Podcasts about moliere

One-Act Play Collections - Book 7, Part 1 Title: One-Act Play Collections - Volume 7 Overview: LibriVox's One-Act Play Collection 7 includes one-act plays in the public domain read by a variety of LibriVox members. A one-act play is a play that has only one act and is distinct from plays that occur over several acts. One-act plays may consist of one or more scenes. The 20-40 minute play has emerged as a popular subgenre of the one-act play, especially in writing competitions. One-act plays make up the overwhelming majority of Fringe Festival shows including at the Edinburgh Fringe Festival. The origin of the one-act play may be traced to the very beginning of recorded Western drama: in ancient Greece, Cyclops, a satyr play by Euripides, is an early example. The satyr play was a farcical short work that came after a trilogy of multi-act serious drama plays. A few notable examples of one-act plays emerged before the 19th century including various versions of the Everyman play and works by Moliere and Calderon. One act plays became more common in the 19th century and is now a standard part of repertory theatre and fringe festivals. Published: Various Series: One-Act Play Collections List: One-Act Play Collections, Play #14 Author: Various Genre: Plays, Theater, Drama Episode: One-Act Play Collections - Book 7, Part 1 Book: 7 Volume: 7 Part: 1 of 2 Episodes Part: 6 Length Part: 3:18:15 Episodes Volume: 11 Length Volume: 5:10:01 Episodes Book: 11 Length Book: 5:10:01 Narrator: Collaborative Language: English Rated: Guidance Suggested Edition: Unabridged Audiobook Keywords: plays, theater, drama, comedy, hit, musical, opera, performance, show, entertainment, farce, theatrical, tragedy, one-act, stage show Hashtags: #freeaudiobooks #audiobook #mustread #readingbooks #audiblebooks #favoritebooks #free #booklist #audible #freeaudiobook #plays #theater #drama #comedy #hit #musical #opera #performance #show #entertainment #farce #theatrical #tragedy #one-act #StageShow Credits: All LibriVox Recordings are in the Public Domain. Wikipedia (c) Attribution-ShareAlike 3.0 Unported License. WOMBO Dream.

One-Act Play Collections - Book 6, Part 2 Title: One-Act Play Collections - Volume 6 Overview: This collection includes ten one-act plays by David Belasco, Arnold Bennett, Hereward Carrington, Lewis Carroll, Lord Dunsany, John Galsworthy, Charlotte Perkins Gilman, Maurice Maeterlinck, Anna Bird Stewart, and Alfred, Lord Tennyson. The Book Coordinators for this collection were Charlotte Duckett, Michele Eaton, Elizabeth Klett, Loveday, Piotr Nater, Algy Pug, Eden Rea-Hedrick, Todd, and Chuck Williamson. A one-act play is a play that has only one act and is distinct from plays that occur over several acts. One-act plays may consist of one or more scenes. The 20-40 minute play has emerged as a popular subgenre of the one-act play, especially in writing competitions. One-act plays make up the overwhelming majority of Fringe Festival shows including at the Edinburgh Fringe Festival. The origin of the one-act play may be traced to the very beginning of recorded Western drama: in ancient Greece, Cyclops, a satyr play by Euripides, is an early example. The satyr play was a farcical short work that came after a trilogy of multi-act serious drama plays. A few notable examples of one-act plays emerged before the 19th century including various versions of the Everyman play and works by Moliere and Calderon. One act plays became more common in the 19th century and is now a standard part of repertory theatre and fringe festivals. Published: Various Series: One-Act Play Collections List: One-Act Play Collections, Play #13 Author: Various Genre: Plays, Theater, Drama Episode: One-Act Play Collections - Book 6, Part 2 Book: 6 Volume: 6 Part: 2 of 2 Episodes Part: 5 Length Part: 3:02:09 Episodes Volume: 10 Length Volume: 5:52:42 Episodes Book: 10 Length Book: 5:52:42 Narrator: Collaborative Language: English Rated: Guidance Suggested Edition: Unabridged Audiobook Keywords: plays, theater, drama, comedy, hit, musical, opera, performance, show, entertainment, farce, theatrical, tragedy, one-act, stage show Hashtags: #freeaudiobooks #audiobook #mustread #readingbooks #audiblebooks #favoritebooks #free #booklist #audible #freeaudiobook #plays #theater #drama #comedy #hit #musical #opera #performance #show #entertainment #farce #theatrical #tragedy #one-act #StageShow Credits: All LibriVox Recordings are in the Public Domain. Wikipedia (c) Attribution-ShareAlike 3.0 Unported License. WOMBO Dream. Elizabeth Klett.

One-Act Play Collections - Book 6, Part 1 Title: One-Act Play Collections - Volume 6 Overview: This collection includes ten one-act plays by David Belasco, Arnold Bennett, Hereward Carrington, Lewis Carroll, Lord Dunsany, John Galsworthy, Charlotte Perkins Gilman, Maurice Maeterlinck, Anna Bird Stewart, and Alfred, Lord Tennyson. The Book Coordinators for this collection were Charlotte Duckett, Michele Eaton, Elizabeth Klett, Loveday, Piotr Nater, Algy Pug, Eden Rea-Hedrick, Todd, and Chuck Williamson. A one-act play is a play that has only one act and is distinct from plays that occur over several acts. One-act plays may consist of one or more scenes. The 20-40 minute play has emerged as a popular subgenre of the one-act play, especially in writing competitions. One-act plays make up the overwhelming majority of Fringe Festival shows including at the Edinburgh Fringe Festival. The origin of the one-act play may be traced to the very beginning of recorded Western drama: in ancient Greece, Cyclops, a satyr play by Euripides, is an early example. The satyr play was a farcical short work that came after a trilogy of multi-act serious drama plays. A few notable examples of one-act plays emerged before the 19th century including various versions of the Everyman play and works by Moliere and Calderon. One act plays became more common in the 19th century and is now a standard part of repertory theatre and fringe festivals. Published: Various Series: One-Act Play Collections List: One-Act Play Collections, Play #12 Author: Various Genre: Plays, Theater, Drama Episode: One-Act Play Collections - Book 6, Part 1 Book: 6 Volume: 6 Part: 1 of 2 Episodes Part: 5 Length Part: 2:50:33 Episodes Volume: 10 Length Volume: 5:52:42 Episodes Book: 10 Length Book: 5:52:42 Narrator: Collaborative Language: English Rated: Guidance Suggested Edition: Unabridged Audiobook Keywords: plays, theater, drama, comedy, hit, musical, opera, performance, show, entertainment, farce, theatrical, tragedy, one-act, stage show Hashtags: #freeaudiobooks #audiobook #mustread #readingbooks #audiblebooks #favoritebooks #free #booklist #audible #freeaudiobook #plays #theater #drama #comedy #hit #musical #opera #performance #show #entertainment #farce #theatrical #tragedy #one-act #StageShow Credits: All LibriVox Recordings are in the Public Domain. Wikipedia (c) Attribution-ShareAlike 3.0 Unported License. WOMBO Dream. Elizabeth Klett.

One-Act Play Collections - Book 5, Part 2 Title: One-Act Play Collections - Volume 5 Overview: This collection of ten one-act dramas features plays by James M. Barrie, Hereward Carrington, Marjorie Benton Cooke, Alice Gerstenberg, Susan Glaspell, George Cram Cook, St. John Hankin, George Middleton, David Pinski, Frederik Pohl, and an unknown Japanese author. The plays were coordinated by Arielle Lipshaw, Availle, Chuck Williamson, Todd, Peter Yearsley, Caprisha Page, Charlotte Duckett, and Amanda Friday. A one-act play is a play that has only one act and is distinct from plays that occur over several acts. One-act plays may consist of one or more scenes. The 20-40 minute play has emerged as a popular subgenre of the one-act play, especially in writing competitions. One-act plays make up the overwhelming majority of Fringe Festival shows including at the Edinburgh Fringe Festival. The origin of the one-act play may be traced to the very beginning of recorded Western drama: in ancient Greece, Cyclops, a satyr play by Euripides, is an early example. The satyr play was a farcical short work that came after a trilogy of multi-act serious drama plays. A few notable examples of one-act plays emerged before the 19th century including various versions of the Everyman play and works by Moliere and Calderon. One act plays became more common in the 19th century and is now a standard part of repertory theatre and fringe festivals. Published: Various Series: One-Act Play Collections List: One-Act Play Collections, Play #11 Author: Various Genre: Plays, Theater, Drama Episode: One-Act Play Collections - Book 5, Part 2 Book: 5 Volume: 5 Part: 2 of 2 Episodes Part: 5 Length Part: 2:26:55 Episodes Volume: 10 Length Volume: 5:11:34 Episodes Book: 10 Length Book: 5:11:34 Narrator: Collaborative Language: English Rated: Guidance Suggested Edition: Unabridged Audiobook Keywords: plays, theater, drama, comedy, hit, musical, opera, performance, show, entertainment, farce, theatrical, tragedy, one-act, stage show Hashtags: #freeaudiobooks #audiobook #mustread #readingbooks #audiblebooks #favoritebooks #free #booklist #audible #freeaudiobook #plays #theater #drama #comedy #hit #musical #opera #performance #show #entertainment #farce #theatrical #tragedy #one-act #StageShow Credits: All LibriVox Recordings are in the Public Domain. Wikipedia (c) Attribution-ShareAlike 3.0 Unported License. WOMBO Dream. Arielle Lipshaw.

