Podcasts about writing about race

Notes and Links to Lisa Lee's Work     Lisa Lee is the recipient of the Marianne Russo Emerging Writer Award from the Key West Literary Seminar, an Emerging Writer Fellowship from the Center for Fiction, and a Pushcart Prize. Her work has appeared in Ploughshares, VIDA: Women in Literary Arts, North American Review, Sycamore Review, and elsewhere. Her essay on racial invisibility and erasure in the writing workshop was featured on Bitch Media's feminism & pop culture podcast Popaganda, on the episode “Writing About Race.”  Today, March 31, is Pub Day for her novel, American Han.   Buy American Han   Lisa Lee's Website   Review of American Han from Kirkus Reviews   At about 1:40, Lisa discusses the exhaustion and excitement that comes with Pub Day and the book's unveiling At about 4:45, Lisa gives info on publishing and buying her book At about 5:40, Lisa and Pete shout out meaningful writers in her life and talk about her book events coming up At about 6:15, Lisa responds to Pete's question about her language and reading life in childhood and into young adulthood At about 9:00, Lisa cites Housekeeping by Robinson and Everett's Erasure as changing her perceptions of what writers At about 10:30, Lisa expands upon the greatness of Percival Evertett, homing in on Erasure At about 13:20, Pete reads a generic definition of han and compares it to a word like saudade that is virtually untranslatable  At about 14L15, Lisa responds to Pete's questions about the meaning(s) of han At about 16:00, Pete sets the book's exposition, and Lisa expands on the narrator Jane's mindset at the beginning of American Han  At about 20:45, The two discuss the competitiveness within the family and expectations of Jane's mother  At about 21:45, Lisa responds to Pete asking about the quote that Jane has succeeded “despite” her mother, not “because of” her mother  At about 25:15, Pete cites the Korean folk tale of Chun in talking about parental-child relationships and sibling relationships  At about 26:05, Lisa responds to Pete's question about empathy/sympathy for her characters  At about 29:05, Lisa reflects on Pete's wondering about han and intergenerational traumas in the book, and expands upon differences in han's impact in contemporary Korea and among members of the Korean diaspora At about 33:30, Pete highlights a memorable scene that  At about 34:05, Pete riffs on the "manosphere" and connections to Kevin, the narrator's sister, and his misogyny; Lisa speaks on Kevin's background and sense of han and sense of gender identity At about 40:15, Lisa and Pete discuss the book's timing and pacing and flashbacks At about 42:40, Pete highlights an important and well-drawn scene about an alternate way of being mother and daughter  At about 43:55, Lisa expands on a Korean custom of associating parents with their children through different forms of address At about 45:40, The two reflect on children as the parents' “identity” At about 46:40, Pete points out the independence of the mother and father at a point in the book where Kevin's horrific act shakes up the family  At about 47:35, The two discuss the importance of a family vacation and ideas of “let[ting] the lid off” At about 48:10, Pete asks Lisa about ending the book as she does, with a flashback, and with the tone that she uses      You can now subscribe to the podcast on Apple Podcasts, and leave me a five-star review. You can also ask for the podcast by name using Alexa, and find the pod on Stitcher, Spotify, and on Amazon Music. Follow Pete on IG, where he is @chillsatwillpodcast, or on Twitter, where he is @chillsatwillpo1. You can watch other episodes on YouTube-watch and subscribe to The Chills at Will Podcast Channel. Please subscribe to both the YouTube Channel and the podcast while you're checking out this episode.       Pete is very excited to have one or two podcast episodes per month featured on the website of Chicago Review of Books. The audio will be posted, along with a written interview culled from the audio. His conversation with Jeff Pearlman, a recent guest, is up now at Chicago Review.     Sign up now for The Chills at Will Podcast Patreon: it can be found at patreon.com/chillsatwillpodcastpeterriehl      Check out the page that describes the benefits of a Patreon membership, including cool swag and bonus episodes. Thanks in advance for supporting Pete's one-man show, DIY podcast and extensive reading, research, editing, and promoting to keep this independent podcast pumping out high-quality content!    This month's Patreon bonus episode features an exploration of formative and transformative writing for children, as Pete surveys wonderful writers on their own influences.    Pete has added a $1 a month tier for “Well-Wishers” and Cheerleaders of the Show.     This is a passion project, a DIY operation, and Pete would love for your help in promoting what he's convinced is a unique and spirited look at an often-ignored art form.    The intro song for The Chills at Will Podcast is “Wind Down” (Instrumental Version), and the other song played on this episode was “Hoops” (Instrumental)” by Matt Weidauer, and both songs are used through ArchesAudio.com.     Please tune in for Episode 335 with Toni Ann Johnson, who won the 2024 Screen Door Press Prize for Fiction with her linked collection, BUT WHERE'S HOME? (UPK 2026). In 2021, she won the Flannery O'Connor Award for her linked short story collection LIGHT SKIN GONE TO WASTE (UGA Press 2022). The collection was shortlisted for an NAACP Image Award for Outstanding Literary Work, and also shortlisted for the Saroyan Prize. A novella, HOMEGOING, won Accents Publishing's inaugural novella contest in 2020 and was released in May of 2021.    She is also a screenwriter with a number of produced projects to her credit including, Ruby Bridges (ABC), Crown Heights (Showtime), The Courage to Love (Lifetime) the TV pilot, Save The Last Dance (Fox Television), and the feature film, Step Up 2: The Streets (Summit Entertainment).    The episode airs March 31 or April 1.    Please go to ceasefiretoday.org, and/or https://act.uscpr.org/a/letaidin to call your congresspeople and demand an end to the forced famine and destruction of Gaza and the Gazan people.    You can also donate at chuffed.org, World Central Kitchen, and so many more, and/or you can contact writer friend Ursula Villarreal-Moura directly or through Pete, as she has direct links with friends in Gaza.

