Podcasts about rosencrantz

As he prepares to attend Missouri State to pursue his BFA in Acting, Liam Paynter sat down to reflect on his seven years and 30 shows at Outcry Theatre. His final performance at Outcry Youth Theatre is Rosencrantz and Guildenstern Are Dead, from July 31-August 9, 2026. This episode was produced by Becca Johnson-Spinos and Jason Johnson-Spinos. Shot and edited by Jason Johnson-Spinos.

Christian Ashley and Alex Matthews dive into the whimsical world of "Lion King 1 1/2," delivering a fresh perspective on this often overlooked Disney gem. Right off the bat, they tackle the pressing question: what happens when you look beyond the surface of a beloved classic? With Christian reminiscing about his mixed feelings after a rewatch and Alex unabashedly declaring it one of their faves, the duo reminisces about the film's charm, comedy, and its unique storytelling style that fills in the gaps between the original movies. As they explore the backstories of Timon and Pumbaa, they reflect on themes of friendship, belonging, and the quest for that coveted “hakuna matata” lifestyle. Buckle up for a relaxed yet insightful ride through the Drive-In, where nostalgia meets witty banter and deep dives into the meaning behind the laughter. A dive into the wild world of Disney's "Lion King 1 1/2" reveals the backstory of everyone's favorite duo, Timon and Pumbaa, adding a fresh layer to the original narrative that many fans might not have considered. Christian Ashley, the host, and his co-podcaster Alex Matthews, kick things off with a casual chat about their drive-in experience, setting the stage for a nostalgic yet critical examination of this direct-to-DVD sequel. The duo reflects on their individual reactions to the film, with Alex recalling fond memories of laughter while Christian grapples with a more nuanced perspective, noting how the jokes didn't land quite the same way this time around. This contrast creates a playful banter between them, as they explore the themes of friendship, belonging, and the essence of humor within the film. As the conversation progresses, they delve into the film's storytelling techniques, comparing it to the clever meta-narrative structure of "Rosencrantz and Guildenstern Are Dead." The podcast highlights how the film inserts Timon and Pumbaa into iconic moments of the original Lion King narrative, offering a comedic lens while also fleshing out the complexities of their characters. There's a delightful discussion about how the film provides insight into Timon's struggles with fitting in and Pumbaa's acceptance of his unique traits, all while maintaining a light-hearted tone. The combination of humor and heartfelt moments makes this episode a rich exploration of a film that might often be overlooked in the Disney canon, reminding listeners that even in the quirkiest of sequels, there are valuable stories and lessons to uncover.Takeaways:Christian and Alex dive deep into the backstory of Timon and Pumbaa, showcasing how their friendship developed in Lion King 1 1/2, which is a delightful addition to the Disney canon.They discuss the film's humor, with Christian admitting that while he found it funny as a kid, it didn't land the same way for him during this rewatch, suggesting that nostalgia can shift over time.The hosts explore the film's meta-narrative, likening it to the classic Rosencrantz and Guildenstern Are Dead, where the side characters provide a fresh perspective on the main events of the original Lion King.Alex shares a humorous story about watching the movie on mute while studying, emphasizing how memorable the film is, even when lacking sound, highlighting its strong visual comedy.The conversation touches on the theme of belonging and finding one's place, as both Timon and Pumbaa struggle with fitting in, a relatable struggle for many viewers, making the film resonate deeply.Christian and Alex playfully debate their ratings for the film, with Alex giving it a 10 for its nostalgic charm while Christian rates it a six, showcasing their differing perspectives on childhood favorites..Be sure to check out our merch, find extra content, and become an official member of Systematic Geekology on our website:https://systematic-geekology-shop.fourthwall.com/.Listen to the rest of our Prequels Summer Drive-In:https://player.captivate.fm/collection/c59b93c5-6aed-48ee-8e63-200ce912ffaa.Listen to more of our Disney episodes:https://player.captivate.fm/collection/09b1c796-b409-4cfe-bbd0-8b7a8032f846.Check out other episodes with Christian:https://player.captivate.fm/collection/ebf4b064-0672-47dd-b5a3-0fff5f11b54c.Don't miss any of Alex's episodes:https://player.captivate.fm/collection/5d67b27d-d8c2-442e-a859-f10cd87c8503Mentioned in this episode:The Anazao Podcast NetworkBe sure to check out the network website to see other podcasts trying to engage honestly with Scripture, Theology, Pop Culture, Martial Arts, Science, and more!Anazao Podcast NetworkFollow us on Instagram and BlueSky to keep up to date!Follow our show on our socials to keep up to date and get some exclusive content and fun memes!Systematic GeekologyOur show focuses around our favorite fandoms that we discuss from a Christian perspective. We do not try to put Jesus into all our favorite stories, but rather we try to ask the questions the IPs are asking, then addressing those questions from our perspective. We are not all ordained, but we are the Priests to the Geeks, in the sense that we try to serve as mediators between the cultures around our favorite fandoms and our faith communities.

Michael Doherty and Will Mobley return to talk about the continuing adventures of their very funny buddy comedy Dogberry & Verges Are Scared, which runs at Cincinnati Shakespeare Company through July 25, 2026, and the Edinburgh Festival Fringe from August 5-30, 2026 (with the RSC's own Austin Tichenor as Verges). Doherty and Mobley share how the play just keeps getting sharper and tighter; how the clowning manages to also provide insight into Shakespeare's characters and the plays from which they came; how audiences are surprised to encounter unexpected humanity; how it's inspired by Tom Stoppard's Rosencrantz & Guildenstern Are Dead; the difference between watching the show from the audience and living inside the words as a cast member; how both authors lead from the codpiece; and the the vital importance of combining silly comedy with heart and humanity. (Length 22:23) (PICTURED, above: Anthony Lawton as Verges, Michael Doherty as Dogberry in the Cincinnati Shakespeare Company production of Dogberry & Verges Are Scared, directed by Matthew Decker, 2026. Photo by Melanie Malicote.) The post ‘Scared' In Edinburgh appeared first on Reduced Shakespeare Company.

