Podcasts about nineties

Cultural critic Chuck Klosterman — author of But What If We're Wrong?, The Nineties, and now a new book simply titled Football — joins the Chuck Toddcast for a fascinating, genre-bending conversation that's part memoir, part sports analysis, and part thought experiment about how a singular American obsession will be remembered centuries from now. Klosterman frames the book as a "living obituary" for football, working from his signature premise that over enough time, almost everything fades until a single simplified narrative is all that survives — and that football, despite being the one true common denominator of the modern American experience (it overtook baseball as the most popular sport by the 1970s, even though people at the time didn't realize it), will almost certainly not remain central to the culture a few decades from now. He and Chuck explore how perception dramatically changes over time , how the internet has fundamentally altered our relationship with time itself, and why arguments against the internet today sound exactly like the arguments people once made against television. Klosterman, who only half-jokingly says his "beat" these days is simply reality, argues that we now consume social media on the working assumption that what we're seeing isn't real — a profound shift in how humans relate to information. The conversation winds through some genuinely original territory about why football works the way it does and what its eventual decline might look like. Klosterman argues football is a fundamentally cerebral sport with intense but widely dispersed moments of action (the Wall Street Journal famously found only 11 minutes of actual action in a three-hour broadcast), that its sheer complexity and total absence of free-flowing movement is exactly why it's never exported well, and that it nearly became a literal embodiment of American exceptionalism. He and Todd dig into whether the NFL can over-expand into a 12-month product, why football is the one American sport that could plausibly survive on pay-per-view, and how the league walks a razor's edge between the maximum physicality fans crave and the safety changes that are slowly, quietly trying to remove hitting from the game — even as the ever-present risk of injury is precisely what raises the stakes and makes it so engaging. There's a wonderful tangent on COVID and 9/11 as the two great timeline-dividing events of the modern era (one slow and shared globally, one sudden and strange), including Chuck's own reflection that the pandemic was unexpectedly a bonding experience with his kids. Klosterman closes by previewing his next book — an alternate history of rock and roll — and delivering a characteristically provocative argument that rock effectively ended as a meaningful art form in the 1990s, that having access to all the music ever recorded has paradoxically led people to listen to the same 600 songs, and that he genuinely regrets ever getting rid of his CD collection, because the day may come when streaming services are broken up and no longer contain all the music in the world. Link in bio or go to https://getsoul.com & enter code TODDCAST for 30% off your first order. Protect your family with life insurance from Ethos. Get up to $3 million in coverage in as little as 10 minutes at https://ethos.com/chuck. Application times may vary. Rates may vary. Timeline: (Timestamps may vary based on advertisements) 00:00 Chuck Klosterman joins the Chuck ToddCast 01:00 Football is partially memoir, part description of football 03:30 The process of writing the book 05:00 It was like Chuck was “trying to build his brain in public” 07:15 The thought exercise of how football will be remembered in 200 years 08:00 Over time, some things stick and others fade away until one thing is left 08:45 It’s easier to understand a singular narrative 09:30 If something remains in the zeitgeist after 60 years, it has true staying power 12:00 Arguments against the internet sound like arguments against TV 13:45 What do you consider “your beat” these days? Reality. 15:00 Consuming social media with assumption what you’re seeing isn’t real 16:15 Book is a living obituary for football. Eventually, it won’t be central to culture 17:00 By the 1970’s football was the most popular sport, people thought it was baseball 18:15 Football is the one common denominator of the American experience 19:15 In a few decades, football will likely no longer be central to our society 20:30 The perception of Woodrow Wilson changed well after his death 22:00 Perception can dramatically change over time 22:45 How much time should pass before writing about a historical event? 24:15 The internet has changed our relationship with time 25:30 Diving the timeline into pre and post 9/11 and pre/post Covid 26:45 The COVID experience was slow, 9/11 happened suddenly 28:00 People forget how weird the two weeks after 9/11 were 29:30 Covid was a bizarre experience, everyone focused on same thing 30:15 Covid truly the first global event, shared by everyone 31:30 Covid was actually a bonding experience for Chuck Todd with his kids 33:30 History may look back at Covid very differently than we do now 38:15 Will football end as the cultural glue when television ends? 38:45 Cost of TV advertising is not worth the ROI for many companies 39:30 NFL + college football are of the mindset that they can only expand 40:30 Football is our only sport that could survive on a PPV basis 42:15 The majority of people who love football didn’t play it 43:00 Sports show how capitalism operates in a way that’s dangerous 45:45 Complexity has made American football hard to export 46:45 There’s no freedom of movement in football. It’s all planned 48:00 Why hasn’t Rugby caught on in America? 48:45 Football almost became an embodiment of American exceptionalism 49:45 WSJ studied football and found there’s only 11 mins of action in 3 hours 51:45 Football is a mostly cerebral sport with intense, dispersed moments of action 52:45 How important is it that football is in fall and winter? 53:30 People can now escape nature, but nature is very determinative in football 56:30 Most people don’t experience physicality and football demands it 57:30 Is it possible for the NFL to overexpand? Could it become a 12 month experience? 59:30 Owners want to host a Super Bowl, all stadiums will likely have a roof in 20 years 1:01:45 Football will have value as a distraction, but it needs meaning to stay powerful 1:03:00 Attending football games has gotten increasingly expensive 1:04:30 Safety changes have changed the nature of the game 1:05:00 The dream may be to slowly remove the hitting from the game 1:05:30 Fans used to revel in the hard hits, now they’re turning away 1:06:15 The risk of injury raises the stakes, makes it more engaging 1:08:15 NFL walks the line between max physicality and not turning fans off 1:11:00 What is your next book? Alternate history of Rock n Roll 1:13:45 Rock as a meaningful artform ended in the 90s 1:16:00 People have access to all the music in the world, listen to same 600 songs 1:18:30 Regret getting rid of the CD collection 1:19:15 Eventually streaming services could get broken up, not have all musicSee omnystudio.com/listener for privacy information.

Chuck Todd opens with the grim news that the Iran conflict is hot again as both sides resume exchanging strikes — and his blunt assessment is that nothing has actually changed since Trump was begging for a deal a month ago. He argues Trump has mismanaged this war from the very beginning with no clear goal, that he and Israel started it with vastly different objectives, and that he stubbornly refuses to accept a deal that looks like the one Obama got even though that's the only realistic off-ramp available. The brutal truth, Chuck says, is that Trump can't airstrike his way to victory, and if he was never willing to commit ground troops, he never should have started the war in the first place — the Iranians now hold more leverage than the United States, and it's entirely Trump's fault that they do. He delivers one of his sharpest character indictments yet, arguing Trump "failed upwards" to the most powerful job on earth and is now half-assing his way through the presidency the same way he half-assed his way through life, while Vance and Rubio scramble to avoid any ownership of the war.With inflation rising for a third straight month, Chuck sees no path for any of this to improve before the midterms. But the heart of the episode is a deep, genuinely illuminating dive into a new Pew survey that Chuck calls possibly the best available tool for understanding the actual American electorate — one that shatters the illusion created by social media. The data reveals nine distinct political archetypes (three on the left, three in the middle, three on the right), that the ideological extremes make up only about 15% of the country and are the whitest segments, and that the loud, combative bases dominating online discourse aren't remotely close to a majority. The middle, he notes, is a full 38% of the electorate, with the center-left as the single largest group; the Reagan Republican coalition is measurably gone, reduced to just 11%; the civil war inside the American left is already underway with skeptical progressives who'll never vote Republican but may simply not vote at all; and the MAGA-religious right remains a fortress of reliable voters, with erosion showing up in exactly one place — younger voters. His takeaway is the one that should reshape how both parties think: the persuadable middle is repulsed most by the far left and far right, the party bases are precisely what cause the parties to struggle electorally, and the opportunity for independents has genuinely never been better — because what happens online simply is not reflective of who actually shows up to vote. Then, cultural critic Chuck Klosterman — author of But What If We're Wrong?, The Nineties, and now a new book simply titled Football — joins the Chuck Toddcast for a fascinating, genre-bending conversation that's part memoir, part sports analysis, and part thought experiment about how a singular American obsession will be remembered centuries from now. Klosterman frames the book as a "living obituary" for football, working from his signature premise that over enough time, almost everything fades until a single simplified narrative is all that survives — and that football, despite being the one true common denominator of the modern American experience (it overtook baseball as the most popular sport by the 1970s, even though people at the time didn't realize it), will almost certainly not remain central to the culture a few decades from now. He and Chuck explore how perception dramatically changes over time , how the internet has fundamentally altered our relationship with time itself, and why arguments against the internet today sound exactly like the arguments people once made against television. Klosterman, who only half-jokingly says his "beat" these days is simply reality, argues that we now consume social media on the working assumption that what we're seeing isn't real — a profound shift in how humans relate to information. The conversation winds through some genuinely original territory about why football works the way it does and what its eventual decline might look like. Klosterman argues football is a fundamentally cerebral sport with intense but widely dispersed moments of action (the Wall Street Journal famously found only 11 minutes of actual action in a three-hour broadcast), that its sheer complexity and total absence of free-flowing movement is exactly why it's never exported well, and that it nearly became a literal embodiment of American exceptionalism. He and Todd dig into whether the NFL can over-expand into a 12-month product, why football is the one American sport that could plausibly survive on pay-per-view, and how the league walks a razor's edge between the maximum physicality fans crave and the safety changes that are slowly, quietly trying to remove hitting from the game — even as the ever-present risk of injury is precisely what raises the stakes and makes it so engaging. There's a wonderful tangent on COVID and 9/11 as the two great timeline-dividing events of the modern era (one slow and shared globally, one sudden and strange), including Chuck's own reflection that the pandemic was unexpectedly a bonding experience with his kids. Klosterman closes by previewing his next book — an alternate history of rock and roll — and delivering a characteristically provocative argument that rock effectively ended as a meaningful art form in the 1990s, that having access to all the music ever recorded has paradoxically led people to listen to the same 600 songs, and that he genuinely regrets ever getting rid of his CD collection, because the day may come when streaming services are broken up and no longer contain all the music in the world. Finally, he answers listeners’ questions in the “Ask Chuck” segment. Link in bio or go to https://getsoul.com & enter code TODDCAST for 30% off your first order. Protect your family with life insurance from Ethos. Get up to $3 million in coverage in as little as 10 minutes at https://ethos.com/chuck. Application times may vary. Rates may vary. Timeline: (Timestamps may vary based on advertisements) 00:00 Chuck Todd’s introduction 03:00 The conflict in Iran is active again as sides exchange strikes 04:00 Situation hasn’t changed since Trump begged for deal a month ago 04:45 Trump has mismanaged this war from the beginning, no clear goal 05:30 Trump refuses to accept a deal similar to the one Obama got 06:45 Trump + Israel started the war, but had vastly different objectives 08:45 New report shows inflation is going up for third straight month 09:45 Trump can’t airstrike his way into victory 11:00 If he wasn’t willing to commit ground troops, he shouldn’t have started war 11:45 Trump failed upwards to the most powerful job on earth 12:45 Trump half-assed his way through life, thinks he can do that as president 13:30 Vance & Rubio want no ownership of the Iran war 14:30 The Pentagon is instituting christian nationalist protocols 16:00 Trump is in a quagmire, Iranians know he needs a deal more than them 18:00 The Iranians have more leverage and it’s Trump’s fault that they do 19:30 There’s no way this gets better for the country by the midterms 21:15 New report categorizes Americans political views, most people in the middle 22:00 The extremes are only about 15% of the elecorate & are the whitest 22:45 The loudest parts of the bases aren’t close to the majority 23:30 Democrats have to win more moderate to win than the right 25:00 This Pew survey is possibly the best tool to understand the electorate 26:15 How the survey was conducted 29:15 The Reagan Republican coalition is measurably gone 30:30 There 9 different American political archetypes, 3 on left, middle & right 31:15 Breakdown of American left, which is 30% of the country 33:45 Breakdown of American right, core MAGA voters most likely to vote 35:30 The young right is a bit checked out on politics, don’t always vote 36:30 The middle is 38% of the electorate, center left is largest group 37:45 Remnants of the Reagan coalition is only 11% of the electorate 39:30 The “tuned out middle” is 9% of the electorate, minority of them vote 40:30 The civil war inside the American left is already underway 41:30 Progressives are still skeptical of the Democratic party 43:00 Progressives will never vote Republican, but may not vote 44:15 The MAGA + religious right is a fortress of voters that show up 45:15 Support for Trump amongst younger voters is the one place showing erosion 46:00 The establishment right is politically homeless and persuadable 48:45 The “polite right” demographically best reflects America, but is oldest 50:00 The “checked out middle” isn’t reachable or persuadable 50:30 The far left and right are most repulsive to the persuadable middle 51:15 The bases are what cause the parties to struggle electorally 53:00 The opportunity for independents has never been better 54:15 What happens online is not reflective of the majority of the electorate 1:04:00 Chuck Klosterman joins the Chuck ToddCast 1:05:00 Football is partially memoir, part description of football 1:07:30 The process of writing the book 1:09:00 It was like Chuck was “trying to build his brain in public” 1:11:15 The thought exercise of how football will be remembered in 200 years 1:12:00 Over time, some things stick and others fade away until one thing is left 1:12:45 It’s easier to understand a singular narrative 1:13:30 If something remains in the zeitgeist after 60 years, it has true staying power 1:16:00 Arguments against the internet sound like arguments against TV 1:17:45 What do you consider “your beat” these days? Reality. 1:19:00 Consuming social media with assumption what you’re seeing isn’t real 1:20:15 Book is a living obituary for football. Eventually, it won’t be central to culture 1:21:00 By the 1970’s football was the most popular sport, people thought it was baseball 1:22:15 Football is the one common denominator of the American experience 1:23:15 In a few decades, football will likely no longer be central to our society 1:24:30 The perception of Woodrow Wilson changed well after his death 1:26:00 Perception can dramatically change over time 1:26:45 How much time should pass before writing about a historical event? 1:28:15 The internet has changed our relationship with time 1:29:30 Diving the timeline into pre and post 9/11 and pre/post Covid 1:30:45 The COVID experience was slow, 9/11 happened suddenly 1:32:00 People forget how weird the two weeks after 9/11 were 1:33:30 Covid was a bizarre experience, everyone focused on same thing 1:34:15 Covid truly the first global event, shared by everyone 1:35:30 Covid was actually a bonding experience for Chuck Todd with his kids 1:37:30 History may look back at Covid very differently than we do now 1:42:15 Will football end as the cultural glue when television ends? 1:42:45 Cost of TV advertising is not worth the ROI for many companies 1:43:30 NFL + college football are of the mindset that they can only expand 1:44:30 Football is our only sport that could survive on a PPV basis 1:46:15 The majority of people who love football didn’t play it 1:47:00 Sports show how capitalism operates in a way that’s dangerous 1:49:45 Complexity has made American football hard to export 1:50:45 There’s no freedom of movement in football. It’s all planned 1:52:00 Why hasn’t Rugby caught on in America? 1:52:45 Football almost became an embodiment of American exceptionalism 1:53:45 WSJ studied football and found there’s only 11 mins of action in 3 hours 1:55:45 Football is a mostly cerebral sport with intense, dispersed moments of action 1:56:45 How important is it that football is in fall and winter? 1:57:30 People can now escape nature, but nature is very determinative in football 2:00:30 Most people don’t experience physicality and football demands it 2:01:30 Is it possible for the NFL to overexpand? Could it become a 12 month experience? 2:03:30 Owners want to host a Super Bowl, all stadiums will likely have a roof in 20 years 2:05:45 Football will have value as a distraction, but it needs meaning to stay powerful 2:07:00 Attending football games has gotten increasingly expensive 2:08:30 Safety changes have changed the nature of the game 2:09:00 The dream may be to slowly remove the hitting from the game 2:09:30 Fans used to revel in the hard hits, now they’re turning away 2:10:15 The risk of injury raises the stakes, makes it more engaging 2:12:15 NFL walks the line between max physicality and not turning fans off 2:15:00 What is your next book? Alternate history of Rock n Roll 2:17:45 Rock as a meaningful artform ended in the 90s 2:20:00 People have access to all the music in the world, listen to same 600 songs 2:22:30 Regret getting rid of the CD collection 2:23:15 Eventually streaming services could get broken up, not have all music 2:26:00 Chuck’s thoughts on interview with Chuck Klosterman 2:27:00 Ask Chuck 2:27:15 Thoughts on private equity getting involved in college sports? 2:36:00 Why does ballot counting get overcovered by the media? 2:38:45 Will the incoming shortfall for social security affect the election? 2:42:15 How do you reconcile candidates with character shortfalls & their policies? 2:48:30 Should voters assess media narratives & bias in reporting about Platner? 2:54:00 Does the media need to do a better job explaining how votes come in? 2:59:30 How should presidents approach attending big sports events?See omnystudio.com/listener for privacy information.

