Podcasts about theatrical

Michael Louis Hassiepen is a director and actor who is an on-air producer for The Palace. | We have launched a brand new tier for the month of September called... GRAPHIC NOVEL SEPTEMBER. For $85 you can pair a graphic novel and its film adaptation to be read, watched, and covered for a September episode of //MOVIES - A Podcast About the Act of Cinema.To decide our next film to discuss, join our Listener Sponsored tier on https://patreon.com/lowres Hosted on Acast. See acast.com/privacy for more information.

Send us Fan MailWe break down a major Paramount Skydance antitrust settlement and what its film release commitments and theatrical windows could mean for theaters and streaming. Then we race through the biggest geek headlines, from Star Wars publishing and IMAX plans to sequels, TV casting, awards, and a farewell to Garrett Graham. • Paramount Skydance settlement terms in plain language • Film minimums, US production spend commitments, and penalty structure • Theatrical window rules and what they signal for streaming timelines • New Star Wars middle grade graphic novel centered on Jabba's lost treasure • 2027 IMAX 70mm plans for the original Star Wars and Star Wars Starfighter • World War Z 2 officially moving forward with Brad Pitt returning • Harry Potter HBO series Season 2 casting updates • Pluribus Season 2 writing progress and fan theory themes • Quick rundown of key 2026 Emmy Award wins • Prop Masters Guild McGuffin Awards highlights • Remembering Garrett Graham and his career Now be sure to uh reach us on social media. We're at Blue Sky and Twitter at Multiverse Tom and Threads, Facebook and Instagram at Multiverse Tonight. If you've enjoyed the show and want to support our work, uh please head on over to multiverstonight.com to find our Patreon and Kofi pages, explore our show notes, browse our Tea Public store, and so much more. We welcome your ratings and reviews. Now be sure to subscribe and pass the show along to friends.Support the showThanks for listening! Come visit the podcast at https://www.multiversetonight.com/ 

Welcome back, folks. You're listening to Apocalypse Video Radio, and boy, do I have a banger for you! Now that the gang has wrapped up in the studio recording their hit Summer Film Series, Where Were You in ‘82?, they're hitting the road and going on tour with a trio of band-related movie shows! We're talkin' The One-ders, Spinal Tap, and even the four lads from Liverpool…The Beatles!!!So sit back, turn on the Hi-Fi, and lose yourself in the music as Apocalypse Video turns it up to eleven with its newest theme month: Wake Me Up When September Ends!I'm your host, Dave, and joining me as we jump on the tour bus to play the wasteland county fairs are fellow cinephiles and band mates, Mike, Ryan, and Jackie.Topics of discussion in this episode include the magic trick of playing That Thing You Do! eleven times throughout the film and somehow having it not get on your nerves; Ryan explains the differences between the Theatrical and Extended Cuts and why this film should be taught in Film Editing courses; and finally, we play “Who Are You?” as we decide who each of us would be in the film (Spoiler: yours truly doesn't end up going on the tour with the band).Be sure to rate, review and subscribe wherever you get your podcasts. You can also Like Us on Facebook, Follow Us on Instagram, or shoot us an email at apocalypsevideopod@gmail.com That'll do it for our opening act. When we return, we'll be turning this thing up to 11 with This Is Spinal Tap. Until then, keep doing that thing you do, folks.

The start of the theater season in Buffalo is always a joyous occasion, and this podcast presents the bonus of hearing from many of the major administrators behind the shows. One after another, these artists spoke with Peter about their first show and what excites them about the 2026-27 slate of entertainment.

Every now and then, a band bursts out of the local circuit with the kind of sonic swagger that leaves your ears ringing and your jaw firmly pinned to the floor. If you haven't crossed paths with Melbourne's own theatrical rock powerhouse NECKO yet, you're about to get a rude, blues-drenched awakening. Dubbed by some as the next torchbearers of massive arena rock, this formidable three-piece—featuring Alek Necko on vocals and guitar, Reno Torrisi on drums, and Alex Damon ripping up the bass and keys—has been quietly plotting a rock revolution. And let me tell you, their latest offering is an absolute monster.The trio is gearing up to unleash a brand-new EP that takes everything you think you know about classic, blues-infused hard rock and turns it entirely on its head. We are talking about a record packed with immersive, medieval themes, navigating the jagged edges of newfound desire and gut-wrenching heartbreak. It is a rare blend of delicate whispers that draw you in, right before hitting you square in the chest with a powerful, stadium-sized roar. To make sure the sonic devastation hit exactly the right notes, the boys teamed up with GRAMMY winners Adrian Bushby and Al Sutton for production and mixing, capturing a raw, unapologetic performance that feels like a classic vinyl master brought to life in the modern age.To celebrate this monumental release, NECKO is hitting the highway for their massive Come As One Tour, bringing their legendary high-energy live show to the masses. Known for their face-melting extended solos and a stadium-rock presence that commands the entire room, these guys don't just play a gig—they put on a theatrical showcase. HEAVY caught up with Alek and Alex to dissect the inner workings of this incredible new EP. We dive deep into each of the songs and find out how they represent Necko moving forward, what it was like working alongside heavy-hitting industry legends behind the soundboard, what fans can expect when they bring this raw wall of sound to life on stages across the country and more.Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.

Send us Fan Mail Tony Oliver Interview (Anime Central 2026)This week we sat down with Tony Oliver who was named to IMDB's top 20 all time Anime Voice Actors list, began his career as an actor on stage and camera performing in several feature films and dozens of plays. He found success as a voice artist, lending his voice to one of the first Anime features to a receive wide US television release - "The Sea Prince and the Fire Child". His first foray into series television was as the voice of Rick Hunter in the groundbreaking anime series "Robotech". Following that he turned his attention to writing but continued his voice acting career. In 1988 he joined Saban Entertainment as a story editor where he wrote and co-produced an award-winning adaptation of "The Jungle Book". Tony was then tapped to help create a new kind of children's television show. The result was the mega hit, "The Mighty Morphin Power Rangers". He served as the development producer and head writer and also wrote the pilot, Co-Produced the series, directed the voice actors, played the voice of Saba, and produced and directed the Power Rangers live appearance at Universal Studios, which drew an estimated 50,000 people on a single day. After leaving Saban Entertainment, Tony continued to develop, produce, direct, and act in numerous Theatrical film, Television, Video Game, and Streaming Media projects including “Daigunder” for ABC Family/Disney; “Gurren Lagann” for the Sci Fi Channel, “Eureka Seven: Good Night, Sleep Tight, Young Lovers” which premiered on theatrical screens nationwide, and numerous video games including “BlazBlue: Continuum Shift”. “.hack//GU”, “Delta Force: Black Hawk Down”, “Lord of the Rings: The War of the Ring”, “Dynasty Warriors”, “World of Warcraft”,”Basara 3” and “Bravely Default”. Support the showWant to learn more about the show or just chat with us? Write to us at bandsgetjumped@gmail.comFollow us @bandsgetjumped on BlueSkyFind us on reddit at r/getjumped/Join the chat on Discord: https://discord.gg/DNjXhee

