Podcasts about satchmo

Two-time Grammy winner and Director of Research Collections of the Louis Armstrong House Museum, Ricky Riccardi, talks about his new book Stomp Off, Let's Go: The Early Years of Louis Armstrong, as he takes us inside the world of Satchmo.Become a supporter of this podcast: https://www.spreaker.com/podcast/tavis-smiley--6286410/support.

This week, Jake is thinking about the CIA and its role in our culture. Has the CIA played a part not just in political dirty tricks overseas, but also in the music and culture that are part of our daily lives? Plus, We hear about Jake's grandfather, whose dream was to join the CIA, but who was rejected...hmmmm...sounds exactly like the kind of cover story a CIA agent would tell! Since Valentine's Day is nearly upon us, we're bringing you an episode on one of the most disgraceful romances in music history: Sid Vicious and Nancy Spungen. Jake wants to know: What are the most notorious rock star couples in music history? Tell Jake at 617-906-6638, disgracelandpod@gmail.com, or on socials @disgracelandpod. For more great Disgraceland episodes, dive into our extensive archive, including such episodes as: Episode 29 and 30 - The Grateful Dead Episode 171 - Public Enemy Episode 194 - Lana Del Rey Episode 169 - Kobe Bryant Episode 114 - Charles Manson To hear an extended version of the After Party, become a Disgraceland All Access member at disgracelandpod.com/membership. Visit www.disgracelandpod.com/merch to see the latest Disgraceland merch! Sign up for our newsletter and get the inside dirt on events, merch and other awesomeness - GET THE NEWSLETTER Follow Jake and DISGRACELAND: Instagram YouTube X (formerly Twitter)  To learn more about listener data and our privacy practices visit: https://www.audacyinc.com/privacy-policy Learn more about your ad choices. Visit https://podcastchoices.com/adchoices

You know Louis Armstrong, right? Jazz icon? Satchmo? Nice guy from the movies with the trumpet? Did you know he was part of a CIA coup in Africa? Did you know he compelled a President into civil rights action? Did you know Louis Armstrong was controlled by gangsters? There's a lot to learn about this one-of-a-kind musician in DISGRACELAND. Louis Armstrong famously served as a "jazz ambassador" for the United States. If you could choose one musical artist to represent America overseas, who would it be? Let Jake know at 617-906-6638, disgracelandpod@gmail.com, or on socials @disgracelandpod. To listen to Disgraceland ad free and get access to a monthly exclusive episode, weekly bonus content and more, become a Disgraceland All Access member at disgracelandpod.com/membership. Sign up for our newsletter and get the inside dirt on events, merch and other awesomeness - GET THE NEWSLETTER Follow Jake and DISGRACELAND: Instagram YouTube X (formerly Twitter)  Facebook Fan Group TikTok To learn more about listener data and our privacy practices visit: https://www.audacyinc.com/privacy-policy Learn more about your ad choices. Visit https://podcastchoices.com/adchoices

Ambassador Satch himself! The truest of true jazz legends. He rose up from a childhood in one of the poorest neighborhoods in New Orleans to be one of the most beloved musicians in the world. But he faced the harsh reality of racism every day, fame or no fame. He even went up against the President of the United States over the issue of segregation in schools. Not only was Louis Armstrong a jazz icon, but he was known for his optimistic happy attitude and his giving soul. You'll love his story!As we recognize Black History Month, Louis Armstrong's story is the second in a 4-week installment of influential black Americans in music and film from the 20s, 30s, and 40s who helped pave the way for equality in the entertainment industry.PATREON: patreon.com/starsofthegoldenagepodcastBUY ME A COFFEE: buymeacoffee.com/goldenageImage Source: Louis Armstrong House Museum; IMDBEpisode Source: Louis Armstrong: The Untold Story of Jazz's Beloved Ambassador by Selene Ashcroft; the Louis Armstrong House virtual exhibits; an episode of ABC's Nightline called Satchmo's Blues; IMDBLouis Armstrong House Virtual Tour:https://virtualexhibits.louisarmstronghouse.org/virtual-tour/?amp

Each Friday during Black History Month, Mayor Tom Arceneaux highlights an individual whose impact, courage, and achievements inspire us all. Their stories remind us of the resilience, innovation, and leadership that have shaped history.This Friday, his inspiration is Daniel Louis "Satchmo" Armstrong, a groundbreaking jazz musician whose influence shaped the world of music. Enjoy!

Louis Armstrong was a true American jazz hero and ambassador of how wonderful life could be. He experienced his share of racism and saw firsthand the inhumanity of antisemitism as well. Jan shares the personal story of Satchmo's Jewish connection and his choice to wear a Star of David around his neck throughout life.

