Podcasts about arts johnson fellowship

How can we learn to speak the language of the Earth and cultivate our intuitive intelligence?Tiokasin Ghosthorse is a member of the Cheyenne River Lakota Nation of South Dakota and has a long history with Indigenous activism and advocacy. Tiokasin is the Founder, Host and Executive Producer of “First Voices Radio” (formerly “First Voices Indigenous Radio”) for the last 31 years in New York City and Seattle/Olympia, Washington. In 2016, he received a Nomination for the Nobel Peace Prize from the International Institute of Peace Studies and Global Philosophy. Other recent recognitions include: Native Arts and Cultures Foundation National Fellowship in Music (2016), National Endowment for the Arts National Heritage Fellowship Nominee (2017), Indigenous Music Award Nominee for Best Instrumental Album (2019) and National Native American Hall of Fame Nominee (2018, 2019). He also was recently nominated for “Nominee for the 2020 Americans for the Arts Johnson Fellowship for Artists Transforming Communities”. He is the Founder of Akantu Intelligence.“If we say Mitakuye Oyasin, we don't really mean all my relations. It's like, no, we're talking about what you can formulate into E = mc2 and beyond. It's beyond what you see. And that energy you don't see with these eyes, which only see a certain range of color and light refraction is what we are also understanding. Our body is, people would say the brain is...there is no disconnection. And so are we fully understanding or do we have a full spectrum perspective of what tools of the Earth really mean? Like a bird we think has no intelligence. It just flies here and flies there, right? But we also understand that that bird is also using the tools as the tools of the Earth correctly or properly when...what does that mean?Now, if you go deeper into Indigenous peoples, you can see the modernity and then so-called primitive people. You don't need to be in contact, in relationship, and in communication, have a language with all other life-technology taking us away from Earth because we feel like we're elite to anything having to do with Earth. That's why we want to go to a dead planet called Mars. So they're about controlling, getting you and all of us away from being magic...is how to use tools of the Earth properly. Not, you know, we should not abuse water, the air, the land, the food, anything. So when it comes to animacy, I think it's a Western term also, and so we get away from the Western terms. We start seeing that, oh, we are becoming Earth as we're born into this physical dimension. We are becoming Earth. And then as we are living during this time, we're alive. We are becoming Earth. And when we are finished with this body, we are becoming Earth.”https://firstvoicesindigenousradio.org/ https://akantuintelligence.orgwww.creativeprocess.info www.oneplanetpodcast.org IG www.instagram.com/creativeprocesspodcastSongs featured on this episode are “Butterfly Against the Wind” And from the album Somewhere In There “Spatial Moon” and “Sunrise Moon” Composed by Tiokasin Ghosthorse and Alex Alexander Music on this episode is courtesy of Tiokasin Ghosthorse.

How can we learn to speak the language of the Earth and cultivate our intuitive intelligence?Tiokasin Ghosthorse is a member of the Cheyenne River Lakota Nation of South Dakota and has a long history with Indigenous activism and advocacy. Tiokasin is the Founder, Host and Executive Producer of “First Voices Radio” (formerly “First Voices Indigenous Radio”) for the last 31 years in New York City and Seattle/Olympia, Washington. In 2016, he received a Nomination for the Nobel Peace Prize from the International Institute of Peace Studies and Global Philosophy. Other recent recognitions include: Native Arts and Cultures Foundation National Fellowship in Music (2016), National Endowment for the Arts National Heritage Fellowship Nominee (2017), Indigenous Music Award Nominee for Best Instrumental Album (2019) and National Native American Hall of Fame Nominee (2018, 2019). He also was recently nominated for “Nominee for the 2020 Americans for the Arts Johnson Fellowship for Artists Transforming Communities”. He is the Founder of Akantu Intelligence.“I'll go with cultural etymology of this language English. And the word education where does it come from? Well, it comes from scholars and whatever, but the etymology of the word education, what does it mean? It means to adduce or seduce. And there's different evolutions of the word, and in one dictionary I saw before 1940 says, of course, to adduce or seduce, but it also says 'to draw out or lead away from' - and get this - 'to lead away from spirit.' And what has it done? Replaced, draw out, or lead away from spirit. So what that's done is replace it with information and knowledge. And that's control by domination. Here's how: So schools started out in the Catholic churches, because the monks, they drew the monks away when they were boys to read and script and to keep this educational process moving. So they were away from nature and only of men's minds. So it's a controlled education where you're instructed mechanically to get the right answer. Where in Native is that we are shown the possibilities, and we're able to choose freely about what we're shown. We're never told to do this or say that or we were shown because it was a living and is a living language. Learning is a living, it's not a stagnant informational data bank. So this is how education is to me.”https://firstvoicesindigenousradio.org/ https://akantuintelligence.orgwww.creativeprocess.info www.oneplanetpodcast.org IG www.instagram.com/creativeprocesspodcastSongs featured on this episode are “Butterfly Against the Wind” And from the album Somewhere In There “Spatial Moon” and “Sunrise Moon” Composed by Tiokasin Ghosthorse and Alex Alexander Music on this episode is courtesy of Tiokasin Ghosthorse.

“If we say Mitakuye Oyasin, we don't really mean all my relations. It's like, no, we're talking about what you can formulate into E = mc2 and beyond. It's beyond what you see. And that energy you don't see with these eyes, which only see a certain range of color and light refraction is what we are also understanding. Our body is, people would say the brain is...there is no disconnection. And so are we fully understanding or do we have a full spectrum perspective of what tools of the Earth really mean? Like a bird we think has no intelligence. It just flies here and flies there, right? But we also understand that that bird is also using the tools as the tools of the Earth correctly or properly when...what does that mean?Now, if you go deeper into Indigenous peoples, you can see the modernity and then so-called primitive people. You don't need to be in contact, in relationship, and in communication, have a language with all other life-technology taking us away from Earth because we feel like we're elite to anything having to do with Earth. That's why we want to go to a dead planet called Mars. So they're about controlling, getting you and all of us away from being magic...is how to use tools of the Earth properly. Not, you know, we should not abuse water, the air, the land, the food, anything. So when it comes to animacy, I think it's a Western term also, and so we get away from the Western terms. We start seeing that, oh, we are becoming Earth as we're born into this physical dimension. We are becoming Earth. And then as we are living during this time, we're alive. We are becoming Earth. And when we are finished with this body, we are becoming Earth.”Tiokasin Ghosthorse is a member of the Cheyenne River Lakota Nation of South Dakota and has a long history with Indigenous activism and advocacy. Tiokasin is the Founder, Host and Executive Producer of “First Voices Radio” (formerly “First Voices Indigenous Radio”) for the last 31 years in New York City and Seattle/Olympia, Washington. In 2016, he received a Nomination for the Nobel Peace Prize from the International Institute of Peace Studies and Global Philosophy. Other recent recognitions include: Native Arts and Cultures Foundation National Fellowship in Music (2016), National Endowment for the Arts National Heritage Fellowship Nominee (2017), Indigenous Music Award Nominee for Best Instrumental Album (2019) and National Native American Hall of Fame Nominee (2018, 2019). He also was recently nominated for “Nominee for the 2020 Americans for the Arts Johnson Fellowship for Artists Transforming Communities”. He is the Founder of Akantu Intelligence.https://firstvoicesindigenousradio.org/ https://akantuintelligence.orgwww.creativeprocess.info www.oneplanetpodcast.org IG www.instagram.com/creativeprocesspodcastSongs featured on this episode are “Butterfly Against the Wind” And from the album Somewhere In There “Spatial Moon” and “Sunrise Moon” Composed by Tiokasin Ghosthorse and Alex Alexander Music on this episode is courtesy of Tiokasin Ghosthorse.

