Podcasts about Iliad

The Iliad is the world’s greatest epic poem—heroic battle and divine fate set against the Trojan War. Its beauty and profound bleakness are intensely moving, but great questions remain: Where, how, and when was it composed and why does it endure? To explore these questions is today’s guest, Robin Lane Fox, a scholar and teacher of Homer for over 40 years. He’s the author of “Homer and His Iliad” and he addresses these questions, drawing on a lifelong love and engagement with the poem. He argues that the poem is the result of the genius and single oral poet, Homer, and that the poem may have been performed even earlier than previously supposed a place, a date, and a method for its composition—subjects of ongoing controversy. Lane Fox considers hallmarks of the poem; its values, implicit and explicit; its characters; its women; its gods; and even its horses.See omnystudio.com/listener for privacy information.

My guest today on the Online for Authors podcast is Peter Gunn, author of the book The Amazons. Peter Gunn is a U.S. Air Force Veteran and served his country proudly for over two decades. His unique writing style comes from a love of poetry and considers himself to be a poet first before being a content writer.   In my book review, I stated The Amazons is a YA fiction that is a cross between historical fiction and fantasy - all done in verse! Peter invented LLP - linked-lyrical-poetry. LLP has the flavor of Homer's Iliad and Odyssey, Shakespeare's sonnets, and hip-hop/rap music. However, unlike Homer and Shakespeare, The Amazons is easy-to-read and understand.   The Amazons is a perfect introduction into epic poetry - but be sure to have a dictionary handy. In order to keep the rhyming scheme going, Peter relies on his extensive vocabulary (and a thesaurus or two!).   In addition to his unique style, I loved his storytelling and how he linked the history of England after the Napoleonic Wars to the fabled Amazons who supposedly lived in Peru. The story is fun, fast-paced, and filled with adventures. And for those who get hooked on the style, Peter has planned a series and is working on Books 2 and 3.   Subscribe to Online for Authors to learn about more great books! https://www.youtube.com/@onlineforauthors?sub_confirmation=1   Join the Novels N Latte Book Club community to discuss this and other books with like-minded readers: https://www.facebook.com/groups/3576519880426290   You can follow Author Peter Gunn Website: https://www.petergunn.net/ Tiktok: @petergunnpoetry   Purchase The Amazons on Amazon: Ebook: https://amzn.to/4lyT6if   Teri M Brown, Author and Podcast Host: https://www.terimbrown.com FB: @TeriMBrownAuthor IG: @terimbrown_author X: @terimbrown1   Want to be a guest on Online for Authors? Send Teri M Brown a message on PodMatch, here: https://www.podmatch.com/member/onlineforauthors   #petergunn #theamazons #linkedlyricalpoetry #LLP #YAfiction #terimbrownauthor #authorpodcast #onlineforauthors #characterdriven #researchjunkie #awardwinningauthor #podcasthost #podcast #readerpodcast #bookpodcast #writerpodcast #author #books #goodreads #bookclub #fiction #writer #bookreview *As an Amazon Associate I earn from qualifying purchases.

Anthony Scaramucci is the founder and managing partner of SkyBridge, a global alternative investment firm, and founder and chairman of SALT, a global thought leadership forum and venture studio. He is the host of the podcast Open Book with Anthony Scaramucci. A graduate of Tufts University and Harvard Law School, he lives in Manhasset, Long Island. Books mentioned in this episode: 1. King of Kings: The Iranian Revolution: A Story of Hubris, Delusion and Catastrophic Miscalculation by Scott Anderson 2. Charlie and the Chocolate Factory by Roald Dahl 3. The Iliad by Homer 4. The Odyssey by Homer 5. The Nazi Mind by Laurence Rees 6. Chaos: Charles Manson, the CIA, and the Secret History of the Sixties by Tom O'Neill 7. The Ascent of Money: A Financial History of the World by Niall Ferguson

5/8. After the death of Patroclus, Achilles undergoes a transformation in The Iliad, as translated by Professor Emily Wilson. Initially expressing rage through the violent sacrifice of Trojan youths at Patroclus's funeral pyre, Achilles later organizes funeral games. These games, with prizes for all participants and no deaths over competition, offer a new model for how men's competitiveness could coexist without societal destruction. His act of giving Agamemnon a prize without contest can be read as gracious maturity or a "sick burn".

7/8. Professor Emily Wilson's translation of The Iliad powerfully conveys the vivid and often gory reality of Bronze Age combat. The poem meticulously details how men died, showing the brutality of warfare. A crucial aspect of Homeric battle culture, as highlighted by Wilson, is the understanding that once a warrior is dead, their body and armor must be protected and treated honorably. The desecration of corpses, like Achilles dragging Hector's body, is a profound act of humiliation, intended to further punish the enemy beyond death. 1599 ARMS FOR ACHILLES

6/8. Professor Emily Wilson emphasizes the pervasive and often ambiguous role of the gods in The Iliad. They interfere constantly, appearing in various disguises, and hold strong opinions. Though "deathless," gods like Aphrodite and Ares can be wounded and bleed "ichor" rather than blood, revealing their human-like flaws despite divine power. Figures like Hera cleverly outmaneuver Zeus, and Thetis, Achilles's mother, tirelessly advocates for her son, framing much of the poem's plot through her prayers to Zeus.

8/8. The tragic death of Patroclus is a pivotal moment in The Iliad, rendered intensely by Professor Emily Wilson. Despite Achilles's warning, Patroclus, wearing Achilles's armor, pushes too far and is killed by Hector, with Apollo's intervention. This event unleashes Achilles's terrifying rage, propelling him back into battle in new, divine armor crafted by Hephaestus. Achilles's subsequent, relentless slaughter, even against the river god, is driven by his all-consuming quest to avenge Patroclus, culminating in the brutal confrontation with Hector. 1600 HECTOR

4/8. Professor Emily Wilson's translation of The Iliad underscores the powerful, ancient tradition of women's lament, prominently featured in the poem's conclusion. Women like Helen, Hecuba, and Andromache are depicted not only weaving but primarily grieving for the dead and for their own bleak, often enslaved futures. Helen, uniquely, weaves the sufferings of the war and offers commentary on the Greeks, while Hecuba embodies both infinite grief and rage, a rare expression for women in Homeric society. 12TH BCE HITTITE BULL

3/8. In The Iliad, Professor Emily Wilson highlights the narrative's sophisticated literary techniques, comparing them to an English novel. The poem expertly navigates between an omniscient narrator and individual characters' points of view, delving into their minds. Wilson also notes the challenges of translating ancient Greek, citing, for example, the existence of three distinct words for "spear," each carrying specific connections that she endeavors to render dynamically into modern English. This intricate storytelling was a hallmark of 7th-century BCE Greek. 1200 TROY

2/8. Professor Emily Wilson's translation of The Iliad presents a narrative for an audience already deeply familiar with the Trojan War. The poem deliberately avoids the war's traditional beginning (like the Judgment of Paris or Helen's abduction) and its end (the fall of Troy or Achilles's death). Instead, it intensely focuses on a month and a half of "Greeks versus Greeks," offering a sophisticated and often unexpected reshaping of familiar stories, inviting the audience to engage with the narrative with fresh eyes, much like watching a new production of a classic play.

