Podcasts about All My Sons

Presenting The Screen Directors Playhouse production of "All My Sons" aired on Dec 02, 1949. Please support these shows with your donation today, thank you. https://mpir-otr.com/sponsors-donations

This podcast puts you inside the mind of the actor to help other actors feel less alone and to educate actors and non-actors alike about the artistic process and expression of acting.Terry Martin served 17 seasons as Producing Artistic Director of the award-winning WaterTower Theatre in Addison, Texas, where he directed or oversaw more than 150 productions. Under his leadership, WTT grew from a small local theatre company to one of the leading regional theatres in Texas. Before moving to Dallas from NYC, in 1992, he worked in theatre, television, and film both as an actor and director. He directed and acted at The Village Theatre Company, Carnegie Hall Studios, and Theatre at St. Marks, as well as television appearances on ABC's One Life to Live and NBC's To Serve and Protect and in the feature film Tin Men.He trained professionally with Sanford Meisner, Fred Kareman, Wynn Handman, Bill Esper, Sally Johnson, and Lehmann Byck. Prior to his move to Dallas, Terry started his own studio in 1990, and he has continued to teach ongoing professional acting classes and workshops in the Sanford Meisner Technique. He holds a BA from the University of Alabama and presently serves as the Head of Fine Arts at Greenhill School in Addison, Texas.His most recent acting performance on screen is in Wayward Kin (2025) where he plays Judge Burgess and on stage as Big Daddy in Cat On A Hot Tin Roof for The Classical Theatre Project (2022) and in The Absolute Brightness of Leonard Pelkey at Uptown Players Gay History Month Festival (2018). In addition, he appeared on stage at the Dallas Theater Center in Next Fall (2012) and WTT in All My Sons (2015) and Our Town (2010).  In 2008, Terry won a Dallas Fort Worth Theatre Critics' Forum Award as Best Actor for the play Blackbird.  His other WTT acting credits include The Woman in Black, Dinner with Friends, The Guys, Bash: Latter-day Plays, and The Only Thing Worse You Could Have Told Me… (1998 Leon Rabin Award – Actor in a Play, 1998 Dallas Theater Critics Forum Award). FIND TERRY ONLINE: https://www.terrymartinact.net/Subscribe for more!FOLLOW ANYTOWNTikTok Instagram WEBSITE: https://www.anytownactorslab.com

Milton gives another round of notes to Chris who is doing a monologue from All My Sons.

4 Time Emmy Award Winner Michael Learned (Olivia Walton on TV's Iconic, "The Waltons")   Four-time Best Actress Emmy Award®™ winner Michael Learned was born on April 9, 1939 in Washington, D.C. The oldest of six daughters of a U.S. State Department employee, she was raised on her family's farm in Connecticut. The family moved to Austria when she was age 11, and it was while attending boarding school in England that she fell in love with the theater and decided to become an actress. Learned married Oscar winner Robert Donat's nephew Peter Donat, a Canadian citizen, when she was 17 years old, a marriage that lasted 17 years and produced three sons. She learned her craft while acting for the Shakespeare Festivals in both Canada and the U.S. while simultaneously raising a family. She and her husband Peter acted together with San Francisco's American Conservatory Theatre (ACT) in the early 1970s. Her breakthrough came when she was appearing in an ACT production of Noël Coward's "Private Lives", where she was spotted by producer Lee Rich, who cast her as Olivia Walton in his new television series about a Depression era family, The Waltons (1972). Learned won three Emmy Awards playing the role, and another Emmy for her next foray into series TV, Nurse (1981). She escaped typecasting as Olivia Walton (although she re-prised the role that made her famous in a 1995 TV-movie reunion) while appearing on numerous shows and TV movies, including top-drawer, made-for-TV specials such as the 1986 adaptation of Arthur Miller's All My Sons (1987) with co-star James Whitmore.  

This week, Milton coaches Chris on a monologue from All My Sons. This episode is both audio and video. You can watch the video version on Spotify. WANT MORE? Become a subscriber on Spotify for bonus content! ⁠https://podcasters.spotify.com/pod/show/actingclass/subscribe⁠ Have a question for Milton? Send us a voice note below or email us at: ⁠questionsformilton@gmail.com⁠ Also, check out our website: ⁠www.idontneedanactingclass.com⁠ 

From the moment we met, back in August of 1997, I knew that Patrick Wilson had that specialsomething which sets him apart from mere mortals. Gorgeous? Sure. Talented? Absolutely.Funny? Too funny for our own good.....but there's also that something special that makes a star.Twenty-seven years later, he's all of those things as well as one of Broadway's most soughtafter leading men, a remarkable husband, father, film-maker and (casually) a bona fide moviestar. Theatre audiences know Patrick from leading the original company of The Full Monty, aswell as Broadway revivals of Oklahoma! and All My Sons, while moviegoers will recognize himfrom a truly extraordinary resume; Insidious, The Conjuring, Angels in America, Aquaman andso much more. Give a listen as Patrick and I chat about the unexpected course of a remarkablecareer, raising kids, and the state of our industry...there might be a few anecdotes about acertain practical joke played on your old pal, Thom...but you'll have to tune in to learn more. Sitback and enjoy my chat with the delightful Patrick Wilson.

Apply for the Terry Knickerbocker Studio's Summer Intensive by June 7th and receive a special discount when you mention the podcast. Apply HERE About Terry Knickerbocker: Terry is a graduate of The Experimental Theatre Wing in the Drama Dept. at New York University. After graduating from NYU, Terry trained as an actor and a teacher with William Esper.  He taught at The William Esper Studio for 25 years, and continues as part of the core faculty at the Experimental Theatre Wing at NYU's Tisch School of the Arts. He has also taught directing at Playwrights Horizons Theatre School and Yale University.  Other essential teacher/mentors include Maggie Flanigan, Rina Yerushalmi, Steve Wangh, Terry Hayden, Nikos Psacharopoulos, Jackie Brookes, Mary Overlie, Ryszard Cieslak, Jerzy Grotowski, Pierre Lefèvre, Moshe Feldenkrais, Dr. Louis Ormont, and Dr. Harry Fogarty. He has coached actors on over 300 films, television and theater projects, both on and off-Broadway and regionally. He also consulted with playwrights and screenwriters on their scripts.  Some of the actors he has worked with and trained include Sam Rockwell, Chris Messina, Boyd Holbrook, Natasha Lyonne, Leslie Bibb, Emmy Rossum, Yul Vasquez, Jordana Spiro, Gillian Alexy, Gretchen Mol and many others. A past recipient of the Drama League of New York's directing award/fellowship for emerging directors, Terry is also a former member of Circle Rep's LAB. His directing credits include many new works as well as contemporary and classical plays such as Measure for Measure, Tartuffe, The Normal Heart, Candida, All My Sons, and David Rabe's In the Boom Boom Room.

Marsha Mason is in the Arthur Miller play All My Sons opening on the Hartford Stage starting April 11. Sondheim was at her home for Thanksgiving then went home and died later that night.

Lynn & Carl talk with Amy Loui & Greg Johnston starring in New Jewish Theatre's production of Arthur Miller's All My Sons. Then, for reals this time... Claire Karpen starring in The Rep's production of Tracy Lett's August: Osage County. P;us Lynn saw the Ghostbusters - so you don't have to see it.

