a imaginé les métiers étonnants du futur sans remplacer personne, dont un ingénieur en ADN musical capable de coder une mélodie dans l'ADN d'un animal ou d'une plante. Le jeu surprise (C'est qui le plus fort) Marilyn de Savigneux (vers Villefranche-sur-Saône) gagne un séjour 2 jours / 1 nuit en famille au Parc Astérix. La Banque RTL2 Rachel de Montpellier gagne 450 €. Karine de Civaux (vers Poitiers) remporte un bon d'achat de 2000 € à valoir chez Belambra Clubs. Hébergé par Audiomeans. Visitez audiomeans.fr/politique-de-confidentialite pour plus d'informations.

Australian actor Damon Herriman loves Dustin Hoffman but had never seen his breakout film debut, The Graduate, until now. Was Damon seduced by Mrs Robinson? Feel free to drop us some comments, feedback or ideas on the speakpipe (link below) Keep it fun and under a minute and you may get on the show. https://www.speakpipe.com/YASNYSee omnystudio.com/listener for privacy information.

The Daily Quiz - Entertainment, Society and Culture Today's Questions: Question 1: Which actress has starred in films including Batman and L.A. Confidential? Question 2: Which Wild West legend was born Henry McCarty? Question 3: What is Friedrich Nietzsche's term for a person who has risen above their passions? Question 4: Which city was Axel Foley a cop in before moving to Beverly Hills? Question 5: In which year was Citizen Kane released? Question 6: What popular sitcom made its first appearance in 1951 and ran until 1957? Question 7: In which 1970's films does Dustin Hoffman play the character ' Babe Levy'? Question 8: Which of the following describes Mencius? Question 9: Which of these quotes is from the film 'The Wizard of Oz'? This podcast is produced by Klassic Studios Learn more about your ad choices. Visit megaphone.fm/adchoices

This month we are so excited to have the extremely talented Casting Director, Shakyra Dowling, join our Modern Class of Casting Visionaries segment!Shakyra Dowling is a London based casting director renowned for her commitment to championing emerging and diverse talent. With a career spanning over a decade, she has significantly contributed to both independent British cinema and international co-productions. Her casting expertise has been integral to projects that have garnered nominations and accolades at prestigious platforms such as the BAFTAs, BIFAs, Berlinale, Sundance, and TIFF. She has also been recognised with multiple nominations and wins from the Casting Society of America's Artios Awards.Notable work includes Hammarskjöld: Fight for Peace (2023), a Swedish biopic directed by Per Fly and featuring Mikael Persbrandt. She also cast Wolf (2021), directed by Nathalie Biancheri, with George MacKay, Lily-Rose Depp and Paddy Considine and soon to be released Desperate Journey, directed by Annabel Jankel (Tell it to the Bees), featuring Til Schweiger, Clara Rugaard and Sienna Guillory.Shakyra recently collaborated with Peter Greenaway on his latest feature Lucca Mortis, casting Dustin Hoffman and Helen Hunt. In TIFF 2025 is Gandhi Before India, a major TV series filming across the UK and India, with a huge cast including Tom Felton and James Murray.Make sure to subscribe, rate and review! Follow us @tipsycastingResources: Shakyra's IMDBShakyra Dowling Casting WebsiteShakyra's Instagram────────────────────────────⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Stay Tuned with Tipsy Casting on IG⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Watch the ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Tipsy Casting YouTube Channel⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Follow Jessica ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ & ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Follow Jenn ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Learn More About ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Jess ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠& ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Jenn's⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Casting Journeys ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Get Casting Life Away Merch here!⁠⁠⁠⁠⁠⁠⁠⁠⁠

The actor Dustin Hoffman was cast away by Kirsty Young in 2012.He has been a leading man in Hollywood for over fifty years. His career includes movies such as The Graduate, All The President's Men, Kramer v Kramer, Tootsie and Rain Man.He spoke to Kirsty about his relationship with his father.You can listen to the full episode on BBC Sounds.

