Podcast appearances and mentions of charles newell

Berlin is a case study of how things can go wrong when a country has suffered losses and trauma. As its citizens and leaders slowly turn away from collaborative solutions and towards stark divisions in power and a dark fascist vision, slow motion disaster unfolds. Everyone can sense it but no one person has the power to prevent it. Based on the three volume graphic novel Berlin written by Jason Lutes it covers the time period between WWI and WWII  focusing on the conditions needed for fascism to arise. This new theatrical adaptation by Mickle Maher, directed by Charles Newell dives into the stories of 13 characters, illuminating the events through their perspectives. Its world premier was at Court Theatre on Chicago's southside. Listen to this full review by Kim Campbell

For his final production as thirty-year artistic director of Chicago's Tony-winning Court Theatre, Charles Newell transforms Tom Stoppard's Rosencrantz and Guildenstern Are Dead into an unexpectedly joyful celebration of legacy and theater. Newell reveals his lengthy relationship with not only Stoppard's plays but with the man himself, and shares how he cast two halves of a whole; how he chose to respond instinctively to what was happening in rehearsal rather than adhere to an intricate plan; and how he embraced the counterintuitive and seemingly-oxymoronic phrase “joyful requiem.” (PICTURED: Erik Hellman and Nate Burger as Guildenstern and Rosencrantz in the Court Theatre production of Tom Stoppard's Rosencrantz and Guildenstern Are Dead, directed by Charles Newell. Photo by Michael Brosilow.) (Length 20:20)

Skype of Cthulhu presents a Call of Cthulhu scenario. Hand of Glory by Allan Carey Fall, 1921 West Shire Moors, England A group of hikers stumbles on an inn in the dark woods. Dramatis Persone: Sean as Keeper of Arcane Lore Jim as Howard Bumpton, Antiquarian Gary as Charles Newell, Shopkeeper Steve as Audrey Fulton, Antique dealer Randall as Patty Graham, Book dealer Download Subcription Options Podcast statistics

Amanda Drinkall plays Desdemona in Othello, The Tragedy of the Moor of Venice, at the Court Theater in Chicago – and, as it happens, she's also played Desdemona before with the Back Room Shakespeare Project. Amanda discusses the differences between the two productions and reveals why she continues to be drawn to the role; the appeal of approaching the text irreverently; the advantages of intimacy; further attempts to make #TheatreInTheSurround happen; the question of whether Desdemona is a victim; how we see her through Othello's eyes; how Desdemona is like other Shakespeare heroines like Juliet and Viola; and the importance of grounding tragedy in fierce love. (Length 17:25) (PICTURED: Kelvin Roston, Jr. and Amanda Drinkall in the Court Theatre production of Othello, The Tragedy of the Moor of Venice, directed by Charles Newell and Gabrielle Randle-Bent. Photo by Michael Brosilow.) The post Amanda Drinkall's Desdemona(s) appeared first on Reduced Shakespeare Company.

We're back with another true crime episode of the Knuckles and Gloves Boxing Radio podcast. It seemed many enjoyed our rundown of the life and alleged coverup in the death of Charles Newell, so this time we're taking aim at the case of another fighter who died under shady circumstnces: "The Outlaw" Jesse James Hughes. Back in the late 1980s and early 1990s, the welterweight division was in a transitional period, but nevertheless ripe with talent. As Felix Trinidad began his reign, James Hughes was released from prison and began a strong run in 1993. But in 1995, Hughes went missing and was found dead weeks later. On this episode of the pod, fight historians Patrick Connor and Aris Pina hash out Hughes' early career and go over the known facts of his case. Follow us on social media! Twitter: Aris Pina - @PunchZoneAris Patrick Connor - @PatrickMConnor Facebook: https://www.facebook.com/KGBRadio/ SUBCSCRIBE and rate us on your favorite podcast app, and thanks for tuning in!

If you've followed the Knuckles and Gloves Boxing Radio podcast for a while, you're familiar with our boxing history-themed shows. Now we delve into true crime and mystery territory as we investigate the death of professional fighter and Connecticut inmate Charles Newell. On this special episode of the pod, boxing historians Aris Pina and Patrick Connor join forces to talk about welterweight Charles Newell, who died in 1980 after fighting future champion Marlon Starling. From a life of escalating crime and incarceration to being largely a forgotten footnote, Charles Newell deserves to be remembered better than that. Follow us on social media Twitter: Aris Pina: @PunchZoneAris Patrick Connor: @PatrickMConnor Facebook: https://www.facebook.com/KGBRadio/ Find and rate us on your favorite podcast apps, and thanks for tuning in!