Welcome back to The Rehearsal Room for this season (10!) as we continue our HAMLET Project. ---

Welcome back to The Rehearsal Room as we kick off Act 2 of our HAMLET Project in SEASON 10

Send us Fan Mail In this episode, special guests Drew Kallen-Keck plus Ben Cheknis and Andrew Coltrin from "The Two Vague Podcast" join the podcast. Ben and Andrew bring along the movie Strange Brew. While Drew brings the movie Rosencrantz & Guildenstern Are Dead for everyone to watch.First is Rosencrantz & Guildenstern Are Dead, Tom Stoppard's delightfully brainy adaptation starring Gary Oldman and Tim Roth. The gang dives into fate, free will and if this might be the ultimate "theater kid" movie. There's plenty to chew on. Next is Strange Brew, where Rick Moranis and Dave Thomas prove that Shakespeare and Bob & Doug McKenzie have more in common than anyone expected. Clif, Marty, Andrew, Drew, and Ben celebrate the film's wonderfully goofy charm, debate how much Hamlet is really in the script and agree that the movie is quintessentially Canadian. Along the way: prank phone calls from high school, Pink Floyd deep cuts, theater stories, Richard Dreyfuss appreciation, charcuterie jokes and enough Hamlet references to make your old English teacher proud.Nerd Emergencies! Kickstarter#TalkingPondo #FilmPodcast #StrangeBrew #RosencrantzAndGuildensternAreDead #GaryOldman #RickMoranis #CultCinema #MovieReview Support the showFind our films here:The Love Song of William H ShawRevenge of ZoeWriting Fren-ZeeMaking Pondo on FacebookX (formerly Twitter):@MakingPondoInstagramMaking Pondo on Letterboxd:Season OneSeason TwoSeason ThreeSeason FourTheme Song "The Rain" by Russ PacePhotos by Geoffrey Notkin

You know how sometimes people do that thing where they come at The Odyssey or whatever from an oblique angle? Like that Rosencrantz and Guildenstern shit? What I want to know is: what if we did that with Archie in Watchmen? That rugged and loyal companion abandoned like truth in the snow. What was his story, I wonder?

Recorded in a rather boomy Studio at the Putney Arts theatre, Cait interviews lead actors Lonje and Rob, and the co-directors Rob Wallis and Will Hunter.In Tom Stoppard's Rosencrantz And Guildenstern are Dead, two minor characters from Shakespeare's Hamlet suddenly find themselves at the centre of a story they do not understand and cannot seem to influence.Rosencrantz and Guildenstern pass the time flipping coins, trading riddles, and trying to figure out just what is going on with the Prince of Denmark. As they stumble in and out of Shakespeare's tragedy, they encounter the mysterious Player King and his troupe of Tragedians, actors who embrace blood, death, and rhetoric as all part of the show – which is to say, life. What begins as a comic rumination on chance and circumstance deepens into a haunting exploration of what it means to exist when your part is already written.Stoppard's play is a dazzling blend of existential comedy, verbal acrobatics, and theatrical playfulness that reframes Shakespeare's play from the wings.Cast :Rosencrantz - Lonje KalandaGuildenstern - Rob RyanThe Player - Eric PetrossianHamlet - Nathan ChatelierClaudius - Ian CookeGertrude - Julia BlythPolonius - Edward OgilvieOphelia - Anastasia BabichTragedians - Emma Buckley, Eve Newton, Finton McCluskey, Kelsey Norris, Nora Holman, Rebecca Fallon16-20 June, 2026 at 19:45 with matinee at 15:00 on SaturdayPutney Arts Theatre, Main Stage_______________________________The Putney Theatre Company at The South West End! See us online – www.putneyartstheatre.org.uk/whatsonHost: Cait Hart-Dyke.Producer, podcast editor and sound design: Nick Wells. Music is 'At the Tropicana' by Chalalatas, license courtesy of Epidemic Sounds.Recorded at the Putney Arts Theatre.

The Jareds Stern discuss how comedy keeps you humble, revisiting college 30 years later, and a trip to the theater to see Eddie Izzard's one-person rendition of Hamlet. (Recorded 4/22/26)BUY THE BOOK!⁠ - ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://shorturl.at/9Ob5J⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Listen to past episodes!⁠ - ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://jaredstern.com/between-two-sternsSee Jared Stern live!⁠⁠ - ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://jaredstern.com/laugh-at-me/

THE DOOMED AND STONED SHOW ~Season 12, Episode 3~ Brand new episode exploring the February 2026 edition of the monthly DoomCharts.com rankings is here, as we explore some of our favorite releases of this past winter. The longest running podcast with in-depth discussions about the doom-stoner metal scene continues with cohosts Billy Goate (Editor, Doomed & Stoned), John Gist (Vegas Rock Revolution) and Bucky Brown (Doom Charts, Ripple Effect) continues into our 12th year, with almost four hours of talk and heavy rock! Thank you for your ongoing love and support! PLAYLIST: INTRO (00:00) 1. Borracho - "Fang" (00:31) HOST SEGMENT I (05:44) 2. Krownn - "You Died" (27:07) 3. Oogwei - "Extremely Wicked" (32:29) 4. Ponte Del Diavolo - "Spirit, Blood, Poison, Ferment!" (37:48) HOST SEGMENT II (42:23) 5. Eleanore - "Rail Tracks" (55:38) 6. Hela - "Crystal Bridge" (1:00:52) 7. Surf Through Death - "Awful Good Time" (1:08:50) HOST SEGMENT III (1:14:01) 8. Mientras Las Abejas Duermen - "Huellas y rumores" (1:37:04) 9. Stargo - "Left For Dead" (1:45:45) 10. L'ira Del Baccano - "Rosencrantz and Guildenstern Are Dead" (1:50:44) 11. Electric Hydra - "A Sky Full of Fading Stars" (1:59:28) 12. Suplecs - "Got Nothing" (2:04:14) HOST SEGMENT IV (2:07:57) 13. Oat - "Child of Vortex" (2:47:58) 14. Belzebong - "420 Horseman" (2:54:00) 15. Oreyeon - "The Grotesque Within" (2:59:42) 16. Jack Harlon & The Dead Crows - "Seer" (3:06:23) 17. Weedpecker - "Mirrors" (3:10: 59) OUTRO (3:17:15) Bonus Tracks: 18. Big Oaf - "Steal Your Plate" (3:18:24) 19. Purple Lung - "Blademaster" (3:24:10) 20. Die Like Gentleman - "Because I Said So" (3:28:21) 21. Mount Palatine - "Newborn Sun" (3:37:32) 22. Gnarwhal - "Lucid Machines' (3:48:10)