Revisitamos, analizamos y discutimos la película ALL THE PRESIDENT'S MEN con Robert Redford y Dustin Hoffman de Alan J. Pakula (1976).Fico Cangiano Alexis LeonLuis AngeletJose Morales

This week's episode of the Gimme Three Podcast, Producer Sonja Mereu and co-host Nicholas Ybarra celebrate the life and career of the late, great, and seminal figure in American cinema, Robert Redford. In particular, we discuss three of Redford's most politically-charged films. We start with the classic, pulse-pounding journalistic thriller All The President's Men. Robert Redford and Dustin Hoffman portray Bob Woodward and Carl Bernstein in this unforgettable masterpiece.Second, Michael Ritchie directs the hyper-realistic satire The Candidate, in which Redford plays a gorgeous, idealistic figure thrust into the political machine. Third, Barbra Streisand and Robert Redford play lovers on two different sides of the political spectrum in this powerful and heart-wrenching love story, The Way We Were.Let us know what you think of these films and what your favorite Robert Redford film is. ❗️SEND US A TEXT MESSAGE ❗️Support the showSign up for our Patreon for exclusive Bonus Content.Follow the podcast on Instagram @gimmethreepodcastYou can keep up with Bella on Instagram @portraitofacinephile or Letterboxd You can keep up with Nick: on Instagram @nicholasybarra, on Twitter (X) @nicholaspybarra, or on LetterboxdShout out to contributor and producer Sonja Mereu. A special thanks to Anselm Kennedy for creating Gimme Three's theme music. And another special thanks to Zoe Baumann for creating our exceptional cover art.

Woofy, set, go! This week, Jane and Brandon tackle the gritty legal drama that deigns to ask all too prescient questions like, who can claim full custody of a clown-cum-basketball playing dog? Think Kramer Vs Kramer, but Meryl Streep and Dustin Hoffman are locked in a broom closet somewhere and there's a dog playing both their parts and the script is a lot worse. This one is gonna make you laugh, cry, and ask yourself, “would I be brave enough to let my dog shoot hoops with the local ramshackle junior high school basketball team?” Listeners, we present to you our coverage of 1997's Air Bud! Hosted on Acast. See acast.com/privacy for more information.

You can now text us anonymously to leave feedback, suggest future content or simply hurl abuse at us. We'll read out any texts we receive on the show. Click here to try it out!This week we celebrate the late, great Robert Redford the Bad Dads way: with a chaotic Top 5 Roberts and a deep dive into All the President's Men — the newsroom thriller where Redford and Dustin Hoffman painstakingly peel back Watergate until the whole presidency caves in. It's cigarettes, typewriters, and journalism that actually mattered.What we get intoRedford & Hoffman, peak charisma: why their odd-couple energy (and immaculate 70s fits) makes procedural journalism feel electric.The craft stuff: split-diopter shots, sound design that drowns phone calls in newsroom chaos, and that final typewriter barrage (“Nixon Resigns”) still landing like a gut punch.Truth vs. proof: editors wrestling with “we know it” versus “we can print it,” and why that tension hits even harder now.Deep Throat decoded: “follow the money,” the parking-garage paranoia, and how the film weaponises quiet dread.Top 5 Roberts (no De Niro, no Redford — house rules)We raid film, TV, music and pop culture for the best Bobs/Roberts/Robbies—from Sideshow Bob and Robert Englund to Robert Mitchum, Rob Reiner, Bob Odenkirk, Robert “Bob with bitch tits” Paulson, SpongeBob (Robert) Squarepants, and some gloriously fringe picks (RIP Rob Garrison, Cobra Kai's OG goon). Expect arguments, deep cuts, and at least one guided detour through Spinal Tap and King Crimson.The chaotic quiz: Redford or Red Ford (…or both)?Sidey springs a quiz where every answer is either Redford (the man) or red Ford (the car on screen). Cue confusion, Christine vs Cars, The Sting, All Is Lost, and a tricksy Winter Soldier “both” that broke brains and buzzers.Content note: swearing, savage tangents, and the occasional anatomical overshare. If you came for “balanced coverage,” you've wildly misread the brand.