Notes and Links to Keith O'Brien's Work     Keith O'Brien has written five books, won the PEN America award for best biography, and has contributed to multiple publications over the years.    Keith's work has appeared in the New York Times Magazine, the Atlantic, Rolling Stone, the Wall Street Journal, and on National Public Radio. His radio stories have aired on All Things Considered, Morning Edition, and Weekend Edition, as well as Marketplace and This American Life. His latest gem is Heartland: A Forgotten Place, an Impossible Dream, and the Miracle of Larry Bird.   Buy Heartland: A Forgotten Place, an Impossible Dream, and the Miracle of Larry Bird    Keith O'Brien's Website   Review for Heartland from The Wall Street Journal   At about 1:50, Pete shouts out his brother as a huge Larry Bird fan At about 2:30, Keith talks about his book tour for the launch of Heartland and gives a summary of the book at about 4:40, Keith responds to Pete asking about the time period covered in the book and how he figured out his angle for the book at about 7:55, Keith talks about his attempts to talk to Larry Bird for the book at about 10:00, Pete sets the record straight grammatically, and Keith expands on Indiana State University President Dick Landini's persona  at about 11:20, The two discuss the book's opening sequence, and Keith explains why he started the book where he did, with an Indiana State NIT loss and Larry Bird fracas  at about 16:25, Keith talks about Larry Bird's treatment as "The Great White Hope" and the ways in which he was talked about and treated in the late 1970s at about 19:00, Larry Bird's childhood is discussed, including his father's military background, and Larry talks about his research and work to make Joey Bird "three-dimensional"  at about 22:40, Keith gives background on the poverty and hardship in Larry Bird's upbringing at about 23:40, Dave Bliss, Bobby Knight, and Larry Bird's college recruitment are discussed at about 24:20, Keith recounts an amazing story involving Denny Crum and Larry Bird's recruitment  at about 26:45, Larry's short time at Indiana University and Northwood Institute are highlighted at about 29:40, The two discuss important recruits for Indiana State to team up with Larry Bird, including Harry Morgan and his upbringing in a racist town/society at about 33:00, Larry responds to Pete's asking about the college basketball Magic Johnson/Larry Bird dynamic, and the racial dynamics and popularity of the NBA in the late 1970s at about 36:30, Keith gives background on the Celtics drafting Larry Bird after his junior year of college at about 37:10, Pete discusses the "glue guys" that Coach Hodges brought in to ISU for Larry's third year and the novelty of nationally-televised games  at about 39:00, Keith reflects on the fact that while Magic Johnson is crucial to the book's events, he was at the time of the book's action, largely unknown to Larry, and vice versa at about 41:30, Keith responds to Pete's referring to the book's last section, a sort of "Where are they now?" by calling it his favorite section and how the players and connections to ISU were irrevocably-changed    You can now subscribe to the podcast on Apple Podcasts, and leave me a five-star review. You can also ask for the podcast by name using Alexa, and find the pod on Stitcher, Spotify, and on Amazon Music. Follow Pete on IG, where he is @chillsatwillpodcast, or on Twitter, where he is @chillsatwillpo1. You can watch other episodes on YouTube-watch and subscribe to The Chills at Will Podcast Channel. Please subscribe to both the YouTube Channel and the podcast while you're checking out this episode.       Pete is very excited to have one or two podcast episodes per month featured on the website of Chicago Review of Books. The audio will be posted, along with a written interview culled from the audio. His conversation with Jeff Pearlman, a recent guest, is up now at Chicago Review.     Sign up now for The Chills at Will Podcast Patreon: it can be found at patreon.com/chillsatwillpodcastpeterriehl      Check out the page that describes the benefits of a Patreon membership, including cool swag and bonus episodes. Thanks in advance for supporting Pete's one-man show, DIY podcast and extensive reading, research, editing, and promoting to keep this independent podcast pumping out high-quality content!    This month's Patreon bonus episode features an exploration of formative and transformative writing for children, as Pete surveys wonderful writers on their own influences.    Pete has added a $1 a month tier for “Well-Wishers” and Cheerleaders of the Show.     This is a passion project, a DIY operation, and Pete would love for your help in promoting what he's convinced is a unique and spirited look at an often-ignored art form.    The intro song for The Chills at Will Podcast is “Wind Down” (Instrumental Version), and the other song played on this episode was “Hoops” (Instrumental)” by Matt Weidauer, and both songs are used through ArchesAudio.com.     Please tune in for Episode 334 with Lisa Lee. She is the recipient of the Marianne Russo Emerging Writer Award from the Key West Literary Seminar, an Emerging Writer Fellowship from the Center for Fiction, and a Pushcart Prize. Her work has appeared in Ploughshares, VIDA: Women in Literary Arts, North American Review, Sycamore Review, and elsewhere. Her essay on racial invisibility and erasure in the writing workshop was featured on Bitch Media's feminism & pop culture podcast Popaganda, on the episode “Writing About Race.”     The episode airs on March 31, Pub Day for her novel American Han.    Please go to ceasefiretoday.org, and/or https://act.uscpr.org/a/letaidin to call your congresspeople and demand an end to the forced famine and destruction of Gaza and the Gazan people.    You can also donate at chuffed.org, World Central Kitchen, and so many more, and/or you can contact writer friend Ursula Villarreal-Moura directly or through Pete, as she has direct links with friends in Gaza.