Painter George, aka George Harry Crampton-Glassanos, is fine if you wanna call him just "George." In this episode, meet and get to know George. Both of his parents came to San Francisco early in their lives. His mom hails from the East Coast and her family were all working-class folks. His grandpa was a business agent for a machinist's union in Massachusetts. That grandfather shaped George's later involvement in organized labor. (Today, he's a member of the ILWU). George never knew this grandparent who had an outsize impression on him. He died shortly after George was born. But in Massachusetts, in addition to his union involvement, he owned a store that sold records on one half and hats on the other. His dad moved to San Francisco from the Midwest to attend school at the Art Institute (RIP). He got into that school and often slept overnight on a ledge on campus. Both of George's parents were punk rockers in SF in the late-Seventies. Amazing. His dad even lived with the guitarist from The Avengers (Penelope Houston's punk band). Though they would meet later, both spent time at the famed Mabuhay Gardens back in the day. George's dad was a painter as well, and that turned out to have a huge influence on George. His parents met when his mom got a job with his dad's construction working crew. This was around the mid-Eighties. George came along in 1989. After that, his parents had two more boys, making George the oldest of three. His earliest memories are from around the mid-Nineties in The Mission. George spent time when he was a kid running around The Mission and pre-gentrification Dogpatch with his dad. They lived on 18th between San Carlos and Lexington (or, zooming out a bit, between Mission and Valencia). That's two blocks from where I lived from 2003 to 2017, incidentally. But George's family got evicted from that apartment on 18th. The building sold and the new owners evicted tenants one by one, including families like George's. Both of his brothers were born in that apartment. His dad had made modifications there, handyman that he was. And George was old enough to remember all the awesome neighbors they had. I ask George about his favorite restaurants when he was a kid. "I fuckin' ate burritos every night of the week," he answers. He'd hit up nearby La Cumbre or El Buen Sabor around 300 times a year. Whiz Burger also figured big in George's childhood diet. There was a diner across 16th from The Roxie called Aunt Mary's (George shows me a coin purse from the place while we're recording) that he loved as well. Art was always encouraged at home. George's dad would bring home boxes of fax paper for him to draw on with ballpoint pens. He'd draw and draw and draw, often of things he saw. He remembers staring out the window of their place on 18th and watching cars go by, and he'd draw those. But it wasn't until high school at School of the Arts that George really started cranking it out. At SOTA, teachers encouraged George to draw whatever the hell he wanted to. He remembers drawing a skeleton pushing a paleta cart. When George tells me he attended SOTA 2004–2008, I mention that a number of past guests of this show went there around that time. "[The school] churned out a lot of us," he says. Joe Talbot, who co-wrote, produced, and directed The Last Black Man in San Francisco, went to SOTA in that era. George goes on a sidebar to share a story of getting caught smoking pot by a SOTA vice principal. I ask him to rattle off the SF schools he went to, and George obliges. Waldorf in The Mission for Kindergarten, then a Waldorf school in Pac Heights through eighth grade. They wanted him to attend their high school, but he chose SOTA instead. The Waldorf schools also encouraged art, which George appreciated. The social dynamics could be strange, though. You'd have kids like him who got into that school thanks to financial aid being classmates with kids who lived in mansions. After eighth grade, he needed a change. After he graduated from School of the Arts, George took some classes at City College. He'd been working summers painting houses for his dad, and eventually, college tailed off so he could work more. It also gave George more time for his artistic painting. This was about 20 years ago, and since then, he's been painting murals, hanging out with graffiti painters, doing work on Clarion Alley, and working with Precita Eyes to paint various houses and walls in The Mission. I ask whether George's art has evolved over the years. After thinking it over, he talks about the influence of cars and his mom and dad's comic book collections. He loved his mom's underground comics collections, and talks about going down to 23rd Street with them to Scott's Comics and Cards and SF Comic Book Co. next door. George points to artists like Spain Rodriguez, R. Crumb, and the Hernandez Brothers as having shaped his art from a young age. He'd go to Avalon on Mission for iron-on old English letters to have put on hats. The cholo influence of his neighborhood was seeping in, and George ran with it. The gumball machines on Mission with their foil stickers also played a part. He'd take those stickers home, many with images of cars on them, and draw from them. And of course the cars cruising Mission Street caught his artistic eye. George also touches on some of the violence he witnessed in The Mission in the Nineties, when he was a kid. George and his friends got around on skateboards, beater bikes, and Muni. He's quick to point out how, back in the day, you could take the 26-Valencia if you wanted to avoid potential trouble on the 14-Mission. I ask whether George got into any trouble himself. He says mostly harmless stuff like shoplifting. That was before his aforementioned time at School of the Arts. George has mixed feelings about the art scene, and I get it. He's had his art in shows, but prefers bookstores or community-oriented spaces vs. white-walled galleries. He doesn't feel like the audience that goes to those spaces is his. When he talks about painting at home after a long day at work, I ask George to talk about that work. He's currently part of a crew painting the new container cranes in the Port of Oakland. The ILWU is assembling the cranes and George and others use marine enamels to make the cranes look good. We end the podcast with how you can find George and his art. "You can find me on 24th Street," he says. No website. He's on Instagram at @paintergeorge415. We recorded this podcast at George's home in South San Francisco in April 2026. Photography by Nate Oliveira

Ein bewegender Abschiedsbrief. Warum ignoriert der Kanzler die ideale Vorlage für Reformen? Bushido als Philosoph. Paul und Hajo Schumacher bitten zur frischen Wochenschau aus dem Schöneberger Hinterhofstudio mit diesen Themen: Tlump in China. Die Timmy-Täuschung. Was Thomas de Maizière bei Maischberger verriet und weiterer relevanter Smalltalk. Neoliberal ist so Nineties. Verwünschungen gegen tückische Laufrad-Diebe. Hanta-Maria. Kirchenasyl in Bayern. Pädophilen-Mafia auf Kreuzfahrtschiff? Havel wird renaturiert. Ist effektiver Altruismus effektiv? "Wird schon" geht nicht. Plus: Geheimtipp Holger mit "Papa Con Salsa". Staffel 2, Folge 40.Shownotes:Hier den kostenlosen Newsletter abonnierenDie MutMacher auf steady unterstützenHier gehts direkt zu Suses Workshops Der MutMachPodCast auf InstagramPodcast Elefantenrunde mit Frank Stauss und HajoPauls Band Udo Butter und das Team mit allen AuftrittsterminenBücher:Suse SchumacherDie Psychologie des Waldes, Kailash Verlag, 2024Michael Meisheit + Hajo SchumacherLaufende Ermittlungen - großartige Krimi-Reihe mit dem Berliner Kommissar Peer Pedes.Band 1, 2 und 3 erscheinen bei Droemer Knaur. Band 3 in wenigen Wochen.Kostenlose Meditationen für mehr Freundlichkeit (Metta) und Gelassenheit (Reise zum guten Ort) unter suseschumacher.deWir bedanken uns bei Markus C. Hurek für das tolle Coverfoto. Hosted on Acast. See acast.com/privacy for more information.

Send us Fan MailMerch - https://prettycool.printify.me/Patreon - https://www.patreon.com/c/PrettyCoolIGuessAnaconda - 1997Director - Luis LlosaWriters - Hans Bauer, Jim Cash, Jack Epps JrMusic - Randy EdelmanStars:Jennifer LopezIce CubeJon VoightEric StoltzOwen WilsonKari WuhrerJonathan HydeVincent Castellanos

This week on the Just Sayin podcast we are joined by the hilarious Kalea McNeill fresh from her appearance on the new Netflix competition series FUNNY AF. We discuss what the process of being in a “reality” competition series is like and what her experience was afterwards. Did Nikki Glaser give us TMI? Another day another Kardashian blackfishing us. And what is happening with these terrifying carnival rides malfunctioning all over? Make sure to check out Kalea on the road and thank you again for liking and subscribing and make sure to leave a comment down below! More Justin! IG: ⁠⁠https://www.instagram.com/justinmartindale/⁠⁠ ++++++++++++++++++++++++++++ Produced by Keida Mascaro IG: ⁠⁠https://www.instagram.com/keidamascaro/⁠⁠ The Cave Podcast Studio ⁠⁠⁠ ⁠⁠https://keidamascaro.com Learn more about your ad choices. Visit megaphone.fm/adchoices

Flopcast episode 730! The Flopcast Book Club is back in session as we discuss Even the Good Girls Will Cry, the new memoir from Melissa Auf der Maur. Melissa was just a young photography student in Montreal when she was recruited to play bass in Courtney Love’s band Hole, and suddenly found herself in the […] The post Flopcast 730: Dream of the Nineties appeared first on The ESO Network.

The Flopcast Book Club is back in session as we discuss Even the Good Girls Will Cry, the new memoir from Melissa Auf der Maur. Melissa was just a young photography student in Montreal when she was recruited to play bass in Courtney Love's band Hole, and suddenly found herself in the eye of the 90s alt-rock storm. And yikes, she has stories. We'll learn about life on the road with Hole (yeah, it was as crazy as you think), Lollapalooza bus trips with Sinéad O'Connor, haunted houses on fire in New Orleans, tea with Ozzy Osbourne, leaving Hole and joining Smashing Pumpkins, going solo, and finally walking away from it all. And we even recall the time we met Melissa a few years back, which shockingly is not covered in the book. (Gotta leave something for the sequel, right?) Also: Kevin joins Joe and Gary for another online American Sci-Fi Classics panel! And this time we're discussing the world of Sid and Marty Krofft! Slip into a Sleestak costume and join us. American Sci-Fi Classics Sid and Marty Krofft video! And our regular links... The Flopcast website! The ESO Network! The Flopcast on Facebook! The Flopcast on Instagram! The Flopcast on Bluesky! The Flopcast on Mastadon! Please rate and review The Flopcast on Apple Podcasts! Email: info@flopcast.net Our music is by The Sponge Awareness Foundation! This week's promo: Earth Station Trek!  

