Podcasts about rosencrantz

estival Fever continues this week with a forgotten adaptation and the Venice Film Festival. Tom Stoppard earned his first Tony Award for Best Play for Rosencrantz and Guildenstern Are Dead, an absurdist spoof of Hamlet and various theatre tropes from the perspective of two of the Bard's minor characters. A film version was long delayed … Continue reading "341 – Rosencrantz And Guildenstern Are Dead (Festival Fever!)"

Rosencrantz & Guildenstern Are Dead (1990 film) This week on Unwise Girls, we begin our Spring Tolerance Break with a story that's completely different than anything we've done before! This time, we check out a hit work by an author who's taking mythical stories of the past and reinterpreting them through a more modern lens in order to speak to the questions of the day and - ah, fuck, we fucked it up immediately didn't we. Come back next week for a special introduction! Check out our Patreon! (https://www.patreon.com/unwisegirls) Follow the show (https://twitter.com/unwisegirls) Join our Discord! (https://discord.gg/XnhhwzKQ8d) Hosted by Jacqueline (https://twitter.com/swampduchess) and Jane (https://twitter.com/janeyshivers). Edited by Jacqueline. Cover art by Vera (https://twitter.com/Innsmouth_Inn). Intro/outro: "Super Mariocean" by spacepony (https://ocremix.org/remix/OCR01147) This podcast is powered by Pinecast.

Tom Stoppard's film of his famous play, with Tim Roth and Gary Oldman

Playwright Brigid Amos sits down with Timothy Scholl, the Executive Artistic Director of Angels Theatre Company, to discuss what is dramaturgy, how did it start and what role does it play in live theater.Credits:Audio Engineer Gary GlorOne Heartbeat Away is provided to The Theater Project by Gail Lou References:Timothy W. Scholl is a director, dramaturg, and scholar by avocation and an academic administrator by vocation.  As a theatre artist he specializes in new play development, dramaturgy, directing, German theatre history, and dense 18th Century German playwrights. He serves as the Executive Artistic Director for Angels Theatre Company in Lincoln where he also manages the Salon Reading Series.  Selected Directing credits include I Carry Your Heart With Me, Predictor, This Mortal Life Also, Losing the Ring in the River, Killing Crazy, Two Suits, Trailing Colors, and Rosencrantz and Guildenstern Are Dead, for which he received a Santa Barbara Independent Award.  Timothy specializes in German Theatre and Drama with a particular emphasis on the production of the German Classics (Deutches Klassiker) in Berlin after 1945.   He currently works as an academic administrator at Purdue University Global.  He was trained at the University of Evansville, the University of Nebraska-Lincoln, and the University of California Santa Barbara.Angels Theatre Companyhttps://angelscompany.org/Gotthold Ephraim Lessinghttps://en.wikipedia.org/wiki/Gotthold_Ephraim_LessingHamburg Dramaturgyhttps://en.wikipedia.org/wiki/Hamburg_DramaturgyCome From Awayhttps://en.wikipedia.org/wiki/Come_from_AwayHedda Gablerhttps://en.wikipedia.org/wiki/Hedda_GablerDianne Weisthttps://en.wikipedia.org/wiki/Dianne_WiestYale Repertoryhttps://en.wikipedia.org/wiki/Yale_Repertory_TheatreHenrik Ibsenhttps://en.wikipedia.org/wiki/Henrik_IbsenThe Wild Duckhttps://en.wikipedia.org/wiki/The_Wild_DuckBackwards and Forwards by David Ballhttps://www.amazon.com/Backwards-Forwards-Technical-Manual-Reading/dp/0809311100Arthur Millerhttps://en.wikipedia.org/wiki/Arthur_MillerAll My Sonshttps://en.wikipedia.org/wiki/All_My_SonsTom Stoppardhttps://en.wikipedia.org/wiki/Tom_StoppardSarah Ruhlhttps://en.wikipedia.org/wiki/Sarah_RuhlNaomi Wallacehttps://en.wikipedia.org/wiki/Naomi_WallaceJennifer Blackmerhttps://www.jenniferblackmer.com/

EU-minister Jessica Rosencrantz (M) om stödet till Ukraina, om upprustning och konkurrenskraft som ställs mot klimatpolitik och om Trumps tullar. Lyssna på alla avsnitt i Sveriges Radio Play. Under torsdagen möttes ett 30-tal regeringschefer och ledare för Nato och EU i Paris för att diskutera en fredsplan för Ukraina. En av frågorna som ”koalitionen av villiga” diskuterade var europeiska säkerhetsstyrkor på ukrainskt territorium efter ett eldupphör. EU-minister Jessica Rosencrantz (M) säger att det handlar om att på olika sätt ge stöd till Ukraina:”Jag tror att i mångt och mycket kommer historien att döma Europa efter hur väl vi nu står upp för Ukraina och vad som är rätt. Och de här mötena handlar ju just om det, hur ska vi kunna stärka Ukrainas position inför en vapenvila och inför möjliga kommande fredsförhandlingar.”, säger Jessica Rosencrantz.Frankrike och Storbritannien ska leda koalitionen, Sveriges regering har ännu inte tagit ställning till om Sverige ska delta i eventuella säkerhetsstyrkor i Ukraina eller ej. Statsminister Ulf Kristersson har tidigare sagt att man först vill ha säkerhetsgarantier från USA, något USA inte gett. Betyder det att Sverige inte kommer att vara med om USA inte ger några garantier?”Vi utesluter ingenting i detta skede, men den här är en dialog som vi för med våra nära allierade, med våra partnerländer. Det är viktigt att diskutera hur ett europeiskt engagemang kan se ut för att ge varaktig fred och Sverige deltar i de diskussionerna. Men vi behöver få bättre klarhet i förutsättningarna, helt enkelt.”, säger Jessica Rosencrantz.Försvar och konkurrenskraft vs klimat?På grund av kriget i Ukraina och osäkerheten kring USA:s roll i Nato och Europa ligger stort fokus på försvar och säkerhet just nu inom EU. Finns det en risk att upprustningen tränger undan åtgärder mot klimatförändringen, den fråga som en majoritet av svenskarna tycker att EU-parlamentet bör prioritera enligt Eurobarometers senaste mätning?”Jag ser inget motsatsförhållande här, vi måste kunna hålla flera tankar i huvudet samtidigt, se att Europa står inför flera utmaningar. Det är helt uppenbart att vi behöver rusta upp vårt eget försvar, det har varit underinvesterat under lång tid. Det är av avgörande vikt att Europa nu verkligen kliver fram. Parallellt har vi ju en klimatutmaning som vi måste möta. Vi måste hålla i våra klimatmål och grunden i det som är EU:s klimatramverk med utsläppshandelssystem. Och avgörande för allt detta är att vi får den Europeiska ekonomin att växa.”, säger Jessica Rosencrantz.På senare år har Europas ekonomier halkat efter USA och Kina. Gapet mellan USA:s och EU:s BNP ökade från 17 till 30 procent mellan 2002 och 2023. Som ett svar på detta kom Dragirapporten förra året med en rad förslag som ska öka konkurrenskraften för Europas företag. Bland annat handlar det om att minska regelbördan för företagen, varav en del rör miljö och klimat och beslutades inom ramen för EU:s gröna giv under förra mandatperioden.Lättade klimatkravEn del av den gröna given är förbudet att sälja nya bensin- och dieselbilar från 2035. Redan i år skulle biltillverkarna minska bilarnas koldioxidutsläpp med en viss procent. Men i mars föreslog kommissionen att låta biltillverkarna få längre tid på sig att uppfylla det här delmålet. Det välkomnas av tyska och franska biltillverkare, men inte av Volvo Cars, som redan anpassat sig efter miljökraven. Och Jessica Rosencrantz säger att hon inte tycker att man bör mjuka upp kraven:”Vi är ju kritiska till detta, och det har vi också framfört. Vi tycker att vi ska stå fast vid målet att fasa ut fossilbilar till 2035.”, säger Jessica Rosencrantz. ”Vi vet också att företag som Volvo och andra som ställt om i god tid och gjort sin läxa skulle påverkas negativt av att man ruckar på den här typen av regelverk”Däremot är regeringen för flera av de andra uppluckringar som nu sker på klimatområdet i EU. Bland annat vill kommissionen sänka krav på bland annat hållbarhetsrapportering som beslutades under förra mandatperioden. EU-minister Jessica Rosencrantz tycker att det är rätt väg att gå. Hon utesluter inte heller att skjuta på EU:s redan beslutade koldioxidtullar, CBAM, som ska göra det dyrare att importera produkter med stora klimatavtryck. Både hennes moderata partikamrat Tomas Tobé och deras partigrupp i Europaparlamentet, EPP, vill skjuta på CBAM i två år.”Jag tycker att CBAM är ett bra verktyg, det jämnar ut spelplanen mellan europeiska företag och deras konkurrenter utanför Europa, men vi måste kunna lyssna på våra företag som skickar signaler till oss att det är väldigt betungande. Så den analysen gör vi nu, om det finns anledning att modifiera på något sätt.”, säger Jessica Rosencrantz.Gäst: Jessica Rosencrantz (M), EU-ministerProgramledare: Katarina von ArndtKommentar: Ci HolmgrenTeknik: Mikael SarabiProducent: Maja LagercrantzIntervjun spelades in på eftermiddagen fredag den 28 mars 2025.

