Podcasts about theatrical

What Happens When You Stop Waiting and Start Producing with Rachel Feeny-Williams How do you build a sustainable creative career when no one is handing you permission? In this episode of Your Creative Mind, Izolda Trakhtenberg talks with playwright and producer Rachel Feeny-Williams about fifteen years of writing, self-producing theatre, and getting work seen by real audiences around the world. Listeners will gain practical insight into independent playwriting, producing your own work, and using audio drama and podcasting to expand creative reach. Rachel also shares what Theatrical Shenanigans has taught her about community, consistency, and creative momentum. This conversation offers grounded guidance, real-world perspective, and an encouraging reminder that creativity grows through curiosity, confidence, and shared voices. Connect with Rachel https://www.rfwscripts.co.uk/ https://theatricalshenanigans.podbean.com/ https://www.facebook.com/profile.php?id=100069571340912 https://newplayexchange.org/users/60206/rachel-feeny-williams Connect with Izolda Website: https://IzoldaT.com Book Your Discovery Call: https://calendly.com/izoldat/discovery-call New Play Exchange: https://newplayexchange.org/users/90481/izolda-trakhtenberg This episode is brought to you by Brain.fm. I love and use brain.fm! It combines music and neuroscience to help me focus, meditate, and even sleep! Because you listen to this show, you can get a free trial and 20% off with this exclusive coupon code: innovativemindset. (affiliate link) URL: https://brain.fm/innovativemindset It's also brought to you by my podcast host, Podbean! I love how simple Podbean is to use. If you've been thinking of starting your own podcast, Podbean is the way to go!** Listen on These Channels Apple Podcasts | Spotify | Stitcher | Podbean | MyTuner | iHeart Radio | TuneIn | Deezer | Overcast | PodChaser | Listen Notes | Player FM | Podcast Addict | Podcast Republic | **Affiliate Link    

Monique DiMattina spoke about the learnings that take place on the bandstand and the joy of watching younger musicians grow in their skills and confidence on the bandstand as they perfom. Monique also chatted about performing at this year’s Big Jazz Day Out at Monash University on Saturday March 21, 2026, where she will be performing with guitarist and vocalist Matt Kirsch in the Alexander Theatre Foyer Bar enhancing the party atmosphere of the venue during the day, with their choice of music coming from the New Orleans songbook. Monique also confirmed the upcoming Theatrical production of Stella (also at the Alexander Theatre) – a musical Monique has composed about Australian author Miles Franklin.   Monique will return to Bent Notes with more on Stella. Catch all the details and choose the acts you are going to enjoy at the Monash University Big Jazz Day Out. Monique DiMattina was guest of Bent Notes on Sunday March 8, 2026 Bent Notes – 2 hours of Jazz and Improvised Music – 7 o'clock every Sunday night JOY 94.9 – Out.Loud.Proud – Your Voice – Your Radio Station Support this podcast, Donate to JOY; Become a member The post Monique’s Big Jazz Day Out appeared first on Bent Notes.

In this powerful and deeply human episode of Kidney Transplant Conversations, filmmaker Donald Griswold shares the extraordinary story behind his documentary film "Abundant," a cinematic exploration of one of the rarest and most profound acts of generosity: non-directed living kidney donation. Donald, a first-time filmmaker at age 59 after a career in medical marketing, was drawn into the kidney donation world through research that revealed both a profound need and an untold story. What he discovered was not just a medical process, but a community defined by courage, empathy, and transformation. Abundant brings these stories to life through an innovative fusion of live storytelling, professional dance, and visual art, creating an immersive emotional experience that goes far beyond traditional documentary filmmaking. The film features real donors who step onto the stage to share aspects of their personal journeys: why they chose to give part of themselves to a stranger, and how that decision reshaped their identity and sense of purpose. Their stories reveal the transition from a mindset of scarcity to one of abundance. Donald explains that Abundant was designed not just to inform, but to inspire and to open conversations, demystify donation, and empower patients and families to see new possibilities. With screenings across the country and a streaming release planned for March 2026, the film represents innovative advocacy rooted in storytelling, emotional connection, and human truth. Abundant is ultimately a testament to what becomes possible when ordinary people embrace extraordinary generosity, and how one story can change countless lives. Available for streaming March 26, 2026 at www.AbundantMovie.com, Abundant invites viewers to share the film and start the first step toward transplant and living donation.  Resources: Website: https://AbundantMovie.com  Streaming from: https://stuff.io (commencing March 26)    About Donald Griswold:  Donald Griswold - "Abundant" Writer, Director, and Producer, has lived in the Dallas, Texas area most of his life. ABUNDANT is his first documentary feature film, completing a life-long dream of being a filmmaker.  Donald graduated from the University of North Texas with a Bachelor of Arts in Radio, Television and Film, specializing in film writing. Donald has written and directed narrative, comedic and business scripts for video and audio. Donald's experience includes writing, directing, and producing a wide range of video productions ranging from full-length DVD concepts to television commercials. He also has ghost written a memoir for a notable figure in the field of engineering. Storytelling has always had great meaning to Donald. “At the heart, I am a writer first.  And I've spent a lifetime learning the subtleties of telling a layered story.  In fiction, I love tools like implication and context to allow the audience to play a part in understanding a story for themselves.  But with filmmaking… Wow!  there are so many ways to evoke emotion and connection with the audience.  There are so many layers you can touch and create to effect that immersion and I enjoyed working in all of them!  These are all reasons why I had to base my first feature film in the actual world of storytelling.” Donald also writes works of fiction and non-fiction, and he published his first novel, Dying Light in 2017. In 2018, Donald opened Maitri River Productions, a non-fiction media production business to make media that inspires social change. ABUNDANT  is the first production of Maitri River Productions.  As a storyteller, Donald has appeared in Oral Fixation, the critically acclaimed Dallas-based storytelling show. In 2015, his story for the show Push the Envelope was voted by the public as Best in Show, and he performed the story in the annual Best of Season show. Donald has also produced Word of Mouth, a live storytelling series that hosted shows in Dallas and Atlanta. Donald is a long-time supporter of the arts in Dallas. He supports museums, local artists, and live performance, especially ShakespeareDallas.    