Send us Fan Mail348 ROSENCRANTZ AND GUILDENSTERN ARE DEAD!Eric finally breaks Kelly.Also discussed: Cold Storage, Bugonia, Scream 7Support the showSubscribe to us on YouTube: https://www.youtube.com/channel/UC8iW_sKFj0-pb00arHnFXsAFacebook: https://www.facebook.com/StrangeAeonsRadioInstagram: https://www.instagram.com/strangeaeonsradioksar/

Join Dave and Wayne for genre television show news, a glimpse into what the hosts are watching, listener feedback, and analysis of the HBO series Station Eleven. This week on the SciFi TV Rewatch podcast we discuss the Traveling Symphony's journey to Pingtree, and the rising tensions between Kirsten and Alex. Is there a connection between The Undersea in the graphic novel and the pre-pans who remain dissatisfied w/the paths taken by their elders. In our What We're Watching segment, Dave watches two science fiction films on Netflix, Subservience and the German film Paradise. Wayne completed his reread of Station Eleven.  In Listener Feedback, Alan in Missouri and Alan in England provide audio feedback, and Cincinnati Joe and Susanne check in via email.  Remember to join the genre television and film discussion on the SciFi TV Rewatch Facebook group for the latest genre television show news and podcast releases. Episode Grade: Dave 9.5  Wayne 9.4    

Lynn Venhaus & special guest host Tina Farmer are first joined by Curtain's Up Theater Company's "Alice the Musical" director Jeffrey Yapp-Ellis and cast members, Mitch Ellis-Yapp and Lisa Hinrichs. Next, they have the title characters from St. Louis Shakespeare Festival & Albion Theatre's "Rosencrantz and Guildenstern Are Dead," Mitchell Henry-Eagles and Ryan Omar Stack. Plus the St. louis Theater Circle Awards are next Monday!

Send a textGEORGE:So right away: the scene begins with the king and queen acting like concerned parents. But it feels… staged. SHAKESPEARE:Because it is staged.Mark their language: they crave a cause, a label, a tidy diagnosis — “What ails him?”Yet their hands are already in the plot. They have hired watchers.Concern and control wear the same cloak here.GEORGE:And the watchers are Rosencrantz and Guildenstern — Hamlet's old friends.Let me ask bluntly: are they villains?SHAKESPEARE:They are instruments.Not grand villains with black banners — rather men who wish to please authority and keep their place.In a court like this, friendship becomes employment.And employment demands a report.GEORGE:So Claudius says, “Spend time with Hamlet, figure out what's wrong,” but the real job is: Find what he knows. Find what he intends.SHAKESPEARE:Aye.And I make it plain: they are sent for.They are not there by chance. They are summoned, instructed, rewarded.Support the showThank you for experiencing Celebrate Creativity.

When Shakespeare wrote Hamlet, he gave the melancholy Dane two university friends with peculiarly Danish names—Rosencrantz and Guildenstern. For many centuries, audiences assumed these were simply fictional creations. Yet history reveals that Frederik Rosenkrantz and Knud Gyldenstierne were real men—Danish noblemen who traveled to England during Shakespeare's lifetime as part of an official embassy from the Danish court.  Their visit took place during a fascinating moment of cultural diplomacy: King James VI of Scotland's marriage alliance with Denmark, his 1589 voyage to meet Anne of Denmark, and the exchanges of royal gifts that linked two kingdoms. This same period saw Tycho Brahe's astronomical fame rise across Europe, the University of Wittenberg flourish as an intellectual hub, and England's awareness of the Dutch Golden Age begin to take shape.  Today we'll explore these threads with our guest, Paul Lockhart, Professor of HIstory and Drage Gould Distinguished Professor of Research at Wright State University. He has published seven single author books including "Denmark, 1513-1660: The Rise and Decline of the Renaissance Monarchy. You can see more of his publications and links to his current work in the show notes for today's episode.   He joins us today to help us explore the story of two real courtiers whose names—and perhaps personalities—live on in one of Shakespeare's most famous plays.   

Send us a textThis week we review the season five episode A View from the Gallery.Sarah is ready to sign up for the Gaim newsletter, Mike wonders if the head was still inside the helmet that Byron's polycult was passing around, and Joe explains the minute differences between various kinds of spoo.Music from this episode:"Surf Punk Rock" By absentrealities is licensed under CC-BY 3.0"Please Define The Error" By Delta Centauri is licensed under CC-BY 3.0"The Haunted McMansion" By Megabit Melodies is licensed under CC-BY 3.0

Send us a textThis week we review the season five episode The Paragon of Animals.Joe thinks Patrick Stewart is great, but still not as good as the Hamlet from Rosencrantz and Guildenstern are Dead, Sarah isn't sure what the Pak'ma'ra agricultural colony does, and Mike gives suggestions about the Season 5 Bingo Card.Spoiler-free discussion: 0:00:00 - 1:03:09Spoiler Zone: 1:03:09 - 1:04:24Next Episode and other Shenanigans: 1:04:24Music from this episode:"Surf Punk Rock" By absentrealities is licensed under CC-BY 3.0"Please Define The Error" By Delta Centauri is licensed under CC-BY 3.0"The Haunted McMansion" By Megabit Melodies is licensed under CC-BY 3.0

On this, our 303rd Evolutionary Lens livestream, we discuss the recommendation to stop vaccinating newborns against Hepatitis B, as just handed down by ACIP (Advisory Committee on Immunization Practices) for the CDC. Why were newborns whose mothers do not have Hep B, being vaccinated against a disease that is contracted through sexual activity and dirty needles? We discuss claims of “safe and effective,” risk stratification, the childhood vaccine schedule, and what “individual-based decision-making” will mean for parents and doctors. Then, new research: tattoo ink induces inflammation in lymph nodes, and changes the immune response to vaccination. Finally: an homage to Tom Stoppard, playwright extraordinaire, author of Rosencrantz and Guildenstern are Dead, Arcadia, and so much more. RIP.*****Our sponsors:CrowdHealth: Pay for healthcare with crowdfunding instead of insurance. It's way better. Use code DarkHorse at http://JoinCrowdHealth.com to get 1st 3 months for $99/month.ARMRA: Colostrum is our first food and can help restore your health and resilience as an adult. Go to http://www.tryarmra.com/DARKHORSE to get 15% off your first order.Helix: Excellent, sleep-enhancing, American-made mattresses. Go to http://www.HelixSleep.com/DarkHorse to get 27% sitewide.*****Join us on Locals! Get access to our Discord server, exclusive live streams, live chats for all streams, and early access to many podcasts: https://darkhorse.locals.com/Heather's newsletter, Natural Selections (subscribe to get free weekly essays in your inbox): https://naturalselections.substack.comOur book, A Hunter-Gatherer's Guide to the 21st Century, is available everywhere books are sold, including from Amazon: https://amzn.to/3AGANGg (commission earned)Check out our store! Epic tabby, digital book burning, saddle up the dire wolves, and more: https://darkhorsestore.org*****Mentioned in this episode:ACIP Hep B recommendation: https://www.cdc.gov/media/releases/2025/2025-acip-recommends-individual-based-decision-making-for-hepatitis-b-vaccine-for-infants-born-to-women.htmlRetsef Levi on Hep B rec: https://x.com/cdcgov/status/1996967080793358366RFK on vaccines: https://x.com/seckennedy/status/1997104582128754854Capucetti et al 2025. Tattoo ink induces inflammation in the draining lymph node and alters the immune response to vaccination. Proceedings of the National Academy of Sciences, 122(48), p.e2510392122: https://www.pnas.org/doi/pdf/10.1073/pnas.2510392122Support the show