In the twenty-third episode of Season 11: The Son of Cult Flicks, Kyle is joined for a one-on-one conversation with fellow podcaster Lee from Spro & Lee Take on the Academy as they discuss the irreverent nature and knowing stupidity of SCTV favorites Bob & Doug McKenzie as they become the Rosencrantz & Guildenstern of an unsuspecting Hamlet tragedy in the sketch turned film adaptation known as Strange Brew (1983).

Do you have to have a dream? Or is incrementalism the answer to leading a flourishing life? This week, creative polymath Tim Minchin, joins host Lloyd Vogelman on the couch for an unfiltered conversation that digs into the personal side of the Principle of Charity.Tim MinchinIn addition to two decades of award-winning live performance and multiple recorded specials, Tim is the composer and lyricist of smash-hit stage musicals, Matilda and Groundhog Day.He is also a screenwriter (of the award-winning Upright, in which he stars alongside House of The Dragon's Milly Alcock), and a screen actor, (Atticus Fetch in Californication, Friar Tuck in Robin Hood 2014, Darius Cracksworth in Disney's The Artful Dodger).He is a public speaker, and a book of his commencement speeches, You Don't Have to Have a Dream, was recently published by Penguin Random House. Stage roles include his acclaimed Judas in the 2014 UK / Australian Arena Tour of Jesus Christ Superstar, and Rosencrantz in the Sydney Theatre Company's Rosencrantz and Guildenstern Are Dead. He is a voice actor, has published two children's books and a graphic novel, and sometimes get into trouble for criticising fundamentalists of all stripes. His 2020 studio album, Apart Together, peaked at #2 on the ARIA charts.Among many accolades, he has won two Olivier Awards for Best Musical, a British Composers Award for Best Score, a Logie for Best Supporting Actor, an ACTAA for best TV comedy performance, an Edinburgh Comedy Award for best Newcomer, a Whats On Stage Award for Best Actor in a Musical, The Richard Dawkins Award for Science Communication, and an Order of Australia for Services to the Arts and the Community. He has been nominated for some Tonys and a Grammy. CREDITSYour hosts are Lloyd Vogelman and Emile Sherman This podcast is proud to partner with The Ethics CentreFind Lloyd @LloydVogelman on Linked inFind Emile @EmileSherman on Linked In and XThis podcast is produced by Jonah Primo and Sabrina OrganoFind Jonah at jonahprimo.com or @JonahPrimo on Instagram Hosted on Acast. See acast.com/privacy for more information Hosted on Acast. See acast.com/privacy for more information.

Three years after his first appearance on Principle of Charity, the effervescent Tim Minchin returns for this first, and very special spotlight episode for 2025. Emile, Lloyd and Tim reflect on the principle of charity itself, and how themes explored in Tim's latest book You Don't Have To Have a Dream (Penguin Random House) relate to its application in our lives. What role can the scientific method, kindness and authenticity play in helping us consider the viewpoints of those with whom we most disagree, and lead flourishing lives? Tim MinchinIn addition to two decades of award-winning live performance and multiple recorded specials, Tim is the composer and lyricist of smash-hit stage musicals, Matilda and Groundhog Day.He is also a screenwriter (of the award-winning Upright, in which he stars alongside House of The Dragon's Milly Alcock), and a screen actor, (Atticus Fetch in Californication, Friar Tuck in Robin Hood 2014, Darius Cracksworth in Disney's The Artful Dodger).He is a public speaker, and a book of his commencement speeches, You Don't Have to Have a Dream, was recently published by Penguin Random House. Stage roles include his acclaimed Judas in the 2014 UK / Australian Arena Tour of Jesus Christ Superstar, and Rosencrantz in the Sydney Theatre Company's Rosencrantz and Guildenstern Are Dead. He is a voice actor, has published two children's books and a graphic novel, and sometimes get into trouble for criticising fundamentalists of all stripes. His 2020 studio album, Apart Together, peaked at #2 on the ARIA charts.Among many accolades, he has won two Olivier Awards for Best Musical, a British Composers Award for Best Score, a Logie for Best Supporting Actor, an ACTAA for best TV comedy performance, an Edinburgh Comedy Award for best Newcomer, a Whats On Stage Award for Best Actor in a Musical, The Richard Dawkins Award for Science Communication, and an Order of Australia for Services to the Arts and the Community. He has been nominated for some Tonys and a Grammy. CREDITSYour hosts are Lloyd Vogelman and Emile Sherman This podcast is proud to partner with The Ethics CentreFind Lloyd @LloydVogelman on Linked inFind Emile @EmileSherman on Linked In and XThis podcast is produced by Jonah Primo and Sabrina OrganoFind Jonah at jonahprimo.com or @JonahPrimo on Instagram Hosted on Acast. See acast.com/privacy for more information Hosted on Acast. See acast.com/privacy for more information.