Here are eight segments focusing on Professor Emily Wilson's work on The Iliad: 1/8. In her translation, The Iliad, Professor Emily Wilson addresses the complex question of "Who was Homer?" She explains that for centuries after the Mycenaean collapse, there was no writing in the Greek-speaking world, yet extraordinary oral stories of heroes like Achilles and cities like Troy were developed and retold by performing poets. Writing, borrowed from the Phoenicians, arrived in the 8th century BCE, leading to the monumental written poems like The Iliad and The Odyssey, which are sophisticated responses to this long oral tradition. 1578 JUPITER AND OLYMPIA

Welcome to Jake's Happy Nostalgia Show, the podcast where nostalgia comes alive!This week, we welcome actress, composer, and teaching artist Liz Filios! From 2010 to 2012, Liz brought joy to young viewers as one of the hosts of Sprout's morning block, The Sunny Side Up Show. Continuing her work with kids, she went on to create Storytime in the Zoom Room in 2020, a free interactive learning space for children and caretakers. Beyond her work in children's entertainment, Liz is an accomplished stage performer, with credits in productions like Into the Woods, Red Velvet, Vincent in Brixton, and An Iliad, where she was also a composer. Join us as we reminisce about her time on Sprout, explore her journey in the performing arts, and celebrate her dedication to inspiring and engaging audiences of all ages.Keep up with Liz!https://www.lizfilios.comhttps://www.facebook.com/lifilioshttps://www.youtube.com/@LizFilioshttps://www.instagram.com/lizfilios/Taping date: November 11, 2024Edited by: Chris Bixby (Co-Host)https://www.facebook.com/cbixby2000Be sure to check out our website, where you can learn more about the podcast and find how to follow the Happy Nostalgia team!https://jakeshappynostalgiashow.weebly.com/Listen to our podcast on Spotify and other audio platforms!https://open.spotify.com/show/1PdrRWSmUdQ3m2NpNR9lSkhttps://linktr.ee/JakesHappyNostalgiaShow

And now for something completely different. The Odyssey portion of our tour is over, and the Iliad portion will now begin. But wait! Wasn't the Iliad a poem about war? And isn't Aeneas supposed to do battle for Latium? So why is it all sunshine, butterflies, and love goddesses? Today we launch into Part II of the poem with a passage that has bamboozled scholars for centuries, and of course I will deliver the definitive interpretation so that everyone can stop arguing. Plus: a plot summary of what's to come, and advice on reading classic literature if you're having trouble understanding it. Check out our new Sponsor, Alithea Travel: https://www.alitheatravel.com/tours/strength-and-virtue Order Light of the Mind, Light of the World (and rate it five stars): https://a.co/d/2QccOfM Subscribe to be in the mailbag: https://rejoiceevermore.substack.com Listen to my sister's podcast, Storytime for Grownups: https://faithkmoore.com/storytime-for-grownups/ EPIC, the Musical: https://faithkmoore.com/storytime-for-grownups/ Stephen Fry, Odyssey: https://a.co/d/1rIbSBu Gareth Hinds, The Odyssey: A Graphic Novel: https://a.co/d/2kClqmN  

This week, as students in North America are returning to campus and settling into the rhythms of the fall semester, some of them are going to open their copies of Homer's epic poems of the Trojan War, the Iliad and Odyssey. They will read of the Trojan commander Hector's poignant farewell to his wife Andromache, of the Greek warrior Achilles' terrible rage, of Odysseus' long journey home, and of his wife in Ithaca, Penelope, who has endured his absence for some twenty years. For many students, these will be powerful stories—windows into an ancient world of honor and virtue and hubris—but for all that, distant stories. When read from the air-conditioned dorm room or plush campus library, the dust and blood and bronze of the Trojan War are abstract. But what happens when these same texts are read by young men and women who do know the weight of putting on armor, who have themselves kissed loved ones goodbye before departing for battle? Who must walk away from their own infant children in order to defend the country? What happens when the students who stand before Homer's text are not just dispassionately analyzing the soul of the warrior but are warriors themselves? Mosaic's editor Jonathan Silver speaks in this episode with Ido Hevroni, a professor of literature at Shalem College in Jerusalem. For over a decade, Hevroni has guided Shalem students through Homer's epics, watching them grapple with these eternal questions of personal pride and public duty, private love and public defense, glory and sacrifice. But now, after October 7, his students find themselves in active combat, and he finds that it is Homer who is helping to explain their own experience back to themselves. And it is their experience in the tanks and tunnels of Gaza that is teaching them to read Homer with new eyes. Hevroni recently wrote about teaching the Odyssey in the pages of Mosaic, and that essay was published in honor of Ido's own teacher, Amy Apfel Kass, z”l, whose yortsayt on the fifth of Elul falls on the day that this conversation was originally broadcast. This discussion, too, is dedicated to her memory.  

We love Gen Con so much, we couldn't fit everything into our Games of the Show episode. And Corey Thompson loves Gen Con so much that he became a part-owner of the giant North American gaming convention. Corey leads Above Board TV, cohosts the Board Games Insider podcast, co-owns Play to Z Games, and...lots more that will just take up way too much space to write all out. So he was the perfect guest to invite on our show to chat about about more Gen Con highlights -- and some of our recent and classic two-player favorites. Timeline: 3:48 - Going Analog's game pick: Panda Spin. 7:30 - Corey's game pick: Giberrers. 10:57 - Going Analog's topic: final Gen Con thoughts and highlights. 29:36 - Corey's topic: great two-player games (classic and new).

Mercati cauti a fine agosto, con Milano in rialzo dello 0,23%. Telecom Italia crolla del 9% dopo dichiarazioni di Iliad, mentre il comparto del lusso e alcune banche mostrano segni di ripresa. Learn more about your ad choices. Visit megaphone.fm/adchoices

Today on Ascend: The Great Books Podcast, we are joined by Dcn. Garlick, Dr. Frank Grabowski, Thomas Lackey, and Dr. Joey Spencer to discuss the first part of Plato's Euthyphro—a dialogue on piety.Dr. Spencer is the diocesan Archivist for the Diocese of Tulsa, a tutor in Theology, and an expert in the theology of angels and demons.We discuss the context of the dialogue and move into conversations on piety as a political problem, the role of imitating the divine in Greek religion, an introduction to Plato's Ideas and its reception into Christianity, and even a brief aside on how angels understand Plato's Ideas.Check out thegreatbookspodcast.com for resources and schedule!Check out our COLLECTION OF WRITTEN GUIDES TO THE GREAT BOOKS.Check out THE ASCENT - a sister publication focusing on Christian spirituality, theosis, and sanctification - how does the soul ascend to God.From the guide:Why should you read the Euthyphro? The Euthyphro is fundamentally “a dialogue about piety,” as Dcn. Harrison Garlick describes it, serving as an exploration of what piety truly means through a conversation between Socrates and Euthyphro. Dr. Frank Grabowski emphasizes its value as “a wonderful introduction to Platonic philosophy, Platonic literature,” highlighting how it features Socrates as the central figure and showcases “the Socratic method” in a clear and engaging way. Moments of “Socratic irony” are also evident, adding depth to understanding Socrates' approach, while the dialogue introduces Plato's search for the Ideas.The dialogue is short and more straightforward, which makes it more ideal for first time readers than say the Republic or the Symposium. Its accessibility lies in its simplicity and a layered narrative, allowing readers to engage at their own intellectual level—focusing initially on key dilemmas but discovering more upon rereading—as Dcn. Harrison Garlick notes that “like most of Plato's narratives, the dialogues... bring layers... you can kind of grow with the text." For many, it's the first Platonic work encountered, often bundled with the Apology, Crito, and Phaedo as depictions of Socrates' last days.What is the historical context for the Euthyphro?The dramatic date of the Euthyphro is right before Socrates' trial and execution in 399 BC. The composition date is estimated at 380 BC, but all composition dates should be accepted lightly. The dialogue takes place outside of the King Archon's court, a remnant of Athens' monarchical past, where a judge adjudicates on religious matters. Plato offers a conversation about piety, within its political context, right before his master is tried and condemned for his impiety. As moderns, we do not see piety as a political virtue, but for the Greeks, piety a virtue of cohesion—it bound together the family, the polis, and the gods into one cosmic whole. It is this three-tiered piety that animated the Iliad, Aeschylus' Oresteia, and Sophocles' Antigone. King Archon's court is significant, because it underscores piety as a “political problem.” Impiety can destabilize the polis. Dr. Spencer suggests that Euthyphro sees Socrates as “being out of place,” which can be read as a euphemism for impiety or religious pollution, i.e., Socrates is the pollution of Athens. The question, however, is what is piety?What is the first...