We remember guitarist, songwriter, and producer Steve Cropper, who helped create the Memphis soul sound of the ‘60s and ‘70s. He died this week at age 84. Stax Records produced soul hits by Booker T. & the M.G.s, Sam & Dave, Isaac Hayes, and more. Cropper spoke with Terry Gross in 1990 about how he became part of the house rhythm section, and went on to help write hits for Otis Redding and Wilson Pickett.  Also, we remember the celebrated English playwright Tom Stoppard, who was considered a giant of theatre. He died at age 88. Stoppard wrote ‘Rosencrantz and Guildenstern Are Dead' and ‘The Real Thing,' and the screenplays for ‘Empire of the Sun' and ‘Shakespeare in Love.'Jazz historian Kevin Whitehead pays tribute to jazz organist Jimmy Smith, and John Powers reviews the new Brazilian film ‘The Secret Agent.'Learn more about sponsor message choices: podcastchoices.com/adchoicesNPR Privacy Policy

MERCHANDISE NOW ON SALE THROUGH 12/31 ANNUAL SUBSCRIPTIONS AVAILABLE THROUGH 12/31   Tom Stoppard, the acclaimed, prolific playwright behind Arcadia, Rosencrantz and Guildenstern are Dead, Rock 'n' Roll and so many other plays, along with the screenplays to Shakespeare in Love, Brazil, and Anna Karenina, has died. He leaves behind a staggering, inspiring, often frustrating body of work that will continue to be seen long after we are gone. We are joined today by Abigail Thorn (The Acolyte, House of the Dragon) to look at the corners of his oeuvre that have spoken to us over the years, and discuss what we can learn from him going forward.   Abigail Thorn: Bluesky // Instagram The Prince: A transformative new play that has everything: sword fighting, lesbianism, Hamlet, and disappointed parents. Available on Nebula.   Philosophy Tube: Giving away philosophy degrees for free! Youtube // Nebula // Patreon   Kill James Bond! is a comedy film review/ pop culture commentary podcast about the portrayal of masculinity in cinema. November Kelly, Abigail Thorn, and Devon have watched Bond movies, War on Terror movies, Eurospy movies, and now they take on their biggest task yet: Heist Movies. What can Heat, Oceans' 11, and the Fast and Furious movies teach us about how masculinity was imagined by the people who created them? What does that say about Society? Free episodes are released every fortnight on all major podcast platforms and bonus episodes are released for supporters on Patreon on the interstitial weeks. Website / Twitter / Patreon Listen on Apple Podcasts / Spotify / Google Podcast

Matthew Bannister has a star-studded cast on this week's Last Word: Sir David Hare pays tribute to his friend and fellow playwright Sir Tom Stoppard.Boy George recalls the flamboyant fashion designer Pam Hogg.Sir Mark Rylance gives an insight into the many talents of the actor, director and writer Jack Shepherd.We also remember Yanxin He, one of the last surviving speakers in a village that spoke a secret language that helped women to share their suffering in a patriarchal society.Interviewee: Sir David Hare Interviewee: Boy George Interviewee: Dr Tessa Hartmann Interviewee: Yehong Wei Interviewee: Sir Mark Rylance Producer: Gareth Nelson-Davies Assistant Producer: Catherine Powell Researcher: Jesse Edwards Editor: Glyn TansleyArchive used: Tom Stoppard, Desert Island Discs, BBC Radio 4, 12/01/1985; Rosencrantz and Guildenstern Are Dead (Hamlet), Official Promo, Director: Tom Stoppard; MGM Studios, 1990; Tom Stoppard interview, BBC One 29/05/1977; Shakespeare In Love, Official Trailer, MiraMax pictures 1998, Directed: John Madden; Pam Hogg interview, Icons of Style, BBC Scotland, 16/03/2025; Pam Hogg interview, BBC Radio 2, 26/09/2012; Pam Hogg music track: Honeyland, pamhogg.com/music; He Yanxin, interview, Hidden Letters Official Trailer, Fish+Bear Pictures, Director: Violet Du Feng; Nushu: The secret Chinese language, BBC Culture, Video by Harriet Constable; Co-produced by Fiona Macdonald; 16/11/2022; Acting with...Jack Shepherd , BBC Two, 15/04/1996; In Lambeth, BBC Two, 04/07/1993; Written and Directed by Jack Shepherd; Play For Today: Through The Night, BBC One, 04/09/1977; Wycliff, ITV Official Trailer, IMDB; Season 1, Episode 1: The Four Jacks; Director: Ferdinand Fairfax;

We remember guitarist, songwriter, and producer Steve Cropper, who helped create the Memphis soul sound of the ‘60s and ‘70s. He died this week at age 84. Stax Records produced soul hits by Booker T. & the M.G.s, Sam & Dave, Isaac Hayes, and more. Cropper spoke with Terry Gross in 1990 about how he became part of the house rhythm section, and went on to help write hits for Otis Redding and Wilson Pickett.  Also, we remember the celebrated English playwright Tom Stoppard, who was considered a giant of theatre. He died at age 88. Stoppard wrote ‘Rosencrantz and Guildenstern Are Dead' and ‘The Real Thing,' and the screenplays for ‘Empire of the Sun' and ‘Shakespeare in Love.'Jazz historian Kevin Whitehead pays tribute to jazz organist Jimmy Smith, and John Powers reviews the new Brazilian film ‘The Secret Agent.'Learn more about sponsor message choices: podcastchoices.com/adchoicesNPR Privacy Policy