How can we learn to speak the language of the Earth and cultivate our intuitive intelligence?Tiokasin Ghosthorse is a member of the Cheyenne River Lakota Nation of South Dakota and has a long history with Indigenous activism and advocacy. Tiokasin is the Founder, Host and Executive Producer of “First Voices Radio” (formerly “First Voices Indigenous Radio”) for the last 31 years in New York City and Seattle/Olympia, Washington. In 2016, he received a Nomination for the Nobel Peace Prize from the International Institute of Peace Studies and Global Philosophy. Other recent recognitions include: Native Arts and Cultures Foundation National Fellowship in Music (2016), National Endowment for the Arts National Heritage Fellowship Nominee (2017), Indigenous Music Award Nominee for Best Instrumental Album (2019) and National Native American Hall of Fame Nominee (2018, 2019). He also was recently nominated for “Nominee for the 2020 Americans for the Arts Johnson Fellowship for Artists Transforming Communities”. He is the Founder of Akantu Intelligence.“I tried to go through the history that I know of and the studies that I have researched from where educational processes started. And usually, when I say young, we're talking college age or more. And so I find I just finished a semester at Union Theological Seminary in New York and graduate and postgrad students, they either were angry or sad or just, you know, in shock that they have never heard through the whole semester, after years of study, that they've never heard the Native history as we know it. We've always been overrun with Western historical domination as they see it, that they came here for benevolence, they were brought a civilization, they brought us cars and tech, you know, all these things. It was the ships that came while we stood on the shore, watching the ships come, welcoming, abundance, giving. And then they came and they took what we offered, but they took more. And that's where we're at. And now we're seeing a whole abandonment of spirit and put into the ideas of a dogmatic soul. Where in Native is that we are shown the possibilities, and we're able to choose freely about what we're shown. We're never told to do this or say that or we were shown because it was a living and is a living language. Learning is a living, it's not a stagnant informational data bank. So this is how education is to me.”https://firstvoicesindigenousradio.org/ https://akantuintelligence.orgwww.creativeprocess.info www.oneplanetpodcast.org IG www.instagram.com/creativeprocesspodcastSongs featured on this episode are “Butterfly Against the Wind” And from the album Somewhere In There “Spatial Moon” and “Sunrise Moon” Composed by Tiokasin Ghosthorse and Alex Alexander Music on this episode is courtesy of Tiokasin Ghosthorse.

“I tried to go through the history that I know of and the studies that I have researched from where educational processes started. And usually, when I say young, we're talking college age or more. And so I find I just finished a semester at Union Theological Seminary in New York and graduate and postgrad students, they either were angry or sad or just, you know, in shock that they have never heard through the whole semester, after years of study, that they've never heard the Native history as we know it. We've always been overrun with Western historical domination as they see it, that they came here for benevolence, they were brought a civilization, they brought us cars and tech, you know, all these things. It was the ships that came while we stood on the shore, watching the ships come, welcoming, abundance, giving. And then they came and they took what we offered, but they took more. And that's where we're at. And now we're seeing a whole abandonment of spirit and put into the ideas of a dogmatic soul. Where in Native is that we are shown the possibilities, and we're able to choose freely about what we're shown. We're never told to do this or say that or we were shown because it was a living and is a living language. Learning is a living, it's not a stagnant informational data bank. So this is how education is to me.”How can we learn to speak the language of the Earth and cultivate our intuitive intelligence?Tiokasin Ghosthorse is a member of the Cheyenne River Lakota Nation of South Dakota and has a long history with Indigenous activism and advocacy. Tiokasin is the Founder, Host and Executive Producer of “First Voices Radio” (formerly “First Voices Indigenous Radio”) for the last 31 years in New York City and Seattle/Olympia, Washington. In 2016, he received a Nomination for the Nobel Peace Prize from the International Institute of Peace Studies and Global Philosophy. Other recent recognitions include: Native Arts and Cultures Foundation National Fellowship in Music (2016), National Endowment for the Arts National Heritage Fellowship Nominee (2017), Indigenous Music Award Nominee for Best Instrumental Album (2019) and National Native American Hall of Fame Nominee (2018, 2019). He also was recently nominated for “Nominee for the 2020 Americans for the Arts Johnson Fellowship for Artists Transforming Communities”. He is the Founder of Akantu Intelligence.https://firstvoicesindigenousradio.org/ https://akantuintelligence.orgwww.creativeprocess.info www.oneplanetpodcast.org IG www.instagram.com/creativeprocesspodcastSongs featured on this episode are “Butterfly Against the Wind” And from the album Somewhere In There “Spatial Moon” and “Sunrise Moon” Composed by Tiokasin Ghosthorse and Alex Alexander Music on this episode is courtesy of Tiokasin Ghosthorse.