Please enjoy listening in on the first seminar of the first Magnus Cohort! The 2027 Cohort began their three year journey with Dr. David Arias in September of 2024, and they will finish their third year in the summer of 2027! The 2028 Cohort will begin this September. Do you want to be apart of something like this? Find out how you can join the 2028 Cohort this Fall!  

Send us a textGUEST: JOSH BARZON, author, graphic designer, and content creator On X: @JoshuaBarzonThe claims of Scripture are far above and beyond any other book—inspired by God, without error, unchanging, unfailing. In a word, supernatural.The Bible says in 2 Peter 1:20-21: “know this first of all, that no prophecy of Scripture is a matter of one's own interpretation, for no prophecy was ever made by an act of human will, but men moved by the Holy Spirit spoke from God.”Or how about Hebrews 4:12: “For the word of God is living and active and sharper than any two-edged sword, and piercing as far as the division of soul and spirit, of both joints and marrow, and able to judge the thoughts and intentions of the heart.”Put together, God directed the authors what He wanted to communicate and God's Word powerfully accomplishes God's desires in the human heart.Now consider that the 66 books of the Bible were authored by 40 men over a span of 1500 years in three languages (Hebrew, Greek, and Aramaic) on three continents (Africa, Asia, and Europe). The original manuscripts written by these 40 authors no longer exist but thousands of full or partial copies of the original books do exist. Nearly 25,000 copies of the New Testament alone exist. Compare that to Homer's Iliad with only 2000 copies. The existence of so many copies of Scripture allows them to be compared to each other to authenticate accuracy. In other words, more copies results in more certainty.The Bible has also been translated from its original languages into hundreds of languages, with dozens of translations and paraphrases in the English language alone—King James Version, Geneva Bible, New American Standard, English Standard Version, New International Version, and on and on.Taking all this into consideration, is the Bible we have in our English language today an accurate representation of what the authors of Scripture wrote or has there been significant loss of the text during its transmission from original manuscripts? And what about the many English versions—are they fully trustworthy to be considered the Word of God?Josh Barzon has done much research on the transmission and translations of the Bible. He was born in the Middle East and now lives in America, working as a content creator, graphic designer, and author of The Forgotten Preface: Surprising Insights on the Translation Philosophy of the King James Translators.He joins us to discuss the supernatural Scriptures and how God has preserved His Word precisely over the centuries so that can know when you read the Word of God, you can know you are hearing from the God of the Word.

Now that the Iliad and the Posthomerica are both behind us, it is time for a recap of the craziness that has been the Trojan War! Join us for two mini quizzes, another opportunity to dunk on Achilles and a reminder that all that terrible nonsense the House of Tantalus got up to existed.

What moonlit god comes down to punish the Greeks with his arrows? What stray dog is the first unlikely victim of Agamemnon's wrath, and what the heck is that boat full of onions and cabbages doing in this story? The story of the Iliad continues, as brought to life by performance storyteller Jay Leeming. www.JayLeeming.com    

Victor Davis Hanson and co-host Jack Fowler analyze Lee Zeldin's efforts to deregulate the EPA, California's energy crisis, the relevance of Homer's Iliad to modern warfare, and more.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Adam Hurrey is joined on the midweek Adjudication Panel by Charlie Eccleshare and David Walker. On the agenda: the nichest world record in football is shattered once again, Jimmy Floyd Hasselbaink's ex-footballer/Strictly contestant spiel, the extinguishing of Celeste's five-year Sky Sports flame, why Dominic Calvert-Lewin to Leeds just feels so right, throwaway footballspeak in Homer's Iliad and the Robert Earnshaw of bedwetting. Meanwhile, the panel run through some niche Premier League predictions for 2025-26, including the first 10 guests on Monday Night Football. Sign up for Dreamland, the new members-only Football Clichés experience, to access our exclusive new show and much more: https://dreamland.footballcliches.com Learn more about your ad choices. Visit podcastchoices.com/adchoices

The Queen of the Olympian gods is swallowed whole by her father at birth and then marries her brother Zeus, who turns himself into a cuckoo to seduce her. Hera, or Juno to the Romans, has her triumphs. She adds the eyes to the tail feathers of her sacred bird the peacock by plucking them from the hundred-eyed monster Argos. And in the Iliad she dons a magic bra given to her by Aphrodite to persuade Zeus to support the Greeks against the Trojans. Her loyalty to the Greeks begins when Trojan prince Paris doesn't choose her as the most beautiful. She then devotes her life to persecuting him and his people. Perhaps a slight overreaction. But is Hera a monster or just mistreated by the undisputed worst husband of all time?At a packed out solo show recorded at the Hay Festival Natalie puts the case for and against.'Rockstar mythologist' Natalie Haynes is the best-selling author of 'Divine Might', 'Stone Blind', and 'A Thousand Ships' as well as a reformed comedian who is a little bit obsessive about Ancient Greek and Rome.Producer...Beth O'Dea

Classical Christian education is a generational journey - and in this BaseCamp Live episode, we get a rare, behind-the-scenes glimpse of how a love for the true, good, and beautiful is passed from parent to child. Dr. Louis Markos, professor, author, and longtime advocate for the great books, is joined by his son Alex, now a humanities teacher, to share how formative family habits, road-trip literature, and a Christian worldview shaped Alex's path from public school to a deep embrace of the classics.Together, they explore why Christians should read pagan literature, the difference between formation and information, and how ancient texts can lead students toward truth and scripture. With memorable stories - from Marcus Aurelius-inspired dance moves to processing grief through The Iliad - this conversation offers both encouragement and practical ideas for parents and educators seeking to form thoughtful, faithful young people.

