Podcasts about Iliad

She may have been mother to one of the most famous heroes, but Thetis did and meant so much more. Check out more episodes on strong women of Greek myth and women of history on this Spotify playlist. Help keep LTAMB going by subscribing to Liv's Patreon for bonus content! CW/TW: far too many Greek myths involve assault. Given it's fiction, and typically involves gods and/or monsters, I'm not as deferential as I would be were I referencing the real thing. Sources: Homer's Iliad, translated by A.T. Murray; Early Greek Myths by Timothy Gantz; Theoi.com entry on Thetis. Attributions and licensing information for music used in the podcast can be found here: mythsbaby.com/sources-attributions.See omnystudio.com/listener for privacy information.

Gunsmoke is an American radio and television Western drama series created by director Norman Macdonnell and writer John Meston. The stories take place in and around Dodge City, Kansas, during the settlement of the American West. The central character is lawman Marshal Matt Dillon, played by William Conrad on radio and James Arness on television. When aired in the United Kingdom, the television series was initially titled Gun Law, later reverting to Gunsmoke. The radio series ran from 1952 to 1961. John Dunning wrote that among radio drama enthusiasts, "Gunsmoke is routinely placed among the best shows of any kind and any time." The television series ran for 20 seasons from 1955 to 1975 and lasted for 635 episodes. At the end of its run in 1975, Los Angeles Times columnist Cecil Smith wrote: "Gunsmoke was the dramatization of the American epic legend of the west. Our own Iliad and Odyssey, created from standard elements of the dime novel and the pulp Western as romanticized by Buntline, Harte, and Twain. It was ever the stuff of legend." Radio series (1952–1961) In the late 1940s, CBS chairman William S. Paley, a fan of the Philip Marlowe radio series, asked his programming chief, Hubell Robinson, to develop a hard-boiled Western series, a show about a "Philip Marlowe of the Old West". Robinson instructed his West Coast CBS Vice President, Harry Ackerman, who had developed the Philip Marlowe series, to take on the task. Ackerman and his scriptwriters, Mort Fine and David Friedkin, created an audition script called "Mark Dillon Goes to Gouge Eye'' based on one of their Michael Shayne radio scripts, "The Case of the Crooked Wheel'' from the summer of 1948. Two versions were recorded.

Zainab Imran is a poet, tutor, zine-maker and English Literature student of British Pakistani heritage based in Manchester, England. She writes on a multitude of racial and queer issues, with a particular focus on ethnic diaspora and the hidden stories of women in the colonial struggle. They currently run the poetry collective, 'Poets for Partition'. In 2022, she was awarded the Royal Society of Literature and Sky Arts Award for Poetry as an emerging writer of colour, through which she is now being mentored by Jay Bernard and is also currently working towards her first poetry pamphlet.This episode is a typical Iliad, poetry, Manchester, Industrial Revolution, Marx, History, What is Art?, Kirchner type of episode.Zainab Imran website: https://zainabthepoet.co.uk/Follow on Instagram @dark.academia.zainab and on Twitter @darkacademiazen

Gunsmoke is an American radio and television Western drama series created by director Norman Macdonnell and writer John Meston. The stories take place in and around Dodge City, Kansas, during the settlement of the American West. The central character is lawman Marshal Matt Dillon, played by William Conrad on radio and James Arness on television. When aired in the United Kingdom, the television series was initially titled Gun Law, later reverting to Gunsmoke. The radio series ran from 1952 to 1961. John Dunning wrote that among radio drama enthusiasts, "Gunsmoke is routinely placed among the best shows of any kind and any time." The television series ran for 20 seasons from 1955 to 1975 and lasted for 635 episodes. At the end of its run in 1975, Los Angeles Times columnist Cecil Smith wrote: "Gunsmoke was the dramatization of the American epic legend of the west. Our own Iliad and Odyssey, created from standard elements of the dime novel and the pulp Western as romanticized by Buntline, Harte, and Twain. It was ever the stuff of legend." Radio series (1952–1961) In the late 1940s, CBS chairman William S. Paley, a fan of the Philip Marlowe radio series, asked his programming chief, Hubell Robinson, to develop a hard-boiled Western series, a show about a "Philip Marlowe of the Old West". Robinson instructed his West Coast CBS Vice President, Harry Ackerman, who had developed the Philip Marlowe series, to take on the task. Ackerman and his scriptwriters, Mort Fine and David Friedkin, created an audition script called "Mark Dillon Goes to Gouge Eye'' based on one of their Michael Shayne radio scripts, "The Case of the Crooked Wheel'' from the summer of 1948. Two versions were recorded.

In this episode we pull out some classical literature, specifically Homer's Iliad. We talk about the story of Odysseus, and the Song of The Sirens. I promise it relates to investing! We discuss: Looking at dividends over market prices Problems with the 4% Rule Emotional benefits of focusing on dividend income Sell-stops If you'd like to schedule a meeting with our team, email us at: team@freedomdaysolutions.com www.freedomdaysolutions.com

Achilles has anger issues. The great Greek warrior sits out most of the Trojan War because he's angrily sulking. When he finally enters battle, he does so in a fit of rage that causes him to commit atrocities and bring dishonor on himself.   So what can we learn from this angry character in Homer's epic poem, The Iliad? With the help of Harvard classics expert Greg Nagy and anger counsellor Dr Faith Harper, we look at how anger can creep up on us and what we can do to defuse this sometimes explosive emotion.      See omnystudio.com/listener for privacy information.

This week Jeff and Dave are back at the Aeneid, wading into some deep waters murky and redolent with the unfulfilled wishes of Jupiter. As full-scale war erupts on the Latian plain, Venus and Juno bring their high-pitched quarrel to the king of Olympus, whose own hands, it turns out, are tied by the Parcae. As the Fates roll around in their El Camino, cutting short the threads of numerous heroes Sarpedon-like, men are dying on the field of battle like a scene straight out of the Iliad. But it's not just questions of fate, of popsicle sticks, glue, and Fort Ticonderoga that occupy our sally into divine destiny. Along the way there is also room for Vergil's frowzy digression on Ascanius' lustral locks. What is he, a trichologist? Perhaps our poet was himself glabrous, and that explains his odd obsession with the young Iulus' quiffs and frisettes? We comb through the evidence, attempting to answer this, and more.

Gunsmoke is an American radio and television Western drama series created by director Norman Macdonnell and writer John Meston. The stories take place in and around Dodge City, Kansas, during the settlement of the American West. The central character is lawman Marshal Matt Dillon, played by William Conrad on radio and James Arness on television. When aired in the United Kingdom, the television series was initially titled Gun Law, later reverting to Gunsmoke. The radio series ran from 1952 to 1961. John Dunning wrote that among radio drama enthusiasts, "Gunsmoke is routinely placed among the best shows of any kind and any time." The television series ran for 20 seasons from 1955 to 1975 and lasted for 635 episodes. At the end of its run in 1975, Los Angeles Times columnist Cecil Smith wrote: "Gunsmoke was the dramatization of the American epic legend of the west. Our own Iliad and Odyssey, created from standard elements of the dime novel and the pulp Western as romanticized by Buntline, Harte, and Twain. It was ever the stuff of legend." Radio series (1952–1961) In the late 1940s, CBS chairman William S. Paley, a fan of the Philip Marlowe radio series, asked his programming chief, Hubell Robinson, to develop a hard-boiled Western series, a show about a "Philip Marlowe of the Old West". Robinson instructed his West Coast CBS Vice President, Harry Ackerman, who had developed the Philip Marlowe series, to take on the task. Ackerman and his scriptwriters, Mort Fine and David Friedkin, created an audition script called "Mark Dillon Goes to Gouge Eye'' based on one of their Michael Shayne radio scripts, "The Case of the Crooked Wheel'' from the summer of 1948. Two versions were recorded.

‘My friend, whom I loved so dear, who with me went through every danger,my friend Enkidu, whom I loved so dear, who with me went through every danger:‘the doom of mortals overtook him. Six days I wept for him and seven nights.I did not surrender his body for burial, until a maggot dropped from his nostril.‘Then I was afraid that I too would die, I grew fearful of death, and so wander the wild.‘What became of my friend was too much to bear, so on a far road I wander the wild;what became of my friend Enkidu was too much to bear,] so on a far path I wander the wild.‘How can I keep silent? How can I stay quiet? My friend, whom I loved, has turned to clay,my friend Enkidu, whom I loved, has turned to clay. Shall I not be like him and also lie down,never to rise again, through all eternity?'The Epic of Gilgamesh is a very old poem. The Standard Babylonian version of it was redacted over three thousand years ago by an editor and poet named Sîn-lēqi-unninni, but much of the material he compiled was even older than that. The poem describes Gilgamesh, the king of Uruk, two-thirds divine and one-third human, who is so superior to everyone else that the gods must create a companion for him. That companion is Enkidu, a bestial man who must be carefully brought into civilization. Their relationship — and the questions that arise after the gods condemn Enkidu to an early death — are still compelling several thousand years later. Chris and Suzanne explore this fragmentary monument of ancient literature, and think about what choices a translator (and a reader!) have to make when engaging with it.SHOW NOTES.The Epic of Gilgamesh, as translated by Andrew George, N.K. Sandars, Sophus Helle, and David Ferry. [Many others are available!]Our episode on The Iliad.On cuneiform writing.In a very different context, Chris has talked about Gilgamesh on a podcast before.Michael Schmidt: Gilgamesh: The Life of a Poem, an accessible book-length overview of the poem.Next: Sophocles: Antigone. [Bookshop.]And our 2023 reading list, if you want to read ahead! (Some books may change. We are fickle.)Support The Spouter-Inn on Patreon. Thanks!

