Podcasts about digital media research centre

Wednesday Headlines: Labor to push for real wage increase, US prosecutors seek death penalty for Luigi Mangione, IVF for single women and same sex couples to be covered under Medicare, first probable Japanese Encephalitus Virus death in the QLD since an outbreak in 2022, and the majority of millennials and Gen X regret their career choice. Deep Dive: With a federal election on the horizon, how much of what we see and hear can we actually trust? AI-generated deepfakes and manipulated content are becoming harder to detect and while some of these tools are used for entertainment, others are being harnessed to influence public opinion. So, could AI actually sway voters at the ballot box come May 3? Or is it all a distraction? In this episode of The Briefing, Tara Cassidy speaks with Professor Daniel Angus, Director of QUT’s Digital Media Research Centre, to unpack it all. Further listening from the headlines: A CEO was killed in the streets of New York. Should we be celebrating? is available on Apple Podcasts, Spotify or wherever you get your podcasts. Lawyer X: Could a bunch of gangland criminals soon be free? is available on Apple Podcasts, Spotify or wherever you get your podcasts. The Wieambilla police massacre and criminal insanity is available on Apple Podcasts, Spotify or wherever you get your podcasts. The deadly virus back in Australia is available on Apple Podcasts, Spotify or wherever you get your podcasts. Follow The Briefing: TikTok: @listnrnewsroom Instagram: @listnrnewsroom @thebriefingpodcast YouTube: @LiSTNRnewsroom Facebook: @LiSTNR NewsroomSee omnystudio.com/listener for privacy information.

Director of Queensland University of Technology's Digital Media Research Centre, Professor Daniel Angus, has fired up at Tom Elliott, accusing the host of pumping "harmful bile" down the airwaves in relation to the proposed misinformation bill.See omnystudio.com/listener for privacy information.

With so much news about social media in Australia right now, I thought I'd wrap up the winter series by speaking with Professor Axel Bruns from the Digital Media Research Centre at Queensland University of Technology.In this episode we discuss whether anything can replace what was Twitter, Australia's News Media Bargaining Code and Meta refusing to pay for news content, age restrictions for social media, the arrest of Telegram's CEO Pavel Durov, and why filter bubbles really aren't a thing.Full podcast details and credits at:https://the9pmedict.com/edict/00229/Please consider supporting this podcast via the current crowdfunder:https://the9pmedict.com/spring2024If you miss the deadline of 19 September:https://the9pmedict.com/tip/https://skank.com.au/subscribe/

The first official photo of the Princess of Wales since her abdominal surgery has been released. It shows Kate smiling while surrounded by her three children, alongside a message from the royal thanking well-wishers for their support.  Within hours of its release, several global news agencies announced they were pulling the image because it had been doctored. To what extent, we're not sure, but if the recent conspiracy theories about Kate's wellbeing are anything to go by, this latest development will only add to the wild rumours being thrown around.  But why are people so ready to engage in conspiracies? How has that changed over the years? And just how significant is this move by agencies like Reuters, AP and Getty?  On today's afternoon episode of The Briefing, we discuss these issues with Axel Bruns, a Professor for the Digital Media Research Centre at Queensland University of Technology. See omnystudio.com/listener for privacy information.