Isabell Werth, die erfolgreichste Reiterin der Welt und achtfache Olympia-Goldmedaillen-Gewinnerin, gibt Einblicke in die Charaktere ihrer Pferde. In ihrem neuen Buch „Was für ein Mensch ist mein Pferd?“ erzählt sie von ihren Lieblingen wie „Bella Rose“ und „Satchmo“ und teilt persönliche Erfahrungen aus über drei Jahrzehnten im Dressursport. Bei DAS! spricht sie über ihre außergewöhnliche Karriere und ihre aktuellen Vorbereitungen.

With his recognizable, rich, gravelly voice, Louis Armstrong nicknamed "Satchmo" was among the most influential figures in Jazz.

Louis Armstrong finally pops up on his own "Broadway to Main Street" program, inimitably offering tunes from Porgy and Bess, Mame, Call Me Madam, Hello Dolly! (of course) and many more.

In this episode, we take center stage with "A Wonderful World: The Louis Armstrong Musical" currently playing at Studio 54 on Broadway. Join us as we blow our horns about this jukebox musical celebrating the life and legacy of jazz legend Louis Armstrong. We'll dive into the show's highs and lows, from its soulful performances to its narrative missteps. Is this musical hitting all the right notes, or is it a bit off-key? Tune in for our candid thoughts on whether this production truly captures the essence of Satchmo's extraordinary journey and if it's worth your hard-earned Broadway bucks. Follow and connect with all things @HalfHourPodcast on Instagram, and YouTube. Share your thoughts with us on A Wonderful World: The Louis Armstrong Musical on our podcast cover post on Instagram. Learn more about your ad choices. Visit megaphone.fm/adchoices

Diese Sendung hat Jörg Müller-Jahns zusammengestellt. Das LIVE- Anspiel ist diesmal: „What a difference a day makes” – ist ein Lied , das ursprünglich 1934 von der mexikanischen Liedermacherin Maria Grever auf Spanisch geschrieben wurde. Veröffentlicht unter dem Titel : „Cuando vuelva a tu lado“ („Wenn ich an deine Seite zurückkehre“) Der englische Text stammte von Stanley Adams. Folgende Titel sind zu hören: 1. Music, Maestro, please ! – Erwin Lehn und sein Südfunk-Orchester 3:05 2. So fängt das Leben an – Simone Kopmajer 3:20 3. What a difference a day makes – Dinah Washington 2:32 4. Tears of Hope – Al Di Meola 7:19 5. Better Days ahead – Pat Metheny Group 3:03 6. Showman Dan – Madeleine Peyroux 4:02 7. The bare necessities – Louis Armstrong 3:21 8. David – Allysha Joy 5:10 9. Stockholm Stomp – Fletcher Henderson and his Orchestra Bei Titelwünsche und Anregungen schreiben Sie gern an: jazztime.mv@ndr.de Keep Swingin' !!!

240627PC Summertime und SommermärchenMensch Mahler am 27.6.2024So langsam wird es wieder mal Zeit. Zeit zum genießen, meine ich. Ich radle gerade seht viel über Felder, durch Wälder, in den Bergen und singe pausenlos vor mich hin: „Summertime, and livin is easy. Fish are jumping, and the Cotton is high. Your Daddy s rich and your Mama good looking …” oder what a wonderful word von Satchmo. Und das Sommermärchen, das richtig gut angefangen hat, egal wie weit wir kommen und wenn wir gegen die Spanier rausfliegen, nachdem wir die Dänen geschlagen haben.Wir machen public viuing und Österreich ist Gruppensieger vor Frankreich und Holland.Klar, die Katastrophen schauen auch ständig vorbei. Der Krieg und die Hungersnot in Somalia macht mich fassungslos, 9 Millionen Menschen auf der Flucht, die Hälfte der Bevölkerung vom Hungertod bedroht. Heute beerdige ich eine gute Freundin. Auch das ist der Sommer 2024.Aber ehrlich – darf mich sich nicht auch ausgelassen freuen mit einem Glas Limoncello Spritz in der Hand, ausgelassen sein, lachen, das Leben feiern? Darf man die zweite Spule im Kopf nicht auch mal abstellen?Ich meine schon. Wer nicht genießt, wird ungenießbar. Ich will mich freuen. Auch wenn es manches gibt, was einem die Freude vermiesen will.Das dennoch ist der alte biblische Begriff für trotzdem. Da steckt Trotz drin. Dem, was das Leben und die Freude bedroht, trotzig ein Glas entgegen halten. Wir müssen dem Bösen ins Gesicht lachen. Das ist eine Überlebensstrategie. Ich wünsche Ihnen einen märchenhaften Sommer. Ich melde mich morgen noch mal und dann geht's mit dem Wohnwagen für drei Wochen in die Bretagne. Julia ist natürlich für sie da. Wir lassen niemand allein! Hosted on Acast. See acast.com/privacy for more information.