One-Act Play Collections - Book 5, Part 1 Title: One-Act Play Collections - Volume 5 Overview: This collection of ten one-act dramas features plays by James M. Barrie, Hereward Carrington, Marjorie Benton Cooke, Alice Gerstenberg, Susan Glaspell, George Cram Cook, St. John Hankin, George Middleton, David Pinski, Frederik Pohl, and an unknown Japanese author. The plays were coordinated by Arielle Lipshaw, Availle, Chuck Williamson, Todd, Peter Yearsley, Caprisha Page, Charlotte Duckett, and Amanda Friday. A one-act play is a play that has only one act and is distinct from plays that occur over several acts. One-act plays may consist of one or more scenes. The 20-40 minute play has emerged as a popular subgenre of the one-act play, especially in writing competitions. One-act plays make up the overwhelming majority of Fringe Festival shows including at the Edinburgh Fringe Festival. The origin of the one-act play may be traced to the very beginning of recorded Western drama: in ancient Greece, Cyclops, a satyr play by Euripides, is an early example. The satyr play was a farcical short work that came after a trilogy of multi-act serious drama plays. A few notable examples of one-act plays emerged before the 19th century including various versions of the Everyman play and works by Moliere and Calderon. One act plays became more common in the 19th century and is now a standard part of repertory theatre and fringe festivals. Published: Various Series: One-Act Play Collections List: One-Act Play Collections, Play #10 Author: Various Genre: Plays, Theater, Drama Episode: One-Act Play Collections - Book 5, Part 1 Book: 5 Volume: 5 Part: 1 of 2 Episodes Part: 5 Length Part: 2:44:43 Episodes Volume: 10 Length Volume: 5:11:34 Episodes Book: 10 Length Book: 5:11:34 Narrator: Collaborative Language: English Rated: Guidance Suggested Edition: Unabridged Audiobook Keywords: plays, theater, drama, comedy, hit, musical, opera, performance, show, entertainment, farce, theatrical, tragedy, one-act, stage show Hashtags: #freeaudiobooks #audiobook #mustread #readingbooks #audiblebooks #favoritebooks #free #booklist #audible #freeaudiobook #plays #theater #drama #comedy #hit #musical #opera #performance #show #entertainment #farce #theatrical #tragedy #one-act #StageShow Credits: All LibriVox Recordings are in the Public Domain. Wikipedia (c) Attribution-ShareAlike 3.0 Unported License. WOMBO Dream. Arielle Lipshaw.

One-Act Play Collections - Book 4, Part 3 Title: One-Act Play Collections - Volume 4 Overview: This collection of twelve one-act dramas features plays by James Allen, John Kendrick Bangs, Gordon Bottomley, Charles Dickens, Lord Dunsany, Susan Glaspell, George Bernard Shaw, August Strindberg, Marion Craig Wentworth, and William Butler Yeats. A one-act play is a play that has only one act and is distinct from plays that occur over several acts. One-act plays may consist of one or more scenes. The 20-40 minute play has emerged as a popular subgenre of the one-act play, especially in writing competitions. One-act plays make up the overwhelming majority of Fringe Festival shows including at the Edinburgh Fringe Festival. The origin of the one-act play may be traced to the very beginning of recorded Western drama: in ancient Greece, Cyclops, a satyr play by Euripides, is an early example. The satyr play was a farcical short work that came after a trilogy of multi-act serious drama plays. A few notable examples of one-act plays emerged before the 19th century including various versions of the Everyman play and works by Moliere and Calderon. One act plays became more common in the 19th century and is now a standard part of repertory theatre and fringe festivals. Published: Various Series: One-Act Play Collections List: One-Act Play Collections, Play #9 Author: Various Genre: Plays, Theater, Drama Episode: One-Act Play Collections - Book 4, Part 3 Book: 4 Volume: 4 Part: 3 of 3 Episodes Part: 4 Length Part: 2:08:59 Episodes Volume: 12 Length Volume: 7:19:29 Episodes Book: 12 Length Book: 7:19:29 Narrator: Collaborative Language: English Rated: Guidance Suggested Edition: Unabridged Audiobook Keywords: plays, theater, drama, comedy, hit, musical, opera, performance, show, entertainment, farce, theatrical, tragedy, one-act, stage show Hashtags: #freeaudiobooks #audiobook #mustread #readingbooks #audiblebooks #favoritebooks #free #booklist #audible #freeaudiobook #plays #theater #drama #comedy #hit #musical #opera #performance #show #entertainment #farce #theatrical #tragedy #one-act #StageShow Credits: All LibriVox Recordings are in the Public Domain. Wikipedia (c) Attribution-ShareAlike 3.0 Unported License. WOMBO Dream. Elizabeth Klett.

One-Act Play Collections - Book 4, Part 2 Title: One-Act Play Collections - Volume 4 Overview: This collection of twelve one-act dramas features plays by James Allen, John Kendrick Bangs, Gordon Bottomley, Charles Dickens, Lord Dunsany, Susan Glaspell, George Bernard Shaw, August Strindberg, Marion Craig Wentworth, and William Butler Yeats. A one-act play is a play that has only one act and is distinct from plays that occur over several acts. One-act plays may consist of one or more scenes. The 20-40 minute play has emerged as a popular subgenre of the one-act play, especially in writing competitions. One-act plays make up the overwhelming majority of Fringe Festival shows including at the Edinburgh Fringe Festival. The origin of the one-act play may be traced to the very beginning of recorded Western drama: in ancient Greece, Cyclops, a satyr play by Euripides, is an early example. The satyr play was a farcical short work that came after a trilogy of multi-act serious drama plays. A few notable examples of one-act plays emerged before the 19th century including various versions of the Everyman play and works by Moliere and Calderon. One act plays became more common in the 19th century and is now a standard part of repertory theatre and fringe festivals. Published: Various Series: One-Act Play Collections List: One-Act Play Collections, Play #8 Author: Various Genre: Plays, Theater, Drama Episode: One-Act Play Collections - Book 4, Part 2 Book: 4 Volume: 4 Part: 2 of 3 Episodes Part: 4 Length Part: 3:18:23 Episodes Volume: 12 Length Volume: 7:19:29 Episodes Book: 12 Length Book: 7:19:29 Narrator: Collaborative Language: English Rated: Guidance Suggested Edition: Unabridged Audiobook Keywords: plays, theater, drama, comedy, hit, musical, opera, performance, show, entertainment, farce, theatrical, tragedy, one-act, stage show Hashtags: #freeaudiobooks #audiobook #mustread #readingbooks #audiblebooks #favoritebooks #free #booklist #audible #freeaudiobook #plays #theater #drama #comedy #hit #musical #opera #performance #show #entertainment #farce #theatrical #tragedy #one-act #StageShow Credits: All LibriVox Recordings are in the Public Domain. Wikipedia (c) Attribution-ShareAlike 3.0 Unported License. WOMBO Dream. Elizabeth Klett.

One-Act Play Collections - Book 4, Part 1 Title: One-Act Play Collections - Volume 4 Overview: This collection of twelve one-act dramas features plays by James Allen, John Kendrick Bangs, Gordon Bottomley, Charles Dickens, Lord Dunsany, Susan Glaspell, George Bernard Shaw, August Strindberg, Marion Craig Wentworth, and William Butler Yeats. A one-act play is a play that has only one act and is distinct from plays that occur over several acts. One-act plays may consist of one or more scenes. The 20-40 minute play has emerged as a popular subgenre of the one-act play, especially in writing competitions. One-act plays make up the overwhelming majority of Fringe Festival shows including at the Edinburgh Fringe Festival. The origin of the one-act play may be traced to the very beginning of recorded Western drama: in ancient Greece, Cyclops, a satyr play by Euripides, is an early example. The satyr play was a farcical short work that came after a trilogy of multi-act serious drama plays. A few notable examples of one-act plays emerged before the 19th century including various versions of the Everyman play and works by Moliere and Calderon. One act plays became more common in the 19th century and is now a standard part of repertory theatre and fringe festivals. Published: Various Series: One-Act Play Collections List: One-Act Play Collections, Play #7 Author: Various Genre: Plays, Theater, Drama Episode: One-Act Play Collections - Book 4, Part 1 Book: 4 Volume: 4 Part: 1 of 3 Episodes Part: 4 Length Part: 1:52:09 Episodes Volume: 12 Length Volume: 7:19:29 Episodes Book: 12 Length Book: 7:19:29 Narrator: Collaborative Language: English Rated: Guidance Suggested Edition: Unabridged Audiobook Keywords: plays, theater, drama, comedy, hit, musical, opera, performance, show, entertainment, farce, theatrical, tragedy, one-act, stage show Hashtags: #freeaudiobooks #audiobook #mustread #readingbooks #audiblebooks #favoritebooks #free #booklist #audible #freeaudiobook #plays #theater #drama #comedy #hit #musical #opera #performance #show #entertainment #farce #theatrical #tragedy #one-act #StageShow Credits: All LibriVox Recordings are in the Public Domain. Wikipedia (c) Attribution-ShareAlike 3.0 Unported License. WOMBO Dream. Elizabeth Klett.