Happy New Year and welcome back to the 214th episode of The Cup which is our a weekly (give or take, TBD, these are unprecedented times) performing arts talk show presented by Cup of Hemlock Theatre. With the theatres on a come back we offer a mix of both reviews of live shows we've seen and continued reviews of prophet productions! For our 214th episode we bring you a very special episode of “The Cup: Editorial” in which we look back on the year that's passed, the plays we loved, and the episodes we produced. Join our Golden Trio (Jillian Robinson, Mackenzie Horner, and Ryan Borochovitz) as they raise their custom-branded mugs and say cheers to 2024! Here's a list of all the episodes from 2024 that we shout out in this episode (in order of first mention). If any of them piqued your interest, give them a watch/listen: Fences (Screened Play): https://www.youtube.com/watch?v=RRoqQwugzIc Summer Dances: A Mixed Bill: https://www.youtube.com/watch?v=rr3c9aWZkT0 Toronto Fringe Review Roundup 2024 Pt.1: https://www.youtube.com/watch?v=Lj_wxsX1tGs&t=2241s Toronto Fringe Review Roundup 2024 Pt.2: https://www.youtube.com/watch?v=fFGOJTtVljI&t=6195s Toronto Fringe Review Roundup 2024 Pt.3: https://www.youtube.com/watch?v=BDKw_MDJLEY&t=8434s Rosencrantz and Guildenstern are Dead: https://www.youtube.com/watch?v=W0iuadp8zck&t=1800s Scott Alan Interview: https://www.youtube.com/watch?v=-k4AViQsRMY&t=720s Alicia Richardson Interview: https://www.youtube.com/watch?v=EZnu0OwCtaE Mateo Chavez Lewis Interview: https://www.youtube.com/watch?v=drnTPBYpjuY Chloë Rose Flowers Interview: https://www.youtube.com/watch?v=h4DqKRzzUiA Hamilton (200th Episode): https://www.youtube.com/watch?v=3RcJ9Lj9-h0&t=5798s The Crucible (NT Live): https://www.youtube.com/watch?v=8lpSFTH1ojk Playing Shylock: https://www.youtube.com/watch?v=EKGayi9ONHE&t=526s HRH Anand Rajaram Interview: https://www.youtube.com/watch?v=fzOfGWpy_rc&t=4815s Rear Window: https://www.youtube.com/watch?v=n4GGPWO17VY Dead Elephants: https://www.youtube.com/watch?v=ex6zVShCpfM&t=826s The Fixing Girl: https://www.youtube.com/watch?v=_yS-Fsi-kHE Four Minutes Twelve Seconds: https://www.youtube.com/watch?v=Fl3vGk_LgpE The Eve of St. George: https://www.youtube.com/watch?v=IrCb8PkxAmg Follow our panelists: Mackenzie Horner (Before the Downbeat: A Musical Podcast) – Instagram/Facebook: BeforetheDownbeat Apple Podcasts: https://apple.co/3aYbBeN Spotify: https://spoti.fi/3sAbjAu Jillian Robinson – Instagram: @jillian.robinson96 // Tommy Rhodes Cast Album – Apple Music: https://music.apple.com/gb/album/tommy-rhodes-original-studio-cast-recording/1786580779 / Spotify: https://open.spotify.com/album/1t4NtJFUa4TVAJm8mWCIOP?si=_npoj8ptSD-tcYbv7qJiaA&nd=1&dlsi=cf35a53988054372 / YouTube: https://www.youtube.com/watch?v=s02VjtbFH1U&ab_channel=MusicTheatreTheory Ryan Borochovitz – [Just send all that love to CoH instead; he won't mind!] Follow Cup of Hemlock Theatre on Instagram/Facebook/Twitter: @cohtheatre If you'd like us to review your upcoming show in Toronto, please send press invites/inquiries to coh.theatre.MM@gmail.com CHAPTERS: 0:00 – Intro: Crunching Numbers 4:58 – 52 Episodes 6:56 – 94 Reviews 11:33 – 11 Interviews 16:00 – 1 Screened Play 20:01 – 0 Editorials 23:14 – 7 Guest Reviewers 30:26 – Most Popular Episodes of 2024 35:17 – Our Favourite Episodes of 2024 45:23 – Our Favourite Plays of 2024 1:05:37 – Our Most Anticipated Plays of 2025 1:13:32 – Sign Off

Discussion 2 Opening Thursday, November 21st and running through the 24th at the Malvern Theatre, GSOV presents four one act productions of W. S. Gilbert directed by four directors. Kyle sits down with Sarah Berry and Ben Klein to discuss their approach to their particular productions. Tickets: https://www.trybooking.com/events/landing/1140126 About the Show: As a young barrister W.S. Gilbert found himself waiting for all too infrequent briefs. Instead, he turned to writing and soon after was earning his living as a playwright and librettist. Mostly remembered today for his collaboration with Arthur Sullivan, he nevertheless continued to write plays, his last, The Hooligan, was completed just four months before his death. This collection demonstrates his differing interests and styles and hold the stage well today: Comedy and Tragedy - An actress finds a deadly solution to her tricky romantic situation. The Hooligan - A condemned man pleads for justice. Rosencrantz and Guildenstern - In a parody of Shakespeare's ‘Hamlet', Rosencrantz and Ophelia scheme to get rid of Hamlet so they can be together. Creatures of Impulse - A fairy toys with guests at an inn for her own devious pleasure.

Discussion - Part 1 Opening Thursday, November 21st and running through the 24th at the Malvern Theatre, GSOV presents four one act productions of W. S. Gilbert directed by four directors. Kyle sits down with Naomi Tooby and Danielle Zuccala to discuss their approach to their particular productions. Tickets: https://www.trybooking.com/events/landing/1140126 About the Show: As a young barrister W.S. Gilbert found himself waiting for all too infrequent briefs. Instead, he turned to writing and soon after was earning his living as a playwright and librettist. Mostly remembered today for his collaboration with Arthur Sullivan, he nevertheless continued to write plays, his last, The Hooligan, was completed just four months before his death. This collection demonstrates his differing interests and styles and hold the stage well today: Comedy and Tragedy - An actress finds a deadly solution to her tricky romantic situation. The Hooligan - A condemned man pleads for justice. Rosencrantz and Guildenstern - In a parody of Shakespeare's ‘Hamlet', Rosencrantz and Ophelia scheme to get rid of Hamlet so they can be together. Creatures of Impulse - A fairy toys with guests at an inn for her own devious pleasure.

David is one of the most esteemed and celebrated directors in the British theatre scene. His work has been shown across the globe and he's worked with some titans of the business, two being Harold Pinter and Tom Stoppard.  He has over 10 Tony, Outer Critics Circle and Drama Desk nominations to his name. As well as an Emmy nomination for "Jesus Christ Superstar Live in Concert" in 2018 for Outstanding Directing for a Limited Series, movie or dramatic special.  He's also worked for the Scottish and English National Operas and was assistant to Samuel Beckett.  He discuss his working relationship with Harold Pinter, directing his play "Moonlight", Pinter's first new play after a while away from writing at the Almeida. Furthermore his time working on the 50th Anniversary production of "Rosencrantz and Guildenstern Are Dead" at the Old Vic, fantastic production I was lucky to see with Daniel Radcliffe and Joshua McGuire.  So many great stories about Harold, Tom and other people he's worked with, if you love knowing about theatre you'll love David and his stories! Oliver Gower Spotlight Link: https://www.spotlight.com/9097-9058-5261 Instagram: @goweroliver For enquiries and requests: olliegower10@gmail.com Please Like, Download and Subscribe ✍️

In this edition of Behind the Scenes we chat with Claudia Rosencrantz. In her ten years as Controller of entertainment at ITV she entirely redefined LE by commissioning genre-busting, ratings-giants such as “Who Wants to Be A Millionaire”, “Britain's Got Talent”, “Ant & Dec's Saturday Night Takeaway”, “The X Factor” and more. Claudia also talks about working with Chris Evans, Sir Elton John as well as her long, award-winning association and close friendship with the genius who was Barry Humphries. Support the podcast by becoming a Patron: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.patreon.com/BEHINDTHESCENESWITHCOLINEDMONDS⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Colin Edmonds socials ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Facebook: colin.edmonds.73⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Instagram: colinedmondsssm⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Twitter:@ColinEdmondsSSM⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Website: https://www.steamsmokeandmirrors.com/⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Listen to all episodes of the podcast available on; ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Spotify⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Amazon Music⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Audible⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Apple Podcasts⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ BOOKS Buy Steam, Smoke and Mirrors ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Available at Caffeine Nights⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Available at Amazon⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Available on Audible⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Buy The Lazarus Curiosity: Steam, Smoke and Mirrors 2 ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Available at Caffeine Nights⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Available at Amazon⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Available on Audible⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Buy The Nostradamus Curiosity: Steam, Smoke and Mirrors 3 ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Available at Caffeine Nights⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Available at Amazon

Series: With All Boldness And Without Hindrance Passage: Acts 16:16-40

Send us a Text Message.Welcome back to The Fixate & Binge Podcast, for the second episode of a new 10-part series on underappreciated films.Spanning over 55 -years of forgotten Hollywood gems, join Joe as every episode he discusses in depth his selection of five films that are worth rewatching or even viewing for the first time!Part 3 of this 10-part series the following films are reviewed:THE QUIET EARTH (1985) Starring Bruno Lawrence, Alison RoutledgeENEMY MINE (1985) Starring Dennis Quaid, Louis Gossett, JrTHE NAME OF THE ROSE (1986) Starring Sean Connery, Christian Slater, F. Murray AbrahamROSENCRANTZ & GUILDENSTERN ARE DEAD (1990) Starring Tim Roth, Gary Oldman, Richard DreyfusREALITY BITES (1994) Starring Winona Ryder, Ethan Hawke, Janeane Garofalo, Steve ZahnJoe also gives a **SPOILER-FREE** reaction to the psychological, runaway hit, STRANGE DARLING (2023) -- starring Willa Fitzgerald currently in theaters now!The hope of this podcast is to engender a greater appreciation of the magic of moviemaking and how far the film industry has come in the preceding decades.Thank you for listening! You can find and follow us with the links below!Read our Letterboxd reviews at:https://letterboxd.com/fixateandbinge/Follow us on Instagram at:https://www.instagram.com/fixateandbingepodcast/?hl=msFollow us on TikTok at:https://www.tiktok.com/@fixateandbingepodcastVisit our website at:https://fixateandbingepodcast.com/

Rosencrantz and Guildenstern aren't dead, they're just holographic actors in a museum on a backwater planet. But six months before The Hoodoo sets out on her mission, a freak “accident” occurs. Find out how two Shakespearean nobodies became sentient holograms battling monsters in space.