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In a speech written for the 1964 Berlin Jazz Festival, Martin Luther King, Jr. said, “much of the power of our Freedom Movement in the United States has come from this music.” King considered jazz music “triumphant” — and this belief is rooted in the widespread popularity of three men: Louis Armstrong, Duke Ellington and Count Basie, according to author Larry Tye. Respectively known as Satchmo, Duke and the Count, the three men were, Tye writes, “symbols of American culture on par with Coca-Cola and Mickey Mouse.” He profiles the trio in his new book, “The Jazzmen.” In it, he pieces together over 250 interviews, including family members and former bandmates, to illustrate how their appeal among both Black and white audiences paved the way for the Civil Rights Movement. Tye joins us to share more. Guests: Larry Tye, journalist; author, "The Jazzmen: How Duke Ellington, Louis Armstrong, and Count Basie Transformed America" lower waypoint

Biographer (Bobby Kennedy and Satchel) and award-winning reporter Larry Tye talked to us about his newest book, The Jazzmen: How Duke Ellington, Louis Armstrong and Count Basie Transformed America. All three of these iconic musicians, Tye noted, though from different backgrounds, had to endure Jim Crow and racial bigotry but "opened the eyes, ears and souls" of White men and the women they wooed and "set the table for the civil rights movement." Tye took on this writing task out of a promise he made to Black Pullman porters. His many books have resulted from what he, as a journalist, was drawn to enough to devote three years to. The Jazzmen emerged from looking for what these three musical geniuses did in music and the world and despite Tye describing himself as tone deaf and knowing nothing about music and discovering the moral feet of clay of all three of these men of faith. We discussed the lives and times of each of the three and then talked about women in jazz – mostly singers except for Armstrong's wife, Lillian Hardin, and we touched on the origin of the nickname Satchmo for Armstrong and the different class backgrounds of the three and some of their famous sidemen as well as the links between the three and Jewish managers, bandmates and mobsters and Armstrong's adoption by a Jewish family and the Jewish origins of Superman. We spoke, too, of jazz language, Wynton Marsalis, Jon Batiste, Sonny Rollins, Dave Brubeck and what Bobby Kennedy Senior might have felt about his son and namesake running for president.

Duke Ellington was the grandson of slaves. Louis Armstrong was born in a News Orleans slum so tough that it was called "The Battlefield." William James "Count" Basie grew up in a world unfamiliar to his white fans, the son of a coachman and a laundress. Author Larry Tye says the Duke, the Count, and Satchmo transformed America. The book is called "The Jazzmen" and Mr. Tye writes: "How better to bring alive the history of African America in the early to mid-1900s than through the singular lens of America's most gifted, engaging, and enduring African American musicians." Learn more about your ad choices. Visit megaphone.fm/adchoices

Duke Ellington was the grandson of slaves. Louis Armstrong was born in a News Orleans slum so tough that it was called "The Battlefield." William James "Count" Basie grew up in a world unfamiliar to his white fans, the son of a coachman and a laundress. Author Larry Tye says the Duke, the Count, and Satchmo transformed America. The book is called "The Jazzmen" and Mr. Tye writes: "How better to bring alive the history of African America in the early to mid-1900s than through the singular lens of America's most gifted, engaging, and enduring African American musicians." Learn more about your ad choices. Visit megaphone.fm/adchoices

On this podcast, we honor the great Louis Armstrong, one of the most influential figures in jazz. Also called, "Satchmo", "Satch", and "Pops", the African-American trumpeter and vocalist had a career that spanned five decades, starting in the early 20th century. In the 1920s, he was a driving force behind the Harlem Renaissance. In the 1930s Armstrong began appearing in movies, and became a regular fixture on radio. In 1937, Armstrong became the first African American to host a sponsored, national broadcast, the Fleischman's Yeast Show on the NBC Blue Network. He received many accolades including the Grammy Award for Best Male Vocal Performance for Hello, Dolly! in 1965, as well as a Grammy Lifetime Achievement Award. We'll listen to Armstrong perform live on the wartime program Jubilee in 1943, on the Bing Crosby Show with Ella Fitzgerald in 1951, followed by the story of his early life on Destination Freedom. More at KRobCollection.com

This is not an episode of Spinning My Dad's Vinyl. It was the only place I could share this music mix for the 2024 Total Solar Eclipse on April 8, 2024. Music to watch an eclipse by We've been looking forward to the April 8, 2024 Total Solar Eclipse that is hitting parts of North America for a long time. I bought a special camera filter to take photos of the phenomenon. We bought really nice Eclipse glasses a couple of months prior. We'll be smoking ribs and chicken while enjoying the spectacular with high school friends in from D.C. IF THE WEATHER HOLDS! It is northeast Ohio. But, of course, I needed to create a special music mix for the occasion. Most people think you should just play Pink Floyd's Dark Side of the Moon to time the song Eclipse's last words to end at the start of totality: "...and the sun is eclipsed by the moon." While my playlist starts with the beginning of that classic album and brings in totality with those lyrics from that song, the list will showcase more eclipse/moon-themed songs from many different music genres. After totality, you'll get to enjoy more sun-based music to bring you to the end of the eclipse, which will be capped by Satchmo's What A Wonderful World. By the way...I chose Disturbed's version of Sound of Silence for totality. No matter where you are along the path, if you start this 2024 Eclipse Music Mix EXACTLY 1 hour and 15 minutes before totality starts in your vicinity, the transition I just described should line up properly. You can see the playlist below the audio player. Enjoy the show that nature is providing us backed by some great music. Were there other great tunes to use? You bet. But I had time constraints and needed to back time exactly to totality and then to the end.