ATLP Rewind - Originally Released August 27, 2024What if we looked at our layouts like they were the stage of a grand performance? On this episode, the talented and thought provoking Scott Thornton comes by to share his passion for taking elements of the theatre and applying it to his model railroad. Scott shares how he uses similar approaches as they do on the stage with lighting, sound and props to make viewers of his layout feel like they are trackside on his IAIS Milan Branch. Later, we hear answers to the Question of the Month submitted by our listeners.Learn more about this episode on our website:aroundthelayout.com/rewindThank you to our episode sponsor, Broadway Limited Imports:https://broadway-limited.com/Thank you to our episode sponsor, ScaleSigns.com:https://scalesigns.com/Thank you to our episode sponsor, Oak Hill Model Railroad Track Supply:https://ohrtracksupply.com/Visit our website at aroundthelayout.comBecome a member of our Operating Crew for chances to win and much more!aroundthelayout.com/crewAround The Layout Podcast is a production of Thirty Five Productions LLC©2026 Thirty Five Productions LLC. All rights reserved.The views and opinions expressed by hosts and guests are their own and do not necessarily reflect those of Thirty Five Productions LLC or our sponsors.Use of any trademarks or trade names is for identification purposes only and does not imply endorsement.No portion of this podcast may be reproduced, distributed, or transmitted in any form or by any means without the prior written permission of Thirty Five Productions LLC, except for brief quotations used for purposes of review, commentary, or promotion.

Ala'a Al Qaisi joined Green Left Radio on August 28 to discuss her new play The Return inspired by martyred Palestinian sisters, Nagham and Rozan Abu Samra, killed by an Israeli strike on Gaza in 2024. The Return Project and Free Palestine Melbourne are hosting a September 15 performance. The Return is described as a powerful theatrical event not to be missed. We acknowledge that this was produced on stolen Aboriginal land. We express solidarity with ongoing struggles for justice for First Nations people and pay our respects to Elders past and present. If you like our work, become a supporter: https://www.greenleft.org.au/support Support Green Left on Patreon: https://www.patreon.com/greenleft Green Left online: https://www.greenleft.org.au/ Facebook: https://www.facebook.com/greenleftaction Twitter: https://twitter.com/greenleftonline YouTube: https://www.youtube.com/greenleftonline TikTok: https://www.tiktok.com/@greenleftonline Instagram: https://www.instagram.com/greenleftonline/ Podbean: https://greenleftonline.podbean.com/ Telegram: https://t.me/greenleftonline Podcast also available on Spotify, Apple Podcasts, Antennapod, Itunes and PodcastAddict.

Theatrical art rock duo DAME (featuring lead vocalist Veronica and multi-instrumentalist/producer Brian Viglione) stops by the No Offense Podcast for an electrifying and insightful conversation! Veronica breaks down the band's knighted origin story in France, drawing inspiration from Joan of Arc and historical heroines, and how they blend theatrical narrative storytelling with raw rock 'n' roll. Brian (formerly of The Dresden Dolls) and Veronica give a peek behind the curtain into their creative workflow—discussing their latest single "F*ing Mess", intentionally breaking modern production rules, resisting AI shortcuts in favor of authentic human emotion, and building a self-sustaining independent music career. Plus, they share surreal moments like playing an impromptu gig at an English castle and catching the attention of icons like Steve Perry, Brian May, Glenn Hughes, and Nikki Sixx!Key Timestamps00:00 - Welcome to the No Offense Podcast with DAME 01:08 - Band Origins: Veronica's knighthood in France, Joan of Arc imagery, & theatrical art rock 03:30 - Deconstructing the Single: The story, chords, & video concept behind "F*ing Mess"08:00 - Human Emotion vs. AI: Why real artistry can't be replaced 09:48 - Breaking Production Rules: Rejecting "playlist formulas" & preserving authentic rock sounds 13:40 - Lessons in Independence: Transitioning from jazz roots to original rock 17:10 - The Reality of Touring & Commitment: What it takes to run a working rock band 21:50 - Connecting with Legends: Steve Perry, Brian May, Nikki Sixx, & Glenn Hughes 25:00 - Inside the Studio: Collaboration, time-traveler concepts, & vocal stacking techniques 29:50 - Performing Vulnerable Songs: Personal loss, house fires, & emotional catharsis on stage 33:50 - Purpose in Music: Being part of the continuum that helps listeners through hard times 36:30 - How to Join the "Damedom" & Where to Stream DAMEInstagram: @DameBandOfficial Official Website: DameTheBand.com YouTube: @DameTheBand Fan Community: The "Damedom" (Link in Instagram bio) Featured Tracks: "F*ing Mess", "Get Tough", "Dream Song", "More or Less"#DAME #DameTheBand #NoOffensePodcast #ArtRock #TheatricalRock #VeronicaO'Brien #BrianViglione #TheDresdenDolls #FuckingMess #IndieRock #RockMusic #StevePerry #QueenBand #NewMusicAlert #MusicPodcast

Rapper, entrepreneur, and Cookies founder Berner joins Cannabis & Tech Today to discuss Splash City, his gritty new crime thriller set in San Francisco.Berner explains how the Bay Area's “bippin” scene inspired the film and takes us through the process of developing its characters, self-financing the production, co-directing, and securing a distribution partnership with Lionsgate. He also discusses the classic crime dramas that influenced the project, including Menace II Society, Boyz n the Hood, Juice, and Belly.The conversation explores how Berner's music career shaped the film's soundtrack, why he decided to rescore much of the movie in four days, and how shooting on location allowed San Francisco to become a character of its own. He also shares how cannabis influences his creative process, why CBD played an unexpected role on set, and what he hopes audiences take away from the story.For Berner, Splash City represents more than a first film. It is the beginning of an effort to bring edgy, culturally authentic crime movies back to the screen while shining a brighter light on Bay Area stories.