What does Judge Dread, Aronofsky's Pi, The KISS movie, The Acolyte, Family Guy, Rosencrantz and Gildenstern are Dead, and Clone Wars have in common? We discuss all of this and more in this week's episode… More

In our final week of looking at the scenes of Hamlet, Rosencrantz and Guildenstern, the group used "Italian run-thrus" (rapid line delivery) and continued to work on the scenes switching roles. The group discussed the benefits and challenges of role-sharing and switching between the language styles of Shakespeare and Stoppard. During the Q&A, a number of artists mentioned their growth in understanding and portrayal of these characters. Subscribe to get notified of our next rehearsal session! Support The Rehearsal Room on Patreon - get early access to sessions (before they go public on YouTube and the podcast), priority with asking questions, and more: https://www.patreon.com/wajpodcast You can also watch the full sessions on YouTube: https://workingactorsjourney.com/youtube  About the Scene Our group is working on sections of Act 2, Scene 2 and Act 3, Scene 2 from Shakespeare's Hamlet - AND they will also look at the beginning of Act 2 in Tom Stoppard's Rosencrantz and Guildenstern are Dead. CREATIVE TEAM DIRECTOR: Geoffrey Wade DRAMATURG: Gideon Rappaport And the PLAYERS: Marcelo Tubert, Nick Cagle and Dan Cordova Hamlet scenes from the Folger Shakespeare Library: https://www.folger.edu/explore/shakespeares-works/hamlet/read/2/2/ https://www.folger.edu/explore/shakespeares-works/hamlet/read/3/2/ More about this group: https://workingactorsjourney.com/workshop/shakespeare-stoppard-rehearsal-room-june-2024 BOOKS Dr. Gideon Rappaport has written three books on Shakespeare: William Shakespeare's Hamlet: Edited and Annotated: https://amzn.to/3xdt012 Appreciating Shakespeare: https://amzn.to/3XjY6Pe Shakespeare's Rhetorical Figures: An Outline: https://amzn.to/3KEzyZK Thank you to our current patrons Joan, Michele, Christion, Jim, Magdalen, Ivar, Claudia, Clif and Jeff! #workingactor #rehearsal #shakespeare #stoppard #hamlet

This week, the actors practiced delivering lines from Shakespeare's "Hamlet" using a technique that involved looking at the camera when speaking and looking at the screen when listening to capture the feeling of direct engagement. Emphasis was placed on understanding the meaning behind the words, which sometimes led to emotional revelations. They worked on specific lines to bring out operative words and discussed the implications of ambition within the text. The exercise aimed to illuminate nuances of the text by slowing down and emphasizing clarity in delivery. Subscribe to get notified of our next rehearsal session! Support The Rehearsal Room on Patreon - get early access to sessions (before they go public on YouTube and the podcast), priority with asking questions, and more: https://www.patreon.com/wajpodcast Watch the session on YouTube: https://youtu.be/MYuYgB7GRFw  About the Scene Our group is working on sections of Act 2, Scene 2 and Act 3, Scene 2 from Shakespeare's Hamlet - AND they will also look at the beginning of Act 2 in Tom Stoppard's Rosencrantz and Guildenstern are Dead. CREATIVE TEAM DIRECTOR: Geoffrey Wade DRAMATURG: Gideon Rappaport And the PLAYERS: Marcelo Tubert, Nick Cagle and Dan Cordova Hamlet scenes from the Folger Shakespeare Library: https://www.folger.edu/explore/shakespeares-works/hamlet/read/2/2/ https://www.folger.edu/explore/shakespeares-works/hamlet/read/3/2/ More about this group: https://workingactorsjourney.com/workshop/shakespeare-stoppard-rehearsal-room-june-2024 BOOKS Dr. Gideon Rappaport has written three books on Shakespeare: William Shakespeare's Hamlet: Edited and Annotated: https://amzn.to/3xdt012 Appreciating Shakespeare: https://amzn.to/3XjY6Pe Shakespeare's Rhetorical Figures: An Outline: https://amzn.to/3KEzyZK Thank you to our current patrons Joan, Michele, Christion, Jim, Magdalen, Ivar, Claudia, Clif and Jeff! #workingactor #rehearsal #shakespeare #stoppard #hamlet

Subscribe to get notified of our next rehearsal session! Support The Rehearsal Room on Patreon - get early access to sessions (before they go public on YouTube and the podcast), priority with asking questions, and more: https://www.patreon.com/wajpodcast Watch the session on YouTube: https://youtu.be/MYuYgB7GRFw  About the Scene Our group is working on sections of Act 2, Scene 2 and Act 3, Scene 2 from Shakespeare's Hamlet - AND they will also look at the beginning of Act 2 in Tom Stoppard's Rosencrantz and Guildenstern are Dead. CREATIVE TEAM DIRECTOR: Geoffrey Wade DRAMATURG: Gideon Rappaport And the PLAYERS: Marcelo Tubert, Nick Cagle and Dan Cordova Hamlet scenes from the Folger Shakespeare Library: https://www.folger.edu/explore/shakespeares-works/hamlet/read/2/2/ https://www.folger.edu/explore/shakespeares-works/hamlet/read/3/2/ More about this group: https://workingactorsjourney.com/workshop/shakespeare-stoppard-rehearsal-room-june-2024 BOOKS Dr. Gideon Rappaport has written three books on Shakespeare: William Shakespeare's Hamlet: Edited and Annotated: https://amzn.to/3xdt012 Appreciating Shakespeare: https://amzn.to/3XjY6Pe Shakespeare's Rhetorical Figures: An Outline: https://amzn.to/3KEzyZK Thank you to our current patrons Joan, Michele, Christion, Jim, Magdalen, Ivar, Claudia, Clif and Jeff! #workingactor #rehearsal #shakespeare #stoppard #hamlet

Subscribe to get notified of our next rehearsal session! Support The Rehearsal Room on Patreon - get early access to sessions (before they go public on YouTube and the podcast), priority with asking questions, and more: https://www.patreon.com/wajpodcast Watch the session on YouTube: https://youtu.be/Lv9Rs26SJRw About the Scene Our group is working on sections of Act 2, Scene 2 and Act 3, Scene 2 from Shakespeare's Hamlet - AND they will also look at the beginning of Act 2 in Tom Stoppard's Rosencrantz and Guildenstern are Dead. CREATIVE TEAM DIRECTOR: Geoffrey Wade DRAMATURG: Gideon Rappaport And the PLAYERS: Marcelo Tubert, Nick Cagle and Dan Cordova Hamlet scenes from the Folger Shakespeare Library: https://www.folger.edu/explore/shakespeares-works/hamlet/read/2/2/ https://www.folger.edu/explore/shakespeares-works/hamlet/read/3/2/ More about this group: https://workingactorsjourney.com/workshop/shakespeare-stoppard-rehearsal-room-june-2024 BOOKS Dr. Gideon Rappaport has written three books on Shakespeare: William Shakespeare's Hamlet: Edited and Annotated: https://amzn.to/3xdt012 Appreciating Shakespeare: https://amzn.to/3XjY6Pe Shakespeare's Rhetorical Figures: An Outline: https://amzn.to/3KEzyZK Thank you to our current patrons Joan, Michele, Christion, Jim, Magdalen, Ivar, Claudia, Clif and Jeff! #workingactor #rehearsal

Her solo performance of Hamlet—yes, all the parts (Rosencrantz and Guildenstern)—should be accessible to everyone. “Shakespeare is presented to people these days as 'this is good for you.' I've heard the term ‘spinach theater.'” The trick? Avoid vegetables, emphasize history, preserve the beauty of the verse: words, words, words!

