Podcasts about nineties

Anyone here remember the steroids scandal in the early 90's that involved Vince McMahon and the WWF (now WWE)? No? Well one director did and decided to give his bizarre take on the subject matter.DISCLAIMER: Language and Spoilers!!SUPERFIGHTSdir. Siu-Hung Leungstarring: Brandon Gaines; Keith Vitali, Kelly Gallant

In this episode, it's time for our Year of the Nineties mainstream pick for July! This month's selection is the Oscar-winning historical epic, "Braveheart", directed by and starring Mel Gibson! Listen now!

A Western with an ALL STAR CAST! Kurt Russell, Val Kilmer, Powers Boothe, Biehn, Paxton, Elliott, Thornton, just everyone... did we mention Billy Zane? Gather round the campfire and open up that can of beans as we dig in to the classic 90's Western that is Tombstone!DISCLAIMER: Language and Spoilers!TOMBSTONEdir. George P. Cosmatos; Kevin Jarrecast: Kurt Russell; Val Kilmer; Michael Biehn

With Fantastic Four First Steps in cinemas, we head back to 1994 to take a deep-dive into the ORIGINAL Fantastic Four movie that has never been released! It's the movie Marvel didn't want ANYONE to ever see! In the Nineties a low-budget Fantastic Four movie was filmed, mostly finished, and then never released to the general public! Marvel Comics DESTROYED the film and tried to deny the movie existed, until bootleg copies began circulating the fandom and appearing online! What happened? Why was it ever made? Why did Marvel hate it? And why was it such a failure? This week Rob and Will take you on an incredible journey to an unexplored corner of the Marvel Universe! We'll take you behind-the-scenes on this wild movie-making story, and then we'll deep-dive the movie itself scene-by-scene! Plus, we explore the SHOCKING comic book history of the Fantastic Four in the 90s! For awesome bonus episodes visit https://www.patreon.com/marvelversusmarvel marvelversusmarvel@gmail.com https://www.instagram.com/marvelversusmarvel https://twitter.com/marvelversus https://twitter.com/robhalden https://robhalden.com https://will-preston.co.uk

With Fantastic Four First Steps in cinemas, we head back to 1994 to take a deep-dive into the ORIGINAL Fantastic Four movie that has never been released! It's the movie Marvel didn't want ANYONE to ever see! In the Nineties a low-budget Fantastic Four movie was filmed, mostly finished, and then never released to the general public! Marvel Comics DESTROYED the film and tried to deny the movie existed, until bootleg copies began circulating the fandom and appearing online! What happened? Why was it ever made? Why did Marvel hate it? And why was it such a failure? This week Rob and Will take you on an incredible journey to an unexplored corner of the Marvel Universe! We'll take you behind-the-scenes on this wild movie-making story, and then we'll deep-dive the movie itself scene-by-scene! Plus, we explore the SHOCKING comic book history of the Fantastic Four in the 90s! For awesome bonus episodes visit https://www.patreon.com/marvelversusmarvel marvelversusmarvel@gmail.com https://www.instagram.com/marvelversusmarvel https://twitter.com/marvelversus https://twitter.com/robhalden https://robhalden.com https://will-preston.co.uk

In this episode, we continue our Year of the Nineties selections for July with the 1998 yuppie-skewering comedy from writer/director Whit Stillman, "The Last Days of Disco", starring Chloe Sevigny and Kate Beckinsale! Listen now!

Elise preps for her '90s kegger party and Doree preps for a playdate at her house that Henry orchestrated. Then, they hear from listeners about the microjoy of lactase, how to celebrate milestone birthdays, what to do in LA for a weekend, and facial hair removal recs. To leave a voicemail or text for a future episode, reach Doree & Elise at 781-591-0390. You can also email the podcast at forever35podcast@gmail.com.Visit forever35podcast.com for links to everything they mention on the show or visit shopmyshelf.us/forever35.Follow the podcast on Instagram (@Forever35Podcast) and sign up for the newsletter at forever35podcast.com/newsletter. Hosted on Acast. See acast.com/privacy for more information.

Stallone, James Woods, Eric Roberts, and Sharon friggin' Stone star in this 90's action thriller that seems to not quite understand if it wants to be an erotic one as well. Get ready for an explosive good time where anything could be the bomb... DISCLAIMER: Language and Spoilers!THE SPECIALISTdir. Luis Llosastarring: Sylvester Stallone; Sharon Stone; James Woods

In this episode, it's time for our first Year of the Nineties pick for this month; the food-centered indie drama "Big Night", starring Stanley Tucci, Tony Shalhoub, Isabella Rossellini and Ian Holm! Listen now!