How can we learn to speak the language of the Earth and cultivate our intuitive intelligence?Tiokasin Ghosthorse is a member of the Cheyenne River Lakota Nation of South Dakota and has a long history with Indigenous activism and advocacy. Tiokasin is the Founder, Host and Executive Producer of “First Voices Radio” (formerly “First Voices Indigenous Radio”) for the last 31 years in New York City and Seattle/Olympia, Washington. In 2016, he received a Nomination for the Nobel Peace Prize from the International Institute of Peace Studies and Global Philosophy. Other recent recognitions include: Native Arts and Cultures Foundation National Fellowship in Music (2016), National Endowment for the Arts National Heritage Fellowship Nominee (2017), Indigenous Music Award Nominee for Best Instrumental Album (2019) and National Native American Hall of Fame Nominee (2018, 2019). He also was recently nominated for “Nominee for the 2020 Americans for the Arts Johnson Fellowship for Artists Transforming Communities”. He is the Founder of Akantu Intelligence.“We have not adapted to Earth. She needs us to do that. Instead, we've tried to adapt Earth to our needs. Which is always an extraction, take away. Earth doesn't exist because of technology. Earth will always be here.”https://firstvoicesindigenousradio.org/ https://akantuintelligence.orgwww.creativeprocess.info www.oneplanetpodcast.org IG www.instagram.com/creativeprocesspodcastSongs featured on this episode are “Butterfly Against the Wind” And from the album Somewhere In There “Spatial Moon” and “Sunrise Moon” Composed by Tiokasin Ghosthorse and Alex Alexander Music on this episode is courtesy of Tiokasin Ghosthorse.

“We have not adapted to Earth. She needs us to do that. Instead, we've tried to adapt Earth to our needs. Which is always an extraction, take away. Earth doesn't exist because of technology. Earth will always be here.”Tiokasin Ghosthorse is a member of the Cheyenne River Lakota Nation of South Dakota and has a long history with Indigenous activism and advocacy. Tiokasin is the Founder, Host and Executive Producer of “First Voices Radio” (formerly “First Voices Indigenous Radio”) for the last 31 years in New York City and Seattle/Olympia, Washington. In 2016, he received a Nomination for the Nobel Peace Prize from the International Institute of Peace Studies and Global Philosophy. Other recent recognitions include: Native Arts and Cultures Foundation National Fellowship in Music (2016), National Endowment for the Arts National Heritage Fellowship Nominee (2017), Indigenous Music Award Nominee for Best Instrumental Album (2019) and National Native American Hall of Fame Nominee (2018, 2019). He also was recently nominated for “Nominee for the 2020 Americans for the Arts Johnson Fellowship for Artists Transforming Communities”. He is the Founder of Akantu Intelligence.https://firstvoicesindigenousradio.org/ https://akantuintelligence.orgwww.creativeprocess.info www.oneplanetpodcast.org IG www.instagram.com/creativeprocesspodcastSongs featured on this episode are “Butterfly Against the Wind” And from the album Somewhere In There “Spatial Moon” and “Sunrise Moon” Composed by Tiokasin Ghosthorse and Alex Alexander Music on this episode is courtesy of Tiokasin Ghosthorse.

How can we learn to speak the language of the Earth and cultivate our intuitive intelligence?Tiokasin Ghosthorse is a member of the Cheyenne River Lakota Nation of South Dakota and has a long history with Indigenous activism and advocacy. Tiokasin is the Founder, Host and Executive Producer of “First Voices Radio” (formerly “First Voices Indigenous Radio”) for the last 31 years in New York City and Seattle/Olympia, Washington. In 2016, he received a Nomination for the Nobel Peace Prize from the International Institute of Peace Studies and Global Philosophy. Other recent recognitions include: Native Arts and Cultures Foundation National Fellowship in Music (2016), National Endowment for the Arts National Heritage Fellowship Nominee (2017), Indigenous Music Award Nominee for Best Instrumental Album (2019) and National Native American Hall of Fame Nominee (2018, 2019). He also was recently nominated for “Nominee for the 2020 Americans for the Arts Johnson Fellowship for Artists Transforming Communities”. He is the Founder of Akantu Intelligence."So we get to a certain stage in Western society, I'd never call it a culture, but a society trying to figure out its birth and how to become mature. Whatever it's doing it has slowed down natural relationships. It took us out of the land, put us into factories, put us into institutions where you can learn a trade. It kept giving you jobs that had nothing to do with Earth. And so if you're living, you're working in this box called a factory, and the farmers out there are becoming less and less. Even the farming, the ideas of farming are foreign. And I think that when the technical language came out, we dropped another natural umbilical cord to and with Earth. And so we severed that relationship. So you can see this gradual severing of relationships to Earth with Earth, that now we have to have retreats to learn empathy again. We do all these Westernized versions of piecing ourselves back together and as Indigenous folks where we're getting that way now, but a lot of traditional people don't need that. We don't need environmental movements. You know, Wild Earth is a foreign concept. There are a lot of words that organizations use to rationalize why we need to teach how to be human beings. So you see technology, the Industrial Machine Age taught us this language of disconnection, taught us things like plug-in, get connected. You know, all these words that came along to fill that information that could be controlled by authority now in the Western process. John Gatto, who won the New York State Teacher of the Year award in 2008, upon his retirement, specifically said, 'It takes 12 years to learn how to become reflexive to authority.' And who is the authority? Who is controlling information? Who's controlling education? Who's controlling knowledge? And now they want to control Wisdom, and all wisdom means is common sense.”https://firstvoicesindigenousradio.org/ https://akantuintelligence.orgwww.creativeprocess.info www.oneplanetpodcast.org IG www.instagram.com/creativeprocesspodcastSongs featured on this episode are “Butterfly Against the Wind” And from the album Somewhere In There “Spatial Moon” and “Sunrise Moon” Composed by Tiokasin Ghosthorse and Alex Alexander Music on this episode is courtesy of Tiokasin Ghosthorse.