Zach and Ben tackle another deadly sin by reviewing Mike Nichols sensation "The Graduate" starring Dustin Hoffman and Anne Bancroft. Don't miss out on the discussion!Instagram-@TheMovieVaultPodEmail us- themovievaultpod@gmail.comYouTube - https://www.youtube.com/@lastresortnetworkThis episode is brought to you by Point A Insurance (formerly Hedman Anglin Agency). Contact them at 614-486-7300 for your home and auto insurance needs. If you do contact them, make sure to tell them that Ben and Zach sent you! Visit their website for more information at www.PointAInsurance.com

In this episode, I sit down with Seth Kearsley, a veteran animation director, writer, and producer, to explore his incredible career. With over three decades in the industry, Seth has worked on fan-favorite shows like The Maxx, The Simpsons, and Dilbert, and directed Adam Sandler's Eight Crazy Nights. We talk about his beginnings, discovering pencil and paper in his dad's truck, and the path that led him to major animation projects.From wild CalArts parties to life advice from Dustin Hoffman, Seth shares stories that are both hilarious and inspiring. He also opens up about Never Wonderland, his dark reimagining of Alice in Wonderland, and how a near-fatal car accident pushed him to focus on personal creative work.We cover everything from directing celebrities and stealing art supplies as a kid to finding balance between perfection and progress. It's an episode full of humor, insight, and behind-the-scenes magic from the world of animation. Host: Mike Rosado (mrcraleigh.com) (instagram.com/ekimodasor) Post Production: Max Trujillo (instagram.com/trujillomedia) Sponsors: MRC (mrcraleigh.com) and Burny Wild's (burnywilds.com) 

This is another milestone.  We only had a half hour, so I began by asking a specific question. The video that I posted, that Jennifer had not seen - was of footage of Saipan in 1944.  I asked Amelia if this footage featured the Electra?  She said it did but the "wrong date." (She says year, but Jennifer later said that meant date to her). The video was 3/4's correct.   Because the footage shows three planes in a hangar on Saipan - two Japanese Zeros and another plane covered by camouflage.  Amelia confirms that this was her Electra - which they found "the next day."  And is part of the book SHE WAS NEVER LOST: THE AMELIA EARHART SAGA.  Read it to give this comment context. Then we invited Robert Redford to speak to us.  It happens sometimes where I feel like "someone is bugging me" and two days ago that happened. So I asked him all the questions that I could muster about his family and friends. I know the family asked for privacy and apologies for asking him for messages for them - but we've been doing this weekly for ten years now. I've learned that even if a person doesn't believe that we're speaking to their loved one, eventually they come to realize it's accurate. Jennifer revealed she did a reading with Jean Smart, the Emmy winner of "Hacks" - and while not revealing anything they talked about, described the process of their getting together. And then throughout the podcast, she had other things come to mind - working on Robert's daughter's fiancee's case in Colorado - something she hadn't thought about in ten years, but came to her the night before he passed. Jennifer has been working with members of Kobe's family (they've allowed her to say that) - and other folks.  The point isn't about celebrity - it's about the fact that Jennifer has the ability to just say whatever comes to mind. I asked Robert how it was he was aware of our class, and Kobe showed Jennifer that it was his introduction that made him show up. We've interviewed a number of his pals, Sidney Pollack's daughter wrote to me that everything we reported was accurate about her, about him turning his chair around and packing his cigarettes while he answered questions. Sidney confirmed a latter he'd written to my pal Phillip Noyce before he passed.  We've been doing this for awhile. So I dove into the interview. He had messages for his pals, I asked for them by first names, but anyone could figure out who he's referring to.   So Jane Fonda, Barbra Streisand, Dustin Hoffman, Bob Woodward, Meryl Streep, Rod Lurie - he has a comment for all of you.  It doesn't matter if one believes it's him speaking to them or not - eventually we'll realize the process.   Jennifer can be reaches at JenniferShaffer.com, I can be reached at RichardMartini.com He gives some sage advice about politics, and lowering the political temperature. 