We are honored to be joined by returning guest Cameron Bailey, the president of the Toronto International Film Festival. He runs through the highlights of the festival's lineup and gives us the scoop on what not to miss. But first Anne is joined by IndieWire Senior Business Reporter Brian Welk to explore why franchises are falling to originals at the summer box office. They also share their thoughts on the new Anthony Bourdain biopic "Tony" and check in on the ongoing saga of Netflix's theatrical window. Learn more about your ad choices. Visit megaphone.fm/adchoices

Ok, we finally made it! Wrapping up our multi-part appreciation of the work of Steven Spielberg with Part 5. Spoilers for GYMKATA, ZODIAC, QUANTUM OF SOLACE and, of course, the films of Spielberg. Subscribe on Patreon Apple - The Film Talk Spotify - The Film Talk Facebook.com/TheFilmTalk

I talk to filmmakers all the time who say things like, I'm reviving the romcom. Or my film is a homage to 1950s Westerns. The statements encompass so many genres but the truth is, most of the time they don't work. It ends up being a facsimile of something great, which isn't good at all.This is a long way at getting to the point that NIMRODS, opening in theaters on August 14th, is the absolute real deal: a film that will remind you of the GOONIES, as my guest, director Lee Kirk hints at, without trying to remake it. It tells the story of three kids driving cross country to open for Green Day on New Year's Eve, and as you might imagine, complications ensue.I'm so excited to celebrate original art with a director who knows his classics.Lee and I talk about:how he was able to successfully bring back the feelings of 1990s/2000s road trip films;if non-Green Day fans will enjoy the film;how he got started in filmmaking;actors writing parts for themselves and if that's a way in;how new filmmakers can find their voice;what he's learned since his previous features;whether this ever was going to be a biopic and how he feels about the genre;the amazing casting in this film;how he ended up casting himself in the film;the festival strategy for the film and the decision to go theatrical;the luxury of avoiding social media;if being a playwright bleeds over to screenwriting.Memorable Quotes:"We started talking about the movies that we wanted it to feel like, right? So one of the big ones was "Goonies." We talked about "Goonies," but also movies like "Footloose" and "Vacation""It's a film about being a teenager and the struggles that go along with not having all the agency over your life, having these hopes and dreams and beliefs in yourself, and wanting to find something, wanting to build a life, but frustrated with what you got.""Every actor should be [writing their own scripts."" If you like Quentin Tarantino, make your version of "Pulp Fiction," and you're gonna find something in there about what you have to say.""Theatrical was always the goal."Links:Follow NIMRODS On Instagram

Today's guest, Caro Pirri, is the author of Colonial Failure and Theatrical Form in Early Modern England: Stages of Unsettlement (Oxford University Press, 2025). This book explores how early modern colonial travel writing informed the London theater's spatial and placemaking conventions. It suggests that what the stage found most compelling about narratives of colonial settlement was their failure to claim interpretive control over unfamiliar places and people. The book goes on to link colonial misreadings of places and people to theatrical strategies for staging disorientation, which Pirri characterizes as a condition of “unsettlement.” Each chapter focuses on a specific formal device that emerged from colonial misreadings: “uncommonplacing” in Richard Hakluyt's travel compendium; metonymic possession in Christopher Marlowe's Tamburlaine; “seasoning” in Ben Jonson's city comedies; “stagewreck” in Shakespeare's The Tempest; and “stagework” in the Lord Mayor's Shows. By approaching form as an interpretive process that is always engaged in the act of making and being made, Colonial Failure and Theatrical Form offers a model for reading past the seeming impasses of colonial narratives. It shows how narratives of failed settlement served as a productive resources for the formal worldmaking conventions of early modern theater. Jane Hwang Degenhardt is Professor English at the University of Massachusetts Amherst. She is the author of Globalizing Fortune on the Early Modern Stage (Oxford UP, 2022) and Islamic Conversion and Christian Resistance on the Early Modern Stage (Edinburgh UP, 2012). She is also a co-editor of the academic journal English Literary Renaissance. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Today's guest, Caro Pirri, is the author of Colonial Failure and Theatrical Form in Early Modern England: Stages of Unsettlement (Oxford University Press, 2025). This book explores how early modern colonial travel writing informed the London theater's spatial and placemaking conventions. It suggests that what the stage found most compelling about narratives of colonial settlement was their failure to claim interpretive control over unfamiliar places and people. The book goes on to link colonial misreadings of places and people to theatrical strategies for staging disorientation, which Pirri characterizes as a condition of “unsettlement.” Each chapter focuses on a specific formal device that emerged from colonial misreadings: “uncommonplacing” in Richard Hakluyt's travel compendium; metonymic possession in Christopher Marlowe's Tamburlaine; “seasoning” in Ben Jonson's city comedies; “stagewreck” in Shakespeare's The Tempest; and “stagework” in the Lord Mayor's Shows. By approaching form as an interpretive process that is always engaged in the act of making and being made, Colonial Failure and Theatrical Form offers a model for reading past the seeming impasses of colonial narratives. It shows how narratives of failed settlement served as a productive resources for the formal worldmaking conventions of early modern theater. Jane Hwang Degenhardt is Professor English at the University of Massachusetts Amherst. She is the author of Globalizing Fortune on the Early Modern Stage (Oxford UP, 2022) and Islamic Conversion and Christian Resistance on the Early Modern Stage (Edinburgh UP, 2012). She is also a co-editor of the academic journal English Literary Renaissance. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Today's guest, Caro Pirri, is the author of Colonial Failure and Theatrical Form in Early Modern England: Stages of Unsettlement (Oxford University Press, 2025). This book explores how early modern colonial travel writing informed the London theater's spatial and placemaking conventions. It suggests that what the stage found most compelling about narratives of colonial settlement was their failure to claim interpretive control over unfamiliar places and people. The book goes on to link colonial misreadings of places and people to theatrical strategies for staging disorientation, which Pirri characterizes as a condition of “unsettlement.” Each chapter focuses on a specific formal device that emerged from colonial misreadings: “uncommonplacing” in Richard Hakluyt's travel compendium; metonymic possession in Christopher Marlowe's Tamburlaine; “seasoning” in Ben Jonson's city comedies; “stagewreck” in Shakespeare's The Tempest; and “stagework” in the Lord Mayor's Shows. By approaching form as an interpretive process that is always engaged in the act of making and being made, Colonial Failure and Theatrical Form offers a model for reading past the seeming impasses of colonial narratives. It shows how narratives of failed settlement served as a productive resources for the formal worldmaking conventions of early modern theater. Jane Hwang Degenhardt is Professor English at the University of Massachusetts Amherst. She is the author of Globalizing Fortune on the Early Modern Stage (Oxford UP, 2022) and Islamic Conversion and Christian Resistance on the Early Modern Stage (Edinburgh UP, 2012). She is also a co-editor of the academic journal English Literary Renaissance. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/performing-arts

Today's guest, Caro Pirri, is the author of Colonial Failure and Theatrical Form in Early Modern England: Stages of Unsettlement (Oxford University Press, 2025). This book explores how early modern colonial travel writing informed the London theater's spatial and placemaking conventions. It suggests that what the stage found most compelling about narratives of colonial settlement was their failure to claim interpretive control over unfamiliar places and people. The book goes on to link colonial misreadings of places and people to theatrical strategies for staging disorientation, which Pirri characterizes as a condition of “unsettlement.” Each chapter focuses on a specific formal device that emerged from colonial misreadings: “uncommonplacing” in Richard Hakluyt's travel compendium; metonymic possession in Christopher Marlowe's Tamburlaine; “seasoning” in Ben Jonson's city comedies; “stagewreck” in Shakespeare's The Tempest; and “stagework” in the Lord Mayor's Shows. By approaching form as an interpretive process that is always engaged in the act of making and being made, Colonial Failure and Theatrical Form offers a model for reading past the seeming impasses of colonial narratives. It shows how narratives of failed settlement served as a productive resources for the formal worldmaking conventions of early modern theater. Jane Hwang Degenhardt is Professor English at the University of Massachusetts Amherst. She is the author of Globalizing Fortune on the Early Modern Stage (Oxford UP, 2022) and Islamic Conversion and Christian Resistance on the Early Modern Stage (Edinburgh UP, 2012). She is also a co-editor of the academic journal English Literary Renaissance. Learn more about your ad choices. Visit megaphone.fm/adchoices