Queridos seguidores de Jazz Lo Sé:luego de cuatro años de presencia ininterrumpida de Jazz Lo Sé en vuestra plataforma preferida (durante 3 de ellos, dos veces a la semana), damos broche final a esta aventura. Con el agradecimiento por vuestro apoyo y esperando este programa sea un aporte a la formación musical de muchos jóvenes que se inician en la apreciación de esta forma de arte mayor.Decidimos entonces para el último episodio, traer algo diferente y acercarnos al estudio, compartiendo errores, "false starts" como se llaman en inglés o "pifias" como se suele decir en español en algunos países. Acercando lo inmediato, cotidiano e informal de las grabaciones de este tipo de música.Entonces traemos a Parker, Lester, OP, Miles, Billie, Satchmo, Duke, Monk, Dizzy, Erroll, y otros en situaciones jocosas y pifias en el estudio.Pero no nos vamos: los espero en BluesKast, a partir de fines de Marzo de 2024. Un podcast de blues con apuntes históricos, sociológicos y por supuesto musicales sobre este género tan importante que contribuye al origen del jazz, rock, soul y tantos otros estilos.Los espero.Y a ustedes, muchas gracias. Hosted on Acast. See acast.com/privacy for more information.

This week's show, after some 1953 Satchmo sass: a guest DJ “tribute to 1980” set by Jim Santo + brand new Libertines (U.K.), Joel Stoker Dennis Davison, Black Swan Lane, Mountain Goats, Crime & the City Solution, and NORMANS, plus The Orioles, Monkees,...

QUOTES FOR REFLECTION“For outlandish creatures like us, on our way to a heart, a brain, and courage, Bethlehem is not the end of our journey but only the beginning - not home but the place through which we must pass if ever we are to reach home at last.”~Frederick Buechner, The Magnificent Defeat “Put your sword back in its place,” Jesus said to him, “for all who draw the sword will die by the sword. Do you think I cannot call on my Father, and he will at once put at my disposal more than twelve legions of angels? But how then would the Scriptures be fulfilled that say it must happen in this way?” ~The Gospel of Matthew 26:52-54 “The Trumpet Child will blow his hornWill blast the sky till it's rebornWith Gabriel's power and Satchmo's graceHe will surprise the human race;The trumpet he will use to blowIs being fashioned out of fireThe mouthpiece is a glowing coalThe bell a burst of wild desire. The Trumpet Child will riff on loveThelonious notes from up aboveHe'll improvise a kingdom comeAccompanied by a different drum;The Trumpet Child will banquet hereUntil the lost are truly foundA thousand days, a thousand years,Nobody knows for sure how long. The rich forget about their goldThe meek and mild are strangely boldA lion lies beside a lambAnd licks a murderer's outstretched hand;The Trumpet Child will lift a glassHis bride now leaning in at lastHis final aim to fill with joyThe earth that man all but destroyed.”~ “The Trumpet Child,” Over the RhineSERMON PASSAGEMicah 4:1-7 (ESV)1 It shall come to pass in the latter days  that the mountain of the house of the Lord  shall be established as the highest of the mountains,  and it shall be lifted up above the hills;  and peoples shall flow to it,2 and many nations shall come, and say: “Come, let us go up to the mountain of the Lord,  to the house of the God of Jacob,  that he may teach us his ways  and that we may walk in his paths.”  For out of Zion shall go forth the law,  and the word of the Lord from Jerusalem.3 He shall judge between many peoples,  and shall decide disputes for strong nations far away;  and they shall beat their swords into plowshares,  and their spears into pruning hooks;  nation shall not lift up sword against nation,   neither shall they learn war anymore;4 but they shall sit every man under his vine and  under his fig tree,  and no one shall make them afraid,  for the mouth of the Lord of hosts has spoken.5 For all the peoples walk  each in the name of its god,  but we will walk in the name of the Lord our God forever and ever.6 In that day, declares the Lord,  I will assemble the lame  and gather those who have been driven away  and those whom I have afflicted;7 and the lame I will make the remnant,  and those who were cast off, a strong nation;  and the Lord will reign over them in Mount Zion  from this time forth and forevermore.

