Podcasts about iowa writers

So we got our first TWO Parter in El Pochcast and it's looking at Spanish, Pochos hablando español y no hablando español, some of us speak it all the time, some of us now and then, and some of us rarely speak it if at all but we're all Pochos. And it's a two parter Because our language is a BIG Deal, we can't even form thoughts without language, it can be something unites us and something that separates us. Something that brings immense joy, and also intense pain. So speaking spanish, and what it means for pocho culture is a deep topic that could cover a million episodes but for now I'll just do two. The first part deals with the pochismo of using spanish when english won't do, and the second deals with the pochismo of not growing up fully speaking spanish. Both episodes feature the voices of pochos and pochas from all over the country and all different backgrounds and I'm so grateful for all of them, so I hope you enjoy these two episodes….listos? Amonos pues…. This episode features: Ricardo Rivera, a writer and civil rights worker from Houston, TX. His writing has appeared in Teen Vogue, Texas Monthly, and Latino Rebels. Read the piece I mention on the podcast here and you can find him on twitter @rjrivera89 Marisa Tirado, a Latina poet from Chicago and graduate of the Iowa Writers' Workshop. She is the founder of an international collective called Protest Through Poetry which provides seminars, publishing opportunities, and creative community for activist poets of color. She's also the author of the chapbook “Selena Didn't Know Spanish” which you should absolutely purchase and you can find her on Instagram @marisatirado**** ORIGINALLY RELEASED in 2022 Find Merch here: https://theirrelevant.org/store Join The El Pochcast Discord here: https://discord.gg/AS8RuMHsxJ Bluesky: @elpochcast.pocho.online Instagram: @elpochcast Email : elpochcast@ gmail.com Text: www.pocho.online El Pochcast is a part of The Irrelevant Podcast Network rapture.mp3 by Vincent Augustus is licensed under a Attribution 4.0 International License. https://creativecommons.org/licenses/by/4.0/ Support El Pochcast by contributing to their tip jar: https://tips.pinecast.com/jar/el-pochcast

Steven Mills has reached a crossroads. His wife and son have left, and they may not return. Which leaves him determined to find out what happened to his own father, a brilliant, charismatic professor who disappeared in 1984 when Steve was twelve, on a wave of ignominy.As Steve drives up the coast of California, seeking out his father's friends, family members, and former colleagues, the novel offers us tantalizing glimpses into Steve's childhood—his parents' legendary pool parties, the black-and-white films on the backyard projector, secrets shared with his closest friend. Each conversation in the present reveals another layer of his father's past, another insight into his disappearance. Yet with every revelation, his father becomes more difficult to recognize. And, with every insight, Steve must confront truths about his own life.Rich in atmosphere, and with a stunningly sure-footed emotional compass, The Imagined Life: A Novel (Knopf, 2025) is a probing, nostalgic novel about the impossibility of understanding one's parents, about first loves and failures, about lost innocence, about the unbreakable bonds between a father and a son. Andrew Porter is the author of the short story collections The Disappeared and The Theory of Light and Matter and a previous novel, In Between Days. A graduate of the Iowa Writers' Workshop, he has received a Pushcart Prize, a James Michener/Copernicus Fellowship, and the Flannery O'Connor Award for short fiction. His work has appeared in One Story, Ploughshares, American Short Fiction, Narrative, and elsewhere. He currently teaches fiction writing and directs the creative writing program at Trinity University in San Antonio, Texas. Recommended Books: Paul. Lisicky, Songs So Wild and Blue Kirsten Sundberg Lunstrum, Elita Chris Holmes is Chair of Literatures in English and Associate Professor at Ithaca College. He writes criticism on contemporary global literatures. His book, Kazuo Ishiguro as World Literature is published with Bloomsbury Publishing. He is the co-director of The New Voices Festival, a celebration of work in poetry, prose, and playwriting by up-and-coming young writers. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literature

Steven Mills has reached a crossroads. His wife and son have left, and they may not return. Which leaves him determined to find out what happened to his own father, a brilliant, charismatic professor who disappeared in 1984 when Steve was twelve, on a wave of ignominy.As Steve drives up the coast of California, seeking out his father's friends, family members, and former colleagues, the novel offers us tantalizing glimpses into Steve's childhood—his parents' legendary pool parties, the black-and-white films on the backyard projector, secrets shared with his closest friend. Each conversation in the present reveals another layer of his father's past, another insight into his disappearance. Yet with every revelation, his father becomes more difficult to recognize. And, with every insight, Steve must confront truths about his own life.Rich in atmosphere, and with a stunningly sure-footed emotional compass, The Imagined Life: A Novel (Knopf, 2025) is a probing, nostalgic novel about the impossibility of understanding one's parents, about first loves and failures, about lost innocence, about the unbreakable bonds between a father and a son. Andrew Porter is the author of the short story collections The Disappeared and The Theory of Light and Matter and a previous novel, In Between Days. A graduate of the Iowa Writers' Workshop, he has received a Pushcart Prize, a James Michener/Copernicus Fellowship, and the Flannery O'Connor Award for short fiction. His work has appeared in One Story, Ploughshares, American Short Fiction, Narrative, and elsewhere. He currently teaches fiction writing and directs the creative writing program at Trinity University in San Antonio, Texas. Recommended Books: Paul. Lisicky, Songs So Wild and Blue Kirsten Sundberg Lunstrum, Elita Chris Holmes is Chair of Literatures in English and Associate Professor at Ithaca College. He writes criticism on contemporary global literatures. His book, Kazuo Ishiguro as World Literature is published with Bloomsbury Publishing. He is the co-director of The New Voices Festival, a celebration of work in poetry, prose, and playwriting by up-and-coming young writers. Learn more about your ad choices. Visit megaphone.fm/adchoices

Steven Mills has reached a crossroads. His wife and son have left, and they may not return. Which leaves him determined to find out what happened to his own father, a brilliant, charismatic professor who disappeared in 1984 when Steve was twelve, on a wave of ignominy.As Steve drives up the coast of California, seeking out his father's friends, family members, and former colleagues, the novel offers us tantalizing glimpses into Steve's childhood—his parents' legendary pool parties, the black-and-white films on the backyard projector, secrets shared with his closest friend. Each conversation in the present reveals another layer of his father's past, another insight into his disappearance. Yet with every revelation, his father becomes more difficult to recognize. And, with every insight, Steve must confront truths about his own life.Rich in atmosphere, and with a stunningly sure-footed emotional compass, The Imagined Life: A Novel (Knopf, 2025) is a probing, nostalgic novel about the impossibility of understanding one's parents, about first loves and failures, about lost innocence, about the unbreakable bonds between a father and a son. Andrew Porter is the author of the short story collections The Disappeared and The Theory of Light and Matter and a previous novel, In Between Days. A graduate of the Iowa Writers' Workshop, he has received a Pushcart Prize, a James Michener/Copernicus Fellowship, and the Flannery O'Connor Award for short fiction. His work has appeared in One Story, Ploughshares, American Short Fiction, Narrative, and elsewhere. He currently teaches fiction writing and directs the creative writing program at Trinity University in San Antonio, Texas. Recommended Books: Paul. Lisicky, Songs So Wild and Blue Kirsten Sundberg Lunstrum, Elita Chris Holmes is Chair of Literatures in English and Associate Professor at Ithaca College. He writes criticism on contemporary global literatures. His book, Kazuo Ishiguro as World Literature is published with Bloomsbury Publishing. He is the co-director of The New Voices Festival, a celebration of work in poetry, prose, and playwriting by up-and-coming young writers. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Today we're talking about writing as refuge, a place that's always waiting for you. We also talk about how writing and revision is layering, and about how to believe our characters are real people - don't miss this! Aimee Phan was born and raised in Orange County, California. She received her BA in English from UCLA and her MFA from the Iowa Writers' Workshop. She is the author of two books for adults, We Should Never Meet: Stories and the novel The Reeducation of Cherry Truong. She has received fellowships and residencies from the NEA, MacDowell Colony, the Rockefeller Foundation's Bellagio Center, Djerassi and Hedgebrook. Her writing has appeared in The New York Times, Time, USA Today and CNN.com among other publications. Aimee teaches as an associate professor in writing and literature at the California College of the Arts in San Francisco and resides in Berkeley, California with her family. The Lost Queen is her most recent novel.

This week, we discuss McSweeney's new quarterly issue: McSweeney's 78: The Make Believers, featuring writers of the Vietnamese diaspora. We are joined by contributors and guest editors of the issue, Thi Bui and Vu Tran, as well as McSweeney's Quarterly Editor Rita Bullwinkel. You can learn more about their work in the episode description below.During the episode, Thi, Vu, and Rita mention upcoming events in celebration of this issue. You can learn more about these special events at the links below. We hope to see you at one of these!Asian Art Museum | San Francisco | May 1 | 3:45 pm Natasha Reichle, Associate Curator of Southeast Asian Art, leads a special curator's choice discussion with McSweeney's 78: The Make Believers co-guest editor Vu Tran and contributing author Doan Bui.Tenderloin Museum | San Francisco | May 1 | 6:00 pm A block party in the heart of Little Saigon. Readings by Vu Tran and Doan Bui, plus a DJ set by Topazu.University of Chicago | Chicago | May 15 | 5:00 pm Co-editors Vu Tran and Thi Bui will be joined by fellow contributor Isabelle Pelaud for a reading and celebration of the issue's publication.This conversation originally took place April 7, 2025 and was recorded via Zoom. We hope you enjoy entering the Mind of a Writer.AWM PODCAST NETWORK HOMEMore about The Make Believers:In McSweeney's 78: The Make Believers (guest edited by Thi Bui and Vu Tran), ten writers of the Vietnamese diaspora write from the eclectic hodgepodge that is their shared imagination of what it means to be "Vietnamese." Packaged in a beautiful foil-stamped cigar box (with art by Bui on each and every surface), and including two booklets, one menu, and a glossary of broken Vietnamese, the work in this issue spans from highbrow to lowbrow, proper to naughty, logical to absurd, and painful to funny. Published on the occasion of the fiftieth anniversary of the end of the Vietnam War, its contributors work across perspectives and multiple languages. In this completely singular, nothing-else-of-its-kind anthology, these artists write (and illustrate!) from a place of collective loss and joy.Featuring work by: Doan Bui, Thi Bui, H'Rina DeTroy, Anna Moï, Hoài Huong Nguyen, Vaan Nguyen, Isabelle Thuy Pelaud, Bao Phi, Paul Tran, and Vu Tran. Order your copy of McSweeney's 78: The Make Believers here.About our guests:THI BUI is a writer and artist from Viet Nam, California, and New York, now planting roots in New Orleans. Best known for her graphic memoir, The Best We Could Do, she has also been a longtime educator in public high schools, a professor of comics, an organizer and artist-activist, an ambivalent sculptor and puppeteer, and a fledgling screenwriter. She received a Caldecott Honor as the illustrator of her first children's book, A Different Pond, by Bao Phi.VU TRAN is the author of Dragonfish and a forthcoming novel, Your Origins. His other writing has appeared in publications like The O. Henry Prize Stories 2007: The Best Stories of the Year, The Best American Mystery Stories, Ploughshares, and Virginia Quarterly Review. He is the recipient of a Whiting Award and fellowships from the National Endowment for the Arts, MacDowell, Yaddo, and the Bread Loaf Writers' Conference. Born in Sài Gòn, Việt Nam, and raised in Oklahoma, Vu received his MFA from the Iowa Writers' Workshop and his PhD from the Black Mountain Institute in Las Vegas, and he is an associate professor of practice in the arts at the University of Chicago, where he directs undergraduate studies in creative writing.RITA BULLWINKEL is the author of Headshot and Belly Up, a story collection that won the Believer Book Award. She is a 2022 recipient of a Whiting Award, the editor of McSweeney's Quarterly, a contributing editor at NOON, the creator of Oral Florist, and a Picador Guest Professor of Literature at Leipzig University in Germany, where she teaches courses on creative writing, zines, and the uses of invented and foreign languages as tools for world building.