We're on our way to Gen Con! And here are the games we're most excited about (as well as the ones that are getting the most buzz online). You'll also here where to find us in Indy, where we plan to eat, and how we plan to survive the Best Four Days in Gaming. 00:45 - Releases in the second half of the year. 02:23 - Preparing for Crowds at Gen Con - New Cart Policy 08:15 - Food Trucks 11:15 - Where Will We Be? 19:59 - The Games of Gen Con (BGG Preview: https://boardgamegeek.com/geekpreview/77/gen-con-2025-preview) 20:54 - Vantage 23:27 - Forest Shuffle: Dartmoor 23:54 - Lost Ruins of Arnak: Adventure Chest 24:23 - Gwent: The Legendary Card Game 25:26 - Lightning Train 26:32 - Sea Salt and Paper: Extra Pepper 27:11 - Luthier 28:00 - Fliptoons 28:36 - Ruins 30:10 - Nature 30:53 - Rebel Princess Deluxe: Happily Never After 32:00 - Ace of Spades 33:35 - Galactic Cruise 34:31 - Pirates of Maracaibo: Commanders 34:43 - Soda Jerk 36:25 - Point Galaxy 37:04 - Compile Main 2 38:08 - Star Wars Battle of Hoth 38:41 - Galileo Galilei 39:21 - Propolis 39:48 - Final Girl: Shriek 41:32 - VIVO 42:08 - Spooktacular 43:57 - Horrified: Dungeons & Dragons 45:16 - Evergreen: Cherry Blossoms and Bamboo 45:22 - EXIT Advent Calendar: The Intergalactic Race 46:27 - Suna Valo 47:12 - Kronologic: Cuzco 1450 47:44 - Wine Cellar 49:22 - Shackleton Base 49:58 - Knitting Circle 50:36 - Ra: Traders 51:08 - Iliad 51:26 - Gibberers 51:48 - Cat and the Tower 52:42 - Ham Helsing 53:25 - The Four Doors 54:07 - Raising Chicago 54:24 - High Tide 54:39 - If Then 54:59 - Hyperstar Run 55:20 - Jungo 55:43 - Holiday Hijinks 10, 11, 12, Endangered Rescue 2, Journey to Tir na nOg 56:01 - Above and Below: Haunted 56:20 - The Peak Team 57:17 - Our Advice for Surviving Gen Con Questions? Tales of Horror? tom@dicetower.com

Hey hey BATT Family! GenCon 2025 is ONE WEEK AWAY! That means that it is perfect timing to get out the GenCon preview list. We recorded this list on July 9th when there were 499 games on the list. While another 70 or so were added since then, we're all still extremely happy with our lists and will still be looking for these games in particular. Scott, Jason, and Mark have all gathered to make sure that we're telling you about 30 different games that we are excited to check out and hopefully bring home from the con in one way or another. We hope that you enjoy this episode and you let us know what you're looking forward to on BlueSky or by emailing us at boardallthetimegaming@gmail.com. As a reminder, Mark and Jason will be teaching Vantage at the Stonemaier/MeepleSource booth at location 2909 this year and Scott will be demoing it in the play hall not too far away on Thursday and Friday mornings. Come say hi! --- This episode's segments: 00:00:00 - Intro  00:02:02 - Honorable Mentions 00:08:40 - List Selection Criteria 00:11:24 - Scott's 10 (Guild Lands) 00:12:29 - Jason's 10 (Tinco) 00:13:20 - Mark's 10 (Habemus Papam) 00:14:50 - Scott's 9 (Ace of Spades) 00:16:06 - Jason's 9 (Alibis) 00:16:47 - Mark's 9 (Escape from the Moon) 00:17:45 - Scott's 8 (Gibberers) 00:19:17 - Jason's 8 (Sprocketforge) 00:20:42 - Mark's 8 (Ofrenda) 00:22:10 - Scott's 7 (Mythical Dice) 00:23:19 - Jason's 7 (Zenith) 00:24:40 - Mark's 7 (Spooktacular) 00:26:22 - Scott's 6 (Solar Gardens) 00:27:52 - Jason's 6 (Unstoppable) 00:29:44 - Mark's 6 (Four Doors) 00:31:30 - Scott's 5 (Petiquette) 00:33:43 - Jason's 5 (Grand Central Skyport) 00:36:20 - Mark's 5 (Pillars of Heracles) 00:37:34 - Scott's 4 (Digit Code) 00:39:26 - Jason's 4 (Journey to Tir na Nog, Blessings and Burdens) 00:40:59 - Mark's 4 (12 Rivers) 00:42:53 - Scott's 3 (Temple Code) 00:44:47 - Jason's 3 (Pillars of Fate) 00:46:05 - Mark's 3 (How to Save a World) 00:48:15 - Scott's 2 (Kronologic: Cuzco 1450) 00:50:44 - Jason's 2 (Dark Quarter) 00:52:25 - Mark's 2 (Iliad) 00:54:30 - Scott's 1 (FlipToons) 00:58:00 - Jason's 1 (Vantage) 01:01:20 - Mark's 1 (Timber Town) 01:03:38 - Final Thoughts  01:05:39 - Outro --- Notes! 1) Mark failed to actually say the name of his number nine. The game being discussed is "Escape from the Moon". 2) Scott failed to correctly say the name of his number eight! We were on fire at this point, but in our defense it was almost 2am when we started recording all this! His number eight is actually Gibberers from Hobby Japan. 3) Mark has since played Zenith. IT'S SO, SO GOOD GUYS. 4) We've gotten some preview copies of Pillars of Fate and the other retail IV games that you'll be getting reviews of VERY SHORTLY. Mark likes Pillars A LOT. It's a good thing too, because he's gotta pick up the copy he already bought! --- You can email us at boardallthetimegaming@gmail.com. We can be found at www.boardallthetime.com and on Facebook at Board All The Time.  We're on BlueSky now and loving it! At this point it really feels like BlueSky is for board gaming, so definitely check us out on there at https://bsky.app/profile/boardallthetime.bsky.social If you'd like to help support the show and assist with the hosting costs, you can do so with our Ko-Fi: https://ko-fi.com/boardallthetime Our Discord server, which is still in Beta, can be joined at https://discord.gg/VbRWEpc6 We'd like to thank our sponsors as well: Robin's Nerd Supply: www.robinsnerdsupply.com Eco Owl Press: www.ecoowlpress.com  We'd also like to thank SoulProdMusic for the intro/outro music. 

PREVIEW: FALL OF TROY: Author Eric Cline, "After 1177 BC," presents analysis that separates Homer's historical and fanciful elements in the Iliad. More to come. 1300 AMBROSIAN ILLIAD

Rachel Christopher brings a poet's heart and a scholar's mind to the stage eight times a week as Hermione Granger in Harry Potter and the Cursed Child. In this conversation, she opens up about her lifelong love of language, her background in translating ancient Greek poetry, and the deeply personal connection she feels to storytelling—both on stage and off. Whether she's talking about her time at Epcot or reflecting on how imagination shaped her childhood, Rachel reveals just how much joy and intention she pours into her work. From cooking lamb meatballs and tending to her city garden to revisiting classic Greek texts, Rachel's passions outside of theater are just as vibrant as the characters she portrays. She shares what it means to step into the legacy of Hermione, how theater expands what we imagine is possible, and why making space for community and curiosity is at the heart of her artistry. Rachel Christopher is an actor and poet currently playing Hermione Granger in Harry Potter and the Cursed Child on Broadway. Her stage credits include For Colored Girls Who Have Considered Suicide / When the Rainbow Is Enuf and Jaja's African Hair Braiding. Her screen credits include The Girl on the Train and The Upside. A graduate of Vassar College, she double-majored in drama and classics, and has collaborated on stage adaptations of The Aeneid and The Iliad. This episode is powered by WelcomeToTimesSquare.com, the billboard where you can be a star for a day. Connect with Rachel: Instagram: @rachel_e_christopher Connect with The Theatre Podcast: Support the podcast on Patreon and watch video versions of the episodes: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Patreon.com/TheTheatrePodcast⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Twitter & Instagram: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@theatre_podcast⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Facebook.com/OfficialTheatrePodcast⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠TheTheatrePodcast.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Alan's personal Instagram: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@alanseales⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Email me at feedback@thetheatrepodcast.com. I want to know what you think. Learn more about your ad choices. Visit megaphone.fm/adchoices