One-Act Play Collections - Book 3, Part 2 Title: One-Act Play Collections - Volume 3 Overview: This collection of ten one-act dramas features plays by Edward Goodman, Alice Gerstenberg, Arnold Bennett, John Galsworthy, Anton Chekhov, Frank Wedekind, Moliere, Theresa Helburn, John Kendrick Bangs, and Harold Brighouse. A one-act play is a play that has only one act and is distinct from plays that occur over several acts. One-act plays may consist of one or more scenes. The 20-40 minute play has emerged as a popular subgenre of the one-act play, especially in writing competitions. One-act plays make up the overwhelming majority of Fringe Festival shows including at the Edinburgh Fringe Festival. The origin of the one-act play may be traced to the very beginning of recorded Western drama: in ancient Greece, Cyclops, a satyr play by Euripides, is an early example. The satyr play was a farcical short work that came after a trilogy of multi-act serious drama plays. A few notable examples of one-act plays emerged before the 19th century including various versions of the Everyman play and works by Moliere and Calderon. One act plays became more common in the 19th century and is now a standard part of repertory theatre and fringe festivals. Published: Various Series: One-Act Play Collections List: One-Act Play Collections, Play #6 Author: Various Genre: Plays, Theater, Drama Episode: One-Act Play Collections - Book 3, Part 2 Book: 3 Volume: 3 Part: 2 of 2 Episodes Part: 5 Length Part: 3:27:06 Episodes Volume: 10 Length Volume: 5:45:58 Episodes Book: 10 Length Book: 5:45:58 Narrator: Collaborative Language: English Rated: Guidance Suggested Edition: Unabridged Audiobook Keywords: plays, theater, drama, comedy, hit, musical, opera, performance, show, entertainment, farce, theatrical, tragedy, one-act, stage show Hashtags: #freeaudiobooks #audiobook #mustread #readingbooks #audiblebooks #favoritebooks #free #booklist #audible #freeaudiobook #plays #theater #drama #comedy #hit #musical #opera #performance #show #entertainment #farce #theatrical #tragedy #one-act #StageShow Credits: All LibriVox Recordings are in the Public Domain. Wikipedia (c) Attribution-ShareAlike 3.0 Unported License. WOMBO Dream. Arielle Lipshaw.

One-Act Play Collections - Book 3, Part 1 Title: One-Act Play Collections - Volume 3 Overview: This collection of ten one-act dramas features plays by Edward Goodman, Alice Gerstenberg, Arnold Bennett, John Galsworthy, Anton Chekhov, Frank Wedekind, Moliere, Theresa Helburn, John Kendrick Bangs, and Harold Brighouse. A one-act play is a play that has only one act and is distinct from plays that occur over several acts. One-act plays may consist of one or more scenes. The 20-40 minute play has emerged as a popular subgenre of the one-act play, especially in writing competitions. One-act plays make up the overwhelming majority of Fringe Festival shows including at the Edinburgh Fringe Festival. The origin of the one-act play may be traced to the very beginning of recorded Western drama: in ancient Greece, Cyclops, a satyr play by Euripides, is an early example. The satyr play was a farcical short work that came after a trilogy of multi-act serious drama plays. A few notable examples of one-act plays emerged before the 19th century including various versions of the Everyman play and works by Moliere and Calderon. One act plays became more common in the 19th century and is now a standard part of repertory theatre and fringe festivals. Published: Various Series: One-Act Play Collections List: One-Act Play Collections, Play #5 Author: Various Genre: Plays, Theater, Drama Episode: One-Act Play Collections - Book 3, Part 1 Book: 3 Volume: 3 Part: 1 of 2 Episodes Part: 5 Length Part: 2:18:56 Episodes Volume: 10 Length Volume: 5:45:58 Episodes Book: 10 Length Book: 5:45:58 Narrator: Collaborative Language: English Rated: Guidance Suggested Edition: Unabridged Audiobook Keywords: plays, theater, drama, comedy, hit, musical, opera, performance, show, entertainment, farce, theatrical, tragedy, one-act, stage show Hashtags: #freeaudiobooks #audiobook #mustread #readingbooks #audiblebooks #favoritebooks #free #booklist #audible #freeaudiobook #plays #theater #drama #comedy #hit #musical #opera #performance #show #entertainment #farce #theatrical #tragedy #one-act #StageShow Credits: All LibriVox Recordings are in the Public Domain. Wikipedia (c) Attribution-ShareAlike 3.0 Unported License. WOMBO Dream. Arielle Lipshaw.

One-Act Play Collections - Book 2, Part 2 Title: One-Act Play Collections - Volume 2 Overview: This collection of eight one-act dramas features plays by Eugene O'Neill, George Bernard Shaw, John Galsworthy, Susan Glaspell, William Dean Howells, and John Millington Synge. It also includes a dramatic reading of a short story by Frank Richard Stockton. A one-act play is a play that has only one act and is distinct from plays that occur over several acts. One-act plays may consist of one or more scenes. The 20-40 minute play has emerged as a popular subgenre of the one-act play, especially in writing competitions. One-act plays make up the overwhelming majority of Fringe Festival shows including at the Edinburgh Fringe Festival. The origin of the one-act play may be traced to the very beginning of recorded Western drama: in ancient Greece, Cyclops, a satyr play by Euripides, is an early example. The satyr play was a farcical short work that came after a trilogy of multi-act serious drama plays. A few notable examples of one-act plays emerged before the 19th century including various versions of the Everyman play and works by Moliere and Calderon. One act plays became more common in the 19th century and is now a standard part of repertory theatre and fringe festivals. Published: Various Series: One-Act Play Collections List: One-Act Play Collections, Play #4 Author: Various Genre: Plays, Theater, Drama Episode: One-Act Play Collections - Book 2, Part 2 Book: 2 Volume: 2 Part: 2 of 2 Episodes Part: 4 Length Part: 2:03:59 Episodes Volume: 8 Length Volume: 4:22:04 Episodes Book: 8 Length Book: 4:22:04 Narrator: Collaborative Language: English Rated: Guidance Suggested Edition: Unabridged Audiobook Keywords: plays, theater, drama, comedy, hit, musical, opera, performance, show, entertainment, farce, theatrical, tragedy, one-act, stage show Hashtags: #freeaudiobooks #audiobook #mustread #readingbooks #audiblebooks #favoritebooks #free #booklist #audible #freeaudiobook #plays #theater #drama #comedy #hit #musical #opera #performance #show #entertainment #farce #theatrical #tragedy #one-act #StageShow Credits: All LibriVox Recordings are in the Public Domain. Wikipedia (c) Attribution-ShareAlike 3.0 Unported License. WOMBO Dream. Elizabeth Klett.

No se necesitan muchos adjetivos para describir la labor de la gran actriz argentino-española ya que desarrolló una carrera en cine, teatro y televisión que habla por sí sola. Cuenta en su haber con consagraciones y reconocimientos internacionales que destacan su calidad artística.Este 8 y 9 de mayo llega al teatro El Galpón con la obra teatral “La Madre”, del francés Florian Zellerr, ganador de los premios Oscar, Tony y Moliere. Se trata de un drama del dramaturgo y cineasta, también autor de “El Padre y “El Hijo”, entre otras, el elenco lo completan Gustavo Garzón, Martín Slipak y Victoria Baldomir, bajo la dirección de Andrea Garrote.

One-Act Play Collections - Book 2, Part 1 Title: One-Act Play Collections - Volume 2 Overview: This collection of eight one-act dramas features plays by Eugene O'Neill, George Bernard Shaw, John Galsworthy, Susan Glaspell, William Dean Howells, and John Millington Synge. It also includes a dramatic reading of a short story by Frank Richard Stockton. A one-act play is a play that has only one act and is distinct from plays that occur over several acts. One-act plays may consist of one or more scenes. The 20-40 minute play has emerged as a popular subgenre of the one-act play, especially in writing competitions. One-act plays make up the overwhelming majority of Fringe Festival shows including at the Edinburgh Fringe Festival. The origin of the one-act play may be traced to the very beginning of recorded Western drama: in ancient Greece, Cyclops, a satyr play by Euripides, is an early example. The satyr play was a farcical short work that came after a trilogy of multi-act serious drama plays. A few notable examples of one-act plays emerged before the 19th century including various versions of the Everyman play and works by Moliere and Calderon. One act plays became more common in the 19th century and is now a standard part of repertory theatre and fringe festivals. Published: Various Series: One-Act Play Collections List: One-Act Play Collections, Play #3 Author: Various Genre: Plays, Theater, Drama Episode: One-Act Play Collections - Book 2, Part 1 Book: 2 Volume: 2 Part: 1 of 2 Episodes Part: 4 Length Part: 2:18:08 Episodes Volume: 8 Length Volume: 4:22:04 Episodes Book: 8 Length Book: 4:22:04 Narrator: Collaborative Language: English Rated: Guidance Suggested Edition: Unabridged Audiobook Keywords: plays, theater, drama, comedy, hit, musical, opera, performance, show, entertainment, farce, theatrical, tragedy, one-act, stage show Hashtags: #freeaudiobooks #audiobook #mustread #readingbooks #audiblebooks #favoritebooks #free #booklist #audible #freeaudiobook #plays #theater #drama #comedy #hit #musical #opera #performance #show #entertainment #farce #theatrical #tragedy #one-act #StageShow Credits: All LibriVox Recordings are in the Public Domain. Wikipedia (c) Attribution-ShareAlike 3.0 Unported License. WOMBO Dream. Elizabeth Klett.