Today's guest, Caro Pirri, is the author of Colonial Failure and Theatrical Form in Early Modern England: Stages of Unsettlement (Oxford University Press, 2025). This book explores how early modern colonial travel writing informed the London theater's spatial and placemaking conventions. It suggests that what the stage found most compelling about narratives of colonial settlement was their failure to claim interpretive control over unfamiliar places and people. The book goes on to link colonial misreadings of places and people to theatrical strategies for staging disorientation, which Pirri characterizes as a condition of “unsettlement.” Each chapter focuses on a specific formal device that emerged from colonial misreadings: “uncommonplacing” in Richard Hakluyt's travel compendium; metonymic possession in Christopher Marlowe's Tamburlaine; “seasoning” in Ben Jonson's city comedies; “stagewreck” in Shakespeare's The Tempest; and “stagework” in the Lord Mayor's Shows. By approaching form as an interpretive process that is always engaged in the act of making and being made, Colonial Failure and Theatrical Form offers a model for reading past the seeming impasses of colonial narratives. It shows how narratives of failed settlement served as a productive resources for the formal worldmaking conventions of early modern theater. Jane Hwang Degenhardt is Professor English at the University of Massachusetts Amherst. She is the author of Globalizing Fortune on the Early Modern Stage (Oxford UP, 2022) and Islamic Conversion and Christian Resistance on the Early Modern Stage (Edinburgh UP, 2012). She is also a co-editor of the academic journal English Literary Renaissance. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/british-studies

(00:00:00) Celebrating 349 Episodes and Podcast Longevity (00:01:26) Discussing 'The Drama' and Theatrical vs. Streaming (00:06:05) Discovering 'Nirvanna the Band the Show' and 'Cheers' Legacy (00:11:05) Revisiting 'Spider-Man' and 'The Odyssey' on the Big Screen (00:20:05) Listener Thoughts on Moana and Jumanji Sequels (00:35:13) Fan Perspectives on DCU and Snyder Cut Evolution (00:47:33) Fan Theories and Anticipation for the New Avengers Film (00:56:22) Analyzing the Dark and Quirky Clayface Trailer (01:05:04) Robert Pattinson as Chris Hansen in 'Primetime' (01:13:59) Nicolas Cage Film Stolen from Netflix Vault (01:19:39) Gareth Edwards Exits Jurassic World Over Differences (01:30:19) Record-Breaking Success of Spider-Man: Brand New Day (01:37:38) Tom Holland's Role and MCU Integration Strategy (01:43:57) Why Scarcity Drives Box Office Success in Hollywood (01:50:07) Final Thoughts, Listener Engagement, and Patreon Support This week we discuss the record-breaking first week of SPIDER-MAN: BRAND NEW DAY and what it might mean for AVENGERS: DOOMSDAY and the future of the MCU! Plus: JURASSIC 8 needs a new director, the trailers for CLAYFACE and PRIMETIME, and much more!Listen ad-free at Patreon: https://patreon.com/MovieFilmPodcast

More film studios are making films for audiences they believe are not well served by mainstream Hollywood. Many are aimed at Christian viewers or people with more traditional values, and some have become major box office successes. The trend reflects changes in how films are funded, promoted, and distributed to different audiences. Max Tani, Media Editor at Semafor, Kelly Merryman Hoogstraten, CEO of Wonder Project, and Brandon Purdie, Head of Theatrical and Brand Development at Angel Studios, outline different perspectives from across the industry. Prison radio is developing in different ways around the world, with stations giving prisoners the chance to learn broadcasting skills and share information inside prisons. Garth St Clair, co-founder of Rise Maximum Radio in Trinidad and Tobago, and Ninna Gaensler-Debs, co-director of Uncuffed in California, describe how prison broadcasting works in their organisations.Presenter: Ros Atkins Producer: Laura Cain

Recorded - 8/2/2026 On Episode 383 of the Almost Sideways Movie Podcast, we review the new box office champion. Is the latest Spider-Man movie worth the title? Then we review a new foreign film that will be coming to theaters next month that is definitely worth seeking out! Our Power Rankings, thanks to our friend Brett, is the Best Theatrical Experiences we've ever had. Here are the highlights:What We've Been Watching(4:00) "Masters of the Universe" - Adam Review(9:50) "Last Summer" - Zach Review(14:50) "Monster House" - Terry Oscar Anniversary Review(20:00) "Spider-Man: Brand New Day" - Featured Review(46:40) "The Condor Daughter" - Featured Screener Review(1:02:20) Power Rankings: Best Theatrical Experiences(1:46:40) Honorable Mentions & Guessing Todd's & Brett's Lists(2:02:50) Quote of the DayFind AlmostSideways everywhere!⁠⁠http://⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠almostsideways.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.facebook.com/AlmostSidewayscom-130953353614569/⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠AlmostSideways Twitter⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠: @almostsideways⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Terry's Twitter⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠: @almostsideterry⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Zach's Letterboxd⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠: https://letterboxd.com/pro_zach36/Todd: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Too Cool for Twitter⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Adam's Twitter⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠: @adamsideways⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://podcasts.apple.com/us/podcast/almostsideways-podcast/id1270959022⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://open.spotify.com/show/7oVcx7Y9U2Bj2dhTECzZ4m⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.youtube.com/channel/UCfEoLqGyjn9M5Mr8umWiktA/featured?view_as=subscriber

Host Tom Alvarez sits down with acclaimed playwright, actor, novelist, and cabaret performer Charles Busch for a candid conversation about the people, experiences, and creative passions that shaped his remarkable career. Busch reflects on his early years in New York and Chicago, the profound influence of his beloved Aunt Lil, finding his artistic voice through theater pioneer Charles Ludlam, and building a groundbreaking career with works like Vampire Lesbians of Sodom and The Tale of the Allergist's Wife. Along the way, he shares behind-the-scenes stories about Bette Midler, Broadway, cabaret, and television, offers thoughtful insights into the evolution of drag and queer theater, and discusses the challenges, triumphs, and resilience that have sustained more than 50 years of storytelling. Warm, witty, and deeply personal, this episode is an inspiring look at a singular artist whose greatest ambition has always been to tell unforgettable stories.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Listen to #Pulse95Radio in the UAE by tuning in on your radio (95.00 FM) or online on our website: www.pulse95radio.net ************************ Follow us on Social. www.instagram.com/pulse95radio www.facebook.com/pulse95radio

Earlier this year, SAG-AFTRA ratified a new TV/Theatrical Agreement, and a previous episode covered the big wins: the pension merger, AI protections, scale increases, and more. But it's a 148-page contract, and some of the most meaningful gains for working performers may have flown under the radar. This episode goes deeper into the provisions that really add up on set and in members' paychecks. Deputy Chief Contracts Officer Jessica Johnson joins the show to discuss recurring performer escalators, series regular protections, meal penalties, per diems, and even a new pay provision for corsets. *The views expressed by guests are their own and do not necessarily reflect the views of their organization or SAG-AFTRA.