Presenting The Screen Directors Playhouse production of "All My Sons" aired Dec 02, 1949. Please support these shows with your donation today, thank you. https://mpir-otr.com/sponsors-donations

This week, as we count down the final episode of Stageworthy, host Phil Rickaby talks with the passionate Emilio Vieira, who takes on the role of Palamon in Shakespeare BASH'd unique production of "Two Noble Kinsmen." Together, we explore the thrills and challenges of performing one of the Bard's less frequently staged plays. Emilio reveals the intricacies of making Shakespeare's language resonate with contemporary audiences and discusses the emotional highs and lows his character endures in this tale of honour and forbidden desire. Embark on a behind-the-scenes journey with me as we examine the craft of adapting Shakespeare for today's audiences. We contrast the festival stage's grandeur with the intimacy of smaller productions and dissect the professional growth that comes from long-term engagement with Shakespearean drama. Moreover, the conversation turns to survival—both of the actor during an arduous theatre season and the creative spirit during the pandemic. We shed light on the birth of the SuddenSpark Collective and its aspirations, offering an inspiring look at the resilience and creativity of theatre professionals in unprecedented times. Bio Emilio Vieira is an actor/ creator currently working on Shakespeare BASH'd's Two Noble Kinsmen, playing at the Theatre Centre from January 25 to Feb 4, 2024. Emilio is about to embark on his 7th season with the Stratford Festival playing Antonio in Twelfth Night, Tybalt in Romeo and Juliet and Richard Dazzle in London Assurance. Other credits include: Richard II, Grand Magic, Richard III, The Miser, Coriolanus, The Tempest, Napoli Milionaria!, Tartuffe, Macbeth, All My Sons, Bunny (Stratford Festival); The Three Musketeers (RMTC); Towards Youth: a play on Radical Hope (Crow's Theatre); Tartuffe, Measure for Measure, Much Ado About Nothing, As You Like It, Titus Andronicus (Canadian Stage); february: a love story (Sudden Spark Collective/Globus Theatre); Cymbeline (Shakespeare BASH'd). Emilio has appeared on HBO's Titans and some indie projects you haven't seen. He continues to voraciously audition for film and television without much success. During the pandemic, Emilio, and his creative collaborator Ellen Denny launched Sudden Spark Collective, a company aimed at producing heartwarming stories as soup for the pandemic soul. Their two projects, february: a love story, and Above Ground Floor had successful digital debuts with great acclaim. Both went on to stream with Stratfest@Home, garnering international attention and meriting them an interview with Tom Power on CBC's Q. Emilio is a proud graduate of York University's Acting Conservatory and studied under the direction of Martha Henry and Stephen Ouimette at the Birmingham Conservatory for Classical Theatre. He loves dogs, hugs, mint chocolate and cricket! Instagram: @emiliovieira Support Stageworthy Donate: tips.pinecast.com/jar/stageworthy

Two hours of Crime and dramaFirst, a look at this date in history. Then Calling All Cars, originally broadcast December 2, 1938, 85 years ago, Blind Man's Bluff. A robbery has taken place, but thieves fall out. Followed by Crime Classics, originally broadcast December 2, 1953, 70 years ago, If a Body Need a Body, Just Call Burke and Hare. Two gents of old Scotland supply dead bodies on demand for the medical profession. Business is very good! Then Dangerous Assignment starring Brian Donlevy, originally broadcast December 2, 1950, 73 years ago, The Empty Matchbook. A Civil-war era map is stolen from a southern plentation by a known international criminal claiming to be writing a book on the battle of Fredericksburg. Followed by Screen Directors Playhouse, originally broadcast December 2, 1949, 74 years ago, All My Sons starring Edward G Robinson. A man's family turns against him when it's discovered he was responsible for shipping airplane parts that were faulty, and then let his partner take the blame. Finally Lum and Abner, originally broadcast December 2, 1941, 82 years ago, Lum to open a bakery. As Lum gets the idea to start his own bakery, Grandpa has discovered the pleasures of the almanac in the store's library. Thanks to Robert for supporting our podcast by using the Buy Me a Coffee function at http://classicradio.stream

Actor Sean Cullen returns to his hometown of Buffalo as a featured cast member in the Road Less Traveled production of "All My Sons." Theater Talk with Peter Hall and Anthony Chase.

This week we are joined by the hilarious and delightful Nehal Joshi who is currently starring in the new farcical comedy The Comedy, at the Helen Hayes Theatre on Broadway. Nehal is a veteran of the Broadway stage, having performed in both plays and musicals, dramas and comedies, from classics like The Phantom of the Opera and Arthur Miller's All My Sons to new musicals Flying Over Sunset and School of Rock. Nehal talks with us about his experience so far in The Cottage and how every night feels like a fresh performance, especially when the incredibly prop-heavy show has things go wrong. He also talks about how the once standard type-casting becomes less and less common, and the importance of collaboration and creating your own work when others don't give you the chance to do so.

Richard Roberts is an award-winning designer and educator. His body of work spans theatre, ballet, opera, musical theatre, and film, across Australia and internationally. Richard is currently Head of Design and Production at the Victorian College of the Arts.  He has held positions as Head of Design at The Western Australian Academy of Performing Arts, Head of Production at The Victorian College of the Arts and Head of Design at The Hong Kong Academy of Performing Arts. Richard's designs for opera include: for Opera Australia, Rigoletto, Don Pasquale, The Magic Flute and Die Fledermaus (with West Australian Opera); for Victorian Opera, Parsifal, Cunning Little Vixen; Nixon In China, The Magic Flute, Baroque Triple Bill, The Marriage Of Figaro; The Corronation Of Poppea and Don Giovanni; for Opera Queensland, Ruddigore; and for New Zealand Opera, Seattle Opera, and Philadelphia Opera Rigoletto. For dance, Richard's designs include: for Australian Ballet, Don Quixote, Requiem, Molto Vivace and Raymonda; La Sylphide and La Fille Mal Gardee for West Australian Ballet and Queensland Ballet. For theatre, Richard's designs include: for Queensland Theatre, Othello, The Sunshine Club, Death Of A Salesman, Noises Off (with MTC), Much Ado About Nothing, Tartuffe and Managing Carmen (with Black Swan); for Ensemble Theatre, Black Cockatoo; for TML, Fiddler On The Roof; for Melbourne and Sydney Festivals, The Season national tour; for Melbourne Theatre Company, Last Man Standing, Solomon And Marion, Next To Normal, The Gift and Frost/Nixon, Macbeth, Dreams in an Empty City, As You Like It, Hedda Gabler, The Sapphires, All My Sons; for Sydney Theatre Company, Australia Day(with MTC), True West, Riflemind; for Black Swan, The Caucasian Chalk Circle and Glengarry Glen Ross; for Belvoir, The Sapphires (with Black Swan). For screen, Richard's work includes production design for George Ogilvie's The Battlers for the Seven Network, the 12-part series Five Times Dizzy for SBS and I Own The Racecourse for Barron Films. Richard has designed the Operatic adaptation of Jane Harrison's The Visitors for Victorian Opera, currently playing The Arts Centre in Melbourne. For Opera Australia's Summer season he is Design Consultant for the Mozart Opera's Idomeneo and The Magic Flute. The STAGES podcast is available to access and subscribe from Spotify and Apple podcasts. Or from wherever you access your favourite podcasts. A conversation with creatives about craft and career. Follow socials on instagram (stagespodcast) and facebook (Stages).www.stagespodcast.com.au

Theatre's most respected critic, New Yorker critic and biographer John Lahr has compressed his deep understanding of Arthur Miller's life and creative process into a fascinating biography Arthur Miller: American Witness.   In this revealing portrait, full of personal anecdotes from family and friends, and drawing on an unpublished memoir by a nephew, Lahr explores the connections between Miller's complex family dynamics, particularly with his father and his brother, to illustrate how personal tensions and themes of betrayal feed into plays like Death of Salesman and All My Sons.   He also talks about Miller's collaboration and friendship with Elia Kazan and the rift between them following their testimony to the House Un-American Activities Committee in the era of McCarthyism.See omnystudio.com/listener for privacy information.

