Podcasts about director darren aronofsky

Director Darren Aronofsky

Director Darren Aronofsky

Director Darren Aronofsky

"What happened to my sweet girl?" "She's gone!" We watched Black Swan (2010) with our friend Harper, cohost of Hawkeyes Podcast and you'll have to excuse us, we have a lipstick mirror message to wipe off. We're closing out our mini Oscar series with the one that gave Natalie Portman her Best Actress win. Sure she's on the verge of tears the entire movie but you can't deny Natatlie and costar Mila Kunis put in the work to make this movie happen. Director Darren Aronofsky got some stellar performances from the two of them playing differnt sides of the same coin in an edgy, moody, tense package. Don't worry, we talk about the kerfuffle over Natalie's dance double and her getting adequate credit, give our dubious plot description of the ballet Swan Lake and we break down the eternal question; is Natalie Portman actually a good actress?  Regardless of our thoughts on that last one, she's got a little gold statue on her mantle that speaks for itself. Grab your legwarmers, scuff up your brand new toe shoes and get ready to eat no food while we talk everything Black Swan! Thanks for listening and don't forget to subscribe, rate and review us on Apple Podcasts! www.patreon.com/moviesthatmadeusgay Facebook/Instagram: @moviesthatmadeusgay Twitter: @MTMUGPod Scott Youngbauer: Twitter @oscarscott / Instagram @scottyoungballer Peter Lozano: Twitter/Instagram @peterlasagna

Poet Rupi Kaur talks about her new writing guide, Healing Through Words, plus her own journey with writing and overcoming writer's block. Artist Vivek Shraya shares more about her autobiographical solo stage show How To Fail As A Pop Star, which is focused on the true story of her life in music. Director Darren Aronofsky talks about the difficulty of casting the lead in his latest film, The Whale, and why Brendan Fraser was perfect for the part. Canada Reads is back for another round! Join us as this year's line-up of all-star books are revealed live alongside their all-star champions.

Director Darren Aronofsky discusses his new film, The Whale, with fellow director Greta Gerwig in a Q&A at the DGA theater in New York. In the conversation, Aronofsky discusses the motivation behind the film's 4:3 aspect ratio, the textual references between the play, his adaptation and the novel, Moby Dick, and his collaboration with lead actor Brendan Fraser. The film tells the story of Charlie, a reclusive English teacher whose guilt over abandoning his wife and baby daughter has led to a years-long eating disorder that now threatens his life. Faced with mortality, he attempts to make amends with the daughter he left behind. Please note: spoilers are included. See photos and a summary of this event below: https://www.dga.org/Events/2023/January2023/TheWhale_QnA_1222.aspx

Director Darren Aronofsky talks about the difficulty of casting the lead in his latest film, The Whale, and why Brendan Fraser was perfect for the part. Actor Alfre Woodard discusses her role in the new CBC/BET+ series The Porter, about Black railway porters and their families in the 1920s. Our panellists Kathleen Newman-Bremang, Craig Seymour and Jen Sookfong Lee look back on the biggest pop culture stories of 2022.

Director Darren Aronofsky talks about the difficulty of casting the lead in his latest film, The Whale, and why Brendan Fraser was perfect for the part. Actor Alfre Woodard discusses her role in the new CBC/BET+ series The Porter, about Black railway porters and their families in the 1920s. Our panellists Kathleen Newman-Bremang, Craig Seymour and Jen Sookfong Lee look back on the biggest pop culture stories of 2022.

What if you could go back in time? What if you could bring Zeke Perez with you when you did? And what if Zeke Watched Pi??? The What if? cycle and our discussion of Director Darren Aronofsky continues with Tim's Pick: Pi (1986)!

Join the lads as they settle in to explore an intense motion picture that just so happens to be one of Director Darren Aronofsky's earliest feature films in Pi!