Amy Berg, director of It's Never Over: Jeff Buckley, on her portrait of an artist who looms large, and the challenge of telling a story shaped as much by absence as by legacy.Maryam Touzani on Calle Malaga, Morocco's official entry for the Academy Awards, an intimate exploration of place and memory set against the sun-drenched backdrop of Tangier.Director James Litchfield discusses Alphabet Lane, an atmospheric new Australian film that follows the quirky journey of a couple as they build a new life in the country.Presenter, Jason Di RossoProducer, Sarah CorbettSound engineer, Ross RichardsonArts editor, Rhiannon Brown

Amy Berg, director of It's Never Over: Jeff Buckley, on her portrait of an artist who looms large, and the challenge of telling a story shaped as much by absence as by legacy.Maryam Touzani on Calle Malaga, Morocco's official entry for the Academy Awards, an intimate exploration of place and memory set against the sun-drenched backdrop of Tangier.Director James Litchfield discusses Alphabet Lane, an atmospheric new Australian film that follows the quirky journey of a couple as they build a new life in the country.Presenter, Jason Di RossoProducer, Sarah CorbettSound engineer, Ross RichardsonArts editor, Rhiannon Brown

The Cottage Mix Series was back in full swing for 2025! For the Canada Day long weekend we're starting with the Friday Night Edition (same as in 2023, it's a live recording from a "Retro Attic" weekly event I filled in for, so nothing newer than 10yrs old). I've got a Saturday Afternoon edition recorded at a corporate and a Saturday night edition recorded at the RCYC season launch and just last night I recorded a "Retro 80's edition" of a Summer Home In Mykonos, so I just need to decide what mix to use for a Sunday Morning edition!Hope you enjoy the return of the Cottage Mix series (and if you do, please share and repost for others to enjoy too!)- Follow on Instagram: https://www.instagram.com/dj_j_me- Bookings & Merch: jamiewichartz @ yahoo.ca- Subscribe on Apple Podcasts: https://podcasts.apple.com/podcast/id306968245

Send us Fan MailCongo - 1995Merch - https://prettycool.printify.me/Patreon - https://www.patreon.com/c/PrettyCoolIGuessDirector - Frank MarshallWriters - Michael Crichton, John Patrick StanleyMusic - Jerry GoldsmithStars:Laura LinneyDylan WalshTim CurryErnie HudsonJoe Don BakerGrant Heslov

The story of Soleil Ho starts with their grandparents. In this episode, meet and get to know the food writer and COYOTE Media Collective member who's been on my radar since they replaced longtime Chronicle food writer and mysterious human Michael Bauer. In Part 1, we dive into Soleil's family story. It begins two generations back, when their grandparents came to the US from Vietnam in the Seventies. They were refugees from the US war in their homeland. On Soleil's mom side, the grandparents brought Soleil's mom and seven other children from Vũng Tàu to Freeport, Illinois. They had first ended up in a refugee camp in Arkansas. It wasn't easy finding a new home for such a large family, but an older refugee from Nazi Germany who lived in Freeport took them in. Soleil's mom was around 10 years old when she got to Freeport. Soleil's dad's family comes from Central Vietnam. After the Viet Cong took over, they put his dad (Soleil's paternal grandfather) in a re-education camp, where he remained for around 10 years. After that, he was released and was able to flee his homeland for the US to join his family (also a large one). They also ended up in Illinois, where Soleil's parents eventually met. The story of how their parents met goes something like this: The Illinois Vietnamese scene was relatively small, and folks mostly knew one another. By Soleil's description, their maternal grandfather was "the guy," meaning he threw parties and made connections. So their parents' families just hung together, sometimes at big parties like at Lunar New Year, and there was always a lot of food. It was a shotgun wedding, with Soleil present in fetal form. They have a younger sister and their parents are now divorced. Soleil was born in 1987 in Illinois. Their mom had moved to Chicago to go to school there. Their earliest memories take place in Chicago, in fact. With two young parents working a lot to support their family, Soleil and their sister spent a lot of time with their maternal grandparents. They remember learning to make sandwiches in their grandparents' kitchen. Another early memory that I find fascinating and a little funny is of Michael Jordan individually wrapped hot dogs. It was Chicagoland in the Nineties, so it makes perfect sense that Bulls merch was everywhere. And that extended to food, remarkably. There's one memory from preschool involving contraband Gummy Bears. Fun stuff. As Soleil got a little older, they developed a love of vampires. In art classes, when asked to draw hand turkeys or Santas, Soleil would do so, but they would add fangs and bloody teeth. Fast-forwarding a bit, Soleil says that around the time they went off to college, they realized that the family had moved around 20 times. They moved to New York City when Soleil was eight. Their mom worked in fashion and lived on the east side of Manhattan. From there, they moved to Brooklyn. When I express awe at living in NYC in the Nineties, Soleil is quick to point out that this was Giuliani's New York. Policies of that administration transformed much of the city, especially Manhattan. We'll just leave it at that. It was around this time that Soleil started to develop a "taste in food," as they say. Their mom was now a single mom, working a lot, and like many families, they had the drawer full of take-out menus. Through this, Soleil learned about various Chinese cuisines, Indian food, and dishes from many other cultures, all represented right there in the kitchen. After Brooklyn came a short stint in Long Island before returning to Brooklyn, where Soleil went to high school. They compare that school to Lowell here, where you have to test to get in and "all the smart kids" go. With a quick, feeble calculation in my head, I ask whether Soleil starting high school around 9/11. They confirm and share their story of that day—suffice to say that they saw the whole thing happen in real time. I ask whether they're scarred from 9/11. Soleil says that, yes they are, but mostly existentially. Then they pivot to talking about how it brought about an end to illusion about the world, which is a net good thing. But seeing 9/11 in the greater context of conflict around the world really opened their eyes. (Our second guest that day, Honey, seen in the first photo with Soleil above, took issue with a canine passer-by, which I've left in the recording because duh.) September 11 led to Soleil's becoming an activist anti-war person, starting in 2003 with Iraq. Rather than being scarred by 9/11, it allowed them to put their own life into context. As a Vietnamese person with a French first name, they started questioning things like: Why was it so easy for the US to go to war after 9/11, first in Afghanistan and later in Iraq? When it came time for college, Soleil says that they wanted to "get as far the fuck away from New York as" they could, which for them meant Iowa and Grinnell College. They chose the school to be closer to their grandparents, who still lived in nearby Illinois, and because Grinnell essentially billed itself as a place for folks to figure it out, so to speak. By the time Soleil graduated college four years later, the sub-prime crash had happened and the subsequent recession had begun. They worked on a farm, which was hard but helped them better understand food systems. And then they moved to Minneapolis and began working in a restaurant, where we wrap up Part 1. Check back Thursday for Part 2 and the rest of Soleil Ho's story, including how they helped found COYOTE Media Collective. We recorded this episode at Strawberry Creek Park in Berkeley in March 2026. Photography by Jeff Hunt

Watching this in 2026 is basically a cautionary tale for heavy AI users. Follow Spooko on Insta: @_spooko_Join the Feel Bad Club on our discord: https://discord.gg/mJAJYCChGyAnd if you're keen for more Peach and Shag, check out our OTHER pod (it's about Gordon Ramsay): @peachandshagsnightmaremethodOh, and pls drop a review if you've been listening for a while!See omnystudio.com/listener for privacy information.

You start out guiding your kids through your world. Then suddenly you're trying to understand theirs.In this episode, Ryan talks with Chuck Klosterman about what it's like to raise kids in a culture that moves faster than you can keep up with and why knowing what your kids love matters more than judging it. Chuck is the author of Sex, Drugs, and Cocoa Puffs, But What If We're Wrong?, The Nineties, and now his latest book Football. Pick up a copy of Football by Chuck KlostermanFollow Chuck on X @CKlosterman

Bridget Phetasy breaks down the Jesse Watters spring break video that's making intellectuals and prudes equally furious, explains why hot dumb hapBridget Phetasy breaks down the Jesse Watters spring break video that's making intellectuals and prudes equally furious, explains why hot dumb happy kids are actually a sign America is doing fine, and reacts to the most insane headline of 2026: a quadruple amputee cornhole champion charged with murder who dumped a body from a self-driving Tesla. Plus the new Epstein video game kids are addicted to. #DumpsterFire #SpringBreak #AmericaIsAlreadyGreat Topics covered: Jesse Watters spring break interview, college kids don't know the Ayatollah, spring break culture vs woke politics, quadruple amputee cornhole champion murder, Dayton James Weber, Tesla self-driving, Epstein video game. 

Rae Alexandra has 35 stories to share with you, plus her own. In this Women's History Month episode, meet and get to know Rae. She recently published a book with City Lights Publishing called Unsung Heroines: 35 Women Who Changed the Bay Area. It's of course available at City Lights, but you can also find it at your local independent bookstore. I read the book and could not put it down. Only toward the end of the 35 essays did I start to recognize the women Rae features. I love history and I love learning and I have mixed feelings about the fact that there are so many rad women whose stories are untold. Thank you, Rae Alexandra, for shining on a light on these incredible women. These days, she's a staff writer at KQED. But Rae's story starts in Wales in the UK. She grew up in Cardiff, the capital of the country. (I learn in the conversation that Wales is a country. I also learn that "United Kingdom" and "Great Britain" are the same thing. Now, British vs. English we don't touch, for obvious reasons. But I digress …) Ed. note: I'll describe my conversation with Rae as two Gen Ex journalist types with ADHD (is that redundant?) doing their best to be linear. To me, the meanderings of our talk are totally normal. Rae says that Wales is delightful and has all the best castles, but that's because of the number times the country has been invaded and conquered. Close to where her mom lives today is a castle that boasts the world's largest crossbow. When I ask when Rae was born (1978), we discover that she's a horse as in Year of the Horse (aka 2026). Cool. Rae continued to call Cardiff home up through her college years. She didn't go to another school outside of Wales that had accepted her because she was attached to a group of skateboarders in her hometown. After she graduated, though, she moved to London. Music has been central for Rae as far back as she remembers (same). She shares stories of being maybe 5 and listening to the Top 40 with her cassette recorder ready to nab her favorite songs (same). According to Rae, the English look down on the Welsh, and have for some time, based on classist generalizations. Wales is where the UK mines most of its coal. London-types consider their neighbors to the southwest feral, and in some regards, the Welsh are, she says. In the Eighties, she remembers stories about IRA bombings appearing on the news nightly. Also, in Wales, miners went on strike and everyone knew about it. Rae says that Wales in the Eighties was essentially like listening to The Clash. We go on a sidebar about siblings, birth order, and what it means to be the youngest, which Rae and I both are. Growing up, she was close with both her older sisters. Today, one lives in Australia and the other lives in the London suburbs. Around age 10, Rae discovered metal. By 12, she decided that she would become a music journalist. In her teen years, she "snuck" her writing into local and college newspapers. The music journalism she consumed in those days included publications like Smash Hits, Kerrang!, NME, and Melody Maker. In fact, her first job out of college was at Kerrang! We go on a sidebar on the whole idea of living somewhere vs. visiting, and how they're so totally different on every level. I use Chicago, where I lived for a full six months in the Nineties, as my example. Rae offers up a stay in Brooklyn as hers. That job at Kerrang! is what brought Rae to London, another place she found impossible to live. I ask her to expound on what it was about the place, and she indulges me. She says that you have to be obscenely wealthy to live in Central London, so most folks are forced to the outskirts. But the jobs are in the middle of town, and so you end up spending around two or three hours a day commuting underground. It was/is also gray—the weather, the architecture—and the people in London were, as Rae describes it, hostile. When she goes into detail about the ways in which they were hostile, we agree that only you get to shit on your own hometown. People who aren't from there aren't allowed. It's a rule. Look it up. After a year working for the magazine in London, Rae met a guy from San Francisco. She'd been to The City and even spent significant time here working for Maximum Rock 'n' Roll. (At this point in the recording, I mistakenly call the BBQ place near Hayes and Divisadero until sometime in the early 2000s "Brothers." It was in fact called Brother in-law's. My apologies.) She moved in with that guy she met, lived with him for six months in London, and then it was time for him to come home to SF. He asked her if she wanted to join him and she accepted. She had already transitioned to freelance writing for the magazine, because office life didn't suit her, so work wasn't so much a problem. But upon arrival, she soon discovered how difficult it was to do anything without a Social Security number. That added an extra layer to moving here. But it wasn't the place itself or its people that made things hard. It was the system, so to speak. Also, while she was getting settled and learning how to survive in the US without an SSN, she started to see that the guy was, let's just say, not for her. She felt he'd been playing the long game when they lived together in London, but once back on his home turf, some of his sociopath tendencies emerged. It was 2002 and she lived in Bernal Heights on Cortland. She spent most of her time in the Mission, just down the hill. After a short time, the guy convinced her that they needed to get married, so they moved back to London. The marriage lasted three months, and Rae returned to her new home—San Francisco. When she came back, she experienced a stretch of housing instability. You could call it "couch surfing," but either way, it was dicey. Six months or so later, things settled. It was easier to live cheaply in the early 2000s, also. A $5 burrito could be a whole day's worth of food. And Rae had befriended enough bartenders that she rarely paid full-price for booze. She describes "The Blackout Triangle" of Killowatt, Delirium, and Dr. Bombay's. She also regularly visited Beauty Bar until that place went downhill. Check back this Thursday for Part 2 with Rae Alexandra. We recorded this episode at Vesuvio in North Beach in February 2026. Photography by Jeff Hunt