It's a milestone moment as we celebrate episode 400 with a deep dive into the groundbreaking animated theatrical shorts from Max Fleischer, featuring the original Man of Steel, Superman. We explore the stunning animation, lasting influence, and why these classic adventures remain essential viewing for fans of comics and animation alike.

The premise (simple, but the film isn't): A privileged but messy NYC teenager, Lisa (Anna Paquin), causes a moment of distraction that leads to a bus hitting and killing a woman (Allison Janney). In the immediate aftermath she lies to the police—claiming the light was green—helping the driver (Mark Ruffalo) avoid consequences. The rest of the film is Lisa spiralling through guilt, grief, anger, and a need to “make it right,” while the city and everyone around her keep moving.What we talked about:Peak New York energy: classrooms full of political debate, constant noise, constant arguing, constant opinion. It feels like a movie made by New York about New York.The accident scene is brutal and effective: the sound design, the “oh God she's under the bus—no she isn't” reveal, the shock of the detached leg detail.Lisa as a catalyst/chaos engine: she's manipulative early (cheating, playing people), then becomes obsessive—fixated on getting the driver off the road.Adults failing her, repeatedly:Her mum is emotionally absent (Broadway ambitions, new relationship), and the mother–daughter conflict goes nuclear (including a shocking insult).The system shrugs: the driver is exonerated, and later the legal route becomes a cold negotiation rather than “justice.”The legal thread: the case can only move via next-of-kin dynamics; settlement money becomes the lever; but discipline for Ruffalo's driver is off the table because it implies guilt.Matt Damon “week” irony: Damon is barely in it—yet appears in the trailer—making the pick feel like a forced “hipster” choice.The uncomfortable Damon subplot: a teacher boundary-crossing storyline that lands badly and makes the film feel grimier, not deeper.Performances / cast notes: Big ensemble, lots of “oh wow, they're in this” energy: Paquin carries it; Ruffalo is an outright asshole; Allison Janney's presence is seismic even with limited time; plus Jean Reno, Matthew Broderick, and more orbiting the core. Pacing / vibe: Overlong, heavy, and (for us) pretentious rather than profound—with the most compelling parts being the accident's immediacy and the moral rot that follows. Theatrical cut runs about 149 minutes, with a longer 186-minute extended cut also out there. Verdict from us: Lukewarm-to-negative recommend. Strong craft and acting in places, but frustratingly long, emotionally abrasive, and not remotely worth it as a “Matt Damon week” entry.You can now text us anonymously to leave feedback, suggest future content or simply hurl abuse at us. We'll read out any texts we receive on the show. Click here to try it out!We love to hear from our listeners! By which I mean we tolerate it. If it hasn't been completely destroyed yet you can usually find us on twitter @dads_film, on Facebook Bad Dads Film Review, on email at baddadsjsy@gmail.com or on our website baddadsfilm.com. Until next time, we remain... Bad Dads

Andrew Egger, The White House Correspondent from The Bulwark & co-author of The Morning Shots newsletter, joins Chris and John Hancock ahead of the State of the Union. He calls it 'theatrical.' Trump promises a long speech. Could Trump and his family actually 'win' his lawsuit against his own treasury department and IRS, departments he controls?

Michael Vlahos as Germanicus compares Emperor Nero's struggles with the Roman Senate to President Trump'sfriction with the American judiciary, characterizing Trump's theatrical style as strategic maneuvering while introducing the Epstein files as a modern proscription list echoing Sulla's ancient purges that could trigger political revolution. 21889 SCOTUS

Why are you paying for ads… but your bar isn't getting talked about?Your costs are controlled. Margins look healthy. The menu is optimized.On paper, you're doing everything right.But great drinks aren't marketing. They serve guests. They don't create moments. And they won't give people a reason to pull out their phones.A small theatrical upgrade might increase cost. It might also increase perceived value, dwell time, and organic reach.In this episode, we break down how to design a menu that markets your bar for you.If your cocktails taste great but no one's sharing them, this one's for you.

Episode 660 also features an E.W. Poetic Piece titled, "Obey." Our music this go round is provided by these wonderful artists: Thelonious Monk, Peter Droge, Cola, Sonny & the Sunsets, Branford Marsalis and Terence Blanchard. Commercial Free, Small Batch Radio Crafted in the West Mountains of Northeastern Pennsylvania... Heard All Over The World. Tell Your Friends and Neighbors.

Preached by Jared Kress on Feb. 8 2026. Main Idea: Each era of worship throughout biblical and church history has something to celebrate and has contributed significantly to what we now enjoy as “blended worship.” Blended worship should not simply aim to find a middle ground between extreme styles, but instead involve curating the best lessons learned throughout history. Challenge: How can we learn from the best lessons and failures of history to have the most God-honoring approach to worship? Eight Eras of Musical Worship1. Personal & Priestly2. Tambourines & Tabernacle3. Psalms & Professionalism4. Synagogue & Study5. Christ & Creeds6. Transcendent & Theatrical 7. Hymnals & Homiletics8. Digital & Distribution-----Join us in person Sundays at 10:30am at 6325 Poplar Ave, Memphis TN or online at https://www.kirbywoods.org/live. Follow us online! Facebook: https://www.facebook.com/kirbywoodsmemphis Instagram: https://www.instagram.com/kirbywoodsmemphis YouTube: https://www.youtube.com/@kirbywoods Podcast: https://kirbywoodspodcast.buzzsprout.com