Since it was penned more than four hundred years ago, Shakespeare's “Hamlet” has been in production nearly continuously, and has been adapted in many ways. On this episode of Critics at Large, Vinson Cunningham, Naomi Fry, and Alexandra Schwartz consider why this story of a brooding young prince has continued to speak to audiences throughout the centuries. They discuss the new film “Hamnet,” directed by Chloé Zhao, which recasts the writing of “Hamlet” as Shakespeare's response to the death of his child; Tom Stoppard's absurdist play “Rosencrantz and Guildenstern Are Dead”; Michael Almereyda's 2000 “Hamlet,” which presents the protagonist as a melancholy film student home from college; and other adaptations. What accounts for this story's hold over audiences, centuries after it was written? “I think it endures because every generation has its version of the incomprehensible,” Cunningham says. “It's not just death—it's politics, it's society. Everybody has to deal with their own version of ‘This does not make sense and yet it is.' ”Read, watch, and listen with the critics:“Hamnet” (2025)“Hamnet,” by Maggie O'Farrell“Hamlet,” by William ShakespeareKenneth Branagh's “Hamlet” (1996) Michael Almereyda's “Hamlet” (2000)“Rosencrantz and Guildenstern Are Dead” (1990)John Gielgud's “Hamlet” (1964)Robert Icke's “Hamlet” (2017, 2022)“Every Generation Gets the Shakespeare It Deserves” by Drew Lichtenberg (The New York Times)“Hamlet and His Problems" by T. S. EliotNew episodes drop every Thursday. Follow Critics at Large wherever you get your podcasts.Critics at Large is a weekly discussion from The New Yorker which explores the latest trends in books, television, film, and more. Join us every Thursday as we make unexpected connections between classic texts and pop culture. Learn about your ad choices: dovetail.prx.org/ad-choices

In 2014, Colin McEnroe and the playwright and screenwriter Tom Stoppard recorded a live conversation at The Study in New Haven. Stoppard, whom Colin considers “quite possibly the most dizzyingly proficient writer of the English tongue (who) did not grow up speaking English,” has died at the age of 88. In appreciation of Stoppard and his work, we’re republishing their conversation with a note from Colin. GUEST: Tom Stoppard is a Czech-born playwright. His most famous works include "Rosencrantz and Guildenstern are Dead" and "Every Good Boy Deserves Favor." He co-wrote the screenplay for the 1998 Academy Award winning film, "Shakespeare in Love." Over the course of his career he has written for radio, television, film and stage. He' received one Academy Award and four Tony Awards for his work. Betsy Kaplan and Chion Wolf produced the hour. The Colin McEnroe Show is available as a podcast on Apple Podcasts, Spotify, Amazon Music, TuneIn, Listen Notes, or wherever you get your podcasts. Subscribe and never miss an episode! Subscribe to The Noseletter, an email compendium of merriment, secrets, and ancient wisdom brought to you by The Colin McEnroe Show. Join the conversation on Facebook and Twitter.Support the show: http://www.wnpr.org/donateSee omnystudio.com/listener for privacy information.

pWotD Episode 3133: Tom Stoppard Welcome to popular Wiki of the Day, spotlighting Wikipedia's most visited pages, giving you a peek into what the world is curious about today.With 240,997 views on Saturday, 29 November 2025 our article of the day is Tom Stoppard.Sir Tom Stoppard (born Tomáš Sträussler, 3 July 1937 – 29 November 2025) was a Czech and English playwright and screenwriter. He wrote for film, radio, stage, and television, finding prominence with plays. His work covered the themes of human rights, censorship, and political freedom, often delving into the deeper philosophical bases of society. Stoppard was a playwright of the National Theatre; one of the most internationally performed dramatists of his generation; and critically compared with William Shakespeare and George Bernard Shaw. He was knighted for his contribution to theatre by Queen Elizabeth II in 1997 and awarded the Order of Merit in 2000. Born in Czechoslovakia, Stoppard left as a Jewish child refugee, fleeing imminent Nazi occupation. He settled with his family in England after the war, in 1946, having spent the previous three years (1943–1946) in a boarding school in Darjeeling in the Indian Himalayas. After being educated at schools in Nottingham and Yorkshire, Stoppard became a journalist, a drama critic and then, in 1960, a playwright.Stoppard's most prominent plays include Rosencrantz and Guildenstern Are Dead (1966), Jumpers (1972), Travesties (1974), Night and Day (1978), The Real Thing (1982), Arcadia (1993), The Invention of Love (1997), The Coast of Utopia (2002), Rock 'n' Roll (2006) and Leopoldstadt (2020). He wrote the screenplays for Brazil (1985), Empire of the Sun (1987), The Russia House (1990), Billy Bathgate (1991), Shakespeare in Love (1998), Enigma (2001), and Anna Karenina (2012), as well as the BBC/HBO limited series Parade's End (2013). He directed the film Rosencrantz and Guildenstern Are Dead (1990), adapting his own 1966 play as its screenplay, with Gary Oldman and Tim Roth as the leads.Stoppard received numerous awards and honours including an Academy Award for Best Original Screenplay for Shakespeare In Love, three Laurence Olivier Awards, and five Tony Awards. In 2008, The Daily Telegraph ranked him number 11 in their list of the "100 most powerful people in British culture". It was announced in June 2019 that Stoppard had written a new play, Leopoldstadt, set in the Jewish community of early 20th-century Vienna. The play premiered in January 2020 at Wyndham's Theatre. The play went on to win the Laurence Olivier Award for Best New Play and later the 2023 Tony Award for Best Play.This recording reflects the Wikipedia text as of 03:05 UTC on Sunday, 30 November 2025.For the full current version of the article, see Tom Stoppard on Wikipedia.This podcast uses content from Wikipedia under the Creative Commons Attribution-ShareAlike License.Visit our archives at wikioftheday.com and subscribe to stay updated on new episodes.Follow us on Bluesky at @wikioftheday.com.Also check out Curmudgeon's Corner, a current events podcast.Until next time, I'm neural Ruth.

Podcasts could happen to anyone. David Loehr discusses exits and entrances in Tom Stoppard’s Rosencrantz and Guildenstern are Dead (first performed 1966, published 1967). John McCoy with David J. Loehr.

Podcasts could happen to anyone. David Loehr discusses exits and entrances in Tom Stoppard’s Rosencrantz and Guildenstern are Dead (first performed 1966, published 1967). John McCoy with David J. Loehr.