“Whether you like Amodei or not, at least he's a leader.” — Andrew KeenDario Amodei is the most interesting man in America right now. Not because he runs a $500 billion company or because he's suing the Trump administration or because Anthropic's Claude topped the iPhone charts. But because he's doing something nobody else in Silicon Valley has the balls to do: he's acting like a human being in public. He has principles, he states them, and he accepts the consequences. That's leadership. It shouldn't be remarkable. In 2026, it is.This week's That Was The Week is about how America both loves and hates AI. An NBC poll found 60–70% of Americans are concerned about AI — making it even less popular than the Democratic Party (quite an achievement). A hundred planned data centers have been cancelled because of local protests. 10,000 authors published an anti AI manifesto at the London Book Fair this week. Each week, in contrast, a billion people used ChatGPT, but these users often seem oblivious to its weaknesses. So Keith's AI-generated video for the show was, by universal agreement (including his own), not going to win an Oscar tomorrow. Except for Most Sloppy AI generated video.Every road this week led back to Amodei who is anything but sloppy. He's become a Rorschach test for the entire industry. Tech progressives Kara Swisher and Scott Galloway are lauding him. The MAGA crowd — including David Sacks, Trump's AI czar — on the All In podcast are doing the opposite. Keith thinks Dario is a naive CEO making bad business decisions — comparing him to his own doomed battle in the late Nineties against Microsoft's Steve Ballmer. It's a fair point. Should a tech CEO really be setting AI policy? Keith's answer is no — that's for people like David Sacks appointed by executive, legislative, and judicial branches. I'm not so sure. In an America defined by its dysfunctional political system, we need leaders like Amodei to take ethical stands. If not, then who?The IPO race this year between Anthropic, OpenAI and xAI makes this particularly interesting. I wonder whether Amodei might use the IPO itself to force a public debate that nobody in government is willing to have. Not just about guardrails or weapons — but about what kind of society AI is building and who gets to decide what does and doesn't get used. Musk, by publicly embracing white racists and other groups of hate, is making his politics clear. Sam Altman, as always, is wearing every hat simultaneously. Amodei, in contrast, knows his hat. Rather than MAGA, it should say: The Most Interesting Man in America. He's got my vote. Even if he's not running for office. Five Takeaways•       AI Is Less Popular Than the Democrats: An NBC poll found 60–70% of Americans are concerned about AI. A hundred data centres have been cancelled due to local protests. 10,000 authors published an anti-AI manifesto at the London Book Fair. Close to a billion people use ChatGPT each week — but the haters are the non-users, and they outnumber the lovers by a wide margin.•       Amodei Is the 21st Century's First Real Leader: He's suing the Trump administration. He's refusing to let Claude be used for autonomous weapons. He's accepting the business consequences. Keith thinks he's naive. I think he's the only person in Silicon Valley acting like a human being in public. The debate between us is the show.•       Keith Compares Amodei to His Own Doomed Battle Against Ballmer: In the late Nineties, Keith fought Microsoft with RealNames and lost. He sees Amodei on the same trajectory — noble, principled, already finished. I compared Keith to Pete Hegseth declaring the Iranian regime defeated. The MAGA crowd on All In, including Trump's AI czar David Sacks, agree with Keith. That alone should give him pause.•       The IPO Race Will Force the Debate: Anthropic, OpenAI and xAI are all expected to go public this year. Amodei could use the IPO to force a conversation about what kind of society AI is building — a conversation nobody in government is willing to have. Musk is making his politics clear by embracing white racists. Altman is wearing every hat. Amodei knows his.•       In the Absence of Leadership, Fear Thrives: Keith's best point of the week. Nobody is setting AI policy. The politicians are clowns. The tech CEOs are children. In the vacuum, fear wins. Amodei is trying to fill it. Whether he succeeds or not, at least he's trying. That's more than anyone else can say. About the GuestKeith Teare is the publisher of That Was The Week and co-founder of SignalRank. He is a serial entrepreneur, former CEO of RealNames, and a regular sparring partner on Keen On America.References:•       That Was The Week: AI Loved and Hated — Keith Teare's editorial.•       Rex Woodbury, “Why Does Everybody Hate AI?” — Digital Native.•       Josh Dzieza, The Verge — on lawyers, PhDs, and scientists in the AI gig economy.•       Noah Smith — “Something Feels Weird About This Economy.”•       Meta's acquisition of Moltbook — the AI agent social network.About Keen On AmericaNobody asks more awkward questions than the Anglo-American writer and filmmaker Andrew Keen. In Keen On America, Andrew brings his pointed Transatlantic wit to making sense of the United States — hosting daily interviews about the history and future of this now venerable Republic. With nearly 2,800 episodes since the show launched on TechCrunch in 2010, Keen On America is the most prolific intellectual interview show in the history of podcasting.WebsiteSubstackYouTubeApple PodcastsSpotify Chapters:(00:00) - Introduction: AI loved and hated (01:17) - NBC poll: AI less popular than the Democrats (03:10) - Rex Woodbury and the haters: is it really AI people hate? (04:21) - AI slop and Keith's terrible video (07:28) - The adoption curve: AI companies are isolated from mainstream opinion (07:51) - Dario Amodei as the answer to both lovers and haters (10:14) - Keith vs Ballmer redux: why Amodei has already lost (12:09) - OpenAI and Google employees rush to Anthropic's defense (14:24) - Woodbury, The Verge, and AI taking jobs (16:51) - Keith's Apple TV app: vibe coded in a weekend (19:29) - AI will destroy universities: cheating at apocalyptic levels (21:41) - Noah Smith: something feels weird about this economy (27:00) - The IPO race: Anthropic, OpenAI, SpaceX (30:42) - Could Amodei blow up the IPO proce...

Smells From The 90's That You May Remember | Some More Nicknames From Work | Joke Of The Week | What Are The Odds | I Love You, But... | Chris Loves A Filet O' Fish | IAQT

“The fatal error is ours. Legislators set out a regulatory regime that keeps regulation at bay. The only other industry with a similar protection is the gun industry.” — Olivier SylvainThere are certain words in book titles that provoke. “Reclaiming”, for example. My guest today is happy to defend the provocation. Fordham law professor and former FTC senior advisor Olivier Sylvain argues in his new book, Reclaiming the Internet, that the internet was never really ours to begin with—and that the story about user control, free speech, and digital democratisation was always more nostalgia than reality.But Sylvain's argument in Reclaiming the Internet: How Big Tech Took Control—and How We Can Take It Back is not the usual big-tech-is-bad narrative (yawn). He doesn't blame the companies. He blames us—or rather, Congress. The fatal error, he says, was Section 230 of the Communications Decency Act, passed in 1996, which created a blanket immunity from liability for companies trafficking in user-generated content. The only other industry with comparable legal protection, he says, is the gun industry. That immunity enabled the attention economy's business model. Infinite scrolling = infinite advertising = infinite profit.What follows from that error is now everywhere: autoplay, algorithmic recommendation—design features engineered to hold your attention, not to facilitate free speech. Sylvain insists these companies aren't really platforms. They are, instead, services delivering content pursuant to their bottom line. And now the same Nineties playbook—innovation, user control, free speech—is being replayed with AI. Companies are deploying chatbots before they're ready, racing each other to market. A young man killed himself after a Gemini chatbot told him to and Google invoked the First Amendment in its defence.The fix, Sylvain argues, is not to abolish Section 230 but to attend to the business model itself: data minimisation, purpose limitations, and the kind of product-safety regulation that every other industry—from automobiles to toys to food—already accepts. I should disclose that my wife runs litigation at Google, so I'm all too familiar with the counter argument. But Sylvain makes a persuasive case even if his reclamation project is still a little too Rousseauean for my Hobbesian taste. Five Takeaways•       The Fatal Error Was Ours, Not Theirs: Sylvain doesn't blame big tech. He blames us—or rather, Congress. Section 230 of the Communications Decency Act created a blanket immunity from liability for user-generated content. The only other industry with comparable protection is the gun industry. That legal shield became the business model.•       These Are Not Platforms: The word “platform” implies a neutral conduit connecting users. Sylvain says that's wrong. These are companies engineering your experience—infinite scroll, autoplay, algorithmic recommendation—to hold your attention and serve their bottom line. The free speech story is cover for a commercial design.•       The Same Mistake Is Happening with AI: The nineties playbook—innovation, user control, free speech—is being replayed with AI. Companies are deploying chatbots before they're ready, racing each other to market. Internal documents show they knew the dangers. A young man committed suicide after Gemini told him to. Google invoked the First Amendment in its defence.•       Data Protection Is the Real Fix: Sylvain argues for data minimisation and purpose limitations—rules that would only allow companies to collect information consistent with the purposes a consumer signed up for. Not to monetise it for opaque reasons. That would dampen the incentive to engineer addiction without touching free speech.•       There's a Bipartisan Consensus—but Only for Children: Something is shifting. Courts are rejecting Section 230 defences. Legislators on both sides agree something must be done. But the consensus only extends to protecting children. Sylvain thinks that's a mistake: a 36-year-old man just killed himself after talking to a chatbot. Adults are vulnerable too. About the GuestOlivier Sylvain is a professor of law at Fordham University, a former senior advisor to the Chair of the Federal Trade Commission, and a Senior Policy Research Fellow at Columbia University's Knight First Amendment Institute. His new book is Reclaiming the Internet: How Big Tech Took Control—and How We Can Take It Back (Columbia Global Reports).ReferencesReferences and previous Keen On episodes:•       Section 230 of the Communications Decency Act (1996) and its evolution into blanket immunity for tech companies•       Gonzales v. Google (2023)—the Supreme Court case that declined to rule on Section 230 but allowed the merits to proceed•       The Character AI / Gemini chatbot suicide cases—ongoing litigation against Google•       Tim Wu on the extractive economics of platform capitalism — previous Keen On episode•       Julia Angwin, Zephyr Teachout, and Stewart Brand—referenced in the conversationAbout Keen On AmericaNobody asks more awkward questions than the Anglo-American writer and filmmaker Andrew Keen. In Keen On America, Andrew brings his pointed Transatlantic wit to making sense of the United States—hosting daily interviews about the history and future of this now venerable Republic. With nearly 2,800 episodes since the show launched on TechCrunch in 2010, Keen On America is the most prolific intellectual interview show in the history of podcasting.WebsiteSubstackYouTubeApple PodcastsSpotify Chapters:(00:00) - Introduction: What does “reclaiming” the Internet mean? (03:06) - The layered stack: pipes, platforms, and consumer-facing apps (06:01) - Was user control ever real? The ideology of the nineties (09:32) - The fatal error: Section 230 and blanket immunity (14:51) - Facebook as punching bag—and why Sylvain doesn't blame the companies (17:31) - Addiction, self-harm, and the design features that hold your attention (22:00) - The attention economy and the Gonzales v. Google case (26:35) - How we can take it back: data minimization and purpose limitations (29:02) - “These are not platforms” (31:21) - Europe, the First Amendment, and the right to be forgotten (33:06) - AI business ...

Outlouders, enjoy this free nibble of Mia Freedman. Listen to the full conversation — Love Story Part 2: Jackie O, The Kennedys & That Fight Scene— at 5 pm TODAY. What do you mean, you're not a subscriber yet? Solve that problem HERE. Mia & Amelia are (still) obsessed with Carolyn Bessette Kennedy (CBK) so they’re back for Part 2 of their deep dive into the TV series Love Story. From Naomi Watts’ depiction of real-life icon Jackie O to the complex roles of Darryl Hannah and the Kennedy matriarchs, they’re unpacking what it must have been like to marry into the complicated Kennedy family. Plus, Mia and Amelia examine the toxic dynamics that defined the couple’s public life and break down that infamous Central Park fight scene. Was it a moment of passion, or was it "emotional dysregulation"? They also discuss the poignant newsletter from the couple’s close friend Carole Radziwill, who explains why she refuses to watch the show and the unsettling question of whether why the dead are never allowed to rest in peace in the age of AI. It’s a raw and slightly uncomfortable look at how we consume the tragedies of the past as modern entertainment. Remember, this is your free sample of today's subs episode. The full debrief drops for subscribers at 5pm. What To Listen To Next: Listen to Part 1: Mia & Amelia On CBK: The Clothes, The Curse, The Love Story Listen: Uninvited Princesses & The Dating Story We're Yearning For Listen: The Next Top Model Reckoning & Jessie's Very Honest Handover Listen: Oh Sh*t. We Let Creeps Decide Our Beauty Standards Listen: "I'm A Working Mum & I Just Want To Quit" Listen: Prince William Has Entered The Chat Listen: The New Dating Rule That Blew Up A Comments Section Connect your subscription to Apple Podcasts Discover more Mamamia Podcasts here including the very latest episode of Parenting Out Loud, the parenting podcast for people who don't listen to... parenting podcasts. SUBSCRIBE here: Support independent women's media Watch Australia's #1 podcast, Mamamia Out Loud: Mamamia Out Loud on YouTube What to read: Carolyn Bessette-Kennedy became one of the most famous women in the world. She hated it. This new series tackles the complicated legacy of the '90s hottest couple. JFK cheated on his wife Jackie for years. She was 'paid to keep it quiet'. 'My first salary was $12k.' Working in magazines was like the real-life Devil Wears Prada. THE END BITS: Check out our merch at MamamiaOutLoud.com GET IN TOUCH: Feedback? We’re listening. Send us an email at outloud@mamamia.com.au Share your story, feedback, or dilemma! Send us a voice message. Join our Facebook group Mamamia Outlouders to talk about the show. Follow us on Instagram @mamamiaoutloud and on Tiktok @mamamiaoutloudBecome a Mamamia subscriber: https://www.mamamia.com.au/subscribeSee omnystudio.com/listener for privacy information.

Diane catches up with Friend of the Pod Michel Ghanem aka @tvscholar. We talk about how THE PITT finally got to him, how season 3 of SHRINKING is a comfort TV show, our feelings about THE TRAITORS finale and the vibe & beauty of LOVE STORY: JFK JR & CAROLYN BESSETTE.