Sergio Pujol (La Plata, 1959) es uno de los más reconocidos y prestigiosos historiadores de la música popular y referente indiscutido en su campo de estudio. Docente de la cátedra Historia del siglo XX en la Universidad Nacional de La Plata e investigador del Conicet, Pujol escribe artículos de divulgación en diversos medios y es autor de quince libros, entre los que se cuentan el ya clásico Jazz al sur, Valentino en Buenos Aires, Discépolo, una biografía argentina, Rock y dictadura, Oscar Alemán, la guitarra embrujada; El año de Artaud: Rock y política en 1973 y Gato Barbieri: Un sonido para el Tercer Mundo. Recientemente, la editorial Gourmet Musical publicó Por qué escuchamos a Louis Armstrong, un libro breve y llendo de información y fuentes en el que Pujol actúa como fan y como docente, entregándoles a los lectores, en un tono amable, ameno y a la manera de una clase de gran calidad, anécdotas, historias y reflexiones sobre la vida y la obra del músico al que el historiador considera el pilar de la mayor parte del jazz y de la música popular estadounidense del siglo XX, en general. Sergio Pujolfoto:Eugenia Kais2018 En su libro, Pujol analiza también el protagonismo de Armstrong como el gran artista negro en un mundo del espectáculo dominado por los blancos y su papel como “embajador” del Departamento de Estado durante la Guerra Fría y el modo en que Satchmo se destacó como cantante, instrumentista, director y actor, al mismo tiempo. En la sección Voz alta Ivana Romero leyó “Credo” poema de May Sarton. Ivana Romero es poeta, escritora, periodista y docente. Es autora de los libros de poesía Caja de costura (Eloísa Cartonera) y Ese animal tierno y voraz (Caleta Olivia,). También escribió la crónica autobiográfica Las hamacas de Firmat (Editorial Municipal de Rosario). Tradujo del inglés Sobre la escritura (conferencias de la poeta May Sarton) (Salta el Pez, 2023). Publica con regularidad textos periodísticos y de no ficción en diversos medios argentinos; entre ellos, Radar, Las 12 (Página 12) y del exterior, como el caso de Cuadernos Hispanoamericanos (España). Integra la carrera Artes de la Escritura de la Universidad de las Artes (UNA). Y en Bibliotecas, Julieta Ulanovsky nos contó que libros hay entre sus estantes. Julieta es diseñadora gráfica y diseñadora de tipografía egresada de la FADU UBA. Dirige el estudio de diseño ZkySky junto a Valeria Dulitzky desde 1989 donde diseñan y asesoran en diseño y comunicación. En 2005, se publicó su primer libro como autora junto a Valeria “El libro de los colectivos” (registro gráfico de los buses porteños) y como autoras y editoras publicaron “Divino Barolo”, sobre el emblemático Palacio Barolo de la ciudad de Buenos Aires. Además, Julieta es la autora de la tipografía Montserrat, una de las más populares y utilizadas en todo el mundo y que recientemente se sumó en los billetes de la Argentina. En Bienvenidos, Hinde habló de “Antonio Di Benedetto: Diario de una agonía”, de Juan-Jacobo Bajarlía (Mil botellas) y de “Temas de conversación”, de Miranda Popkey (Gatopardo ediciones) y en Libros que sí recomendó “Lenguas vivas”, de Luis Sagasti (Eterna Cadencia) y “La nueva derecha”, de Natascha Strobl (Katz) En libros del estribo agradeció el envío de El miedo vino después, de Federico Ferroggiaro (UNR Editora.  

With the often recorded Jazz standard "I Can't Give You Anything But Love", AJ establishes a new ranking level on this episode! You'll hear us discuss versions by Louis Armstrong, Billie Holiday, Duke Ellington, The Side Street Strutters, Ella Fitzgerald, and new-to-us artist Giacomo Gates. Come find out what the next level is  beyond "Obsidian"!

It's the delightful "Stars Fell On Alabama" under the Same Difference microscope this episode! Join AJ and Johnny as they listen to and discuss versions of this sometimes forgotten Jazz standard by Louis Armstrong, Billy Holiday, Ella Fitzgerald, Harry Connick Jr., Cannonball Adderley and John Coltrane, new-to-us artist the Boilermaker Jazz Band, and a special (and unplanned) tribute to the late Jimmy Buffett.

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The song "Jeepers Creepers" seems like such a novelty song, but we're gonna dive in and see if there's some decent Jazz behind its comedic surface. Join us as we listen to versions by Louis Armstrong, Billie Holiday with the Benny Goodman Orchestra, Tony Bennett, Oscar Aleman, Doc Cheatham and Nicholas Payton, and new-to-us artist Swingadelic.

When you think of Jazz, you think of "Satchmo" --- Send in a voice message: https://podcasters.spotify.com/pod/show/rocky-seale7/message

El 4 de agosto de 1901 nació Louis Daniel Armstrong, mejor conocido como Satchmo o Pops. El hombre fue un cantante de jazz, ícono de ese género musical.