Returning guests: Philosopher, writer, and PhD student Anisha Sankar and soon to be Assistant Professor of Pacific Island Studies at the University of Oregon and author of Bloody Woman Lana Lopesi. Contents: This episode gives some background to the anthology project Towards a Grammar of Race in Aotearoa New Zealand to be published by Bridget Williams Books in Sept/Oct 2022. We reflect back on the beginning of a reading group that culminated into this project, drawing from Jodi Byrd's The Transit of Empire: Indigenous Critiques of Colonialism,  Frank B. Wilderson III's Afropessimism, Lisa A. Lowe's The Intimacies of Four Continents, Otherwise Worlds: Against Settler Colonialism and Anti-Blackness, and more. Reading and thinking with challenging theoretical perspectives, through different points of views and disciplines, offered productive tensions that better spoke to the messy and complex realities of our modern world. This background assisted us in finding language to navigate the local and global discourse and experience of race and power, such as debates between ethnicity vs. race in a New Zealand context. This project sought to bring together different authors, understandings, ideas, and experiences of race together. We confront a lack of societal consensus or shared language to even discuss race by putting these diverse positions together in what we call, ‘towards a grammar of race'. Grammar is both linguistic and philosophical, as the rules that give structure to language and to society. Ani and Lana also share a bit about their chapters in the book and we end with a critical reflection on ‘accessibility'. Terms: Incommensurability is a term borrowed from mathematics that refers to having no common measure, and is used in reference to Afropessimism, which uses the term to confront the inadequacies to theorise Black suffering and Blackness in other theoretical camps, positions, or traditions; Paranoid and reparative reading are references to Eve Sedgwick's book Touching Feeling – Affect, Pedagogy, Performativity and particularly the chapter ‘Paranoid reading and reparative reading, or you're so paranoid, you probably think this essay is about you.'; Colonial imaginary refers to the intellectual, aesthetic, and historical production of a modern euro-imperial consciousness and reality.