This is a free preview of a paid episode. To hear more, visit andrewsullivan.substack.comSally is a journalist, columnist, TV commentator, author, wife to Ben Bradlee, and legendary DC hostess. Who better to talk to about the implosion of The Washington Post? She also founded the Post's religion website, “On Faith.” She's the author of six books, including the spiritual memoir Finding Magic, and We're Going to Make You a Star — about her time at “CBS Morning News.” Her latest novel is Silent Retreat, and she's now working on a memoir called Never Invite Sally Quinn. Her energy at 84 is, well, humbling. We had a blast.For two clips of our convo — on Sally's initial impression of Bezos, and the time Bill Clinton called her the b-word — head to our YouTube page.Other topics: born in Savannah, GA, and learning voodoo as a kid; moving as an Army brat; her general dad who captured Göring and helped create the CIA; at Smith College wanting to be an actress; rebelling against Vietnam and the wishes of her dad by marrying Bradlee; the Georgetown party circuit and how it's grown more partisan; throwing a pajama party for Goldwater; dating Hunter S. Thompson; Watergate and Woodstein; the Grahams; Tom Stoppard; Hitchens; Howell Raines; Newt's revolution; Bill's womanizing; Hillary defending her cheater; the Monica frenzy; Obama rising on merit; Barack the introvert; Jerry Brown; the catastrophe of Biden running in 2024; Dr. Jill's complicity and cruelty; Jon Meacham; Maureen Dowd; David Ignatius; Bradlee's dementia; declining trust in journalism; Bezos nixing the Harris endorsement; his life with Lauren Sanchez; sucking up to Trump; the Will Lewis debacle; Sally's spiritual life; silent retreats; Zen meditation; the humor in Buddhism; the denial of death; debating the the Golden Rule; children in Gaza; and the need more than ever for in-person gatherings.Browse the Dishcast archive for an episode you might enjoy. Coming up: Jeffrey Toobin on the pardon power, Michael Pollan on consciousness, Derek Thompson on abundance, Matt Goodwin on the UK political earthquake, Jonah Goldberg on the state of conservatism, Tom Holland on the Christian roots of liberalism, Tiffany Jenkins on privacy, Adrian Wooldridge on “the lost genius of liberalism,” and Kathryn Paige Harden on the genetics of vice. As always, please send any guest recs, dissents, and other comments to dish@andrewsullivan.com. A listener writes:Thanks for all these good episodes. Is Vivek still planning to be a guest soon? I have been looking forward to that episode.He got cold feet. Too bad. On the other hand, I tend to avoid active politicians. Because they're rarely as candid as I'd like a guest to be. Oh well.A fan of last week's pod who lives near Atlanta writes, “The longtime Dishheads on the Mableton cul-de-sac definitely approve of your interview with homegrown talent Zaid Jilani”:I agree with his description of Mableton as a bit like the United Nations; I see that diversity in our grocery stores and local restaurants. He mentioned how he was often the only Pakistani and thus perceived as a nonthreatening minority. It makes me wonder how much the diversity mix affects how people perceive immigration? If a large group from one country arrives, does that seem more like an invasion? If a similar number arrives but from a wide range of locations, does that seem more like the normal American melting pot?After 30 years of living in Mableton, this may partly explain why I am not bothered by immigration in the way that you are, Andrew. I expect to see and hear all sorts of people wherever I go in my neighborhood. Today the teller at the bank spoke accented English. There are regular clerks at my grocery store who are immigrants. Our new HVAC was installed by immigrants. As an Atlanta suburb, there are many people descended from African slaves. European ancestry is merely one possibility off the long colorful menu around here.I think pace and numbers matter. A slower pace and fewer — with no massive homogenous populations arriving at once. And a new emphasis on Americanization over “multiculturalism”.From a listener who wants to “Make Democrats Great Again”:Great conversation with Zaid Jilani last week. I am very concerned that hardly any Democrats are being at all introspective, trying to figure out where they went wrong and how to become a party that can actually win elections — maybe even hearts and minds. They are only defined as anti-Trump, and their only hope is for Trump to go down in flames — which he very well might, but all they aspire to is winning as the least-worst party.The policy directions for reclaiming sanity and moderate voters are obvious (to me, at least). Here are my top three issues:1. AffordabilityThe longest lever to affect affordability is housing. Democrats have been complete failures in this regard, with strongholds like California and NYC being the least affordable places. When they talk about “affordable housing,” they only mean housing that is forced below market rate for the few poor people lucky enough to get it. They offer no solutions for the middle class or young people.The solution is obvious: build more. Plough through the various restrictions that are preventing housing from being built. There is no reason housing can't be cheap, except for NIMBY politics. Scott Weiner in California has been doing great work on this.Health care is the second-longest affordability lever. Obamacare made some progress, but not nearly enough, especially in terms of keeping costs down. But I'm not sure we're ready for another push on this; I say focus on housing.2. ImmigrationObviously there should be some immigration, and obviously we have structured our economy such that many jobs are only done by immigrants. But the Democrats' policy of simply not enforcing immigration law is untenable, especially for a group asking to be put in charge of law enforcement. We need those migrant workers, so find a way for them be here legally. Not through amnesty, but through some sort of bureaucratic process: have the employers fill out a form; have the prospective worker fill out a form in some office in Mexico; have someone process the form; and give them a green card.This is simple stuff! And yes, it would be helpful to admit that open borders, sanctuary cities, and subverting the law were not good ideas.3. CultureEnd wokeness. America is not a country consumed by white supremacy, and the people who voted for Trump are not racists. There are hardly any racists! And drop the other insanities, like the trans stuff.The message needs to be, “We are the Democrats and we want to help anybody from any state who needs help.” Hard to convince struggling white people in the South that you're going to help them when you seem to despise them. Love your brother, for crying out loud. And naturally, today's woke Democrats would be much more accepting of this message if it came from a racial minority candidate.Another wanted to hear more:I wish you had asked Zaid about Josh Shapiro. Also, when Zaid talked about affordability, he never mentioned housing — which is why there are so many ex-Californians in his home state of Georgia and elsewhere. “Build Baby Build” should be the slogan of the Democratic Party, rather than gaslighting Americans into believing housing prices will come down because we are getting rid of immigrants (Vance).Here's a dissent:About 20:30 into your interview with Zaid Jilani, he said that the root of all the Abrahamic faiths is that the meek have rights. You replied that this applied more to Christianity and Islam than to Judaism. I say this neither rhetorically nor to admonish you, but how much do you know about Judaism? Your comment is completely mistaken. Just what do you think Judaism says about the meek?Another has examples:In Genesis, you find that all humans were created b'tzelem Elohim (in the image of God). Moreover, Jewish texts consistently frame care for the poor as a legal obligation and moral imperative, not mere charity. Every Jewish child learns that promoting economic justice is mandated. It is called tzedakah.This religious mandate has manifested itself in the real world. Jews have been disproportionately represented in social justice movements aimed at promoting human equality. It wasn't an accident that two of three civil rights movement activists murdered in Neshoba County, Mississippi by the Ku Klux Klan were Jewish.Points taken. Big generalizations in a chat can be dumb. My quarrel may be semantic: the meek is not merely the weak. It's about the quiet people, those easily trampled upon. Like many of Jesus' innovations, it takes a Jewish idea further.Another listener on the Zaid pod:I wonder if you ever play the game of “which time would you like to go back to”? I do! And only half-jokingly, I often say 1994 in DC. Something about, for example, Christopher Hitchens on CSPAN in a dreary suit jacket discussing such *trivial* aspects of politics in a serious way. How perfect! When I listened to your episode with Zaid Jilani about how the left can win, it seemed dated to about this period in the early ‘90s.Ah yes, the Nineties. They were heady times and I think we all kinda realized it at the time. The economy was booming, crime was plummeting, Annie Leibovitz took my picture, and we had the luxury of an impeachment over a b*****b. Good times.On another episode, a listener says I have a “rose-colored view of President Obama”:In your conversation with Jason Willick, you said that Obama was a stickler for proper procedure and doing things the right way. I might instance, on the other side:* Evading the constitutional requirements on treaties in pursuit of the Iran deal (an evasion that the Republicans were stupid enough to go along with)* Encouraging the regulatory gambit of “sue and settle”* The “Dear Colleague” letter* “I've got a pen and a phone”Points taken. Especially the DACA move. But compared to Biden and Trump? Much better. One more listener email:I've been following you for years, but more recently I became a subscriber, and it's a decision I don't regret! I usually listen to the Dishcast over the weekend, and I always find it extremely stimulating, but there is also something relaxing about the length and scope of your conversations.I want to respond to something you said in your Claire Berlinski episode on the subject of Ukraine. Although I appreciate your position in defence of international law, you implied that Russia's claim to Ukrainian land is somehow “historically legitimate.” This is not only problematic from a logical standpoint (does Sweden have a historically legitimate claim to Finland and Norway, or does the UK have a claim to the Republic of Ireland, the US, and all its former colonies?), but also not based on historical reality.Unfortunately, this is not the first time your comments on Ukraine seem come through the prism of a Russian lens. I am sure it's not intentional; perhaps that's not a subject you have invested much time in, which is legitimate. However, I find it a bit surprising that, as we approach the fifth year of Russia's full-scale invasion, you still don't seem to have had the curiosity to explore this and invite any specialist on Ukraine. If Timothy Snyder is too political these days, I would recommend Serhii Plokhy — possibly the most eminent historian of Ukraine — or Yaroslav Hrytsak. They would each be a very interesting conversation.The Dishcast has featured many guests with expertise on the Ukraine war, including Anne Applebaum (twice), John Mearsheimer, Samuel Ramani (twice), Edward Luttwak, Fiona Hill (twice), Robert Wright, Robert Kaplan, Fareed Zakaria, Douglas Murray, Edward Luce, and Niall Ferguson.A reader responds to last week's column, “The President Of The 0.00001 Percent”:Like you, I'm not against people getting rich. A lot of good is done by a few people who have enough money to seed research and the arts, and pursue things that ordinary worker bees would never have the margin of time or resources to pursue. Good so far.But all strong forces need regulation and/or protective barriers, whether it's the weather, sex, patriotism, or capitalism. What's going on now is obscene. Progressive taxation is a social good: it doesn't stop anyone from getting richer and richer; it doesn't remove the positive motivators for success; it just means that the farther they get, the higher their proportionate contribution to the system that lets them get there. There are various ways to tweak the dials, but there is nothing philosophically wrong with tweaking them in a way the sets some outer limit. Let it be very high, but let it not be infinite.Here's a familiar dissent:You were right to torch the nihilism of the .00001 class. You were right to call out moral evasions. But when you referred to “the IDF's massacre of children in Gaza,” you collapsed a morally and legally distinct reality into a slogan. Words matter. “Massacre” implies intent. It suggests that the deliberate killing of children is policy rather than tragic consequence. That is a serious charge, and it deserves serious evidence.The governing reality in Gaza is not that Israel woke up one morning and decided to target children.

Toshio Meronek's parents met at a bar. In this episode, meet and get to know Toshio. Today, they do Sad Francisco, a really fucking amazing project that reports on and holds truth to power around here. I first became aware of Sad Francisco a few years ago and right away, I was struck by the deep reporting on and understanding of the many complex relationships and goings on in San Francisco and The Bay. And so I sat down with my fellow podcaster to get to know the human behind those efforts. Toshio's story starts with their parents. That bar where they met was in Los Angeles. Shortly after meeting, the couple moved to Germany, where Toshio's dad had found work at a major German tech company. But after getting pregnant with Toshio, the young couple came back to Southern California—Orange County to be exact, where Toshio was born. Some of Toshio's earliest memories involve not really digging that infamous SoCal heat. We'll get into this more later in Part 1, but Toshio picked Portland for college in part because of its more temperate, albeit wetter, climate. Born in 1982, Toshio did most of their growing up in the Nineties. When I ask them what kinds of things they were into as a kid, they immediately say, "zines." Making zines, collecting zines, living and breathing zines. We hop on a short sidebar about Riot Grrrl, a Nineties feminist punk-adjacent movement that seeped into both our lives at different points—mine early in the decade, and Toshio's toward the end of the Nineties. Riot Grrrl arrived in the typically and generally conservative Orange County later than a lot of other parts of the country and the world. But arrive it did, and it had an outsize impact on Toshio's young life. Zines were huge in that subculture, too. To expound on their interests as a kid, Toshio was generally into media, curious about how others live, and also sci-fi and fantasy (think D&D). Toshio was around 13 or 14 when they started writing their own zines. Here we go on a sidebar about one of my favorite pet topics—Kinko's (RIP). IYKYK. Eventually, Toshio eschewed the ubiquitous copy+print shop and had their zines printed on newsprint paper. It was part of a deliberate attempt to appear legitimate, more like "the establishment," something I find fascinating. They wanted people to take them seriously, and that just makes a lot of damn sense. Music was very much a part of the Riot Grrrl movement Punk rock music to be specific. And Toshio's early publications covered that. In fact, topics ran the gamut from music and politics to culture and community. We turn to the topic of Toshio's surroundings when they were a teenager. Record stores, zine shops, cafes that also had live music. They dabbled in the SoCal rave scene as well. They settled into the Candy Kids rave subculture and talk a little about that. There's another short sidebar where we talk about how amazing youth activism is, and how much we always need it. As much as young Toshio was part of these communities and subcultures, they also describe this time in terms of being a loner. They also experienced a lack of self-confidence, lots of acne, therapy to work through their being Japanese and white, or hafu (another term for "hapa"), being gay. Though Toshio has grown past those struggles, they consider them powerfully formative. Then came time to relocate and go to college. Besides Portland having more desirable weather, Toshio chose it in part because of the Northwest's grunge legacy. College life started right around 9/11, and they started going to protests. Lots of protests. College lasted four years, and after that, Toshio stayed behind in Portland. They got work at a magazine covering ecology for K–12 kids. They were also in bands (they play guitar, ish, sing, and play tambourine). "It felt like everybody was in an alt-country band," they say. And then, in 2006, they left Portland for … San Francisco. An editing job brought Toshio here. The publication was a so-called "light-green living" outfit, targeted, as it said, to yoga moms who drive their hybrid SUVs to Whole Foods. I ask Toshio if the job was editing words, and then mention that it's been my profession for a long-ass time. And we go on a sidebar about how important the work is. I'll add that everyone (including editors!) needs an editor. Sorry (not sorry), AI. That leads to yet another sidebar (can you tell we're both podcasters?)—this one from Toshio about the nature of the "yoga mom" publication. They grew disillusioned with their work there, suffice to say. We end Part 1 with Toshio's early memories of visiting San Francisco, before they moved here. They involve the older men who used to be found daily playing chess off Powell and Market. Check back Thursday for Part 2 with Toshio Meronek. We recorded this episode at Toshio's home at the confluence of The Transgender District, Tenderloin, UN Plaza, and Civic Center in January 2026. Photography by Jeff Hunt

Nigel's guest today is Peter Tatchell. Peter is quite simply one of the most important figures in the queer community. He has been campaigning for human rights, democracy, LGBT+ freedom and global justice since 1967. Fearless in his protests, Peter has been responsible for being part of some of the most pivotal and beneficial changes the queer community has seen in recent times. Introducing Prides, fighting HIV stigma, the legalisation of same-sex marriage…the list goes on and Peter, now in his seventies, has no intention of stopping his fight any time soon. He is a true icon.This series is a celebration of a beautiful queer community; people of all ages, people who have had to tread their own path to live their real truth, who have fought with their emotions and emerged victorious, who inspire, who aspire and always entertain. Hosted by Nigel May. Every episode Nigel speaks to a person from the LGBTQIA+ rainbow to hear their story; one person, one life, one conversation. And it always guarantees A Gay Old Time!Follow the podcast on TikTok @agayoldtime and on Instagram @agayoldtimepodcast Hosted on Acast. See acast.com/privacy for more information.