Dregs One is a lot of things, including a podcast host. In this episode, meet and get to know this prolific AF graffiti writer, hip-hop artist, and Bay historian. Dregs starts us off with the story of his parents. His paternal grandmother was abandoned as a child. Her mother, a Black woman, was raped by a white doctor. She moved to Chicago, where she met Dregs' grandfather, who was from Jamaica and, as Dregs puts, was a player. He, too, left the family, abandoning his grandmother after his dad was born. She tried ways of getting help to raise her son (Dregs' dad, who was 13), but ended up dropping him at an orphanage. Dregs' dad experienced racism in the Catholic orphanage in Chicago where he spent his teen years. Education helped him emerge from that darkness, though. He eventually became a police officer in Chicago, but left that job after experiencing more racism and rampant corruption. After that, his dad went on a spiritual quest that landed him in San Francisco. His parents met in The City, in fact, but we need to share Dregs' mom story. Her family was from Massachusetts. Her dad got into trouble when he was young, but managed to become a chemist. He helped develop the chemical process that went into Polaroid film, in fact. He later served in the Korean War before becoming an anti-war activist. He hosted the Boston Black Panthers in his home, in fact. His mom mostly rejected her white culture, owing to many things, including alcoholism. She hung out with Black folks and listened to Black music. She'd be one of or the only white folks in these circles. She went on her own spiritual journey that also ended up here. It was the Eighties in San Francisco when his parents met. Dregs is their only child, though he has some step-siblings through his dad. He says that despite his parents' turbulent relationship, they provided a nice environment for him to grow up in. Because both parents worked, and because he was effectively an only child, Dregs spent a lot of time alone when he was young. His dad got a master's degree and started counseling AIDS patients in The Castro. His mom worked a pediatric intensive care nurse. Though Dregs and I were both young at the time, we go on a sidebar to talk about how devastating the AIDS epidemic must've been. Dregs was born in the late-Eighties and did most of his growing up in the Nineties and 2000s in the Lakeview. Make no mistake, he says—it was the hood. Although he lived on “the best block of the worst street,” he saw a lot as a kid. His mom often got him out of their neighborhood, boarding the nearby M train to go downtown or to Golden Gate Park. His dad wasn't around a lot, so Dregs spent a lot of time hanging out with his mom. They went to The Mission, Chinatown, The Sunset, all over, really. Around fifth grade or so, when he started riding Muni solo, Dregs also got into comic books. He read a lot. He drew a lot. He played a little bit of sports, mostly pick-up basketball. As a born-and-raised San Franciscan, Dregs rattles off the schools he went to—Jose Ortega, Lakeshore Elementary, A.P. Giannini, and Lincoln. But when Dregs got into some trouble in high school, he was taken out and put back in. It was a turbulent period. He eventually graduated from International Studies Academy (ISA) in Potrero Hill. One of the adults' issues with young Dregs was his graffiti writing. For him, it was a natural extension of drawing. He remembered specific graffiti from roll-downs on Market Street he spotted when he was young. He says he was always attracted to the SF underworld. “It was everywhere you went.” Going back to those Muni trips around town with his mom, he'd look out the windows when they went through the tunnels and see all the graffiti, good art, stuff that he later learned that made SF graffiti well-regarded worldwide. While at A.P. Giannini, a friend of his was a tagger. In ninth grade, Dregs broke his fingers and had a cast. One friend tagged his cast, and it dawned on Dregs—he, too, could have a tag. After his first tagging adventure, Dregs ended up at his friend's house. The guy had two Technics turntables. He was in ninth grade, but his friend was already DJing. Among the music in his buddy's rotation was some local artists. “Whoa, this is San Francisco?” young Dregs asked. His mind was blown and his world was opening up. Check back next week for Part 2 with Dregs One. And look for a bonus episode on the San Francisco Art Book Fair later this week. We recorded this podcast in the Inner Richmond in June 2025. Photography by Nate Oliveira

Will and Matt discuss the film Ironheart, which is most definitely NOT the Disney+ MCU show of the same name, but rather a 90's action film wherein cult and fan favorite Bolo Yeung is drastically underused (especially for having been placed on the COVER ART OF THE VHS! -- it's cool, we're not bitter.) DISCLAIMER: Language and Spoilers!IRONHEARTdir. Robert Clousestarring: Britton K. Lee; Bolo Yeung; Richard Norton