Marcel Yabili est juriste de formation mais il est passionné par l'histoire de son pays, la RDC, dont les traces disparaissent peu à peu du paysage et sombrent dans l'oubli. Surtout, l'Histoire est toujours racontée par le prisme des « grands », oubliant les millions de vies contrastées, anonymes qui la composent. Alors, il a décidé de raconter une histoire de son pays et de sa ville Lubumbashi à travers celle de sa famille. Il en a même fait un musée, ouvert au public sur rendez-vous, dans la maison de ses parents située dans le quartier de Kamalondo : le musée familial de Marcel Yabili. Voyage dans le temps et la mémoire d'un homme, de sa famille et peut-être de tout un pays.Un reportage de Vladimir Cagnolari. À lire :- « Congo. Une histoire », de David Van Reybrouck. Éditions Actes Sud. 2012. Un livre de référence sur l'histoire du Congo où justement la grande et les petites histoires s'entremêlent- Un article en anglais d'une universitaire américaine, en visite dans le musée de Mr Yabili. À écouter :- « Lubumbashi en chœurs », un voyage sonore sur la tradition chorale de la ville de Vladimir Cagnolari pour Si loin si proche- « Lubumbashi, la cité des mangeurs de cuivre », reportage entre gloire et déchéance de cette cité minière par Vladimir Cagnolari pour Si loin si proche- « Katanga Concert », de Louis Armstrong. Un double CD a été édité en 2000 du concert de Satchmo à Lubumbashi en 1960, mais il est épuisé. Des extraits musicaux sont sur Youtube par ici.

SynopsisOn today's date in 1971, jazz great Louis Armstrong died in New York City at the age of 69. He was born in New Orleans, and for years, all the standard reference books listed his birthday as the Fourth of July, 1900. Well, it turned out that wonderfully symbolic date was cooked up by Armstrong's manager Joe Glaser. Louis himself wasn't sure when he was born, so the 4th of July seemed as good a date as any, and was accepted as fact for many years. Eventually documents were discovered that proved Armstrong was actually born on August 4, 1901.Armstrong earned the nickname “Satchmo”—short for “Satchelmouth”—and in later years he was affectionately dubbed “Pops.” If the documentary filmmaker Ken Burns is to be believed, Armstrong was the central figure in the development of jazz in the 20th century.The British music critic Norman Lebrecht offered this assessment: “Armstrong never bowed his head nor sang from anywhere but the heart. He was a figure of enormous dignity and a musical innovator of universal importance.” Acknowledging his influence in American concert music, composer Libby Larsen subtitled one of her works, a 1990 Piano Concerto, “Since Armstrong.”Music Played in Today's ProgramLouis Armstrong (1901 - 1971) Skip the Gutter Louis Armstrong and the Hot Five Columbia 44422I'm in the Barrel arr. David Jolley Windscape Arabesque 6732

We know of Louis Armstrong the jazz musician but probably not about his four marriages. Over his lifetime, Louis was married to Daisy Parker, Lil Hardin, Alpha Smith, and Lucille Wilson. Aisle Tell You What is a deep dive at some of the most epic and memorable weddings and marriages throughout Black History. Our journey down memory lane isn't meant with malintent, but from a place of nostalgia, inspiration, and realism. Aisle Tell You What is brought to you by Hueido. Hueido is a media brand that adds color to Black weddings and marriage from yesterday, today, and tomorrow. References & Resources: To learn more about Louis Armstrong, look into the following books, video, and media: Louis Armstrong: An Extravagant Life by Laurence Bergreen - https://bit.ly/3MOpe1K Louis Armstrong, An American Genius by James Lincoln Collier - https://bit.ly/3MLQZYV Little Satchmo: Living in the Shadow of my Father Louis Daniel Armstrong by Sharon Preston-Folta and Denene Millner - https://bit.ly/3IVGf8Z Little Satchmo - https://bit.ly/3Ce4bRe Louis Armstrong's secret daughter revealed, 42 years after his death, The Telegraph - https://bit.ly/43Ch581 'Satchmo' Armstrong Leaves $300,000 Estate To His Wife, Jet - https://bit.ly/3CdabKk -- Talk to me https://bit.ly/HueIDoContact Send your wedding pictures to Show Nups https://bit.ly/ShowNuptials Follow on Instagram https://bit.ly/ATYWinsta Follow on Twitter https://bit.ly/ATYWTwitter Follow on TikTok https://bit.ly/ATYWtiktok Shop on Etsy https://etsy.me/3oHCfBM Email Aisle Tell You What at aisle[at]hueido.com   Follow Hue I Do Podcast Follow on Instagram https://bit.ly/HueIDoIG Follow on Facebook https://bit.ly/HueIDoFB Follow on Twitter https://bit.ly/HueIDoTw Follow on TikTok https://bit.ly/HueIDoPodTT