This episode we speak with Dr Brendan Keogh, discussing his new book The Videogame Industry Does Not Exist: Why We Should Think Beyond Commercial Game Production (https://mitpress.mit.edu/9780262545402/the-videogame-industry-does-not-exist/). It is the final part of a special 6-episode Season of Keywords in Play, exploring intersections and exchanges between Chinese and Australian game studies scholarship. This project has been assisted by the Australian Government through the Australia Council, its arts funding and advisory body. Dr Brendan Keogh (he/him) is a senior lecturer in the School of Communication and a Chief Investigator of the Digital Media Research Centre, Queensland University of Technology. He is the co-author of The Unity Game Engine and The Circuits of Cultural Software (Palgrave Macmillan, 2019; with Benjamin Nicoll), and is the author of The Videogame Industry Does Not Exist (MIT Press, 2023), A Play of Bodies: How We Perceive Videogames (MIT Press, 2018), and Killing is Harmless: A Critical Reading of Spec Ops The Line (Stolen Projects, 2012). He has written extensively about the cultures and development practices of videogames in journals such as Games and Culture, Creative Industries, and Covergence, and for outlets such as Overland, The Conversation, Polygon, Edge, and Vice. You can check out more of Brendan's work and games on his website: https://brkeogh.com/, and follow him on Twitter: https://twitter.com/brkeogh. The podcast series is part of the Engaging Influencers initiative. This initiative is curated by the Australia Council for the Arts and funded by the National Foundation for Australia-China Relations. As a joint venture, “Keywords in Play” expands Critical Distance's commitment to innovative writing and research about games while using a conversational style to bring new and diverse scholarship to a wider audience. Our goal is to highlight the work of graduate students, early career researchers and scholars from under-represented groups, backgrounds and regions. The primary inspiration comes from sociologist and critic Raymond Williams. In the Preface to his book Keywords: a vocabulary of culture and society, Williams envisaged not a static dictionary but an interactive document, encouraging readers to populate blank pages with their own keywords, notes and amendments. “Keywords in Play” follows Williams in affirming that “The significance is in the selection”, and works towards diversifying the critical terms with which we describe games and game culture.” Interviewer: Mahli-Ann Butt Production Team: Darshana Jayemanne, Emilie Reed, Zoyander Street Audio Direction and Engineering: Damian Stewart Double Bass: Aaron Stewart Special Thanks: Hugh Davies, Chloe Yan Li

Digital Activism in Russia: The Communication Tactics of Political Outsiders (Palgrave MacMillan, 2022) examines various forms of Russian online anti-establishment resistance, focusing in particular on the period between 2016 and 2019. Grounded in qualitative content analysis of the YouTube videos and social media activities of opposition activist Alexey Navalny and his associates, the book covers the history of digital resistance associated with this cohort, its style and strategies, and the impact that this form of political communication has had on the Russian public sphere. Sofya Glazunova is a Postdoctoral Research Fellow within the Digital Media Research Centre at the Queensland University of Technology in Australia. Glazunova specialises in political communication, digital resistance, Russian media, disinformation, fake news, and digital propaganda. In addition to Digital Activism in Russia: The Communication Tactics of Political Outsiders (2022), she is the co-author of the Global Disinformation Index report entitled Disinformation Risk Assessment: The Online News Market in Australia (2021). Iva Glisic is a historian and art historian specialising in modern Russia and the Balkans. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Digital Activism in Russia: The Communication Tactics of Political Outsiders (Palgrave MacMillan, 2022) examines various forms of Russian online anti-establishment resistance, focusing in particular on the period between 2016 and 2019. Grounded in qualitative content analysis of the YouTube videos and social media activities of opposition activist Alexey Navalny and his associates, the book covers the history of digital resistance associated with this cohort, its style and strategies, and the impact that this form of political communication has had on the Russian public sphere. Sofya Glazunova is a Postdoctoral Research Fellow within the Digital Media Research Centre at the Queensland University of Technology in Australia. Glazunova specialises in political communication, digital resistance, Russian media, disinformation, fake news, and digital propaganda. In addition to Digital Activism in Russia: The Communication Tactics of Political Outsiders (2022), she is the co-author of the Global Disinformation Index report entitled Disinformation Risk Assessment: The Online News Market in Australia (2021). Iva Glisic is a historian and art historian specialising in modern Russia and the Balkans. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/political-science