Achilles is crushed by Patroclus' death. Thetis, his mother, helps him to revenge himself on Hector by asking Hephaestus to make Achilles some new armor. We ask about the elaborate and famous description of Achilles' shield. How should we understand the details on this shield, which looks like the world of the living? Does the shield conceal the world of the dead, who are under the shield just like Achilles is? We also think about Hephaestus' intentions in making Achilles' shield. Is he the artisan who makes the artifact that must fail? Is Hephaestus the wisest god because he can sum up human life? --- Support this podcast: https://anchor.fm/brian-wilson5/support

Gunsmoke is an American radio and television Western drama series created by director Norman Macdonnell and writer John Meston. The stories take place in and around Dodge City, Kansas, during the settlement of the American West. The central character is lawman Marshal Matt Dillon, played by William Conrad on radio and James Arness on television. When aired in the United Kingdom, the television series was initially titled Gun Law, later reverting to Gunsmoke. The radio series ran from 1952 to 1961. John Dunning wrote that among radio drama enthusiasts, "Gunsmoke is routinely placed among the best shows of any kind and any time." The television series ran for 20 seasons from 1955 to 1975 and lasted for 635 episodes. At the end of its run in 1975, Los Angeles Times columnist Cecil Smith wrote: "Gunsmoke was the dramatization of the American epic legend of the west. Our own Iliad and Odyssey, created from standard elements of the dime novel and the pulp Western as romanticized by Buntline, Harte, and Twain. It was ever the stuff of legend." Radio series (1952–1961) In the late 1940s, CBS chairman William S. Paley, a fan of the Philip Marlowe radio series, asked his programming chief, Hubell Robinson, to develop a hard-boiled Western series, a show about a "Philip Marlowe of the Old West". Robinson instructed his West Coast CBS Vice President, Harry Ackerman, who had developed the Philip Marlowe series, to take on the task. Ackerman and his scriptwriters, Mort Fine and David Friedkin, created an audition script called "Mark Dillon Goes to Gouge Eye'' based on one of their Michael Shayne radio scripts, "The Case of the Crooked Wheel'' from the summer of 1948. Two versions were recorded.

What can we learn from ancient Greek poetry? A foundational text of Western Civilization—The Iliad by Homer—is one of the oldest pieces of literature still read by modern audiences. Why? Because we recognize ourselves in its timeless themes of war, love, fate, and free will. Ivy League classicist Joshua Katz joins Michael Knowles to discuss this 2,800-year-old poem embodying the human condition.

Homer's The Iliad is a literary classic. This hour, we look at some of the many ways the epic applies to life today, in our understanding of plague, death, politics, and anger. We look at the value of returning to the story over and over again and how it can be used as a framework for other stories. GUESTS: Emily Katz Anhalt: Professor of classical languages and literature at Sarah Lawrence College and the author of Embattled: How Ancient Greek Myths Empower Us To Resist Tyranny and Enraged: Why Violent Times Need Ancient Greek Myths Joel Christensen: Professor of classical studies and senior associate dean for faculty affairs at Brandeis University and the author of The Many-Minded Man: The Odyssey, Psychology, and the Therapy of Epic Maya Deane: Author of Wrath Goddess Sing The Colin McEnroe Show is available as a podcast on Apple Podcasts, Spotify, Google Podcasts, Stitcher, or wherever you get your podcasts. Subscribe and never miss an episode! Join the conversation on Facebook and Twitter. Colin McEnroe, Jonathan McNicol, and Cat Pastor contributed to this show, which originally aired July 13, 2022.Support the show: http://www.wnpr.org/donateSee omnystudio.com/listener for privacy information.

Gunsmoke is an American radio and television Western drama series created by director Norman Macdonnell and writer John Meston. The stories take place in and around Dodge City, Kansas, during the settlement of the American West. The central character is lawman Marshal Matt Dillon, played by William Conrad on radio and James Arness on television. When aired in the United Kingdom, the television series was initially titled Gun Law, later reverting to Gunsmoke. The radio series ran from 1952 to 1961. John Dunning wrote that among radio drama enthusiasts, "Gunsmoke is routinely placed among the best shows of any kind and any time." The television series ran for 20 seasons from 1955 to 1975 and lasted for 635 episodes. At the end of its run in 1975, Los Angeles Times columnist Cecil Smith wrote: "Gunsmoke was the dramatization of the American epic legend of the west. Our own Iliad and Odyssey, created from standard elements of the dime novel and the pulp Western as romanticized by Buntline, Harte, and Twain. It was ever the stuff of legend." Radio series (1952–1961) In the late 1940s, CBS chairman William S. Paley, a fan of the Philip Marlowe radio series, asked his programming chief, Hubell Robinson, to develop a hard-boiled Western series, a show about a "Philip Marlowe of the Old West". Robinson instructed his West Coast CBS Vice President, Harry Ackerman, who had developed the Philip Marlowe series, to take on the task. Ackerman and his scriptwriters, Mort Fine and David Friedkin, created an audition script called "Mark Dillon Goes to Gouge Eye'' based on one of their Michael Shayne radio scripts, "The Case of the Crooked Wheel'' from the summer of 1948. Two versions were recorded.

We start with a few lines from much later in EBB's Aurora Leigh (and their near explicit critique of Tennyson), then finish discussing "Development" (and its relation to modernity), then look at Pope's translation of the Thamyris passage in Book II of The Iliad, and the surviving fragments of Sophocles's play about him, and then spend the class on "Thamuris Marching," which has Aristophanes describing Sophocles's play in terza rima, and we end with the title of "'Childe Roland to the Dark Tower Came'" the poem to which we'll return next class.

Gunsmoke is an American radio and television Western drama series created by director Norman Macdonnell and writer John Meston. The stories take place in and around Dodge City, Kansas, during the settlement of the American West. The central character is lawman Marshal Matt Dillon, played by William Conrad on radio and James Arness on television. When aired in the United Kingdom, the television series was initially titled Gun Law, later reverting to Gunsmoke. The radio series ran from 1952 to 1961. John Dunning wrote that among radio drama enthusiasts, "Gunsmoke is routinely placed among the best shows of any kind and any time." The television series ran for 20 seasons from 1955 to 1975 and lasted for 635 episodes. At the end of its run in 1975, Los Angeles Times columnist Cecil Smith wrote: "Gunsmoke was the dramatization of the American epic legend of the west. Our own Iliad and Odyssey, created from standard elements of the dime novel and the pulp Western as romanticized by Buntline, Harte, and Twain. It was ever the stuff of legend." Radio series (1952–1961) In the late 1940s, CBS chairman William S. Paley, a fan of the Philip Marlowe radio series, asked his programming chief, Hubell Robinson, to develop a hard-boiled Western series, a show about a "Philip Marlowe of the Old West". Robinson instructed his West Coast CBS Vice President, Harry Ackerman, who had developed the Philip Marlowe series, to take on the task. Ackerman and his scriptwriters, Mort Fine and David Friedkin, created an audition script called "Mark Dillon Goes to Gouge Eye'' based on one of their Michael Shayne radio scripts, "The Case of the Crooked Wheel'' from the summer of 1948. Two versions were recorded.

Tune in this week as the guys wrap up Aeneid 9 and take a look at the fallout and aftermath of Nisus' and Euryalus' disastrous midnight raid. When the Rutulians wake to the bloody devastation, its off to besiege the city in which the Trojans, sans Aeneas, are hiding. In this "reverse Iliad", we find the foreign aggressors -- Aeneas and company -- besieged within a city by the invaded inhabitants on the plain. Along the way, we're met with an interesting digression in which Vergil honors motherhood with a threnody from Euryalus' otherwise anonymous mother. He also gives us another invocation of the muse, this time of Calliope, inspiratrix of epic poetry. As full-scale war breaks out, we see Turnus unleashed, and another little hero step forward: Ascanius, Aeneas' son. In his martial aristeia, he dispatches the Rutulian braggart Numanus, after a real, real long monologue. There may be some limericks and lighthearted moments along the way, but don't look for any spoilers here!