In Part 2, we pick up where we left off in Part 1. Young Ed was studying at UC Davis and exploring his sexuality. He didn't consider himself bisexual, and instead thought that everyone was fluid. But he thought he had made a choice—that is, to be heterosexual. Part of that decision is that Ed always wanted a family of his own, and therefore, partnering with a woman was the only way to achieve that. But between relationships with women, Ed would visit “cruise-y bathrooms,” places known for their hookup potential. This was before the internet and smartphones. Stuff like this was word-of-mouth and need-to-know. But during his visits, Ed never hooked up with anyone. He says that he merely wanted to be adjacent to that world. After he graduated, Ed stayed in Davis. One day over coffee with a female friend at a lesbian cafe, his friend told him that she might be bi. He said he might be, too. She suggested that they “go to this club in San Francisco” where they could scratch that itch, so to speak. Ed says that The Box remains the most diverse array of folks in the LGBTQIA+ community he has ever been part of. And it wasn't diverse only on the sexuality spectrum. There were folks from all over the gender spectrum, too, he says. Ed watched men of various ethnic backgrounds dancing with one another and thought, ‘Why are those straight guys dancing with each other? Wait, they're not straight. Wait, I'm not straight.' So now he knew. But the question of whether and how to come out was a totally separate question. It was the mid-Nineties. Coming out was, in Ed's words, “really fucking scary.” He remembered that his dad, who has since come around and is loving and accepting of who his son is, often used homophobic slurs casually when Ed was a kid. Still, Ed summoned the courage and started telling folks. His mom was cool. His dad and brother were cool, too, but also probably confused. His friends shrugged him off in a very “no duh” kinda way. But there was that one member of his friend group for whom the news seemed not to sit well. Brad had been Ed's friend since seventh grade back in Hawaii. Three months after coming out to his friends, Brad let Ed know that he, too, wanted to come out of the closet, but that Ed had stolen his thunder. Laughs all around. Going back to that night at The Box, Ed met someone and they started dating. His new partner lived in Berkeley and Ed moved in (they had a roommate). Then Ed and that first boyfriend moved to the Tenderloin together, followed by a move to the Mission. Ed got a job teaching at Balboa High School in The City. He says he was so young (23) and blended in with students enough that on his first day, the principal at Balboa told him to get to class. Again, belly laughs. Ed loved teaching and did well at it. He lasted at Balboa from 1996 to 2001, teaching English as a second language to students from all over the world. The conversation shifts to the moment when Ed realized that San Francisco was home. Despite being here so long (since the mid-Nineties), Ed feels that SF is one of several places for him. Hawaii will always hold a place in his heart. He says that his sense of adventure and curiosity have him roaming around to other cultures regularly. But being married and having kids of his own grounds him in The City. One of his two children experiences mental health challenges, so that makes leaving tricky. All of that and community. Community keeps him here. I get it. One space Ed finds community is at The Social Study, where we recorded. It's his neighborhood bar, the place where bartenders know his drink without him ordering it. The spot where other regulars and semi-regulars ask him details about his life. Sure, he could find that in another part of town or in another city altogether. But right now, that community is his. And he relishes it. There's also his work. Aside from classroom teaching, Ed did some after-school work, education philanthropy work, and some other education-related jobs. Early in the pandemic, his non-binary older kid struggled. Ed says that in hindsight, he wished he had taken his child out of “Zoom school.” He wanted the kid to pick one topic, whatever they wanted, and learn that. They would spend time outside and hang out together. But that's not what happened. The teacher in Ed pushed his kid, over and over. Ed and his partner were able to find support groups around SF and the Bay Area that work with children who exhibit mental health issues. That helped, but he eventually realized that his own parenting needed help and support, because it wasn't meeting the moment. He sought that help, but wasn't impressed. He says it was mostly folks telling him what he was doing wrong, instead of being supportive and uplifting and actually teaching him. He found a couple of tools that served as Band-Aid solutions, but he was left looking and looking and looking for answers. He needed help that acknowledged and addressed his own traumas. And so he began working more or less on his own. One of his first discoveries was recognizing a moment, however short and fleeting, between his kid's stimulating action or words and Ed's reaction. If he could interrupt that automatic reaction and gain control of his own emotions, it would serve both himself and his kid. He worked on stretching out that time … from one second to two seconds and eventually to five. Once he got there, he could respond thoughtfully and lovingly vs. reacting. Realizing that he was able to overcome his shortcomings as a parent all on his own lead to Ed's founding of The Village Well. He'd met others who were aligned with his parenting experiences. He knew that if they created a space where folks in their situations could come for comfort and sharing and advice, they'd be doing the right thing. If you're interested in learning more, please visit The Village Well's website and follow them on social media @villagewellparenting. As we do at Storied: San Francisco, we end this podcast with Ed Center's take on our theme this season—keep it local. We recorded this podcast at The Social Study in June 2025. Photography by Jeff Hunt

In this episode, it's time for our mainstream Year of the Nineties pick for June; the 1993 drama "What's Eating Gilbert Grape", starring Johnny Depp, Juliette Lewis and Leonardo Dicaprio! Listen now!