Digital Activism in Russia: The Communication Tactics of Political Outsiders (Palgrave MacMillan, 2022) examines various forms of Russian online anti-establishment resistance, focusing in particular on the period between 2016 and 2019. Grounded in qualitative content analysis of the YouTube videos and social media activities of opposition activist Alexey Navalny and his associates, the book covers the history of digital resistance associated with this cohort, its style and strategies, and the impact that this form of political communication has had on the Russian public sphere. Sofya Glazunova is a Postdoctoral Research Fellow within the Digital Media Research Centre at the Queensland University of Technology in Australia. Glazunova specialises in political communication, digital resistance, Russian media, disinformation, fake news, and digital propaganda. In addition to Digital Activism in Russia: The Communication Tactics of Political Outsiders (2022), she is the co-author of the Global Disinformation Index report entitled Disinformation Risk Assessment: The Online News Market in Australia (2021). Iva Glisic is a historian and art historian specialising in modern Russia and the Balkans. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/russian-studies

Digital Activism in Russia: The Communication Tactics of Political Outsiders (Palgrave MacMillan, 2022) examines various forms of Russian online anti-establishment resistance, focusing in particular on the period between 2016 and 2019. Grounded in qualitative content analysis of the YouTube videos and social media activities of opposition activist Alexey Navalny and his associates, the book covers the history of digital resistance associated with this cohort, its style and strategies, and the impact that this form of political communication has had on the Russian public sphere. Sofya Glazunova is a Postdoctoral Research Fellow within the Digital Media Research Centre at the Queensland University of Technology in Australia. Glazunova specialises in political communication, digital resistance, Russian media, disinformation, fake news, and digital propaganda. In addition to Digital Activism in Russia: The Communication Tactics of Political Outsiders (2022), she is the co-author of the Global Disinformation Index report entitled Disinformation Risk Assessment: The Online News Market in Australia (2021). Iva Glisic is a historian and art historian specialising in modern Russia and the Balkans. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/eastern-european-studies

Digital Activism in Russia: The Communication Tactics of Political Outsiders (Palgrave MacMillan, 2022) examines various forms of Russian online anti-establishment resistance, focusing in particular on the period between 2016 and 2019. Grounded in qualitative content analysis of the YouTube videos and social media activities of opposition activist Alexey Navalny and his associates, the book covers the history of digital resistance associated with this cohort, its style and strategies, and the impact that this form of political communication has had on the Russian public sphere. Sofya Glazunova is a Postdoctoral Research Fellow within the Digital Media Research Centre at the Queensland University of Technology in Australia. Glazunova specialises in political communication, digital resistance, Russian media, disinformation, fake news, and digital propaganda. In addition to Digital Activism in Russia: The Communication Tactics of Political Outsiders (2022), she is the co-author of the Global Disinformation Index report entitled Disinformation Risk Assessment: The Online News Market in Australia (2021). Iva Glisic is a historian and art historian specialising in modern Russia and the Balkans. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/communications

Digital Activism in Russia: The Communication Tactics of Political Outsiders (Palgrave MacMillan, 2022) examines various forms of Russian online anti-establishment resistance, focusing in particular on the period between 2016 and 2019. Grounded in qualitative content analysis of the YouTube videos and social media activities of opposition activist Alexey Navalny and his associates, the book covers the history of digital resistance associated with this cohort, its style and strategies, and the impact that this form of political communication has had on the Russian public sphere. Sofya Glazunova is a Postdoctoral Research Fellow within the Digital Media Research Centre at the Queensland University of Technology in Australia. Glazunova specialises in political communication, digital resistance, Russian media, disinformation, fake news, and digital propaganda. In addition to Digital Activism in Russia: The Communication Tactics of Political Outsiders (2022), she is the co-author of the Global Disinformation Index report entitled Disinformation Risk Assessment: The Online News Market in Australia (2021). Iva Glisic is a historian and art historian specialising in modern Russia and the Balkans. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/science-technology-and-society