The Ramayana is not one book, but a living text with countless versions across languages, each reflecting the values of its time and place. Arshia Sattar joins Amit Varma to share her insights from decades of study. Also discussed: the art of translation -- and our search for dharma. (FOR FULL LINKED SHOW NOTES, GO TO SEENUNSEEN.IN.) Also check out 1. Arshia Sattar on Amazon, Open and Wikipedia. 2. Valmiki's Ramayana -- Translated by Arshia Sattar. 3. Maryada: Searching for Dharma in the Ramayana -- Arshia Sattar. 4. Lost Loves: Exploring Rama's Anguish -- Arshia Sattar. 5. AK Ramanujan on Amazon and Wikipedia. 6. Wendy Doniger on Amazon and Wikipedia. 7. Alf Hiltebeitel on Amazon and Wikipedia. 8. 300 Ramayanas — AK Ramanujan. 9. On Hinduism and The Hindus — Wendy Doniger. 10. Yuganta — Irawati Karve. 11. The Loneliness of the Indian Woman — Episode 259 of The Seen and the Unseen (w Shrayana Bhattacharya). 12. The Loneliness of the Indian Man — Episode 303 of The Seen and the Unseen (w Nikhil Taneja). 13. 'I Have a Dream' (video) (transcript) -- Martin Luther King. 14. Whatever happened To Ehsan Jafri on February 28, 2002? — Harsh Mander. 15. The Gita Press and Hindu Nationalism — Episode 139 of The Seen and the Unseen (w Akshaya Mukul). 14. Gita Press and the Making of Hindu India — Akshaya Mukul. 15. The Shah Bano case, the Sati at Deorala and the banning of Satanic Verses. 16. 1968: The Year that Rocked the World -- Mark Kurlanksy. 17. The Rooted Cosmopolitanism of Sugata Srinivasaraju — Episode 277 of The Seen and the Unseen. 18. Girish Karnad on Amazon and Wikipedia. 19. Understanding India Through Its Languages — Episode 232 of The Seen and the Unseen (w Peggy Mohan). 20. Wanderers, Kings, Merchants: The Story of India through Its Languages — Peggy Mohan. 21. Early Indians — Episode 112 of The Seen and the Unseen (w Tony Joseph). 22. Early Indians — Tony Joseph. 23. Who We Are and How We Got Here — David Reich. 24. Nissim Ezekiel on Amazon, Wikipedia and All Poetry. 25. The Seven Basic Plots — Christopher Booker. 26. The Long Road From Neeyat to Neeti -- Episode 313 of The Seen and the Unseen (w Pranay Kotasthane and Raghu S Jaitley). 27. Sansar Se Bhage Phirte Ho — Song from Chitralekha with lyrics by Sahir Ludhianvi. 28. Episodes of the Seen and the Unseen on Mughal history with Ira Mukhoty, Parvati Sharma, Rana Safvi and Manimugdha Sharma. 29. Tales from the Kathasaritsagara -- Somadeva (translated by Arshia Sattar). 30. The Second Game of Dice -- Amit Varma. 31. Range Rover -- The archives of Amit Varma's column on poker for the Economic Times. 32. Critical Theory and Structuralism. 33. The Missing Queen -- Samhita Arni. 34. Ramcharitmanas (Hindi) (English) (Wikipedia) -- Tulsidas. 35. Krittivasi Ramayan (Bengali) (Wikipedia) -- Krittibas Ojha. 36. The Kamba Ramayana -- Translated by PS Sundaram. 37. The Odyssey and The Iliad by Homer. 38. David Shulman on Amazon and Wikipedia. 39. Narendra Modi takes a Great Leap Backwards — Amit Varma (on demonetisation). 40. Bimal Krishna Matilal on Amazon and Wikipedia. 41. Dharma: Dimensions of Asian Spirituality -- Alf Hiltebeitel. 42. Understanding Gandhi. Part 1: Mohandas — Episode 104 of The Seen and the Unseen (w Ram Guha). 43. Understanding Gandhi. Part 2: Mahatma — Episode 105 of The Seen and the Unseen (w Ram Guha). 44. The Origins of Evil in Hindu Mythology -- Wendy Doniger. 45. Raja Ravi Varma. 46. Shoodhra Tapasvi -- Kuvempu. 47. Ludwig Wittgenstein on Amazon, Wikipedia, Britannica and Stanford Encyclopedia of Philosophy. 48. The Art of Translation — Episode 168 of The Seen and the Unseen (w Arunava Sinha). 49. The Life and Times of Shanta Gokhale — Episode 311 of The Seen and the Unseen. 50. The Life and Times of Jerry Pinto -- Episode 314 of The Seen and the Unseen. 51. RRR -- SS Rajamouli. 52. The Girish Karnad Podcasts: The Rover Has No Fear of Memories -- An oral history enabled by Arshia Sattar and Anmol Tikoo. 53. This Life At Play: Memoirs -- Girish Karnad. 54. Kind of Blue -- Miles Davis. 55. Elena Ferrante on Amazon. 56. The Door -- Magda Szabó. 57. The Mahabaharata -- Peter Brook. 58. The Discreet Charm of the Bourgeoisie, The Phantom of Liberty, That Obscure Object of Desire — Luis Buñuel. 59. The Unbearable Lightness of Being — Philip Kaufman. 60. The Line -- An Apple Original podcast. This episode is sponsored by CTQ Compounds. Check out The Daily Reader and FutureStack. Use the code UNSEEN for Rs 2500 off. Check out Amit's online course, The Art of Clear Writing. And subscribe to The India Uncut Newsletter. It's free! Episode art: ‘Searching for Dharma' by Simahina.

Turner at last run Dun so far in the brain at the eye, that he fell Down presently stone dead;

Gunsmoke is an American radio and television Western drama series created by director Norman Macdonnell and writer John Meston. The stories take place in and around Dodge City, Kansas, during the settlement of the American West. The central character is lawman Marshal Matt Dillon, played by William Conrad on radio and James Arness on television. When aired in the United Kingdom, the television series was initially titled Gun Law, later reverting to Gunsmoke. The radio series ran from 1952 to 1961. John Dunning wrote that among radio drama enthusiasts, "Gunsmoke is routinely placed among the best shows of any kind and any time." The television series ran for 20 seasons from 1955 to 1975 and lasted for 635 episodes. At the end of its run in 1975, Los Angeles Times columnist Cecil Smith wrote: "Gunsmoke was the dramatization of the American epic legend of the west. Our own Iliad and Odyssey, created from standard elements of the dime novel and the pulp Western as romanticized by Buntline, Harte, and Twain. It was ever the stuff of legend." Radio series (1952–1961) In the late 1940s, CBS chairman William S. Paley, a fan of the Philip Marlowe radio series, asked his programming chief, Hubell Robinson, to develop a hard-boiled Western series, a show about a "Philip Marlowe of the Old West". Robinson instructed his West Coast CBS Vice President, Harry Ackerman, who had developed the Philip Marlowe series, to take on the task. Ackerman and his scriptwriters, Mort Fine and David Friedkin, created an audition script called "Mark Dillon Goes to Gouge Eye'' based on one of their Michael Shayne radio scripts, "The Case of the Crooked Wheel'' from the summer of 1948. Two versions were recorded.

The Trojan War is one of the most famously described and mythologized accounts from Ancient Greek civilization. It was the passion-fuelled war waged by the Greek States against Troy, which has captivated our imagination for millennia and inspired multiple Hollywood portrayals. But what exactly do we know about The Trojan War? And what can a war from so many years ago teach us about some of the wars in our world today? Professor Barry Strauss - renowned historian, author, and television personality - joins the podcast. Lear more about Barry Strauss at https://barrystrauss.com. Check out Barry's podcast, ANTIQUITAS: Leaders and Legends of the Ancient World, at https://www.digitalpodcast.com/feeds/93584-antiquitas. This episode is sponsored by Uncertain Things - https://uncertain.substack.com.

Shilo gets a new gig, and we offend a whole county! But back in the Iliad, Patroclus is dead, and the Greeks and Trojans fight over his body. Why is a whole book concerned with Patroclus' body? And why do we care about the armor and the horses of Achilles? Brian, Shilo and Jeff talk about how this book contributes to the suspense of the story, and about the meaning of Patroclus' embodiment. Is Patroclus his body, or is he different from his body? Are human bodies different from those of the gods? We explore the strange image of the stretched bullhide, and whether Patroclus' body is a valuable commodity. --- Support this podcast: https://anchor.fm/brian-wilson5/support

"Who drives us to outrageous action? Is it some god, or does each man make of his own desire a god, which then drives him furiously to a violent end"? This is the question we consider this week as we turn to the final quarter of the epic (books 9-12). And we are treated to two surprising events: first, how the ships of the Trojans are transformed into mermaids, shocking Turnus and his gathered Rutulians. Juno is up to her old tricks, and sends along Iris the messenger to tell him not to worry, the Trojans will be trapped in Italy where they can be easy prey for the indigenous hero and his assorted forces. Aeneas is off-scene, still wandering through the regions of Arcadia, securing alliances with Evander and company. The second episode is the midnight raid of Nisus and Euryalus. In a nod to – or perhaps improvement upon – Homer's Iliad 10 and the gruesome death of Dolon at the hands of Odysseus and Diomedes, Vergil here tells his own tragic story of two friends overtaken by greed and a desire for bloodlust. It's not all grim, however. Along the way you can spot silos of Pringles™, the grit of Fig Newtons™, a brief excursion to the admittedly grim Battle of the Little Big Horn, and some Uncrustables™. One might say that mixing the serious with the silly has become Jeff and Dave's ™. So tune in!  

Gunsmoke is an American radio and television Western drama series created by director Norman Macdonnell and writer John Meston. The stories take place in and around Dodge City, Kansas, during the settlement of the American West. The central character is lawman Marshal Matt Dillon, played by William Conrad on radio and James Arness on television. When aired in the United Kingdom, the television series was initially titled Gun Law, later reverting to Gunsmoke. The radio series ran from 1952 to 1961. John Dunning wrote that among radio drama enthusiasts, "Gunsmoke is routinely placed among the best shows of any kind and any time." The television series ran for 20 seasons from 1955 to 1975 and lasted for 635 episodes. At the end of its run in 1975, Los Angeles Times columnist Cecil Smith wrote: "Gunsmoke was the dramatization of the American epic legend of the west. Our own Iliad and Odyssey, created from standard elements of the dime novel and the pulp Western as romanticized by Buntline, Harte, and Twain. It was ever the stuff of legend." Radio series (1952–1961) In the late 1940s, CBS chairman William S. Paley, a fan of the Philip Marlowe radio series, asked his programming chief, Hubell Robinson, to develop a hard-boiled Western series, a show about a "Philip Marlowe of the Old West". Robinson instructed his West Coast CBS Vice President, Harry Ackerman, who had developed the Philip Marlowe series, to take on the task. Ackerman and his scriptwriters, Mort Fine and David Friedkin, created an audition script called "Mark Dillon Goes to Gouge Eye'' based on one of their Michael Shayne radio scripts, "The Case of the Crooked Wheel'' from the summer of 1948. Two versions were recorded.