Ed Center and I begin this podcast with a toast. I'm proud to call Ed my friend. I met him a couple years at The Social Study, where we recorded this episode and where my wife, Erin Lim, bartends. From the first time I spoke with Ed, I knew I liked him. His energy and humor and intellect and heart are all boundless. I'm hella drawn to people like Ed. His story begins in Cebu in the Philippines, with his maternal grandmother. Her family was poor and her parents died in the Spanish Flu of the 1910s. That loss plunged the surviving family members into what Ed describes as destitute poverty. Following that tragedy, her older brother signed up to work for the Dole company in Hawaii. Ed's grandmother was 13 at this time, but still, it was decided that she would accompany her brother to the islands to help care for him while he worked the pineapple fields and earned a wage. Ed points out that the Dole Food Company (as it was known at the time) intended these migrant workers to honor their contracts and then go back to their home countries. To that end, the company only hired young men. But Ed's family paid a stranger on their boat $20 to marry his grandmother so that she could join her brother in Hawaii. Ed goes on a sidebar here about the tendency in his family to exaggerate their own history. “Don't let the truth get in the way of a good story,” or so the family saying goes. He returns to the story of his maternal grandmother to share the tale of her younger sister being so distraught about the departure, she hugged her so hard that her flip-flop broke. It was her only pair of shoes. In the Filipino community on Oahu at the time, there was an outsize number of men in relation to women. When Ed's grandfather first set eyes on his grandma, he began to court her. A year later, they asked her older brother if they could get married, and he said no, that she was too young (14 at the time). But they got married anyway, with the understanding that they would wait two more years to live together. They moved in and Ed's grandmother had a new baby, including his mom, every other year for the next 20 years. Like her brother, his grandmother's new husband worked in the pineapple fields for Dole, doing incredibly hard labor. His grandma washed clothes for bachelor workers. The two saved their money and bought plantation property from Dole. The property was affordable enough that they were able to build multiple shacks for the kids to eventually live in. At this point, Ed launches into what he calls “the shadow story” of his family. He learned that shadow story when he was a kid and his mom and aunties were cooking in the kitchen. He'd sit just outside the room pretending to read a book, eavesdropping. There, he learned things like which family members were smoking pot or getting into trouble. But there are more serious elements, which prompts Ed to issue a trigger warning to readers and listeners. His grandmother didn't quite agree to go to Hawaii. When she told her brother no to the idea, he beat her. He did this repeatedly until she acquiesced. But it was in one of these violent melees that his grandmother's flip-flop broke. All this to say that Ed's grandmother didn't have much agency in her life decisions. The last two of her 10 children almost killed her. After number 10, the doctor gave Ed's grandfather an involuntary vasectomy. Ed shares the story of how, on plantation payday, the women and children would hide in the fields with the men guarding them. It was a way to try to protect them from workers in the next village getting drunk and coming in to cause trouble. He summarizes the family history to this point by pointing out the incredible amount of resilience his ancestors carried. Also strength and love. But also, violence. All of those qualities manifested in their and their children's parenting practices. Ed's mom raised her kids in this way. The severity of the abuse waned over generations, but it was there nonetheless. Ed says he was ultimately responsible for his mother's emotions. For many of these reasons, in his adult life, Ed founded The Village Well Parenting. We'll get more into that in Part 2. We back up for Ed to tell the story of how his mom and dad met each other. His dad was in the Army during the war in Vietnam. On a voyage to Asia, his boat took a detour and ended up in Hawaii, where he remained for the next five years. His parents got together and had Ed and his younger brother. They grew up among a much larger Filipino extended family, but Ed didn't really know his dad's Caucasian family, who lived on the East Coast. He's gotten to know them more in his adult life. Ed grew up on Oahu in the Seventies and Eighties. His family was between working class and middle class, and there was always stress about money. But in hindsight, they lived well. We share versions of a similar story—that of parents telling kids that Christmas would be lean, that they didn't have a lot of money (probably true), but that never ended up actually being the case. Both of our recollections was mountains of gifts on December 25. Growing up, Ed was always feminine. He was also athletic. It was a time before Ellen, before Will and Grace, when “athletic” also meant “not gay.” Ed says he wanted to be “not gay,” but he couldn't help who he was. That led to his getting bullied. Moving to the mainland for college meant escape—from his own torment and from that of his peers back on the island. Ed went to UC Davis. He had played competitive soccer in middle school and high school, and because his teams were good, they came to the mainland a couple times. But Davis was a whole other world by the time he arrived to go to college. It was the early Nineties. He took what we call a gap year before coming to California. For him, that meant working. In one of his jobs, he served tables at CPK in Hawaii, where Carol Burnett was one of his regulars. We end Part 1 with Ed's story of his time at UC Davis and not yet accepting his queerness. This Thursday on the podcast, I talk with Megan Rohrer about their new book on the Transgender District in San Francisco. And check back next week for Part 2 with Ed Center. We recorded this podcast at The Social Study in June 2025. Photography by Jeff Hunt

This week, we're settling into New England in the early 1960s with Cher and Bob Hoskins.SUPPORT THE SHOW: PATREONSHOP THE SHOW: TEE PUBLICFOLLOW THE SHOW: INSTAGRAM // TIKTOK // YOUTUBEEMAIL THE SHOW: abreathoffreshmovie@gmail.com    

In this episode, our Year of the Nineties continues as Nate and Adam review the 1996 western drama from writer/director John Sayles, "Lone Star", starring Chris Cooper! Listen now!

In this episode, our Year of the Nineties continues as Nate and Dylan discuss the highly-acclaimed drama from director Mike Leigh, "Naked", starring David Thewlis! Listen now

The amazingly talented, down-to-earth Dominique Gordon joins us this week—our second-ever guest in show history!

Legit watch this movie... Samuel L. Jackson leads, Paul Giamatti supports, directed by F. Gary Gray (Friday, Fate of the Furious, "Waterfalls" by TLC)... this movie has everything! Gun fights, double crosses, conspiracies... erm, and Kevin Spacey... BUT it's worth the watch!DISCLAIMER: Language and Spoilers!! ... and Kevin Spacey...THE NEGOTIATORdir. F. Gary Graystarring: Samuel L. Jackson; David Morse; Kevin Spacey

In this episode, it's time for another one of our monthly Roundup episodes! We go around the room and discuss the other movies we watched this month, including "Sinners" (2025), "Thunderbirds" (2025), "Birdman" (2014), "The Killing Fields" (1984) and more! We also preview upcoming June releases, and reveal our Year of the Nineties picks for the following month! Listen now!

In this episode, we continue our Year of the Nineties selections with the 1994 Western spoof, "Maverick", starring Mel Gibson, Jodie Foster and James Garner! Listen now!

Guest: Chad GentryOrganization: Nineties Worship Night ProductionsPosition: PresidentGuest: Jeff DeyoBand: SonicfloodPosition: Former Lead VocalistDocuseries Episode: Nineties Worship Night Docuseries Episode 1: Revival Fire Fall Website: ninetiesworshipnight.com

Guest: Chad GentryOrganization: Nineties Worship Night ProductionsPosition: PresidentGuest: Jeff DeyoBand: SonicfloodPosition: Former Lead VocalistDocuseries Episode: Nineties Worship Night Docuseries Episode 1: Revival Fire Fall Website: ninetiesworshipnight.com

The 1995 Casper movie turns 30 this week. Is this an nineties classic? Or is has it not aged well. Was it ever good? Lets find out as I review it with my cousin Monica.