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The quintessential New Orleans trumpet player and singer, along with brother Troy “Trombone Shorty” Andrews, comes from a long line of musicians going back to Louis Armstrong’s band and the early days of jazz in the city. Shepherded as a youth by grandfather Jessie “Ooh Poo Pa Doo” Hill and brass band mentor Danny Barker, he grew up around Fats Domino as well as Allen Toussaint and Dr. John, who produced and played on his debut record, “Satchmo of the Ghetto.” His exploits in the penthouses of the elite and recent soiree with visiting French president Macron haven’t spoiled him. He still gets down and dirty with the Troubled Men. Topics include the new year, pedicures, a slouch alarm, technology, recent deaths, dinner conversation, playing for George Bush, Dooky Chase, school days, the brass band revival, Tamborine and Fan, hustling tourists, tap dancing, a lucky number, a prior meeting, eating squirrel, Prince La La, a hotshot, the Lastie family, sage advice, being nice, Kevin O’Day, the Crescent City All Stars, private parties, a miniature kangaroo, a petting zoo, a new festival, and much more. Intro music: "Just Keeps Raining" by Styler/Coman Break and Outro Music: "I Bet You A Dollar" and "Ghetto Funk Music (featuring Big Chief Monk Boudreaux)" from "The Big Time Stuff" by James Andrews Support the podcast: Paypal or Venmo Join the Patreon page here. Shop for Troubled Men’s T-shirts & tanks here. Subscribe, review, and rate (5 stars) on Apple Podcasts or any podcast source. Follow on social media, share with friends, and spread the Troubled Word. Troubled Men Podcast Facebook Troubled Men Podcast Instagram Iguanas Tour Dates René Coman Facebook GR8 ESCAPE BAKING COMPANY Promo Code:TROUBLED15 James Andrews Facebook

Abril en París interpretado por Billie, Satchmo, Ella, Count Basie, Coleman Hawkins, Bud Powell, Bill Evans, Monk y otros. Hosted on Acast. See acast.com/privacy for more information.

Mac the Knife (literalmente Mac el del cuchillo), también conocida como Moritat fue compuesta por Kurt Weill con letra original de Bertold Brecht y en inglés de Marc Blitzstein. Desde una versión de 1928 en alemán, pasando por la de Lotte Lenya (esposa del autor), la inmortal de Satchmo; las trompetas de Dorham, Terry y Sandoval; a Grapelli; Rollins, Stanley Clarke pasamos a Pedro Navaja con el mismo tema y rematamos con Ole' Blue Eyes. Hosted on Acast. See acast.com/privacy for more information.

#796 - Ricky Riccardi Ricky Riccardi_ interview is featured on _The Paul Leslie Hour. Are you here? Here, you, are! How do you do? What I'm really saying is… I love you. Hey, isn't that a lyric? Ohhh that's right, it was in that famous song recorded by one of the all-time greats. Louis Armstrong. Well some called him Louie. He was also Satchmo, Satch and to some he was Pops. He was some artist. A trumpeter, singer and recording artist, he was one of the all-time most influential jazz artists, but really couldn't be defined by a single genre. Yes, good ol' Louis Armstrong. So we present a Louis Armstrong-related interview from the archives. Paul E. Leslie did this on his birthday, with Rick Riccardi, one of the great experts on Louis Armstrong. Ricky Riccardi is the author of What a Wonderful World: The Magic of Louis Armstrong's Later Years and he's the archivist for the Louis Armstrong House Museum. He talks a lot about "Pops" with Paul Leslie here, coming right up. Something we want to beg you to do, go to youtube and find the Paul Leslie YouTube channel and subscribe. Don't forget to ring that bell. We're trying to double our YouTube subscribers before we hit that 20 year mark. www.youtube.com/thepaulleslie And could you help us keep this content coming to you? Just go to www.thepaulleslie.com/support and we thank you for helping independent media and the spoken word! Today it's all about Louis Armstrong. Just like every day. It's Louie's world. Let's get this going. Gentlemen?

Part 2 with the legendary promoter / publicist Richard Flohil. Of course it had to be a two parter. Satchmo! 88 years young! BB King! Silver coins! Solomon Burke! Please donate to keep us going at PayPal.me/gogoguitar . We love you! --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app --- Send in a voice message: https://anchor.fm/david-gogo-podcast/message

It's our 100th episode! To celebrate this Same Difference milestone, we're taking a look at the King-Oliver-written-but-made-famous-by-Satchmo classic "West End Blues". Join AJ and Johnny as they listen to and discuss versions by King Oliver, Louis Armstrong, Jelly Roll Morton, Doc Severinsen, Cornet Chop Suey, and new-to-us artist Etta Baker.