Welcome to the Instant Trivia podcast episode 1189, where we ask the best trivia on the Internet. Round 1. Category: Bill Clinton 1: Clinton won first chair in this instrument in the Arkansas state band. the saxophone. 2: His birthplace; it's where he lived the first 7 years of his life. Hope, Arkansas. 3: The day before taking office, Clinton prayed at this president's Arlington, Va. grave. John F. Kennedy. 4: Bill Clinton met Hillary Rodham while both were attending this law school. Yale. 5: Clinton got his bachelor's degree at this D.C. school, the only college he applied to. Georgetown. Round 2. Category: Song Of Poets. With Song in quotation marks 1: William Blake published this collection in 1789; "Experience" would come a few years later. Songs of Innocence. 2: Sections of this 1855 poem include "The Peace Pipe", "The White-Man's Foot" and "Blessing the Corn Fields". The Song of Hiawatha. 3: Read during Passover, it's also referred to as the "Canticle of Canticles". Song of Songs. 4: Before the 1881 edition, it was simply titled "Poem of Walt Whitman, an American". "Song of Myself". 5: An insignificant battle between Charlemagne and the Basques at Roncesvalles is the basis for this French epic poem. The Song of Roland. Round 3. Category: Rewriting Hamlet 1: Fair one, thy dad had thee repel my letters and deny me access to thee... but a restraining order? What is uppeth with that?. Ophelia. 2: Zounds! I saw thee not behind that arras! Denmark needeth a new minister to the king! My bad!. Polonius. 3: Though I did say of thee "Frailty, thy name is woman", Mother, I hope thou acceptest my wedding gift from Pottery Barn. Gertrude. 4: 'Tis okay ye killed Dad and wed Mom--thou said thy "offence is rank, it smells to heaven", but I'm a live and let live kind of guy. Claudius. 5: You "two-school-fellows, whom I will trust as I will adders fanged" ...Aw, I ain't mad atcha! Giveth me hugs!. Rosencrantz and Guildenstern. Round 4. Category: The 19Th Century 1: Much of the fighting in this war, 1853 to 1856, took place on a peninsula in the Black Sea. the Crimean War. 2: In 1893 this labor leader founded the American Railway Union. (Eugene) Debs. 3: In 1825 patriots crossed the Rio de la Plata from Argentina to fight for this country's freedom from Brazil. Uruguay. 4: King John VI of this country died in 1826 and left his throne to Dom Pedro of Brazil who became Pedro I. Portugal. 5: This family was restored to power in the 1870s when Alfonso XII ascended the Spanish throne. the Bourbons. Round 5. Category: Ad-Jectives 1: In other words this common pair of advertising adjectives could be "novel as well as ameliorated". new and improved. 2: In a slogan almost a century old, Maxwell House coffee is this "to the last drop". "good". 3: In other words, this common pair of adjectives could be "novel as well as ameliorated". new and improved. 4: Taking this adjective literally, the ads say that BMW is the last driving machine that'll be made. ultimate. 5: Since 1975 BMW has been touting its vehicles as this kind of "driving machine". "ultimate". Thanks for listening! Come back tomorrow for more exciting trivia!Special thanks to https://blog.feedspot.com/trivia_podcasts/ AI Voices used

For his final production as thirty-year artistic director of Chicago's Tony-winning Court Theatre, Charles Newell transforms Tom Stoppard's Rosencrantz and Guildenstern Are Dead into an unexpectedly joyful celebration of legacy and theater. Newell reveals his lengthy relationship with not only Stoppard's plays but with the man himself, and shares how he cast two halves of a whole; how he chose to respond instinctively to what was happening in rehearsal rather than adhere to an intricate plan; and how he embraced the counterintuitive and seemingly-oxymoronic phrase “joyful requiem.” (PICTURED: Erik Hellman and Nate Burger as Guildenstern and Rosencrantz in the Court Theatre production of Tom Stoppard's Rosencrantz and Guildenstern Are Dead, directed by Charles Newell. Photo by Michael Brosilow.) (Length 20:20)

This episode has probably been a long time coming, beloved listeners, but to be fair…it look a long time for SOMEONE (Matty) to do their film homework. Now that they have, the Sneople finally able to discuss the topic of this week's ep - Rosencrantz and Guildenstern are Dead! Starting off with the 1990 film, the Sneople gush about why it's an incredible stage to screen adaptation, what makes it a compelling piece of media even if you haven't read Hamlet a million times (like they have oops), and why Tim Roth is so devastatingly good looking. Beyond that, also talk about the play itself, and why both the play and the movie speak to them in different ways. Unsurprisingly, the episode does spin off a couple times into just talking about absurdist plays and/or Hamlet but that's to be expected. Please send in your votes now for which Sneople host you would cast in the main three roles of Rosencrantz and Guildenstern are Dead (including The Player), you have until the next ep goes up thank you xoxo

Rosencrantz And Guildenstern Are Dead 2 - Dress by

Rosencrantz And Guildenstern Are Dead 1 - Jacket by

Rosencrantz and Guildenstern are Dead 2 by

He has risen again! He being Jesus Christ of course, our lord and saviour and friend of the pod. Alex and Ben are back with Part II of the epic Christ Quadrilogy where they explore weighty themes like religion, resurrection, sin, and salvation. This week we're covering Martin Scorsese's (and Paul Schrader's) THE LAST TEMPTATION OF CHRIST. Joining us are returning guest Jordan Seccareccia and, finally completing the Westelaken Exodia, Lucas. We talk about our experiences with religion and debate the merits of Scorsese's controversial adaptation of the gospels. We also talk about live events we went to IRL such as Rosencrantz and Guildenstern Are Dead and the Jonathan Rosenbaum talk at U of T. Ben also reminisces about K-holing and disassociating with Ellen DeGeneres.This is a long episode where we actually spend most of the time talking about the film so if you've never seen it before, don't resist the temptation!Join us next week for "Mad" Mel Gibson's The Passion of the Christ, it'll be a doozy.Listen to Westelaken: https://westelaken.bandcamp.com/album/i-am-steaming-mushroomsFollow us on Instagram and Twitter @thefranchisees and email us at thefranchiseespod@gmail.com

Each of us carry limiting beliefs - we're not smart enough, strong enough, or skilled enough. Our mind is full of can't, won't, and never. Our guest, Max Rosencrantz comes on the show to show us how to break through these mental barriers and become the man that we know we are meant to be. Max's Links: coachmaximum.com. rockymountainrites.com bouldermenswork.com Break through the belief - I'm not good enough: https://maximum-rosencrantz.mykajabi.com/opt-in