"So we get to a certain stage in Western society, I'd never call it a culture, but a society trying to figure out its birth and how to become mature. Whatever it's doing it has slowed down natural relationships. It took us out of the land, put us into factories, put us into institutions where you can learn a trade. It kept giving you jobs that had nothing to do with Earth. And so if you're living, you're working in this box called a factory, and the farmers out there are becoming less and less. Even the farming, the ideas of farming are foreign. And I think that when the technical language came out, we dropped another natural umbilical cord to and with Earth. And so we severed that relationship. So you can see this gradual severing of relationships to Earth with Earth, that now we have to have retreats to learn empathy again. We do all these Westernized versions of piecing ourselves back together and as Indigenous folks where we're getting that way now, but a lot of traditional people don't need that. We don't need environmental movements. You know, Wild Earth is a foreign concept. There are a lot of words that organizations use to rationalize why we need to teach how to be human beings. So you see technology, the Industrial Machine Age taught us this language of disconnection, taught us things like plug-in, get connected. You know, all these words that came along to fill that information that could be controlled by authority now in the Western process. John Gatto, who won the New York State Teacher of the Year award in 2008, upon his retirement, specifically said, 'It takes 12 years to learn how to become reflexive to authority.' And who is the authority? Who is controlling information? Who's controlling education? Who's controlling knowledge? And now they want to control Wisdom, and all wisdom means is common sense.”Tiokasin Ghosthorse is a member of the Cheyenne River Lakota Nation of South Dakota and has a long history with Indigenous activism and advocacy. Tiokasin is the Founder, Host and Executive Producer of “First Voices Radio” (formerly “First Voices Indigenous Radio”) for the last 31 years in New York City and Seattle/Olympia, Washington. In 2016, he received a Nomination for the Nobel Peace Prize from the International Institute of Peace Studies and Global Philosophy. Other recent recognitions include: Native Arts and Cultures Foundation National Fellowship in Music (2016), National Endowment for the Arts National Heritage Fellowship Nominee (2017), Indigenous Music Award Nominee for Best Instrumental Album (2019) and National Native American Hall of Fame Nominee (2018, 2019). He also was recently nominated for “Nominee for the 2020 Americans for the Arts Johnson Fellowship for Artists Transforming Communities”. He is the Founder of Akantu Intelligence.https://firstvoicesindigenousradio.org/ https://akantuintelligence.orgwww.creativeprocess.info www.oneplanetpodcast.org IG www.instagram.com/creativeprocesspodcastSongs featured on this episode are “Butterfly Against the Wind” And from the album Somewhere In There “Spatial Moon” and “Sunrise Moon” Composed by Tiokasin Ghosthorse and Alex Alexander Music on this episode is courtesy of Tiokasin Ghosthorse.

“I'll go with cultural etymology of this language English. And the word education where does it come from? Well, it comes from scholars and whatever, but the etymology of the word education, what does it mean? It means to adduce or seduce. And there's different evolutions of the word, and in one dictionary I saw before 1940 says, of course, to adduce or seduce, but it also says 'to draw out or lead away from' - and get this - 'to lead away from spirit.' And what has it done? Replaced, draw out, or lead away from spirit. So what that's done is replace it with information and knowledge. And that's control by domination. Here's how: So schools started out in the Catholic churches, because the monks, they drew the monks away when they were boys to read and script and to keep this educational process moving. So they were away from nature and only of men's minds. So it's a controlled education where you're instructed mechanically to get the right answer. Where in Native is that we are shown the possibilities, and we're able to choose freely about what we're shown. We're never told to do this or say that or we were shown because it was a living and is a living language. Learning is a living, it's not a stagnant informational data bank. So this is how education is to me.”Tiokasin Ghosthorse is a member of the Cheyenne River Lakota Nation of South Dakota and has a long history with Indigenous activism and advocacy. Tiokasin is the Founder, Host and Executive Producer of “First Voices Radio” (formerly “First Voices Indigenous Radio”) for the last 31 years in New York City and Seattle/Olympia, Washington. In 2016, he received a Nomination for the Nobel Peace Prize from the International Institute of Peace Studies and Global Philosophy. Other recent recognitions include: Native Arts and Cultures Foundation National Fellowship in Music (2016), National Endowment for the Arts National Heritage Fellowship Nominee (2017), Indigenous Music Award Nominee for Best Instrumental Album (2019) and National Native American Hall of Fame Nominee (2018, 2019). He also was recently nominated for “Nominee for the 2020 Americans for the Arts Johnson Fellowship for Artists Transforming Communities”. He is the Founder of Akantu Intelligence.https://firstvoicesindigenousradio.org/ https://akantuintelligence.orgwww.creativeprocess.info www.oneplanetpodcast.org IG www.instagram.com/creativeprocesspodcastSongs featured on this episode are “Butterfly Against the Wind” And from the album Somewhere In There “Spatial Moon” and “Sunrise Moon” Composed by Tiokasin Ghosthorse and Alex Alexander Music on this episode is courtesy of Tiokasin Ghosthorse.

“If we say Mitakuye Oyasin, we don't really mean all my relations. It's like, no, we're talking about what you can formulate into E = mc2 and beyond. It's beyond what you see. And that energy you don't see with these eyes, which only see a certain range of color and light refraction is what we are also understanding. Our body is, people would say the brain is...there is no disconnection. And so are we fully understanding or do we have a full spectrum perspective of what tools of the Earth really mean? Like a bird we think has no intelligence. It just flies here and flies there, right? But we also understand that that bird is also using the tools as the tools of the Earth correctly or properly when...what does that mean?Now, if you go deeper into Indigenous peoples, you can see the modernity and then so-called primitive people. You don't need to be in contact, in relationship, and in communication, have a language with all other life-technology taking us away from Earth because we feel like we're elite to anything having to do with Earth. That's why we want to go to a dead planet called Mars. So they're about controlling, getting you and all of us away from being magic...is how to use tools of the Earth properly. Not, you know, we should not abuse water, the air, the land, the food, anything. So when it comes to animacy, I think it's a Western term also, and so we get away from the Western terms. We start seeing that, oh, we are becoming Earth as we're born into this physical dimension. We are becoming Earth. And then as we are living during this time, we're alive. We are becoming Earth. And when we are finished with this body, we are becoming Earth.”Tiokasin Ghosthorse is a member of the Cheyenne River Lakota Nation of South Dakota and has a long history with Indigenous activism and advocacy. Tiokasin is the Founder, Host and Executive Producer of “First Voices Radio” (formerly “First Voices Indigenous Radio”) for the last 31 years in New York City and Seattle/Olympia, Washington. In 2016, he received a Nomination for the Nobel Peace Prize from the International Institute of Peace Studies and Global Philosophy. Other recent recognitions include: Native Arts and Cultures Foundation National Fellowship in Music (2016), National Endowment for the Arts National Heritage Fellowship Nominee (2017), Indigenous Music Award Nominee for Best Instrumental Album (2019) and National Native American Hall of Fame Nominee (2018, 2019). He also was recently nominated for “Nominee for the 2020 Americans for the Arts Johnson Fellowship for Artists Transforming Communities”. He is the Founder of Akantu Intelligence.https://firstvoicesindigenousradio.org/ https://akantuintelligence.orgwww.creativeprocess.info www.oneplanetpodcast.org IG www.instagram.com/creativeprocesspodcastSongs featured on this episode are “Butterfly Against the Wind” And from the album Somewhere In There “Spatial Moon” and “Sunrise Moon” Composed by Tiokasin Ghosthorse and Alex Alexander Music on this episode is courtesy of Tiokasin Ghosthorse.