The Nineties by Chuck Klosterman (2022)

Mike Irish is his actual name. Welcome to my episode with the current (it no longer works to say “new”) owner of one of my favorite places in San Francisco—Emmy's Spaghetti Shack. I'm not sure where to begin, but I suppose a sprinkle of backstory can't hurt. Back in 2022, I recorded an episode with Emmy Kaplan, then the owner and forever the founder of Emmy's. It was a fun interview, and through that chat with Emmy, we discovered that we had been across-the-street neighbors in the Mission back in the early 2000s. Fast-forward to summer 2024 when I applied to be on KQED's Check Please! Bay Area and rated Emmy's as my No. 1 pick among the three spots I proposed. Then a funny thing happened—before we shot the Check Please episode, Emmy sold her restaurant to one of the bartenders at the place—Mike Irish. That brings us to this episode. From the first time Erin and I met Mike at the bar at Emmy's, I knew I liked the dude. Now let's get to know Mike together as he approaches the one-year mark of owning his first restaurant, an SF institution. Mike was born in Houston, but he didn't stay there long. His dad ran catering trucks for restaurants, and soon moved around bit before settling in Arizona, in the Phoenix area, where Mike mostly grew up. He came of age in the late-Nineties/early 2000s. Being in Arizona, Mike tells us some of the things about life there that he just considered normal, things like wearing oven mitts to get into your car in the summer. It was hot, but swimming pools were easy to find. Sports was pretty central to young Mike's life. He played basketball, baseball, soccer, and other sports. His dad coached some of the teams he was on. He was a good kid. Basketball took over, eventually. He looked up to local players, especially Charles Barkley, whose number Mike shaved into his head. But after a couple years playing in high school, basketball started to fade and was replaced by theater and drama. Looking back, he calls it a “hard turn,” but we both recognize the plasticity of that age—the teen years. In his drama classes, Mike gravitated toward writing. He played guitar and wrote songs. He wrote a play for his school. All that young talent and creativity led to Mike and his friends making movies. He was also in bands playing mostly folk music. With all this going on, he met his first girlfriend. They dated briefly, didn't talk for 20 years years, and today are married. But we'll get to that later. Mike graduated from high school and went to New York City for college pretty much right away. He had visited NYC once before and liked it. He got into film school there, beginning a journey that lasted until three years ago or so. And so, for nearly 20 years, Mike Irish existed as a filmmaker in New York City. The school and his place were both in Manhattan. When he first arrived, he knew one guy from a band they'd both been in, and Mike was grateful for that. But of course they didn't become close in their new hometown, as they attended different schools and made new friends. Mike made student films, and kept going after he graduated. To survive and pay rent, he started bartending, something that, later in life, would prove crucial to where he is today. I ask him to name-drop some of the bars in New York where he worked. He rattles off several, then summarizes by saying he worked at possibly 50 different sports in NYC. We talk about the films he made over that almost two-decade span. Some won awards, both domestically and internationally. The most highly acclaimed of his movies was The Life of Significant Soil, which Mike says he's seen being played on airplanes. Another movie, Permanent Collection, premiered in San Francisco at the Roxie. Mike came out here for that and stayed for a week. That was February 2020, weeks before COVID shut The City and the world down. Going back to his first girlfriend, whom Mike had met in high school, she already lived in San Francisco. They had lost touch over the years. But she noticed his name on a movie showing at The Roxie and came out to the premiere. A reconnection was made, but Mike returned home to New York after that week. Still, the two kept in touch. Once it was possible, one would fly out to be with the other, either in New York or here in San Francisco. That eventually gave way to Mike's decision to move to The City. Check back next week for Part 2 and the conclusion of our episode about Mike Irish. We recorded this podcast at Emmy's Spaghetti Shack in the Mission in April 2025. Photography by Jeff Hunt

The Expert from 1995 stars Jeff Speakman, and that should sell this movie to you on its own... but it also has a James Brolin and Jim "Ernest" Varney! Ever wonder what would happen if you did an action film and add scenes from a horror film in an absolutely unbalanced plot? Wonder no more!!DISCLAIMER: Language and Spoilers!!THE EXPERTdir. Rick Avery; William Lustigstarring: Jeff Speakman; James Brolin; Jim Varney

If you're a fan of '90s music and want to unearth hidden gems from the Grunge era, check out this podcast episode. Celebrate the end of the segment 25 Years Ago in The Nineties by exploring a list of fake one-hit wonders. These would be songs that people mistakenly think musicians only had one mainstream popular hit but had more and continued to produce more hit music  

Matt and Daryl team up with Nicolas Cage (and Willem Dafoe) expert Darryl Edge to tackle one of the greatest action flicks of the Nineties, John Woo's Face/ Off. Darryl is the host of the Cage Rage podcast, and co-host of the Getting Dafoe You podcast. These are available via all good podcatchers, and they are a thorough recommend from Team Dano! You can find all season artwork designs (from the ridiculously talented Stephen Trumble) on our Teepublic store. We also have our old intro themes and interludes over on Bandcamp. The intro theme was performed by Daryl Bär. Please drop us a Five Star Review us at Apple Podcasts, or a Five Star Rating on Spotify. Find us on Twitter and Instagram (@ispauldanook), and drop us an email at ispauldanook@gmail.com 

A trip from Louisville to South Carolina is on tap for the April 2025 New Music Train. That means Adam Coop and Harris King and great new music picks. Adam discusses a new live album from Nineties favorites Soul Coughing, while Harris goes for new songs from Girl and Girl and Florist.  Rockin' the Suburbs on Apple Podcasts/iTunes or other podcast platforms, including audioBoom, Spotify, Google Podcasts, Amazon, iHeart,Stitcher and TuneIn. Or listen at SuburbsPod.com. Please rate/review the show on Apple Podcasts and share it with your friends. Visit our website at SuburbsPod.com Email Jim & Patrick at rock@suburbspod.com Follow us on the Threads, Facebook or Instagram @suburbspod If you're glad or sad or high, call the Suburban Party Line — 612-440-1984. Theme music: "Ascension," originally by Quartjar, next covered by Frank Muffin and now re-done in a high-voltage version by Quartjar again!  Visit quartjar.bandcamp.com and frankmuffin.bandcamp.com.