In this book, Achilles comes upon the crying Patroclus, and pities and chides him. Then Patroclus puts on Achilles' armor, joins the fight, is stunned by Apollo, and killed by Hector. Brian, Shilo and Jeff ask why Achilles lets Patroclus join the fight wearing Achilles' armor, when Achilles himself says he is ready to return to battle? We explore Achilles' thinking: what is it like to be far superior to everyone around you? Does Achilles want everyone around him, Greek or Trojan, dead -- except Patroclus? We learn why Plato's Socrates warns against identifying with Achilles' wrath, and how superior human beings dangerously test their friends. --- Support this podcast: https://anchor.fm/brian-wilson5/support

I know the rest of the night will be as devoted to work as love as I'm now resting in this expensive sentence and in the end I'll spend it fast writing to you anyway, addressing you and a solution or night beginning like a letter, just a few words more freely seeing everything more clearly than the rest of life and love tends to be like windows facing mostly south but surrounding us, I'm thinking of you.Bernadette Mayer's Midwinter Day is a book-length poem entirely written on December 22, 1978. It documents her day—early morning dreams, midday chores with her toddlers, late night all-night writing sessions with her partner—in a panoply of poetic modes. Chris and Suzanne read the poem alongside some of the other books they've read this year, and consider Mayer's works and days.SHOW NOTES.Bernadette Mayer: Midwinter Day. [Bookshop.]Other books by Bernadette Mayer: Memory. Studying Hunger Journals. Eating the Colors of a Lineup of Words: The Early Books of Bernadette Mayer. Sonnets. A Bernadette Mayer Reader. The Helens of Troy, NY. Milkweed Smithereens. 0 to 9: The Complete Magazine, 1967–1969.Bernadette Mayer's pages at the Poetry Foundation and PennSound.Some of her early works can be found at Eclipse.Obituaries in the New York Times and Artforum.Our episodes on Times Square Red, Times Square Blue, Ulysses, Mrs. Dalloway, the Metaphysical Poets, the Iliad, and The Waste Land.Catullus.Geoffrey Chaucer: The House of Fame.Ted and Alice are Ted Berrigan and Alice Notley. John Donne: A Nocturnal upon St. Lucy's Day.Sonnet [You jerk you didn't call me up].Bernadette Mayer's Writing Experiments.Next: Sadeq Hedayat: Blind Owl. [Bookshop.]Support The Spouter-Inn on Patreon and hang out with us in a private Discord.

Gunsmoke is an American radio and television Western drama series created by director Norman Macdonnell and writer John Meston. The stories take place in and around Dodge City, Kansas, during the settlement of the American West. The central character is lawman Marshal Matt Dillon, played by William Conrad on radio and James Arness on television. When aired in the United Kingdom, the television series was initially titled Gun Law, later reverting to Gunsmoke. The radio series ran from 1952 to 1961. John Dunning wrote that among radio drama enthusiasts, "Gunsmoke is routinely placed among the best shows of any kind and any time." The television series ran for 20 seasons from 1955 to 1975 and lasted for 635 episodes. At the end of its run in 1975, Los Angeles Times columnist Cecil Smith wrote: "Gunsmoke was the dramatization of the American epic legend of the west. Our own Iliad and Odyssey, created from standard elements of the dime novel and the pulp Western as romanticized by Buntline, Harte, and Twain. It was ever the stuff of legend." Radio series (1952–1961) In the late 1940s, CBS chairman William S. Paley, a fan of the Philip Marlowe radio series, asked his programming chief, Hubell Robinson, to develop a hard-boiled Western series, a show about a "Philip Marlowe of the Old West". Robinson instructed his West Coast CBS Vice President, Harry Ackerman, who had developed the Philip Marlowe series, to take on the task. Ackerman and his scriptwriters, Mort Fine and David Friedkin, created an audition script called "Mark Dillon Goes to Gouge Eye'' based on one of their Michael Shayne radio scripts, "The Case of the Crooked Wheel'' from the summer of 1948. Two versions were recorded.

(Lander, WY) – KOVE 1330 AM / 107.7 FM's Coffee Time host Vince Tropea recently sat down with Amarah Fegring and Anne Mason the artistic directors (and performer) behind AN ILIAD, which makes its way to Lander this week. Laramie's Relative Theatrics and Lander's Communal Pancake Performing Arts are collaborating to present the play by Lisa Peterson and Denis O'Hare. AN ILIAD will be performed January 18-21, 2023, at 7 pm in the Lander Library Carnegie Room. Check out the full Coffee Time interview with Fehring and Mason and the official press release below. Poetry and humor, the ancient tale of the Trojan War, and the modern world collide in this captivating theatrical experience. The setting is simple: the empty theater. The time is now: the present moment; a lone figure stands onstage. AN ILIAD is a modern-day retelling of Homer's classic and features a single storyteller, The Poet (Anne Mason), who is fated to travel from one town to the next, telling the story of the Trojan War.  h/t Communal Pancake Performing Arts and Relative Theatrics h/t Communal Pancake Performing Arts and Relative Theatrics "During the course of the play, you come to realize that the Poet has been charged with the task of telling the story for thousands of years and has laid witness to every major conflict in Western - and global - history since 2,000 BCE," said Anne Mason, actor and Producing Artistic Director for Relative Theatrics. "The Homeric epic is quoted, paraphrased, and contextualized for today's modern, English-speaking audience… but there's still a bit of the ancient Greek language sprinkled in!" Relative Theatrics originally produced the play in Laramie during the fall of 2019, featuring Mason as the Poet, and directed by Riverton native Andrew Thornton. "I began preparing for the September 2019 performance in February of the same year," Mason said. "In addition to reading a couple of translations of Homer's The Iliad, this show also required an intense amount of research - everything from ancient Greek civilization and Greek mythology to military tactics and world history. I also spent many hours with University of Wyoming professor Dr. Laura De Lozier learning the ancient Greek language in the text." Before AN ILIAD, Mason had done several small-cast shows, but this was her first time being alone on stage.  "I was surprised to learn how lonely it can be to vulnerably lean into a piece without the support and camaraderie of fellow castmates," Mason said. "It is rigorous and requires an incredible amount of self-accountability. It also means that the pressure is on you to bring it every night - you can't rely on someone else's energy to pick up any slack. I found that I needed to engage in a two-hour warm-up ritual for each performance in order to get my voice, my body, and my mind primed for the show." In the summer of 2022, Mason connected with Amara Fehring, the Artistic Director for Communal Pancake Performing Arts. The pair quickly decided that a collaboration would be an excellent creative opportunity for Lander and Wyoming.  "Once we decided to co-produce a show, it was a matter of finding the right play, and we thought AN ILIAD would be the perfect fit," Mason said. “It is Communal Pancake and Relative Theatrics' hope to promote the idea of theatre as a platform that fosters open civic dialogue while highlighting the eternally relevant aspects of human life" In addition to the performance, the team is providing arts education programming based on the play in Fremont County. Over this past week, Mason has conducted workshops in multiple Fremont County high school and middle school classrooms rooted in the play's content.  "I am a huge proponent of Arts Education and of using theatre as a means to better access scholastic content," said Mason. "It has been a treat to bring workshops to Fremont County students that apply theatre skills in order to explore character devel...

In this episode, Alissa Rubin reads an excerpt from the ancient Greek epic The Iliad. Rubin is a Senior International Correspondent for The New York Times. She worked previously as the Bureau Chief in Baghdad, Paris, and Kabul. In 2016, she was awarded the Pulitzer Prize in International Reporting for "thoroughly reported and movingly written accounts giving voice to Afghan women who were forced to endure unspeakable cruelties." The passage that Rubin selected is from the very last book of The Iliad, and portrays an encounter between the Trojan King Priam and the Greek warrior Achilles. If you're unfamiliar with the story, all you really need to know — for our purposes — is that Priam's son killed Achilles' best friend in combat, and Achilles then killed Priam's son in retribution. At the point where we meet them, Achilles has been dragging the body of his slain enemy behind his chariot for twelve days, and Priam has come in person to his enemy's encampment to plead for the return of his son's body.  The Iliad by Homer, translated by Robert Fagles, is published by Penguin Random House. Alissa Rubin's reporting – including her recent must-read coverage on climate change in the Middle East – is available to subscribers of The New York Times. We feature one short listener poem at the end of every episode. To submit, call the Haiku Hotline at 612-440-0643 and read your poem after the beep. For the occasional prompt, follow us on Twitter, Instagram, and Facebook. Subscribe on RadioPublic, Apple Podcasts, Spotify, or Stitcher.

Most famous for Homer's Iliad, it is also mentioned in Scripture. Thank you for listening! Please share and subscribe! Leave a five star review! It helps people find us!