How can we learn to speak the language of the Earth and cultivate our intuitive intelligence?Tiokasin Ghosthorse is a member of the Cheyenne River Lakota Nation of South Dakota and has a long history with Indigenous activism and advocacy. Tiokasin is the Founder, Host and Executive Producer of “First Voices Radio” (formerly “First Voices Indigenous Radio”) for the last 31 years in New York City and Seattle/Olympia, Washington. In 2016, he received a Nomination for the Nobel Peace Prize from the International Institute of Peace Studies and Global Philosophy. Other recent recognitions include: Native Arts and Cultures Foundation National Fellowship in Music (2016), National Endowment for the Arts National Heritage Fellowship Nominee (2017), Indigenous Music Award Nominee for Best Instrumental Album (2019) and National Native American Hall of Fame Nominee (2018, 2019). He also was recently nominated for “Nominee for the 2020 Americans for the Arts Johnson Fellowship for Artists Transforming Communities”. He is the Founder of Akantu Intelligence."So we get to a certain stage in Western society, I'd never call it a culture, but a society trying to figure out its birth and how to become mature. Whatever it's doing it has slowed down natural relationships. It took us out of the land, put us into factories, put us into institutions where you can learn a trade. It kept giving you jobs that had nothing to do with Earth. And so if you're living, you're working in this box called a factory, and the farmers out there are becoming less and less. Even the farming, the ideas of farming are foreign. And I think that when the technical language came out, we dropped another natural umbilical cord to and with Earth. And so we severed that relationship. So you can see this gradual severing of relationships to Earth with Earth, that now we have to have retreats to learn empathy again. We do all these Westernized versions of piecing ourselves back together and as Indigenous folks where we're getting that way now, but a lot of traditional people don't need that. We don't need environmental movements. You know, Wild Earth is a foreign concept. There are a lot of words that organizations use to rationalize why we need to teach how to be human beings. So you see technology, the Industrial Machine Age taught us this language of disconnection, taught us things like plug-in, get connected. You know, all these words that came along to fill that information that could be controlled by authority now in the Western process. John Gatto, who won the New York State Teacher of the Year award in 2008, upon his retirement, specifically said, 'It takes 12 years to learn how to become reflexive to authority.' And who is the authority? Who is controlling information? Who's controlling education? Who's controlling knowledge? And now they want to control Wisdom, and all wisdom means is common sense.”https://firstvoicesindigenousradio.org/ https://akantuintelligence.orgwww.creativeprocess.info www.oneplanetpodcast.org IG www.instagram.com/creativeprocesspodcastSongs featured on this episode are “Butterfly Against the Wind” And from the album Somewhere In There “Spatial Moon” and “Sunrise Moon” Composed by Tiokasin Ghosthorse and Alex Alexander Music on this episode is courtesy of Tiokasin Ghosthorse.

"So we get to a certain stage in Western society, I'd never call it a culture, but a society trying to figure out its birth and how to become mature. Whatever it's doing it has slowed down natural relationships. It took us out of the land, put us into factories, put us into institutions where you can learn a trade. It kept giving you jobs that had nothing to do with Earth. And so if you're living, you're working in this box called a factory, and the farmers out there are becoming less and less. Even the farming, the ideas of farming are foreign. And I think that when the technical language came out, we dropped another natural umbilical cord to and with Earth. And so we severed that relationship. So you can see this gradual severing of relationships to Earth with Earth, that now we have to have retreats to learn empathy again. We do all these Westernized versions of piecing ourselves back together and as Indigenous folks where we're getting that way now, but a lot of traditional people don't need that. We don't need environmental movements. You know, Wild Earth is a foreign concept. There are a lot of words that organizations use to rationalize why we need to teach how to be human beings. So you see technology, the Industrial Machine Age taught us this language of disconnection, taught us things like plug-in, get connected. You know, all these words that came along to fill that information that could be controlled by authority now in the Western process. John Gatto, who won the New York State Teacher of the Year award in 2008, upon his retirement, specifically said, 'It takes 12 years to learn how to become reflexive to authority.' And who is the authority? Who is controlling information? Who's controlling education? Who's controlling knowledge? And now they want to control Wisdom, and all wisdom means is common sense.”Tiokasin Ghosthorse is a member of the Cheyenne River Lakota Nation of South Dakota and has a long history with Indigenous activism and advocacy. Tiokasin is the Founder, Host and Executive Producer of “First Voices Radio” (formerly “First Voices Indigenous Radio”) for the last 31 years in New York City and Seattle/Olympia, Washington. In 2016, he received a Nomination for the Nobel Peace Prize from the International Institute of Peace Studies and Global Philosophy. Other recent recognitions include: Native Arts and Cultures Foundation National Fellowship in Music (2016), National Endowment for the Arts National Heritage Fellowship Nominee (2017), Indigenous Music Award Nominee for Best Instrumental Album (2019) and National Native American Hall of Fame Nominee (2018, 2019). He also was recently nominated for “Nominee for the 2020 Americans for the Arts Johnson Fellowship for Artists Transforming Communities”. He is the Founder of Akantu Intelligence.https://firstvoicesindigenousradio.org/ https://akantuintelligence.orgwww.creativeprocess.info www.oneplanetpodcast.org IG www.instagram.com/creativeprocesspodcastSongs featured on this episode are “Butterfly Against the Wind” And from the album Somewhere In There “Spatial Moon” and “Sunrise Moon” Composed by Tiokasin Ghosthorse and Alex Alexander Music on this episode is courtesy of Tiokasin Ghosthorse.