Welcome back to the 173rd episode of The Cup which is our a weekly (give or take, TBD, these are unprecedented times) performing arts talk show presented by Cup of Hemlock Theatre. With the theatres on a come back we offer a mix of both reviews of live shows we've seen and continued reviews of prophet productions! For our 173rd episode we bring you a a Duet Review of Tom Stoppard's Rosencrantz & Guildenstern are Dead, directed by Jeremy Webb, presented in Toronto as part of the Off-Mirvish season (originally produced by Neptune Theatre), starring Lord of the Rings stars Dominic Monaghan and Billy Boyd as the titular duo. Join Ryan Borochovitz and Andrew Pawarroo, as they discuss the impact of celebrity casting, the legacy of Theatre of the Absurd, and the apparatus of squishy flesh.  Rosencrantz & Guildenstern are Dead is still running at the CAA Theatre (651 Yonge St, Toronto, ON) until April 6, 2024. Tickets can be purchased from the following link: https://www.mirvish.com/shows/rosencrantz-guildenstern-are-dead   This review contains many SPOILERS for Rosencrantz & Guildenstern are Dead. It will begin with a general non-spoiler review until the [12:03] mark, followed by a more in-depth/anything goes/spoiler-rich discussion. If you intend to see the production, we recommend you stop watching after that point, or at least proceed at your own risk.  Welcome to The Cup, a weekly (give or take, TBD, these are unprecedented times) performing arts talk show presented by Cup of Hemlock Theatre. In episode 173, we bring you a Duet Review of Tom Stoppard's Rosencrantz & Guildenstern are Dead, directed by Jeremy Webb, presented in Toronto as part of the Off-Mirvish season (originally produced by Neptune Theatre), starring Lord of the Rings stars Dominic Monaghan and Billy Boyd as the titular duo. Join Ryan Borochovitz and Andrew Pawarroo, as they discuss the impact of celebrity casting, the legacy of Theatre of the Absurd, and the apparatus of squishy flesh. Rosencrantz & Guildenstern are Dead is still running at the CAA Theatre (651 Yonge St, Toronto, ON) until April 6, 2024. Tickets can be purchased from the following link: https://www.mirvish.com/shows/rosencrantz-guildenstern-are-dead This review contains many SPOILERS for Rosencrantz & Guildenstern are Dead. It will begin with a general non-spoiler review until the [12:03] mark, followed by a more in-depth/anything goes/spoiler-rich discussion. If you intend to see the production, we recommend you stop watching after that point, or at least proceed at your own risk. Check out Liam Donovan's review of the show, which we discuss at length: https://nextmag.ca/review-mirvishs-rosencrantz-guildenstern-are-dead-hobbles-with-hobbits-to-the-finish-line/ Follow our panelists: Andrew Pawarroo – Instagram: @andrew.s.pawarroo Ryan Borochovitz – [Just send all that love to CoH instead; he won't mind!] Follow Cup of Hemlock Theatre on Instagram/Facebook/Twitter: @cohtheatre If you'd like us to review your upcoming show in Toronto, please send press invites/inquiries to coh.theatre.MM@gmail.com --- Support this podcast: https://podcasters.spotify.com/pod/show/cup-of-hemlock-theatre/support

23. Hamlet in Howth - Rosencrantz and Guildenstern. Act 2 Sc. 2

45. Hamlet in Howth - Rosencrantz and Guildenstern are Dead by Tom Stoppard

Harvey Brownstone conducts an in-depth Interview with John Rubinstein, Iconic Stage, Movie & TV Star About Harvey's guests: Today's guest, John Rubinstein, is a highly acclaimed, multi-award winning actor, composer and director whose illustrious career and body of work have made him a respected and beloved icon.   He made his Broadway debut starring in “Pippin”, for which he won a Theatre World Award, followed by “Children of a Lesser God”, for which he won a whole slew of awards including a Tony and a Drama Desk Award.  He also starred in “The Caine Mutiny Court Martial”, for which he received a Drama Desk Award nomination, “M. Butterfly”, “Love Letters”, “Ragtime” and “Charlie and the Chocolate Factory”.  Off-Broadway, he starred in “Rosencrantz and Guildenstern are Dead” and “Counsellor at Law”, for which he received the Lucille Lortel Award for Best Lead Actor in a Play, as well as nominations for both the Outer Critics' and Drama League Awards.   He's appeared in over 200 movies, TV shows, made-for-TV movies and miniseries.  Some of his most popular feature films are “Getting Straight”, “The Boys From Brazil”, “Someone to Watch Over Me”, “Another Stakeout”, “21 Grams”, “The Candlelight Murders” and “Being the Ricardos”.  On TV you've seen him in dozens of TV shows including “Family”, for which he received an Emmy Award nomination, “Crazy Like a Fox”, “Bureau of Alien Detectors”, “Star Trek Enterprise”, “The Young and the Restless”, “Desperate Housewives”, “Dear White People”, “Claws” and many more.    His TV movies include “The American Clock”, for which he received a Cable Ace Award nomination for Best Supporting Actor, “M.A.D.D.: Mothers Against Drunk Drivers”, “The Gift of the Magi”, “Norma Jean and Marilyn”, and “Liberace”.   And some of his noteworthy miniseries are “The French Atlantic Affair”, “Roots: The Next Generations”, “The Two Mrs. Grenvilles”, “When we Rise”, “Feud”, and “Headless: A Sleepy Hollow Story”.   He's directed many stage productions, including “Les Liaisons Dangeureuses”, “Macbeth”, “Wait Until Dark”, “Brigadoon”, “Guys and Dolls” and many other shows.  Our guest is also a brilliant composer, which comes as no surprise, given that he's the son of the greatest pianist of all time, in my opinion, Arthur Rubinstein.  And he's the grandson of the renowned Polish violinist, conductor and composer Emil Młynarski.   He's written the music scores for a number of movies and TV shows including “Jeremiah Johnson”, “The Candidate”, “Family”, “The Ordeal of Patty Hearst”, “Johnny Belinda”, “China Beach” and “A Walton Wedding”.  And believe me, I'm just scratching the surface of this man's prodigious body of work. For more interviews and podcasts go to: https://www.harveybrownstoneinterviews.com/ To see more about John Rubinstein and the film, go to: https://www.imdb.com/name/nm0748270/https://www.playbill.com/person/john-rubinstein-vault-0000020233 #JohnRubinstein    #harveybrownstoneinterviews

Billy Boyd and Dominic Monaghan are a creative duo like few others. Their bond formed on the set of “The Lord of the Rings” as two Hobbits, Merry and Pippin, whose on-screen chemistry closely mirrored their real-life friendship. Now, Billy and Dominic are playing another iconic duo in a new production of “Rosencrantz and Guildenstern Are Dead.” They drop by to chat with Tom about the play and their decades-long friendship.

In this week's episode, Patrick and Greg play with some of the basics of probability in the context of some classic, fun, and often counterintuitive examples.  Along the way they also discuss arguments with relatives, a feel for the roulette wheel, Xeroxing your butt, “The coin has spoken.”, Quantitude BooqQlub, the Bellagio Fountains, Clooney and Pitt look-alikes, the Flippier, Rosencrantz and Guildenstern, Monty Hall, Ferraris and goats, the birthday problem, how to carve an elephant, and pick-6 lotteries. Stay in contact with Quantitude! Twitter: @quantitudepod Web page: quantitudepod.org Merch: redbubble.com