Discipline (Four Way Books, 2024), Debra Spark's latest novel was inspired by the life of Walt Kuhn, who introduced Americans to modern art, and also by an infamous east coast boarding school that was forcibly shut down in 2014. The novel twists and turns through the lives of an artist and his wife, a teenager forced to attend a horrifying boarding school, the artist and his wife's lonely daughter after their deaths, and a divorced art appraiser studying the works of the dead artist. Discipline addresses teenagers whose lives are molded by thoughtless adults and women who struggle with loneliness or are taken advantage of by the unscrupulous. It's a coming-of-age story, a mystery about an art theft, but this gorgeous novel is also about family, ambition, and suffering. DEBRA SPARK is the author of five novels, two collections of short stories, and two books of essays on fiction writing. Her most recent books are the novel Unknown Caller and the essay collection And Then Something Happened. With Deborah Joy Corey, she co-edited Breaking Bread, a book of food essays by Maine writers to raise funds for a hunger nonprofit. Her short work has appeared in Agni, AWP Writers' Chronicle, the Boston Globe, the Cincinnati Review, the Chicago Tribune, Epoch, Esquire, Five Points, Food and Wine, Harvard Review, Huffington Post, Maine Magazine, Narrative, New England Travel and Life, the New England Review, the New York Times, Ploughshares, salon.com, the San Francisco Chronicle, the Washington Post, Yankee, and Yale Alumni Quarterly, among other places. In addition to writing book reviews, fiction, articles, and essays, she spent a decade writing about home, art, and design for Maine Home+Design, Decor Maine, Down East, Dwell, Elysian, Interiors Boston, New England Home, and Yankee. She writes a monthly book review column of French books in English translation for Frenchly.us. She has been the recipient of several awards including Maine's 2017 READ ME series, a National Endowment for the Arts fellowship, a Bunting Institute fellowship from Radcliffe College, Wisconsin Institute Fellowship, Pushcart Prize, Michigan Literary Fiction Award, and John Zacharis/Ploughshares award for best first book. A graduate of Yale University and the Iowa Writers' Workshop, she is a professor at Colby College and teaches in the MFA Program for Writers at Warren Wilson College. When she's not working, Spark exercises, studies French, spends time with friends and family, bakes gluten-free, and belongs to a cookbook book club. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literature

Discipline (Four Way Books, 2024), Debra Spark's latest novel was inspired by the life of Walt Kuhn, who introduced Americans to modern art, and also by an infamous east coast boarding school that was forcibly shut down in 2014. The novel twists and turns through the lives of an artist and his wife, a teenager forced to attend a horrifying boarding school, the artist and his wife's lonely daughter after their deaths, and a divorced art appraiser studying the works of the dead artist. Discipline addresses teenagers whose lives are molded by thoughtless adults and women who struggle with loneliness or are taken advantage of by the unscrupulous. It's a coming-of-age story, a mystery about an art theft, but this gorgeous novel is also about family, ambition, and suffering. DEBRA SPARK is the author of five novels, two collections of short stories, and two books of essays on fiction writing. Her most recent books are the novel Unknown Caller and the essay collection And Then Something Happened. With Deborah Joy Corey, she co-edited Breaking Bread, a book of food essays by Maine writers to raise funds for a hunger nonprofit. Her short work has appeared in Agni, AWP Writers' Chronicle, the Boston Globe, the Cincinnati Review, the Chicago Tribune, Epoch, Esquire, Five Points, Food and Wine, Harvard Review, Huffington Post, Maine Magazine, Narrative, New England Travel and Life, the New England Review, the New York Times, Ploughshares, salon.com, the San Francisco Chronicle, the Washington Post, Yankee, and Yale Alumni Quarterly, among other places. In addition to writing book reviews, fiction, articles, and essays, she spent a decade writing about home, art, and design for Maine Home+Design, Decor Maine, Down East, Dwell, Elysian, Interiors Boston, New England Home, and Yankee. She writes a monthly book review column of French books in English translation for Frenchly.us. She has been the recipient of several awards including Maine's 2017 READ ME series, a National Endowment for the Arts fellowship, a Bunting Institute fellowship from Radcliffe College, Wisconsin Institute Fellowship, Pushcart Prize, Michigan Literary Fiction Award, and John Zacharis/Ploughshares award for best first book. A graduate of Yale University and the Iowa Writers' Workshop, she is a professor at Colby College and teaches in the MFA Program for Writers at Warren Wilson College. When she's not working, Spark exercises, studies French, spends time with friends and family, bakes gluten-free, and belongs to a cookbook book club. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Summary: Romeo Oriogun, Assistant Professor of Creative Writing at Florida Atlantic University, joins Dean Michael Horswell in our latest edition of In Conversation. They discuss poetry, migration, and the role of African literature in global literary discourse.Romeo Oriogun is an Assistant Professor of Creative Writing at Florida Atlantic University and explores themes of migration, queerness, and survival in his poetry and nonfiction.A Iowa Writers' Workshop graduate, Oriogun is the author of Sacrament of Bodies, Nomad, and The Gathering of Bastards. He has received the Nigeria Prize for Literature, the Alice Fay Di Castagnola Prize, the Nebraska  Book Award for Poetry, and was a finalist for the Kingsley Tufts Award and the National Book Critics Circle Award for Poetry. 

Summary: Romeo Oriogun, Assistant Professor of Creative Writing at Florida Atlantic University, joins Dean Michael Horswell in our latest edition of In Conversation. They discuss poetry, migration, and the role of African literature in global literary discourse.Romeo Oriogun is an Assistant Professor of Creative Writing at Florida Atlantic University and explores themes of migration, queerness, and survival in his poetry and nonfiction.A Iowa Writers' Workshop graduate, Oriogun is the author of Sacrament of Bodies, Nomad, and The Gathering of Bastards. He has received the Nigeria Prize for Literature, the Alice Fay Di Castagnola Prize, the Nebraska  Book Award for Poetry, and was a finalist for the Kingsley Tufts Award and the National Book Critics Circle Award for Poetry. 

Dan and Ellen talk with Neil Brown, a longtime journalist who is the president of the Poynter Institute. For listeners who might not know, the Poynter Institute is a nonprofit based in St. Petersburg, Florida, that is devoted to teaching best practices in journalism. It is named for Nelson Poynter, the bow-tie-wearing legend who led the St. Petersburg Times to national recognition. The paper is now known as the Tampa Bay Times. Poynter is celebrating its 50th anniversary this year. Dan has a Quick Take on President Trump's bouncing tariffs. They're on, they're off, they're on, they're off. But his gyrations are having real consequences. In central New York State, Trump's threats have killed a daily newspaper — and not just any paper. The Cortland Standard, one of the oldest family-owned papers in the country, folded in mid-March, as Trump's proposed 25% tariff on Canadian newsprint proved to be the last straw. Ellen's Quick Take comes from a tip from Jill Abramson, the former executive editor of the New York Times who is a distinguished professor of the practice here at Northeastern. Jeff Morrison, a journalist who is a member of the Iowa Writers' Collaborative, has compiled an incredible timeline of the decline of newspapers in Iowa. A highlight: The Storm Lake Times Pilot, a twice-weekly print paper featured in our book, "What Works in Community News," is dropping a print edition and going weekly.

Sanjena Sathian is the author of the novel Goddess Complex, available from Penguin Press. Sathian is the author of the critically acclaimed novel Gold Diggers, which was named a Top 10 Best Book of 2021 by The Washington Post and longlisted for the Center for Fiction's First Novel Prize. It won the Townsend Prize for Fiction. Her short fiction appears in The Best American Short Stories, The Atlantic, Conjunctions, One Story, Boulevard, and more. She's written nonfiction for The New York Times, New York magazine, The Drift, The Yale Review, and NewYorker.com, among other outlets. She's an alumna of the Iowa Writers' Workshop and has taught at Emory University, the University of Iowa, and Victoria University of Wellington in New Zealand. In spring 2025, she will serve as the Ferrol A. Sams Jr. Distinguished Chair of English at Mercer University. *** Otherppl with Brad Listi is a weekly podcast featuring in-depth interviews with today's leading writers. Available where podcasts are available: Apple Podcasts, Spotify, YouTube, etc. Subscribe to Brad Listi's email newsletter. Support the show on Patreon Merch Twitter Instagram  TikTok Bluesky Email the show: letters [at] otherppl [dot] com The podcast is a proud affiliate partner of Bookshop, working to support local, independent bookstores. Learn more about your ad choices. Visit megaphone.fm/adchoices

Karen Russell's “The Antidote” follows five characters whose fates become entangled after a storm ravages their fictional small town of Uz, Nebraska. Together, the group of outcasts join forces to reveal the town's secrets and show the importance of remembering and acknowledging injustices to create a better future.Russell has received MacArthur and Guggenheim Fellowships and was a finalist for the Pulitzer Prize for her debut novel “Swamplandia.” She has taught literature and creative writing at the Iowa Writers' Workshop, the University of California-Irvine, Williams College, Columbia University, and Bryn Mawr College, and was the Endowed Chair of Texas State's MFA program. She serves on the board of Street Books, a mobile-library for people living outdoors. Born and raised in Miami, Florida, she now lives in Portland, Oregon with her husband, son and daughter. “The Antidote” is Russell's second novel. She will be at The Bookworm at 6 p.m. on April 3 in conversation with Broc Anderson of the Nebraska State Historical Society.Russell and Michael Griffin discuss the role of intellect and imagination in writing, the natural world's influence on the artistic process and the symbiotic relationship between the author and reader.

Acclaimed debut novelist and award-winning poet Jeanette Horn spoke to me about writing experimental poetry, getting a fateful call from the Iowa Writer's Workshop, and the magical realism in her debut novel PLAY, WITH KNIVES. Jeanette Horn is an Iowa Writers' Workshop MFA program graduate and was a Maytag Fellow. Her debut novel, Play, With Knives, is described as the story of “A struggling theater troupe [that] tours the Midwest by surreal train—where aspects of their plays come to life and wreak havoc—in this inventive literary novel.” Elizabeth Gilbert, #1 New York Times bestselling author of Eat Pray Love, said of the book, "Play, With Knives is a work of wondrous imagination—a dream from which I did not want to awaken."  Jeanette also earned a BA in English from the University of Texas, where she won several Adele Steiner Burleson Awards for poetry and essay writing. Her work has appeared in MARGIE, Poetry International, Stand, Washington Square, and other journals. [Discover The Writer Files Extra: Get 'The Writer Files' Podcast Delivered Straight to Your Inbox at writerfiles.fm] [If you're a fan of The Writer Files, please click FOLLOW to automatically see new interviews. And drop us a rating or a review wherever you listen] In this file Jeanette Horn and I discussed: What it was like at Iowa's famed Writer's Workshop Why her debut novel was a labor of love (10 years in the making) The successful query letter that led to publishing the book Her true feelings about the cover art Why it's ok to write in the margins And a lot more! Show Notes: www.jeanettehorn.com Play, With Knives by Jeanette Horn (Amazon) Successful Queries: Jaynie Royal and “Play, With Knives,” by Jeanette Horn By Any Other Name Paperback by Jodi Picoult (Amazon) The Stab - jeanettehorn.substack.com Jeanette Horn on Instagram Kelton Reid on Twitter Learn more about your ad choices. Visit megaphone.fm/adchoices

Bestselling fiction writer Curtis Sittenfeld joins co-hosts Whitney Terrell and V.V. Ganeshananthan to talk about her new collection of stories, Show Don't Tell. Sittenfeld discusses the title story, which depicts graduate students in creative writing competing for funding, and its connections to her time at the Iowa Writers' Workshop, when that practice was common. She also considers how President Trump's attacks on DEI reveal some people's true natures, and what it means to write about “the hypocrisy of being a person.” Finally, she explains why she thinks of time as a plot twist, and reflects on returning to the protagonist of her debut novel, Prep, Lee Fiora, who reappears in the new collection's final story, which features her thirtieth high school reunion. Sittenfeld reads from Show Don't Tell. To hear the full episode, subscribe through iTunes, Google Play, Stitcher, Spotify, or your favorite podcast app (include the forward slashes when searching). You can also listen by streaming from the player below. Check out video versions of our interviews on the Fiction/Non/Fiction Instagram account, the Fiction/Non/Fiction YouTube Channel, and our show website: https://www.fnfpodcast.net/. This podcast is produced by Whitney Terrell and V.V. Ganeshananthan. Selected Readings: Curtis Sittenfeld Show Don't Tell (2025) Romantic Comedy (2023) Rodham (2021) The Best American Short Stories 2020 (ed. with Heidi Pitlor) You Think It, I'll Say It (2019) Eligible (2016) Sisterland (2013) American Wife (2008) The Man of My Dreams (2006) Prep (2005) Learn more about your ad choices. Visit megaphone.fm/adchoices