Dave Arnold shares the long road to Adventures in Odyssey: The Movie, from earlier animated ideas to the new theatrical film coming next year. He talks about writing the screenplay, bringing familiar Odyssey locations and characters to animation, and how the movie will welcome both longtime fans and brand-new audiences.

Ellen Thommessen is a Norwegian milliner and costume maker who trained in Oslo, Stockholm then London under Rose Cory and in the workroom of Phillip Somerville in the early 1990s. She now leads the costume workroom at Oslo Nye Teater and co‑coordinates the Oslo Hat Walk alongside other freelance making. Find out more at https://millinery.info/2026/07/ellen-thommessen/ Thank you to our Patreon podcast sponsors Jennifer Hoertz Millinery www.jenniferhoertz.com Hat Blocks Australia www.hatblocksaustralia.com.au Judith M Millinery Supply House www.judithm.com Hatters Millinery Supplies www.hattersmillinerysupplies.com.au Lifted Millinery www.liftedmillinery.com Hat Academy www.hatacademy.com Hats by Leko www.hatsupply.com The Hat Magazine www.thehatmagazine.com Louise Macdonald Milliner www.millinery.com.au Millinery Australia www.millineryaustralia.org The Millinery Retreat School of Millinery www.themillineryretreat.com Barcelona Hat Days www.barcelonahatdays.com HATalk www.hatalk.com Become a Patreon supporter at www.patreon.com/millineryinfo This podcast is hosted and produced by Lauren Ritchie for Millinery.Info

We appreciate it's getting ridiculous Dear Listener. Please believe that we genuinely thought we could rank all of Steven Spielberg's theatrical films in one episode. That turned out not to be the case.  But in this episode we finally, almost, get there. Hope you enjoy, (and also join us in an appreciation of the wonderful actor Sam Neill who has just left us, he will be missed). Subscribe on Patreon Apple - The Film Talk Spotify - The Film Talk Facebook.com/TheFilmTalk

Nolan has crafted a modern epic worth seeing on the biggest screen possible! The Odyssey (2026) - Theatrical Review ROCKFILE Podcast 1005 #theodyssey #moviereview #rockfile  ~ You can subscribe to my podcasts on Podbean, Spotify, Apple Podcasts, iTunes, Amazon Music/Audible, Google Podcasts, YouTube, iHeart Radio, Pandora, TuneIn, Alexa, Player FM, Samsung, Podchaser, Stitcher, Boomplay, Overcast, Pocket Cast, Castro, Castbox, Podfriend, Goodpods, Deezer and more. ~ -Social Media Group: https://www.facebook.com/groups/rockfilesroom -Official Website: https://therockfile.com/ -YouTube channel: https://www.youtube.com/@rockfile -Interview Archive: https://therockfile.com/Interviews/  ~ Music from #Uppbeat https://uppbeat.io/t/richard-smithson/shake-it-out License code: 6KUFBE5PYJBOTTCN  ~

David Daoud — Prime Minister Netanyahu uses theatrical tours of the border to project strength ahead of the October elections; he faces criticism for being unable to say "no" to President Trump, and ultimately the fate of Israeli military deployments in Lebanon and Gaza depends more on Washington than Jerusalem. (8)

The Shandaken Theatrical Society turns 50 this year, and its home stage — the Phoenicia Playhouse — has a history that stretches back even further. Built in 1887 as a lodge for the Independent Order of Odd Fellows, the building later served as an auction house and a movie theater before falling into disrepair by the 1980s. Community intervention saved it from demolition, and STS has run it ever since.This episode brings together voices spanning the organization's history: board member and longtime performer Faye Storms, who arrived in the Catskills just three years after STS was founded in 1976; playhouse manager Geneva Turner, who also works as a standardized patient and intimacy coordinator when they're not running the house; technical director George Muller, a veteran of Live Aid and the Philadelphia Orchestra before landing in Phoenicia; and Wallace Norman and Hank Neimark of Woodstock Fringe, in town for a co-production of Songs Mostly of the Theatre.Fifty years ago, STS opened with a production of The Sound of Music — and there's talk of marking the anniversary with a singalong screening of the film. Beyond that possible nod to their roots, the season has grown into a full slate of drama, comedy, open mics, a concert series with Flying Cat Music, and youth theater camps.Find out more at phoeniciaplayhouse.com

https://daredaniel.com/wp-content/uploads/2026/06/CANON-FODDER_S01_E65.mp3 The Man Who Shot Liberty Valance (1962; Directed by John Ford) Canon Fodder Episode 65 After printing the legend, maiming the facts, and murdering the truth execution-style, Daniel Barnes and Corky McDonnell ride into town to review John Ford's The Man Who Shot Liberty Valance. A stripped-down western about mythmaking, masculinity and the American lie, Ford's film is widely considered a late-career classic. But did your hosts record the legend, or did they leave Liberty for dead? THE MAN WHO SHOT LIBERTY VALANCE FACTS & FIGURES Sight & Sound 2022 Critics Poll Ranking: #108 [tied] Theatrical premiere: April 22, 1962 IMDB synopsis: “A senator returns to a Western town for the funeral of an old friend and tells the story of his origins.” CLIPS & CLIPPINGS Original theatrical trailer for The Man Who Shot Liberty Valance Raising the steaks Tom’s got a secret Burning down the house NEXT EPISODE’S MOVIE The Battle of Algiers (1966; Directed by Gillo Pontecorvo) IMDB synopsis: “In the 1950s, fear and violence escalate as the people of Algiers fight for independence from the French government.” Our review of The Battle of Algiers comes out Tuesday, July 21! Follow Canon Fodder, Dare Daniel & Single Take on Facebook and Instagram. Listen, rate, review and subscribe to the show on Pandora, Apple Podcasts, Spotify, Listen Notes, Castbox and more. New episodes every other Tuesday! Please help support the show by clicking the Donate button on the homepage or find “Support the Show” in the main menu. Read more of Daniel’s movie reviews at Dare Daniel and Rotten Tomatoes. The post Canon Fodder – The Man Who Shot Liberty Valance appeared first on Dare Daniel Family of Podcasts.