Digital Activism in Russia: The Communication Tactics of Political Outsiders (Palgrave MacMillan, 2022) examines various forms of Russian online anti-establishment resistance, focusing in particular on the period between 2016 and 2019. Grounded in qualitative content analysis of the YouTube videos and social media activities of opposition activist Alexey Navalny and his associates, the book covers the history of digital resistance associated with this cohort, its style and strategies, and the impact that this form of political communication has had on the Russian public sphere. Sofya Glazunova is a Postdoctoral Research Fellow within the Digital Media Research Centre at the Queensland University of Technology in Australia. Glazunova specialises in political communication, digital resistance, Russian media, disinformation, fake news, and digital propaganda. In addition to Digital Activism in Russia: The Communication Tactics of Political Outsiders (2022), she is the co-author of the Global Disinformation Index report entitled Disinformation Risk Assessment: The Online News Market in Australia (2021). Iva Glisic is a historian and art historian specialising in modern Russia and the Balkans. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/technology

Digital Activism in Russia: The Communication Tactics of Political Outsiders (Palgrave MacMillan, 2022) examines various forms of Russian online anti-establishment resistance, focusing in particular on the period between 2016 and 2019. Grounded in qualitative content analysis of the YouTube videos and social media activities of opposition activist Alexey Navalny and his associates, the book covers the history of digital resistance associated with this cohort, its style and strategies, and the impact that this form of political communication has had on the Russian public sphere. Sofya Glazunova is a Postdoctoral Research Fellow within the Digital Media Research Centre at the Queensland University of Technology in Australia. Glazunova specialises in political communication, digital resistance, Russian media, disinformation, fake news, and digital propaganda. In addition to Digital Activism in Russia: The Communication Tactics of Political Outsiders (2022), she is the co-author of the Global Disinformation Index report entitled Disinformation Risk Assessment: The Online News Market in Australia (2021). Iva Glisic is a historian and art historian specialising in modern Russia and the Balkans. Learn more about your ad choices. Visit megaphone.fm/adchoices

Welcome to an episode with a professor at Queensland University of Technology, Amanda Lotz. In this episode, Amanda shares her insights as a media expert about Netflix's recent announcement that they are introducing an ad-supported version of their streaming service. She spoke about the challenges that Netflix may face as it goes down the advertising route. Amanda discussed the pros and cons of a subscription-based model versus an advertisement-based model and what it will be for Netflix as it launches its new strategy. Amanda Lotz is a media scholar, professor, and industry consultant. Her expertise includes media industries, digital distribution, the future of television, the business of media, and net neutrality.  Amanda leads the Transforming Media Industries research project in the Digital Media Research Centre at Queensland University of Technology. She is the author, coauthor, or editor of eleven books that explore television and media industries, including Netflix and Streaming Video: The Business of Subscriber-Funded Video on Demand, Media Disrupted: Surviving Cannibals, Pirates and Streaming Wars, We Now Disrupt This Broadcast: How Cable Transformed Television and the Internet Revolutionized It All, The Television Will Be Revolutionized, and Portals: A Treatise on Internet-Distributed Television.  Her most recent books explore the connections between internet-distributed services such as Netflix and the legacy television industry, as well as the business strategies and revenue models that differ. Her award-winning book, The Television Will Be Revolutionized, now in its second edition, has been translated into Mandarin, Korean, Italian, and Polish. She is frequently interviewed by NPR's Marketplace, has appeared on BBC, CNN's The Nineties, HuffPost Live, and ZDF (German television network), and has been interviewed for articles in the Los Angeles Times, The Guardian, The Atlantic, Christian Science Monitor, the Associated Press, Wired, and Men's Health among many others. She publishes articles about the business of television at Quartz, Salon, The New Republic, hosts the Media Business Matters podcast, and tweets about television and media @DrTVLotz. Enjoying our podcast? Get access to sample advanced training episodes here: www.firmsconsulting.com/promo