The pen that blessed the stage with Spider-Ben joins our devious duo this week to discuss group chats, a spider-ben would you rather, and, of course, cake farts. All My Sons by Arthur Miller in Winnipeg: www.allmysonswpg.ca Submit Segments: https://forms.gle/rfwsaeFFnX5AAFHY8 Check out our DnD show: 'What We Do in the Basement': https://podcasts.apple.com/ca/podcast/what-we-do-in-the-basement/id1552947049

Eddie Doyle.......On this episode I chat to Clonmel Celtic's Eddie Doyle from the stand inside Celtic's ground. Eddie chats about the club, touching on the history, his transition to management with the youth team and also the rivalry with Clonmel Town back in the day. Also this week Edmond Ryan from The Clonmel Theatre Guild on their new play "All My Sons" which comes to The White Memorial Theatre next week, news on a  Banna Chlauin Meala fundraiser, a table quiz for The Old Bridge Community Association, Band Aid 2023 at Gleeson's  and lots more. 

Winnipeg born and raised actor DARCY FEHR drops truth bombs about growing up in Elmwood, memories of over two decades on stage & screen, and a peek inside his current theatre production, Arthur Miller's All My Sons, playing May 24th to 28th at Rachel Brown Theatre. Plus, Background Noize. For tickets visit The 28th Minute on Facebook.: https://www.facebook.com/the28thminute Photo Cred: Kevin McIntyre. (Facebook @kevinmcintyre1973) www.linktr.ee/themanitobamoneyshotpodcast www.patreon.com/ronaldgeorgemoore

Winnipeg's go-to cry-guy Darcy Fehr brings the emotional noise to our den of debauchery as we talk cats & dogs, dance moves, and secret song choices. All My Sons by Arthur Miller in Winnipeg: www.allmysonswpg.ca Manitoba MoneyShot Podcast: https://podcasts.apple.com/ca/podcast/the-manitoba-moneyshot-podcast/id1377076376 Spider-Ben in Chicago: https://theannoyance.thundertix.com/events/210388 Submit Segments: https://forms.gle/rfwsaeFFnX5AAFHY8 Check out our DnD show: 'What We Do in the Basement': https://podcasts.apple.com/ca/podcast/what-we-do-in-the-basement/id1552947049

It's a chase on the open seas! A gang of merfolk, spurred on by the imposing trench demon, board our heroes' vessel. Will the squad fight off the coral-covered combatants or join White Eye Wickley's companions in a watery grave? All My Sons in Winnipeg: https://www.eventbrite.com/manage/events/604103278167/promocodes Spider-Ben in Chicago: https://theannoyance.thundertix.com/events/210388 Drunk Debates in Chicago: https://feverup.com/m/128202 @wwditb on social media. wwditb.bigcartel.com for merchandise. Kevin & Thomas' show ‘Oops All Segments' on Apple Podcasts: https://podcasts.apple.com/us/podcast/oops-all-segments/id1651866023 Sound/Music Notes: Recap Theme by Liam Berry www.liamberry.ca The following music was used for this media project: Music: Open Sea (Epic) by Frank Schroeter Free download: https://filmmusic.io/song/9447-open-sea-epic License (CC BY 4.0): https://filmmusic.io/standard-license The following music was used for this media project: Music: Crusade Heavy Industry by Kevin MacLeod Free download: https://filmmusic.io/song/4678-crusade-heavy-industry License (CC BY 4.0): https://filmmusic.io/standard-license The following music was used for this media project: Music: Spacebuckler by Alexander Nakarada Free download: https://filmmusic.io/song/4902-spacebuckler License (CC BY 4.0): https://filmmusic.io/standard-license The following music was used for this media project: Music: In The Hall Of The Mountain King (feat. Edvard Grieg) by Philip Rice Free download: https://filmmusic.io/song/6820-in-the-hall-of-the-mountain-king-feat-edvard-grieg License (CC BY 4.0): https://filmmusic.io/standard-license The following music was used for this media project: Music: Curse of the Scarab by Kevin MacLeod Free download: https://filmmusic.io/song/3573-curse-of-the-scarab License (CC BY 4.0): https://filmmusic.io/standard-license The following music was used for this media project: Music: Here Be Dragons by Tim Kulig Free download: https://filmmusic.io/song/8523-here-be-dragons License (CC BY 4.0): https://filmmusic.io/standard-license The following music was used for this media project: Music: Mistake the Getaway by Kevin MacLeod Free download: https://filmmusic.io/song/4060-mistake-the-getaway License (CC BY 4.0): https://filmmusic.io/standard-license

Generations collide as Thomas' father George Toles joins the boys to chat sports stats, aging, The Flash and the elusive idea of perfection. All My Sons by Arthur Miller in Winnipeg: www.allmysonswpg.ca George Toles on Substack: https://georgetoles.substack.com/ Spider-Ben in Chicago: https://theannoyance.thundertix.com/events/210388 Drunk Debates in Chicago: https://feverup.com/m/128202 Submit Segments: https://forms.gle/rfwsaeFFnX5AAFHY8 Check out our DnD show: 'What We Do in the Basement': https://podcasts.apple.com/ca/podcast/what-we-do-in-the-basement/id1552947049

ZOË WANAMAKER is an actress with a multitude of Film, TV, and Theatre credits to her name. Theatre: Zoë is a 2-time Olivier Award winner, and 9-time nominee, for her work on the West End including: Once in a Lifetime (Olivier Award - Best Actress in a Revival), The Time of Your Life, Twelfth Night, Mother Courage and her Children, Othello, The Crucible, Electra (Olivier Award – Best Actress), Boston Marriage. She has also received 4 Tony Award and Drama Desk nominations for her work on Broadway in Piaf, Loot, Electra, and Awake and Sing! (won a special Drama Desk award for Outstanding Ensemble Performance). Additional West End credits include: The Devil's Disciple, Ivanov, Wild Oats; or, The Strolling Gentleman, The Taming of the Shrew, Captain Swing, Piaf, Mrs. Klein, Dead Funny, The Glass Menagerie, All My Sons, All On Her Own and Harlequinade, The Birthday Party, Constellations. She has worked extensively with the Royal Shakespeare Company and the National Theatre, as well as other regional productions including: Cabaret, Much Ado About Nothing, Kiss Me Kate, The Importance of Being Earnest, The Crucible, The Last Yankee, The Old Neighbourhood, His Girl Friday, The Rose Tattoo, Much Ado About Nothing, The Cherry Orchard, Stevie, Elegy, and Two Ladies. TV: Zoë is most known for her British Academy of Film and Television Arts (BAFTA) Award nominated work on “Love Hurts” (Tessa Piggot) and “Prime Suspect” (Moyra Henson), in addition to other television work on “My Family” (Susan Harper), “Doctor Who” (Cassandra), “Brittania” (Queen Antedia), and “Shadow and Bone” (Baghra). Other TV credits include: “Edge of Darkness,” “Paradise Postponed,” “Once in a Life Time,” “Agatha Christie's Poirot” (Ariadne Oliver), and “Mr. Selfridge,” Film: Zoë received a BAFTA nomination for her role as Ada Leverson in Wilde. She has also starred in Harry Potter and the Philosopher's Stone (Madame Hooch), Five Children and It (Martha), It's a Wonderful Afterlife (Mrs. Goldman), and My Week with Marilyn (Paula Strasberg). Learn more about your ad choices. Visit podcastchoices.com/adchoices