Hello friends, who knew Higgins and Loe would have so much to talk about in regards to the filmography of Steven Spielberg? I suppose we should have realized. In this ep we soldier on and discuss some of our favorite Spielberg pictures, as well as reflect on the magnificent AU HASARD BALTHAZAR, Tom Stoppard's INDIANA JONES AND THE LAST CRUSADE script polish and Gareth's love of WAR HORSE. Enjoy. Subscribe on Patreon Apple - The Film Talk Spotify - The Film Talk Facebook.com/TheFilmTalk

Quintin, Tristan, and Jack embark on a major ranking of all 54 theatrically released films based on toy products. Which films do they deem to be the middle of the pack out of toy movies out of Trolls World Tour, Transformers, and Masters of the Universe? Find out now!

Charlotte Henry and Chuck Joiner examine Apple TV's strategy through the expansion of Monarch: Legacy of Monsters, the theatrical release of Tenzing, and Eddie Cue's Cannes Lions recognition. They compare Apple's stated quality-over-quantity approach with Netflix's engagement-first model, then consider F1 sequel plans and speculate on what smart glasses could mean for the streaming service from both the sports and entertainment perspectives. Show Notes: Chapters: 00:00 Opening Topics: Monsters, Theatrical Releases, and Eddie Cue 00:43 Monarch Season Two and the MonsterVerse Expansion 02:23 New Cast Members and Season Three Direction 03:50 Is Apple Building a Marvel-Style MonsterVerse? 05:23 Tenzing and Apple's Theatrical Release Strategy 07:07 Awards Eligibility and Big-Screen Ambitions 08:16 Eddie Cue's Cannes Lions Recognition 09:20 Quality Over Quantity as Apple TV+ Strategy 10:44 Hits, Misses, and Apple's Programming Discipline 12:18 Mythic Quest and Apple's Willingness to End Shows 13:33 Apple's Steve Jobs-Inspired Media Philosophy 14:43 Apple TV+ Compared with Netflix and Other Streamers 17:49 Building a Back Catalogue Through Originals 20:47 Apple's Avoidance of Background-Noise Programming 22:16 F1 Sequel Plans and Franchise Strategy 24:16 Apple Smart Glasses and the Eyewear Market 25:27 Privacy, Recording, and AR Questions 26:45 How Smart Glasses Could Connect to Apple TV+ 28:54 Streaming, Siri, and Contextual Information 29:13 Vision Pro, Xreal, and Viewing Experiences 31:23 Trust, Privacy, and Apple's Advantage 33:55 Glasses as TV Remote, Companion, or Second Screen 34:27 Meta, Snap, Style, and Mainstream Adoption 36:23 Closing Plugs and Where to Follow the Hosts Links: Three more actors jump into Apple TV's Monsterverse shows https://appleworld.today/2026/06/three-more-actors-jump-into-apple-tvs-monsterverse-shows/ Apple Original Film's 'Tenzing' will debut in theaters before coming to Apple TV https://appleworld.today/2026/06/apple-original-films-tenzing-will-debut-in-theaters-before-coming-to-apple-tv/ Apple's Eddy Cue honoured as the 2026 Entertainment Person of the Year https://www.apple.com/uk/tv-pr/news/2026/06/apples-eddy-cue-honored-as-the-2026-entertainment-person-of-the-year/ Apple VP Eddy Cue commits to quality not quantity for TV https://www.applemust.com/apple-vp-eddy-cue-commits-to-quality-not-quantity-for-tv/ Apple Seeks to Disrupt the Glasses Market the Way It Did With Watches https://www.bloomberg.com/news/newsletters/2026-05-31/apple-glasses-late-2027-release-watch-comparison-ios-28-apple-tv-homepod Guests: Charlotte Henry is a media junkie, covering how Apple is not just a revolutionary tech firm, but a revolutionary media firm. She is based in London, writes and broadcasts for various outlets, and is the author of Not Buying It, an examination of fake news. You can find her on her The Addition blog, her podcast, in her The Addition newsletter on substack, and on Twitter, Facebook, Instagram and TikTok. Support:      Become a MacVoices Patron on Patreon      http://patreon.com/macvoices      Enjoy this episode? Make a one-time donation with PayPal Connect:      Web:      http://macvoices.com      Twitter:      http://www.twitter.com/chuckjoiner      http://www.twitter.com/macvoices      Mastodon:      https://mastodon.cloud/@chuckjoiner      Facebook:      http://www.facebook.com/chuck.joiner      MacVoices Page on Facebook:      http://www.facebook.com/macvoices/      MacVoices Group on Facebook:      http://www.facebook.com/groups/macvoice      LinkedIn:      https://www.linkedin.com/in/chuckjoiner/      Instagram:      https://www.instagram.com/chuckjoiner/ Subscribe:      Audio in iTunes      Video in iTunes      Subscribe manually via iTunes or any podcatcher:      Audio: http://www.macvoices.com/rss/macvoicesrss      Video: http://www.macvoices.com/rss/macvoicesvideorss

From MPR News, Art Hounds are members of the Minnesota arts community who look beyond their own work to highlight what's exciting in local art. Want to be an Art Hound? Submit here.A sprawling surrealist exhibit Twin Cities painter David Amdur recommends seeing "The Internal Affairs of Mr. Invincible," an exhibition of more than 100 mixed-media drawings by Lou Ferreri at Hopkins Center for the Arts, on view through August 1. Amdur says: “To get some sense of it, imagine a collaboration between Salvador Dalí and R. Crumb. They are entire editorial pages from the New York Times that have been painted on with acrylic pens, so they're very colorful, and most of the images are quite complex and very surreal, very strange. Also in the exhibition are monumental charcoal drawings that are more than four feet across. It's not a show to rush through. There's really a lot to take in. I would give myself time to linger with the drawings. You'll find unexpected and surprising connections emerge.” Sculpture walking tours Tony Austinson of Fridley got interested in public sculpture during the pandemic, when viewing art indoors wasn't an option. Visiting the sculpture walks created by various Minnesota cities has turned into a hobby, and he likes to go with his literal art hound, Tillie, at his side. Over time, he's come to recognize and appreciate the work of individual artists, such as Tim Nelson of Bemidji, who makes sculptures from scrap metal. Austinson recommends checking out the sculpture walks in a city near you. Here are links to self-guided walking tours in Mankato, Bemidji, Park Rapids, Fergus Falls, Hutchinson, Red Wing, and Delano, as well as Eau Claire, Wisconsin. Performance art meets political theater Sarra Beckham-Chasnoff is a theater superfan in the Twin Cities. One standout theatrical performance from last fall—which she is excited to see return this weekend—is “In the Backroom,” created and performed by Michael Torsch. The show is 70 minutes without intermission and runs July 2-5 at 7 p.m. at the Southern Theater in Minneapolis. Beckham-Chasnoff says this play-within-a-play surprised her at every turn, and its themes feel timely for the Fourth of July. “Michael Torsch is just a local treasure, so he does a type of performance art that is very smart and funny, and simultaneously very accessible. He introduces some controversial 21st-century American figures. I think it just kind of has a more complicated view of what America is, and so with the 250th anniversary, I just think it will be a poignant piece to see. “The [theater] is just a few blocks away from where the fireworks will be in Minneapolis, and so for folks going to the July Fourth show, they'll be able to walk over and watch the fireworks afterwards.”