An episode that dives deep into the neurodivergent narrative!Here's what's in store for today's episode: * We kick off this episode by discussing Lena Dunham's EDS diagnosis, a condition frequently co-occurring with autism.* The reason HBO's Girls resonates with us so deeply is simple—it's an autistic show created by an autistic mind.* We start by discussing Lena Dunham's art school background and creative writing degree—writing is a special interest for many of us here at Autistica.* Lena Dunham's character in Girls constantly faces rejection as a writer and exhibits classic traits of rejection-sensitive dysphoria.* Additionally, her film Tiny Furniture highlights the challenges with transitions that autistic people often experience.* We discuss her memoir, Not That Kind of Girl: A Young Woman Tells You What She's Learned, exploring how its pages lend themselves to neurodivergent coding and how certain passages have been misinterpreted.* After being canceled over the passage in her memoir, Lena Dunham's career trajectory began to decline—coinciding with the time she started experiencing symptoms of chronic illness.* At this point, what happened to Lena Dunham was essentially autistic burnout—she hit a wall, just as many of us do!* Our hosts discuss how autistic people thrive when we have the freedom to do our own thing and maintain a high level of control over our work environments.* When we can't control our environments, it leads to conditions like EDS and POTS—often comorbid with neurodivergence—because of the heightened stress we experience.* In the show, which is loosely based on Dunham's own life, her character discusses sensitivities to clothing and struggles with transitions with her therapist—both hallmark autistic traits.* Lena Dunham has undoubtedly been misinterpreted—she has expressed taboo ideas in her work because she doesn't naturally pick up on social cues, which is inherently autistic.* The quirks Lena Dunham exhibits in certain episodes of Girls and in her personal life often come across as distinctly autistic-coded.* Another main character in the show, Shoshanna, is actually referred to as canonically autistic in Girls—and, well, we tend to stick together!* We also discuss the part of Girls where Dunham's character attends the Iowa Writers' Workshop and how these programs often trigger rejection-sensitive dysphoria and aren't designed to be neurodivergent-friendly.* This leads to a tie-in with our Neurodivergent Narratives writing workshop program for our paid members of Autistica, which offers a PDA-affirming and neurodivergence-affirming approach to writing workshops.* We talk about Lena Dunham's marriage to songwriting genius Jack Antonoff and how he exhibits neurodivergent coding in the songs he's written for his bands, Fun. and Bleachers.* Finally, we discuss the autistic connection between Lena Dunham and Taylor Swift, and what happens when autistic people recognize and understand each other.“When I tell people I'm autistic, they say, ‘I don't see it.' Then I say, ‘well, I'm a Taurus', and they say, ‘that makes sense.'” - Matt“A minute ago, we were talking about how exciting it is that she went to college, made a movie, went to South by Southwest, and got a film greenlit by HBO. Does this sound like an autistic thing that happens? Works 24 hours a day, wins every award, is a media darling, and then is f*****g hated by everyone?” - Angela“This is a common thing among autistic people, because when you're young and vital and stuff, you put a lot of energy out there and then, for some reason, we expect that we're going to be able to maintain that level of energy throughout our lives. We cannot.” - Matt“We experience far more stress than neurotypical people, because we live in a world that constantly bombards us with sensory information, with data. We have to mask all the time. We have more stuff that stresses us out than neurotypicals do. So, we are more likely to have all of these things, but again, we don't know if it's a 1:1 ratio that, just plain being autistic means it's more common.” - MattDid you enjoy this episode? We delved into how autism intersects with various aspects of life, from Lena Dunham's neurodivergent-coded characters to the struggles of navigating rejection-sensitive dysphoria and burnout. Tune in as we explore the nuances of being neurodivergent in creative spaces and the connections between autistic individuals, like Lena Dunham and Taylor Swift. Let us know your thoughts in the comments, and use #AutisticCultureCatch to share your experiences!Related Episodes:Taylor is Autistic - https://www.autisticculturepodcast.com/p/autistic-podcast-taylor-swift-is-autisticMeat Body Maintenance - https://www.autisticculturepodcast.com/p/autistic-podcast-meat-body-maintenanceShow notes:Aaron and Taylor: https://www.britannica.com/biography/Lena-Dunhamhttps://en.wikipedia.org/wiki/Jack_Antonoffhttps://people.com/jack-antonoff-discusses-his-ocd-rituals-and-late-sister-8654926https://www.threads.net/%40oakleyjohansen/post/C8VvoEfS-54?utm_source=chatgpt.comYouTubeLena Dunham: Short Biography, Net Worth & Career HighlightsOctober 20, 2017 — Complete biography: http://celebritynetworth.wiki/lena-dunham-net-worth/ American actress, director, producer, screenwriter and author Lena ...Lena Dunham Reveals Her Ehlers-Danlos Syndrome Diagnosis - Lena Dunham on Body Image, Clothing, and Sensory Sensitivities - Lena Dunham Discusses Chronic Illness and EDS in CNN Interview - https://www.cnn.com/2019/11/03/entertainment/lena-dunham-ehlers-danlos-trnd/index.htmlLena Dunham's Passion for Writing and Storytelling in HBO's Girl- https://muse.jhu.edu/pub/315/oa_monograph/chapter/2319659Lena Dunham's Blunt Communication Style and Public Controversy - https://medium.com/@isabellarosario/lena-dunhams-comments-on-chronic-illness-in-the-cut-draw-criticism-8c865d1ba3f9Lena Dunham on Her OCD, Anxiety, and Mental Health Struggles - https://en.wikipedia.org/wiki/Lena_DunhamLena Dunham on Routine, Structure, and Creativity in The New Yorker- https://www.newyorker.com/culture/the-new-yorker-interview/lena-dunhams-change-of-paceReady for a paradigm shift that empowers Autistics? Help spread the news!Follow us on InstagramFind us on Apple Podcasts and SpotifyLearn more about Matt at Matt Lowry, LPPJoin Matt's Autistic Connections Facebook GroupLearn more about Angela at AngelaKingdon.com Angela's social media: Twitter and TikTokOur Autism-affirming merch shop This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit www.autisticculturepodcast.com/subscribe

Asa West is the author of The Witch's Kin and Five Principles of Green Witchcraft, and her work has appeared in The Offing, Joyland, Gods&Radicals, The Mary Sue, Reactor Magazine, and other outlets. She holds an MFA from the Iowa Writers' Workshop and works as a journalist under the name Julia Glassman. She covers everything from Marvel movies to folk horror—and, of course, all things witchy.http://www.asawestauthor.comhttps://bsky.app/profile/theredtailwitch.bsky.social https://www.instagram.com/theredtailwitch/

Paul Lisicky remembers when he first heard Joni Mitchell on the radio, and when he found one of her records in a bin at Korvettes. He was inspired by her musicality, her poetry, and her willingness to defy musical conventions. Nearly every one of her songs spoke to him in some way. As a budding songwriter whose music was widely performed in churches around the country, he was motivated by her superb tunings, phrasing, and melodies. Later, he focused more on lyrics and prose, hers and his own, eventually earning a master's in creative fiction and working in the world of professional writing. He continued to follow Joni's career and never got tired of her music, which helped him navigate the ups and downs of his life. Song So Wild and Blue: A Life with the Music of Joni Mitchell (HarperOne, 2025) is a beautiful memoir about the struggle of a gay writer intertwined with the life and career of the magnificent Joni Mitchell. Paul Lisicky grew up in southern New Jersey but has lived most of his adult life in Massachusetts and New York City. He earned bachelor's and master's degrees in English from Rutgers University and an M.F.A. in Creative Writing from the University of Iowa Writers' Workshop (1990). He authored seven books, including Song So Wild and Blue: A Life with the Music of Joni Mitchell, The Burning House, Famous Builder, Later, The Narrow Door, and Lawn Boy. His work has appeared in The Atlantic, BuzzFeed, Conjunctions, The Cut, Fence, The New York Times, Ploughshares, Tin House, and in many other magazines and anthologies. The recipient of a Guggenheim Fellowship, he is currently a professor of English in the Creative Writing MFA Program at Rutgers University-Camden, where he is the editor of StoryQuarterly. He lives in Brooklyn, New York and is passionate about music, animals, and travel. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Paul Lisicky remembers when he first heard Joni Mitchell on the radio, and when he found one of her records in a bin at Korvettes. He was inspired by her musicality, her poetry, and her willingness to defy musical conventions. Nearly every one of her songs spoke to him in some way. As a budding songwriter whose music was widely performed in churches around the country, he was motivated by her superb tunings, phrasing, and melodies. Later, he focused more on lyrics and prose, hers and his own, eventually earning a master's in creative fiction and working in the world of professional writing. He continued to follow Joni's career and never got tired of her music, which helped him navigate the ups and downs of his life. Song So Wild and Blue: A Life with the Music of Joni Mitchell (HarperOne, 2025) is a beautiful memoir about the struggle of a gay writer intertwined with the life and career of the magnificent Joni Mitchell. Paul Lisicky grew up in southern New Jersey but has lived most of his adult life in Massachusetts and New York City. He earned bachelor's and master's degrees in English from Rutgers University and an M.F.A. in Creative Writing from the University of Iowa Writers' Workshop (1990). He authored seven books, including Song So Wild and Blue: A Life with the Music of Joni Mitchell, The Burning House, Famous Builder, Later, The Narrow Door, and Lawn Boy. His work has appeared in The Atlantic, BuzzFeed, Conjunctions, The Cut, Fence, The New York Times, Ploughshares, Tin House, and in many other magazines and anthologies. The recipient of a Guggenheim Fellowship, he is currently a professor of English in the Creative Writing MFA Program at Rutgers University-Camden, where he is the editor of StoryQuarterly. He lives in Brooklyn, New York and is passionate about music, animals, and travel. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literature

Paul Lisicky remembers when he first heard Joni Mitchell on the radio, and when he found one of her records in a bin at Korvettes. He was inspired by her musicality, her poetry, and her willingness to defy musical conventions. Nearly every one of her songs spoke to him in some way. As a budding songwriter whose music was widely performed in churches around the country, he was motivated by her superb tunings, phrasing, and melodies. Later, he focused more on lyrics and prose, hers and his own, eventually earning a master's in creative fiction and working in the world of professional writing. He continued to follow Joni's career and never got tired of her music, which helped him navigate the ups and downs of his life. Song So Wild and Blue: A Life with the Music of Joni Mitchell (HarperOne, 2025) is a beautiful memoir about the struggle of a gay writer intertwined with the life and career of the magnificent Joni Mitchell. Paul Lisicky grew up in southern New Jersey but has lived most of his adult life in Massachusetts and New York City. He earned bachelor's and master's degrees in English from Rutgers University and an M.F.A. in Creative Writing from the University of Iowa Writers' Workshop (1990). He authored seven books, including Song So Wild and Blue: A Life with the Music of Joni Mitchell, The Burning House, Famous Builder, Later, The Narrow Door, and Lawn Boy. His work has appeared in The Atlantic, BuzzFeed, Conjunctions, The Cut, Fence, The New York Times, Ploughshares, Tin House, and in many other magazines and anthologies. The recipient of a Guggenheim Fellowship, he is currently a professor of English in the Creative Writing MFA Program at Rutgers University-Camden, where he is the editor of StoryQuarterly. He lives in Brooklyn, New York and is passionate about music, animals, and travel. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/biography

Paul Lisicky remembers when he first heard Joni Mitchell on the radio, and when he found one of her records in a bin at Korvettes. He was inspired by her musicality, her poetry, and her willingness to defy musical conventions. Nearly every one of her songs spoke to him in some way. As a budding songwriter whose music was widely performed in churches around the country, he was motivated by her superb tunings, phrasing, and melodies. Later, he focused more on lyrics and prose, hers and his own, eventually earning a master's in creative fiction and working in the world of professional writing. He continued to follow Joni's career and never got tired of her music, which helped him navigate the ups and downs of his life. Song So Wild and Blue: A Life with the Music of Joni Mitchell (HarperOne, 2025) is a beautiful memoir about the struggle of a gay writer intertwined with the life and career of the magnificent Joni Mitchell. Paul Lisicky grew up in southern New Jersey but has lived most of his adult life in Massachusetts and New York City. He earned bachelor's and master's degrees in English from Rutgers University and an M.F.A. in Creative Writing from the University of Iowa Writers' Workshop (1990). He authored seven books, including Song So Wild and Blue: A Life with the Music of Joni Mitchell, The Burning House, Famous Builder, Later, The Narrow Door, and Lawn Boy. His work has appeared in The Atlantic, BuzzFeed, Conjunctions, The Cut, Fence, The New York Times, Ploughshares, Tin House, and in many other magazines and anthologies. The recipient of a Guggenheim Fellowship, he is currently a professor of English in the Creative Writing MFA Program at Rutgers University-Camden, where he is the editor of StoryQuarterly. He lives in Brooklyn, New York and is passionate about music, animals, and travel. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/music

In this edition of Madison Book Beat, host Andrew Thomas speaks with Steven Duong on his debut poetry collection At the End of the World There is A Pond (Norton 2025)."Tell all the truth but tell it slant." Taking Emily Dickinson's dictum as a guiding principle, poet Steven Duong delivers a collection startlingly clear, formally innovative, and consistently funny. At the End of the World There is a Pond is divided into four sections–The Jumpers, The Swimmers, The Sinkers, The Floaters--and throughout each Duong explores themes of addiction, mental health, climate change, diaspora, and popular culture.from "Anatomy":“there's no / point in writing nature poems anymore, / not unless you drown the verses in smoke / & oil & organophosphates–the Anthropocene / demands a new syntax” Steven Duong  is a writer from San Diego. His poems have appeared in the American Poetry Review, Guernica, and the Yale Review, among other publications, and his short fiction is featured in Catapult, The Drift, and The Best American Short Stories 2024.The recipient of fellowships and awards from the Academy of American Poets and the Iowa Writers' Workshop, he is currently a creative writing fellow in poetry at Emory University. He lives in Atlanta, Georgia. Photo courtesy of W.W. Norton and IfeOluwa Nihinlola

Witch Blood Rising is a celebration of the ways that witchcraft has stubbornly kept itself alive in Western culture—and a call to action for all seekers who yearn for a witch's life.Growing up in an endless sea of California suburbs, where sacred groves and wise women only existed in movies, Asa West spent her childhood chasing visions she didn't understand. When she found a guide to witchcraft in a tiny bookshop, she knew she'd found her calling—despite a patriarchal society's efforts to keep her away from a life of mysticism.But it's not easy to awaken your witch blood in a culture that laughs at magic and renders women powerless. Although the market abounds with practical guides to witchcraft, it's harder to find books that chronicle the art of living a witch's life. Asa West uses her almost thirty years of magical practice to bring warmth, humor, and insight to a spiritual path that's at once immeasurably ancient and continually reborn. She explores all the ways that witchcraft rises up from the blood of its devotees and through subjects like the online herbalism industry, Marvel movies, witch-hunting manuals, bee priestesses, and tarot.Witch Blood Rising is a celebration of the ways that witchcraft has stubbornly kept itself alive in Western culture—and a call to action for all seekers who yearn for a witch's life.Asa West is the author of The Witch's Kin and Five Principles of Green Witchcraft, and her work has appeared in The Offing, Joyland, Gods&Radicals, and other publications. She holds an MFA from the Iowa Writers' Workshop and has been covering feminism and media since 2007 under the name Julia Glassman. As a journalist for The Mary Sue and other outlets, she covers everything from Marvel movies to folk horror—and, of course, all things witchy. You can find her online at www.asawestauthor.com  and The Red Tail Witch (https://linktr.ee/theredtailwitch).