In this episode, I'm sharing about a panel discussion I attended at the Los Angeles Times Book Festival where Black woman authors discussed race in their writing. Also, my thoughts about not wavering from your focus. ** Find me on Instagram, Facebook, and Twitter at @archuletawrites ** --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app

In this episode we have the pleasure of speaking to Korean adoptee and award-winning writer James Han Mattson. We start with James' path to becoming a writer and the moment when his Iowa acceptance letter arrived in the mail. He treats us to two readings of his work: an extended excerpt from his recent novel Reprieve, and his essay “Letter to a Stranger” published in the literary magazine Off Assignment, which is about a pivotal moment during his time living in Korea. We discuss some of the themes explored in Reprieve - including the complex intersections between love, desire, and racial preferences - as well as the challenges of learning one birth language in one's birth country, while you're also so deeply engaged in your craft as a writer who publishes in English. Finally, James tells us about how his time in Korea changed his writing and gives us the scoop on his new novel in progress, which features a Korean adoptee protagonist. James Han Mattson was born in Seoul and raised in North Dakota. He reunited with his birth family in 2009. A graduate of the Iowa Writers' Workshop, he is the award-winning author of two novels: The Lost Prayers of Ricky Graves and Reprieve, which was a Fall 2021 Book Pick by The New York Times, The L.A. Times, The Chicago Tribune, The Guardian, Esquire, Entertainment Weekly, and the TODAY show, among others. He is currently the fiction editor of Hyphen Magazine. You can follow him on Twitter: @jhmattson or check out his website at www.jameshanmattson.com

This month our program features something unique. I’m featuring an audio program I created/wrote/ and produced in my graduate school days. To be quite honest, it was my first foray into audio production. It was for a class called “Writing About Race and Change” at Florida Atlantic University that was taught by its Writer in Residence, Dr. Kitty Oliver, who would later become my mentor and friend. “Cafe con Leche”—as I titled it, also won an award from FAU’s Graduate Research Symposium and led to a Summer Internship program under the tutelage of former NPR station manager and BBC freelance contributor—Dr. Kevin Petrich. I had the honor of being his teaching assistant for Broadcast Journalism for three years. Talk about lucky! This audio program brings back many fond memories for me: of the many friendships I made while in graduate school, of the challenges graduate school presented, and of the hard work and sacrifice it required. But it also reminded me of the sweet taste of success I achieved upon earning the doctorate. Just in case you’re curious, I remixed the program and hope you like my update.

Garnette Cadogan is an acclaimed essayist who teaches in MIT’s Urban Studies and Planning program. As befits a teacher who is also a professional creative writer, he conceives of the academic syllabus as a matrix of interconnected and recurring themes and leitmotifs, not as a schematic outline of self-contained units. In this episode, he describes how he designed his latest class, 11.S947 The Fire This Time: Race and Racism in American Cities, to draw on a wide range of cultural documents—not only written texts but also standup comedy, song, poetry, and film—to de-simplify students’ understanding of racial relations. Too often, he says, the struggle for social justice is presented in terms of a teleological progression toward freedom and inclusion, and too often victimization is presented as if it were the only experience of those on the receiving end of racism’s injustices. Oppression dehumanizes everyone, oppressor and oppressed alike, Cadogan says, but it isn’t the sum total of anyone’s being. He hopes this class will help students encounter the experiences of others in their full human complexity of joy, hope, pessimism, struggle, and imagination.Relevant ResourcesMIT OpenCourseWareThe OCW Educator PortalGarnette Cadogan’s course 1.S947 The Fire This Time: Race and Racism in American Cities -- coming soon!Garnette Cadogan’s course 11.S948 Seeing the City Afresh on OCW Garnette Cadogan’s essay “Walking While Black”Garnette Cadogan’s faculty pageWatch MIT’s 47th Annual MLK Jr Celebration to hear more voices on the role of joy in the struggle against systemic racism Music in this episode by Blue Dot Sessions Connect with UsIf you have a suggestion for a new episode or have used OCW to change your life or those of others, tell us your story. We’d love to hear from you! Call us @ 617-715-2517On our siteOn FacebookOn TwitterOn Instagram Stay CurrentSubscribe to the free monthly "MIT OpenCourseWare Update" e-newsletter. Support OCWIf you like Chalk Radio and OpenCourseware, donate to help keep these programs going! CreditsSarah Hansen, host and producerBrett Paci, producer  Dave Lishansky, producer Show notes by Peter Chipman