Mönch, Niklas www.deutschlandfunkkultur.de, Fazit

From Boston to Seattle and soon heading To the Midwest, Francisca Moliere is a first-generation Haitian American with over 9 years of experience in Media Advertising. Throughout her career, she has worked with major brands such as Dunkin' Donuts, Ulta Beauty, Amazon Fresh, and BECU, helping clients navigate complex business challenges and drive impactful audience engagement.In addition to her professional work, Francisca is deeply passionate about community-building. She is the co-founder of Serenity Urban Retreat, an event bringing young professionals of color together, and the former Marketing Director of Queens Co., a membership organization for women of color.Outside of work, Francisca loves to travel, collecting foreign currency along the way, and is an active participant in a flag football league.

One-Act Play Collections - Book 1, Part 2 Title: One-Act Play Collections - Volume 1 Overview: LibriVox's One-Act Play Collection 1 includes one-act plays in the public domain read by a variety of LibriVox members. A one-act play is a play that has only one act and is distinct from plays that occur over several acts. One-act plays may consist of one or more scenes. The 20-40 minute play has emerged as a popular subgenre of the one-act play, especially in writing competitions. One-act plays make up the overwhelming majority of Fringe Festival shows including at the Edinburgh Fringe Festival. The origin of the one-act play may be traced to the very beginning of recorded Western drama: in ancient Greece, Cyclops, a satyr play by Euripides, is an early example. The satyr play was a farcical short work that came after a trilogy of multi-act serious drama plays. A few notable examples of one-act plays emerged before the 19th century including various versions of the Everyman play and works by Moliere and Calderon. One act plays became more common in the 19th century and is now a standard part of repertory theatre and fringe festivals. Published: Various Series: One-Act Play Collections List: One-Act Play Collections, Play #2 Author: Various Genre: Plays, Theater, Drama Episode: One-Act Play Collections - Book 1, Part 2 Book: 1 Volume: 1 Part: 2 of 2 Episodes Part: 3 Length Part: 2:09:55 Episodes Volume: 6 Length Volume: 3:43:24 Episodes Book: 6 Length Book: 3:43:24 Narrator: Collaborative Language: English Rated: Guidance Suggested Edition: Unabridged Audiobook Keywords: plays, theater, drama, comedy, hit, musical, opera, performance, show, entertainment, farce, theatrical, tragedy, one-act, stage show Hashtags: #freeaudiobooks #audiobook #mustread #readingbooks #audiblebooks #favoritebooks #free #booklist #audible #freeaudiobook #plays #theater #drama #comedy #hit #musical #opera #performance #show #entertainment #farce #theatrical #tragedy #one-act #StageShow Credits: All LibriVox Recordings are in the Public Domain. Wikipedia (c) Attribution-ShareAlike 3.0 Unported License. WOMBO Dream.

La Comédie-Française est l'une des institutions les plus anciennes de France, qui fêtait ses 400 ans en 2022 ! À la fois indépendante et soumise à l'autorité, c'est l'Histoire de France qui s'est jouée en ses murs. On attribue par ailleurs sa création à Molière, ce qui est faux, sans tout à fait l'être…Cindya Izzarelli s'entretient avec l'autrice Virginie Augustin à l'occasion de la sortie de la BD historique "Une Histoire de la Comédie Française, Tome 1 " , parue aux Editions Rue de Sèvres. Sujets traités : Comédie-Française, institution, France, Molière, Merci pour votre écoute Un Jour dans l'Histoire, c'est également en direct tous les jours de la semaine de 13h15 à 14h30 sur www.rtbf.be/lapremiere Retrouvez tous les épisodes d'Un Jour dans l'Histoire sur notre plateforme Auvio.be :https://auvio.rtbf.be/emission/5936 Intéressés par l'histoire ? Vous pourriez également aimer nos autres podcasts : L'Histoire Continue: https://audmns.com/kSbpELwL'heure H : https://audmns.com/YagLLiKEt sa version à écouter en famille : La Mini Heure H https://audmns.com/YagLLiKAinsi que nos séries historiques :Chili, le Pays de mes Histoires : https://audmns.com/XHbnevhD-Day : https://audmns.com/JWRdPYIJoséphine Baker : https://audmns.com/wCfhoEwLa folle histoire de l'aviation : https://audmns.com/xAWjyWCLes Jeux Olympiques, l'étonnant miroir de notre Histoire : https://audmns.com/ZEIihzZMarguerite, la Voix d'une Résistante : https://audmns.com/zFDehnENapoléon, le crépuscule de l'Aigle : https://audmns.com/DcdnIUnUn Jour dans le Sport : https://audmns.com/xXlkHMHSous le sable des Pyramides : https://audmns.com/rXfVppvN'oubliez pas de vous y abonner pour ne rien manquer.Et si vous avez apprécié ce podcast, n'hésitez pas à nous donner des étoiles ou des commentaires, cela nous aide à le faire connaître plus largement. Distribué par Audiomeans. Visitez audiomeans.fr/politique-de-confidentialite pour plus d'informations.

One-Act Play Collections - Book 1, Part 1 Title: One-Act Play Collections - Volume 1 Overview: LibriVox's One-Act Play Collection 1 includes one-act plays in the public domain read by a variety of LibriVox members. A one-act play is a play that has only one act and is distinct from plays that occur over several acts. One-act plays may consist of one or more scenes. The 20-40 minute play has emerged as a popular subgenre of the one-act play, especially in writing competitions. One-act plays make up the overwhelming majority of Fringe Festival shows including at the Edinburgh Fringe Festival. The origin of the one-act play may be traced to the very beginning of recorded Western drama: in ancient Greece, Cyclops, a satyr play by Euripides, is an early example. The satyr play was a farcical short work that came after a trilogy of multi-act serious drama plays. A few notable examples of one-act plays emerged before the 19th century including various versions of the Everyman play and works by Moliere and Calderon. One act plays became more common in the 19th century and is now a standard part of repertory theatre and fringe festivals. Published: Various Series: One-Act Play Collections List: One-Act Play Collections, Play #1 Author: Various Genre: Plays, Theater, Drama Episode: One-Act Play Collections - Book 1, Part 1 Book: 1 Volume: 1 Part: 1 of 2 Episodes Part: 3 Length Part: 1:33:32 Episodes Volume: 6 Length Volume: 3:43:24 Episodes Book: 6 Length Book: 3:43:24 Narrator: Collaborative Language: English Rated: Guidance Suggested Edition: Unabridged Audiobook Keywords: plays, theater, drama, comedy, hit, musical, opera, performance, show, entertainment, farce, theatrical, tragedy, one-act, stage show Hashtags: #freeaudiobooks #audiobook #mustread #readingbooks #audiblebooks #favoritebooks #free #booklist #audible #freeaudiobook #plays #theater #drama #comedy #hit #musical #opera #performance #show #entertainment #farce #theatrical #tragedy #one-act #StageShow Credits: All LibriVox Recordings are in the Public Domain. Wikipedia (c) Attribution-ShareAlike 3.0 Unported License. WOMBO Dream.

Dieser Film gehört eindeutig in die Rubrik: "Filme die Johannes geprägt haben". Ich habe ihn als Kind gesehen und war fasziniert vom Theater dieser reisenden Truppe im barocken Frankreich. Dabei zeigt der Film aus dem Jahr 1978 gar nicht so viel vom Geschehen auf der Bühne, sondern viel mehr Eindrücke aus dem Leben von Moliere - oder: Jean-Baptiste Poquelin. 1622 in Paris geboren, wächst Moliere in einer Welt auf, in der er überall Theater sieht. Seien es die Geschichten, die man sich als Kind ausdenkt, der Priester, der etwas sehr theaterhaftes hat, oder die zwei Kutschen, die auf einer Straße nicht an einander vorbei kommen und die Rivalität zum Spektakel wird. Wir verstehen gut, dass Moliere ums Theater nicht herum kommen wird. Der Film nimmt sich 4,5 Stunden Zeit, das komplette Leben dieses berühmten Autoren nachzuzeichnen. Zumindest das, was wir darüber wissen. Nun ja, und sicherlich Einiges, was wir nicht wissen. Apropos Wissen: Wieviel mehr wissen wir nach dem Film tatsächlich über Moliere? Nach dem Debakel mit der Chaplin Biografie und Jim Carrey als Andy Kaufman und… Cleopatra… macht dieser Film es besser? Was meinst du Plor?

Osrednji letošnji dogodek Slovencev v Italiji ob Prešernovem dnevu bo jutrišnja otvoritvena slovesnost Evropske prestolnice kulture v obeh Goricah, na kateri bo na petih glavnih prizoriščih sodelovalo več kot 2000 nastopajočih z obeh strani meje. Na Madžarskem proslavo pripravljajo nocoj v gledališki dvorani v Monoštru. Prirejata jo Zveza Slovencev na Madžarskem in Državna slovenska samouprava. Po navedbah Urada za Slovence v zamejstvu in po svetu prireditev nosi naslov Iz sveta porabskih pravljic. Temeljna gradnika trdoživega duha slovenskega človeka sta od nekdaj bila jezik in kultura. Oba koreninita v starodavnem ljudskem izročilu, med drugim pravljičnem. Na Hrvaškem bodo Prešernov dan obeležili jutri v Hrvaškem kulturnem domu na Sušaku z gostovanjem Šentjakobskega gledališča Ljubljana, ki bo odigralo predstavo Dr. Moliere v režiji Milana Goloba.