Kevin Clouther is an assistant professor at the University of Nebraska Omaha Writer's Workshop, where he serves as program coordinator of the Master of Fine Arts in Writing.Clouther is also the author of the story collections “Maximum Speed” and “We Were Flying to Chicago.” His stories have appeared in Gettysburg Review, Gulf Coast, Joyland, New Orleans Review, Ruminate and StoryQuarterly, among other journals. He holds degrees from the University of Virginia and the Iowa Writers' Workshop and is the recipient of the Richard Yates Fiction Award and Gell Residency Award.In this episode, Clouther and Michael Griffin are talking about UNO's MFA program, his love of fiction and the ritual of reading.

Our new book... STORY QUESTIONS: How To Unlock Your Story One Question At A Time https://payhip.com/b/ZTvq9 Watch the video version of this podcast here on YouTube: https://www.youtube.com/watch?v=5gugpMuxCT4 MORE FULL FILM COURAGE INTERVIEWS https://tinyurl.com/mr42eye2 BUY THE BOOK - THE USUAL UNCERTAINTIES: STORIES - https://amzn.to/3WO36cw BUY THE BOOK - LAST WORD - https://amzn.to/3Cflf9u MORE VIDEOS WITH JONATHAN BLUM https://buff.ly/43NxPc9 Jonathan Blum grew up in Miami and graduated from UCLA and the Iowa Writers' Workshop. He is the author of two books of fiction: The Usual Uncertainties (Rescue Press, 2019), a story collection, and Last Word (Rescue Press, 2013), a novella. Both were named one of the best books of the year by Iowa Public Radio, and The Usual Uncertainties was named one of the 15 Best Short Story Collections of 2019 by Electric Literature. Blum has twice appeared on KCRW's Bookworm. His short stories have been published in Gulf Coast, Kenyon Review, Northwest Review, Playboy, and Shanxi Literature, among others. His short story, "The White Spot," which was published in Electric Literature with an introduction by Deborah Eisenberg, appears in the award-winning anthology The Best Peace Fiction (University of New Mexico Press, 2021). He has taught fiction writing at The University of Iowa, Drew University, and the Iowa Summer Writing Festival, and is the recipient of a Michener-Copernicus Society of America Award, a Hawthornden Fellowship in Scotland, and a grant from the Helene Wurlitzer Foundation. He has also been a guest writer at the Tianjin Binhai New Area International Writing Program in China. He lives in Los Angeles. WRITING CLASSES WITH JONATHAN BLUM https://jonathanblumwriter.com/classes CONNECT WITH JONATHAN BLUM https://jonathanblumwriter.com VIEWERS ALSO WATCHED 3 Ways To Open A Story - https://youtu.be/3no2un4Elik If You Can't Answer This Question Don't Write The Story - https://youtu.be/PGbNlKVU7Ok Don't Get It Right, Get It Written! - https://youtu.be/V6Yql0jrjow This Is Why It Doesn't Matter If Every Story Has Been Told - https://youtu.be/xaBsNggof68 Write Your Life And Become A Better Storyteller - https://youtu.be/xFK5Ih3CPFc CONNECT WITH FILM COURAGE http://www.FilmCourage.com http://twitter.com/#!/FilmCourage https://www.facebook.com/filmcourage https://www.instagram.com/filmcourage http://filmcourage.tumblr.com http://pinterest.com/filmcourage SUBSCRIBE TO THE FILM COURAGE YOUTUBE CHANNEL http://bit.ly/18DPN37 SUPPORT FILM COURAGE BY BECOMING A MEMBER https://www.youtube.com/channel/UCs8o1mdWAfefJkdBg632_tg/join SUPPORT FILM COURAGE BY BECOMING A PATRON https://www.patreon.com/filmcourage LISTEN TO THE FILM COURAGE PODCAST https://soundcloud.com/filmcourage-com (Affiliates) SAVE $15 ON YOUTUBE TV - LIMITED TIME OFFER https://tv.youtube.com/referral/r0847ysqgrrqgp ►WE USE THIS CAMERA (B&H) – https://buff.ly/3rWqrra ►WE USE THIS SOUND RECORDER (AMAZON) – http://amzn.to/2tbFlM9 Stuff we use: LENS - Most people ask us what camera we use, no one ever asks about the lens which filmmakers always tell us is more important. This lens was a big investment for us and one we wish we could have made sooner. Started using this lens at the end of 2013 - http://amzn.to/2tbtmOq AUDIO Rode VideoMic Pro - The Rode mic helps us capture our backup audio. It also helps us sync up our audio in post https://amzn.to/425k5rG Audio Recorder - If we had to do it all over again, this is probably the first item we would have bought - https://amzn.to/3WEuz0k LIGHTS - Although we like to use as much natural light as we can, we often enhance the lighting with this small portable light. We have two of them and they have saved us a number of times - http://amzn.to/2u5UnHv *These are affiliate links, by using them you can help support this channel.

Rick Barot's poem “The Singing” takes place in the humdrum, relatable setting of the waiting room at a car dealership. But the unexpected occurs when one woman's soft humming builds into strange, full-throated singing. Curiosity, wonder, anger, and dread spill over, forcing you to face the same dilemma as the narrator: What can you do when reality defies your control?Rick Barot was born in the Philippines, grew up in the San Francisco Bay Area, and attended Wesleyan University and The Iowa Writers' Workshop at the University of Iowa. Barot teaches at Pacific Lutheran University and is the director of the Rainier Writing Workshop, the low-residency MFA in Creative Writing at Pacific Lutheran University. His fourth book of poems, The Galleons, was published by Milkweed Editions in 2020, and his most recent collection is Moving the Bones.Find the transcript for this show at onbeing.org.We're pleased to offer Rick Barot's poem and invite you to subscribe to Pádraig's weekly Poetry Unbound Substack newsletter, read the Poetry Unbound book, or listen to past episodes of the podcast. We also have two books coming out in early 2025 — Kitchen Hymns (new poems from Pádraig) and 44 Poems on Being with Each Other (new essays by Pádraig). You can pre-order them wherever you buy books.

Acclaimed novelist and Director of the Iowa Writers' Workshop Lan Samantha Chang joins Fiction/Non/Fiction hosts V.V. Ganeshananthan and Whitney Terrell to discuss the role that literary personas may–or may not–have played in recent revelations about Alice Munro, Neil Gaiman, and Cormac McCarthy. Chang discusses how writers often develop literary personas as their public profiles grow. Chang also discusses how personas can be both protective and damaging when they no longer align with the writer's true self, the impact of personas on writers' privacy and the industry's role in shaping and maintaining these personas. She reads from her novel All is Forgotten, Nothing is Lost. To hear the full episode, subscribe through iTunes, Google Play, Stitcher, Spotify, or your favorite podcast app (include the forward slashes when searching). You can also listen by streaming from the player below. Check out video versions of our interviews on the Fiction/Non/Fiction Instagram account, the Fiction/Non/Fiction YouTube Channel, and our show website: https://www.fnfpodcast.net/. This podcast is produced by Whitney Terrell and V.V. Ganeshananthan. Selected Readings: Lan Samantha Chang The Family Chao Hunger Inheritance All is Forgotten, Nothing is Lost  Writers, Protect Your Inner Life |Lit Hub|August 7, 2017 Others: A Moveable Feast, Ernest Hemingway Erasure, Percival Everett Fiction/Non/Fiction Season 6 Episode 40: “In Memory of Cormac McCarthy: Oscar Villalon on an Iconic Writer's Life, Work, and Legacy” Fiction/Non/Fiction Season 7 Episode 19: “Jacinda Townsend and James Bernard Short on American Fiction”  James Alan McPherson Fiction/Non/Fiction Season 7 Episode 35: “Jonny Diamond on His Mother and Alice Munro”  The Dark Secrets Behind the Neil Gaiman Abuse Accusations|Vulture | January 13, 2025 Learn more about your ad choices. Visit megaphone.fm/adchoices

Después de unas largas vacaciones, Archivo General regresa. Nicolás y Ricardo leen con lupa un cuento de diez páginas que parece sencillo pero es en realidad muy complicado, sólo para concluir que no tienen idea del significado de la palabra “tierra” y que la literatura mexicana del siglo XX es en parte producto de la intervención de la CIA.

In James Baldwin's Sonny's Blues (Oxford University Press, 2024), Tom Jenks follows a scene-by-scene, sometimes line-by-line, discussion of the pattern by which Baldwin indelibly writes "Sonny's Blues" into the consciousness of readers. It provides ongoing observations of the aesthetics underlying the particulars of the story, with references to Edward P. Jones (whose magnificent story "All Aunt Hagar's Children" bears a knowing relationship to "Sonny's Blues,") to Charlie Parker's music, and to Billie Holiday's "Am I Blue?" and John Coltrane's "A Love Supreme" as part of the musical progression Baldwin creates, and with attention to Baldwin's oratorical gifts and the biblical references in the story, to its time structure, characterizations, dramatic action, and, most of all, its totality of effect. Drawing on Baldwin's book-length essay The Fire Next Time, which Baldwin published a six years after the publication of the short story, Tom Jenks offers insight on some of the sources in Baldwin's life for "Sonny's Blues" and on the logic and passion by which life may be meaningfully transformed into art. Tom Jenks is the cofounder and editor of Narrative magazine. Check out his magazine online here. He is a former editor of Esquire, Gentlemen's Quarterly, The Paris Review, and a senior editor at Scribners, where he edited Hemingway's The Garden of Eden. With Raymond Carver, he edited American Short Story Masterpieces. His writing has appeared in Harper's, Ploughshares, Vanity Fair, Esquire, The American Scholar, Five Points, the Los Angeles Times, and elsewhere. He has given classes at the Iowa Writers' Workshop, the Creative Writing Programs at University of California, and Washington University in St. Louis. Jessie Cohen holds a Ph.D. in History from Columbia University, and is an editor at the New Books Network. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies

In James Baldwin's Sonny's Blues (Oxford University Press, 2024), Tom Jenks follows a scene-by-scene, sometimes line-by-line, discussion of the pattern by which Baldwin indelibly writes "Sonny's Blues" into the consciousness of readers. It provides ongoing observations of the aesthetics underlying the particulars of the story, with references to Edward P. Jones (whose magnificent story "All Aunt Hagar's Children" bears a knowing relationship to "Sonny's Blues,") to Charlie Parker's music, and to Billie Holiday's "Am I Blue?" and John Coltrane's "A Love Supreme" as part of the musical progression Baldwin creates, and with attention to Baldwin's oratorical gifts and the biblical references in the story, to its time structure, characterizations, dramatic action, and, most of all, its totality of effect. Drawing on Baldwin's book-length essay The Fire Next Time, which Baldwin published a six years after the publication of the short story, Tom Jenks offers insight on some of the sources in Baldwin's life for "Sonny's Blues" and on the logic and passion by which life may be meaningfully transformed into art. Tom Jenks is the cofounder and editor of Narrative magazine. Check out his magazine online here. He is a former editor of Esquire, Gentlemen's Quarterly, The Paris Review, and a senior editor at Scribners, where he edited Hemingway's The Garden of Eden. With Raymond Carver, he edited American Short Story Masterpieces. His writing has appeared in Harper's, Ploughshares, Vanity Fair, Esquire, The American Scholar, Five Points, the Los Angeles Times, and elsewhere. He has given classes at the Iowa Writers' Workshop, the Creative Writing Programs at University of California, and Washington University in St. Louis. Jessie Cohen holds a Ph.D. in History from Columbia University, and is an editor at the New Books Network. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