Gunsmoke is an American radio and television Western drama series created by director Norman Macdonnell and writer John Meston. The stories take place in and around Dodge City, Kansas, during the settlement of the American West. The central character is lawman Marshal Matt Dillon, played by William Conrad on radio and James Arness on television. When aired in the United Kingdom, the television series was initially titled Gun Law, later reverting to Gunsmoke. The radio series ran from 1952 to 1961. John Dunning wrote that among radio drama enthusiasts, "Gunsmoke is routinely placed among the best shows of any kind and any time." The television series ran for 20 seasons from 1955 to 1975 and lasted for 635 episodes. At the end of its run in 1975, Los Angeles Times columnist Cecil Smith wrote: "Gunsmoke was the dramatization of the American epic legend of the west. Our own Iliad and Odyssey, created from standard elements of the dime novel and the pulp Western as romanticized by Buntline, Harte, and Twain. It was ever the stuff of legend." Radio series (1952–1961) In the late 1940s, CBS chairman William S. Paley, a fan of the Philip Marlowe radio series, asked his programming chief, Hubell Robinson, to develop a hard-boiled Western series, a show about a "Philip Marlowe of the Old West". Robinson instructed his West Coast CBS Vice President, Harry Ackerman, who had developed the Philip Marlowe series, to take on the task. Ackerman and his scriptwriters, Mort Fine and David Friedkin, created an audition script called "Mark Dillon Goes to Gouge Eye'' based on one of their Michael Shayne radio scripts, "The Case of the Crooked Wheel'' from the summer of 1948. Two versions were recorded.

What most human beings are saying is “we want a higher quality of life.” We want more intimacy, love, caring, and empowerment. We want to fulfill, not just survive. We want to thrive, accomplish, and contribute. Emasculation has always worked perfectly well - until we wanted a quality of life that makes it impossible. - Alison Armstrong Are You Stressed Out Lately? Take a deep breath with the M21™ wellness guide: a simple yet powerful 21 minute morning system that melts stress and gives you more energy through 6 science-backed practices and breathwork. Click HERE to download for free. Is Your Energy Low? Looking for a cleaner brain fuel? Just one daily serving of Ketone-IQ™️ will help you feel sharper, more focused, and ready to take on the day. Click HERE to try HVMN's Ketone-IQ™ + Save 20% with the code "JOSH" *Review The WF Podcast & WIN $150 in wellness prizes! *Join The Facebook Group Wellness + Wisdom Episode 512 Alison Armstrong, an educator and the author of The Queen's Code and Keys To The Kingdom, explores the differences between men and women that create imbalance and conflict, and everything you need to know about emasculation. Do you know what women don't understand about men and why they communicate and think differently? In this episode, Alison Armstrong explains the reasons why men are being emasculated, the difference between men and women, why her book 'The Queen's Code' was a gift from God, and how you can find safety in yourself.     Learn To Understand Men + Women With Alison Armstrong Graduate Programs: Being Extraordinary as a Man Being Extraordinary as a Woman Critical Missing Pieces Extraordinary Choices Understanding Love & Commitment Understanding Sex & Intimacy   Whether you want to better understand men or women, become an extraordinary man or woman yourself, or learn about love, commitment, sex, and intimacy, these courses will give you exactly what you need to create a loving relationship with yourself and your partner.   Pick Your Course   Listen To Episode 512 As Alison Armstrong Uncovers: [2:30] The Queen's Code Alison Armstrong 437 Josh Trent | Death & Rebirth: Why I'm Saying Goodbye to Wellness Force… The Queen's Code by Alison Armstrong 364 Alison Armstrong: Understanding Men, Women, & Self Actualization Why Alison finally released The Queen's Code as an audiobook and why she didn't want to let anyone else narrate it. What made her realize she didn't know what to do next in her life. The reason she withdrew The Queen's Code from the publisher and decided to find another one. How her book spread out to 70 countries within the first 3 weeks.   [13:30] Books Written By God Why Alison claims she didn't write The Queen's Code. Keys To The Kingdom by Alison Armstrong Why she could finally relax for the first time after writing The Queen's Code. How she received visions of the sequel book Key To The Kingdom and wrote 45,000 words within 8 days. The ways in which the books resemble her life. Asking herself where the questions that come to our mind come from. Why she stopped taking credit for her ideas.   [18:10] What It Means To Become An Elder Why Josh considers Alison an elder. The Language of Heroes: Speech and Performance in the Iliad by Richard Martin Stages of men's development: Paige, Knight, Prince, Tunnel, King, Elder. Why Kings have so many opinions and a solid sense of who they are. Emperors: Why they want to dominate other Kings. What it means that elders are beyond ambition. How she discovered that women can become elders through her own experience. The reason elders don't want to give advice to others. Why being an elder is an internal expression that has to be expressed. How Alison was each of The Queen's Code's characters at some point in her life. Eat, Pray, Love by Elizabeth Gilbert   [26:25] Understanding That Men Are Not The Same as Women Why reading one of the characters' parts for the audiobook didn't feel right to Alison. What makes the audiobook more intense than the written book. The Candice Mama Show: The Psychology of Men and Dating with Alison Armstrong Why Candice read the men's parts with less sincerity and emotion than Alison. How everyone reads books with their own filter. The reason she is happy that emasculation has become a conversation topic. How she and her team know that their job is done when everyone thinks a show about emasculating men isn't funny anymore (e.g. Everybody Loves Raymond). Everybody Loves Raymond (sitcom) What we perceive is given by where we're perceiving from. Why women can't see the magnificence of men and why Alison questioned if men had souls. Why men can't be like women. How transforming your being comes from transforming how you see men. Why women see men as hairy misbehaving women and why men are not trying to not need women. Will Spencer   [38:30] Women's Fear + Why Men Emasculate Other Men How fear and frustration drive emasculation. Understanding Men & Women Online Course The importance of understanding that men don't perceive and process information the same way as women. How men's strength provides them with physical safety and they are taking it for granted. The difference in women's reactions: Why women get scared so easily. How women's fight, flight, and freeze responses can emasculate men. Why men emasculate men all the time. How emasculation doesn't go with wanting a higher quality life, more intimacy, love, and empowerment.   [44:05] Emasculation Triggers Wetiko: Healing the Mind-Virus That Plagues Our World by Paul Levy 503 Wetiko: How To Heal Yourself From The Mind Virus | Paul Levy How fiction literature makes us feel less on the spot. Alison's 20-year research on how women emasculate men, what triggers them to do it, and how they justify it. Why women justify emasculation by trying to prove that men are misbehaving. Examples of the labels women put on men that emasculate them. Why some of her customers didn't want to celebrate men. How women can identify whether they're emasculating men. Emasculating men for self-protection. How Alison used to emasculate men. Why sexual attraction can put men off balance. How she used it to make men weaker when she was younger and why male physicality put her off balance.   [56:25] How Physical Attraction Emasculates Men The story of her daughter and how boys reacted to her energy. Why she told her daughter to be kind to the boys who were kind to her and provided for her. How men show attraction: Providing for and taking from the woman they are attracted to. Why Alison teaches women not to lead with their sexuality and sensuality. How our attraction can throw the other one out of balance and make them attack us. How her daughter met her husband and what his first reaction was. Why meeting someone who you can't live without can change everything.   [01:02:30] How To Find Safety In Ourselves The four questions a shaman would ask their patient. Why recording The Queen's Code made her so emotional. The importance of realizing that emasculation doesn't work and doesn't make you safer. How the book changes how men relate to themselves and helps them not agree to be emasculated by women. Why knowing that women emasculate men when they are scared matters and how we can find safety in being ourselves. The reason why women are their own worst enemies. Why abuse of power is a human characteristic, not a man characteristic according to Alison. The reasons why she doesn't believe in patriarchy. Why men care more about results, respect, and loyalty more than women. Competition: Our basic instinct that makes us perceive threats. Why she teaches people to own their instincts and responses.   [01:14:00] Do You Listen To Learn Or To React? Why we should look at emasculation as diminishing someone's ability to produce results. What we do to others we do to ourselves. Why objectification is a form of emasculation. The illusion of gaining control through objectification. Listening to learn VS listening to agree or disagree. Why we listen to label things: A shortcutting process. Simply Psychology: Definition of a "heuristic" The two meanings of the word “code” according to Alison: Secret and honor. Why women should find honor in men especially when they're disappointed with them. Why Language Of The Heroes doesn't translate in all common languages. The essence of the words that men understand even if they never heard them before. What it means to be committed to being happy instead of chasing happiness. Why she doesn't want to live together with her partner.   Power Quotes From The Show How Women See Men "We need to change the point of view that men should be like women. You see being. Men see being. So can women and children. It's the universal language. When women look at men, they see hairy misbehaving women. Women think that men should know the exact right thing to do but they're doing something else and then women think they should be punished for it." - Alison Armstrong   Emasculation VS Higher Quality Of Life "What most human beings are saying is “we want a higher quality of life.” We want more intimacy, love, caring, and empowerment. We want to fulfill, not just survive. We want to thrive, accomplish, and contribute. Emasculation has always worked perfectly well - until we wanted a quality of life that makes it impossible." - Alison Armstrong   Sexual Attraction As A Tool To Put Men Off Balance "Sexual attraction can put a man off balance. When you have a strong physical response to someone, you're not grounded anymore. And if you're off balance, you can't attack." - Alison Armstrong   Links From Today's Show  Alison Armstrong 437 Josh Trent | Death & Rebirth: Why I'm Saying Goodbye to Wellness Force… The Queen's Code by Alison Armstrong 364 Alison Armstrong: Understanding Men, Women, & Self Actualization Keys To The Kingdom by Alison Armstrong The Language of Heroes: Speech and Performance in the Iliad by Richard Martin Eat, Pray, Love by Elizabeth Gilbert The Candice Mama Show: The Psychology of Men and Dating with Alison Armstrong Everybody Loves Raymond (sitcom) Will Spencer Understanding Men & Women Online Course Wetiko: Healing the Mind-Virus That Plagues Our World by Paul Levy 503 Wetiko: How To Heal Yourself From The Mind Virus | Paul Levy Simply Psychology: Definition of a "heuristic" Shop the Wellness Force Media Store breathwork.io Save 20% on LiftMode Products until February 13, 2023 PLUNGE – Save $150 with the code “WELLNESSFORCE" HIGHER DOSE INFRARED MAT - Get 15% off with the code “WELLNESSFORCE15“ Organifi – Special 20% off to our listeners with the code ‘WELLNESSFORCE' HVMN - Get 20% off your Ketone IQ order with the code "JOSH" MitoZen – Save 10% with the code “WELLNESSFORCE” Paleovalley – Save 15% on your ACV Complex with the code ‘JOSH' NOOTOPIA - Save 10% with the code "JOSH10" Activation Products – Save 20% with the code “WELLNESSFORCE” NEUVANA - Save 15% with the code “WELLNESSFORCE” SENSATE - Save $25 on your order with the code "JOSH25" DRY FARM WINES - Get an extra bottle of Pure Natural Wine with your order for just 1¢ CHILISLEEP - Save 25% on Josh's favorite ChiliSleep products with the code "JOSH" ION - Save 15% off sitewide with the code ‘JOSH1KS' TOUPS - Save 15% with the code "JOSH" Feel Free from Botanic Tonics – Save 40% when you use the code ‘WELLNESS40′ Drink LMNT – Zero Sugar Hydration: Get your free LMNT Sample Pack, with any purchase BREATHE - Save 20% by using the code “PODCAST20” Essential Oil Wizardry: Save 10% with the code ‘WELLNESSFORCE' MY GREEN MATTRESS - Save up to $125 on your order with the code "JOSH" NEUROHACKER - Save 15% with the code "WELLNESSFORCE" ALIVE WATER - Save 33% on your first order with the code "JOSH33" M21 Wellness Guide Wellness Force Community Leave Wellness + Wisdom a review on Apple Podcasts Alison Armstrong Facebook Instagram YouTube Pinterest   About Alison Armstrong Alison Armstrong, author, educator, and creator of the widely acclaimed "Understanding Men" and "Understanding Women" transformational online series, asks the question: "What if no one is misbehaving -- including you?” She explores the good reasons behind the behavior of men and women such as fundamental differences in how we think, act and communicate. She offers simple, partnership-based, solutions to improve our communication and intimacy by honoring ourselves and others. She's known for her insight, sense of humor, and ability to articulate the human experience and predicament of gender. Alison Armstrong's Mission Alison Armstrong is a best-selling author, sought-after speaker, and master thought leader. She's the founder of PAX Programs, a mission-driven company passionate about transforming the way men and women relate to themselves and each other and the ultimate source for understanding men and women.   Alison Armstrong: Understanding Men, Women, & Self Actualization | Wellness Force #Podcast 