ABOUT ABANDONLuella is alone – haunted by the ghost of her son. Joshua is alone – kicked out of his house by his brother. One winter night these two people collide. Luella is looking for redemption; Joshua is looking for family. By the next morning, these two lonely souls are meshed together into an American Family in its truest sense. A world premiere by Pulitzer Prize winning playwright James Ijames, Abandon is sometimes violent, sometimes healing; with a gossamer veil that separates the worlds of the living and the dead, and shame and acceptance.Melanye Finister (Luella, she/her) is an artist and resident company member at People's Light, a member of Wilma Hothouse, and an artistic advisory board member at PlayPenn. People's Light: The Diary of Anne Frank, The Matchmaker, All My Sons, Fences, The Winter's Tale, Seven Guitars, The Return of Don Quixote, Six Characters in Search of an Author, Something You Did, Fabulation, and The Member of the Wedding. Theatre Includes: Wilma Theater, Arden Theatre Company, Flashpoint Theatre Company, InterAct Theatre Company, Philadelphia Theatre Company, Venture Theatre, Temple Theaters and Walnut Street Theatre. Training: BFA, Carnegie Mellon University.Brenson Thomas (Gabriel, he/him) is a Black and queer writer, actor, and theatre-maker. A graduate of Sarah Lawrence College's MFA Theatre program, his plays include how i got over, or…red Kool-Aid stains on bubblegum lips; What We Lost & Never Knew; and How We Return, an upcoming commission for Constellation Stage & Screen in Bloomington, IN. Brenson also writes for TV/Film, most recently on Emmy Award winner Lena Waithe's Twenties on BET. As a performer, Brenson has collaborated with Tony Award Winner Stew, Raja Feather Kelly, Lightning Rod Special in The Appointment (FringeArts/Next Door at NYTW; Barrymore Nominee for Outstanding Ensemble in a Musical), Arden Theatre Company in the world premiere of R. Eric Thomas' Backing Track, and Into the Woods, and with 1812 Productions for This is the Week That Is: 2020, and the Wilma Theater. When he's not hunched over his laptop crying about blank Google docs, Brenson enjoys long walks around his beloved Philly, doing bad accents, smashing patriarchal white supremacist structures, and Beyoncé.FOR TICKETS AND INFORMATION: https://theatreexile.org/shows/abandon/

Greg Poppleton shares the origins of his interests in swing and jazz music of the early twentieth century and archival radio broadcasts of the era that he carefully curates and presents in non-stop mixes for his long running radio program The Phantom Dancer. Greg is a singer in that style and leads a Roaring 20s speakeasy dinner show, and he's an actor on film, TV and stage and currently featuring as Joe Keller in a production of Arthur Miller's play All My Sons

Greg Poppleton shares the origins of his interests in swing and jazz music of the early twentieth century and archival radio broadcasts of the era that he carefully curates and presents in non-stop mixes for his long running radio program The Phantom Dancer. Greg is a singer in that style and leads a Roaring 20s speakeasy dinner show, and he's an actor on film, TV and stage and currently featuring as Joe Keller in a production of Arthur Miller's play All My Sons

John Gromada & Tony Angelini talk about expressing meaning in sound craft for the theatre and audio drama.  A “must listen” not just for theatre artists, but all artists who want to explore deeper meaning in their work.John Gromada (Composer/Sound Designer) has composed music or designed sound for more 40 Broadway productions, including All My Sons, Torch Song, The Elephant Man, The Trip to Bountiful with Cicely Tyson (Tony nomination), Gore Vidal's The Best Man (Drama Desk Award), Clybourne Park, Seminar, Man and Boy, The Columnist, Next Fall, A Bronx Tale, Prelude to a Kiss, Proof, A Streetcar Named Desire, Twelve Angry Men, and the original A Few Good Men. His other New York credits include Amy and the Orphans, Bruce Norris' Domesticated, Old Hats, Measure for Measure (Delacorte Theater), The Orphans? Home Cycle (Drama Desk and Henry Hewes Awards), Shipwrecked! (Lucille Lortel Award), The Singing Forest, Julius Caesar, The Skriker (Drama Desk Award), Machinal (OBIE Award) and many more. His television and film credits include a score for the Emmy nominated The Trip to Bountiful, and Showing Roots . Gromada has received the National Endowment for the Arts Opera/Music Theatre Fellowship and grants from the New Jersey State Council on the Arts. All music in this podcast was written by John Gromada, and here is the order in which the pieces are heard:Bobadeepadoobop (Twelfth Night at the Long Wharf Theatre)To Kill a Mockingbird - Main ThemeBronx Tale: Lorenzos ThemeValentine's Day (The Orphans Home Cycle / Mockingbird)Drive (The Orphans Home Cycle / Mockingbird)Jeeves and Wooster Travel Music (Jeeves and Wooster in Perfect Nonsense)Listen to his music and audio dramas on Soundcloud: https://on.soundcloud.com/qGvsaThe Orphans Home Cycle / Mockingbird album available on amazon here: https://amazon.com/music/player/albums/B003DYG7GG?marketplaceId=ATVPDKIKX0DER&musicTerritory=US&ref=dm_sh_D2q7bpLMCRbLNaz5wsGvXk1h7I'm your host, Tony Angelini. Thanks for listening. Find out more at www.creativemindset.org

Catapulted into the spotlight with his marriage to Marilyn Monroe, American playwright Arthur Miller's life had more complexity and nuance than his claim to pop culture fame. Theatre critic and author John Lahr joins Richard Aldous to talk about Miller, the subject of his latest book—the man behind 20th century masterpieces like The Crucible, Death of a Salesman, and All My Sons. Do Miller's plays offer an exploration of timeless themes or are they just time capsules that reflect the era in which he wrote them? Lahr and Aldous explore this question and more in discussing the new book Arthur Miller: American Witness (https://yalebooks.yale.edu/book/9780300234923/arthur-miller/).

NEW INSTAGRAM: @salemthepod Arguably the most influential playwright of the 20th century, Arthur Miller wrote Tony Award winning and critically acclaimed classics such as Death of a Salesman, All My Sons, and The Crucible. You know...you probably read it in high school! Join your favorite Salem tour guides Sarah and Jeffrey as they talk about the man behind this iconic play that serves as an introduction to the Witch Trails for so many. We'll cover his life, his loss, his genius, and most importantly, the culture of his time and how he used it to inform his stories.   Interested in Salem The Podcast Merch!? https://salemthepodcast.myshopify.com/   You know what to do: www.salemthepodcast.com   Email - hello@salemthepodcast.com Youtube - Salem The Podcast   Book a tour with Jeffrey (For 2023)   www.btftours.com Book a tour with Sarah (For 2023)   www.bewitchedtours.com   Intro/Outro Music from Uppbeat: https://uppbeat.io/t/all-good-folks/unfamiliar-faces License code: NGSBY7LA1HTVAUJE

Most famous for All My Sons, Death of a Salesman, and The Crucible, Arthur Miller (1915–2005) was a playwright who almost single-handedly propelled twentieth-century American theater into a new level of cultural sophistication.Join us with distinguished theater critic John Lahr, author of the new Jewish Lives biography Arthur Miller: American Witness, as we explore the fault lines of Miller's life—his family, the Great Depression, the rise of fascism, Elia Kazan and the House Committee on Un-American Activities, Marilyn Monroe, and the rise and fall of Miller's role as a public intellectual.