Tune in as Eric Miller sits down with Chad Gentry from Nineties Worship Night to uncover the heart behind a bold calling—making a documentary film series about the worship leaders and songwriters who shaped the '90s. Discover the untold stories, divine prompting, and the passion to bring these voices to life. It's not just nostalgia; it's the journey behind the songs that moved a generation. Don't miss it!   Watch Chad Gentry's first docuseries episode Revival Fire Fall on YouTube. To find out more about Nineties Worship Night, visit their website.    Click here to go to the official Revival Cry YouTube channel. To see the Revival Cry podcast on another streaming service, click here.   Listen to Revival Cry on Mango Radio every:  ⏵ Thursday evenings | 6:30pm — 7:00pm PHT ⏵ Saturday mornings | 6:30am — 7:00am PHT available at: ⏵ 102.7 FM (Davao)  ⏵ 91.5 FM (Zamboanga)  ⏵ or listen online via TuneIn   To support Revival Cry or find out more information, go to revivalcry.org Email us at info@revivalcry.org  Follow @RevivalCryInternational on Facebook and Instagram.   Purchase Eric's 30-Day Devotional Books:  ⏵ “How to Become a Burning Bush”, available in English and Italian ⏵ “Hearing God through His Creation”, available in English, Italian, Spanish, and Japanese

In this episode, we continue our Year of the Nineties picks for the month of May, with the 1994 drama from writer and director Atom Egoyan; "Exotica", starring Bruce Greenwood, Elias Koteas and Mia Kirshner! Listen now!

Will and Matt had SO much fun covering the first and last of the franchise, they decided to go back and visit the second! The 3 Ninjas are at it again... except... well... it's only one of the kids who returned to his role, but hey, Victor Wong is still in it! This time the ninjas decided to mix their antics with baseball and a trip to Japan... and potentially smuggling people? DISCLAIMER: Language and Spoilers!!3 NINJAS KICK BACKdir. Charles T. Kanganisstarring: Max Elliott Slade; Sean Fox; Evan Bonifant

Gina Davis and Matthew Modine in a pirate movie by Renny Harlin? What could possibly go wrong? Well... everything... Will and Matt review a film that tanked a studio!DISCLAIMER: Language and Spoilers!CUTTHROAT ISLANDdir. Renny Harlinstarring: Gina Davis; Matthew Modine; Frank Langella

In this episode, we kick off our Year of the Nineties selections for May with the 1991 dark comedy from director Terry Gilliam, "The Fisher King", starring Jeff Bridges, Robin Williams and Mercedes Ruehl! Listen now!

Who are the other singing drummers? Has Usher had a Cheryl Baker moment? Were Doop the Wagner of the Nineties? Can we shoehorn in a gratuitous Star Wars reference? And what's the current state of the Master Scoreboard? All will be revealed in our latest results bulletin! Hosted on Acast. See acast.com/privacy for more information.

In this episode, it's time once again for our monthly Roundup segment where we go around the room and discuss the other movies we watched in the month of April! This month included "Sinners" (2025), "Presence" (2025), "We Live in Time" (2024), "Heretic" (2024), "Jojo Rabbit" (2019), "Hot Fuzz" (2007), "Pather Panchali" (1955) and more! We also reveal our Year of the Nineties selections for May. Listen now!

Direct-to-video. Erotic thriller. Nineties vampires. Wings Hauser. These are just a few phrases we could use to describe Pale Blood, V. V. Dachin Hsu and Michael W. Leighton's underground vampire movie. Some of these descriptions — or maybe even all of them — would be enough to get the average horror fan to add Pale Blood to their watchlist. But is there more to the movie than nineties nostalgia? That, and so much more, is the focus of this episode with film critic and The Scares That Shaped Us host Matthew Jackson.

The Goo Goo Dolls -- John Reznick and Robby Takac -- join Phil and David for Buffalo Wings and a spicy and funny conversation with Buffalo, New York's greatest gift to rock & roll. John and Robby share amazing stories of their long and sometimes bumpy musical journey from Polka to Punk to massive success as a rock band starting in the Nineties. For more on Goo Goo Dolls and their Summer Anthem Tour 2025, go to https://www.googoodolls.com. To learn more about building community through food and "Somebody Feed the People," visit the Philanthropy page at philrosenthalworld.com. 