Inspiring award-winning performances from your talent: Crossover applications to business leadership from the theatrical development process with Charles Newell, Artistic Director of Court Theatre in Chicago A CEO’s Virtual Mentor Episode 24   Welcome to Episode 24, Season 5, of the Leadership Lyceum: A CEO's Virtual Mentor®. I'm joined in the program today by Charles Newell, the Marilyn F. Vitale Artistic Director of the renowned and critically acclaimed Court Theatre in Chicago. This interview was recorded in the summer of 2019 as the Court Theatre's production of the play, The Adventures of Augie March, had completed its record-breaking performance run. We had intended to publish this episode early this year in 2020, but COVID hit and it seemed a little bold to put this out at the early stage of the pandemic. The world had other pressing items that deserved attention. But now, in the middle of the holiday season, we've been without live theater and entertainment for nine months, we thought this interview might be not only informative, but also soothing at this stage of the pandemic.   This interview is timeless and gets deep into a theatrical production's creative process as seen through the mind's eye of the director. In general, we, as an audience of entertainment, be it sports or the performing arts, are often spoiled with the perfection and professionalism of the finished product. But what is involved or required from a leadership perspective to develop and burnish the performance into the form to which we are also accustomed? What goes on in the business of theater has crossover applications to all business leaders. We'll cover a wide range of topics in today's program. We'll outline the organizational form of the Court Theatre, including its governance, funding and management structure. But the majority of our time will be spent stepping through the phases of the creation of a production from script selection to closing night.   Program Guide A CEO’s Virtual Mentor Episode 24 Inspiring award-winning performances from your talent with Charles Newell, Artistic Director of Court Theatre in Chicago 0:00     Introduction to the program and Charles Newell, Artistic Director of the Court Theatre in Chicago 3:20     Court Theatre’s history, governance structure, funding sources and unique structure with the University of Chicago. 5:09     Achieving high caliber of performances on a smaller budget than peers theater companies in Chicago 7:25     Unique mission and social-societal outcomes of Court Theatre in the realm of national theater. 10:39   Break 1 11:19   Phase 1 of the Theatrical Development Process: Finding and developing a script. 17:11   Break 2 17:27   Phase 2 of the Theatrical Development Process: Developing the look and feel of the production. Revealing the collaborative creative process. 25:01   Break 3 25:35   Phase 3 of the Theatrical Development Process: The Casting Process. Dealing with barriers and constraints. 32:45   Break 4 34:51   Phase 4 of the Theatrical Development Process: Production development, rehearsal, and refinement. Inspiring and motivating actors to perform at their best. 39:20   Break 5 39:46   Phase 5 of the Theatrical Development Process: The arc of production and performance evolution from opening night to closing night. Keeping a production evolving and improving in the absence of continuous rehearsals. 49:33   Break 6 50:03   Retrospective self-reflection on the evolution of a theater director. 55:06   Conclusion and coming attractions.   We would like to express our special thanks to the clients of Lyceum Leadership Consulting that enable us to bring you this podcast. Thanks for listening.  We can’t improve without your feedback – write us through our website www.LeadershipLyceum.com and subscribe wherever you listen to your podcasts.  See you next time.   