"Unreasonable haste is the direct road to error." - Moliere"Take time for all things: great haste makes great waste." - Benjamin Franklin"Nature does not hurry yet everything is accomplished." - Lao Tzu@uprootyourself

AI and Behavioral Science in Public Policy with Laura de Moliere In this episode of the Behavioral Design Podcast, host Samuel Salzer is joined by Laura de Moliere, a behavioral scientist with deep expertise in applying behavioral insights to public policy. As the former head of behavioral science at the UK Cabinet Office, Laura has worked at the intersection of behavioral science and policymaking during some of the most high-stakes moments in recent history, including Brexit and COVID-19. Samuel and Laura explore the evolving role of AI in behavioral science, reflecting on how AI can enhance decision-making, improve policymaking, and surface unintended consequences. Laura shares her AI “aha moment”—when she realized the potential of large language models to support policymakers in making more behaviorally informed decisions. The discussion also covers the promises and perils of AI in behavioral science, the potential of synthetic users to test interventions, and the growing challenge of balancing AI's capabilities with human biases and policymaking needs. The episode wraps up with a playful quickfire round, where Laura debates the use of AI in everything from tax optimization to gamified urinals. This episode is a must-listen for anyone interested in the intersection of AI, behavioral science, and public policy, offering a nuanced and thought-provoking perspective on the future of AI in decision-making. LINKS: • Laura de Moliere: • LinkedIn Profile • INCASE Framework on Unintended Consequences TIMESTAMPS: 00:00 A Surprise Gift 05:38 Reflections on 2025 09:28 AI and Behavioral Science 19:29 Introducing Laura de Moliere 21:30 Start of Laura interview 33:08 Applying Behavioral Science to AI and Government 35:16 Behavioral Science and AI: Use Cases and Impacts 36:32 Understanding and Interacting with AI Models 47:43 Synthetic Users and Their Potential 01:01:08 Quickfire Round: To AI or Not to AI 01:06:35 Controversial Opinions on AI -- Interesting in collaborating with Nuance? If you'd like to become one of our special projects, email us at hello@nuancebehavior.com or book a call directly on our website: ⁠⁠⁠⁠⁠⁠⁠⁠nuancebehavior.com.⁠⁠⁠⁠⁠⁠⁠⁠ Support the podcast by joining ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Habit Weekly Pro⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ 

Bulletin d´informations. Nous parlerons du mausolée dédié rastislav Stefanik á Bradlo. Ensuite, envolée musicale avec les oeuvres du compositeur contemporain Egon Krak. Pour terminer, nous vous emmenerons voir la piece de Moliere "le Malade imaginaire" qui s´est jouée au Theatre national slovaque.

Joseph Dolce; born October 13, 1947) is an American-Australian singer, songwriter, poet and essayist. Dolce achieved international recognition with his multi-million-selling novelty song, "Shaddap You Face", released worldwide under the name of his one-man show, Joe Dolce Music Theatre, in 1980–1981. The single reached number one in 15 countries. It has sold more than 450,000 copies in Australia and continues to be the most successful Australian-produced single worldwide, selling an estimated six million copies. It reached No. 1 on the Australian Kent Music Report Singles Chart for eight weeks from November 1980. 1947–1977: Early year Dolce was born in 1947 in Painesville, Ohio, the eldest of three children to Italian American parents. He graduated from Thomas W. Harvey High School in 1965. During his senior year, he played the lead role of Mascarille in Moliere's Les Précieuses Ridicules for a production staged by the French Club of Lake Erie Frie College, which was his first time on stage, acting and singing an impromptu song he created from the script. The play was well-received and his performance was noted by director Jake Rufli, who later invited him to be part of his production of Jean Anouilh's Eurydice. His co-star in Les Précieuses Ridicules was a sophomore on a creative writing scholarship at Lake Erie College, Carol Dunlop, who introduced him to folk music, poetry and the writings of William Faulkner and Ernest Hemingway. Dunlop later married the Argentine novelist Julio Cortazar. Dolce attended Ohio University, majoring in architecture, from 1965 to 1967 before deciding to become a professional musician. While attending college at Ohio University, in Athens, Ohio, he formed various bands including Headstone Circus, with Jonathan Edwards who subsequently went on as a solo artist to have a charting hit song in the US ("Sunshine"). Edwards subsequently recorded five Dolce songs including, "Athens County", "Rollin' Along", "King of Hearts", "The Ballad of Upsy Daisy" and "My Home Ain't in the Hall of Fame", the latter song becoming an alt country classic, also recorded by Robert Earl Keen, Rosalie Sorrels, JD Crowe & the New South and many others. 1978–1984: Move to Australia, "Boat People" and "Shaddap You Face" Dolce relocated to Melbourne, Victoria, Australia, in 1978 and his first single there was "Boat People"—a protest song on the poor treatment of Vietnamese refugees—which was translated into Vietnamese and donated to the fledgling Vietnamese community starting to form in Melbourne. His one-man show, Joe Dolce Music Theatre, was performed in cabarets and pubs with various line-ups, including his longtime partner, Lin Van Hek.  In July 1980, he recorded the self-penned 'Shaddap You Face", for the Full Moon Records label, at Mike Brady's new studios in West Melbourne. When in Ohio, Dolce would sometimes visit his Italian grandparents and extended family—they used the phrases "What's the matter, you?" and "Eh, shaddap", which Dolce adapted and used in the song. He wrote the song about Italians living in Australia and first performed it at Marijuana House, Brunswick Street, Fitzroy in 1979. It became a multi-million-selling hit, peaking at No. 1 on the Australian Kent Music Report Singles Chart for eight weeks from November 1980,in the UK from February 1981 for three weeks, and also No. 1 in Germany, France, Fiji, Puerto Rico, the Canadian province of Quebec, Austria, New Zealand and Switzerland. Dolce received the Advance Australia Award in 1981. The song has had hundreds of cover versions over the decades including releases by artists as diverse as Lou Monte, Sheila (France), Andrew Sachs (Manuel, of Fawlty Towers), actor Samuel L. Jackson and hip-hop legend KRS-One. In 2018, the first Russian language version was released by two of Moscow's most popular singers, Kristina Orbakaite and Philipp Kirkoroy. The song has been translated into fifteen languages, including an aboriginal dialect. By February 1981, it had become Australia's best-selling single ever selling 290,000 copies, entering the Guinness Book of World Records and surpassing the previous record of 260,000 copies by Brady's own "Up There Cazaly". "Shaddap You Face" has continued to be licensed and recorded by other artists and companies since its release in 1980 with its most recent appearance, in 2021, as part of the US series The Morning Show (aka, Morning Wars in Australia.) Follow up single, "If You Wanna Be Happy" was released in 1981 and charted in Australia and New Zealand. In December 1981, Dolce released the album Christmas in Australia, which peaked at number 92 on the Australian chart. 1984–present With Lin Van Hek , he formed various performance groups including Skin the Wig, La Somnambule (1984) and the ongoing Difficult Women (1993). Van Hek and Dolce co-wrote "Intimacy", for the soundtrack of the 1984 film The Terminator, now part of the US Library of Congress collection. He was a featured lead actor in the Australian film Blowing Hot and Cold (1988). He has continued to perform solo and with Van Hek as part of their music-literary cabaret Difficult Women. In 2010, two of his photos were selected for publication in the US journal, Tupelo Quarterly. Since 2009, he has been a prolifically published poet in Australia. In 2010, he won the 25th Launceston Poetry Cup at the Tasmanian Poetry Festival. His poems were selected for Best Australian Poems 2014 & 2015. He was the winner of the 2017 University of Canberra Vice-Chancellor's Health Poetry Prize, for a choral libretto, longlisted in the same year for the University of Canberra Vice-Chancellor's Poetry Prize and included in the Irises anthology. He longlisted for the 2018 University of Canberra Vice-Chancellor's Poetry Prize and was included in the Silence anthology. He was Highly Commended for the 2020 ACU Poetry Prize] and included in the Generosity anthology. He was selected as the August 2020 City of Melbourne Poet Laureate. Since 2018, he has been the television and film reviews editor for Quadrant magazine.

Welcome to this special preview episode of The Literary Life Podcast! In this episode, our hosts Angelina Stanford and Thomas Banks share the books and topics you can look forward to in the upcoming 2025 season of the podcast. This episode was recorded live with the Patreon supporters for our December All Fellows Eve. In addition to giving a taste of what to expect in the coming year, they also look back at the past year and touch on a few favorite books covered in 2024. In this coming year we plan to have several new “Literary Life of…” interviews, as well as several topical episodes discussing ideas such as classical education, the literary tradition, and what to do when you don't like the characters in a book. A few book titles that we will be covering in 2025 include: The Age of Innocence, The Jungle Book, and Moliere's Don Juan. For complete show notes and links to all the books mentioned, please visit https://theliterary.life/254/. 