Few writers understand American culture like Chuck Klosterman, which is why he joins Ryan ahead of the Super Bowl to talk about how football reshaped American culture.In this episode, Chuck and Ryan discuss what football really reveals about American culture, power, and the stories we tell ourselves about expertise and control. Chuck shares his observations, strange historical parallels, and personal stories that connect sports to technology, identity, and how monocultures form and eventually fade.

San Francisco has a women's sports bar! In this episode, meet Danielle Thoe and Sara Yergovich. Together, they own and operate Rikki's, a women's sports bar on Market in the Castro. We'll hear from Danielle and Sara about their early lives and how they made their way to San Francisco and became friends. We'll also hear the story of why and how they opened The City's first women's sports bar, as well as the incredible woman they named it for. Most importantly, both Sara and Danielle (and me, Jeff) are Libras

Send us a textDr Joy Kong joins us this week to discuss an important part of her life, which she turned into a book, entitled ‘Tiger Of Beijing: The Inspirational Memoir of a Fierce Regenerative Medicine Physician' .. and it's fascinating! As a student in China in the early Nineties, stifled by the Chinese government's control over students' ambitions to study abroad, Joy realizes the system won't change. She devises a daring plan to secure her exit visa to the U.S., transforming into the fierce "Tiger of Beijing."However, before she lands in America, Joy faces a new, more daunting challenge, calling forth her inner strength once more. Set in post-Tiananmen Beijing, Tiger of Beijing tellsJoy's five-year journey from China to San Francisco, where she finally finds the freedom she longed for. In this amazing episode, we hear about that journey and discuss the man that brought her to the USA that she would eventually have to escape from!https://joykongmd.com/https://www.instagram.com/dr_joy_kong/https://www.youtube.com/@joykongmdhttps://www.linkedin.com/in/joy-kong-md-4b8627123/https://a.co/d/fZbOmDGSupport the show

Nineties kids didn't dawdle on the way home from school in the afternoon. This was the age of appointment television, and that appointment was with Totally Wild.From 1992 it was beloved afternoon viewing for almost 30 years, hosted with a massive smile (and a decent fringe) by Ranger Stacey.Every superhero has their origin story, and a superhero of environmental education is no different…From the Queensland National Parks and Wildlife Service, to holding her own with cranky carpet-faced puppet Agro, and then hosting her own TV show for 29 years.This is the origin story of Ranger Stacey Thomson.Featuring:Ranger Stacey Thomson, environmental educator, Redland City CouncilProduction:Ann Jones, Presenter / ProducerRebecca McLaren, ProducerHamish Camilleri, Sound EngineerThis episode of What the Duck?! was produced on the land of the Wadawarrung and Taungurung people.Find more episodes of the ABC podcast, What the Duck?! with the always curious Dr Ann Jones exploring the mysteries of nature on the ABC Listen app (Australia) or wherever you get your podcasts. You'll learn more about the weird and unusual aspects of our natural world in a quirky, fun way with easy to understand science.

The journalist, novelist and cultural critic Chuck Klosterman is best known for writing about rock music and pop culture in astute essay collections like “The Nineties,” “X” and “Sex, Drugs and Cocoa Puffs.” But Klosterman got his start in college as a sports journalist, and with his new book, “Football,” he has finally devoted an entire collection to the sport that has fundamentally shaped him alongside American society at large.“I've unconsciously been thinking about football for most of my life,” Klosterman tells host Gilbert Cruz on this week's episode. “I decided at some point, I do want to write a book about sports. You know, I'd always mentioned sports here and there in the culture writing I had done, or the kind of conventional pop culture writing I'd done, but I wanted to do a real sports book. And initially my idea was it would be about basketball — but over time it became very clear to me it had to be about football, for a variety of reasons. … It seemed as though if you're going to do a sports book, particularly as it relates to society, there is only one choice in the United States.” Subscribe today at nytimes.com/podcasts or on Apple Podcasts and Spotify. You can also subscribe via your favorite podcast app here https://www.nytimes.com/activate-access/audio?source=podcatcher. For more podcasts and narrated articles, download The New York Times app at nytimes.com/app.

Few people experienced the Dot-Com bubble with more vertiginous intensity than Bill Gross, the Pasadena-based founder of Idealab and many many other internet startups over the last 30 years. So when I sat down with Gross at DLD, I couldn't resist opening with the boom/bubble gambit. How, I asked him, does today's AI hysteria compare with the Web 1.0 madness of the Nineties? While Gross - whose current ProRata.ai play is focused on protecting creativity in the age of generative AI - doesn't believe that today's boom is akin to the Dot-Com bubble, there are similarities. We are at what Gross calls a “Napster moment” in terms of making the big LLMs accountable for all the content they are illegally crawling (ie: stealing). And to get beyond this moment, he says, everyone from Google and OpenAI to Perplexity and Anthropic, needs to move to a “Spotify model” that fairly shares revenue with the human creators of knowledge. Keen On America is a reader-supported publication. To receive new posts and support my work, consider becoming a free or paid subscriber. This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit keenon.substack.com/subscribe

This is a free preview of a paid episode. To hear more, visit www.wethefifth.comChuck Klosterman's new book, Football is out now! (See also The Nineties, and Sex, Drugs, and Cocoa Puffs)-The music-doc cinematic universe, featuring Billy Joel and Japanese Jimmy Page-Moynihan missed the Morrissey cover-band boat-How to actually say Klosterman-From pop culture to America's most popular TV show-It had to be football: the one exception …

Kathy Fang was born in the Chinese Hospital in Chinatown in San Francisco. In this episode, meet and get to know Kathy. These days, she's the co-owner (with her dad) and chef at Fang restaurant in South of Market. She's also joined her parents in running their restaurant, the legendary House of Nanking. But her story starts with Lily and Peter (her mom and dad). We'll get to Lily and Peter's story, of course. But Kathy begins by talking about her unique position being born just up the hill from her parents' restaurant, and essentially growing up at House of Nanking. She sees herself as perfectly positioned not only to continue their story but also to share it widely. This podcast serves exactly that purpose. Prior to emigrating from China, neither Lily nor Peter had any professional kitchen experience. They came to the United States having been educated and were looking for good jobs and a better life. But they landed and reality hit. They needed money. Besides a lack of funds, there was the language barrier. Getting jobs in Chinatown restaurants proved the path of least resistence. Time spent behind the scenes in restaurants helped them learn English. Kathy describes her mom as the "risk-taker" of the pair. Lily started noticing that the folks who owned the places they worked in and ate at owned homes, had cars, sent their kids to private schools … that sort of thing. Opening a restuarant was her idea. After convincing her husband to pivot away from his plan to become a realtor, Lily's dad (Kathy's grandfather) found the location on Kearny Street, almost at Columbus, that became House of Nanking. With no experience running a business, let alone a restaurant, the Fangs opened in 1988. When they first welcomed diners, Peter was cooking traditional Shanghainese food, something fairly new to San Francisco at the time. Peter saw right away that they needed to make food for more than the 10 or so folks who knew their cuisine. He saw how incredible the locally grown and raised food in Northern California was, and soon sought to incorporate those ingredients into his dishes. One example was replacing the pork in a bun (bao) with fresh zucchinis and peas, to be accompanied by a side of peanut sauce. It was an instant hit. If Lily is the risk-taker of the couple, Peter is the creative force. From a young age, in a family with four kids total, he was always interested in food. He read cookbooks and watched his mom closely while she made food. She was always one to put her own spin on things, and that carried through to her son many years later. Though he obviously never fully pursued it, Peter did dabble in real estate. But between that and opening his restaurant, he had little time for administrative work. His young daughter, Kathy, started answering his calls when she was six. She repeated his requested message verbatim, doing her best to sound like an answering machine (remember those?). Kathy is pretty sure he never sold a single house. Success for House of Nanking wasn't immediate. After some time, Peter realized he needed to pivot away from Shanghainese food. But they needed some luck, too. And they got it when Peter Kaufman, the son of moviemaker Phillip Kaufman, showed up outside the restaurant with the daughter of famed Chinese actress Bai Yang, who lived in Shanghai. The daughter insisted that they try the restaurant because it smelled "like home." Peter Kaufman loved the food Peter Fang had made him so much that he told his dad, who soon came back with food critic Patty Unterman. Unterman's review of House of Nanking appeared in the Sunday paper—the Bible for folks in the days before the internet. That review appeared next to a column about a little place called French Laundry. Both restaurants got three stars—but their affordability dollar signs were dramatically different. The next day of service at House of Nanking saw the first of its now trademark long lines to get in. We turn at this point in the conversation to talk about Kathy and her life. From her earliest memories, she recalls just being in her parents' restaurant all the time. It was an exciting time in San Francisco—the late Eighties/early Nineties. Broadway and its liveliness were basically next door. Life was colorful for young Kathy. She knew her life was atypical. "Sometimes I wish I could (be like the other kids and) go to sleep at a decent time," she says looking back. She sometimes slept in the restaurant. But she also go to eat at North Beach restaurants with her parents after they closed up their own eatery for the night. I ask Kathy to name drop names of places they went—New City (the best Alfredo) and Basta Pasta (veal piccata) stand out. Kathy didn't do quote-unquote normal kid things until middle school. Up to that point, it was all restaurant, all the time. One notable exception was seeing Chinese movies at the Great Star Theater, another thing kids didn't normally do. At my prompting, Kathy rattles off the San Francisco schools she went to. It starts with Jefferson Elementary. Then she went to Convent of the Sacred Heart for middle school and high school. Around the time she started middle school, as noted earlier, her life changed. She spent less and less time at the restaurant and more time doing homework. She saw her parents much less in this era, too. But she did get to see her dad when he'd pick her up from school. They'd almost always go eat in Chinatown after that. Those meals formed the foundation of a strong father-daughter relationship for Kathy and Peter. We end Part 1 with Kathy sharing all the sports she played throughout her school days. In varsity volleyball, playing back row, she had a "killer serve that no one could return." Check back Thursday for Part 2 with Kathy Fang. We recorded this episode at House of Nanking in Chinatown in December 2025. Photography by Dan Hernandez

This week is all about bands playing other bands' songs… that are completely awesome and radical… whatever! Whether they play it straight, note-for-note, or re-interpret it, bands love to pay tribute to great songs they love. In this episode, we showcase bands being able to interpret 80s and 90s songs as their own. Which decade is more fun to cover and which translates better to listeners in the 2020s???What's this InObscuria thing? We're a podcast that exhumes obscure Rock n' Punk n' Metal and puts them in one of 3 categories: the Lost, the Forgotten, or the Should Have Beens. From metal bands heavying up classic 80s & 90s rock standards, to punk bands speeding up 80s & 90s pop… we got ya covered! Songs this week include:Margarita Witch Cult – “White Wedding (Billy Idol)” from Strung Out In Hell(2025)Fishbone – “Them Bones (Alice In Chains)” from Them Bones - single (2025) Lucifer Star Machine – “Naked City (KISS)” from Ssik Action! A High Energy Tribute To The Hottest Band In The World (2022)Horseburner – “Spoonman (Soundgarden)” from Superunknown (Redux) (2023)Phil X & The Drills – “Allied Forces (Triumph)” from Magic Power: All Star Tribute to Triumph (2025)Lesbian Bed Death – “Hellraiser (Ozzy Osbourne / Motörhead)” from Born To Die On VHS (2019)Marvelous 3 – “I Melt With You (Modern English)” from Melt With You - Single (2025)Softcult – “Been A Son (Nirvana)” from Been A Son - Single (2022)Please subscribe everywhere that you listen to podcasts!Buy cool stuff with our logo on it: InObscuria StoreVisit us: https://inobscuria.com/https://www.facebook.com/InObscuriahttps://x.com/inobscuriahttps://www.instagram.com/inobscuria/

Chuck Klosterman's new book FOOTBALL releases January 20th. Named a most anticipated book of 2026 by NPR, it covers the NFL, college, TV, video games, gambling, Colin Kaepernick, CTE, Jim Thorpe, and how football has shaped American life. The New York Times bestselling author joins AL.com's Ben Flanagan and Matt Wake to talk about his football obsession, plus why he's fascinated with Alabama and Nick Saban. Chuck Klosterman's books include Sex, Drugs, and Cocoa Puffs: A Low Culture Manifesto; But What If We're Wrong? Thinking About the Present As If It Were the Past, and The Nineties. You've read his work in Esquire, ESPN, New York Times Magazine, and you've heard him on The Bill Simmons Podcast. He is self-proclaimed football psychotic. Learn more about your ad choices. Visit megaphone.fm/adchoices

When two friends step into “Eighties World” for a day of hairspray and synth-pop, they discover that behind the colorful facade of their favorite decade lies a brutal historical reality—and a rogue army of Soviet robots determined to ensure they never reach the Nineties.If you have a story you'd like to contribute to the series, you can visit https://submissions.soundconceptmedia.com/You can support the show by becoming a paid subscriber on Substack: https://auditoryanthology.substack.comBy becoming a paid subscriber you can listen to every episode completely ad-free!Curator: Keith Conrad linktr.ee/keithrconradNarrator: Darren Marlar https://darrenmarlar.com/Other shows hosted by Darren:Weird Darkness: https://weirddarkness.com/Paranormality Magazine: https://weirddarkness.tiny.us/paranormalitymagMicro Terrors: Scary Stories for Kids: https://weirddarkness.tiny.us/microterrorsRetro Radio – Old Time Radio In The Dark: https://weirddarkness.tiny.us/retroradioChurch of the Undead: https://weirddarkness.tiny.us/churchoftheundead Hosted on Acast. See acast.com/privacy for more information.