Cinematographer Matty Libatique's work ranges from mind-bending features like Pi, Black Swan and Requiem for a Dream to huge Marvel movies such as Iron Man and Birds of Prey. He enjoys balancing his work on both large films and smaller indies in order to feel satisfied and to keep his craft sharp. For his latest film, The Prom, Matty met with director Ryan Murphy about the project. The star-studded cast and the message about gay acceptance appealed to him. But once Matty saw the Broadway play he was concerned- he had never shot a musical before, and he wasn't quite sure how to translate a big Broadway musical into a movie. Matty had worked on several music videos and was the cinematographer of 2018's A Star is Born, which featured musical performances, but it was incredibly gritty and grounded in reality compared to The Prom's bubbly feel-good fantasy world. He and director Ryan Murphy met and knew they wanted to keep it big and colorful while not going too over the top. Murphy loves working with color, and the two decided The Prom had to feature two distinct palettes of colors- the yellow/browns of normal Indiana contrasted with the bright pastels of “the prom” and the theater people who descend on the town. For the final scene in the movie where all the characters go to the all-inclusive prom, Matty and his team utilized a full array of lights on stage that they programmed on the fly. Growing up, Matty was always attracted to light, camera and composition in movies, but he didn't understand what anybody did on a film set until he saw Do The Right Thing. The Spike Lee film made him realize he wanted to make movies. He went to AFI film school along with director Darren Aronofsky and the two bonded right away. They began making movies together in a partnership that continues today. Matty says of his long relationship with Darren Aronofsky that when you keep working with the same directors, it's a sign you're doing the right thing and dedicating your craft to the right ideas. Their first feature together, Pi, had to be created within the parameters of an incredibly low budget. Aronofsky couldn't afford to shoot color film, only Super 16mm black and white reversal, so Pi had a grainy, gritty look and style immediately. A few scenes in Pi use a body-mounted rig to give it a first-person perspective. Matty and Aranofsky first saw the rig used by Icelandic cinematographers Eidur and Einar Snorri, now known as a Snorricam, and knew they wanted to use it in Pi- but the key was to use it sparingly. Matty's film, The Prom, is currently on Netflix. He is currently shooting the film, Don't Worry Darling, directed by Olivia Wilde. Hear our 2019 interview with Matty Libatique: https://www.camnoir.com/ep33/ Listen for Matty Libatique, Part 2, coming next week! He talks about Tigerland, The Fountain, working with Spike Lee, Iron Man and more. Find Matty Libatique: Instagram @libatique Find out even more about this episode, with extensive show notes and links: http://camnoir.com/ep120/ Sponsored by Hot Rod Cameras: www.hotrodcameras.com Website: www.camnoir.com YouTube: https://www.youtube.com/channel/UCNQIhe3yjQJG72EjZJBRI1w Facebook: @cinepod Instagram: @thecinepod Twitter: @ShortEndz

Maryse Alberti is a very eclectic and prolific cinematographer, shooting documentaries, indie films, television shows, commercials and large films over the course of her career. She prefers films that deal with something real- they don't have to revolutionize the world, but the characters have to be interesting and grounded in reality. On her latest film, Hillbilly Elegy, Maryse and director Ron Howard discussed how to treat the different time periods and places in the film. They wanted to juxtapose the character of J.D. at Yale against rural Kentucky and Ohio, while also making the flashbacks to his childhood stand out. The early childhood scenes are color rich and shot handheld, while Maryse used a Steadicam and normal color saturation for the more sedate and polite atmosphere at Yale. Hillbilly Elegy is about strong characters, requiring committed performances from actors Glenn Close and Amy Adams. Maryse made sure to give the actors and director the space to immerse themselves by devising unobtrusive lighting, coming in from windows outside and using lamps on the inside. Her  documentary experience of keeping it simple and natural also translates to her narrative work, and she's discovered that it is now second nature to find the best camera placement for a scene. Growing up in the South of France, Maryse didn't see many movies or television shows until she moved to New York as an au pair in the 1970's. She also worked in the art world, and had jobs as a performance trapeze artist, musician, assistant on small film sets, and took photos as a hobby. In 1990, she shot her first feature length documentary, H2 Worker, an expose of working conditions in the Florida sugar cane industry, which won Best Cinematography at the Sundance Film Festival. The documentary launched her career as a cinematographer. Maryse next worked with director Todd Haynes on several films including Poison and Velvet Goldmine. She jumped at the chance to work on the visually rich Velvet Goldmine, loosely based on David Bowie's early career of the 70's. At the time, Maryse had just finished working with Bowie on a Michael Apted documentary called Inspirations, and was a huge fan of the glam rock era. She and Haynes spent a great deal of time in pre-production and Maryse found his storyboards to be amazing works of art. Maryse continued to work on indie films in the 1990's, never shying away from difficult subject matter, such as the controversial Todd Solondz movie Happiness, which includes a storyline with a character who is a pedophile. Maryse found Happiness to be a tough movie since it was so out of the mainstream, dealing with volatile and sexual subject matter that would be almost impossible to find today. But in spite of it all, the crew found ways to have fun with some of the absurd special effects props for the film. Director Darren Aronofsky wanted his film The Wrestler to be entirely hand-held. As a shorter woman, Maryse knew it would be difficult and physically demanding to shoot entirely herself, so they hired camera operator Peter Nolan. Maryse and Aronofsky decided to shoot the entire movie on a single 12mm lens. They committed to a naturalistic approach for shooting it and stuck to it. They used a real location for the wrestling ring, including the real wrestling crowd and real wrestlers. After The Wrestler, Maryse was able to use some of what she learned to shoot Creed, with the exception of the crowd. Maryse kept the camera on the action the entire time, to emphasize that a boxer is truly alone in the ring, rather than relying on any reaction shots from the audience. In her documentary career, Maryse has worked with director Alex Gibney on several films, such as The Armstong Lie, Enron: The Smartest Guys in the Room, and Taxi to the Dark Side. She also had the good fortune to work with the late documentarian Michael Apted on several films, such as Incident at Ogala and Moving the Mountain,