Andrea McDaniels of The Baltimore Sun discusses the positioning of positions and discussing racial inequities and health and education in an urban media environment.

Director Andrew Patterson joins us to talk about new movie The Vast of Night, the story of a small New Mexico town disturbed by lights in the sky and unidentified radio signals which is a loving homage to the sci-fi TV of the 1950s. The low budget, high concept film, which is Patterson’s directorial debut, is available on Amazon Prime. Writers Timberlake Wertenbaker and Winsome Pinnock talk about how white and black writers engage with race, and the importance and responsibility of white writers to talk about race and racism. Mark Damazer is the newly announced Chair of the Booker Prize Foundation which oversees the management of the Booker Prize and the International Booker Prize, for fiction in translation. After the Booker judges’ controversial decision in 2019 to split the main award between two authors, Bernadine Evaristo and Margaret Atwood, he joins us to talk about the Foundation’s plans for the year ahead. It’s the 31st anniversary today of the massacre of thousands of protestors in Tiananmen Square. Writers, musicians and writers, such as Bei Dao, Duo Duo and singer Cui Jian, were involved in the movement for Democracy in China, and Front Row briefly reflects on their role. Presenter: Tom Sutcliffe Producer: Julian May Studio Manager: Tim Heffer

In the second half of a special two-part episode, novelist and critic Jess Row and poet and critic Tim Yu talk to Fiction/Non/Fiction co-hosts V.V. Ganeshananthan and Whitney Terrell about writing about whiteness in America. Who gets to participate in cultural criticism, and why? Who gets reviewed by and compared to whom, and why? How can white writers render and challenge their communities' part in the country's history of racism? Row and Yu also share their responses to Bob Hicok's recent essay about diversity in poetry. (Find Part I here.)Guests:Jess RowTim YuReadings for the Episode:Jess RowWhite FlightsYour Face in Mine“What Are White Writers For?” in The New Republic, Sept. 30, 2016“Native Sons: A straight white American man on loving James Baldwin and learning to write about race” in Guernica, Aug. 13, 2013“A Safe Space for Racism,” in The New Republic, Nov. 23, 2016Tim Yu"The Case of the 'Disappearing' Poet: Why did a white poet see the success of writers of color as a signal of his own demise?" The New Republic, August 7, 2019White Poets Want Chinese Culture Without Chinese People Calvin Trillin's "Have They Run Out of Provinces Yet?" is the latest in a long artistic tradition. The New Republic, April 8, 2016, 100 Chinese SilencesWhitney TerrellThe King of Kings CountyOthers:White Fragility: Why It's So Hard for White People to Talk About Racism by Robin DiAngelo (book)"The Authentic Outsider: Bill Cheng, Anthony Marra, and the freedom to write what you don't know," by V.V. Ganeshananthan“The Dominance of the White Male Critic,” by Elizabeth Méndez Berry and Chi-hui Yang, The New York Times, July 5, 2019"The Promise of American Poetry," by Bob Hicok, Utne Reader, Summer 2019 (originally appeared in Michigan Quarterly Review, Winter 2018)Race, Real Estate, and Uneven Development: The Kansas City Experience, 1900-2010 by Kevin Fox GothamPlaying in the Dark: Whiteness in the literary imagination by Toni MorrisonWhite People by Allan GurganusLiterary Color Lines: On Inclusion in Publishing Fiction/Non/Fiction #8: Dhonielle Clayton and Ayesha Pande Talk Sensitivity Reading January 11, 2018 Learn more about your ad choices. Visit megaphone.fm/adchoicesSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