Shock rock band Caster Volor releases their new album, entitled Paracosm, via Pavement Entertainment. Paracosm is a raw, unapologetic plunge into the chaos of modern life, filtered through the fire of heavy rock theatrics. This album is a world of fantasy, defiance, and takeover—a soundtrack for misfits, rebels, and believers who know rock ‘n' roll is here to stay.Paracosm features six tracks with a dynamic range. From the excess-drenched swagger of “Hard R” to the defiant rebellion of “Wear The Black Hat,” the unbreakable spirit of “At Least We Still Got Our Rock N Roll,” and the vulnerable confessions of “I Can't Cry (So I Stand In The Rain),” Caster Volor blends power, satire, rage, and heart into one explosive package. “Bewitch My Body & Soul” offers themes of haunting devotion and “Black Leather Middle Finger” challenges conformity.Come see Caster Volor perform live at the Halloween Bash on Friday, October 31st, at D's Barn in Bristol, WI. This free show begins at 8 PM. The band also has a show on November 6th, where they will open for Scotty Austin (former vocalist of Saving Abel) at the Granada Theater in Minneapolis, MN. Caster Volor's album release party for Paracosm will be on November 22nd at Studio B at the Skyway Theatre in Minneapolis, MN. Doors open at 6 PM with advanced tickets priced at $12 and tickets at the door at $18.Hailing from Minneapolis, Minnesota, Caster Volor is a shock rock force that delivers a ferocious blend of hard rock and heavy metal wrapped in a theatrical spectacle unlike anything else on the touring circuit today. Known for their over-the-top, vaudevillian-inspired performances, the band fuses gritty, anthemic music with an immersive stage experience—turning every show into a raw, high-energy event that leaves audiences breathless. Musically, Caster Volor draws influence from the giants of hard rock and metal—both classic and modern. Their original material reflects the raw energy of bands like Motley Crue, Judas Priest, and W.A.S.P., while also channeling the darker industrial vibes of Rob Zombie, Alice Cooper, and Rammstein. Their sound is thunderous, infectious, and tailor-made for the stage. In addition to their original work, Caster Volor has gained attention for their powerful covers of rock and metal hits spanning multiple decades. Their setlists may include everything from KISS, Billy Idol, and AC/DC, to more unexpected twists like LMFAO, and even Enrique Iglesias—all reimagined through the band's hard-hitting, theatrical lens.Become a supporter of this podcast: https://www.spreaker.com/podcast/arroe-collins-unplugged-totally-uncut--994165/support.

TKras talked about Tom Brady and made no comment about the Super Bowl, why?

Edmund Fitton Brown and Bill Roggio argue Saudi Arabia's refusal to allow airspace use for strikes on Iran is theatrical to avoid Iranian retaliation, noting Riyadh privately remains a dependable US partner.1890 TEHRAN

Everitt and Ashworth detail Nero's fall through the Pisonian conspiracy forcing Seneca's theatrical suicide, followed by revolt in Gaul and Nero's own suicide by throat, destroying his precious singing voice in 68 AD.

Anthony Everitt and Roddy Ashworth discuss Nero's plot against his mother Agrippina in 59 AD, detailing the theatrical scheme using a collapsing boat that failed, forcing the emperor to send assassins to finish the matricide.J-L DAVID, SABINE WOMENINTERVENTION

What do trailers, legendary movie posters, streaming era strategy, and a deep love for theatrical storytelling have in common? This week on Trailer Geeks & Teaser Gods, Corey is joined by Debi Struzan and Dana Flowers-Mitchell for a deeply personal conversation about careers shaped by creativity, collaboration, and conviction. From Debi's early days at Seiniger Advertising and her connection to the iconic Drew Struzan legacy, to Dana's journey from agency producer to studio and streaming executive, the conversation traces how great entertainment marketing is built at the intersection of story, trust, and human connection. Together, Debi and Dana reflect on mentorship, studio versus agency life, the evolution of theatrical and streaming windows, and what still matters most when crafting campaigns that resonate. Along the way, the discussion touches on everything from horror trailers and prestige dramas to boxing workouts, late night calls, and why picking up the phone still matters. Key Takeaways From Agency to Studio and Back Again Both guests share how starting on the agency side shaped the way they later partnered with creative teams once they moved into studio and streaming roles, fostering deeper empathy and stronger collaboration. The Legacy of Drew Struzan Debi reflects on the influence of her father-in-law, legendary illustrator Drew Struzan, and the enduring impact of handcrafted movie poster art in a rapidly changing industry. Why Relationships Still Win Dana and Debi emphasize that despite new tools, platforms, and pressures, strong relationships and direct communication remain essential to solving creative problems and building trust. Theatrical Is Not Dead The conversation challenges the idea that movie theaters are fading, pointing instead to evolving audience behaviors and the continued power of shared cinematic experiences. Creativity in an Era of Change From AI anxiety to shrinking budgets, the discussion explores how agencies and creatives can adapt while protecting the core value of original ideas and emotional storytelling. Notable Quotes "People still want to be moved together in a room. Theatrical is not dying. It's evolving." "You can solve a lot of problems just by picking up the phone." "The big idea still matters. Tools can change, but concept is everything." Connect Debi Struzan - www.linkedin.com/in/debistruzan Dana Flowers-Mitchell: www.linkedin.com/in/dana-flowers Corey Nathan – @coreysnathan on all platforms Our Sponsors Meza Wealth Management – mezawealth.com The Golden Trailer Awards – goldentrailer.com Join the Community Like what you hear? Leave us a rating and review! Connect with Corey on all platforms @coreysnathan Subscribe for new episodes every week and keep up with the world's best trailer creatives!  

Here is part 2 of all our live reviews for theatrical releases from 2025.https://youtu.be/pfiHs1Yhbg0https://rumble.com/v74q64k-2025-theatrical-releases-pt.-2-hack-the-movies-live-review-compilation.html

Here is part 1 of all our live reviews for theatrical releases from 2025.https://youtu.be/WUbzm2kdIZohttps://rumble.com/v74o990-2025-theatrical-releases-pt.-1-hack-the-movies-live-review-compilation.html

A conversation with Iain Gillie - Executive Producer and CEO at PW Productions who brought the stage show of Spirited Away from Tokyo to London. At the PW Productions London office in the heart of the West End in November 2025 Gillie discusses Spirited Away, winning a British Chamber of Commerce in Japan (BCCJ) British Business Award, how he got on his theatrical journey, what he looks for to green-light a show, getting lost in Japan, and more!!