Charlotte Henry and Chuck Joiner examine Apple TV's strategy through the expansion of Monarch: Legacy of Monsters, the theatrical release of Tenzing, and Eddie Cue's Cannes Lions recognition. They compare Apple's stated quality-over-quantity approach with Netflix's engagement-first model, then consider F1 sequel plans and speculate on what smart glasses could mean for the streaming service from both the sports and entertainment perspectives. Links: Three more actors jump into Apple TV's Monsterverse shows https://appleworld.today/2026/06/three-more-actors-jump-into-apple-tvs-monsterverse-shows/ Apple Original Film's ‘Tenzing' will debut in theaters before coming to Apple TV https://appleworld.today/2026/06/apple-original-films-tenzing-will-debut-in-theaters-before-coming-to-apple-tv/ Apple's Eddy Cue honoured as the 2026 Entertainment Person of the Year https://www.apple.com/uk/tv-pr/news/2026/06/apples-eddy-cue-honored-as-the-2026-entertainment-person-of-the-year/ Apple VP Eddy Cue commits to quality not quantity for TV https://www.applemust.com/apple-vp-eddy-cue-commits-to-quality-not-quantity-for-tv/ Apple Seeks to Disrupt the Glasses Market the Way It Did With Watches https://www.bloomberg.com/news/newsletters/2026-05-31/apple-glasses-late-2027-release-watch-comparison-ios-28-apple-tv-homepod Guests: Charlotte Henry is a media junkie, covering how Apple is not just a revolutionary tech firm, but a revolutionary media firm. She is based in London, writes and broadcasts for various outlets, and is the author of Not Buying It, an examination of fake news. You can find her on her The Addition blog, her podcast, in her The Addition newsletter on substack, and on Twitter, Facebook, Instagram and TikTok. Support: Become a MacVoices Patron on Patreon      http://patreon.com/macvoices      Enjoy this episode? Make a one-time donation with PayPal Connect: Web:      http://macvoices.com Twitter: http://www.twitter.com/chuckjoiner      http://www.twitter.com/macvoices Mastodon:      https://mastodon.cloud/@chuckjoiner Facebook:      http://www.facebook.com/chuck.joiner MacVoices Page on Facebook:      http://www.facebook.com/macvoices/ MacVoices Group on Facebook:      http://www.facebook.com/groups/macvoice LinkedIn:      https://www.linkedin.com/in/chuckjoiner/ Instagram:      https://www.instagram.com/chuckjoiner/ Subscribe:      Audio in iTunes      Video in iTunes      Subscribe manually via iTunes or any podcatcher: Audio: http://www.macvoices.com/rss/macvoicesrss      Video: http://www.macvoices.com/rss/macvoicesvideorss

Mid-tier Spielberg is still great movie making even if it doesn't ascend to the heights of his previous work. Disclosure Day (2026) - Theatrical Review ROCKFILE Podcast 992 #disclosureday #moviereview #rockfile  ~ You can subscribe to my podcasts on Podbean, Spotify, Apple Podcasts, iTunes, Amazon Music/Audible, Google Podcasts, YouTube, iHeart Radio, Pandora, TuneIn, Alexa, Player FM, Samsung, Podchaser, Stitcher, Boomplay, Overcast, Pocket Cast, Castro, Castbox, Podfriend, Goodpods, Deezer and more. ~ -Social Media Group: https://www.facebook.com/groups/rockfilesroom -Official Website: https://therockfile.com/ -YouTube channel: https://www.youtube.com/@rockfile -Interview Archive: https://therockfile.com/Interviews/  ~ Music from #Uppbeat https://uppbeat.io/t/airstream/classic-rocker License code: F7MMYQCCVJMZRQUO  ~

Theatrical stages often mirror the intricate evolution of the societies that build them. Professor Carmen Gitre explores the burgeoning performance culture of Cairo between 1867 and 1930. This era witnessed a shift from street storytelling and shadow plays to formal theater houses designed for an emerging class of Western-educated intellectuals. The discussion traverses the grand spectacle of the Suez Canal's opening to the subversive nationalist songs of performers like Mounira al-Mahdiyya. Through this historical lens, the stage appears as a critical site for negotiating modernity, colonial influence, and Egyptian identity.   00:00 Introduction 01:28 The Evolution of Performance 03:56 Commissioning an Operatic Staple for a Global Stage 07:35 Street Storytelling & the Shadows of Earlier Traditions 12:02 Urban Redesign Mirroring a Parisian Vision of Modernity 18:46 Defensive Developmentalism & the Weight of Sovereign Debt 27:21 Syrian Practitioners & the Burgeoning Role of the Press 32:31 Efendi vs. Basha 39:01 Vernacular Choices for an Elevated Public Education 44:31 Satirical Observations through a Modernist Lens 51:14 The nuances of the women's movement 57:04 Disembodied Voices in the Era of Early Recording 58:00 Performances Spilling into the Nationalist Fervor of 1919 01:03:02 Cinematic Transitions and Legacies for the Everyman   Carmen Gitre is an Associate Professor of Middle East History and Associate Chair of History at Virginia Tech University. She earned her Ph.D. at Rutgers University in 2011. From 2011 to 2014, she taught in the International Studies and History Departments at Seattle University. Her academic interests include cultural history, imperialism, and the relationship between performance, identity, and modernity in Egypt. Her book, Acting Egyptian: Theater, Identity, and Political Culture in Cairo, 1867-1930, was published by the University of Texas Press in 2019. Other publications include 'The Dramatic Middle East: Performance as History in Egypt and Beyond,' and 'Nonsense and Morality: Comedy in Interwar Egypt.' Her current work delves more deeply into interwar art, performance, and cultural influence in Egypt.   Connect with Carmen Gitre

If you are looking for the next big action movie to raise the bar from what has come before, look no further than The Furious. In theaters now! The Furious (2026) - Theatrical Review ROCKFILE Podcast 991 #thefurious #moviereview #rockfile  ~ You can subscribe to my podcasts on Podbean, Spotify, Apple Podcasts, iTunes, Amazon Music/Audible, Google Podcasts, YouTube, iHeart Radio, Pandora, TuneIn, Alexa, Player FM, Samsung, Podchaser, Stitcher, Boomplay, Overcast, Pocket Cast, Castro, Castbox, Podfriend, Goodpods, Deezer and more. ~ -Social Media Group: https://www.facebook.com/groups/rockfilesroom -Official Website: https://therockfile.com/ -YouTube channel: https://www.youtube.com/@rockfile -Interview Archive: https://therockfile.com/Interviews/  ~ Music from #Uppbeat https://uppbeat.io/t/airstream/classic-rocker License code: F7MMYQCCVJMZRQUO  ~  