Welcome to Strategy Skills episode 262, an episode with a professor at Queensland University of Technology, Amanda Lotz.   In this episode, Amanda shares her insights as a media expert about Netflix's recent announcement that they are introducing an ad-supported version of their streaming service. She spoke about the challenges that Netflix may face as it goes down the advertising route. Amanda discussed the pros and cons of a subscription-based model versus an advertisement-based model and what it will be for Netflix as it launches its new strategy.   Amanda Lotz is a media scholar, professor, and industry consultant. Her expertise includes media industries, digital distribution, the future of television, the business of media, and net neutrality.    Amanda leads the Transforming Media Industries research project in the Digital Media Research Centre at Queensland University of Technology. She is the author, coauthor, or editor of eleven books that explore television and media industries, including Netflix and Streaming Video: The Business of Subscriber-Funded Video on Demand, Media Disrupted: Surviving Cannibals, Pirates and Streaming Wars, We Now Disrupt This Broadcast: How Cable Transformed Television and the Internet Revolutionized It All, The Television Will Be Revolutionized, and Portals: A Treatise on Internet-Distributed Television.    Her most recent books explore the connections between internet-distributed services such as Netflix and the legacy television industry, as well as the business strategies and revenue models that differ. Her award-winning book, The Television Will Be Revolutionized, now in its second edition, has been translated into Mandarin, Korean, Italian, and Polish. She is frequently interviewed by NPR's Marketplace, has appeared on BBC, CNN's The Nineties, HuffPost Live, and ZDF (German television network), and has been interviewed for articles in the Los Angeles Times, The Guardian, The Atlantic, Christian Science Monitor, the Associated Press, Wired, and Men's Health among many others. She publishes articles about the business of television at Quartz, Salon, The New Republic, hosts the Media Business Matters podcast, and tweets about television and media @DrTVLotz.   Enjoying our podcast? Get access to sample advanced training episodes here: www.firmsconsulting.com/promo

Has the internet really been the main culprit behind the upheaval of the contemporary media industries? In Media Disrupted: Surviving Pirates, Cannibals, and Streaming Wars (MIT Press, 2021), Professor Amanda Lotz provides a rebuttal to persistent myths about disruption across the mediascape of the late 20th and early 21st Centuries. Through a granular reading of four media industries – newspapers, recorded music, film and television – Lotz demonstrates that the internet has had diffuse and divergent effects in each, none of which are adequately explained through simplistic narratives of piracy or cannibalism. Lotz suggests that the speed and scale of reconfiguration in these industries has stemmed more from built up consumer demand and business (mal)practices, often with deep historical roots, which have only then been catalysed by the advent of the internet. Alongside laying out what we often get wrong about the internet and the media industries, Lotz provides detailed analyses of those media businesses which managed to negotiate this tumultuous period successfully. Media Disruption helps us understand how the media industries got to where they are today and provides valuable lessons for those seeking to weather disruptions to come. Professor Amanda Lotz works at the Digital Media Research Centre at Queensland University of Technology. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Has the internet really been the main culprit behind the upheaval of the contemporary media industries? In Media Disrupted: Surviving Pirates, Cannibals, and Streaming Wars (MIT Press, 2021), Professor Amanda Lotz provides a rebuttal to persistent myths about disruption across the mediascape of the late 20th and early 21st Centuries. Through a granular reading of four media industries – newspapers, recorded music, film and television – Lotz demonstrates that the internet has had diffuse and divergent effects in each, none of which are adequately explained through simplistic narratives of piracy or cannibalism. Lotz suggests that the speed and scale of reconfiguration in these industries has stemmed more from built up consumer demand and business (mal)practices, often with deep historical roots, which have only then been catalysed by the advent of the internet. Alongside laying out what we often get wrong about the internet and the media industries, Lotz provides detailed analyses of those media businesses which managed to negotiate this tumultuous period successfully. Media Disruption helps us understand how the media industries got to where they are today and provides valuable lessons for those seeking to weather disruptions to come. Professor Amanda Lotz works at the Digital Media Research Centre at Queensland University of Technology. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/film