Teaching NotesWESTSIDE VALUEGod's Word: We live & die by itTrust in the Lord with all your heart and lean not on your own understanding; in all your ways submit to him, and he will make your paths straight. Proverbs 3:5-6Study this Book of Instruction continually. Meditate on it day and night so you will be sure to obey everything written in it. Only then will you prosper and succeed in all you do.Joshua 1:8 NLTWhere do I stand? I'll do it my way – I'm not buying into the Bible or yielding my life to it. Buffet Christian - I'm going to stay in authority over my life and pick and choose from the Bible what I like. All-in Christian – I'm turning authority of my life over to God and committing to following him fully according to his Word. 5 Step ProcessRevelation: God makes himself known. General Revelation For since the creation of the world God's invisible qualities—his eternal power and divine nature—have been clearly seen, being understood from what has been made, so that people are without excuse.Romans 1:20Even Gentiles, who do not have God's written law, show that they know his law when they instinctively obey it, even without having heard it. They demonstrate that God's law is written in their hearts, for their own conscience and thoughts either accuse them or tell them they are doing right.Romans 2:14-15 NLT Special Revelation Inspiration: God moves individuals to write down his word.All Scripture is inspired by God.2 Timothy 3:16 NASVWe also have the prophetic message as something completely reliable, and you will do well to pay attention to it, as to a light shining in a dark place, until the day dawns and the morning star rises in your hearts. Above all, you must understand that no prophecy of Scripture came about by the prophet's own interpretation of things. For prophecy never had its origin in the human will, but prophets, though human, spoke from God as they were carried along by the Holy Spirit.2 Peter 1:19-21 Transmission: God's Word copied.Three Reasons You Can Be Confident in the BibleQuantity – We have 24,000 copies of the New Testament compared with 643 copies of Homer's Iliad.Distance – The oldest copy is less than 100 years for the New Testament but 500 years for Homer's Iliad. Accuracy – There are only 400 words in doubt as to their original penning leaving us with a 99.9% accuracy for the New Testament.Translation: God's Word in other languages.The grass withers and the flowers fall, but the word of our God endures forever.Isaiah 40:8Transformation: God's Word in us.All Scripture is God-breathed and is useful for teaching, rebuking, correcting and training in righteousness, so that the servant of God may be thoroughly equipped for every good work. 2 Timothy 3:16-17Setlist WFC Lenexa + WFC AnywhereGlorious Day- Passion If The Lord Builds The House- Hope DarstYour Spirit- Tasha CobbsHow Great Thou Art- Carrie UnderwoodWFC SpeedwayChild of Love- We The KingdomGlorious Day- PassionI Surrender- HillsongNo Longer Slaves- BethelBe sure to save our Spotify Worship Playlist, updated weekly with the upcoming Sunday's set!

Teaching NotesWESTSIDE VALUEGod's Word: We live & die by itTrust in the Lord with all your heart and lean not on your own understanding; in all your ways submit to him, and he will make your paths straight. Proverbs 3:5-6Study this Book of Instruction continually. Meditate on it day and night so you will be sure to obey everything written in it. Only then will you prosper and succeed in all you do.Joshua 1:8 NLTWhere do I stand? I'll do it my way – I'm not buying into the Bible or yielding my life to it. Buffet Christian - I'm going to stay in authority over my life and pick and choose from the Bible what I like. All-in Christian – I'm turning authority of my life over to God and committing to following him fully according to his Word. 5 Step ProcessRevelation: God makes himself known. General Revelation For since the creation of the world God's invisible qualities—his eternal power and divine nature—have been clearly seen, being understood from what has been made, so that people are without excuse.Romans 1:20Even Gentiles, who do not have God's written law, show that they know his law when they instinctively obey it, even without having heard it. They demonstrate that God's law is written in their hearts, for their own conscience and thoughts either accuse them or tell them they are doing right.Romans 2:14-15 NLT Special Revelation Inspiration: God moves individuals to write down his word.All Scripture is inspired by God.2 Timothy 3:16 NASVWe also have the prophetic message as something completely reliable, and you will do well to pay attention to it, as to a light shining in a dark place, until the day dawns and the morning star rises in your hearts. Above all, you must understand that no prophecy of Scripture came about by the prophet's own interpretation of things. For prophecy never had its origin in the human will, but prophets, though human, spoke from God as they were carried along by the Holy Spirit.2 Peter 1:19-21 Transmission: God's Word copied.Three Reasons You Can Be Confident in the BibleQuantity – We have 24,000 copies of the New Testament compared with 643 copies of Homer's Iliad.Distance – The oldest copy is less than 100 years for the New Testament but 500 years for Homer's Iliad. Accuracy – There are only 400 words in doubt as to their original penning leaving us with a 99.9% accuracy for the New Testament.Translation: God's Word in other languages.The grass withers and the flowers fall, but the word of our God endures forever.Isaiah 40:8Transformation: God's Word in us.All Scripture is God-breathed and is useful for teaching, rebuking, correcting and training in righteousness, so that the servant of God may be thoroughly equipped for every good work. 2 Timothy 3:16-17 WFC Lenexa + WFC AnywhereGlorious Day- Passion If The Lord Builds The House- Hope DarstYour Spirit- Tasha CobbsHow Great Thou Art- Carrie UnderwoodWFC SpeedwayChild of Love- We The KingdomGlorious Day- PassionI Surrender- HillsongNo Longer Slaves- BethelBe sure to save our Spotify Worship Playlist, updated weekly with the upcoming Sunday's set!