People groups, power, hierarchy, and othering—big themes in Homer's Odyssey and Iliad. In this episode we learn from Dr. Jackie Murray about what race was and wasn't in Ancient Greek literature. We see how gender and class intersected with race. We'll learn about a Greek novel The Aethiopica, what a metic was, and what this all has to do with some recent Hollywood controversies.Transcript and episode show notesWomen Who Went Before is written, produced, and edited by Rebekah Haigh and Emily Chesley.Music is composed and produced by Moses Sun.Sponsored by the Center for Culture, Society, and Religion, the Program in Judaic Studies, the Stanley J. Seeger Center for Hellenic Studies, and the Committtee for the Study of Late Antiquity at Princeton University.Views expressed on the podcast are solely those of the individuals, and do not represent Princeton University.

What defines a hero? Is it the glorious rage of a warrior like Achilles, or the cunning resilience of a survivor like Odysseus? In this episode, we journey back to ancient Greece to explore the two foundational models of heroism in Western literature: Homer's Iliad and Odyssey. We'll stand on the battlefields of Troy to analyze Achilles's quest for eternal glory (kleos) and then sail the treacherous seas with Odysseus on his arduous ten-year journey home (nostos). Discover how one hero lives for battle, while the other lives by his wits. Plus, in our "Focus on Language" segment, you'll learn essential vocabulary to discuss these epics, including terms like hubris, archetype, arduous, and the famous "Achilles' heel." You'll also get a speaking challenge designed to make you a more sophisticated and compelling storyteller. To unlock full access to all our episodes, consider becoming a premium subscriber on Apple Podcasts or Patreon. And don't forget to visit englishpluspodcast.com for even more content, including articles, in-depth studies, and our brand-new audio series and courses now available in our Patreon Shop!

Send us a textPlato called Homer "the educator of all Greece." But what is a Homeric education? What were the Greeks learning from their supreme bard? Furthermore, the phrase "Homeric education" contains within it a second meaning as well. What kind of education were Homer's heroes getting? In other words, how did Achilles become Achilles? In this episode, we take a close look at Chapter One of A History of Education in Antiquity, in which Henri-Irénée Marrou describes the character of Homeric education, in both its senses, focusing in both cases on "words and deeds," the two fields of excellence every hero must master. Additionally, Jonathan tries to convince Ryan that Iliad Book 9, central to Marrou's explanation of Homeric education, is a story about the triumph of rhetoric.Henri-Irénée Marrou's A History of Education in Antiquity: https://bookshop.org/a/25626/9780299088149Robin Lane Fox's Homer and His Iliad: https://bookshop.org/a/25626/9781541600447Robert Drews's Militarism and the Indo-Europeanizing of Europe: https://bookshop.org/a/25626/9780367886004Caroline Alexander's translation of the Iliad: https://bookshop.org/a/25626/9780062046291Thomas à Kempis' The Imitation of Christ: https://bookshop.org/a/25626/9780141191768New Humanists is brought to you by the Ancient Language Institute: https://ancientlanguage.com/Come read Homer with us. Starting in September, we launch Homer Seminar, a book-by-book sequence of courses reading and discussing Homer's epics, all in Ancient Greek: ancientlanguage.com/homer-seminarLinks may have referral codes, which earn us a commission at no additional cost to you. We encourage you, when possible, to use Bookshop.org for your book purchases, an online bookstore which supports local bookstores.Music: Save Us Now by Shane Ivers - https://www.silvermansound.com

In Part 2 of our discussion on Homer's Iliad, translator Emily Wilson returns to discuss the red and gold cover design of the Norton Library edition, recount her decision to recreate a new translation of the epic, and give a performance in the original ancient Greek. Emily Wilson is a professor of classical studies at the University of Pennsylvania. She has been named a Fellow of the American Academy in Rome in Renaissance and early modern studies, a MacArthur Fellow, and a Guggenheim Fellow. In addition to Homer's Iliad and Odyssey, she has also published translations of Sophocles, Euripides, and Seneca. She lives in Philadelphia.To learn more or purchase a copy of the Norton Library edition of The Iliad, go to https://wwnorton.com/books/9781324102076. Learn more about the Norton Library series at https://wwnorton.com/norton-library.Have questions or suggestions for the podcast? Email us at nortonlibrary@wwnorton.com or find us on Twitter at @TNL_WWN and Bluesky at @nortonlibrary.bsky.social. 

Our Greek Theatre summer continues with the last of the great tragedians, Euripides (c. 480–406 BCE). While less successful than Aeschylus and Sophocles when it came to winning prizes at the Athenian Dionysia, Euripides was more popular in his day—according to the historian Thucydides, Athenian prisoners of war were able to win favors, and sometimes freedom, by reciting his lines to their captors. He has also left us the largest body of work of any of the other tragedy writers. He is known for a more cynical outlook on religion, for his naturalistic dialogue, and as a writer of women with deep characters. This week, we look at The Trojan Women, his portrait of Hecuba and the other royal women of Troy as they wait to learn their fates following the sack of the city by the Greeks—a sequel to the events of Homer's Iliad.Want to read a transcript of this episode? Click here. Thanks for listening, and don't forget to subscribe and leave a rating or review! Hosted on Acast. See acast.com/privacy for more information.