Informative and Helpful Links   https://www.courttheatre.org/ http://manualcinema.com/   Biographies of Guests Mr. Charles Newell Charles Newell is the Marilyn F. Vitale Artistic Director of Court Theatre. He was awarded the SDCF Zelda Fichandler Award, “which recognizes an outstanding director or choreographer who is transforming the regional arts landscape through singular creativity and artistry in theatre.” Charlie has been Artistic Director at Court Theatre since 1994, where he has directed over 50 productions. He made his Chicago directorial debut in 1993 with The Triumph of Love, which won the Joseph Jefferson Award for Best Production. Charlie’s productions of Man of La Mancha and Caroline, or Change have also won Best Production Jeffs. Other directorial highlights at Court include All My Sons, The Hard Problem,  Man in the Ring; One Man, Two Guvnors; Satchmo at the Waldorf; Agamemnon; The Secret Garden; Iphigenia in Aulis; M. Butterfly; The Misanthrope; Tartuffe; Proof; Angels in America; An Iliad; Porgy and Bess; Three Tall Women; Titus Andronicus; Arcadia; Uncle Vanya; Raisin; The Glass Menagerie; Travesties; Who’s Afraid of Virginia Woolf?; The Invention of Love; and Hamlet. Charlie has also directed at Goodman Theatre (Rock ‘n’ Roll), Guthrie Theater (The History Cycle, Cymbeline), Arena Stage, John Houseman’s The Acting Company (Staff Repertory Director), the California and Alabama Shakespeare Festivals, Juilliard, and New York University. He has served on the Board of TCG, as well as on several panels for the NEA. Opera directing credits include Marc Blitzstein’s Regina (Lyric Opera), Rigoletto (Opera Theatre of St. Louis), Don Giovanni and The Jewel Box (Chicago Opera Theater), and Carousel (Glimmerglass). Charlie was the recipient of the 1992 TCG Alan Schneider Director Award, and has been nominated for 16 Joseph Jefferson Director Awards, winning four times. In 2012, Charlie was honored by the League of Chicago Theatres with its Artistic Achievement Award.   Your host Thomas B. Linquist is the Founder and Managing Director of Lyceum Leadership Consulting and Lyceum Leadership Productions. Over his 15 years in management and leadership consulting he has served a wide array of corporate clients.  This includes leadership assessment and search for chief executive officers, chief financial officers, chief operating officers and boards of directors.  He holds an MBA from the University of Chicago and over his 30-year career has served in a variety of roles: as an engineer with Shell Oil Company, a banker with ABN AMRO Bank, and as treasurer was the youngest corporate officer in the 150+ year history at Peoples Energy Company in Chicago.  He is an expert on hiring and promotion decisions and leadership development.  Over the course of his search career, he has interviewed thousands of leaders. Thanks for listening.  We can’t improve without your feedback – write us through our website www.LeadershipLyceum.com and subscribe wherever you listen to your podcasts.  Please rate us and spread the word among your fellow executives and board colleagues.   Program Disclaimer The only purpose of the podcast is to educate, inform and entertain. The information shared is based on the collection of experiences of each of the guests interviewed and should not be considered or substituted for professional advice. Guests who speak in this podcast express their own opinions, experience and conclusions, and neither The Leadership Lyceum LLC nor any company providing financial support endorses or opposes any particular content, recommendation or methodology discussed in this podcast.   Follow Leadership Lyceum on: Our website: www.LeadershipLyceum.com LinkedIn: The Leadership Lyceum LLC Twitter: @LeaderLyceum https://twitter.com/LeaderLyceum Email us: info@LeadershipLyceum.com   Thanks for listening.  We can’t improve without your feedback – write us through our website www.LeadershipLyceum.com and subscribe wherever you listen to your podcasts.  Please rate us and spread the word among your fellow executives and board colleagues.  This podcast Leadership Lyceum: A CEO’s Virtual Mentor has been a production of The Leadership Lyceum LLC. Copyright 2020. All rights reserved.