Has the internet really been the main culprit behind the upheaval of the contemporary media industries? In Media Disrupted: Surviving Pirates, Cannibals, and Streaming Wars (MIT Press, 2021), Professor Amanda Lotz provides a rebuttal to persistent myths about disruption across the mediascape of the late 20th and early 21st Centuries. Through a granular reading of four media industries – newspapers, recorded music, film and television – Lotz demonstrates that the internet has had diffuse and divergent effects in each, none of which are adequately explained through simplistic narratives of piracy or cannibalism. Lotz suggests that the speed and scale of reconfiguration in these industries has stemmed more from built up consumer demand and business (mal)practices, often with deep historical roots, which have only then been catalysed by the advent of the internet. Alongside laying out what we often get wrong about the internet and the media industries, Lotz provides detailed analyses of those media businesses which managed to negotiate this tumultuous period successfully. Media Disruption helps us understand how the media industries got to where they are today and provides valuable lessons for those seeking to weather disruptions to come. Professor Amanda Lotz works at the Digital Media Research Centre at Queensland University of Technology. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/performing-arts

Has the internet really been the main culprit behind the upheaval of the contemporary media industries? In Media Disrupted: Surviving Pirates, Cannibals, and Streaming Wars (MIT Press, 2021), Professor Amanda Lotz provides a rebuttal to persistent myths about disruption across the mediascape of the late 20th and early 21st Centuries. Through a granular reading of four media industries – newspapers, recorded music, film and television – Lotz demonstrates that the internet has had diffuse and divergent effects in each, none of which are adequately explained through simplistic narratives of piracy or cannibalism. Lotz suggests that the speed and scale of reconfiguration in these industries has stemmed more from built up consumer demand and business (mal)practices, often with deep historical roots, which have only then been catalysed by the advent of the internet. Alongside laying out what we often get wrong about the internet and the media industries, Lotz provides detailed analyses of those media businesses which managed to negotiate this tumultuous period successfully. Media Disruption helps us understand how the media industries got to where they are today and provides valuable lessons for those seeking to weather disruptions to come. Professor Amanda Lotz works at the Digital Media Research Centre at Queensland University of Technology. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/music

Elon Musk has done the deal to buy Twitter. The announcement was made this week……Twitter's board has agreed to sell the social media giant to the world's richest man for 61 billion dollars.   In a statement said “…free speech is the bedrock of a functioning democracy, and Twitter is the digital town square where matters vital to the future of humanity are debated.”        We're joined by David Swan, the Australian newspaper's Technology Editor; and Axel Bruns,Professor in the Digital Media Research Centre at Queensland University of Technology in Brisbane    There are some big questions here. What will this do for public debate... will he let Trump back onto Twitter?  And... whether he can make it more profitable and get a good return on this huge investment.   Could it be his Murdoch Myspace moment?    Todays Headlines Interest rate expected to rise due to surging inflation Federal minister suggests Solomons deal is “political interference” EU calls out Russia's blackmail tactics 400+ Victorian teachers stood down over vaccine mandates Ex-SAS soldier charged after giving evidence at Ben Roberts-Smith trial   Follow The Briefing DON'T FORGET TO SIGN UP FOR THE BRIEFING NEWSLETTER. LINK IS IN OUR BIO ON INSTAGRAM Instagram: @thebriefingpodcast  Facebook: TheBriefingNewsAU Twitter: @TheBriefingAU  See omnystudio.com/listener for privacy information.