Black Swan is a critically acclaimed and audience beloved drama/thriller, centring on the Swan Lake ballet. Natalie Portman delivers an Academy Award winning lead performance as an immature dancer who must embrace her dark side to fulfil her potential on-stage. Director Darren Aronofsky doesn't disappoint at bringing his abstract and psychological storytelling to this film. Plus, we break down the three reported upcoming Game Of Thrones spin-offs for your convenience.

Martes, 2 de Enero... La chica que me gusta me ha mirado por primera vez, no sabía que yo estaba entre los arbustos, pero ha mirado ahí... En fin, que esto no va aquí, aquí van drogas, bailes y madres; o lo que es lo mismo, Darren Aronofsky, sí, el del nombre que acabo de buscar en Google para no quedar como un paleto... Analizamos 3 películas: - Réquiem Por Un Sueño - Cisne Negro - Madre! Cuéntanos, ¿cúal es tu favorita? CONTACTO ______________________________________ www.cinefilosfrustrados.com @cinefilosfrustr cinefiloselpodcast@gmail.com CANAL DE TELEGRAM ______________________________________ https://t.me/cinefiloselpodcast

An ageing wrestler struggles to keep up with life as he is too old to continue his wrestling career. He realizes that he has to come to terms with what life has to offer at this stage and move on.   Director - Darren Aronofsky.    Become a MEMBER of THE GREEN ROOM! Details below!   Remember to RATE AND REVIEW us on iTunes! Membership: https://www.patreon.com/midnightdoublefeature Facebook: The After Party Instagram: @midnightdoublefeature Youtube: Midnight Double Feature Twitter: @mdfpod Email: midnightdoublefeature@gmail.com

Join the lads as they settle in to explore an intense motion picture that just so happens to be one of Director Darren Aronofsky's earliest feature films in 'Pi'!    Credits: Editor: Joel Lewis Composer: Tim Girard Host: Scott Murray

Aronofsky on why you have to make the audience laugh, cry or scare the shit out of the them.

Darren Aronofsky is one of the most innovative and boundary-pushing directors working in cinema. Join him in conversation with his longtime sound supervisor Craig Henighan as they discuss their work on Requiem for a Dream, The Fountain, Black Swan, Noah, and mother! In this episode Aronofsky talks about how Mother! ended up without a musical score, creating the character of the house, and how each element of the track is deliberately crafted. In this series of six episodes, we focus on the long-time collaboration of some of the leading directors and their sound supervisors working today. These remarkable directors talk about the importance of sound to the films, and how they work with sound design and music.