In James Baldwin's Sonny's Blues (Oxford University Press, 2024), Tom Jenks follows a scene-by-scene, sometimes line-by-line, discussion of the pattern by which Baldwin indelibly writes "Sonny's Blues" into the consciousness of readers. It provides ongoing observations of the aesthetics underlying the particulars of the story, with references to Edward P. Jones (whose magnificent story "All Aunt Hagar's Children" bears a knowing relationship to "Sonny's Blues,") to Charlie Parker's music, and to Billie Holiday's "Am I Blue?" and John Coltrane's "A Love Supreme" as part of the musical progression Baldwin creates, and with attention to Baldwin's oratorical gifts and the biblical references in the story, to its time structure, characterizations, dramatic action, and, most of all, its totality of effect. Drawing on Baldwin's book-length essay The Fire Next Time, which Baldwin published a six years after the publication of the short story, Tom Jenks offers insight on some of the sources in Baldwin's life for "Sonny's Blues" and on the logic and passion by which life may be meaningfully transformed into art. Tom Jenks is the cofounder and editor of Narrative magazine. Check out his magazine online here. He is a former editor of Esquire, Gentlemen's Quarterly, The Paris Review, and a senior editor at Scribners, where he edited Hemingway's The Garden of Eden. With Raymond Carver, he edited American Short Story Masterpieces. His writing has appeared in Harper's, Ploughshares, Vanity Fair, Esquire, The American Scholar, Five Points, the Los Angeles Times, and elsewhere. He has given classes at the Iowa Writers' Workshop, the Creative Writing Programs at University of California, and Washington University in St. Louis. Jessie Cohen holds a Ph.D. in History from Columbia University, and is an editor at the New Books Network. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

In James Baldwin's Sonny's Blues (Oxford University Press, 2024), Tom Jenks follows a scene-by-scene, sometimes line-by-line, discussion of the pattern by which Baldwin indelibly writes "Sonny's Blues" into the consciousness of readers. It provides ongoing observations of the aesthetics underlying the particulars of the story, with references to Edward P. Jones (whose magnificent story "All Aunt Hagar's Children" bears a knowing relationship to "Sonny's Blues,") to Charlie Parker's music, and to Billie Holiday's "Am I Blue?" and John Coltrane's "A Love Supreme" as part of the musical progression Baldwin creates, and with attention to Baldwin's oratorical gifts and the biblical references in the story, to its time structure, characterizations, dramatic action, and, most of all, its totality of effect. Drawing on Baldwin's book-length essay The Fire Next Time, which Baldwin published a six years after the publication of the short story, Tom Jenks offers insight on some of the sources in Baldwin's life for "Sonny's Blues" and on the logic and passion by which life may be meaningfully transformed into art. Tom Jenks is the cofounder and editor of Narrative magazine. Check out his magazine online here. He is a former editor of Esquire, Gentlemen's Quarterly, The Paris Review, and a senior editor at Scribners, where he edited Hemingway's The Garden of Eden. With Raymond Carver, he edited American Short Story Masterpieces. His writing has appeared in Harper's, Ploughshares, Vanity Fair, Esquire, The American Scholar, Five Points, the Los Angeles Times, and elsewhere. He has given classes at the Iowa Writers' Workshop, the Creative Writing Programs at University of California, and Washington University in St. Louis. Jessie Cohen holds a Ph.D. in History from Columbia University, and is an editor at the New Books Network. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/american-studies

Anna Noyes's debut novel is The Blue Maiden and was a New York Times Editors' Choice, with starred reviews from Publishers Weekly and Forward. Her short story collection, Goodnight, Beautiful Women, was a finalist for the Story Prize and the New England Book Award, as well as a New York Times Editors' Choice. She holds an MFA from the Iowa Writers' Workshop. She lives in New York, on Fishers Island. We talked about witches, familial relationships, giving up on the novel you think you are writing and writing the one you are meant to create, the publishing industry, historical fiction, living on an island, and Shirley Jackson. Learn more about your ad choices. Visit megaphone.fm/adchoices

Are you looking for a page-turner of a book? Tune in for an inspiring discussion with Ava Dellaira on her new novel Exposure. Moments with Marianne airs in the Southern California area on KMET1490AM & 98.1 FM, an ABC Talk News Radio affiliate! Ava Dellaira is the author of the critically acclaimed young adult novels In Search of Us and Love Letters to the Dead, which was named Best Book of the Year by Apple, Google, BuzzFeed, the New York Public Library and the Chicago Public Library. She is a graduate of the Iowa Writers' Workshop, where she was a Truman Capote Fellow, and the University of Chicago. She grew up in Albuquerque, New Mexico, and now lives in Altadena, CA with her husband and their two young children.  https://avadellaira.comFor more show information visit: www.MariannePestana.com#book #newbook #bookclub #mustread #fiction #ZibbyBooks

Chris Ingstad is the President of Iowans for Tax Relief Foundation and an 8th generation Iowan. He joins the Forgotten America podcast to discuss life in Iowa. Chris explains why he hasn't seriously considered leaving the state despite its harsh winters, and he talks about the food, culture, economy, and heritage of the Hawkeye state. Additional Resources Follow Chris's work at Iowans for Taxpayer Relief Foundation: https://itrfoundation.org/staff/ Grant Wood and American Gothic: https://en.wikipedia.org/wiki/Grant_Wood University of Iowa Writer's Workshop: https://writersworkshop.uiowa.edu/ Field of Dreams: https://www.imdb.com/title/tt0097351/ “Our liberties we prize, and our rights we will maintain.” -  Iowa State Motto  https://publications.iowa.gov/135/1/profile/8-1.html#:~:text=On%20the%20white%20center%20stripe,in%20red%20below%20the%20streamers Okoboji, Iowa https://vacationokoboji.com/     Garrett Ballengee, Host President & CEO - @gballeng Cardinal Institute for West Virginia Policy   Amanda Kieffer, Executive Producer Vice President of Communications & Strategy - @akieffer13  Cardinal Institute for West Virginia Policy   Nate Phipps, Editor & Producer - @Aviv5753   Follow: YouTube, Twitter, Facebook, LinkedIn, Instagram Support: Donate, Newsletter

In 2019, Anna, a psychoanalyst, is processing a recent miscarriage. Her husband, David, takes a job in London so she spends days obsessing over renovating the kitchen while befriending a younger woman called Clémentine who has moved into the building and is part of a radical feminist collective called les colleuses. Meanwhile, in 1972, Florence and Henry are redoing their kitchen. Florence is finishing her degree in psychology while hoping to get pregnant. But Henry isn't sure he's ready for fatherhood… Both sets of couples face the challenges of marriage, fidelity, and pregnancy. The characters and their ghosts bump into and weave around each other, not knowing that they once all inhabited the same space.A novel in the key of Éric Rohmer, Scaffolding is about the bonds we create with people, and the difficulty of ever fully severing them; about the ways that people we've known live on in us; and about the way that the homes we make hold communal memories of the people who've lived in them and the stories that have been told there.*Lauren Elkin is the author of several books, including Flâneuse: Women Walk the City, a Radio 4 Book of the Week, a New York Times Notable Book of 2017, and a finalist for the PEN/Diamonstein-Spielvogel award for the art of the essay. Her essays on art, literature, and culture have appeared in the London Review of Books, the New York Times, Granta, Harper's, Le Monde, Les Inrockuptibles, and Frieze, among others. She is also an award-winning translator, most recently of Simone de Beauvoir's previously unpublished novel The Inseparables. After twenty years in Paris, she now lives in London.Born in Philadelphia, Amanda Dennis studied modern languages at Princeton and Cambridge Universities before earning her PhD from the University of California, Berkeley and her MFA from the Iowa Writers' Workshop, where she was awarded a Whited Fellowship in creative writing. An avid traveler, she has lived in six countries, including Thailand, where she spent a year as a Princeton in Asia fellow. She has written about literature for the Los Angeles Review of Books and Guernica, and she is assistant professor of comparative literature and creative writing at the American University of Paris, where she is researching the influence of 20th-century French philosophy on the work of Samuel Beckett. Listen to Alex Freiman's latest EP, In The Beginning: https://open.spotify.com/album/5iZYPMCUnG7xiCtsFCBlVa?si=h5x3FK1URq6SwH9Kb_SO3w Get bonus content on Patreon Hosted on Acast. See acast.com/privacy for more information.

Can you see the shape of your soul in the everchanging clouds? Your personal salvation in the giant expanse of sky? For the ensemble cast of characters that make up the prairie community at the heart of The Mighty Red, existential questions are constantly close to the surface. In her newest novel, author Louise Erdrich immerses readers in the Red River Valley of the North and the complicated lives of its inhabitants. Argus, North Dakota is a town framed by the 2008 economic crisis, the consequences of climate change, and the dynamics of small-town drama. Thrown into motion by a chaotic teen love triangle and fretting about the future, Erdrich's characters navigate impulsive choices, bitter secrets, and deeply rooted ties to their land and to each other. The Red River Valley is home to dark realities and glimmering hopes, twisting together like winding late-night drives along dimly lit roads. As resources dwindle and viewpoints shift, love and life lurch forward in splendor, catastrophe, and absurdity. Bonds in the community are born and bolstered, disturbed and questioned, broken and mended. Laced with tender humor and humanity in the midst of devastating environmental circumstances, The Mighty Red paints a layered landscape of ordinary people surviving fraught times. Louise Erdrich is an award-winning Native American author and poet whose writing spans novels, short stories, non-fiction, and children's books. Her previously published works include The Plague of Doves, The Round House, and The Night Watchman. She is an enrolled member of the Turtle Mountain Band of Chippewa Indians and the owner of the Native-focused independent teaching bookstore Birchbark Books in Minneapolis, Minnesota. Karen Russell is the author of five books of fiction, including The New York Times bestsellers Swamplandia! and Vampires in the Lemon Grove. She is a MacArthur Fellow and a Guggenheim Fellow, a finalist for the Pulitzer Prize, the recipient of two National Magazine Awards for Fiction, the New York Public Library's Young Lions Award, the National Book Foundation's 5 Under 35 award, the Shirley Jackson Award, the 2023 Bottari Lattes Grinzane prize, and the 2024 Mary McCarthy Prize, among other honors. With composer Ellis Ludwig-Leone and choreographer and director Troy Schumacher, she cocreated The Night Falls, listed as one of The New York Times's Best Dance Performances of 2023. She has taught literature and creative writing as a visiting professor at the Iowa Writers' Workshop, the University of California–Irvine, Williams College, Columbia University, and Bryn Mawr College, and was the Endowed Chair of Texas State University's MFA program. She serves on the board of Street Books. Born and raised in Miami, Florida, she now lives in Portland, Oregon, with her husband, son, and daughter. Buy the Book The Mighty Red: A Novel The Elliott Bay Book Company

Danielle Trussoni is the New York Times bestselling author of The Ancestor, Angelology and Angelopolis, all New York Times Notable Books, and The Puzzle Master, chosen by The Washington Post as one of their Best Thrillers of 2023. Her memoir, Falling Through the Earth, was selected by The New York Times as one of the Top Ten Books of the Year. Danielle is a graduate of the Iowa Writers' Workshop and winner of the Michener-Copernicus Society of America Fellowship, and her work has been translated into more than 30 languages. Killer Women is copyrighted by Authors on the Air Global Radio Network #podcast #author #interview #authors #KillerWomen #KillerWomenPodcast #authorsontheair #podcast #podcaster #killerwomen #killerwomenpodcast #authors #authorsofig #authorsofinstagram #authorinterview #writingcommunity #authorsontheair #suspensebooks #authorssupportingauthors #thrillerbooks #suspense #wip #writers #writersinspiration #books #bookrecommendations #bookaddict #bookaddicted #bookaddiction #bibliophile #read #amreading #lovetoread #daniellegirard #daniellegirardbooks #danielletrussoni #randomhouse

Danielle Trussoni is the New York Times bestselling author of The Ancestor, Angelology and Angelopolis, all New York Times Notable Books, and The Puzzle Master, chosen by The Washington Post as one of their Best Thrillers of 2023. Her memoir, Falling Through the Earth, was selected by The New York Times as one of the Top Ten Books of the Year. Danielle is a graduate of the Iowa Writers' Workshop and winner of the Michener-Copernicus Society of America Fellowship, and her work has been translated into more than 30 languages. Killer Women is copyrighted by Authors on the Air Global Radio Network #podcast #author #interview #authors #KillerWomen #KillerWomenPodcast #authorsontheair #podcast #podcaster #killerwomen #killerwomenpodcast #authors #authorsofig #authorsofinstagram #authorinterview #writingcommunity #authorsontheair #suspensebooks #authorssupportingauthors #thrillerbooks #suspense #wip #writers #writersinspiration #books #bookrecommendations #bookaddict #bookaddicted #bookaddiction #bibliophile #read #amreading #lovetoread #daniellegirard #daniellegirardbooks #danielletrussoni #randomhouse