Has the internet really been the main culprit behind the upheaval of the contemporary media industries? In Media Disrupted: Surviving Pirates, Cannibals, and Streaming Wars (MIT Press, 2021), Professor Amanda Lotz provides a rebuttal to persistent myths about disruption across the mediascape of the late 20th and early 21st Centuries. Through a granular reading of four media industries – newspapers, recorded music, film and television – Lotz demonstrates that the internet has had diffuse and divergent effects in each, none of which are adequately explained through simplistic narratives of piracy or cannibalism. Lotz suggests that the speed and scale of reconfiguration in these industries has stemmed more from built up consumer demand and business (mal)practices, often with deep historical roots, which have only then been catalysed by the advent of the internet. Alongside laying out what we often get wrong about the internet and the media industries, Lotz provides detailed analyses of those media businesses which managed to negotiate this tumultuous period successfully. Media Disruption helps us understand how the media industries got to where they are today and provides valuable lessons for those seeking to weather disruptions to come. Professor Amanda Lotz works at the Digital Media Research Centre at Queensland University of Technology. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/economics

Has the internet really been the main culprit behind the upheaval of the contemporary media industries? In Media Disrupted: Surviving Pirates, Cannibals, and Streaming Wars (MIT Press, 2021), Professor Amanda Lotz provides a rebuttal to persistent myths about disruption across the mediascape of the late 20th and early 21st Centuries. Through a granular reading of four media industries – newspapers, recorded music, film and television – Lotz demonstrates that the internet has had diffuse and divergent effects in each, none of which are adequately explained through simplistic narratives of piracy or cannibalism. Lotz suggests that the speed and scale of reconfiguration in these industries has stemmed more from built up consumer demand and business (mal)practices, often with deep historical roots, which have only then been catalysed by the advent of the internet. Alongside laying out what we often get wrong about the internet and the media industries, Lotz provides detailed analyses of those media businesses which managed to negotiate this tumultuous period successfully. Media Disruption helps us understand how the media industries got to where they are today and provides valuable lessons for those seeking to weather disruptions to come. Professor Amanda Lotz works at the Digital Media Research Centre at Queensland University of Technology. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/communications

Has the internet really been the main culprit behind the upheaval of the contemporary media industries? In Media Disrupted: Surviving Pirates, Cannibals, and Streaming Wars (MIT Press, 2021), Professor Amanda Lotz provides a rebuttal to persistent myths about disruption across the mediascape of the late 20th and early 21st Centuries. Through a granular reading of four media industries – newspapers, recorded music, film and television – Lotz demonstrates that the internet has had diffuse and divergent effects in each, none of which are adequately explained through simplistic narratives of piracy or cannibalism. Lotz suggests that the speed and scale of reconfiguration in these industries has stemmed more from built up consumer demand and business (mal)practices, often with deep historical roots, which have only then been catalysed by the advent of the internet. Alongside laying out what we often get wrong about the internet and the media industries, Lotz provides detailed analyses of those media businesses which managed to negotiate this tumultuous period successfully. Media Disruption helps us understand how the media industries got to where they are today and provides valuable lessons for those seeking to weather disruptions to come. Professor Amanda Lotz works at the Digital Media Research Centre at Queensland University of Technology. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/science-technology-and-society

Has the internet really been the main culprit behind the upheaval of the contemporary media industries? In Media Disrupted: Surviving Pirates, Cannibals, and Streaming Wars (MIT Press, 2021), Professor Amanda Lotz provides a rebuttal to persistent myths about disruption across the mediascape of the late 20th and early 21st Centuries. Through a granular reading of four media industries – newspapers, recorded music, film and television – Lotz demonstrates that the internet has had diffuse and divergent effects in each, none of which are adequately explained through simplistic narratives of piracy or cannibalism. Lotz suggests that the speed and scale of reconfiguration in these industries has stemmed more from built up consumer demand and business (mal)practices, often with deep historical roots, which have only then been catalysed by the advent of the internet. Alongside laying out what we often get wrong about the internet and the media industries, Lotz provides detailed analyses of those media businesses which managed to negotiate this tumultuous period successfully. Media Disruption helps us understand how the media industries got to where they are today and provides valuable lessons for those seeking to weather disruptions to come. Professor Amanda Lotz works at the Digital Media Research Centre at Queensland University of Technology. Learn more about your ad choices. Visit megaphone.fm/adchoices