Introducing the Band:Your hosts Scot Bertram (@ScotBertram) and Jeff Blehar (@EsotericCD) are joined by Andrew Stuttaford. Andrew needs little introduction as the editor of NR's Capital Matters. Find him online right here at National Review or at @AStuttaford on Twitter/X.Andrew's Music Pick: Brian EnoHere he comes, the boy who tried to vanish to the future or the past. Yes, it's time for Political Beats to celebrate one of the most influential musicians in the history of modern recorded sound -- a man who, ironically enough, is at pains to characterize himself as a non-musician. Children of the Eighties and Nineties may primarily understand Brian Eno as the producer who took U2 to megastardom, but his work as a producer is properly only a footnote to his work as a songwriter and (most importantly of all) a conceptualist. Eno first achieved fame with Roxy Music as their "noise man," providing outrageous sounds alongside "treatments" -- electronic reprocessing -- of the rest of the group's instruments. But Roxy Music was ultimately pianist/vocalist Bryan Ferry's baby, and so Eno soon struck out on his own, for a solo career that would bring him into collaboration with some of the best and most innovative musicians of the Seventies as he put out a sequence of four "lyrical" albums which bent the definition of "popular music" well past its breaking point and into the avant-garde. At the same time, Eno was creating an entirely new genre of recorded sound: so-called "ambient" music, written and recorded in such a way as to (per his maxim) "reward your attention without demanding it."This, of course, is only the tip of the iceberg in a career that also includes brilliant songwriting collaborations with Robert Fripp, David Bowie, and Talking Heads among others. All of this and much more are discussed on a episode Political Beats has been waiting to do for eight years: Brian Eno played an enormous role in inventing the sonic world we still live in, and also made some of the most unexpectedly profound and beautiful music while doing so. We are lucky to be joined by NR's own Andrew Stuttaford for this episode, who lends particular credibility to the discussion as a fan from all the way back in 1972, during the Roxy years. Enjoy stepping into another (green) world.

Michael Biehn from Terminator and Park Joong-hoon from Nowhere to Hide face off against the Yakuza and a mafia led by Bob Pinciotti of That 70's Show... I mean that just sounds like it can't be bad... right? Right?DISCLAIMER: Language and Spoiler!AMERICAN DRAGONS/DOUBLE EDGEdir. Ralph Hemeckerstarring: Michael Biehn; Park Joong-hoon; Don Stark

Did you think Script Apart was going to let the 30th anniversary of one of the most iconic teen films ever just pass us by? In the words of Cher Horowitz – “as if.” On today's episode, we're joined by Amy Heckerling, the writer-director who, three decades ago this summer, gave Jane Austen's Emma a Beverly Hills makeover to remember. You may also know her for Fast Times at Ridgemont High, Look Who's Talking and Vamps, but Clueless is the film that she's best-known for – a Nineties treasure trove of high school hilarity that's still beloved today. So much so that a musical adaptation, also written by Amy, just opened in London's West End. In the conversation you're about to hear, Amy tells Al about the spirit of kindness that runs through the movie. We get into the TV pilot for Clueless – then titled No Worries – that was turned down across Hollywood, and discuss what was going on in Amy's life at the time of writing Clueless. The story of the film is one of a sunny optimist named Cher who's ready to take on the world. For Amy, though, that was hardly the case as she wrote the hit comedy. “I was feeling very depressed, which is how most stories start,” she teased in an interview in 2016. In this episode, she tells us why. Support for this episode comes from Final Draft.Script Apart is hosted by Al Horner and produced by Kamil Dymek. Follow us on Instagram, or email us on thescriptapartpodcast@gmail.com.To get ad-free episodes and exclusive content, join us on Patreon. Hosted on Acast. See acast.com/privacy for more information.

In this episode, we continue our Year of the Nineties with the controversial 1995 drama from director Paul Verhoeven, "Showgirls", starring Elizabeth Berkley, Kyle MacLachlan and Gina Gershon! Listen now!

Books are a bit like buses for author Abigail Johnson, who signed a two-book deal after taking a punt on a creative writing course during the pandemic. Fast forward a few years, and Abigail's debut novel The Secret Collector is out now. Jen catches up with Abigail to talk about loneliness, learning from our elders (and indeed youngers), and the best bug that never happened. The Secret Collector is available now. Learn more about your ad choices. Visit megaphone.fm/adchoices

Spin Doctors have their first album out in 12 years, Face Full of Cake — and it's quite good. Lead singer Chris Barron joins host Brian Hiatt to go deep on the band's Nineties triumphs and mistakes, why he doesn't envy Phish, and much more. Learn more about your ad choices. Visit podcastchoices.com/adchoices

durée : 00:57:37 - "My Old Flame" (Arthur Johnston / Sam Coslow) (1934) - par : Laurent Valero - "Chanson écrite pour le film de Leo McCarey "Belle of the Nineties". Le personnage principal, est une chanteuse incarnée par Mae West. Chanson écrite pour elle par le parolier Sam Conslow et c'est elle qui imposa Duke Ellington pour l'accompagner à l'image dans le rôle du pianiste." Laurent Valero

On today's show we chat with Chad Gentry with Nineties Worship Night!Nineties Worship Night is a movement created by husband and wife worship leaders Chad and Karen Gentry. The Nineties Worship Night brand includes a Docuseries, Podcast, Music, Record Label, and Live Events.The Docuseries airs episode one on April 4th on YouTube!ninetiesworshipnight.com@ninetiesworshipnightchristianmusicguys.com@christianmusicguys