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This weekend, art lovers will don white garments as they gallery hop through New Orleans Warehouse Arts district as part of “White Linen Night.” Arts District New Orleans president Leslie-Claire Spillman joins us for more on the artistic evening.Satchmo Summerfest presented by Chevron is returning to the New Orleans Jazz Museum to honor the life and legacy of musician Louis Armstrong. CEO of French Quarter Festivals, Inc. Emily Madero tells us more about Armstrong's contributions to the world of jazz as the festival prepares for its 22 year.  Here in Louisiana, a law legalizing noodling – the act of catching catfish by sticking one's hands in their mouths – went into effect earlier this week. WWNO's coastal reporter Kezia Setyawan takes us to a lake to learn how it's done. Today's episode of Louisiana Considered was hosted by Diane Mack. Our managing producer is Alana Schreiber and our digital editor is Katelyn Umholtz. Our engineers are Garrett Pittman, Aubry Procell, and Thomas Walsh.  You can listen to Louisiana Considered Monday through Friday at 12:00 and 7:30 pm. It's available on Spotify, Google Play, and wherever you get your podcasts.  Louisiana Considered wants to hear from you! Please fill out our pitch line to let us know what kinds of story ideas you have for our show. And while you're at it, fill out our listener survey! We want to keep bringing you the kinds of conversations you'd like to listen to. Louisiana Considered is made possible with support from our listeners. Thank you!See omnystudio.com/listener for privacy information.

Artist/subject: Ted LangeMore information: Many of you will probably remember Ted Lange as the friendly drink-slinger from the classic TV hit series Loveboat. But Ted is so much more than Isaac Washington. He's been in all kinds of television and feature films, but is probably best known for his work in the theater. We talk to Ted about his writing, directing and acting in the theater and TV and film. He is such and warm and friendly guy and so down to earth. We talk about the "real" job of the director, and Ted shares some hilarious stories from his life. We also discuss the play that he directed called Satchmo at the Waldorf.Don't forget to leave feedback on your favorite podcast app or hit us up on https://www.facebook.com/TrueFictionPodcast!CreditsHost: Patrick Boggstruefictioncast@gmail.comCohost: Norbert Yatestruefictioncast@gmail.comEngineer/Cohost/: Marshalltruefictioncast@gmail.comAmazing Voice in the show bumpers: Bobbie AshleyBobbie's Amazing first albumhttps://rb.gy/hfpluuBobbie's Bookshttps://rb.gy/bjzijuIntro and exit music: Jon DacostaSong title: Funky IntroSpotify Link to a couple of Jon's projects:Cuba: https://open.spotify.com/artist/2SWNpmjhVyCCcHGb3ZUl0b?si=xuqPreLCSGakMyKeFbRDBQHighland Reunionhttps://open.spotify.com/artist/2FkBd7GBKSINGFXediVPDy?si=NnPRxEXRRy-9PU5w_B1e0gAd for True Fictions "Buy Me a Coffee" site where listeners can support the show. The money we get will be used to keep creating episodes of True Fiction and True Fiction's Kino Club. Thanks in advance for your support.Support the show

The Beatles owned the Billboard charts in early 1964. From February to May they had three consecutive No. 1 singles, a record, and held all five sports in the top five in early April, a record. They had a total of 14 songs in the top 100 in mid-April…another record. It looked like the American artists were done. But in May of 1964, jazz great Louis Armstrong, at the age of 63, broke the Beatles' streak with the No. 1 hit “Hello Dolly.” Satchmo was of the most influential artists in jazz history. He always said, “If it hadn't been for jazz there would be no rock and roll.” Louis' recording of “What a Wonderful World” was inducted to the Grammy Hall of Fame in 1999. This was one of his last interviews.

Reno Wilson brings Louis Armstrong to life in POPS! The incredible story of Louis Armstrong's journey that took him from the hard streets of New Orleans to the most celebrated stages throughout the world.

Reno Wilson brings Louis Armstrong to life in POPS! The incredible story of Louis Armstrong's journey that took him from the hard streets of New Orleans to the most celebrated stages throughout the world.

Reno Wilson brings Louis Armstrong to life in POPS! The incredible story of Louis Armstrong's journey that took him from the hard streets of New Orleans to the most celebrated stages throughout the world.

Reno Wilson brings Louis Armstrong to life in POPS! The incredible story of Louis Armstrong's journey that took him from the hard streets of New Orleans to the most celebrated stages throughout the world.

Laura talks about some more old and more recent children's picture books about birds—both favorites and some not. Note: Laura pronounces the name of the main character in *The Trumpet of the Swan*, Louis, as *loo' iss*. E.B. White pronounced it *loo' ey*, but he said he named the character for Louis Armstrong. Although many people called Armstrong "Louie," he was very clear that he wanted people to pronounce his name "Louis." He even emphasized that whenever he sang "Hello, Dolly!" E.B. White was a wonderful writer whom Laura admires greatly, but on this she's deferring to Satchmo.

On this email podcast Aries and Andy talk about, Satchmo, Gemma questions, officer training, dookie stories, MadTV questions, double daily ass-whoopins and the tale of the taco bomb, podcasting questions and Bawby Pattason. Musical Guest: Yah K Social Media Instagram: @SpearsBergPod Twitter: @SpearsBergPod Facebook: SpearsBergPod Patreon: SpearsBergPod Youtube: SpearsBergPod  Learn more about your ad choices. Visit podcastchoices.com/adchoices