Has the internet really been the main culprit behind the upheaval of the contemporary media industries? In Media Disrupted: Surviving Pirates, Cannibals, and Streaming Wars (MIT Press, 2021), Professor Amanda Lotz provides a rebuttal to persistent myths about disruption across the mediascape of the late 20th and early 21st Centuries. Through a granular reading of four media industries – newspapers, recorded music, film and television – Lotz demonstrates that the internet has had diffuse and divergent effects in each, none of which are adequately explained through simplistic narratives of piracy or cannibalism. Lotz suggests that the speed and scale of reconfiguration in these industries has stemmed more from built up consumer demand and business (mal)practices, often with deep historical roots, which have only then been catalysed by the advent of the internet. Alongside laying out what we often get wrong about the internet and the media industries, Lotz provides detailed analyses of those media businesses which managed to negotiate this tumultuous period successfully. Media Disruption helps us understand how the media industries got to where they are today and provides valuable lessons for those seeking to weather disruptions to come. Professor Amanda Lotz works at the Digital Media Research Centre at Queensland University of Technology. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/technology

Has the internet really been the main culprit behind the upheaval of the contemporary media industries? In Media Disrupted: Surviving Pirates, Cannibals, and Streaming Wars (MIT Press, 2021), Professor Amanda Lotz provides a rebuttal to persistent myths about disruption across the mediascape of the late 20th and early 21st Centuries. Through a granular reading of four media industries – newspapers, recorded music, film and television – Lotz demonstrates that the internet has had diffuse and divergent effects in each, none of which are adequately explained through simplistic narratives of piracy or cannibalism. Lotz suggests that the speed and scale of reconfiguration in these industries has stemmed more from built up consumer demand and business (mal)practices, often with deep historical roots, which have only then been catalysed by the advent of the internet. Alongside laying out what we often get wrong about the internet and the media industries, Lotz provides detailed analyses of those media businesses which managed to negotiate this tumultuous period successfully. Media Disruption helps us understand how the media industries got to where they are today and provides valuable lessons for those seeking to weather disruptions to come. Professor Amanda Lotz works at the Digital Media Research Centre at Queensland University of Technology. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/digital-humanities

Wednesday 9th of March 2022 7:15 Alice plays her first ever interview with 3CR! Dr Caroline Tully, Pagan witch and academic, talks to us about the origins of Easter.  7:35 Associate Professor Bridget Harris from QUT dicusses the use of technology in domestic violence against women in rural/regional/remote Australia. Bridget is the Chief Investigator at the Digital Media Research Centre and Centre for Justice at QUT. Interview researched and written by Claudia, conducted by Ella. 7:50 Jacob speaks on a play about lesbian space cannibals written by Flick and directed by Tansy Gorman. Slutnik, follows the story of five crew members and their AI assistant, Motherboard, as the team leaves an Earth pillaged by straight men, disappointing sexual experiences, and nasty politics. WARNING: contains sexual references and course language. 8:10 Alice speaks with Rosemary Johns about the new play she's written, Fire in the Head, which brings to light the harrowing, heroic life of Kate Kelly, sister to Ned, and the deep-rooted truths about gender and violence in Australia. 8:20 The team reflects back on Alice's time at 3CR and bids her farewell, including a special audio highlights reel! SongsJive Baby on a Saturday Night- The JelliesLove Me For Real- K.A.S.A. and Rim Kwaku Obeng

Facebook has adopted a drastic bargaining position in its fight with Australia, blocking news from its platform rather than agreeing to a plan to pay for local journalism. Community groups, state health departments and even the Bureau of Meteorology have been caught out by the ban too, which came in overnight yesterday without warning. So is this just a negotiating tactic from Facebook? Or could it be forever? Today on The Signal, we ask who will blink first in the showdown over the Government's media bargaining code. Featured: Professor Axel Bruns, Digital Media Research Centre, Queensland University of Technology, Brisbane