Katika Makala haya Ali Bilali amejielekeza Alliance Francaise ya Nairobi ambayo imeandaa Onyesho la Kwanza la tamthilia ya ‘Mgonjwa Mwitu', utayarishaji wao wa kila mwaka wa maigizo yaliyotolewa na tamthilia za waandishi mashuhuri wa Ufaransa. Kwa maadhimisho ya miaka 75, chaguo ni 'Le Malade Imaginaire' na Molière. Hii ni comedy ya mwisho kuandikwa na Molière. Ingawa ilionyeshwa kwa mara ya kwanza mnamo 1673, kichekesho hiki cha kejeli, mojawapo ya bora zaidi za Moliere, hakijapoteza mvuto wake wa dhati na wa ulimwengu wote.Kumbuka pia kumfollow mtangazaji wako @billy_bilali kwenye mitandao ya kijamii @billy_bilali

Recontre avec Lucie et Sam pour leur version du malade imaginaire de Moliere.

Todays' episode of NH Unscripted at WKXL is part I of a two part series. Several members from the cast of Actors Cooperative Theatre's productions of Cruel Intentions: The 90's Musical stop by and give us a deep, deep dive into the show. Angèlica Forcier Rosenthal (Kathryn Merteuil), Garrett Meyer (Sebastian Valmont) and Mackenzie Goodwin (Cecile Caldwell) VERY delicately walk me through this insane show! ACT does some of the most creative, thought provoking material in the state. I'm not talking classics or Greek theatre or Moliere. I'm talking about crazy, sometimes gritty, sometimes just wild shows and this one ranks right up there. This is a collaboration between the Hatbox Theatre, ACT and MCTP. There is soooo much happening here on soooo many different levels that we had to break the discussion into two parts! The show goes up Aug. 2-11 at the MCTP Theatre at the North End Montessori School; 698 Beech St, Manchester and tickets can be bought at app.arts-people.com/index.php?show=191346

Todays' episode is part I of a two part series. Several members from the cast of Actors Cooperative Theatre's productions of Cruel Intentions: The 90's Musical stop by and give us a deep, deep dive into the show. Angèlica Forcier Rosenthal (Kathryn Merteuil), Garrett Meyer (Sebastian Valmont) and Mackenzie Goodwin (Cecile Caldwell) VERY delicately walk me through this insane show! ACT does some of the most creative, thought provoking material in the state. I'm not talking classics or Greek theatre or Moliere. I'm talking about crazy, sometimes gritty, sometimes just wild shows and this one ranks right up there. There is soooo much happening here on soooo many different levels that we had to break the discussion into two parts! The show goes up Aug. 2-11 at the MCTP Theatre at the North End Montessori School; 698 Beech St, Manchester and tickets can be bought at https://app.arts-people.com/index.php?show=191346

If you're enjoying the Hardcore Literature Show, there are two ways you can show your support and ensure it continues: 1. Please leave a quick review on iTunes. 2. Join in the fun over at the Hardcore Literature Book Club: patreon.com/hardcoreliterature Thank you so much. Happy listening and reading! - Benjamin

Nous sommes en 1751, à Venise. Cette année-là, Carlo Goldoni accède à la célébrité avec sa comédie intitulée « Il Moliere », dans laquelle il rend hommage au dramaturge français. Dans sa préface, l'auteur de la « Servante amoureuse » explique sa fascination pour le créateur du « Bourgeois gentilhomme », des « Femmes savantes » ou de « L'Avare ». Goldoni défend même « Le Tartuffe » qui fut si critiqué. Il écrit : « Le Tartuffe est une des meilleures comédies de Molière. Cependant, les gens qui veillent, en Italie, à la moralité du théâtre ayant trouvé le caractère de l'imposteur un peu trop risqué, la traduction et la représentation en Italie ont dû être suspendues. J'ai cherché autant que j'ai pu à imiter, avec toute la modération qu'exige notre théâtre, le grand auteur français en vue de faire goûter le caractère de l'imposteur a public italien et lui donner une idée plus belle de la pièce du célèbre Molière. » A partir de ce moment, Goldoni est surnommé, partout, « le Molière de l'Italie » ou « l'Italo-Molière ». De quelle manière Molière a-t-il influencé la culture italienne et singulièrement l'opéra ? Comment a-t-il été utilisé dans les querelles littéraires qui secouent la péninsule à l'époque, lui qui est mort en 1673 ? Les compositeurs, les librettistes italiens ont-ils réécrits ses œuvres ? Pour en faire quoi ? Quelle place ont-ils laissé aux femmes si importante dans l'œuvre de Molière ? Sujets traités : Molière, Italie, Carlo Goldoni, théâtre, Opéra, librettistes, compositeurs, femmes Avec nous : Carmela Giusto, docteure ès Lettres et artiste. « Molière, l'opéra et les femmes » ; éd. Academia. Merci pour votre écoute Un Jour dans l'Histoire, c'est également en direct tous les jours de la semaine de 13h15 à 14h30 sur www.rtbf.be/lapremiere Retrouvez tous les épisodes d'Un Jour dans l'Histoire sur notre plateforme Auvio.be : https://auvio.rtbf.be/emission/5936 Et si vous avez apprécié ce podcast, n'hésitez pas à nous donner des étoiles ou des commentaires, cela nous aide à le faire connaître plus largement.

On today's episode of The Literary Life Podcast, Angelina and Thomas wrap up their series on the satirical comedy Tartuffe by Jean-Baptiste Moliere. If you want to listen in to the read along of this play, you can view replays on the readings on the House of Humane Letters YouTube channel. Angelina and Thomas start off the conversation on the play reviewing the idea of enchantment and the classical structural elements of this play as suggested by Aristotle. We finally meet Tartuffe himself, and Angelina and Thomas both cringe and laugh at his over-the-top antics. Check out the schedule for the podcast's summer episodes on our Upcoming Events page. In June Mr. Banks will be teaching a 5-day class on St. Augustine, and in July Dr. Jason Baxter will be teaching a class on Dostoevsky. Angelina will also be teaching a class on Harry Potter in August! Also, don't miss the launch the HHL publishing wing, Cassiodorus Press! Sign up for the newsletter at HouseofHumaneLetters.comto stay in the know about all the exciting new things we have coming up! Commonplace Quotes: Moliere…reached perfection through a strange apprenticeship of vagabondage following an excellent middle-class birth among the tradesmen of Paris, imprisoned for debt, tramping the roads with the strolling players, starting his own small theater and failing, meeting men of every kind…In that knowledge he became a master. Hilaire Belloc, from Monarchy: A Study of Louis XIV A man is angry at a libel because it is false but at a satire because it is true. G. K. Chesterton Fools are my theme. Let satire be my song. Lord Byron The Burial of Moliere By Andrew Lang “Dark and amusing he is, this handsome gallant, Of chamois-polished charm, Athlete and dancer of uncommon talent— Is there cause for alarm In his smooth demeanor, the proud tilt of his chin, This cavaliere servente, this Harlequin? “Gentle and kindly this other, ardent but shy, With an intelligence Who would not glory to be guided by— And would it not make sense To trust in someone so devoted, so Worshipful as this tender, pale Pierrot? “Since both of them delight, if I must choose I win a matchless mate, But by that very winning choice I lose— I pause, I hesitate, Putting decision off,” says Columbine, “And while I hesitate, they both are mine.” Book List: An Ideal Husband by Oscar Wilde Don Juan by Moliere Don Juan by Lord Byron Enthusiasm by Ronald Knox Support The Literary Life: Become a patron of The Literary Life podcast as part of the “Friends and Fellows Community” on Patreon, and get some amazing bonus content! Thanks for your support! Connect with Us: You can find Angelina and Thomas at HouseofHumaneLetters.com, on Instagram @angelinastanford, and on Facebook at www.facebook.com/ANGStanford/ Follow The Literary Life on Instagram, and jump into our private Facebook group, The Literary Life Discussion Group, and let's get the book talk going! http://bit.ly/literarylifeFB

On the latest Whisper in the Wings from Stage Whisper, we were honored to welcome in Lucie Tiberghien (director/founder/artistic director), Lakisha May (actress), and Kaliswa Brewster (President of the board), who joined us to talk about their upcoming production of The Miser. This was such a smart, fascinating, and inspiring conversation that you won't want to miss. So be sure to hit play on this episode, and reserve your tickets now!Moliere in the Park PresentsThe MiserApril 27th- May 19th@ Prospect Park's LeFrak CenterTickets and more information are available at moliereinthepark.orgAnd be sure to follow our guests to stay up to date on all their upcoming projects and productions:Lakisha: @kisha_mayMoliere in the Park: moliereinthepark.orgcommunications@moliereinthepark.org@moliereinthepark