We discuss the hottest topics from the week! Netflix will keep 45-day theatrical windows for Warner Bros movies? Avatar Takes Box Office Oscar Noms this Week "Dunesday" Sam Raimi Wants More Comic Book Movies Hayden Christensen is a fan of the Star Wars prequel memes Kathleen Kennedy Star Wars Updates Euphoria Trailer & MUCH MORE! Join the conversation... FacebookInstagramTwitterTikTokYouTubeRate/Review/Subscribe:Apple PodcastsSpotifyYouTube See omnystudio.com/listener for privacy information.

Shock rock band Caster Volor releases their new album, entitled Paracosm, via Pavement Entertainment. Paracosm is a raw, unapologetic plunge into the chaos of modern life, filtered through the fire of heavy rock theatrics. This album is a world of fantasy, defiance, and takeover—a soundtrack for misfits, rebels, and believers who know rock ‘n' roll is here to stay.Paracosm features six tracks with a dynamic range. From the excess-drenched swagger of “Hard R” to the defiant rebellion of “Wear The Black Hat,” the unbreakable spirit of “At Least We Still Got Our Rock N Roll,” and the vulnerable confessions of “I Can't Cry (So I Stand In The Rain),” Caster Volor blends power, satire, rage, and heart into one explosive package. “Bewitch My Body & Soul” offers themes of haunting devotion and “Black Leather Middle Finger” challenges conformity.Come see Caster Volor perform live at the Halloween Bash on Friday, October 31st, at D's Barn in Bristol, WI. This free show begins at 8 PM. The band also has a show on November 6th, where they will open for Scotty Austin (former vocalist of Saving Abel) at the Granada Theater in Minneapolis, MN. Caster Volor's album release party for Paracosm will be on November 22nd at Studio B at the Skyway Theatre in Minneapolis, MN. Doors open at 6 PM with advanced tickets priced at $12 and tickets at the door at $18.Hailing from Minneapolis, Minnesota, Caster Volor is a shock rock force that delivers a ferocious blend of hard rock and heavy metal wrapped in a theatrical spectacle unlike anything else on the touring circuit today. Known for their over-the-top, vaudevillian-inspired performances, the band fuses gritty, anthemic music with an immersive stage experience—turning every show into a raw, high-energy event that leaves audiences breathless. Musically, Caster Volor draws influence from the giants of hard rock and metal—both classic and modern. Their original material reflects the raw energy of bands like Motley Crue, Judas Priest, and W.A.S.P., while also channeling the darker industrial vibes of Rob Zombie, Alice Cooper, and Rammstein. Their sound is thunderous, infectious, and tailor-made for the stage. In addition to their original work, Caster Volor has gained attention for their powerful covers of rock and metal hits spanning multiple decades. Their setlists may include everything from KISS, Billy Idol, and AC/DC, to more unexpected twists like LMFAO, and even Enrique Iglesias—all reimagined through the band's hard-hitting, theatrical lens.Become a supporter of this podcast: https://www.spreaker.com/podcast/arroe-collins-like-it-s-live--4113802/support.

Midway Avenue Productions Presents, The Genre of Your Life Podcast!Episode #95 | Happy 2026, everyone!

Welcome to 2026 and our first episode of the New Year! On this week's episode of The Cultured Nerd Podcast, Michael and Taylor sit down and talk about the news out of #Deadline that #Netflix is wanting to cut down the #WB theatrical window from 45 days to 17 days. They talk about the ins and outs if that could be feasible, what it would mean if its true, the conflicting info that's going around, and more.After that, they sit down and talk about the ending of #StrangerThings, its mirroring of the ending of #TheLordOfTheRings and much more.

On this week's episode: Rumors swirl around Netflix/Warner Bros. theatrical window, Leonardo DiCaprio's grim view of move theater going experience, reviews of "Anaconda" and "Sorry, Baby," and New England filmmaking news. The Hub on Hollywood, hosted by Jamie and James, delves into the thriving film industry in New England. The podcast explores the production of various projects, including commercials, television shows, and full-length feature films. The podcast offers insight into New England’s growing film industry, as well as entertainment news and reviews. Subscribers can access the podcast on the iHeartRadio app and follow the hosts on Instagram and TikTok for updates.See omnystudio.com/listener for privacy information.

In this quick headlines segment, the host breaks down the report that Netflix wants a 17-day theatrical window for Warner Bros. movies if the acquisition goes through, while stressing what's actually confirmed versus what's still just reported. They compare that rumored 17-day window to the current 45-day standard theaters prefer, explain why Netflix would love the shorter timeline, and talk about what it could mean for the future of movie theaters. The episode wraps with a simple reminder that the deal will take time, and there will be more updates as new details come out.00:00 Reported 17-day window and what's confirmed vs rumored00:16 Netflix's public message about keeping releases “traditional”00:22 Why theaters want 45 days, not a throwback 90-day window00:30 Why 17 days works for Netflix's release strategy00:43 What this could mean for theaters and how fans can support them00:55 Reminder: Netflix hasn't publicly confirmed the 17-day plan01:08 Wrap-up and next updatesThe “17-day window” is being reported as what Netflix wants, but it has not been publicly confirmed by Netflix.Netflix has publicly said it wants releases to stay “traditional” and “industry standard,” which is part of its pitch around the acquisition.The current common standard theaters point to is around 45 days, which exhibitors see as the workable middle ground.A shorter window could front-load hype into opening weekend, then shift viewing to at-home right as word of mouth usually boosts later weeks.If theatrical exclusivity shrinks, theaters may lean even harder into event-style experiences, and attendance plus concession sales matter more than ever.“Let's clarify what's going on here.”“Netflix themselves have not said that.”“The standard is 45, and that's what theaters want.”“Don't sneak in candy or sodas. Buy them there.”If you enjoyed this update, subscribe to Geek Freaks Headlines, leave a quick rating and review, and share the episode with #GeekFreaksHeadlines.Instagram: @geekfreakspodcastTwitter: @geekfreakspodThreads: @geekfreakspodcastPatreon: GeekFreaksPodcastFacebook: Geek Freaks PodcastSend us what you want covered next, including your thoughts on theatrical windows, streaming-first releases, and what you think a “fair” theater-only window should be.Netflix, Warner Bros, Warner Bros Discovery, Movie Theaters, Theatrical Window, Box Office, Streaming, DC Movies, Entertainment News, Hollywood Business, Film Industry, Pop Culture PodcastTimestampsKey TakeawaysMemorable QuotesCall to ActionFollow UsListener QuestionsApple Podcast Tags