Guest for this Episode is Naveen Kishore, Founder and MD of Seagull Books. Born in Calcutta Naveen Kishore received graduation in English Literature in 1973, and began working as a theatre lighting designer. He established Seagull Books in 1982, a publishing program focusing on drama, film, art and culture studies. Today, it also publishes literature including poetry, fiction non-fiction and English translations from 25 languages.At present, the company has registered divisions in London New York and calcutta. In 1987 Kishore established The Seagull Foundation for the Arts and set up The Seagull School of Publishing in 2012.Kishore is a photographer who has extensively documented female impersonators from Manipuri, Bengali and Punjabi theatre practices. Kishore exhibited his work at Chatterjee & Lal in Bombay in the exhibition Greenroom of the Goddess.Kishore is the recipient of the Goethe Medal, and was awarded the 2021 Ottaway Award for the Promotion of International Literature.Kishore has had his poems published with Scroll.in, Queen Mob's Tea House, Beltway Poetry Quarterly, Another Chicago Magazine, RIC Journal, Poetry at Sangam, Sylph Editions, amongst others.Transcription:Harshaneeyam: Welcome to our podcast. So nice of you to agree and come over to our podcast. Thank you very much.Naveen Kishore: Thank you for having me.H: You were interested in theatre initially during your school days and college days. How did it lead to publishing?N: The theatre actually happened at school, everybody does theatre in school, so that was okay, but then I think it was in college that I really tasted blood, as it were, as far as theatre is concerned. But I remember there was a theatre group called the Red Curtain, which was essentially made up of young people from different colleges who had left school, started a theatre group as the school leavers. They started to do amateur theatre, but with great quality, aesthetic, style, production values. When I joined them, I was a backstage person. My first theatre experience was a play called Wait Until Dark, where I used to sit behind a refrigerator with a small cassette recorder. And every time the blind leading lady opened the fridge, I would have to put on the duct to create the sound of the machine and synchronize it with her shutting it. And at one point in this thriller, which was also a good film, this blind woman is trying to smash all the bulbs because she is going to be attacked by these two people. And I have to synchronize the swinging of her sort of stick to the bulbs and simulate a crash in a waste-paper basket with old bulbs and metal brass. This was my first beginning.H: Sounds too complicated.N: It was good fun. You were assisting backstage and then, immediately, you were plunged into the deep end. The next play was Rosencrantz and Guildenstern are Dead by Tom Stoppard. The Red Curtain was a very democratic set up, so they said: You design the sets and light. I knew nothing about it, but the British Council Library was very useful, so I used to go and study lighting-design books. But at that point, I was playing by the rules, where I was lighting your face as an actor at 45 degrees. But I was frustrated because I couldn't achieve darkness, so that was a disaster.I made a mess of it, I think. But for the next play I designed, Ibsen's Ghosts, I think I threw the rule book out of the window and I started to light the air around the actors. In real...

Dominic Monaghan and Billy Boyd are well known as Merry and Pippin from Lord of the Rings. But their next project is bringing them to Halifax. They're performing in Tom Stoppard's Rosencrantz and Guildenstern are Dead at Neptune Theatre.

Our guest, Max Rosencrantz, is not your typical life coach. Before he pivoted to his purpose, Max was a mechanical engineer, designing innovative products for major corporations and startups. From 3D printers to self-lacing shoes, his engineering prowess was impressive. But a profound realization led him to explore a new path—a path dedicated to helping people eliminate suffering and discover lasting joy in their lives. Max's story is one of personal awakening and awareness, inner work, and a commitment to making the world a better place. In this episode, Max shares his insights on how our beliefs shape our reality and offers practical wisdom on deprogramming and rewiring those limiting beliefs. He is also the co-founder of Rocky Mountain Rites, an organization that empowers young men to become healthy and emotionally-intelligent leaders. Max's current passion is helping individuals break free from the unconscious beliefs that hold them back from living truly fulfilling lives. Key Takeaways: Discover how Max transitioned from an engineering career to becoming a coach Explore the power of beliefs in shaping our thoughts, actions, and outcomes. Learn how inner work and emotional processing can lead to lasting fulfillment. Learn about Rocky Mountain Rites and its mission to empower young men. Embrace a liberating perspective on mortality and the importance of prioritizing joy and play. Resources Mentioned: Max Rosencrantz's website: coachmaximum.com Rocky Mountain Rites About Max: Max Rosencrantz is a coach and guide for those seeking a deeply fulfilling life. He helps people change their behaviors and emotions, so that ease and joy and flow become their default state of being. He's devoted his life to the path of awakening and helping people to eliminate suffering in their lives. Prior to coaching others directly, he worked as a mechanical engineer designing innovative products for Fortune 100 companies and startups alike. He worked on a range of projects including a 3D printer used by dentists, self lacing shoes, the world's highest performance scuba diving scooter, a set of premium noise cancelling headphones, and a VR game controller for an amusement park.Outside of coaching, he is the co-founder and creative director for Rocky Mountain Rites, an organization devoted to helping young men in the Colorado front range become healthy, empowered leaders in society.His current passion is helping people to deprogram and rewire the unconscious beliefs and conditionings that keep them stuck in unfulfilling patterns.To learn more about Max and his work, visit coachmaximum.com. Join us as we dive deep into Max's journey, the power of inner work, and the keys to unlocking a life of fulfillment and purpose. Let's go!

Old pal Gargus returns to the pod to discuss Shakespeare's great drama Hamlet and its metatextual spinoff, Rosencrantz and Guildenstern Are Dead. Join as they talk through the highs (and lows) of that something rotten in the state of Denmark, Brian's pointed Shakespeare opinions, and the play's perplexing title character. Then, they talk through the hilarious and thought-provoking pastiche of Hamlet's unceremoniously discarded side characters. Gargus shares their connection to the film as Dan and Brian try to make heads or tails (heads!) of the story. Check out Dan's movie reviews: http://thegoodsreviews.com/ Subscribe, join the Discord, and find us on Letterboxd: http://thegoodsfilmpodcast.com/

Hyperion to a Satyr - The Fire and Water Podcast Network's Hamlet Podcast - continues Siskoid's scene-by-scene deep dive into Shakespeare's masterwork, discussing the text, but also performance and staging through the lens of several films, television, comics and even a rock opera. In Act III, Scene 1, Part 1, Rosencrantz & Guildenstern brief the King and Queen, then Ophelia is given instructions for her upcoming meeting with Hamlet. Listen to the episode below or subscribe to Hyperion to a Satyr on Apple Podcasts or Spotify! This podcast is a proud member of the FIRE AND WATER PODCAST NETWORK: Visit the Fire & Water WEBSITE: http://fireandwaterpodcast.com Follow Fire & Water on TWITTER – https://twitter.com/FWPodcasts Like our Fire & Water FACEBOOK page – https://www.facebook.com/FWPodcastNetwork Support The Fire & Water Podcast Network on Patreon: https://www.patreon.com/fwpodcasts Use our HASHTAG online: #FWPodcasts Credits: Theme: "Fanfare" from 1996 Hamlet, by Patrick Doyle, with clips from that film, starring Ray Fearon and Kenneth Branagh; and the 1948 Hamlet, starring Lawrence Olivier. Bonus clips: Hamlet 1996 by Kenneth Branagh, starring Derek Jacobi, Timothy Spall and Richard Bryers; Hamlet 1980 by Rodney Bennett, starring Geoffrey Bateman and Patrick Stewart; Hamlet 2000 by Michael Almereyda, starring Steve Zahn, Dechen Thurman and Diane Venora ; Hamlet 2007 by Alexander Fodor, starring Lydia Piechowiak; and Hamlet 2009 by Gregory Doran, starring Penny Downie. Leave a comment, I love to read!

THIS WEEK ON THE NERDY VENOMS... is Marvel being tolled or trolling us? We try to answer that question and others. ALSO... movies are too long, should we bring back intermissions? Cancel Club, and the news on this week's Nerdy Venoms!