How can we learn to speak the language of the Earth and cultivate our intuitive intelligence?Tiokasin Ghosthorse is a member of the Cheyenne River Lakota Nation of South Dakota and has a long history with Indigenous activism and advocacy. Tiokasin is the Founder, Host and Executive Producer of “First Voices Radio” (formerly “First Voices Indigenous Radio”) for the last 31 years in New York City and Seattle/Olympia, Washington. In 2016, he received a Nomination for the Nobel Peace Prize from the International Institute of Peace Studies and Global Philosophy. Other recent recognitions include: Native Arts and Cultures Foundation National Fellowship in Music (2016), National Endowment for the Arts National Heritage Fellowship Nominee (2017), Indigenous Music Award Nominee for Best Instrumental Album (2019) and National Native American Hall of Fame Nominee (2018, 2019). He also was recently nominated for “Nominee for the 2020 Americans for the Arts Johnson Fellowship for Artists Transforming Communities”. He is the Founder of Akantu Intelligence."So we get to a certain stage in Western society, I'd never call it a culture, but a society trying to figure out its birth and how to become mature. Whatever it's doing it has slowed down natural relationships. It took us out of the land, put us into factories, put us into institutions where you can learn a trade. It kept giving you jobs that had nothing to do with Earth. And so if you're living, you're working in this box called a factory, and the farmers out there are becoming less and less. Even the farming, the ideas of farming are foreign. And I think that when the technical language came out, we dropped another natural umbilical cord to and with Earth. And so we severed that relationship. So you can see this gradual severing of relationships to Earth with Earth, that now we have to have retreats to learn empathy again. We do all these Westernized versions of piecing ourselves back together and as Indigenous folks where we're getting that way now, but a lot of traditional people don't need that. We don't need environmental movements. You know, Wild Earth is a foreign concept. There are a lot of words that organizations use to rationalize why we need to teach how to be human beings. So you see technology, the Industrial Machine Age taught us this language of disconnection, taught us things like plug-in, get connected. You know, all these words that came along to fill that information that could be controlled by authority now in the Western process. John Gatto, who won the New York State Teacher of the Year award in 2008, upon his retirement, specifically said, 'It takes 12 years to learn how to become reflexive to authority.' And who is the authority? Who is controlling information? Who's controlling education? Who's controlling knowledge? And now they want to control Wisdom, and all wisdom means is common sense.”https://firstvoicesindigenousradio.org/ https://akantuintelligence.orgwww.creativeprocess.info www.oneplanetpodcast.org IG www.instagram.com/creativeprocesspodcastSongs featured on this episode are “Butterfly Against the Wind” And from the album Somewhere In There “Spatial Moon” and “Sunrise Moon” Composed by Tiokasin Ghosthorse and Alex Alexander Music on this episode is courtesy of Tiokasin Ghosthorse.

"So we get to a certain stage in Western society, I'd never call it a culture, but a society trying to figure out its birth and how to become mature. Whatever it's doing it has slowed down natural relationships. It took us out of the land, put us into factories, put us into institutions where you can learn a trade. It kept giving you jobs that had nothing to do with Earth. And so if you're living, you're working in this box called a factory, and the farmers out there are becoming less and less. Even the farming, the ideas of farming are foreign. And I think that when the technical language came out, we dropped another natural umbilical cord to and with Earth. And so we severed that relationship. So you can see this gradual severing of relationships to Earth with Earth, that now we have to have retreats to learn empathy again. We do all these Westernized versions of piecing ourselves back together and as Indigenous folks where we're getting that way now, but a lot of traditional people don't need that. We don't need environmental movements. You know, Wild Earth is a foreign concept. There are a lot of words that organizations use to rationalize why we need to teach how to be human beings. So you see technology, the Industrial Machine Age taught us this language of disconnection, taught us things like plug-in, get connected. You know, all these words that came along to fill that information that could be controlled by authority now in the Western process. John Gatto, who won the New York State Teacher of the Year award in 2008, upon his retirement, specifically said, 'It takes 12 years to learn how to become reflexive to authority.' And who is the authority? Who is controlling information? Who's controlling education? Who's controlling knowledge? And now they want to control Wisdom, and all wisdom means is common sense.”Tiokasin Ghosthorse is a member of the Cheyenne River Lakota Nation of South Dakota and has a long history with Indigenous activism and advocacy. Tiokasin is the Founder, Host and Executive Producer of “First Voices Radio” (formerly “First Voices Indigenous Radio”) for the last 31 years in New York City and Seattle/Olympia, Washington. In 2016, he received a Nomination for the Nobel Peace Prize from the International Institute of Peace Studies and Global Philosophy. Other recent recognitions include: Native Arts and Cultures Foundation National Fellowship in Music (2016), National Endowment for the Arts National Heritage Fellowship Nominee (2017), Indigenous Music Award Nominee for Best Instrumental Album (2019) and National Native American Hall of Fame Nominee (2018, 2019). He also was recently nominated for “Nominee for the 2020 Americans for the Arts Johnson Fellowship for Artists Transforming Communities”. He is the Founder of Akantu Intelligence.https://firstvoicesindigenousradio.org/ https://akantuintelligence.orgwww.creativeprocess.info www.oneplanetpodcast.org IG www.instagram.com/creativeprocesspodcastSongs featured on this episode are “Butterfly Against the Wind” And from the album Somewhere In There “Spatial Moon” and “Sunrise Moon” Composed by Tiokasin Ghosthorse and Alex Alexander Music on this episode is courtesy of Tiokasin Ghosthorse.

How can we learn to speak the language of the Earth and cultivate our intuitive intelligence?Tiokasin Ghosthorse is a member of the Cheyenne River Lakota Nation of South Dakota and has a long history with Indigenous activism and advocacy. Tiokasin is the Founder, Host and Executive Producer of “First Voices Radio” (formerly “First Voices Indigenous Radio”) for the last 31 years in New York City and Seattle/Olympia, Washington. In 2016, he received a Nomination for the Nobel Peace Prize from the International Institute of Peace Studies and Global Philosophy. Other recent recognitions include: Native Arts and Cultures Foundation National Fellowship in Music (2016), National Endowment for the Arts National Heritage Fellowship Nominee (2017), Indigenous Music Award Nominee for Best Instrumental Album (2019) and National Native American Hall of Fame Nominee (2018, 2019). He also was recently nominated for “Nominee for the 2020 Americans for the Arts Johnson Fellowship for Artists Transforming Communities”. He is the Founder of Akantu Intelligence.“If we say Mitakuye Oyasin, we don't really mean all my relations. It's like, no, we're talking about what you can formulate into E = mc2 and beyond. It's beyond what you see. And that energy you don't see with these eyes, which only see a certain range of color and light refraction is what we are also understanding. Our body is, people would say the brain is...there is no disconnection. And so are we fully understanding or do we have a full spectrum perspective of what tools of the Earth really mean? Like a bird we think has no intelligence. It just flies here and flies there, right? But we also understand that that bird is also using the tools as the tools of the Earth correctly or properly when...what does that mean?Now, if you go deeper into Indigenous peoples, you can see the modernity and then so-called primitive people. You don't need to be in contact, in relationship, and in communication, have a language with all other life-technology taking us away from Earth because we feel like we're elite to anything having to do with Earth. That's why we want to go to a dead planet called Mars. So they're about controlling, getting you and all of us away from being magic...is how to use tools of the Earth properly. Not, you know, we should not abuse water, the air, the land, the food, anything. So when it comes to animacy, I think it's a Western term also, and so we get away from the Western terms. We start seeing that, oh, we are becoming Earth as we're born into this physical dimension. We are becoming Earth. And then as we are living during this time, we're alive. We are becoming Earth. And when we are finished with this body, we are becoming Earth.”https://firstvoicesindigenousradio.org/ https://akantuintelligence.orgwww.creativeprocess.info www.oneplanetpodcast.org IG www.instagram.com/creativeprocesspodcastSongs featured on this episode are “Butterfly Against the Wind” And from the album Somewhere In There “Spatial Moon” and “Sunrise Moon” Composed by Tiokasin Ghosthorse and Alex Alexander Music on this episode is courtesy of Tiokasin Ghosthorse.