On his mom's side, Woody LaBounty's San Francisco roots go back to 1850. In Part 1, get to know Woody, who, today, is the president and CEO of SF Heritage. But he's so, so much more than that. He begins by tracing his lineage back to the early days of the Gold Rush. His maternal great-great-great-grandfather arrived here mid-Nineteenth Century. Woody even knows what ship he was on and the exact day that it arrived in the recently christened city of San Francisco. On Woody's dad's side, the roots are about 100 years younger than that. His father grew up in Fort Worth, Texas (like I did). His dad's mom was single and fell on hard times in Texas. She came to San Francisco, where she had a step-brother. Woody's parents met at the Donut Bowl at 10th Avenue and Geary Boulevard (where Boudin Bakery is today). Donut Bowl was a combination donut shop/hot dog joint. At the time the two met, his dad worked as a cook there and his mom was in high school. His mom and her friends went to nearby Washington High and would hang out at the donut shop after school. The next year or so, his parents had their first kid—Woody. They came from different sides of the track, as it were. Woody's mom's family wasn't crazy about her dating his working-class dad, who didn't finish high school. But once his mom became pregnant with Woody, everything changed. The couple had two more sons after Woody. One of his brothers played for the 49ers in the Nineties and lives in Oregon today. His other brother works with underserved high school kids in New Jersey, helping them get into college. Woody shares some impressions of his first 10 years or so of life by describing The City in the mid-Seventies. Yes, kids played in the streets and rode Muni to Candlestick Park and The Tenderloin to go bowling. It was also the era of Patty Hearst and the SLA, Jonestown, and the Moscone/Milk murders. But for 10-year-old Woody, it was home. It felt safe, like a village. Because I'm a dork, I ask Woody to share his memories of when Star Wars came out. Obliging me, he goes on a sidebar about how the cinematic phenomenon came into his world in San Francisco. He did, in fact, see Star Wars in its first run at the Coronet. He attended Sacred Heart on Cathedral Hill when it was an all-boys high school. He grew up Catholic, although you didn't have to be to go to one of SF's three Catholic boys' high schools. Woody describes, in broad terms, the types of families that sent their boys to the three schools. Sacred Heart was generally for kids of working-class folks. After school, if they didn't take Muni back home to the Richmond District, Woody and his friends might head over to Fisherman's Wharf to play early era video games. Or, most likely, they'd head over to any number of high schools to talk to girls. Because parental supervision was lacking, let's say, Woody and his buddies also frequently went to several 18+ and 21+ spots. The I-Beam in the Haight, The Triangle in the Marina, The Pierce Street Annex, Enrico's in North Beach, Mabuhay Gardens. There, he saw bands like The Tubes and The Dead Kennedy's, although punk wasn't really his thing. Woody was more into jazz, RnB, and late-disco. We chat a little about café culture in San Francisco, something that didn't really exist until the Eighties. To this day, Woody still spends his Friday mornings at Simple Pleasures Cafe. And we end Part 1 with Woody's brief time at UC Berkeley (one year) and the real reason he even bothered to try college. Check back next week for Part 2 with Woody LaBounty. And this Thursday, look for a bonus episode all about We Players and their upcoming production of Macbeth at Fort Point. We recorded this episode in Mountain Lake Park in March 2025. Photography by Jeff Hunt

A new book, Lollapalooza: The Uncensored Story of Alternative Rock's Wildest Festival, is full of fascinating unearthed stories about the most important festival of the 1990s. Authors Richard Bienstock and Tom Beaujour join host Brian Hiatt to break down some of the book's best moments: Eddie Vedder joining the freak show, Sinead O'Connor freaking out Courtney Love, Nine Inch Nails' equipment literally melting down onstage, and much more Learn more about your ad choices. Visit podcastchoices.com/adchoices

To get live links to the music we play and resources we offer, visit www.WOSPodcast.comThis show includes the following songs:Kim Gentry Meyer - This Isn't Heaven FOLLOW ON SPOTIFYNaomie Celeste - Thank You FOLLOW ON SPOTIFYSierrah Garcia - Where I'm Standing FOLLOW ON SPOTIFYNatalie Grace - You Stayed FOLLOW ON SPOTIFYTammie Lecque - Thank You Lord Reloaded FOLLOW ON SPOTIFYSharon Hock - Saved FOLLOW ON SPOTIFYDianne Forte - God Sees Your Heart FOLLOW ON SPOTIFYNineties Worship Night - Hungry FOLLOW ON SPOTIFYThonia - You Remain KDMusic x Gillian Brown - How Lovely Is Thy Dwelling Place FOLLOW ON SPOTIFYRachael Mann - Control FOLLOW ON SPOTIFYNina Grace - Overcome FOLLOW ON SPOTIFYRichelle Heacock & Mike Roy - YET (Feat. Richelle Heacock) FOLLOW ON SPOTIFYHekla Goodman - yahweh FOLLOW ON SPOTIFYOge Stan - Emmanuel FOLLOW ON SPOTIFYFor Music Biz Resources Visit www.FEMusician.com and www.ProfitableMusician.comVisit our Sponsor Diane Forte at https://open.spotify.com/artist/6wArhqufGyqcm5K3mR6WhK?si=4bw6Ti0kSECuGSnePo1FNQVisit our Sponsor Profitable Musician Newsletter at profitablemusician.com/joinVisit our Sponsor Kick Bookkeeping at http://profitablemusician.com/kickVisit our Sponsor Track Stage at https://profitablemusician.com/trackstageVisit www.wosradio.com for more details and to submit music to our review board for consideration.Visit our resources for Indie Artists: https://www.wosradio.com/resourcesBecome more Profitable in just 3 minutes per day. http://profitablemusician.com/join