“We have to go back to the very basic thing of understanding our shared humanity. And we've departed a long way from that—even the best of us, I'm afraid. It is just stunning. I mean, we are such a danger to everything we value.” (Marilynne Robinson, from the episode) Today on the show, Mark Labberton welcomes the celebrated novelist and essayist Marilynne Robinson to discuss her most recent book, Reading Genesis. Known for novels such as Housekeeping, Gilead, Home, and Lila, she offers a unique perspective on ancient scripture in her latest work of nonfiction. In this enriching and expansive conversation, they discuss the theological, historical, and literary value in the Book of Genesis; the meaning of our shared humanity; fear and reverence; how to free people from the view of God as threatening; the complicated and enigmatic nature of human freedom; the amazing love, mercy, and long-suffering of God on display in the unfolding drama of the Genesis narrative; and overall: “The beautiful ordinariness of a God-fashioned creature in ordinary communion with one another.” About Marilynne Robinson Marilynne Robinson is an award-winning American novelist and essayist. Her fictional and non-fictional work includes recurring themes of Christian spirituality and American political life. In a 2008 interview with the Paris Review, Robinson said, "Religion is a framing mechanism. It is a language of orientation that presents itself as a series of questions. It talks about the arc of life and the quality of experience in ways that I've found fruitful to think about." Her novels include Housekeeping (1980, Hemingway Foundation/Pen Award, Pulitzer Prize finalist), Gilead (2004, Pulitzer Prize), Home (2008, National Book Award Finalist), Lila (2014, National Book Award Finalist), and most recently, Jack (2020). Robinson's non-fiction works include Mother Country: Britain, the Welfare State, and Nuclear Pollution (1989), The Death of Adam: Essays on Modern Thought (1998), Absence of Mind: The Dispelling of Inwardness from the Modern Myth of the Self (2010), When I was a Child I Read Books: Essays (2012), The Givenness of Things: Essays (2015), and What Are We Doing Here?: Essays (2018). Her latest book is Reading Genesis (2024). Marilynne Robinson received a B.A., magna cum laude, from Brown University in 1966 and a Ph.D. in English from the University of Washington in 1977. She has served as a writer-in-residence or visiting professor at a variety of universities, including Yale Divinity School in Spring 2020. She currently teaches at the Iowa Writers' Workshop at the University of Iowa. She has served as a deacon for the Congregational United Church of Christ. Robinson was born and raised in Sandpoint, Idaho and now lives in Iowa City. Show Notes Get your copy of Reading Genesis by Marilynne Robinson Mark introduces Marilynne Robinson and her most recent foray into biblical interpretation Overarching narrative of God's time vs. Human time Theological, biblical, historical, and literary categories Why Genesis? Why biblical commentary? “Genesis is the foundational text, and God's self-revelation is the work of Genesis.” The expansiveness of the creation narrative from the beginning of everything to two people hoeing in a garden. Elohim and the universal God-name Monotheism and the enormously cosmic assertion of the nature of God From cosmology to granular human existence Amazement and the Book of Genesis “God saw the intentions of our heart and they were only evil always.” Conjuring the idea of a vindictive God—as opposed to a merciful, long-suffering, and loving God “It's hard to wiggle people free from the idea that God is primarily threatening.” The role of fear in sin, temptation, and evil “I think the fall is a sort of realization of a fuller aspect of our nature, which is painful to us and painful to God. But it's our humanity.” From the book: “The narrative of scripture has moved with astonishing speed from let there be light to this intimate scene of shared grief and haplessness. There is no incongruity in this. Human beings are at the center of it all. Love and grief are, in this infinite creation, things of the kind we share with God. The fact that they have their being in the deepest reaches of our extensionless and undiscoverable souls only makes them more astonishing. Over and against the roaring cosmos, that they exist at all can only be proof of a tender solicitude.” Ancient Near Eastern mythology “Meaning cannot leak out of this. It's absolutely meaningful.” Genesis is a “particular series of stories that are stories of the tumbling, bumbling, faithful, faithless, violent, peaceable, loyal, disloyal agency of human beings.” Mystery Theology as a vision, a revelation “The beautiful ordinariness of a God-fashioned creature in ordinary communion with one another.” The impact of Genesis in the history of our understanding of humanity, freedom, relationships, and so much more. Law as a liberation of one another: it limits your behavior and is emancipating to everyone around you. God's patience with human freedom and the ability to go wrong The enigma of freedom “From the very beginning, the Bible seems aware that we are our enemy and that we are our apocalyptic beast.” “Our freedom is very costly. It's costly to us. It's costly to God.” Imagination and the dynamics of freedom “An enhanced reverence for oneself has to be rooted in a reverence for God.” “The idea of the sacredness of God and the sacredness of the self.” Fear and reverence “You are holding in your imagination … and helping us to see, feel, and hear the voices and see the actions of ordinary human beings, who are both (like Psalm 8), ‘a little lower than the angels,' and at the same time, ‘we are dust and to dust you will return.'” Paying attention Marilynne Robinson's upbringing, access to nature, access to books, and plenty of solitude Joseph and the ending of the Genesis narrative: How might the story of Joseph speak to our time? “We have to go back to the very basic thing of understanding our shared humanity. And we've departed a long way from that—even the best of us, I'm afraid. It is just stunning. I mean, we are such a danger to everything we value. We are a danger to everything we value. And the fact that we can persist in doing that or tolerating it … there we are, you know? … We've always been strange, we human beings.” The perplexity of freedom “The way that Joseph understands his history is a comment on the idea of divine time.” “Joseph did enslave the Egyptians.” “There is no bow to tie around anything. There's simply whatever it yields in terms of meaning and beauty and so on.” Matthew 28 and the Great Commission “Christianity sliding into empire” The value of resolution and the open-ended nature of the Genesis narrative Production Credits Conversing is produced and distributed in partnership with Comment magazine and Fuller Seminary.

Send us a textWhat if unlocking the secrets of an ancient puzzle could take you on a thrilling journey across continents? Welcome back to The Bookshop Podcast, where we sit down with New York Times bestselling author Danielle Trussoni to uncover the mysteries behind her latest novel, The Puzzle Box. As the second installment in the Mike Brink series, this book showcases Danielle's meticulous research and the fascinating world of savant puzzle-solving. Follow along as we explore Brink's adventure from New York to Japan, unraveling enigmatic characters and deadly puzzles.Danielle takes us behind the scenes of her character development process, particularly focusing on Dr. Gupta and Ume. From taking classes on cryptocurrency and encryption to drawing inspiration from historical female warriors known as onna-bugeisha, Danielle's dedication to authenticity is nothing short of impressive. Danielle Trussoni is the New York Times bestselling author of the novels The Ancestor, Angelology, and Angelopolis, all New York Times Notable Books, and the memoirs The Fortress and Falling Through the Earth, named one of the ten best books of the year by The New York Times Book Review. She writes the monthly horror column for the New York Times Book Review. A graduate of the Iowa Writers' Workshop and winner of the Michener-Copernicus Society of America Fellowship, her work has been translated into more than thirty languages.Danielle TrussoniThe Puzzle Box, Danielle TrussoniThe Puzzle Master, Danielle Trussoni Angelopolis, Danielle TrussoniThe Woman in the Window, A.J. FinnEnd of Story, A.J. FinnShutter, Ramona EmersonExposure, Ramona EmersonSing Her Down, Ivy PachodaSupport the showThe Bookshop PodcastMandy Jackson-BeverlySocial Media Links

Regina Porter is the author of the novel The Rich People Have Gone Away, available from Hogarth Books. Porter is an award-winning playwright and author of The Travelers, a finalist for the PEN/Hemingway Award for Debut Novel and longlisted for the Orwell Prize for political fiction. A graduate of the MFA fiction program at the Iowa Writers' Workshop, her writing has been published in the Harvard Review, Tin House, and the Oxford American. *** Otherppl with Brad Listi is a weekly podcast featuring in-depth interviews with today's leading writers. Available where podcasts are available: Apple Podcasts, Spotify, YouTube, etc. Subscribe to Brad Listi's email newsletter. Support the show on Patreon Merch Twitter Instagram  TikTok Bluesky Email the show: letters [at] otherppl [dot] com The podcast is a proud affiliate partner of Bookshop, working to support local, independent bookstores. Learn more about your ad choices. Visit megaphone.fm/adchoices

“The whole of human existence is like some sweet parable told in the most improbable place and circumstances. … God values our humanity. … One of the things that's fascinating about the Hebrew Bible is that it declared and was loyal to the fact that God is good and creation is good.”Novelist and essayist Marilynne Robinson joins Miroslav Volf to discuss her latest book, Reading Genesis. Together they discuss why she took up this project of biblical commentary and what scripture and theological reflection means to her; how she thinks of Genesis as a theodicy (or a defense against the problem of evil and suffering); the grace of God; the question of humanity's goodness; how to understand the flood; the relationship between divine providence and working for moral progress; and much more.About Marilynne RobinsonMarilynne Robinson is an award-winning American novelist and essayist. Her fictional and non-fictional work includes recurring themes of Christian spirituality and American political life. In a 2008 interview with the Paris Review, Robinson said, "Religion is a framing mechanism. It is a language of orientation that presents itself as a series of questions. It talks about the arc of life and the quality of experience in ways that I've found fruitful to think about."Her novels include: Housekeeping (1980, Hemingway Foundation/Pen Award, Pulitzer Prize finalist), Gilead (2004, Pulitzer Prize), Home (2008, National Book Award Finalist), Lila (2014, National Book Award Finalist), and most recently, Jack (2020). Robinson's non-fiction works include Mother Country: Britain, the Welfare State, and Nuclear Pollution (1989), The Death of Adam: Essays on Modern Thought (1998), Absence of Mind: The Dispelling of Inwardness from the Modern Myth of the Self (2010), When I was a Child I Read Books: Essays (2012), The Givenness of Things: Essays (2015), and What Are We Doing Here?: Essays (2018). Her latest book is Reading Genesis (2024).Marilynne Robinson received a B.A., magna cum laude, from Brown University in 1966 and a Ph.D. in English from the University of Washington in 1977. She has served as a writer-in-residence or visiting professor at a variety universities, included Yale Divinity School in Spring 2020. She currently teaches at the Iowa Writers' Workshop at the University of Iowa. She has served as a deacon for the Congregational United Church of Christ. Robinson was born and raised in Sandpoint, Idaho and now lives in Iowa City.Show NotesGet your copy of Reading Genesis by Marilynne RobinsonMarilynne Robinson's New York Times article, “What Literature Owes the Bible” (2011)Reading Genesis as the singular ancient literature that it isThe Bible (and Genesis) as theodicyHow Calvin and Luther influenced Robinson's approach to GenesisThe benefit of reading Genesis as a wholeThe story of JosephThe fractal nature of the bibleUnsparing, honest descriptions of the characters“I think that the fact that they are recognizably flawed creatures is, what that reflects is the grace of God. He is enthralled by these people that must have been a fairly continuous disappointment, you know? We have to understand humankind better, I think, in order to understand what overplus there is in a human being that God loves them despite their being so human.”“An amazing little theater of domestic dysfunction.”Abraham and Isaac: “Poor Isaac … or he could just be a plain old disappointing child.”“The Bible is a theodicy.”God's goodness, and a defense of GodGod's value of humanity and the conservation of the human self“God stands by creation.”Humanism in Genesis“Humanity sinks so deep into evil. that they become near incarnations of evil.”Genesis 6: “Every inclination of the thoughts of their hearts was Only evil and continually.”Total depravity and the bleak view of humanityNoah and the Flood“… there's a kind of a strange lawlessness of Genesis.”“When God remakes the world after Noah, after the flood, he does not change human beings. He gives them exactly the same blessings and instructions that he did originally, which is simply another statement of his very deeply tested loyalty to us as we are.”“Finding a humane way to deal with the inhumanity of human beings.”Genesis 8: “Because human beings are evil, I will never destroy them.”Grace as a condition of possibility for all lifeThe similarities between Hebrew Bible as a philosophic text, drawing influences from cultures around them“what is a greater question of theodicy than the fact that populations are wiped off the face of the earth every so often—it must have been so common in the ancient world with plagues and wars and all the rest of it.”“Every human, every thought, all the time: evil.”“Genesis is a preparation for Exodus because the solution to human wickedness, which nevertheless does not violate human nature, is law.”What is the moral purpose of humanity?The roaring cosmos and modern atheisms: Schopenhauer and Nietzsche on moral purpose is gone, humanity is just a little boat amidst a storm“The whole of human existence is like some sweet parable told in the most improbable place and circumstances.”Charles Taylor's Cosmic Connections: Poetry in the Age of DisenchantmentProvidence and moral progress“We're still terribly violent. Terribly violent people.” “And terribly blind to our violence.”Revelation and God's control of an otherwise nasty worldThe possibility of human encounterProduction NotesThis podcast featured Marilynne Robinson and Miroslav VolfEdited and Produced by Evan RosaHosted by Evan RosaProduction Assistance by Emily BrookfieldA Production of the Yale Center for Faith & Culture at Yale Divinity School https://faith.yale.edu/aboutSupport For the Life of the World podcast by giving to the Yale Center for Faith & Culture: https://faith.yale.edu/give

We're thrilled to introduce our first guest of Season 2, the brilliant author Laurel Snyder. Highlights in this episode include: Theme bumping against character, setting, plot and more in order to find its path Writing from the heart in a capitalist system Writing like a cook, not a baker Why the outline changes the minute she starts writing The realities of loving, and envying!, authors like Kate Messner Episode links: Laurel's episode on the Commonplace Podcast with Rachel Zucker The Ezra Klein Show podcast episode with Wilco's Jeff Tweedy   Laurel Snyder is the beloved author of many picture books and novels for children, including National Book Award nominee Orphan Island, the Geisel Award winner Charlie & Mouse, and the Sydney Taylor Award winner The Longest Night. A graduate of the Iowa Writers' Workshop, she teaches in Hamline University's MFA in writing for children and young adults program. She lives in Atlanta with her family and can be found online at laurelsnyder.com. IG: @ohmylorelai  