This week on The Literary Life Podcast, Angelina Stanford and Thomas Banks delve into a new literary series as we read the comedic play Tartuffe by Jean-Baptiste Moliere. If you want to listen in to the read along of this play, you can view replays on the readings on the House of Humane Letters YouTube channel. Thomas begins the conversation on this play by setting up the cultural and literary context in which Moliere was working, as well as some more biographical background on the author and actor himself. Angelina points out some differences between satire and didacticism. She and Thomas also talk about the influence of Roman comedy in Moliere's playwriting. Angelina introduces Act 1 with a question of how Moliere shows the audience what to think of Tartuffe before the character himself ever comes on stage. Thomas talks a little about the characters we first meet, and Angelina highlights the references to enchantments as they read through key portions of these opening scenes. Join us again next week when we will finish up this entertaining play! If you weren't able to join us for the sixth annual Literary Life Online Conference, “Dispelling the Myth of Modernity: A Recovery of the Medieval Imagination“, you can still purchase the recordings and find out what you missed! Also, don't miss the launch the HHL publishing wing, Cassiodorus Press! Sign up for the newsletter at HouseofHumaneLetters.com to stay in the know about all the exciting new things we have coming up! Commonplace Quotes: He had the comic vision of himself as well as of the rest of humanity. He might mock the vices of the world, but he could also mock himself for hating the world, in the spirit of a superior person, on account of its vices. Robert Lynn, from his essay “Moliere” in Books and Authors We think old books are strange; but we are the aliens. Dr. Jason Baxter The Burial of Moliere By Andrew Lang Dead–he is dead!  The rouge has left a trace   On that thin cheek where shone, perchance, a tear,   Even while the people laughed that held him dear But yesterday.  He died,–and not in grace, And many a black-robed caitiff starts apace   To slander him whose Tartuffe made them fear,   And gold must win a passage for his bier, And bribe the crowd that guards his resting-place. Ah, Moliere, for that last time of all,   Man's hatred broke upon thee, and went by, And did but make more fair thy funeral.   Though in the dark they hid thee stealthily, Thy coffin had the cope of night for pall,   For torch, the stars along the windy sky! Book List: Menaechmi, or The Twin-Brothers by Plautus Code of the Woosters by P. G. Wodehouse   Support The Literary Life: Become a patron of The Literary Life podcast as part of the “Friends and Fellows Community” on Patreon, and get some amazing bonus content! Thanks for your support! Connect with Us: You can find Angelina and Thomas at HouseofHumaneLetters.com, on Instagram @angelinastanford, and on Facebook at www.facebook.com/ANGStanford/ Follow The Literary Life on Instagram, and jump into our private Facebook group, The Literary Life Discussion Group, and let's get the book talk going! http://bit.ly/literarylifeFB

Barry Creyton began his career at the age of 17 in theatre and in radio in Australia and by age 20, was playing leads on stage, and in national radio productions.  He also hosted his own weekly radio program devoted to theatre news and interviews. At 21, he made his Australian television debut as Lorenzo in a national television production of The Merchant of Venice.   For three seasons, he starred in the TV series The Mavis Bramston Show.  This ground  breaking show, the highest rated in the history of Australian television, dealt with topical and political satire.Creyton relocated to England for twelve years playing comedy and dramatic roles in London's West End - including Don's Party (Royal Court), Roger's Last Stand (Duke of York's), Ten Years Hard (Mayfair), Urban Guerilla  (Soho Poly), a revival of the musical Salad Days, and Liz, a musical based on Aristophanes' Lysistrata as well as several revues and the National Tour of Abelard and Heloise.On his return to Australia, Creyton starred in many theatre productions - Ayckbourn's Bedroom Farce, Season's Greetings and Absurd Person Singular, Frayn's Noises Off, and in Pack Of Lies, Side By Side By Sondheim, The Owl And The Pussycat, Suddenly At Home, The Philanthropist, and played twins in the comedy-thriller Corpse.He guest starred on many popular TV episodics. These roles were generally amorous cads or big-business villains - characters at odds with the comedies he played on the stage.  They included The Restless Years, The Young Doctors, Skyways, Cop Shop, The Sullivans, I Married a Bachelor, Cuckoo in the Nest, as well as guest star roles in TV movies, Image of Death, All at Sea, the Michael Powell feature, They're a Weird Mob and the BBC's Robert Louis Stevenson in Australia. He turned to directing, with the musical Nunsense which broke box office records all over Australia, and employed two companies playing simultaneously. A motorcycle accident during the run of Corpse resulted in a badly broken leg.  The long recuperation period enabled him to write a stage comedy, Double Act.  Since 1990, Creyton has worked almost exclusively in the United States, principally as writer and director. He relocated from New York to Los Angeles when commissioned to write a movie of the week for Hearst Television, while his off Broadway revue Secrets Every Smart Traveler Should Know ran for two and a half years in New York. His critically acclaimed adaptation of Noël Coward's Peace in Our Time for the Antaeus Theatre Company in L.A. received the Ovation Award and the L.A. Weekly Annual Theatre Award; the L. A. Times voted the production among the best world theatre of the year.He has appeared on stage at the Antaeus Theatre in Balzac's Cousin Bette, Shaw's The Doctors Dilemma and Moliere's School For Wives  and as Apollo in The Curse of Oedipus.Creyton returns to Australia periodically for theatre engagements, starring in Noël Coward's Blithe Spirit, directing and starring in his own plays, Later Than Spring and Valentine's Day (since produced in several languages and, along with his Double Act, in constant repertoire in Europe), and in 2007 he returned to Sydney's Ensemble Theatre to star in Peter Quilter's play Glorious, and again in 2010 in Quilter's Duets, in which he played four diverse characters.His young adult novels, The Dogs of Pompeii and Nero Goes to Rome, co-authored with American writer Vaughan Edwards, are published by Random House, and his novel Murder is Fatal, an affectionate parody of noir movies, was published in 2017.His novel The View from Olympus Mons, was published in 2022 by NineStar Press.The STAGES podcast is available to access and subscribe from Spotify and Apple podcasts. Or from wherever you access your favourite podcasts. A conversation with creatives about craft and career. Follow socials on instagram (stagespodcast) and facebook (Stages).www.stagespodcast.com.au

Justin gives his thoughts on Describe the Night by Rajiv Joseph as well as goes well beyond a minute talking about his favorite French playwright, Moliere.Hosted by Justin Borak Produced, edited, and mixed by KJ Lampar Co-Produced by Leah Barker Additional music and sound effects licensed through Envato Elements   LINKS Be sure to follow The Scene Podcast on Instagram and YouTube Subscribe to The Scene Newsletter

•Komödie• Anett will eigentlich nur eins: Bus fahren. Denn das ist ihr Beruf. Doch etwas will sie nicht: die Maskenpflicht! Ihr Video geht viral - und Anett wird wider Willen zum Star der Corona-Skeptiker. Eine Komödie nach Molière. // Von Johannes Mayr und Wolfram Höll / SRF 2022 // www.srf.ch/audio/hoerspiel Von Johannes Mayr und Wolfram Höll.

I think it was Moliere who observed that, "Some men eat to live while other men live to eat." I know which category I fall into. I love food, glorious food.

Un drama expuesto en cuatro meses con introducción, desarrollo y desenlace. Digno de Shakespeare, Moliere, Ibsen o cualquier clásico de la vida cotidiana. ECDQEMSD podcast El Cyber Talk Show - episodio 5708 Drama Conducen: El Pirata y El Sr. Lagartija https://canaltrans.com Noticias Del Mundo: Chip en el cerebro y telepatía - Ya rebajaron la proyección de Latinoamérica - Las farmacéuticas que extrañan la pandemia -  La tumba de San Pedro - Las catacumbas del Vaticano - El regreso de la relaciones carnales. Historias Desintegradas: Un mal diagnostico - Ensayo con arpa - Una etapa en el psiquiátrico - Acierto médico - Cine catástrofe - Supervivientes de Los Andes, Viven y La Sociedad de la Nieve - Los dilemas morales - Igual que Peña Nieto - Cine debate - Carne humana - Juegos de azar - La Power Ball - Record de premio - Lotería del estado -  Los Estrambóticos - Sentirse parte - Un mago - La magia del mundo y más... https://www.canaltrans.com/ecdqemsd_podcast_2024/5708_drama.html En Caso De Que El Mundo Se Desintegre - Podcast no tiene publicidad, sponsors ni organizaciones que aporten para mantenerlo al aire. Solo el sistema cooperativo de los que aportan a través de las suscripciones hacen posible que todo esto siga siendo una realidad. Gracias Dragones Dorados: https://www.canaltrans.com/radio/suscripciones.html

Women in the villages of Spain and the repression and passions of five daughters are at the heart of Lorca's last play the House of Bernarda Alba, completed two months before he was assassinated in 1936. Rana Mitter looks at the life and writing of Lorca, with guests including The Observer's theatre critic, Susannah Clapp and Professor Maria Delgado of the Central School of Speech and Drama and Professor Duncan Wheeler, Chair of Spanish Studies at the University of Leeds and Dr Federico Bonaddio who teaches Spanish literature at King's College London.Producer: Ruth WattsThe House of Bernarda Alba in a version by Alice Birch and starring Harriet Walter runs at the National Theatre until 6 January 2024. You can find more discussions about Prose, Poetry and Drama in a collection on the Free Thinking programme website including episodes looking at Ibsen, Moliere, Shakespeare, Lorraine Hansberry, John McGrath, George Bernard Shaw all available as Arts & Ideas podcasts

Molière (1622 - 1673)Translated by Henri van Laun (1820 - 1896) Alceste, the misanthrope, hates everyone including himself. But unlike in many pure farces with their cliche stock characters, the characters here are much more well rounded, and who knows - Alceste might actually grow and change throughout the play. "Those who admired noble thoughts, select language, accurate deliniations of character, and a perfect and entertaining style, placed this comedy from the very beginning where it is generally put, with the common consent of all students of sound literature, in the foremost rank of the good comedies of Moliere." - Summary by Translator and ToddHWCast list:Alceste, in love with Celimene: NemoPhilinte, his friend: ToddHWOronte, in love with Celimene: alanmapstoneCelimene, beloved by Alceste: Leanne YauEliante, her cousin: SoniaArsinoe, Celimene's friend: Eva DavisAcaste, Marquis: Tomas PeterClitandre, Marquis: Sean LallyBasque, servant to Celimene: PaulHWDubois, servant to Alceste: RecordingPersonAn Officer of the Marechaussee: Roger MelinStage Directions: KHandEdited by: ToddHW --- Support this podcast: https://podcasters.spotify.com/pod/show/librivox1/support