"It does come down to that moment, when as a reader or as a writer entering into a story we say — it's not about me, it's about you."    Alice McDermott's Absolution shines a light on the dynamic lives of American women as they navigate the tumultuous era of the Vietnam War. McDermott joins us to talk about the untold pieces of American history, the evolution of her career as a writer, the power and impact of language in fiction and more with Miwa Messer, host of Poured Over.     This episode of Poured Over was hosted by Executive Producer Miwa Messer and mixed by Harry Liang.            New episodes land Tuesdays and Thursdays (with occasional Saturdays) here and on your favorite podcast app.          Featured Books (episode):  Absolution by Alice McDermott    The Quiet American by Graham Greene    The Ninth Hour by Alice McDermott    A Flag for Sunrise by Robert Stone    Rosencrantz and Guildenstern Are Dead by Tom Stoppard    Family Meal by Bryan Washington    The Bee Sting by Paul Murray 

John Rubinstein originated the title role in the Broadway musical Pippin, directed by Bob Fosse, and won the Tony and Drama Desk Awards for his performance in Children of a Lesser God. Other Broadway appearances include Charlie and the Chocolate Factory, Ragtime, Hurlyburly, M. Butterfly, The Caine Mutiny Court-Martial (Drama Desk nomination), Getting Away with Murder, Fools, Love Letters, and the 2013 Pippin revival. He appeared off-Broadway in Counsellor-at-Law (2005 Lucille Lortel Award, Outer Critics' Circle and Drama League nominations), Rosencrantz and Guildenstern Are Dead, Urban Blight, Cabaret Verboten, and Morning's at Seven. Regionally: Wicked in LA, and the international tour of the Pippin revival. He starred in the TV series, “Family” (Emmy nomination), and “Crazy Like A Fox”, and over 300 episodes. Films include “Being the Ricardo's”, “Hello, I Must Be Going”, “21 Grams”, “Red Dragon”, “The Boys from Brazil”, “Someone to Watch Over Me”, “Daniel, Zachariah,” and “Getting Straight”. He directed the world premiere of A. R. Gurney's The Old Boy, and Counsellor-at-Law, Company, Brigadoon, Macbeth, The Three Sisters, Phantasie, Nightingale, The Rivals, A Little Night Music, Guys and Dolls, Into The Woods, Les Liaisons Dangereuses, and The Rover. He composes film and TV music (“Jeremiah Johnson”, “The Candidate”, “The Dollmaker”, "China Beach", among others), hosted two classical music radio programs, played keyboards in a rock band, and has recorded over 200 audiobooks, most numerously Jonathan Kellerman's Alex Delaware series of Los Angeles crime novels. He is married to Bonnie Burgess, and their son Max is the youngest of his five children, joining Jessica, Michael, Peter, and Jacob. Learn more about your ad choices. Visit podcastchoices.com/adchoices

The panel begins with a brief exercise in parsing Shakespearean prose, followed by a reading of Act II's scenes, with attention to Polonius' ambitious scheming, and Hamlet's feigned (or genuine?) madness with his friends, Rosencrantz and Guildenstern.Continue reading

Eric on Instagram: @conspiracy.of.cartographers   Isolated bass track to Duran Duran's Rio: https://youtu.be/Hr3HCNIgv40?si=9-t0txIOfw_txoZT   Crispin Glover - “These Boots Are Made for Walking”: https://open.spotify.com/track/6zHKNeJzzvKt21P0h7BUlg?si=647cb7461d3948a1   The whole playlist of songs from All Through A Lens: https://open.spotify.com/playlist/3Ooe3jQ9YXzODKFWKvmSoN?si=92e1a86285e6423d   The Jazz Loft https://www.imdb.com/title/tt3106314/?ref_=fn_al_tt_1   The Dead Milkmen (Big Questions) on YouTube: https://www.youtube.com/@TheDeadMilkmenOfficial/featured   Rosencrantz & Guildenstern Are Dead (Tim Roth & Gary Oldman): https://www.imdb.com/title/tt0100519/?ref_=ext_shr_lnk     Theme song “Timeless” from Mike Gutterman at mikegutterman.bandcamp.com   Get in touch with Sunny 16 at sunny16presents@gmail.com   The show on IG: @musicandphotographypodcast The show on Twitter: @musicnphotopod    

Pete returns to talk a bit about the 2012 mumblecore zombie apocalypse movie, The Battery before (much like the movie) veering off to talk less about zombies and movies, and a bit more about StokerCon

Hyperion to a Satyr - The Fire and Water Podcast Network's Hamlet Podcast - continues Siskoid's scene-by-scene deep dive into Shakespeare's masterwork, discussing the text, but also performance and staging through the lens of several films, television, comics and even a rock opera. In Act II, Scene 2, Part 4, Rosencrantz & Guildenstern finally have a probing chat with Hamlet. Listen to the episode below or subscribe to Hyperion to a Satyr on Apple Podcasts or Spotify! This podcast is a proud member of the FIRE AND WATER PODCAST NETWORK: Visit the Fire & Water WEBSITE: http://fireandwaterpodcast.com Follow Fire & Water on TWITTER – https://twitter.com/FWPodcasts Like our Fire & Water FACEBOOK page – https://www.facebook.com/FWPodcastNetwork Support The Fire & Water Podcast Network on Patreon: https://www.patreon.com/fwpodcasts Use our HASHTAG online: #FWPodcasts Credits: Theme: "Fanfare" from 1996 Hamlet, by Patrick Doyle, with clips from that film, starring Ray Fearon; the 2000 Hamlet, starring Ethan Hawke; and the 1990 Hamlet, starring Mel Gibson. Bonus clips: Hamlet 1996 by Kenneth Branagh, starring Kenneth Branagh and Timothy Spall; Hamlet 1948 by Laurence Olivier, starring Laurence Olivier; Hamlet 1980 by Rodney Bennett, starring Derek Jacobi and Geoffrey Bateman; Hamlet 1990 by Franco Zeffirelli, starring Mel Gibson and Sean Murray; Hamlet 2000 by Michael Almereyda, starring Ethan Hawke and Steve Zahn; Hamlet 2007 by Alexander Fodor, starring uncredited Rosencrantz performer, Katie Reddin-Clancy and William Belchambers; Hamlet 2009 by Gregory Doran, starring David Tennant and Tom Davey; and "Quel mal te bouffe?" by Johnny Hallyday. Leave a comment, I love to read!

Hyperion to a Satyr - The Fire and Water Podcast Network's Hamlet Podcast - continues Siskoid's scene-by-scene deep dive into Shakespeare's masterwork, discussing the text, but also performance and staging through the lens of several films, television, comics and even a rock opera. In Act II, Scene 2, Part 1, we meet Rosencrantz & Guildenstern, and the ambassadors return from Norway. Listen to the episode below or subscribe to Hyperion to a Satyr on Apple Podcasts or Spotify! This podcast is a proud member of the FIRE AND WATER PODCAST NETWORK: Visit the Fire & Water WEBSITE: http://fireandwaterpodcast.com Follow Fire & Water on TWITTER – https://twitter.com/FWPodcasts Like our Fire & Water FACEBOOK page – https://www.facebook.com/FWPodcastNetwork Support The Fire & Water Podcast Network on Patreon: https://www.patreon.com/fwpodcasts Use our HASHTAG online: #FWPodcasts Credits: Theme: "Fanfare" from 1996 Hamlet, by Patrick Doyle, with clips from that film, starring Ray Fearon; the 2000 Hamlet, starring Ethan Hawke; and the 1990 Hamlet, starring Mel Gibson. Bonus clips: Hamlet 1996 by Kenneth Branagh, starring Timothy Spall, Derek Jacobi, Julie Christie and Don Warrington; Hamlet 1980 by Rodney Bennett, starring Patrick Stewart and Claire Bloom; Hamlet 2007 by Alexander Fodor, starring Di Sherlock; and Hamlet 2009 by Gregory Doran, starring tom Davey, Penny Downie and Patrick Stewart. Leave a comment, I love to read!

Tom Stoppard has been a fixture on Broadway since his famous early play, “Rosencrantz and Guildenstern Are Dead,” travelled there in 1967. Stoppard is eighty-five years old, and has largely resisted the autobiographical element in his work. But now, in “Leopoldstadt,” a play that has just opened on Broadway, he draws on his family's tragic losses in the Second World War. Stoppard talks with the contributor Andrew Dickson about his latest work.  And the Oscar- and Emmy Award-winning actor Geena Davis, best known for her role in “Thelma and Louise,” talks with the staff writer Michael Schulman about her life and career. Davis ascribes much of her early experience on- and offscreen to a certain level of politeness, a character trait ingrained in her from childhood. “I learned politeness from minute one, I'm sure,” she tells Schulman. “That was my family: very old-fashioned New Englanders.” She reflects on her childhood, her iconic roles in the eighties and nineties, and her “journey to badassery” in her new memoir, “Dying of Politeness,” out this month.