When a 10-year-old kid starts taking notes to critique his Aunt's directing of a Severna Park High School play, you know there is a budding theater kid in there. Fast forward about twenty years, and that kid graduated from Severna Park High and has just won an Annie Award in Arts Education from the Arts Council of Anne Arundel County. Along the way, Atticus Boidy has made a huge name for himself in the realm of the theatrical arts in Anne Arundel County. He teaches at the Children's Theatre of Annapolis, consults with many elementary and high schools in the county, and works with AACC and many other theater companies in the region. Along the way, he has launched his own consulting firm-- Theatrical Success Consulting. Truly a fascinating individual! Have a listen! LINKS: Atticus Boidy (Website) Theatrical Success Consulting (Website)  

THEATER, BATTLESHIPS, AND THE ILLUSION OF AMERICAN POWER Colleagues Gaius and Germanicus, Friends of History Debating Society, Londinium, 91 AD. Gaius and Germanicus discuss the theatrical nature of American imperial power under Donald Trump, positing that the administration utilizes military displays—such as missile strikes on empty targets in Nigeria or Venezuela—as symbolic rituals to assert authority without risking the failure associated with actual combat. Germanicus argues that Trump possesses the insight that "theater is the best way to assert American authority," drawing a parallel to Reagan's "Star Wars" initiative, which defeated the Soviets through the illusion of technological superiority rather than its reality. They debate the strategic utility of battleships; while Trump envisions massive vessels for their psychological hold on the "collective imagination," Germanicus predicts the construction of guided missile cruisers that merely project that image of invincibility. The conversation shifts to the Russo-Ukrainian conflict, where Germanicus characterizes the Kyiv government as a "gangster racket" protracting the war for financial gain while Russia solidifies its military reputation. They conclude that the US is transitioning into a phase of empire relying on "demonstration and display" to maintain global dominance, warning that an actual military defeat could be a fatal blow to the system. NUMBER 1 1942 BB58 USS MARYLSND IN ACTION.

Professor Toby Wilkinson. Cleopatra seduced Mark Antony with a theatrical entrance as Aphrodite, securing a romantic and political partner. Antony relied on Egyptian wealth for his campaigns but suffered military setbacks, alienating Rome by adopting Eastern customs. Their union produced children and challenged Octavian's authority, leading to inevitable conflict. 2900 SUEZ

Ep. 170 - Nathalie Velasquez, owner of Nathalie & Co. Dancewear, Swimwear and Activewear, talks about her commitment to the performing arts community

The first trailer for Christopher Nolan's The Odyssey is here, and we break down what it's setting up: Odysseus' brutal trek back to Ithaca after the Trojan War, the core family stakes with Penelope and Telemachus, and the trailer's biggest vibe, a battered king trying to survive long enough to get home. We also talk about how massive this movie looks, why the cast lineup feels unreal, and what the IMAX 70mm approach says about Nolan aiming for a true theatrical event ahead of its July 17, 2026 release.00:00 Trailer reaction and the basic setup (Homer adaptation, Odysseus' journey home)00:15 The main trio and what their roles look like in the trailer (Odysseus, Telemachus, Penelope)00:29 Trojan War aftermath shots, the Cyclops tease, and the trailer's scale00:44 The stacked supporting cast and Nolan going all-in on IMAX tech01:02 Theatrical event vibes, ticket demand, and the July 17, 2026 release date01:17 Listener thoughts and weekly sign-offThis looks like a survival story first, with Odysseus presented as a battered, postwar king fighting to make it back to Ithaca.The emotional spine is family: Odysseus trying to reunite with Penelope, and Telemachus searching for his father.The trailer hints at classic Odyssey challenges, including a Cyclops, while showing huge war aftermath imagery.The cast is loaded top to bottom, well beyond the main three leads.Nolan's IMAX 70mm push and new tech upgrades are meant to make this a must-see-in-theater release.Release date called out: July 17, 2026, with early screenings sounding like they're already in high demand.“Christopher Nolan's Odyssey just dropped its first trailer. Let's take a look.”“It's like battered king postwar, barely holding his life together, and all he wants to do is return to his wife.”“The scale of this thing is insane.”“This is supposed to be like a theatrical event.”If you enjoyed this breakdown, subscribe to Geek Freaks Headlines and leave a review. Share the episode with a fellow movie fan using #GeekFreaksHeadlines.GeekFreaksPodcast.comFacebook: https://www.facebook.com/thegeekfreakspodcastInstagram: https://www.instagram.com/geekfreakspodcast/Twitter: https://twitter.com/geekfreakspodThreads: https://www.threads.net/@geekfreakspodcastPatreon: https://www.patreon.com/GeekFreakspodcastGot a topic you want covered, or a trailer you want us to react to next? Send it our way on social or drop it in your podcast app comments and we'll pull from the best suggestions.Christopher Nolan, The Odyssey, Odyssey Trailer, Matt Damon, Tom Holland, Anne Hathaway, Odysseus, Telemachus, Penelope, Movie Trailers, Film News, IMAX, 2026 Movies, Geek Culture, Geek Freaks HeadlinesTimestamps And TopicsKey TakeawaysMemorable QuotesCall To ActionOur News SourceFollow UsListener QuestionsApple Podcast Tags