Dylan and Connor are joined by Uly Schlesinger (This Beautiful Future, “Genera+ion”) & Francesca Carpanini (All My Sons, The Little Foxes). The stars of off-Broadway's This Beautiful Future at the Cherry Lane Theatre, a New York Times Critics Pick, sat down to chat all about bringing this gorgeous, unconventional piece of theatre to life. This episode covers all the bases, including Uly's time on HBO Max's “Genera+ion,” jerking off on-screen in the pilot, working with Martha Plimpton, and his humble beginnings as Soldier #2 in Antigone in Rhode Island. Meanwhile, Francesca shares her passion for performing, as well as regales the guys with tales from appearing in two Broadway revivals: All My Sons with Annette Bening and Tracy Letts, and Lillian Hellman's The Little Foxes with Laura Linney and Cynthia Nixon. Adele karaoke, post-show snacks, Love Island, Carly Rae Jepson songs, and Uly and Francesca's experience working with legends in This Beautiful Future are all covered. Get your tickets before they're gone!Follow Uly on InstagramFollow Francesca on InstagramGet tickets to see This Beautiful Future in New York City through October 30!Follow DRAMA. on Twitter & InstagramFollow Connor MacDowell on Twitter & InstagramFollow Dylan MacDowell on Twitter & InstagramEdited by DylanGet your DRAMA merch (t-shirts, stickers, and more) HERE!SUBSCRIBE TO OUR PATREON HERE! Bonus episodes, Instagram Close Friends content, and more!

Kathy Fabian shares the process of creating props, set dressing, and researching for A Beautiful Noise. If you are listening to this on Apple Podcast, we'd love it if you could share your love in a review! ABOUT KATHY FABIAN Fabian's Broadway credits include: The Rose Tattoo, American Son, All My Sons, Burn This, True West, Bernhardt/Hamlet, Pretty Woman, The Parisian Woman, Indecent, Sunday in the Park with George, Falsettos, Fiddler on the Roof, China Doll, On Your Feet, Living On Love, The King and I, An American In Paris, The Real Thing, The Realistic Joneses, If/Then, Rocky, The Bridges of Madison County, I'll Eat You Last, Kinky Boots, Lucky Guy, Breakfast at Tiffany's, The Anarchist, Chaplin, Nice Work If You Can Get It, A Streetcar Named Desire, On a Clear Day You Can See Forever, Stick Fly, Relatively Speaking, Chinglish, The Normal Heart, House of Blue Leaves, Anything Goes, Ghetto Klown, Women on the Verge of a Nervous Breakdown, A Life in the Theatre, Fences, All About Me, A Behanding in Spokane, Race, Fela!, Bye Bye Birdie, A Steady Rain, Waiting for Godot, You're Welcome America, Pal Joey, American Buffalo, Speed the Plow, A Man For All Seasons, Les Liasons Dangereuses, South Pacific, Sunday in the Park with George, The Homecoming, Cyrano de Bergerac, Pygmalion, Old Acquaintance, 110 in the Shade, Talk Radio, Prelude to a Kiss, Spring Awakening, High Fidelity, Barefoot in the Park, Souvenir, Steel Magnolias, Sweet Charity, Match, Fiddler on the Roof, Bobby Boland, Cat On A Hot Tin Roof, and Golda's Balcony. Recent Off Broadway: West Side Story, Stage Around, Tokyo, Mary Jane and Othello, (NYTW) and Turn Me Loose, (Westside Theatre). Recent TV projects include creations for Fosse Verdon, Samantha Bee, and Sesame Street. MENTIONED IN THIS EPISODE: A Beautiful Noise on Instagram: instagram.com/abeautifulnoisemusical A Beautiful Noise on Facebook: facebook.com/ABeautifulNoiseMusical Get Your Tickets: abeautifulnoisethemusical.com --- Come say hi to us! Facebook: @PageToStagePodcast @BroadwayPodcastNetwork Instagram: @PageToStagePodcast @TheMaryDina @BrianSedita @BroadwayPodcastNetwork Twitter: @TheMaryDina @BwayPodNetwork YouTube: @PageToStagePodcast @BroadwayPodcastNetwork #PageToStagePodcast Learn more about your ad choices. Visit megaphone.fm/adchoices

Marsha Mason has received four Academy Award nominations for her roles in the films The Goodbye Girl, Cinderella Liberty, Only When I Laugh and Chapter Two. She has been the recipient of two Golden Globe Awards for her film roles and an Emmy Award nomination for her role on “Frasier.” Her other TV credits include “The Middle,” “The Good Wife,” “Madam Secretary,” and “Grace & Frankie.” Broadway roles include Impressionism with Jeremy Irons, Steel Magnolias, The Night of the Iguana, The Good Doctor, King Richard III, and Cactus Flower. Off-Broadway she co-starred in the world premiere of Terrence McNally's Fire and Air at Classic Stage and Little Gem at the Irish Repertory Theatre (Outer Critics Circle Award winner for Outstanding Actress in a Play). Regionally she has starred in All's Well That Ends Well at Shakespeare in Washington, DC, A Doll's House at ACT in San Francisco, Arms and the Man at Old Globe Theatre in San Diego and Watch on the Rhine at Arena Stage in Washington, DC. As a director, Marsha, has helmed productions of Neil Simon's Chapter Two and Steel Magnolias at the Bucks County Playhouse, Chapter Two and the first female An Act of God with Paige Davis at the Arizona Theatre Company, Juno Swans for Second Stage in New York City and the world premiere of Tennessee Williams's Talisman Roses starring Amanda Plummer at the Tennessee Williams Festival in Provincetown, Mass. Marsha was Associate Director with Jack O'Brien for the Roundabout Theater's production of All My Sons on Broadway. She received a Daytime Emmy® Award for Direction of “Little Miss Perfect”. In 2020, she directed Walter Bobbie and Brooke Shields in The Man Who Came to Dinner for Bucks County Playhouse, starred with Brian Cox in Dear Liar for Bucks County, and opposite Richard Dreyfus in The Letters of Noel Coward for Bay Street Theater. Learn more about your ad choices. Visit podcastchoices.com/adchoices

Welcome to EnTrench: A Twenty One Pilots podcast! My name is Annah, and in this bonus episode, I'm discussing Act Three of All My Sons! The Kellers display strengths and weaknesses in their priorities and actions, all of which leave us with new implications for what Twenty One Pilots truly stands for as a band. Be sure to look up the EnTrench Podcast Group on Facebook, to join our community of local dreamers, add your insight, and get the latest updates! Also, let me know if YOU want to be on a podcast for a song, music video, or album analysis; I'd love to have you. You can email your Twenty One Pilots stories, memories, episode requests, and prayer requests to entrenchpodcast@gmail.com. You can also follow me on Instagram @entrench_pod. I look forward to hearing from you! Stay alive, and remember, in Trench, you're not alone.