Venezuela has a deep tradition of reflecting political change through music. This week, as the country reels from the seizure of its president by American forces, we explore the recent history of Venezuelan protest music, and from the Nineties right up until the present. First, we share an excerpt of an episode we made at another moment of political turmoil in Venezuela, in the summer of 2024. Then, we'll walk up to the present and see how some musicians across Latin America are responding to this moment. And a big thanks to NPR Music's Isabella Gomez Sarmiento for being our guide.(00:00) Intro(02:06) A history of Venezuelan protest music(13:39) Social and economic changes under Nicolas Maduro(14:53) Venezuelan protest music in recent years(22:21) How artists across Latin America are respondingThis podcast was produced by Noah Caldwell. The executive producer of NPR Music is Suraya Mohamed.Learn more about sponsor message choices: podcastchoices.com/adchoicesNPR Privacy Policy

Venezuela has a deep tradition of reflecting political change through music. This week, as the country reels from the seizure of its president by American forces, we explore the recent history of Venezuelan protest music, and from the Nineties right up until the present. First, we share an excerpt of an episode we made at another moment of political turmoil in Venezuela, in the summer of 2024. Then, we'll walk up to the present and see how some musicians across Latin America are responding to this moment. And a big thanks to NPR Music's Isabella Gomez Sarmiento for being our guide.(00:00) Intro(02:06) A history of Venezuelan protest music(13:39) Social and economic changes under Nicolas Maduro(14:53) Venezuelan protest music in recent years(22:21) How artists across Latin America are respondingThis podcast was produced by Noah Caldwell. The executive producer of NPR Music is Suraya Mohamed.Learn more about sponsor message choices: podcastchoices.com/adchoicesNPR Privacy Policy

We're baaaaaaack! Happy New Year, y'all! In this first episode of 2026, meet and get to know San Francisco artist Hollis Callas. Hollis first came across my radar a few years ago when she won a contest to design our city's new "I voted" stickers. I soon learned that she's something of an artistic fixture in one of my adopted neighborhoods—The Inner Richmond. So I sat down with her one afternoon in November to learn more about her life. In Part 1, Hollis, an artist, illustrator, and designer, begins sharing her life story, which started in Atlanta. She grew up in the same Georgia house where her dad was also raised. Her grandpa lived there when Hollis was young, and her parents still live in the house today. Both of Hollis's parents are creatives. Her mom studied fabric design and textiles and weaves quilts these days. Her dad is a carpenter and "builds everything." Along with her crafty dad, Hollis often found herself making big changes in her house when she was little. Her parents met when they were both at the University of Georgia, in Athens. When the two moved in together, Hollis's mom was friends with members of the B-52s. That now well-known band played one of its early shows at her parents house, in fact. Hollis met the band when she was a kid, but doesn't really remember it. After they each graduated college, Hollis's parents moved back to Atlanta to that ancestral home we talked about earlier to take care of her dad's dad, who had fallen ill. First, her older sister was born. And then, in 1987, along came baby Hollis. Life in Atlanta in the Nineties for Hollis meant lots of time outdoors. There's an acre of land with the house she grew up in, space for lots of trees and a bird sanctuary. It was still a time of latch-key kids, and she was definitely one. Hollis roamed her parents' land, wading in creeks and running through the forest. Her parents eventually got a second home up in the Blue Ridge Mountains where she also spent a lot of time. Hollis went to public school the whole way. Her mom went back to school to become an elementary school librarian, and her dad taught at her high school what we used to call woodshop and coached the boys cross-country team (Hollis was part of the girls team). Kids at her high school loved Coach Griffith, she says. Art didn't necessarily "enter" Hollis' life. It was always just there. She answered that dreaded question some adults ask kids of "what do you wanna be when you grow up?" with "an artist or a vet." But then she stared getting good grades in art and didn't do so well in math. The Universe spoke, and Hollis listened. Sports remained a big part of Hollis's life up to and through college, where she played intramural soccer. There was an art school in a small North Carolina town she'd had her eye on, but she ended up getting a scholarship to stay in-state, and landed at UGA in Athens, where she studied art. UGA is one of those intense Greek life schools (I relate, having gone to UT Austin), and Hollis found out quickly that it wasn't for her. She found her art school homies right away. At this point in the recording, Hollis and I go on a sidebar about recurring end-of-semester nightmares. Hollis graduated from UGA with two degrees—ceramics and art education. She student taught one year and got out in five total. After that, she and her boyfriend (now husband) applied for teaching jobs in Spain. They heard back almost a year later, and found themselves living in Zamora and staying for two years. We chat about her time in Spain. They had such a good time the first year and got really embedded, making friends, working, learning Spanish, and joining a bicycling group that they decided to double-up and stay one more year. At the end of that run, though, pressures started to mount for them to return to the US. They came back to Atlanta and Hollis got a job teaching ceramics at a high school. Not even 30 yet herself, she found it difficult to lead a group of kids who weren't that much younger than she was. And they were going through their own hard times. After one year teaching, when colleges came to recruit the teenagers, The Creative Circus ended up picking Hollis. It was a two-year "bootcamp" type of learning environment, geared toward careers in advertising. But before her two years were up, Hollis got a job in San Francisco. Check back Thursday for Part 2 with artist Hollis Callas. We recorded this podcast at Hollis's studio inside of Chloe Jackman Photography in The Inner Richmond in November 2025. Photography by Jeff Hunt

In lieu of the upcoming Street Fighter film... let's talk about one of the originals! Future Cops! Let's just hope that the new one is ALSO about the beloved Capcom characters going back in time and undercover at a university!DISCLAIMER: Language and Spoilers!FUTURE COPSdir. Wong Jingstarring: Andy Lau; Jacky Cheung; Aaron Kwok

In this episode, it's our final Year of the Nineties episode as we put our favorite 32 films into a bracket and decide an ultimate champion! There are some fascinating matchups in the first round and it will only get more interesting from there! Listen now!

Chris Stanley and Chris Faga have a NEW beef in the new year already! Mike Harrington returns to start the new year on a new slate and they talk about 90s nostalgia, giving some awards for 2025, debate spreading false flags, remember Charlie Kirk, and issue a challenge to the GaS Digital higher ups!DON'T FORGET TO WATCH FAGA'S NEW SPECIAL "BURN AFTER SAYING" ON THE HSR YOUTUBE PAGE!⁠⁠https://www.youtube.com/watch?v=TxIHJU2LotU⁠⁠Support Our Sponsors!Body Brain Coffee: https://bodybraincoffee.com/ - Grab A Bag of Body Brain Coffee with Promo Code HSR20 to get 20% off!YoKratom - https://yokratom.com/High Society Radio is 2 native New Yorkers who started from the bottom and didn't raise up much. That's not the point, if you enjoy a sideways view on technology, current events, or just an in depth analysis of action movies from 2006 this is the show for you.Chris Stanley is the on air producer for Bennington on Sirius XM.Chris Faga is a lifelong street urchin, a former head chef, county comitteman and supposed comedian. Twitter: https://twitter.com/ChrisFromBklynInstagram: https://www.instagram.com/chrisfrombklynEngineer: DomExecutive Producer: JorgeInstagram: https://www.instagram.com/themharrington/Twitter: https://twitter.com/TheMHarringtonSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Dr. Beckett reviews Darin Ostrom's draft manuscript on 'Sports Card Innovations in the Nineties'. Dr. Beckett discusses various aspects of the book, such as the history and evolution of sports cards, including notable companies like Upper Deck and Topps, as well as key events that shaped the industry, plus the chaotic nature of the late 80s and 90s sports card market, the role of different companies and products, and the importance of documenting this era accurately. Additionally, rookie card rules, the challenges of overproduction, and the significance of narrative versus encyclopedic writing in capturing sports card history.   00:52 Discussion on 90s Sports Card History 01:36 Linear vs. Non-Linear Book Structure 02:04 Market Trends in the 80s and 90s 02:51 Key Players in the Sports Card Industry 03:48 Failures in the Sports Card Market 05:14 Specific Companies' Contributions 13:17 Rookie Cards and Market Dynamics    

In Part 2, we pick up right where we left off in Part 1. Continuing her history of 3117 16th Street, Lex notes that "The Roxie has lived many lifetimes." She describes the Eighties and Nineties as busy times for the theater. They ran a series of Werner Hertzog films in that era. Akira Kurisawa visited for some of his movies. Many local films and film festivals took place at The Roxie. Frameline was set there. San Francisco and the greater Bay Area were becoming something of a cinema mecca. The aforementioned Roxie Releasing ended up helping the business in times when ticket sales weren't so hot. Even then, the theater went through some really rough patches financially. That persisted into the early 2000s. And then, The New College came along. The Roxie became the school's film center, in fact. Hope emerged … until The New College lost its accreditation and had to shutter. In 2009, with a still-uncertain future ahead of it, The Roxie officially became a nonprofit, one of the first of its kind. It was a huge turning point for the theater—but it didn't solve all their problems. There were numerous "Save The Roxie" campaigns, and about 10 years ago or so, the Board contemplated closing down for good. Obviously, that didn't happen. But in 2020, like every person and business on the planet, The Roxie fell victim to the pandemic. Lex walks us through how COVID and the ensuing shutdown impacted the theater. In the years leading up to 2020, the theater was finally thriving again. But they were the first movie theater in San Francisco to shut down, which they did so voluntarily before the mandate. The Roxie stayed shuttered for 434 consecutive days during COVID. In that time, employees sent postcards to Roxie members; they did pop-up drive-in cinemas; they did "Virtual Roxie," in which the theater curated movies folks could watch from home; and they held online panel discussions with filmmakers. Once they felt it was safe and they reopened The Roxie, it all felt worth the sacrifices. Instantly, the theater was full of people and life and joy. Despite all that, though, financial struggles resumed once again. Eventually, as many businesses were able to do, they got back to full capacity movie screenings. The conversation shifts to The Roxie's ongoing efforts to buy the building it's situated in. Henry describes the process, which began with a feasibility study. The study came back in the affirmative—they had a real shot at raising the money needed for such a huge endeavor. He describes the current board members as a cohesive bunch. No factions exist and they all are aligned with laser-sharp focus. The next step was convincing the landlords to sell to them, to prove that the non-profit was capable of raising the kind of money it would take to get the deal done. That took about a year of back-and-forth. But after that process of negotiating with the building's previous owner, they had an asking price. They could then raise money. The first donations came from Roxie Board members. In fact, within two weeks of launching the capital campaign, every member of the Board had donated. Then many of those Board members began pitching … and pitching … and pitching. This April, the efforts went public, and to great success. The lovefest began. The goal from the outset was to raise $7 million in three years. As The Roxie approaches the end of the second year of its fundraising (meaning nowadays), it's within striking distance. Because the total amount that they're raising includes money for way overdue maintenance and upgrades, they already have enough for the basic purchase. In fact, the building is already under the ownership of The Roxie Theater nonprofit organization. Now that the goal is in sight, they're aiming to close 2025 with a final push to make it to $7 million in two years instead of three. And that's where you and I come in. If you or anyone you know would like to help a San Francisco landmark further cement its legacy in our city by buying its building, find more info and make a donation, please visit the Forever Roxie page. For donations of $30 and above, you will receive a Forever Roxie enamel pin. Donations of $60 and above receive the pin and a specially-designed pair of Roxie socks. For a donation of $120 and above, you receive all of the above along with a long-sleeve Roxie tee shirt. Also, from now through December 31, the Walter and Elise Haas fund will match every gift to the campaign. We end this episode with Lex reminding folks about The Roxie's weekly newsletter, which goes out every Wednesday and is always a delight. Go to roxie.com and click the "newsletter" button at the top-right to sign up.