You won't believe where Professor Dr. Gareth Higgins put RAIDERS OF THE LOST ARK on this Part 2 episode ranking of all of Steven Spielberg's films Dear Listener, but as Jett Loe says on the show, (referring to Spielberg's DUEL), "...in the absence of reason there's madness". Subscribe on Patreon Apple - The Film Talk Spotify - The Film Talk Facebook.com/TheFilmTalk

How do we apply metrics to art Dear Listener? Well, Higgins and Loe try, as they go though all of Steven Spielberg's theatrically released films and put them in order form worst to best, least to greatest, slightly brilliant to most brilliant? Something like that. Enjoy. Subscribe on Patreon Apple - The Film Talk Spotify - The Film Talk Facebook.com/TheFilmTalk

Netflix just straight-up admitted they won't work with directors who still want theatrical releases -- film chief Dan Lin told The New York Times they've "accepted" that crowd is off-limits because Netflix is a streaming company first, last, and always, and those big-screen divas keep demanding actual movie theaters like it's still 1995. Yeah after years of dangling fat checks to lure in Scorsese, Cuarón, and the rest only to shove everything straight to your couch, they're now drawing a hard line in the sand while quietly padding a few prestige exceptions for awards bait -- because nothing says "we love cinema" like blacklisting anyone who thinks your $200 million movie deserves popcorn and a dark room instead of autoplay on the toilet. Watch the podcast episodes on YouTube and all major podcast hosts including Spotify. CLOWNFISH TV is an independent, opinionated news and commentary podcast that covers Entertainment and Tech from a consumer's point of view. We talk about Gaming, Comics, Anime, TV, Movies, Animation and more. Hosted by Kneon and Geeky Sparkles. Get more news, views and reviews on Clownfish TV News - https://more.clownfishtv.com/ On YouTube - https://www.youtube.com/c/ClownfishTV On Spotify - https://open.spotify.com/show/4Tu83D1NcCmh7K1zHIedvg On Apple Podcasts - https://podcasts.apple.com/us/podcast/clownfish-tv-audio-edition/id1726838629 MORE CLOWNFISH TV - Official Merch Store: http://ClownfishMinus.com Facebook - https://facebook.com/ClownfishTV X - https://x.com/ClownfishTVcom Clownfish TV subreddit: https://www.reddit.com/r/ClownfishTVOfficial/ Disclaimer: This series is produced by Clownfish Studios and WebReef Media, and is part of ClownfishTV.com. Opinions expressed by our contributors do not necessarily reflect the views of our guests, affiliates, sponsors, or advertisers. ClownfishTV.com is an unofficial news source and has no connection to any company that we may cover. This channel and website and the content made available through this site are for educational, entertainment and informational purposes only. These so-called “fair uses” are permitted even if the use of the work would otherwise be infringing. #News #Podcast #FYP #Shorts #NetflixTheatrical #NetflixDrama #DanLin #StreamingVsTheaters #HollywoodDirectors #NetflixFilmBoss #TheatricalReleases #NetflixPolicy Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

The Mandalorian and Grogu - Ep. 397 The galaxy's favorite space dad and his tiny green chaos goblin hit the big screen! Join Normies Like Us as we track the adventures of The Mandalorian & Grogu — from bounty hunting beginnings to beskar-clad blockbuster ambitions.This is the Way! Tune in, scrub your carbonite, and remember: Normies Like Us — Covering the Mandalorian so you don't have to! You can subscribe warm or you can subscribe cold. Insta @Normies_Like_Us https://www.instagram.com/normies_like_us/ @jacob https://www.instagram.com/_j__a___c___o__b_/ @Mike_Has_Insta https://www.instagram.com/mike_has_insta/ https://letterboxd.com/BabblingBrooksy/ https://letterboxd.com/hobbes72/ https://letterboxd.com/mikejromans/

This week, Patches and Da7e convene in the War Room because Patches has A.I. concerns now that Google is giving into the bubble. Da7e saw Mandalorian and Grogu, and they talk about how little cultural impact it seems to be having. Da7e does not spoil any plot points or twists, so don’t worry! Then, David […]

Gregory Copley describes the Beijing summit as a theatrical performance while the Chinese economy and political structure collapse. China has lost global trust, particularly regarding the safety and quality of its electric vehicles. (9/16)AUGUST 1963

Send us Fan MailWe have a PACKED MCU News discussing the latest in the world of all things Marvel. On this episode, we dive into Oscar Isaac's quote regarding Ghost Rider's potential casting, have Marvel found their Beast and Rogue? Endgame getting a fresh 6 minutes added to their theatrical re-release, Doomsday Cinemacon reactions, and MORE!Tune in for some fun MCU News talk and let us know what you think!To support the show, head over to our Patreon at Patreon.com/ABINGERSPodcast.Thanks for listening!The ABINGERSSupport the show

Jim and Drew dig into a packed week of animation news, from the surprising cancellation of a promising Pixar project to Netflix's growing global animation footprint. Along the way, they explore box office winners, long-gestating passion projects finally coming to life, and the evolving relationship between streaming, theatrical releases, and viral animation hits. It's a wide-ranging conversation that highlights just how quickly the animation industry continues to shift. HIGHLIGHTS • Pixar's canceled “Be Fri” project revealed - a female-led film that was deep into development before being shelved amid studio shifts and Disney+ strategy changes • “Super Mario Galaxy” tops the box office while global competition heats up from international hits like China's “Pegasus 3” • Netflix expands its animation empire with a new Vancouver studio hub, joining Disney and Sony in a growing production hotspot • Fathom Events brings viral hit “The Amazing Digital Circus” to theaters, highlighting the pipeline from YouTube to the big screen • Brad Bird's long-awaited “Ray Gunn” finally unveils first images after decades in development • Warner Bros. and Netflix continue investing in YA and reimagined fairy tale animation, including “Steps” and new book adaptations • One Piece grows into a full franchise push with new seasons, specials, and theme park experiences HOSTS • Jim Hill - IG: @JimHillMedia | X: @JimHillMedia | Website: JimHillMedia.com • Drew Taylor - IG: @drewtailored | X: @DrewTailored | Website: drewtaylor.work FOLLOW • Facebook: JimHillMediaNews • Instagram: JimHillMedia • TikTok: JimHillMedia SUPPORT Support the show and access bonus episodes and additional content at Patreon.com/JimHillMedia. PRODUCTION CREDITS Edited by Dave Grey Produced by Eric Hersey - Strong Minded Agency SPONSOR Planning a Disney or Universal trip in 2026? Save money and skip the stress with expert help from UnlockMagic.com, your go-to source for theme park tickets and deals. If you would like to sponsor a show on the Jim Hill Media Podcast Network, reach out today. Learn more about your ad choices. Visit megaphone.fm/adchoices