Welcome to EnTrench: A Twenty One Pilots podcast! My name is Annah, and in this bonus episode, I'm discussing Act Two of All My Sons! This act is full of conflict, remembering vs. thinking, and the power of taking responsibility, but that's only the tip of the iceberg. Be sure to look up the EnTrench Podcast Group on Facebook, to join our community of local dreamers, add your insight, and get the latest updates! Also, let me know if YOU want to be on a podcast for a song, music video, or album analysis; I'd love to have you. You can email your Twenty One Pilots stories, memories, episode requests, and prayer requests to entrenchpodcast@gmail.com. You can also follow me on Instagram @entrench_pod. I look forward to hearing from you! Stay alive, and remember, in Trench, you're not alone.

Welcome to EnTrench: A Twenty One Pilots podcast! My name is Annah, and in this bonus episode, I'm discussing Act One of All My Sons! There are several important spiritual themes with implications for the band, including truth vs. lies, denial vs. acceptance, and forgiveness. Be sure to look up the EnTrench Podcast Group on Facebook, to join our community of local dreamers, add your insight, and get the latest updates! Also, let me know if YOU want to be on a podcast for a song, music video, or album analysis; I'd love to have you. You can email your Twenty One Pilots stories, memories, episode requests, and prayer requests to entrenchpodcast@gmail.com. You can also follow me on Instagram @entrench_pod. I look forward to hearing from you! Stay alive, and remember, in Trench, you're not alone.

Subscribe to Quotomania on Simplecast or search for Quotomania on your favorite podcast app!Arthur Miller, (born Oct. 17, 1915, New York, N.Y., U.S.—died Feb. 10, 2005, Roxbury, Conn.), was a U.S. playwright. He began writing plays while a student at the University of Michigan. His first important play, All My Sons (1947), was followed by his most famous work, Death of a Salesman (1949, Pulitzer Prize), the tragedy of a man destroyed by false values that are in large part the values of his society. Noted for combining social awareness with a searching concern for his characters' inner lives, Miller wrote many other plays, including The Crucible (1953), which uses a plot about the Salem witch trials to attack McCarthyism, A View from the Bridge (1955), After the Fall (1964), The Last Yankee (1992), and Resurrection Blues (2002). He also wrote short stories, essays, and the screenplay for The Misfits (1961), which starred his second wife, Marilyn Monroe.From https://www.britannica.com/summary/Arthur-Miller-American-playwright. For more information about Arthur Miller:Previously on The Quarantine Tapes:Casey Gerald about Miller, at 16:15: https://quarantine-tapes.simplecast.com/episodes/the-quarantine-tapes-133-casey-geraldRamsess about Miller, at 17:55: https://quarantine-tapes.simplecast.com/episodes/the-quarantine-tapes-118-ramsess“Arthur Miller”: https://www.neh.gov/about/awards/jefferson-lecture/arthur-miller-biography“Arthur Miller, The Art of Theater No. 2”: https://www.theparisreview.org/interviews/4369/the-art-of-theater-no-2-arthur-miller

Nick Schlieper has designed lighting for all of the major performing companies in Australia and works regularly in Europe and the U.S.Recent engagements include Nick's debut at, and return to, the prestigious Salzburg Festival, designing the lighting for Aribert Reiman's Lear in the Felsen Reitschule, and for Cherubini's Medeé; as well as Mosquitos, Cat on a Hot Tin Roof, The Real Thing, Still Point Turning, Harp in the South, A Cheery Soul, The Resistable Rise of Arturo UI, Chimerica, Three Sisters, All My Sons, Speed the Plow, A Flea in Her Ear and Switzerland for Sydney Theatre Company; Macbeth, Twelfth Night and Photograph 51 (also set design) for Melbourne Theatre Company; Packer and Sons, Ghosts and Twelfth Nightfor Company B Belvoir.Nick also returned to the National Theatre of Norway for Private Confessions, directed by Liv Ullman, and to New Zealand Opera for The Elixir of Love. He also lit Sydney Theatre Company's revival of The Present with Cate Blanchett on Broadway, and The Space Between the Notes (Emma Matthews' one woman show).Nick's work in Music Theatre includes First Wives Club The Musical at the Oriental Theatre, Chicago, Priscilla Queen of the Desert, The Musical in Australia, New York, Toronto, London, Sao Paolo and throughout Europe; Love Never Dies in Hamburg, Tokyo, Sydney and Melbourne for The Really Useful Company.His extensive work in opera in Australia includes Don Giovanni, Nabucco, Tannhäuser, Il Trovatore, L'elisir d'amore, Andrea Chenier, Freischütz, Falstaff and Seraglio for Opera Australia; Salome (and set design) and Parsifal for State Opera of South Australia; Flying Dutchman, Don Giovanni, and Ken Russell's Madam Butterfly for Victorian State Opera; Macbeth (and set design) for Opera New Zealand and Don Giovanni (and set design) for Opera Queensland. He was also lighting and associate set designer of the first Australian production of Wagner's Ring Cycle in Adelaide in 2004.Nick has also designed lighting for Scheherazade for the Australian Ballet, the acclaimed Cinderella for Royal New Zealand Ballet, and several pieces for Bangarra Dance Company, including Bush, Bennelong and Patyegarang.The year commences for Nick with lighting designs for productions of Wudjang: Not the Past (Bangarra Dance), North By Northwest (Kay & McLean Productions) and The Phantom of the Opera (Opera Australia) on Sydney Harbour. With such a full schedule it was a treat for STAGES to examine the art of Lighting Design with one of the country's most prolific and eloquent artists; Nick Schlieper.The STAGES podcast is available to access and subscribe from Whooshkaa, Spotify and Apple podcasts. Or from wherever you access your favourite podcasts. A conversation with creatives about craft and career. Recipient of Best New Podcast at 2019 Australian Podcast Awards. Follow socials on instagram (stagespodcast) and facebook (Stages).www.stagespodcast.com.au

Josh Gladstone has served as Artistic Director of the John Drew Theater at Guild Hall since 2000 where most recently he directed Alec Baldwin, Blair Underwood and Rob Morrow in the comedy Stan The Man by Eugene Pack, and acted alongside Mercedes Ruehl and F. Murray Abraham in Jules Feiffer's A Bad Friend, an evening celebrating the playwright's 90th birthday. At the Drew he's directed and produced such plays as Romeo & Juliet, Extinction, Steve Martin's The Underpants, All My Sons starring Laurie Metcalf and Alec Baldwin; Clever Little Lies starring Marlo Thomas; Tony Walton's productions of Tonight at 8:30 starring Blythe Danner, Equus starring Alec Baldwin and Moby Dick Rehearsed starring Peter Boyle; and The Glass Menagerie starring Amy Irving. Regional credits include Children's Theatre Co.; Shakespeare Theatre, DC; and four seasons as Artistic Director of Hamptons Shakespeare Festival.www.creativeprocess.info