Charles Newell, the long-serving Marilyn F. Vitale Artistic Director of Court Theatre, joins the conversation to discuss his career and Court's next major project: The Oedipus Trilogy, which begins November 7, 2019 with Oedipus Rex, followed in May 2020 with The Gospel at Colonus and Antigone next season.  Season 4 - Episode 12 Originally posted October 28, 2019

Gary and the Booth One crew are pleased to welcome award-winning artistic director of Court Theatre, Mr. Charles Newell to the program. Court is the resident professional theater company of the University of Chicago in Hyde Park. Charlie has been AD at Court since 1994. Under his leadership, Court has, in the words of playwright Tony Kushner, "developed a spectacular reputation as one of the most important theaters in the country." Charlie's directing credits span a spectrum from classic Shakespeare to world premiere dramas and comedies, from musicals to opera. He is the recipient of four Joseph Jefferson Awards for directing, and has been honored by TCG and the League of Chicago Theatres for artistic achievement. Charlie is one of the finest theatrical artists working in America today and refers to himself as "the luckiest man in show business." Newell grew up in the Washington, DC area and first fell in love with theater when he saw an Arena Stage production of Death of a Salesman as a young boy. He studied at Wesleyan University, then honed his craft through a series of professional apprenticeships with some of the country's most outstanding theater artists, including Garland Wright at the Tyrone Guthrie Theater in Minneapolis. Charlie's most recent work is a production of Tom Stoppard's The Hard Problem. The title comes from philosopher David Chalmers' term to describe scientific efforts to understand consciousness. We discuss this play in depth as well as Newell's close relationship with Mr. Stoppard. Charlie and Tom have consulted personally on a number of other Stoppard productions Charlie has directed. For this one, they had almost daily conversations about the play during rehearsals. In his early career as a stage manager, Gary had the great privilege to work on the Broadway and National touring productions of Stoppard's The Real Thing. He and Charlie trade stories about working with Stoppard and what a true man of the theater he really is. Much like Stoppard's other works, The Hard Problem is a tricky play to fully comprehend on a single viewing. Charlie talks about the way Stoppard's focus is centered on the emotional connections between the characters rather than the intellectual ideas. "If one can find the heart of it, the rest will fall into place." We think you will find the discussion illuminating and fascinating. Court Theatre takes full advantage of being part of the University of Chicago. In 2010, with the support of some very generous members of the Board of Trustees, Court created The Center for Classic Theatre. "A new way of approaching what it means for a professional theatre to be in residence at a major university. It is an approach to producing that fully accesses the amazing intellectual resources that surround the theatre. This vision influences how Court Theatre builds seasons and serves its audience and community." The results have been exciting. For instance, this season Court produced the widely acclaimed world premiere of Man in the Ring. Playwright Michael Cristopher won the best new play award from the American Theatre Critics Association. Still to come this season at Court is a rare production of Mary Chase's Harvey. Recently announced for the 2017-18 subscription season: Five Guys Named Moe; The Belle of Amhurst directed by friend of the show  Sean Graney and starring Kate Fry; All My Sons; Guess Who's Coming to Dinner; and The Originalist with Edward Gero as Supreme Court Judge Antonin Scalia. Some final personal information about Charlie - Favorite City? Chicago (no surprise there!); Other career he would have liked to pursue? Basketball Coach or General Manager. The Chicago Bulls may be looking! Kiss of Death: Gilbert Baker, a self-described "gay Betsy Ross," and creator of the original Rainbow Flag that has become an enduring and universal symbol for inclusion, peace and love. The original banner, created for the 1978 Gay Pride parade in San Francisco,

If you experience any technical difficulties with this video or would like to make an accessibility-related request, please send a message to digicomm@uchicago.edu. Playwright and UChicago alum David Auburn (AB’91) returns to campus to discuss his work on the award-winning play Proof and current projects with Charles Newell, artistic director of Court Theatre.

If you experience any technical difficulties with this video or would like to make an accessibility-related request, please send a message to digicomm@uchicago.edu. Playwright and UChicago alum David Auburn (AB’91) returns to campus to discuss his work on the award-winning play Proof and current projects with Charles Newell, artistic director of Court Theatre.

This week on the Talk Theatre In Chicago podcast Tom Williams talks with actor Charles Newell, the artistic director at Court Theatre and the director of their current show Angels in America. He talks about the show as well as his career.

If you experience any technical difficulties with this video or would like to make an accessibility-related request, please send a message to digicomm@uchicago.edu. Explore the baroque interest in meta-theatricality ("the play in the play") with deputy provost for the arts Larry Norman and Court Theatre artistic director Charles Newell. The discussion will concentrate on Pierre Corneille's 1636 L'illusion comique. The play is situated in the theatrical, literary, and artistic corpus of the seventeenth century: in France (Rotrou, Moliere, Descartes, Poussin); in Spain (Calderon, Velazquez); and beyond. Engage in the dramaturgical process and reflect on the contemporary adaptation of baroque theater, in particular Tony Kushner's version of Corneille's play.

On this week's podcast, Anne Nicholson Weber is joined by the Artistic Director at Court Theatre, Charlie Newell, and the Court Theatre's resident dramaturg, Drew Dir. They discuss the Court's current production of The Illusion, a free adaptation by Tony Kushner of Pierre Corneille's French Baroque masterpiece, and describe an unusual collaboration with professors and students at the University of Chicago to investigate the original Corneille text, Corneille's world and Kushner's adaptation.