My guest today is Dylan Marrello, Founder and Portfolio Manager at Marrello Capital. In this episode, we take a deep dive into D-BOX Technologies (TSX: DBO), a haptic technology company that's been discussed quite a bit recently.  The movie theater industry has been through a dramatic reset over the past few years — from streaming pressure and COVID shutdowns to consolidation, higher ticket prices, and a renewed focus on premium, in-theater experiences that audiences simply can't replicate at home. As the industry recovers, exhibitors and studios alike are leaning into technologies that enhance engagement, drive higher ticket spend, and improve theater economics. We discuss D-BOX's shift to a high-margin theatrical royalty model, the impact of new management, strong insider alignment, and how premium experiential formats are reshaping the future of moviegoing. For more information about Marrello Capital, please visit: https://ragingbullinvestments.substack.com/ You can Follow Dylan Marrello on Twitter/X @RagingBullCap: https://x.com/ragingbullcap We just announced our full slate of investor conferences for 2026, all in partnership with MicroCapClub. Our next major event is Planet MicroCap: LAS VEGAS, happening June 16–18, 2026, at the Bellagio. Registration is now open for that. And, later in the year, we'll be heading back to Toronto, October 27-29, 2026 at the Arcadian Loft. The mission is to bring the best microcap investors and companies together to gather, connect, and grow. This includes your participation. We know you are putting your 2026 investor conference calendars together, and we'd like to humbly invite you to join us for one or both of them. Please visit www.planetmicrocapshowcase.com for more information. See you in Vegas and Toronto! Planet MicroCap Podcast is on YouTube! All archived episodes and each new episode will be posted on the Planet MicroCap YouTube channel. I've provided the link in the description if you'd like to subscribe. You'll also get the chance to watch all our Video Interviews with management teams, educational panels from the conference, as well as expert commentary from some familiar guests on the podcast. Subscribe here: http://bit.ly/1Q5Yfym Click here to rate and review the Planet MicroCap Podcast You can Follow the Planet MicroCap Podcast on Twitter @BobbyKKraft

This week on Thumb War, we revisit Bad Santa (2003) — Terry Zwigoff's filthy, funny, and surprisingly tender Christmas classic. Jason & Rachel dig into the Director's Cut vs the Theatrical version, studio interference, and why Billy Bob Thornton's Willie T. Soke somehow becomes one of the strangest “found family” characters in holiday movie history. Along the way, we celebrate: Bernie Mac & John Ritter's perfect comic chemistry Zwigoff's anti-sentimental worldview Why this movie still works — and why it probably wouldn't get made today A holiday staple in this house. Not safe for work. Definitely not safe for kids. Join our Patreon for ad-free episodes + bonus shows: http://bit.ly/ Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

Welcome back to the 261st episode of The Cup which is our a weekly (give or take, TBD, these are unprecedented times) performing arts talk show presented by Cup of Hemlock Theatre. With the theatres on a come back we offer a mix of both reviews of live shows we've seen and continued reviews of prophet productions! For our 261st episode we bring you a Duet Review of he Unauthorized Hallmark(ish) Parody Musical, with book by Tim Drucker and Bonnie Milligan, music by Joel Waggoner and lyrics by Tim Drucker, Bonnie Milligan and Joel Waggoner, directed by Tim Drucker, produced by Paquin Exhibitions & Theatrical and presented by FEVER. Join Co-Artistic Producer Mackenzie Horner and Associate Artistic Producer Jillian Robinson, as they discuss all the clever homages to Hallmark Christmas movie tropes, the show's very catchy songs, and the twist ending! The Unauthorized Hallmark(ish) Parody Musical is playing at The Royal Theatre (608 College Street, Toronto, M6G 1B4) from November 20th, 2025 to January 4th, 2026. Tickets can be purchased from the following link: https://bit.ly/3MGQx1rThis review contains many SPOILERS for The Unauthorized Hallmark(ish) Parody Musical. It will begin with a general non-spoiler review until the [13:50] mark, followed by a more in-depth/anything goes/spoiler-rich discussion. If you intend to see the production, we recommend you stop watching after that point, or at least proceed at your own risk. Follow our panelists: Mackenzie Horner (Before the Downbeat: A Musical Podcast) – Instagram/Facebook: BeforetheDownbeatApple Podcasts: https://apple.co/3aYbBeNSpotify: https://spoti.fi/3sAbjAu Jillian Robinson – Instagram: @jillian.robinson96Follow Cup of Hemlock Theatre on Instagram/Facebook/Twitter: @cohtheatreIf you'd like us to review your upcoming show in Toronto, please send press invites/inquiries to coh.theatre.MM@gmail.com

Giga Bytes Podcast #390 Hoy hablamos de varios rumores pre Game Awards, la saga de Wb y Mucho más!!! Paramount inicia adquisición hostil de WB por $108b Metroid Prime 4: Beyond Lego Batman Legacy of the Dark Knight a los Game Awards Black Friday 2025: PS5 Domina, mejor semana para PS5 Pro desde su lanzamiento US: PS5 1St (47%), Switch 2 2nd (24%), NEX Playground 3rd (14%) UK: PS5 1st (62%), Switch 2 2nd (23%), 3rd Xbox Series (10%) Phantom Blade Zero a recibir nuevo trailer y fecha de lanzamiento durante los Game Awards Teaser trailer Supergirl esta semana (TGAs?) Kojima: no sabe si OD funcionara, Physnit buscando nuevos gimicks para el titulo The Boys a lanza última temporada el 8 de abril Resident Evil Requiem a lanzar nuevo trailer en los Game Awards Severance S3 a comenzar filmacion de abril a diciembre 2026, lanza verano 2027 Euphoria S3 abril 2026 Star Wars A New Hope 50 anniversary Theatrical a cines Febrero 19 2027 Endgame regresa a Cines Sept 25, 2026, rumor nuevo post credit Katsuhiro Harada se ira de Bandai Namco luego de 30 anos Pelicula de los Simpsons se mueve a 9-3-2027 Peaky Blinders The Immortal Man a cines marzo 6 (limitado) marzo 20 en Netflix Bad Robot Games y Playstation Studios se unen para publicar primer título desarrollado internamente (4P Coop) Romeo is a Dead Man lanzara Feb 11 2026 PS/XB/PC Judas: (Ken Levine) Recibe Update en PS Blog Justin Lin (Fast & Furious) a dirigir película de Helldivers ]Sigueme y Suscribete: Facebook.com/elgiga Youtube.com/elgiga947 Instagram.com/elgiga947                                                                                                                                    Twitch.tv/elgiga947 Twitter.com/elgiga947 Giga Bytes Podcast   #monsterenergypr @monsterenergy @Stephreyesmarketing @caribbeanxsports @eriberto213 #gigabytespodcast #NintendoSwitch2 #PS5 #MarvelTokonFightingSouls #MarvelCosmicInvasion #Wolverine #Saros #GhostofYotei #NexPlayground #ResidentEvilRequiem #MetroidPrime4 #GhostofYotei #Switch #Xbox #PSSR #PS5Pro #Xbox #Switch2 #Review #Playstation #Switch2 @tiendasmesalve #gigabytespodcast #TGA2025 #PSPortal