"Laurie Anderson, Leslie Odom Jr. from Hamilton was here a couple of years ago. It was fantastic. Judd Hirsch. I got a chance to drive in my car with Charles Durning and Jack Klugman, two character actors that I admired all my life. It was a surreal experience.When I got here, I started to do some of the Shakespeare plays, working sometimes with kids from the community and professional artists. Michael Nathanson played Hamlet with us in 2005. Alec Baldwin, Eric Bogosian, Jeffrey Tambor, Anne Jackson and Eli Wallach, who lived in East Hampton about two blocks from here. They were involved in the John Drew Theater from the 60s, 70s, and 80s. Through much of their lives, they were lifetime performers at Guild Hall, always in the summer doing a little something. Eli worked up until his 90s, and he was still working, as sharp as a tack. There have been so many artists here. Two summers ago, Questlove was here interviewing Jerry Seinfield on the stage and Alec Baldwin has been our board president for a number of years. He liked the renovations. He liked the show that Harris Yulin did with Amy Irving. He loved The Glass Menagerie and he loved the renovation. So he said, I want to get involved with you guys. The Hamptons is a wonderfully welcoming place to make art. I think going back to the time of Jackon Pollock and before him the tile painters, this has been an artist colony. And I think there is still a spirit of that around."Josh Gladstone has served as Artistic Director of the John Drew Theater at Guild Hall since 2000 where most recently he directed Alec Baldwin, Blair Underwood and Rob Morrow in the comedy Stan The Man by Eugene Pack, and acted alongside Mercedes Ruehl and F. Murray Abraham in Jules Feiffer's A Bad Friend, an evening celebrating the playwright's 90th birthday. At the Drew he's directed and produced such plays as Romeo & Juliet, Extinction, Steve Martin's The Underpants, All My Sons starring Laurie Metcalf and Alec Baldwin; Clever Little Lies starring Marlo Thomas; Tony Walton's productions of Tonight at 8:30 starring Blythe Danner, Equus starring Alec Baldwin and Moby Dick Rehearsed starring Peter Boyle; and The Glass Menagerie starring Amy Irving. Regional credits include Children's Theatre Co.; Shakespeare Theatre, DC; and four seasons as Artistic Director of Hamptons Shakespeare Festival.www.creativeprocess.info

Katie checks in with three-time Tony winner, seven-time Tony nominee, celebrated director (All My Sons, Carousel, Hairspray, The Coast of Utopia, The Full Monty, Henry IV, Catch Me If You Can, Charlie and the Chocolate Factory, Imaginary Friends, Dirty Rotten Scoundrels, and more), former Artistic Director of the Old Globe in San Diego (1981-2007), and giant of the American theatre, Jack O'Brien.

In today's episode, Jayne Atkinson shares powerful stories of how staying true to her convictions, honoring her core values and being open has created a wonderful life and career.    Originally from Bournemouth, England, her family moved to the United States in 1968, when she was nine years old. Jayne graduated from Yale Drama School in 1985 and made her debut on Broadway in 1987 in a revival of Arthur Miller's All My Sons. Since then, her work in acting is well-known not just on Broadway but also in films and television segments.    Jayne Atkinson is an award-winning actress, a producer, a mother and a social activist. She's passionate about making a difference in the world. She supports Women's based theatre WAM, where arts and activism meet, and Rites of Passages 20/20,  a vital co-creation with dozens of Women of Color artists, healers, activists and visionaries from around the US.    Tune in to learn more about Jayne's journey to success and fulfilment!  Jayne Atkinson's Bio:    Jayne Atkinson was born in Bournemouth, Hampshire (now Dorset), England, but her family moved to the United States in 1968 when she was 9 years old. She attended Northwestern University (BS Communications, 1981) and graduated with an MFA from the Yale Drama School in 1985.   After working in regional theatres, Atkinson appeared off-Broadway in the Manhattan Theatre Club's production of Bloody Poetry in 1987. She made her Broadway debut the same year in a revival of Arthur Miller's All My Sons.    Jayne Atkinson has worked in film, theatre, and television. She is well known for the role of Karen Hayes on 24, as well as her Tony Award-nominated roles in The Rainmaker and Enchanted April. She has also appeared in the CBS drama Criminal Minds as BAU Section Chief Erin Strauss, the CBS drama Madam Secretary as the United States Vice President Teresa Hurst, and in the Netflix political drama House of Cards as U.S. Secretary of State Catherine Durant.   In Jayne Atkinson's acting career, she has earned a significant number of awards, include: A Drama Desk Award for Best Actress in a Play for her performance in The Skriker in 1996.  A Tony Award Nomination for her work in the Roundabout Theatre Company's 1999 production of The Rainmaker and for her performance in the 2003 play Enchanted April. An Outer Critics Circle Award for her performance in the play Enchanted April in 2003.    Her other famous works on Broadway are Blithe Spirit with Angela Lansbury, Our Town with Paul Newman, and ANN which garnered her a Helen Hayes Nomination.    Moreover, she has appeared in such films as Free Willy, Free Willy 2: The Adventure Home, 12 and Holding, Blank Check, The Village and Syriana. Her television acting credits include A Year in the Life, Parenthood, The X-Files, Law & Order, The Practice, Criminal Minds, 24, Gossip Girl and House of Cards, opposite Kevin Spacey and husband Michel Gill. Her performance in the made-for-TV movie Our Town garnered her a Satellite Award nomination for Best Supporting Actress.   However, to Jayne Atkinson, the best role in her life is to be a Mom to Jeremy Gill and a Wife to Actor Michel Gill.   Instagram: https://www.instagram.com/jayneatkinsonofficial/ Twitter: https://twitter.com/MeJaag59 Youtube channel Me&Vivi Conversations and Inspirations: https://bit.ly/2VltuiC Youtube channel Jayne Sez: https://bit.ly/37h99NR   Organizations Jayne supports:   RUNNING START: promoting young women to run for office.    WAM Theatre: theatre for everyone supporting Women and Girls Voices around the world. 15% of all their proceeds are given to either local organizations supporting women and girls or worldwide organizations that do the same.    RITES OF PASSAGE 20/20 Vision: a site specific theatre piece that takes 21 rooms in a building to celebrate the passages in the lives of Women of Color Indigenous Women, Immigrant Women and LBGTQ+ and Transgender Women.   Belinda's Bio:    Belinda Pruyne is a sought-after Leadership Advisor, Coach, Consultant and Keynote speaker. She is a leading authority in guiding global executives, professionals and small business owners to become today's highly respected leaders.   She gained a wealth of expertise in the client services industry as Executive Vice President, Global Director of Creative Management at Grey Advertising, managing 500 people around the globe. With over 20+ years of leadership development experience, she brings industry-wide recognition to the executives and companies she works with. Whether a startup, turnaround, acquisition or global corporation, executives and companies continue to turn to Pruyne for strategic and impactful solutions in a rapidly shifting economy and marketplace.    Website: Belindapruyne.com Email Address: hello@belindapruyne.com LinkedIn: https://www.linkedin.com/in/belindapruyne  Facebook: https://www.facebook.com/NotableLeadersNetwork.BelindaPruyne/  Twitter: https://twitter.com/belindapruyne?lang=en  Instagram: https://www.instagram.com/belindapruyne/ 

Welcome back to the 54th episode of The Cup which is our a weekly (give or take, TBD, these are unprecedented times) performing arts talk show presented by Cup of Hemlock Theatre. The theatres may be closed, but art finds a way to survive! For the time being on this podcast we are rereleasing our past reviews, interviews, roundtables, and duet reviews in remastered audio only versions so you can take your CoH content on the go! For our 52nd episode we continue to branch out our review series beyond the Stratford Festival and onto other productions. In this episode we discussed the National Theatre's 2018 production of Arthur Miller's All My Sons, directed by Jeremy Herrin, starring Sally Field and Bill Pullman in the roles of Kate and Joe Keller. Watch the play on NTatHome (subscription needed): https://www.ntathome.com/videos/all-my-sons-full-play Cup of Hemlock Theatre is a Toronto-based performing arts collective dedicated to staging works that examine the moral quandaries of the human experience. With an inquisitive compass, we aim to provide audiences the space to retrace their personal stories and navigate their individual ideologies. Follow us on Instagram/Facebook/Twitter: cohtheatre Follow our panelists: Mackenzie Horner (Before the Downbeat: A Musical Podcast) – Instagram/Facebook: BeforetheDownbeat Apple Podcasts: https://apple.co/3aYbBeNSpotify: https://spoti.fi/3sAbjAu Emilio Vieira – Instagram: @emiliovieira //www.februarytheplay.com Grace Walker – Instagram & Twitter: @GraceWalkerrr // YouTube & Tik Tok: notkristenbell Ryan Borochovitz – [Just send all that love to CoH instead; he won't mind!] --- Support this podcast: https://podcasters.spotify.com/pod/show/cup-of-hemlock-theatre/support