Episode 194: Last time I left things hanging for Hamlet as, having seen the ghost of his father and resolved on revenge, he had seen his planning go awry as he mistakenly killed the old councillor Polonius while he hid behind a wall hanging. We have seen his daughter Ophelia begin her descent into madness, school friends Rosencrantz and Guildenstern become embroiled in Hamlet's feigned madness and Claudius prompted into a desire to pray, having seen the players perform a piece that replicated his actions in the matter of his brother's murder. That quick summary in no way does the play any sort of justice so please do listen to the previous two episodes on ‘Hamlet', my look at the first half of the play and my conversation with Colin David Reese about the language in the play, if you have not done so already. I'll be here waiting for you when you get back.Continuing a summary of the play picking up from the murder of Polonius, with Hamlet leaving and dragging the body behind him.The Character of GertrudeThe female characters and the players who portrayed themThe rise of boy playing troupes reflected in ‘Hamlet'The political position of Claudius in the Danish nationThe character of Osric and his role in the playThe themes of death and decay The character and actions of HamletHamlet as a tragic heroThe graveyard sceneA brief overview of the performance history of the playSupport the podcast at:www.thehistoryofeuropeantheatre.comwww.patreon.com/thoetpwww.ko-fi.com/thoetp Hosted on Acast. See acast.com/privacy for more information.

Today, we're discussing Ch. 4-10 of New Moon by Stephenie Meyer. We are in dire need of a vampire therapist; Bella is still a bad friend; we meet the potential Rosencrantz and Guildenstern of the story; and Billy Black is the worst liar. Next time, we will continue with Ch. 11-18.

This is a very special episode because we are joined by good friend of the show Rob Lloyd for the first time this year to discuss a Shakespearean-ish comedy by playwright Tom Stoppard. It's called Rosencrantz & Guildenstern Are Dead, and presents an alternative version of Hamlet from the perspective of two minor characters, played by Gary Oldman and Tim Roth.Join our Patreon for our bonus episodes! https://www.patreon.com/oldiebutagoodiepodFollow Rob Lloyd!Shakespeare's Fool tickets: https://www.eventbrite.com/e/shakespeares-fool-tickets-1568799855599Facebook: https://www.facebook.com/roblloydactor/Twitter: https://twitter.com/futurerobbyInstagram: https://www.instagram.com/futurerobby/Follow the show!Instagram: https://www.instagram.com/oldiebutagoodiepod/Facebook: https://fb.me/oldiebutagoodiepodPodcast Platforms: https://linktr.ee/oldiebutagoodiepodGot feedback? Send us an email at oldiebutagoodiepod@gmail.comFollow the hosts!Sandro Falce - Instagram: https://www.instagram.com/sandrofalce/- Twitter: https://twitter.com/sandrofalce- Letterboxd: https://letterboxd.com/SandroFalce/- Twitch: https://www.twitch.tv/SandroFeltChairZach Adams - Instagram: https://www.instagram.com/zach4dams/- Twitter: https://twitter.com/ZackoCaveWizard- Letterboxd: https://letterboxd.com/zach4dams- Twitch: https://www.twitch.tv/zackocavewizardWatch our editor, Starkie, on Twitch! https://www.twitch.tv/sstarkieeOldie But A Goodie's theme tune is written and produced by Josh Cake. Check out his work here: https://www.joshcake.com/Check out other shows from our network 'That's Not Canon'! https://thatsnotcanon.com/ Hosted on Acast. See acast.com/privacy for more information.

Send us a textPlaywright Stuart Brown streamed into Playwright's Spotlight for a second time after technical difficulties with sound, but I hope delved a little deeper this time around. We discuss the Connecticut Theatre Market, being a critic and a playwright and how the former affected the latter, honesty as a critic, and advice to theatre companies on getting critics in seats. We also explore how being a critic helped his writing when he began to pursue playwriting, keeping your audience engaged, implementing twists and what makes a good one, and what makes a three dimensional character. We wrap things up learning curves and openness to making improvements, the success of the Questions game in Rosencrantz and Guildenstern are Dead, his approach to Murder Mystery and keeping it simple, and writing a red herring and whether or not there are rules. We close it up discussing his online Broadway radio station - SoundsofBroadway.com. It's a question filled conversation with a plethora of information. Enjoy!Stuart Brown is an award-winning Connecticut playwright whose 10-Minute works have been staged in his home state as well as California, Florida, Massachusetts, New Jersey, Rhode Island, Texas and via the British podcast, Theatrical Shenanigans. He is a theater critic with the Outer Critics Circle and the Connecticut Critics Circle and also runs the 24/7 online Broadway radio station, SoundsofBroadway.com, featuring the best from Off-Broadway, Broadway, and London stages. Plays included The Suitcase, House Hunted, and his newest play Lady Jigsaw received a staged reading at the Square One Theatre in Stratford, CT on July 10 and will lead the Chestnut Playhouse Theater's 5th annual Playwriting Festival on September 5th. For tickets to Lady Jigsaw at the Chestnut Street Playhouse on Sept. 5, visit -https://www.chestnutstreetplayhouse.org/For tickets to an evening of Stu's nine 10-minute plays at The Arts at Angeloria's on Sept. 12, visit, https://www.theartsatangelorias.com/To watch the video format of this episode, visit - https://youtu.be/R5wJb0RrRO0Websites and Socials for Stuart Brown -http://stuartjbrown.com/IG: @stuartjbrown_authorWebsites and socials for James Elden, Punk Monkey Productions and Playwright's SpotlightPunk Monkey Productions - www.punkmonkeyproductions.comPLAY Noir -www.playnoir.comPLAY Noir Anthology –www.punkmonkeyproductions.com/contact.htmlJames Elden -Twitter - @jameseldensauerIG - @alakardrakeFB - fb.com/jameseldensauerPunk Monkey Productions and PLAY Noir - Twitter - @punkmonkeyprods                  - @playnoirla IG - @punkmonkeyprods       - @playnoir_la FB - fb.com/playnoir        - fb.com/punkmonkeyproductionsPlaywright's Spotlight -Twitter - @wrightlightpod IG - @playwrights_spotlightPlaywriting services through LACPFest - www.lacpfest.comSupport the show