“You're trying to seduce me…” The Graduate dropped in 1969 from Mike Nichols on the cutting edge of New Hollywood. The story of a recent college grad and an affair that shapes the transitional years into his adulthood and his lover's middle age. As iconic as a movie can be, Dustin Hoffman and Anne Bancroft starred in a movie that's as relevant now as it was in the aftermath of the Hays Code and on the cusp of a new style of filmmaking that would define a generation of artists. Clint, Cal and Nick talk about revisiting this classic in their own moments of change, how an old school cinematographer was the best way to break new ground and why the movie hits WAY different when you realize you're older than Mrs. Robinson. Meanwhile, Dan's Algorithm wonders where Joe DiMaggio has gone… CineFix Top 100 was created by Clint Gage and Dan Parkhurst and is produced by Tayo Oyekan, with Technical Producers, Marhyan Franzen and Amir Rakib. Our Executive Producers are Clint Gage and Corrado Caretto. Logo and graphic design by Eric Sapp and title animations by Casey Redmon. Learn more about your ad choices. Visit megaphone.fm/adchoices

Watergate, the scandal that toppled Nixon. All the President's Men (1976) tells the story of Woodward and Bernstein, the two Washington Post journalists who “followed the money” and uncovered corruption at the highest level. But does the film hold up today or has it become a mythologized version of journalism that no longer exists? Richard, Thorin, and MonteCristo dig into Robert Redford & Dustin Hoffman's iconic roles, the slow-burn procedural style, the myth of journalism as a heroic truth-to-power force, and why this movie may feel like historical fiction in today's cynical political world.

EPISODE 100 -  “LIGHTS! CAMERA! KARGER! TCM's DAVE KARGER HELPS US CELEBRATE 100 EPISODES” - 8/11/25 We're thrilled to celebrate the 100th episode of FROM BENEATH THE HOLLYWOOD SIGN with a very special guest: DAVE KARGER, beloved host of Turner Classic Movies and one of the most respected voices in entertainment journalism. In this milestone episode, Dave joins us to discuss his fascinating new book, 50 Oscar Nights: Iconic Stars & Filmmakers On Their Career-Defining Wins, a dazzling journey through Academy Awards history told through unforgettable moments, behind-the-scenes stories, and personal reflections. Whether you're a film buff, an Oscars obsessive, or just love a great Hollywood tale, this conversation is the perfect way to help us celebrate our 100th episode. SHOW NOTES:  Sources: 50 Oscar Nights: Iconic Stars & Filmmakers On Their Career-Defining Wins (2024), by Dave Karger; Wikipedia.com; TCM.com; IBDB.com; IMDBPro.com; Movies Mentioned: The Breakfast Club (1985), starring Molly Ringwald, Emilio Estevez, Judd Nelson, Ally Sheed, and Anthony Micheal Hall; Sixteen Candles (1984); starring Molly Ringwald & Anthony Michael Hall; Ferris Bueller's Day Off (1986), starring Matthew Broderick &  Alan Ruck; Children of a Lesser God (1986), starring William Hurt & Marlee Matlin; Breathless (1983), starring Richard Gere & Valerie Kaprisky; Tootsie (1982), starring Dustin Hoffman & Jessica Lange; Laura (1944), starring Dana Andrews & Gene Tierney; Seven Chances (1925) starring Buster Keaton; Citizen Kane (1941), starring Orson Welles & Joseph Cotton; On The Waterfront (1954), starring Marlon Brando,Eva Marie Saint, & Karl Malden; Rainman (1988), starring Dustin Hoffman & Tom Cruise; Stella Dallas (1937), starring Barbara Stanwyck & Anne Shirley; Reveille with Beverly (1943), starring Ann Miller; Penny Serenade (1941), starring Cary grant & Irene Dunne; Boys Don't Cry (1999), starring Hilary Swank & Chloë Sivegny; Norma Rae (1979), starring Sally Field & Beau Bridges; Sophie's Choice (1982), starring Meryl Streep, Kevin Kline, & Peter MacNicol; Learn more about your ad choices. Visit megaphone.fm/adchoices