Today I talked to Stephen Schottenfeld about his new novel This Room Is Made of Noise (U Wisconsin Press, 2023). Don Lank is a newly divorced handyman who spots an imitation Tiffany lamp in the front window of a house and offers the elderly owner $800 for it. He's shocked by the price he gets and returns to give 95-year-old Millie most of the money. While he's there, he offers to do a couple of repairs in her deteriorating house, and over the course of the next few weeks and months, spends more and more time with her fixing her house, taking her to doctors' appointments, buying her grocers, and slowly beginning to oversee her care. He's also trying to repair his relationships with his father, his ex-wife, and his stepchildren. He's not sure why he's helping Millie, but struggles to focus on being altruistic and not merely greedy. Stephen Schottenfeld is the author of two Bluff City Pawn (Bloomsbury USA, 2014). His short stories have appeared in The Gettysburg Review, TriQuarterly, StoryQuarterly, The Virginia Quarterly Review, New England Review, The Iowa Review, and other journals, and have received special mention in both the Pushcart Prize and Best American Short Stories anthologies. He holds an MFA from the Iowa Writers' Workshop, and was awarded a Michener/Copernicus Society of America grant, a Halls Fiction Fellowship from the University of Wisconsin-Madison, and a Shane Stevens Fellowship in the Novel from the Bread Loaf Writers' Conference. His narratives often trace the work lives of his characters—pawnbrokers, postal carriers, telephone repair people, home inspectors, police detectives, clothing manufacturers, trailer-park owners, to name a few—and explore how these professions bring an individual into a unique set of experiences and conflicts and expressions. He is a professor of English at the University of Rochester, where he teaches courses in fiction writing, screenwriting, and literature. When he is not writing or reading or teaching, he likes to walk the parks of Rochester, NY. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Notes and Links to Christina Cooke's Work      For Episode 247, Pete welcomes Christina Cooke, and the two discuss, among other topics, her childhood love of books, formative and transformative books and writers, contemporaries and fellow debut writers with whom her books are in conversation, the outsized influence of Mamá Lou, and salient themes and issues in her book like diaspora, notions of “home,” queerness and divinity, brotherly and sisterly relationships, and religiosity vs. spirituality.      Christina Cooke's writing has appeared in or is forthcoming from The Caribbean Writer, PRISM International, Prairie Schooner, Apogee, Epiphany, Michigan Quarterly Review, Lambda Literary Review, and others. A MacDowell Fellow and Journey Prize winner, she holds a Master of Arts from the University of New Brunswick and a Master of Fine Arts from the Iowa Writers' Workshop. Christina was born in Jamaica and is now a Canadian citizen who lives and writes in New York City. BROUGHTUPSY is her debut novel.   Buy Broughtupsy   Christina Cooke's Website   Article in Vogue about Broughtupsy At about 1:40, Pete and Christina talk about a top-notch fruit mentioned in her book At about 4:00, Pete highlights an amazing version of the book that he received  At about 5:15, Christina talks about her rich childhood reading life At about 8:20, Christina shouts out Mrs. Dooley, an inspiring teacher At about 11:30, Christina cites books that made a huge impact on how she writes, including Handmaid's Tale At about 13:20, Pete wonders which books and writers “are in conversation” with Christina and her work, and she mentions Ruben Reyes, Jr., Santiago José Sánchez, Melissa Mogollon, Emma Copley, Lisa Ko, Annie Liontas, Miss Lou, Zadie Smith, and Erna Brodber At about 17:00, Christina talks about why she calls Jamaican patois a language, and its distinctive nature, and she tells about a fun difference between #3/#6 mango At about 18:45, Christina dissects the meanings of the book's title At about 19:45, The two discuss a Jamaican original word At about 20:40, Christina discusses seeds for the book and its iterations  At about 23:50, The two discuss the book's epigraph and Christina describes its provenance/significance  At about 28:00, Pete lays out the book's exposition and Christina gives background on sickle cell anemia, which is deadly to Bryson At about 30:30, Christina discusses Bryson's memories and wise maturity in his last days At about 33:25, Christina remarks on the “fable” told to reassure Bryson that his sister Tamika would be visiting-she cites “the complicated ways that we love” At about 35:10, Christina talks about a possibly-doomed relationship At about 37:20, Christina details how the book complicates religiosity and queerness' connections At about 40:35, Christina describes Akua “spiraling” in making a trip back home to Jamaica  At about 42:30, Akua and her “Americanness” in Jamaica is discussed, and Christina talks about parallels in her own life At about 45:40, An uncomfortable visit and questions between the sisters is discussed At about 46:30, Cod liver oil and a scene involving its destruction is recounted by Christina as she discusses its connection to Jamaican parenting in a certain time period At about 49:10, Christina responds to Pete's question about why Akua carries her brother's urn At about 51:40, Christina talks about Jamaicans being “culturally Anglican” and its complexities At about 53:20-Lady Saw and her legendaries and an early encounter with Akua and a woman in Kingston is recounted At about 57:20, Christina talks about “lyme” and its usage in the book and in Jamaica  At about 1:00:10, Christina charts the importance of The Miss Lou “Happy Birthday Song” in the book and in Jamaica and the Jamaican diaspora At about 1:01:45, Christina responds to Pete's questions about the ways in which Akua's father treats her and her homosexuality-Christina speaks to the idea of “infantilizing”  At about 1:06:00, Café con Libros, Word Up, and Bookshop.org are shouted out as good places to buy her book and she gives contact information/social media information At about 1:06:55, Christina shares wonderful feedback from readers      You can now subscribe to the podcast on Apple Podcasts, and leave me a five-star review. You can also ask for the podcast by name using Alexa, and find the pod on Stitcher, Spotify, and on Amazon Music. Follow me on IG, where I'm @chillsatwillpodcast, or on Twitter, where I'm @chillsatwillpo1. You can watch this and other episodes on YouTube-watch and subscribe to The Chills at Will Podcast Channel. Please subscribe to both my YouTube Channel and my podcast while you're checking out this episode.    I am very excited about having one or two podcast episodes per month featured on the website of Chicago Review of Books. The audio will be posted, along with a written interview culled from the audio. A big thanks to Rachel León and Michael Welch at Chicago Review.    Sign up now for The Chills at Will Podcast Patreon: it can be found at patreon.com/chillsatwillpodcastpeterriehl     Check out the page that describes the benefits of a Patreon membership, including cool swag and bonus episodes. Thanks in advance for supporting my one-man show, my DIY podcast and my extensive reading, research, editing, and promoting to keep this independent podcast pumping out high-quality content!       This is a passion project of mine, a DIY operation, and I'd love for your help in promoting what I'm convinced is a unique and spirited look at an often-ignored art form.    The intro song for The Chills at Will Podcast is “Wind Down” (Instrumental Version), and the other song played on this episode was “Hoops” (Instrumental)” by Matt Weidauer, and both songs are used through ArchesAudio.com.     Please tune in for Episode 248 with Katya Apekina, a novelist, screenwriter and translator; her novel, The Deeper the Water the Uglier the Fish, was named a Best Book of 2018 by Buzzfeed, LitHub, and more and finalist for the LA Times Book Prize; Mother Doll, was named a Best Book So Far of 2024 by Vogue    The episode will go live on August 16.    Lastly, please go to https://ceasefiretoday.com/, which features 10+ actions to help bring about Ceasefire in Gaza.  

Abby Geni is the author of the novels The Wildlands and The Lightkeepers and the short story collections The Last Animal and The Body Farm. Her books have been translated into seven languages and have won the Barnes & Noble Discover Award and the Chicago Review of Books Awards, among other honors. Geni is a faculty member at StoryStudio Chicago and frequent Visiting Associate Professor of Fiction at the University of Iowa Writers' Workshop. We talked about emotional intelligence, teaching creative writing, science and investigation, the perfect murder (fictional that is), following a story to see where it goes, writing from a place of mystery, and moments that make you cry. Learn more about your ad choices. Visit megaphone.fm/adchoices

Notes and Links to Shannon Sanders' Work      For Episode 245, Pete welcomes Shannon Sanders, and the two discuss, among other topics, her childhood love of books, Toni Morrison and her powerful and pivotal work, Shannon's writing for her job as a lawyer, rocking sneakers at a prize-winning, and salient themes and issues in her collection like generational differences, sacrifice, family bonds, motherhood, the title's connection to guests and hosts(esses), and racism and sexism and the ways in which they work on the characters' pasts and presents.      Shannon Sanders is the author of the linked short story collection Company, which won the 2024 Los Angeles Times Book Prize's Art Seidenbaum Award for First Fiction, was named a Publishers Weekly and Debutiful Best Book of 2023, and was shortlisted for the 2024 William Saroyan International Prize for Writing. Her short fiction has appeared in One Story, Sewanee Review, Virginia Quarterly Review, Electric Literature, and elsewhere, and received a PEN/Robert J. Dau Short Story Prize for Emerging Writers. She lives in Silver Spring with her husband and three sons.   Buy Company   Review of Company in Washington Post   Shannon Sanders' Website   At about 1:35, Pete shouts out Shannon's stellar Twitter presence  At about 3:00, Shannon charts her childhood reading journey, and how she became an active writer from high school on At about 5:40, Shannon talks about chill-inducing writing and writers, including Toni Morrison, Octavia Butler, Stephen King, and VC Andrews, with modern writers like Lisa Taddeo, Deesha Philyaw, Danielle Evans,  At about 9:15, Shannon responds to Pete's questions about representation in what she has read, and she shouts out Toni Morrison (including Jazz) and Octavia Butler, to whom she was introduced in Vicki Adamson's high school class At about 11:55, Shannon talks about the writing in her lawyerly life and how it informs her fiction At about 13:50, Shannon details the wonderful experience of winning her prize at the LA Times Book Festival and her unique footwear At about 16:10, Shannon talks about Company's genre and the links between stories At about 17:30, Shannon outlines the background and rationale for using a family tree at the beginning of the book At about 19:15, Pete highlights a Sebastian Maniscalco skit that has to do with the shift in the last few decades in having “company” at home, and Shannon explains her collection's stories' connections to the idea of hosts(esses) and guests At about 21:00, Pete gives background on “The Good, Good Men,” the collection's first story, and alludes to Antonya Nelson's “In the Land of Men” At about 23:30, Birds of paradise as a story and the birds themselves are discussed as Pete asks about debts and generational expectations for all women and for Black women At about 27:35, Shannon talks about a story where you uses second person, its inspirations in Jamaica Kincaid's legendary “Girl” and others, and birth order and generational differences At about 30:50, The two discuss the theme of sacrifice through a flashback story At about 34:35, Pete highlights a story based on flashback and incredible selflessness and the ways in which the collection felt “finished” At about 38:00, Ideas of “old money” and treasured memories and empathy are discussed  At about 39:15, Shannon talks about the story “Rioja” and traces the family's machinations and subtleties At about 41:35, “La Belle Hottentot” is discussed, including the sordid and tragic history, and how it is one of two stories that are different perspectives from the  At about 44:00, Opal, the family matriarch is analyzed through a pivotal story in the collection At about 47:45, Shannon responds to Pete's questions about maintaining continuity in her story collection At about 50:50, Shannon answers Pete's questions about how much she herself shows up in the collection's characters  At about 53:00, Pete quotes Ruth Madievsky about the ways in which different writers write and edit, and Shannon discusses her own style(s) At about 54:55, The two explore ghosts and their significance in the collection At about 56:00, Shannon gives interesting background on the character Lucy and her childhood friend and the storyline At about 57:30, a “literal” ghost story is probed At about 1:01:15, Shannon talks about exciting new projects and whether characters from Company will be expanded upon At about 1:02:50, Shannon gives contact info and info for buying her book      You can now subscribe to the podcast on Apple Podcasts, and leave me a five-star review. You can also ask for the podcast by name using Alexa, and find the pod on Stitcher, Spotify, and on Amazon Music. Follow me on IG, where I'm @chillsatwillpodcast, or on Twitter, where I'm @chillsatwillpo1. You can watch this and other episodes on YouTube-watch and subscribe to The Chills at Will Podcast Channel. Please subscribe to both my YouTube Channel and my podcast while you're checking out this episode.    I am very excited about having one or two podcast episodes per month featured on the website of Chicago Review of Books. The audio will be posted, along with a written interview culled from the audio. A big thanks to Rachel León and Michael Welch at Chicago Review.    Sign up now for The Chills at Will Podcast Patreon: it can be found at patreon.com/chillsatwillpodcastpeterriehl     Check out the page that describes the benefits of a Patreon membership, including cool swag and bonus episodes. Thanks in advance for supporting my one-man show, my DIY podcast and my extensive reading, research, editing, and promoting to keep this independent podcast pumping out high-quality content! This month's Patreon bonus episode features segments from conversations with Deesha Philyaw, Luis Alberto Urrea, Chris Stuck, and more, as they reflect on chill-inducing writing and writers that have inspired their own work.       This is a passion project of mine, a DIY operation, and I'd love for your help in promoting what I'm convinced is a unique and spirited look at an often-ignored art form.    The intro song for The Chills at Will Podcast is “Wind Down” (Instrumental Version), and the other song played on this episode was “Hoops” (Instrumental)” by Matt Weidauer, and both songs are used through ArchesAudio.com.     Please tune in for Episode 246 with Ruben Reyes, Jr. He is the son of two Salvadoran immigrants, completed his MFA in fiction at the Iowa Writers' Workshop; and is a graduate of Harvard College. His writing has appeared in Audible Originals, The Boston Globe, The Washington Post, The Acentos Review, Strange Horizons, Poynter, and other publications. His debut story collection, There is a Rio Grande in Heaven, is out as of today, August 6, along with our wonderful conversation. Happy Pub Day, Ruben! Lastly, please go to https://ceasefiretoday.com/, which features 10+ actions to help bring about Ceasefire in Gaza.