In this episode of the Broad Street Review podcast, host Darnelle Radford welcomes guests Will and Mike to discuss their journey in creating the play 'Dogberry and Verges Are Scared' for the Philadelphia Fringe Festival. They explore the collaborative nature of theater, the challenges of producing a new work, and the excitement of engaging with audiences. The conversation highlights the importance of support from the artistic community and the evolution of their script through various readings and workshops. As they prepare for their upcoming performances, they reflect on the creative process and the joy of bringing new stories to life.Chapters00:00 Introduction and Welcome to Season 1001:05 Meet the Guests: Will and Mike02:22 The Journey of Creating a Play05:33 The Importance of Collaboration in Theater11:11 Navigating the Current Climate for Artists14:44 First Performance and Audience Reactions18:55 The Evolution of the Script25:00 The Role of Support and Collaboration27:52 Closing Thoughts and Ticket InformationDogberry and Verges Are Scared is a pants-pissingly funny new comedy that follows everyone's third favorite pair of Shakespearean clowns as they blunder through the events of Much Ado About Nothing and beyond.Their friendship and their wits will be tested as they attempt to foil Don John's evil plot, save Fair Hero's wedding, and hopefully earn a few ducats while they're at it. Borrowing from the rich theatrical history that traces its roots from Rosencrantz and Guildenstern are Dead to Waiting for Godot to the storied stages of the vaudeville circuit.This rolling world premiere, produced in partnership with Cincinnati Shakespeare Company, hopes to shed new light on familiar characters by mixing a modern comedic sensibility and exciting new scenes with a light sprinkling Shakespeare's own words, words, words. It's chock full of easter eggs for people with a season subscription to the Folger and the perfect gateway drug for those who think “iambic pentameter” is a model of Buick. Starring Philadelphia theater legends Scott Greer and Anthony Lawton, Dogberry and Verges Are Scared is bursting with heart, highbrow comedy, vaudevillian gags, and... dancing? Only 10 performances. Do not miss this play!Slippery Trout Productions was formed in 2025 by Michael Doherty and Will Mobley. They are two clowns that have no business running a business.FOR TICKETS AND INFORMATION: https://phillyfringe.org/events/dogberry-and-verges-are-scared/

This week in the last video store near you The Admirable Admiral and But Maestro get together in the break room to discuss Rosencrantz & Guildenstern Are Dead from 1990.

Stuart Maconie – broadcaster, prolific author – has a brilliant and original new perspective on the Beatles. His latest book With A Little Help From Their Friends identifies the 100 people who had the greatest impact on their story, from the inner circle to bit-part players – schoolfriends, girlfriends, managers, muses, support acts, advisors and exploiters. It's immensely entertaining – and revealing, even for obsessives like us. Look out for these in particular … … memories of his Mum taking him to see the Beatles in Wigan when he was three. … the Shakespearian supporting cast – “we know the Othellos and King Lears but there are a lot of Rosencrantz and Guildensterns” such as Marsha Albert, Melanie Coe, Pablo Fanque, Mr Mustard and the night with the poet Royston Ellis that inspired Polythene Pam. … villains of the piece who might have been misunderstood like the Maharishi and Allen Klein. … what Derek Taylor shouted at Peter Blake at the Q Awards. … the full extent of the Beatles' American merchandise catastrophe. … the “moving and spooky” sensation of standing on the spot in Woolton where John and Paul first met - and its repercussions. … the Sliding Doors moments and why no other band merits this kind of depth and detail. … the hoary redundant old saw about John v Paul – “guerilla genius v slick vaudevillian” and how Peter Jackson's Get Back made us all fall in love with them even harder and deeper than before..… the regrettable question he asked McCartney about Gerry & the Pacemakers. … the tragedy of Jimmie Nicol – “being a member of the Beatles, even briefly, was the nearest equivalent to going to the Moon”. … the impact of Paul's life with the Ashers on the band's intersections with art, theatre and poetry. … how the ‘Oldies But Goldies' album broke the band beyond the Iron Curtain. .. why Penny Lane is like a Play for Today. … and the greatest song the Beatles recorded. Order With A Little Help From Our Friends here: https://harpercollins.co.uk/products/with-a-little-help-from-their-friends-the-beatles-changed-the-world-but-who-changed-theirs-stuart-maconie?variant=54870051815803Find out more about how to help us to keep the conversation going: https://www.patreon.com/wordinyourear Hosted on Acast. See acast.com/privacy for more information.

Stuart Maconie – broadcaster, prolific author – has a brilliant and original new perspective on the Beatles. His latest book With A Little Help From Their Friends identifies the 100 people who had the greatest impact on their story, from the inner circle to bit-part players – schoolfriends, girlfriends, managers, muses, support acts, advisors and exploiters. It's immensely entertaining – and revealing, even for obsessives like us. Look out for these in particular … … memories of his Mum taking him to see the Beatles in Wigan when he was three. … the Shakespearian supporting cast – “we know the Othellos and King Lears but there are a lot of Rosencrantz and Guildensterns” such as Marsha Albert, Melanie Coe, Pablo Fanque, Mr Mustard and the night with the poet Royston Ellis that inspired Polythene Pam. … villains of the piece who might have been misunderstood like the Maharishi and Allen Klein. … what Derek Taylor shouted at Peter Blake at the Q Awards. … the full extent of the Beatles' American merchandise catastrophe. … the “moving and spooky” sensation of standing on the spot in Woolton where John and Paul first met - and its repercussions. … the Sliding Doors moments and why no other band merits this kind of depth and detail. … the hoary redundant old saw about John v Paul – “guerilla genius v slick vaudevillian” and how Peter Jackson's Get Back made us all fall in love with them even harder and deeper than before..… the regrettable question he asked McCartney about Gerry & the Pacemakers. … the tragedy of Jimmie Nicol – “being a member of the Beatles, even briefly, was the nearest equivalent to going to the Moon”. … the impact of Paul's life with the Ashers on the band's intersections with art, theatre and poetry. … how the ‘Oldies But Goldies' album broke the band beyond the Iron Curtain. .. why Penny Lane is like a Play for Today. … and the greatest song the Beatles recorded. Order With A Little Help From Our Friends here: https://harpercollins.co.uk/products/with-a-little-help-from-their-friends-the-beatles-changed-the-world-but-who-changed-theirs-stuart-maconie?variant=54870051815803Find out more about how to help us to keep the conversation going: https://www.patreon.com/wordinyourear Hosted on Acast. See acast.com/privacy for more information.