Programa nº 72 de El podcast de Cinoscar & Rarities. Repaso a los estrenos más destacados de octubre con la colaboración de Álex Tielas, Ronnie Valencia, Guillermo Navarro y Mayra Meza. ¡Gracias por darle al play! Guía de programa: 1' Presentación - 3' Noticias - 11' Blockbusters: "KINGSMAN 2" y "BLADE RUNNER 2049" - 21' Estreno en streaming: "EL JUEGO DE GERALD", "GAGA: FIVE FOOT TWO", "FIRST THEY KILLED MY FATHER", "THE MEYEROWITZ STORIES" y "NOSOTROS EN LA NOCHE" - 30' Director: Darren Aronofsky y "MOTHER!" - 36' Cartelera: "UNA MUJER FANTÁSTICA", "LAS HIJAS DE ABRIL", "EL TERCER ASESINATO" y "EN CUERPO Y ALMA" - 47' El rincón de Sitges: "ANNABELLE: CREATION", "THE OSIRIS CHILD" y "LEATHERFACE" - 56' Series: "ATYPICAL" y "ROOM 104" - 63' DVD: "JESÚS" y "MUSEM" - 67' Tráiler del mes: "WONDER WHEEL" - 70' Banda sonora: "LA REINA VICTORIA Y ABDUL" - 76' Despedida y canción: "Truth to Power", de One Republic Redes sociales: @CinoscaRarities Blog: http://cachecine.blogspot.com.es/ Correo: cinoscararities@gmail.com Itunes: https://itunes.apple.com/ec/podcast/podcast-cinoscar-rarities/id1085302751?mt=2

Director Darren Aronofsky discusses his new film, mother!, with fellow Director William Friedkin. The film tells the story of a young woman whose seemingly idyllic life is thrown into disarray when her husband invites strangers who claim to be fans of his work into their home. The film stars Jennifer Lawrence and Javier Bardem alongside Michelle Pfeiffer and Ed Harris.

Director Darren Aronofsky talks to Simon about his new film Mother! Plus the UK Box Office Top 10 and Mark reviews the week's new films including IT, Wind River and The Vault. Download the Kermode and Mayo podcast at bbc.co.uk/podcasts/5live. Email: mayo@bbc.co.uk Text: 85058 (charged at your standard network rate) Twitter: @wittertainment.

Director Darren Aronofsky talks to Simon about his new film Noah, which stars Russell Crowe. Plus the Box Office Top 10 and Mark's reviews of the week's new releases including Divergent and Rio 2.

Programa transmitido por www.radioreflejos.net el Jueves 10Mar11 a las 9 pm. Reflexión: Sin duda, el siglo XX significó el período más revolucionario en la lucha por conquistar el derecho a la igualdad y la equidad entre hombres y mujeres. Por milenios, en todas las culturas del planeta, las mujeres han sido objeto de discriminación en todas las esferas sociales y políticas, bajo la argumentación de supuestas diferencias naturales.   Es en el siglo XX cuando los fundamentos ideológicos que habían sustentado la condición de subordinación de la mujer se ven seriamente cuestionados, las mujeres se organizan para transgredir lo que hasta ese momento había sido considerado el orden natural, reivindicando un nuevo orden social fundamentado en los principios de igualdad, democracia y ciudadanía para todas las personas, decretados desde la Revolución Francesa. La conquista por el voto, el acceso a la educación, al trabajo remunerado, y la demanda de leyes no discriminatorias, constituyeron hitos en el proceso que aún vivimos para impulsar las transformaciones sociales, políticas, económicas y en general de todo orden, conducentes a la igualdad de derechos que superen las discriminaciones y desigualdades que aún persisten entre hombres y mujeres. Actualidad: “Homofobia y lesbofobia en el ambito laboral”. Tamara Adrian. Momento Literario: Una Mujer desnuda y en lo Oscuro. Mario Benedetti. Cinema: Cisne Negro. Director: Darren Aronofsky Tecnología: Mujeres Exitosas en Tecnología.   Música: Hoy nos acompañaron musicalmente: Ricardo Arjona, Cheo Feliciano, Chenoa, Silvio Rodríguez, Ricardo Montaner, Joan Manuel Serrat, Gilberto SantaRosa&Victor Manuelle.