Well, we recently talked about the first Chronicle of Narnia … the book! Yet many fans found or rediscovered this series thanks to the Disney-distributed, Walden Media–made film from director Andrew Adamson. Want to feel old? That was two decades ago! So now we shall look back at Narnia's journey to the box office with The Lion, the Witch and the Wardrobe, which released twenty years ago on Dec. 9, 2005. Episode sponsors Edmund Spenser’s The Faerie Queen A Faie Tale by Vince Mancuso MYTH: Reign of the Immortals by J. F. Nickens Mission update New at Lorehaven: Netflix's New ‘Frankenstein' Reveals Why a Time-Shifted ‘Magician's Nephew' Film May Work , Daniel Whyte IV Subscribe free to get updates and join the Lorehaven Guild Coming in January: our book quest through Stephen Lawhead's fantasy novel Taliesin Backstory: Mark Joseph Mark Joseph is a music and film producer, author, columnist and founder of MJM Entertainment Group, a multi-faceted entertainment company with interests in film, publishing, music, TV production and film consulting. Joseph got his start in television as an anchor for NHK and CNN's The Entertainment Report in the 1990's and his company MJM produced documentaries and supervised the international release of over a hundred albums by various pop and rock artists. In addition to producing his own films, he oversees a marketing team that has marketed 75 films since 2001. From 2000-2005 he worked in development and marketing for Walden Media and Crusader Entertainment and oversaw a grassroots marketing team. He has served as a producer on 15 films, including Max Rose starring Jerry Lewis, The Vessel starring Martin Sheen, America, Japan: Searching For The Dream, Frank vs. God and others. Joseph is the author of four books including The Lion, The Professor & The Movies: Narnia's Journey To The Big Screen and has been a regular contributor to publications like Forbes, The Hollywood Reporter, Variety, USA Today, The Huffington Post and FoxNews.com. He is currently a senior columnist for Newsweek and hosts the podcast The Mark Joseph Show. Most recently, he produced the film Reagan, starring Dennis Quaid and published the book Making REAGAN: A Memoir from the Producer of the REAGAN Movie. He also produced the film's two soundtracks including songs from Bob Dylan, Clint Black, Gene Simmons of KISS, Tanya Tucker and others. Mark and his wife Kara have six children and reside in Southern California. YAF.org: Mark Joseph Facebook: MJM Entertainment Group Instagram: @markjoseph00 The Lion, The Professor & The Movies: Narnia's Journey To The Big Screen Making REAGAN: A Memoir from the Producer of the REAGAN Movie 1. Narnia's journey from book to screen … The Lion, the Witch and the Wardrobe got one TV animation (1979) Then the story (plus two more) came to live-action BBC TV (1988) Yet it was the Walden Media–made film that went bigger (2005) That film released just twenty years ago in the U.S., Dec. 9, 2005 Mark Joseph's role from those early days as Narnia pre-producer 2. … Through the winter of production … Stephen first learned this was official in a NY Times ad Dec. 2003. Early rumors included Disney aid (true), Kidman's Witch (untrue). Director: Andrew Adamson. Early casting. Scriptwriters and team. In the afterglow of LOTR, Narnia also filmed much in New Zealand. WETA Workshop did armor work. Other studios did visual effects. The Lion, the Witch and the Wardrobe film released Dec. 9, 2005. 3. … And into the spring of fan acclaim Teasers and trailers pleased fans, with only a few early hiccups. Against a $180 million budget, earned $745 million worldwide. Led to two sequels that earned less. Ended. Restart didn't work. Now we have Greta Gerwig starting with The Magician's Nephew. Any informal shared advice, constructive criticism, final memories. Com station Top question for listeners How did you first see The Lion, the Witch and the Wardrobe (2005)? Terri Hamilton recalls her Narnia origin tale (ep. 289): I found the Narnia series in my school library when I was in 4th grade, and yes, they were in the proper order. It was a watershed moment for me. I bought myself a boxed set a few years later. Boy, did I look for portals! When I get into a discussion about the book order, I point out The Magician's Nephew is a prequel, explaining the back story of the first book. Next on Fantastical Truth “We do not celebrate Christmas that way.” “We do not read those kinds of books.” “We ‘do not handle, do not taste, do not touch.'” We know our world is full of rebellion against God's law. But many people overreact to moral license with a strict imposing of out-of-context or made-up laws. Faithful saints call this legalism, and Christian fantasy fans know plenty about this. When that social-media pastor rebukes your favorite sci-fi, or that relative raises a judgy eyebrow at holiday dinners, how you can respond with grace, truth, and love for legalists?