Vanessa Cominsky joins Case and Sam to RAGE against this awkward historical epic! Overview Podcast hosts Case Aiken and Sam Alicea provide a framework for discussing the 2004 film Troy, highlighting its connection to early 2000s epic films like Gladiator and 300. Vanessa Cominsky, a guest and classics major, notes a 4-year professional bond with Case stemming from shared academic interests. David Benioff, the film's screenwriter, is discussed in relation to his later work on Game of Thrones and identified issues in narrative depth. Whitewashing criticism surfaces regarding the film's predominantly white cast, despite its story set in a historically diverse region. Analysis reveals a lack of clear passage of time, compressing the depicted 10-year Trojan War into a brief narrative span. Costume design receives praise for historical accuracy while the film's runtime discrepancies are critiqued, with the director's cut deemed excessive. Thematic exploration includes Agamemnon's characterization as a villain symbolizing US imperialism, contrasting with sympathetic portrayals of the Trojans. Sean Bean's potential as Odysseus is noted but criticized for underutilization, while Peter O'Toole's Priam provides limited but impactful performance. Improvement suggestions include altering the title to better reflect Achilles' journey and revising the narrative structure to enhance character development. Upcoming initiatives include a scholarship program for women in wine, launched by Vanessa Cominsky's nonprofit Vin Vitalite in 2025. @vminsky @womenofwinedc Www.vinVitalité.org (Pronounced vinn vitahlihtay) Notes ️ Podcast Introduction & Setup (00:00 - 02:45) Hosts Case Aiken and Sam Alicea introduce the 'Another Pass' podcast, discussing movie analysis and improvements. Guest Vanessa Cominsky introduced as Case's coworker from wine/spirits industry and fellow classics major. Discussion of 4-year professional relationship and bonding over classics background. Movie Context & Background (02:45 - 09:38) Analysis of 2004 film Troy as adaptation loosely based on oral tradition. Discussion of movie within context of early 2000s epic films including Gladiator, 300, and Lord of the Rings trilogy. David Benioff identified as screenwriter, connecting to later Game of Thrones writing style issues. Observation that Odysseus character tells audience he's clever but never demonstrates intelligence in actual scenes. Political interpretation: movie reflects 2004 centrist liberal perspective on Middle Eastern conflicts with 'support the troops' messaging. Film Production & Casting Analysis (09:38 - 19:22) Vanessa's personal connection: used movie for high school Latin convention project and senior thesis. Whitewashing criticism - movie depicts conflict between Greece and Middle East with entirely white cast. Brad Pitt as main marketing draw playing Achilles in peak popularity period. Case's viewing experience in Rome during classics trip, creating nostalgic connection to material. Story Structure & Adaptation Choices (19:22 - 28:32) Movie covers broader Trojan War story rather than just Iliad, including Trojan Horse sequence not in original epic. Brian Cox as Agamemnon praised as perfect casting choice despite whitewashing issues. Discussion of movie's approach to gods - humans take credit for actions rather than divine intervention. ️ Character Analysis - Heroes and Villains (28:32 - 38:14) Agamemnon positioned as main villain representing US imperialism, while Trojans portrayed sympathetically. Hector vs Achilles juxtaposition works well as respective champions of each side. Orlando Bloom as Paris criticized as too whiny and lacking roguish charm needed for character. Eric Bana as Hector praised as everyone's 'big brother' figure and moral center. Production Design & Technical Elements (38:14 - 47:42) Costume design highly praised for historical accuracy and visual distinction between Greeks and Trojans. Director's cut vs theatrical cut - director's cut too long at 3 hours 16 minutes with unnecessary gore. Runtime issues - theatrical cut feels rushed while director's cut is excessive. War Portrayal & Geographic Issues (47:43 - 56:37) Time compression problem - 10-year war feels like weeks or months with no passage of time indicated. Troy's geography poorly established - unclear city layout and siege logistics. Siege warfare portrayed as single-direction battle rather than comprehensive blockade. Thematic Elements & Religious Context (56:38 - 01:05:46) Gods' role minimized to hint at divine influence without direct intervention. Moral philosophy embedded in Achilles-Briseis conversations about mortality and divinity. Historical accuracy questioned regarding Bronze Age vs Classical Greek terminology and social structures. Casting and Performance Critique (01:05:46 - 01:15:32) Sean Bean as Odysseus underutilized despite perfect casting choice. Peter O'Toole as Priam noted as big casting choice but limited screen time. James Cosmo casting questioned as underused Trojan general. Improvement Proposals - Sam's Pitch (01:15:32 - 01:26:16) Title change to 'The Wrath of Achilles' to better reflect actual story focus. Sean Bean expansion - more scenes showing passage of time and war strategy. Runtime reduction - cut Trojan perspective to focus on Greek side and Achilles' journey. Narrative structure - use Odysseus as storyteller/narrator rather than voiceover. Improvement Proposals - Vanessa's Pitch (01:26:16 - 01:36:20) Scope change to focus on Achilles from moment Odysseus recruits him. Character development - establish Greek power structure and vassal relationships. Agamemnon characterization - emphasize him as villain representing imperialism more clearly. Improvement Proposals - Casey's Pitch (01:36:20 - 01:45:13) Geographic clarity - establish Troy's layout and siege positioning with additional CG shots. Time passage - visual indicators and dialogue establishing years-long conflict. Battle variety - different environments including sea battles and raids on surrounding areas. Violence balance - between theatrical cut's sanitization and director's cut's excess. Final Discussion & Wrap-up (01:45:13 - 02:05:58) David Benioff background revealed as Goldman Sachs executive's son, explaining Hollywood access. Vanessa's organization - Vin Vitalite, DC women in wine industry nonprofit with 501(c)(3) status. Scholarship program launching 2025 for women in wine industry. Next episode preview - Highlander 2: The Quickening.  

This episode is a special preview of the Kingdom of Pylos exhibit at the Getty Villa ahead of the livestream on June 27. Step into the Late Bronze Age with special guest Claire Lyons, curator of antiquities at the Getty. She provides insight on the exhibit, from the collaborative efforts that went into putting it together to details about some of the fascinating Mycenaean artifacts that will be on display.Most of the artifacts on display come from the tomb of the Griffin Warrior, a completely intact burial discovered in 2015 that changed what archaeologists knew about Mycenean Greece. We'll explore the archaeological site where this important discovery was made known as the Palace of Nestor, its role in ancient Pylos, and the legendary King Nestor from Homer's Iliad and Odyssey.TranscriptsFor transcripts of this episode head over to: https://archpodnet.com/tpm/16LinksSee photos related to episode topics on InstagramLoving the macabre lore? Treat your host to a coffee!Pylos regional Archaeological ProjectSmithsonian: "This 3,500-Year-Old Greek Tomb Upended What We Thought We Knew About the Roots of Western Civilization"Book - The Kingdom of Pylos: Warrior-Princes of Mycenaean GreeceVideo - Flint Dibble on his experience excavating the tomb of the Griffin WarriorArchPodNetAPN Website: https://www.archpodnet.comAPN on Facebook: https://www.facebook.com/archpodnetAPN on Twitter: https://www.twitter.com/archpodnetAPN on Instagram: https://www.instagram.com/archpodnetAPN ShopAffiliatesMotion

When the Greek army arrives at Troy they encounter Cygnus, the indestructible man, and wrestle with the prophecy of Calchas which says that the first man to step ashore will be the first to die.    www.JayLeeming.com

Conversations on Consciousness and the Bicameral Mind: A Deep Dive Book DiscussionA deep dive discussion delving into the book "Conversations on Consciousness and the Bicameral Mind: Interviews with Leading Thinkers on Julian Jaynes's Theory."This book is highly recommended for those new to Julian Jaynes and long time Jaynes enthusiasts alike:https://www.amazon.com/gp/product/1737305534/Introduction read by Michael R. Jacobs (⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.theungoogleable.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠, ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.youtube.com/@VoidDenizen⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠).Learn more about Julian Jaynes's theory or become a member by visiting the Julian Jaynes Society at ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.julianjaynes.org⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠. Contents:00:00 - Introduction03:12 - Resistance to New Ideas03:52 - Defining Consciousness09:40 - Consciousness and Language Part 113:38 - When Consciousness Developed16:39 - Comparing the Iliad and the Odyssey18:30 - The Breakdown of the Bicameral Mind19:35 - Vestiges of Bicameral Mentality19:59 - Hearing Voices24:02 - The Feeling of a Sensed Presence25:18 - Hypnosis27:58 - Creative Inspiration28:40 - The Evolution of Religion30:28 - Spirit Possession30:54 - Cave Art31:25 - Seeking External Authorization32:18 - Consciousness and Language Part 235:55 - Jaynes's Neurological Model41:17 - Implications of the Theory45:20 - The Future of Consciousness47:00 - Concluding Remarks