In the second half of a special two-part episode, novelist and critic Jess Row and poet and critic Tim Yu talk to Fiction/Non/Fiction co-hosts V.V. Ganeshananthan and Whitney Terrell about writing about whiteness in America. Who gets to participate in cultural criticism, and why? Who gets reviewed by and compared to whom, and why? How can white writers render and challenge their communities' part in the country's history of racism? Row and Yu also share their responses to Bob Hicok's recent essay about diversity in poetry. (Find Part I here.) Guests:Jess RowTim YuReadings for the Episode:Jess RowWhite FlightsYour Face in Mine“What Are White Writers For?” in The New Republic, Sept. 30, 2016“Native Sons: A straight white American man on loving James Baldwin and learning to write about race” in Guernica, Aug. 13, 2013“A Safe Space for Racism,” in The New Republic, Nov. 23, 2016 Tim Yu"The Case of the 'Disappearing' Poet: Why did a white poet see the success of writers of color as a signal of his own demise?" The New Republic, August 7, 2019White Poets Want Chinese Culture Without Chinese People Calvin Trillin's "Have They Run Out of Provinces Yet?" is the latest in a long artistic tradition. The New Republic, April 8, 2016, 100 Chinese Silences Whitney TerrellThe King of Kings County Others:White Fragility: Why It's So Hard for White People to Talk About Racism by Robin DiAngelo (book)"The Authentic Outsider: Bill Cheng, Anthony Marra, and the freedom to write what you don't know," by V.V. Ganeshananthan“The Dominance of the White Male Critic,” by Elizabeth Méndez Berry and Chi-hui Yang, The New York Times, July 5, 2019"The Promise of American Poetry," by Bob Hicok, Utne Reader, Summer 2019 (originally appeared in Michigan Quarterly Review, Winter 2018)Race, Real Estate, and Uneven Development: The Kansas City Experience, 1900-2010 by Kevin Fox GothamPlaying in the Dark: Whiteness in the literary imagination by Toni MorrisonWhite People by Allan GurganusLiterary Color Lines: On Inclusion in Publishing Fiction/Non/Fiction #8: Dhonielle Clayton and Ayesha Pande Talk Sensitivity Reading January 11, 2018 Learn more about your ad choices. Visit megaphone.fm/adchoices

In the first half of a special two-part episode, novelist and critic Jess Row and poet and critic Tim Yu talk to Fiction/Non/Fiction podcast co-hosts V.V. Ganeshananthan and Whitney Terrell about writing about whiteness in America. How can white writers render their communities' part in the country's history of racism, and also challenge them? Row and Yu also share their responses to Bob Hicok's recent Utne Reader essay about diversity in poetry.To hear the full episode, subscribe to the Fiction/Non/Fiction podcast through iTunes, Google Play, Stitcher, Spotify, or your favorite podcast app (make sure to include the forward slashes when searching). You can also listen by streaming from the player below.Guests:Jess RowTim YuReadings for the Episode:Jess RowWhite FlightsYour Face in Mine“What Are White Writers For?” in The New Republic, Sept. 30, 2016“Native Sons: A straight white American man on loving James Baldwin and learning to write about race” in Guernica, Aug. 13, 2013Tim Yu "The Case of the 'Disappearing' Poet: Why did a white poet see the success of writers of color as a signal of his own demise?" The New Republic, August 7, 2019White Poets Want Chinese Culture Without Chinese People Calvin Trillin's "Have They Run Out of Provinces Yet?" is the latest in a long artistic tradition. The New Republic, April 8, 2016, 100 Chinese SilencesWhitney TerrellThe King of Kings CountyThe HuntsmanOthers:White Fragility: Why It's So Hard for White People to Talk About Racism by Robin DiAngelo (book)"White Fragility," by Robin DiAngelo (article)"The Authentic Outsider: Bill Cheng, Anthony Marra, and the freedom to write what you don't know," by V.V. Ganeshananthan“The Dominance of the White Male Critic: Conversations about our monuments, museums, screens and stages have the same blind spots as our political discourse,” by Elizabeth Méndez Berry and Chi-hui Yang, The New York Times, July 5, 2019"The Promise of American Poetry," by Bob Hicok, Utne Reader, Summer 2019 (originally appeared in Michigan Quarterly Review, Winter 2018)"Have They Run Out of Provinces Yet?" by Calvin Trillin, The New Yorker, March 28, 2016Orientalism by Edward SaidMapping Prejudice Learn more about your ad choices. Visit megaphone.fm/adchoicesSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