Devocional Cristiano para Jóvenes - CARÁCTER Fecha: 21-10-2023 Título: EL AVARO DE MOLIERE Autor: Víctor Armenteros Locución: Ale Marín http://evangelike.com/devocionales-cristianos-para-jovenes/

Born in Israel in 1942, Ory Slonim grew up amidst the ravages of the country's War of Independence. Ory came from a seventh-generation family that lived in Hebron, grew up in Tel Aviv, married, and became a successful lawyer. In 1986, Israeli President Haim Herzog appointed Ory as special counsel to the Defense Minister for issues of POWs & MIAs, from the civilian world, concentrating on families. Ory enlisted in the mission, gaining senior cooperation with the Mossad. For his work, he accepted a payment of one Israeli Shekel per year. Over the next thirty-six years, Ory searched the world for young IDF soldiers, pilots and reservists who were captured in battles and never heard from again. His mission to find the missing boys saw him traveling to nations that did not recognize Israel, and meeting with terrorist representatives. In the capacity of knocking on doors worldwide, and on families of the POWs & MIAs, Ory became known as the “Door Knocker.” In addition, Ory has tirelessly worked for Variety – the Children's Charity, having served as President and Chairman of the organization in Israel and as International President between 2003 – 2005.  In 2011 Ory was honored by President Shimon Peres with the Israeli Presidential Medal of Distinction. On this episode of The One Way Ticket Show, Ory shares his one way ticket to a future in a place where all soldiers, POWs & MIAs will be back home and where children in need will be okay. During our conversation, Ory also shares what it's like dealing with terrorists and non-state actors, the painful conversations he had with families of POW-MIAs, draws from Moliere who said how uncertainty is uglier than the worst certainty, and highlights the importance of giving.   For more, pick up a copy of Ory's book: "A Knock At The Door: The Story of My Secret Work with Israeli MIAs and POWs".           

Stupid Funny Videos Episode 3 Rundown :) Sir Woot Woot short intro What if Bob Dylan was upbeat and positively in love song.  Abe does an expert live (at the time) Fantasy Football mock draft on FantasyPros Website.  Game Demo Reel Somebody read something: Moliere's The Misanthrope. Act 1. Performed by Sir Woot Woot and Dr. Von Zoitz's brother, Stuart. Wrap up, thanks, and share, please! © Sightgag Studios, LLC All Rights Reserved      

Moliere's comic 17th Century masterpiece. Stingy, old Harpagon marries off his children, Elise and Cleante, to save money, and arranges his own marriage to poor young Mariane. Can they team up with matchmaker Frosine and trusty servants LaFletch and Valere to overcome his wicked plans? Featuring PNT Players Mary Chalon, James Calvert, Gary Lamb, Heather Taylor, Mo Beatty, John Harnagel, Sean York and Lance Davis. Translation/adaptation by Lance Davis. Music by Tom Peters. Running time 1:08. For more podcasts, information, or to make a much needed, tax deductible donation to Parson's Nose Theater, please click here. --- Support this podcast: https://podcasters.spotify.com/pod/show/pntradio/support

El programa de hoy, que realizaremos con la participación de Clara Sanmartí, vamos a dedicarlo a la viola da gamba en el Barroco. Pero al ser tan amplia la expansión de este instrumento a lo largo de toda Europa, hoy nos centraremos en uno de los más importantes espacios donde se desarrolló: Francia, la Francia de Versalles, del teatro de Moliere, de los ballets y las óperas de Lully y también de las delicias camerísticas de los Sainte-Colombe, Marais o Elisabeth Jacquet de la Guerre. Escuchar audio

In this episode of Talking France we look into why so many Parisians are choosing to leave Paris to live elsewhere and what are the upsides and downsides to this exodus for the French capital.We also bring you news of a change to the process of becoming French and explore just how hard it is for a foreigner to become naturalised.One of the criteria of becoming a citoyen of France is of course to speak French and following a suggestion from readers we bring you some crucial advice for mastering the language of Moliere and Asterix.And the battle over pension reform in France has not gone away, we bring you up to date with the strikes and look at some shenanigans in the French parliament.We also introduce you to a Frenchman named Robert Hébras and the horrific story that led to him being given a national memorial service this week.Ben McPartland your host will be joined as always by The Local France's editor Emma Pearson and journalist Gen Mansfield, plus French language expert Camille Chevalier-Karfis.If you like what you hear we'd really appreciate it if you left us a review on Apple Podcasts / Spotify / Google or wherever you listen to Talking France. Alternatively if you have suggestions for the podcast team please email us at news@thelocal.frArticles to read:TEST: Could you pass the French citizenship exam?Why is everyone moving out of Paris and is that a good thing? Hosted on Acast. See acast.com/privacy for more information.

Disillusionment with war and how you sue for peace are at the heart of Shaw's drama Arms and the Man, being staged in Richmond this autumn. Whilst in Bath a touring production of Mrs Warren's Profession stars Caroline Quentin and her daughter Rose Quentin as the former prostitute and her disapproving daughter. Anne McElvoy is joined by director Paul Miller, Professor Sos Eltis who has edited Shaw's work and theatre critic and writer Mark Lawson to look at Shaw's ability to construct arguments on stage and the resonances of his plays now. Arms and the Man runs at the Orange Tree Theatre in London directed by Paul Miller from 19 November 2022 – 14 January 2023 Mrs Warren's Profession directed by Anthony Banks runs at the Bath Theatre Royal from 9th - 19th November starring Caroline Quentin and her daughter Rose Quentin as Mrs Warren and her daughter Vivie. It then tours to the Richmond Theatre from 22nd November to 26th November 2022 and goes on to visit theatres including the Chichester Festival Theatre, the Hall for Cornwall, the Yvonne Arnaud in Guilford. My Fair Lady - a production from the Lincoln Centre directed by Bartlett Sher - is at the Cardiff Millennium Centre from November 8th to 26th and it then tours to Edinburgh, Southampton, Sunderland, Bristol, Birmingham and Manchester. Producer: Ruth Watts You can find other Free Thinking conversations about drama past and present including discussions about Moliere, Ibsen, the playwright Rona Munro, John McGrath's Scottish drama, in a collection called Prose, Poetry and Drama https://www.bbc.co.uk/programmes/p047v6vh

Synopsis To most music lovers, the name Jean-Baptise Lully calls to mind pompous and courtly music for Louis XIV, the French “Sun King” who was his great patron. The Italian-born Lully is credited with “creating” French opera in the 17th century — and some of these works, usually based on subjects from classical mythology and poetry, are occasionally revived and recorded today. But that was only one side of Lully's personality, the “stuffy and serious” side, because Lully was also something of a clown — literally. For over seven years, he worked with the great French comedian and playwright Moliere to create joint stage works. In addition to composing the music, Lully acted, sang and danced in these satirical and slap-stick affairs. The most famous of the Lully-Moliere collaborations debuted on today's date in 1670, when, to cheer up King Louis after an embarrassing incident involving a bogus ambassador from Turkey, Lully and Moliere concocted a ballet spoof they called Le Turc Ridicule, preceded by a musical play about a wealthy upstart from the middle class, titled Le Bourgeois Gentilhomme. Lully played the role of the Grand Mufti, and Moliere the middle-class upstart with upper-class aspirations. Think of Abbot and Costello or Laurel and Hardy in powdered wigs, and you get the idea. Music Played in Today's Program Jean-Baptiste Lully (1632-1687) Le Bourgeois Gentilhomme Comedy-Ballet Le Concert des Nations; Jordi Savall, cond. Alia Vox 9807

Ibland tänker jag att det är tur att antiken genier inte vet vilken roll vi har tillskrivit dem i efterhand. Bilden ni ser på Facebooksidan är Jean Auguste Dominiques hyllning till Homeros från 1827 som idag hänger på Louvren. En ängel ger honom en gloria, vid hans fötter sitter Iliaden och Odysséen i fysisk form som två kvinnor. Herodotos, Sofokles, Aesop, Alexander den Store, Moliere, Rafael, Mozart och Shakespeare ingår i den skara som kröner Homeros till kung över allt berättande. Ta inte i så att du spricker, Jean Auguste, vill man säga.Men visst. Den västerländska litteraturen börjar med Homeros och i dennes två epos hittar vi mycket av det material som gång efter annan allt sedan dess har idisslats på nytt. Bra grejer är det dessutom.I hundratals år har forskningen om Homeros, den homeriska frågan kallad, försökt komma till botten med vem Homeros var, om Homeros ens fanns och hur dessa otroliga epos kom till. Vi tar er med genom århundradena i denna holmgång. Varmt välkomna!Litteraturlista (bl a):Linnér, Sture, Homeros, [Ny utg.], Norstedt, Stockholm, 1989Homeros, Iliaden, Natur och kultur, Stockholm, 1999Henrikson, Alf, Antikens historier, Bonnier, Stockholm, 1958Hägg, Göran, Världens litteraturhistoria, Wahlström & Widstrand, Stockholm, 2000 Hosted on Acast. See acast.com/privacy for more information.