Stuart Maconie – broadcaster, prolific author – has a brilliant and original new perspective on the Beatles. His latest book With A Little Help From Their Friends identifies the 100 people who had the greatest impact on their story, from the inner circle to bit-part players – schoolfriends, girlfriends, managers, muses, support acts, advisors and exploiters. It's immensely entertaining – and revealing, even for obsessives like us. Look out for these in particular … … memories of his Mum taking him to see the Beatles in Wigan when he was three. … the Shakespearian supporting cast – “we know the Othellos and King Lears but there are a lot of Rosencrantz and Guildensterns” such as Marsha Albert, Melanie Coe, Pablo Fanque, Mr Mustard and the night with the poet Royston Ellis that inspired Polythene Pam. … villains of the piece who might have been misunderstood like the Maharishi and Allen Klein. … what Derek Taylor shouted at Peter Blake at the Q Awards. … the full extent of the Beatles' American merchandise catastrophe. … the “moving and spooky” sensation of standing on the spot in Woolton where John and Paul first met - and its repercussions. … the Sliding Doors moments and why no other band merits this kind of depth and detail. … the hoary redundant old saw about John v Paul – “guerilla genius v slick vaudevillian” and how Peter Jackson's Get Back made us all fall in love with them even harder and deeper than before..… the regrettable question he asked McCartney about Gerry & the Pacemakers. … the tragedy of Jimmie Nicol – “being a member of the Beatles, even briefly, was the nearest equivalent to going to the Moon”. … the impact of Paul's life with the Ashers on the band's intersections with art, theatre and poetry. … how the ‘Oldies But Goldies' album broke the band beyond the Iron Curtain. .. why Penny Lane is like a Play for Today. … and the greatest song the Beatles recorded. Order With A Little Help From Our Friends here: https://harpercollins.co.uk/products/with-a-little-help-from-their-friends-the-beatles-changed-the-world-but-who-changed-theirs-stuart-maconie?variant=54870051815803Find out more about how to help us to keep the conversation going: https://www.patreon.com/wordinyourear Hosted on Acast. See acast.com/privacy for more information.

estival Fever continues this week with a forgotten adaptation and the Venice Film Festival. Tom Stoppard earned his first Tony Award for Best Play for Rosencrantz and Guildenstern Are Dead, an absurdist spoof of Hamlet and various theatre tropes from the perspective of two of the Bard's minor characters. A film version was long delayed … Continue reading "341 – Rosencrantz And Guildenstern Are Dead (Festival Fever!)"

Rosencrantz & Guildenstern Are Dead (1990 film) This week on Unwise Girls, we begin our Spring Tolerance Break with a story that's completely different than anything we've done before! This time, we check out a hit work by an author who's taking mythical stories of the past and reinterpreting them through a more modern lens in order to speak to the questions of the day and - ah, fuck, we fucked it up immediately didn't we. Come back next week for a special introduction! Check out our Patreon! (https://www.patreon.com/unwisegirls) Follow the show (https://twitter.com/unwisegirls) Join our Discord! (https://discord.gg/XnhhwzKQ8d) Hosted by Jacqueline (https://twitter.com/swampduchess) and Jane (https://twitter.com/janeyshivers). Edited by Jacqueline. Cover art by Vera (https://twitter.com/Innsmouth_Inn). Intro/outro: "Super Mariocean" by spacepony (https://ocremix.org/remix/OCR01147) This podcast is powered by Pinecast.

Playwright Brigid Amos sits down with Timothy Scholl, the Executive Artistic Director of Angels Theatre Company, to discuss what is dramaturgy, how did it start and what role does it play in live theater.Credits:Audio Engineer Gary GlorOne Heartbeat Away is provided to The Theater Project by Gail Lou References:Timothy W. Scholl is a director, dramaturg, and scholar by avocation and an academic administrator by vocation.  As a theatre artist he specializes in new play development, dramaturgy, directing, German theatre history, and dense 18th Century German playwrights. He serves as the Executive Artistic Director for Angels Theatre Company in Lincoln where he also manages the Salon Reading Series.  Selected Directing credits include I Carry Your Heart With Me, Predictor, This Mortal Life Also, Losing the Ring in the River, Killing Crazy, Two Suits, Trailing Colors, and Rosencrantz and Guildenstern Are Dead, for which he received a Santa Barbara Independent Award.  Timothy specializes in German Theatre and Drama with a particular emphasis on the production of the German Classics (Deutches Klassiker) in Berlin after 1945.   He currently works as an academic administrator at Purdue University Global.  He was trained at the University of Evansville, the University of Nebraska-Lincoln, and the University of California Santa Barbara.Angels Theatre Companyhttps://angelscompany.org/Gotthold Ephraim Lessinghttps://en.wikipedia.org/wiki/Gotthold_Ephraim_LessingHamburg Dramaturgyhttps://en.wikipedia.org/wiki/Hamburg_DramaturgyCome From Awayhttps://en.wikipedia.org/wiki/Come_from_AwayHedda Gablerhttps://en.wikipedia.org/wiki/Hedda_GablerDianne Weisthttps://en.wikipedia.org/wiki/Dianne_WiestYale Repertoryhttps://en.wikipedia.org/wiki/Yale_Repertory_TheatreHenrik Ibsenhttps://en.wikipedia.org/wiki/Henrik_IbsenThe Wild Duckhttps://en.wikipedia.org/wiki/The_Wild_DuckBackwards and Forwards by David Ballhttps://www.amazon.com/Backwards-Forwards-Technical-Manual-Reading/dp/0809311100Arthur Millerhttps://en.wikipedia.org/wiki/Arthur_MillerAll My Sonshttps://en.wikipedia.org/wiki/All_My_SonsTom Stoppardhttps://en.wikipedia.org/wiki/Tom_StoppardSarah Ruhlhttps://en.wikipedia.org/wiki/Sarah_RuhlNaomi Wallacehttps://en.wikipedia.org/wiki/Naomi_WallaceJennifer Blackmerhttps://www.jenniferblackmer.com/

In the twenty-third episode of Season 11: The Son of Cult Flicks, Kyle is joined for a one-on-one conversation with fellow podcaster Lee from Spro & Lee Take on the Academy as they discuss the irreverent nature and knowing stupidity of SCTV favorites Bob & Doug McKenzie as they become the Rosencrantz & Guildenstern of an unsuspecting Hamlet tragedy in the sketch turned film adaptation known as Strange Brew (1983).

Series: With All Boldness And Without Hindrance Passage: Acts 16:16-40