Zeus wakes up, and gives us a spoiler of the rest of the Iliad. Then he sets his will in motion. Apollo fills Hector with chutzpah, and he leads the Trojans to fight among the Greek ships. In this episode, Brian, Shilo, and Jeff ask about the smile of Zeus. Has he caught Hera in a lie? Does his smile mean that he thinks he is superior to all the other gods? Is it boring to be by far the greatest of the gods? Thanks to our supporters and donors! You can support the show at combatandclassics.org. And if you have questions, you can email us at combatandclassics@gmail.com, or you can call and leave a voicemail at 703.677.8645. --- Support this podcast: https://anchor.fm/brian-wilson5/support

Lorraine Daston, Rules: A Short History of What We Live by (Princeton UP, 2022). Historian of science Lorraine Daston's wonderful new book, Rules: A Short History of What We Live by (Princeton UP, 2022). is just out. Daston's earlier pathbreaking works include Against Nature, Classical Probability in the Enlightenment and many co-authored books, including Objectivity (with Peter Galison) which introduced the idea of historically changeable "epistemic virtues." In this Recall this Book conversation, Daston--Raine to her friends--shows that rules are never as thin (as abstract and context-free) as they pretend to be. True, we love a rule that seems to brook no exceptions: by the Renaissance, even God is no longer allowed to make exceptions in the form of miracles. Yet throughout history, Raine shows, islands of standardized stability are less stable than they seem. What may feel like oppressively general norms and standards are actually highly protected ecotopes within which thin rules can arise. Look for instance at the history of sidewalks (Raine has)! Raine, Elizabeth and John dive into the details. Implicit and explicit rules are distinguished in the case of e.g. cookbooks and monasteries--and then the gray areas in-between are explored. When students unconsciously ape their teachers, that is a tricky form of emulation--is it even possible to "follow but not ape"? Perhaps genres do this work: The Aeneid is not the Iliad and yet older writers are somehow internalized in the later ones. Mentioned in the Episode Karl Polanyi, 1944) The Great Transformation: The Political and Economic Origins of Our Time, on the embeddedness of markets in norms and rules. John Locke's Second Treatise on Government (1690) denounces the "arbitrary will of another," an early case of seeing will simply qua will is unacceptable. Arnold Davidson sees genre variation (like Milton learning from Homer) also happening in musical invention. Michael Tomasello works on children's rule-following and enforcement against violations, Johannes Huizinga's Homo Ludens (1938) with its notion of demarcated "sacred spaces of play" is a touchstone of rule-following Lorraine and John both adore. Recallable Books The Rule of Saint Benedict (516 onwards) Irma Rombauer, Joy of Cooking (1931 onwards) As Elizabeth says, it's from following the rules that joy emerges.... Walter Miller's Canticle for Liebowitz Fyodor Dostoyevsky, Notes from Underground (1864) an instance of the notion that one establishes free will by caprice or defiance against natural laws ("damnit, gentleman, sometimes 2+2=5 is a nice thing too!") Read the transcript here. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/history

Lorraine Daston, Rules: A Short History of What We Live by (Princeton UP, 2022). Historian of science Lorraine Daston's wonderful new book, Rules: A Short History of What We Live by (Princeton UP, 2022). is just out. Daston's earlier pathbreaking works include Against Nature, Classical Probability in the Enlightenment and many co-authored books, including Objectivity (with Peter Galison) which introduced the idea of historically changeable "epistemic virtues." In this Recall this Book conversation, Daston--Raine to her friends--shows that rules are never as thin (as abstract and context-free) as they pretend to be. True, we love a rule that seems to brook no exceptions: by the Renaissance, even God is no longer allowed to make exceptions in the form of miracles. Yet throughout history, Raine shows, islands of standardized stability are less stable than they seem. What may feel like oppressively general norms and standards are actually highly protected ecotopes within which thin rules can arise. Look for instance at the history of sidewalks (Raine has)! Raine, Elizabeth and John dive into the details. Implicit and explicit rules are distinguished in the case of e.g. cookbooks and monasteries--and then the gray areas in-between are explored. When students unconsciously ape their teachers, that is a tricky form of emulation--is it even possible to "follow but not ape"? Perhaps genres do this work: The Aeneid is not the Iliad and yet older writers are somehow internalized in the later ones. Mentioned in the Episode Karl Polanyi, 1944) The Great Transformation: The Political and Economic Origins of Our Time, on the embeddedness of markets in norms and rules. John Locke's Second Treatise on Government (1690) denounces the "arbitrary will of another," an early case of seeing will simply qua will is unacceptable. Arnold Davidson sees genre variation (like Milton learning from Homer) also happening in musical invention. Michael Tomasello works on children's rule-following and enforcement against violations, Johannes Huizinga's Homo Ludens (1938) with its notion of demarcated "sacred spaces of play" is a touchstone of rule-following Lorraine and John both adore. Recallable Books The Rule of Saint Benedict (516 onwards) Irma Rombauer, Joy of Cooking (1931 onwards) As Elizabeth says, it's from following the rules that joy emerges.... Walter Miller's Canticle for Liebowitz Fyodor Dostoyevsky, Notes from Underground (1864) an instance of the notion that one establishes free will by caprice or defiance against natural laws ("damnit, gentleman, sometimes 2+2=5 is a nice thing too!") Read the transcript here.

Lorraine Daston, Rules: A Short History of What We Live by (Princeton UP, 2022). Historian of science Lorraine Daston's wonderful new book, Rules: A Short History of What We Live by (Princeton UP, 2022). is just out. Daston's earlier pathbreaking works include Against Nature, Classical Probability in the Enlightenment and many co-authored books, including Objectivity (with Peter Galison) which introduced the idea of historically changeable "epistemic virtues." In this Recall this Book conversation, Daston--Raine to her friends--shows that rules are never as thin (as abstract and context-free) as they pretend to be. True, we love a rule that seems to brook no exceptions: by the Renaissance, even God is no longer allowed to make exceptions in the form of miracles. Yet throughout history, Raine shows, islands of standardized stability are less stable than they seem. What may feel like oppressively general norms and standards are actually highly protected ecotopes within which thin rules can arise. Look for instance at the history of sidewalks (Raine has)! Raine, Elizabeth and John dive into the details. Implicit and explicit rules are distinguished in the case of e.g. cookbooks and monasteries--and then the gray areas in-between are explored. When students unconsciously ape their teachers, that is a tricky form of emulation--is it even possible to "follow but not ape"? Perhaps genres do this work: The Aeneid is not the Iliad and yet older writers are somehow internalized in the later ones. Mentioned in the Episode Karl Polanyi, 1944) The Great Transformation: The Political and Economic Origins of Our Time, on the embeddedness of markets in norms and rules. John Locke's Second Treatise on Government (1690) denounces the "arbitrary will of another," an early case of seeing will simply qua will is unacceptable. Arnold Davidson sees genre variation (like Milton learning from Homer) also happening in musical invention. Michael Tomasello works on children's rule-following and enforcement against violations, Johannes Huizinga's Homo Ludens (1938) with its notion of demarcated "sacred spaces of play" is a touchstone of rule-following Lorraine and John both adore. Recallable Books The Rule of Saint Benedict (516 onwards) Irma Rombauer, Joy of Cooking (1931 onwards) As Elizabeth says, it's from following the rules that joy emerges.... Walter Miller's Canticle for Liebowitz Fyodor Dostoyevsky, Notes from Underground (1864) an instance of the notion that one establishes free will by caprice or defiance against natural laws ("damnit, gentleman, sometimes 2+2=5 is a nice thing too!") Read the transcript here. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/intellectual-history

Lorraine Daston, Rules: A Short History of What We Live by (Princeton UP, 2022). Historian of science Lorraine Daston's wonderful new book, Rules: A Short History of What We Live by (Princeton UP, 2022). is just out. Daston's earlier pathbreaking works include Against Nature, Classical Probability in the Enlightenment and many co-authored books, including Objectivity (with Peter Galison) which introduced the idea of historically changeable "epistemic virtues." In this Recall this Book conversation, Daston--Raine to her friends--shows that rules are never as thin (as abstract and context-free) as they pretend to be. True, we love a rule that seems to brook no exceptions: by the Renaissance, even God is no longer allowed to make exceptions in the form of miracles. Yet throughout history, Raine shows, islands of standardized stability are less stable than they seem. What may feel like oppressively general norms and standards are actually highly protected ecotopes within which thin rules can arise. Look for instance at the history of sidewalks (Raine has)! Raine, Elizabeth and John dive into the details. Implicit and explicit rules are distinguished in the case of e.g. cookbooks and monasteries--and then the gray areas in-between are explored. When students unconsciously ape their teachers, that is a tricky form of emulation--is it even possible to "follow but not ape"? Perhaps genres do this work: The Aeneid is not the Iliad and yet older writers are somehow internalized in the later ones. Mentioned in the Episode Karl Polanyi, 1944) The Great Transformation: The Political and Economic Origins of Our Time, on the embeddedness of markets in norms and rules. John Locke's Second Treatise on Government (1690) denounces the "arbitrary will of another," an early case of seeing will simply qua will is unacceptable. Arnold Davidson sees genre variation (like Milton learning from Homer) also happening in musical invention. Michael Tomasello works on children's rule-following and enforcement against violations, Johannes Huizinga's Homo Ludens (1938) with its notion of demarcated "sacred spaces of play" is a touchstone of rule-following Lorraine and John both adore. Recallable Books The Rule of Saint Benedict (516 onwards) Irma Rombauer, Joy of Cooking (1931 onwards) As Elizabeth says, it's from following the rules that joy emerges.... Walter Miller's Canticle for Liebowitz Fyodor Dostoyevsky, Notes from Underground (1864) an instance of the notion that one establishes free will by caprice or defiance against natural laws ("damnit, gentleman, sometimes 2+2=5 is a nice thing too!") Read the transcript here. Learn more about your ad choices. Visit megaphone.fm/adchoices