GGACP celebrates the 50th anniversary of the #1 record of 1975, "Love Will Keep Us Together" with this LIVE singalong episode (from Sid Gold's Request Room in New York City) and tribute to songwriter Neil Sedaka (and others). In this episode, Gilbert and Frank are accompanied by pianist extraordinaire Joe McGinty and a roomful of passionate (and knowledgeable!) listeners as they warble memorable tunes from ABBA, The Archies, Jim Croce, Paper Lace and Kermit the Frog. Also, Helen Reddy gets the jump on Bette Midler, Herve Villechaize covers the Captain & Tennille, Gilbert picks a bone with Kenny Rogers and Dustin Hoffman shares the screen with Dr. Hook & the Medicine Show. PLUS: The songs of Shel Silverstein! “The Blind Man in the Bleachers”! And "The Wreck of the Barry Fitzgerald!” Learn more about your ad choices. Visit megaphone.fm/adchoices

We are bringing back the "I've Never Seen" segment from the old days. One of us absolutely loves 2004's 'I Heart Huckabees' and the other two have never even heard of it. A self-described "existential comedy", I Heart Huckabees has an insane cast including Dustin Hoffman, Lily Tomlin, Jude Law, Jason Schwartxman, Mark Wahlberg, Naomi Watts and so many more. Learn more about your ad choices. Visit megaphone.fm/adchoices

The Ringer's Bill Simmons and Chris Ryan have one question for you: Is it safe? The guys sit down in the dentist chair to revisit the 1976 crime thriller ‘Marathon Man,' starring Dustin Hoffman, Laurence Olivier, and Roy Scheider. Producers: Craig Horlbeck, Jack Sanders, and Ronak Nair This episode is sponsored by State Farm®. A State Farm agent can help you choose the coverage you need. Like a good neighbor, State Farm is there.® Learn more about your ad choices. Visit podcastchoices.com/adchoices

Ever heard of Jurassic Park? Michael Crichton's greatest adaptation! Well get ready for another adaptation that's not Congo, Sphere. A movie about aliens and time travel and Sphere's and nightmares. Starring a young…ish Samuel L Jackson, Dustin Hoffman and Sharon Stone it sank like a bloody stone at the box office due to poor reception and general disinterest in its blend of sci-fi and horror. Thanks for watching our Caravan Of Garbage review!SUBSCRIBE HERE ►► http://goo.gl/pQ39jNVideo Edition ► https://youtu.be/N-9HfQskrGwHelp support the show and get early episodes ► https://bigsandwich.co/Patreon ► https://patreon.com/mrsundaymoviesJames' Twitter ► http://twitter.coQm/mrsundaymoviesMaso's Twitter ► http://twitter.com/wikipediabrownPatreon ► https://patreon.com/mrsundaymoviesT-Shirts/Merch ► https://www.teepublic.com/stores/mr-sunday-movies The Weekly Planet iTunes ► https://itunes.apple.com/us/podcast/the-weekly-planet/id718158767?mt=2&ign-mpt=uo%3D4 The Weekly Planet Direct Download ► https://play.acast.com/s/theweeklyplanetAmazon Affiliate Link ► https://amzn.to/2nc12P4 Hosted on Acast. See acast.com/privacy for more information.