“If we say Mitakuye Oyasin, we don't really mean all my relations. It's like, no, we're talking about what you can formulate into E = mc2 and beyond. It's beyond what you see. And that energy you don't see with these eyes, which only see a certain range of color and light refraction is what we are also understanding. Our body is, people would say the brain is...there is no disconnection. And so are we fully understanding or do we have a full spectrum perspective of what tools of the Earth really mean? Like a bird we think has no intelligence. It just flies here and flies there, right? But we also understand that that bird is also using the tools as the tools of the Earth correctly or properly when...what does that mean?Now, if you go deeper into Indigenous peoples, you can see the modernity and then so-called primitive people. You don't need to be in contact, in relationship, and in communication, have a language with all other life-technology taking us away from Earth because we feel like we're elite to anything having to do with Earth. That's why we want to go to a dead planet called Mars. So they're about controlling, getting you and all of us away from being magic...is how to use tools of the Earth properly. Not, you know, we should not abuse water, the air, the land, the food, anything. So when it comes to animacy, I think it's a Western term also, and so we get away from the Western terms. We start seeing that, oh, we are becoming Earth as we're born into this physical dimension. We are becoming Earth. And then as we are living during this time, we're alive. We are becoming Earth. And when we are finished with this body, we are becoming Earth.”Tiokasin Ghosthorse is a member of the Cheyenne River Lakota Nation of South Dakota and has a long history with Indigenous activism and advocacy. Tiokasin is the Founder, Host and Executive Producer of “First Voices Radio” (formerly “First Voices Indigenous Radio”) for the last 31 years in New York City and Seattle/Olympia, Washington. In 2016, he received a Nomination for the Nobel Peace Prize from the International Institute of Peace Studies and Global Philosophy. Other recent recognitions include: Native Arts and Cultures Foundation National Fellowship in Music (2016), National Endowment for the Arts National Heritage Fellowship Nominee (2017), Indigenous Music Award Nominee for Best Instrumental Album (2019) and National Native American Hall of Fame Nominee (2018, 2019). He also was recently nominated for “Nominee for the 2020 Americans for the Arts Johnson Fellowship for Artists Transforming Communities”. He is the Founder of Akantu Intelligence.https://firstvoicesindigenousradio.org/ https://akantuintelligence.orgwww.creativeprocess.info www.oneplanetpodcast.org IG www.instagram.com/creativeprocesspodcastSongs featured on this episode are “Butterfly Against the Wind” And from the album Somewhere In There “Spatial Moon” and “Sunrise Moon” Composed by Tiokasin Ghosthorse and Alex Alexander Music on this episode is courtesy of Tiokasin Ghosthorse.

Tiokasin Ghosthorse is a member of the Cheyenne River Lakota Nation of South Dakota and has a long history with Indigenous activism and advocacy. Tiokasin is the Founder, Host and Executive Producer of “First Voices Radio” (formerly “First Voices Indigenous Radio”) for the last 28 years in New York City and Seattle/Olympia, Washington. In 2016, he received a Nomination for the Nobel Peace Prize from the International Institute of Peace Studies and Global Philosophy. Other recent recognitions include: Native Arts and Cultures Foundation National Fellowship in Music (2016), National Endowment for the Arts National Heritage Fellowship Nominee (2017), Indigenous Music Award Nominee for Best Instrumental Album (2019) and National Native American Hall of Fame Nominee (2018, 2019). He also was recently nominated for “Nominee for the 2020 Americans for the Arts Johnson Fellowship for Artists Transforming Communities”. He was also awarded New York City's Peacemaker of the Year in 2013. Tiokasin is a “perfectly flawed human being.” Alnoor Ladha is an activist, journalist, political strategist and community organiser. From 2012 to 2019 he was the co-founder and executive director of the global activist collective The Rules. He is currently the Council Chair for Culture Hack Labs. He holds an MSc in Philosophy and Public Policy from the London School of Economics. A conversation from the Dying and Living Summit (October 21-25 2020) with Tiokasin Ghosthorse, Alnoor Ladha, Zaya, and Maurizio Benazzo. scienceandnonduality.com/podcast Reach out to us at podcast@scienceandnonduality.com