Gunsmoke is an American radio and television Western drama series created by director Norman Macdonnell and writer John Meston. The stories take place in and around Dodge City, Kansas, during the settlement of the American West. The central character is lawman Marshal Matt Dillon, played by William Conrad on radio and James Arness on television. When aired in the United Kingdom, the television series was initially titled Gun Law, later reverting to Gunsmoke. The radio series ran from 1952 to 1961. John Dunning wrote that among radio drama enthusiasts, "Gunsmoke is routinely placed among the best shows of any kind and any time." The television series ran for 20 seasons from 1955 to 1975 and lasted for 635 episodes. At the end of its run in 1975, Los Angeles Times columnist Cecil Smith wrote: "Gunsmoke was the dramatization of the American epic legend of the west. Our own Iliad and Odyssey, created from standard elements of the dime novel and the pulp Western as romanticized by Buntline, Harte, and Twain. It was ever the stuff of legend." Radio series (1952–1961) In the late 1940s, CBS chairman William S. Paley, a fan of the Philip Marlowe radio series, asked his programming chief, Hubell Robinson, to develop a hard-boiled Western series, a show about a "Philip Marlowe of the Old West". Robinson instructed his West Coast CBS Vice President, Harry Ackerman, who had developed the Philip Marlowe series, to take on the task. Ackerman and his scriptwriters, Mort Fine and David Friedkin, created an audition script called "Mark Dillon Goes to Gouge Eye'' based on one of their Michael Shayne radio scripts, "The Case of the Crooked Wheel'' from the summer of 1948. Two versions were recorded.

In this episode, Madeline chats with Argentinian Jesuit astronomer Fr. José Funes, SJ. During their conversation, they discuss the inspiration of NASA astronauts landing on the Moon, studying astronomy in his undergrad, his PhD work in Padua, his time as director of the Vatican Observatory, the phenomenal skies of Argentina, how he ended up as a Jesuit, an encounter with the man who would become Pope Francis, his work with the star formation legend Ron Kennicutt, what his Jesuit formation was like, the equal importance of the humanities, what a typical day is like for him, sports and their analogy to faith, his favorite ways to pray, and so much more!During the course of their conversation, they make many references that you can explore more. Some of the references include the National Statuary Hall,  NGC 5128/Centaurus A, The Odyssey and The Iliad by Homer, The Divine Comedy by Dante Alighieri, Don Quixote by Miguel de Cervantes Saavedra, the short stories of Jorge Luis Borges, episode 19 of the Father and Dad podcast, and the Footprints in the Sand poem.Feel free to like, subscribe, and share the episode! Follow us on Instagram! @sbltfpodcastDon't forget to go out there, and be a light to this world!

Bonus Episode: The Heroes of the Trojan War Connor-El is joined by Rebecca in the new installment of the mythological heroes sub series to discuss the Heroes of the Trojan War via the film Troy and the classic text of the Iliad. SHOW NOTES: The Iliad Troy (Film) The Epic of Gilgamesh Library of Alexandria The Fury of Achilles Cleopatra (Film) Sea Peoples Shrine to Menelaus and Helen Jason and the Argonauts The music for this episode contains excerpts from various songs and is copyrighted by Styzmask. The music used on Last Sons of Krypton - A Superman Podcast is licensed under an Attribution License;

I am inspired by my friend Peter's faith, and I thought it would be good to share with you some of his takes on life, God, society, and -- you know -- the point of it all, especially as we think at Christmas about the importance of charity. "The greatest of these is love." Sign up for the Teach to the Text newsletter so you can be informed as soon as Ellen's classes on The Iliad and The Odyssey are available. A discount code will be sent out via the newsletter:Go here: https://teach-to-the-text.teachable.com(You can also check out Episode 45 to get a feel for Ellen's style of teaching. It might be better to watch on YouTube.) Find CAM here:  www.catholicsagainstmilitarism.comRSS feed: http://www.buzzsprout.com/296171​contact @ catholicsagainstmilitarism . com

Gareth Hinds has created appealing  graphic novel versions of many great classics of English literature, like The Odyssey, The Iliad, Beowulf, and Shakespeare's plays. Find out how to use them in class to help deepen engagement. We're talking about the visual language of graphic novels, top teaching tips for graphic novels, and how Gareth researches and creates his classic adaptations. 

Gunsmoke is an American radio and television Western drama series created by director Norman Macdonnell and writer John Meston. The stories take place in and around Dodge City, Kansas, during the settlement of the American West. The central character is lawman Marshal Matt Dillon, played by William Conrad on radio and James Arness on television. When aired in the United Kingdom, the television series was initially titled Gun Law, later reverting to Gunsmoke. The radio series ran from 1952 to 1961. John Dunning wrote that among radio drama enthusiasts, "Gunsmoke is routinely placed among the best shows of any kind and any time." The television series ran for 20 seasons from 1955 to 1975 and lasted for 635 episodes. At the end of its run in 1975, Los Angeles Times columnist Cecil Smith wrote: "Gunsmoke was the dramatization of the American epic legend of the west. Our own Iliad and Odyssey, created from standard elements of the dime novel and the pulp Western as romanticized by Buntline, Harte, and Twain. It was ever the stuff of legend." Radio series (1952–1961) In the late 1940s, CBS chairman William S. Paley, a fan of the Philip Marlowe radio series, asked his programming chief, Hubell Robinson, to develop a hard-boiled Western series, a show about a "Philip Marlowe of the Old West". Robinson instructed his West Coast CBS Vice President, Harry Ackerman, who had developed the Philip Marlowe series, to take on the task. Ackerman and his scriptwriters, Mort Fine and David Friedkin, created an audition script called "Mark Dillon Goes to Gouge Eye'' based on one of their Michael Shayne radio scripts, "The Case of the Crooked Wheel'' from the summer of 1948. Two versions were recorded.

Description Returning guest Virginia McAlister joins Joe to talk about one of the oldest stories we know of in human history. The Iliad is an epic poem composed by Homer and passed down orally for centuries before being written down … Continue reading →

Gunsmoke is an American radio and television Western drama series created by director Norman Macdonnell and writer John Meston. The stories take place in and around Dodge City, Kansas, during the settlement of the American West. The central character is lawman Marshal Matt Dillon, played by William Conrad on radio and James Arness on television. When aired in the United Kingdom, the television series was initially titled Gun Law, later reverting to Gunsmoke. The radio series ran from 1952 to 1961. John Dunning wrote that among radio drama enthusiasts, "Gunsmoke is routinely placed among the best shows of any kind and any time." The television series ran for 20 seasons from 1955 to 1975 and lasted for 635 episodes. At the end of its run in 1975, Los Angeles Times columnist Cecil Smith wrote: "Gunsmoke was the dramatization of the American epic legend of the west. Our own Iliad and Odyssey, created from standard elements of the dime novel and the pulp Western as romanticized by Buntline, Harte, and Twain. It was ever the stuff of legend." Radio series (1952–1961) In the late 1940s, CBS chairman William S. Paley, a fan of the Philip Marlowe radio series, asked his programming chief, Hubell Robinson, to develop a hard-boiled Western series, a show about a "Philip Marlowe of the Old West". Robinson instructed his West Coast CBS Vice President, Harry Ackerman, who had developed the Philip Marlowe series, to take on the task. Ackerman and his scriptwriters, Mort Fine and David Friedkin, created an audition script called "Mark Dillon Goes to Gouge Eye'' based on one of their Michael Shayne radio scripts, "The Case of the Crooked Wheel'' from the summer of 1948. Two versions were recorded.

Even though the legendary poet Homer wrote the Iliad and Odyssey thousands of years ago, my guest would say that these epic poems are just as relevant and significant today, and even represent a kind of scripture.His name is Adam Nicolson, and he's the author of Why Homer Matters. Today on the show, Adam makes the case that the Iliad is really the story of a collision between a more rooted, civilized way of life, represented by the character of Hector, and a nomadic, honor-bound gang ethos, represented by Achilles. We talk about how this collision birthed the character of Odysseus — who was both great warrior and subtle diplomat — and the whole Greek consciousness. And we discuss how that consciousness is also our consciousness, as we're still wrestling with the warring impulses, dramas and dilemmas, and big questions of human experience Homer gave life.Resources Related to the EpisodeRobert Fagles' translation of the Iliad and OdysseyAoM Article: Hector and Achilles: Two Paths to ManlinessAoM Podcast #337: What Homer's Odyssey Can Teach Us TodayAoM Article: 3 Lessons From Homer's OdysseyAoM Article: What Is Honor?

Listen to a sample from the first episode of our twelve-part Close Readings series, Among the Ancients, with Emily Wilson and Thomas Jones, which we'll be re-running from January next year. With a new episode each month, Among the Ancients will consider some of the greatest works of Ancient Greek and Roman literature, from Homer to Horace. In this sample Emily and Tom discuss the Iliad.Subscribers to the full series will receive copies of the books discussed in each episode and access to online seminars with Emily and Tom, and special guests Katherine Harloe and Mary Beard, throughout the year. Audio-only options are also available.Find out more here: lrb.me/ancientsFind out about all the Close Readings series here: lrb.me/closereadings Hosted on Acast. See acast.com/privacy for more information.