Notes and Links to Ruben Reyes' Work      For Episode 246, Pete welcomes Ruben Reyes, and the two discuss, among other topics, his childhood love of sci fi and fantasy, his family's diverse language history, formative and transformative books and writers, lessons learned from early writing, and salient themes and issues in his collection like agency, power dynamics, notions of “home,” grief, and various forms of violence, as well as larger narratives about the immigration system, family units, and traumas and silences.      Ruben Reyes Jr. is the son of two Salvadoran immigrants. He completed his MFA in fiction at the Iowa Writers' Workshop.    He is a graduate of Harvard College where he studied History and Literature and Latinx Studies. His writing has appeared in Audible Originals, The Boston Globe, The Washington Post, The Florida Review Online, Business Insider, The Acentos Review, Strange Horizons, Poynter, and other publications.    His debut story collection, There is a Rio Grande in Heaven, is forthcoming from Mariner Books. Originally from Southern California, he lives in Brooklyn.   Buy There is a Rio Grande in Heaven   Ruben Reyes' Website   At about 1:45, Harvard and secret clubs and “annoying social clubs” are discussed   At about 3:00, Ruben details the “chaotic” and exciting leadup to the August 6 publication date of his collection At about 3:45, Ruben shares “generous feedback” from blurbists and other early readers At about 5:50, Ruben shouts out upcoming book events-Brooklyn with Greenlight and Bryant Park, and Libro Mobile in Santa Ana At about 6:50, Ruben talks about growing up in Diamond Bar and how it's emblematic or not of LA and California At about 8:00, Ruben expands upon his language history and that of his family, and he also talks about growing up on fantasy books and Michael Crichton and other “conceptual sci-fi” works At about 10:35, Pete and Ruben strategize on how to get JK Rowling off Twitter and her “misguided” diatribes At about 12:30, Ruben talks about formative writers and writing from his high school and college days At about 14:15, Ruben discusses early writing and lessons learned from the work At about 16:30, Mad appreciation for Borges and how his work was against the “conventional craft” At about 18:30-Ruben highlights the influence of magical realism and its limits and strengths At about 20:00, The two discuss the evocative epigraphs for the story collection, from Roque Dalton and Ray Bradbury At about 23:35, The two discuss the opening short from the collection and the multiple stories that feature “Alternate Histories”; Ruben highlights Jamel Brinkley's guidance  At about 26:45, Ruben explains why he thinks the story has two starting points, and the two discuss the second story, “He Eats His Own” with its mangoes, ritual, and power dynamics and immigrant sagas At about 29:10, Ruben responds to Pete's questions between the balance and relationships between allegory and plot At about 31:00, Pete wonders if Ruben “stands in judgment of [his] characters” At about 33:50, Pete asks Ruben about the ramifications of the relationship between Steven and Tomás, a Salvadoran immigrant who has experienced a lot of grief; Ruben expands on his interest in “escape valves” for characters At about 36:35, The two discuss “Self-Made Man” and its connection to the complexities of immigration  At about 38:40, Ruben discusses “baselines” and the ways in which he resolved to write “three-dimensional characters” and focused on systems and reasons for traumas  At about 40:30, Agency as a theme in the story is discussed through “Quiero Perrear…” and its dynamic characters At about 42:00, Pete and Ruben delight in the opening line of “Quiero Perrear…” and its connections to Kafka's Metamorphosis At about 44:20, Pete is highly complimentary of “My Abuela, the Puppet,” and Ruben explains the story's genesis and connections to real-life At about 47:20, “Salvadoran Slice of Mars” as a way of showing inadequacies of the immigration system is discussed At about 48:55, The themes of “do-overs” and mourning and grief and the ways in which we view those who have passed are discussed in connection with a particularly meaningful story At about 52:20, Ruben discusses the historical fiction involving El Salvador's 1932 Matanza of a story in the collection that is one of the “alternate histories” At about 53:45, the two discuss the incredible work of Roberto Lovato and ideas of “unforgetting” and silences and trauma At about 55:50, Ruben responds to Pete's question about a story that lays out an alternate history of Selena as Ruben brings up systems and fame and the ways that celebrities are treated after their deaths At about 58:40, Ruben details how immigrants often think of “What if” so often  At about 59:40, “Variations on Your Migrant's Life” is explored, and Ruben talks about its inspirations  At about 1:04:15, Valeria and Oscar Ramirez Martinez (graphic picture discussed is not featured in article) and their story, fictionalized in a gutting final story, is discussed  At about 1:07:15, Ruben shouts out places to buy his book and gives his contact info/social media info      You can now subscribe to the podcast on Apple Podcasts, and leave me a five-star review. You can also ask for the podcast by name using Alexa, and find the pod on Stitcher, Spotify, and on Amazon Music. Follow me on IG, where I'm @chillsatwillpodcast, or on Twitter, where I'm @chillsatwillpo1. You can watch this and other episodes on YouTube-watch and subscribe to The Chills at Will Podcast Channel. Please subscribe to both my YouTube Channel and my podcast while you're checking out this episode.    I am very excited about having one or two podcast episodes per month featured on the website of Chicago Review of Books. The audio will be posted, along with a written interview culled from the audio. A big thanks to Rachel León and Michael Welch at Chicago Review.    Sign up now for The Chills at Will Podcast Patreon: it can be found at patreon.com/chillsatwillpodcastpeterriehl     Check out the page that describes the benefits of a Patreon membership, including cool swag and bonus episodes. Thanks in advance for supporting my one-man show, my DIY podcast and my extensive reading, research, editing, and promoting to keep this independent podcast pumping out high-quality content!       This is a passion project of mine, a DIY operation, and I'd love for your help in promoting what I'm convinced is a unique and spirited look at an often-ignored art form.    The intro song for The Chills at Will Podcast is “Wind Down” (Instrumental Version), and the other song played on this episode was “Hoops” (Instrumental)” by Matt Weidauer, and both songs are used through ArchesAudio.com.     Please tune in for Episode 245 with Shannon Sanders, who is a Black writer, attorney, and author of the linked story collection Company, which was winner of the 2023 LA Times Art Seidenbaum Award for First Fiction. Additionally, her short fiction was the recipient of a 2020 PEN/Robert J. Dau Short Story Prize for Emerging Writers.  Please tune in for Episode 247 with Christina Cooke. Her writing has appeared in/is forthcoming from The Caribbean Writer, PRISM International, Prairie Schooner, and Lambda Literary Review, among others. A MacDowell Fellow and Journey Prize winner, her critically-acclaimed Broughtupsy, her debut novel, is out as of January 2024. The episode will go live on August 13. Lastly, please go to https://ceasefiretoday.com/, which features 10+ actions to help bring about Ceasefire in Gaza.  

Notes and Links to Santiago José Sanchez's Work        For Episode 242, Pete welcomes Santiago José Sanchez, and the two discuss, among other topics, their childhood in Colombia and Miami, their experiences with bilingualism, formative and transformative reading, especially in his college years, how teaching informs their writing and vice versa, the wonderful multiple points of view in Hombrecito, salient themes in his collection like masculinity, immigration, queerness, familial ties, reinvention and Americanization, and ideas of home.        Santiago José Sánchez, a Grinnell College assistant professor of English and a graduate of the Iowa Writers' Workshop, is a queer Colombian American writer. Santiago's writing has appeared in McSweeney's, ZYZZYVA, Subtropics, and Joyland and been distinguished in Best American Short Stories. They are the recipient of a Truman Capote Fellowship from the University of Iowa and an Emerging LGBTQ Voices Fellowship from Lambda Literary. Their debut novel is Hombrecito, out as of June 25.     Buy Hombrecito   Santiago's Website   New York Times Review of Hombrecito At about 2:35, Santiago talks about their early relationship with the written word, and their early fascination with and exposure to storytelling At about 4:55, Santiago expounds upon how Hombrecito is a “love letter” to their mom, and their special relationship with her  At about 6:00, Santiago speaks to the interplay between English and Spanish in their life and in their writing At about 9:15, Santiago talks about Colombian Spanish and its uniqueness  At about 11:20, Santiago highlights books and writers (like Greenwell's Mitko) and a class with Professor Michael Cunningham that grew their huge love of writing and literature At about 13:25, Santiago discusses ideas of representation, including works by Justin Torres, that made them feel seen, but also gaps in representation At about 14:40, Santiago cites Small Rain by Greenwell, Ocean Vuong's new book, Ruben Reyes, Jr.'s There is a Rio Grande in Heaven, and Melissa Mogollon's Oye as exciting and inspiring At about 16:05, Santiago responds to Pete's question about how writing informs their teaching At about 18:30, Pete and Santiago rave about Jamil Jan Kochai's “Playing Metal Gear Solid V: The Phantom Pain” and Santiago talks about their students loving the story At about 22:45, Santiago gives background on using different points-of-view and terminology for the narrator(s) in Hombrecito At about 26:40, Santiago describes the book as “autofiction” At about 28:10, “He lives between the world and his own mind,” a key quote from the beginning of the book, and the narrator's mother, are explored through a discussion of an early pivotal scene, which also bring talk of a certain type of sexism/misogyny directed at single mothers At about 32:15, Santiago explains the ways in which they use and views the term “queer” At about 34:10, Pete gives a little exposition of the book, featuring a scene where the book's title is first introduced-Santiago expands on the book's title and its myriad significance At about 38:10, An understated scene that ends Part I is discussed; Santiago describes their mindset in writing the scene in that way  At about 40:55, The two explore the narrator's insistence on calling his mother “Doctora” upon their move to Miami At about 43:10, Santiago gives an explanation of the book's oft-referenced “portal” At about 46:00, The last scene where the narrator is “Santiago” and an important transition, is looked at At about 46:50, The two reflect upon ideas of Americanization, and a supposedly-perfect/”normative” family dynamic that Santiago and their mother seek out At about 53:25, Santiago's mother and brother and their circumstances early in their time in Miami is discussed-Santiago details the “reshaping” of the family's situation  At about 56:05, Pete asks Santiago about the narrator's first lover and what repelled and brought them back together so many times At about 59:35, Santiago explains how the book is “a lot about silences” and focuses on the short and incredibly-powerful Chapter 11 At about 1:01:45, Pete cites the previously-mentioned meaningful and resonant flashback At about 1:02:50, The book's last section and its focus on the narrator and his father's ever-evolving, ever-loving  relationship is discussed At about 1:06:00, Santiago shares some of the feedback they have received since the book has been released, as well as information on their upcoming tour At about 1:10:35, Santiago reads an excerpt from the book that forces the reader to salivate and smile At about 1:12:45, Pete tells a story about translation gone wrong for the fourth or fifth time-eek!       You can now subscribe to the podcast on Apple Podcasts, and leave me a five-star review. You can also ask for the podcast by name using Alexa, and find the pod on Stitcher, Spotify, and on Amazon Music. Follow me on IG, where I'm @chillsatwillpodcast, or on Twitter, where I'm @chillsatwillpo1. You can watch this and other episodes on YouTube-watch and subscribe to The Chills at Will Podcast Channel. Please subscribe to both my YouTube Channel and my podcast while you're checking out this episode.     I am very excited about having one or two podcast episodes per month featured on the website of Chicago Review of Books. The audio will be posted, along with a written interview culled from the audio. A big thanks to Rachel León and Michael Welch at Chicago Review-I'm looking forward to the partnership!      Sign up now for The Chills at Will Podcast Patreon: it can be found at patreon.com/chillsatwillpodcastpeterriehl      Check out the page that describes the benefits of a Patreon membership, including cool swag and bonus episodes. Thanks in advance for supporting my one-man show, my DIY podcast and my extensive reading, research, editing, and promoting to keep this independent podcast pumping out high-quality content!        This is a passion project of mine, a DIY operation, and I'd love for your help in promoting what I'm convinced is a unique and spirited look at an often-ignored art form.     The intro song for The Chills at Will Podcast is “Wind Down” (Instrumental Version), and the other song played on this episode was “Hoops” (Instrumental)” by Matt Weidauer, and both songs are used through ArchesAudio.com.     Please tune in for Episode 243 with Kathleen Rooney,  who is founding editor of Rose Metal Press and a founding member of Poems While You Wait. She teaches English and creative writing at DePaul University and is the author, most recently, of the novel From Dust to Stardust, as well as the poetry collection Where Are the Snows.    The episode will go live on July 16.     Lastly, please go to https://ceasefiretoday.com/, which features 10+ actions to help bring about Ceasefire in Gaza.