We know the name Achilles because of Brad Pitt and Hollywood or we may have read the Iliad.  He was a famous mythical Greek hero whose body was invulnerable, except for the back of his heel.  His mother plunged him into the river Styx to protect his body, but her fingertips covered the heel, leaving it vulnerable.  Research by Dr. Jack Zenger identified four common elements which comprise Achilles' heels for leaders. Blind spots are a problem for all of us.  We can't see our foibles, issues and problems, but they are blindingly obvious to everyone else working for us.  Remember, subordinates are all expert “boss watchers”.  They examine us in the greatest detail every day, in every interaction. Let's examine what Zenger found and see what we can learn as leaders. Lacking Integrity Not too many leaders would be saying they lacked integrity about themselves but that may not be how they are seen by their subordinates.  The organization may be zigging but we decide to zag.  We don't agree with the policy, so we decide to head off in another direction.  There may be promulgated values developed in the senior executive suites and we are not modelling the correct behaviour.  Maybe our big leader egos can't admit mistakes or when we are wrong. We try to bend logic and justify our way out of the situation.  Maybe we say one thing and do the precise opposite of what we are preaching.  “Do what I say, not what I do” – does this sound familiar? Not Accountable “Of course, I am accountable – what nonsense”, may be our first reaction.  We may be telling our boss that the poor results of our team are because we haven't been issued with the sharpest tools in the toolbox.  It is all their fault and we are pristine and perfect.  The 360 survey results are a bloodbath, as our subordinates hoe into us for our various failings, but we dismiss the results.  “Piffle. Don't they know what I am facing here.  The pressure, the stress.  No one appreciates how hard I am working. They have no idea what they are talking about”.  Perhaps our decisions are poor and instead of owning them, we push the blame off on to others, particularly other departments.  “If only IT did their job properly.  If only marketing were more professional.  If only sales was pulling their weight”, ad nauseum. Over-Focused On Self It would be difficult to find leaders who don't have this attribute to varying degrees.  You don't see too many wilting violets whisked up into leadership positions.  Self-promotion is a fundamental aspect of getting ahead in business.  The issues arise when it goes to extremes.  Strong leaders can often believe they are in a zero sum game and another's success lessens their own worth and promotion opportunities.  Not cooperating with rivals or even attempting to sabotage them can be some fallout from this attitude.  Subordinates too can be seen as future rivals who might replace the boss, so better to not delegate to, coach or  provide experience for capable people in order to keep them down.  Uninspiring It would be a rare bird of a leader who admitted they were uninspiring.  We easily believe we are a role model for others, that we have credibility and are someone others would want to emulate.  However, we might be a hopeless public speaker, barely able to string two words together without injecting a series of ums and ahs into proceedings. We might be morose, weighed down with the pressure of our position and responsibilities, permanently in a bad mood.  We might be so busy, we are incapable of directing others and wind up dumping work on them minus the WHY and the how bits of the equation. There is a bitter pill for leaders to swallow to overcome their blind spots.  It is called “feedback” and it can often taste sour, jagged and unpleasant.  We cannot see ourselves as our staff see us, so gird your loins and ask for help to be a better leader.  This is never easy, but the alternative of blundering forward, repeating the same errors is not tenable. At some point the organization will have a reckoning with us and it might prove fatal to our careers.  Better to take our medicine early, under our own direction, than hoping for the best and eventually getting the chop.

"I haven't decided yet, but I'mgonnagetyouback." From ancient Greek epics to Mean Girls, revenge has evolved dramatically in literature, and Taylor Swift's discography is no exception. This week on AP Taylor Swift, we explore how Taylor serves revenge with a smile, examining the sweet saccharine fantasy of "Speak Now," the cutting indifference of "I Forgot That You Existed," and the delicious ambiguity of "I'm Gonna Get You Back." Whether it's ruining a wedding or simply moving on, we dive into how revenge fantasies reveal character, power dynamics, and the satisfying evolution from teenage retaliation to adult agency. Because sometimes the best revenge is living well; and sometimes it's writing a song about forgetting someone exists. Subscribe to get new episode updates: aptaylorswift.substack.com/subscribe Stay up to date at aptaylorswift.com    Mentioned in this episode:  The Iliad, Homer The Princess Bride The Odyssey, Homer Hamlet, Shakespeare Count of Monte Cristo Wuthering Heights Mean Girls Mad Men John Tucker Must Die   *** Episode Highlights:  [00:46] All about revenge [07:48] “Speak Now,” Speak Now  [20:34] “I Forgot That You Existed,” Lover [29:44] “imgonnagetyouback,” The Tortured Poets Department   Follow AP Taylor Swift podcast on social!  TikTok → tiktok.com/@APTaylorSwift Instagram → instagram.com/APTaylorSwift YouTube → youtube.com/@APTaylorSwift Link Tree →linktr.ee/aptaylorswift Bookshop.org → bookshop.org/shop/apts Libro.fm →  tinyurl.com/aptslibro Contact us at aptaylorswift@gmail.com  Affiliate Codes:  Krowned Krystals - krownedkrystals.com use code APTS at checkout for 10% off!  Libro.fm - Looking for an audiobook? Check out our Libro.fm playlist and use code APTS30 for 30% off books found here tinyurl.com/aptslibro   This podcast is neither related to nor endorsed by Taylor Swift, her companies, or record labels. All opinions are our own. Intro music produced by Scott Zadig aka Scotty Z. ***  

In this episode of Crack the Book, we take a look at Week Fourteen of Ted Gioia's Humanities Course, covering Virgil's The Aeneid (Books 1–2), Ovid's Metamorphoses (Book 1), and selections from The Portable Roman Reader. The focus is on key texts from Roman literature, their historical context, and their connections to earlier Greek works, providing an overview of their content and significance.Key Discussion Points: Virgil's The Aeneid (Robert Fagles' Translation): Written between 29–19 BCE, The Aeneid serves as Rome's foundational epic, modeled on Homer's Iliad and Odyssey. Book 1 opens with Aeneas, a Trojan survivor, shipwrecked on Carthage's shore due to Juno's interference, meeting Queen Dido, an exile from Tyre. Book 2 recounts Troy's fall, including the Trojan Horse stratagem and Aeneas' escape with his father Anchises and son Ascanius, losing his wife Creusa. The text emphasizes Aeneas' pietas (duty to gods, family, state). Divine rivalries, notably Juno's grudge from the Judgment of Paris and Venus' protection of Aeneas, drive the narrative. The Fagles translation includes maps and a glossary for accessibility. Ovid's Metamorphoses (David Raeburn's Translation): Composed around 8 CE, Metamorphoses is a 15-book poem chronicling transformations from creation to Ovid's era. Book 1 covers the creation of the cosmos from Chaos, the division into four elements (fire, water, earth, air), and humanity's decline from the Golden to Iron Age. It includes a flood narrative with Deucalion and Pyrrha and the story of Io, transformed into a cow by Jupiter to evade Juno. The Raeburn edition organizes vignettes with titled sections for clarity. The Portable Roman Reader (Basil Davenport, Ed.): Published in 1951, this anthology includes poetry from Rome's Republic, Augustan, and later Empire periods. Catullus (c. 60s–50s BCE) offers direct, personal verses, translated by Byron. Horace (65–8 BCE) writes complex, philosophical odes, less accessible due to style. Martial (c. 38–104 CE) provides epigrams on public life, including two elegies for a deceased young girl. Davenport's notes contextualize each era, and the anthology features prose by Livy, Caesar, and Tacitus for future study. Contextual Notes: The texts reflect Rome's engagement with Greek literary traditions, adapting gods' names (e.g., Hera to Juno) and themes. The course's schedule prioritizes rapid coverage to identify key works and connections.Takeaways:I loved this week so much! It felt great to come "home" to Rome. I've got specific ideas about how to approach each of these books, but in my opinion they are all worth the time for certain people. The music was gorgeous, arias and overtures from Puccini and Verdi! You must listen...check out my link below. And the cave paintings were worth examining as well, especially the handprints from Indonesia. See that link below, too.This is a year-long challenge! Join me next week for WHATEVER IS NEXTLINKSTed Gioia/The Honest Broker's 12-Month Immersive Humanities Course (paywalled!)My Amazon Book List (NOT an affiliate link)Spotify Play List of Puccini and Verdi without wordsCave...