Send us a textPress play and step through a time portal to the 1990s—sports dynasties on every screen, movie tie-ins on your soda cup, sitcoms that rewired comedy, and a Monday night where wrestling made the whole country pick a side. We hand the reins to our manager, Fiddy, and bring a lively panel together to relive the decade that shaped how we watch, listen, and eat.We kick off with the big question: were the 90s the true peak of sports dominance? From Jordan's Bulls to Gretzky and Lemieux, home run chases, and quarterbacks who defined eras, we tally the legends and ask if a decade could ever stack stars like that again. Then it's straight into the booth with John Madden and Pat Summerall—why their chemistry felt effortless and how their calls still echo in our heads. On the big screen, we revisit the Batman hype machine, the marketing that swallowed whole summers, and the films we still stop to watch—Heat, Forrest Gump, Mallrats, Billy Madison, Tombstone, Friday, and more.TV gets a full tour: 90210's taboo-breaking storylines, the TGIF routine, Seinfeld vs Friends, Fresh Prince, Married with Children, X-Files, Nickelodeon game shows, and the eerie charm of Are You Afraid of the Dark? We fire up the Monday Night Wars—WWF vs WCW, the NWO invasion, ECW chaos, and the Attitude Era's lightning-in-a-bottle energy that made pay-per-views must-see. Music rounds out the culture shift: grunge and alt-rock, hip-hop's canon from Biggie and Tupac to Outkast and Wu-Tang, pop's boy band takeover, Hootie's singalongs, and TRL's daily decider that turned tastes into a scoreboard.We close where so many memories started: McDonald's birthday parties, ball pits, Happy Meal toys, Pizza Hut red roofs, Ponderosa buffets, Denny's late nights, Chi-Chi's chips and salsa, and that perfect McDSubscribe for exclusive content: https://www.buzzsprout.com/1530455/support Buzzsprout - Let's get your podcast launched!Start for FREETactical BrotherhoodThe Tactical Brotherhood is a movement to support America.Dubby EnergyFROM GAMERS TO GYM JUNKIES TO ENTREPRENEURS, OUR PRODUCT IS FOR ANYONE WHO WANTS TO BE BETTER.ShankitgolfOur goal here at Shankitgolf is for everyone to have a great time on and off the golf courseSweet Hands SportsElevate your game with Sweet Hands Sports! Our sports gloves are designed for champions,Buddy's Beard CareBuddy's Beard Care provides premium men's grooming products at an affordable price.Deemed FitBe a part of our movement to instill confidence motivation and a willingness to keep pushing forwardWebb WesternWebb Western is for those who roll up their sleeves and do what it takes to get the job done. Disclaimer: This post contains affiliate links. If you make a purchase, I may receive a commission at no extra cost to you.Support the showFollow us on all social mediaX: @mikebonocomedyInstagram: @mikebonocomedy@tiktok: @mikebono_comedianFacebook: @mikebonocomedy

The story of how Randall Ann Homan got her name is a unique one. In this episode, meet and get to know Randall and her partner, in life and in neon, Al Barna. Today, the couple are all about all things San Francisco neon. But we'll get to that. When Randall's dad was a teenager, he saved a young girl named Randall from drowning. After saving the little girl, he taught her to swim. Years later, when he had his own daughter, he carried the name forward. Randall Homan grew up in Goodyear, Arizona, just outside of Phoenix. The town was named for the tire company, and it was where, back in the day, the eponymous blimp lived when not in use. Randall has a fun story about being brushed by the Goodyear blimp's ropes when she was a kid. She considered her hometown "Nowheresville" and left as soon as she could—at 17, after graduating from high school early. Randall came straight to San Francisco to attend Lone Mountain College (the University of San Francisco today). "It was wild," she says about her time in the Seventies in The City. Art school is what brought both Randall and Al to San Francisco. At her school, there was a dorm where all the art students, including Randall, lived. Views out the window of that dorm were always completely foggy except for one thing—the neon sign at the Bridge Theater on Geary pierced that blanket of gray. It left a strong impression on them both. Rewinding a bit, Randall says that there was a little neon in her hometown of Goodyear, and she was fascinated by it. She was interested in how it worked, but also was drawn to the beauty of the colored light. When I ask Randall whether she ever left San Francisco after her initial move here, she rewinds a little bit to talk about how young they both were when she and Al met. "Cupid hit us both square in the heart," she says. But they wanted to see the rest of the country. They both wanted to visit where the other is from (Al came here from Pennsylvania), but they compromised on New Orleans. They were drawn to NOLA by the music, and they sure did see a lot of that. But getting jobs was a different story. That didn't come easy in "the Big Easy," and so they came back. They've been in their San Francisco apartment for 30-plus years, and they're not going anywhere. As mentioned, Al comes from Pennsylvania, specifically the Scranton/Wilkes-Barre northeast area of the state. It was coal country, but young Al wanted to pursue art. And so he came to The City to go to the San Francisco Art Institute (RIP). It was 1976, and even though he was in college, Al never intended to stay longer than a year or two. The Beats influenced Al, and though San Francisco figures largely in their history, so does travel. But he and Randall were here during the so-called Season of the Witch—1978. Randall is quick to point out how much easier it was to move within The City back then, something they did every six months or so for a stretch. I ask them to rattle off the different neighborhoods, and they oblige me: Lower Nob Hill, North Beach, and The Mission figure prominently, among others. Al goes into a little more detail about how the two met. It was at a going-away party for a mutual friend. For him, that first meeting settled it. Randall was about to go to school in Los Angeles, and Al decided to join her down south. After a couple years at SFAI, Al left school to work for a film company, where he did a lot more learning. He was taking lots of photos, and it wasn't until Randall pointed out the abundance of neon signs in the backgrounds of his pictures that Al picked up on it. In addition to LA, they also spent some time in Flagstaff, Arizona, where they both got jobs at a silk screen company. Randall also got a job working for a sign painter whose hands were too shaky for his craft. The work she did painting signs left a big impression on Randall, and you can see it in her love of old neon signs today. Between the Eighties and early 2000s, they each worked in their respective crafts—photography for Al, and graphic design for Randall. Al worked for several decades for the Fine Arts Museums of San Francisco (the parent org for the de Young and Legion of Honor museums). He shares a story of helping prevent a bomb from exploding at the old de Young museum building, just before it was scheduled to be demolished anyway. Randall's graphic design work had her, among other jobs, designing album covers for bands. She did show posters, logos, and branding—work she still engages in to this day. In the Nineties, she designed the cover page for one of the Bay Guardian Best of The Bay issues. Eventually, the two decided to create a book all about neon. Putting together that first book—San Francisco Neon: Survivors and Lost Icons—took five years. We'll talk in more depth about that and their other, more recent projects in Part 2. We end Part 1 with the story of how neon became the central focus of both Al's and Randall's lives. It involved a sign in the Mission that was there one day and gone the next. Check back Thursday for Part 2 with Randall and Al. We recorded this podcast at Mario's Bohemian Cigar Store in North Beach in November 2025. Photography by Nate Oliveira

Today on The Gist, the late Bob Saget, who reconciles his Full House image with his "Dirty Daddy" persona while admitting he was a "nerd burglar" in his youth. They dissect the difference between misogyny and locker room talk, deconstruct the logic of his famous "Winnebago" joke. Then, cultural critic Chuck Klosterman joins to analyze The Nineties, explaining why the sitcom Coach might be the most significant show of the decade, how the internet ruined the necessary ambiguity of college football championships, and why Nirvana's musical legacy is inseparable from the non-musical impact of Kurt Cobain's depression. Produced by Corey Wara Email us at ⁠⁠⁠⁠thegist@mikepesca.com⁠⁠⁠⁠ To advertise on the show, contact ⁠⁠⁠⁠ad-sales@libsyn.com⁠⁠⁠⁠ or visit ⁠⁠⁠⁠https://advertising.libsyn.com/TheGist⁠⁠⁠⁠ Subscribe to The Gist: ⁠⁠⁠⁠https://subscribe.mikepesca.com/⁠⁠⁠⁠ Subscribe to The Gist Youtube Page: ⁠⁠⁠⁠https://www.youtube.com/channel/UC4_bh0wHgk2YfpKf4rg40_g⁠⁠⁠⁠ Subscribe to The Gist Instagram Page: ⁠⁠⁠⁠GIST INSTAGRAM⁠⁠⁠⁠ Follow The Gist List at: ⁠⁠⁠⁠Pesca⁠⁠⁠⁠ ⁠⁠⁠⁠Profundities | Mike Pesca | Substack

Jill and Tom open the show accepting the challenge of a listener. Tom was tasked to purchase more exciting donuts than the usual collection of double chocolates and powdered cinnamons. Listen in for this week's expanded options list. Tom shares some interesting Jeep news. The updated 2026 Grand Cherokee will be optionally powered by Stellantis' new Hurricane 4-cylinder engine. Though based on the existing 6-cylinder Hurricane engine, the new powerplant employs a “turbulent-jet injection” system featuring both port and direct fuel injection. Listen in to learn what that means. Still in the first segment, Tom talks a little about car sale in Russia, and Jill reviews the 2025 BMW X3. In the second segment, Jill and Tom welcome Telemetry Vice President of Market Research Sam Abuelsamid to the show. Sam shares insights from the company's newly published Global Assisted and Automated Driving Forecast report. How ready is the industry for hands-free driving? Listen in. In the last segment, Jill is subjected to Tom's “Dateline 1990” quiz. Finally, Jill shares the newly-released North American Car of the Year (NACTOY) finalists list. Winners will be selected in January. 

What if the Grey aliens abducting humans aren't exploring our world, but desperately parasitizing our species in a failed attempt to steal the one thing their advanced technology can never replicate—an immortal soul?IN THIS EPISODE: We've all been exposed to the concept of the grey aliens – made popular in numerous TV shows and films. From Steven Spielberg's “Close Encounters of the Third Kind”, to TV's “Stargate SG-1” they are seen as harmless, even friendly. But then there are the darker stories such as the true account of the abduction of Barney and Betty Hill, or the film “Fire In The Sky” telling of the true kidnapping of Travis Walton into a strange spacecraft – with both stories telling of strange and terrifying experiments being done to the abductees by the grey humanoids. But could that latter category of stories be even more sinister? Could the Greys be, in fact, harvesting our humanity… and possibly even our souls? (The Parasitic Greys) *** Over the years, hundreds of people online have shared memories of a cheesy Nineties movie called “Shazaam”. There is no evidence that such a film was ever made. What does this tell us about the quirks of collective memory? (The Non-Existent Film The Internet Insists Is Real) *** While the Loch Ness Monster, or “Nessie” is a worldwide celebrity, she has a distant cousin in America that doesn't get the same kind of press – although she probably should. Have you heard of Lake Erie's “Bessie”? (The Legendary Leviathan of Lake Erie)CHAPTERS & TIME STAMPS (All Times Approximate)…00:00:00.000 = The Abduction of Travis Walton00:03:30.325 = Show Open00:05:48.594 = The Parasitic Greys00:36:24.119 = ***The Non-Existent Film The Internet Insists Is Real00:51:26.241 = ***The Legendary Leviathan of Lake Erie00:57:03.719 = Show Close*** = Begins immediately after inserted ad breakSOURCES and RESOURCES:“The Abduction of Travis Walton” by Lee Speigel for the Huffington Post: https://weirddarkness.tiny.us/vd7v6xp3“The Parasitic Greys” from New Dawn Magazine: https://weirddarkness.tiny.us/3auj26fa (© Copyright New Dawn Magazine, www.newdawnmagazine.com. Permission granted to freely distribute this article for non-commercial purposes if unedited and copied in full, including this notice.)“The Non-Existent Film The Internet Insists Is Real” by Amelia Tait for New Statesman: https://weirddarkness.tiny.us/phpf3tcz“The Legendary Leviathan of Lake Erie” by Molly Fosco for Ozy: https://weirddarkness.tiny.us/bu7bj4e8=====(Over time links may become invalid, disappear, or have different content. I always make sure to give authors credit for the material I use whenever possible. If I somehow overlooked doing so for a story, or if a credit is incorrect, please let me know and I will rectify it in these show notes immediately. Some links included above may benefit me financially through qualifying purchases.)= = = = ="I have come into the world as a light, so that no one who believes in me should stay in darkness." — John 12:46= = = = =WeirdDarkness® is a registered trademark. Copyright ©2025, Weird Darkness.=====Originally aired: March 27, 2021EPISODE PAGE (includes sources): https://weirddarkness.com/GreyAlienAgendaABOUT WEIRD DARKNESS: Weird Darkness is a true crime and paranormal podcast narrated by professional award-winning voice actor, Darren Marlar. Seven days per week, Weird Darkness focuses on all thing strange and macabre such as haunted locations, unsolved mysteries, true ghost stories, supernatural manifestations, urban legends, unsolved or cold case murders, conspiracy theories, and more. On Thursdays, this scary stories podcast features horror fiction along with the occasional creepypasta. Weird Darkness has been named one of the “Best 20 Storytellers in Podcasting” by Podcast Business Journal. Listeners have described the show as a cross between “Coast to Coast” with Art Bell, “The Twilight Zone” with Rod Serling, “Unsolved Mysteries” with Robert Stack, and “In Search Of” with Leonard Nimoy.DISCLAIMER: Ads heard during the podcast that are not in my voice are placed by third party agencies outside of my control and should not imply an endorsement by Weird Darkness or myself. *** Stories and content in Weird Darkness can be disturbing for some listeners and intended for mature audiences only. Parental discretion is strongly advised.#WeirdDarkness #TravisWalton #AlienAbduction #GreyAliens #UFOEncounters #AlienConspiracy #ParanormalPodcast #FireInTheSky #UnexplainedMysteries #AlienExperiments

John welcomes legendary music and pop culture writer, thinker, and theoretician Chuck Klosterman to talk about the runaway success of the Oasis reunion tour and why America is suddenly gaga for the band 30 years after its peak. For those too young to remember the Britpop era or too addled to recall it clearly, Klosterman explains just how huge Oasis was back then; how the Internet and social media conspired to keep the perpetually feuding Noel and Liam Gallagher relevant even after the band broke up in 2009; and why, though the Oasis renaissance is surely being fueled by nostalgia for the 1990s—a decade about which Klosterman wrote the bestselling cultural history “The Nineties”—it's also about something deeper and more ineffable. To learn more about listener data and our privacy practices visit: https://www.audacyinc.com/privacy-policy Learn more about your ad choices. Visit https://podcastchoices.com/adchoices