The first monthly ranking of books I've read in a given month. Books discussed are: A Burning, All My Sons, Kim Jiyoung Born 1982, The Love and Lies of Rukhsana Ali, Master of Poisons, My Sister's Keeper, Red at the Bone, With the Fire on High

I dive into the wild world of theatre by starting with one of its greats. Helped by my sister, Neha, we explore what makes All My Sons so special. Along the way we talk about stealing food from people's refrigerators, why Hamlet isn't the best introduction to theatre, and cool teachers that let you sneak into their classroom to act out versions of long forgotten plays.

SHOWS: The Full Monty, Hairspray, The Coast of Utopia Note: This interview was recorded via phone with Mr. O'Brien and may not have as clear of a sound as our other episodes. Trust us when we say the brilliance of Mr. O'Brien's wisdom outweighs any technical issues. The Tony Award winning Jack O'Brien is one of the industry's most versatile directors, one who easily goes from Shakespeare to Shaiman to Stoppard, all without missing a beat. In addition to his many years as the Artistic Director of San Diego's Old Globe Theater he has directed such shows as Porgy and Bess, The Most Happy Fella, Damn Yankees, The Full Monty, The Invention of Love, Hairspray, Dirty Rotten Scoundrels, The Coast of Utopia, The Nance, Carousel, and All My Sons, to name just a few. Jack pulls back the curtain on his career to discuss how he became a protege of Ellis Rabb, what it was like working with the legendary Helen Hayes, and why he embraces every second he is in a theater. Also, Jack shines the spotlight on Tom Stoppard, Terrence McNally, and Nathan Lane! Buy Jack's autobiography here Become a sponsor of Behind The Curtain and get early access to interviews, private playlists, and advance knowledge of future guests so you can ask the legends your own questions. Go to: http://bit.ly/2i7nWC4 Learn more about your ad choices. Visit megaphone.fm/adchoices

For the past thirty years in New York City, Terry Knickerbocker has acted, directed, coached, and produced art with some incredible people. Terry is a graduate of The Experimental Theatre Wing in the Drama Dept. at New York University. After graduating from NYU, Terry trained as an actor and a teacher with William Esper. He taught at The William Esper Studio for 25 years, and continues as part of the core faculty at the Experimental Theatre Wing at NYU's Tisch School of the Arts. He has also taught directing at Playwrights Horizons Theatre School and Yale University. Other essential teacher/mentors include Maggie Flanigan, Rina Yerushalmi, Steve Wangh, Terry Hayden, Nikos Psacharopoulos, Jackie Brookes, Mary Overlie, Ryszard Cieslak, Jerzy Grotowski, Pierre Lefèvre, Moshe Feldenkrais, Dr. Louis Ormont, and Dr. Harry Fogarty. He has coached actors on over 300 films, television and theater projects, both on and off-Broadway and regionally. He also consulted with playwrights and screenwriters on their scripts. Some of the actors he has worked with and trained include Sam Rockwell, Chris Messina, Boyd Holbrook, Natasha Lyonne, Leslie Bibb, Emmy Rossum, Yul Vasquez, Jordana Spiro, Gillian Alexy, Gretchen Mol and many others. A past recipient of the Drama League of New York's directing award/fellowship for emerging directors, Terry is also a former member of Circle Rep's LAB. His directing credits include many new works as well as contemporary and classical plays such as Measure for Measure, Tartuffe, The Normal Heart, Candida, All My Sons, and David Rabe's In the Boom Boom Room. Resources https://terryknickerbockerstudio.com/program_courses/summer-intensive/ https://terryknickerbockerstudio.com/program_courses/two-year-professional-acting-conservatory/ Connect with Terry Twitter - https://twitter.com/tknickerbocker Instagram - https://www.instagram.com/terryknickerbockerstudio Facebook - https://www.facebook.com/terryknickerbockerstudio/   Connect with Adam If you enjoyed listening to this episode and wanted to share your thoughts you can:  Visit my website: www.adameskow.com   Follow us at @AdamEskow on Instagram and FB   Send us an email at Adam@EskowCoaching.com   Sponsor If you are interested in starting your own podcast, check out www.truthworkmedia.com. We will coach you from conception to iTunes! It's super easy! Go here for more information. 

Josh Gladstone has served as Artistic Director of the John Drew Theater at Guild Hall since 2000 where most recently he directed Alec Baldwin, Blair Underwood and Rob Morrow in the comedy Stan The Man by Eugene Pack, and acted alongside Mercedes Ruehl and F. Murray Abraham in Jules Feiffer's A Bad Friend, an evening celebrating the playwright's 90th birthday. At the Drew he's directed and produced such plays as Romeo & Juliet, Extinction, Steve Martin's The Underpants, All My Sons starring Laurie Metcalf and Alec Baldwin; Clever Little Lies starring Marlo Thomas; Tony Walton's productions of Tonight at 8:30 starring Blythe Danner, Equus starring Alec Baldwin and Moby Dick Rehearsed starring Peter Boyle; and The Glass Menagerie starring Amy Irving. Regional credits include Children's Theatre Co.; Shakespeare Theatre, DC; and four seasons as Artistic Director of Hamptons Shakespeare Festival.· www.guildhall.org/people/josh-gladstone/· www.creativeprocess.info

Josh Gladstone has served as Artistic Director of the John Drew Theater at Guild Hall since 2000 where most recently he directed Alec Baldwin, Blair Underwood and Rob Morrow in the comedy Stan The Man by Eugene Pack, and acted alongside Mercedes Ruehl and F. Murray Abraham in Jules Feiffer's A Bad Friend, an evening celebrating the playwright's 90th birthday. At the Drew he's directed and produced such plays as Romeo & Juliet, Extinction, Steve Martin's The Underpants, All My Sons starring Laurie Metcalf and Alec Baldwin; Clever Little Lies starring Marlo Thomas; Tony Walton's productions of Tonight at 8:30 starring Blythe Danner, Equus starring Alec Baldwin and Moby Dick Rehearsed starring Peter Boyle; and The Glass Menagerie starring Amy Irving. Regional credits include Children's Theatre Co.; Shakespeare Theatre, DC; and four seasons as Artistic Director of Hamptons Shakespeare Festival.· www.guildhall.org/people/josh-gladstone/· www.creativeprocess.info

Dawn Didawick is an LA-based actor who has worked at numerous regional theatres, has lived and worked in both DC and New York, and also has a number of film and TV credits. She appeared on Broadway in Arthur Miller's All My Sons, with the production winning a Tony Award for Best Revival. She's also a founding member of the Antaeus Theatre in Glendale, CA. In today's episode, Dawn and I cover: doing industrials dealing with fear having mentors working on new plays sexual harassment and shame how to keep working Yiddish actors passing it on being respectful and lots more! Click here for full show notes and links. Get your copy of "12 Top Acting Tips from Season One" See additional content on Facebook, Twitter, Instagram, and YouTube.