Hello friends! This time I am introducing you to Peter Gunn, who tells a magical miracle story from his childhood. To say that it changed everything would be the understatement of the century...but there we are! But in the here and now, Peter is doing some seriously groovy work re-imagining the epics (think Beowulf, The Iliad, The Odyssey et al) into poems that put forth female protagonists and female change-makers. It's all so delightful, I could NOT wait to talk to him! To read more about Peter and his endless well of creativity, visit his website here! To check out The Amazons, click here! I need to thank Peter for being such a gracious guest, and good laugher! We had a great time recording the interview! Please do remember to rate and review and share the podcast...it's good for what ails all of us! Your bit of beauty are a few images from one of my favorite comics, Mouse Guard! Written and illustrated by David Petersen it'll be sure to convince you to leave the mouse traps alone...and remember that each and every one of us (human and animal alike) are just trying to get through this world in one piece! xo

Hello friends! This time I am introducing you to Peter Gunn, who tells a magical miracle story from his childhood. To say that it changed everything would be the understatement of the century...but there we are! But in the here and now, Peter is doing some seriously groovy work re-imagining the epics (think Beowulf, The Iliad, The Odyssey et al) into poems that put forth female protagonists and female change-makers. It's all so delightful, I could NOT wait to talk to him! To read more about Peter and his endless well of creativity, visit his website here! To check out The Amazons, click here! I need to thank Peter for being such a gracious guest, and good laugher! We had a great time recording the interview! Please do remember to rate and review and share the podcast...it's good for what ails all of us! Your bit of beauty are a few images from one of my favorite comics, Mouse Guard! Written and illustrated by David Petersen it'll be sure to convince you to leave the mouse traps alone...and remember that each and every one of us (human and animal alike) are just trying to get through this world in one piece! xo

In Part 1 of our discussion on Homer's Iliad, we welcome translator Emily Wilson to discuss Homer's life as an "author," the meaning of free will in the context of intervention from gods, and how the relationship between Achilles and Patroclus shapes the climax of the epic. Emily Wilson is a professor of classical studies at the University of Pennsylvania. She has been named a Fellow of the American Academy in Rome in Renaissance and early modern studies, a MacArthur Fellow, and a Guggenheim Fellow. In addition to Homer's Iliad and Odyssey, she has also published translations of Sophocles, Euripides, and Seneca. She lives in Philadelphia.To learn more or purchase a copy of the Norton Library edition of The Iliad, go to https://wwnorton.com/books/9781324102076.  Learn more about the Norton Library series at https://wwnorton.com/norton-library.Have questions or suggestions for the podcast? Email us at nortonlibrary@wwnorton.com or find us on Twitter at @TNL_WWN and Bluesky at @nortonlibrary.bsky.social. 

In the sixth episode of this season, I examine two Italian cinema adaptations of Homer's Iliad: 1911's "The Fall of Troy" (La Caduta di Troia) and 1962's "The Fury of Achilles" (L'ira di Achille). Are the Italians more interested in scale or storytelling? Listen and find out. The conversation on how an Italian treatment on this epic compares with an American one will continue in the season finale. Subscribe on Apple Podcasts: https://podcasts.apple.com/us/podcast/dear-reader-a-jane-eyre-podcast/id1585429797 Don't use iTunes? Use this link for your podcast catcher: https://feeds.feedburner.com/dear-reader-podcast Also available on Spotify, Amazon Music and Google Podcasts Follow DEAR READER on TWITTER: https://twitter.com/batgirltooracle Put down your comics, pick up your first editions, and subscribe to DEAR READER!

This week, a special podcast from the Hay Festival ranges from the ancient world to the 16th-century, taking in the art of criticism, the centrality of religion and eco-catastrophe. With Stephanie Merritt, Edith Hall, Toby Lichtig and a guest appearance from TLS crossword compiler Praxiteles.'Traitor's Legacy', by SJ Parris'Epic of the Earth: Reading Homer's "Iliad" in the Fight for a Dying World', by Edith HallProduced by Charlotte Pardy Hosted on Acast. See acast.com/privacy for more information.

Host Mitch Jeserich reads excerpts of the Iliad by Homer and translated by Emily Wilson. Emily Wilson is a professor of classical studies at the University of Pennsylvania. She has been named a Fellow of the American Academy in Rome in Renaissance and early modern scholarship, a MacArthur Fellow, and a Guggenheim Fellow. In addition to Homer's Iliad and Odyssey, she has also published translations of Sophocles, Euripides, and Seneca. Support KPFA!! Ancient Tales 3-Pack $250 The post The Iliad: War, Rage, and Sorrow appeared first on KPFA.

It might not always be true, but money talks. Trey answers questions on Congressional authority to raise the debt ceiling and the Pentagon funding flights to Guantanamo Bay amid the migrant crisis. Plus, he reveals who he believes to be the true hero in Greek poet Homer's “Iliad”.  Learn more about your ad choices. Visit podcastchoices.com/adchoices

Mut and Birdman in-studio. Justin gives his review of The Godfather (00:08:00). A conspiracy theorist calls Barstool gay (00:29:30). Coleman is reading Iliad right now (00:32:45). Mut confirms he will be on Chasing Greens next week (00:57:40). Big Bang Theory is too inappropriate for Mut.You can find every episode of this show on Apple Podcasts, Spotify or YouTube. Prime Members can listen ad-free on Amazon Music. For more, visit barstool.link/kminshow

*This episode discusses sexual assault*Cursed by Apollo to always speak the truth but never be believed; what makes Cassandra's story so timeless and compelling?Tristan Hughes is joined by Dr Emily Hauser to explore the mythological and historical connections of Cassandra, the tragic prophetess of Troy. They discuss how Cassandra's story and appalling treatment at the hands of both gods and men intertwined with themes of prophecy, tragedy, and misogyny, has fascinated generations. From Agamemnon, the Iliad and Clytemnestra, Tristan and Emily discuss Cassandra's role in ancient texts and possible real-life inspirations.Hear related episodes:Elektra:https://open.spotify.com/episode/3K3WyCkTIA4X8PxTgNC3KyTroy:https://open.spotify.com/episode/3K3WyCkTIA4X8PxTgNC3KyPresented by Tristan Hughes. Produced and edited by Joseph Knight. The senior producer is Anne-Marie Luff.All music courtesy of Epidemic SoundsThe Ancients is a History Hit podcast.Sign up to History Hit for hundreds of hours of original documentaries, with a new release every week and ad-free podcasts. Sign up at https://www.historyhit.com/subscribe. You can take part in our listener survey here: https://insights.historyhit.com/history-hit-podcast-always-on