Today on The Cameron Journal Podcast, we are joined by the ineffably brilliant, Stan Lai. The most famous theater producer in China, he straddles form, characters and borders as he creates theatrical experiences across Asia, North American and Europe. We spent an hour together talking about storytelling, Chinese film, opera and fine art. These episodes are the ones that make me love doing this. Stan Lai is absolutely wonderful and his personal invitation to his dedicated theater in Shanghai was truly an honor. We talk about his new book CreativitRy and how everyone can find their own roadmap to live their most creative life. This is an exciting book from someone who has made a life out of his own mind. You can visit Cameron online at CameronJournal.com Watch The Cameron Journal Newshour every Monday at 7 pm!Part of the SOOPcast Podcast Network

I interviewed Matt Romein about MILKMAN ZERO: The First Delivery on Monday, November 17, 2025 at IDFA DocLab in Amsterdam, Netherlands. This is a listener-supported podcast through the Voices of VR Patreon. Music: Fatality

Remember to Rate (5 Stars), Review (Great show, blah, blah, blah) and Follow us on Apple Podcasts: https://podcasts.apple.com/us/podcast/b-o-boys-movie-box-office/id1489892648 E-mail us: theboboyspodcast@gmail.com   Subscribe on Youtube: https://www.youtube.com/@theboboyspodcast   Follow us on TikTok and Instagram: @TheBOBoysPod   Subscribe to us on Substack: https://substack.com/@theboboys Our AWESOME artwork was provided by the talented Ellie Skrzat. Check out her work at https://ellieskrzat.com/ Thanks to WannaBO VP of Interns Christopher for running our social media! ---

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Guest: Tom Milligan TKM Theatrical Productions presents the Iowa premiere of “Fruitcakes!” by Jonesy McElroy. About the show: It’s Christmas Eve in Cedar Springs, Iowa, and Guy St. Goodman leads a failing crisis hotline with his two employees, Angela McCleod and Mrs. Brunswick. Despite their desire to help those in need, they face an impending eviction ... Read more

If you liked the first one, you will love the second one. My spoiler free review. SISU Road To Revenge (2025) - Theatrical Review ROCKFILE Podcast 916 #sisuroadtorevenge #moviereview #rockfile  ~ You can subscribe to my podcasts on Podbean, Spotify, Apple Podcasts, iTunes, Amazon Music/Audible, Google Podcasts, YouTube, iHeart Radio, Pandora, TuneIn, Alexa, Player FM, Samsung, Podchaser, Stitcher, Boomplay, Overcast, Pocket Cast, Castro, Castbox, Podfriend, Goodpods, Deezer and more. ~ -Social Media Group:  https://www.facebook.com/groups/rockfilesroom -Official Website:  https://therockfile.com/ -YouTube channel:  https://www.youtube.com/@rockfile -Interview Archive:  https://therockfile.com/Interviews/    ~ Music from #Uppbeat https://uppbeat.io/t/enrique-molano/ants-carnival License code: IV5M5EGLBEBSNUDV  ~ Note: the static pictures in my movie reviews are NOT screen captures. I am not set up to do that yet but one day I hope to be.  

Writer-director Todd Rohal and actor-filmmaker Tipper Newton join us to unpack the wild ride of “F My Son,” from adapting a taboo comic into a kinetic midnight movie to crafting practical effects with Robert Kurtzman. We discuss casting at the edges, protecting a child actor on set, navigating love-it or hate-it reactions, and why they chose a slow, theater-first rollout instead of streaming. Tipper shares the story behind her award-winning short “Wildcard” and plans for the feature. A candid conversation about risk, tone, and keeping creativity sovereign in a numbers-driven industry.Key Topics:• From transgressive comic to cinematic romp• Practical effects, performance under prosthetics• Festival premieres, audience response, review culture• Ethics and logistics when working with a minor• Booking a theater-only release city by city• Tipper's “Wildcard,” music, and making your own path

Frankenstein is a critical hit for Netflix, so why isn't it playing in wide release in theaters? Plus loads of Hollywood news and an interview with Young & Cursed director Andrew Chiaramonte. Hilarity ensues.

Director John-Michael Powell joins No Film School to talk about his gritty Southern crime thriller Violent Ends, which hits theaters October 31. Powell shares the winding journey that led to the film's production—from being dropped from a college art program, to cutting indie films that made it to festivals like Sundance and SXSW, to editing the Emmy-winning Netflix series American Manhunt. Remarkably, he crafted a feature starring Billy Magnussen and Alexandra Shipp—without agents, managers, or festival support. This episode offers a raw, inspiring, and tactical look at building a career from the ground up, how to forge meaningful creative collaborations, and why the cavalry might never come. In this episode, No Film School's GG Hawkins and guest John-Michael Powell discuss… How Powell transitioned from music and graphic design to filmmaking Why getting cut from a college program helped shape his resilience The long road from writing Violent Ends in 2013 to securing funding a decade later The strategy behind securing name actors without traditional representation How he used relationships and resourcefulness to get a bidding war What filmmakers should know about real-money offers and escrow Why adaptability and microbudget thinking still matters—on any scale How not having representation can actually work in your favor Building a production company (Midnight Road) and what's coming next Memorable Quotes: "I got cut. I got the axe." "The most powerful tool you have as a filmmaker is your feet." "I took out 'editor' and put in just 'director and writer.'" "Violent Ends did not get accepted to any festivals… and we sold it to IFC." Guests: John-Michael Powell Resources: Watch the Violent Ends Trailer Violent Ends in Theaters via Fandango Find No Film School everywhere: On the Web: No Film School Facebook: No Film School on Facebook Twitter: No Film School on Twitter YouTube: No Film School on YouTube Instagram: No Film School on Instagram

1. Childhood Trauma and Theatrical Beginnings Scott Eyman Charlie Chaplin versus America: When Art, Sex, and Politics Collided The discussion focuses on Chaplin's traumatic Victorian childhood, particularly the haunting memory of receiving only an orange for Christmas at the Lambeth Workhouse. His father died of alcoholism, and his mother struggled with mental illness. Chaplin's brother, Sydney, took charge of young Charlie and eventually secured him a job with the famous Fred Carno comedy company, launching Chaplin's theatrical career. 1915