In this talk from the Talks on Trauma series from the Wisdom of Trauma All Access Pass Course. Dr. Gabor Maté hosts this expert panel of Indigenous teachers. Intergenerational trauma: the impact of colonization and genocide Indigenous wisdom and the healing of trauma Resistance and healing With Jesse Thistle, Tiokasin Ghosthorse, Ruby Gibson, Patricia Vickers & Gabor Maté Bios Patricia Vickers, Ph.D., is currently an independent consultant. She is deeply committed to founding mental health services and research on ancestral teachings and principles. In 2019-2020, she completed a nurofeedback study on Haida Gwaii with highly positive results. Her areas of inquiry include trauma from a somatic and neurobiological perspective, teachings on soul loss and soul retrieval and expressive responses to life such as song, painting and dance. She is mother of four and grandmother of nine. Her Indigenous ancestry is rooted in Heiltsuk, Tsimshian and Haida Nations through her father and British through her mother. patriciajunevickers.com Jesse ThistleAssistant Professor, AuthorJesse Thistle's award-winning memoir, From the Ashes, was a #1 national bestseller, and the bestselling Canadian book in 2020 and has remained atop bestseller lists since it was published. From the Ashes was a CBC Canada Reads finalist, an Indigo Best Book of 2019, and the winner of the Kobo Emerging Writer Prize Nonfiction, an Indigenous Voices Award, and High Plains Book Award. Jesse Thistle is Métis-Cree and an Assistant Professor at York University in Toronto. He is a PhD candidate in the History program at York where he is working on theories of intergenerational and historic trauma of the Métis people. Jesse has won the P.E. Trudeau and Vanier doctoral scholarships, and he is a Governor General medalist. Jesse is the author of the Definition of Indigenous Homelessness in Canada published through the Canadian Observatory on Homelessness, and his historical research has been published in numerous academic journals, book chapters, and featured on CBC Ideas, CBC Campus, and Unreserved. A frequent keynote speaker, Jesse lives in Hamilton with his wife Lucie and is at work on multiple projects including his next book. jessethistle.com Tiokasin GhosthorseFounder & Host "First Voices Radio", Speaker on Peace & Indigenous WisdomTiokasin Ghosthorse is a member of the Cheyenne River Lakota Nation of South Dakota and has a long history with Indigenous activism and advocacy. Tiokasin is the Founder, Host and Executive Producer of “First Voices Radio” (formerly “First Voices Indigenous Radio”) for the last 28 years in New York City and Seattle/Olympia, Washington. In 2016, he received a Nomination for the Nobel Peace Prize from the International Institute of Peace Studies and Global Philosophy. Other recent recognitions include: Native Arts and Cultures Foundation National Fellowship in Music (2016), National Endowment for the Arts National Heritage Fellowship Nominee (2017), Indigenous Music Award Nominee for Best Instrumental Album (2019) and National Native American Hall of Fame Nominee (2018, 2019). He also was recently nominated for “Nominee for the 2020 Americans for the Arts Johnson Fellowship for Artists Transforming Communities”. He was also awarded New York City's Peacemaker of the Year in 2013. Tiokasin is a “perfectly flawed human being.” Dr. Ruby GibsonExecutive Director of Freedom Lodge, Author, Historical Trauma SpecialistA mixed-blood woman of Native and Mediterranean descent, Dr. Ruby Gibson lives on both the Flathead Reservation in MT, and in Rapid City, SD near Pine Ridge Agency. For 30+ years, Dr. Gibson has been dedicated to the craft and science of Historical Trauma reconciliation, cultural healing, and generational well-being among Native and Indigenous Peoples. She developed the intergenerational trauma recovery models - Somatic Archaeology© and Generational Brainspotting™. Dr. Gibson is the author of two books, My Body, My Earth, The Practice of Somatic Archaeology, and My Body, My Breath, A Tool for Transformation, which are both available in English and Spanish. Using our Body and Mother Earth as benevolent sources of biological, emotional and ancestral memory, her techniques were field tested on clients and students, and researched in her Doctoral studies with amazing effectiveness. Dr. Gibson developed and teaches the Historical Trauma Master Class, and builds leadership skills in Native Wellness amongst the graduates. She is honored to witness the courage and amazing capacity that each person has to reconcile suffering. As the mother of three beautiful children, one granddaughter, and one grandson. Dr. Ruby has a heart full of hope for the next seven generations! freedomlodge.org Dr. Gabor Maté, M.D. is a physician and best-selling author whose books have been published in twenty languages. His interests include child development, the mind-body unity in health and illness, and the treatment of addictions. Gabor has worked in palliative care and as a family physician, and for fourteen years practiced addiction medicine in Vancouver's Downtown Eastside. As a speaker he regularly addresses professional and lay audiences throughout North America. He is the recipient of a number of awards, including a Simon Fraser University Outstanding Alumnus Award and an honorary degree from the University of Northern British Columbia. His most recent book is The Myth of Normal: Trauma, Illness & Healing in a Toxic Culture. gabormate.com

Ashleigh Gordon, the Artistic and Executive Director of Castle of our Skins, joins us to chat about her work leading a collective dedicated to celebrating black artistry through music. We discuss how she and co-founder Anthony Green developed COOS from individual grad school projects to a multifaceted concert presenter and educational organization. We speak about several of their initiatives, such as their Shirley Graham DuBois Creative-in-Residence Program, Beauty in Black Artistry blog, and edutainment recital and workshop series. We finish with advice on how to use one's platform to provoke conversations on becoming ever better. Described as a “charismatic and captivating performer,” Ashleigh Gordon has recorded with Switzerland's Ensemble Proton and Germany's Ensemble Modern; performed with Grammy-award winning BMOP and Grammy-nominated A Far Cry string ensemble; and appeared at the prestigious BBC Proms Festival with the Chineke! Orchestra. Ashleigh has performed in the Royal Albert and Royal Festival Halls (London), Konzerthaus Berlin and Oper Frankfurt (Germany), Gare du Nord and Dampfzentrale Bern (Switzerland), Centre Pompidou (Paris), the Lee Hysan Concert Hall (Hong Kong), and the 180 Degrees Festival (Bulgaria). Ashleigh is co-founder, Artistic/Executive Director, and violist of Castle of our Skins, a Boston-based concert and educational series devoted to celebrating Black Artistry through music. She is a 2015 St. Botolph Emerging Artist Award and 2016 Charles Walton Diversity Advocate Award recipient, a 2019 Brother Thomas Fellow, a nominee for the 2020 "Americans for the Arts Johnson Fellowship for Artists Transforming Communities,” and one of WBUR's “ARTery 25”, twenty-five millennials of color impacting Boston's arts and culture scene. As an advocate of social change through education, Ashleigh served as viola instructor in the Boston Youth Symphony Orchestra's Intensive Community Program, a rigorous string instrumental program that provides instruction to populations often underrepresented in classical music. She has presented lectures on citizen artistry and entrepreneurship, workshops for fellow educators on Caribbean folk songs, and served as a guest panelist at the Sphinx Connect Conference and Chamber Music America Conference discussing diversity in classical music. She is an Instructor of Teaching Artistry at the Longy School of Music at Bard College. Resources discussed in today's episode: Shirley DuBois Creative-in-Residence Program Castle of our Skins Beauty-in-Black-Artistry Blog The transcript for this episode can be found at here. For more information about Castle of our Skins, please visit them at their website, Facebook, Twitter, Instagram, YouTube, and LinkedIn.