In the first half of a special two-part episode, novelist and critic Jess Row and poet and critic Tim Yu talk to Fiction/Non/Fiction podcast co-hosts V.V. Ganeshananthan and Whitney Terrell about writing about whiteness in America. How can white writers render their communities' part in the country's history of racism, and also challenge them? Row and Yu also share their responses to Bob Hicok's recent Utne Reader essay about diversity in poetry. To hear the full episode, subscribe to the Fiction/Non/Fiction podcast through iTunes, Google Play, Stitcher, Spotify, or your favorite podcast app (make sure to include the forward slashes when searching). You can also listen by streaming from the player below. Guests:Jess RowTim YuReadings for the Episode:Jess RowWhite FlightsYour Face in Mine“What Are White Writers For?” in The New Republic, Sept. 30, 2016“Native Sons: A straight white American man on loving James Baldwin and learning to write about race” in Guernica, Aug. 13, 2013 Tim Yu "The Case of the 'Disappearing' Poet: Why did a white poet see the success of writers of color as a signal of his own demise?" The New Republic, August 7, 2019White Poets Want Chinese Culture Without Chinese People Calvin Trillin's "Have They Run Out of Provinces Yet?" is the latest in a long artistic tradition. The New Republic, April 8, 2016, 100 Chinese Silences Whitney TerrellThe King of Kings CountyThe Huntsman Others:White Fragility: Why It's So Hard for White People to Talk About Racism by Robin DiAngelo (book)"White Fragility," by Robin DiAngelo (article)"The Authentic Outsider: Bill Cheng, Anthony Marra, and the freedom to write what you don't know," by V.V. Ganeshananthan“The Dominance of the White Male Critic: Conversations about our monuments, museums, screens and stages have the same blind spots as our political discourse,” by Elizabeth Méndez Berry and Chi-hui Yang, The New York Times, July 5, 2019"The Promise of American Poetry," by Bob Hicok, Utne Reader, Summer 2019 (originally appeared in Michigan Quarterly Review, Winter 2018)"Have They Run Out of Provinces Yet?" by Calvin Trillin, The New Yorker, March 28, 2016Orientalism by Edward SaidMapping Prejudice Learn more about your ad choices. Visit megaphone.fm/adchoices

On this episode, we explore food from a slightly different angle. We talked with Amy Lam, associate editor at BITCH Magazine and co-founder of the group "Portland Creatives of Color" — which is the reason why we met and started this podcast in the first place. Amy talked to us about her relationship with food, and how the gendered expectations she was raised with shaped the way she sees cooking. From there, all three of us share what it means to be writers and children of immigrants at the same time.

Author, New York Times columnist and master storyteller Samuel Freedman describes the process of creating powerful narratives about people engaged with race, faith and other cultural issues in this interview with veteran journalist Dean Nelson. Freedman is presented as part of the 19th Annual Writer’s Symposium by the Sea at Point Loma Nazarene University. Series: "Writer's Symposium By The Sea" [Public Affairs] [Humanities] [Show ID: 26029]

Author, New York Times columnist and master storyteller Samuel Freedman describes the process of creating powerful narratives about people engaged with race, faith and other cultural issues in this interview with veteran journalist Dean Nelson. Freedman is presented as part of the 19th Annual Writer’s Symposium by the Sea at Point Loma Nazarene University. Series: "Writer's Symposium By The Sea" [Public Affairs] [Humanities] [Show ID: 26029]

Author, New York Times columnist and master storyteller Samuel Freedman describes the process of creating powerful narratives about people engaged with race, faith and other cultural issues in this interview with veteran journalist Dean Nelson. Freedman is presented as part of the 19th Annual Writer’s Symposium by the Sea at Point Loma Nazarene University. Series: "Writer's Symposium By The Sea" [Public Affairs] [Humanities] [Show ID: 26029]

Author, New York Times columnist and master storyteller Samuel Freedman describes the process of creating powerful narratives about people engaged with race, faith and other cultural issues in this interview with veteran journalist Dean Nelson. Freedman is presented as part of the 19th Annual Writer’s Symposium by the Sea at Point Loma Nazarene University. Series: "Writer's Symposium By The Sea" [Public Affairs] [Humanities] [Show ID: 26029]